{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1960\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1960\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026page=2","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1960\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026page=105"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":105,"limit_value":10,"offset_value":0,"total_count":1045,"first_page?":true,"last_page?":false}},"data":[{"id":"virmu_repositories_2_resources_229_c05_c133","type":"File","attributes":{"title":"#11 Virginia Designers 1960","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_229_c05_c133#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_229_c05_c133","ref_ssm":["virmu_repositories_2_resources_229_c05_c133"],"id":"virmu_repositories_2_resources_229_c05_c133","ead_ssi":"virmu_repositories_2_resources_229","_root_":"virmu_repositories_2_resources_229","_nest_parent_":"virmu_repositories_2_resources_229_c05","parent_ssi":"virmu_repositories_2_resources_229_c05","parent_ssim":["virmu_repositories_2_resources_229","virmu_repositories_2_resources_229_c05"],"parent_ids_ssim":["virmu_repositories_2_resources_229","virmu_repositories_2_resources_229_c05"],"parent_unittitles_ssm":["Records of the Statewide Partnerships Department (RG-15)","Series 5: Traveling Exhibitions"],"parent_unittitles_tesim":["Records of the Statewide Partnerships Department (RG-15)","Series 5: Traveling Exhibitions"],"text":["Records of the Statewide Partnerships Department (RG-15)","Series 5: Traveling Exhibitions","#11 Virginia Designers 1960","English","box RG-15 Box 5","folder RG15.05.0.132"],"title_filing_ssi":"#11 Virginia Designers 1960","title_ssm":["#11 Virginia Designers 1960"],"title_tesim":["#11 Virginia Designers 1960"],"unitdate_other_ssim":["1960"],"normalized_date_ssm":["1960"],"normalized_title_ssm":["#11 Virginia Designers 1960"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of the Statewide Partnerships Department (RG-15)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":868,"parent_access_restrict_tesm":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1960],"language_ssim":["English"],"containers_ssim":["box RG-15 Box 5","folder RG15.05.0.132"],"_nest_path_":"/components#4/components#132","timestamp":"2026-05-21T03:20:51.666Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_229","ead_ssi":"virmu_repositories_2_resources_229","_root_":"virmu_repositories_2_resources_229","_nest_parent_":"virmu_repositories_2_resources_229","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_229.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/229","title_filing_ssi":"Statewide Partnerships (RG-15)","title_ssm":["Records of the Statewide Partnerships Department (RG-15)"],"title_tesim":["Records of the Statewide Partnerships Department (RG-15)"],"unitdate_ssm":["1935-2012 [minimally processed; subject to change]"],"unitdate_inclusive_ssm":["1935-2012 [minimally processed; subject to change]"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-15","/repositories/2/resources/229"],"text":["RG-15","/repositories/2/resources/229","Records of the Statewide Partnerships Department (RG-15)","The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.","The collection is organized into six series but is minimally processed. Additional folder level inventories may be added as they are completed.","Series 1 General Files, 1940-1985, undated Series 2 Conferences, 1970-1984 Series 3 Chapters, Affiliates, and Statewide Partners, 1961-2008, undated Series 4 Manuals and Directories, 1971-1988 Series 5 Traveling Exhibitions, 1935-2011, undated Series 6 Fellowships, 1987-2012, undated","The collection was transferred from the Statewide Partnerships Department through periodic deposits.","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","There are hundreds of related files from the \"Extension Department\" and \"Virginia Museum Fellowships\" in the Director's Correspondence collection,  Series 1.1: Early Directors  at the Library of Virginia.","This series includes annual reports, program files, project files, BRAVO files, and others. Most date from the late 1970s to the early 1980s.","This series includes general files on the statewide system, as well as files on various chapters, affiliates, and partners, some of which have changed names over time. The institution files are roughly sorted chronologically, and there are two main sets of the files - one from the 1970s-1980s and one from the 1990s-2000s.","There are hundreds of related files from the \"Extension Department\" in the Director's Correspondence collection,  Series 1.1: Early Directors  at the Library of Virginia.","This series generally includes checklists, packing instructions, press releases, and schedules, while some files include photos and slides. There have been attempts to create a comprehensive list of traveling exhibitions since 1935, but efforts have been hindered by the repeating or changing of exhibition numbers, and often a lack of records.","This series includes applications from winners, reports, and planning files from the 1980s-2000s.","There are hundreds of related files titled \"Virginia Museum Fellowships\" in the Director's Correspondence collection,  Series 1.1: Early Directors  at the Library of Virginia, which cover the 1940s-1950s. Fellowship files from the 1960s and 1970s have never been located and are presumed lost.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","Virginia Museum of Fine Arts Archives","English \n.    "],"unitid_tesim":["RG-15","/repositories/2/resources/229"],"normalized_title_ssm":["Records of the Statewide Partnerships Department (RG-15)"],"collection_title_tesim":["Records of the Statewide Partnerships Department (RG-15)"],"collection_ssim":["Records of the Statewide Partnerships Department (RG-15)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["51.25 Linear Feet 57 boxes; 1,918 folders"],"extent_tesim":["51.25 Linear Feet 57 boxes; 1,918 folders"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. \u003c/p\u003e\n","\u003cp\u003eAs custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series but is minimally processed. Additional folder level inventories may be added as they are completed.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eGeneral Files, 1940-1985, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eConferences, 1970-1984\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eChapters, Affiliates, and Statewide Partners, 1961-2008, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eManuals and Directories, 1971-1988\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eTraveling Exhibitions, 1935-2011, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003eFellowships, 1987-2012, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series but is minimally processed. Additional folder level inventories may be added as they are completed.","Series 1 General Files, 1940-1985, undated Series 2 Conferences, 1970-1984 Series 3 Chapters, Affiliates, and Statewide Partners, 1961-2008, undated Series 4 Manuals and Directories, 1971-1988 Series 5 Traveling Exhibitions, 1935-2011, undated Series 6 Fellowships, 1987-2012, undated"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Statewide Partnerships Department through periodic deposits.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred from the Statewide Partnerships Department through periodic deposits."],"prefercite_html_tesm":["\u003cp\u003eRecords of the Statewide Partnerships Department (RG-15). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Records of the Statewide Partnerships Department (RG-15). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided."],"relatedmaterial_html_tesm":["\u003cp\u003eThere are hundreds of related files from the \"Extension Department\" and \"Virginia Museum Fellowships\" in the Director's Correspondence collection, \u003ca href=\"https://archives.vmfa.museum/repositories/2/archival_objects/7304\"\u003eSeries 1.1: Early Directors\u003c/a\u003e at the Library of Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There are hundreds of related files from the \"Extension Department\" and \"Virginia Museum Fellowships\" in the Director's Correspondence collection,  Series 1.1: Early Directors  at the Library of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis series includes annual reports, program files, project files, BRAVO files, and others. Most date from the late 1970s to the early 1980s.\u003c/p\u003e","\u003cp\u003eThis series includes general files on the statewide system, as well as files on various chapters, affiliates, and partners, some of which have changed names over time. The institution files are roughly sorted chronologically, and there are two main sets of the files - one from the 1970s-1980s and one from the 1990s-2000s.\u003c/p\u003e\n","\u003cp\u003eThere are hundreds of related files from the \"Extension Department\" in the Director's Correspondence collection, \u003ca href=\"https://archives.vmfa.museum/repositories/2/archival_objects/7304\"\u003eSeries 1.1: Early Directors\u003c/a\u003e at the Library of Virginia.\u003c/p\u003e","\u003cp\u003eThis series generally includes checklists, packing instructions, press releases, and schedules, while some files include photos and slides. There have been attempts to create a comprehensive list of traveling exhibitions since 1935, but efforts have been hindered by the repeating or changing of exhibition numbers, and often a lack of records.\u003c/p\u003e","\u003cp\u003eThis series includes applications from winners, reports, and planning files from the 1980s-2000s.\u003c/p\u003e\n","\u003cp\u003eThere are hundreds of related files titled \"Virginia Museum Fellowships\" in the Director's Correspondence collection, \u003ca href=\"https://archives.vmfa.museum/repositories/2/archival_objects/7304\"\u003eSeries 1.1: Early Directors\u003c/a\u003e at the Library of Virginia, which cover the 1940s-1950s. Fellowship files from the 1960s and 1970s have never been located and are presumed lost.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This series includes annual reports, program files, project files, BRAVO files, and others. Most date from the late 1970s to the early 1980s.","This series includes general files on the statewide system, as well as files on various chapters, affiliates, and partners, some of which have changed names over time. The institution files are roughly sorted chronologically, and there are two main sets of the files - one from the 1970s-1980s and one from the 1990s-2000s.","There are hundreds of related files from the \"Extension Department\" in the Director's Correspondence collection,  Series 1.1: Early Directors  at the Library of Virginia.","This series generally includes checklists, packing instructions, press releases, and schedules, while some files include photos and slides. There have been attempts to create a comprehensive list of traveling exhibitions since 1935, but efforts have been hindered by the repeating or changing of exhibition numbers, and often a lack of records.","This series includes applications from winners, reports, and planning files from the 1980s-2000s.","There are hundreds of related files titled \"Virginia Museum Fellowships\" in the Director's Correspondence collection,  Series 1.1: Early Directors  at the Library of Virginia, which cover the 1940s-1950s. Fellowship files from the 1960s and 1970s have never been located and are presumed lost."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"names_ssim":["Virginia Museum of Fine Arts Archives"],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"language_ssim":["English \n.    "],"total_component_count_is":1926,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:20:51.666Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_229_c05_c133"}},{"id":"virmu_repositories_2_resources_13_c04_c28","type":"File","attributes":{"title":"1939 World's Fair: exhibition catalogue for Carl Milles (1940), newspaper clippings, 1939 World's Fair book and the New York World's Fair 1939/40 photo essay","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_13_c04_c28#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_13_c04_c28","ref_ssm":["virmu_repositories_2_resources_13_c04_c28"],"id":"virmu_repositories_2_resources_13_c04_c28","ead_ssi":"virmu_repositories_2_resources_13","_root_":"virmu_repositories_2_resources_13","_nest_parent_":"virmu_repositories_2_resources_13_c04","parent_ssi":"virmu_repositories_2_resources_13_c04","parent_ssim":["virmu_repositories_2_resources_13","virmu_repositories_2_resources_13_c04"],"parent_ids_ssim":["virmu_repositories_2_resources_13","virmu_repositories_2_resources_13_c04"],"parent_unittitles_ssm":["Leslie Cheek, Jr. Personal Papers (SC-02)","Series 4: Personal Files"],"parent_unittitles_tesim":["Leslie Cheek, Jr. Personal Papers (SC-02)","Series 4: Personal Files"],"text":["Leslie Cheek, Jr. Personal Papers (SC-02)","Series 4: Personal Files","1939 World's Fair: exhibition catalogue for Carl Milles (1940), newspaper clippings, 1939 World's Fair book and the New York World's Fair 1939/40 photo essay","box SC-02 Box 9","folder Folder 367"],"title_filing_ssi":"1939 World's Fair: exhibition catalogue for Carl Milles (1940), newspaper clippings, 1939 World's Fair book and the New York World's Fair 1939/40 photo essay","title_ssm":["1939 World's Fair: exhibition catalogue for Carl Milles (1940), newspaper clippings, 1939 World's Fair book and the New York World's Fair 1939/40 photo essay"],"title_tesim":["1939 World's Fair: exhibition catalogue for Carl Milles (1940), newspaper clippings, 1939 World's Fair book and the New York World's Fair 1939/40 photo essay"],"unitdate_other_ssim":["1939-1977"],"normalized_date_ssm":["1939/1977"],"normalized_title_ssm":["1939 World's Fair: exhibition catalogue for Carl Milles (1940), newspaper clippings, 1939 World's Fair book and the New York World's Fair 1939/40 photo essay"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Leslie Cheek, Jr. Personal Papers (SC-02)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":374,"parent_access_restrict_tesm":["The collection is open for research. A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"containers_ssim":["box SC-02 Box 9","folder Folder 367"],"_nest_path_":"/components#3/components#27","timestamp":"2026-05-21T03:35:59.708Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_13","ead_ssi":"virmu_repositories_2_resources_13","_root_":"virmu_repositories_2_resources_13","_nest_parent_":"virmu_repositories_2_resources_13","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_13.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/13","title_filing_ssi":"Cheek, Leslie Jr. (SC-02)","title_ssm":["Leslie Cheek, Jr. Personal Papers (SC-02)"],"title_tesim":["Leslie Cheek, Jr. Personal Papers (SC-02)"],"unitdate_ssm":["1931-1993"],"unitdate_inclusive_ssm":["1931-1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-02","/repositories/2/resources/13"],"text":["SC-02","/repositories/2/resources/13","Leslie Cheek, Jr. Personal Papers (SC-02)","The collection is open for research. A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.","The collection is organized into six series, folders are arranged in the original order maintained by Cheek, and retain their original folder titles when provided.","Series 1 Skylark Farm, 1966-1992 Series 2 \"Living by Design\" and \"Cheek and the Arts,\" 1945-1989 Series 3 \"Designing for the Arts,\" 1984-1991 Series 4 Personal Files, 1934-1992 Series 5 Awards and Degrees, 1931-1993 Series 6 Trips, 1952-1980","Ten Talents in the American Theatre, 1957","Living by Design: Leslie Cheek and the Arts, 1985","Designing for the Arts: Environments by Leslie Cheek, 1990","Southern Civility: Recollections of my Early Life, 2003","Drawings for the Stage by Leslie Cheek, Jr., 1987","VMFA Directors: Leslie Cheek Jr. (4 folders)","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067) ","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)","Archives of American Art, Washington, DC: Architectural Forum, 1945-47; Time Lab, 1946-47; House Beautiful, 1947; Forum Exhibits, 1946-48; Exhibition Houses, Architectural Forum, 1947; Architectural League; Beauty at the Bar, Architectural League, 1948; Life in USA Houses Speech, Architectural League, 1946; Baltimore Museum Files: Correspondence, Photographs, Exhibition Info and Brochures; Architectural Consultant Files, 1968 to 1992; Above It All (Yale Thesis); Camouflage Info, Fort Belvoir, early 40's; For Us the Living (microfilm, original at MOMA); Oral History Interview","College of William and Mary, Williamsburg, VA: Photographs of Stage Sets; Articles; Festival Theatre; Publicity for Theatre Development; Publicity for Frobenius; Cheek Award; O'Keefe Affair; Muscarelle Museum; Competition Show; Publicity for Stage Design Exhibitions; WandM Coat-of-Arms; Tom Sawyer Exhibition; Publicity for Frank Lloyd Wright Show; Washington Speech; 19th Century Party; Faraway Farm Information; Drawings of Stage Sets related to WandM (Phi Beta Hall; Taliaferro Hall, Parties)","Museum of Modern Art, New York City, NY: For Us the Living Exhibition","Queens Museum, New York City, NY: Drawings of the 1939 New York World's Fair (Virginia Room)","Virginia Historical Society, Richmond, VA: Four Camouflage Training Displays (Ft. Belvoir – early 40's); Rotunda Club History","Leslie Cheek, Jr. was the second and longest-tenured Director of the Virginia Museum of Fine Arts. During his 20 year Directorship (1948-1968), he transformed the museum from a regional gem to a museum that operated on the international stage. ","Born in Nashville, Cheek was the son of Mabel Wood and Leslie Cheek, Sr., who became rich by investing in the family formula for Maxwell House Coffee. Cheek studied art at Harvard University before taking up architecture at Yale University and Columbia. After graduation, he headed to William and Mary College where he founded and headed up the Department of Fine Arts from 1937-1939. In 1939, he married Richmonder Mary Tyler Freeman, daughter of Pulitzer Prize winning author Douglas Southall Freeman. From 1939-1942, Cheek served in his first Directorship at the Baltimore Museum of Fine Art. He left the museum in 1942 to join the Army Corps of Engineers in WWII. ","After the war, he was hired as the Associate Editor of Architectural Forum Magazine and lived in New York City for three years. In 1948, he came to the VMFA as Director, spending 20 years building the collections, endowments, and reputation of the museum. He was  known for the Artmobile, a mobile art program which brought the museum's collections all over the state of Virginia, and the Virginia Museum Theatre which opened in 1955 and successfully integrated the performing and visual arts. ","After retiring in 1968, Cheek stayed active in the arts, and two books were published about his life and career, \"Living by Design\" and \"Designing for the Arts.\" In 1967, the Cheeks purchased a mountaintop home named Skylark Farm in the Blue Ridge Mountains, which they donated to Washington and Lee University in 1977. ","Source:  The Dictionary of Art Historians","Source: Virginia Commonwealth University's  Guide to the Mary Tyler Freeman Cheek McClenahan Papers","This collection is comprised of materials donated by Leslie Cheek, Jr.'s family members. The bulk of this collection was donated to the VMFA Library by Leslie's widow Mary Tyler Freeman Cheek McClenahan in 1993. The remainder of the material was donated by Leslie's children in 2005.","Processing and description were performed by Jennie Runnels in the mid-1990s. Original folder titles were retained. Publications were removed and added to the VMFA Library's holdings. Framed items were disassembled and the materials stored in flat files, with the exception of the few framed items which used archival mats.","The collection's inclusive dates are 1931-1993, with the bulk of the material dating from the 1960s-1980s. The collection is comprised of correspondence, plans, photographs, financial records, interviews, book drafts, exhibition records, travel itineraries, and other ephemeral material.","This series is comprised of correspondence, plans, and photographs related to Skylark Farm, a house and tree farm located in the Blue Ridge Mountains of Virginia, owned, designed and furnished by the Cheeks between 1967 and 1977 when it was donated to Washington and Lee University. The Cheeks were also involved in the transformation of the house into a conference center for the University in the 1990s.","This series is comprised of correspondence, interviews, and exhibition details related to the 1985 publication of \"Living by Design: Leslie Cheek and the Arts,\" which was written by Parke Rouse, Jr. and researched by K. Richmond Temple. The photobiography was released at the same time that a corresponding exhibition entitled \"Cheek and the Arts\" opened at the Muscarelle Museum of Art in December 1985.","This series is comprised of correspondence, drafts, and financial details related to the 1990 publication of \"Designing for the Arts: Environments by Leslie Cheek,\" which was written by K. Richmond Temple. It was designed as a photo essay, and served as volume two to the previously published \"Living by Design\" in 1985.","This series is mainly comprised of correspondence related to a myriad of activities and projects that Cheek took on throughout his career and during his retirement. There is a considerable amount of material created during his tenure as Director of the VMFA. This series also contains oversized materials, including many drawings done by Cheek while in school in the 1930s and after, as well as photographs, mounted clippings, and some bound volumes and drawings.","This series is comprised of correspondence about and the actual awards and degrees conferred upon Cheek throughout his life.","This series is comprised of correspondence, itineraries, and programs detailing the Cheeks' personal travels around the world.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","This collection documents a portion of the life of Leslie Cheek, Jr., the Virginia Museum of Fine Arts' second and longest-tenured Director (1948-1968). One series includes material from his early career and activities before the VMFA, as well as his tenure at the museum, and through his  retirement. Two series document the publication of two photobiographies about Cheek, \"Living by Design\" and \"Designing for the Arts.\" Another series is comprised of materials about Skylark Farm, the house and tree farm located in the Blue Ridge Mountains, owned, designed and furnished by the Cheeks between 1967 and 1977 when it was donated to Washington and Lee University. Other series document the Cheeks' personal world travels in the 1950s-1980s, some of Cheek's awards, and finally, a number of framed architectural drawings done by Cheek as a student in the 1930s.","Virginia Museum of Fine Arts Archives","Yale University","Joseph and Margaret Muscarelle Museum of Art‏","Virginia Museum of Fine Arts","Skylark Farm","Washington and Lee University","Cheek, Leslie, 1908-","McClenahan, Mary Tyler Freeman Cheek, 1917-","Temple, K. Richmond","Rouse, Parke, 1915-1997","English \n.    "],"unitid_tesim":["SC-02","/repositories/2/resources/13"],"normalized_title_ssm":["Leslie Cheek, Jr. Personal Papers (SC-02)"],"collection_title_tesim":["Leslie Cheek, Jr. Personal Papers (SC-02)"],"collection_ssim":["Leslie Cheek, Jr. Personal Papers (SC-02)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Cheek, Leslie, 1908-","McClenahan, Mary Tyler Freeman Cheek, 1917-","Temple, K. Richmond","Rouse, Parke, 1915-1997","Yale University","Joseph and Margaret Muscarelle Museum of Art‏","Virginia Museum of Fine Arts","Skylark Farm","Washington and Lee University"],"creator_ssim":["Cheek, Leslie, 1908-","McClenahan, Mary Tyler Freeman Cheek, 1917-","Temple, K. Richmond","Rouse, Parke, 1915-1997","Yale University","Joseph and Margaret Muscarelle Museum of Art‏","Virginia Museum of Fine Arts","Skylark Farm","Washington and Lee University"],"creator_persname_ssim":["Cheek, Leslie, 1908-","McClenahan, Mary Tyler Freeman Cheek, 1917-","Temple, K. Richmond","Rouse, Parke, 1915-1997"],"creator_corpname_ssim":["Yale University","Joseph and Margaret Muscarelle Museum of Art‏","Virginia Museum of Fine Arts","Skylark Farm","Washington and Lee University"],"creators_ssim":["Cheek, Leslie, 1908-","McClenahan, Mary Tyler Freeman Cheek, 1917-","Temple, K. Richmond","Rouse, Parke, 1915-1997","Yale University","Joseph and Margaret Muscarelle Museum of Art‏","Virginia Museum of Fine Arts","Skylark Farm","Washington and Lee University"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["19.4 Linear Feet 16 boxes; 596 folders and 48 oversized items"],"extent_tesim":["19.4 Linear Feet 16 boxes; 596 folders and 48 oversized items"],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research. A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, folders are arranged in the original order maintained by Cheek, and retain their original folder titles when provided.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eSkylark Farm, 1966-1992\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003e\"Living by Design\" and \"Cheek and the Arts,\" 1945-1989\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003e\"Designing for the Arts,\" 1984-1991\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePersonal Files, 1934-1992\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eAwards and Degrees, 1931-1993\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003eTrips, 1952-1980\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, folders are arranged in the original order maintained by Cheek, and retain their original folder titles when provided.","Series 1 Skylark Farm, 1966-1992 Series 2 \"Living by Design\" and \"Cheek and the Arts,\" 1945-1989 Series 3 \"Designing for the Arts,\" 1984-1991 Series 4 Personal Files, 1934-1992 Series 5 Awards and Degrees, 1931-1993 Series 6 Trips, 1952-1980"],"bibliography_html_tesm":["\u003cbibref\u003eTen Talents in the American Theatre, 1957\u003c/bibref\u003e","\u003cbibref\u003eLiving by Design: Leslie Cheek and the Arts, 1985\u003c/bibref\u003e","\u003cbibref\u003eDesigning for the Arts: Environments by Leslie Cheek, 1990\u003c/bibref\u003e","\u003cbibref\u003eSouthern Civility: Recollections of my Early Life, 2003\u003c/bibref\u003e","\u003cbibref\u003eDrawings for the Stage by Leslie Cheek, Jr., 1987\u003c/bibref\u003e","\u003cbibref\u003eVMFA Directors: Leslie Cheek Jr. (4 folders)\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067) \u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)\u003c/bibref\u003e","\u003cbibref\u003eArchives of American Art, Washington, DC: Architectural Forum, 1945-47; Time Lab, 1946-47; House Beautiful, 1947; Forum Exhibits, 1946-48; Exhibition Houses, Architectural Forum, 1947; Architectural League; Beauty at the Bar, Architectural League, 1948; Life in USA Houses Speech, Architectural League, 1946; Baltimore Museum Files: Correspondence, Photographs, Exhibition Info and Brochures; Architectural Consultant Files, 1968 to 1992; Above It All (Yale Thesis); Camouflage Info, Fort Belvoir, early 40's; For Us the Living (microfilm, original at MOMA); Oral History Interview\u003c/bibref\u003e","\u003cbibref\u003eCollege of William and Mary, Williamsburg, VA: Photographs of Stage Sets; Articles; Festival Theatre; Publicity for Theatre Development; Publicity for Frobenius; Cheek Award; O'Keefe Affair; Muscarelle Museum; Competition Show; Publicity for Stage Design Exhibitions; WandM Coat-of-Arms; Tom Sawyer Exhibition; Publicity for Frank Lloyd Wright Show; Washington Speech; 19th Century Party; Faraway Farm Information; Drawings of Stage Sets related to WandM (Phi Beta Hall; Taliaferro Hall, Parties)\u003c/bibref\u003e","\u003cbibref\u003eMuseum of Modern Art, New York City, NY: For Us the Living Exhibition\u003c/bibref\u003e","\u003cbibref\u003eQueens Museum, New York City, NY: Drawings of the 1939 New York World's Fair (Virginia Room)\u003c/bibref\u003e","\u003cbibref\u003eVirginia Historical Society, Richmond, VA: Four Camouflage Training Displays (Ft. Belvoir – early 40's); Rotunda Club History\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Books","Related Materials - VMFA Library: Exhibition File","Related Materials - VMFA Library: Subject File","Related Materials - Library of Virginia","Related Materials - Other Institutions"],"bibliography_tesim":["Ten Talents in the American Theatre, 1957","Living by Design: Leslie Cheek and the Arts, 1985","Designing for the Arts: Environments by Leslie Cheek, 1990","Southern Civility: Recollections of my Early Life, 2003","Drawings for the Stage by Leslie Cheek, Jr., 1987","VMFA Directors: Leslie Cheek Jr. (4 folders)","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067) ","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)","Archives of American Art, Washington, DC: Architectural Forum, 1945-47; Time Lab, 1946-47; House Beautiful, 1947; Forum Exhibits, 1946-48; Exhibition Houses, Architectural Forum, 1947; Architectural League; Beauty at the Bar, Architectural League, 1948; Life in USA Houses Speech, Architectural League, 1946; Baltimore Museum Files: Correspondence, Photographs, Exhibition Info and Brochures; Architectural Consultant Files, 1968 to 1992; Above It All (Yale Thesis); Camouflage Info, Fort Belvoir, early 40's; For Us the Living (microfilm, original at MOMA); Oral History Interview","College of William and Mary, Williamsburg, VA: Photographs of Stage Sets; Articles; Festival Theatre; Publicity for Theatre Development; Publicity for Frobenius; Cheek Award; O'Keefe Affair; Muscarelle Museum; Competition Show; Publicity for Stage Design Exhibitions; WandM Coat-of-Arms; Tom Sawyer Exhibition; Publicity for Frank Lloyd Wright Show; Washington Speech; 19th Century Party; Faraway Farm Information; Drawings of Stage Sets related to WandM (Phi Beta Hall; Taliaferro Hall, Parties)","Museum of Modern Art, New York City, NY: For Us the Living Exhibition","Queens Museum, New York City, NY: Drawings of the 1939 New York World's Fair (Virginia Room)","Virginia Historical Society, Richmond, VA: Four Camouflage Training Displays (Ft. Belvoir – early 40's); Rotunda Club History"],"bioghist_html_tesm":["\u003cp\u003eLeslie Cheek, Jr. was the second and longest-tenured Director of the Virginia Museum of Fine Arts. During his 20 year Directorship (1948-1968), he transformed the museum from a regional gem to a museum that operated on the international stage. \u003c/p\u003e\n","\u003cp\u003eBorn in Nashville, Cheek was the son of Mabel Wood and Leslie Cheek, Sr., who became rich by investing in the family formula for Maxwell House Coffee. Cheek studied art at Harvard University before taking up architecture at Yale University and Columbia. After graduation, he headed to William and Mary College where he founded and headed up the Department of Fine Arts from 1937-1939. In 1939, he married Richmonder Mary Tyler Freeman, daughter of Pulitzer Prize winning author Douglas Southall Freeman. From 1939-1942, Cheek served in his first Directorship at the Baltimore Museum of Fine Art. He left the museum in 1942 to join the Army Corps of Engineers in WWII. \u003c/p\u003e\n","\u003cp\u003eAfter the war, he was hired as the Associate Editor of Architectural Forum Magazine and lived in New York City for three years. In 1948, he came to the VMFA as Director, spending 20 years building the collections, endowments, and reputation of the museum. He was  known for the Artmobile, a mobile art program which brought the museum's collections all over the state of Virginia, and the Virginia Museum Theatre which opened in 1955 and successfully integrated the performing and visual arts. \u003c/p\u003e\n","\u003cp\u003eAfter retiring in 1968, Cheek stayed active in the arts, and two books were published about his life and career, \"Living by Design\" and \"Designing for the Arts.\" In 1967, the Cheeks purchased a mountaintop home named Skylark Farm in the Blue Ridge Mountains, which they donated to Washington and Lee University in 1977. \u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://arthistorians.info/cheekl\"\u003eThe Dictionary of Art Historians\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003eSource: Virginia Commonwealth University's \u003ca href=\"http://search.vaheritage.org/vivaxtf/view?docId=vcu-cab/vircu00021.xml/\"\u003eGuide to the Mary Tyler Freeman Cheek McClenahan Papers\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Leslie Cheek, Jr. was the second and longest-tenured Director of the Virginia Museum of Fine Arts. During his 20 year Directorship (1948-1968), he transformed the museum from a regional gem to a museum that operated on the international stage. ","Born in Nashville, Cheek was the son of Mabel Wood and Leslie Cheek, Sr., who became rich by investing in the family formula for Maxwell House Coffee. Cheek studied art at Harvard University before taking up architecture at Yale University and Columbia. After graduation, he headed to William and Mary College where he founded and headed up the Department of Fine Arts from 1937-1939. In 1939, he married Richmonder Mary Tyler Freeman, daughter of Pulitzer Prize winning author Douglas Southall Freeman. From 1939-1942, Cheek served in his first Directorship at the Baltimore Museum of Fine Art. He left the museum in 1942 to join the Army Corps of Engineers in WWII. ","After the war, he was hired as the Associate Editor of Architectural Forum Magazine and lived in New York City for three years. In 1948, he came to the VMFA as Director, spending 20 years building the collections, endowments, and reputation of the museum. He was  known for the Artmobile, a mobile art program which brought the museum's collections all over the state of Virginia, and the Virginia Museum Theatre which opened in 1955 and successfully integrated the performing and visual arts. ","After retiring in 1968, Cheek stayed active in the arts, and two books were published about his life and career, \"Living by Design\" and \"Designing for the Arts.\" In 1967, the Cheeks purchased a mountaintop home named Skylark Farm in the Blue Ridge Mountains, which they donated to Washington and Lee University in 1977. ","Source:  The Dictionary of Art Historians","Source: Virginia Commonwealth University's  Guide to the Mary Tyler Freeman Cheek McClenahan Papers"],"custodhist_html_tesm":["\u003cp\u003eThis collection is comprised of materials donated by Leslie Cheek, Jr.'s family members. The bulk of this collection was donated to the VMFA Library by Leslie's widow Mary Tyler Freeman Cheek McClenahan in 1993. The remainder of the material was donated by Leslie's children in 2005.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["This collection is comprised of materials donated by Leslie Cheek, Jr.'s family members. The bulk of this collection was donated to the VMFA Library by Leslie's widow Mary Tyler Freeman Cheek McClenahan in 1993. The remainder of the material was donated by Leslie's children in 2005."],"prefercite_html_tesm":["\u003cp\u003eLeslie Cheek, Jr. Personal Papers (SC-02). Gift of Mary Tyler Cheek McClenahan, Leslie Cheek III, Richard W. Cheek, and Elizabeth C. Morgan. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Leslie Cheek, Jr. Personal Papers (SC-02). Gift of Mary Tyler Cheek McClenahan, Leslie Cheek III, Richard W. Cheek, and Elizabeth C. Morgan. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessing and description were performed by Jennie Runnels in the mid-1990s. Original folder titles were retained. Publications were removed and added to the VMFA Library's holdings. Framed items were disassembled and the materials stored in flat files, with the exception of the few framed items which used archival mats.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Note"],"processinfo_tesim":["Processing and description were performed by Jennie Runnels in the mid-1990s. Original folder titles were retained. Publications were removed and added to the VMFA Library's holdings. Framed items were disassembled and the materials stored in flat files, with the exception of the few framed items which used archival mats."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1931-1993, with the bulk of the material dating from the 1960s-1980s. The collection is comprised of correspondence, plans, photographs, financial records, interviews, book drafts, exhibition records, travel itineraries, and other ephemeral material.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, plans, and photographs related to Skylark Farm, a house and tree farm located in the Blue Ridge Mountains of Virginia, owned, designed and furnished by the Cheeks between 1967 and 1977 when it was donated to Washington and Lee University. The Cheeks were also involved in the transformation of the house into a conference center for the University in the 1990s.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, interviews, and exhibition details related to the 1985 publication of \"Living by Design: Leslie Cheek and the Arts,\" which was written by Parke Rouse, Jr. and researched by K. Richmond Temple. The photobiography was released at the same time that a corresponding exhibition entitled \"Cheek and the Arts\" opened at the Muscarelle Museum of Art in December 1985.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, drafts, and financial details related to the 1990 publication of \"Designing for the Arts: Environments by Leslie Cheek,\" which was written by K. Richmond Temple. It was designed as a photo essay, and served as volume two to the previously published \"Living by Design\" in 1985.\u003c/p\u003e","\u003cp\u003eThis series is mainly comprised of correspondence related to a myriad of activities and projects that Cheek took on throughout his career and during his retirement. There is a considerable amount of material created during his tenure as Director of the VMFA. This series also contains oversized materials, including many drawings done by Cheek while in school in the 1930s and after, as well as photographs, mounted clippings, and some bound volumes and drawings.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence about and the actual awards and degrees conferred upon Cheek throughout his life.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, itineraries, and programs detailing the Cheeks' personal travels around the world.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note","Series Description","Series Description","Series Description","Series Description","Series Description","Series Description"],"scopecontent_tesim":["The collection's inclusive dates are 1931-1993, with the bulk of the material dating from the 1960s-1980s. The collection is comprised of correspondence, plans, photographs, financial records, interviews, book drafts, exhibition records, travel itineraries, and other ephemeral material.","This series is comprised of correspondence, plans, and photographs related to Skylark Farm, a house and tree farm located in the Blue Ridge Mountains of Virginia, owned, designed and furnished by the Cheeks between 1967 and 1977 when it was donated to Washington and Lee University. The Cheeks were also involved in the transformation of the house into a conference center for the University in the 1990s.","This series is comprised of correspondence, interviews, and exhibition details related to the 1985 publication of \"Living by Design: Leslie Cheek and the Arts,\" which was written by Parke Rouse, Jr. and researched by K. Richmond Temple. The photobiography was released at the same time that a corresponding exhibition entitled \"Cheek and the Arts\" opened at the Muscarelle Museum of Art in December 1985.","This series is comprised of correspondence, drafts, and financial details related to the 1990 publication of \"Designing for the Arts: Environments by Leslie Cheek,\" which was written by K. Richmond Temple. It was designed as a photo essay, and served as volume two to the previously published \"Living by Design\" in 1985.","This series is mainly comprised of correspondence related to a myriad of activities and projects that Cheek took on throughout his career and during his retirement. There is a considerable amount of material created during his tenure as Director of the VMFA. This series also contains oversized materials, including many drawings done by Cheek while in school in the 1930s and after, as well as photographs, mounted clippings, and some bound volumes and drawings.","This series is comprised of correspondence about and the actual awards and degrees conferred upon Cheek throughout his life.","This series is comprised of correspondence, itineraries, and programs detailing the Cheeks' personal travels around the world."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Publication"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1c02dc40e094a70e20450781f6a750e4\"\u003eThis collection documents a portion of the life of Leslie Cheek, Jr., the Virginia Museum of Fine Arts' second and longest-tenured Director (1948-1968). One series includes material from his early career and activities before the VMFA, as well as his tenure at the museum, and through his  retirement. Two series document the publication of two photobiographies about Cheek, \"Living by Design\" and \"Designing for the Arts.\" Another series is comprised of materials about Skylark Farm, the house and tree farm located in the Blue Ridge Mountains, owned, designed and furnished by the Cheeks between 1967 and 1977 when it was donated to Washington and Lee University. Other series document the Cheeks' personal world travels in the 1950s-1980s, some of Cheek's awards, and finally, a number of framed architectural drawings done by Cheek as a student in the 1930s.\u003c/abstract\u003e"],"abstract_tesim":["This collection documents a portion of the life of Leslie Cheek, Jr., the Virginia Museum of Fine Arts' second and longest-tenured Director (1948-1968). One series includes material from his early career and activities before the VMFA, as well as his tenure at the museum, and through his  retirement. Two series document the publication of two photobiographies about Cheek, \"Living by Design\" and \"Designing for the Arts.\" Another series is comprised of materials about Skylark Farm, the house and tree farm located in the Blue Ridge Mountains, owned, designed and furnished by the Cheeks between 1967 and 1977 when it was donated to Washington and Lee University. Other series document the Cheeks' personal world travels in the 1950s-1980s, some of Cheek's awards, and finally, a number of framed architectural drawings done by Cheek as a student in the 1930s."],"names_ssim":["Virginia Museum of Fine Arts Archives","Yale University","Joseph and Margaret Muscarelle Museum of Art‏","Virginia Museum of Fine Arts","Skylark Farm","Washington and Lee University","Cheek, Leslie, 1908-","McClenahan, Mary Tyler Freeman Cheek, 1917-","Temple, K. Richmond","Rouse, Parke, 1915-1997"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Yale University","Joseph and Margaret Muscarelle Museum of Art‏","Virginia Museum of Fine Arts","Skylark Farm","Washington and Lee University"],"persname_ssim":["Cheek, Leslie, 1908-","McClenahan, Mary Tyler Freeman Cheek, 1917-","Temple, K. Richmond","Rouse, Parke, 1915-1997"],"language_ssim":["English \n.    "],"total_component_count_is":648,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:35:59.708Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_13_c04_c28"}},{"id":"virmu_repositories_2_resources_41_c01_c01","type":"File","attributes":{"title":"1959-60 Season: Collectors' Choice Exhibition Loan Forms","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_41_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_41_c01_c01","ref_ssm":["virmu_repositories_2_resources_41_c01_c01"],"id":"virmu_repositories_2_resources_41_c01_c01","ead_ssi":"virmu_repositories_2_resources_41","_root_":"virmu_repositories_2_resources_41","_nest_parent_":"virmu_repositories_2_resources_41_c01","parent_ssi":"virmu_repositories_2_resources_41_c01","parent_ssim":["virmu_repositories_2_resources_41","virmu_repositories_2_resources_41_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_41","virmu_repositories_2_resources_41_c01"],"parent_unittitles_ssm":["Records of the Collectors' Circle (RG-19)","Series 1: Season Files"],"parent_unittitles_tesim":["Records of the Collectors' Circle (RG-19)","Series 1: Season Files"],"text":["Records of the Collectors' Circle (RG-19)","Series 1: Season Files","1959-60 Season: Collectors' Choice Exhibition Loan Forms","box RG-19 Box 1","folder 1"],"title_filing_ssi":"1959-60 Season: Collectors' Choice Exhibition Loan Forms","title_ssm":["1959-60 Season: Collectors' Choice Exhibition Loan Forms"],"title_tesim":["1959-60 Season: Collectors' Choice Exhibition Loan Forms"],"unitdate_other_ssim":["1959-1960"],"normalized_date_ssm":["1959/1960"],"normalized_title_ssm":["1959-60 Season: Collectors' Choice Exhibition Loan Forms"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of the Collectors' Circle (RG-19)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2,"parent_access_restrict_tesm":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1959,1960],"containers_ssim":["box RG-19 Box 1","folder 1"],"_nest_path_":"/components#0/components#0","timestamp":"2026-05-21T03:14:05.426Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_41","ead_ssi":"virmu_repositories_2_resources_41","_root_":"virmu_repositories_2_resources_41","_nest_parent_":"virmu_repositories_2_resources_41","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_41.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/41","title_filing_ssi":"Collectors' Circle (RG-19)","title_ssm":["Records of the Collectors' Circle (RG-19)"],"title_tesim":["Records of the Collectors' Circle (RG-19)"],"unitdate_ssm":["1959-2007"],"unitdate_inclusive_ssm":["1959-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-19","/repositories/2/resources/41"],"text":["RG-19","/repositories/2/resources/41","Records of the Collectors' Circle (RG-19)","The collection is minimally processed. 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"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:14:05.426Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_41_c01_c03"}},{"id":"virmu_repositories_2_resources_37_c04_c09_c986","type":"Item","attributes":{"title":"#1 Hand","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_37_c04_c09_c986#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_37_c04_c09_c986","ref_ssm":["virmu_repositories_2_resources_37_c04_c09_c986"],"id":"virmu_repositories_2_resources_37_c04_c09_c986","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37_c04_c09","parent_ssi":"virmu_repositories_2_resources_37_c04_c09","parent_ssim":["virmu_repositories_2_resources_37","virmu_repositories_2_resources_37_c04","virmu_repositories_2_resources_37_c04_c09"],"parent_ids_ssim":["virmu_repositories_2_resources_37","virmu_repositories_2_resources_37_c04","virmu_repositories_2_resources_37_c04_c09"],"parent_unittitles_ssm":["Louis H. Draper Artist Archives (VA-04)","Series 4: Photography: United States Locations","Sub-Series 4.9: New York"],"parent_unittitles_tesim":["Louis H. Draper Artist Archives (VA-04)","Series 4: Photography: United States Locations","Sub-Series 4.9: New York"],"text":["Louis H. Draper Artist Archives (VA-04)","Series 4: Photography: United States Locations","Sub-Series 4.9: New York","#1 Hand","7 x 7","Draper, Louis H., 1935-2002","New York (N.Y.)--Pictorial works.","box VA-04 Box 119","Item VA04.04.09.220.P1","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","Overall Dimensions: 7x7 1/2 in. ; Image Size: 7x7 1/2 in."],"title_filing_ssi":"#1 Hand","title_ssm":["#1 Hand"],"title_tesim":["#1 Hand"],"unitdate_inclusive_ssm":["Oct. 1960"],"normalized_date_ssm":["1960"],"normalized_title_ssm":["#1 Hand"],"component_level_isim":[3],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Louis H. Draper Artist Archives (VA-04)"],"physdesc_tesim":["7 x 7"],"physfacet_tesim":["Black-and-white prints (photographs)"],"creator_ssim":["Draper, Louis H., 1935-2002"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":4952,"parent_access_restrict_tesm":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website.","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"parent_access_terms_tesm":["In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust."],"date_range_isim":[1960],"names_ssim":["Draper, Louis H., 1935-2002"],"persname_ssim":["Draper, Louis H., 1935-2002"],"geogname_ssim":["New York (N.Y.)--Pictorial works."],"geogname_ssm":["New York (N.Y.)--Pictorial works."],"places_ssim":["New York (N.Y.)--Pictorial works."],"acqinfo_ssim":["Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund."],"containers_ssim":["box VA-04 Box 119","Item VA04.04.09.220.P1"],"odd_html_tesm":["\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor."],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"userestrict_html_tesm":["\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust."],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_d0ed73bbc159a9a5713ed90c69566e8f\"\u003eOverall Dimensions: 7x7 1/2 in. ; Image Size: 7x7 1/2 in.\u003c/materialspec\u003e"],"materialspec_tesim":["Overall Dimensions: 7x7 1/2 in. ; Image Size: 7x7 1/2 in."],"_nest_path_":"/components#3/components#8/components#985","timestamp":"2026-05-21T03:45:55.431Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_37","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_37.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/37","title_filing_ssi":"Draper, Louis (VA-04)","title_ssm":["Louis H. Draper Artist Archives (VA-04)"],"title_tesim":["Louis H. Draper Artist Archives (VA-04)"],"unitdate_ssm":["1945-2005"],"unitdate_inclusive_ssm":["1945-2005"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["VA-04","/repositories/2/resources/37"],"text":["VA-04","/repositories/2/resources/37","Louis H. Draper Artist Archives (VA-04)","Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching","The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website .","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.","The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1 Manuscripts, 1947-2005, undated Series 2 Publications, 1959-2005, undated Series 3 Photography: Portraits, 1958-2001, undated Series 4 Photography: United States Locations, 1957-1999, undated Series 5 Photography: International Locations, 1978-1990, undated Series 6 Photography: Landscapes and Abstractions, 1960-2000, undated Series 7 Portfolios, 1964, undated Series 8 Photographic Equipment, 1945-1988, undated Series 9 Audiovisual Materials, 1972-2000, undated Series 10 Born Digital Files, 1996-2001, undated Series 11 Photographs by Others, 1946-1998, undated","Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge","Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"","American--1","American--1","Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. ","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia ( email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019 ). ","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. ","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection ( email to Courtney Tkacz from Gary Saretzky, June 28, 2019 ). ","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Copyright 1931. Dated \"8.8.66\" on the inside front cover with the return address label of a nurse in Asbury Park, N.J., so Draper likely purchased it second-hand after 1966.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Application for Substitute Clerk position.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Teenie Harris Archive Online: http://teenie.cmoa.org/CollectionSearch.aspx?itemIRN=21146\u0026retURL=page%3D4959","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes handwritten welcome note from Fred H.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Portrait of Draper used in the brochure","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Copyright 1972","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes Technical Assistance Agreement from November 1973 for the Together We Stand organization","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The staff of OUTLOOK give special thanks to Mr. Louis Draper and Ms. Christine Cavallo for their graphic design assistance for this issue.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Course number Tech 138, Photography 1B","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Draper was Script Supervisor/Still Photographer.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Draper was Master of Ceremonies","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Cover Image: \"Lou and His Son,\" 2000, Acrylic, 62\" x 67\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Terry and Mr. Drapper[sic]\" on page 4","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Photocopy","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Photocopy","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Photocopy","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Photocopy","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes a photography log","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Course L 142 which would be applied to Thomas A. Edison State College","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Black-and-white and color prints on letter-sized paper.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Color prints on tabloid-sized paper, with some cut down to a smaller size.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Note from Carroll Siskind","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kamoinge: The Members, the Cohesion and Evolution of the Group by Louis H. Draper joined by Anthony Barboza\" and \"Organizing and Working Within Communities including Wendy Ewald, Jolene Rickard, Jorge Daniel Veneciano; Responding Panelists: James Baker, Louis H. Draper and Allucquere Rosanne Stone\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Organizing and Working Within Communities including Wendy Ewald, Jolene Rickard, Jorge Daniel Veneciano; Responding Panelists: James Baker, Louis H. Draper and Allucquere Rosanne Stone\" presented at the National Graduate Seminar 1995","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Draper is listed as a reporter","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Herb Randall confirmed during the Kamoinge Virtual Symposium in 2020 that this is the same person that appears in Ray Francis' print \"Untitled (Baka)\" (2021.134) and \"Barka-Allah\" (VA04.11.025.P1).","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Signed by Larry Kimbrough","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Original photograph ca. 1900: https://www.icp.org/browse/archive/objects/unidentified-family-group-with-dog","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Collette V. Fournier and William Berry were Co-Chairs. ABD and African American History Month Committee, and Rockland Community College were the organizers. Arts Council of Rockland (ACOR) provided a Decentralization grant which Fournier co-wrote with AAHMC Chair William Berry. Other funding sources were provided by Rockland Community College, NYSCA, and Orange \u0026 Rockland Utilities, Inc. which provided a grant specifically for the opening reception at Blue Hill Cultural Center. However, the multi-sited exhibition was held at various venues in the County: Rockland Community College, Rockland Center for the Arts (ROCA), (ex) Arts Alliance of Haverstraw (AAH!), Arts Council of Rockland, and Blue Hill Cultural Center.","This was an exhibition of 25 photographers, 5 lithographers and a sculptor. Each venue had a separate theme and exhibited various artists whose work addressed that theme. We were showing the diversity of African American photographers, lithographers and artists. Louis Draper's and John Vasser's photography were exhibited at the Arts Council of Rockland (ACOR) highlighting the theme of \"History and Traditions: Views From the Street\" with their accompanying bios. ","The exhibition included a number of Kamoinge members: Budd, C.A. Williams, Shawn W. Walker, Louis H. Draper, Adger W. Cowans, Salimah Ali and Collette V. Fournier. The themes and venues were: \"Documenting Life Cycles: Relationships Between Men and Women\" at Rockland Community College; \"Expanding the Boundaries of Spirituality, Belief and Movement\" at Rockland Center for the Arts; \"Family at Home and In the Diaspora\" Arts Alliance of Haverstraw; \"History and Traditions: View From the Street\", and \"There Is A World Through Our Eyes: Perceptions and Visions of the African American Photographer\", which represented the work of all artists at Blue Hill Cultural Center.","(This information was shared with Dr. Sarah Eckhardt, VMFA Associate Curator of Modern \u0026 Contemporary Art from Collette V. Fournier via email on June 17, 2023.)","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Draper was the Exhibit Coordinator","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes notes about jazz musicians, films seen, assignments, and screenplay ideas.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes notes about equipment, exhibitions, addresses, and Khasem","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes a history of Kamoinge as well as by-law and membership documents for review","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Left to right: Shawn Walker, Ray Francis, Lou Draper","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The movie was footage shot in Russia but was put together later and narrated by Judith Brodsky, who at one point refers to him as the \"late Lou Draper.\"  Two of the other TAWA artists in the film are also referred to as \"late,\" Jimmy Colavita and Anne Bobo.  Jimmy is the speaker near the beginning of the film at the art gallery opening in Moscow.  The quality of the movie is not high but still of historic interest. Lou appears several times but does not speak in it.\" Email from Gary Saretzky to Courtney Tkacz, Feb. 16, 2021.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Inscribed by the artist","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","This might be an overview of the degree program at the Illinois Institute of Technology.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Alternately titled assignment #2 and #4","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Arranged numerically, where number was provided.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Created for Visual Arts Career Day","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Multiple copies of the annotated lists","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Unclaimed Territory\" essay by Draper","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Inscribed by the author","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes list of paintings assumed to be in Leipzig's handwriting","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The action of this story is set in a Northeastern city in the summer of 1967.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Members: Connie, Hami, Wayne, Lou [Draper], Luvenia, Jeanne [Gray], Rudy [Gray], Gail [Davis]","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Excerpt","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Excerpt","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 1-13","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 7-30","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 39-56","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 60-70","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 60-87","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 83-116","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Conducted on Aug. 18, 1982 by Louis Draper for Volume 5 of \"The Black Photographers Annual\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Listed by categories, including Occupations, Military, Business, Banking, Women, Personalities, etc.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Published in \"Camera,\" July 1966","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Same poem published in \"Camera,\" July 1966, now titled \"Colonial Legacy\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Instructor: Ms. S. Williams","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Written in response to Bed Maddow's article: https://www.nytimes.com/1985/08/25/magazine/w-eugene-smith-through-a-lens-darkly.html","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Alternate title: \"Exposure: Ten Photographers' Work\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Draper exhibited in the \"History and Traditions: Views from the Street\" exhibition","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Many of the pages are signed by the artists","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes Draper's edit on page 8","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Reject\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"C.V. pull-in focus background in\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Medium 2 shot looking off center framed RT\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Pulling focus foreground in\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Medium shot looking slightly Rt framed extreme Lt.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Tony Barboza and Wife Maria\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bill Barksdale and son\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bill Barksdale and son,\" \"30/5","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bill Barksdale and son,\" \"30/5","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Allen Bennett\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Alan Bennett\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Sheet 3 - Joggers, Diane Campbell \u0026 daughter heading to school\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Marge Chavooshian\" \"36\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"[Marge Chavooshian] by Lou Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Duvie Clark, author\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Duvie Clark, author\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Duvie Clark, author\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Duvie Clark, author\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Fragments of a Spectral\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Fragments of a Spectral\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"David Collier, Professor: Mercer County College, Author: \"Trenton - The Capital Place;\" \"Louis Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton N.J. 08690, (609) 586-4800 ext. 715\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"David Collier\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper for Transmondo\" \"1032\" \"9-66\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\" \"9-21-66\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032\" \"Louis Draper for Transmondo\" \"1X Use\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","\"Jazz Musicians\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 Miles Davis 10/4/66 Draper\" \"1032 Miles Sheet 13\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Sheet 11 1032 Miles Davis 10/4/66 Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","\"Jazz Musicians\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\" \"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"L. Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"L. Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","\"Miles Davis 1966\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","\"Miles Davis\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","\"Miles Davis\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","\"Man with Guitar\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization 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Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"DR0060.4\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Tony, N.Y., 1975\" \"DR0060.5\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph By Louis Draper\" \"5\" \"Louis Draper\" \"33/2\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"Processed by Kodak, Nov 1986 D\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"Processed by Kodak, Nov 1986 D\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Alfred Fennar\" \"c/o Barboza 10 W. 18th st, New York, NY, 242-1880\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Louis Draper, 20 E. 127th St, NY10035\" \"Tad Fennar\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been 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by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Uncle Ray Francis Talks to His Class.\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Notes from meeting with Fred Hudson on verso","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"DLG being herself\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Dorothy Gloster\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Photographer, 1172 Anderson Ave., Bronx, New York, (212) 992-4127\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","On \"Fine Custom Prints\" photo envelope: \"Midge Goldman - 12 Dogwood Hill Rd., Upper Sadle River, N.J. 07458\" \"1 - 5x7, 3 4x5\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","On \"Fine Custom Prints\" photo envelope: \"Midge Goldman - 12 Dogwood Hill Rd., Upper Sadle River, N.J. 07458\" \"1 - 5x7, 3 4x5\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","On \"Fine Custom Prints\" photo envelope: \"Midge Goldman - 12 Dogwood Hill Rd., Upper Sadle River, N.J. 07458\" \"1 - 5x7, 3 4x5\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Ves Herper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Ves Herper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by 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for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digitization has been made possible in 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Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the 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Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring 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possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30/22\" written on verso of one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30/21\" written on back of one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Barboza, 10 W. 18th St., NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Mel Dixon Studio, W. 17th Street\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Tad and Kaiko (mother) Fennar, Englewood, New Jersey","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"N.J. Artist Series, Adolph Konrad, Clinton, N.J.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"N.J. Artists Series\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Mel Leipzig, (N.J Artists Series), Louis Draper 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Builder Levy\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Viveca Lindfors - Actor, NYU Student Production, 1969,\" \"38%,\" \"202, 09\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"31/15\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"31/15\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes strips with outdoor landscape with snow, trees, and a bird house.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30/33\" on verso of one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Terry McNichol\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Terry McNichol, Director: Ellarslie City Museum, May 3, 1995;\": \"Trenton - The Capital Place;\" \"Louis Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton N.J. 08690, (609) 586-4800 ext. 715\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Joseph and Molly Merlino\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Molly and Joseph (Joe) Merlino, Longtime Trenton Residents and Activists;\" \"Louis Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton N.J. 08690, (609) 586-4800 ext. 715\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in 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Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Jonathan Shahn\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bernarda Shahn, New Jersey Artists Series, Roosevelt, N.J., 1993\" \"Louis Draper (Kamoinge, INC.) 1-604-586-4800 ext. 3354\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Johnathan Shahn 1994, N.J. Artists Series, Roosevelt, N.J.\" \"12\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Jonathan Shahn, Roosevelt\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"N.J. Artists Series, Johnathan Shahn, Roosevelt, N.J., 1995\" \"Louis Draper, (Kamoinge INC.) 1-609-586-4800 ext. 3354\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30/57\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30/60\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital 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Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring 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Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Cover for Book 'Dialogue with Sammy'\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Close-up framed extreme Rt.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring 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the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"33/37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"33/37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"33/37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"33/37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Joe Torres (student) NY State Division or Youth, Bronx\" Louis Draper, c/o Barboza Studio, 10 W. 18th Street, NY, 10011,\" \"2B53821\" on verso of one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital 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Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made 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part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Bronx Division of Youth Project","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"32/8\" on the back of one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"32/8\" on verso on one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"32/20\" [Book 68]\", \"68\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"38/22\" [Book 68]\", \"larger\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kyle and Quinn, Sequence, Sheet I, 6-2-68\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Cousin Lillian, a couple of days before her death, Sept. 1979\" \"Mrs. Fannie Booker, 1979\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","The monument in frame 10 is the Eakins Oval in Philadelphia on the Benjamin Franklin Parkway.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak, Sep. 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak, Sep. 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Lou Draper, 9-7-1991, 1st Film Test, Tri-X 150 400, Cannon AE-1\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Lou Draper, 9-7-1991, 1st Film Test, Tri-X 150 400, Cannon AE-1\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Procesing Dec. 1999 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Procesing Dec. 1999 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak\" \"DuraLife Paper\" \"Apr. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak\" \"DuraLife Paper\" \"Apr. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Procesing Dec. 1999 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak\" \"DuraLife Paper\" \"Apr. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Dorothy and Brandon (Lou's Godson)\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"May 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"May 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"May 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Make in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Make in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"Apr 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodica Long Life 100\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Professional Paper, Do not Copy\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Konica Long Life 100\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street (Langston Hughes' brownstone)","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Slit Scan Photograph, Made By Andrew Davidhazy 6/20/1989, Rochester, NY, (RIT)\" \"I Stood on slowly rotating pedestal. He started polaroid exposure at back of my head and continued scanning exposure until I was rotated to face the camera. I used a portable light on the camera approx. 250 watts, I think.\" \"Polaroid Color pack II Camera modified\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Processing Jan. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Processing Jan. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Processing Jan. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Me - Foreground- with playmates, Russel School, maybe Dennis McKenzie, and unknown\" \"Kodak Paper\" \"Kodak Premium Processing Jan. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Top high front, bounced umbrella, [?] heads, F/22-32 ASA200 400 watt setting, 200 watts each head\", Stick figure drawing","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"On Boat Going to Zuchinshoa\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Copyright Shawn W. Walker, Photo-Arts Studio, All Rights Reserved\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Beuford Smith/Cesaire, 141 Clinton Ave., Brooklyn, NY 11205, Phone/FAX 718-624-7670\" \"May. 97\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Beuford Smith/Cesaire, 141 Clinton Ave., Brooklyn, NY 11205, Phone/FAX 718-624-7670\" \"May. 97\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Beuford Smith/Cesaire, 141 Clinton Ave., Brooklyn, NY 11205, Phone/FAX 718-624-7670\" \"May. 97\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Beuford Smith/Cesaire, 141 Clinton Ave., Brooklyn, NY 11205, Phone/FAX 718-624-7670\" \"May. 97\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kathy's accidental photo of me 'saluting' a photograph, … 5/13/93\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Joanne Nestor Photographer, TAWA Artists on Soveiet Exchange, Left to Right: Bob Miller, Judy Brodsky, Lou Draper, Joy Barton, James Colavita, not present: Anne Bobo\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Lou w/ James Baldwin\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph By Louis Draper, PO Box 212, Brooklyn, NY 11238\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph By Louis Draper, PO Box 212, Brooklyn, NY 11238, Adelphi Station\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 20 E. 127th St., NY 35, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"9 2/3x7 2/3 - I, 11x14 - O, 60, 275.00\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Film exposure test\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#9\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#2; 60m + 90 Y; 10 Sec f/5 .6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"60 m + 90 Y; 12 Sec f/5.6","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"34/64\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"7 1/2 x 5-I;\" \"8x10-0;\" \"250.00\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"34/65\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1989\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: 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National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 17 in neg file book, Interviewing Picture strip on Page 11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 15 in neg file book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 13 in neg file book \"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 13 in neg file book \"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 13 in neg file book \"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 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26\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 24 in neg file book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Mrs. Hamer with Neighbor page 18 in negative file book, Horr's Lake on page 37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 21 in neg. file 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positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been 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the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment 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the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Found uncut in Draper's office","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization 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Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photo By Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Summer in the City,\" \"Louis Draper, c/o Barboza, 10 West 18th St., NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Barboza, 10 W. 18th St., NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5\" \"Louis Draper, PO Box 212, Brooklyn, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"38/24\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"37/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton, N.J. 08690, (609) 586-9500 ext. 715\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Please Credit, Louis Draper, c/o Barboza, 10 W. 18th Street, NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"25\" \"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"6,\" \"Louis Draper, 'Connection'\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"10\" \"Louis Draper, 'Connection'\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"25/22\" \"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Connection\" \"Jesse ?'s Play, Loving Theater 1959, NYC\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"40\" \"Herb Randall\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"40\" \"Herb Randall\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#36\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Coney Island, July 1976\" \"Louis Draper, c/o Barboza, 10 W. 18th St., New York, NY 10011, (212) 242-1880,\" \"LB53821\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Lou Draper, 'Woman and Carousel,' Photograph,\" \"Please Return To Lou Draper, ETB\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"28/3\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"28/3\" \"Book 46\" \"46\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Coney Island Series, Brooklyn, N.Y., 'Woman and Carousel'\" \"Louis H. Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"22/45\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Welcome Home Bobby\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Archival\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Mario Jorrin is seen in frames 34 and 35. This was confirmed by his daughter China Jorrin in an email sent to the Senior Archivist on December 21, 2021.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper 'Congressional Gathering'\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Marcer County College, 1200 Old Trenton Road, Trenton, N.J. 08690, (609)556-4500 ext. 715\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Archival\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Print mounted to a 14x17 support. It was originally in a metal 14 1/4x17 3/8 in. (maybe aluminum) frame. Notes on Verso of support: \"Louis Draper, c/o Taylor, 322 W. 57th St., NY 10019\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Barboza, 10 W. 18th St., NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Bedsheet strip was published by 1958.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Possibly Titled: Sheets. Verso of VA04.06.7.004.P1 Mount, \"19. Sheets - New York City, Greenwich Village\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"2\" \"NYC 1967\" \"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Possibly Titled: Sheets. Verso of VA04.06.7.004.P1 Mount, \"19. Sheets - New York City, Greenwich Village\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Possibly Titled: Sheets. Verso of VA04.06.7.004.P1 Mount, \"19. Sheets - New York City, Greenwich Village\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper\" \"'Listening - Harlem, NYC'\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Louis Draper, 13 Potnam Ave, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"31/17\" \"37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, NYC 1964\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Roy DeCarava, ca. 1972\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"33/32\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Central Park - NYC, New York\" \"Louis Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton, N.J. 08690\" \"31/18\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Barboza, 10 West 18th St., NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Side of a park wall, Diffused sunlight, 1/100 Between f/4 and f/5.6, Early morning, Plus-x film, New York City\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"31/38\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"12x8- Inner, 11x14 -outer, 275.00\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photographer Louis Draper, 22 E 117th St\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"9 1/2x12 1/2 - Inner, 11x14 - Outer, 250.00;\" \"39\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"57th Ave - Brooklyn, 1976\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","The date is based on the \"Daily News\" newspaper the subject is holding in the picture.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Originally in a metal 11 1/2x14 1/2 in. (maybe aluminum) frame with glass, and foam core between print and back of frame. Print in a 11x14 in. mat with a 5 5/8x8 5/8 in. window. Notes on verso of print: \"Louis Draper, NYC.\" Notes on foam core: \"Man and Sax,\" \"#27.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","The date is based on the \"Daily News\" newspaper the subject is holding in the picture.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","The date is based on the \"Daily News\" newspaper the subject is holding in the picture.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bob and Roy Comedy Team, Hotel Roosevelt\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Banquet\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Banquet\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Banquet\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Banquet\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Alan King - Comedian, Bob and Roy - Comedy Team, Hotel Roosevelt\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Banquet\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Awards Presentation Roosevelt Hotel\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Writers Guild Dinner\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Elihu Winer, and Hazel Scott (pianist)\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Art Buchwald - Satirist\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Art Buchwald - Satirist\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Hazel Scott and [?] McNeil\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Light work\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Coney Island Series #3\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Barboza, 10 West 18th Street, New York, NY, 10011, (212) 242-1023\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Light work\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Light work\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","34th Street NYC","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 22 E. 17th St., NY 10003, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"25/25\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"37/22\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5063 TX Film\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5063 TX Film\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5063 TX Film\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5063 TX Film\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5063 TX Film\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Tri X Pan\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Panatomic X\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Shot with widelux camera\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"4\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the 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created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made 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Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton, N.J. 08690, (609) 580-4800 ext. 350\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"My First Film, I was camera operator and director\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"My First Film, I was camera operator and director\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"My First Film, I was camera operator and director\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Burt Cohen's film, Fred, [?], Larry, and Burt\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Marco Gumries, Be' Bictoria, and Burt Cohen\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Phil Schaeffer, and John Forest\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Prof. David Collier seated front row at left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 22 E. 17th St., Room 319, NY 10003, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#12 Howard Cosell, TV Sports Caster\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#12 Howard Cosell, TV Sports Caster\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#12 Howard Cosell, TV Sports Caster\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper NYC 1978\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"9 1/2x12 1/2, 11x14, 200.00\" \"23\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 242-1880\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Virgin Mary, Place - New York, Exposure Not Known\" \"Photo By Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"29/40\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"27/22\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Louis Draper, 24 W. 91 St., New York 24, N.Y.\" \"27/3\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"27/3\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 22 E 17th St, Rm 319, NY 10003, NY\" \"2 *MEL 6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 20 E. 127th St. NY 11038\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph By Louis Draper, 13 Putnam Ave, PO Box 212, Brooklyn 11238, NY\" \"Please Credit Louis Draper\" \"155\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#109\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"9 1/2x6 1/2 - I, 8x10 - O, 250.00\" \"69\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Louis Draper, 13 Potnam Ave, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#138\" #27/47\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"4\" \"Louis Draper, 1172 Anderson Ave., Apt. 2E, Bronx, NY 10452, 992-4127\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#28 Woman's Head\" \"Taken Sept 1962\" \"Photograph by Louis Draper, 20 E. 127th St., New York 10035, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"8x10 - O, 200.00\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"25/47\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"9 3/4x6 3/4 - Inner, 8x10 - Outer, 250.00\" \"26\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"27/43\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 20 E. 127th St., NY 35, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Little Girl in Street\" \"Louis Draper 20 E. 127th St. NYC 10035\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 13 Putnam Ave., PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 242-1880\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photo by Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Lawrence Photo, 199 W. 10th St., New York 14 NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper 20 E. 127th St. NYC 10035\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#103\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Title and date provided by Anthony Barboza.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Title and date provided by Anthony Barboza.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"125th St. - Harlem, Early 1960s\" \"Lou Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Paul Freed with Arthur Freed's Hands, 1961\" \"Louis Draper 20E. 127th St, NY 35, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 20 E. 127th St., NY 35, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 20 E. 127th St., NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"26/8\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bilingual\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"41\" \"Louis Draper, Photographer, 1172 Anderson Ave., Bronx, New York, (212) 992-4127\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Steve Dzenkina, Jim Schuter\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Gordon Brown, Richard Zakia\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","*Shawn","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Louis Draper, 20 E. 127th St., NY 10035\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in 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Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National 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has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part 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Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"45\" \"24/6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Dakar Senegal\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Dakar, Senegal\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring 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the Humanities: Exploring the Human Endeavor.","\"Woman Who Operates a Fruit Stand Near A Moscow Metro, Moscow, U.S.S.R., July 1990, Louis Draper\" \"24/77\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Street Scene, Moscow, U.S.S.R., Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive 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Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part 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Endeavor.","\"Overlooking Leningrad, Leningrad, U.S.S.R., Aug. 1990, Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization 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in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Museum Curator, Minsk, U.S.S.R, Aug. 1990, Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Joy Barta and Bob Miller, Russia Trip\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National 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Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#131\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"50M + 80y at 4 1/2 Sec at f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" Written on recto: \"#4, 25 M + 55y, 29Sec f/8, Ektacolor, 12 Sec Burning in Lower left Corner\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"#1, 90y + 60m, 25 Sec f/5.6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"#2 90y + 60m 50 Sec f/5.6, Then Burning in Sun Highlight Area w/ 60y +60m 50 Sec f/5.6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"#1 70y +60m at 28 Sec f/5.6, Too Dark and too green, decrease magenta\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"3y + 55m at 35 sec at f/5\" \"103y + 55m at 35 sec at f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"100y + 55m at 35 sec at f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photographer Louis Draper 22 E. 17th Street, Ney York, NY 10003\" \"Harlem\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Playground, Part of an essay, Late evening, approximately 1/50 f/4, New York City\" \"Photo by Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Untitled Chemical Experimentation\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"11.1, Burn in Edges, All Around, Sperm Travel\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Sperm Travel\" Louis H Draper 1995\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - January 1990, Medium - Photography\" (Top) \"5\", \"Rough Print\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - March 1993, Medium - Photography\" (Top) \"3\", \"Rough Print\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - March 1993, Medium - Photography\" (Top), \"Rough Print\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - March 1993, Medium - Photography\" (Top) \"3\", \"Rough Print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - March 1993, Medium - Photography\" (Top) \"4\", \"Rough Print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Top\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - March 1993, Medium - Photography\" (Top) \"6\", \"Rough Print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Untitled, Ice Series, 1993, Louis Draper,\" \"Top,\" \"16\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"David\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#19\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#7\" \"Louis Draper, PO Box 212, Brooklyn, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Ice - 10th Ave., NYC\" \"Top\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"New York City - 10th Ave Ice\" \"Louis Draper 1989\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#17\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#9\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#2\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Sheet 1\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Seascape, Northern J.J., Approx 1989,\" \"Photograph by Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Top,\" \"12\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\" \"67y + 52 m, Burn-in, 13 SE along edges, 6 1/2 sec f/11\" \"Final, 67y + 52m, 4 sec f/11, Burn-in 16 sec [?]\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\" \"67y + 52 6 1/2sec f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\" \"50m + 70y at 4 sec f/8\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\" \"65y + 45m 6 1/2 sec f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\" \"66y + 48m A 6 1/2 sec f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5 min. Fix\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5 min. Fix\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This paper manufactured by Kodak\" \"100y + 76m, 12 sec f/5.6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This paper manufactured by Kodak\" \"#3, 102y + 64m 19 sec f/5.6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"22/48\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#1, 70m +80y, 16sec f/8\" \"#7 Neg. End of Strip\" \"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#2 67m +87y at 16 sec at f/8, Burned in Background 16 extra sec. 2/3 at top\" \"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#5 57m + 89y at 23 sec f/8 23 sec burn\" \"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#6 61m + 85y at 20 sec f/8\" \"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#7\" \"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#1\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#1\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Notes on foam core support, on verso: \"Cool Colors, by Lou Draper, 9/20/2000, 100.00\"; Notes on foam core support, on other side \"Bernarda Shahn - Painter, Print Maker, Illustrator, N.J. Artists Series, Roosevelt, N.J. 1989\" partially blacked out by marker; \"Hari Krishna - 34th St. NYC;\" \"Louis Draper.\" Printed on computer 11x17 computer paper. Framed in black metal frame with glass face, matted in a 16x20 in. matt with a 9 3/8x9 3/8 in. window.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Sept. 4, 1997 Abstraction AAA*\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Unititled Abstract, Thermal Wax Print, Lou Draper, MCCC Computer Art Faculty\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Unititled Abstract, Thermal Wax Print, Lou Draper, MCCC Computer Art Faculty\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Prints Include: [Woman on Subway Holding Pole], [Candid Portrait of Woman]","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Prints Include: [Two Swings and Shadows], [Playground Series] [Hopscotch and Moon Reflection], [Print from Flyer: The Negro Woman: An Exhibition of Photographs]","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Prints in the portfolio: [Woman on the Right Side of Print], [Boy Next to VW Beetle with Spraypainted Door], Congressional Gathering, [Boy and H], [Two Swings and Shadows]","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Prints in the portfolio: [Close-up of Boy], [Pine Tree], [Fern and Boulders], [Rock, Ice, Stream], [Girl in Foreground Boy in Background Running Across Street to Catch Her], [Boy and H]","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Photographers: Louis Draper, Bob Clark, Jimmy Mannas, Al Fennar, Larry Stewart, Herb Robinson, Calvin Wilson, Roy DeCarava, Shawn Walker, Calvin Mercer, Melvin Mills, Herman Howard, Earl James, Ray Francis.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","These 11 prints were housed together in a black \"Kamoinge Workshop Portfolio No. 1\" cover, but none of them are copies of the photographs included in the original portfolio. All of the prints are from unknown photographers except one with \"Photo By John Taylor\" on the verso. Most are printed on Agfa paper, while two are dry mounted.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","The lens is dated to 1954, and the camera body is dated to 1955. Camera is missing the piece that fits on the bottom.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Sticky Note on verso (now removed): Lou, I'm not totally satisfied with this print. But I did promise to replace the 8x10 version. Fame","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"New York Post, November 1979, Gary Saretzky, 2/30, #20\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Two Base Hit\" 1972, To My Friend Lou, Beuford Smith\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photo by Frank Stewart, copyright 1971.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Surface-Marsh, Shelter Island. 1972\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Herb Randall confirmed during the Kamoinge Virtual Symposium in 2020 that this is the same person that appears in Ray Francis' print \"Untitled (Baka)\" (2021.134) and the June 1967 issue of The Arrow (VA04.01.1.209).","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Signed, note on verso.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"By W. Eugene Smith\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Print came with a piece of cardboard from when it was mailed to Draper. Notes on cardboard: \"Hungarian photographer whose photograph I purchased from his exhibit at the Hungarial Cultrual Society show. He mailed it to me 11 weeks later. $15.00/print.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Signed on verso","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"David Murray with Jerry Garcia Band, Nov. 12, 1993, Maddison Square Garden, Photo: Joe Ryan, 609-799-4457\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Kadar Long, June 29, 1981, Movie Set\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Found in Lou's desk.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"[Mike ?]\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"[Mike ?]\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Mr. Russell Barbour, himself once an enrollee, and his crew of fledgling photographers ages 16-17. His was the job of introducing laymen to the classic rudiments of photogrphic technique. All photographs by enrollees.\"","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\"","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","Two copies of this item were removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, these items were placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" Both copies of this item were returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was on display during VMFA's exhibition, \"Storied Strings: The Guitar in American Art.\" This item was returned to the archives September 22, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","Delivered to Photography on March 16, 2023 to re-shoot frames 2A/3, 18A/19, 25A/26 and 30A/31 for a reproduction request. Returned to archives June 26, 2023.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained.    ","Not Digitized","Digitized","NO","VA04.04.09.314, VA04.04.09.190","VA04.04.09.314, VA04.04.09.190","VA04.04.07.001.S4","VA04.04.09.314, VA04.04.09.190","2021.134, VA04.11.1.025.P1","SC32.01.0.003","2015.294","2013.149","SC32.01.0.001","2019.7","VA04.04.08.026","2013.154","2013.151, 2015.301","2015.294","2015.282","2013.150","2015.301","2015.273","2013.149","2013.149","2013.149","2013.151","2013.151","2013.150, 2015.285","2013.150, 2015.272, 2015.282, 2015.303","2015.294, 2015.298","2013.149, 2013.151, 2015.278, 2015.294","2013.149","VA04.03.1.118, VA04.03.1.174, VA04.03.1.180, VA04.03.1.187","2013.150","2015.287","2015.291","2015.291","2015.291","2015.291","VA04.04.09.072, 2013.155","VA04.04.09.072, 2013.155","VA04.04.09.072, 2013.155","VA04.04.09.072, 2013.155","VA04.04.09.072, 2013.155","VA04.04.09.072, 2013.155","VA04.04.09.072, 2013.155","VA04.04.09.109.C5","VA04.04.09.109.C5","VA04.04.09.109.C5","VA04.04.09.109.C5","VA04.04.09.109.C5","VA04.04.09.109.C5","VA04.04.09.109.C5","VA04.04.09.109.C5","VA04.04.09.109.C5","VA04.04.09.109.C5","VA04.04.09.109.C5","VA04.04.09.109.C5","VA04.04.09.109.C5","VA04.04.09.109.C5","2013.15, VA04.04.07.001, VA04.04.07.002","2013.15, VA04.04.07.001, VA04.04.07.002","VA04.04.09.007","VA04.03.1.225","VA04.02.2.034","VA04.02.2.034","VA04.02.2.034","VA04.03.1.201, VA04.03.1.121","VA04.03.1.201.C2","VA04.03.1.201.C2","VA04.03.1.201.C2","VA04.03.1.201.C2","2015.29","VA04.02.2.034","VA04.02.2.034","VA04.02.2.034","VA04.02.2.034","VA04.02.2.034","VA04.02.2.034","VA04.02.2.034","VA04.02.2.034","VA04.02.2.034","VA04.02.2.034","VA04.02.2.034","VA04.02.2.034","VA04.02.2.034","VA04.02.2.034","VA04.02.2.034","VA04.02.2.034","VA04.02.2.034","VA04.02.2.034","VA04.02.2.034, VA04.01.1.284","VA04.02.2.034, VA04.01.1.284","VA04.02.2.034, VA04.01.1.284","VA04.02.2.034, VA04.01.1.284","VA04.02.2.034, VA04.01.1.284","VA04.02.2.034, VA04.01.1.284","VA04.02.2.034, VA04.01.1.284","VA04.02.2.034, VA04.01.1.284","VA04.03.1.073","2015.293","2015.293","2015.293","VA04.02.2.034","VA04.02.2.034","VA04.02.2.034","VA04.04.09.072","VA04.04.09.072","VA04.04.09.072","VA04.04.09.072","VA04.04.09.072, 2013.154","VA04.04.09.072, 2013.154","VA04.04.09.072, 2013.154","2013.147, VA04.04.09.014, VA04.03.1.174","2013.147","2013.147","2013.147","2013.147","2013.147","2013.147","2013.147","2013.147","2013.147","2013.147, VA04.04.09.014, VA04.03.1.174","VA04.03.3.098.T1","VA04.03.3.097.T2","VA04.03.5.003, VA04.03.5.004","VA04.03.5.003, VA04.03.5.004","VA04.03.5.003, VA04.03.5.004","VA04.03.5.002, VA04.03.5.004","VA04.03.5.002, VA04.03.5.004","VA04.03.5.002, VA04.03.5.004","VA04.03.5.002, VA04.03.5.004","VA04.03.5.002, VA04.03.5.004","VA04.03.5.002, VA04.03.5.004","VA04.03.5.002, VA04.03.5.003","VA04.03.5.002, VA04.03.5.003","VA04.03.5.010.T1","VA04.03.5.009.T1","VA04.03.5.098","VA04.04.09.117.T1","VA04.04.09.117.T1","VA04.04.09.117.T1","VA04.03.5.011","VA04.04.08.016.T1","VA04.04.08.016.T1","2015.281","2015.281","2015.150","VA04.04.07.001.C33","VA04.04.07.001.C30","2015.150","2015.150","VA04.03.5.123.P1, VA04.03.5.123.P2","VA04.03.1.058.T1, VA04.03.1.058.T2, VA04.03.1.058.T3","VA04.03.1.110.T2","VA04.03.1.110.T2","VA04.04.09.054.P1","2015.283","2015.272","2015.272","2015.272","2015.272","2015.283","2013.146","2013.156","2015.284","2015.277","2015.277","2015.299","2015.299, 2015.303, 2015.304","2013.149, 2015.276, VA04.04.09.120,","2013.149","2015.278","2015.278","2015.282","2015.278","2015.278","2015.282","2015.282","2015.282","2015.282","2015.278, 2015.282","2013.151","2013.151","2013.151","2013.151","2013.151","2013.151","2013.151","2013.151","2013.151","2013.151","2013.151","2013.151","2013.151","2013.151","2013.151","VA04.04.09.013.C1","VA04.04.09.013.C1","VA04.04.09.013.C1","VA04.04.09.013.C1","VA04.04.09.013.C1","VA04.04.09.013.C1","2015.275","2015.275","VA04.03.1.067, VA04.03.1.189, VA04.03.1.226, 2013.153,2013.154, 2013.155","VA04.03.1.067, VA04.03.1.189, VA04.03.1.226","VA04.03.1.067, VA04.03.1.189, VA04.03.1.226","VA04.03.1.067, VA04.03.1.189, VA04.03.1.226","VA04.03.1.067, VA04.03.1.189, VA04.03.1.226","VA04.03.1.067, VA04.03.1.189, VA04.03.1.226, 2013.153,2013.154, 2013.155","VA04.03.1.067, VA04.03.1.189, VA04.03.1.226, 2013.153,2013.154, 2013.155","2015.279","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.03.1.090","2015.292","VA04.03.5.086","VA04.04.09.029","VA04.04.09.029","VA04.04.09.029","VA04.04.09.029","2013.145, 2015.286","2015.286","2013.145","2013.145, 2015.286","2013.148","2015.280","2015.280","2015.280","2015.274","2015.274","VA04.04.09.147.P1","VA04.03.1.020","VA04.03.1.020","VA04.04.10.001.T1","VA04.04.10.001.T1","VA04.04.10.001.T1","VA04.04.09.014.T4","VA04.03.1.150.C2","VA04.03.1.150.C2","VA04.03.1.150.C2","VA04.03.1.150.C2","2015.302","2015.305","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","2015.301","2015.301","2015.301","2015.301","2015.301","2015.301","2015.301","2015.301","2015.301","2015.301","2015.301","2015.301","2015.301","2015.301","2013.152, 2015.297","2015.294","2015.294","2015.294","2015.294","2015.294","2015.294","2015.294","2015.294","2015.294","2015.298","2015.298","2015.294","2015.294","2015.294","2015.294","2015.294","2013.152","2015.298","2015.294","2013.152","VA04.03.1.150.C2","VA04.03.1.150.C2","VA04.03.1.150.C2","VA04.03.1.150.C2","VA04.03.1.201","VA04.04.09.144.T4","VA04.04.10.001.T1","VA04.04.10.001.T1","VA04.04.10.001.T1","VA04.04.10.001.T1","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.001.P14","VA04.06.4.001.P5","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","2015.273","VA04.06.4.004","VA04.06.4.004","VA04.06.4.001","VA04.06.4.001","VA04.06.4.001","VA04.06.4.001","VA04.06.4.001","VA04.06.4.001","VA04.06.4.001","VA04.06.4.001","VA04.06.4.001","VA04.06.4.001","VA04.06.4.001","VA04.04.09.025.T1","VA04.04.09.025.T1","VA04.04.09.025.T1","VA04.04.09.124.T1,","VA04.01.2.002, VA04.04.09.029.P2, VA04.06.2.016.P1","VA04.04.09.034.P1, VA04.04.09.034.P4, VA04.06.2.016.P1, VA04.04.09.020.C1, VA04.03.1.150.C2, VA04.04.09.034.T1,","VA04.04.09.206.P2, VA04.06.6.028.P1, VA04.06.4.019.P4,VA04.04.10.001.P9, VA04.04.09.034.P4","2021.134, VA04.01.1.209","The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.","This series is compromised of correspondence, clippings, notebooks, handbills, screenplays, and other ephemera that document Draper's life, education, and career. ","Titles were transcribed from the tape labels.","Titles were transcribed from the disc labels.","The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: 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http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: 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http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: 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http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.","Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson \u0026 Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster","Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom \u0026 creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","W.W. Norton \u0026 Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","William Morrow and Company","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Hearst Corporation","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Frederick Douglass Creative Arts Center","Another View, Inc.","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","Bower, Sue","Kiley, Frederick S. (Frederick Spencer), 1922-2002","Wright, Giles R.","New Jersey Historical Commission","Allen, Jules, 1947-","Anderson, Julie","Chycota, Johanna","Anderson, Mary B.","Pendergrass, Teddy, 1950-2010","Paul, Billy, 1934-2016","Shinee, Ntozake","Ferman, Terry","Barboza, Leanette","Barboza, Linda Anderson","Barboza, Tim","Bass, George Houston, 1938-1990","Builder, Levy, 1942-","Fuller, Naimah","Bennett, Alan","Bickal, Janet","Blake, Nina","Blake, Eubie, 1887-1983","Bobo, Anne","Bogle, Donald, 1944-","McNatt, Rosemary Bray","Brenner, Glen","Brooks, Wenonah","Bulaj, Marek","Johnson, Barbara Piasecka, 1937-2013","Burton, Sandy","Callender, Arlene","Campbell, Diane","Carty, Delores","Ceglia, Vincent","Chambers, Paul, 1935-1969","Chapman, Glenn Edward","Chavez, Lynn","Chavez, Pete","Chavooshian, Marge","Colavita, James J., 1949-1996","Collins, Lucrentia","Cook, Molly","Simao, Teresa","Crawley, Hazel","Critchlow, Carol","Crotty, Mary","Cummings, Blondell, 1944-2015","Davis, Daryl","Davis, Judy","Davis, Miles, 1926-1991","De Veaux, Alexis, 1948-","Banks, Diane","Deveaux, Pam","Dixon, Mel","Douglas, Clara","Dunham, Katherine, 1909-2006","Esquila, Ramon","Evans, Scott","Fennar, Miya","Koho, Keiko","Fennar, Tad","Folmer, Daniella","Fontaine, Walter","Durniak, John","Galeano, Cheryl","Gibson, Pat","Goldman, Midge","Goodkin, Vera Herman","Guitar Shorty, 1939-2022","Flakes, Jacqueline Hamer, 1966-","Moore, Richard B. (Richard Benjamin), 1893-1978","Harper, Toy","Johnson, Hall, 1887-1970","Harper, Ves","Heck, Soskia","Henry, John","Heywood, Jeni","Hicks, Bernice S.","Hilton, Larry","Hunter, Clementine, 1886-1988","Anderson, Madeline","Iman, 1955-","Jackson, Jesse Louis, 1941-","Jessua, Alain, 1932-2017","Jones, Billy","Kim, Yung Ju","Konrad, Adolf Ferdinand, 1915-2004","Kucay, Susan","Landau, Jacob, 1917-2001","Lawrence, Jacob, 1917-2000","Lehman, Harold","Leipzig, Francesca","Leipzig, Joshua","Graves, Michael, 1934-2015","Lewis, Byron E., Sr., 1931-","Lindfors, Viveca, 1920-1995","Littwin, Michael","Livingston, Bud","Lowing, Donald","Malloy, Tom, 1912-2008","Marshall, Paula","McNichol, Terri","Medina, Pablo, 1948-","Merlino, Joseph","Merlino, Molly","Goldman, Irene","Miller, Robert","Miller, Tony","Michaux, Lewis H., 1885-1976","Novak, Josie","Palmer, Nancy","Pasolini, Pier Paolo, 1922-1975","Passer, Ivan, 1933-2020","Pastira, Sangeeta","Patterson, Latta","Freed, Arthur","Perkoff, Sarah","Ryan, Dave","Polar, Maria","Santiago, Nilsa","Pietroski, Susan","Portee, Natalie","Purdy, Janet, Dr.","Purdy, John","Rachlin, Margaret","Randall, Rosalind","Reaves, Gail","Reaves, Kenny","Reiner, Eric","Reynolds, Rene","Richardson, Al","Richardson, Beverly","Rodriguez, Cecilio","Rosskam, Louise, 1910-2003","Ruffner, Jim","Rutkowski, Catherine","Samad, Marianne","Sandler, Kathe","Sandler, Eve","Sandler, Joan","Santos, Delissa","Sartezky, Anya","Schulte, Judy","Puccio, Victor","Schulte, Lynn M.","Schwartz, Lise","Selwood, Maureen","Shahn, Bernarda Bryson, 1903-2004","Sherman, Terry","Simmons, Ron","Slater, Xandria","Smith, Catherine","Smith, Gregory","Lee-Smith, Hughie, 1915-1999","Smith, Kevin","Smith, Mingus","Standard, Michael","Taylor, John","Taylor, Susan, 1946-","Teneny, Ralph","Sommerville, Tom","Tooker, Holly","Torres, Jose","Van Der Zee, James, 1886-1983","Wallace, Douglas","Weiss, Jiří, 1913-2004","Welliver, Michael","White, Hazel","Wiggins, Ernie","Wilkerson, Lisa","Williams, Ace","Williams, Jim","Wood, Michelle","X., Malcolm, 1925-1965","Draper-Winston, Nell","Winston, Charles","Johnson, Beverly, 1952-","Davidhazy, Andrew","Baldwin, James, 1924-1987","Jackson, Maynard, 1938-2003","Jackson, Valerie Richardson, 1949-","Hamer, Perry","Cook, Susan","Palmer, Douglas, 1951-","Harrell, Hugh","Smith, Aileen","Jorrin, Mario","Calla, Henry","Angelou, Maya, 1928-2014","Maynard, Joan, 1921-1998","Cronkite, Walter, 1916-2009","Cavett, Dick, 1936-","Hurwitz, Leo T., 1909-1991","Chiarenza, Carl, 1935-","Cauthen, Steve, 1960-","Gunn, Bill, 1934-1989","Scott, Seret","Deleo, Fame P.","Toppin, Christopher","Deileo, Fame","Mick, Chianese","Peck, Mary S.","Boeing, Loran K.","Doter, ?","Dill, Timothy","Jaborski, Pierre","Libsohn, Sol, 1914-2001","Linder, Evan","Pope-Lance, Elton","Jean-Bart, Leslie","McBride, Will","Ryan, Joe","Long, Kadar","Malloy","Mike","Hashimoto","English \n.    "],"unitid_tesim":["VA-04","/repositories/2/resources/37"],"normalized_title_ssm":["Louis H. Draper Artist Archives (VA-04)"],"collection_title_tesim":["Louis H. Draper Artist Archives (VA-04)"],"collection_ssim":["Louis H. Draper Artist Archives (VA-04)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creator_ssim":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creator_persname_ssim":["Draper, Louis H., 1935-2002"],"creator_corpname_ssim":["Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creators_ssim":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"access_terms_ssm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. "],"access_subjects_ssim":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"access_subjects_ssm":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"has_online_content_ssim":["false"],"extent_ssm":["37.5 Linear Feet 170 boxes; 6,605 items"],"extent_tesim":["37.5 Linear Feet 170 boxes; 6,605 items"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/collections/search-archives/louis-h-draper-archive-portal/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eA limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website .","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eManuscripts, 1947-2005, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003ePublications, 1959-2005, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003ePhotography: Portraits, 1958-2001, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography: United States Locations, 1957-1999, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003ePhotography: International Locations, 1978-1990, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePhotography: Landscapes and Abstractions, 1960-2000, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 7\u003c/label\u003e\n        \u003citem\u003ePortfolios, 1964, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 8\u003c/label\u003e\n        \u003citem\u003ePhotographic Equipment, 1945-1988, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 9\u003c/label\u003e\n        \u003citem\u003eAudiovisual Materials, 1972-2000, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 10\u003c/label\u003e\n        \u003citem\u003eBorn Digital Files, 1996-2001, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 11\u003c/label\u003e\n        \u003citem\u003ePhotographs by Others, 1946-1998, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1 Manuscripts, 1947-2005, undated Series 2 Publications, 1959-2005, undated Series 3 Photography: Portraits, 1958-2001, undated Series 4 Photography: United States Locations, 1957-1999, undated Series 5 Photography: International Locations, 1978-1990, undated Series 6 Photography: Landscapes and Abstractions, 1960-2000, undated Series 7 Portfolios, 1964, undated Series 8 Photographic Equipment, 1945-1988, undated Series 9 Audiovisual Materials, 1972-2000, undated Series 10 Born Digital Files, 1996-2001, undated Series 11 Photographs by Others, 1946-1998, undated"],"bibliography_html_tesm":["\u003cbibref\u003eWorking Together: Louis Draper and the Kamoinge Workshop, 2020\u003c/bibref\u003e","\u003cbibref\u003eGrowing up in Civil Rights Richmond: A Community Remembers, 2019\u003c/bibref\u003e","\u003cbibref\u003eLouis H. Draper: Selected Photographs, 2015\u003c/bibref\u003e","\u003cbibref\u003eTimeless, 2015\u003c/bibref\u003e","\u003cbibref\u003eThe Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004\u003c/bibref\u003e","\u003cbibref\u003eVirginia Artist File: Louis Draper\u003c/bibref\u003e","\u003cbibref\u003eInternational Artist File: Kamoinge\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Books","Related Materials - VMFA Library: Artist Files"],"bibliography_tesim":["Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge"],"bioghist_html_tesm":["\u003cp\u003eLouis Hansel Draper\u003c/p\u003e\n","\u003cp\u003eBorn: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ\u003c/p\u003e\n","\u003cp\u003eWhile a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.\u003c/p\u003e\n","\u003cp\u003eThroughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.\u003c/p\u003e\n","\u003cp\u003eIn 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.\u003c/p\u003e\n","\u003cp\u003eDraper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.\u003c/p\u003e\n","\u003cp\u003eIn 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"\u003c/p\u003e\n","\u003cp\u003eIn the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.\u003c/p\u003e\n","\u003cp\u003eIn 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.\u003c/p\u003e\n","\u003cp\u003eIn 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.\u003c/p\u003e\n","\u003cp\u003eEssence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.\u003c/p\u003e\n","\u003cp\u003eInterspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.\u003c/p\u003e\n","\u003cp\u003eFrom 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.\u003c/p\u003e\n","\u003cp\u003eDraper taught at Mercer until his death in 2002.\u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"\u003c/i\u003e\u003c/p\u003e","\u003cp\u003eAmerican--1\u003c/p\u003e","\u003cp\u003eAmerican--1\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"","American--1","American--1"],"custodhist_html_tesm":["\u003cp\u003eLouis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. \u003c/p\u003e\n","\u003cp\u003eSaretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (\u003ci\u003eemail to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019\u003c/i\u003e). \u003c/p\u003e\n","\u003cp\u003eAt that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. \u003c/p\u003e\n","\u003cp\u003eIn February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (\u003ci\u003eemail to Courtney Tkacz from Gary Saretzky, June 28, 2019\u003c/i\u003e). \u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. ","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia ( email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019 ). ","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. ","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection ( email to Courtney Tkacz from Gary Saretzky, June 28, 2019 ). "],"odd_html_tesm":["\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eCopyright 1931. Dated \"8.8.66\" on the inside front cover with the return address label of a nurse in Asbury Park, N.J., so Draper likely purchased it second-hand after 1966.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eApplication for Substitute Clerk position.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eTeenie Harris Archive Online: http://teenie.cmoa.org/CollectionSearch.aspx?itemIRN=21146\u0026amp;retURL=page%3D4959\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eIncludes handwritten welcome note from Fred H.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePortrait of Draper used in the brochure\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eCopyright 1972\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eIncludes Technical Assistance Agreement from November 1973 for the Together We Stand organization\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"The staff of OUTLOOK give special thanks to Mr. Louis Draper and Ms. Christine Cavallo for their graphic design assistance for this issue.\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eCourse number Tech 138, Photography 1B\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDraper was Script Supervisor/Still Photographer.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDraper was Master of Ceremonies\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eCover Image: \"Lou and His Son,\" 2000, Acrylic, 62\" x 67\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Terry and Mr. Drapper[sic]\" on page 4\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eIncludes a photography log\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eCourse L 142 which would be applied to Thomas A. Edison State College\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eBlack-and-white and color prints on letter-sized paper.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eColor prints on tabloid-sized paper, with some cut down to a smaller size.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National 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been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eNote from Carroll Siskind\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization 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Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Kamoinge: The Members, the Cohesion and Evolution of the Group by Louis H. Draper joined by Anthony Barboza\" and \"Organizing and Working Within Communities including Wendy Ewald, Jolene Rickard, Jorge Daniel Veneciano; Responding Panelists: James Baker, Louis H. Draper and Allucquere Rosanne Stone\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Organizing and Working Within Communities including Wendy Ewald, Jolene Rickard, Jorge Daniel Veneciano; Responding Panelists: James Baker, Louis H. Draper and Allucquere Rosanne Stone\" presented at the National Graduate Seminar 1995\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDraper is listed as a reporter\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eHerb Randall confirmed during the Kamoinge Virtual Symposium in 2020 that this is the same person that appears in Ray Francis' print \"Untitled (Baka)\" (2021.134) and \"Barka-Allah\" (VA04.11.025.P1).\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the 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Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eCollette V. Fournier and William Berry were Co-Chairs. ABD and African American History Month Committee, and Rockland Community College were the organizers. Arts Council of Rockland (ACOR) provided a Decentralization grant which Fournier co-wrote with AAHMC Chair William Berry. Other funding sources were provided by Rockland Community College, NYSCA, and Orange \u0026amp; Rockland Utilities, Inc. which provided a grant specifically for the opening reception at Blue Hill Cultural Center. However, the multi-sited exhibition was held at various venues in the County: Rockland Community College, Rockland Center for the Arts (ROCA), (ex) Arts Alliance of Haverstraw (AAH!), Arts Council of Rockland, and Blue Hill Cultural Center.\u003c/p\u003e\n","\u003cp\u003eThis was an exhibition of 25 photographers, 5 lithographers and a sculptor. Each venue had a separate theme and exhibited various artists whose work addressed that theme. We were showing the diversity of African American photographers, lithographers and artists. Louis Draper's and John Vasser's photography were exhibited at the Arts Council of Rockland (ACOR) highlighting the theme of \"History and Traditions: Views From the Street\" with their accompanying bios. \u003c/p\u003e\n","\u003cp\u003eThe exhibition included a number of Kamoinge members: Budd, C.A. Williams, Shawn W. Walker, Louis H. Draper, Adger W. Cowans, Salimah Ali and Collette V. Fournier. The themes and venues were: \"Documenting Life Cycles: Relationships Between Men and Women\" at Rockland Community College; \"Expanding the Boundaries of Spirituality, Belief and Movement\" at Rockland Center for the Arts; \"Family at Home and In the Diaspora\" Arts Alliance of Haverstraw; \"History and Traditions: View From the Street\", and \"There Is A World Through Our Eyes: Perceptions and Visions of the African American Photographer\", which represented the work of all artists at Blue Hill Cultural Center.\u003c/p\u003e\n","\u003cp\u003e(This information was shared with Dr. Sarah Eckhardt, VMFA Associate Curator of Modern \u0026amp; Contemporary Art from Collette V. Fournier via email on June 17, 2023.)\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDraper was the Exhibit Coordinator\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eIncludes notes about jazz musicians, films seen, assignments, and screenplay ideas.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eIncludes notes about equipment, exhibitions, addresses, and Khasem\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National 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Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has 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Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has 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Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has 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review\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made 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Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National 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Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eLeft to right: Shawn Walker, Ray Francis, Lou Draper\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the 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Jimmy is the speaker near the beginning of the film at the art gallery opening in Moscow.  The quality of the movie is not high but still of historic interest. Lou appears several times but does not speak in it.\" Email from Gary Saretzky to Courtney Tkacz, Feb. 16, 2021.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eInscribed by the artist\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National 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been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eThis might be an overview of the degree program at the Illinois Institute of Technology.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eAlternately titled assignment #2 and #4\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has 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Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Unclaimed Territory\" essay by Draper\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eInscribed by the author\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eIncludes list of paintings assumed to be in Leipzig's handwriting\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"The action of this story is set in a Northeastern city in the summer of 1967.\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eMembers: Connie, Hami, Wayne, Lou [Draper], Luvenia, Jeanne [Gray], Rudy [Gray], Gail [Davis]\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eExcerpt\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eExcerpt\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePages 1-13\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePages 7-30\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePages 39-56\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePages 60-70\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePages 60-87\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePages 83-116\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eConducted on Aug. 18, 1982 by Louis Draper for Volume 5 of \"The Black Photographers Annual\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eListed by categories, including Occupations, Military, Business, Banking, Women, Personalities, etc.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePublished in \"Camera,\" July 1966\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eSame poem published in \"Camera,\" July 1966, now titled \"Colonial Legacy\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eInstructor: Ms. S. Williams\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eWritten in response to Bed Maddow's article: https://www.nytimes.com/1985/08/25/magazine/w-eugene-smith-through-a-lens-darkly.html\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eAlternate title: \"Exposure: Ten Photographers' Work\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDraper exhibited in the \"History and Traditions: Views from the Street\" exhibition\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eMany of the pages are signed by the artists\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eIncludes Draper's edit on page 8\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has 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Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in 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Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in 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Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Photograph by Louis Draper, 24 W. 91 St., New York 24, N.Y.\" \"27/3\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"27/3\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Louis Draper, 22 E 17th St, Rm 319, NY 10003, NY\" \"2 *MEL 6\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Louis Draper, 20 E. 127th St. NY 11038\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Photograph By Louis Draper, 13 Putnam Ave, PO Box 212, Brooklyn 11238, NY\" \"Please Credit Louis Draper\" \"155\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"#109\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"9 1/2x6 1/2 - I, 8x10 - O, 250.00\" \"69\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Photograph by Louis Draper, 13 Potnam Ave, PO Box 212, Brooklyn 11238, NY\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"#138\" #27/47\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"4\" \"Louis Draper, 1172 Anderson Ave., Apt. 2E, Bronx, NY 10452, 992-4127\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"This Paper Manufactured by Kodak\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"This Paper Manufactured by Kodak\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"This Paper Manufactured by Kodak\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"This Paper Manufactured by Kodak\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"#28 Woman's Head\" \"Taken Sept 1962\" \"Photograph by Louis Draper, 20 E. 127th St., New York 10035, NY\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"This Paper Manufactured by Kodak\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"8x10 - O, 200.00\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"25/47\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"This Paper Manufactured by Kodak\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"This Paper Manufactured by Kodak\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"9 3/4x6 3/4 - Inner, 8x10 - Outer, 250.00\" \"26\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"27/43\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Louis Draper, 20 E. 127th St., NY 35, NY\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Little Girl in Street\" \"Louis Draper 20 E. 127th St. NYC 10035\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Louis Draper, 13 Putnam Ave., PO Box 212, Brooklyn 11238, NY\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Louis Draper, 242-1880\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Photo by Louis Draper\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Louis Draper, c/o Lawrence Photo, 199 W. 10th St., New York 14 NY\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Louis Draper 20 E. 127th St. NYC 10035\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"#103\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eTitle and date provided by Anthony Barboza.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eTitle and date provided by Anthony Barboza.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"125th St. - Harlem, Early 1960s\" \"Lou Draper\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Paul Freed with Arthur Freed's Hands, 1961\" \"Louis Draper 20E. 127th St, NY 35, NY\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Louis Draper, 20 E. 127th St., NY 35, NY\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Louis Draper, 20 E. 127th St., NY\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"26/8\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Bilingual\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"41\" \"Louis Draper, Photographer, 1172 Anderson Ave., Bronx, New York, (212) 992-4127\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the 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Artists Series, Roosevelt, N.J. 1989\" partially blacked out by marker; \"Hari Krishna - 34th St. NYC;\" \"Louis Draper.\" Printed on computer 11x17 computer paper. Framed in black metal frame with glass face, matted in a 16x20 in. matt with a 9 3/8x9 3/8 in. window.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Sept. 4, 1997 Abstraction AAA*\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Unititled Abstract, Thermal Wax Print, Lou Draper, MCCC Computer Art Faculty\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Unititled Abstract, Thermal Wax Print, Lou Draper, MCCC Computer Art Faculty\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePrints Include: [Woman on Subway Holding Pole], [Candid Portrait of Woman]\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePrints Include: [Two Swings and Shadows], [Playground Series] [Hopscotch and Moon Reflection], [Print from Flyer: The Negro Woman: An Exhibition of Photographs]\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePrints in the portfolio: [Woman on the Right Side of Print], [Boy Next to VW Beetle with Spraypainted Door], Congressional Gathering, [Boy and H], [Two Swings and Shadows]\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePrints in the portfolio: [Close-up of Boy], [Pine Tree], [Fern and Boulders], [Rock, Ice, Stream], [Girl in Foreground Boy in Background Running Across Street to Catch Her], [Boy and H]\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePhotographers: Louis Draper, Bob Clark, Jimmy Mannas, Al Fennar, Larry Stewart, Herb Robinson, Calvin Wilson, Roy DeCarava, Shawn Walker, Calvin Mercer, Melvin Mills, Herman Howard, Earl James, Ray Francis.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eThese 11 prints were housed together in a black \"Kamoinge Workshop Portfolio No. 1\" cover, but none of them are copies of the photographs included in the original portfolio. 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Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has 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Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eSticky Note on verso (now removed): Lou, I'm not totally satisfied with this print. But I did promise to replace the 8x10 version. Fame\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003ca href=\"https://www.alfennarphotography.com/east-coast\"\u003e\u003c/a\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003ca href=\"https://www.alfennarphotography.com/east-coast\"\u003e\u003c/a\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"New York Post, November 1979, Gary Saretzky, 2/30, #20\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Two Base Hit\" 1972, To My Friend Lou, Beuford Smith\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Photo by Frank Stewart, copyright 1971.\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Surface-Marsh, Shelter Island. 1972\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eHerb Randall confirmed during the Kamoinge Virtual Symposium in 2020 that this is the same person that appears in Ray Francis' print \"Untitled (Baka)\" (2021.134) and the June 1967 issue of The Arrow (VA04.01.1.209).\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eSigned, note on verso.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"By W. Eugene Smith\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePrint came with a piece of cardboard from when it was mailed to Draper. Notes on cardboard: \"Hungarian photographer whose photograph I purchased from his exhibit at the Hungarial Cultrual Society show. He mailed it to me 11 weeks later. $15.00/print.\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eSigned on verso\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National 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Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National 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Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has 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Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization 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in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Note from Carroll Siskind","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kamoinge: The Members, the Cohesion and Evolution of the Group by Louis H. Draper joined by Anthony Barboza\" and \"Organizing and Working Within Communities including Wendy Ewald, Jolene Rickard, Jorge Daniel Veneciano; Responding Panelists: James Baker, Louis H. Draper and Allucquere Rosanne Stone\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Organizing and Working Within Communities including Wendy Ewald, Jolene Rickard, Jorge Daniel Veneciano; Responding Panelists: James Baker, Louis H. Draper and Allucquere Rosanne Stone\" presented at the National Graduate Seminar 1995","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Draper is listed as a reporter","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Herb Randall confirmed during the Kamoinge Virtual Symposium in 2020 that this is the same person that appears in Ray Francis' print \"Untitled (Baka)\" (2021.134) and \"Barka-Allah\" (VA04.11.025.P1).","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Signed by Larry Kimbrough","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Original photograph ca. 1900: https://www.icp.org/browse/archive/objects/unidentified-family-group-with-dog","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Collette V. Fournier and William Berry were Co-Chairs. ABD and African American History Month Committee, and Rockland Community College were the organizers. Arts Council of Rockland (ACOR) provided a Decentralization grant which Fournier co-wrote with AAHMC Chair William Berry. Other funding sources were provided by Rockland Community College, NYSCA, and Orange \u0026 Rockland Utilities, Inc. which provided a grant specifically for the opening reception at Blue Hill Cultural Center. However, the multi-sited exhibition was held at various venues in the County: Rockland Community College, Rockland Center for the Arts (ROCA), (ex) Arts Alliance of Haverstraw (AAH!), Arts Council of Rockland, and Blue Hill Cultural Center.","This was an exhibition of 25 photographers, 5 lithographers and a sculptor. Each venue had a separate theme and exhibited various artists whose work addressed that theme. We were showing the diversity of African American photographers, lithographers and artists. Louis Draper's and John Vasser's photography were exhibited at the Arts Council of Rockland (ACOR) highlighting the theme of \"History and Traditions: Views From the Street\" with their accompanying bios. ","The exhibition included a number of Kamoinge members: Budd, C.A. Williams, Shawn W. Walker, Louis H. Draper, Adger W. Cowans, Salimah Ali and Collette V. Fournier. The themes and venues were: \"Documenting Life Cycles: Relationships Between Men and Women\" at Rockland Community College; \"Expanding the Boundaries of Spirituality, Belief and Movement\" at Rockland Center for the Arts; \"Family at Home and In the Diaspora\" Arts Alliance of Haverstraw; \"History and Traditions: View From the Street\", and \"There Is A World Through Our Eyes: Perceptions and Visions of the African American Photographer\", which represented the work of all artists at Blue Hill Cultural Center.","(This information was shared with Dr. Sarah Eckhardt, VMFA Associate Curator of Modern \u0026 Contemporary Art from Collette V. Fournier via email on June 17, 2023.)","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Draper was the Exhibit Coordinator","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes notes about jazz musicians, films seen, assignments, and screenplay ideas.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes notes about equipment, exhibitions, addresses, and Khasem","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes a history of Kamoinge as well as by-law and membership documents for review","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Left to right: Shawn Walker, Ray Francis, Lou Draper","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The movie was footage shot in Russia but was put together later and narrated by Judith Brodsky, who at one point refers to him as the \"late Lou Draper.\"  Two of the other TAWA artists in the film are also referred to as \"late,\" Jimmy Colavita and Anne Bobo.  Jimmy is the speaker near the beginning of the film at the art gallery opening in Moscow.  The quality of the movie is not high but still of historic interest. Lou appears several times but does not speak in it.\" Email from Gary Saretzky to Courtney Tkacz, Feb. 16, 2021.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Inscribed by the artist","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","This might be an overview of the degree program at the Illinois Institute of Technology.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Alternately titled assignment #2 and #4","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Arranged numerically, where number was provided.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Created for Visual Arts Career Day","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Multiple copies of the annotated lists","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Unclaimed Territory\" essay by Draper","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Inscribed by the author","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes list of paintings assumed to be in Leipzig's handwriting","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The action of this story is set in a Northeastern city in the summer of 1967.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Members: Connie, Hami, Wayne, Lou [Draper], Luvenia, Jeanne [Gray], Rudy [Gray], Gail [Davis]","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Excerpt","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Excerpt","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 1-13","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 7-30","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 39-56","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 60-70","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 60-87","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 83-116","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Conducted on Aug. 18, 1982 by Louis Draper for Volume 5 of \"The Black Photographers Annual\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Listed by categories, including Occupations, Military, Business, Banking, Women, Personalities, etc.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Published in \"Camera,\" July 1966","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Same poem published in \"Camera,\" July 1966, now titled \"Colonial Legacy\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Instructor: Ms. S. Williams","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Written in response to Bed Maddow's article: https://www.nytimes.com/1985/08/25/magazine/w-eugene-smith-through-a-lens-darkly.html","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Alternate title: \"Exposure: Ten Photographers' Work\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Draper exhibited in the \"History and Traditions: Views from the Street\" exhibition","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Many of the pages are signed by the artists","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes Draper's edit on page 8","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Reject\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"C.V. pull-in focus background in\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Medium 2 shot looking off center framed RT\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Pulling focus foreground in\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Medium shot looking slightly Rt framed extreme Lt.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Tony Barboza and Wife Maria\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bill Barksdale and son\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bill Barksdale and son,\" \"30/5","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bill Barksdale and son,\" \"30/5","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Allen Bennett\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Alan Bennett\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Sheet 3 - Joggers, Diane Campbell \u0026 daughter heading to school\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Marge Chavooshian\" \"36\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"[Marge Chavooshian] by Lou Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Duvie Clark, author\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Duvie Clark, author\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Duvie Clark, author\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Duvie Clark, author\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Fragments of a Spectral\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Fragments of a Spectral\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"David Collier, Professor: Mercer County College, Author: \"Trenton - The Capital Place;\" \"Louis Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton N.J. 08690, (609) 586-4800 ext. 715\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"David Collier\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper for Transmondo\" \"1032\" \"9-66\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\" \"9-21-66\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032\" \"Louis Draper for Transmondo\" \"1X Use\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","\"Jazz Musicians\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 Miles Davis 10/4/66 Draper\" \"1032 Miles Sheet 13\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Sheet 11 1032 Miles Davis 10/4/66 Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","\"Jazz Musicians\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\" \"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"L. Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"L. Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","\"Miles Davis 1966\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","\"Miles Davis\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","\"Miles Davis\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","\"Man with Guitar\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization 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Endowment for the Humanities: Exploring the Human Endeavor.","\"70m, 100y, 14 sec, f/5.6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"70m, 100y, 17 sec, f/506\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"DR0060.4\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Tony, N.Y., 1975\" \"DR0060.5\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph By Louis Draper\" \"5\" \"Louis Draper\" \"33/2\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"Processed by Kodak, Nov 1986 D\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"Processed by Kodak, Nov 1986 D\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Alfred Fennar\" \"c/o Barboza 10 W. 18th st, New York, NY, 242-1880\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Louis Draper, 20 E. 127th St, NY10035\" \"Tad Fennar\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Uncle Ray Francis Talks to His Class.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Uncle Ray Francis Talks to His Class.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Uncle Ray Francis Talks to His Class.\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Notes from meeting with Fred Hudson on verso","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"DLG being herself\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Dorothy Gloster\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Photographer, 1172 Anderson Ave., Bronx, New York, (212) 992-4127\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 242-1880\" \"Creation Series, Encore\" \"1\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","On \"Fine Custom Prints\" photo envelope: \"Midge Goldman - 12 Dogwood Hill Rd., Upper Sadle River, N.J. 07458\" \"1 - 5x7, 3 4x5\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","On \"Fine Custom Prints\" photo envelope: \"Midge Goldman - 12 Dogwood Hill Rd., Upper Sadle River, N.J. 07458\" \"1 - 5x7, 3 4x5\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","On \"Fine Custom Prints\" photo envelope: \"Midge Goldman - 12 Dogwood Hill Rd., Upper Sadle River, N.J. 07458\" \"1 - 5x7, 3 4x5\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Ves Herper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Ves Herper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by 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for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digitization has been made possible in 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Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30/22\" written on verso of one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30/21\" written on back of one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Barboza, 10 W. 18th St., NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Tad and Kaiko (mother) Fennar, Englewood, New Jersey","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"N.J. Artist Series, Adolph Konrad, Clinton, N.J.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"N.J. Artists Series\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Mel Leipzig, (N.J Artists Series), Louis Draper 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Builder Levy\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Viveca Lindfors - Actor, NYU Student Production, 1969,\" \"38%,\" \"202, 09\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"31/15\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"31/15\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes strips with outdoor landscape with snow, trees, and a bird house.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30/33\" on verso of one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Terry McNichol\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Terry McNichol, Director: Ellarslie City Museum, May 3, 1995;\": \"Trenton - The Capital Place;\" \"Louis Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton N.J. 08690, (609) 586-4800 ext. 715\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Joseph and Molly Merlino\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Molly and Joseph (Joe) Merlino, Longtime Trenton Residents and Activists;\" \"Louis Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton N.J. 08690, (609) 586-4800 ext. 715\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in 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Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"'Judy Schulte' (N.J. 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Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made 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the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Jonathan Shahn\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bernarda Shahn, New Jersey Artists Series, Roosevelt, N.J., 1993\" \"Louis Draper (Kamoinge, INC.) 1-604-586-4800 ext. 3354\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Johnathan Shahn 1994, N.J. Artists Series, Roosevelt, N.J.\" \"12\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Jonathan Shahn, Roosevelt\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"N.J. Artists Series, Johnathan Shahn, Roosevelt, N.J., 1995\" \"Louis Draper, (Kamoinge INC.) 1-609-586-4800 ext. 3354\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30/57\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30/60\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital 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Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring 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National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Cover for Book 'Dialogue with Sammy'\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Close-up framed extreme Rt.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring 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Endeavor.","\"33/37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"33/37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"33/37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: 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Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Joe Torres (student) NY State Division or Youth, Bronx\" Louis Draper, c/o Barboza Studio, 10 W. 18th Street, NY, 10011,\" \"2B53821\" on verso of one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital 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Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Bronx Division of Youth Project","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"'Ace' larger of [Book 43]\" \"26/35.\" Bronx Division of Youth Project","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Bronx Division of Youth Project","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"32/8\" on the back of one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"32/8\" on verso on one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"32/20\" [Book 68]\", \"68\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"38/22\" [Book 68]\", \"larger\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kyle and Quinn, Sequence, Sheet I, 6-2-68\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Cousin Lillian, a couple of days before her death, Sept. 1979\" \"Mrs. Fannie Booker, 1979\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","The monument in frame 10 is the Eakins Oval in Philadelphia on the Benjamin Franklin Parkway.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak, Sep. 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak, Sep. 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Lou Draper, 9-7-1991, 1st Film Test, Tri-X 150 400, Cannon AE-1\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Lou Draper, 9-7-1991, 1st Film Test, Tri-X 150 400, Cannon AE-1\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Procesing Dec. 1999 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Procesing Dec. 1999 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak\" \"DuraLife Paper\" \"Apr. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak\" \"DuraLife Paper\" \"Apr. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Procesing Dec. 1999 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak\" \"DuraLife Paper\" \"Apr. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Dorothy and Brandon (Lou's Godson)\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"May 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"May 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"May 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Make in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Make in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"Apr 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodica Long Life 100\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Professional Paper, Do not Copy\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Konica Long Life 100\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street (Langston Hughes' brownstone)","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Slit Scan Photograph, Made By Andrew Davidhazy 6/20/1989, Rochester, NY, (RIT)\" \"I Stood on slowly rotating pedestal. He started polaroid exposure at back of my head and continued scanning exposure until I was rotated to face the camera. I used a portable light on the camera approx. 250 watts, I think.\" \"Polaroid Color pack II Camera modified\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Processing Jan. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Processing Jan. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Processing Jan. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Me - Foreground- with playmates, Russel School, maybe Dennis McKenzie, and unknown\" \"Kodak Paper\" \"Kodak Premium Processing Jan. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Top high front, bounced umbrella, [?] heads, F/22-32 ASA200 400 watt setting, 200 watts each head\", Stick figure drawing","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"On Boat Going to Zuchinshoa\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Copyright Shawn W. Walker, Photo-Arts Studio, All Rights Reserved\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Beuford Smith/Cesaire, 141 Clinton Ave., Brooklyn, NY 11205, Phone/FAX 718-624-7670\" \"May. 97\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Beuford Smith/Cesaire, 141 Clinton Ave., Brooklyn, NY 11205, Phone/FAX 718-624-7670\" \"May. 97\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Beuford Smith/Cesaire, 141 Clinton Ave., Brooklyn, NY 11205, Phone/FAX 718-624-7670\" \"May. 97\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Beuford Smith/Cesaire, 141 Clinton Ave., Brooklyn, NY 11205, Phone/FAX 718-624-7670\" \"May. 97\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kathy's accidental photo of me 'saluting' a photograph, … 5/13/93\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Joanne Nestor Photographer, TAWA Artists on Soveiet Exchange, Left to Right: Bob Miller, Judy Brodsky, Lou Draper, Joy Barton, James Colavita, not present: Anne Bobo\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Lou w/ James Baldwin\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph By Louis Draper, PO Box 212, Brooklyn, NY 11238\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph By Louis Draper, PO Box 212, Brooklyn, NY 11238, Adelphi Station\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 20 E. 127th St., NY 35, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"9 2/3x7 2/3 - I, 11x14 - O, 60, 275.00\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Film exposure test\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#9\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#2; 60m + 90 Y; 10 Sec f/5 .6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"60 m + 90 Y; 12 Sec f/5.6","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"34/64\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"7 1/2 x 5-I;\" \"8x10-0;\" \"250.00\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"34/65\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1989\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: 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National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 17 in neg file book, Interviewing Picture strip on Page 11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 15 in neg file book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 13 in neg file book \"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 13 in neg file book \"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 13 in neg file book \"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 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26\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 24 in neg file book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Mrs. Hamer with Neighbor page 18 in negative file book, Horr's Lake on page 37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 21 in neg. file 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positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been 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the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment 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the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Found uncut in Draper's office","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization 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Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photo By Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Summer in the City,\" \"Louis Draper, c/o Barboza, 10 West 18th St., NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Barboza, 10 W. 18th St., NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5\" \"Louis Draper, PO Box 212, Brooklyn, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"38/24\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"37/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton, N.J. 08690, (609) 586-9500 ext. 715\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Please Credit, Louis Draper, c/o Barboza, 10 W. 18th Street, NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"25\" \"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"6,\" \"Louis Draper, 'Connection'\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"10\" \"Louis Draper, 'Connection'\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"25/22\" \"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Connection\" \"Jesse ?'s Play, Loving Theater 1959, NYC\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"40\" \"Herb Randall\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"40\" \"Herb Randall\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#36\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Coney Island, July 1976\" \"Louis Draper, c/o Barboza, 10 W. 18th St., New York, NY 10011, (212) 242-1880,\" \"LB53821\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Lou Draper, 'Woman and Carousel,' Photograph,\" \"Please Return To Lou Draper, ETB\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"28/3\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"28/3\" \"Book 46\" \"46\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Coney Island Series, Brooklyn, N.Y., 'Woman and Carousel'\" \"Louis H. Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"22/45\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Welcome Home Bobby\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Archival\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Mario Jorrin is seen in frames 34 and 35. This was confirmed by his daughter China Jorrin in an email sent to the Senior Archivist on December 21, 2021.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper 'Congressional Gathering'\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Marcer County College, 1200 Old Trenton Road, Trenton, N.J. 08690, (609)556-4500 ext. 715\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Archival\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Print mounted to a 14x17 support. It was originally in a metal 14 1/4x17 3/8 in. (maybe aluminum) frame. Notes on Verso of support: \"Louis Draper, c/o Taylor, 322 W. 57th St., NY 10019\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Barboza, 10 W. 18th St., NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Bedsheet strip was published by 1958.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Possibly Titled: Sheets. Verso of VA04.06.7.004.P1 Mount, \"19. Sheets - New York City, Greenwich Village\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"2\" \"NYC 1967\" \"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Possibly Titled: Sheets. Verso of VA04.06.7.004.P1 Mount, \"19. Sheets - New York City, Greenwich Village\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Possibly Titled: Sheets. Verso of VA04.06.7.004.P1 Mount, \"19. Sheets - New York City, Greenwich Village\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper\" \"'Listening - Harlem, NYC'\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Louis Draper, 13 Potnam Ave, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"31/17\" \"37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, NYC 1964\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Roy DeCarava, ca. 1972\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"33/32\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Central Park - NYC, New York\" \"Louis Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton, N.J. 08690\" \"31/18\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Barboza, 10 West 18th St., NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Side of a park wall, Diffused sunlight, 1/100 Between f/4 and f/5.6, Early morning, Plus-x film, New York City\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"31/38\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"12x8- Inner, 11x14 -outer, 275.00\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photographer Louis Draper, 22 E 117th St\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"9 1/2x12 1/2 - Inner, 11x14 - Outer, 250.00;\" \"39\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"57th Ave - Brooklyn, 1976\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","The date is based on the \"Daily News\" newspaper the subject is holding in the picture.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Originally in a metal 11 1/2x14 1/2 in. (maybe aluminum) frame with glass, and foam core between print and back of frame. Print in a 11x14 in. mat with a 5 5/8x8 5/8 in. window. Notes on verso of print: \"Louis Draper, NYC.\" Notes on foam core: \"Man and Sax,\" \"#27.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","The date is based on the \"Daily News\" newspaper the subject is holding in the picture.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","The date is based on the \"Daily News\" newspaper the subject is holding in the picture.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bob and Roy Comedy Team, Hotel Roosevelt\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Banquet\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Banquet\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Banquet\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Banquet\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Alan King - Comedian, Bob and Roy - Comedy Team, Hotel Roosevelt\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Banquet\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Awards Presentation Roosevelt Hotel\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Writers Guild Dinner\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Elihu Winer, and Hazel Scott (pianist)\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Art Buchwald - Satirist\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Art Buchwald - Satirist\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Hazel Scott and [?] McNeil\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Light work\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Coney Island Series #3\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Barboza, 10 West 18th Street, New York, NY, 10011, (212) 242-1023\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Light work\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Light work\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","34th Street NYC","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 22 E. 17th St., NY 10003, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"25/25\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"37/22\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5063 TX Film\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5063 TX Film\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5063 TX Film\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5063 TX Film\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5063 TX Film\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Tri X Pan\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Panatomic X\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Shot with widelux camera\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"4\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the 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created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made 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Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton, N.J. 08690, (609) 580-4800 ext. 350\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"My First Film, I was camera operator and director\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"My First Film, I was camera operator and director\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"My First Film, I was camera operator and director\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Burt Cohen's film, Fred, [?], Larry, and Burt\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Marco Gumries, Be' Bictoria, and Burt Cohen\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Phil Schaeffer, and John Forest\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Prof. David Collier seated front row at left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 22 E. 17th St., Room 319, NY 10003, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#12 Howard Cosell, TV Sports Caster\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#12 Howard Cosell, TV Sports Caster\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#12 Howard Cosell, TV Sports Caster\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper NYC 1978\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"9 1/2x12 1/2, 11x14, 200.00\" \"23\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 242-1880\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Virgin Mary, Place - New York, Exposure Not Known\" \"Photo By Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"29/40\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"27/22\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Louis Draper, 24 W. 91 St., New York 24, N.Y.\" \"27/3\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"27/3\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 22 E 17th St, Rm 319, NY 10003, NY\" \"2 *MEL 6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 20 E. 127th St. NY 11038\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph By Louis Draper, 13 Putnam Ave, PO Box 212, Brooklyn 11238, NY\" \"Please Credit Louis Draper\" \"155\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#109\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"9 1/2x6 1/2 - I, 8x10 - O, 250.00\" \"69\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Louis Draper, 13 Potnam Ave, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#138\" #27/47\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"4\" \"Louis Draper, 1172 Anderson Ave., Apt. 2E, Bronx, NY 10452, 992-4127\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#28 Woman's Head\" \"Taken Sept 1962\" \"Photograph by Louis Draper, 20 E. 127th St., New York 10035, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"8x10 - O, 200.00\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"25/47\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"9 3/4x6 3/4 - Inner, 8x10 - Outer, 250.00\" \"26\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"27/43\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 20 E. 127th St., NY 35, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Little Girl in Street\" \"Louis Draper 20 E. 127th St. NYC 10035\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 13 Putnam Ave., PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 242-1880\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photo by Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Lawrence Photo, 199 W. 10th St., New York 14 NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper 20 E. 127th St. NYC 10035\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#103\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Title and date provided by Anthony Barboza.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Title and date provided by Anthony Barboza.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"125th St. - Harlem, Early 1960s\" \"Lou Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Paul Freed with Arthur Freed's Hands, 1961\" \"Louis Draper 20E. 127th St, NY 35, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 20 E. 127th St., NY 35, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 20 E. 127th St., NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"26/8\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bilingual\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"41\" \"Louis Draper, Photographer, 1172 Anderson Ave., Bronx, New York, (212) 992-4127\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Steve Dzenkina, Jim Schuter\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Gordon Brown, Richard Zakia\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","*Shawn","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Louis Draper, 20 E. 127th St., NY 10035\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in 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Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National 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has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part 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Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"45\" \"24/6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Dakar Senegal\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Dakar, Senegal\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring 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the Humanities: Exploring the Human Endeavor.","\"Woman Who Operates a Fruit Stand Near A Moscow Metro, Moscow, U.S.S.R., July 1990, Louis Draper\" \"24/77\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Street Scene, Moscow, U.S.S.R., Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive 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Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part 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Endeavor.","\"Overlooking Leningrad, Leningrad, U.S.S.R., Aug. 1990, Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization 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in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Museum Curator, Minsk, U.S.S.R, Aug. 1990, Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Joy Barta and Bob Miller, Russia Trip\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National 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Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#131\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"50M + 80y at 4 1/2 Sec at f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" Written on recto: \"#4, 25 M + 55y, 29Sec f/8, Ektacolor, 12 Sec Burning in Lower left Corner\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"#1, 90y + 60m, 25 Sec f/5.6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"#2 90y + 60m 50 Sec f/5.6, Then Burning in Sun Highlight Area w/ 60y +60m 50 Sec f/5.6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"#1 70y +60m at 28 Sec f/5.6, Too Dark and too green, decrease magenta\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"3y + 55m at 35 sec at f/5\" \"103y + 55m at 35 sec at f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"100y + 55m at 35 sec at f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photographer Louis Draper 22 E. 17th Street, Ney York, NY 10003\" \"Harlem\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Playground, Part of an essay, Late evening, approximately 1/50 f/4, New York City\" \"Photo by Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Untitled Chemical Experimentation\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"11.1, Burn in Edges, All Around, Sperm Travel\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Sperm Travel\" Louis H Draper 1995\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - January 1990, Medium - Photography\" (Top) \"5\", \"Rough Print\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - March 1993, Medium - Photography\" (Top) \"3\", \"Rough Print\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - March 1993, Medium - Photography\" (Top), \"Rough Print\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - March 1993, Medium - Photography\" (Top) \"3\", \"Rough Print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - March 1993, Medium - Photography\" (Top) \"4\", \"Rough Print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Top\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - March 1993, Medium - Photography\" (Top) \"6\", \"Rough Print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Untitled, Ice Series, 1993, Louis Draper,\" \"Top,\" \"16\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"David\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#19\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#7\" \"Louis Draper, PO Box 212, Brooklyn, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Ice - 10th Ave., NYC\" \"Top\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"New York City - 10th Ave Ice\" \"Louis Draper 1989\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#17\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#9\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#2\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Sheet 1\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Seascape, Northern J.J., Approx 1989,\" \"Photograph by Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Top,\" \"12\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\" \"67y + 52 m, Burn-in, 13 SE along edges, 6 1/2 sec f/11\" \"Final, 67y + 52m, 4 sec f/11, Burn-in 16 sec [?]\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\" \"67y + 52 6 1/2sec f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\" \"50m + 70y at 4 sec f/8\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\" \"65y + 45m 6 1/2 sec f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\" \"66y + 48m A 6 1/2 sec f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5 min. Fix\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5 min. Fix\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This paper manufactured by Kodak\" \"100y + 76m, 12 sec f/5.6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This paper manufactured by Kodak\" \"#3, 102y + 64m 19 sec f/5.6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"22/48\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#1, 70m +80y, 16sec f/8\" \"#7 Neg. End of Strip\" \"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#2 67m +87y at 16 sec at f/8, Burned in Background 16 extra sec. 2/3 at top\" \"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#5 57m + 89y at 23 sec f/8 23 sec burn\" \"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#6 61m + 85y at 20 sec f/8\" \"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#7\" \"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#1\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#1\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Notes on foam core support, on verso: \"Cool Colors, by Lou Draper, 9/20/2000, 100.00\"; Notes on foam core support, on other side \"Bernarda Shahn - Painter, Print Maker, Illustrator, N.J. Artists Series, Roosevelt, N.J. 1989\" partially blacked out by marker; \"Hari Krishna - 34th St. NYC;\" \"Louis Draper.\" Printed on computer 11x17 computer paper. Framed in black metal frame with glass face, matted in a 16x20 in. matt with a 9 3/8x9 3/8 in. window.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Sept. 4, 1997 Abstraction AAA*\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Unititled Abstract, Thermal Wax Print, Lou Draper, MCCC Computer Art Faculty\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Unititled Abstract, Thermal Wax Print, Lou Draper, MCCC Computer Art Faculty\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Prints Include: [Woman on Subway Holding Pole], [Candid Portrait of Woman]","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Prints Include: [Two Swings and Shadows], [Playground Series] [Hopscotch and Moon Reflection], [Print from Flyer: The Negro Woman: An Exhibition of Photographs]","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Prints in the portfolio: [Woman on the Right Side of Print], [Boy Next to VW Beetle with Spraypainted Door], Congressional Gathering, [Boy and H], [Two Swings and Shadows]","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Prints in the portfolio: [Close-up of Boy], [Pine Tree], [Fern and Boulders], [Rock, Ice, Stream], [Girl in Foreground Boy in Background Running Across Street to Catch Her], [Boy and H]","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Photographers: Louis Draper, Bob Clark, Jimmy Mannas, Al Fennar, Larry Stewart, Herb Robinson, Calvin Wilson, Roy DeCarava, Shawn Walker, Calvin Mercer, Melvin Mills, Herman Howard, Earl James, Ray Francis.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","These 11 prints were housed together in a black \"Kamoinge Workshop Portfolio No. 1\" cover, but none of them are copies of the photographs included in the original portfolio. All of the prints are from unknown photographers except one with \"Photo By John Taylor\" on the verso. Most are printed on Agfa paper, while two are dry mounted.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","The lens is dated to 1954, and the camera body is dated to 1955. Camera is missing the piece that fits on the bottom.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Sticky Note on verso (now removed): Lou, I'm not totally satisfied with this print. But I did promise to replace the 8x10 version. Fame","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"New York Post, November 1979, Gary Saretzky, 2/30, #20\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Two Base Hit\" 1972, To My Friend Lou, Beuford Smith\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photo by Frank Stewart, copyright 1971.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Surface-Marsh, Shelter Island. 1972\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Herb Randall confirmed during the Kamoinge Virtual Symposium in 2020 that this is the same person that appears in Ray Francis' print \"Untitled (Baka)\" (2021.134) and the June 1967 issue of The Arrow (VA04.01.1.209).","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Signed, note on verso.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"By W. Eugene Smith\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Print came with a piece of cardboard from when it was mailed to Draper. Notes on cardboard: \"Hungarian photographer whose photograph I purchased from his exhibit at the Hungarial Cultrual Society show. He mailed it to me 11 weeks later. $15.00/print.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Signed on verso","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"David Murray with Jerry Garcia Band, Nov. 12, 1993, Maddison Square Garden, Photo: Joe Ryan, 609-799-4457\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Kadar Long, June 29, 1981, Movie Set\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Found in Lou's desk.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"[Mike ?]\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"[Mike ?]\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Mr. Russell Barbour, himself once an enrollee, and his crew of fledgling photographers ages 16-17. His was the job of introducing laymen to the classic rudiments of photogrphic technique. All photographs by enrollees.\""],"originalsloc_html_tesm":["\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\"\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eTwo copies of this item were removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, these items were placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" Both copies of this item were returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was on display during VMFA's exhibition, \"Storied Strings: The Guitar in American Art.\" This item was returned to the archives September 22, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eDelivered to Photography on March 16, 2023 to re-shoot frames 2A/3, 18A/19, 25A/26 and 30A/31 for a reproduction request. Returned to archives June 26, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eBetween January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eBetween January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e"],"originalsloc_heading_ssm":["Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Existence and Location of Originals","Exhibition History","Exhibition History","Exhibition History","Existence and Location of Originals","Existence and Location of Originals","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History"],"originalsloc_tesim":["This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\"","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","Two copies of this item were removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, these items were placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" Both copies of this item were returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was on display during VMFA's exhibition, \"Storied Strings: The Guitar in American Art.\" This item was returned to the archives September 22, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","Delivered to Photography on March 16, 2023 to re-shoot frames 2A/3, 18A/19, 25A/26 and 30A/31 for a reproduction request. Returned to archives June 26, 2023.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023."],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.\u003c/p\u003e","\u003cp\u003eWhile the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.\u003c/p\u003e","\u003cp\u003eProcessing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained.    \u003c/p\u003e","\u003cp\u003eNot Digitized\u003c/p\u003e","\u003cp\u003eDigitized\u003c/p\u003e","\u003cp\u003eNO\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained.    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Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. 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Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. 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Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. 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Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. 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Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. 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Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. 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Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. 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VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. 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Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. 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VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. 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VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - 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United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - 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Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: 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http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en"],"abstract_html_tesm":["\u003cabstract id=\"aspace_80d4d02edaa46a99725ed524cbb90700\"\u003eThe extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.\u003c/abstract\u003e"],"abstract_tesim":["The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s."],"names_coll_ssim":["Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Kamoinge Inc.‏","Draper, Louis H., 1935-2002"],"names_ssim":["Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson \u0026 Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster","Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom \u0026 creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","W.W. Norton \u0026 Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","William Morrow and Company","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Hearst Corporation","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Frederick Douglass Creative Arts Center","Another View, Inc.","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","Bower, Sue","Kiley, Frederick S. (Frederick Spencer), 1922-2002","Wright, Giles R.","New Jersey Historical Commission","Allen, Jules, 1947-","Anderson, Julie","Chycota, Johanna","Anderson, Mary B.","Pendergrass, Teddy, 1950-2010","Paul, Billy, 1934-2016","Shinee, Ntozake","Ferman, Terry","Barboza, Leanette","Barboza, Linda Anderson","Barboza, Tim","Bass, George Houston, 1938-1990","Builder, Levy, 1942-","Fuller, Naimah","Bennett, Alan","Bickal, Janet","Blake, Nina","Blake, Eubie, 1887-1983","Bobo, Anne","Bogle, Donald, 1944-","McNatt, Rosemary Bray","Brenner, Glen","Brooks, Wenonah","Bulaj, Marek","Johnson, Barbara Piasecka, 1937-2013","Burton, Sandy","Callender, Arlene","Campbell, Diane","Carty, Delores","Ceglia, Vincent","Chambers, Paul, 1935-1969","Chapman, Glenn Edward","Chavez, Lynn","Chavez, Pete","Chavooshian, Marge","Colavita, James J., 1949-1996","Collins, Lucrentia","Cook, Molly","Simao, Teresa","Crawley, Hazel","Critchlow, Carol","Crotty, Mary","Cummings, Blondell, 1944-2015","Davis, Daryl","Davis, Judy","Davis, Miles, 1926-1991","De Veaux, Alexis, 1948-","Banks, Diane","Deveaux, Pam","Dixon, Mel","Douglas, Clara","Dunham, Katherine, 1909-2006","Esquila, Ramon","Evans, Scott","Fennar, Miya","Koho, Keiko","Fennar, Tad","Folmer, Daniella","Fontaine, Walter","Durniak, John","Galeano, Cheryl","Gibson, Pat","Goldman, Midge","Goodkin, Vera Herman","Guitar Shorty, 1939-2022","Flakes, Jacqueline Hamer, 1966-","Moore, Richard B. 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"],"total_component_count_is":6758,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:45:55.431Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_37_c04_c09_c986"}},{"id":"virmu_repositories_2_resources_44_c01_c01_c01","type":"File","attributes":{"title":"25th Anniversary: Birthday Book","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_44_c01_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_44_c01_c01_c01","ref_ssm":["virmu_repositories_2_resources_44_c01_c01_c01"],"id":"virmu_repositories_2_resources_44_c01_c01_c01","ead_ssi":"virmu_repositories_2_resources_44","_root_":"virmu_repositories_2_resources_44","_nest_parent_":"virmu_repositories_2_resources_44_c01_c01","parent_ssi":"virmu_repositories_2_resources_44_c01_c01","parent_ssim":["virmu_repositories_2_resources_44","virmu_repositories_2_resources_44_c01","virmu_repositories_2_resources_44_c01_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_44","virmu_repositories_2_resources_44_c01","virmu_repositories_2_resources_44_c01_c01"],"parent_unittitles_ssm":["Director's Correspondence (RG-01)","Series 1: Director's Correspondence","Series 1.1: Early Directors"],"parent_unittitles_tesim":["Director's Correspondence (RG-01)","Series 1: Director's Correspondence","Series 1.1: Early Directors"],"text":["Director's Correspondence (RG-01)","Series 1: Director's Correspondence","Series 1.1: Early Directors","25th Anniversary: Birthday Book","box 33863 Box 92","folder 1","Item RG01.01.1.0001"],"title_filing_ssi":"25th Anniversary: Birthday Book","title_ssm":["25th Anniversary: Birthday Book"],"title_tesim":["25th Anniversary: Birthday Book"],"unitdate_other_ssim":["1960-1961"],"normalized_date_ssm":["1960/1961"],"normalized_title_ssm":["25th Anniversary: Birthday Book"],"component_level_isim":[3],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Director's Correspondence (RG-01)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3,"parent_access_restrict_tesm":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1960,1961],"containers_ssim":["box 33863 Box 92","folder 1","Item RG01.01.1.0001"],"_nest_path_":"/components#0/components#0/components#0","timestamp":"2026-05-21T03:29:10.278Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_44","ead_ssi":"virmu_repositories_2_resources_44","_root_":"virmu_repositories_2_resources_44","_nest_parent_":"virmu_repositories_2_resources_44","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_44.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/44","title_filing_ssi":"Director's Correspondence (RG-01)","title_ssm":["Director's Correspondence (RG-01)"],"title_tesim":["Director's Correspondence (RG-01)"],"unitdate_ssm":["1927-2009"],"unitdate_inclusive_ssm":["1927-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-01","/repositories/2/resources/44"],"text":["RG-01","/repositories/2/resources/44","Director's Correspondence (RG-01)","The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809).","\"Museum in Action\" was reformatted and is available on YouTube:  https://www.youtube.com/watch?v=03tQlnoFx0A\u0026t=1s","The collection is organized into six series, and items are generally arranged alphabetically within series 1-2. Series 3-6 are generally arranged chronologically.","Series 1 Director's Correspondence, 1927-2006 Series 2 Director's Office Staff, 1977-2008 Series 3 Building Files, 1979-2004 Series 4 Organization Files, 1991-2006 Series 5 Meeting Files, 1998-2009 Series 6 Program Files, 1992-2007","The collection was transferred from the Director's Office through periodic deposits since 1989. The bulk of the Early Director's Correspondence (Series 1.1) was deposited at to the Library of Virginia in 1982, where it remained until November 2022 when it was returned to VMFA.","Between June 17-September 10, 2023, the Fellowship Application and associated photograph of Wigfall were placed in the exhibition \"Benjamin Wigfall \u0026 Communications Village.\"","Between June 17-September 10, 2023, the recommendation letter from Leo Katz was placed in the exhibition \"Benjamin Wigfall \u0026 Communications Village.\"","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","Series 1.1 was processed by State Records Archivist Laura Drake Davis from 2006-2008 while it was still deposited at the Library of Virginia. In 2023, Senior Archivist Courtney Tkacz integrated VMFA's holdings into that series and in the process, RG-01 Boxes 1-4 and LVA 33863 Boxes 60, 67, 74, and 89 were removed.  ","Select application materials were digitized with the identifier: RG01.01.1.33863.001","Select application materials were digitized with the identifier: RG01.01.1.33863.007","Select application materials were digitized with the identifier: RG01.01.1.33863.008","Select application materials were digitized with the identifier: RG01.01.1.33863.009","This series is comprised of correspondence of all of the various Directors of the museum. Files were arranged alphabetically by subject, and there is a lot of overlap between different Director's as the files often contained pertinent items from a predecessor. In the case of the first sub-series (1.1), until 1976, the entire museum's files were maintained centrally as one unit in the Director's Office.","This series includes the records of the first three Directors - Thomas C. Colt (1935-1948), Leslie Cheek, Jr. (1948-1968), and James M. Brown (1969-1976) - as well as the two Interim Co-Directors Beatrice von Keller and Violet McDougall Pollard (1942-1945). The bulk of this series was deposited at the Library of Virginia, therefore most of the items held at VMFA are copies that LVA returned to the museum.","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with individuals, institutions and corporations beginning with the letter 'A', note- two letters written to Josef Albers (no replies). Dates- 2/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding a copy of Gainsborough's \"Blue Boy\" in the collection of Van Clief of Esmont, Virginia.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters from private donors and dealers offering objects for sale and as gifts to the Museum when it was first started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and information about gifts and purchases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about items being considered for purchase and members of the committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes, and information on bequests and purchases. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- minutes of accessions committee meeting 1972, announcements and attendance for meetings 1973, acquisitions policy for bidding on works of art at auction, etc. Dates- 9/72-1/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- painted decorations of St. James church, putting this church on the Virginia section of the National Register. Dates- 4/68-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- departmental inventories of non-expandable assets of the Commonwealth of VA 1940-3, worksheets on individual art objects and Museum equipment, state regulations, etc. Dates- 6/43-11/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown and P. Near (Curator). Subject- correspondence about possible acquisitions, considerations of gifts, notes on possible acquisitions, etc., 10/70-4/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding the gift of Mrs. Charles Adams (Ann Fowlkes) of music albums 1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's appointment by the Governor to an advisory committee assisting the Dept. of Conservation and Economic Development in a study for a proposed museum of science, archaeology and natural history (to be located in Richmond), copy of Senate joint resolution no.26-to study the encouragement or establishment of a museum of science and natural history, list of committee members, Report of the Department of Conservation and Economic Development to the Governor and the General Assembly of Virginia Relative to the Establishment of a Museum of Science, Archaeology and Natural History in Richmond, 1965, etc. Dates- 5/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Excerpt from the Report of the Committee on Recreation to the Advisory Council on the VA Economy and A Summary of Major Recommendations that Involve Questions of State Policy by the Advisory Council on the VA Economy. Dates- 8/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- possible Museum acquisitions from the dealer. Dates- 4/53-5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Airfiltering System 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- correspondence and announcement for lecture by Ambassador Akar about Africa's unique cultural heritage, etc. Dates- 10/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek was a judge for their annual show. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with Albemarle Art Association President about discontinued affiliation with VMFA, biographical information on Cheek, introduction about Cheek for lecture at AAA, Cheek's remarks in honor of Horace Burr 1966, etc. Dates- 8/57-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with and biographical information about Josef Albers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- a letter to Albers (no reply). Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown Subject- correspondence with Director about appointment to board of Hon. George S. Aldhizer II, Education in the Arts and Honors and Awards Committee appointments, etc. Dates- 6/67-2/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Donor of several paintings to the Museum, 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek as speaker for \"The Alexandria Forum: Southern Decorative Arts 1750-1850\", exhibition loans to Alexandria Assoc., etc. Dates- 9/55-1/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Printed materials. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding annual meetings and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- AAM (American Association of Museums)annual meeting pamphlets 1955,'57,'58,'59'60,'61,'62,'65 and'68, proposed constitution and By-Laws 1961, roster of member institutions 1959, correspondence about AAM meeting in Williamsburg, etc. Dates- 10/60-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from AAM Directors. Subject- Minutes annual meeting 1969, membership reports 1969-70, Financial Statements 1969-70, agenda for AAM council meeting 1970, memos, etc. Dates- 8/69-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- info about AAM (American Association of Museums) seminar held in Richmond 1972, financial and membership reports 1972, minutes of exec. committee meeting 1972, news releases, letter from Richard Nixon to Mr. Brown as President of the AAM, mailings sent out by AAM, etc. Dates- 7/72-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about Cheek as Program Chairman for AAM (American Association of Museums) annual meeting in Williamsburg 1962, tentative agenda, schedule of events, attendance list, committee reports, program, etc. Dates- 5/59-1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- correspondence to American Art Association (AAM) section chairmen about annual meeting, program, schedule of events, etc. Dates- 9/60-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about arranging program for American Association of Museums (AAM) meeting, roster of section chairmen 1962, agenda for exec. committee meeting 1961, invitations sent to VMFA trustees for a reception (held at VMFA) to meet the delegates to AAM meeting, etc. Dates- 7/59-6/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- roster of AAM (American Association of Museums) section chairmen 1962, attendance and schedule for section meetings, etc. Dates- 1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lloyd Goodrich Lecturer. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek on advisory committee for the study of design and craftsmanship in today's products, roster of advisory committee, proposed exhibition, conference series, documentary and publication about design and craftsmanship, National Exhibition Project Committee meeting minutes 1950, etc. Dates- 3/49-4/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek on Board of organization. Contains memos, pamphlets, exhibition literature etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns L. Cheek's membership in the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- minutes of exec. committee meetings 1961, '62 and '65, roster of trustees, memos to trustees, correspondence about convention in Chicago, etc. Dates- 1/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. (trustee of AFA). Subject- information about circulating exhibitions, minutes of Exec. committee meetings 1966 and '67, minutes of trustee meetings 1966, '67 and '68, memos to trustees, etc. Dates- 1/60-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- American Federation of Arts (AFA) exec. committee meeting minutes 1967 and '68, correspondence about AFA delegates visit to VMFA 1969, roster of members and committee appointments, news releases 1968, President's annual report to AFA, etc. Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about Cheek as Convention Committee Chairman 1959, correspondence about potential committee members, program for convention, minutes of preliminary joint meeting of the AFA trustees 1958, minutes of trustees meeting 1959, Golden Anniversary Convention, The American Federation of Arts 1909-1959, congratulatory and appreciation letters to Cheek, etc. Dates- 3/58-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown Subject- AFA (American Federation of Arts) exec. committee meeting minutes 1959,'60,'61,'62 and'65, roster of board of trustees, trustee meeting minutes 1961 and '62, AFA constitution, National Council on the Arts and Government Annual Report 1960, etc. Dates- 3/61-1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with the American Institute of Architects. Dates- 4/47-1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek served as a juror for the Annual Homefurnishings Design Competition and was an honorary member, 1949-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- A.I.D. (American Institute of Designers) VA chapter yearbook 1961-2, listing of suggested museums for A.I.D. exhibition, etc. Dates-5/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown. Subject- dinner meeting for the AID (American Institute of Designers) (interior designers). Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz and Wm. Wilkinson (Mariners Museum). Subject- Loan requests, cost estimates, pamphlets and photographs. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz and Wm. Wilkinson\u003e Subject- First major survey of American Marine Painting in observance of the Bicentennial. Lists of paintings, installation, budget, etc. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains copies of lecture invitation and catalog. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown from ASA (American Society of Appraisers). Subject- Brown's membership in ASA, ASA news 1971-2, announcement of meeting 1971, etc. Dates- 10/70-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for gallery dinner at VMFA for American Society of Appraisers. Dates- 1/72-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Brown as Chairman of a committee on collections at Amherst College and member of Exec. Committee of the Association of Fine Arts, constitution and minutes of Association of Fine Arts meetings 1970 and '71, roster of members of the Association of Fine Arts, membership solicitation letter, catalogue: The Amherst Sesquicentennial Exhibition 1972, etc. Dates- 10/69-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. J.G. Pollard and Mr. Henry W. Anderson. Subject- meetings of the Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, a portrait of Anderson by VA artist, Julian Binford, etc. Dates- 6/35-11/44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Henry W. Anderson. Subject- Anderson's presidency of the Board of Trustees 1947, trustee and Museum business, Annual Board meeting minutes 1947-8, Museum events and daily operations, Museum investments and gifts to the Museum, a general study of the Museum's collections and suggested plan of development (1947), information about the land occupied by the Museum and its estimated future needs, etc. Dates- 6/47-6/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- President of the Board of Trustees. 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and L. Cheek, Jr. and Col. Henry W. Anderson. Subject- Anderson's presidency of the VMFA Board of Trustees, Museum events and daily operations, gifts to the Museum, investment of the Museum's A.D. Williams fund, listing of financial condition of endowment and special funds 1952-3, etc. Dates- 5/51-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for dinner honoring Mr.and Mrs. Walter P. Chrysler, guest lists, invitations, R.S.V.P.'s, etc. Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- final copies: VMFA 2nd Annual Report of the Director 7/1/36-6/15/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 7th Annual Report of the Director 7/1/41-5/1/42 and VMFA staff orders 1/42 elaborating the orders of 6/41 conduct of the Museum during an emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers, preliminary and final copies of The Report of the Acting Directors for the Year 1944-5, agenda for Executive committee meeting 6/44, breakdown of membership 1943-4, 1944-5 and working papers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- final copy VMFA Annual Report. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- preliminary and final copies VMFA Annual Report 1946-7 7/1/47-4/30/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- preliminary and final copy: VMFA Annual Report 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for the 1948-9 Annual Report, Report of the Executive Committee of the VMFA to the Board of Trustees (5/22/49) also a listing and attendance record of the Board of Trustees (5/27/49).  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for the 14th Annual Report, including operations budget, salaries and membership count, also a copy of VMFA Organic Laws (10/36). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- The 14th Annual Report of the Director (5/27/49) and its working papers, also correspondence about VMFA role in selecting and displaying portraits in the Governor's Mansion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- working papers for the annual report, listing of Cheek's activities (lectures, consultations, committee and jury duties). Dates- 1960-1. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual Reports for Collections and Gallery Divisions 1951-54, and for State Extension Services 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 1st Annual Financial Report of the Curator (4/13/35-6/15/36), VMFA 2nd Annual Report of the Director (7/1/36-6/15/37), VMFA 3rd Annual Report of the Director (7/1/37-6/1/38), VMFA 4th Annual Report of the Director (7/1/38-6/1/39), VMFA 5th Annual Report of the Director (7/1/39-5/1/40), VMFA 6th Annual Report of the Director (7/1/40-5/1/41). Dates- 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 7th Annual Report of the Director (7/1/41-5/1/42), VMFA 8th Annual Report by the Acting Directors (7/1/42-5/31/43), also, VMFA 9th Annual Report by the Acting Directors (7/1/43-5/31/44).  Dates- 1941-1944. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- the following reports: \"Remarks by Robert Marsh, Jr. before the Appropriations Committee of the General Assembly\" and \"Resume of the Request of the Trustees of the Virginia Museum of Fine Arts before the Appropriations Committee 2/64\" Dates- 2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual meeting of its Richmond Chapter at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and Ms. B. von Keller. Subject- biographical info, purchase of his painting Maggie, letters of introduction, personal references, loaning work to Museum, Va. artists exhibitions, counsel on museum operations, etc. Dates- 10/35-10/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed paperback guide to architecture in Virginia, roster of Editorial Advisory Board for guidebook, list of sites by counties and cities, etc., final list of buildings and sites, announcements and minutes of Nominating Committee meeting, etc. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- biographical information on H. Harvard Arnason, speaker on Henry Moore sculpture at VMFA, VMFA Members' Bulletin vol.26, no.2 10/65. Dates- 9/65-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- confirmation of meeting with State Art Commission to present plans to enlarge VMFA. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership roster, pamphlet of Art Dealers of America, Inc., etc. Dates- 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given at the VMFA by members of the staff of the Museum of Modern Art 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices, the following publication: Let's Make the Lions Roar: A Marketing Study of the Art Institute of Chicago by Edward J. Teply (Northwestern University 1959) Dates- 6/48-1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Potential jurors for biennial exhibitions 1970. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence and a listing of members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and art nouveau purchase plan. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Artificial flowers for decoration in galleries, 1964. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum program where artist-members participated in a life drawing class.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program sponsored by museum for artist members, included life drawing classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and memorandums. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and minutes from meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Project to try and send artmobiles overseas as suggested by the State Department. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence as to whether or not they would like to have the artmobile visit their school. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains plans, blueprints, and correspondence that occurred during its development.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Manufacturer of custom van bodies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Presidential Inauguration. Artmobile was State of Virginia's entry in President Johnson's inaugural parade, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed exhibition for the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Magic City Bank had an exhibit trailer, which was a prototype for artmobile.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations, programs and correspondence.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reprints of A.I.V. article \"Galleries on Wheels\", 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VFWC was instrumental in getting the artmobile started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, newspaper and magazine clippings and schedule 1961-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedules, Plans, correspondence and photographs, 1960-63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and plans for 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening, Middleburg, Virginia, 1962.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner and Invitation List. Artmobile II Opening. Middleburg, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Facts sheets, invitations and photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dedication. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- correspondence re. funding, construction, photographs, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans for Collegiate Artmobile to visit Virginia Colleges. 1964-65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal to ask the Carnegie Foundation for funding for a collegiate artmobile, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening, Ashland, Virginia. Correspondence and programs, Sept. 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Meeting of Virginia college Presidents regarding the Artmobile project to service college and University campuses. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, David Pittman, Peter Mooz. Subject- Artmobile workshop: program agenda, exhibition schedules, etc. \"Artmobile Chairman Handbook\". Dates- 7/74 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fruehauf Trailer Co., artmobile manufacturer, 1965-66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed by Lt. Governor Mills Godwin, attempted to establish a Virginia Arts and Crafts Museum. Newspaper clippings, correspondence, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets, prints, minutes and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Arts and Humanities Summer Institute. Sponsored by the Va. Commission of Arts and Humanities at the Museum in 1971. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Informational pamphlet from the President's advisory Council on the Arts, 1963. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Art Council of America and Governor's office. Subject- invitation from the Art Council of America to be represented in this council, etc. Dates- 10/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from George Cruger (Editor, AIV), J.M. Brown and Wm. Gaines. Subject- Microfilming of AIV and checklist of Articles to date, Spring 1974. Catalog: \"Image\", George Eastman House, 1973. Dates- 11/73 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memos and Correspondence. Dates- 1960 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Search for a designer for the magazine. Letters to and from possible candidates. Dates- 1964.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Various issues of the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- A.P. News clips regarding Museum, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the portrait bust of John Marshall.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- A.P.V.A. Pamphlets and Correspondence, 1972. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- agenda for the APVA (Association for the Preservation of VA. Antiquities) meeting held at VMFA, roster of exec. committee and trustees, etc. Dates- 3/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of members and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and reports from annual meeting 1964-68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- General correspondence to Directors of various museums regarding membership, loans of art works, invitations, etc.  Fact sheet on Artist housing in Soho. Dates- 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and minutes from annual meeting 1970-71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Annual meeting: reports, minutes, events schedules, officers, membership. Code of Ethics for ilicit traffic in works of art. \"Reproductions and Reproduction Rights For Museum-Owned Objects\", 1962, American Federation of Arts. Dates- 1972, 1979 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes from meeting. Dates- 5/59 - 6/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposals for membership. L. Cheek was membership chairman. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes of meeting. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report on dangers of lending objects to institutions for special exhibitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Questionnaires, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Lady Nancy Astor. Subject- Donation of her portrait by John Singer Sargent and china. Dates- 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"B\". Subject- varied. Dates- 9/50-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with institutions, individuals or corporations beginning with the letter \"B\" and the VMFA loan-own art service policy statement. Dates- 6/62-10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Transcript of remarks by Frank Stanton on his award of the Michael Friedman Medal of the Architectural league, magazine clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Ballet and L. Cheek concerning the beginning and future of a theatre at the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, A. Ballet and trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Baltimore Museum of Art calendars of events, correspondence about museum practices, etc. Dates- 9/48-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Miss Iris Barry. Subject- giving a film lecture, newspaper clipping, etc. Dates- 8/49-5/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, T.C. Colt, Jr. and L. Cheek, Jr. Subject- general information about Barter Theatre (announcements, VA Highlands Festival schedule, etc.) and correspondence about the Museum sponsoring drama productions as a state extension service. Dates- 12/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Barzansky Galleries. Subject- invitation to a Harriet Fitzgerald exhibition at the Charles Barzansky Galleries, N.Y.C. Dates- 1/58-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Governor Battle. Subject- thank you notes, etc. Dates- 11/50-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlet of the Museum's 1945-6 season. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. Bellows. Subject- the proposed acquisition of one of two of Bellows' paintings (Kids, The Teamster) which the museum didn't purchase. Dates-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Fitzgerald Bemiss as a Trustee, correspondence about Board of Trustees and Membership Committee business, gifts to VMFA, etc. Dates- 6/54-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- visit to Florence, Italy and to see Bernhard Berenson. Dates- 1/56-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition: Eugene Berman's sketches for the Metropolitan Opera's Barber of Seville. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Brown was a chairman of the panel of judges for the Franklin Mint Bicentennial Medal competition in the state of Virginia, official rules and entry form for competition, etc. Dates- 4/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- House Bill no.131 to keep Va. interstates free of billboards, response letters from Va. politicians, etc. Dates- 2/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Mr. Paul Bird as a lecturer on contemporary painting, a transcript of the lecture, etc. Dates- 1/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek and J.M. Brown. Subject- Accessions: Chinese objects. Requests for loan of A. Wyeth paintings from Wyeth Estate, invitation to Clare Boothe Luce to address 17th Annual Va. Public Relations Conference, letter of inquiry regarding the artist Lucille Sinclair Douglas. Accessions: Dubuffet prints, period chairs, pedestals, chest, Aphrodite Torso, female draped figure, Claude Hirst painting, Roger Barr painting. Eric Christmas and Festival Theatre, Ontario, Canada, proposal around building of Bristol Chapter House, furnishing of Agecroft Hall, expansion of University curriculum to include Art Historical Studies in surrounding colleges, Hogarth exhibition, World Museum Fund with description of event and agenda.  Text from \"Country Beautiful, America's Finest Small Museums\", with description of VMFA. Accession and gifts: \"The Little School Girl\", Degas; Amphipolis Gold. Dates- 1959-70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek. Jr. Subject- By-Laws revised and adopted 1951, Organic Laws, announcements, replies, agenda and minutes of annual Board meeting 1950, committee reports, listing of Trustees, etc. Dates- 5/50-5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Col. H.W. Anderson. Subject- annual Board meeting, listing of Trustees 1952-3, announcement of annual meeting, VMFA Annual Report of the Director 1952, etc. Dates- 5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement, replies, agenda and minutes of annual meeting 1953, notice of amendments to the By-Laws, a VMFA report/essay \"The Need for Completing Its Addition\", etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- annual Board meeting minutes 1953, 54, VMFA Annual Report of the Director 1954, notice of amendments to the By-Laws 1954, announcement, replies and agenda for meeting, etc. Dates- 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- minutes of Trustees annual meeting 1955, working papers for the meeting, committee reports, By-Laws revised and adopted 6/54, listing of insurance coverage, Museum events, etc. Dates- 5/55-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mid-year meeting and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement of annual meeting and luncheon for the Trustees, R.S.V.P.'s, attendance list, etc. Dates- 4/56-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Index cards with names and addresses of current and former Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff and Board Presidents. Subject- Board of Trustees committee appointments, appointment letters and reply letters for the following years: '45/6, '46/7, '47/8, '48/9 and '49/50. Dates- 1945-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- letters of appointment to serve on Trustee committees and reply letters, listing of committee appointments 1949-50, etc. Dates- 7/49-7/50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Henry W. Anderson (President of the Board). Subject- appointment to committee letters and reply letters, etc. Dates- 8/51-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence By L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of committee appointments. Dates- 1954-5. Correspondence- Subject- listing of committee appointments. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of Trustees committee appointments (1956-7), reply letters to committee appointments, etc. Dates- 8/56-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- notes on planning, cost estimates, invitations, replies to preview of A.D. Williams collection and dinner honoring Governor and Mrs. Battle, etc. Dates- 10/52-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Museum events, working papers for the annual Board meetings and agendas, nominations to the Board, excerpts from the Board minutes, committee reports, etc. Dates- 2/37-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains miscellaneous correspondence, memos and minutes from meetings. 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board annual meeting minutes 1955, By-Laws revised and adopted 1954, By-Laws and suggested revisions 1956, listing of Trustees 1955, Committee appointments 1954-57, etc. Dates- 1954-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Roster of the VMFA Board of Trustees. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement, replies for Board meeting, listing of Trustees 1952, 53, notice of meeting cancellation because of inability to secure a quorum, etc. Dates- 1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- announcements, replies, agenda and minutes of Trustees special meeting and Executive Committee meeting, etc., 1/54-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of the Board of Trustees annual meetings. Dates- 1934-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- suggested plan for developing VMFA collections by Colt (1945), announcements and replies for Board annual meeting , prepared budget 1947-8, listings of Trustees, officers and committees, etc. Dates- 10/45-6/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- sightseeing boat tour on the James River. Dates- 2/57-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mrs. John H. Bocock as a Trustee, Board of Trustees, Entertainment and Accessions Committee business, art lending service information, gifts to VMFA, etc. Dates- 5/51-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek writing introduction for A. Aubrey Bodine's photography book: The Face of Virginia, draft of the foreword/introduction, biographical information on Bodine, etc. Dates- 3/62-1/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- letter to Hon. Armstead L. Boothe about appointment to Board. Dates- 6/64-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Jr. primarily with the Sheraton Hotel. Subject- a cocktail party held on Cheek's Boston trip, guest lists, invitations, etc. Dates- 10/58-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. with various Boston Museum staff. Subject- museum practices, loans, speaking engagements, exchange publications, etc. Dates- 11/47-10/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loaning objects to VMFA, correspondence about museum practices, lecture given by Cheek in Boston about art in Virginia, etc. Dates- 3/55-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and V.Y. Bowditch. Subject- Bowditch biographical information, drama schedule 1955-6 season, evaluations, theatre operations, etc. Dates- 7/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Theatre director of Pasadena Playhouse 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. with E.G. Bowles and the Public Works Administration (PWA). Subject- landscaping the Museum and bids complying with PWA, construction contract 4/36, classifications of labor/workmen and wage rates 12/34 and Form Of Bond-VA 4/36. Dates-3/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's membership to the VMFA Board of Trustees, Museum events and daily operations, the following Museum publications: Virginia Museum of Fine Arts By-Laws, 1st Annual Financial Report of the Curator (4/13/35-6/15/36) and Virginia Museum of Fine Arts 1st Quarterly Financial Report of the Curator (5/1/36), listing of suggested prospective Trustees, listing of Trustee committee appointments 1937, sketches of Museum floor plan, etc. Dates- 12/34-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, Museum publication: Prospectus of Program Season of 1937-38, radio talk show transcript 3/38, etc. Dates- 6/37-6/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, PWA grant offer 1938 to the Museum, letter from VMFA rejecting the offer of a PWA grant, copy of the resolution that Henry P. Strause, Esq. be named first Honorary Benefactor of the Virginia Museum of Fine Arts, etc. Dates- 7/38-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Trustee committee appointments 1939-40, essays by Branch about WWII, financial situation of the Museum 1939, creation of a \"Ways and Means\" committee, etc. Dates- 8/39-6/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe Branch. Subject- Branch's presidency of the VMFA Board of Trustees, staff organization (1940), plan for VA artist fellowships, \"Art in Virginia\" an article written by Colt, Museum events and daily operations, Museum investments and gifts to the Museum, biographical information on Branch, Trustee committee appointments 1940-1, etc. Dates- 6/40-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, biographical information on Branch, Museum events and daily operations, Museum investments and gifts to the Museum, winner of the first Webster S. Rhoads medal, etc. Dates- 5/41-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Thalhimer Brothers, Inc. Subject- use of VMFA's Medieval Gallery for British Embassy reception. Dates- 6/1/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- brochures for the VA Dance Society, VA Film Society and VA Chamber Music Society. Dates- 1963-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loaning objects to Brooklyn Museum, correspondence about museum practices, exchange publications, etc. Dates- 2/48-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- essay written by J. Carter Brown for New York University. Dates- 5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- news releases about James M. Brown becoming VMFA Director, newspaper clippings, photos of Brown, Report of the Director 1972-3, etc. Dates- 6/69-11/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff and Trustees. Subject- plans for receiving the new Director. Dates- 6/69-7/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Fred Haseltine (Assistant to Director). Subject- list of objects being offered to the Museum including: antique gold boxes, ornaments, clocks, etc., letters to the executors of the Ailsa Mellon Bruce estate, correspondence with Paul Mellon, news releases and news paper clippings about gift, photos of the galleries, etc. Dates- 8/70-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Mr. David K.E. Bruce as a Trustee, Board of Trustees business, gifts to VMFA, etc. Dates- 5/48-3/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed acquisition of the Brummer collection of Medieval art, report on collection, list of objects, correspondence to Paul Mellon, etc., later sold to Duke University. Dates- 12/65-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and the Smithsonian Traveling Exhibition Service. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Exhibition 1958, includes layouts and photos, etc. Dates- 3/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's membership on the Fine Arts Advisory Committee to U.S. Commission for the Brussels Universal and International Exhibition of 1958, committee meeting minutes 1957, committee roster, etc. Dates- 2/57-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Fair 1958, Cheek was an advisory committee member, loan, catalogue and installation lists, information on slide presentation- \"Art in American Museums\", etc. Dates- 3/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- sketches, plans of the U.S. pavilion for the Brussels International Fair 1958, information and listing of objects in the \"American Folk Art\" exhibition, etc. Dates- 1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Harry Bertoia (Sculptor). Subject- the acquisition of a Bertoia piece (Tree) shown at the Brussels Fair. Dates- 8/57-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr. Subject- D. Tennant Bryan as a Trustee, Board of Trustee and Membership Committee business, etc. Dates- 10/47-6/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. D. Tennant Bryan. Subject- Trustee/Museum business, membership to the Museum, etc. Dates- 5/51-9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. J. Stewart Bryan. Subject- Trustee/Museum business, loan of paintings for inaugural exhibition, gift to Museum, etc. Dates- 6/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Thomas P. Bryan as a Trustee, Board of Trustee business, etc. Dates- 9/58-11/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- congratulatory letter to Mr. Thomas P. Bryan on election as Mayor, Date- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. to Buchholz Gallery. Subject- proposed purchases, loans, exchange publications, etc. Dates- 4/47-8/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VMFA budget exhibit 1959 and 1966-8, resume of the VMFA Trustees before the Appropriations Committee 1964, budget requests 1960-1 and 1962-4, etc. Dates- 9/61-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of Governor's Budget Advisory Board 1965, outline for capital outlay funds dinner, invitation letter to Trustees, etc. Dates- 5/65-6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed 25th anniversary budget, correspondence about obtaining a Budget Committee for the 25th anniversary program, anniversary publications, etc. Dates- 1/60-3/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about Capital Outlay Commission dinner and theatre, etc. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- suggested order of events for Budget Advisory Committee meeting, invitation letters to the Presidents of VMFA affiliate chapters, draft of end of dinner announcement, etc. Dates- 7/61-9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- list of Governor's Budget Advisory Committee 1969, review of Museum's request for capital outlay funds to construct North Wing and theatre, etc. Dates- 4/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- roster of Governor's Budget Advisory Board 1967, outline for Cheek's remarks to Budget Advisory Committee, etc. Dates- 1/67-5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- roster of Governor's Budget Advisory Committee members 1972-4, request for hearing, dinner invitations for Advisory Committee, etc. Dates- 5/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers and news releases about the addition to the Museum. Dates- 6/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to other U.S. art museums. Subject- installation and advice on purchasing an air conditioning system. Dates- 5/53-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Wm. Rhodes. Subject- correspondence about air condition system failure. Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- addition and renovation to the Museum, proposals and preliminary studies by Mr. Merrill Lee, Architect, copy of a Architects and Consulting Architects Contract, etc. Dates- 12/49-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard primarily with Architects M.C. Lee and Eggers and Higgins. Subject- schedule of interior installation, list of architects bills, building inspection, review work/progress, photographs of progress of additions to the Museum 1953, etc. Dates-12/48-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the proposed addition the VMFA 1949-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Baskervill and Sons (architects and engineers) preliminary drawings, schedule for construction project, etc. Dates- 7/64-12/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Attempt by the United Daughters of the Confederacy to expand their facility on the block. The Museum's and the Virginia Historical Society's attempts to stop them and acquire the land for their own use. Dates- 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about equipment needed to supply music to members' quarters, lobby area and galleries. Dates- 7/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- information about sound equipment. Dates- 6/54-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information on purchasing folding and stackable chairs. Dates- 8/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- extending the rise of freight elevator. Dates- 8/53-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- proposals and layout for a film production unit to be located in the new wing (to make interpretative sound films). Dates- 7/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information, blueprints on changes to and installation of kitchen equipment. Dates- 6/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- the proposed purchase and installation of photographic equipment, correspondence with other art museums about creating and maintaining a darkroom and staff photographer. Dates- 8/53-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- blueprints of check room, information about coat, overshoe and umbrella racks for the Museum check room. Dates- 9/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information about seating for the theatre and auditorium, blueprints of the auditorium. Dates- 8/53-8/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of machinery and equipment needed for the new shop. Dates- 8/17/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about chandelier for front entrance of Museum. Dates- 9/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M.C. Lee, Architect. Subject- alterations and additions to the Museum, color samples and specs for painting and finishing, etc. Dates- 8/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains amounts of pledges and names of donors giving money for new galleries.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Gallery floor plans: VMFA, Brooklyn Museum, Victoria and Albert, British Museum, Art Institute of Chicago, Walters. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Merrill C. Lee, Architect. Subject- progress photographs and negatives (north wing). Dates- 5/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Architects: contractual agreements, VMFA design program, Capital Outlay Appropriation, alteration, additions, cost estimates, expenditures, contracts for Doyle and Russell and Merrill C. Lee (AIA). Dates- 12/48 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- blueprints of a darkroom and information about and catalogs of photographic equipment. Dates- 8/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns securing restricted material such as steel for post-wartime construction. 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Mrs. J.G. Pollard. Subject- Economic Stabilization Committee (ESA) search for qualified women employees, ESA headquarters to be located in Richmond, federal government regulations that established ceiling prices for all commodities and services (except those specifically exempt) upon the basis of prices in effect between 12/19/50-1/25/51. Dates- 2/51-12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Final Statement Museum Of Fine Arts Richmond, Virginia\", contract dated June 9th, 1952. Financial statement/contract from Doyle and Russell Construction. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Terra cotta statues at the North entrance to the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Original Building: \"Manual On The Planning And Execution Of State Capital Outlays\", 9/1/44, contracts: Doyle and Russell (Building Contractors) and Merrill C. Lee (AIA). Detail for additions and deletion from original building. Design contracts and inspection reports. Dates- 1952 - 55, 1966, 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Brochures, drawings, correspondence 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- information on red carpet and padding for the front entrance. Dates- 8/51-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Meeting with Interior designers 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding plants around the Waddy fountain. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- the Richmond Junior League's proposed campaign to raise money for construction of South wing for the Museum, working papers for and final copy of the pamphlet: \"The Virginia Museum Needs Wings\", etc. Dates-12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- renovations and construction of a new wing to the Museum, Cheek's comments on preliminary and revised drawings, and construction progress, Architects and Consulting Architects Contract (Merrill C. Lee, Architect, Eggers and Higgins, Consulting Architects), an essay \"The Virginia Museum of Fine Arts Need for Completing Its Addition\", etc. Dates- 1/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information relating to addition to Museum, several reports including: Building Program 1950-1, Addition to Building 1949-50, The Virginia Museum of Fine Arts The Need For Completing its Addition, History of Appropriation for Construction (1948-53) ,also, notes for Sen. Gray about Museum addition (1952). Dates- 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- miscellaneous daily and general building maintenance. Dates- 2/60-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Governors Stanley and Battle. Subject- improvements on Museum building and completion of new wing (1954). Dates- 12/50- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject-construction/installation of American and English galleries, alterations to Medieval hall, blueprints, etc. Dates- 7/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- information on purchase of steel lockers, blueprints, etc. Dates- 4/54-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about ordering office furniture designed by Eero Saarinen. Dates- 8/64-1/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Alfred Geiffert, landscape architect. 1949-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- analysis of situation concerning the parking lot and planting, etc. Dates- 8/66-10/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Budget Estimates for landscaping the grounds of the Museum around addition, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information and bids on purchasing lighting and steel storage equipment. Dates- 11/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- info on purchase of supplies for dining room/cafeteria: placemats, traymats, doilies, napkins, matches. Dates- 1/55-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains plans for the Waddy Fountain, and furnishing brochures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Carl Milles, donor of the Little Triton Fountain 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- marble chips for garden court fountain request for information about installation of mosaics in garden court. Dates- 8/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed purchase of wall coverings for new galleries (movable partitions and door headers). Dates- 2/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- commission to decorate behind refreshment counter in the new building, commission switches from Julien Binford to Richard Q. Yardley. Dates- 6/54-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Richard Q. Yardley Mural in the refreshment room. Also contains information on Julien Binford who was originally retained to do the mural before Yardley. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Public Works Administration Grant for Museum addition, application to National Production Authority (N.P.A.) for assistance in obtaining materials for proposed Museum construction. Dates- 10/35-9/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- staff requests for facilities and equipment, list of private funds for Museum addition, Board resolution about the construction on the building, etc. Dates- 7/48-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- drawings of proposed Museum addition, Special Building Committee procedure in dealing with Appropriations Committee of the House of Delegates, etc. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and New York City Museums: Metropolitan, Guggenheim, MOMA, and Whitney. Subject- Extended loans of paintings and sculpture for the VMFA's new wing of Contemporary Art, scheduled for Jan. 1970. Correspondence from L. Cheek to John Walker to address the Collectors Circle. Dates- 7/69 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- report on budget dinners 6/65, Cheek's itinerary for talks 1965, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and Joseph Whitehead (Interior Designer). Subject- Interiors of the New South Wing, Fabric sample enclosed. Correspondence between L. Cheek and Bernard Bothner of the Brooklyn Museum. Subject- Resources for slides to accompany the reinstallation of the Egyptian Gallery. Dates- 6/66- 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposals for gallery orientation theatre systems. Memo To VMFA staff regarding upcoming Fellows meeting. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to other museum directors. Subject- Request for slides of recent building additions to their respective museums, to prepare for a presentation to the Virginia Legislature. Dates- 4/65 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey conducted by L. Cheek to determine the necessity of a sprinkler system in galleries. Letters, cards of response and survey results. Dates- 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains brochures and catalogs 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photos of preliminary architect's drawings, preliminary cost estimates, etc. Dates- 7/62-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Information concerning the MOMA 30th Anniversary, building funds drive with text of building/expansion plans, \"Toward The New Museum Of Modern Art\" , 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- review of presentations to the Art Commission, photos of other art museum additions, statements about addition (Mr. Wallace K. Harrison and Mr. Frederick D. Nichols), etc. Dates- 9/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sculpture garden fountain and the renovation of the theatre lobby. Dates- 7/76 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Wm. Higgins. Subject- Membership drive/ New Wing opening, progress reports to members of the Board, financial statements: cost estimates, design fees, operating fund, construction timetables. Fact sheet relating to history of VMFA. Signficant dates for the Virginia Museum, \"History of North Wing Construction\". Dates- 4/71 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nicholas and C. Chamberlayne (Hardwick). Subject- Progress timetable, architectural engineering/ landscape/ interior design. Revisions/ alterations to construction, cost estimates, instructions to bidding contractors. Review by building committee of the Board of Trustees. Minutes of the building committee, 2/25/72, drawing/plans. Dates- 1971 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nichols and C. Humelsine. Subject- North Wing plans, justification and description, funding, appeal to legislature to win support for North Wing funding. Rosters: Appropriations committee, finance committee, Governor's budget advisory committee. Essay- \"The Unique, Pioneering Virginia Museum\" and \"Facts on the Virginia Museum of Fine Arts\". Dates- 1967, 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson and L. Cheek. Subject- Original design of North Wing per L. Cheek and Baskerville (AIA), later rejected by the Arts Commission. List of significant dates with regard to North and South Wing additions. Minutes of Special building Fund committee, 3/11/65, original building proposal, photographs. Bulletin vol.26, no.2 10/65. Dates- 9/65 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs/Plans/Drawings from Baskerville and Son (AIA) for:entrance hall, basement/sub-basement, site plan elevations/cross section, gallery floor plans and views of entire block.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nicholas and L. Noland (building committee). Subject- Construction, architectural engineering, capital outlay, construction bids, plans and contract documents. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- blank order forms labeled VMFA NPA Regulation No. 4. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. J.G. Pollard. Subject- National Production Authority (NPA) regulations, order listings for maintenance, repair and operating (MRO) supplies, regulations about using the DO-97 rating (Form used to obtain MRO supplies), quota for the 4th quarter 1951, etc. Dates- 3/51-7/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about construction and funding (some PWA) of a wing to the Museum, publication: Working Relationships Between Private Architects and Engineers and the Commonwealth of VA (2/44, Governors' office, Division of the Budget) and The General Conditions of the Contract for the Construction of Buildings (standard form of the American Institute of Architects). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Doyle and Russell, Building and Industrial Construction. Subject- Bronze founders tablets, frames, building inspections and taking over and operating the building 10/35. Dates- 8/35-10/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Peebles and Ferguson, Architects, Norfolk. Subject-blueprints (including detail of the Portuguese Room dated 9/18/35), maintenance and furnishings (benches, plaques, interior painting, etc.) for the Museum. Dates- 4/35- 6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Ferguson, Meakin and Moore, Architects, Norfolk. Subject- reproductions of drawings of proposed south wing, drawings, bids, etc. Dates- 10/37-5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans and Correspondence 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photos of drawings showing the proposed additions and alterations to Museum. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans and correspondence regarding the memorial plaques around the building: R.E. Lee Camp, Waddy and the Old Dominion Foundation fountains. 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- construction/installation for the Pratt collection, blueprints, progress reports to Mr. John Lee Pratt, etc. Correspondence with Milton Samuels of French and Company who designed the installation, including quotes for fabric, carpet, cases, carpentry, lighting (including the chandelier). Cheek asked Pratt to fund it and he agreed. Lots of invoices. Dates- 6/54-5/55.   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Baskerville and Sons, Architects, 3/11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about building models, preliminary drawings, furnishing and equipment catalogues, etc. Dates- 4/65-12/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence and statements from Marcellus Wright and Son. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and Merill Lee (architect) and Chairman of the Building and grounds committee, concerning construction of the service area. Dates- 1/59 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Eggers and Higgins, Architects. Sketches and drawings 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., J.M. Brown and Erwin H. Will (VMFA President of the Board). Subject- all aspects of construction of the South Wing, additions and alterations to Museum, landscaping, fountain, parking lot, etc. Dates- 12/66-3/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of South Wing construction conferences 1969-72, outline of construction to South Wing, etc. Dates- 1969-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Governors Dinner/Event in celebration of the South Wing: program agenda, menu, dedication plans, News Media reception, Rosters: House of Delegates, Senate, Trustees. Key presented to Governor Linwood Holton donated to the archives by Anne Holton November 3, 2022. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Capital Outlay requests, individual project descriptions, preliminary plans, tabulations of construction bids, estimated income sources, floor plans, budgets, invoices, Executive Committee Minutes and Building Committee Minutes. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Erwin Will. Subject- New duct layout for the South Wing attic space: revisions necessary due to mistakes in original drawings and improper work. Financial statements. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA Charter, Act of March 27, 1934. Design program (2/18/49) Phase II, museum enlargement, boiler replacement, contract cost estimates, committee no.279-A, addendum no.7 to the drawings and alterations to VMFA. Theatre light control system, weekly project inspections. \"General Conditions Of The Contract For Capital Outlay Projects\". Dates- 2/52 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and members of the building committee. Subject- Proposed additions, rejection of north facade by Arts Commission. Excerpts from Minutes of Art Commission Meeting, 6/4/65, 7/9/65, 7/29/66. \"The Virginia Museum Opens The New South Wing\", Press package, Brief History and Signficant Dates of VMFA, photographs. Dates- 1965 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Supplemental Agreement #2: Additions and alteration to various aspects of structural design contracts. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Interior construction and design. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment purchasing list, blueprints of theatre, installation of theatre and projection equipment and an orchestra lift, local building committee meeting minutes, etc. Dates- 7/53-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment: bronze stands and velvet ropes. Dates- 1/55-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Construction blueprints and plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letter of invitation to Trustees, former and current, to celebrate the construction of the North Wing, seating arrangement and timetable for event. Letter to Gov. Holton concerning ground breaking ceremonies and gala dinner. Dates - 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Col. Anderson. Subject- proposal for theatre for Museum, possible recreation center for armed forces stationed in Richmond. Dates- 2/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Waddy Memorial and Triton Fountains 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- B.F. Ruskin and Associates 1953-55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- committee reports on funding for construction of addition to the Museum, schedule of payments to date (12/4/50 and 12/20/50). Dates- 10/50-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- additions and alterations to VMFA 1955, list of Museum alterations and additions to date 6/15/55 by Merrill C. Lee, Architect, VMFA Noise Survey CA 9687 (1955), blueprints, etc. Dates- 1/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains architectural plans for the first addition to the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- cost estimates/proposed funding for Museum addition, copy of the resolution to establish a Local Building Committee, announcements, replies and minutes of Local Building Committee meetings 1950-2, etc. Dates- 1/46-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Local Building Committee, 1951-54. Information regarding the local contractor. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- minutes and outlines of VMFA Building Committee meetings 1952-3. Dates- 6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr., and G.D. Gibson (Chairman of the VMFA Building Committee). Subject- addition to Museum building, listing of additions and alterations to the building, agenda and minutes of Building Committee meetings 1953-4, etc. Dates- 9/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- addition to Museum building, minutes, announcement and agenda for VMFA Building Committee meetings 1954-5, list of contributors to Museum Building Fund, etc. Dates- 7/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by G.D. Gibson (Trustee). Subject- installation of Museum equipment, minutes of the Buildings and Grounds Committee meetings 1955-6, etc. Dates- 9/56-12/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains lists of expenditures, list of private donors with amounts donated for the addition to the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA Local Buildings and Grounds Committee meeting minutes 1948-56, listing of committee meeting dates 1948-56. Dates- 1948-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard to Senator Garland Gray. Subject- information about planning costs for addition to Museum building, Museum business and events, etc. Dates- 5/51-7/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of the Museum's members bulletin. Vol.1, No.8, Vol.7, No.'s 1,4and6, Vol.8, No.'s 5and8, Vol.9, No.'s 1,2and4, Vol.10, No.'s 1,2,7and8, Vol.11, No.'s 1,2,3,4,5,6,7and9, Vol.12, No.'s 8and9, Vol.13, No.'s 6and9, Vol.14, No.'s 1,3,6,7,8and9, Vol.15, No.'s 3,4,5,6,7,8and9, Vol.16, No.'s 1,2,3,4,5and6. Dates- 9/46-2/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Bulletins with general information and a survey of sources of income, private and public, from various museums. Dates-1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 1962-1966 Donations, Trustee File. Dates- 7/55 - 12/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and members of Board of Trustees. Subject- Revision of By-laws and Memorial Fund Policy, revisions and recommendations, minutes from sub- committee on By-laws. Dates- 1958 and 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA By-Laws (revised and adopted 5/51, 5/53, 6/54), Notice of Amendments to By-Laws (6/50, 5/53, 6/54), VMFA Organic Laws, etc.. Dates- 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Senator Byrd. Subject- amendment of IRS code Sec. 863, exempting works of art loaned for exhibition in this country from federal estate taxes. Dates- 7/51-10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard, and L. Cheek, Jr. to individuals, institutions and companies beginning with the letters Ca-Cn. Subject- varied, including four letters from Alexander Calder about Museum purchase of one of his pieces. Dates- 8/45-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek. Subject- Loans of artwork, Trustees, Fellows, Mary Callery (juror, 1963 Va. Artists Exhibition). Accessions and gifts: Tree, Callery; Han Dynasty pottery; Nanny, T. Sully. Dates- 2/59 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and P. Near to J. Brun and H. Jucker. Subject- Acquisition and provenance of Caligula, Newspaper clippings. Dates- 1971-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, his term as Treasurer of the Fellows. Dates- 1/60-6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. John Canaday (from University of VA). Subject- Christmas card design by Canaday, loan of a sculpture show, jobs, etc. Dates- 5/49-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Capital outlay requests for parking area, South Wing, Entrance Improvements, Expenditures and revenues for the year ending 6/1960. \"Instructions for Form c-54-A (individual project report)\" from Commission on State Capital Outlays and Means of Financing. General Endowment Income 1960-61; Capital Outlay for Galleries, landscaping, Egyptian gallery and North Wing, 1935-60. Collections for which there is inadequate exhibition space, list of cultures that are not represented or under-represented, roster of members serving on the \"Commission on State Capital Outlays and Means of Financing. Dates- 1960-61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Includes Frances Benjamin Johnston acquisition.","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- officers from the Carnegie Corporation visiting Richmond and the Museum. Dates- 8/55-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to F. Anderson (Carnegie Corporation). Subject- Experimental use of Carnegie Collection of Materials for the Instruction of American Culture and funding of Collegiate Artmobile IV. Proposal, '\" An Artmobile for Virginia Colleges\", March 1965, Supplement, A Statewide Stimulus for Education in the Humanities, Statement of purpose, photocopy of partial grant payment. Dates- 1/58-7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Carnegie Corporation of New York and Carnegie Institute, Department of Fine Arts. Subject- Frances Benjamin Johnston acquisition, requesting a grant, requesting loans for inaugural exhibition, counsel on museum practices. Dates-8/35- 12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Carnegie Trust. Subject- a visit to Richmond by officers of three British Carnegie Foundations, information on Carnegie Trust 1954, etc. Dates- 8/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Secretary of Carnegie Dunfermline Trust. Subject- Roster of Carnegie Delegation visiting VMFA; Annual Report- Carnegie Dunfermline Trustees, 1960. Dates- 7/59-60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- job of Technical Director of the Theatre Division, etc. Dates- 6/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lists of 25th Anniversary donors; VMFA presidents and terms of office 1935-60. Essay- \" The Arts In Virginia\", Walter S. Robertson (Pres. VMFA). Essay- \"Collecting In America\", Alfred Frankfurter (editor and Pres., Art News) Dates- 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of orders for and purchasers of the Healy's Sitters Catalogues, thank you notes for exchange publications, list of relatives of Judge John Barton Payne, etc. Dates- 4/51-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Jaquelin-Ambler Portrait catalogs, listing of the members of the Jaquelin, Ambler and Broadnax families. Dates- 11/48-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- a fellowship set up by the Catherwood Foundation (previous owners of the Dali jewels) to be used for travel/education in Europe, information about transporting Dali jewels from the Museum. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fellowship for artists provided by the Catherwood Foundation and awarded and administered by the VMFA that year. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. William Gaines and L. Cheek, Jr. and M.B. Christison (Assistant Director). Subject- Gaines biographical information, Catherwood Foundation fellowship recipient, application, recommendations and award letter for fellowship, list and some photos of work submitted, etc. Dates- 3/56-11/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual luncheon and tour. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Century Lighting Co. Subject- lighting for the artmobile and theatre, etc. Dates- 6/53-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets from the Convention and Tourist Bureau (Richmond). Dates- 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- pamphlets from the Virginia Chamber of Commerce. Dates- 5/49-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Restoration of Old Botetourt Hotel, Gloucester, Va.; Programming instructions for \"Civilization\" Film Series; proposal and budget for statewide broadcast of Affiliate promotionals. Rosters of Affiliates, Chapters and Confederation Officers; Minutes of \"Executive Committee Meeting\", 10/72; maps, postcards, press release, newspaper clipping, photographs. Dates- 2/67-7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Winter Conference agenda, participants, newspaper clippings. Dates- 12/71-3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal and budget. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Affiliate/Chapter offices Museum Lecture/Tour; roster of Officers, speaking schedule, events, remarks for each engagement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prototype for letter to be sent from all VMFA Chapter Presidents to convince Legislature of the need for new building. Dates- 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dali Jewels. Date- 7/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. primarily to realtors and lawyers. Subject- sale of Cheek's property \"Faraway Farms\", information on sale of Chebry Co. property, etc. Dates- 6/50-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to T.C. Colt, Jr. from L. Cheek (when he was Chairman of the Fine Arts Department at The College of William and Mary and when he was Director at the Baltimore Museum of Fine Arts). Subject- art in Virginia, counsel on museum practices, etc. Dates- 12/36-1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- The retirement of L. Cheek, Trustee dinner honoring the occasion, presentation of \"Thomas Jefferson Public Service Award\", with remarks by Lt. Gov. F.G. Pollard; South Wing construction; invitations and newspaper interview with L. Cheek. Dates- 1/65-3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W.S. Robertson and Morton Thalhimer. Subject- Letters of moral support, press releases and newspaper clippings announcing the resignation of L. Cheek (decision later recanted). Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding L. Cheek's reconsideration of his resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resolution from VMFA Council regarding the outstanding contributions of L. Cheek. Includes letters from and too supporters. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Replies to his reconsideration of resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Text from interview of 11/2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- PR, decorations, lecture, etc. Dates- 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memo to VMFA staff, PR, agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Thank you letter from by a class participant.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding classes at the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Registration information and class lists.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison. Subject- installation of collections and exhibitions, Museum programming, biographical information, etc. Dates- 10/54-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. Christison. Subject- scripts and working papers for children's radio program (\"Treasure Trails\" on WRVA), listing of slides for Season Survey and information on a Life magazine photo exhibition entitled \"Egypt\". Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vouchers and receipts for travel expenses, 1948-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Christmas cards received by the Museum, a copy of the Museum Christmas card (1956), Information about a Christmas tree in the Members' suite, etc. Dates- 11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Commission of Virginia Artists to design Christmas Cards; rosters: Board of Trustees, A.A.M.D., newspaper clippings, cards, photographs. Dates- 1966-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- ordering Christmas decorations. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz, Sydney and Frances Lewis. Subject- Remarks by J.M. Brown on the dedication of the North Wing and on his resignation. Andrew W. Mellon Foundation, Lewis gift of funds for Art Nouveau purchases, Noland gift of \"Rotating Sphere\", reattribution of the Jewel casket. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Controversy concerning gift of Walter P. Chrysler, newspaper clippings, and Chrysler newsletters, 1973-75. Dates- 1969 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Henry Clay Hofheimer and J.M. Brown. Subject- New wing, correspondence between the Executive Board, the closing of the Chrysler Museum School, operating budget, accessions, list of objects. Minutes of Executive Board, 2/8/72. Transcript of William L. Parkers, et al complaints vs. Walter P. Chrysler Jr. et as Defendants. Dates- 1972 - 33 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Chrysler collection exhibition at the Museum and possible Artmobile tour, listing of pieces in collection, etc. Dates- 9/49-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Loan Exhibition for Church Silver of Colonial Williamsburg, outline for proposed exhibition, budget, letter drafts to Church Wardens, lists of Episcopal Churches owning Church Sliver, Format for catalogue. Dates- 7/68-4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about proposed reproduction in miniature of a Cigar Store figure from the Museum collection. Dates- 7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed reproduction in miniature of American cigar store figures from the Museum collection. Dates- 5/56-12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek Subject- Civil War Centennial Exhibition, agenda, maps, newsletters, VMT copy of \"Certificate of Award\", conferred on the Virginia Civil War Commission. \"Virginia Joins The Confederacy, Chronology of Events November 1860 through 1861\", Civil War Centennial, 1961-1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's membership on advisory council of the Civil War Centennial Commission, site development study for proposed Confederate Memorial Park in the Museum area, \"Report of the Preliminary Plans of the Virginia Civil War Commission to the General Assembly\" 12/59, etc. Dates- 5/59- 12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Programming, Ticket Stubs, newspaper reviews, news releases, photographs. Dates- 7/70 - 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Joseph Lucas (pres. Civitan Club) [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Resume of Cleveland Museum President, Sherman Emery Lee with photo, Cleveland Plain Dealer Interview \"Sherman Lee's Double Life\". Dates- 12/55-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Clopton complaint about film tickets. Dates- 2/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- membership in The Poetry Society of Virginia. Dates- 2/53-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr., to individuals, institutions and companies beginning with the letters Co-Cz. Subject- varied. Dates- 8/45-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., L. Cheek and J.M. Brown. Subject- Geri Melchers Memorial; Minutes of Annual Meeting 1962; Minutes of Executive Committee Annual Meeting 1962; restaurant feasibility. Dates- 1957-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arranging a lecture by Mr. Alexander S. Cochran, Architect in conjunction with the exhibition \"Domestic Architecture of the San Francisco bay Region\", biographical information, etc. Dates- 10/49-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, gifts. Dates- 6/54 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the American Association of Museums (AAM). Subject- copies of the Code of Ethics for Museum Workers 1925 AAM report. Dates- 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Remarks on \"The Relation of Trustees and Professional Staff of General Art Museums\", delivered by Charles Nagel 5/17/69,  \"Code of Ethics for Museum Workers\" 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rhodes Rathskellar, proposals for lunchroom: use by staff, volunteer personnel, policy on break schedule and lunch periods. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from P. Near and Peter Mooz. Subject- Checklist of the status, strength, weaknesses and needs of the VMFA. Damage report, gifts of artworks and accessions, Art Purchase Fund, press releases. Letters to Christo and Robert Rauschenberg. Dates- 1976-77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, letters, newspaper clippings and information from dealers, prices regarding possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, prices and other information relating to possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (assistant Director for Collections and Education). Subject- listing of possible additions to Museum's collections 1953, information and some photos of objects considered for acquisition, correspondence with art dealers, etc. Dates- 12/51- 11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- listing of possible additions to the Museum's collections, information and some photos about objects considered for Museum acquisition, correspondence with art dealers, etc. Dates- 1/53-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near, F. Brandt and P. Mooz. Subject- Reorganization of the Collector-of-the-year. 1975- Mrs. Lummont du Pont Copeland Collection on Export Porcelain. 1977- David Lloyd Kruger Collection of Contemporary Art. 1978- Hugo Weisgall Collection, list of objects, copies of scores for the Weisgall Concert catalog. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from P. Near to members. Subject- Collectors circle event with lecture by Caroline Keck. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Cultural exchange, Minutes of Executive Committee of C.A.A., 1/62, 4/62, Minutes of Annual Meeting, 1971; Minutes of C.A.A. Business Meeting, 1/62; revised draft of \"Policies and Purposes\", roster of officers, Directors and committee members; Essay- \"The Visual Arts in Higher Education\". Dates- 1/62 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List for reception/cocktail party, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Preston L. Collins (Lt. Governor). Subject- announcements of Trustee meetings, invitations to Museum events, replies, etc. Dates- 5/51-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. to staff of Colonial Williamsburg. Subject- museum methods. Dates- 7/46-12/54.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- general correspondence with staff of Colonial Williamsburg, information on Cheek's speaking engagement with Williamsburg Rotary Club, etc. Dates- 2/54-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and the President of Colonial Williamsburg. Subject- loan of display units to Colonial Williamsburg, museum practices, etc. Dates- 3/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Colonial Williamsburg. Subject- correspondence about the Williamsburg Antiques Forum, publications/mailings about Antiques Forum 1964,'66,'67,'73, etc. Dates- 5/66-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- detailed letters about the goings-on at the Museum while Colt was serving in WWII, also letter from Mrs. Alfred DuPont about art education. Dates-8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. J.G. Pollard and others. Subject- record of Colt's military service, his resignation to serve in WWII. Dates- 11/42-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Columbia Records presented 55 recordings of the New York Philharmonic Orchestra to the VMFA in 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of \"On Fine Arts in Modern Society: A Research Proposal Prepared for the Virginia Museum of Fine Arts by the Columbia University Bureau of Applied Social Research\". Dates- 5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices with The Columbus Gallery of Fine Arts (Columbus, OH) and Columbus Museum of Arts and Crafts, Inc. (Columbus, GA). Dates- 3/51-8/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to the Board, list of appointments, etc. Dates- 1959-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of committee appointments 1963-4, invitations to Trustee committee appointments, etc. Dates- 8/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to Board and replies, list of appointments, etc. Dates- 1958-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and W.S. Robertson (VMFA President of the Board). Subject- VMFA roster of Trustees 1964-5 and 1965-6, Board committee appointments 1965-6, invitations and responses to Trustee committee appointments, letter about Board term limitations (proposed limitation 2 successive terms of 5 years each), etc. Dates- 6/64-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek correspondence as a member of Committee for International Cultural Exchange (CICE), etc. Dates- 6/61-2/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- suggested projects for Public Relations and Development committees, proposal for the Museum by the P.R. counseling firm Earl Newsom and Co., etc.. Dates- 3/54-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from State Department of Purchases and Supply. Subject- information about choosing stationary, samples for new state letterhead. Dates- 9/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"A Report to the Virginia Museum of Fine Arts 11/19/58\" from the viewpoint of its public relations information and communications responsibilities and program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- information and memos about arrangements for community college presidents to meet at the Museum. Dates- 12/70- 1/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- cooperative arrangements between VMFA and Va. community colleges, Virginia Community College System Annual Reports 1969/70 and 1970/71, proposed programs for community colleges, etc. Dates- 10/70-8/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complaints from Museum visitors about exhibitions, entrance fees, membership rates, guards, etc. Dates- 12/63-7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Museum operations: food service, VMT, membership, discontinuation of dinners in the galleries and newspaper clippings. Dates- 1974 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- guest list for complimentary cocktails in honor of officers and Museum volunteers from the Council, Jr. League and Theatre Affiliates, roster of Jr. League officers 1970-1, etc. Dates- 9/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Erwin H. Will (VMFA President of the Board). Subject- arrangements for a luncheon held in honor of officers and Museum volunteers from the Council, Junior League and Theatre Affiliates, guest list, suggested remarks for Mr. Will at luncheon. Dates- 9/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- miscellaneous Thank you's and compliments about gift and exchange publications, exhibitions, programs, the Museum in general and Cheek's responses. Dates- 2/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence from the public complimenting the museum in some way. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. and W.S. Robertson (President of the Board of Trustees). Subject- Complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 7/60-12/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 1/64-11/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on programs, theatre productions, museum in general and his responses. Dates- 7/66-10/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Various museum operations. Dates- 1972 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- compliments about 25th anniversary exhibitions, events and catalogue: Treasures in America, \"A Tribute to Virginia's Unique Museum\"-a Sunday newspaper supplement, etc. Dates- 1/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for VMFA European catalogue, an exchange publication. Dates- 5/66-9/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Faberge catalogue: Russian Imperial Jewels, a VMFA exchange publication. Dates- 12/60-2/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- compliments and thank you's for gifts/exchange publications of Russian Imperial Jewels, the catalogue of the Museum's Faberge collection. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Architecture in Virginia, a VMFA exchange publication. Dates- 2/68-5/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for William Hogarth, A Loan Exhibition of Paintings, Drawings and Prints, a VMFA exchange publication. Dates- 1/67-3/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Painting in England 1700-1850, Collection of Mr. and Mrs. Paul Mellon, a VMFA exchange publication. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on \"Painting in England\" exhibition (Mellon Collection) and his responses. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for The World of Shakespeare, a VMFA exchange publication. Dates- 1/64-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Form letter from the President to potential members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J. G. Pollard. subject- Letters to Trustees regarding 25th anniversary fund and letters to new members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- performance at Mosque of \"The Confederacy\" as a benefit for the Artmobile, project later abandoned, Date- 11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- drawings of the site of the Confederate Memorial Chapel, landscaping plans, etc. Dates- 7/66-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Richmond Times-Dispatch article \"The Old Soldiers Faded Away Home Here is Vacant\". Dates- 1/16/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitation to Director of the Norfolk Museum to Confederation workshop. Dates- 5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- congratulation and reply letters on the installation of Mr. James M. Brown as VMFA Director. Dates- 6/69-6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of objects from the Glasgow bequest and purchase fund currently exhibited in Museum galleries. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Mrs. Anthony Congreve. Subject- biographical information on Arthur and Margaret Glasgow, correspondence about Glasgow fund for purchasing works of art, listings of purchases made with Glasgow Endowment Fund 1966-72. Dates- 11/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz. Subject- Physical plant restoration project: cleaning of VMFA interior and extensive improvement of motor park, project data summary, Conservation Laboratory: construction and equipment, supply expenditures, budget. Grant application: \"Proposal for Virginia Museum Conservation Laboratory\", employment contract, job descriptions, resumes of prospective applicants. Dates- 1975 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- biographical information arrangements for giving lectures/seminars at the Museum, VMFA Members' Bulletin vol.23, no.9 5/63, etc., Date- 11/50-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for securing speakers for the \"Fireside Series\" proposed art talks held in the library, Thank you's to speakers, etc. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loans of objects between VMFA and Corcoran Gallery of Art, correspondence about museum practices. Dates- 3/51-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Katharine Cornwell. Subject- biographical information on this actress, invitation to come to Richmond to see a show and promote TheatreVirginia. Dates- 5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets and post cards from the Corning Glass Center. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information on obtaining assistance from philanthropic organizations and corporations, etc. Dates- 2/55-12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by E.H. Will (VMFA President of the Board). Subject- solicitation letter for corporate patrons, information on corporate patrons program, roster of Richmond corporate patrons 1970, invitations to corporate patrons gala, etc. Dates- 12/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by E.H. Will (VMFA President of the Board). Subject- solicitation of corporate patrons, pamphlets about corporate patrons program, publications for the corporate patrons gala, etc. Dates- 7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- roster of Richmond and of state corporate patrons 1971, planning for \"Fete Aux Galleries\" the corporate patrons event 1972, invitations and guest list for event, etc. Dates- 6/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Exhibitions, condition reports, insurance, gifts and purchases. Essay- \"Successful Adult Museum Programs\", M. Christison. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Velz.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) primarily, also L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- varied. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- General correspondence regarding publications, museum practices, exhibitions, pamphlets. Letter from Alexander Calder. Dates- 7/56 - 12/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Ford Foundation grant-in-aid program, Fogg Conservation Symposium and the Chrysler Collection. Photographs, cesolution recognizing the outstanding contribution of L. Cheek by the VMFA Council. Draft of \"Standards For Museum Practices\", SEMC, 1958. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition of American Silver, jurors for 1965 ADP exhibition, biographical data, 25th Anniversary exhibition and list of objects for loan. VMFA film series, press releases for \"The Little International\" from the Olsen Foundation and the Artmobile. Dates- 1958 -1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and VMFA Council officers. Subject- Council roster 1957-8 and 1958-9, listing of charter members, council-sponsored events and programs, lecture series schedule 1957-8 and 1959-60, statement of purpose of the Council, minutes of general meetings 1962 and'65, Executive Committee meeting minutes 1962 and '63, acknowledgments of gifts to the Museum, etc. Dates- 7/56-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown with the VMFA Council. Subject- Council gifts, Council -sponsored events and programs, preliminary drawings for Council shop office, breakdown of Council Contribution Fund 10/70 and 11/70, etc. Dates- 2/66-4/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for corporate patrons ball, roster of Richmond and of state corporate patrons, roster of Council committee for the ball, invitations and guest lists for ball, etc. Dates- 10/70-3/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- outline of the organization of the VMFA Council, Council Program 1955-6, Council of the VMFA Charter Meeting and Articles of Association, \"Friends of the Museum Constitution\", etc. Dates- 5/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- VMFA Council Contribution Fund analysis 1971 and'72, various Council sponsored events and programs, agreement between VMFA and the Council 10/20/70, A Short History of Council Gifts to Museum 1955-71, The Council of the Virginia Museum Directory 1971-2, general correspondence between Council officers and VMFA staff, etc. Dates- 1/71-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Council Trustee Contribution Fund, conservation laboratory, library, state services, fellowships and internships. Profit and loss statements, general ledger trail balance, Art Purchase Fund, staff expenses, VMT financial statements, matching funds for NEA Grant. New Council Shop, furnishings, installation, etc. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposal to establish fellowships for professional craftsmen (resident Craftsman Program), letters from interested craftsmen, etc. Dates- 2/63-2/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- proposal of a story about the Museum for Time-Life magazines, reference made about a reproduction of a Watteau from the Museum's collection appearing in Time. Dates- 11/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Monica Hamm and P. Mooz. Subject- Head of publications, editor of AIV and advisor for photography exhibitions. \"Focus On The Arts\", Pat Becker. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- fact sheet about VMFA, House bill no.862 was about establishing a Virginia Commission of the Arts and Humanities, transcript of the VMFA presentation by E.H. Will (VMFA President of the Board) to the Virginia Assembly, Rules Committee asking to kill or amend the bill, etc. Dates- 1/68-2/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- roster of Virginia Cultural Development Study Commission and of the State Arts Committee, information about the creation of the Va. Cultural Development Study Commission by Senate joint resolution no.67, essay- \"The Virginia Museum and the Arts in Virginia\", correspondence about meeting with the Cultural Development Commission, \"Dissenting Opinion Report of the Cultural Development Commission\" by Dr. William H. Higgins, Jr., member of the Commission, etc. Dates- 3/66-1/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"D\". Subject- varied. Dates- 3/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- VMT, exhibition schedules, Byzantine Architectural exhibition, College Drama Festival, loans of art works, Artmobile, Horace Day, NEA proposal, pamphlets, magazine excerpts, cards, biographical data, etc. Accessions and gifts: \"The Meeting of Joachim and Anna Under the Golden Gate\", A. Duer. Dates- 10/58 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Conference for teachers and students of Dance at VMFA, master classes, lecture and performance by Alwin Dance Theatre, agenda, list of dance teachers. Date- 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, AIV. Dates- 1/61 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Virginia Architects, Designers and photographers\", Collectors Circle, Va. Artists Biennial, donations, gifts, memorial fund. Dates- 6/59 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, acting director of the Museum and Governor Darden, regarding the Museum director and the Curator of Decorative Arts, who were both on leave to the armed forces during World War II, 1942-44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with and biographical information about Carson Davenport, Virginia artist. Dates- 1936-1944.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Ms. Davis. Subject- visits to \"Faraway Farms\" (Cheek's property) Davis was apparently a housekeeper/caretaker of some kind. Dates- 2/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and donors Mrs. Lincoln Davis, and George Cole Scott and Hildreth Dunn Scott, 1937-43.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., E.M. Davis, III (Curator) and L. Cheek, Jr. Subject-restoration of Mrs. Davis' Flemish painting, gifts from Mrs. Davis, information on Museum Board accessions committee (Mrs. Davis member), etc. Dates- 10/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. Lincoln Davis. Subject- Trustee/Museum business, letter of resignation from Board, etc., 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Elizabeth Nottingham Day and Horace Day, patrons and donors, 1934-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Day's exhibition at the VMFA. Dates- 1/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard to Mr. and Mrs. Horace Day. Subject- Horace Day biographical information, exhibition record, job recommendation, newspaper editorial written by Mr. Day on American Painting, etc. Dates- 1950- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Mr. Howard Dearstyne. Subject- proposed exhibition of Dearstyne's work and speaking engagement, etc. Dates- 11/50-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chamber Music Society, Building grounds committee, gifts, donation. Dates- 1954-65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to the Earl de la Warr. Subject- a visit to Richmond by the Earl, loan of a painting to the Museum exhibition \"England's World of 1607\", etc. Dates- 4/57-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. Marie de Mare. Subject- catalogues of \"Healy's Sitters\" exhibition ( Mrs. de Mare was Healy's grand-daughter), proposed film and biography of Healy by Mrs. de Mare, etc. Dates- 5/49-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His position as Art Director of AIV, music and dance folders. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from D. Nichols (administrator), F. Haseltine (PR). Subject- VMT subscription, Executive Committee Report, Collections Activities, Public Information Report. Dates- 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- information about an exhibition scheduled From Nov.22-Dec.31, 1955 featuring merchandise available for purchase in time for Christmas. Dates- 9/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Traveling exhibition. Dates- 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- International Traveling exhibition. VMFA and Leslie Cheek were the American coordinators from 1951-1954. Lists of attendees at the opening dinner 1/15/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Design in Scandinavia\" exhibition checklist, description of the exhibition, official record of receipt and list of items received but not included in exhibition, etc. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- RSVP's to dinner held on the opening night of the exhibition \"Design in Scandinavia\". Dates- 12/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., Mrs. J.G. Pollard and M.B. Christison. Subject- exhibition catalogue information for \"Design in Scandinavia\" and RSVP's for dinner held on the opening night of the exhibition. Dates- 12/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- American Tour 1954-57. Correspondence and publicity regarding. AFA took over the circulation of the exhibition.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committees in the United States. Lists of members and minutes from meetings 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Favorable reviews of the exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copy of a New York Times article written by Cheek concerning the upcoming exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening of the exhibition at the Museum, January 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- dinner guest lists, menu, planning for opening night dinner for \"Design in Scandinavia\" exhibition, list of Board of Trustee committee appointments 1953-4, registration for Southeastern Museums conference 1953, etc. Dates- 12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- RSVP's for the dinner and other opening events for the exhibition \"Design in Scandinavia\", exhibition catalogue, information used in planning printed material for the exhibition, etc. Dates- 4/53-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject-job description of a designer for the Design and Construction division of the Museum, proposed hiring of a designer, etc. Dates- 2/54-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- floor plan and printed matter for \"Designer-Craftsmen USA\" exhibition, photos of the exhibition, VMFA Member's Bulletin vol.15, no.5 (1/55), etc. Dates-11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Strauss. Subject- 25th Anniversary, draft of appeal to enlarge endowment fund, pamphlet. Dated- 6/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for a diorama in connection with \"Orientations of Virginia's Cultural Background\", photographs. Dates- 7/61 - 6/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resolution by the Executive Committee to authorize excess travel cost by VMFA staff. Dates- 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trip itinerary, pamphlets. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Fowler, D. Nichols, B. Ryan. Subject- All manner of VMFA operation: photography budgets, payroll dispersal, VMT renovation, Artmobile, damage and security of Art works, gallery installation, loans, art purchase invoices, Theatre contract, repairs and modification invoices, grievance procedure, pamphlets, Interpol investigation of Indian sculptures, requests for establishing new positions: Vice Director for Public Affairs and Artmobile curator. \"Partnership Agreement of Artco and Company\", \"Operation Countdown\", analysis of responsibilities and time required for completion of the North Wing. Photographs, pamphlets, announcements. Accessions and gifts: 17th C. Eng. Embroidered Casket, Byzantine Bronze Plaque, Tomato Soup Can (A. Warhol), Bolt of Lightening (R. Lichtenstein), Portrait of a Lady, Payne Collection. Dates- 1/68 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, F. Haseltine, D. Nicholas, J.M. Brown, P. Near, A.W. Stalnaker, B. Ryan, Mrs. Pollard. Subject- All manner of inter-museum operations: Public information schedules, membership campaign, promotion deadlines, travel itineraries, budget proposals, etc. P. Nears observations on possible acquisitions. Dates- 7/64 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters of request, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Secretary to the museum, biographical data, job description. Museum files and the law regarding public information, records management, records to be retired, list of file classification: deletions and additions. Events schedules, agendas and exhibitions. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, A. Dohn. Subject- Letter of recognition of donations, list of donors and their gifts of art works. Dates- 1964-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Chenery Estate and Gottwald endowment Fund. Art Nouveau gift of Sydney and Frances Lewis. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMT, Fellowship Fund, Museum Classes, Chenery Estate, Art Nouveau Fund, Artmobile and Gottwald Endowment Fund. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Buyers guides, pamphlets, magazine excerpts, specifications, blueprints, lists of chapters and affiliates, photographs. Dates- 9/61 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, and L. Cheek. Subject- Gift of Dunsten Memorial, Payment record, gallery proposals, \"The Virginia Museum Needs New Wings\": appeal to membership and Trustees for building funds. Dates- 12/46 - 4/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. Alfred I. (Jessie Ball) Dupont. Subject- Donations. Contains a letter regarding her feelings in favor of segregation at the museum and in the arts. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jessie Ball duPont's membership on the Executive Board, gifts and donations. Dates- 5/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Jessie Ball duPont. Subject- Membership as a Trustee, Fellow, Chair of 25th Anniversary Fund drive, contributions and gifts, magazine excerpts, biographical information, contributions and gifts, progress report from Anniversary Fund Drive. Dates- 2/59 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and D. Hudson (state coordinator of Arts System). Subject- Salary scales for VMT, NEA grant proposals. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Exhibitions, Artmobile, VMT, Va. Fellowships, search for potential jurors, work schedules invitations, newspapers, postcards, etc. Accessions and gifts: \"Autumn Leaves\", A. Palmer. Dates- 5/46-5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agenda and letters to K. Fowler of VMT. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Wm. Heartwell and Gov. Holton. Subject- \"Minutes of Economic Resource Task Force Meeting\": 7/23/71, 9/2/71, 10/8/71, 1/13/72, 4/20/72, purpose of task force was to improve communication between various agencies and the governors office. Draft of Executive order: relationship of state agency organizations to Commonwealth planning districts, budget estimates, agendas, Bills held in House Committee for the 1973 General Assembly. Dates- 1971 -72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- C. Guinnan request for a meeting room. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from A. Stalnaker and H. Dohn. Subject- Events for Governors School for Gifted Students: schedule, housing, food service, etc. Dated- 7/73- 8/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between A. Dohn and Mr. Albertia. Subject- Student application, agendas and statement of purpose. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Event to expose students to the function, organization and operation of VMFA, timetable and agendas. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and B. Bothmer (Egyptologist, BMFA). Subject- Invitations, list of Egyptian art objects available for purchase. Dates- 9/54 - 11/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Requests for films and slides, Artmobile, loans for Egyptian Gallery, statement/remarks for opening exhibition, newspaper clippings, blueprints. Dates- 2/55 - 12/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Suggested remarks related to \"Installation of a Gallery of Egyptian Art\", loans from other museums, agendas, letters to other curators and directors. Gift of Egyptian Gallery from Mrs. James Parsons. Dates-2/61 - 4/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- early planning stages of the exhibition \"England 1607\", list of pieces in, list of lenders to the exhibition, installation schedule and exhibition description, printed materials, \"Status Report on the Museum's Jamestown Festival Program\", etc. Dates- 6/54-8/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gallery opening made possible through gifts of china from Lady Nancy Astor, invitations and loan requests. Dates- 4/61 - 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- invitations to these exhibitions: \"Masterpieces of Chinese Art\" and \"Russian Imperial Jewels\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedules 1946, 1946/7, 1949, 1950, Entertainment Committee announcements and replies, committee report 1946, committee roster 1949/50, biographical information on the following Museum guests: Yasuo Kuniyoshi, John W. Taylor, Charles W. Smith, Reginald Marsh and Lamar Dodd, etc. Dates- 1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedule 1946/7, 1950, 1951, 1952, 1953, 1954, Entertainment Committee rosters 1950/1, 1951/2, 1952/3, proposed Friday evening events 1950/1, committee meeting minutes 1952, biographical information about George T. Hamilton, etc. Dates- 1946-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, VMFA Entertainment Committee schedule 1954, 1955, 1956, announcements and minutes of Entertainment Committee meetings 1951, 1953, 1954, 1955, 1956, etc. Dates- 1951-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee roster, Entertainment Committee schedule 1955, meeting announcements, biographical information about the artist Donald Oenslager, etc. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, announcements and replies for VMFA Entertainment Committee meetings, roster of Entertainment Committee, committee schedule 1955, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. Arthur Kelly Evans. Subject- a bequest to the Museum from Mrs. Evans, etc. Dates- 11/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- proposal for fundraising project for VMFA Council in fall 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- 60the Anniversary of the AFA meeting and symposium in Williamsburg, registration forms. Dates- 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agenda, timetable and luncheon for behind the scenes tours by the Council. Date-1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Benefit for the Council Service Fund, program, menu. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Museum in Action\": documentary of VMFA galleries and statewide activities, preview agenda, press dinner, invitations. Producer: Richard Rochement Narrator: Alistair Cooke Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for VMFA banquet services. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Exhibition: \"Treasures from the Norfolk Museum\", Governor's reception, program agenda. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gallery plan, staff assignments and program. Dates- 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reinstallation of the permanent galleries. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Members dinner dance event, invitations, guest list. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Glasgow Estate, Jamestown Tablet. Reception for Committee on Law Celebration. Dates- 12/58 - 4/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Members preview and reception: timetable, program, invitations, gallery plan, etc. Jack Larsen: lecture and biographical data. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of invitation to members of Virginia Chamber Music Society to attend a Theatre-Dinner. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Inauguration of a monthly series of theatre Dinners, guest list, letters of invitation for event and menu. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition: \"Designs for the Theatre\" Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reception for British group of scholars and collectors and travel itinerary. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- A British organization on American Tour. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Meeting at VMFA for NCEW: an organization to stimulate the conscience and quality of the American Editorial page. VMFA Executive committee minutes, biographical data, program agenda. Dates- 7/58 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of request for use of VMFA Gallery for Dinner, agenda, timetable. Dates- 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Tour routes, agenda and schedule of events for reception and letter to new members. Dates- 9/68 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of invitation to reception, tour of museum, agenda, timetable, etc. Dates- 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. Breeden (Membership Chair). Subject- Procedure and agenda for members reception and tour schedule, press release, invitations, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Haseltine. Subject- VMT Premiere performance and promotion. Dates- 5/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- exhibition: \"Treasures of the Norfolk Museum\", program/dinner agenda, invitation, etc. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Arthur Houghton. Subject- Preliminary event outline, layout, program agenda, procedure, invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Annual event to honor corporate patrons: entertainment, decorations, invitation list and suggested remarks to be delivered by President, E. Will. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Private advanced performance of \"School For Wives\", biographical data on Peggy Wood. Dates- 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Rhoads. Subject- Agenda and sample of invitation. Dates- 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Gregory Peck. Subject- Grand opening of Virginia Theatre Arts System, events schedule for preview, Letter from Gregory Peck. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Library reception and banquet for college Presidents attending the Drama Festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner and Theatre Party: agenda, invitations. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters of request and agenda for Theatre Dinner Party. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Rhodes and E.M. Last (Chair, RLS) Subject- Performance of RLS at VMT, ticket sales and cost estimates. Dates- 1/65 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of request for VMFA services. Dates- 4/31/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Robinson House formerly the Scientific Research Organization, VMFA headquarters for LOAS, adult classes and resident craftsperson, Invitation, Historical background, Bulletin vol.24 no.7 4/64 Dates- 8/62 - 3/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Helen Dohn. Subject- Smith College dinner with lecture by Charles Chetham, Director of Smith College Art Museum, agenda, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- The VMFA Council, Theatre Affiliates, President's Dinner. Music, Dance and Film Societies. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The Hospitality and Information Service for diplomatic residents and families. Dates- 1968. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- three day seminar program of multi-level experience in the Arts For exceptional Virginia Youths, agendas, etc. Dates- 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMFA luncheon and tour. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Paintings and drawings by E. Vedder, speaker. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for contributions. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: Hugh Newell Johnson. Reception, guest list and agenda. Exhibition catalog. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Harry Bertoia, Sherman Lee. Subject- General correspondence regarding juror service. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Sherman Lee. Subject- Jury Chair: Sherman Lee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Juror: William Pahlmann. Event program agenda, invitation, guest list, etc. Catalog: \"Virginia Interior Designers 1973\". Dates- 10/72 - 3/73 \"Virginia Interior Designers Reception Fri. 16 Mar.,  1973, 5-7 p.m.\" Subject- Invitation. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, W. Gaines and H. Dohn. Subject- Schedule of events, exhibitions, Bicentennial Celebration. loans, gallery tours, calendar news, Invitation for the \"India In Virginia\" exhibition. Dates- 8/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains minutes, agendas and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas, 1954-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, announcements, agendas and minutes of VMFA Exec. Committee meetings 1955, 1956, etc. Dates- 9/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, VMFA Exec. Committee minutes 1956, list of Exec, Committee members 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and William J. Rhodes, Jr. (President). Subject- Trustee/Museum business Exec. Committee meeting agendas 1954, 1955, 1956, Museum finances (pay scale, Director's allowable expenses, approvals for purchases) VMFA Committee appointments 1956-7, etc. Dates- 6/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. and Col. Henry W. Anderson (President). Subject- Trustee/Museum business, VMFA Exec. Committee meeting minutes 1950, 1951, 1952, 1953, listing of members of the Exec. Committee 1950, 1951, Exec. Committee resolutions 1950, 1951, 1953, By-Laws revised and adopted 1951, etc. Dates- 1950-3. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- Executive Committee minutes, copies of Exec. Committee minutes 1953, 1954, 1955. Dates- 12/53-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Gari Melchers Memorial Committee, VMFA Exec. Committee minutes 1956, list of Exec. Committee members 1956, etc. Dates- 4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Trustee/Museum business, VA Art Alliance, Williams Fund purchase, VMFA Exec. Committee agenda 1952, 1953, 1954. Dates- 5/51-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W. Gaines, R. Velz, M. Christison. Subject- Roster of large Richmond firms and number of employees, invitation cover letter, remarks to be delivered after luncheon. Dates- 9/63 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- lists of proposed exhibitions, events schedule for 1955-6 season, roster of members and schedule of the entertainment committee, drama schedule for Virginia Museum Theatre, etc. Dates- 7/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Notable lecturers and AIV contributors, biographical data. Jurors: Charles Eames, Morris Ketchum and Bert Stern. Dates- 1967 – 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Budgets, loan requests. \"Picasso: A Selected View\", \"12 American Painters\", List of Art Works, biographical notes test for the catalog: \"The Flowering of American Folk Art\". Catalog: \"American Painting 1970 including correspondence with Richard Diebenkorn. Dates- 1970-1974. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Bernard Martins' \"Portrait of Edward Hopper\", \"Walter Gropius - 1883 - 1969\", \"Jose Puig\", projected budget, attendance records, requests for loans, receptions events schedules, etc. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Engineering projects around the world, assembled to illustrate the aesthetic impact of technology. Cost estimates for exhibition, speakers and invitations. Dates- 7/64 - 1/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Outstanding objects in American Museum collections that are gifts or have been purchased with contributions from patrons. Event arrangements/planning. Requests of loans and press releases. \"A Brief History of the Virginia Museum of Fine Arts\", by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition \"Homage to the Square\", signed letter from Elaine de Kooning. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening festivities of the Aldrich Collection of Impressionist and Post-Impressionist paintings and sculpture. Catalogue: \"The Aldrich Collection\", foreword by L. Cheek. Dates- 11/58 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: Bartlett Hayes. VMFA purchases from exhibition. Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: C.V. Donovan. Request for loans from other galleries. Dates- 1962 , 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Al Held. Subject- Juror: Peter Selz. The removal of artwork from the wall of the VMFA for a period of one week in demonstration of racism, war and repression in America. List of paintings to be shipped and installation instructions. Dates- 9/69 - 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Search for a disposable cardboard shelter for use in a traveling sculpture exhibition to the Chapters and Affiliates. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Juried exhibition of Virginia Architects, Designers and Photographers. American Painting exhibition. Dates- 1964, 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt, Sydney and Frances Lewis. Subject- Art Nouveau exhibition: request for loans, lists of objects, opening event agenda, timetable, invitations, etc. Lecturer: Robert Koch. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. H. Bache and P. Near. Subject- Collector-of-the Year: Pre-Columbian gold collection, list of objects, letters to members of Collectors Circle. Dates- 196 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for flags from Embassy of the Federal Republic of Germany. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Kent Bicentennial Portfolio: \"Spirit of Independence\", prints by 12 Contemporary American Artists. Rockefeller Collection of Picasso Tapestries. Dates- 11/74 - 11/75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Phillip Hofer. Subject- Philip Hofer: biographical data and lecture on Blake. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Block as Collector-of-the Year (1967): Collection of 19th and 20th century watercolors and drawings, reviews and agendas. Dates- 10/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum of Modern Art exhibition \"Art Lending Service Retrospective\", lecture by MOMA Junior Council President Lily Auchincloss, lending services, expenses and pamphlet. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibit on ancient Chinese treasures. Date- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases for Virginia's Civil War centennial Exhibition and celebration at the VMFA, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- C. Conger (White House Curator) and his collection of interior furnishings. Heeramaneck Collection. Dates- 1967, 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Blumka Medieval Collection: Preview, program agenda, invitations, etc. Damage report to Gothic Cut Velvet Cloth, Conservators report and insurance claims. Dates- 1/73 - 5/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Exhibition of Tapestries from the House of Edgeworth and paintings, prints and drawings. Lecture, list of objects, PR, gallery plan, invitations, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek's service as a juror for \"International Glass\", gallery plan, photographs, list of jurors choice objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition \"Robes from the Forbidden City\": lecture by Alan Priest on Chinese Textiles. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt and P. Near. Subject- Virginia Photographer 1971, juror: Harry Callahan. Mourot Collection of porcelain. Exhibition schedules, lectures, gifts, loans of art objects, roster of Trustees. Catalog: \"Virginia Artists 1971\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Davies exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and H. Gummerus (Finnish Society of Crafts and Design). Subject- Gummerus lecture on Finnish design. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibition of Tutankhamun. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Bernard Von Bothmer (Brooklyn Museum). Subject- Von Bothmer account of his discovery fo the missing portion of VMFA fragment of Sema-Tawy-Tefnakht. Conservation and restoration of scribe, magazine clippings. Slides and photographs. Dates- 12/64 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. L.J. Dee (Cooper- Hewitt) Subject- Her Lecture to VMFA. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture by Buckminister Fuller, biographical data, catalog, installation, invitations, etc. Dates- 1/59 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contemporary Art forms of Israel. Lecturer: Avid Yafeh. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturer: John Walker. Invitations, entertainment. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Gaines. Subject- Documentation of the making of George Steven's film. Installation, design, floor plans and cooperating agencies. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Herbert Hoffman, Perry Rathbone and Patricia Davidson. Subject- Bill S.2273: to enable works of art and other materials imported for temporary exhibition in non-profit activities to be immune from judicial process. Description of objects for possible acquisition. Exhibition design, installation, VMFA and BMFA gallery plans, invitations, etc. Dates- 9/63 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Rathbone and H. Hoffman. Subject- Loans of Greek gold from the Hermitage and other institutions. Appeals to the State Department regarding Bill S.2773. Dates- 3/64 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Christine Alexander. Subject- Alexander's service to VMFA consultant on Greek and roman acquisitions. Exhibition lecture by Dorothy Kent Hill. Dates- 12/61 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Western art in Virginia collections, loan requests, film series, invitations, program agenda, etc. Lecturer: Larry Curry. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Perry Rathbone and Nasli Heeramaneck. Subject- Installation and acquisitions from the Heeramaneck collection. Lecturer: John Alexander Pope (Freer Gallery), newspaper clippings. Dates- 12/66 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon and Lessing Roswald. Subject- Request for loans, receiving and storage of objects. Event invitations, agenda, etc. Lecturer: Philip Hofer. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and John Koenig. Subject- Proposals for the filming and documentation of an epic film: research, selection, documentation, etc. Proposals were originally made to Samuel Goldwyn and Cecil B. de Mille. Dates- 7/55 - 2/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Goodrich. Subject- Requests for loans from various collections. Text for catalog forward by L. Cheek, and essay by Lloyd Goodrich. Biographical data and newspaper clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Events schedule, agenda, invitations, pamphlets. Lecturer: Robert Doty. \"Portrait of Edward Hopper\" and drawing studies by Virginia painter, Bernard Martin. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Exhibition of art from Virginia Collections to commemorate the 10th anniversary of AIV. Request for loans, invitations, members preview, agenda, list of objects for exhibition. Lecturer: Thomas E. Norton, biographical data. Dates- 7/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Acquisition of Indian art collection. Dates- 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition of works by French artists commissioned by Claude Aveline to illustrate his poem \"L'Oiseau que n'existe pas\". Lecturer: Lawrence Alloway, biographical data. Members Bulletin vol.24 no.8 4.64. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Anne Marie Pope. Subject- VMFA display areas. Date- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt and P. Near. Subject- Art Nouveau Loan, list of Lewis gifts and purchases. Dates- 1971 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and C.S. Hathway. Subject- Lecture search. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Biographical data, agendas, timetables and invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Islamic rugs circulated by the Smithsonian Institute and lecture by McMullan. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J. Baskett and P. Mellon. Subject- List of paintings from Mellon Collection. Gallery preparation, storage, costs, opening festivities, interpretation of exhibition, letters to print media. Press release, newspaper clippings. Lecturers: W.G. Constable, John Baskett and Basil Taylor. Essay- \"Painting In England, 1700-1850\". Dates- 8/62 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Paul Mellon. Subject- Mellon English Painting Collection, early discussion concerning the scope and preparation of catalog and exhibition. \"Letter from Basil Taylor Dated-23 January 1963 re: Mellon Show\", letter of disgruntlement over the various stages of the Mellon catalog. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Basil Taylor. Subject- Mellon Collection of English painting, initial planning stages, lectures, installation, catalog, etc. Dates- 11/61 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Paul Mellon. Subject- Exhibition: \"Painting in England\", program of events, invitations, gallery plan, program, invitation, guest list, etc. Dates- 5/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon and Basil Taylor. Subject- Basil Taylor, advisor tot Mellon collection and author of exhibition catalog: \"Painting in England, 1700-1850\". Catalog foreword by L. Cheek. Dates- 12/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations and dinner programs. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Installation, catalog, security, lecture. List of slides, media coverage. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Remarks by Paul Mellon on exhibition opening, mock-ups of booklet form. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Full color photographic reproduction of the \"Sistine Chapel\", exhibition circulated by LIFE magazine. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Demonstration of mosaic technique using contemporary materials. Dates- 5/54 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Henry Moore. Subject- Aid of Helen Norman (neighbor to Moore) on establishing a dialogue with the VMFA concerning an exhibition and visit by the artist. Preliminary exhibition plans. Dates- 10/57 - 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Henry Moore. Subject- Preview and opening night arrangements, newspaper clippings and press releases. Dates- 5/65 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Neutra. Subject- Exhibition and speaking tour by the artist. Dates- 6/59 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Goya exhibition: request for loans of works by Goya, announcements, invitations, list of paintings, Dr. Priscilla Muller (curator and speaker for exhibition). Program agenda. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturer: John S. Szarkowski. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and James Rorimer. Subject- Exhibition of Contemporary photographs. Biographical data on Ivan Dimitri and A. Hyatt Mayor. Catalog: \"Phototgraphy in the Fine Arts\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- proposed exhibitions, information about traveling exhibitions, etc. Dates- 10/48-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Perry Rathbone. Subject- Pre-Columbian gold with lecture by Allen Wardwell. Dates- 4/67 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Vincent Price as Collector-of-the-Year. Date- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- African collection from the Olsen Foundation. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Una Johnson (Brooklyn Museum). Subject- Contemporary prints from the Brooklyn Museum, invitations and announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition of the American Institute of Graphic Arts 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Gaines, F. Brandt, Anne Marie Pope. Subject- Reinstallation of the permanent collection, estimated exhibition costs, Heeramaneck collection, list of exhibitions available form International Exhibitions foundation. Exhibition catalog: John Kelly Fitzpatrick\" , photographs. Dates- 9/68 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Quillian. Subject- Exhibition of Randolph-Macon Collection. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program agenda for reception, exhibition, gallery plan. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions of Chinese Textiles from Minneapolis Institute of the Arts. Lecture by Alan Priest. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposed gift of \"Gates of Hell\", from the Cantor Collection. Exhibition \"Study of a Woman's Torso\". Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Rosenwald as Collector-of-the-Year, 1965. \"Master Prints From The Rosenwald Collection\", introduction by Rosenwald for the exhibition checklist. Dates- 12/64 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Corrected draft by L. Cheek. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Rosenwald. Subject- Personal invitations from L. Cheek. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition announcements. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of events for the season. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Paul Tishman. Subject- Exhibition from the Tishman Collection, letter of invitation, installation, Council lecture/luncheon. Speaker: Dr. John Akar, Ambassador of Sierra Leone. Remarks by J.M. Brown and Tishman, announcements and biographical data, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing lists for colleges, museums, etc. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek tour of England to photograph Elizabethan Houses. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Presentation of various forms of Arts of England during Shakespeare's life in commemoration of the 4th Centenary of his birth. Requests for loans of Elizabethan objects, press release, installation, etc. Dates- 8/63 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Exhibition of 19th and 20th century paintings, reception and event announcements. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon (Exhibition Chair) and Wm. Constable. Subject- requests for loans, French and British sponsors of exhibition including Queen Elizabeth, Honorary Committee Members, Patrons, catalog, PR, object damage report. Basil Taylor as special advisor to exhibition. Dates- 7/58 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Consultation on exhibition proceedings, travel and lecture schedule, biographical data and text for introduction to the catalog. Dates- 4/60 - 7/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Basil Taylor, Paul Mellon and A. Eiseman. Subject- Catalog layout, printing, design, budget, cost estimates, contributions. Essay- \"Classic Horse Paintings\", foreword by L. Cheek. Dates- 1/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Recipients of free catalogs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- William George Constable and his lecture for exhibition, biographical data, Bulletin vol.20 no.8 4/60. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of British sponsors, loans, selection committee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Mailing list, opening event, program and list of lenders to exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and John G. Pollard. Subject- List of sponsors, reception: program, agenda, menus, etc. Newspaper clippings. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibition in commemoration of Stravinsky's 80th birthday with related settings and costumes created for his ballets. Dates- 4/61 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Exhibition of contemporary prints and multiples (3-dimensional objects of limited editions), Lewis contributions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Railey Collection of European and Asian seals, Fisher Collection of paintings and exhibition of Ruth Safford: \"Interiors of Famous Houses\". Dates- 8/61 - 2/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt. Subject- Problems with exhibition objects. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Damage report of exhibition objects. Dates- 11/63  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Loans of objects from Pierpoint Morgan Library. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Extension of Tutankhamen exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sample invitation and preview guest list. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- List of objects available for loan and prices. Exhibition announcements, gallery floor plan. Lecturers: Gerald Nordland and Hilton Kramer. Dates-1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibit from MOMA: \"Form In The Animated Cartoon\". Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to M. Christison. Subject- Unavailability of Van Gogh exhibition. Dates- 8/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Philip Johnson. Subject- Jurors: Carroll Meeks, Richard Di Natale and Hans Namuth. Official entry forms, exhibition announcements, biographical data. Dates- 10/61 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Gyorgy Kepes, Philip Johnson and Ivan Dimitri. Invitations, guest lists, biographical data and entry forms. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- 1st Biennial exhibition.  Juror: Romaldo Giurgola.  AIA reception and dinner, program agenda, biographical data, invitations, pamphlets and exhibition catalog. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Sherman Lee, Harry Bertoia, Bernard Perlin. Collectors reception, purchase of artist work by Trustees, invitations, entry forms, etc. Dates- 12/57 - 2/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Near. Subject- Reception for purchasers of art works from the exhibition, and catalog. Dates- 1957, 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters to Artist on their award by the jury. Exhibition catalog, juror search and entry forms. Dates- 1959, 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Carl Wienhardt Jr., Mary Callery and Robert Vickrey. Salon des Refuse's on view at Thalhimer's, events schedule and exhibition catalog. Dates- 6/64 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: William Seitz. Installation, list of purchases, invoices, PR, invitations, guest lists, etc. Acquisition from Lewis Fund. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Gordon Bunshaft and A. Bodine. Entry forms and recipients of certificates of Distinction. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Exhibition to travel to Charlottesville. Dates- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture by Dorothy Miner, announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and Mr. John G. Hays (Chairman of the Expansion and Development Committee). Subject- Trustee/Museum business, formation of the VMFA Expansion and Development Committee, report of the chairman, etc. Dates- 11/47-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and P. Crum (Curator) and College of William and Mary. Subject- W\u0026M students visit to VMFA, loan from W\u0026M for a VMFA traveling exhibition, arrangements for traveling exhibitions to W\u0026M, etc. Dates- 2/41-7/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Education and Exhibitions) and Longwood College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Farmville State Teachers College, etc., 3/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- information on VMFA traveling exhibitions and an organization membership, etc. Dates- 7/48/8/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Art Club. Subject- arrangements for VMFA slides and traveling exhibitions to LAC, etc. Dates- 3/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Lynchburg College, etc. Dates- 1/49-2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Teacher's Club. Subject- arrangements for traveling exhibitions and slides to LTC, etc. Dates- 3/46-2/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Madison College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Madison College, etc. Dates- 12/47-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.C. McGehee (Assistant in Education Dept.) and Martinsville City schools. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Martinsville City schools, etc. Dates- 9/51- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Mary Baldwin College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to M.B. College. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Mary Washington College. Subject- arrangements for traveling exhibitions to M.W. College, arrangements for lecture by Christison at M.W. College, etc. Dates- 3/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Middlesex County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to MCWC, arrangements for lecture by Christison for MCWC, etc. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Narrows Woman's Club. Subject- arrangements for traveling exhibitions to NWC, etc. Dates- 10/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Newport News Woman's Club. Subject- arrangements for traveling exhibitions to NNWC, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Education and Exhibitions) and Norfolk Museum of Art. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to NM of A, exchange publications, etc. Dates- 1/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H. Lloyd (VMFA State Services) and Richmond County Junior Woman's Club. Subject- arrangements for filmstrips to RCJWC, shipping instructions, etc. Dates- 10/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Roanoke County Woman's Club. Subject- VMFA traveling exhibition checklists, request for information about organization membership to the Museum, etc. Dates- 4/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H. Lloyd (VMFA State Services Dept.) and Rockingham County public schools. Subject- VMFA traveling exhibition and slides checklists, arrangements for traveling exhibitions to Rockingham Co. Public schools, shipping instructions, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between E.L. Kallop (VMFA State Services Dept.) and Scottsville High Scholl. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions and slide sets to Scottsville HS, shipping instructions, etc. Dates- 9/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Sedley Woman's Club. Subject- notification of installment of Mrs. N.B. Rollings as chairman of Fine Arts Dept. of SWC, Date- 12/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Smithfield P.T.A. Subject- art material for Smithfield schools, Date- 11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H.V. Rennie (Assistant in Education Dept.) and Southern Seminary and Junior College. Subject- schedule of VMFA traveling exhibitions to Southern Seminary and Jr. College ('46) and arrangements for traveling exhibitions to Southern Seminary and Jr. College, etc. Dates- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Hart (Extension Dept.) and St. Catherine's school. Subject- VMFA traveling exhibition checklists, schedule for traveling exhibitions to St. Catherine's, etc. Dates- 1/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and St. Christopher's school. Subject- schedule and arrangements for VMFA traveling exhibitions to St. Christopher's, etc. Dates- 9/48-11/48.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Staunton City School Board. Subject- arrangements for traveling exhibitions to Staunton City School Board, etc. Dates- 1/52-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various Education Dept. staff and Stony Creek Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SCWC, etc. Dates- 2/47-1/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various VMFA State Service Dept. and Education Dept. staff and Stratford College. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to Stratford College, shipping instructions, etc. Dates- 8/48-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition checklists, schedule and arrangements for traveling exhibitions to Stuart Hall, shipping instructions, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director of Collections and Education) and Suffolk Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SWC, etc. Dates- 8/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Surry Woman's Club. Subject- arrangements for tour of the Museum and traveling exhibitions to SWC, etc. Dates- 10/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Sweet Briar College. Subject- schedule and arrangements for traveling exhibitions to SBC, shipping instructions, etc. Dates- 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Service Dept. staff and Tazewell Parent-Teacher Association. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions, slide sets and filmstrips to Tazewell Parent-Teacher Association, shipping instructions, etc. Dates- 11/52-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Thomas Jefferson Junior Woman's Club. Subject- request and suggestions for speakers for TJJWC, etc. Dates- 7/47-9/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA and Thomas Jefferson Woman's Club. Subject- arrangements to visit, tour and hold a meeting at the Museum, etc. Dates- 11/40-1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Three Arts Club of Blackstone. Subject- arrangements for filmstrips for TAC of B, shipping instructions, etc. Dates- 12/52-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- address of Mrs. Woods, President. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Toano Woman's Club. Subject- arrangements for holding a meeting at the Museum. Dates- 1/50-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and University of Richmond and Westhampton. Subject- arrangements for traveling exhibitions to U of R, shipping instructions, etc. Dates- 3/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- catalogues from the UVA Extension Dept. including the following: Famous Italian Paintings, Famous Flemish Paintings (Reprints from Seventy Famous Paintings by Adelaide D. Simpson (1927), The Story of Venetian Painting by Mrs. Stringfellow Barr and Cecily B.D. Ryder (1928) and Catalogue of Art Prints and Books (1937), etc. Dates- 1927-1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to UVA, shipping instructions, etc. Dates- 10/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and University of Virginia Museum of Fine Arts. Subject- checklists for traveling exhibitions sponsored by VMFA and UVA, the following publications by UVA: \"Twenty-five Contemporary Artists of Cleveland, Ohio\", \"Hugh Breckenridge\", \"Contemporary Artists of Virginia\", \"Contemporary Artists of Albemarle County and The University\", \"Alexander B. Trowbridge and Olin Dows\" and \"Elinor F. Hopkins\". Dates- 4/34-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.Y. Casey (Assistant in Education Dept.) and Upper King William County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to UKWCWC, shipping instructions, etc. Dates- 3/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Valentine Museum. Subject- information about becoming organization members of VMFA, a loan to VMFA from the Valentine, listing of the Valentine's activities, etc. Dates- 10/35-9/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and VA Education Association. Subject- Virginia Education Association art section meetings, etc. Dates- 2/47-10/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and VA Federation of Woman's Clubs. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VA. Federation of Woman's Clubs, VA Federation of Woman's Clubs yearbook ('47/8) and Directory ('48/9), etc. Dates- 1/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA traveling exhibition checklist. Dates- 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Virginia Polytechnic Institute. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to V.P.I.'s Architectural Department, etc. Dates- 6/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Virginia State College (Norfolk Division). Subject- checklists for VMFA traveling exhibitions, arrangements for traveling exhibitions to VSC, shipping instructions, etc. Dates- 10/52-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and the Extension Dept. and VA State University. Subject- schedule of VMFA traveling exhibitions to VSU 1945-7, arrangements for traveling exhibitions to VSU, etc. Dates- 6/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Va. Teachers' Association. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VTA, arrangements for a lecture by Christison to VTA. Dates- 12/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Virginia Union University. Subject- VMFA loans to VUU's art festival, arrangements for traveling exhibitions to VUU, etc. Dates- 1946-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between E.L. Kallop (State Services Dept.) and Wakefield Woman's Club and P.T.A. Subject- checklists for VMFA traveling exhibition, arrangements for traveling exhibitions to WWC and P.T.A. Dates- 9/51-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Warren County High School. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Warren Co. HS, shipping instructions, etc. Dates- 10/46- 5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between O. Hart (Registrar) and Warwick County School Board. Subject- arrangements for traveling exhibitions to Warwick Co. Schools, etc. Dates- 1/49-4/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Warwick Woman's Club. Subject- arrangements for traveling exhibition to WWC, etc. Dates- 10/48- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Washington and Lee University. Subject- checklists of VMFA traveling exhibitions, arrangements for traveling exhibitions to W\u0026L, etc. Dates-1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Waverly Woman's Club. Subject- schedule of VMFA traveling exhibitions to WWC ('46), WWC visit (with lecture) to VMFA, etc. Dates- 3/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA staff and West Point Schools P.T.A. Subject- arrangements for traveling exhibitions to West Point Schools, etc. Dates- 12/50-6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various Education Dept. staff and Westmoreland Woman's Club. Subject- arrangements for traveling exhibitions to WWC, etc. Dates- 1/48-3/49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and William Campbell High School in Naruna, VA. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wm. Campbell HS, shipping instructions, etc. Dates- 12/52-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and various Education Dept. staff and Wilson-Jackson P.T.A. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wilson-Jackson P.T.A., etc. Dates- 1/47-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.T. Rhodes (Assistant in Education Dept.) and Wytheville County schools. Subject- arrangements for traveling exhibitions to Wytheville Co. schools. Dates- 4/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Wythe Woman's Club, Hampton. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC. Dates- 8/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education), various Education Dept. and State Services staff and Wytheville Woman's Club. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC, etc. Dates- 5/49-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Y.W.C.A.-Richmond. Subject- holding a meeting (with a visit and lecture) at VMFA. Dates- 4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Young Woman's Club of Williamsburg. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to YWCW, shipping instructions, etc. Dates- 12/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.Y. Casey (Assistant in Education Dept.) and VMFA State Services Dept. and Zuni Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to ZWC, etc. Dates- 8/50-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\". Dates- 12/54-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\", note-included in these files: slides from Williams College of Art. Dates- 1947-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Chairman of the art department Williams College. Correspondence and biography 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fashion Show in cooperation with Miller and Rhoads Dept. Store and Harpers Bazaar magazine to benefit the VMFA Council, Education Fund, Council dinner, event plans and program catalogue. Dates- 12/55 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- the Fashion Festival of Arts and Flowers presented by the VMFA Council in cooperation with Miller and Rhoads Department Store, attendance lists, newspaper clippings, etc. Dates- 3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between national director and Thomas Colt, who was the State Director of the Federal Arts Project, 1935. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Federal Emergency Administration of Public Works regarding a grant to construct an additional wing to the Museum. 1935-38. More applications from Museum for funds from the Federal Emergency Administration of Public Works to complete projects such as casting a bust of John B. Payne and landscaping grounds. 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Federal Emergency Administration of Public Works and Virginia Commission for the Arts material, mostly on landscaping the grounds of the Museum, 1936. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Federated Arts Council of Richmond dinner and agenda, invitations. Dates- 2/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- Committee reports, events schedules, annual meeting 5/29/74, \"Festival Of The Arts\", 18th annual report, Dogwood Dell June-Aug'74. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Awards Dinner agenda, letters of confirmation, thank-you's, etc. Dates- 12/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T.C. Colt, Jr. Subject- listing of and letters to prospective fellows (founding fellows), a copy of the constitution 4/55. Dates- 3/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospects for new membership program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Conservation Laboratory, Library Endowment, Fellows Weekend, orientation theatre, contributions and projects, statement of purpose, agendas, biographical data. Resolution in memory of Lewis Strauss. Dates- 1964-79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Fellowship Committee minutes 1942, 1948, 1949, 1950, Fellowship Committee agendas 1950, 1951, committee report 1949/50, Fellowship Committee announcements and replies, listing of fellowships given by the Virginia Museum of Fine Arts 1940-51, etc. Dates- 1942-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Aplicant interviews procedure. Date- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellowship Fund income account, application, letters to recipients: Primm Turner, Jenny- Lynn Franklin and John D. Norwood. Dates- 5/54 - 5/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Essay- \"Outline for a Proposed Film for the Virginia Museum of Fine Arts\" by Vavin, Inc. 3/60.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1947, 1948, 1950, Finance Committee meeting minutes 1948, 1949, 1950, letters soliciting opinions from Trustees about stock purchases and committee resolutions and replies, VMFA Pooled Endowment Account 1949, stockholder information , etc. Dates- 1947-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1950, 1951, Finance Committee meeting minutes 1952, committee report 1950, status of capital funds listing 1950, list of securities held and cash balances, financial transactions, etc. Dates- 1950-2. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1952, 1953, Finance Committee resolutions 1953/4, Capital Funds Investments and Cash listings 1952, 1953, stockholder information, financial transactions, etc. Dates- 1952-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1955, Finance Committee resolutions 1954, a listing of Finance Committee meetings and actions in writing 1948-56, financial transactions, stockholder information, statement of endowment investments 1955, pooled investment listing 1955, investment changes for the period 4/30/55-12/31/55, etc. Dates-1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Lawler Fund. Dates- 10/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- stockholder information (i.e. annual and quarterly reports of companies). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee resolutions 1948/9, excerpts from Finance Committee meeting minutes 1939, 1951, Date- 3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from A. Nicholas. Subject- Statements of income, balances, private income, special purchase funds, operating budget, etc. \"Virginia Museum Semi- Annual Financial Report Dec. 31, 1970\" , \"Summary of Financial Support\": 1935- March 31, 1971, 19l35- June 30, 1969, Art Purchase Funds, Capital Outlay Programs to purchase land and buildings, List of Art Purchases 1970-71. Dates- 6/70 - 10/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and G. Martin. Subject- Responses to questionnaire from various theatre directors, VMT regulations. Dates- 1965 -66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT Statement of Purpose, application for Samuel Tate Morgan and/or George Seay Memorial Trust Funds. Letter of grant award for the expansion of VMFA Library holdings and list of books purchased, newspaper clippings. Dates- 5/69 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Administrator, Richmond Area University Center. Correspondence with 1949-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Memorial for Col. Herbert Fitzroy, letters of receipt of contributors to purchase a sculpture to be placed on permanent exhibit in Artmobile II: \"Crowing Rooster II\", G. Marcks. Dates- 10/67 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- information about proper display of U.S., U.N. and VA flags. Dates-11/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns cultural development there. 1957-59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Agreement on the Importation of Educational, Scientific and Cultural Materials\", Bill signed on 6/24/59, press release. Unesco sponsored agreement to eliminate tariffs and special import taxes on educational, scientific and cultural materials. Dates- 9/59 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Horace S. Flournoy. Subject- repair of heating system at the Museum. Dates- 10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- plantings around the Waddy Fountains at the front of the building, lawn and plant care, listing of growing plants used, etc. Dates-6/54-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA staff and Harvard University's Fogg Art Museum, mostly regarding the loan of a Copley portrait for the Museum's inaugural exhibition, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, J. Coolidge (Dir., Fogg). Subject- General correspondence regarding conservation, authenticity of objects, employment referrals, research, etc. Dates- 4/52 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for Folktale Marionette Theatre to perform at VMFA in Dec.1953, etc. Dates- 3/53-1/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- visit of Mrs. Henry Ford II, to see VMFA operations. Dates- 3/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about a Virginia artists watercolor exhibition sponsored by the Ford Foundation Title \"Virginia by Virginians\", copy of an invitation to Mr.and Mrs. Ford to the opening, etc. Dates- 1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- newspaper clippings and statement of purpose of the Ford Foundation. Dates-12/48-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Ford Foundation. Subject- proposal of VMFA serving as regional center for Ford Foundation's creative artists selection program 1958, proposals for Foundation support, Foundation publications, etc. Dates- 10/50-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Ford Foundation. Subject- information about applying for Ford Foundation support, Foundation publications, etc. Dates- 10/59-10/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program for Painters, Sculptors and Related Artists. Letters to jury members, entertainment. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and the Ford Foundation. Subject- the Museum as a locale for the premiere art exhibition to be featured in the March issue of the Ford Times, an exhibition highlighting VA artists named \"Virginia for Virginians\", included are copies of the exhibitions' gallery guide, invitations to the preview and a copy of the Ford Times feature issue. Dates- 11/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and American Association of Museums (AAM). Subject- roster of foreign museum Directors visiting VMFA on a AAM sponsored tour (in cooperation with the State Department), biographical information on visitors, etc. Dates- 3/65-5/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to VMFA staff. Subject- memos about arrangements for luncheon held at Museum for international newspaper people. Dates- 6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal for VMFA travel program, tour estimates and brochures. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition preview speaker: Ariad Yafeh, biographical data, reviews and photographs. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Guest lists for opening event, sample letters for invitations and replies. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices, Cheek serving as honorary member of advisory committee of Directors and Curators, etc. Dates- 3/52-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Keith Fowler. Subject- theatre operations, policies, programming, newsletter to friends, volunteers and theatre subscribers, etc. Dates- 10/69-12/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between William Francis and L. Cheek, Jr. Subject- Museum publications business and arrangements, etc. Dates- 12/64-9/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Governor Peery, T.C. Colt, Jr. and Douglas S. Freeman, president of the Confederate Memorial Institute. Subject- Transfer of the John B. Payne collection from the Battle Abbey to the museum. Dates- 1935-39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. Subject- mostly professional matters, but some personal information is given. Dates- 1948-53.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and French and Company. Subject- French and Company, Inc. art dealers, loans, conservation work, proposed sales to Museum, photos and descriptions of objects, etc. Dates- 6/46-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject- photo requests from the Frick Art Reference Library, reference questions, exchange publications, etc. Dates- 2/46-9/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Friddell was columnist for the Richmond News Leader. Correspondence with Cheek, 1949-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- memo about calendar of Museum events, mailing to American Ballet Theatre Friends, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Preparation plans for \"George Stevens Makes a Film\", an exhibition based on the making of an epic film (The Greatest Story Ever Told), installation, cost estimates, etc. Dates- 1/64 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Search for Egyptian objects to purchase, exhibitions: Sport and Horse and American Folk Art, College Drama Festival, loan of P. Klee works, collectors circle, Biographical data, Fellows, donation, gifts, Segregation in VMT, background information on paintings for Wm. Henry Yates, Marshall Research Library, Poetry Society of Virginia, Glasgow Estate. Accessions and gifts: \"Tree\", H. Gray; E. Hopper; Rutherford Goodwin, Jr.(signature). Dates- 1/55 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General museum business, inter-museum memos. Richmond Sinfonia, special purpose gallery, exhibition policy. Museum television, funding sources, COVAO conference, sale of Artmobile I, Council, newspaper clippings, pamphlets and funds generated through programs division, letter from Robert Indiana.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Bill (William) Gaines (head of Programs Division). Subject- programming educational, exhibitions, films, affiliates, etc., Museum operations, etc. Dates- 3/70-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Acquisitions, objects for purchase consideration, various newsletters, exhibition catalog: \"Nature As Scene\". Dates- 4/76 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with other museums. Subject- exhibition announcements, information about loans to other museums, etc. Dates- 3/53-3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Dir. for Collections and Education) and Mr. Charles Seymour (Yale University). Subject-request to look at the Museum's collections. Dates- 2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Col. Edgar Garbisch and L. Cheek, Jr. Subject- gift to VMFA-Junius Brutus Stearns paintings of life of George Washington, photos and information about paintings, biographical information about Garbisch, etc. Dates- 1/50-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for the 50th anniversary dinner of Garden Club held at VMFA, etc. Dates- 9/68-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the Garden Clubs of Virginia and America 1958-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Mrs. T. Fleetwood. Subject- Mrs. T. Fleetwood as a Trustee, Trustee business, gift to Museum, etc. Dates- 5/64-7/75. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Landscape Architect for Museum. 1957-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by John Garland Pollard, Jr. Subject- invitation to members of General Assembly to use Museum facilities, announcement of a reception for General Assembly members spouses, VMFA Members' Bulletin vol.20, no.5 1/60. Dates- 1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters sent to members of the General Assembly 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Gibbes Art Gallery. Subject- Brown working on problems of the Gibbes Art Gallery, \"Report to the Board of the Charleston Art Association\" co-written by Brown, etc. Dates- 12/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee, Executive Committee. Dates- 1950-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mr. George D. Gibson as Trustee, Trustee and Local Building Committee business, copies and excerpts from minutes of the Executive Committee 1948-53 dealing with VMFA building, news release 6/57 about Gibson being elected VMFA President, etc. Dates- 12/52-11/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. George D. Gibson, a lawyer with Hunton, Williams, Gay., Moore and Powell. Subject- flooding at the Museum, building inspections, structural problems with the building, the shipment of a Watteau painting to VMFA, a Melchers gift, etc. Dates- 7/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- acknowledgments of receipt, thank you letters to donors for gifts of all kinds (money, books, equipment, etc.,). Dates-11/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Arthur G. Glasgow. Subject- gifts to Museum, Museum events, information pertaining to the Estates of Margaret Branch Glasgow and Arthur Graham Glasgow. Dates- 2/54-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., J.M. Brown and Walter S. Robertson (VMFA President). Subject- transcript of remarks by Governor Mills E. Godwin, Jr. at Southeastern Theatre Conference 1966, Museum events, Mrs. Godwin to serve as honorary chairman of Entertainment Committee, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- President of Princeton University. Request for him to lecture at Museum. Dates- 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Associated Artist Gallery, Washington, D.C. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for Theatre Director-Producer 1957.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Pollard was a member of the Goodwin Memorial Commission appointed by the state to erect a scroll honoring the Reverend William Archer Rutherfoord Goodwin, former rector of Bruton Parish Church and man who dedicated his life to the restoration of Colonial Williamsburg, 1950-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Mr. F.D. Gottwald. Subject- agreement and arrangements to establish Elisabeth Shelton Gottwald Fund. Dates- 4/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- copy of report on Museum, recommendations to Museum made by Governor's Management Study Group. Dates-7/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Mills Godwin and Peter Mooz. Subject- Budgets: cutbacks, executive order, appointments to VMFA Executive Board, creation of job positions, Museum organization charts, Melchers Estate, Arts Commission, Executive Mansion furnishings and lists of objects. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for unveiling (10/5/71) of new acquisition of Goya's painting- General Nicholas Guye guest lists, invitation, news releases, photo and information about painting, etc. Dates- 9/71-2/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- \"General Guye\", Goya. Special event, agenda, invitations, etc. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with John Graham (Curator, Colonial Williamsburg). Dates- 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Related to the death of Mr. Gray and his family. His bequest to the Museum and a memorial to him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Horace Gray, Trustee. Subject- Museum business, biographical information about Horace Gray, VMFA Members' Bulletin vol.19, no.6 (2/59), etc. Dates-5/51-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about hiring Mr. Paul Grigaut as head of Collections Division, Museum practices, information about Museum Collections catalogues, etc. Dates- 6/62-4/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Theft-general. Contains one newspaper clipping 5/28/62.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- correspondence with Senator Raymond R. Guest, announcement of gift to Museum of bronze gates, Museum events and business, etc. Dates- 11/48-5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and L. Cheek. Subject- List of sites for guidebook , roster of names for nominating committee, letters to publishers, price structure, biographical data, promotional information, outline for publication by the Trustees for \"An Official Guide To Four Centuries Of Building In The Old Dominion\". Dates- 4/66 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Finnish Society of Crafts and Design 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt, F. Haseltine. Subject- Installation of \"Symbol\" at Phillip Morris site, invitation mailing list, reception agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, F. Haseltine, P. Near. Subject- Exhibitions, VMT, loans, gifts, endowments, biographical data, invoice for work restored, acquisitions, installation of Heeramaneck Collection, Pastorale fund, Project Grant Application, Tax Status. Essay- \"A Brief Summary of Accomplishments of the Virginia Museum of Fine Arts\", 1962-64. Dates- 9/51 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mr. Haller was a public relations consultant hired under special circumstances and kept off of the state payroll. This letter pertains to this and circumventing the state system 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and S. Robertson. Subject- AAM meeting in Williamsburg, increase in security staff at VMFA, Artmobile, Executive order from the Governor's office to divide the Board of Trustees into five divisions. Request for authority to prepare Capital Outlay Plans for South Wing, invitations to serve on various committees, presentation of Webster S. Rhoads award to Gov. Harrison, newspaper clippings. Dates- 5/61 - 11/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Public Buildings Administration (Federal Works Agency). Subject- Harrisonburg post office mural competition (Colt served on the jury of selection and advisory committee) and contract with Public Buildings Administration. Dates- 2/41-10/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek's 25th college reunion and an art exhibition in conjunction with the reunion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Melissa Hayden and Andre Eglevsky. Dance performances at the VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. John G. Hayes, Sr. Subject- Trustee/Museum business, money to the John G. Hayes Endowment Fund, etc. Dates- 11/49-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. J.G. Pollard and W. Rhoads. Subject- John Green Hayes Memorial Fund. Dates- 5/48 - 11/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of appeal from VMFA to Hearst Foundation for financial assistance. Dates- 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Biographical data, press release and his presentation to the AAMD, newspaper clippings. Dates- 4/62 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lecturer for the Latin American Exhibition 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT: tour schedule, HEW grant proposal, \"A Cultural Program in the Dramatic Arts for Virginia High School Students\", newspaper clippings, postcards, reviews, project budget, financial support. Dates- 5/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Travel Itinerary, loans , VMT productions, collectors circle, LOAS (Loan-Own Art Service), search for prospective jurors, letter to Helen Hayes to address VMT, biographical data, gallery plans, invitations to preview Hogarth exhibition. Dates- 9/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for luncheon and agenda. Dates- 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Request for VHS to hold annual meeting. Dates- 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Col. Hodges (Membership Chair). Subject- Trustee/Museum business, Hodges served as the Chairman of the VMFA Membership Committee, etc. Dates- 11/35-3/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA Bulletins: vol.26 no.3 and vol.27 no.6. Hogarth lecture to VMFA, itinerary, biographical data, Wm. Blake exhibition. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for Theatre Director 1957. Contains resume and letters to, from, and about him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, P. Davidson, and P. Rathbone. Subject- Exhibition: \"Treasures of Alexander\", request for loans, list of objects in connection with exhibition, installation design, theft of Nike Earring. Dates- 9/63 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Term as a Trustee and Fellow at VMFA and as a Trustee at Norfolk Museum, Exhibition: Treasures from the Norfolk Museum. Gifts and donations. Dates- 9/61 - 4/3 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Collectors circle, Fellows, Trustee, gifts and donation. His service as a Trustee at the Chrysler Museum. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on state holidays. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Gov. Holton. Subject- Proposal for a Bill to organize a citizens advisory committee to improve furnishings and interpretation of the Gov. Mansion. Statewide Building Code, Administrative Amendments 1/29/73, Sec. 873.5. List of participants and Museum conference notes to determine how Va. Museums can assist one another, Inauguration arrangements committee, rosters: House of Delegates, Senate and legislature. Essay- \"The Holton Years: A Summing Up 1970-1974\". Dates- 9/61 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Reports from the Honors and Awards Committee and the Board of Trustees, 1948-56. Much of this concerns Mr. and Mrs. A.D. Williams, The Katherine Rhoads Fund and the Webster Rhoads Medal, and Arthur and Margaret Glasgow, letter regarding the Mary Samuel Davies Bright Memorial. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Arts and Humanities Commission, Pratt Estate, Cabell Foundation, Ford Foundation: VMT underwriting. Trustee interviews, gifts of appreciated property. Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings, photographs. Dates- 10/8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and J.M. Brown. Subject- Parsons Fashion Show, slides, pamphlets, newspaper clippings. Dates- 8/63 - 7/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Seating arrangement. Dates- 11/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J. Sweeney and Lee Malone. Subject- \"Design In Scandinavia\", Cheek's remarks. General correspondence concerning museum loans and policy. Dates- 4/63 - 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Miss Nora Houston and T.C. Colt, Jr. Subject- biographical information, information about exhibitions she participated in, proposed acquisition of her work, etc. Dates- 4/36-2/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- U.S. House of Representatives, New York State. Correspondence concerning government support of the arts. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copy of his speech given at the Architectural League Symposium 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Term as a Trustee, membership campaign, budget committee, newspaper clippings. Dates- 5/59 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellow, VMT, Exhibitions, Artmobile, long term loan of 18th C. Dec, Arts objects, Hogarth exhibition, contract bid for landscaping, North Wing. FILM: \"THE ART of THE CONSERVATOR\" Dates- 2/64 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Trustee, Fellow, gifts. Remarks concerning Fellows meeting, Draft of Executive Committee Meeting Minutes, 12/8/70. Official application form for AAM accreditation. Art Nouveau Collection, Council lecture and luncheon with draft of suggested remarks delivered by C. Humelsine. Dates- 1969 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Requests for catalogues, loans, exhibition announcement, proposal for an \"International Traveling Exhibition\", technical info on Ivisiglass. Dates- 4/45 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- RSVP's to auditorium inauguration, thank you notes to musicians used for the opening, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Innocenti and Webel (landscape architects) concerning VMFA grounds. Dates- 7/64 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek, T. Colt and Mrs. Pollard. Subject- Requests for publications, general information regarding VMFA collections, exhibitions and museum operations. Dates- 10/35 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General information on exhibition installations.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains one brochure, 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- insurance against air raids and other war damage, correspondence with other museums about war risk insurance. Dates- 6/42 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. and M.B. Christison (Assistant Dir. for Collections and Education). Subject- damage claims to art objects we lent and/or were on loan to the Museum. Dates- 11/49-11/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuels Collection [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Draft of the Constitution and By-Laws of the proposed Virginia History and Museums Federation. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- ICOM statement of mission, travel expense records, membership and financial statements, pamphlets, Minutes of Executive Committee 1/30/60, 5/25/65, Annual Report 1965, newsletter, pamphlets, etc. Dates- 1961 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual Reports, Statutes, guidelines for International Rules of National Committee, Museum Training Programs, Newsletters, Minutes of Annual Meetings, budget, membership, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Mrs. J. Pope (Pres. IEF) Subject- Invitation to become a member, statement of mission, list of officers, IEF Financial Report 12/31/72, Annual Report 12/1/72, NEA award, catalogue listings, list of traveling exhibitions 1966-72. Dates- 1966 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Anne Marie Pope. Subject- Lists of current and planned exhibitions, events schedules, minutes of annual meeting. Dates- 1973 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Article from \"Preservation News\", 1/71 vol., XI, no.1 and Sunday Supplement from New York Times. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, P. Near, Phillip Johnson. Subject- P. Johnson's advise of design of the New Wing and as possible juror for Va. Biennial. Rotunda Club, Jamestown Festival, Robinson House, Hogarth Exhibition, Jr. League activities, and restoration of downtown Richmond. Photocopy of text from letter between Wm. Fitzhugh to Charles Carter 11/30/1796, pamphlets, donations, gifts. Dates- 12/55 - 12/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Letter of appointment to Executive Board. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 350th Anniversary. 1955-57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on the Museum's contributions to the celebration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek to serve on advisory committee and certificate of award for his service, presentation of Pocahontas portrait for permanent display, \"Report From Sub-Committee, Jamestown Commission\", 10/30/57. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photos of the \"Japanese Architecture\" exhibition, printed material for the exhibition, arrangements for bringing the Japanese Charge d'Affaires to VMFA, transcript of remarks made by Mr. Shima (Japanese Charge d'Affaires) at the opening preview, etc. Dates- 4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Itinerary and agenda for East Meadow High School of East Meadow L.I., New York. Dates- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown. P. Near, A.P. Jenkins. Subject- A.P. Jenkins collection, gifts and contributions, loans, Fisher rug collection, B. Barenson, Ash Lawn, Caligula statue, invitations, agendas etc. \"Art Now: New York\" vol.2 #10, University Galleries, 1970 (contains large color plates). Conceptual statement for Cabrillo Marine Museum. Dates- 8/54 - 9/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Jay W. Johns. Subject- Trustee/Museum business, gifts to Museum, information about an Evelyn Byrd portrait by a disputed artist (Kneller or Bridges), etc. Dates- 6/35-9/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- J. Johns service as a Trustee and Fellow, gifts and donations. Dates- 4/50 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- B. Johnson's (Conservator of L.A. County Museum) observations concerning the authenticity of a Veronese painting and his personal collection of pre- Columbian sculpture and Asian ceramics. Dates- 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and T. Catesby Jones. Subject- Jones' collection of modern paintings and sculptures, gifts to the Museum art and books, letter from Jean Lurcat, etc. Dates- 3/41-12/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The loan of Mrs. Catesby's collection of French Modernists to the VMFA and gifts. Dates- 2/50 - 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from l. Cheek, R. Guest (Fellows, Chair) and W. Robertson. Subject- Her appointment as a Trustee and role as chair of the membership committee. Dates- 7/64 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- State Supervisor of Art, 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- purchase requests for photos. Dates- 3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown. Subject- Agenda and letters of confirmation. Dates- 6/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Volunteers at the Museum, 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of confirmation. Dates- 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Letters of recommendation, resumes, prospective jurors, exhibition: \"Ugliness in Virginia\", Robert E. Lee Memorial, Fellows, gifts, donations, pamphlets. Acquisitions: Artists, Duane Hanson and Stephen Posner. Dates- 4/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Karolik collection of American Painting, Artmobile and Collectors Circle. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Maxim Karolik. Subject- proposed lecture for exhibition \"The Karolik Collection\", printed material for exhibition, etc. Dates- 9/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Illumination exhibition for the American Federation of Arts: proposal, budget, exhibition news, advisory committee and Minutes of 1st Meeting 11/23/64. Dates- 1/65 - 2/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek as member of the Council for the Kennedy Center and Board of Trustees, bulletins, progress reports and newsletters and a letter from Jacqueline Kennedy dated 1/14/66. Dates- 2/59 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and H. Willett (Supt. of Rich. City Schools) Subject- Letter to F. Keppel (Asst. Sec. of HEW) concerning a Math and Science Center. Essay- \"Proposal For a Supplementary Mathematics and Science Center\". Dates- 11/65 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters of request and confirmation, menu and tour. Dates- 8/71 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets: \"The Library - Documentation Project spring 70\" , \"The Urgency of Our Mission\" and \"Statement of Purpose Fall 1969\". Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt, L. Cheek and Harry Brooks. Subject- Requests for publications, provenance of Italian Renaissance painting being considered for acquisition, loans, pamphlets and shipping invoices, etc. Dates- 2/46 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, T. Simmons (Knoll) and Florence Shu Knoll. Subject- Interior design and furnishings of the Members Suite, offices, restaurant and Library, Knoll Catalogue 1956, newspaper clippings. Dates- 2/49 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Portrait commission of L. and Mary Tyler Cheek and his exhibition at the Museum of the City of New York. Information about introduction to exhibition catalog. Dates- 1/63 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Parson's School of Design. Design consultant VMFA 1954-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The creation of layouts of loan exhibitions and permanent displays, agendas, job description, newspaper clippings, biographical data, postcard, etc. Dates- 2/58 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mr. Koenig was a guest promotion director at the VMFA 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to contributors of memorial fund. Subject- Memorial established by the Theatre Associates of VMFA, sample of bookplate in his memory. Dates- 4/62 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuel H. Kress Foundation 1958-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about bill and payments with Kuhn. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile project for the Arkansas Arts Center, \"Let's Go, Reflections on the Art of Administrative Leadership\". Dates- 8/62 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chapters/Affiliates, newsletters, Lectour broadcasts, newspaper clippings, invitations, Lawler Memorial Fund, Artmobile. Artists: Pietro Lazzari, Janice S. Lemen, John Gadsby Chapman, photograph. Dates- 5/58 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Publication requests, gifts, contributions, collectors circle, Fellows, suggested bequest wording, Artmobile, loans, exhibition announcements, NEA questionnaire: \"Conservation in Museums- August 1971\", restoration and condition report of \"Battle of Yorktown\", Lami. Artists: Mario Dubsky and Eugene Berman. Gift and donations: \"La Sympathie\", Pettijean. Date- 11/62 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Port Sunlight, Chesire England.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and the VMFA Board of Trustees. Subject- To prevent the construction of the Valentine Museum's Latrobe Theatre. Dates- 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lecture by Cheek to the College Art Association 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to E. Cless (program Consult., U. of Minn.) Subject- U. of Minnesota Institute on Administration and Services in the Small Art Museum, program agenda, travel schedule, list of registrants for the seminar, report on the panel on museum publications, pamphlets, map, etc. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek to G.H. Holmes (Dean of U. of Pa.). Subject- Urban Criticism, experiences in traveling exhibitions on city planning, resolutions and solutions on urban problems. Biographical data on participants of conference, travel expenditures, agenda. Dates- 7/58 - 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Priscilla Crum to Prentiss Taylor. Subject- lecture by Taylor, Wednesday evening programs schedule 1948, proposed schedule 1947-8, etc. Dates- 9/47-1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison. Subject- prospective speakers, films, etc. for programming. Dates- 10/48-12/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- schedules for Wednesday evening and musical programs. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given by L. Cheek, Jury duty lists, consultations, invoices, expense records, agendas, pamphlets, magazine excerpts, Essay- \"The Place Of The Arts In Our American Culture\", by L. Cheek. Dates- 1953 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given by various members of the VMFA staff. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from D. Nicholas. Subject- Procedure and policy concerning VMFA security.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Monthly newsletters on \"Reflections on the Art of Administrative Leadership\", L.H. Kurtz, publisher/editor. Dates- 9/62 - 11/64, 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, P. Near C. Humelsine, F. Brandt and Wm. Gaines. Subject- Art Nouveau Fund: list of purchases, legal document of fund establishment. Artmobile and contemporary Art Purchase Fund. Dates- 5/67 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Possible sources for the purchase and restoration of the Alexander-Withrow House, Lexington, Va. Dates- 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- D. Liebes (color consultant and textile designer) on proposed text for her essay to appear in AIV and her lecture to be given at the VMFA on crafts and the creation of VMFA Craftsperson - residence. Dates- 4/63 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and E. H. Bushbeck (Kress Found.). Subject- Drawings and description of Dr. Reinhardt's gallery in Switzerland. Dates- 2/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and V. Gaskins (asst. to L. Cheek). subject- Planning of VMFA lighting facilities, \"Art Museum Lighting\", 2/59, excerpt from a journal of Electrical construction and Maintenance. Dates- 2/59 - 9/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal of Library-Museum at Lincoln Center. Dates- 2/59 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ralph Linton Collection of African Sculpture. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for loans of furnishings to other state properties. Dates- 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of loans under consideration, loans to ambassador residences in England and Australia. Photographs. Dates- 2/61 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and director of Louvre. Subject- Poussin exhibition at Louvre and VMFA loan of \"Achilles on Skyros\" and Delacroix exhibition, loan of \"Deliverance of Princess Olga\". Dates- 10/59 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lighting Technician, VMFA, 1953-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and C.B. Lusk. Subject- Lighting instruments and technical drawings. Essays- \"Lusklite as developed and used at the VMFA\" and  \"The Installation and Lighting of Exhibitions at VMFA\" Dates- 8/56 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.R. Duncan and Gordon Huff. Subject- Expansion of Lynchburg Arts Center to become an affiliate, loans for opening gala, suggested text for print media, schedule of events, Artmobile, Lynchburg Arts Center Executive officers. Introductions for L. Cheek and W. Robertson, travel itinerary. VMFA lecture series: Building For The Arts 1965-66, pamphlets. Dates- 5/62 - 7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for \"The National Arts Center of New York University at Washington Square\", Exhibition: \"Tastemakers\", based on R. Lynes Book. Official guest list for opening reception. Dates- 10/54 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, L. Cheek, P. Near and F. Haseltine. Subject- Membership, gifts, personnel references, loans, Jamestown Foundation, proposal for commission of sculpture in F\u0026M Plaza. Acquisitions and gifts: Egyptian cups, Coptic sculpture, Bertoia drawing. Dates- 4/61 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Macbeth Galleries. Subject- loans for inaugural exhibition and general correspondence about proposed acquisitions from Macbeth galleries. Dates- 9/35-7/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Orders and correspondence for back issues of Bulletins and magazines, 1946-47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Alessandro Magnasco, Painting 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing and sign schedules, roster of names and institutions. Dates- 1960 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing and events schedules. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near, D. Isley (Norton Simon Collection). Subject- Press releases, shipping, installation, purchase invoice, info regarding owners of the other castings. Photographs and slides. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Paul Manship. Subject- designing the John Barton Payne medal. Dates- 9/36-10/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Robertson. Subject- His Service as a Trustee, Fellow, and chair of Trustee Budget Committee. Biographical info, Artmobile, 25th Anniversary of VMFA, museum business, financial statements, Education In The Arts. Dates- 12/56 - 5/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Long Island Historical Society. Subject- Provenance, purchase through Glasglow Fund. Dates- 12/55 - 1/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resume, photo, agenda, NEA grant request. Dates- 4/65 - 5/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- M. Baldwin Choir Program, Alumnae issue Bulletin concerning visit of Pres. Eisenhower. Invitations, Fine Arts Center, Woodrow Wilson Project. Dates- 2/56 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Julien Binford. Subject- Mary Washington Arts Center, invitations, VMT, loans of art works, newspaper clippings. Dates- 11/49 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gifts to VMFA. Dates- 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. William R. Massie. Subject- Trustee/Museum business, etc. Dates- 12/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture: John Goldsmith Phillips, biographical data, press release and catalog list. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturers: V. Isabelle Miller and Mrs. Yves Henry Buhler. Press release, publicity schedule and photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- floor plan, instructions for installation for exhibition \"Masterpieces of Chinese Art\", printed material for exhibition, thank you notes to lenders to the exhibition, etc. Dates-11/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for the Theatre Director Position. Contains resume and applications, letters of recommendation etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Director of Public Relations for 20th Century Fox. Speaker at the Museum 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Public Information Division VMFA. 1955-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Director of Vassar College Art Gallery, requests for publications, lecture. Term as curatorial research asst. at VMFA. Dates- 9/53 - 6/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dedication of new Library, loans, invitations, VMT, Farewell gift to Mr. and Mrs. Cheeks with poem. Gifts, contributions, G. Melchers memorial. Dates- 2/60 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- General membership information, loans, press release, invoices, newspaper clippings, etc. Art Nouveau Collection. Letter to L. Marden (residence designed by Frank Lloyd Wright). List of Artists editions: prints and objects from Multiples Inc., NYC, price list and description. Artist: Phillip Lindsay, signature. Acquisitions: Monet, van der Helst and Rodin. Dates- 12/69 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and French and Co., Inc. Subject- pieces sold to and installed in the Museum, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal to establish an Institute of Mediterranean Culture at U. of R. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Carroll L.V. Meeks. Subject- thank you notes for visit to New England personal friendly letters, etc. Dates- 4/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, Mrs. Pennell (Membership Secretary) and Mrs. Gari Melchers. Subject- VMFA members in Fredericksburg, postcards, gift to Museum , etc. Dates- 12/35-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Her service on the Executive Committee, Melchers Estate, budget, gift status of \"Dead Jockey\", E. Degas. Contributions, gifts, newspaper clippings, biographical data. Dates- 4/56 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt (Dayton Art Inst.) and Dr. Higgins (Chair of VMFA Board), J.M. Brown. Subject- \"Disposition of Mr. Gari Melcher's Estate Excerpted from Virginia Museum Minutes Books, No.4,5and6\" , prepared by A.W. Statnaker, Asst. Administrator 7/17/74. Resolution, re: \"Belmont As An Art Center And Museum\" and \"Opening Of The Belmont Facility To The Public\" , Executive committee Minutes. Dates- 5/74 - 11/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Melchers estate/bequest to the Museum, agenda and minutes of Gari Melchers Memorial Committee 5/56-10/56, report and proposals of that committee. Dates-5/56-10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- appointments to committee, general operation of Estate, suggested budget, list of Melcher paintings owned by VMFA, loans of art works, drawings/blueprints: G. Melchers Studio air conditioning system and proposed plaque for ashes of Mr. and Mrs. Melcher. \"Belmont Agency Agreement\", Bill to transfer Melchers Memorial from VMFA to Mary Washington college. Dates- 4/56 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- First Chairman of Fellows: 1st Annual Meeting and statement of purpose. Exhibitions: English Painting, French Portraits, Sport and Horse, Artmobile. Old Dominion Foundation and his membership on the Executive Committee, gifts, donations and contributions. Dates- 2/38 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His membership on the Board of Trustees, Fellows, Collectors Circle. Biographical info, loans of art works from his personal collection, donations and gifts to VMFA and the National Gallery, Artmobile, as a recipient of the Benjamin Franklin Award: statement of purpose, nomination form, list of contributions, newspaper clippings, photocopies of magazine articles, invitations , etc. Dates- 1965 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Robertson. Subject- Collectors Circle, Fellows, term as VMFA Vice President. Press releases, newspaper clippings, contributions and gifts. Dates- 4/60 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Members lecture series. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Higgins, Jr. (Pres.) and C. Humelsine (Pres.) Subject- Draft of letter to membership regarding schedule of events etc. Dates- 9/71 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program where paintings from contemporary Virginia artists would be loaned (rented) to members to have in their homes. Members could also purchase the paintings. \"Designed to bring the work of Virginia artists into the homes of Virginia citizens.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Wm. Higgins. Subject- Monthly membership report summary, Chapters/Affiliates reciprocal membership program, letters of general correspondence to the membership. Dates- 4/70 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of the Membership Committee 1/48, 2/49 and a letter supporting the proposed theatre wing from Mrs. Wm. Trigg, Jr.(Civic Theatre Committee, Div. of Recreation, City of Richmond). Dates- 9/47-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Membership report, promotion, agenda, roster of committee members, minutes of committee meeting. Dates-8/72 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes of membership committee, elements of campaign to attract new members and move members to higher categories. Dates- 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Guided tours for prospective members, agendas, schedules, newspaper clippings, excerpt from Minutes of Executive Committee 12/14/72. Dates- 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Webster Rhoads (Pres. of Museum Board) and R.A.Velz (Administrator). Subject- list of new museum members, request form for membership, Membership Reports 1954-5 and 1955-6, list of membership privileges, etc. Dates- 11/55-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. W.A. Nones (Chair, Trustees), J.M. Brown and C. Humelsine. Subject- General membership information, schedule of events, calendar, pamphlets, etc. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership rosters of local organizations, copies of a cover letter soliciting members, etc. Dates- 1/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey results, years of membership, exhibit preference, age, attendance, annual contribution. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- planning stages for corporate memberships, proposed fees, privileges, etc., counsel from other US art museums, list of corporations to be approached about the idea, etc. Dates- 1946- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Corporate membership drives, presentation to J.C.'s, excerpt from Newsweek. Dates- 6/60 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Members art studio classes and lecture series. Dates- 6/54 - 9/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 6/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 9/54-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Velz. Subject- memos regarding segregation and other policies at the Museum. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek and R. Velz. Subject- Miscellaneous information concerning collections in general: treatment/condition reports, insurance, loans, installations, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Miscellaneous museum operation: Artmobile, Art Lending Service, Virginia Artists, lists of objects on loan, exhibitions, damage reports of objects and gallery inspections, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- inter-office memorandums on various subjects. Dates- 12/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek and H. Glasser. Subject- Exhibitions, Pratt Collection, gallery inspections and all manner of museum operations and programs. List of lost objects on loan to the Bon Air School for Girls. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Inter-office memos concerning insurance valuations, loans, lectures, library, exhibitions and policy on filing acquisitions data and damage reports. Date- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets published by the state Department of Mental Hygiene and Hospitals and the Mental Hygiene Society of Virginia. Dates- 1951-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and various staff at the Metropolitan Museum. Subject- museum practices, long-term loans of Egyptian art and artifacts, securing speakers, etc. Dates- 1/55-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J. Rorimer (Dir., MET) and A. Priest (Curator, MET). Subject- Damage to MET's \"Bacchus\", objects to purchase, loan requests. Acquistions and gifts: Tibetan Scroll; Coat of Japanese Mail. Dates- 11/69 - and/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Michael Jacobs Gallery. Subject- loan of painting (George Washington by Gilbert Stuart) for inaugural exhibition. Dates- 6/35-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Midwestern book competition for which Cheek served as a juror, competition judged in Richmond, lists of criteria and books, printed material for the competition, etc. Dates- 4/56-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Jo Mielziner. Subject- friendly letters, mention of possible Mielziner exhibition, etc. Dates- 12/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, list of stage designs available for purchase, his lecture to VMFA, schedules and agenda's, etc. Dates- 10/54 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Miller and Rhoads department store staff. Subject- showing VA artist work in store windows, borrowing supplies from the display department for the Museum (folding chairs, textiles), etc. Dates- 2/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W.S. Rhoads. Subject- Nomination of Miller and Rhoads, Inc. for Esquire magazines 1st annual \"Business in the Arts\" award. Support of Artmobile II. Exhibition: \"Masterpieces in Millinery\", spring 1958. Preliminary outline of fashion costume requirements for VMT \"Lady In The Dark\". Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Speaker: Philip Adams. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. John M. Miller, Jr. Subject- Trustee/Museum business, Miller served as a member of the Membership Committee, etc. Dates- 6/35-7/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mr. J.G. Pollard, Jr. Subject- asking Mr. Milliken (Director of The Cleveland Museum of Art) for counseling on acquisitions, draft of an agreement where Milliken counsels the Museum staff about proposed acquisitions, etc. Dates- 3/58-3/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from B. Mills in his role as Asst. Administrator of Personnel. Subject- Records, applications, payroll, medical insurance, announcements of new employees and terminations. Dates- 9/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and L. Cheek, Jr. and The Mint Museum staff. Subject- museum practices, loans, etc. Dates- 8/46-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- obtaining the motion picture for which the drawings in the exhibition \"Gil Wilson 'Moby Dick'\" were made. Dates- 12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- printed material for exhibition \"Modern German Art\", invitation to Mr.and Mrs. Alfred P. Jenkins for dinner and exhibition preview, (Mr.and Mrs. Jenkins owned the modern German art collection shown). Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Creation of James Monroe Bicentennial Commission. Dates- 8/57 - 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown between MAC. subject- Section 21-2 of the Richmond City Code: designation of Monument Avenue as an Historic District.  Minutes of meeting of MAC, 4/24/71 and 5/19/71.  Program Planning Task Force, editorial broadcast, roster of members, Articles of Incorporation, By-Laws, agendas, proposals and pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and Mr. Charles Moore. Subject- Moore's application for the Director/Producer position in the Virginia Museum Theatre. Dates- 12/56-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data and his lecture tour to the VMFA. Dates- 4/53 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Georgia Watson Morgan. Dates- 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Search for candidates for public information supervisor, job requirements, resume, publicity agendas, public information schedules, Bulletin vol.20, no.3. Dates- 6/59 - 7/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Mulholland (magician), biographical data/pamphlet, his magic presentation to the Fellows and VMT. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, his address to VMFA membership concerning architectural history. Dates- 10/55 - 8/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Munn Last Will and Testament with list of objects bequeathed to VMFA. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and T. Colt. Subject- Mural competition for Virginia State Library entrance hall: selection process, general assembly commission of monument to Stonewall Jackson. Dates- 4/46 - 6/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Envelopes of photos and negatives of Pre-Columbian art objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Gallery attendance and educational groups. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Oct. Bulletin 1954, copies of the following Members' Bulletins-vol.15, no.2 (10/54) and vol.13, no.3 (11/52). Dates-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison. Subject- working papers for Members' Bulletin Oct. 1955, VMFA calendar 10/55, etc. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Oct. Bulletin 1955. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Design of annual Christmas cards by Virginia Artists: John Ballator, Charles Smith, John Canaday, Allan Jones, Ross Abrams, Julien Binford and Prentiss Taylor. Dates- 11/48 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns transportation for the Museum lecturers and guests 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Christison and Mrs. Pollard. Subject- Inquiries from other institutions regarding museum operations, budget, services, corporate membership, Trustees, etc. Lists of purchases, Fellowship recipients. Dates- 1937 - 53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Arrival of Hollins and VCU students to work on specific projects for one month. Dates- 12/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Proposal and tentative plans, prospective filmmakers. Minutes of Executive Committee of Southern Educational Film Production Service. \"Motion Picture Production\": Study by H. Jeff Forbes and Associates regarding promotion of VMFA. Dates- 11/46 - 2/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memos about various museum topics. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, V. D'Amico (Dir. MOMA), M. d' Haroncourt. Subject- Art education standards, exhibitions, loans, lectures, museum policy, juror search and Jamestown Commission. Dates- 11/55 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Head of Administrative Division), Mrs. J.G. Pollard and L. Cheek, Jr. Subject- suggested future organization of the institution, operating procedures throughout the building, etc. Dates-2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding the division of expenses between the theatre and the museum, 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Promotional literature on the VMFA. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Material deals with segregation policies at museum events. 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence pertaining to printing. Bulletin mock-ups and copies of the following bulletins: Vol.6, No.4,  Vol.7, No.'s 2and7. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and magazine articles. Photographs, press releases etc. 1955-57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed budget groupings for VMFA, according to departmental divisions and table of organization. Dates- 1948 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events, timetables, agendas, Robinson House, housekeeping, security, VMT. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of events, exhibitions, Robinson House. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Schedule of events, mailing schedules, spring agenda, Confederation Conference, Robinson House, VMT, gallery closings, Discovery Cruise: Land of Maya. Date- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Suggested talk by Pres. of Museum to guests at Safari Dinner in Medieval Hall. Dates- 1/22/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Travel package for travel to Asia, brochures, cultural travel tours. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Policy regarding loans of art works to other Museums, employment search, provenance of art objects, pamphlets, newspaper clippings, etc. Resolution: To order immediate safe return of German master works after Nazi occupation, signed by U.S. museum directors. Dates- 4/46 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Applicant search for various positions, invitations, announcements, exhibitions, etc. Press kit for the Milwaukee Art Center. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- General correspondence on exhibitions, loan requests, museum business, job placement, magazine and newspaper clippings. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions, loans, policy. Dates- 12/60 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of music series and members of committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- schedule of program of recorded music, announcement of 6th artist evening 1/46, Museum Bulletin Vol.5, No.2, etc. Dates- 2/46-5/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Jerome Myers. Subject- acquisition of his painting: Street Scene, N.Y., his acceptance to the National Exhibition of American Art, N.Y., etc. Dates- 4/36-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- General correspondence to Trustees and membership, letters to Robert Neutra, exhibitions: Henry Moore, Sport and Horse. Agendas, travel itinerary, events and invitations. \"Encouragement of the Nations Arts\", an appeal to congress, and \"Proposed Federal Advisory Council on the Arts\", Hon. H. Alexander Smith, U.S. Government Printing office, Washington D.C., 3/26/57. Requests for employment, postcards, pamphlets and photographs. Artists: Jean Nikolic. Accessions and Gifts: \"Disasters of War\", Goya; \"Lore Fuller\", Raoul Francois Lanke; \"Dancing Girl With Tambourine\", A. Leonard; \"La Revre Blanche\", Toulouse Lautrec; Revere and John Andrew spoons and vase possibly made by Johannes Loetz Witwe. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Namuth's exhibit of photographs at the Brussels World's Fair, as a juror VMFA. List of Seventeen painters photographed by Namuth: Wm. Baziotes, J. Boynton, L. Calgagno, N. Carone, R. Diebenkorn, J. Ernst, S. Gechtoff, G. Hartigan, E. Kelly, W. Kienbusch, G. Mueller, K. Morris, B. Perlin, C. Marca-Relli, R. Motherwell, A. Reinhardt, L. Siegriest, with original notes by Namuth. Letter from J. Ernst with signature. Date 4/61 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statement of purpose and future of NCA, Board of Directors, Members of Council, fellowships, program grant application. Essay- \"National Endowment For The Arts Before The House Appropriations Subcommittee On The Interior And Related Agencies Tuesday, March 14,1972\", statement by Nancy Hanks (Chair): \"New Dimensions For The Arts: 1971-1972\" Dates- 1970-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L Cheek. Subject- Bill: S. 2379, To provide for the establishment of National Council on the Arts and National Arts Foundation. \"Congressional Record: Proceedings and Debates of the 88th Congress\" Dates- 2/64 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Public-Law 85-874, S. 3335: charted by the 85th Congress to establish a bureau in the Smithsonian Institution devoted to the Performing Arts. \"Peaceful Use Of Creative Energy\": transcript of lecture given by Col. Corrin Strong at the Tri State Arts Conference 4/29/61; Report: \"The National Cultural Center Part Two: What Goes into the Center\" by Dr. Carelton Sprague Smith, 10/60. Minutes for the NCC Executive Board: 5/23/60 and 6/29/60 Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. cheek. Subject- VMFA Council sponsorship of a closed circuit telecast by NCC: \"An American Pageant Of The Arts\". Suggested text of publicity folder, invitations, Newsletter: \"Footlight\", vol.1 no.3.; \"For A Cultural Capital\", Eleanor Roosevelt, 1962, United Feature Syndicate, Inc. NCC, later to be named the \"Kennedy Center For Performing Arts\". Dates- 7/62 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exchange of ideas and experience with other institutions who use audiovisual tool to communicate with museum visitors. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of appeal to serve on Virginia NEFTA committee, roster of members. VMFA appointed as the state agency for the administration of Federal matching funds; to aid in expanding the cultural horizons of a states and territories. \"Guidelines\" 1/67, NEA, Washington D.C.; \"National Foundation On The Arts And The Humanities, Question and Answers\", U.S. Government, Washington D.C., 1965. Dates- 1965 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey of membership, officers of VMFA, according to race, gender, age, position and time served. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz. Subject- Grant proposals, application, letters of support, proposal for a Regional Conservation Center, Soldiers Home, American Marine Painting, NEA statement of purpose, Museums A.S.A. Study, Museum Program guidelines, Smithsonian Puppet Theatre, Young Peoples Theatre Safari, \"American Painting 1974\" and newsletter from the Arts Reporting Service. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Financial assistance to Chamber Music Societies, season brochures, project grant application form for Va. Chamber Music Society. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Grants received by Arts/Cultural organizations in Virginia: guidelines, program committee members, agendas and minutes from the program sub- committee 3/7/68. NEFTA project recommendations for a regional conservation center. Dates- 6/76 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT survey, McLean Arts Center, guidelines for program grants. Senate Joint Resolution No. 67: to create a Virginia development study commission, bill 1483: National Foundation on the Arts and Humanities Act of 1965 and a report with guidelines for VMFA as the sole administrator of NEFTA matching grants. Study for Virginia Artist and Craftsman in regard to education and support. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Grant applications from Virginia Dance Society, VMFA, Confederation of Virginia Art Organizations and Budget proposals. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- State guidelines and general information, terms and conditions, NEA matching grant to begin statewide professional operation of VMT. Addresses of applicants for state grants, roster of Virginia NEFTA committee members. Dates- 2/66 - 6/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Regarding J.M. Brown's service on committee to evaluate grant applications. Valentine Museum NEA application, pamphlets. Date- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for exhibition \"Designer-Craftsmen 1953\" presented in conjunction with the American Craftsmen's Educational Council, Inc., (ACEC), letters to jurors, etc. Dates- 9/52-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and National Gallery of Art. Subject- preview invitations, exchange publications, excerpts from Roosevelt Art Address (from dedication of National Gallery 3/41), loan request for VMFA inaugural exhibition, etc. Dates- 3/41-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets and information about \"National Park and Recreation Week\" sponsored in Richmond 5/21-5/30, 1949. Dates- 4/49-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Geographical directory, \"Historic Preservation\" journal, vol.11, no.3, 1959 and Melchers Memorial. Dates- 1959 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Organization membership information form, questionnaire. NTHP certificate of associate membership 1971-73, employment placement and service pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Travel itineraries, objects for prospective traveling exhibitions, list of slides, forgeries and thefts. Accession and acquisition proposals. Dates- 1/61 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Conservation of objects/paintings, loans. Accessions committee meeting agenda, 10/69. Report on Authenticity of \"Marble Head of a Horse\", Heermaneck Ancient Iranian Collection. Exhibitors: The child and his World. Condition reports and repair estimates for tapestries. Photographs Dates- 12/69 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Sydney Lewis and Peter Mooz. Subject- Authenticity of Cycladic Harpist and 18th century American secretary. Provenances of various objects, conservation and treatment reports. Catalog: \"Arshille Gorky\" Dates- 1/74 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Sydney and Frances Lewis and Peter Mooz. Subject- Conservation/treatment reports, Artnian Collection of self-portraits. Conservation/treatment reports, Kent Independence Portfolio. List of Art Nouveau objects, damage reports, African Collection. Report of authenticity regarding the Cycladic \"Harpist\". Letter from Arnaldo Pomodoro regarding a base for \"Rotating Sphere\". Dates- 5/75 - 8/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Hours of operation, VMFA and other museums, attendance records, VMT, security, UNESCO newsletters 4/58 - 8/59, newspapers and magazine clippings, press releases. Dates- 7/59 - 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cheek's annual N.Y. cocktail party: guest lists, arrangements, rosters of speakers to VMFA: 1951-52 and 1952-53. Dates- 1952 - 54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newsletter to Trustees concerning exhibitions and appointments to Executive Board, accessions, building, etc. Dates- 11/70 - 8/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Morrison (P.R. VMFA), F. Palmer (P.R. consultant), D. McCammond (P.R. Reynolds Metals). Subject- Public Relations of E. Newsom and Co. to conduct a study to determine the needs and potential of VMFA. Program organization, community relations, film, book press material, schedules of events, etc. Dates- 8/58 - 9/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- A survey targeting the needs, current and future of VMFA, with solutions/resolutions for every aspect of the museums' operation. Dates- 11/58 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. A. I. duPont and F. Palmer. Subject- Roster of members of Board of Trustees, letter of appeal for pledges, principal elements of Newsom Program. Dates- 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. A.I. duPont (chair, Ann. fund). Subject- Strategy to raise funds through the Trustees to finance the Newsom Public Relation Firm program for VMFA. Drafts of letters to Trustees, progress report, minutes of 25th Anniversary Committee, 9/8/59. Dates- 12/58 - 7/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- all manner of museum operation: security, policy and procedure, personnel policy. operating budget and VMT. Diagrams of electronic console panel. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Museum business, construction and installation project schedules, budget, Equal Opportunity regulations, design contract for the Council shop, salary scales. Dates- 10/73 - 1/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum business, Conservation Lab, Fine Arts insurance coverage, budgets, Cabell Foundation gift. \"Report on the Freedom of Information Act\". Depreciation of \"Death of Regulus\", Salvatore Rosa. Dates- 12/74 - 7/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum business and operations, budget, contractual agreement between VMFA and Harwicke Associates, Inc. for North Wing project. \"Organization of the Virginia State Government\". Dates- 10/75 - 11/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- UVA architect and his membership in the Collectors Circle. Dates- 1/63 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General assistant to VMT, employment recommendation. Dates- 6/55 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Possible acquisitions from his gallery. Dates- 10/62 - 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L Cheek and J.M. Brown. Subject- Loans, exhibitions, VMT, Rotunda Club, Fellows. Accessions and gifts: \"Metamorphosis\", Grillo. Dates- 4/57 - 6/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- correspondence with individuals, institutions and companies beginning with the letter \"O\". Dates- 4/43-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, photo and job description/responsibilities as program director for \"Art Column\". Dates- 3/61 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- As a scenic design consultant, his lecture to VMT in connection with the Exhibition: \"Design For The Theatre\". College Drama Festival, biographical data. Dates- 1/60 - 2/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Mellon, E. Brooks Jr., and M. Bush. Subject- Financial support: Artmobile II, building grant and museum survey to expand visitors use to VMFA. Photographs, newspaper clippings. \"A Study in Modern Giving: The Old Dominion Foundation\", reprinted from articles in Richmond News Leader. \"Bollenger Series\", catalogue of special edition books. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Bush (Asst. to Pres. of ODF) and P. Mellon (Pres. of ODF). Subject- Financial assistance to VMFA, Artmobile II, collectors circle, and Old Dominion Foundation statement of purpose. Dates- 9/58 11/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Dan Olney. Subject- receiving a Senior Fellowship 1941/2, outline for a lecture, etc. Dates- 10/40-6/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Governor Thomas B. Stanley. Subject- opening of the new wing. Dates- 8/54-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- opening and reception for Governor Stanley. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitations and replies to the opening of the Members' Suite, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opera Society's first season. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- miscellaneous printed materials for the Museum, etc. Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- tickets to the Museum for State Lions' Club convention, etc. Dates- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- ideas/proposals for \"Members' Room\", suggested operating procedures, menus, pricing, etc., cost estimates, \"Refreshment Room Statement\" 1955, etc. Dates- 1/55-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre operations proposals, list of staff, their duties and salaries, etc. Dates- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- lists of statewide business, civic, commercial and other organizations, invitation list for General Assembly/Governor's reception, etc. Dates- 1953-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Orloff's (Chief-interpreter of U.N.) lecture to VMFA concerning the Faberge Collection, Biographical data. Dates- 11/49 - 4/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of inquiry to firms specializing in plaster and wood ornament, catalogs. Dates- 5/54 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- museum practices especially concerning finances of other US art museums, etc. Dates- 4/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Near and J.M. Brown. Subject- Artmobile, VMT, Collector's Circle, Fellows, Chapters/Affiliates, biographical data, campaign to restore the Jefferson Hotel, list of exhibitions from 1942 - 45.  International Exhibition Foundation, the appointment of John A. Pope (Director of Freer Gallery) as advisor/consultant to VMFA for expansion of Far Eastern Collections.  Acquisitions and gifts. Artists: Nell Blaine, Howard Kanovitz, Otto Piene. Gifts: Masson lithograph, Irving Penn photo and 15 Russian 19th century paintings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Painter's lecture on \"Armor and Medieval Man\" to compliment the \"Arms and Armor\" exhibition, biographical data. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Nelson Parker. Subject- announcement of Board meetings, etc., Date- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Appeal to Virginia Senate and legislature regarding sufficient museum parking utilizing land belonging to the UDC (United Daughters of the Confederacy). Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gift of Egyptian Gallery and English Decorative Arts Gallery. VMT, and her membership as a Fellow and in collector's circle. Dates- 4/61 - 10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. J.G. Pollard and Executive Committee of the Board. Subject- proposal and planning stages of conferring an honorary degree of \"Patron of the Arts\". Dates- 6/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject-housing J.B. Payne books in library of the College of William and Mary in exchange for paintings from their collection of art for display at the Museum. Dates- 1/50-4/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek's service on the Board of Trustees and on the Advisory Board of the School of the Arts. Minutes of U. of P. Executive Board, 4/8/60, 4/29/63, 4/26/65 and Annual Report of Graduate School of Fine Arts, 3/64, 5/65. Dates- 10/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek as chair of Fine Arts Committee. Subject- Letter to P. Coombs on his appointment as Assistant Secretary of State for Educational and Cultural affairs, UNESCO newsletter, Nubian archeological sites. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and A. Frankfurter (editor, Art News). Subject- VMFA general collection, list of gifts and purchases, 1955-67, scope of exhibitions, dates, publications, colorplates. List of VMFA Board of Trustees, 1962, Gobelin Tapestries. Dates- 1953 -64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Articles based on exhibitions and general collection of VMFA, VMT, invoices, newspaper clippings, pamphlets, reviews, newsletters. NEA museum programs, research education grants. Dates- 1967 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Articles of VMFA: \"A Spring View of Virginia Museum\", 10/56, Wm. Lacey, Editor; \"Art isn't Caviar at this Museum\", Sidney Shalett, 7/57, The Diplomat. Dates- 10/56 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Articles and editorials pertaining to VMFA: Newsweek, Time, Art Gallery, Antiques, Museum News , etc. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Harper's Bazaar, New York Magazine, Apollo, reviews. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Editors V. Dabney (RTD) and J. Kilpatrik (RNL). Subject- Artmobile, reviews of VMT and media coverage by print journalists, newspaper clippings. Essay- \"The Arts In The Sixties\", by L. Cheek. Dates- 11/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and F. Stewart and C. Jones. Subject- Exhibitions: \"Form Givers\", Sport and Horse\" and Mellon Collection. Dates- 2/60 - 12/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information on candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Job descriptions. Dates- 1953 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, P. Near and L. Cheek. Subject- Fellowships: list of recipients from 1940 - 1955. Prospective employees and VMT. Dates- 12/54 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- personnel rules and procedures of VMFA and the Commonwealth of VA, mandates from the Governor's office, additional personnel and pay increase requests, Roster Cards (listings of all employees and pay rates), etc. Dates- 8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., and R.A.Velz (Administrator). Subject- listing of division duties, proposed salary ranges, information about hiring an artmobile driver-curator, etc. Dates- 2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of L. Cheek, Mrs. J.G. Pollard, theatre staff, Ariel Ballif, Vincent Bowditch, Arthur Ballet, R. Velz and P. Near. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Personnel matters. Dates- 4/66 - 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains general information about the system and ratings for museum employees. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about the candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about various candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Governor's personnel survey staff. Subject- employment questionnaire, job descriptions (buildings and grounds staff, watchman, registrar, secretary, etc.), etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Governor's personnel survey staff. Subject- employment questionnaire, VMFA tentative classification of positions (3/37). Dates- 10/36-4/37.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Fiske Kimball (Director of Penn. Museum of Art). Subject- loans for VMFA inaugural exhibition, exchange publications, counsel on museum practices, etc. Dates- 5/35-5/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R.L. Dickinson (Hanover Bank). Subject- The Library of Philanthropic Information at the Hanover Bank, New York City. Dates- 11/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- E. Turpin Phillips, a Virginia citizen and his request to see proposal plans for expanded museum parking onto UDC property. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Consultant for VMFA acquisitions. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Duncan Phillips (Director, Phillips Memorial Gallery). Subject- request for loans to VMFA inaugural exhibition, etc. Dates- 9/35-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Installation of VMFA photography department, list of equipment and supplies, employment of staff photographer: Gordon Burns. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of entries to the \"19th Photographic Salon\" exhibition, schedule for jurors, etc. Dates- 3/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) and L. Cheek, Jr. Subject- purchase requests for photographs. Dates- 10/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Ivan Dimitri as Director of Photography in the Fine Arts at the Brussels World's Fair, his service on the advisory committee, list of photographs given to VMFA from the PFA exhibition. Directors of America's Finest Museums: portraits, credo of on art and their personal selection of photographs from the PFA archives was the subject of the World's Fair exhibition. Etching by Levon West (Ivan Dimitri). Dates- 12/59 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Atillio Piccirilli. Subject- biographical information, loans of work to the Museum, etc. Dates- 7/35-1/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- viewing the feature film 'Pictura \"An Adventure in Art\"', invitations, contributions, listing of attendance, etc. Dates- 2/52-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Herman Starr (Pres. Pictura Corp). Subject- A group of films devoted to the fine arts. Presentation of \"Leonardo da Vinci\" at Richmond's Lee Art Theatre and film on Goya to accompany exhibition. Dates- 1/51 - 3/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Gallery dinner, menu, agenda, program for event. Dates- 8/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- policies on use of meeting rooms and studios, special food service, interpretative services, scheduling programs, etc. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence to and from him when he was President of the Board of Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- the VMFA inaugural exhibition, Museum events, finances, Museum Board business and bequests/gifts to the Museum, etc. Dates- 1/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- Museum operations, investments, finances and gifts to the Museum, etc. Dates- 1/37-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as President, Trustee and membership in the Collector's Circle. Biographical data, museum business: operating fund, Artmobile, Newsom Report, 25th Anniversary fund, Melchers Estate transfer, gifts, contributions, Fellowship Fund. Exhibitions: Sport and Horse. Dates- 9/53 - 2/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as a Trustee, VMFA Resident Craftsman Program. Dates- 2/64 - 2/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Design of members Bulletin, records retirement, museum business. Dates- 1949, 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum business, Pratt installation, museum courses and equipment. Dates- 9/54 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Gift of \"Rotating Sphere\" from Lloyd Noland. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- As founder and director of the Barter Theatre, proposed plans for Theatre Virginia and NEA funding. Dates- 4/67 - 5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and Mr. David Payne. Subject- correspondence with Payne about arranging the exhibition \"Portraits by David Payne\", biographical information, letter from Phillip Johnson, etc. Dates- 5/51-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, L. Cheek, Priscilla Crum (Curator, Asst. in Education). Subject- Gallery representing portrait artists, biographical data on various artists and portrait of Senator Byrd. Photographs. Dates- 6/45 - 11/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statewide tribute to John Powell (a native of Virginia) and the presentation of his \"Symphony in A\". Date- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Correspondence with Pratt as a trustee. Discuss first Easter egg exhibition in 1949 and Hammer visit. Letter from Schaffer (A La Vieille Russie) in 1949 about lending some pieces for an exhibition. Includes a few letters from Mrs. Pratt before she died, about a Faberge table donation in 1942 and donating \"Twice Seven\" to the Library. Establishment of the Fellowship fund, including letter from Twombly as early recipient. Pratt Collection: insurance estimates and installation. Gift of funds to purchase the first Artmobile from Pratt and Miller and Rhoads. Dates- 7/40 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, Fellowship committee, underwriting of Faberge booklet, terra-cotta statue of \"Diana\" from the Pratt Estate given to VMFA, newspaper clippings. \"A Plan For Fellowships For Virginia Artists\" as suggested by Mr. John Lee Pratt. Minutes from Fellowship Committee meeting, 6/12/42. Dates- 12/49 - 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. John Lee Pratt. Subject- Trustee/Museum business, VMFA fellowship updates, etc. Dates- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown. Subject- Biographical data, fellowship recipients: Cynthia Morehead Smith, Paul Steuke, June Chapman, Fred Bonds, Richard Kevorkian and Reginia Perry. Pratt Collection: catalogue, except from forward by L. Cheek, questionnaire regarding Mrs. Pratt's initial contact/purchase sources for Russian Jewels, list of objects bequeathed by Pratt Estate. Dates- 1/57 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposals and cost estimates for Healy's Sitters exhibition and Pratt collection catalogues. Dates- 4/50-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek, Armand Hammer (Hammer Gallery) and Alexander Schaffer (La Vielle Russie Gallery). Subject- Legal claim against the Romanoff Family assets via the Pratt Collection of Russian Jewels. Possible lawsuit by A.G. Sharkey, President and Trustee of Marine Transport Service Corporation in NY who had judgment against Czar Nicholas Romanoff since 1918. Hammer and Schaffer dismissed it. Details of Pratt bequest, provenance of objects, announcement of bequest with sample of text to be used in pamphlet. Excerpt from \"Twice Seven\", by H. C. Bainbridge, E. P. Dutton and Co. Inc., 1934 (reference to Faberge Jewels owned by Armand Hammer). Dates- 8/47 - 10/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. J. G. Pollard. Subject- Installation, list of items on exhibition, security and transportation. List of objects in the collection of Mrs. Joseph E. Davies and pamphlets. Correspondence regarding various showings around the state - Roanoke in 1950 and Norfolk in 1951. Dates- 1/49 - 4/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from C. Humelsine. Subject- General correspondence to the VMFA membership, calendar of events, museum news. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to the media from the Museum. Subject- news releases about Museum events. Dates- 10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News releases about Museum events. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- positions and duties for volunteers and guards during an undisclosed preview. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Gov. Price. Subject-proposed salary increases, Board meeting announcements, nomination of Colt to select work to go to the Annual Exhibition of American Art 1938. Dates- 1/38-11/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- On the occasion of his being collector of the Year 1964, his cookbook including photographs of VMFA and the menu from the Collectors Gala, newspaper clippings. Gifts: Lachaise drawing. Dates- 6/63 - 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Grigaut and P. Near. Subject- A. Priest as Metropolitan Curator of Far Eastern Art, his service as a consultant to VMFA (1963-69) in the formation of the Asian collections. Correspondence on examination and provenance of works in the VMFA. Minutes of Executive Committee, 9/9/63, 12/8/64, minutes of Accessions Committee Meeting, 9/9/63. \"A Buddhist Paradise\", A. Priest, AIV, 1963. Newspaper clippings, postcards, etc. Dates- 1963 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) and Mrs. J.G. Pollard. Subject- printing schedules for 1956, miscellaneous print job specs, etc. Dates- 11/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- asking local corporations to fund the printing of school guide sheets for the Museum. Dates- 8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence pertaining to bulletin layouts, copies of Members Bulletin Vol.9, No.'s 1and7 and copies of Christmas cards 1948-9, etc.. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum publications: Contemporary Paintings 1946, Program Season of 1947-8, The VMFA Annual Report 1947-8, Virginia Art 1947 and Museum Bulletins: Vol.3 No.'s 1,2,4,6and9,  Vol.4, No.'s 4and5,  Vol.7, No.'s1,2,3,4,5,6,7,8and9,  Vol.1, No.8,  Vol.8, No.'s 2,3,4,5,6,7,8and9,  Vol.9, No.'s 1,4,5,6and8. Dates-9/42-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- securing a speaker (Robert T. Paine) for the exhibition \"Prints by Hiroshige\", thank you note to Mr. Paine, etc. Dates- 11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed programming for the Museum. Dates- 2/49-9/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and lecturers. Subject- proposed program/events and exhibition schedule, biographical information on lecturers, etc. Dates- 10/50-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- Artmobile schedules, Three-Days-In-March, members travel, grants, pamphlets. \"Proposal For The Development Of American Writers And Resources With Special Emphasis On The Production Of New Forms Of Drama Created Especially For Television\"; The Mark Report\": A survey and evaluation of VMFA statewide programs. Dates- 1974 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safaris, Artist-in-Residence, lectures. Film series: \"The Romantic Rebellion\", exhibitions, COVA events, agendas, Professional Workshop. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Nancy Durett. Subject- violin recital 4/47. Dates- 4/46-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- memos to determine dates for the Trust Fund Orchestra to perform at the Museum. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- VMFA educational services, VMT and all manner of print and broadcast media promotion. Exhibitions, publicity schedules, press releases and newspaper clippings. Dates- 9/50 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General invitation to groups to participate in VMT. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Prospective givers: foundations and individuals. Date- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newsom Report: \"A Report To The Virginia Museum Of Fine Arts\", 11/19/58, Earl Newsom and Company, a study of VMFA public relations, information and communications responsibilities. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Various outside publications mentioning VMFA, 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Design and production of AIV: promotion, organization, printing schedules, contributors , etc. Catalogue \"Architectural Drawings in Virginia\" and \"\"Confessions of an Ex- Elitist\", M.W. Fishwick, Popular Culture Association, American Studies Institute, Lincoln University. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photo of the Museum and of the \"Brussels Tapestry Exhibition\" 1949, Museum publications: VMFA Catalog of Paintings 1938, The Collection of Catesby T. Jones, 1948, and the following VMFA Members' Bulletins: vol.10, no.'s 1-5, etc. Dates- 1938-1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- copies of the following publications: The VMFA Annual Report 1947-8, The T. Catesby Jones Collection, Contemporary American Paintings 1948, William James Hubbard, Three Virginians Behl, Hunter, Blaine, Portrait Panorama, Program Season of 1947-8 and Member's Bulletins: Vol.1, No.8, Vol.8, No.'s 2,3,4,5,6,7,8and9. Dates- 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release, jurors. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the Parsons gift of the Egyptian Gallery and 25th Anniversary Fund Committee. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations to the VMFA's 25th birthday celebration for the affiliates, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release announcing loan of Chinese wine vessel. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 25th Anniversary projects, press release: message from the President (Robertson). Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Appeal to Trustees for contributions to the Drama Festival.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: 28th Virginia Artists Rotating Exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing a network of local art centers and museums affiliated with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VMFA as regional jury center for the national exhibition \"Designer-Craftsmen-U.S.A.\", news releases, information on obtaining a jury and a speaker, etc. Dates-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Va. Architects, Photographers and Designers, seminar for Historical Administrators, VMT and Virginia Composers Concert. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release and photo for first issue of AIV. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release on Arts in Virginia. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains a cover letter for a mailing, no date. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing 25th anniversary events, exhibitions, VMT, etc. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing conclusion of 25th anniversary celebration with the presentation of awards to Colonial Williamsburg, The Old Dominion Foundation, sculptor: Carl Milles, architect: Eero Saarinen, collector\" Robert Lehman and Naval designer: William F. Gibbs for their outstanding contributions to the Arts in Virginia. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- obtaining the exhibition \"Built in the U.S.A.\", presenting programs related to the exhibition, biographical information on Phillip Johnson, etc. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photo of \"Little Triton\" fountain for the Bulletin, copy of Members' Bulletin vol.15, no.1(9/54), etc. Dates- 9/53-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Members' Bulletin. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Members' Bulletin, calendar of Museum events. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vol. 13 no.'s 1-9, 1952-5/53; vol. 17 no. 8, 2/57; vol. f19 no.'s 7 and 8, 3/59 - 4/59. Biographical data on Iren Marik, pianist, and reviews. Dates-1952 -53, 1957, 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vol. 20 no.'s 4-6, 12/59-2/60 Dates- 12/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases: Tours organized through Virginia Federation of Women's Clubs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases: season opening production and call for volunteers. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Extended performances of VMT's \"Carousel\". Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Bus trips to VMT. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of certificate winners and a gallery guide from the \"Virginia Artists\" exhibition 1955. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Portions of VMT concert to be broadcast with commentary and explanations of technique. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Programs and photographs. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Information regarding the Museum's chapters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photographs [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing festival with guest artists: Helen Tamris and Daniel Nagrin. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Critic, Stella Adler, Speaker: Alfred de Liagre. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- TV news film of highlights of the College Drama Festival, script, telegrams and surveys to Virginia TV stations concerning air time and usage. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Announcement of individual participants announcing their attendance in the festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loan of Cone collection from the Baltimore Museum of Art to VMFA for an exhibition, a catalogue of the Cone collection, news release about the  bequest of the collection to the Baltimore Museum of Art, etc. Dates- 10/49-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Public information schedule for exhibition: \"The Architecture of Skidmore, Owings and Merrill\", \"The Little International\". Artmobile public and information schedule and Bulletin, vol. 19, no.2 10/58. Essay- The Little International Exhibition\", Fred Olsen, 4/57. Dates- 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills, reviews and biographical data.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- list of designers proposed for inclusion in the exhibition \"Design for Theatre\", tentative list, etc. Dates- 8/52-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing loan of painting by Winslow Homer. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Evaluation of the Discovery Television Series sponsored by the San Francisco Museum of Art. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Statewide Press Release announcing fellowships 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press Releases regarding fellowships 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills and posters. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Buckminister Fuller. Subject- Exhibition of the work of 13 leading architects, opening lecture given by Buckminister Fuller, list of catalog content, gallery talk, press release, invitations and biographical data. Photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing formation of a fundraising committee for the 25th anniversary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions: \"Drawings From Five Centuries From The Cooper Union Museum\", \"Hans Moller\", \"Is Photography An Art\", \"Sport and the Horse\", \"25th Anniversary\". Parsons gift of the Egyptian Gallery, Chamber Music Society, Virginia Artists, evening hours, speakers/lecturers, Virginia Art Alliance, state services, Fellowships, Search for a female collector with a collection of Imperial robes. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases announcing exhibition of contemporary glass. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions: Skidmore, Owings and Merrill (AIA for Reynolds Building), publicity, progress report on exhibition arrangements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Ivan Dmitri. Subject- Symposium on photography conducted by Dmitri with a panel composed of: A. Hyatt Mayor (MET) and Hilton Kramer (Arts Magazine). List of paintings and photograph comparisons and press releases. Photographs. Dates- 10/59 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Status report of the Broadway production. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about the loan exhibition. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Speaker 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: History of Lynchburg Center published in the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Brief film on masterpieces of American silver, script and outline for the 25th anniversary program. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains press releases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains layout and planning for the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of the moving of art objects, installations, physical plant and behind-the-scene workshops and people.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Editorial Writers, agenda, and guest speakers, exhibitions, events, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Ms. Nemone Balfour. Subject- a ballad concert given by Balfour sponsored by the Museum, new release, printed material, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: R. Neutra lecture in coordinate with his VMFA exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitations to grand opening of the 10/54 VMFA addition. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the Norfolk Museum affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Bus tour and photograph. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of galleries. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing gift of marble statue \"Dawn of Young Womanhood\", Oronzio Maldrelli from Miller and Rhoads Department Store. Press releases from: Mariners Museum, National Gallery, Henry Ford Museum, Walker Art Center and the MOMA. Dates- 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: purchase of Patronship by Richmond businesses for season tickets to VMT.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- radio transcripts and publicity releases. Dates- 1948-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases, publicity schedule 6/26- 7/22. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 5/56-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 4/51-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 1952- 5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases for various museum events: theatre, exhibitions, films, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Affiliation announcement of the Roanoke Fine Arts Center 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the loan of \"The Ecstasy of St. Francis\" by Carravaggio. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release announcing the acquisition of a rare funeral monument from 2nd century B.C. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Advertising copy and selection of artist to draw a cartoon. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release for VMT promotion. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing special schedule to accommodate bus trip from out of town. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity schedule and advertising copy. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- scheduling a speaker (Bernard V. Bothmer) to coincide with the exhibition \"Smith's Egypt\", photo and biographical information about Bothmer, etc. Dates- 6/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition and Publication information regarding \"Sport and the Horse.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- News Releases regarding newspaper column 1960. The column was carried in 50 Virginia newspapers as 42 weekly articles by Cheek. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Syndicated column written by Cheek as part of a promotion for the Museum's 25th anniversary. Contains a mailing schedule for the column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Return forms from newspaper publishers regarding column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Promotional letter for newspaper column. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast script for performance promotion. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from G. Friddell (Public Information Director). Subject- controversial nature of the \"American Painting 1950\" exhibition, James Johnson Sweeney was the juror for this exhibition, Sweeney biographical information, News Releases, exchange/gift publications of the catalogue to this exhibition, etc. Dates- 1/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast script promoting 25th anniversary year. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 25th Anniversary, broadcast scripts, VMT and list of Virginia and Washington TV stations. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast promotion script. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release with performance information  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release for VMT promotion. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release concerning a 25th birthday year magazine, the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Tours arranged by Virginia Federation of Women's Club in 6 Virginia towns to see VMT production of \"Carousel\" Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews of show. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Introductory speeches. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"The Tempest\", \"The Mad Woman of Challiot\", \"Berkeley Square\", \"I Remember Moma\", \"Noah\", \"Blind Alley\", \"The Devils Disciple\", \"High Tor\", \"Oh Wilderness\", \"Private Lives\", \"The Petrified Forest\" and \"Victoria Regina\". Dates- 1955 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Assigned design projects and newspaper clippings. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- National broadcasts focusing on topics of national interest, VMFA requests for financial assistance to host a \"Meeting\", pamphlets and photograph. Dates- 1953 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Aubrey Bodine and Gordon Bunshaft, biographical data, Competition promotion, preliminary text for official entry forms, press release. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- list of pieces included in the \"Virginia Artists 1953\" exhibition, list of purchases made from the exhibition, information on the jury and on purchase prizes, letter from Jacques Lipchitz, etc. Dates- 12/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about the exhibitions and photographs of the artists and their works. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Jurors: Richard Lippold, Isabel Bishop and Perry Rathbone. Press release announcing event.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Eighteenth annual exhibition held at the Museum and sponsored by the Camera Club of Richmond. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- fountains that flank the Museum's front entrance. Dates- 9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photo of conservation lab, gift and exhibition of the Williams collection of art at VMFA, announcements to and articles in major art publications about the gift of the Williams collection. Dates- 3/52-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition \"The American Cartoon\", original American cartoons from the collection of Mr. Art Wood, invitations and R.S.V.P.'s to exhibition preview, photos of some of the pieces of cartoon art, etc. Dates- 5/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Wm. Quillan Jr. (President of Randolph Macon Women's College). Subject- Loan of Randolph-Macon's collection of paintings. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Isobel C. Lee (Steuben Glass). Subject- Loan from Queen Elizabeth, installation, lighting and press-release. Dates- 7/10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, AAM, Jamestown Foundation, loans, Accession, gifts, biographical data and resumes. Exhibition: Randolph Macon Collection. Letter from Richard Rogers to lecture to VMT, Reston Foundation: Minutes of the Executive Meeting, 9/12/60. Dates- 9/60, 5/62 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Loans, contributions, acquisitions, exhibitions and Africa Gallery. Dates- 1/68 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to W. C. Cottrell (Elec. Corp.). Subject- Proposal and technical information for Audio-Guide radio-lecture, pamphlets, blueprints/plans of galleries. Dates- 5/72 - 8/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Priscilla Crum and M. Christison. Subject- Broadcast of Biennial Jury, notes from WMBG broadcast, 12/6/46, \"What Is Your Art Museum\", participants: Priscilla Crum (Curator of Education), Edward Davis III (Curator of Decorative Arts) Mrs. J.G. Pollard and T. Colt. Notes from WLEE broadcast, \"Know Your Museum\": a weekly series with guests from the local arts community and \"For Parents Only\": a children's radio program. Dates- 2/46 - 11/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- radio talk shows and transcripts. Dates- 12/37-9/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr.and Mrs. Robert C. Randolph. Subject- the loan of a portrait of Wm. Henry Harrison by Rembrandt Peale to the Museum for the inaugural exhibition and an additional later loan. Dates- 9/35-11/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek and Mary F. Williams. Subject- The service of Beatrice Von Keller as VMFA Acting Director during Colt's military duty. Biographical data, Randolph-Macon Collection including the acquisition of the Bliss Collection. Dates- 7/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Hours of operation, policy, menu. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Frank Rehn Gallery. Subject- loan of paintings to inaugural exhibition of VMFA and later proposed acquisitions from the Frank Rehn Gallery, etc. Dates- 9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Artist from West Virginia: application and recommendation for a Rosenwald Fellowship by T. Colt. Dates- 6/49 - 10/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rennolds' service as a Trustee and entertainment committee. List of objects in the home of her mother, Mrs. John Kerr Branch, that may be of use to the VMFA. Dates- 1/53 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Policy and requests for rental of museum meeting rooms. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for state/federal funding for the creation of the \"Latrobe Theatre\" (never built), a professional theatre organization. The design of the Theatre was based on plans by the 19th century architect Latrobe. \"The Virginia Museum Theatre\", statement of facts in relation to charges appearing in the Richmond Times - Dispatch, 10/13/66. Subject- 8/65 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of requests and general correspondence. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, Edward Kallop and L. Cheek. Subject- Inquiries concerning specific artists, objects, valuations, conservation/restoration, etc. Dates- 6/56 - 6/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek served on the Board of the Reston Foundation Community Program, includes roster of board members. Dates- 11/10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to the Executive Director of the Reston Fund. Subject- L. Cheek's membership on the Board, and proposals for development of the Reston Community, low-cost housing, maps, agendas, Reston architects, Minutes of Annual Meeting- Reston Community Foundation,12/15/64, 4/25/65, 11/12/67, 4/8/68. Dates- 6/65 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMFA membership and letter of condolences to the Reynolds family. Dates-10/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. cheek. Subject- R. J. Reynolds service as Chair of VMFA promotion and development committee. suggested organization agenda for the meeting of the Public Relations Development Committee, to further the advancement of VMFA. Contributions, invitations and photographs. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"R.S. Reynolds Memorial Award\", awarded annually to the architect or group of architects who make the most significant contribution to the use of aluminum, aesthetically or structurally, in the building field. Theodore Rozak chosen to commission the first sculpture. Dates- 5/58 - 11/6 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Miss Katherine Rhoads. Subject- a bequest to the Museum. Dates- 5/35-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from G. Martin (Secretary of VMFA). Subject- Rhoads Medal awarded to persons who have made a notable contribution to Art in Virginia; list of recipient, excerpts from the Minutes of the Executive Board, 5/25/69/. Biographical data on Concetta Scaravaglione, designer of medal. Medal awarded to Walter Spencer Robertson. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence to and from Rhoads as Vice-president Board of Trustees. Dates- 1934-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contributions to a purchase fund in his memory. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek, Mrs. J.G. Pollard and P. Mellon. Subject- Museum business, exhibitions. Pratt Estate, John Barton Payne Endowment, Resolutions in memory of Judge Payne, resignation of Colt, Fellowships. List of employees and job descriptions. List of Benefactors, Patrons and Life members, Board of Trustees, Rockefeller Foundation, segregation, contributions, gifts and accessions, including Mellon. Dates- 11/40 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W. Robertson, Mrs. J.G. Pollard and W.S. Rhoads. Subject- General letter to membership from the President (W.S. Rhoads), Webster S. Rhoads Medal, Artmobile III and South Wing. Dates- 1951 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General Museum Business, VMT, policy regarding expense accounts and museum entertaining. Dates- 5/57 - 11/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitation list, invoice for cocktail party honoring W.S. Rhoads. Dates- 5/8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Westwood Winfree (Pres. RAA). Subject- Winfree's participation in the Virginia Rotating Exhibition and other events. Requests for restructuring of jurying procedure. \"Reasons For Suggesting A State-Wide Artists Study Committee To Be Sponsored By The Virginia Museum Of Fine Arts\". Dates- 2/56 - 9/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Richmond Chamber Music Society programming seasons: 1950-1, 1951-2, 1952-3, 1953-4 and 1954-5, membership rosters 1951-2 and 1954-5, etc. Dates- 10/50-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed policy for relations between VMFA and Richmond Chamber Music Society (conducting events there), listing of Society members, etc. Dates- 1/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- To increase Jaycees interest and support of VMFA. List of member organizations. Certificate to L. Cheek as a member of the \"Civil War Centennial Committee\", Minutes from the \"Society of Architectural Historians,1/30/58. The presentation of the \"Distinguished Service Award\" to L. Cheek. Dates- 11/60 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Disturbances in area of Westmoreland Place (Cheek residence), Cheek's Anniversary Party. Presentation of Canal Locks to Mayor M.M. Crowe. Dates- 2/64 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Field trips taken to the museum by schools throughout the state, 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Broadening cultural horizons in Richmond, proposal for Civic Center in downtown Richmond and the necessary steps for improvement of downtown, editorials, newspaper clippings. \"Plight Of Museums Is Very Real\", L.J. Ahlander, 11/25/65, Washington Post, \"Activities Center Study For The City Of Richmond\", Wm. A. Briggs A.I.A. and B.R. Johns A.I.A., Associated Architects, 8/1/64, \"Modern Living\", 11/6/64, Time and \"Are Most cities Too Ugly To Save\", 11/30/64, U.S. News and World Report, Inc. Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains financial statements for the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- proposed relationship of The Richmond Film Society with the Museum (use of Museum facilities), Film Society programs 1951-2, 1952-3, 1953-4, 1954-5 and 1955-6, etc. Dates- 6/50-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of compliment to editors and journalists of Virginia periodicals regarding VMFA. Dates- 7/58 - 19/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Priscilla Crum, T. Colt, L. Cheek and M. Christison, Theresa Pollack, H.H. Hibbs and Mrs. J.G. Pollard. Subject- Exhibitions and musical programs. Dates- 9/45 - 11/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, J. Schaeffer (General Manager, RSL) Subject- Opening performance and concert dates. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gala opening event of Artmobile. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Willock (Exec, Dir.). Subject- Renewal of Affiliate members. Dates- 1961 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Charter proposal for a Roanoke museum and minutes from the Roanoke Fine Arts Committee. Dates- 12/47 - 9/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Special building committee, draft of letters from Affiliates/Chapters in support of VMFA expansion to be sent to the House Appropriations Committee , members of the Senate and members of the State Finance Committee. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and E. Will (Pres.). Subject- Purchase of \"St. John the Baptist\", Rodin, in memory of W.S. Robertson. Dates-2/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile proposal, museum business, exhibitions: \"George Stevens Makes A Film\". Fellows organizing campaign, selected list of paintings in VMFA permanent collection. Rosters: Members of commission of State Capital and Outlays and Means of Financing; VMFA Executive Officers and committee's. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter from the President to the membership (W. Robertson), grant proposal for North Wing architectural plans.  List of objects needed for VMFA collections.  Rejection of the north facade by the Arts Commission.  Schedule of events, newspaper clippings.  \"Connoisseur's Comments\", guided VMFA tours narrated by world-famed collectors, critics and curators.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- letter of interest in erecting a monument to Bill Robinson. Dates- 12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rockefellers' membership in the Fellows and their subsequent donation to aid in the Drama Development program. Dates- 1955 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Charles Fahs (Dir. Rockefeller Foundation), W.S. Rhoads. Subject- Proposal for the formation of VMT with initial funding from the Foundation, \"Charter for the Rockefeller Foundation\": Statement of purpose and methods of operation. Dates- 1/50-12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Roman Bronze Works Inc. Subject- casting busts of Gov. Pollard and Judge Payne and casting other figurative groups. Dates- 9/35-1/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of authentication. Dates- 4/60 - 8/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Addresses made by F.D. Roosevelt upon the opening of the Museum of Modern Art. Dates- 6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Matilda McCord Roper (Mrs. George W. Roper). Subject- donations. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, expansion of VMFA print collection, The Alverthorpe Collection, loans of prints. Dates- 8/65 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA as recipient of a rose garden by the Garden of the Patriots. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- M. Ross as VMFA advisor, on retainer, for Byzantine and Medieval acquisitions. the Heeramanecks and Hunt Collections. Dates- 9/65 - 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data and brief history of Rothschild family. List of paintings in VMFA from Rothschild Collection. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Text and pamphlet for the opening of the Melchers Room. Photographs. Dates- 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Edward B. Rowan. Subject- mural competition for post offices in Petersburg, Hopewell and Richmond. Colt acted as chairman for a regional committee to carry out this competition for the Procurement Division, Public Works Branch of the Treasury Department, etc. Dates- 3/30. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- securing a speaker (Mr. Everett Parker Lesley, Jr.), obtaining a transparency from Time magazine of one of the Museum's eggs, etc. Dates- 3/53-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- General correspondence to Trustees regarding Museum business and events. Photographs and slides. Date- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- General correspondence regarding loans, acquisitions and invitations. Dates- 1/62 - 11/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Eero Saarinen. Subject- Aline Saarinen broadcast on the VMT Shakespeare Preview. Drawing. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition: \"Master Drawings\", with lecture by Paul Sachs. Theft of Degas drawing on loan to VMFA from the Fogg. List of London and Paris art dealers. Dates- 5/51 - 6/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- letters from other U.S. Art Museums about staff salaries and Curator's Report activities from the 1st season 1/16-5/24 1936. Dates- 1936- 7/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for purchase of cases from the Greek Gold exhibition. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Form letters: members, advertisements, donors, other institutions regarding loans, lectures and publication requests, etc. Dates- 1967 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuels gift of building for the Front Royal Library. Loan and cleaning of \"View Near Oxford\" by Richard Wilson. Dates- 4/52 - 9/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- 10th Miller and Rhoads Women's Forum; invitation to Philip Johnson to serve as a speaker. Biographical data on James Parton and Max Abromovitz. Dates- 8/51 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Hans van Weeren-Griek. and Concetta Scaravaglione. Subject- exhibition of her work and insurance of a piece that was damaged. Dates- 9/40-7/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events and mailing schedules. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events and mailing schedules, Paul Taylor Dance Tour, Safari-Dinner, agendas, etc. Dates- 7/70 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Appraisal of an agate cup belonging to Mrs. Paul Mellon as a work of art, for the Customs Commissioner. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- war-time high school art exhibition held at Miller and Rhoads department store, list of hostess for this event. Dates- 1943-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Invitations and general correspondence regarding the opening's of new art centers/buildings of various institutions, anniversary celebration, National Presentation Broadcast of Artmobile. Dates- 9/60 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.G. Pollard. Subject- Loan of items in his Collection to VMFA and his service as Vice-President. Exhibitions: American Contemporary Prints and Sport and Horse. Melcher Estate, accessions and acquisitions, list of gifts to VMFA. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Scott, Horner and Mason, Inc. Investment Securities in Lynchburg, VA. Subject- possible investments by VMFA, financing the new wing and the possibility of matching a Public Works Administration grant. Dates- 5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Seay collection of Decorative Objects, list of objects in Seay home. Dates- 1/39 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and letters to and from Leslie Cheek. Dates- 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Service reports on traveling exhibits. Dates- 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about slide loans. Dates- 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum Services. Correspondence regarding loans 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Houdon statue of Washington on loan to VMFA, insurance valuation. Seymour's lecture on \"Houdon in America\" and panel discussion on contemporary sculpture. Opinions on dating and provenance of VMFA objects. Dates- 5/50 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Shalett's articles on the VMFA for the \"Saturday Evening Post\" and \"The Diplomat\" Dates- 8/56 - 10/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, letters of invitation to VMFA events, College Drama Festival. Melchers Estate: \"The Last Supper\", newspaper clippings and postcards. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Virginia Film Society, Dance Tour, VMT: job descriptions, Table of Organization, staff hours, Theatre Associates and Annual Theatre Train. Date- 4/66 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Agenda and events for Entertainment Committee, loan of Col. Anderson bequest items. Dates- 1/59 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and E. Shiflet (Sec. of Education). Subject- budget, museum business, financial profile, role of office of Education and pamphlets. Executive Order #20 and #21: Reassignment of VMFA to the Office of Education. Dates- 8/72 - 12/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dealer in antique English silver and his gift to VMFA of a silver teapot. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT, juror search, biographical data, exhibition catalogues, loans of art work, accessions, gifts and general museum business. Dates- 1956 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- General correspondence, exhibitions, requests for publications, pamphlets, invitations, exhibition catalogues, A.D. and W.C. Williams Trust Fund. Photographs. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- paperwork authorizing R.A.Velz and W.J. Rhodes to sign vouchers and checks, list of Virginia Museum Theatre expenditures 1956-7. Dates- 2/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Blank stationary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- excerpts from Virginia Architecture exhibition catalogue, miscellaneous correspondence about catalogue,  etc. Dates- 11/58-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- compliments on exhibition \"Architecture in Virginia\", thank you notes to the Museum about exchange/gift publications of exhibition catalogue-Architecture in Virginia 1776-1958: The Old Dominion's Twelve Best Buildings, etc. Dates- 9/58-4/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- biographical information on various 20th century architects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- G. Smith (architect, writer and photographer), biographical data, and his collection of Travel Posters. Newspaper and magazine clippings, invitations. Application for Fulbright grant. Dates- 2/52 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Her membership on Executive Board, donation and contributions. Dates- 5/51 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Marrow Stuart Smith, Virginia artist, correspondence with museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of alumnae in Virginia. Dates- 9/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Christison, and Mrs. J.A. Pope (International Traveling Exhibition Service). Subject- Exhibition: \"Swedish Textiles Today\": catalogue, pamphlet. Brussels World's Fair, U.S. Pavilion. Catalogue of Traveling Exhibitions for 1961-62. Dates- 4/53 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- S.A.H Directors meeting in Richmond, formation and organization of a Virginia chapter: agendas, lists of prospective members, directors of S.A.H., minutes from S.A.H. meeting. Dates- 12/52 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Meeting agendas, Architects Virginia Tour, preservation of the National Capitol, Shirley Plantation, landmarks in danger. Proposal to coordinate the activities of the SAH with AIA and the National Trust for Historic Preservation in the field of Historic Buildings Preservation. SAH: Minutes of Executive Board, 10/26/57, 5/17/58, 10/18/58, Treasurers Report, 1/58-4/58, Newsletters. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lists: Fellows, Staff and Board of Trustees. Invoices, receipts and newspaper clippings. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Dinner schedule, agenda and pamphlet. Dates- 5/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Confirmation for Dinner event and agenda. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fall meeting to be held at VMFA, conference agenda, mailing list and pamphlets. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Meeting agendas, events schedules, attendance rosters, officers, newsletters, registration forms. Report of SEMC '72 meeting, \"SEMC Notes\", no. 1, 1974 and no.1, 1975. Dates- 1972 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- printed material for exhibition \"Southern Exposures\", the following essays: \"Coming of Age of Photography\", \"Down the First Century of Photography with George and Heutis Cook\", \"Concerning the Cook Collection and Its Recovery of the Epos of the Attic\", etc.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Williamsburg International Assembly Speakers, biographical data: Edward Downes, Charles Seymor, Harris Prior and Arthur Drexler. Dates- 1951 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Gaines. Subject- Biographical data of speakers: C.V. Donovan and Joseph Curtis Sloane. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- printed material for the opening for prospective members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safari Theatre Dinners, loan exhibition previews, maintenance. Dates- 1967 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Essay- \"The Art Museum As A Community Center\", by L. Cheek. Pamphlets, newspaper and magazine clippings of other museum programs. Date- 1961 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- early interest and planning of the exhibition \"Sport and the Horse\", etc. Dates- 5/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Frederick Robinson (Dir., SMFA). Subject- SMFA exhibition of Virginia Artists. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions, security, general operations and museum business. Employee policy, regulations, salaries, etc. Dates- 1962 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General Museum operation, exhibitions, publicity evaluation, landscaping of Confederate Chapel, loan exhibition previews. Dates- 1963 - 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Employee policy/regulations, programs division, collection divisions, staff information and table of organization for Theatre Arts Committee. Newspaper clippings and salaries. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Suggested structure of staff organization and salary scales. Dates- 2/54 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA By-Laws 1958 and 1959, income sources, proposed improved operations plan. Salary information from the Smithsonian Institution. Job description for Assistant Administrator. Date 1959 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Head of Collections Division and Education Supervisor, Program Division. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Business meeting and reception regarding architectural improvements, gifts and loans to the State Department reception rooms. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- reception for General Assembly Wives. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Service reports for loans of exhibits, films and slides. Dates- 1951-1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for information regarding circulating visual materials 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member requests for exhibitions 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member requests for exhibitions 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member Requests for gallery visits and lectures 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Out of state inquiries about Museum services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Out of state inquiries about Museum services 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of prospective organizations for using extension services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for circulating visual materials and exhibitions 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General Correspondence Traveling Exhibitions 1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains statement for addenda to the Governor's report concerning the VMFA.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Saul Steinberg. Subject- exhibition of Steinberg's work and lecture by Steinberg, etc. Dates- 8/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening of new auditorium, purchase of pianos and price lists. Program for the Chamber Music Society, newsletters from Steinway and Co. , 4/55-6/55. Dates- 4/55 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Philip N. Stern, Chairman of the Art Commission, Commonwealth of Virginia. Subject- Art Commission meetings, funds for museum equipment, funding from the Public Works Administration, architectural exhibition, etc. Dates- 7/35-10/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Steuben correspondence with the VMFA, 1938-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Ten Talents In the American Theatre\", Ed. David Stevens; \"Theatre For Art's Sake\" by L. Cheek. Proposal to the Rockefeller Foundation for financial support of VMT. Dates- 12/49 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Her gift of \"La Signora in Biege\", Lazzaro Donati. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, preliminary design program for South Wing Addition, letters to other museums regarding design, security and general building functions. Dates- 1948-49, 1962-63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Jas. N. Trevillian (Secretary). Subject- Conductor of the New York Philharmonic Orchestra, concert at the VMFA and program. Dates- 1947 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA and Gordon E. Strause, 1935-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Strause and various Museum staff. Subject- exhibition of his collection at the Museum, written complaints by Mr. Strause, Strause is named 1st honorary benefactor of the Museum by the Board of Trustees. Dates- 3/36-5/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J. G. Pollard, T. Colt and L. Cheek. Subject- Lewis S. Strauss, founder of the Albert Einstein Award (for achievement in Natural Sciences). Chairman of the Atomic Energy Commission, his service on the VMFA Finance and Membership committees. Letter of Henry Anderson regarding discussion with Paul Mellon and VMFA expansion potential. Newspaper and magazines clippings, Artmobile, gifts and contributions. Dates- 1945 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Fellows: theatre Orientation, general meetings, prospective Fellows, report of the Fellows 5/3/67. Date- 1965-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- As a Trustee and member of the development committee. Contributions. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Mr. William A. Stuart. Subject- Trustee/Museum business, etc. Dates- 7/51-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Julia Sully to the Museum. Subject- Virginia Art Index. Dates- 1935-48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and J. McGee (Sunrise, Pres.). Subject- \"Sunrise\", Charleston Cultural complex, budget analysis, roster of Executive Board, Annual Report, 1971, pamphlets. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt and L. Cheek. Subject- Early correspondence concerning museum services, statement of purpose, Pratt Bequest, exhibitions and requests for publications. Dates- 7/45 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General correspondence, request for publications, employment, Fellows, Russian Loan Bill, gifts, contributions, biographical data. Dates- 6/56 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Museum business, loans of art works, list of objects for long term loan, zoning ordinance. Paul Tishman Collection, Troubs Collection of Russian miniatures. Provenance of St. John the Baptist, Rodin. Pamphlets, brochures and press releases. Dates- 2/70 - 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. J.G. Pollard, M. Christison, John Canaday and Maurice Bonds. Subject- Informal discussion series on art, artists and technique. Topics: Lithography, sculpture, restoration, art history etc. Includes biographical data on lecturers and exhibitions. Excerpt from \"American Silversmiths and Their Marks II\", by Stephen G.C. Ensko. Dates- 9/48 - 3/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding Mrs. A.I. duPont's gift of tapestries to the VMFA and a subsequent exhibition, 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding taxes on honorariums, admissions and rental space, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA series of weekly TV programs, list of suggested topics, program guests, resource information from other Institutions, film rentals, television presentation of the 25th Anniversary and minutes of the Mayor's Committee on Educational Television, 11/11/53. Dates- 3/54 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- The development of a public television station to be shared by educational institutions. TV question and answer scripts and newspaper clippings. Dates- 1/49 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings. Dates- 1961-62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Salary scales, job openings at VMT, applicants, referrals, biographical data, financial statements, staff tors and guest speakers. Dates- 3/58 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Thalhimer. Subject- Biographical data, production, general theatre administration and Ford Foundation Fellowship Grant. Dates- 5/58 - 7/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Basil Langton. Subject- Langton's service as VMT guest director of \"The Tempest\", in celebration of the Jamestown Festival; program and procurement of professional actors. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Thalhimer Jr. Subject- Exhibit: \"Habiliments for Heroines\" underwritten by Thalhimers, VMT: \"Lady in the Dark\", Lorren Aldrich Collection. Catalogue: \"The Helena Rubenstein, Princess Gourelli Collection\", Deluca, Editore Roma, June 1953. Dates- 11/51 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as a Trustee and Chair of the Theatre Arts Committee on theatre and Television, museum business, salary scales, general operation of VMT, budget, income, newspaper clippings. Contributions and gifts. Dates- 6/52 - 3/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Underwriting of Mediterranean court, plants and flowers. Gift of Sandwich glass. Dates- 5/55 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Thayer's service as special assistant to the Secretary of State for Cultural Affairs. Biographical data, UNESCO, ICOM, International traveling Exhibitions, placement of American works of art in United States Embassies. Dates- 5/59 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committee Minutes 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committee minutes, agendas and programs, box office grosses etc. Letter from Paul Mellon. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Establishment of a theatre Collection by Louise Branch of drawings, scenery and costumes. Dates- 2/59 - 3/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Thalhimer. Subject- Proposal for costume ball. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Morale and general organization of the VMT Associates, proposed speakers, newsletter and roster of VMT Associates. Dates- 4/57 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and William Morrison. Subject- taped readings by Henry Fonda, Lee Remick and Olivia deHavilland on the anniversary celebration. Reviews and letters to other film stars. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safari-Dinner agenda and setup. Dates- 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reviews, gift of Dan River Mills fabrics for costumes. Programs: \"Streetcar Named Desire\", \"School For Wives\", \"Camelot\" and \"The Odd Couple\". Dates- 1967 - 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- reviews, letters of compliment. Program: \"the Royal Hunt of the Sun\" Dates- 1968 -69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and staff hours. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Report of Acoustical Analysis for Auditorium of Virginia Museum Theatre\" Dates- 9/1950 and 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Review, performance production. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Theatre-designer: salary and letters of recommendation. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMT, Dance, Film and Chamber Music Societies: financial statements, salaries, budgets, production costs, income records, purchase of stage equipment and suggested future of organization. Dates- 2/54 - 12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- bus tours from Virginia towns for Theatre evenings, sponsors by Virginia Federation of Women's Clubs, newspaper clippings. \"The Virginia Club Woman\", vol. XXXII no. I 8/55. Dates- 1/59 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chairman of Yale Drama Dept., his service as consultant to VMT, budget suggestions for proposed VMT, various drama activities, playbill, budgets from other University Drama departments. Dates- 1/56 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program, letters of disagreement between directors and actors. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The first annual event, critic and counselors: Virginia Freeman, Meriam Rosen, Dan Wagoner, Patricia Wityle. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Valerie Gettis as guest speaker/artist. Dates- 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Invitations to college Presidents. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Alan Schnieder, Speaker: Jo Mielziner. The 1st College Drama Festival, guest lists and exhibition of Jo Mielziner's theatre designs. Newsletter. Dates- 8/56 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Harold Clurman, Speaker: Norris Houghton. Events schedule and program. Dates- 4/57 - 2/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Norris Houghton, Speaker: John Gassner. Event agenda/program, brochures. Dates- 4/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Henry Hewes, Speaker: Marc Connelly, reception, production procedure, etc. Newsletter 2/60 Dates- 10/59 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Stella Adler and Speaker: Alfred de Ligre, Jr. Event schedule, festival speaker, program, biographical data, reviews. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Event agenda, scheduling, program and newspaper clippings. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Robert Lewis, Speaker: Edward Albee. Event agenda/program, brochure, pamphlet, etc. Dates- 10/56 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Original drama by John C. Collison, VMT Premiere. \"New Play in Virginia\", Wm. Morrison, Encore vol.6 ,no.5 Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and L. Cheek. Subject- Reorganization of Museum Theatre 1972-73, budget and summary of proposals. Additions to VMFA statutes and By-Laws. Theatre Committee annual Report 6/30/67. Dates- 5/67 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contributions, minutes of Theatre Patron Campaign Committee. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- theatre Arts Committee Executive Meeting minutes 6/30/70 and 7/6/70, Rosters for various Executive committee's of VMFA. Reviews and pamphlets. Dates- 9/69 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- HEW grant to produce and circulate throughout Virginia a play during 67-68 season, suggested dramas. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions: \"Gibson Collection of Contemporary Italian Art\", \"Contemporary Japanese Art\", \"Ten Reynolds Sculptures\". Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, A.H. Ballet and Robert Telford. Subject- General VMT business, schedule of events, scenic design, reviews, performance, staff policy/procedure, ticket prices, season subscriptions, etc. Dates- 1955 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- College Drama Festival, Dance Society and Chamber Music Society. Performance programs, events schedules, guest director contract, pamphlets and contributions. Dates- 1959 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- General Theatre Business, contractual agreements, events schedules, Richmond Film Society, College Drama Festival, financial statements, theatre reviews and job applicants. Dates- 5/61 - 9/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- theatre openings, job descriptions, applicants, hours. Dates- 12/62 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT, Vignettes tour, general estimate of costs, Drama, Dance and Music programs.  \"Virginia Report For State Arts Agency Individual Projects July 1, 1966- June 30,1967\" and \"Performing Arts in Virginia Education\" an introductory survey. Dates- 1966 -68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Budgets, financial summary, events schedules, newsletters, etc. Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Season events, programming, budget and revenue, newsletters, list of season subscribers and press kit for the Mummers Theatre, Oklahoma City, Oklahoma. \"Constitution of the Virginia Museum Theatre Associates\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Theatre business, budgets, salaries, production schedules, invitations, program design, contracts, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters to and from VMT subscribers, program for \"Purlie\". Proposals for summer season productions, opening night telegrams. Dates- 1974 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Operating expense appropriation, \"VMT Sound System Report\", and synopsis of No Title play of the life of Lord Byron by Romulus Linney (later titled \"Childe Byron\"). Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Reviews. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Keith Fowler. Subject- Reviews, production calendar and letters of compliments. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Event underwritten by the Weeden Foundation. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of invitation, remarks after preview. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Programs. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Payment for use of two geese. Program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Financial report and program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Program, reviews, letters of complaint from theatre patrons regarding play content. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program, search for guest director. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Review, program and editorials. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Letters of complaint and approval from theatre patrons. Dates- 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List of series underwriters, proposal for music lecture series conducted by Dr. John White. Dates- 10/58 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Patron financial support and proposal for a Sunday lecture series: \" The Eager Listener\". Dates- 9/59 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Harpist: Nicanor Zableta, brochures of concert series sponsored by other museums and galleries. Dates- 1/50 - 1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program Dates- 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Morton Thalhimer. Subject- General letters to theatre subscribers, brief outline of the five scheduled plays and descriptions of the major characters. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Playbills, magazine and newspaper clippings of performances in theatres other than VMT. Dates- 12/54 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews and programs for \"Separate Tables\", \"The Skin Of Your Teeth\", \"Ondine\", \"Kiss Me Kate\" and \"The Kids\". Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Rehearsal schedules, invitations, programs: \"Life With Mother\", \"The Limbo Kid\", \"Pygmalian\" and \"The Brothers Karamazov\". Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews, letter/telegrams of compliment. Programs: \"Teahouse of the August Moon\", \"The Woman from Colchis\", \"Hall of Mirrors\", \"Caesar and Cleopatra\" and \"The Most Happy Fella\". Dates- 1962 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reviews, letters and telegrams of compliment. Program: \"A Thousand Clowns\". Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Robert Telford. Subject- Reviews, letters/telegrams of compliment. Programs: \"The Admiral Crichton\", \"Hedda Gabler\". \"Tartuffe\" and \"No Time For Sergeants\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews, letters/telegrams of compliment. Programs: \"The Comedy of Errors\", \"The Visit\" and \"Fanny\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters/telegrams of compliment. Programs: \"Androcles and The Lion\", \"The Miracle Worker\". Contributions from Dan River Mills. Photographs. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Reviews, letters/telegrams of compliment, opening night gala, Safari Theatre/Dinners. Programs: \"The Glass Menagerie\", \"Once In A Lifetime\", \"Julius Caesar\", \"Blithe Spirit\" and \"Three Penny Opera\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Reviews and Letters/telegrams of compliment. Programs: \"Charley's Aunt\", \"The Sorrows of Frederick The Great\", \"Uncle Vanya\", \"Twelfth Night, On What You Will\" and \"the Man Who Lost the River\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Timetable, production schedules, Safari theatre Dinners, programs and reviews. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters to former subscribers seeking financial assistance for the upcoming season. Photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letter/telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- VMFA By- Laws 1972, Minutes of Theatre Arts Committee 10/21/71, agendas, budget and cost estimates. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Programming, policy for relations to the VMFA, contractual agreements, events schedules, promotion plans and financial statements, programs and brochures. Executive board meetings: 7/57, 11/57, 2/58, 4/58, 5/58. Dates- 4/56 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters and contributions from Chamber Music Society Patrons. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for the formation of the Dance Society, guest list, officers, policy regarding the Dance Society's relationship to the VMFA. Minutes of Executive Board, 5/11/56, 6/12/57, 7/57, 12/57. Receipt and attendance records, contributions, programs, pamphlets and guest performers. Dates- 5/56 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters and contributions from patrons of Dance Society. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Rockefeller grant to the museum to develop theatre and a program in drama, 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Kay Rockefeller. Subject- Traveling exhibition troupe for children's theatre: financial statement and invitations. Dates- 9/57 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program for \"Rossum's Universal Robots\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT designated seating area according to race, and letters of protest in support of Dr. Mary Elizabeth Johnson. Dates- 1/56 - 5/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letters/telegrams of compliment. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Robert Telford and Morton Thalhimer. Subject- Attendance records, publicity program and biographical data. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters and telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cost estimate, theatre needs and improvements. Date- 12/56 - 7/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sample survey, list of Chapter/Affiliate communities. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Morton Thalhimer and Robert Telford. Subject- Theatre Arts Committee agenda, VMT proposals for: director, administrator, production and apprentices. Date- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"The Gallows Man\", limited performance schedule, invitations. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Events program, list of composers represented. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cancelled, considered distasteful for VMT audience. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letters, telegrams of compliment. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- AAMD conference, theft of Roualt drawing from Toronto Gallery, requests for publications. Dates- 5/50 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains reports concerning slide sets and film strips distributed throughout the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fashion designer to lecture on fashion from 1752 to 1952 for the exhibition: \"Habiliments for Heroines\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- New York World's Fair, newspaper and magazine clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His election to VMFA Board, museum business. Dates- 5/51 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings of Governor Tuck. Dates- 12/49 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, Tunnard's expertise on city planning. Virginia Town Case Study Group: \"Problems of Planning in the Small Southern Town\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Severance of affiliation to the VMFA. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artist for VMFA Christmas card. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt and Wm. Gaines. Subject- Seminar to expose students and teachers to the function and operation of VMFA, agenda, program procedure, etc. Dates- 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Questionnaire from UCLA Graduate School of Management and the College of Fine Arts on the priorities related to the Arts, pamphlets. \"U.S. Information Agency-Its Task in World Affairs\". Date- 4/51 - 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Annual Meeting Minutes, travel authorization, organization news, pamphlets, general UNESCO business. Dates- 10/46 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Conference topic: Aid to South American Museums, project development, UNESCO Annual Report, Report of Program Committee. The Voice of America, Forum Lectures with transcript of by L. Cheek of \"The Art Museum As A Community Center\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for loans of slides from South American Museums for L. Cheek's presentation to Denver conference, list of South American Museums. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening of UDC new building. Resolution concerning accessibility to members of UDC, invitations. Dates- 6/57 - 12/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence, reports, minutes. Expansion of local service. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Charitable organizations that have received UGF monies and fund raising campaign. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The Air Force Memorial Center: statement of purpose, design, personnel requirements, building program, Minutes of U.S. Air Force Fine Art Committee 6/58 and 12/60, \"Proposal For The USAF Memorial Education Center\", travel vouchers and floor plan for the Academy Museum (Planetarium). Slides. Dates- 2/57-4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Edward R. Murrow as Director, merging of the People-to People Program (organization of museum professional) with the USIA. Newspaper clippings. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Forum Series\": International Broadcast, lecture series. Essay- \"the Art Museum As A Community Center\" by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- UNESCO Action to safeguard Nubian monuments due to the construction of the Aswan Dam. Roster of Honorary Committee, International Action Committee, United Arab Committee, Executive Board Minutes. Dates- 4/60 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Virginia State Employees U.S. Savings Bond campaign, handbook for canvassers, meeting agendas and progress reports. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Col. H.W. Fitzroy. Subject- Coordinating agency between institutions and other cultural, educational and scientific agencies in Virginia through a lecture series of visiting scholars. Dates- 9/54 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Bayly Art Museum and the McIntire School of Fine Arts at the University of Virginia. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Lecturers and AIV contributors, loans of objects, fellowships. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and T. Colt. Subject- UVA Museum loan of objects and lecture tours, fellowships. List of prints on loan to VMFA from Catesby estate and list of Lurcat Tapestries. Dates- 8/47 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Museum business, Artmobile, VMT, requests for loans, contributions and gifts. Reference to photos of ancient Greek sculpture, architecture and landscape views, invitations, pamphlets and postcards. Dates- 10/58 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains the schedules for staff vacations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Hans van Weeren-Griek, curator of Education at the VMFA. Dates- 1940-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Report regarding vandalism and misconduct: soaping of the fountains and damage to shrubs. Dates- 11/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Velz' service as VMFA Head of promotion, civilian and military experience record, newspaper clippings and Melchers Estate. Dates- 1949 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains general correspondence of Velz, Associate Director of VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Status of tax deduction, recommendations for event, invitations and dance card. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 9the Annual Viennese Ball sponsored by the Council: Ball Committee, agenda, decoration, invitations, etc. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- Virginia Art Alliance By-Laws, program and minutes of VAA meeting 1945, Report of the Trustees of Richmond Academy of Arts 1933, correspondence with other members of VAA, etc. Dates- 1933-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- program for annual meeting 1941, blank ballots labeled \"Board of Trustees Ballots\", statement of need for a state Supervisor of Fine Arts Education. Dates- 4/40-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- reports of activities of organization members 1942-3, correspondence with organization members-no annual meeting held this year due to World War II, etc. Dates- 3/43-5/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcement, agenda and program for annual meeting 1944, correspondence with organization members, election of officers/trustees, etc. Dates- 3/44-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting minutes ('49), listing and certification of delegates to VAA annual convention ('49), listing of the VAA Board of Trustees ('49), etc. Dates- 1948-49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes from meetings and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Miss Helen C. Rose (Virginia Art Alliance President). Subject- correspondence with member organizations, etc. Dates- 3/58-8/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- minutes of Trustees meeting and annual meeting 1959, roster of officers and Trustees, program for annual meeting 1960, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of Va. Art Alliance). Subject- announcement, replies agenda and program for annual meeting of (1936) the VAA Trustees, listing of organizational members to VAA, certification forms for delegates to the VAA annual convention (1936), etc. Dates- 5/35-5/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension VMFA, Secretary of VA. Art Alliance). Subject- announcements, program and report for VAA annual meeting 1937, resolution changing the organization of the VAA (consolidating its function with that of the VMFA), certification of delegates to VAA annual meeting 1937, etc. Dates- 4/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept., Secretary of VA, Art Alliance). Subject- VAA annual meeting announcement and program (1938), certification for delegates to VAA annual convention 1938, correspondence with member organizations about the reorganization of the VAA (consolidating its function with that of the VMFA), etc. Dates- 2/38-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance). Subject- announcements and program for VAA annual meeting 1939, certification of delegates to the VAA annual convention 1939, letter from Gayle to the State Board of Education supporting the appointment of a state supervisor of art, etc. Dates- 3/39-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1940, correspondence with member organizations, nomination of trustees, certification of delegates to annual convention 1940, etc. Dates- 3/39-5/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1941, report of the VAA 1940-1, listing of organization members, By-Laws of VAA 1934, correspondence with trustees, etc. Dates- 3/41-4/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- program for annual meeting 1942, roster of member organizations, reports from member organizations, Annual Report of the VAA 1941-2, listing of VAA lectures in 1941, Museum Bulletin (VMFA) vol.2, no.6, 1942etc. Dates- 3/42-4/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcements, program and minutes for annual meeting 1944, reports of member organizations 1944, certification of delegates to annual convention 1944, listing of Board resolutions during war time, roster of member organizations, etc. Dates- 4/44-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA Art Alliance). Subject- announcements, program and minutes for annual meeting 1945, roster of trustees and nominating committee, reports of member organizations, certification of delegates to annual convention 1945, etc. Dates- 3/45-2/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945, announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945,announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting program ('46 and'47) and minutes ('46), list of members ('47), certification of delegates to annual VAA convention ('47), Reports of art activities around the state, etc. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance)and M.B. Christison (Curator of Education). Subject- copies of 1947 resolution about art display areas in public buildings, minutes of annual meeting 1947, announcements and program for annual meeting 1948, roster of member organizations 1948, correspondence about securing guest speakers for VAA annual convention 1948, certification of delegates to annual convention 1949, etc. Dates- 7/45-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- membership roster ('48), list of trustees ('48), announcement, minutes and attendance to annual meeting ('48), summary of panel discussion about art education in Va. schools, statement of VAA purposes and objectives, etc. Dates- 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- minutes of the Virginia Art Alliance meeting ('47 and'48), Board meeting announcement and attendance, program of annual meeting ('48), list of suggested nominees to the VAA Board ('48), etc. Dates- 1947-8.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- annual reports of activities made by VAA members. Dates- 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual meeting 1955. Correspondence, resolutions and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence, minutes and agendas. Form letter announcing annual meeting 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes, agenda and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcement and minutes of Fall Meeting 1957, correspondence with member organizations, etc. Dates- 11/57-12/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Meeting held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1957, appointments to nominating committee, minutes of the Trustees meeting 1957, roster of organization members, The Annual Review of the Virginia Art Alliance 5/39,etc. Dates- 2/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and tentative reservation list for annual meeting 1958, etc. Dates- 9/58-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1958, reports of member organizations, Virginia Art Alliance By-Laws, proposed revisions to By-Laws, VAA procedures, appointments to committees and to board, etc. Dates- 1/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes from annual meeting 1959, member organization reports, roster of VA. Art Alliance officers and trustees, VAA By-Laws, etc. Dates- 5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison Assistant Director VMFA). Subject- announcement and schedule for annual meeting 1959, blank reservation forms for school artmobile visits, etc. Dates- 10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and program for annual meeting 1960, listing of nominating committee appointments, roster of officers and trustees, listing of delegates to annual meeting, etc. Dates- 3/60-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- reports from member organizations, etc. Dates- 1956-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of organizational members and their attendance, correspondence and form letters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of trustees and list of members 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of trustees' meeting 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of Trustees, 1952-55. Correspondence, minutes. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee correspondence, minutes and members. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard Subject- preliminary work for the VAA booklet: \"Facilities for Organization Members Comprising the Virginia Art Alliance\". Dates- 8/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Secretary Virginia Art Alliance). Subject- minutes of Virginia Art Alliance (VAA) annual meeting 1957, proposed revisions to By-Laws, etc. Dates- 8/56-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- outline of a state art federation, constitutions, by-laws, information on other art federations (i.e.: The American Federation of Art, The Kansas State Federation of Art, The Indiana Federation of Art Clubs, etc.), etc. Dates- 1/34. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Va. Art Alliance procedures and a short history, draft of proposed revisions to VAA By-Laws, Annual Review of the Virginia Art Alliance. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA/ Secretary of the VA Art Alliance). Subject- VAA By-Laws 1934, resolution (1936) to consolidate the functions of the VMFA and VAA, information about the development of a new type of VMFA annual membership- the organization membership, etc. Dates- 1934-10/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- listing of Trustees 1934- 39, Trustee meeting announcements, letters accepting election to the VAA Board of Trustees, etc. Dates- 11/34-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA representative on the Virginia Art Commission. Dates- 11/55 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- selecting and securing jurors for the exhibition \"Virginia Artists 1955\", listing of pieces and artist included in the exhibition, printed material for the exhibition, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Paul Smith, Rose Slivka and Frank Getlein. Salon des Refuse's, biographical data, exhibition catalog. Dates- 6/66 - 6/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Prospective jurors and exhibition announcement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Jurors: Thomas Hess. Exhibition statement, reception, guest list, members preview, program agenda, discontinuation of salon des refuse's, installation and exhibition catalog. Dates- 1967, 11/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding auditor's reports. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Audit Reports 1936-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Auditors Survey and Systems study of the VMFA. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Morrison. Subject- Filming of \"California Watercolors\" traveling exhibition with footage of Virginia Beach Sidewalk Show included in the 25th anniversary film. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospectus for the Virginia Center For the Performing Arts. Statement of purpose: Academy-Conservatoire of Dramatic Art with training center and professional theatre. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding objects and paintings in private collections throughout state of Virginia. Correspondence with artists and owners. 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Statement of mission, NEA grants, proposals, awards, potential applicants, recipients. Collectors' Circle: Arts and Humanities Challenge grants for Conservation projects. Degas exhibition. Dates- 2/74 - 6/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VCU and U of R Drama departments. VMFA/VCU Museum Methods Course. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Current/future cooperation between VCU and VMFA: theatre, Art Historical studies, education, museum training, music dept.'s, VCU Conservation Lab and Anderson Gallery. Dates- 1/73 - 2/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Paul Smith. Reception, guest list, program, agenda and exhibition catalog. Dates- 3/71 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Juror: Henry Wolf. Event program, invitations, guest list, statistics regarding entrants, certificate winners, etc. Exhibition catalogs for \"Virginia Designers\", 1970 and 1971; \"Virginia Photographers\", 1970 Date- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding state budget 1946-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VEA Centennial Event and retired teachers complex, theatre program and Executive Committee Minutes, 12/61. Dates- 10/63 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Retired teachers apartment complex proposed for the 2900 block of Grove Ave., later rejected by the City Council, newspaper clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Exhibition: \"American Rooms in Miniature\", sponsored by Va. Federation of Women's Clubs, sponsorship of statewide tour of Artmobile, newspaper clippings and pamphlets, \"Virginia Journal of Education\", 10/63, catalog of \"American Rooms in Miniature\" by Mrs. J.W. Thorne, Art Institute of Chicago, 1941. Dates- 6/53 - 2/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Virginia Federation of Women's Clubs Statewide Arts Festival. Dates- 5/67 - 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Thank you notes from newly elected/reelected members of the House of Delegates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. John. S. Battle. Dates- 1949-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. Colgate W. Darden. Dates- 1942-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. George C. Peery. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Bills vetoed and passed by Gov. Thomas B. Stanley [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. William M. Tuck. Dates-1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Multi-level Arts Festival held annually in Abingdon, Va., loans of art works, consultation on programming and pamphlets. Dates- 11/52 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, F. Numan (Wm. and Mary) Subject- Meeting to focus on Architecture and the Humanities. Dates- 11/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Catalog from Franklin Mint series of silver commemorative medals. Norton Simon summary of Annual report, 1970. Dates- 1970 -71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. J.G. Pollard was chairman of this agency; copies of: Fundamentals of a Growing Recreation Program by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agendas and minutes of meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns a Governor's commission to study juvenile delinquency and the Virginia Advisory Legislative Council. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report to the Committee on \"Recreation as a Function of Government in Virginia.\"   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- copies of the executive order creating the Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- planning a listing of recreation films available through state agencies and 16mm Recreation Films Available in Virginia published by the VA Inter-Agency Committee on Recreation, etc. Dates- 6/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- working papers and final copies of the \"1st Report to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 10/53-1/54; Correspondence Subject- copies of the \"First Report to the Governor by the Inter-Agency Committee on Recreation\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Selected legislation on recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership rosters for the VA Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- statewide recreation reports listing facilities, budgets, organizations and needs, pamphlets from the National Recreation Association, etc. Dates- 7/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sponsored by the National Recreation Association 1955-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains a listing of personnel and the purpose of the committee.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and pamphlets.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets, magazine articles etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of \"Fundamentals of a Growing Recreation Program\" by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- working papers for and final copies of the \"1st and 2nd Reports to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 11/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Sarah Tomerlin Lee, Biographical data, event program, pamphlets and catalog for exhibition. Dates- 9/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum events, rosters: Senate, House of Delegates. Letter to members of the general assembly. Essay- \"The Virginia Museum and the Arts in Virginia\". Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reception for organization composed of Mayors, City Managers and City Officials. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Faye Ambrose and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year. Dates- 5/56-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Charles E. Baker and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications and award letters (1950, 1951) for VMFA in-state fellowship, artist progress reports for 2 years, etc. Dates- 5/50-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Regina Bartley and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 4/51-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Wm. Thomas Bland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA fellowship, thank you notes made by Mr. Bland (mixed media including watercolors). Dates- 8/48-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Robert Brushwood and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations, award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Kuhn R. Caldwell and Mrs. J.G. Pollard, M.B. Christison (Assistant Director), and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, artist progress reports for 1 year . Dates- 12/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mary Frances Cheatham and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA junior fellowship, artist progress reports for 1 year. Dates- 1/49-3/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Janet Clausen and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Robert L. Davis and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA in-state fellowship, photos of artist's work, artist progress reports for 1 year, etc. Dates- 4/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Worden Day and Mrs. J.G. Pollard, M.B. Christison and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, etc. Dates-4/49-8/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. T.V. Downing, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 10/49-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Charles Flynn, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 4/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 2/54-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- award letter for VMFA in-state fellowship, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Barbara Harding and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications ('53 and '54), recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Catherine M. Hipp and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Jem W. Hom and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/56-7/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between W.B. Houghland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Caroline C. Huff and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. William W. Jackson and Mrs. J.G. Pollard and L. Cheek Jr. Subject- applications (1948,1949), recommendations and award letter for VMFA fellowship, etc. Dates- 5/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Knapp and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. James Leedy and Mrs. J.G. Pollard and M.B. Christison (Assistant Director). Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/57-6/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Brenda R. MacBaisey and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year (includes lithography proofs), etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. James P. Moyers and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Joe Ravenscroft and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, application and recommendations for VMFA fellowship, etc. Dates- 8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, recommendations for VMFA fellowship, etc. Dates-8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.F. Russell and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for out-of-state fellowship, artist progress report for 1 year, etc. Dates- 4/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between R.E. Spain and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Mary R. Tatum and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1year, etc. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Primm Turner and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress report for 1 year, application for Catherwood Foundation fellowship, etc. Dates- 3/56-9/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. E. Parker Twombly and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA out-of-state fellowship, recommendation letters written by: Ben Shahn and Robert Motherwell, artist progress report for 1 year, etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress report for 1 year, etc. Dates- 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Howard Woody and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for student fellowship, etc. Dates- 4/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Peter Wreden and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, etc. Dates- 4/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of fellowship applicants, requests for applications, rejection letters, etc. Dates- 3/49-6/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications, recommendations and rejection letters for those applicants not chosen to receive fellowships. Dates- 3/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship, fellowship announcement, minutes of the fellowship committee meeting (1954), etc. Dates- 12/40-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- listing of applicants 1942-44, listing of types of fellowships offered by the Museum, etc. Dates- 1942-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- various applications, recommendations, rejection letters, etc. Dates- 5/46-6/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- announcements of fellowships, blank fellowship applications, requests for applications, various completed applications, award and rejection letters for fellowships, artist reply letters, etc. Dates-4/46-12/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- various applications, recommendations, fellowship recipient progress reports, award and rejection letters, correspondence with Fellowship committee, etc. Dates- 4/47-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject-the organization of the Fellowship committee, requests for fellowship applications, etc. Dates- 9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. John L. Pratt. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship program, minutes of: annual board meeting (1941), executive committee meeting (1940), VA artists fellowship committee meeting (1940), announcement/application for VMFA fellowship, etc. Dates- 6/40-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence about the Museum. Dates- 1939-46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition- \"The Virginia Museum of Fine Arts in Roanoke\", 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Essays by Director Thomas Colt on the Principles and Work of the Virginia Museum of Fine arts and its history.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Timetable, agenda, invitation, guest list. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Henry Callahan, biographical data, entry form, letters to selected applicants, statistics: entrants vs. applicants etc., and jury procedure. Dates- 4/71-2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellowships, VPI Traveling Theatre. Letter to Josef Albers with biographical data, invitations and exhibitions. Dates- 3/59 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains pamphlets and correspondence between this association and Mrs. Pollard's Inter-agency committee on recreation 1949-54; Reports and Inventories of recreational activities of state agencies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- VMFA budget, state issue vehicles, Artmobile, salaries, Robinson House, etc. Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Complimentary memberships to members of the house of delegates, travel regulations, United Givers Fund campaign, management studies. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VSAA membership rosters, membership of confidential secretaries to directors of state agencies. Dates- 9/63 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- Memos to heads of state agencies regarding all manner of state operations, capital outlays. Annual Report of \"Virginia Department of Vocational Rehabilitation\", 1976. Dates- 1/73 - 10/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- Affirmative Action and Freedom of Information Act requests. \"Virginia Local and Regional Planning 1974\"; \"Virginia Commission Visually Handicapped Annual Report\", 1973-74; \"Virginia Highway Commission Annual Report\", 1973-74. Dates- 11/74 - 12/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- State governmental management, budget appropriation requests, Virginia calendar of events, newsletters, museum salaries and the Virginia Privacy Act of 1976. Dates- 4/75 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regards donating old exhibition materials 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Roster of VMFA Trustees, resume of progress in the Fine Arts of Virginia. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and E.M. Kates (VSIF). Subject- Planting of flower beds and maintenance of interior foliage, Elizabeth Kates Foundation. Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cleaning and treatment reports of portraits owned by the Virginia State Library and Archives. Also correspondence regarding the wartime protection of Virginia's cultural materials, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- outline of annual meeting. Dates- 11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- \"Planning Your Town\" traveling exhibition, photos and description of exhibition installation, copy of an essay written by Cheek for Art Digest (4/52) Dates- 2/52-10/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VA Union choir singing at the Museum during the Christmas season, pamphlets about Museum sponsored activities during the holidays, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statewide competition for the design of Memorial and jury selection. L. Cheek's service as advisor to the Memorial Commission. T.J. Collins and Son as winners of competition. \"Program Of Competition For The Virginia World War II Memorial\". Dates- 12/50 - 3/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Program Of Competition For The Virginia World War II Memorial\", firms invited to compete in the final selection, expenses incurred and resumes of applicants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, John J. Wicker Jr. (Chairman). Subject- Competition program, VWW II Memorial Commission meeting minutes, \"Preamble\", for the creation of the memorial, \"Architectural Competitions\", AIA Document no.213. Drawings/plans and photographs for site development. Dates- 5/50 - 12/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 1953 Official Report of the Virginia World War II Memorial Commission. Dates- 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Competition program and closing proceedings. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Applications from selected entrants, official report of the jury in their selection of J.T. Collins and Son, (A.I.A.). Dates- 3/51 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report of the Jury concerning the winning design. Jury members: Waldon Franklin, George Howe, Frederick C. Disque, Edward D. Stone, W. S. Robertson, biographical data included and list of competition entrants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Guest lecturers, membership. Dates- 12/63 - 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. von Keller. Subject- appointment of von Keller as Acting Director of VMFA in absence of Colt, biographical information, etc. Dates- 4/35-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. von Keller (Art Director, Randolph-Macon Woman's College). Subject- personal, Museum events, etc. Dates- 8/42-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Vose. Subject- Acquisitions and provenance of objects. Dates- 7/56 - 2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt. Priscilla Crum and L. Cheek. Subject- Segregation in children's art classes, Study of early 19th century architect and builder John Jordan. WRVA Radio weekly series of VMFA activities, Salon des Refuses' for artists eliminated from the Virginia Artists juried exhibition. World War II Memorial design competition, Artmobile, newspaper clippings, paintings from the Williams Collection and the Helena Woolworth McCann Collection of Export Collection. Exhibition catalog: \"Eugene Wiesz\". Photographs. Dates- 9/45 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Artmobile, AIV, sit-see chairs, collectors circle, Fellows, Wise Pre-Columbian Collection, requests for employment. Woodrow Wilson Birthplace Foundation: Annual Report 10/64. Gifts, loans, contributions and acquisitions. Dates- 3/60 -11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Exhibition announcements, invitations, newsletters, biographical data, requests for employment. Purchases, gifts and acquisitions. Damage report of art works. \"Profile\", re: Tishman Collection of African Objects. \"Hermes Wingraf Quarterly Catalog\", Summer 1971, re: 17th century Dutch still-lifes. Dates- 2/70 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Waddy bequest for fountain construction. Costs of construction and maintenance of fountains: National Gallery, Frick Collection and Isabella Stewart Gardner Museum, includes photographs. Blueprints/plans: VMFA Site Development, East Elevations. Excerpt from the will of Woodson P. Waddy. Dates- 1947, 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Bronze Waddy Memorial Fountains, architects: Eggers and Higgins, Sculptor: Ralph Menconi. Contractual agreement with architects, Blueprints/ plans, detail drawings for : Waddy Memorial Fountain, Triton Fountain, East elevation and site development plans. Dates- 8/53 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Mr. Clifford L. Walker. Subject- inscribed plates for paintings in Museum collection, bronze busts and tablets for founders. Dates- 11/35-8/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Walpole Society Dinner, membership roster and newspaper clippings. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA staff orders for conduct of Museum during an emergency, pamphlets from the U.S. Government, Association of Art Museum Directors and American and British museums about art preservation in case of a wartime emergency. Dates- 1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Warburg Collection on loan to VMFA and his address to collector's circle. Bulletin vol.18 no.9 5/58 Dates- 5/57 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT scenery design. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets from the U.S. Government, Association of Art Directors and American and British museums about art preservation in case of a wartime emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- prospective sale of George Washington portrait by Peale to the state of Virginia, history of the painting, may have been commissioned by the state in 1784 for use by Houdin (the sculptor of the George Washington statue in the capital). Dates- 10/37-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Marion Junkin. Subject- Metropolitan Collection on permanent loan to W\u0026L, letter from M. Junkin espousing the talents/commitments of the young artist Cy Twombly. Hans Gasman as restorer for VMFA lists of objects and exhibitions. Dates- 11/49 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Alexander W. Weddell. Subject- Weddell's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, gifts from Weddell, listing of Trustees 1942, listing of Trustees committee assignments 1945. Dates- 9/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and Mrs. J.G. Pollard. Subject- Founding member of VMFA, resolution from Executive Board in memoriam of Alexander Wilbourne and Virginia Chase Weddell. Award of the Webster S. Rhoads Medal for distinguished service. Minutes of Annual Meeting, descent and authenticity of a pair of copies of portraits of George Mason and his wife. Dates- 7/45 - 1/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Foundation financial support: VMT, library, contributions to Fellows fund, book purchases, VMFA services catalog. Dates- 7/66 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Director of Gallery of Modern Art, NYC, and his service as a juror. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Time\" article on George Catlin, artist of the American West. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Mellon. Subject- Ultimate destination of Mellon English Collection. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Tour request. Dates- 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Mrs. J. H. Parsons. Subject- Wheelchairs adapted for sit-see chairs and underwritten by Mrs. Parsons. Dates- 10/65 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture/recital to VMFA council and Fellows. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitation to L. Cheek by President Johnson to attend luncheon for President-elect Barrentos of Bolivia. Dates- 7/20/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Objects on loan to White House. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Theo B. White. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Diorama's made by Whitelaw in the collection of the L.A. County Museum and George Washington Masonic National Memorial Association. Photographs Dates- 7/62 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- general correspondence with a Trustee on Museum programs and operating activities (esp. Accessions Committee). Dates- 6/35-3/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Beatrice von Keller, T. Colt and L. Cheek. Subject- Organization of an exhibition of pre-Columbian sculpture, Catesby-Jones collection, Whitman Collection of Mayan Sculpture, Chrysler Collection accessions and exhibitions. Date- 8/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. Thelma Cudlipp Whitman. Subject- Trustee/Museum business, etc. Dates- 5/51-2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Ambassador to Great Britain, invitation to become Collector-of-the- Year. Dates- 5/61 - 7/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and various Whitney Museum staff. Subject- loans to the Museum for the inaugural exhibition, loan to the Whitney from VMFA, museum practices, etc. Dates- 5/35-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Summer state service projects, VMFA projects list. Dates- 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Playwright, invitation to address VMT, Time Cover 11/12/53. Dates- 1/53 - 3/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA appointment to Board of Trustees, service as President and on the Entertainment Committee. Museum business, South Wing, Fellows, NEFTA. Gift of Mellon French painting collection, gifts, contributions. Dates- 6/65 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions: \"Jean Outland Chrysler Collection\" and \"30 Years of Virginia Art\". List of objects, Charter Day ceremonies: invitation list and dedication of the new Fine Arts building. Essays- \"Thomas Jefferson and the Fine Arts\" and \"The Arts in Virginia\", by L. Cheek 2/67. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT and loans of objects to VMFA. Dates- 1/50 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. J.G. Pollard. Subject- Williams Collection inventory, Williams purchase fund, statement concerning the informal agreement between L. Cheek and Mrs. A. D. Williams concerning installation of collection in the new wing. Selected inventory of furnishings in the Williams home. A.D. Williams as recipient of the Rhoads Medal, financial contributions, gifts and loans. Dates- 6/48 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Berkley Williams Jr., Virginia artist. Dates- 1936-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., and Mr. E. Rand Williams. Subject- Trustee/Museum business, Rand served as Buildings and Grounds Committee Chairman 1937-8 and as first Vice-President in 1941, etc. Dates- 6/35-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. E. Randolph Williams. Subject- Trustee/ Museum business, etc. Dates- 5/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Glasglow bequest, Melchers Estate, Pratt Jewels, Portrait of \"James Patton Preston\", Gilbert Stuart, general legal questions. Dates- 10/58 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Election to board of Trustees; Dance Society. Dates- 6/54 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Advisory committee on the new Reception Center, L. Cheek as a member and a map with the proposed location. \"Summary of Reception Center Objectives and Experience\". Dates- 11/53-1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List of objects accepted as loans and pending gift status. Dates- 10/49 - 3/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Preliminary plans for a foundation to house objects related to W. Wilson's life. Portrait exhibition of the 8 Virginia born Presidents, portrait of Mrs. Wilson, artist unknown. \"Woodrow Wilson's Heritage of Faith\", Frank Bell Lewis, Woodrow Wilson Birthplace Foundation, 1956. Dates- 9/55 - 6/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of request and approval for event, agendas and timetable. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letter of confirmation. Dates- 7/11 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Woodlawn Plantation event, guest list and map. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. to Worcester Art Museum staff. Subject- loans for VMFA inaugural exhibition, loan to Worcester Art Museum, etc. Dates-8/35-7/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- exhibition held at the Museum \"Southern States Preview\" a regional exhibition connected to the World's Fair. Dates-10/38-12/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by applicants to exhibition. Subject- listings of artists accepted to the show (listed state by state). Dates- 12/38-1/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Arthur Drexler (MOMA) to lecture on Wright exhibition, reception, guest list. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Transcript of radio broadcast 2/26/54, exhibition: \"American Painting\", Artmobile and magazine excerpt. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Betsy Wyeth and Harry Brooks (Knoedlers). Subject- \"Country\": Working drawings, Artmobile layout and tour and reviews. Dates- 2/67 - 11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Exhibitions, loans, acquisitions, AIV, gifts, contributions. Correspondence with William Zorach, sculptor. Dates- 9/49 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- museum practices, loans for the VMFA inaugural exhibition, etc. Dates-9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General correspondence from Alumni, possible lecturers, newspaper clippings. Correspondence between Cheek and Alfred Stiegletz. Minutes of Alumni and Friends of the School of Art and Architecture, 5/58, pamphlets. Dates- 6/58 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Third Report Of The Committee On Architecture, Painting and Sculpture\", 4/50. Committee membership roster, issues facing various Yale departments. \"Bulletin Of Yale University\", series 44, 4/48 #5 and \"Official Register Of Harvard University\", vol. XLV, no.15 7/15/48. Dates- 1949 - 50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. Pollard and M. Christison. Subject- Yale school of the arts general operation, appointment of Joseph Albers, list of University Council Committees. Dates- 9/48 - 9/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Draft of the committee report and responses from other Yale committee members regarding departmental personnel, curriculum, problems and resolutions. \"Report Of The Committee Of The Division Of The Arts (Architecture and Planning And Design)\",prepared by L. Cheek, 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Report Of The Chairman Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 4/48, prepared by L. Cheek. Issues concerning Yale departments of the arts. Minutes of Yale Executive Committee Meetings, various reports on Yale departments. Dates- 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cheek draft of, \"Report Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 1952. Yale policy review, new appointments, letters to other committee members, roster of membership. Dates- 5/51 - 4/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Evolving challenges of the various Yale departments. \"Report Of The Committee On The Division Of The Arts (Architecture, Planning and Design)\", 4/53. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA performance of Yale Glee Club, agenda, program, roster, etc. Dates- 10/60 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","R. Peter Mooz was Director of the museum from 1976-1981.","Charles L. Reed was Interim Director of the museum from 1981-1984.","Paul N. Perrot was Director of the museum from 1984-1991.","Katherine R. Lee was Director of the museum from 1991-2000.","Richard B. Woodward was Interim Director of the museum in 2000.","Michael Brand was Director of the museum from 2000-2005.","Thomas N. Allen was Interim Director of the museum in 2006.","This series contains correspondence and subject files from staff members in the Director's Office.","Carolyn Weekley was the Assistant to the Director from 1978-1979. She later became Curator of Decorative Arts, so there is some overlap in the files with her curatorial work.","Margaret (Peggy) Burke was Assistant to the Director from 1980-1981, then Deputy Director in 1982, Deputy Director. She originally served as Assistant Director for Collections and Interpretation, so there is some overlap in the files with her other work.","Lulan Yu was Assistant to the Director from 2002-2007. Her files are mostly related to the North Wing expansion and the museum identity project.","Lee Anne Hurt Chesterfield was Assistant to the Director from 2004-2009, then became Director of Board Relations and Museum Planning. Her files are mostly related to special projects, exhibitions, and AAM reaccreditation.","This series consists of building files that were maintained separately in the Director's Office. There are often additional building files found in each Director's Correspondence files.","The West Wing was completed in 1985.","The North Wing expansion was completed in 2010.","This series consists of corespondence with internal and external groups, the affiliations or creations of which often often overlap different Directors.","This series consists of minutes and planning documents for meetings convened by the Director.","This series consists of program files that were maintained separately in the Director's Office. There are often additional program and exhibition files found in each Director's Correspondence files.","Medal awarded to Walter Spencer Robertson housed separately.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","Virginia Museum of Fine Arts Archives","English \n.    "],"unitid_tesim":["RG-01","/repositories/2/resources/44"],"normalized_title_ssm":["Director's Correspondence (RG-01)"],"collection_title_tesim":["Director's Correspondence (RG-01)"],"collection_ssim":["Director's Correspondence (RG-01)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["248.5 Linear Feet 204 boxes; 7,156 folders"],"extent_tesim":["248.5 Linear Feet 204 boxes; 7,156 folders"],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. \u003c/p\u003e\n","\u003cp\u003eAs custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809).\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"altformavail_html_tesm":["\u003cp\u003e\"Museum in Action\" was reformatted and is available on YouTube: \u003ca href=\"https://www.youtube.com/watch?v=03tQlnoFx0A\u0026amp;t=1s\"\u003ehttps://www.youtube.com/watch?v=03tQlnoFx0A\u0026amp;t=1s\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["\"Museum in Action\" was reformatted and is available on YouTube:  https://www.youtube.com/watch?v=03tQlnoFx0A\u0026t=1s"],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are generally arranged alphabetically within series 1-2. Series 3-6 are generally arranged chronologically.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eDirector's Correspondence, 1927-2006\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eDirector's Office Staff, 1977-2008\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eBuilding Files, 1979-2004\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eOrganization Files, 1991-2006\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eMeeting Files, 1998-2009\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003eProgram Files, 1992-2007\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are generally arranged alphabetically within series 1-2. Series 3-6 are generally arranged chronologically.","Series 1 Director's Correspondence, 1927-2006 Series 2 Director's Office Staff, 1977-2008 Series 3 Building Files, 1979-2004 Series 4 Organization Files, 1991-2006 Series 5 Meeting Files, 1998-2009 Series 6 Program Files, 1992-2007"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Director's Office through periodic deposits since 1989. The bulk of the Early Director's Correspondence (Series 1.1) was deposited at to the Library of Virginia in 1982, where it remained until November 2022 when it was returned to VMFA.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred from the Director's Office through periodic deposits since 1989. The bulk of the Early Director's Correspondence (Series 1.1) was deposited at to the Library of Virginia in 1982, where it remained until November 2022 when it was returned to VMFA."],"originalsloc_html_tesm":["\u003cp\u003eBetween June 17-September 10, 2023, the Fellowship Application and associated photograph of Wigfall were placed in the exhibition \"Benjamin Wigfall \u0026amp; Communications Village.\"\u003c/p\u003e","\u003cp\u003eBetween June 17-September 10, 2023, the recommendation letter from Leo Katz was placed in the exhibition \"Benjamin Wigfall \u0026amp; Communications Village.\"\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["Between June 17-September 10, 2023, the Fellowship Application and associated photograph of Wigfall were placed in the exhibition \"Benjamin Wigfall \u0026 Communications Village.\"","Between June 17-September 10, 2023, the recommendation letter from Leo Katz was placed in the exhibition \"Benjamin Wigfall \u0026 Communications Village.\""],"prefercite_html_tesm":["\u003cp\u003eDirector's Correspondence (RG-01). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Director's Correspondence (RG-01). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.\u003c/p\u003e","\u003cp\u003eSeries 1.1 was processed by State Records Archivist Laura Drake Davis from 2006-2008 while it was still deposited at the Library of Virginia. In 2023, Senior Archivist Courtney Tkacz integrated VMFA's holdings into that series and in the process, RG-01 Boxes 1-4 and LVA 33863 Boxes 60, 67, 74, and 89 were removed.  \u003c/p\u003e","\u003cp\u003eSelect application materials were digitized with the identifier: RG01.01.1.33863.001\u003c/p\u003e","\u003cp\u003eSelect application materials were digitized with the identifier: RG01.01.1.33863.007\u003c/p\u003e","\u003cp\u003eSelect application materials were digitized with the identifier: RG01.01.1.33863.008\u003c/p\u003e","\u003cp\u003eSelect application materials were digitized with the identifier: RG01.01.1.33863.009\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","Series 1.1 was processed by State Records Archivist Laura Drake Davis from 2006-2008 while it was still deposited at the Library of Virginia. In 2023, Senior Archivist Courtney Tkacz integrated VMFA's holdings into that series and in the process, RG-01 Boxes 1-4 and LVA 33863 Boxes 60, 67, 74, and 89 were removed.  ","Select application materials were digitized with the identifier: RG01.01.1.33863.001","Select application materials were digitized with the identifier: RG01.01.1.33863.007","Select application materials were digitized with the identifier: RG01.01.1.33863.008","Select application materials were digitized with the identifier: RG01.01.1.33863.009"],"scopecontent_html_tesm":["\u003cp\u003eThis series is comprised of correspondence of all of the various Directors of the museum. Files were arranged alphabetically by subject, and there is a lot of overlap between different Director's as the files often contained pertinent items from a predecessor. In the case of the first sub-series (1.1), until 1976, the entire museum's files were maintained centrally as one unit in the Director's Office.\u003c/p\u003e","\u003cp\u003eThis series includes the records of the first three Directors - Thomas C. Colt (1935-1948), Leslie Cheek, Jr. (1948-1968), and James M. Brown (1969-1976) - as well as the two Interim Co-Directors Beatrice von Keller and Violet McDougall Pollard (1942-1945). The bulk of this series was deposited at the Library of Virginia, therefore most of the items held at VMFA are copies that LVA returned to the museum.\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with individuals, institutions and corporations beginning with the letter 'A', note- two letters written to Josef Albers (no replies). Dates- 2/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding a copy of Gainsborough's \"Blue Boy\" in the collection of Van Clief of Esmont, Virginia.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters from private donors and dealers offering objects for sale and as gifts to the Museum when it was first started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence, minutes and information about gifts and purchases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information about items being considered for purchase and members of the committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence, minutes, and information on bequests and purchases. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- minutes of accessions committee meeting 1972, announcements and attendance for meetings 1973, acquisitions policy for bidding on works of art at auction, etc. Dates- 9/72-1/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- painted decorations of St. James church, putting this church on the Virginia section of the National Register. Dates- 4/68-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- departmental inventories of non-expandable assets of the Commonwealth of VA 1940-3, worksheets on individual art objects and Museum equipment, state regulations, etc. Dates- 6/43-11/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown and P. Near (Curator). Subject- correspondence about possible acquisitions, considerations of gifts, notes on possible acquisitions, etc., 10/70-4/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding the gift of Mrs. Charles Adams (Ann Fowlkes) of music albums 1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek's appointment by the Governor to an advisory committee assisting the Dept. of Conservation and Economic Development in a study for a proposed museum of science, archaeology and natural history (to be located in Richmond), copy of Senate joint resolution no.26-to study the encouragement or establishment of a museum of science and natural history, list of committee members, Report of the Department of Conservation and Economic Development to the Governor and the General Assembly of Virginia Relative to the Establishment of a Museum of Science, Archaeology and Natural History in Richmond, 1965, etc. Dates- 5/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Excerpt from the Report of the Committee on Recreation to the Advisory Council on the VA Economy and A Summary of Major Recommendations that Involve Questions of State Policy by the Advisory Council on the VA Economy. Dates- 8/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- possible Museum acquisitions from the dealer. Dates- 4/53-5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Airfiltering System 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- correspondence and announcement for lecture by Ambassador Akar about Africa's unique cultural heritage, etc. Dates- 10/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cheek was a judge for their annual show. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence with Albemarle Art Association President about discontinued affiliation with VMFA, biographical information on Cheek, introduction about Cheek for lecture at AAA, Cheek's remarks in honor of Horace Burr 1966, etc. Dates- 8/57-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with and biographical information about Josef Albers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- a letter to Albers (no reply). Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown Subject- correspondence with Director about appointment to board of Hon. George S. Aldhizer II, Education in the Arts and Honors and Awards Committee appointments, etc. Dates- 6/67-2/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Donor of several paintings to the Museum, 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek as speaker for \"The Alexandria Forum: Southern Decorative Arts 1750-1850\", exhibition loans to Alexandria Assoc., etc. Dates- 9/55-1/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Printed materials. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence regarding annual meetings and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- AAM (American Association of Museums)annual meeting pamphlets 1955,'57,'58,'59'60,'61,'62,'65 and'68, proposed constitution and By-Laws 1961, roster of member institutions 1959, correspondence about AAM meeting in Williamsburg, etc. Dates- 10/60-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from AAM Directors. Subject- Minutes annual meeting 1969, membership reports 1969-70, Financial Statements 1969-70, agenda for AAM council meeting 1970, memos, etc. Dates- 8/69-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- info about AAM (American Association of Museums) seminar held in Richmond 1972, financial and membership reports 1972, minutes of exec. committee meeting 1972, news releases, letter from Richard Nixon to Mr. Brown as President of the AAM, mailings sent out by AAM, etc. Dates- 7/72-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about Cheek as Program Chairman for AAM (American Association of Museums) annual meeting in Williamsburg 1962, tentative agenda, schedule of events, attendance list, committee reports, program, etc. Dates- 5/59-1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- correspondence to American Art Association (AAM) section chairmen about annual meeting, program, schedule of events, etc. Dates- 9/60-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about arranging program for American Association of Museums (AAM) meeting, roster of section chairmen 1962, agenda for exec. committee meeting 1961, invitations sent to VMFA trustees for a reception (held at VMFA) to meet the delegates to AAM meeting, etc. Dates- 7/59-6/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- roster of AAM (American Association of Museums) section chairmen 1962, attendance and schedule for section meetings, etc. Dates- 1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lloyd Goodrich Lecturer. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek on advisory committee for the study of design and craftsmanship in today's products, roster of advisory committee, proposed exhibition, conference series, documentary and publication about design and craftsmanship, National Exhibition Project Committee meeting minutes 1950, etc. Dates- 3/49-4/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cheek on Board of organization. Contains memos, pamphlets, exhibition literature etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns L. Cheek's membership in the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- minutes of exec. committee meetings 1961, '62 and '65, roster of trustees, memos to trustees, correspondence about convention in Chicago, etc. Dates- 1/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. (trustee of AFA). Subject- information about circulating exhibitions, minutes of Exec. committee meetings 1966 and '67, minutes of trustee meetings 1966, '67 and '68, memos to trustees, etc. Dates- 1/60-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- American Federation of Arts (AFA) exec. committee meeting minutes 1967 and '68, correspondence about AFA delegates visit to VMFA 1969, roster of members and committee appointments, news releases 1968, President's annual report to AFA, etc. Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about Cheek as Convention Committee Chairman 1959, correspondence about potential committee members, program for convention, minutes of preliminary joint meeting of the AFA trustees 1958, minutes of trustees meeting 1959, Golden Anniversary Convention, The American Federation of Arts 1909-1959, congratulatory and appreciation letters to Cheek, etc. Dates- 3/58-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown Subject- AFA (American Federation of Arts) exec. committee meeting minutes 1959,'60,'61,'62 and'65, roster of board of trustees, trustee meeting minutes 1961 and '62, AFA constitution, National Council on the Arts and Government Annual Report 1960, etc. Dates- 3/61-1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence with the American Institute of Architects. Dates- 4/47-1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cheek served as a juror for the Annual Homefurnishings Design Competition and was an honorary member, 1949-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- A.I.D. (American Institute of Designers) VA chapter yearbook 1961-2, listing of suggested museums for A.I.D. exhibition, etc. Dates-5/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to J.M. Brown. Subject- dinner meeting for the AID (American Institute of Designers) (interior designers). Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Peter Mooz and Wm. Wilkinson (Mariners Museum). Subject- Loan requests, cost estimates, pamphlets and photographs. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Peter Mooz and Wm. Wilkinson\u0026gt; Subject- First major survey of American Marine Painting in observance of the Bicentennial. Lists of paintings, installation, budget, etc. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains copies of lecture invitation and catalog. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to J.M. Brown from ASA (American Society of Appraisers). Subject- Brown's membership in ASA, ASA news 1971-2, announcement of meeting 1971, etc. Dates- 10/70-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- arrangements for gallery dinner at VMFA for American Society of Appraisers. Dates- 1/72-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- Brown as Chairman of a committee on collections at Amherst College and member of Exec. Committee of the Association of Fine Arts, constitution and minutes of Association of Fine Arts meetings 1970 and '71, roster of members of the Association of Fine Arts, membership solicitation letter, catalogue: The Amherst Sesquicentennial Exhibition 1972, etc. Dates- 10/69-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mrs. J.G. Pollard and Mr. Henry W. Anderson. Subject- meetings of the Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, a portrait of Anderson by VA artist, Julian Binford, etc. Dates- 6/35-11/44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Henry W. Anderson. Subject- Anderson's presidency of the Board of Trustees 1947, trustee and Museum business, Annual Board meeting minutes 1947-8, Museum events and daily operations, Museum investments and gifts to the Museum, a general study of the Museum's collections and suggested plan of development (1947), information about the land occupied by the Museum and its estimated future needs, etc. Dates- 6/47-6/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- President of the Board of Trustees. 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and L. Cheek, Jr. and Col. Henry W. Anderson. Subject- Anderson's presidency of the VMFA Board of Trustees, Museum events and daily operations, gifts to the Museum, investment of the Museum's A.D. Williams fund, listing of financial condition of endowment and special funds 1952-3, etc. Dates- 5/51-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- arrangements for dinner honoring Mr.and Mrs. Walter P. Chrysler, guest lists, invitations, R.S.V.P.'s, etc. Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- final copies: VMFA 2nd Annual Report of the Director 7/1/36-6/15/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA 7th Annual Report of the Director 7/1/41-5/1/42 and VMFA staff orders 1/42 elaborating the orders of 6/41 conduct of the Museum during an emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers, preliminary and final copies of The Report of the Acting Directors for the Year 1944-5, agenda for Executive committee meeting 6/44, breakdown of membership 1943-4, 1944-5 and working papers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- final copy VMFA Annual Report. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- preliminary and final copies VMFA Annual Report 1946-7 7/1/47-4/30/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- preliminary and final copy: VMFA Annual Report 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for the 1948-9 Annual Report, Report of the Executive Committee of the VMFA to the Board of Trustees (5/22/49) also a listing and attendance record of the Board of Trustees (5/27/49).  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for the 14th Annual Report, including operations budget, salaries and membership count, also a copy of VMFA Organic Laws (10/36). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- The 14th Annual Report of the Director (5/27/49) and its working papers, also correspondence about VMFA role in selecting and displaying portraits in the Governor's Mansion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- working papers for the annual report, listing of Cheek's activities (lectures, consultations, committee and jury duties). Dates- 1960-1. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Annual Reports for Collections and Gallery Divisions 1951-54, and for State Extension Services 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA 1st Annual Financial Report of the Curator (4/13/35-6/15/36), VMFA 2nd Annual Report of the Director (7/1/36-6/15/37), VMFA 3rd Annual Report of the Director (7/1/37-6/1/38), VMFA 4th Annual Report of the Director (7/1/38-6/1/39), VMFA 5th Annual Report of the Director (7/1/39-5/1/40), VMFA 6th Annual Report of the Director (7/1/40-5/1/41). Dates- 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA 7th Annual Report of the Director (7/1/41-5/1/42), VMFA 8th Annual Report by the Acting Directors (7/1/42-5/31/43), also, VMFA 9th Annual Report by the Acting Directors (7/1/43-5/31/44).  Dates- 1941-1944. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- the following reports: \"Remarks by Robert Marsh, Jr. before the Appropriations Committee of the General Assembly\" and \"Resume of the Request of the Trustees of the Virginia Museum of Fine Arts before the Appropriations Committee 2/64\" Dates- 2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Annual meeting of its Richmond Chapter at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., Mrs. J.G. Pollard and Ms. B. von Keller. Subject- biographical info, purchase of his painting Maggie, letters of introduction, personal references, loaning work to Museum, Va. artists exhibitions, counsel on museum operations, etc. Dates- 10/35-10/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposed paperback guide to architecture in Virginia, roster of Editorial Advisory Board for guidebook, list of sites by counties and cities, etc., final list of buildings and sites, announcements and minutes of Nominating Committee meeting, etc. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- biographical information on H. Harvard Arnason, speaker on Henry Moore sculpture at VMFA, VMFA Members' Bulletin vol.26, no.2 10/65. Dates- 9/65-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- confirmation of meeting with State Art Commission to present plans to enlarge VMFA. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- membership roster, pamphlet of Art Dealers of America, Inc., etc. Dates- 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lectures given at the VMFA by members of the staff of the Museum of Modern Art 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about museum practices, the following publication: Let's Make the Lions Roar: A Marketing Study of the Art Institute of Chicago by Edward J. Teply (Northwestern University 1959) Dates- 6/48-1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Potential jurors for biennial exhibitions 1970. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence and a listing of members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence and art nouveau purchase plan. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Artificial flowers for decoration in galleries, 1964. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Museum program where artist-members participated in a life drawing class.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program sponsored by museum for artist members, included life drawing classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and memorandums. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence and minutes from meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Project to try and send artmobiles overseas as suggested by the State Department. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence as to whether or not they would like to have the artmobile visit their school. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains plans, blueprints, and correspondence that occurred during its development.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Manufacturer of custom van bodies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Presidential Inauguration. Artmobile was State of Virginia's entry in President Johnson's inaugural parade, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposed exhibition for the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Magic City Bank had an exhibit trailer, which was a prototype for artmobile.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitations, programs and correspondence.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Reprints of A.I.V. article \"Galleries on Wheels\", 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VFWC was instrumental in getting the artmobile started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, newspaper and magazine clippings and schedule 1961-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Schedules, Plans, correspondence and photographs, 1960-63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Drawings and plans for 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Opening, Middleburg, Virginia, 1962.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Dinner and Invitation List. Artmobile II Opening. Middleburg, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Facts sheets, invitations and photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Dedication. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- correspondence re. funding, construction, photographs, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Plans for Collegiate Artmobile to visit Virginia Colleges. 1964-65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposal to ask the Carnegie Foundation for funding for a collegiate artmobile, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Opening, Ashland, Virginia. Correspondence and programs, Sept. 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from W.S. Robertson. Subject- Meeting of Virginia college Presidents regarding the Artmobile project to service college and University campuses. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, David Pittman, Peter Mooz. Subject- Artmobile workshop: program agenda, exhibition schedules, etc. \"Artmobile Chairman Handbook\". Dates- 7/74 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Fruehauf Trailer Co., artmobile manufacturer, 1965-66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposed by Lt. Governor Mills Godwin, attempted to establish a Virginia Arts and Crafts Museum. Newspaper clippings, correspondence, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Pamphlets, prints, minutes and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Arts and Humanities Summer Institute. Sponsored by the Va. Commission of Arts and Humanities at the Museum in 1971. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Informational pamphlet from the President's advisory Council on the Arts, 1963. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Art Council of America and Governor's office. Subject- invitation from the Art Council of America to be represented in this council, etc. Dates- 10/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from George Cruger (Editor, AIV), J.M. Brown and Wm. Gaines. Subject- Microfilming of AIV and checklist of Articles to date, Spring 1974. Catalog: \"Image\", George Eastman House, 1973. Dates- 11/73 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Memos and Correspondence. Dates- 1960 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Search for a designer for the magazine. Letters to and from possible candidates. Dates- 1964.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Various issues of the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- A.P. News clips regarding Museum, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns the portrait bust of John Marshall.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- A.P.V.A. Pamphlets and Correspondence, 1972. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- agenda for the APVA (Association for the Preservation of VA. Antiquities) meeting held at VMFA, roster of exec. committee and trustees, etc. Dates- 3/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of members and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and reports from annual meeting 1964-68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- General correspondence to Directors of various museums regarding membership, loans of art works, invitations, etc.  Fact sheet on Artist housing in Soho. Dates- 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence and minutes from annual meeting 1970-71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Annual meeting: reports, minutes, events schedules, officers, membership. Code of Ethics for ilicit traffic in works of art. \"Reproductions and Reproduction Rights For Museum-Owned Objects\", 1962, American Federation of Arts. Dates- 1972, 1979 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes from meeting. Dates- 5/59 - 6/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposals for membership. L. Cheek was membership chairman. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes of meeting. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Report on dangers of lending objects to institutions for special exhibitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Questionnaires, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Dinner held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Lady Nancy Astor. Subject- Donation of her portrait by John Singer Sargent and china. Dates- 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"B\". Subject- varied. Dates- 9/50-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with institutions, individuals or corporations beginning with the letter \"B\" and the VMFA loan-own art service policy statement. Dates- 6/62-10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Transcript of remarks by Frank Stanton on his award of the Michael Friedman Medal of the Architectural league, magazine clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Ballet and L. Cheek concerning the beginning and future of a theatre at the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, A. Ballet and trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Baltimore Museum of Art calendars of events, correspondence about museum practices, etc. Dates- 9/48-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Miss Iris Barry. Subject- giving a film lecture, newspaper clipping, etc. Dates- 8/49-5/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, T.C. Colt, Jr. and L. Cheek, Jr. Subject- general information about Barter Theatre (announcements, VA Highlands Festival schedule, etc.) and correspondence about the Museum sponsoring drama productions as a state extension service. Dates- 12/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Barzansky Galleries. Subject- invitation to a Harriet Fitzgerald exhibition at the Charles Barzansky Galleries, N.Y.C. Dates- 1/58-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Governor Battle. Subject- thank you notes, etc. Dates- 11/50-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- pamphlet of the Museum's 1945-6 season. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Mrs. Bellows. Subject- the proposed acquisition of one of two of Bellows' paintings (Kids, The Teamster) which the museum didn't purchase. Dates-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Fitzgerald Bemiss as a Trustee, correspondence about Board of Trustees and Membership Committee business, gifts to VMFA, etc. Dates- 6/54-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- visit to Florence, Italy and to see Bernhard Berenson. Dates- 1/56-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition: Eugene Berman's sketches for the Metropolitan Opera's Barber of Seville. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- Brown was a chairman of the panel of judges for the Franklin Mint Bicentennial Medal competition in the state of Virginia, official rules and entry form for competition, etc. Dates- 4/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- House Bill no.131 to keep Va. interstates free of billboards, response letters from Va. politicians, etc. Dates- 2/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Mr. Paul Bird as a lecturer on contemporary painting, a transcript of the lecture, etc. Dates- 1/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek and J.M. Brown. Subject- Accessions: Chinese objects. Requests for loan of A. Wyeth paintings from Wyeth Estate, invitation to Clare Boothe Luce to address 17th Annual Va. Public Relations Conference, letter of inquiry regarding the artist Lucille Sinclair Douglas. Accessions: Dubuffet prints, period chairs, pedestals, chest, Aphrodite Torso, female draped figure, Claude Hirst painting, Roger Barr painting. Eric Christmas and Festival Theatre, Ontario, Canada, proposal around building of Bristol Chapter House, furnishing of Agecroft Hall, expansion of University curriculum to include Art Historical Studies in surrounding colleges, Hogarth exhibition, World Museum Fund with description of event and agenda.  Text from \"Country Beautiful, America's Finest Small Museums\", with description of VMFA. Accession and gifts: \"The Little School Girl\", Degas; Amphipolis Gold. Dates- 1959-70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek. Jr. Subject- By-Laws revised and adopted 1951, Organic Laws, announcements, replies, agenda and minutes of annual Board meeting 1950, committee reports, listing of Trustees, etc. Dates- 5/50-5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Col. H.W. Anderson. Subject- annual Board meeting, listing of Trustees 1952-3, announcement of annual meeting, VMFA Annual Report of the Director 1952, etc. Dates- 5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- announcement, replies, agenda and minutes of annual meeting 1953, notice of amendments to the By-Laws, a VMFA report/essay \"The Need for Completing Its Addition\", etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- annual Board meeting minutes 1953, 54, VMFA Annual Report of the Director 1954, notice of amendments to the By-Laws 1954, announcement, replies and agenda for meeting, etc. Dates- 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- minutes of Trustees annual meeting 1955, working papers for the meeting, committee reports, By-Laws revised and adopted 6/54, listing of insurance coverage, Museum events, etc. Dates- 5/55-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mid-year meeting and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- announcement of annual meeting and luncheon for the Trustees, R.S.V.P.'s, attendance list, etc. Dates- 4/56-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Index cards with names and addresses of current and former Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by VMFA staff and Board Presidents. Subject- Board of Trustees committee appointments, appointment letters and reply letters for the following years: '45/6, '46/7, '47/8, '48/9 and '49/50. Dates- 1945-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- letters of appointment to serve on Trustee committees and reply letters, listing of committee appointments 1949-50, etc. Dates- 7/49-7/50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mr. Henry W. Anderson (President of the Board). Subject- appointment to committee letters and reply letters, etc. Dates- 8/51-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence By L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of committee appointments. Dates- 1954-5. Correspondence- Subject- listing of committee appointments. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- listing of Trustees committee appointments (1956-7), reply letters to committee appointments, etc. Dates- 8/56-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- notes on planning, cost estimates, invitations, replies to preview of A.D. Williams collection and dinner honoring Governor and Mrs. Battle, etc. Dates- 10/52-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Museum events, working papers for the annual Board meetings and agendas, nominations to the Board, excerpts from the Board minutes, committee reports, etc. Dates- 2/37-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains miscellaneous correspondence, memos and minutes from meetings. 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Board annual meeting minutes 1955, By-Laws revised and adopted 1954, By-Laws and suggested revisions 1956, listing of Trustees 1955, Committee appointments 1954-57, etc. Dates- 1954-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Roster of the VMFA Board of Trustees. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- announcement, replies for Board meeting, listing of Trustees 1952, 53, notice of meeting cancellation because of inability to secure a quorum, etc. Dates- 1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- announcements, replies, agenda and minutes of Trustees special meeting and Executive Committee meeting, etc., 1/54-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- minutes of the Board of Trustees annual meetings. Dates- 1934-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- suggested plan for developing VMFA collections by Colt (1945), announcements and replies for Board annual meeting , prepared budget 1947-8, listings of Trustees, officers and committees, etc. Dates- 10/45-6/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- sightseeing boat tour on the James River. Dates- 2/57-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mrs. John H. Bocock as a Trustee, Board of Trustees, Entertainment and Accessions Committee business, art lending service information, gifts to VMFA, etc. Dates- 5/51-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek writing introduction for A. Aubrey Bodine's photography book: The Face of Virginia, draft of the foreword/introduction, biographical information on Bodine, etc. Dates- 3/62-1/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- letter to Hon. Armstead L. Boothe about appointment to Board. Dates- 6/64-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Jr. primarily with the Sheraton Hotel. Subject- a cocktail party held on Cheek's Boston trip, guest lists, invitations, etc. Dates- 10/58-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. with various Boston Museum staff. Subject- museum practices, loans, speaking engagements, exchange publications, etc. Dates- 11/47-10/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- loaning objects to VMFA, correspondence about museum practices, lecture given by Cheek in Boston about art in Virginia, etc. Dates- 3/55-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and V.Y. Bowditch. Subject- Bowditch biographical information, drama schedule 1955-6 season, evaluations, theatre operations, etc. Dates- 7/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Theatre director of Pasadena Playhouse 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. with E.G. Bowles and the Public Works Administration (PWA). Subject- landscaping the Museum and bids complying with PWA, construction contract 4/36, classifications of labor/workmen and wage rates 12/34 and Form Of Bond-VA 4/36. Dates-3/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's membership to the VMFA Board of Trustees, Museum events and daily operations, the following Museum publications: Virginia Museum of Fine Arts By-Laws, 1st Annual Financial Report of the Curator (4/13/35-6/15/36) and Virginia Museum of Fine Arts 1st Quarterly Financial Report of the Curator (5/1/36), listing of suggested prospective Trustees, listing of Trustee committee appointments 1937, sketches of Museum floor plan, etc. Dates- 12/34-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, Museum publication: Prospectus of Program Season of 1937-38, radio talk show transcript 3/38, etc. Dates- 6/37-6/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, PWA grant offer 1938 to the Museum, letter from VMFA rejecting the offer of a PWA grant, copy of the resolution that Henry P. Strause, Esq. be named first Honorary Benefactor of the Virginia Museum of Fine Arts, etc. Dates- 7/38-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Trustee committee appointments 1939-40, essays by Branch about WWII, financial situation of the Museum 1939, creation of a \"Ways and Means\" committee, etc. Dates- 8/39-6/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe Branch. Subject- Branch's presidency of the VMFA Board of Trustees, staff organization (1940), plan for VA artist fellowships, \"Art in Virginia\" an article written by Colt, Museum events and daily operations, Museum investments and gifts to the Museum, biographical information on Branch, Trustee committee appointments 1940-1, etc. Dates- 6/40-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, biographical information on Branch, Museum events and daily operations, Museum investments and gifts to the Museum, winner of the first Webster S. Rhoads medal, etc. Dates- 5/41-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Thalhimer Brothers, Inc. Subject- use of VMFA's Medieval Gallery for British Embassy reception. Dates- 6/1/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- brochures for the VA Dance Society, VA Film Society and VA Chamber Music Society. Dates- 1963-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- loaning objects to Brooklyn Museum, correspondence about museum practices, exchange publications, etc. Dates- 2/48-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- essay written by J. Carter Brown for New York University. Dates- 5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- news releases about James M. Brown becoming VMFA Director, newspaper clippings, photos of Brown, Report of the Director 1972-3, etc. Dates- 6/69-11/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by VMFA staff and Trustees. Subject- plans for receiving the new Director. Dates- 6/69-7/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Fred Haseltine (Assistant to Director). Subject- list of objects being offered to the Museum including: antique gold boxes, ornaments, clocks, etc., letters to the executors of the Ailsa Mellon Bruce estate, correspondence with Paul Mellon, news releases and news paper clippings about gift, photos of the galleries, etc. Dates- 8/70-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Mr. David K.E. Bruce as a Trustee, Board of Trustees business, gifts to VMFA, etc. Dates- 5/48-3/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposed acquisition of the Brummer collection of Medieval art, report on collection, list of objects, correspondence to Paul Mellon, etc., later sold to Duke University. Dates- 12/65-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and the Smithsonian Traveling Exhibition Service. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Exhibition 1958, includes layouts and photos, etc. Dates- 3/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek's membership on the Fine Arts Advisory Committee to U.S. Commission for the Brussels Universal and International Exhibition of 1958, committee meeting minutes 1957, committee roster, etc. Dates- 2/57-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Fair 1958, Cheek was an advisory committee member, loan, catalogue and installation lists, information on slide presentation- \"Art in American Museums\", etc. Dates- 3/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- sketches, plans of the U.S. pavilion for the Brussels International Fair 1958, information and listing of objects in the \"American Folk Art\" exhibition, etc. Dates- 1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Harry Bertoia (Sculptor). Subject- the acquisition of a Bertoia piece (Tree) shown at the Brussels Fair. Dates- 8/57-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr. Subject- D. Tennant Bryan as a Trustee, Board of Trustee and Membership Committee business, etc. Dates- 10/47-6/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. D. Tennant Bryan. Subject- Trustee/Museum business, membership to the Museum, etc. Dates- 5/51-9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. J. Stewart Bryan. Subject- Trustee/Museum business, loan of paintings for inaugural exhibition, gift to Museum, etc. Dates- 6/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Thomas P. Bryan as a Trustee, Board of Trustee business, etc. Dates- 9/58-11/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- congratulatory letter to Mr. Thomas P. Bryan on election as Mayor, Date- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. to Buchholz Gallery. Subject- proposed purchases, loans, exchange publications, etc. Dates- 4/47-8/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- VMFA budget exhibit 1959 and 1966-8, resume of the VMFA Trustees before the Appropriations Committee 1964, budget requests 1960-1 and 1962-4, etc. Dates- 9/61-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of Governor's Budget Advisory Board 1965, outline for capital outlay funds dinner, invitation letter to Trustees, etc. Dates- 5/65-6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed 25th anniversary budget, correspondence about obtaining a Budget Committee for the 25th anniversary program, anniversary publications, etc. Dates- 1/60-3/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about Capital Outlay Commission dinner and theatre, etc. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- suggested order of events for Budget Advisory Committee meeting, invitation letters to the Presidents of VMFA affiliate chapters, draft of end of dinner announcement, etc. Dates- 7/61-9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- list of Governor's Budget Advisory Committee 1969, review of Museum's request for capital outlay funds to construct North Wing and theatre, etc. Dates- 4/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- roster of Governor's Budget Advisory Board 1967, outline for Cheek's remarks to Budget Advisory Committee, etc. Dates- 1/67-5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- roster of Governor's Budget Advisory Committee members 1972-4, request for hearing, dinner invitations for Advisory Committee, etc. Dates- 5/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers and news releases about the addition to the Museum. Dates- 6/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to other U.S. art museums. Subject- installation and advice on purchasing an air conditioning system. Dates- 5/53-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Wm. Rhodes. Subject- correspondence about air condition system failure. Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- addition and renovation to the Museum, proposals and preliminary studies by Mr. Merrill Lee, Architect, copy of a Architects and Consulting Architects Contract, etc. Dates- 12/49-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard primarily with Architects M.C. Lee and Eggers and Higgins. Subject- schedule of interior installation, list of architects bills, building inspection, review work/progress, photographs of progress of additions to the Museum 1953, etc. Dates-12/48-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns the proposed addition the VMFA 1949-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Baskervill and Sons (architects and engineers) preliminary drawings, schedule for construction project, etc. Dates- 7/64-12/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Attempt by the United Daughters of the Confederacy to expand their facility on the block. The Museum's and the Virginia Historical Society's attempts to stop them and acquire the land for their own use. Dates- 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about equipment needed to supply music to members' quarters, lobby area and galleries. Dates- 7/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- information about sound equipment. Dates- 6/54-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information on purchasing folding and stackable chairs. Dates- 8/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- extending the rise of freight elevator. Dates- 8/53-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- proposals and layout for a film production unit to be located in the new wing (to make interpretative sound films). Dates- 7/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information, blueprints on changes to and installation of kitchen equipment. Dates- 6/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- the proposed purchase and installation of photographic equipment, correspondence with other art museums about creating and maintaining a darkroom and staff photographer. Dates- 8/53-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- blueprints of check room, information about coat, overshoe and umbrella racks for the Museum check room. Dates- 9/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information about seating for the theatre and auditorium, blueprints of the auditorium. Dates- 8/53-8/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of machinery and equipment needed for the new shop. Dates- 8/17/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about chandelier for front entrance of Museum. Dates- 9/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M.C. Lee, Architect. Subject- alterations and additions to the Museum, color samples and specs for painting and finishing, etc. Dates- 8/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains amounts of pledges and names of donors giving money for new galleries.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Gallery floor plans: VMFA, Brooklyn Museum, Victoria and Albert, British Museum, Art Institute of Chicago, Walters. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Merrill C. Lee, Architect. Subject- progress photographs and negatives (north wing). Dates- 5/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Architects: contractual agreements, VMFA design program, Capital Outlay Appropriation, alteration, additions, cost estimates, expenditures, contracts for Doyle and Russell and Merrill C. Lee (AIA). Dates- 12/48 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- blueprints of a darkroom and information about and catalogs of photographic equipment. Dates- 8/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns securing restricted material such as steel for post-wartime construction. 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to Mrs. J.G. Pollard. Subject- Economic Stabilization Committee (ESA) search for qualified women employees, ESA headquarters to be located in Richmond, federal government regulations that established ceiling prices for all commodities and services (except those specifically exempt) upon the basis of prices in effect between 12/19/50-1/25/51. Dates- 2/51-12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"Final Statement Museum Of Fine Arts Richmond, Virginia\", contract dated June 9th, 1952. Financial statement/contract from Doyle and Russell Construction. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Terra cotta statues at the North entrance to the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Original Building: \"Manual On The Planning And Execution Of State Capital Outlays\", 9/1/44, contracts: Doyle and Russell (Building Contractors) and Merrill C. Lee (AIA). Detail for additions and deletion from original building. Design contracts and inspection reports. Dates- 1952 - 55, 1966, 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Brochures, drawings, correspondence 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- information on red carpet and padding for the front entrance. Dates- 8/51-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Meeting with Interior designers 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding plants around the Waddy fountain. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- the Richmond Junior League's proposed campaign to raise money for construction of South wing for the Museum, working papers for and final copy of the pamphlet: \"The Virginia Museum Needs Wings\", etc. Dates-12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- renovations and construction of a new wing to the Museum, Cheek's comments on preliminary and revised drawings, and construction progress, Architects and Consulting Architects Contract (Merrill C. Lee, Architect, Eggers and Higgins, Consulting Architects), an essay \"The Virginia Museum of Fine Arts Need for Completing Its Addition\", etc. Dates- 1/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information relating to addition to Museum, several reports including: Building Program 1950-1, Addition to Building 1949-50, The Virginia Museum of Fine Arts The Need For Completing its Addition, History of Appropriation for Construction (1948-53) ,also, notes for Sen. Gray about Museum addition (1952). Dates- 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- miscellaneous daily and general building maintenance. Dates- 2/60-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Governors Stanley and Battle. Subject- improvements on Museum building and completion of new wing (1954). Dates- 12/50- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject-construction/installation of American and English galleries, alterations to Medieval hall, blueprints, etc. Dates- 7/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- information on purchase of steel lockers, blueprints, etc. Dates- 4/54-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about ordering office furniture designed by Eero Saarinen. Dates- 8/64-1/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Alfred Geiffert, landscape architect. 1949-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- analysis of situation concerning the parking lot and planting, etc. Dates- 8/66-10/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Budget Estimates for landscaping the grounds of the Museum around addition, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information and bids on purchasing lighting and steel storage equipment. Dates- 11/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- info on purchase of supplies for dining room/cafeteria: placemats, traymats, doilies, napkins, matches. Dates- 1/55-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains plans for the Waddy Fountain, and furnishing brochures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Carl Milles, donor of the Little Triton Fountain 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- marble chips for garden court fountain request for information about installation of mosaics in garden court. Dates- 8/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed purchase of wall coverings for new galleries (movable partitions and door headers). Dates- 2/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- commission to decorate behind refreshment counter in the new building, commission switches from Julien Binford to Richard Q. Yardley. Dates- 6/54-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Richard Q. Yardley Mural in the refreshment room. Also contains information on Julien Binford who was originally retained to do the mural before Yardley. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Public Works Administration Grant for Museum addition, application to National Production Authority (N.P.A.) for assistance in obtaining materials for proposed Museum construction. Dates- 10/35-9/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- staff requests for facilities and equipment, list of private funds for Museum addition, Board resolution about the construction on the building, etc. Dates- 7/48-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- drawings of proposed Museum addition, Special Building Committee procedure in dealing with Appropriations Committee of the House of Delegates, etc. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and New York City Museums: Metropolitan, Guggenheim, MOMA, and Whitney. Subject- Extended loans of paintings and sculpture for the VMFA's new wing of Contemporary Art, scheduled for Jan. 1970. Correspondence from L. Cheek to John Walker to address the Collectors Circle. Dates- 7/69 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- report on budget dinners 6/65, Cheek's itinerary for talks 1965, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and Joseph Whitehead (Interior Designer). Subject- Interiors of the New South Wing, Fabric sample enclosed. Correspondence between L. Cheek and Bernard Bothner of the Brooklyn Museum. Subject- Resources for slides to accompany the reinstallation of the Egyptian Gallery. Dates- 6/66- 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposals for gallery orientation theatre systems. Memo To VMFA staff regarding upcoming Fellows meeting. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to other museum directors. Subject- Request for slides of recent building additions to their respective museums, to prepare for a presentation to the Virginia Legislature. Dates- 4/65 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Survey conducted by L. Cheek to determine the necessity of a sprinkler system in galleries. Letters, cards of response and survey results. Dates- 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains brochures and catalogs 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- photos of preliminary architect's drawings, preliminary cost estimates, etc. Dates- 7/62-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Information concerning the MOMA 30th Anniversary, building funds drive with text of building/expansion plans, \"Toward The New Museum Of Modern Art\" , 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- review of presentations to the Art Commission, photos of other art museum additions, statements about addition (Mr. Wallace K. Harrison and Mr. Frederick D. Nichols), etc. Dates- 9/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Sculpture garden fountain and the renovation of the theatre lobby. Dates- 7/76 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Wm. Higgins. Subject- Membership drive/ New Wing opening, progress reports to members of the Board, financial statements: cost estimates, design fees, operating fund, construction timetables. Fact sheet relating to history of VMFA. Signficant dates for the Virginia Museum, \"History of North Wing Construction\". Dates- 4/71 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, D. Nicholas and C. Chamberlayne (Hardwick). Subject- Progress timetable, architectural engineering/ landscape/ interior design. Revisions/ alterations to construction, cost estimates, instructions to bidding contractors. Review by building committee of the Board of Trustees. Minutes of the building committee, 2/25/72, drawing/plans. Dates- 1971 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, D. Nichols and C. Humelsine. Subject- North Wing plans, justification and description, funding, appeal to legislature to win support for North Wing funding. Rosters: Appropriations committee, finance committee, Governor's budget advisory committee. Essay- \"The Unique, Pioneering Virginia Museum\" and \"Facts on the Virginia Museum of Fine Arts\". Dates- 1967, 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from W.S. Robertson and L. Cheek. Subject- Original design of North Wing per L. Cheek and Baskerville (AIA), later rejected by the Arts Commission. List of significant dates with regard to North and South Wing additions. Minutes of Special building Fund committee, 3/11/65, original building proposal, photographs. Bulletin vol.26, no.2 10/65. Dates- 9/65 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Photographs/Plans/Drawings from Baskerville and Son (AIA) for:entrance hall, basement/sub-basement, site plan elevations/cross section, gallery floor plans and views of entire block.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, D. Nicholas and L. Noland (building committee). Subject- Construction, architectural engineering, capital outlay, construction bids, plans and contract documents. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- blank order forms labeled VMFA NPA Regulation No. 4. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Mrs. J.G. Pollard. Subject- National Production Authority (NPA) regulations, order listings for maintenance, repair and operating (MRO) supplies, regulations about using the DO-97 rating (Form used to obtain MRO supplies), quota for the 4th quarter 1951, etc. Dates- 3/51-7/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence about construction and funding (some PWA) of a wing to the Museum, publication: Working Relationships Between Private Architects and Engineers and the Commonwealth of VA (2/44, Governors' office, Division of the Budget) and The General Conditions of the Contract for the Construction of Buildings (standard form of the American Institute of Architects). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Doyle and Russell, Building and Industrial Construction. Subject- Bronze founders tablets, frames, building inspections and taking over and operating the building 10/35. Dates- 8/35-10/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Peebles and Ferguson, Architects, Norfolk. Subject-blueprints (including detail of the Portuguese Room dated 9/18/35), maintenance and furnishings (benches, plaques, interior painting, etc.) for the Museum. Dates- 4/35- 6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Ferguson, Meakin and Moore, Architects, Norfolk. Subject- reproductions of drawings of proposed south wing, drawings, bids, etc. Dates- 10/37-5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Plans and Correspondence 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- photos of drawings showing the proposed additions and alterations to Museum. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Plans and correspondence regarding the memorial plaques around the building: R.E. Lee Camp, Waddy and the Old Dominion Foundation fountains. 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- construction/installation for the Pratt collection, blueprints, progress reports to Mr. John Lee Pratt, etc. Correspondence with Milton Samuels of French and Company who designed the installation, including quotes for fabric, carpet, cases, carpentry, lighting (including the chandelier). Cheek asked Pratt to fund it and he agreed. Lots of invoices. Dates- 6/54-5/55.   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Baskerville and Sons, Architects, 3/11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about building models, preliminary drawings, furnishing and equipment catalogues, etc. Dates- 4/65-12/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence and statements from Marcellus Wright and Son. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and Merill Lee (architect) and Chairman of the Building and grounds committee, concerning construction of the service area. Dates- 1/59 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Eggers and Higgins, Architects. Sketches and drawings 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr., J.M. Brown and Erwin H. Will (VMFA President of the Board). Subject- all aspects of construction of the South Wing, additions and alterations to Museum, landscaping, fountain, parking lot, etc. Dates- 12/66-3/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- minutes of South Wing construction conferences 1969-72, outline of construction to South Wing, etc. Dates- 1969-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Governors Dinner/Event in celebration of the South Wing: program agenda, menu, dedication plans, News Media reception, Rosters: House of Delegates, Senate, Trustees. Key presented to Governor Linwood Holton donated to the archives by Anne Holton November 3, 2022. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Capital Outlay requests, individual project descriptions, preliminary plans, tabulations of construction bids, estimated income sources, floor plans, budgets, invoices, Executive Committee Minutes and Building Committee Minutes. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Erwin Will. Subject- New duct layout for the South Wing attic space: revisions necessary due to mistakes in original drawings and improper work. Financial statements. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA Charter, Act of March 27, 1934. Design program (2/18/49) Phase II, museum enlargement, boiler replacement, contract cost estimates, committee no.279-A, addendum no.7 to the drawings and alterations to VMFA. Theatre light control system, weekly project inspections. \"General Conditions Of The Contract For Capital Outlay Projects\". Dates- 2/52 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and members of the building committee. Subject- Proposed additions, rejection of north facade by Arts Commission. Excerpts from Minutes of Art Commission Meeting, 6/4/65, 7/9/65, 7/29/66. \"The Virginia Museum Opens The New South Wing\", Press package, Brief History and Signficant Dates of VMFA, photographs. Dates- 1965 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Supplemental Agreement #2: Additions and alteration to various aspects of structural design contracts. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Interior construction and design. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment purchasing list, blueprints of theatre, installation of theatre and projection equipment and an orchestra lift, local building committee meeting minutes, etc. Dates- 7/53-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment: bronze stands and velvet ropes. Dates- 1/55-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Construction blueprints and plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letter of invitation to Trustees, former and current, to celebrate the construction of the North Wing, seating arrangement and timetable for event. Letter to Gov. Holton concerning ground breaking ceremonies and gala dinner. Dates - 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to Col. Anderson. Subject- proposal for theatre for Museum, possible recreation center for armed forces stationed in Richmond. Dates- 2/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Waddy Memorial and Triton Fountains 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- B.F. Ruskin and Associates 1953-55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- committee reports on funding for construction of addition to the Museum, schedule of payments to date (12/4/50 and 12/20/50). Dates- 10/50-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- additions and alterations to VMFA 1955, list of Museum alterations and additions to date 6/15/55 by Merrill C. Lee, Architect, VMFA Noise Survey CA 9687 (1955), blueprints, etc. Dates- 1/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains architectural plans for the first addition to the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- cost estimates/proposed funding for Museum addition, copy of the resolution to establish a Local Building Committee, announcements, replies and minutes of Local Building Committee meetings 1950-2, etc. Dates- 1/46-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Local Building Committee, 1951-54. Information regarding the local contractor. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- minutes and outlines of VMFA Building Committee meetings 1952-3. Dates- 6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, L. Cheek, Jr., and G.D. Gibson (Chairman of the VMFA Building Committee). Subject- addition to Museum building, listing of additions and alterations to the building, agenda and minutes of Building Committee meetings 1953-4, etc. Dates- 9/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- addition to Museum building, minutes, announcement and agenda for VMFA Building Committee meetings 1954-5, list of contributors to Museum Building Fund, etc. Dates- 7/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by G.D. Gibson (Trustee). Subject- installation of Museum equipment, minutes of the Buildings and Grounds Committee meetings 1955-6, etc. Dates- 9/56-12/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains lists of expenditures, list of private donors with amounts donated for the addition to the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA Local Buildings and Grounds Committee meeting minutes 1948-56, listing of committee meeting dates 1948-56. Dates- 1948-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard to Senator Garland Gray. Subject- information about planning costs for addition to Museum building, Museum business and events, etc. Dates- 5/51-7/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Copies of the Museum's members bulletin. Vol.1, No.8, Vol.7, No.'s 1,4and6, Vol.8, No.'s 5and8, Vol.9, No.'s 1,2and4, Vol.10, No.'s 1,2,7and8, Vol.11, No.'s 1,2,3,4,5,6,7and9, Vol.12, No.'s 8and9, Vol.13, No.'s 6and9, Vol.14, No.'s 1,3,6,7,8and9, Vol.15, No.'s 3,4,5,6,7,8and9, Vol.16, No.'s 1,2,3,4,5and6. Dates- 9/46-2/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Bulletins with general information and a survey of sources of income, private and public, from various museums. Dates-1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 1962-1966 Donations, Trustee File. Dates- 7/55 - 12/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and members of Board of Trustees. Subject- Revision of By-laws and Memorial Fund Policy, revisions and recommendations, minutes from sub- committee on By-laws. Dates- 1958 and 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA By-Laws (revised and adopted 5/51, 5/53, 6/54), Notice of Amendments to By-Laws (6/50, 5/53, 6/54), VMFA Organic Laws, etc.. Dates- 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to Senator Byrd. Subject- amendment of IRS code Sec. 863, exempting works of art loaned for exhibition in this country from federal estate taxes. Dates- 7/51-10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., Mrs. J.G. Pollard, and L. Cheek, Jr. to individuals, institutions and companies beginning with the letters Ca-Cn. Subject- varied, including four letters from Alexander Calder about Museum purchase of one of his pieces. Dates- 8/45-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek. Subject- Loans of artwork, Trustees, Fellows, Mary Callery (juror, 1963 Va. Artists Exhibition). Accessions and gifts: Tree, Callery; Han Dynasty pottery; Nanny, T. Sully. Dates- 2/59 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and P. Near to J. Brun and H. Jucker. Subject- Acquisition and provenance of Caligula, Newspaper clippings. Dates- 1971-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, his term as Treasurer of the Fellows. Dates- 1/60-6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mr. John Canaday (from University of VA). Subject- Christmas card design by Canaday, loan of a sculpture show, jobs, etc. Dates- 5/49-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Capital outlay requests for parking area, South Wing, Entrance Improvements, Expenditures and revenues for the year ending 6/1960. \"Instructions for Form c-54-A (individual project report)\" from Commission on State Capital Outlays and Means of Financing. General Endowment Income 1960-61; Capital Outlay for Galleries, landscaping, Egyptian gallery and North Wing, 1935-60. Collections for which there is inadequate exhibition space, list of cultures that are not represented or under-represented, roster of members serving on the \"Commission on State Capital Outlays and Means of Financing. Dates- 1960-61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eIncludes Frances Benjamin Johnston acquisition.\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- officers from the Carnegie Corporation visiting Richmond and the Museum. Dates- 8/55-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to F. Anderson (Carnegie Corporation). Subject- Experimental use of Carnegie Collection of Materials for the Instruction of American Culture and funding of Collegiate Artmobile IV. Proposal, '\" An Artmobile for Virginia Colleges\", March 1965, Supplement, A Statewide Stimulus for Education in the Humanities, Statement of purpose, photocopy of partial grant payment. Dates- 1/58-7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Carnegie Corporation of New York and Carnegie Institute, Department of Fine Arts. Subject- Frances Benjamin Johnston acquisition, requesting a grant, requesting loans for inaugural exhibition, counsel on museum practices. Dates-8/35- 12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Carnegie Trust. Subject- a visit to Richmond by officers of three British Carnegie Foundations, information on Carnegie Trust 1954, etc. Dates- 8/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Secretary of Carnegie Dunfermline Trust. Subject- Roster of Carnegie Delegation visiting VMFA; Annual Report- Carnegie Dunfermline Trustees, 1960. Dates- 7/59-60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- job of Technical Director of the Theatre Division, etc. Dates- 6/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lists of 25th Anniversary donors; VMFA presidents and terms of office 1935-60. Essay- \" The Arts In Virginia\", Walter S. Robertson (Pres. VMFA). Essay- \"Collecting In America\", Alfred Frankfurter (editor and Pres., Art News) Dates- 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of orders for and purchasers of the Healy's Sitters Catalogues, thank you notes for exchange publications, list of relatives of Judge John Barton Payne, etc. Dates- 4/51-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Jaquelin-Ambler Portrait catalogs, listing of the members of the Jaquelin, Ambler and Broadnax families. Dates- 11/48-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- a fellowship set up by the Catherwood Foundation (previous owners of the Dali jewels) to be used for travel/education in Europe, information about transporting Dali jewels from the Museum. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Fellowship for artists provided by the Catherwood Foundation and awarded and administered by the VMFA that year. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. William Gaines and L. Cheek, Jr. and M.B. Christison (Assistant Director). Subject- Gaines biographical information, Catherwood Foundation fellowship recipient, application, recommendations and award letter for fellowship, list and some photos of work submitted, etc. Dates- 3/56-11/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Annual luncheon and tour. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to Century Lighting Co. Subject- lighting for the artmobile and theatre, etc. Dates- 6/53-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- pamphlets from the Convention and Tourist Bureau (Richmond). Dates- 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- pamphlets from the Virginia Chamber of Commerce. Dates- 5/49-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Restoration of Old Botetourt Hotel, Gloucester, Va.; Programming instructions for \"Civilization\" Film Series; proposal and budget for statewide broadcast of Affiliate promotionals. Rosters of Affiliates, Chapters and Confederation Officers; Minutes of \"Executive Committee Meeting\", 10/72; maps, postcards, press release, newspaper clipping, photographs. Dates- 2/67-7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Winter Conference agenda, participants, newspaper clippings. Dates- 12/71-3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposal and budget. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Affiliate/Chapter offices Museum Lecture/Tour; roster of Officers, speaking schedule, events, remarks for each engagement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Prototype for letter to be sent from all VMFA Chapter Presidents to convince Legislature of the need for new building. Dates- 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Dali Jewels. Date- 7/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. primarily to realtors and lawyers. Subject- sale of Cheek's property \"Faraway Farms\", information on sale of Chebry Co. property, etc. Dates- 6/50-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to T.C. Colt, Jr. from L. Cheek (when he was Chairman of the Fine Arts Department at The College of William and Mary and when he was Director at the Baltimore Museum of Fine Arts). Subject- art in Virginia, counsel on museum practices, etc. Dates- 12/36-1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- The retirement of L. Cheek, Trustee dinner honoring the occasion, presentation of \"Thomas Jefferson Public Service Award\", with remarks by Lt. Gov. F.G. Pollard; South Wing construction; invitations and newspaper interview with L. Cheek. Dates- 1/65-3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, W.S. Robertson and Morton Thalhimer. Subject- Letters of moral support, press releases and newspaper clippings announcing the resignation of L. Cheek (decision later recanted). Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding L. Cheek's reconsideration of his resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Resolution from VMFA Council regarding the outstanding contributions of L. Cheek. Includes letters from and too supporters. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Replies to his reconsideration of resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Text from interview of 11/2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- PR, decorations, lecture, etc. Dates- 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Memo to VMFA staff, PR, agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Thank you letter from by a class participant.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence regarding classes at the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Registration information and class lists.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison. Subject- installation of collections and exhibitions, Museum programming, biographical information, etc. Dates- 10/54-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. Christison. Subject- scripts and working papers for children's radio program (\"Treasure Trails\" on WRVA), listing of slides for Season Survey and information on a Life magazine photo exhibition entitled \"Egypt\". Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Vouchers and receipts for travel expenses, 1948-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Christmas cards received by the Museum, a copy of the Museum Christmas card (1956), Information about a Christmas tree in the Members' suite, etc. Dates- 11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Commission of Virginia Artists to design Christmas Cards; rosters: Board of Trustees, A.A.M.D., newspaper clippings, cards, photographs. Dates- 1966-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- ordering Christmas decorations. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Peter Mooz, Sydney and Frances Lewis. Subject- Remarks by J.M. Brown on the dedication of the North Wing and on his resignation. Andrew W. Mellon Foundation, Lewis gift of funds for Art Nouveau purchases, Noland gift of \"Rotating Sphere\", reattribution of the Jewel casket. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Controversy concerning gift of Walter P. Chrysler, newspaper clippings, and Chrysler newsletters, 1973-75. Dates- 1969 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Henry Clay Hofheimer and J.M. Brown. Subject- New wing, correspondence between the Executive Board, the closing of the Chrysler Museum School, operating budget, accessions, list of objects. Minutes of Executive Board, 2/8/72. Transcript of William L. Parkers, et al complaints vs. Walter P. Chrysler Jr. et as Defendants. Dates- 1972 - 33 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Chrysler collection exhibition at the Museum and possible Artmobile tour, listing of pieces in collection, etc. Dates- 9/49-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Loan Exhibition for Church Silver of Colonial Williamsburg, outline for proposed exhibition, budget, letter drafts to Church Wardens, lists of Episcopal Churches owning Church Sliver, Format for catalogue. Dates- 7/68-4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about proposed reproduction in miniature of a Cigar Store figure from the Museum collection. Dates- 7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposed reproduction in miniature of American cigar store figures from the Museum collection. Dates- 5/56-12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek Subject- Civil War Centennial Exhibition, agenda, maps, newsletters, VMT copy of \"Certificate of Award\", conferred on the Virginia Civil War Commission. \"Virginia Joins The Confederacy, Chronology of Events November 1860 through 1861\", Civil War Centennial, 1961-1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek's membership on advisory council of the Civil War Centennial Commission, site development study for proposed Confederate Memorial Park in the Museum area, \"Report of the Preliminary Plans of the Virginia Civil War Commission to the General Assembly\" 12/59, etc. Dates- 5/59- 12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- Programming, Ticket Stubs, newspaper reviews, news releases, photographs. Dates- 7/70 - 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and Joseph Lucas (pres. Civitan Club) [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Resume of Cleveland Museum President, Sherman Emery Lee with photo, Cleveland Plain Dealer Interview \"Sherman Lee's Double Life\". Dates- 12/55-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mrs. Clopton complaint about film tickets. Dates- 2/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- membership in The Poetry Society of Virginia. Dates- 2/53-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr., to individuals, institutions and companies beginning with the letters Co-Cz. Subject- varied. Dates- 8/45-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., L. Cheek and J.M. Brown. Subject- Geri Melchers Memorial; Minutes of Annual Meeting 1962; Minutes of Executive Committee Annual Meeting 1962; restaurant feasibility. Dates- 1957-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- arranging a lecture by Mr. Alexander S. Cochran, Architect in conjunction with the exhibition \"Domestic Architecture of the San Francisco bay Region\", biographical information, etc. Dates- 10/49-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artmobile, gifts. Dates- 6/54 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from the American Association of Museums (AAM). Subject- copies of the Code of Ethics for Museum Workers 1925 AAM report. Dates- 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Remarks on \"The Relation of Trustees and Professional Staff of General Art Museums\", delivered by Charles Nagel 5/17/69,  \"Code of Ethics for Museum Workers\" 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Rhodes Rathskellar, proposals for lunchroom: use by staff, volunteer personnel, policy on break schedule and lunch periods. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from P. Near and Peter Mooz. Subject- Checklist of the status, strength, weaknesses and needs of the VMFA. Damage report, gifts of artworks and accessions, Art Purchase Fund, press releases. Letters to Christo and Robert Rauschenberg. Dates- 1976-77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains photographs, letters, newspaper clippings and information from dealers, prices regarding possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains photographs, prices and other information relating to possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and M.B. Christison (assistant Director for Collections and Education). Subject- listing of possible additions to Museum's collections 1953, information and some photos of objects considered for acquisition, correspondence with art dealers, etc. Dates- 12/51- 11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- listing of possible additions to the Museum's collections, information and some photos about objects considered for Museum acquisition, correspondence with art dealers, etc. Dates- 1/53-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, P. Near, F. Brandt and P. Mooz. Subject- Reorganization of the Collector-of-the-year. 1975- Mrs. Lummont du Pont Copeland Collection on Export Porcelain. 1977- David Lloyd Kruger Collection of Contemporary Art. 1978- Hugo Weisgall Collection, list of objects, copies of scores for the Weisgall Concert catalog. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from P. Near to members. Subject- Collectors circle event with lecture by Caroline Keck. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Cultural exchange, Minutes of Executive Committee of C.A.A., 1/62, 4/62, Minutes of Annual Meeting, 1971; Minutes of C.A.A. Business Meeting, 1/62; revised draft of \"Policies and Purposes\", roster of officers, Directors and committee members; Essay- \"The Visual Arts in Higher Education\". Dates- 1/62 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- List for reception/cocktail party, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. Preston L. Collins (Lt. Governor). Subject- announcements of Trustee meetings, invitations to Museum events, replies, etc. Dates- 5/51-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and L. Cheek, Jr. to staff of Colonial Williamsburg. Subject- museum methods. Dates- 7/46-12/54.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- general correspondence with staff of Colonial Williamsburg, information on Cheek's speaking engagement with Williamsburg Rotary Club, etc. Dates- 2/54-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and the President of Colonial Williamsburg. Subject- loan of display units to Colonial Williamsburg, museum practices, etc. Dates- 3/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., J.M. Brown and Colonial Williamsburg. Subject- correspondence about the Williamsburg Antiques Forum, publications/mailings about Antiques Forum 1964,'66,'67,'73, etc. Dates- 5/66-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- detailed letters about the goings-on at the Museum while Colt was serving in WWII, also letter from Mrs. Alfred DuPont about art education. Dates-8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Mrs. J.G. Pollard and others. Subject- record of Colt's military service, his resignation to serve in WWII. Dates- 11/42-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Columbia Records presented 55 recordings of the New York Philharmonic Orchestra to the VMFA in 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Copies of \"On Fine Arts in Modern Society: A Research Proposal Prepared for the Virginia Museum of Fine Arts by the Columbia University Bureau of Applied Social Research\". Dates- 5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about museum practices with The Columbus Gallery of Fine Arts (Columbus, OH) and Columbus Museum of Arts and Crafts, Inc. (Columbus, GA). Dates- 3/51-8/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to the Board, list of appointments, etc. Dates- 1959-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of committee appointments 1963-4, invitations to Trustee committee appointments, etc. Dates- 8/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to Board and replies, list of appointments, etc. Dates- 1958-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and W.S. Robertson (VMFA President of the Board). Subject- VMFA roster of Trustees 1964-5 and 1965-6, Board committee appointments 1965-6, invitations and responses to Trustee committee appointments, letter about Board term limitations (proposed limitation 2 successive terms of 5 years each), etc. Dates- 6/64-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek correspondence as a member of Committee for International Cultural Exchange (CICE), etc. Dates- 6/61-2/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- suggested projects for Public Relations and Development committees, proposal for the Museum by the P.R. counseling firm Earl Newsom and Co., etc.. Dates- 3/54-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from State Department of Purchases and Supply. Subject- information about choosing stationary, samples for new state letterhead. Dates- 9/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"A Report to the Virginia Museum of Fine Arts 11/19/58\" from the viewpoint of its public relations information and communications responsibilities and program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- information and memos about arrangements for community college presidents to meet at the Museum. Dates- 12/70- 1/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- cooperative arrangements between VMFA and Va. community colleges, Virginia Community College System Annual Reports 1969/70 and 1970/71, proposed programs for community colleges, etc. Dates- 10/70-8/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- complaints from Museum visitors about exhibitions, entrance fees, membership rates, guards, etc. Dates- 12/63-7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Museum operations: food service, VMT, membership, discontinuation of dinners in the galleries and newspaper clippings. Dates- 1974 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- guest list for complimentary cocktails in honor of officers and Museum volunteers from the Council, Jr. League and Theatre Affiliates, roster of Jr. League officers 1970-1, etc. Dates- 9/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Erwin H. Will (VMFA President of the Board). Subject- arrangements for a luncheon held in honor of officers and Museum volunteers from the Council, Junior League and Theatre Affiliates, guest list, suggested remarks for Mr. Will at luncheon. Dates- 9/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- miscellaneous Thank you's and compliments about gift and exchange publications, exhibitions, programs, the Museum in general and Cheek's responses. Dates- 2/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence from the public complimenting the museum in some way. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. and W.S. Robertson (President of the Board of Trustees). Subject- Complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 7/60-12/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 1/64-11/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on programs, theatre productions, museum in general and his responses. Dates- 7/66-10/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Various museum operations. Dates- 1972 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- compliments about 25th anniversary exhibitions, events and catalogue: Treasures in America, \"A Tribute to Virginia's Unique Museum\"-a Sunday newspaper supplement, etc. Dates- 1/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for VMFA European catalogue, an exchange publication. Dates- 5/66-9/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for Faberge catalogue: Russian Imperial Jewels, a VMFA exchange publication. Dates- 12/60-2/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- compliments and thank you's for gifts/exchange publications of Russian Imperial Jewels, the catalogue of the Museum's Faberge collection. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for Architecture in Virginia, a VMFA exchange publication. Dates- 2/68-5/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for William Hogarth, A Loan Exhibition of Paintings, Drawings and Prints, a VMFA exchange publication. Dates- 1/67-3/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for Painting in England 1700-1850, Collection of Mr. and Mrs. Paul Mellon, a VMFA exchange publication. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on \"Painting in England\" exhibition (Mellon Collection) and his responses. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for The World of Shakespeare, a VMFA exchange publication. Dates- 1/64-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Form letter from the President to potential members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J. G. Pollard. subject- Letters to Trustees regarding 25th anniversary fund and letters to new members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- performance at Mosque of \"The Confederacy\" as a benefit for the Artmobile, project later abandoned, Date- 11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- drawings of the site of the Confederate Memorial Chapel, landscaping plans, etc. Dates- 7/66-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Richmond Times-Dispatch article \"The Old Soldiers Faded Away Home Here is Vacant\". Dates- 1/16/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- invitation to Director of the Norfolk Museum to Confederation workshop. Dates- 5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- congratulation and reply letters on the installation of Mr. James M. Brown as VMFA Director. Dates- 6/69-6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- listing of objects from the Glasgow bequest and purchase fund currently exhibited in Museum galleries. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and Mrs. Anthony Congreve. Subject- biographical information on Arthur and Margaret Glasgow, correspondence about Glasgow fund for purchasing works of art, listings of purchases made with Glasgow Endowment Fund 1966-72. Dates- 11/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz. Subject- Physical plant restoration project: cleaning of VMFA interior and extensive improvement of motor park, project data summary, Conservation Laboratory: construction and equipment, supply expenditures, budget. Grant application: \"Proposal for Virginia Museum Conservation Laboratory\", employment contract, job descriptions, resumes of prospective applicants. Dates- 1975 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- biographical information arrangements for giving lectures/seminars at the Museum, VMFA Members' Bulletin vol.23, no.9 5/63, etc., Date- 11/50-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- arrangements for securing speakers for the \"Fireside Series\" proposed art talks held in the library, Thank you's to speakers, etc. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- loans of objects between VMFA and Corcoran Gallery of Art, correspondence about museum practices. Dates- 3/51-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Katharine Cornwell. Subject- biographical information on this actress, invitation to come to Richmond to see a show and promote TheatreVirginia. Dates- 5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- pamphlets and post cards from the Corning Glass Center. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information on obtaining assistance from philanthropic organizations and corporations, etc. Dates- 2/55-12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by E.H. Will (VMFA President of the Board). Subject- solicitation letter for corporate patrons, information on corporate patrons program, roster of Richmond corporate patrons 1970, invitations to corporate patrons gala, etc. Dates- 12/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by E.H. Will (VMFA President of the Board). Subject- solicitation of corporate patrons, pamphlets about corporate patrons program, publications for the corporate patrons gala, etc. Dates- 7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- roster of Richmond and of state corporate patrons 1971, planning for \"Fete Aux Galleries\" the corporate patrons event 1972, invitations and guest list for event, etc. Dates- 6/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- Exhibitions, condition reports, insurance, gifts and purchases. Essay- \"Successful Adult Museum Programs\", M. Christison. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and R. Velz.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator) primarily, also L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- varied. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- General correspondence regarding publications, museum practices, exhibitions, pamphlets. Letter from Alexander Calder. Dates- 7/56 - 12/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- Ford Foundation grant-in-aid program, Fogg Conservation Symposium and the Chrysler Collection. Photographs, cesolution recognizing the outstanding contribution of L. Cheek by the VMFA Council. Draft of \"Standards For Museum Practices\", SEMC, 1958. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition of American Silver, jurors for 1965 ADP exhibition, biographical data, 25th Anniversary exhibition and list of objects for loan. VMFA film series, press releases for \"The Little International\" from the Olsen Foundation and the Artmobile. Dates- 1958 -1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and VMFA Council officers. Subject- Council roster 1957-8 and 1958-9, listing of charter members, council-sponsored events and programs, lecture series schedule 1957-8 and 1959-60, statement of purpose of the Council, minutes of general meetings 1962 and'65, Executive Committee meeting minutes 1962 and '63, acknowledgments of gifts to the Museum, etc. Dates- 7/56-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown with the VMFA Council. Subject- Council gifts, Council -sponsored events and programs, preliminary drawings for Council shop office, breakdown of Council Contribution Fund 10/70 and 11/70, etc. Dates- 2/66-4/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- arrangements for corporate patrons ball, roster of Richmond and of state corporate patrons, roster of Council committee for the ball, invitations and guest lists for ball, etc. Dates- 10/70-3/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- outline of the organization of the VMFA Council, Council Program 1955-6, Council of the VMFA Charter Meeting and Articles of Association, \"Friends of the Museum Constitution\", etc. Dates- 5/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- VMFA Council Contribution Fund analysis 1971 and'72, various Council sponsored events and programs, agreement between VMFA and the Council 10/20/70, A Short History of Council Gifts to Museum 1955-71, The Council of the Virginia Museum Directory 1971-2, general correspondence between Council officers and VMFA staff, etc. Dates- 1/71-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Council Trustee Contribution Fund, conservation laboratory, library, state services, fellowships and internships. Profit and loss statements, general ledger trail balance, Art Purchase Fund, staff expenses, VMT financial statements, matching funds for NEA Grant. New Council Shop, furnishings, installation, etc. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposal to establish fellowships for professional craftsmen (resident Craftsman Program), letters from interested craftsmen, etc. Dates- 2/63-2/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator). Subject- proposal of a story about the Museum for Time-Life magazines, reference made about a reproduction of a Watteau from the Museum's collection appearing in Time. Dates- 11/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Monica Hamm and P. Mooz. Subject- Head of publications, editor of AIV and advisor for photography exhibitions. \"Focus On The Arts\", Pat Becker. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- fact sheet about VMFA, House bill no.862 was about establishing a Virginia Commission of the Arts and Humanities, transcript of the VMFA presentation by E.H. Will (VMFA President of the Board) to the Virginia Assembly, Rules Committee asking to kill or amend the bill, etc. Dates- 1/68-2/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- roster of Virginia Cultural Development Study Commission and of the State Arts Committee, information about the creation of the Va. Cultural Development Study Commission by Senate joint resolution no.67, essay- \"The Virginia Museum and the Arts in Virginia\", correspondence about meeting with the Cultural Development Commission, \"Dissenting Opinion Report of the Cultural Development Commission\" by Dr. William H. Higgins, Jr., member of the Commission, etc. Dates- 3/66-1/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"D\". Subject- varied. Dates- 3/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- VMT, exhibition schedules, Byzantine Architectural exhibition, College Drama Festival, loans of art works, Artmobile, Horace Day, NEA proposal, pamphlets, magazine excerpts, cards, biographical data, etc. Accessions and gifts: \"The Meeting of Joachim and Anna Under the Golden Gate\", A. Duer. Dates- 10/58 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Conference for teachers and students of Dance at VMFA, master classes, lecture and performance by Alwin Dance Theatre, agenda, list of dance teachers. Date- 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, AIV. Dates- 1/61 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Virginia Architects, Designers and photographers\", Collectors Circle, Va. Artists Biennial, donations, gifts, memorial fund. Dates- 6/59 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, acting director of the Museum and Governor Darden, regarding the Museum director and the Curator of Decorative Arts, who were both on leave to the armed forces during World War II, 1942-44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with and biographical information about Carson Davenport, Virginia artist. Dates- 1936-1944.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to Ms. Davis. Subject- visits to \"Faraway Farms\" (Cheek's property) Davis was apparently a housekeeper/caretaker of some kind. Dates- 2/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and donors Mrs. Lincoln Davis, and George Cole Scott and Hildreth Dunn Scott, 1937-43.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., E.M. Davis, III (Curator) and L. Cheek, Jr. Subject-restoration of Mrs. Davis' Flemish painting, gifts from Mrs. Davis, information on Museum Board accessions committee (Mrs. Davis member), etc. Dates- 10/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mrs. Lincoln Davis. Subject- Trustee/Museum business, letter of resignation from Board, etc., 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Elizabeth Nottingham Day and Horace Day, patrons and donors, 1934-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Day's exhibition at the VMFA. Dates- 1/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and Mrs. J.G. Pollard to Mr. and Mrs. Horace Day. Subject- Horace Day biographical information, exhibition record, job recommendation, newspaper editorial written by Mr. Day on American Painting, etc. Dates- 1950- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to Mr. Howard Dearstyne. Subject- proposed exhibition of Dearstyne's work and speaking engagement, etc. Dates- 11/50-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Chamber Music Society, Building grounds committee, gifts, donation. Dates- 1954-65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to the Earl de la Warr. Subject- a visit to Richmond by the Earl, loan of a painting to the Museum exhibition \"England's World of 1607\", etc. Dates- 4/57-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mrs. Marie de Mare. Subject- catalogues of \"Healy's Sitters\" exhibition ( Mrs. de Mare was Healy's grand-daughter), proposed film and biography of Healy by Mrs. de Mare, etc. Dates- 5/49-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His position as Art Director of AIV, music and dance folders. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from D. Nichols (administrator), F. Haseltine (PR). Subject- VMT subscription, Executive Committee Report, Collections Activities, Public Information Report. Dates- 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- information about an exhibition scheduled From Nov.22-Dec.31, 1955 featuring merchandise available for purchase in time for Christmas. Dates- 9/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Traveling exhibition. Dates- 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- International Traveling exhibition. VMFA and Leslie Cheek were the American coordinators from 1951-1954. Lists of attendees at the opening dinner 1/15/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"Design in Scandinavia\" exhibition checklist, description of the exhibition, official record of receipt and list of items received but not included in exhibition, etc. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- RSVP's to dinner held on the opening night of the exhibition \"Design in Scandinavia\". Dates- 12/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr., Mrs. J.G. Pollard and M.B. Christison. Subject- exhibition catalogue information for \"Design in Scandinavia\" and RSVP's for dinner held on the opening night of the exhibition. Dates- 12/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- American Tour 1954-57. Correspondence and publicity regarding. AFA took over the circulation of the exhibition.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Committees in the United States. Lists of members and minutes from meetings 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Favorable reviews of the exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Copy of a New York Times article written by Cheek concerning the upcoming exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Opening of the exhibition at the Museum, January 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- dinner guest lists, menu, planning for opening night dinner for \"Design in Scandinavia\" exhibition, list of Board of Trustee committee appointments 1953-4, registration for Southeastern Museums conference 1953, etc. Dates- 12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- RSVP's for the dinner and other opening events for the exhibition \"Design in Scandinavia\", exhibition catalogue, information used in planning printed material for the exhibition, etc. Dates- 4/53-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject-job description of a designer for the Design and Construction division of the Museum, proposed hiring of a designer, etc. Dates- 2/54-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- floor plan and printed matter for \"Designer-Craftsmen USA\" exhibition, photos of the exhibition, VMFA Member's Bulletin vol.15, no.5 (1/55), etc. Dates-11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and L. Strauss. Subject- 25th Anniversary, draft of appeal to enlarge endowment fund, pamphlet. Dated- 6/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposal for a diorama in connection with \"Orientations of Virginia's Cultural Background\", photographs. Dates- 7/61 - 6/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Resolution by the Executive Committee to authorize excess travel cost by VMFA staff. Dates- 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trip itinerary, pamphlets. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, F. Fowler, D. Nichols, B. Ryan. Subject- All manner of VMFA operation: photography budgets, payroll dispersal, VMT renovation, Artmobile, damage and security of Art works, gallery installation, loans, art purchase invoices, Theatre contract, repairs and modification invoices, grievance procedure, pamphlets, Interpol investigation of Indian sculptures, requests for establishing new positions: Vice Director for Public Affairs and Artmobile curator. \"Partnership Agreement of Artco and Company\", \"Operation Countdown\", analysis of responsibilities and time required for completion of the North Wing. Photographs, pamphlets, announcements. Accessions and gifts: 17th C. Eng. Embroidered Casket, Byzantine Bronze Plaque, Tomato Soup Can (A. Warhol), Bolt of Lightening (R. Lichtenstein), Portrait of a Lady, Payne Collection. Dates- 1/68 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, F. Haseltine, D. Nicholas, J.M. Brown, P. Near, A.W. Stalnaker, B. Ryan, Mrs. Pollard. Subject- All manner of inter-museum operations: Public information schedules, membership campaign, promotion deadlines, travel itineraries, budget proposals, etc. P. Nears observations on possible acquisitions. Dates- 7/64 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letters of request, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Secretary to the museum, biographical data, job description. Museum files and the law regarding public information, records management, records to be retired, list of file classification: deletions and additions. Events schedules, agendas and exhibitions. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown, A. Dohn. Subject- Letter of recognition of donations, list of donors and their gifts of art works. Dates- 1964-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Chenery Estate and Gottwald endowment Fund. Art Nouveau gift of Sydney and Frances Lewis. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- VMT, Fellowship Fund, Museum Classes, Chenery Estate, Art Nouveau Fund, Artmobile and Gottwald Endowment Fund. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Buyers guides, pamphlets, magazine excerpts, specifications, blueprints, lists of chapters and affiliates, photographs. Dates- 9/61 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J.G. Pollard, and L. Cheek. Subject- Gift of Dunsten Memorial, Payment record, gallery proposals, \"The Virginia Museum Needs New Wings\": appeal to membership and Trustees for building funds. Dates- 12/46 - 4/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Mrs. Alfred I. (Jessie Ball) Dupont. Subject- Donations. Contains a letter regarding her feelings in favor of segregation at the museum and in the arts. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jessie Ball duPont's membership on the Executive Board, gifts and donations. Dates- 5/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Jessie Ball duPont. Subject- Membership as a Trustee, Fellow, Chair of 25th Anniversary Fund drive, contributions and gifts, magazine excerpts, biographical information, contributions and gifts, progress report from Anniversary Fund Drive. Dates- 2/59 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and D. Hudson (state coordinator of Arts System). Subject- Salary scales for VMT, NEA grant proposals. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Exhibitions, Artmobile, VMT, Va. Fellowships, search for potential jurors, work schedules invitations, newspapers, postcards, etc. Accessions and gifts: \"Autumn Leaves\", A. Palmer. Dates- 5/46-5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Agenda and letters to K. Fowler of VMT. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Wm. Heartwell and Gov. Holton. Subject- \"Minutes of Economic Resource Task Force Meeting\": 7/23/71, 9/2/71, 10/8/71, 1/13/72, 4/20/72, purpose of task force was to improve communication between various agencies and the governors office. Draft of Executive order: relationship of state agency organizations to Commonwealth planning districts, budget estimates, agendas, Bills held in House Committee for the 1973 General Assembly. Dates- 1971 -72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- C. Guinnan request for a meeting room. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from A. Stalnaker and H. Dohn. Subject- Events for Governors School for Gifted Students: schedule, housing, food service, etc. Dated- 7/73- 8/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between A. Dohn and Mr. Albertia. Subject- Student application, agendas and statement of purpose. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Event to expose students to the function, organization and operation of VMFA, timetable and agendas. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and B. Bothmer (Egyptologist, BMFA). Subject- Invitations, list of Egyptian art objects available for purchase. Dates- 9/54 - 11/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and M. Christison. Subject- Requests for films and slides, Artmobile, loans for Egyptian Gallery, statement/remarks for opening exhibition, newspaper clippings, blueprints. Dates- 2/55 - 12/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Suggested remarks related to \"Installation of a Gallery of Egyptian Art\", loans from other museums, agendas, letters to other curators and directors. Gift of Egyptian Gallery from Mrs. James Parsons. Dates-2/61 - 4/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- early planning stages of the exhibition \"England 1607\", list of pieces in, list of lenders to the exhibition, installation schedule and exhibition description, printed materials, \"Status Report on the Museum's Jamestown Festival Program\", etc. Dates- 6/54-8/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Gallery opening made possible through gifts of china from Lady Nancy Astor, invitations and loan requests. Dates- 4/61 - 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- invitations to these exhibitions: \"Masterpieces of Chinese Art\" and \"Russian Imperial Jewels\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedules 1946, 1946/7, 1949, 1950, Entertainment Committee announcements and replies, committee report 1946, committee roster 1949/50, biographical information on the following Museum guests: Yasuo Kuniyoshi, John W. Taylor, Charles W. Smith, Reginald Marsh and Lamar Dodd, etc. Dates- 1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedule 1946/7, 1950, 1951, 1952, 1953, 1954, Entertainment Committee rosters 1950/1, 1951/2, 1952/3, proposed Friday evening events 1950/1, committee meeting minutes 1952, biographical information about George T. Hamilton, etc. Dates- 1946-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trustee/Museum business, VMFA Entertainment Committee schedule 1954, 1955, 1956, announcements and minutes of Entertainment Committee meetings 1951, 1953, 1954, 1955, 1956, etc. Dates- 1951-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee roster, Entertainment Committee schedule 1955, meeting announcements, biographical information about the artist Donald Oenslager, etc. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trustee/Museum business, announcements and replies for VMFA Entertainment Committee meetings, roster of Entertainment Committee, committee schedule 1955, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mrs. Arthur Kelly Evans. Subject- a bequest to the Museum from Mrs. Evans, etc. Dates- 11/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- proposal for fundraising project for VMFA Council in fall 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- 60the Anniversary of the AFA meeting and symposium in Williamsburg, registration forms. Dates- 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Agenda, timetable and luncheon for behind the scenes tours by the Council. Date-1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Benefit for the Council Service Fund, program, menu. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Museum in Action\": documentary of VMFA galleries and statewide activities, preview agenda, press dinner, invitations. Producer: Richard Rochement Narrator: Alistair Cooke Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Request for VMFA banquet services. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from W.S. Robertson. Subject- Exhibition: \"Treasures from the Norfolk Museum\", Governor's reception, program agenda. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Gallery plan, staff assignments and program. Dates- 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Reinstallation of the permanent galleries. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Members dinner dance event, invitations, guest list. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Glasgow Estate, Jamestown Tablet. Reception for Committee on Law Celebration. Dates- 12/58 - 4/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Members preview and reception: timetable, program, invitations, gallery plan, etc. Jack Larsen: lecture and biographical data. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter of invitation to members of Virginia Chamber Music Society to attend a Theatre-Dinner. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Inauguration of a monthly series of theatre Dinners, guest list, letters of invitation for event and menu. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition: \"Designs for the Theatre\" Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Reception for British group of scholars and collectors and travel itinerary. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- A British organization on American Tour. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Meeting at VMFA for NCEW: an organization to stimulate the conscience and quality of the American Editorial page. VMFA Executive committee minutes, biographical data, program agenda. Dates- 7/58 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letter of request for use of VMFA Gallery for Dinner, agenda, timetable. Dates- 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Tour routes, agenda and schedule of events for reception and letter to new members. Dates- 9/68 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letter of invitation to reception, tour of museum, agenda, timetable, etc. Dates- 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. Breeden (Membership Chair). Subject- Procedure and agenda for members reception and tour schedule, press release, invitations, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from F. Haseltine. Subject- VMT Premiere performance and promotion. Dates- 5/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- exhibition: \"Treasures of the Norfolk Museum\", program/dinner agenda, invitation, etc. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Arthur Houghton. Subject- Preliminary event outline, layout, program agenda, procedure, invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Annual event to honor corporate patrons: entertainment, decorations, invitation list and suggested remarks to be delivered by President, E. Will. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Private advanced performance of \"School For Wives\", biographical data on Peggy Wood. Dates- 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and W. Rhoads. Subject- Agenda and sample of invitation. Dates- 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Gregory Peck. Subject- Grand opening of Virginia Theatre Arts System, events schedule for preview, Letter from Gregory Peck. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Library reception and banquet for college Presidents attending the Drama Festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Dinner and Theatre Party: agenda, invitations. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letters of request and agenda for Theatre Dinner Party. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Wm. Rhodes and E.M. Last (Chair, RLS) Subject- Performance of RLS at VMT, ticket sales and cost estimates. Dates- 1/65 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letter of request for VMFA services. Dates- 4/31/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Robinson House formerly the Scientific Research Organization, VMFA headquarters for LOAS, adult classes and resident craftsperson, Invitation, Historical background, Bulletin vol.24 no.7 4/64 Dates- 8/62 - 3/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Helen Dohn. Subject- Smith College dinner with lecture by Charles Chetham, Director of Smith College Art Museum, agenda, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- The VMFA Council, Theatre Affiliates, President's Dinner. Music, Dance and Film Societies. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- The Hospitality and Information Service for diplomatic residents and families. Dates- 1968. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- three day seminar program of multi-level experience in the Arts For exceptional Virginia Youths, agendas, etc. Dates- 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- VMFA luncheon and tour. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Paintings and drawings by E. Vedder, speaker. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Requests for contributions. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Juror: Hugh Newell Johnson. Reception, guest list and agenda. Exhibition catalog. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Harry Bertoia, Sherman Lee. Subject- General correspondence regarding juror service. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Sherman Lee. Subject- Jury Chair: Sherman Lee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Juror: William Pahlmann. Event program agenda, invitation, guest list, etc. Catalog: \"Virginia Interior Designers 1973\". Dates- 10/72 - 3/73 \"Virginia Interior Designers Reception Fri. 16 Mar.,  1973, 5-7 p.m.\" Subject- Invitation. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, W. Gaines and H. Dohn. Subject- Schedule of events, exhibitions, Bicentennial Celebration. loans, gallery tours, calendar news, Invitation for the \"India In Virginia\" exhibition. Dates- 8/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains minutes, agendas and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas, 1954-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, announcements, agendas and minutes of VMFA Exec. Committee meetings 1955, 1956, etc. Dates- 9/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trustee/Museum business, VMFA Exec. Committee minutes 1956, list of Exec, Committee members 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and William J. Rhodes, Jr. (President). Subject- Trustee/Museum business Exec. Committee meeting agendas 1954, 1955, 1956, Museum finances (pay scale, Director's allowable expenses, approvals for purchases) VMFA Committee appointments 1956-7, etc. Dates- 6/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, L. Cheek, Jr. and Col. Henry W. Anderson (President). Subject- Trustee/Museum business, VMFA Exec. Committee meeting minutes 1950, 1951, 1952, 1953, listing of members of the Exec. Committee 1950, 1951, Exec. Committee resolutions 1950, 1951, 1953, By-Laws revised and adopted 1951, etc. Dates- 1950-3. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- Executive Committee minutes, copies of Exec. Committee minutes 1953, 1954, 1955. Dates- 12/53-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Gari Melchers Memorial Committee, VMFA Exec. Committee minutes 1956, list of Exec. Committee members 1956, etc. Dates- 4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Trustee/Museum business, VA Art Alliance, Williams Fund purchase, VMFA Exec. Committee agenda 1952, 1953, 1954. Dates- 5/51-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, W. Gaines, R. Velz, M. Christison. Subject- Roster of large Richmond firms and number of employees, invitation cover letter, remarks to be delivered after luncheon. Dates- 9/63 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- lists of proposed exhibitions, events schedule for 1955-6 season, roster of members and schedule of the entertainment committee, drama schedule for Virginia Museum Theatre, etc. Dates- 7/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Notable lecturers and AIV contributors, biographical data. Jurors: Charles Eames, Morris Ketchum and Bert Stern. Dates- 1967 – 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Budgets, loan requests. \"Picasso: A Selected View\", \"12 American Painters\", List of Art Works, biographical notes test for the catalog: \"The Flowering of American Folk Art\". Catalog: \"American Painting 1970 including correspondence with Richard Diebenkorn. Dates- 1970-1974. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, P. Near and F. Brandt. Subject- Bernard Martins' \"Portrait of Edward Hopper\", \"Walter Gropius - 1883 - 1969\", \"Jose Puig\", projected budget, attendance records, requests for loans, receptions events schedules, etc. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Engineering projects around the world, assembled to illustrate the aesthetic impact of technology. Cost estimates for exhibition, speakers and invitations. Dates- 7/64 - 1/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Outstanding objects in American Museum collections that are gifts or have been purchased with contributions from patrons. Event arrangements/planning. Requests of loans and press releases. \"A Brief History of the Virginia Museum of Fine Arts\", by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition \"Homage to the Square\", signed letter from Elaine de Kooning. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Opening festivities of the Aldrich Collection of Impressionist and Post-Impressionist paintings and sculpture. Catalogue: \"The Aldrich Collection\", foreword by L. Cheek. Dates- 11/58 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Juror: Bartlett Hayes. VMFA purchases from exhibition. Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Juror: C.V. Donovan. Request for loans from other galleries. Dates- 1962 , 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Al Held. Subject- Juror: Peter Selz. The removal of artwork from the wall of the VMFA for a period of one week in demonstration of racism, war and repression in America. List of paintings to be shipped and installation instructions. Dates- 9/69 - 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Search for a disposable cardboard shelter for use in a traveling sculpture exhibition to the Chapters and Affiliates. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Juried exhibition of Virginia Architects, Designers and Photographers. American Painting exhibition. Dates- 1964, 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, F. Brandt, Sydney and Frances Lewis. Subject- Art Nouveau exhibition: request for loans, lists of objects, opening event agenda, timetable, invitations, etc. Lecturer: Robert Koch. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. H. Bache and P. Near. Subject- Collector-of-the Year: Pre-Columbian gold collection, list of objects, letters to members of Collectors Circle. Dates- 196 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Request for flags from Embassy of the Federal Republic of Germany. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, P. Near and F. Brandt. Subject- Kent Bicentennial Portfolio: \"Spirit of Independence\", prints by 12 Contemporary American Artists. Rockefeller Collection of Picasso Tapestries. Dates- 11/74 - 11/75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Phillip Hofer. Subject- Philip Hofer: biographical data and lecture on Blake. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and P. Near. Subject- Block as Collector-of-the Year (1967): Collection of 19th and 20th century watercolors and drawings, reviews and agendas. Dates- 10/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Museum of Modern Art exhibition \"Art Lending Service Retrospective\", lecture by MOMA Junior Council President Lily Auchincloss, lending services, expenses and pamphlet. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Traveling exhibit on ancient Chinese treasures. Date- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press releases for Virginia's Civil War centennial Exhibition and celebration at the VMFA, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- C. Conger (White House Curator) and his collection of interior furnishings. Heeramaneck Collection. Dates- 1967, 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Blumka Medieval Collection: Preview, program agenda, invitations, etc. Damage report to Gothic Cut Velvet Cloth, Conservators report and insurance claims. Dates- 1/73 - 5/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, P. Near and F. Brandt. Subject- Exhibition of Tapestries from the House of Edgeworth and paintings, prints and drawings. Lecture, list of objects, PR, gallery plan, invitations, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek's service as a juror for \"International Glass\", gallery plan, photographs, list of jurors choice objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition \"Robes from the Forbidden City\": lecture by Alan Priest on Chinese Textiles. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, F. Brandt and P. Near. Subject- Virginia Photographer 1971, juror: Harry Callahan. Mourot Collection of porcelain. Exhibition schedules, lectures, gifts, loans of art objects, roster of Trustees. Catalog: \"Virginia Artists 1971\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Davies exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and H. Gummerus (Finnish Society of Crafts and Design). Subject- Gummerus lecture on Finnish design. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Traveling exhibition of Tutankhamun. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Bernard Von Bothmer (Brooklyn Museum). Subject- Von Bothmer account of his discovery fo the missing portion of VMFA fragment of Sema-Tawy-Tefnakht. Conservation and restoration of scribe, magazine clippings. Slides and photographs. Dates- 12/64 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Mrs. L.J. Dee (Cooper- Hewitt) Subject- Her Lecture to VMFA. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecture by Buckminister Fuller, biographical data, catalog, installation, invitations, etc. Dates- 1/59 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Contemporary Art forms of Israel. Lecturer: Avid Yafeh. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecturer: John Walker. Invitations, entertainment. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Wm. Gaines. Subject- Documentation of the making of George Steven's film. Installation, design, floor plans and cooperating agencies. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Herbert Hoffman, Perry Rathbone and Patricia Davidson. Subject- Bill S.2273: to enable works of art and other materials imported for temporary exhibition in non-profit activities to be immune from judicial process. Description of objects for possible acquisition. Exhibition design, installation, VMFA and BMFA gallery plans, invitations, etc. Dates- 9/63 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, P. Rathbone and H. Hoffman. Subject- Loans of Greek gold from the Hermitage and other institutions. Appeals to the State Department regarding Bill S.2773. Dates- 3/64 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Christine Alexander. Subject- Alexander's service to VMFA consultant on Greek and roman acquisitions. Exhibition lecture by Dorothy Kent Hill. Dates- 12/61 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Western art in Virginia collections, loan requests, film series, invitations, program agenda, etc. Lecturer: Larry Curry. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Perry Rathbone and Nasli Heeramaneck. Subject- Installation and acquisitions from the Heeramaneck collection. Lecturer: John Alexander Pope (Freer Gallery), newspaper clippings. Dates- 12/66 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Paul Mellon and Lessing Roswald. Subject- Request for loans, receiving and storage of objects. Event invitations, agenda, etc. Lecturer: Philip Hofer. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and John Koenig. Subject- Proposals for the filming and documentation of an epic film: research, selection, documentation, etc. Proposals were originally made to Samuel Goldwyn and Cecil B. de Mille. Dates- 7/55 - 2/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and L. Goodrich. Subject- Requests for loans from various collections. Text for catalog forward by L. Cheek, and essay by Lloyd Goodrich. Biographical data and newspaper clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Events schedule, agenda, invitations, pamphlets. Lecturer: Robert Doty. \"Portrait of Edward Hopper\" and drawing studies by Virginia painter, Bernard Martin. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Exhibition of art from Virginia Collections to commemorate the 10th anniversary of AIV. Request for loans, invitations, members preview, agenda, list of objects for exhibition. Lecturer: Thomas E. Norton, biographical data. Dates- 7/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Acquisition of Indian art collection. Dates- 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition of works by French artists commissioned by Claude Aveline to illustrate his poem \"L'Oiseau que n'existe pas\". Lecturer: Lawrence Alloway, biographical data. Members Bulletin vol.24 no.8 4.64. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Anne Marie Pope. Subject- VMFA display areas. Date- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from F. Brandt and P. Near. Subject- Art Nouveau Loan, list of Lewis gifts and purchases. Dates- 1971 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and C.S. Hathway. Subject- Lecture search. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Biographical data, agendas, timetables and invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Islamic rugs circulated by the Smithsonian Institute and lecture by McMullan. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J. Baskett and P. Mellon. Subject- List of paintings from Mellon Collection. Gallery preparation, storage, costs, opening festivities, interpretation of exhibition, letters to print media. Press release, newspaper clippings. Lecturers: W.G. Constable, John Baskett and Basil Taylor. Essay- \"Painting In England, 1700-1850\". Dates- 8/62 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Paul Mellon. Subject- Mellon English Painting Collection, early discussion concerning the scope and preparation of catalog and exhibition. \"Letter from Basil Taylor Dated-23 January 1963 re: Mellon Show\", letter of disgruntlement over the various stages of the Mellon catalog. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Basil Taylor. Subject- Mellon Collection of English painting, initial planning stages, lectures, installation, catalog, etc. Dates- 11/61 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Paul Mellon. Subject- Exhibition: \"Painting in England\", program of events, invitations, gallery plan, program, invitation, guest list, etc. Dates- 5/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Paul Mellon and Basil Taylor. Subject- Basil Taylor, advisor tot Mellon collection and author of exhibition catalog: \"Painting in England, 1700-1850\". Catalog foreword by L. Cheek. Dates- 12/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitations and dinner programs. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Installation, catalog, security, lecture. List of slides, media coverage. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Remarks by Paul Mellon on exhibition opening, mock-ups of booklet form. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Full color photographic reproduction of the \"Sistine Chapel\", exhibition circulated by LIFE magazine. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Demonstration of mosaic technique using contemporary materials. Dates- 5/54 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Henry Moore. Subject- Aid of Helen Norman (neighbor to Moore) on establishing a dialogue with the VMFA concerning an exhibition and visit by the artist. Preliminary exhibition plans. Dates- 10/57 - 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Henry Moore. Subject- Preview and opening night arrangements, newspaper clippings and press releases. Dates- 5/65 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and R. Neutra. Subject- Exhibition and speaking tour by the artist. Dates- 6/59 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Goya exhibition: request for loans of works by Goya, announcements, invitations, list of paintings, Dr. Priscilla Muller (curator and speaker for exhibition). Program agenda. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecturer: John S. Szarkowski. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and James Rorimer. Subject- Exhibition of Contemporary photographs. Biographical data on Ivan Dimitri and A. Hyatt Mayor. Catalog: \"Phototgraphy in the Fine Arts\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- proposed exhibitions, information about traveling exhibitions, etc. Dates- 10/48-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Perry Rathbone. Subject- Pre-Columbian gold with lecture by Allen Wardwell. Dates- 4/67 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Vincent Price as Collector-of-the-Year. Date- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- African collection from the Olsen Foundation. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Una Johnson (Brooklyn Museum). Subject- Contemporary prints from the Brooklyn Museum, invitations and announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition of the American Institute of Graphic Arts 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Wm. Gaines, F. Brandt, Anne Marie Pope. Subject- Reinstallation of the permanent collection, estimated exhibition costs, Heeramaneck collection, list of exhibitions available form International Exhibitions foundation. Exhibition catalog: John Kelly Fitzpatrick\" , photographs. Dates- 9/68 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Wm. Quillian. Subject- Exhibition of Randolph-Macon Collection. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program agenda for reception, exhibition, gallery plan. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibitions of Chinese Textiles from Minneapolis Institute of the Arts. Lecture by Alan Priest. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposed gift of \"Gates of Hell\", from the Cantor Collection. Exhibition \"Study of a Woman's Torso\". Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Rosenwald as Collector-of-the-Year, 1965. \"Master Prints From The Rosenwald Collection\", introduction by Rosenwald for the exhibition checklist. Dates- 12/64 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Corrected draft by L. Cheek. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and L. Rosenwald. Subject- Personal invitations from L. Cheek. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition announcements. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Schedule of events for the season. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Paul Tishman. Subject- Exhibition from the Tishman Collection, letter of invitation, installation, Council lecture/luncheon. Speaker: Dr. John Akar, Ambassador of Sierra Leone. Remarks by J.M. Brown and Tishman, announcements and biographical data, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mailing lists for colleges, museums, etc. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek tour of England to photograph Elizabethan Houses. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Presentation of various forms of Arts of England during Shakespeare's life in commemoration of the 4th Centenary of his birth. Requests for loans of Elizabethan objects, press release, installation, etc. Dates- 8/63 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Exhibition of 19th and 20th century paintings, reception and event announcements. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Paul Mellon (Exhibition Chair) and Wm. Constable. Subject- requests for loans, French and British sponsors of exhibition including Queen Elizabeth, Honorary Committee Members, Patrons, catalog, PR, object damage report. Basil Taylor as special advisor to exhibition. Dates- 7/58 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Consultation on exhibition proceedings, travel and lecture schedule, biographical data and text for introduction to the catalog. Dates- 4/60 - 7/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Basil Taylor, Paul Mellon and A. Eiseman. Subject- Catalog layout, printing, design, budget, cost estimates, contributions. Essay- \"Classic Horse Paintings\", foreword by L. Cheek. Dates- 1/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Recipients of free catalogs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- William George Constable and his lecture for exhibition, biographical data, Bulletin vol.20 no.8 4/60. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of British sponsors, loans, selection committee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Mailing list, opening event, program and list of lenders to exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and John G. Pollard. Subject- List of sponsors, reception: program, agenda, menus, etc. Newspaper clippings. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Traveling exhibition in commemoration of Stravinsky's 80th birthday with related settings and costumes created for his ballets. Dates- 4/61 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Exhibition of contemporary prints and multiples (3-dimensional objects of limited editions), Lewis contributions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Railey Collection of European and Asian seals, Fisher Collection of paintings and exhibition of Ruth Safford: \"Interiors of Famous Houses\". Dates- 8/61 - 2/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from F. Brandt. Subject- Problems with exhibition objects. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Damage report of exhibition objects. Dates- 11/63  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Loans of objects from Pierpoint Morgan Library. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Extension of Tutankhamen exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Sample invitation and preview guest list. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- List of objects available for loan and prices. Exhibition announcements, gallery floor plan. Lecturers: Gerald Nordland and Hilton Kramer. Dates-1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Traveling exhibit from MOMA: \"Form In The Animated Cartoon\". Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to M. Christison. Subject- Unavailability of Van Gogh exhibition. Dates- 8/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Philip Johnson. Subject- Jurors: Carroll Meeks, Richard Di Natale and Hans Namuth. Official entry forms, exhibition announcements, biographical data. Dates- 10/61 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: Gyorgy Kepes, Philip Johnson and Ivan Dimitri. Invitations, guest lists, biographical data and entry forms. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- 1st Biennial exhibition.  Juror: Romaldo Giurgola.  AIA reception and dinner, program agenda, biographical data, invitations, pamphlets and exhibition catalog. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: Sherman Lee, Harry Bertoia, Bernard Perlin. Collectors reception, purchase of artist work by Trustees, invitations, entry forms, etc. Dates- 12/57 - 2/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, P. Near. Subject- Reception for purchasers of art works from the exhibition, and catalog. Dates- 1957, 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters to Artist on their award by the jury. Exhibition catalog, juror search and entry forms. Dates- 1959, 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: Carl Wienhardt Jr., Mary Callery and Robert Vickrey. Salon des Refuse's on view at Thalhimer's, events schedule and exhibition catalog. Dates- 6/64 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Juror: William Seitz. Installation, list of purchases, invoices, PR, invitations, guest lists, etc. Acquisition from Lewis Fund. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Gordon Bunshaft and A. Bodine. Entry forms and recipients of certificates of Distinction. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and P. Near. Subject- Exhibition to travel to Charlottesville. Dates- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecture by Dorothy Miner, announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and Mr. John G. Hays (Chairman of the Expansion and Development Committee). Subject- Trustee/Museum business, formation of the VMFA Expansion and Development Committee, report of the chairman, etc. Dates- 11/47-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and P. Crum (Curator) and College of William and Mary. Subject- W\u0026amp;M students visit to VMFA, loan from W\u0026amp;M for a VMFA traveling exhibition, arrangements for traveling exhibitions to W\u0026amp;M, etc. Dates- 2/41-7/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Education and Exhibitions) and Longwood College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Farmville State Teachers College, etc., 3/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- information on VMFA traveling exhibitions and an organization membership, etc. Dates- 7/48/8/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Art Club. Subject- arrangements for VMFA slides and traveling exhibitions to LAC, etc. Dates- 3/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Lynchburg College, etc. Dates- 1/49-2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Teacher's Club. Subject- arrangements for traveling exhibitions and slides to LTC, etc. Dates- 3/46-2/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Madison College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Madison College, etc. Dates- 12/47-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between C.C. McGehee (Assistant in Education Dept.) and Martinsville City schools. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Martinsville City schools, etc. Dates- 9/51- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA Education Dept. staff and Mary Baldwin College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to M.B. College. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Mary Washington College. Subject- arrangements for traveling exhibitions to M.W. College, arrangements for lecture by Christison at M.W. College, etc. Dates- 3/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Middlesex County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to MCWC, arrangements for lecture by Christison for MCWC, etc. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Narrows Woman's Club. Subject- arrangements for traveling exhibitions to NWC, etc. Dates- 10/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Newport News Woman's Club. Subject- arrangements for traveling exhibitions to NNWC, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Education and Exhibitions) and Norfolk Museum of Art. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to NM of A, exchange publications, etc. Dates- 1/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between H. Lloyd (VMFA State Services) and Richmond County Junior Woman's Club. Subject- arrangements for filmstrips to RCJWC, shipping instructions, etc. Dates- 10/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Roanoke County Woman's Club. Subject- VMFA traveling exhibition checklists, request for information about organization membership to the Museum, etc. Dates- 4/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between H. Lloyd (VMFA State Services Dept.) and Rockingham County public schools. Subject- VMFA traveling exhibition and slides checklists, arrangements for traveling exhibitions to Rockingham Co. Public schools, shipping instructions, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between E.L. Kallop (VMFA State Services Dept.) and Scottsville High Scholl. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions and slide sets to Scottsville HS, shipping instructions, etc. Dates- 9/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Sedley Woman's Club. Subject- notification of installment of Mrs. N.B. Rollings as chairman of Fine Arts Dept. of SWC, Date- 12/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Smithfield P.T.A. Subject- art material for Smithfield schools, Date- 11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between H.V. Rennie (Assistant in Education Dept.) and Southern Seminary and Junior College. Subject- schedule of VMFA traveling exhibitions to Southern Seminary and Jr. College ('46) and arrangements for traveling exhibitions to Southern Seminary and Jr. College, etc. Dates- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Hart (Extension Dept.) and St. Catherine's school. Subject- VMFA traveling exhibition checklists, schedule for traveling exhibitions to St. Catherine's, etc. Dates- 1/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and St. Christopher's school. Subject- schedule and arrangements for VMFA traveling exhibitions to St. Christopher's, etc. Dates- 9/48-11/48.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Staunton City School Board. Subject- arrangements for traveling exhibitions to Staunton City School Board, etc. Dates- 1/52-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, various Education Dept. staff and Stony Creek Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SCWC, etc. Dates- 2/47-1/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, various VMFA State Service Dept. and Education Dept. staff and Stratford College. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to Stratford College, shipping instructions, etc. Dates- 8/48-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition checklists, schedule and arrangements for traveling exhibitions to Stuart Hall, shipping instructions, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director of Collections and Education) and Suffolk Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SWC, etc. Dates- 8/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Surry Woman's Club. Subject- arrangements for tour of the Museum and traveling exhibitions to SWC, etc. Dates- 10/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Sweet Briar College. Subject- schedule and arrangements for traveling exhibitions to SBC, shipping instructions, etc. Dates- 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA State Service Dept. staff and Tazewell Parent-Teacher Association. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions, slide sets and filmstrips to Tazewell Parent-Teacher Association, shipping instructions, etc. Dates- 11/52-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Thomas Jefferson Junior Woman's Club. Subject- request and suggestions for speakers for TJJWC, etc. Dates- 7/47-9/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA and Thomas Jefferson Woman's Club. Subject- arrangements to visit, tour and hold a meeting at the Museum, etc. Dates- 11/40-1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA State Services Dept. and Three Arts Club of Blackstone. Subject- arrangements for filmstrips for TAC of B, shipping instructions, etc. Dates- 12/52-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- address of Mrs. Woods, President. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA Education Dept. staff and Toano Woman's Club. Subject- arrangements for holding a meeting at the Museum. Dates- 1/50-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and University of Richmond and Westhampton. Subject- arrangements for traveling exhibitions to U of R, shipping instructions, etc. Dates- 3/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- catalogues from the UVA Extension Dept. including the following: Famous Italian Paintings, Famous Flemish Paintings (Reprints from Seventy Famous Paintings by Adelaide D. Simpson (1927), The Story of Venetian Painting by Mrs. Stringfellow Barr and Cecily B.D. Ryder (1928) and Catalogue of Art Prints and Books (1937), etc. Dates- 1927-1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to UVA, shipping instructions, etc. Dates- 10/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and University of Virginia Museum of Fine Arts. Subject- checklists for traveling exhibitions sponsored by VMFA and UVA, the following publications by UVA: \"Twenty-five Contemporary Artists of Cleveland, Ohio\", \"Hugh Breckenridge\", \"Contemporary Artists of Virginia\", \"Contemporary Artists of Albemarle County and The University\", \"Alexander B. Trowbridge and Olin Dows\" and \"Elinor F. Hopkins\". Dates- 4/34-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between C.Y. Casey (Assistant in Education Dept.) and Upper King William County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to UKWCWC, shipping instructions, etc. Dates- 3/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Valentine Museum. Subject- information about becoming organization members of VMFA, a loan to VMFA from the Valentine, listing of the Valentine's activities, etc. Dates- 10/35-9/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and VA Education Association. Subject- Virginia Education Association art section meetings, etc. Dates- 2/47-10/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and VA Federation of Woman's Clubs. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VA. Federation of Woman's Clubs, VA Federation of Woman's Clubs yearbook ('47/8) and Directory ('48/9), etc. Dates- 1/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA traveling exhibition checklist. Dates- 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Virginia Polytechnic Institute. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to V.P.I.'s Architectural Department, etc. Dates- 6/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA State Services Dept. and Virginia State College (Norfolk Division). Subject- checklists for VMFA traveling exhibitions, arrangements for traveling exhibitions to VSC, shipping instructions, etc. Dates- 10/52-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and the Extension Dept. and VA State University. Subject- schedule of VMFA traveling exhibitions to VSU 1945-7, arrangements for traveling exhibitions to VSU, etc. Dates- 6/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Va. Teachers' Association. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VTA, arrangements for a lecture by Christison to VTA. Dates- 12/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA Education Dept. staff and Virginia Union University. Subject- VMFA loans to VUU's art festival, arrangements for traveling exhibitions to VUU, etc. Dates- 1946-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between E.L. Kallop (State Services Dept.) and Wakefield Woman's Club and P.T.A. Subject- checklists for VMFA traveling exhibition, arrangements for traveling exhibitions to WWC and P.T.A. Dates- 9/51-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Warren County High School. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Warren Co. HS, shipping instructions, etc. Dates- 10/46- 5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between O. Hart (Registrar) and Warwick County School Board. Subject- arrangements for traveling exhibitions to Warwick Co. Schools, etc. Dates- 1/49-4/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Warwick Woman's Club. Subject- arrangements for traveling exhibition to WWC, etc. Dates- 10/48- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Washington and Lee University. Subject- checklists of VMFA traveling exhibitions, arrangements for traveling exhibitions to W\u0026amp;L, etc. Dates-1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Waverly Woman's Club. Subject- schedule of VMFA traveling exhibitions to WWC ('46), WWC visit (with lecture) to VMFA, etc. Dates- 3/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA staff and West Point Schools P.T.A. Subject- arrangements for traveling exhibitions to West Point Schools, etc. Dates- 12/50-6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, various Education Dept. staff and Westmoreland Woman's Club. Subject- arrangements for traveling exhibitions to WWC, etc. Dates- 1/48-3/49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA State Services Dept. and William Campbell High School in Naruna, VA. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wm. Campbell HS, shipping instructions, etc. Dates- 12/52-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and various Education Dept. staff and Wilson-Jackson P.T.A. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wilson-Jackson P.T.A., etc. Dates- 1/47-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.T. Rhodes (Assistant in Education Dept.) and Wytheville County schools. Subject- arrangements for traveling exhibitions to Wytheville Co. schools. Dates- 4/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Wythe Woman's Club, Hampton. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC. Dates- 8/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education), various Education Dept. and State Services staff and Wytheville Woman's Club. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC, etc. Dates- 5/49-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Y.W.C.A.-Richmond. Subject- holding a meeting (with a visit and lecture) at VMFA. Dates- 4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA State Services Dept. and Young Woman's Club of Williamsburg. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to YWCW, shipping instructions, etc. Dates- 12/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between C.Y. Casey (Assistant in Education Dept.) and VMFA State Services Dept. and Zuni Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to ZWC, etc. Dates- 8/50-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\". Dates- 12/54-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\", note-included in these files: slides from Williams College of Art. Dates- 1947-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Chairman of the art department Williams College. Correspondence and biography 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Fashion Show in cooperation with Miller and Rhoads Dept. Store and Harpers Bazaar magazine to benefit the VMFA Council, Education Fund, Council dinner, event plans and program catalogue. Dates- 12/55 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator). Subject- the Fashion Festival of Arts and Flowers presented by the VMFA Council in cooperation with Miller and Rhoads Department Store, attendance lists, newspaper clippings, etc. Dates- 3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between national director and Thomas Colt, who was the State Director of the Federal Arts Project, 1935. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and the Federal Emergency Administration of Public Works regarding a grant to construct an additional wing to the Museum. 1935-38. More applications from Museum for funds from the Federal Emergency Administration of Public Works to complete projects such as casting a bust of John B. Payne and landscaping grounds. 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Federal Emergency Administration of Public Works and Virginia Commission for the Arts material, mostly on landscaping the grounds of the Museum, 1936. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Federated Arts Council of Richmond dinner and agenda, invitations. Dates- 2/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Peter Mooz. Subject- Committee reports, events schedules, annual meeting 5/29/74, \"Festival Of The Arts\", 18th annual report, Dogwood Dell June-Aug'74. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Awards Dinner agenda, letters of confirmation, thank-you's, etc. Dates- 12/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T.C. Colt, Jr. Subject- listing of and letters to prospective fellows (founding fellows), a copy of the constitution 4/55. Dates- 3/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Prospects for new membership program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Conservation Laboratory, Library Endowment, Fellows Weekend, orientation theatre, contributions and projects, statement of purpose, agendas, biographical data. Resolution in memory of Lewis Strauss. Dates- 1964-79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Fellowship Committee minutes 1942, 1948, 1949, 1950, Fellowship Committee agendas 1950, 1951, committee report 1949/50, Fellowship Committee announcements and replies, listing of fellowships given by the Virginia Museum of Fine Arts 1940-51, etc. Dates- 1942-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison. Subject- Aplicant interviews procedure. Date- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Fellowship Fund income account, application, letters to recipients: Primm Turner, Jenny- Lynn Franklin and John D. Norwood. Dates- 5/54 - 5/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Essay- \"Outline for a Proposed Film for the Virginia Museum of Fine Arts\" by Vavin, Inc. 3/60.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1947, 1948, 1950, Finance Committee meeting minutes 1948, 1949, 1950, letters soliciting opinions from Trustees about stock purchases and committee resolutions and replies, VMFA Pooled Endowment Account 1949, stockholder information , etc. Dates- 1947-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1950, 1951, Finance Committee meeting minutes 1952, committee report 1950, status of capital funds listing 1950, list of securities held and cash balances, financial transactions, etc. Dates- 1950-2. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1952, 1953, Finance Committee resolutions 1953/4, Capital Funds Investments and Cash listings 1952, 1953, stockholder information, financial transactions, etc. Dates- 1952-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1955, Finance Committee resolutions 1954, a listing of Finance Committee meetings and actions in writing 1948-56, financial transactions, stockholder information, statement of endowment investments 1955, pooled investment listing 1955, investment changes for the period 4/30/55-12/31/55, etc. Dates-1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Lawler Fund. Dates- 10/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- stockholder information (i.e. annual and quarterly reports of companies). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee resolutions 1948/9, excerpts from Finance Committee meeting minutes 1939, 1951, Date- 3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from A. Nicholas. Subject- Statements of income, balances, private income, special purchase funds, operating budget, etc. \"Virginia Museum Semi- Annual Financial Report Dec. 31, 1970\" , \"Summary of Financial Support\": 1935- March 31, 1971, 19l35- June 30, 1969, Art Purchase Funds, Capital Outlay Programs to purchase land and buildings, List of Art Purchases 1970-71. Dates- 6/70 - 10/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and G. Martin. Subject- Responses to questionnaire from various theatre directors, VMT regulations. Dates- 1965 -66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT Statement of Purpose, application for Samuel Tate Morgan and/or George Seay Memorial Trust Funds. Letter of grant award for the expansion of VMFA Library holdings and list of books purchased, newspaper clippings. Dates- 5/69 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Administrator, Richmond Area University Center. Correspondence with 1949-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Memorial for Col. Herbert Fitzroy, letters of receipt of contributors to purchase a sculpture to be placed on permanent exhibit in Artmobile II: \"Crowing Rooster II\", G. Marcks. Dates- 10/67 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- information about proper display of U.S., U.N. and VA flags. Dates-11/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns cultural development there. 1957-59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Agreement on the Importation of Educational, Scientific and Cultural Materials\", Bill signed on 6/24/59, press release. Unesco sponsored agreement to eliminate tariffs and special import taxes on educational, scientific and cultural materials. Dates- 9/59 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Horace S. Flournoy. Subject- repair of heating system at the Museum. Dates- 10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- plantings around the Waddy Fountains at the front of the building, lawn and plant care, listing of growing plants used, etc. Dates-6/54-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA staff and Harvard University's Fogg Art Museum, mostly regarding the loan of a Copley portrait for the Museum's inaugural exhibition, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, J. Coolidge (Dir., Fogg). Subject- General correspondence regarding conservation, authenticity of objects, employment referrals, research, etc. Dates- 4/52 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- arrangements for Folktale Marionette Theatre to perform at VMFA in Dec.1953, etc. Dates- 3/53-1/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- visit of Mrs. Henry Ford II, to see VMFA operations. Dates- 3/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about a Virginia artists watercolor exhibition sponsored by the Ford Foundation Title \"Virginia by Virginians\", copy of an invitation to Mr.and Mrs. Ford to the opening, etc. Dates- 1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- newspaper clippings and statement of purpose of the Ford Foundation. Dates-12/48-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Ford Foundation. Subject- proposal of VMFA serving as regional center for Ford Foundation's creative artists selection program 1958, proposals for Foundation support, Foundation publications, etc. Dates- 10/50-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., J.M. Brown and Ford Foundation. Subject- information about applying for Ford Foundation support, Foundation publications, etc. Dates- 10/59-10/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Program for Painters, Sculptors and Related Artists. Letters to jury members, entertainment. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., and the Ford Foundation. Subject- the Museum as a locale for the premiere art exhibition to be featured in the March issue of the Ford Times, an exhibition highlighting VA artists named \"Virginia for Virginians\", included are copies of the exhibitions' gallery guide, invitations to the preview and a copy of the Ford Times feature issue. Dates- 11/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and American Association of Museums (AAM). Subject- roster of foreign museum Directors visiting VMFA on a AAM sponsored tour (in cooperation with the State Department), biographical information on visitors, etc. Dates- 3/65-5/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to VMFA staff. Subject- memos about arrangements for luncheon held at Museum for international newspaper people. Dates- 6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposal for VMFA travel program, tour estimates and brochures. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition preview speaker: Ariad Yafeh, biographical data, reviews and photographs. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Guest lists for opening event, sample letters for invitations and replies. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about museum practices, Cheek serving as honorary member of advisory committee of Directors and Curators, etc. Dates- 3/52-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Keith Fowler. Subject- theatre operations, policies, programming, newsletter to friends, volunteers and theatre subscribers, etc. Dates- 10/69-12/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between William Francis and L. Cheek, Jr. Subject- Museum publications business and arrangements, etc. Dates- 12/64-9/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Governor Peery, T.C. Colt, Jr. and Douglas S. Freeman, president of the Confederate Memorial Institute. Subject- Transfer of the John B. Payne collection from the Battle Abbey to the museum. Dates- 1935-39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with L. Cheek, Jr. Subject- mostly professional matters, but some personal information is given. Dates- 1948-53.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and French and Company. Subject- French and Company, Inc. art dealers, loans, conservation work, proposed sales to Museum, photos and descriptions of objects, etc. Dates- 6/46-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject- photo requests from the Frick Art Reference Library, reference questions, exchange publications, etc. Dates- 2/46-9/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Friddell was columnist for the Richmond News Leader. Correspondence with Cheek, 1949-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- memo about calendar of Museum events, mailing to American Ballet Theatre Friends, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Preparation plans for \"George Stevens Makes a Film\", an exhibition based on the making of an epic film (The Greatest Story Ever Told), installation, cost estimates, etc. Dates- 1/64 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Search for Egyptian objects to purchase, exhibitions: Sport and Horse and American Folk Art, College Drama Festival, loan of P. Klee works, collectors circle, Biographical data, Fellows, donation, gifts, Segregation in VMT, background information on paintings for Wm. Henry Yates, Marshall Research Library, Poetry Society of Virginia, Glasgow Estate. Accessions and gifts: \"Tree\", H. Gray; E. Hopper; Rutherford Goodwin, Jr.(signature). Dates- 1/55 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General museum business, inter-museum memos. Richmond Sinfonia, special purpose gallery, exhibition policy. Museum television, funding sources, COVAO conference, sale of Artmobile I, Council, newspaper clippings, pamphlets and funds generated through programs division, letter from Robert Indiana.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Bill (William) Gaines (head of Programs Division). Subject- programming educational, exhibitions, films, affiliates, etc., Museum operations, etc. Dates- 3/70-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Acquisitions, objects for purchase consideration, various newsletters, exhibition catalog: \"Nature As Scene\". Dates- 4/76 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with other museums. Subject- exhibition announcements, information about loans to other museums, etc. Dates- 3/53-3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Dir. for Collections and Education) and Mr. Charles Seymour (Yale University). Subject-request to look at the Museum's collections. Dates- 2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Col. Edgar Garbisch and L. Cheek, Jr. Subject- gift to VMFA-Junius Brutus Stearns paintings of life of George Washington, photos and information about paintings, biographical information about Garbisch, etc. Dates- 1/50-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- arrangements for the 50th anniversary dinner of Garden Club held at VMFA, etc. Dates- 9/68-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns the Garden Clubs of Virginia and America 1958-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., J.M. Brown and Mrs. T. Fleetwood. Subject- Mrs. T. Fleetwood as a Trustee, Trustee business, gift to Museum, etc. Dates- 5/64-7/75. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Landscape Architect for Museum. 1957-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by John Garland Pollard, Jr. Subject- invitation to members of General Assembly to use Museum facilities, announcement of a reception for General Assembly members spouses, VMFA Members' Bulletin vol.20, no.5 1/60. Dates- 1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters sent to members of the General Assembly 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and Gibbes Art Gallery. Subject- Brown working on problems of the Gibbes Art Gallery, \"Report to the Board of the Charleston Art Association\" co-written by Brown, etc. Dates- 12/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trustee, Executive Committee. Dates- 1950-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mr. George D. Gibson as Trustee, Trustee and Local Building Committee business, copies and excerpts from minutes of the Executive Committee 1948-53 dealing with VMFA building, news release 6/57 about Gibson being elected VMFA President, etc. Dates- 12/52-11/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mr. George D. Gibson, a lawyer with Hunton, Williams, Gay., Moore and Powell. Subject- flooding at the Museum, building inspections, structural problems with the building, the shipment of a Watteau painting to VMFA, a Melchers gift, etc. Dates- 7/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown. Subject- acknowledgments of receipt, thank you letters to donors for gifts of all kinds (money, books, equipment, etc.,). Dates-11/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mr. Arthur G. Glasgow. Subject- gifts to Museum, Museum events, information pertaining to the Estates of Margaret Branch Glasgow and Arthur Graham Glasgow. Dates- 2/54-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr., J.M. Brown and Walter S. Robertson (VMFA President). Subject- transcript of remarks by Governor Mills E. Godwin, Jr. at Southeastern Theatre Conference 1966, Museum events, Mrs. Godwin to serve as honorary chairman of Entertainment Committee, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- President of Princeton University. Request for him to lecture at Museum. Dates- 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Associated Artist Gallery, Washington, D.C. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Candidate for Theatre Director-Producer 1957.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mrs. Pollard was a member of the Goodwin Memorial Commission appointed by the state to erect a scroll honoring the Reverend William Archer Rutherfoord Goodwin, former rector of Bruton Parish Church and man who dedicated his life to the restoration of Colonial Williamsburg, 1950-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and Mr. F.D. Gottwald. Subject- agreement and arrangements to establish Elisabeth Shelton Gottwald Fund. Dates- 4/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- copy of report on Museum, recommendations to Museum made by Governor's Management Study Group. Dates-7/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Mills Godwin and Peter Mooz. Subject- Budgets: cutbacks, executive order, appointments to VMFA Executive Board, creation of job positions, Museum organization charts, Melchers Estate, Arts Commission, Executive Mansion furnishings and lists of objects. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- arrangements for unveiling (10/5/71) of new acquisition of Goya's painting- General Nicholas Guye guest lists, invitation, news releases, photo and information about painting, etc. Dates- 9/71-2/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- \"General Guye\", Goya. Special event, agenda, invitations, etc. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with John Graham (Curator, Colonial Williamsburg). Dates- 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Related to the death of Mr. Gray and his family. His bequest to the Museum and a memorial to him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. Horace Gray, Trustee. Subject- Museum business, biographical information about Horace Gray, VMFA Members' Bulletin vol.19, no.6 (2/59), etc. Dates-5/51-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about hiring Mr. Paul Grigaut as head of Collections Division, Museum practices, information about Museum Collections catalogues, etc. Dates- 6/62-4/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Theft-general. Contains one newspaper clipping 5/28/62.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- correspondence with Senator Raymond R. Guest, announcement of gift to Museum of bronze gates, Museum events and business, etc. Dates- 11/48-5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and L. Cheek. Subject- List of sites for guidebook , roster of names for nominating committee, letters to publishers, price structure, biographical data, promotional information, outline for publication by the Trustees for \"An Official Guide To Four Centuries Of Building In The Old Dominion\". Dates- 4/66 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Finnish Society of Crafts and Design 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, F. Brandt, F. Haseltine. Subject- Installation of \"Symbol\" at Phillip Morris site, invitation mailing list, reception agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown, F. Haseltine, P. Near. Subject- Exhibitions, VMT, loans, gifts, endowments, biographical data, invoice for work restored, acquisitions, installation of Heeramaneck Collection, Pastorale fund, Project Grant Application, Tax Status. Essay- \"A Brief Summary of Accomplishments of the Virginia Museum of Fine Arts\", 1962-64. Dates- 9/51 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mr. Haller was a public relations consultant hired under special circumstances and kept off of the state payroll. This letter pertains to this and circumventing the state system 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and S. Robertson. Subject- AAM meeting in Williamsburg, increase in security staff at VMFA, Artmobile, Executive order from the Governor's office to divide the Board of Trustees into five divisions. Request for authority to prepare Capital Outlay Plans for South Wing, invitations to serve on various committees, presentation of Webster S. Rhoads award to Gov. Harrison, newspaper clippings. Dates- 5/61 - 11/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and Public Buildings Administration (Federal Works Agency). Subject- Harrisonburg post office mural competition (Colt served on the jury of selection and advisory committee) and contract with Public Buildings Administration. Dates- 2/41-10/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cheek's 25th college reunion and an art exhibition in conjunction with the reunion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Melissa Hayden and Andre Eglevsky. Dance performances at the VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mrs. John G. Hayes, Sr. Subject- Trustee/Museum business, money to the John G. Hayes Endowment Fund, etc. Dates- 11/49-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. J.G. Pollard and W. Rhoads. Subject- John Green Hayes Memorial Fund. Dates- 5/48 - 11/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter of appeal from VMFA to Hearst Foundation for financial assistance. Dates- 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Biographical data, press release and his presentation to the AAMD, newspaper clippings. Dates- 4/62 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lecturer for the Latin American Exhibition 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT: tour schedule, HEW grant proposal, \"A Cultural Program in the Dramatic Arts for Virginia High School Students\", newspaper clippings, postcards, reviews, project budget, financial support. Dates- 5/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Travel Itinerary, loans , VMT productions, collectors circle, LOAS (Loan-Own Art Service), search for prospective jurors, letter to Helen Hayes to address VMT, biographical data, gallery plans, invitations to preview Hogarth exhibition. Dates- 9/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Request for luncheon and agenda. Dates- 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison. Subject- Request for VHS to hold annual meeting. Dates- 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to Col. Hodges (Membership Chair). Subject- Trustee/Museum business, Hodges served as the Chairman of the VMFA Membership Committee, etc. Dates- 11/35-3/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA Bulletins: vol.26 no.3 and vol.27 no.6. Hogarth lecture to VMFA, itinerary, biographical data, Wm. Blake exhibition. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Candidate for Theatre Director 1957. Contains resume and letters to, from, and about him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, P. Davidson, and P. Rathbone. Subject- Exhibition: \"Treasures of Alexander\", request for loans, list of objects in connection with exhibition, installation design, theft of Nike Earring. Dates- 9/63 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Term as a Trustee and Fellow at VMFA and as a Trustee at Norfolk Museum, Exhibition: Treasures from the Norfolk Museum. Gifts and donations. Dates- 9/61 - 4/3 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Collectors circle, Fellows, Trustee, gifts and donation. His service as a Trustee at the Chrysler Museum. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information on state holidays. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and Gov. Holton. Subject- Proposal for a Bill to organize a citizens advisory committee to improve furnishings and interpretation of the Gov. Mansion. Statewide Building Code, Administrative Amendments 1/29/73, Sec. 873.5. List of participants and Museum conference notes to determine how Va. Museums can assist one another, Inauguration arrangements committee, rosters: House of Delegates, Senate and legislature. Essay- \"The Holton Years: A Summing Up 1970-1974\". Dates- 9/61 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and Reports from the Honors and Awards Committee and the Board of Trustees, 1948-56. Much of this concerns Mr. and Mrs. A.D. Williams, The Katherine Rhoads Fund and the Webster Rhoads Medal, and Arthur and Margaret Glasgow, letter regarding the Mary Samuel Davies Bright Memorial. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Arts and Humanities Commission, Pratt Estate, Cabell Foundation, Ford Foundation: VMT underwriting. Trustee interviews, gifts of appreciated property. Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper clippings, photographs. Dates- 10/8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and J.M. Brown. Subject- Parsons Fashion Show, slides, pamphlets, newspaper clippings. Dates- 8/63 - 7/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Seating arrangement. Dates- 11/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J. Sweeney and Lee Malone. Subject- \"Design In Scandinavia\", Cheek's remarks. General correspondence concerning museum loans and policy. Dates- 4/63 - 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Miss Nora Houston and T.C. Colt, Jr. Subject- biographical information, information about exhibitions she participated in, proposed acquisition of her work, etc. Dates- 4/36-2/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- U.S. House of Representatives, New York State. Correspondence concerning government support of the arts. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Copy of his speech given at the Architectural League Symposium 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Term as a Trustee, membership campaign, budget committee, newspaper clippings. Dates- 5/59 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Fellow, VMT, Exhibitions, Artmobile, long term loan of 18th C. Dec, Arts objects, Hogarth exhibition, contract bid for landscaping, North Wing. FILM: \"THE ART of THE CONSERVATOR\" Dates- 2/64 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Trustee, Fellow, gifts. Remarks concerning Fellows meeting, Draft of Executive Committee Meeting Minutes, 12/8/70. Official application form for AAM accreditation. Art Nouveau Collection, Council lecture and luncheon with draft of suggested remarks delivered by C. Humelsine. Dates- 1969 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Requests for catalogues, loans, exhibition announcement, proposal for an \"International Traveling Exhibition\", technical info on Ivisiglass. Dates- 4/45 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- RSVP's to auditorium inauguration, thank you notes to musicians used for the opening, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Innocenti and Webel (landscape architects) concerning VMFA grounds. Dates- 7/64 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison, L. Cheek, T. Colt and Mrs. Pollard. Subject- Requests for publications, general information regarding VMFA collections, exhibitions and museum operations. Dates- 10/35 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General information on exhibition installations.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains one brochure, 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- insurance against air raids and other war damage, correspondence with other museums about war risk insurance. Dates- 6/42 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, L. Cheek, Jr. and M.B. Christison (Assistant Dir. for Collections and Education). Subject- damage claims to art objects we lent and/or were on loan to the Museum. Dates- 11/49-11/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Samuels Collection [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Draft of the Constitution and By-Laws of the proposed Virginia History and Museums Federation. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- ICOM statement of mission, travel expense records, membership and financial statements, pamphlets, Minutes of Executive Committee 1/30/60, 5/25/65, Annual Report 1965, newsletter, pamphlets, etc. Dates- 1961 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Annual Reports, Statutes, guidelines for International Rules of National Committee, Museum Training Programs, Newsletters, Minutes of Annual Meetings, budget, membership, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Mrs. J. Pope (Pres. IEF) Subject- Invitation to become a member, statement of mission, list of officers, IEF Financial Report 12/31/72, Annual Report 12/1/72, NEA award, catalogue listings, list of traveling exhibitions 1966-72. Dates- 1966 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Anne Marie Pope. Subject- Lists of current and planned exhibitions, events schedules, minutes of annual meeting. Dates- 1973 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Article from \"Preservation News\", 1/71 vol., XI, no.1 and Sunday Supplement from New York Times. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown, P. Near, Phillip Johnson. Subject- P. Johnson's advise of design of the New Wing and as possible juror for Va. Biennial. Rotunda Club, Jamestown Festival, Robinson House, Hogarth Exhibition, Jr. League activities, and restoration of downtown Richmond. Photocopy of text from letter between Wm. Fitzhugh to Charles Carter 11/30/1796, pamphlets, donations, gifts. Dates- 12/55 - 12/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from W.S. Robertson. Subject- Letter of appointment to Executive Board. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 350th Anniversary. 1955-57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information on the Museum's contributions to the celebration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek to serve on advisory committee and certificate of award for his service, presentation of Pocahontas portrait for permanent display, \"Report From Sub-Committee, Jamestown Commission\", 10/30/57. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- photos of the \"Japanese Architecture\" exhibition, printed material for the exhibition, arrangements for bringing the Japanese Charge d'Affaires to VMFA, transcript of remarks made by Mr. Shima (Japanese Charge d'Affaires) at the opening preview, etc. Dates- 4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Itinerary and agenda for East Meadow High School of East Meadow L.I., New York. Dates- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown. P. Near, A.P. Jenkins. Subject- A.P. Jenkins collection, gifts and contributions, loans, Fisher rug collection, B. Barenson, Ash Lawn, Caligula statue, invitations, agendas etc. \"Art Now: New York\" vol.2 #10, University Galleries, 1970 (contains large color plates). Conceptual statement for Cabrillo Marine Museum. Dates- 8/54 - 9/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Jay W. Johns. Subject- Trustee/Museum business, gifts to Museum, information about an Evelyn Byrd portrait by a disputed artist (Kneller or Bridges), etc. Dates- 6/35-9/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- J. Johns service as a Trustee and Fellow, gifts and donations. Dates- 4/50 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- B. Johnson's (Conservator of L.A. County Museum) observations concerning the authenticity of a Veronese painting and his personal collection of pre- Columbian sculpture and Asian ceramics. Dates- 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and T. Catesby Jones. Subject- Jones' collection of modern paintings and sculptures, gifts to the Museum art and books, letter from Jean Lurcat, etc. Dates- 3/41-12/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- The loan of Mrs. Catesby's collection of French Modernists to the VMFA and gifts. Dates- 2/50 - 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from l. Cheek, R. Guest (Fellows, Chair) and W. Robertson. Subject- Her appointment as a Trustee and role as chair of the membership committee. Dates- 7/64 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- State Supervisor of Art, 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- purchase requests for photos. Dates- 3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to J.M. Brown. Subject- Agenda and letters of confirmation. Dates- 6/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Volunteers at the Museum, 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter of confirmation. Dates- 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Letters of recommendation, resumes, prospective jurors, exhibition: \"Ugliness in Virginia\", Robert E. Lee Memorial, Fellows, gifts, donations, pamphlets. Acquisitions: Artists, Duane Hanson and Stephen Posner. Dates- 4/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Karolik collection of American Painting, Artmobile and Collectors Circle. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Maxim Karolik. Subject- proposed lecture for exhibition \"The Karolik Collection\", printed material for exhibition, etc. Dates- 9/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Illumination exhibition for the American Federation of Arts: proposal, budget, exhibition news, advisory committee and Minutes of 1st Meeting 11/23/64. Dates- 1/65 - 2/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek as member of the Council for the Kennedy Center and Board of Trustees, bulletins, progress reports and newsletters and a letter from Jacqueline Kennedy dated 1/14/66. Dates- 2/59 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and H. Willett (Supt. of Rich. City Schools) Subject- Letter to F. Keppel (Asst. Sec. of HEW) concerning a Math and Science Center. Essay- \"Proposal For a Supplementary Mathematics and Science Center\". Dates- 11/65 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters of request and confirmation, menu and tour. Dates- 8/71 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Pamphlets: \"The Library - Documentation Project spring 70\" , \"The Urgency of Our Mission\" and \"Statement of Purpose Fall 1969\". Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J.G. Pollard, T. Colt, L. Cheek and Harry Brooks. Subject- Requests for publications, provenance of Italian Renaissance painting being considered for acquisition, loans, pamphlets and shipping invoices, etc. Dates- 2/46 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, T. Simmons (Knoll) and Florence Shu Knoll. Subject- Interior design and furnishings of the Members Suite, offices, restaurant and Library, Knoll Catalogue 1956, newspaper clippings. Dates- 2/49 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Portrait commission of L. and Mary Tyler Cheek and his exhibition at the Museum of the City of New York. Information about introduction to exhibition catalog. Dates- 1/63 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Parson's School of Design. Design consultant VMFA 1954-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- The creation of layouts of loan exhibitions and permanent displays, agendas, job description, newspaper clippings, biographical data, postcard, etc. Dates- 2/58 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mr. Koenig was a guest promotion director at the VMFA 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to contributors of memorial fund. Subject- Memorial established by the Theatre Associates of VMFA, sample of bookplate in his memory. Dates- 4/62 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Samuel H. Kress Foundation 1958-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence about bill and payments with Kuhn. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artmobile project for the Arkansas Arts Center, \"Let's Go, Reflections on the Art of Administrative Leadership\". Dates- 8/62 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Chapters/Affiliates, newsletters, Lectour broadcasts, newspaper clippings, invitations, Lawler Memorial Fund, Artmobile. Artists: Pietro Lazzari, Janice S. Lemen, John Gadsby Chapman, photograph. Dates- 5/58 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown and P. Near. Subject- Publication requests, gifts, contributions, collectors circle, Fellows, suggested bequest wording, Artmobile, loans, exhibition announcements, NEA questionnaire: \"Conservation in Museums- August 1971\", restoration and condition report of \"Battle of Yorktown\", Lami. Artists: Mario Dubsky and Eugene Berman. Gift and donations: \"La Sympathie\", Pettijean. Date- 11/62 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Port Sunlight, Chesire England.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and the VMFA Board of Trustees. Subject- To prevent the construction of the Valentine Museum's Latrobe Theatre. Dates- 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lecture by Cheek to the College Art Association 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to E. Cless (program Consult., U. of Minn.) Subject- U. of Minnesota Institute on Administration and Services in the Small Art Museum, program agenda, travel schedule, list of registrants for the seminar, report on the panel on museum publications, pamphlets, map, etc. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek to G.H. Holmes (Dean of U. of Pa.). Subject- Urban Criticism, experiences in traveling exhibitions on city planning, resolutions and solutions on urban problems. Biographical data on participants of conference, travel expenditures, agenda. Dates- 7/58 - 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Priscilla Crum to Prentiss Taylor. Subject- lecture by Taylor, Wednesday evening programs schedule 1948, proposed schedule 1947-8, etc. Dates- 9/47-1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and M.B. Christison. Subject- prospective speakers, films, etc. for programming. Dates- 10/48-12/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- schedules for Wednesday evening and musical programs. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lectures given by L. Cheek, Jury duty lists, consultations, invoices, expense records, agendas, pamphlets, magazine excerpts, Essay- \"The Place Of The Arts In Our American Culture\", by L. Cheek. Dates- 1953 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lectures given by various members of the VMFA staff. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from D. Nicholas. Subject- Procedure and policy concerning VMFA security.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Monthly newsletters on \"Reflections on the Art of Administrative Leadership\", L.H. Kurtz, publisher/editor. Dates- 9/62 - 11/64, 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown, P. Near C. Humelsine, F. Brandt and Wm. Gaines. Subject- Art Nouveau Fund: list of purchases, legal document of fund establishment. Artmobile and contemporary Art Purchase Fund. Dates- 5/67 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Possible sources for the purchase and restoration of the Alexander-Withrow House, Lexington, Va. Dates- 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- D. Liebes (color consultant and textile designer) on proposed text for her essay to appear in AIV and her lecture to be given at the VMFA on crafts and the creation of VMFA Craftsperson - residence. Dates- 4/63 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and E. H. Bushbeck (Kress Found.). Subject- Drawings and description of Dr. Reinhardt's gallery in Switzerland. Dates- 2/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and V. Gaskins (asst. to L. Cheek). subject- Planning of VMFA lighting facilities, \"Art Museum Lighting\", 2/59, excerpt from a journal of Electrical construction and Maintenance. Dates- 2/59 - 9/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposal of Library-Museum at Lincoln Center. Dates- 2/59 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ralph Linton Collection of African Sculpture. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Requests for loans of furnishings to other state properties. Dates- 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of loans under consideration, loans to ambassador residences in England and Australia. Photographs. Dates- 2/61 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and director of Louvre. Subject- Poussin exhibition at Louvre and VMFA loan of \"Achilles on Skyros\" and Delacroix exhibition, loan of \"Deliverance of Princess Olga\". Dates- 10/59 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lighting Technician, VMFA, 1953-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and C.B. Lusk. Subject- Lighting instruments and technical drawings. Essays- \"Lusklite as developed and used at the VMFA\" and  \"The Installation and Lighting of Exhibitions at VMFA\" Dates- 8/56 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.R. Duncan and Gordon Huff. Subject- Expansion of Lynchburg Arts Center to become an affiliate, loans for opening gala, suggested text for print media, schedule of events, Artmobile, Lynchburg Arts Center Executive officers. Introductions for L. Cheek and W. Robertson, travel itinerary. VMFA lecture series: Building For The Arts 1965-66, pamphlets. Dates- 5/62 - 7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposal for \"The National Arts Center of New York University at Washington Square\", Exhibition: \"Tastemakers\", based on R. Lynes Book. Official guest list for opening reception. Dates- 10/54 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, L. Cheek, P. Near and F. Haseltine. Subject- Membership, gifts, personnel references, loans, Jamestown Foundation, proposal for commission of sculpture in F\u0026amp;M Plaza. Acquisitions and gifts: Egyptian cups, Coptic sculpture, Bertoia drawing. Dates- 4/61 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Macbeth Galleries. Subject- loans for inaugural exhibition and general correspondence about proposed acquisitions from Macbeth galleries. Dates- 9/35-7/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Orders and correspondence for back issues of Bulletins and magazines, 1946-47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Alessandro Magnasco, Painting 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mailing and sign schedules, roster of names and institutions. Dates- 1960 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mailing and events schedules. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, P. Near, D. Isley (Norton Simon Collection). Subject- Press releases, shipping, installation, purchase invoice, info regarding owners of the other castings. Photographs and slides. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Paul Manship. Subject- designing the John Barton Payne medal. Dates- 9/36-10/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and W. Robertson. Subject- His Service as a Trustee, Fellow, and chair of Trustee Budget Committee. Biographical info, Artmobile, 25th Anniversary of VMFA, museum business, financial statements, Education In The Arts. Dates- 12/56 - 5/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Long Island Historical Society. Subject- Provenance, purchase through Glasglow Fund. Dates- 12/55 - 1/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Resume, photo, agenda, NEA grant request. Dates- 4/65 - 5/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- M. Baldwin Choir Program, Alumnae issue Bulletin concerning visit of Pres. Eisenhower. Invitations, Fine Arts Center, Woodrow Wilson Project. Dates- 2/56 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Julien Binford. Subject- Mary Washington Arts Center, invitations, VMT, loans of art works, newspaper clippings. Dates- 11/49 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Gifts to VMFA. Dates- 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mrs. William R. Massie. Subject- Trustee/Museum business, etc. Dates- 12/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecture: John Goldsmith Phillips, biographical data, press release and catalog list. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecturers: V. Isabelle Miller and Mrs. Yves Henry Buhler. Press release, publicity schedule and photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- floor plan, instructions for installation for exhibition \"Masterpieces of Chinese Art\", printed material for exhibition, thank you notes to lenders to the exhibition, etc. Dates-11/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Candidate for the Theatre Director Position. Contains resume and applications, letters of recommendation etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Director of Public Relations for 20th Century Fox. Speaker at the Museum 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Public Information Division VMFA. 1955-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Director of Vassar College Art Gallery, requests for publications, lecture. Term as curatorial research asst. at VMFA. Dates- 9/53 - 6/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Dedication of new Library, loans, invitations, VMT, Farewell gift to Mr. and Mrs. Cheeks with poem. Gifts, contributions, G. Melchers memorial. Dates- 2/60 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- General membership information, loans, press release, invoices, newspaper clippings, etc. Art Nouveau Collection. Letter to L. Marden (residence designed by Frank Lloyd Wright). List of Artists editions: prints and objects from Multiples Inc., NYC, price list and description. Artist: Phillip Lindsay, signature. Acquisitions: Monet, van der Helst and Rodin. Dates- 12/69 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and French and Co., Inc. Subject- pieces sold to and installed in the Museum, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposal to establish an Institute of Mediterranean Culture at U. of R. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Carroll L.V. Meeks. Subject- thank you notes for visit to New England personal friendly letters, etc. Dates- 4/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, Mrs. Pennell (Membership Secretary) and Mrs. Gari Melchers. Subject- VMFA members in Fredericksburg, postcards, gift to Museum , etc. Dates- 12/35-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Her service on the Executive Committee, Melchers Estate, budget, gift status of \"Dead Jockey\", E. Degas. Contributions, gifts, newspaper clippings, biographical data. Dates- 4/56 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt (Dayton Art Inst.) and Dr. Higgins (Chair of VMFA Board), J.M. Brown. Subject- \"Disposition of Mr. Gari Melcher's Estate Excerpted from Virginia Museum Minutes Books, No.4,5and6\" , prepared by A.W. Statnaker, Asst. Administrator 7/17/74. Resolution, re: \"Belmont As An Art Center And Museum\" and \"Opening Of The Belmont Facility To The Public\" , Executive committee Minutes. Dates- 5/74 - 11/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Melchers estate/bequest to the Museum, agenda and minutes of Gari Melchers Memorial Committee 5/56-10/56, report and proposals of that committee. Dates-5/56-10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- appointments to committee, general operation of Estate, suggested budget, list of Melcher paintings owned by VMFA, loans of art works, drawings/blueprints: G. Melchers Studio air conditioning system and proposed plaque for ashes of Mr. and Mrs. Melcher. \"Belmont Agency Agreement\", Bill to transfer Melchers Memorial from VMFA to Mary Washington college. Dates- 4/56 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- First Chairman of Fellows: 1st Annual Meeting and statement of purpose. Exhibitions: English Painting, French Portraits, Sport and Horse, Artmobile. Old Dominion Foundation and his membership on the Executive Committee, gifts, donations and contributions. Dates- 2/38 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His membership on the Board of Trustees, Fellows, Collectors Circle. Biographical info, loans of art works from his personal collection, donations and gifts to VMFA and the National Gallery, Artmobile, as a recipient of the Benjamin Franklin Award: statement of purpose, nomination form, list of contributions, newspaper clippings, photocopies of magazine articles, invitations , etc. Dates- 1965 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and W. Robertson. Subject- Collectors Circle, Fellows, term as VMFA Vice President. Press releases, newspaper clippings, contributions and gifts. Dates- 4/60 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison. Subject- Members lecture series. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Wm. Higgins, Jr. (Pres.) and C. Humelsine (Pres.) Subject- Draft of letter to membership regarding schedule of events etc. Dates- 9/71 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program where paintings from contemporary Virginia artists would be loaned (rented) to members to have in their homes. Members could also purchase the paintings. \"Designed to bring the work of Virginia artists into the homes of Virginia citizens.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Wm. Higgins. Subject- Monthly membership report summary, Chapters/Affiliates reciprocal membership program, letters of general correspondence to the membership. Dates- 4/70 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- minutes of the Membership Committee 1/48, 2/49 and a letter supporting the proposed theatre wing from Mrs. Wm. Trigg, Jr.(Civic Theatre Committee, Div. of Recreation, City of Richmond). Dates- 9/47-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Membership report, promotion, agenda, roster of committee members, minutes of committee meeting. Dates-8/72 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes of membership committee, elements of campaign to attract new members and move members to higher categories. Dates- 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Guided tours for prospective members, agendas, schedules, newspaper clippings, excerpt from Minutes of Executive Committee 12/14/72. Dates- 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Webster Rhoads (Pres. of Museum Board) and R.A.Velz (Administrator). Subject- list of new museum members, request form for membership, Membership Reports 1954-5 and 1955-6, list of membership privileges, etc. Dates- 11/55-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. W.A. Nones (Chair, Trustees), J.M. Brown and C. Humelsine. Subject- General membership information, schedule of events, calendar, pamphlets, etc. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- membership rosters of local organizations, copies of a cover letter soliciting members, etc. Dates- 1/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Survey results, years of membership, exhibit preference, age, attendance, annual contribution. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- planning stages for corporate memberships, proposed fees, privileges, etc., counsel from other US art museums, list of corporations to be approached about the idea, etc. Dates- 1946- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Corporate membership drives, presentation to J.C.'s, excerpt from Newsweek. Dates- 6/60 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison. Subject- Members art studio classes and lecture series. Dates- 6/54 - 9/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 6/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 9/54-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and R. Velz. Subject- memos regarding segregation and other policies at the Museum. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison, L. Cheek and R. Velz. Subject- Miscellaneous information concerning collections in general: treatment/condition reports, insurance, loans, installations, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- Miscellaneous museum operation: Artmobile, Art Lending Service, Virginia Artists, lists of objects on loan, exhibitions, damage reports of objects and gallery inspections, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- inter-office memorandums on various subjects. Dates- 12/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison, L. Cheek and H. Glasser. Subject- Exhibitions, Pratt Collection, gallery inspections and all manner of museum operations and programs. List of lost objects on loan to the Bon Air School for Girls. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- Inter-office memos concerning insurance valuations, loans, lectures, library, exhibitions and policy on filing acquisitions data and damage reports. Date- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Pamphlets published by the state Department of Mental Hygiene and Hospitals and the Mental Hygiene Society of Virginia. Dates- 1951-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and various staff at the Metropolitan Museum. Subject- museum practices, long-term loans of Egyptian art and artifacts, securing speakers, etc. Dates- 1/55-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J. Rorimer (Dir., MET) and A. Priest (Curator, MET). Subject- Damage to MET's \"Bacchus\", objects to purchase, loan requests. Acquistions and gifts: Tibetan Scroll; Coat of Japanese Mail. Dates- 11/69 - and/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Michael Jacobs Gallery. Subject- loan of painting (George Washington by Gilbert Stuart) for inaugural exhibition. Dates- 6/35-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Midwestern book competition for which Cheek served as a juror, competition judged in Richmond, lists of criteria and books, printed material for the competition, etc. Dates- 4/56-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Jo Mielziner. Subject- friendly letters, mention of possible Mielziner exhibition, etc. Dates- 12/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, list of stage designs available for purchase, his lecture to VMFA, schedules and agenda's, etc. Dates- 10/54 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Miller and Rhoads department store staff. Subject- showing VA artist work in store windows, borrowing supplies from the display department for the Museum (folding chairs, textiles), etc. Dates- 2/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and W.S. Rhoads. Subject- Nomination of Miller and Rhoads, Inc. for Esquire magazines 1st annual \"Business in the Arts\" award. Support of Artmobile II. Exhibition: \"Masterpieces in Millinery\", spring 1958. Preliminary outline of fashion costume requirements for VMT \"Lady In The Dark\". Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Speaker: Philip Adams. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. John M. Miller, Jr. Subject- Trustee/Museum business, Miller served as a member of the Membership Committee, etc. Dates- 6/35-7/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mr. J.G. Pollard, Jr. Subject- asking Mr. Milliken (Director of The Cleveland Museum of Art) for counseling on acquisitions, draft of an agreement where Milliken counsels the Museum staff about proposed acquisitions, etc. Dates- 3/58-3/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from B. Mills in his role as Asst. Administrator of Personnel. Subject- Records, applications, payroll, medical insurance, announcements of new employees and terminations. Dates- 9/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt and L. Cheek, Jr. and The Mint Museum staff. Subject- museum practices, loans, etc. Dates- 8/46-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- obtaining the motion picture for which the drawings in the exhibition \"Gil Wilson 'Moby Dick'\" were made. Dates- 12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- printed material for exhibition \"Modern German Art\", invitation to Mr.and Mrs. Alfred P. Jenkins for dinner and exhibition preview, (Mr.and Mrs. Jenkins owned the modern German art collection shown). Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Creation of James Monroe Bicentennial Commission. Dates- 8/57 - 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown between MAC. subject- Section 21-2 of the Richmond City Code: designation of Monument Avenue as an Historic District.  Minutes of meeting of MAC, 4/24/71 and 5/19/71.  Program Planning Task Force, editorial broadcast, roster of members, Articles of Incorporation, By-Laws, agendas, proposals and pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., and Mr. Charles Moore. Subject- Moore's application for the Director/Producer position in the Virginia Museum Theatre. Dates- 12/56-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data and his lecture tour to the VMFA. Dates- 4/53 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Georgia Watson Morgan. Dates- 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Search for candidates for public information supervisor, job requirements, resume, publicity agendas, public information schedules, Bulletin vol.20, no.3. Dates- 6/59 - 7/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Mulholland (magician), biographical data/pamphlet, his magic presentation to the Fellows and VMT. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, his address to VMFA membership concerning architectural history. Dates- 10/55 - 8/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Munn Last Will and Testament with list of objects bequeathed to VMFA. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and T. Colt. Subject- Mural competition for Virginia State Library entrance hall: selection process, general assembly commission of monument to Stonewall Jackson. Dates- 4/46 - 6/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Envelopes of photos and negatives of Pre-Columbian art objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Gallery attendance and educational groups. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for Oct. Bulletin 1954, copies of the following Members' Bulletins-vol.15, no.2 (10/54) and vol.13, no.3 (11/52). Dates-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison. Subject- working papers for Members' Bulletin Oct. 1955, VMFA calendar 10/55, etc. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for Oct. Bulletin 1955. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Design of annual Christmas cards by Virginia Artists: John Ballator, Charles Smith, John Canaday, Allan Jones, Ross Abrams, Julien Binford and Prentiss Taylor. Dates- 11/48 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns transportation for the Museum lecturers and guests 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, M. Christison and Mrs. Pollard. Subject- Inquiries from other institutions regarding museum operations, budget, services, corporate membership, Trustees, etc. Lists of purchases, Fellowship recipients. Dates- 1937 - 53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Arrival of Hollins and VCU students to work on specific projects for one month. Dates- 12/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt. Subject- Proposal and tentative plans, prospective filmmakers. Minutes of Executive Committee of Southern Educational Film Production Service. \"Motion Picture Production\": Study by H. Jeff Forbes and Associates regarding promotion of VMFA. Dates- 11/46 - 2/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Memos about various museum topics. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, V. D'Amico (Dir. MOMA), M. d' Haroncourt. Subject- Art education standards, exhibitions, loans, lectures, museum policy, juror search and Jamestown Commission. Dates- 11/55 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Head of Administrative Division), Mrs. J.G. Pollard and L. Cheek, Jr. Subject- suggested future organization of the institution, operating procedures throughout the building, etc. Dates-2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding the division of expenses between the theatre and the museum, 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Promotional literature on the VMFA. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Material deals with segregation policies at museum events. 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence pertaining to printing. Bulletin mock-ups and copies of the following bulletins: Vol.6, No.4,  Vol.7, No.'s 2and7. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper clippings and magazine articles. Photographs, press releases etc. 1955-57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposed budget groupings for VMFA, according to departmental divisions and table of organization. Dates- 1948 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Events, timetables, agendas, Robinson House, housekeeping, security, VMT. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Schedule of events, exhibitions, Robinson House. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Schedule of events, mailing schedules, spring agenda, Confederation Conference, Robinson House, VMT, gallery closings, Discovery Cruise: Land of Maya. Date- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Suggested talk by Pres. of Museum to guests at Safari Dinner in Medieval Hall. Dates- 1/22/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Travel package for travel to Asia, brochures, cultural travel tours. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Policy regarding loans of art works to other Museums, employment search, provenance of art objects, pamphlets, newspaper clippings, etc. Resolution: To order immediate safe return of German master works after Nazi occupation, signed by U.S. museum directors. Dates- 4/46 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Applicant search for various positions, invitations, announcements, exhibitions, etc. Press kit for the Milwaukee Art Center. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Peter Mooz. Subject- General correspondence on exhibitions, loan requests, museum business, job placement, magazine and newspaper clippings. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibitions, loans, policy. Dates- 12/60 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Schedule of music series and members of committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- schedule of program of recorded music, announcement of 6th artist evening 1/46, Museum Bulletin Vol.5, No.2, etc. Dates- 2/46-5/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Jerome Myers. Subject- acquisition of his painting: Street Scene, N.Y., his acceptance to the National Exhibition of American Art, N.Y., etc. Dates- 4/36-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown and P. Near. Subject- General correspondence to Trustees and membership, letters to Robert Neutra, exhibitions: Henry Moore, Sport and Horse. Agendas, travel itinerary, events and invitations. \"Encouragement of the Nations Arts\", an appeal to congress, and \"Proposed Federal Advisory Council on the Arts\", Hon. H. Alexander Smith, U.S. Government Printing office, Washington D.C., 3/26/57. Requests for employment, postcards, pamphlets and photographs. Artists: Jean Nikolic. Accessions and Gifts: \"Disasters of War\", Goya; \"Lore Fuller\", Raoul Francois Lanke; \"Dancing Girl With Tambourine\", A. Leonard; \"La Revre Blanche\", Toulouse Lautrec; Revere and John Andrew spoons and vase possibly made by Johannes Loetz Witwe. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Namuth's exhibit of photographs at the Brussels World's Fair, as a juror VMFA. List of Seventeen painters photographed by Namuth: Wm. Baziotes, J. Boynton, L. Calgagno, N. Carone, R. Diebenkorn, J. Ernst, S. Gechtoff, G. Hartigan, E. Kelly, W. Kienbusch, G. Mueller, K. Morris, B. Perlin, C. Marca-Relli, R. Motherwell, A. Reinhardt, L. Siegriest, with original notes by Namuth. Letter from J. Ernst with signature. Date 4/61 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Statement of purpose and future of NCA, Board of Directors, Members of Council, fellowships, program grant application. Essay- \"National Endowment For The Arts Before The House Appropriations Subcommittee On The Interior And Related Agencies Tuesday, March 14,1972\", statement by Nancy Hanks (Chair): \"New Dimensions For The Arts: 1971-1972\" Dates- 1970-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L Cheek. Subject- Bill: S. 2379, To provide for the establishment of National Council on the Arts and National Arts Foundation. \"Congressional Record: Proceedings and Debates of the 88th Congress\" Dates- 2/64 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Public-Law 85-874, S. 3335: charted by the 85th Congress to establish a bureau in the Smithsonian Institution devoted to the Performing Arts. \"Peaceful Use Of Creative Energy\": transcript of lecture given by Col. Corrin Strong at the Tri State Arts Conference 4/29/61; Report: \"The National Cultural Center Part Two: What Goes into the Center\" by Dr. Carelton Sprague Smith, 10/60. Minutes for the NCC Executive Board: 5/23/60 and 6/29/60 Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. cheek. Subject- VMFA Council sponsorship of a closed circuit telecast by NCC: \"An American Pageant Of The Arts\". Suggested text of publicity folder, invitations, Newsletter: \"Footlight\", vol.1 no.3.; \"For A Cultural Capital\", Eleanor Roosevelt, 1962, United Feature Syndicate, Inc. NCC, later to be named the \"Kennedy Center For Performing Arts\". Dates- 7/62 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exchange of ideas and experience with other institutions who use audiovisual tool to communicate with museum visitors. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters of appeal to serve on Virginia NEFTA committee, roster of members. VMFA appointed as the state agency for the administration of Federal matching funds; to aid in expanding the cultural horizons of a states and territories. \"Guidelines\" 1/67, NEA, Washington D.C.; \"National Foundation On The Arts And The Humanities, Question and Answers\", U.S. Government, Washington D.C., 1965. Dates- 1965 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Survey of membership, officers of VMFA, according to race, gender, age, position and time served. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz. Subject- Grant proposals, application, letters of support, proposal for a Regional Conservation Center, Soldiers Home, American Marine Painting, NEA statement of purpose, Museums A.S.A. Study, Museum Program guidelines, Smithsonian Puppet Theatre, Young Peoples Theatre Safari, \"American Painting 1974\" and newsletter from the Arts Reporting Service. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Financial assistance to Chamber Music Societies, season brochures, project grant application form for Va. Chamber Music Society. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Grants received by Arts/Cultural organizations in Virginia: guidelines, program committee members, agendas and minutes from the program sub- committee 3/7/68. NEFTA project recommendations for a regional conservation center. Dates- 6/76 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT survey, McLean Arts Center, guidelines for program grants. Senate Joint Resolution No. 67: to create a Virginia development study commission, bill 1483: National Foundation on the Arts and Humanities Act of 1965 and a report with guidelines for VMFA as the sole administrator of NEFTA matching grants. Study for Virginia Artist and Craftsman in regard to education and support. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Grant applications from Virginia Dance Society, VMFA, Confederation of Virginia Art Organizations and Budget proposals. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- State guidelines and general information, terms and conditions, NEA matching grant to begin statewide professional operation of VMT. Addresses of applicants for state grants, roster of Virginia NEFTA committee members. Dates- 2/66 - 6/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Regarding J.M. Brown's service on committee to evaluate grant applications. Valentine Museum NEA application, pamphlets. Date- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- arrangements for exhibition \"Designer-Craftsmen 1953\" presented in conjunction with the American Craftsmen's Educational Council, Inc., (ACEC), letters to jurors, etc. Dates- 9/52-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and National Gallery of Art. Subject- preview invitations, exchange publications, excerpts from Roosevelt Art Address (from dedication of National Gallery 3/41), loan request for VMFA inaugural exhibition, etc. Dates- 3/41-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- pamphlets and information about \"National Park and Recreation Week\" sponsored in Richmond 5/21-5/30, 1949. Dates- 4/49-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Geographical directory, \"Historic Preservation\" journal, vol.11, no.3, 1959 and Melchers Memorial. Dates- 1959 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Organization membership information form, questionnaire. NTHP certificate of associate membership 1971-73, employment placement and service pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Travel itineraries, objects for prospective traveling exhibitions, list of slides, forgeries and thefts. Accession and acquisition proposals. Dates- 1/61 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Conservation of objects/paintings, loans. Accessions committee meeting agenda, 10/69. Report on Authenticity of \"Marble Head of a Horse\", Heermaneck Ancient Iranian Collection. Exhibitors: The child and his World. Condition reports and repair estimates for tapestries. Photographs Dates- 12/69 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Sydney Lewis and Peter Mooz. Subject- Authenticity of Cycladic Harpist and 18th century American secretary. Provenances of various objects, conservation and treatment reports. Catalog: \"Arshille Gorky\" Dates- 1/74 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Sydney and Frances Lewis and Peter Mooz. Subject- Conservation/treatment reports, Artnian Collection of self-portraits. Conservation/treatment reports, Kent Independence Portfolio. List of Art Nouveau objects, damage reports, African Collection. Report of authenticity regarding the Cycladic \"Harpist\". Letter from Arnaldo Pomodoro regarding a base for \"Rotating Sphere\". Dates- 5/75 - 8/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Hours of operation, VMFA and other museums, attendance records, VMT, security, UNESCO newsletters 4/58 - 8/59, newspapers and magazine clippings, press releases. Dates- 7/59 - 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Cheek's annual N.Y. cocktail party: guest lists, arrangements, rosters of speakers to VMFA: 1951-52 and 1952-53. Dates- 1952 - 54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newsletter to Trustees concerning exhibitions and appointments to Executive Board, accessions, building, etc. Dates- 11/70 - 8/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Wm. Morrison (P.R. VMFA), F. Palmer (P.R. consultant), D. McCammond (P.R. Reynolds Metals). Subject- Public Relations of E. Newsom and Co. to conduct a study to determine the needs and potential of VMFA. Program organization, community relations, film, book press material, schedules of events, etc. Dates- 8/58 - 9/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- A survey targeting the needs, current and future of VMFA, with solutions/resolutions for every aspect of the museums' operation. Dates- 11/58 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. A. I. duPont and F. Palmer. Subject- Roster of members of Board of Trustees, letter of appeal for pledges, principal elements of Newsom Program. Dates- 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. A.I. duPont (chair, Ann. fund). Subject- Strategy to raise funds through the Trustees to finance the Newsom Public Relation Firm program for VMFA. Drafts of letters to Trustees, progress report, minutes of 25th Anniversary Committee, 9/8/59. Dates- 12/58 - 7/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- all manner of museum operation: security, policy and procedure, personnel policy. operating budget and VMT. Diagrams of electronic console panel. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Museum business, construction and installation project schedules, budget, Equal Opportunity regulations, design contract for the Council shop, salary scales. Dates- 10/73 - 1/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Museum business, Conservation Lab, Fine Arts insurance coverage, budgets, Cabell Foundation gift. \"Report on the Freedom of Information Act\". Depreciation of \"Death of Regulus\", Salvatore Rosa. Dates- 12/74 - 7/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Museum business and operations, budget, contractual agreement between VMFA and Harwicke Associates, Inc. for North Wing project. \"Organization of the Virginia State Government\". Dates- 10/75 - 11/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- UVA architect and his membership in the Collectors Circle. Dates- 1/63 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- General assistant to VMT, employment recommendation. Dates- 6/55 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Possible acquisitions from his gallery. Dates- 10/62 - 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L Cheek and J.M. Brown. Subject- Loans, exhibitions, VMT, Rotunda Club, Fellows. Accessions and gifts: \"Metamorphosis\", Grillo. Dates- 4/57 - 6/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- correspondence with individuals, institutions and companies beginning with the letter \"O\". Dates- 4/43-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, photo and job description/responsibilities as program director for \"Art Column\". Dates- 3/61 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- As a scenic design consultant, his lecture to VMT in connection with the Exhibition: \"Design For The Theatre\". College Drama Festival, biographical data. Dates- 1/60 - 2/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, P. Mellon, E. Brooks Jr., and M. Bush. Subject- Financial support: Artmobile II, building grant and museum survey to expand visitors use to VMFA. Photographs, newspaper clippings. \"A Study in Modern Giving: The Old Dominion Foundation\", reprinted from articles in Richmond News Leader. \"Bollenger Series\", catalogue of special edition books. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, M. Bush (Asst. to Pres. of ODF) and P. Mellon (Pres. of ODF). Subject- Financial assistance to VMFA, Artmobile II, collectors circle, and Old Dominion Foundation statement of purpose. Dates- 9/58 11/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Dan Olney. Subject- receiving a Senior Fellowship 1941/2, outline for a lecture, etc. Dates- 10/40-6/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Governor Thomas B. Stanley. Subject- opening of the new wing. Dates- 8/54-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- opening and reception for Governor Stanley. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- invitations and replies to the opening of the Members' Suite, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Opera Society's first season. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- miscellaneous printed materials for the Museum, etc. Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- tickets to the Museum for State Lions' Club convention, etc. Dates- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- ideas/proposals for \"Members' Room\", suggested operating procedures, menus, pricing, etc., cost estimates, \"Refreshment Room Statement\" 1955, etc. Dates- 1/55-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre operations proposals, list of staff, their duties and salaries, etc. Dates- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- lists of statewide business, civic, commercial and other organizations, invitation list for General Assembly/Governor's reception, etc. Dates- 1953-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Orloff's (Chief-interpreter of U.N.) lecture to VMFA concerning the Faberge Collection, Biographical data. Dates- 11/49 - 4/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters of inquiry to firms specializing in plaster and wood ornament, catalogs. Dates- 5/54 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator). Subject- museum practices especially concerning finances of other US art museums, etc. Dates- 4/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, P. Near and J.M. Brown. Subject- Artmobile, VMT, Collector's Circle, Fellows, Chapters/Affiliates, biographical data, campaign to restore the Jefferson Hotel, list of exhibitions from 1942 - 45.  International Exhibition Foundation, the appointment of John A. Pope (Director of Freer Gallery) as advisor/consultant to VMFA for expansion of Far Eastern Collections.  Acquisitions and gifts. Artists: Nell Blaine, Howard Kanovitz, Otto Piene. Gifts: Masson lithograph, Irving Penn photo and 15 Russian 19th century paintings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Painter's lecture on \"Armor and Medieval Man\" to compliment the \"Arms and Armor\" exhibition, biographical data. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. Nelson Parker. Subject- announcement of Board meetings, etc., Date- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Appeal to Virginia Senate and legislature regarding sufficient museum parking utilizing land belonging to the UDC (United Daughters of the Confederacy). Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Gift of Egyptian Gallery and English Decorative Arts Gallery. VMT, and her membership as a Fellow and in collector's circle. Dates- 4/61 - 10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. J.G. Pollard and Executive Committee of the Board. Subject- proposal and planning stages of conferring an honorary degree of \"Patron of the Arts\". Dates- 6/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject-housing J.B. Payne books in library of the College of William and Mary in exchange for paintings from their collection of art for display at the Museum. Dates- 1/50-4/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek's service on the Board of Trustees and on the Advisory Board of the School of the Arts. Minutes of U. of P. Executive Board, 4/8/60, 4/29/63, 4/26/65 and Annual Report of Graduate School of Fine Arts, 3/64, 5/65. Dates- 10/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek as chair of Fine Arts Committee. Subject- Letter to P. Coombs on his appointment as Assistant Secretary of State for Educational and Cultural affairs, UNESCO newsletter, Nubian archeological sites. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and A. Frankfurter (editor, Art News). Subject- VMFA general collection, list of gifts and purchases, 1955-67, scope of exhibitions, dates, publications, colorplates. List of VMFA Board of Trustees, 1962, Gobelin Tapestries. Dates- 1953 -64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Articles based on exhibitions and general collection of VMFA, VMT, invoices, newspaper clippings, pamphlets, reviews, newsletters. NEA museum programs, research education grants. Dates- 1967 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Articles of VMFA: \"A Spring View of Virginia Museum\", 10/56, Wm. Lacey, Editor; \"Art isn't Caviar at this Museum\", Sidney Shalett, 7/57, The Diplomat. Dates- 10/56 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Articles and editorials pertaining to VMFA: Newsweek, Time, Art Gallery, Antiques, Museum News , etc. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Harper's Bazaar, New York Magazine, Apollo, reviews. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Editors V. Dabney (RTD) and J. Kilpatrik (RNL). Subject- Artmobile, reviews of VMT and media coverage by print journalists, newspaper clippings. Essay- \"The Arts In The Sixties\", by L. Cheek. Dates- 11/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and F. Stewart and C. Jones. Subject- Exhibitions: \"Form Givers\", Sport and Horse\" and Mellon Collection. Dates- 2/60 - 12/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains applications, resumes and information on candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and M. Christison. Subject- Job descriptions. Dates- 1953 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison, P. Near and L. Cheek. Subject- Fellowships: list of recipients from 1940 - 1955. Prospective employees and VMT. Dates- 12/54 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- personnel rules and procedures of VMFA and the Commonwealth of VA, mandates from the Governor's office, additional personnel and pay increase requests, Roster Cards (listings of all employees and pay rates), etc. Dates- 8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr., and R.A.Velz (Administrator). Subject- listing of division duties, proposed salary ranges, information about hiring an artmobile driver-curator, etc. Dates- 2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Photographs of L. Cheek, Mrs. J.G. Pollard, theatre staff, Ariel Ballif, Vincent Bowditch, Arthur Ballet, R. Velz and P. Near. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Personnel matters. Dates- 4/66 - 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains general information about the system and ratings for museum employees. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains applications, resumes and information about candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains applications, resumes and information about the candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains applications, resumes and information about various candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from the Governor's personnel survey staff. Subject- employment questionnaire, job descriptions (buildings and grounds staff, watchman, registrar, secretary, etc.), etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and the Governor's personnel survey staff. Subject- employment questionnaire, VMFA tentative classification of positions (3/37). Dates- 10/36-4/37.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Fiske Kimball (Director of Penn. Museum of Art). Subject- loans for VMFA inaugural exhibition, exchange publications, counsel on museum practices, etc. Dates- 5/35-5/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and R.L. Dickinson (Hanover Bank). Subject- The Library of Philanthropic Information at the Hanover Bank, New York City. Dates- 11/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- E. Turpin Phillips, a Virginia citizen and his request to see proposal plans for expanded museum parking onto UDC property. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Consultant for VMFA acquisitions. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Duncan Phillips (Director, Phillips Memorial Gallery). Subject- request for loans to VMFA inaugural exhibition, etc. Dates- 9/35-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Installation of VMFA photography department, list of equipment and supplies, employment of staff photographer: Gordon Burns. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- listing of entries to the \"19th Photographic Salon\" exhibition, schedule for jurors, etc. Dates- 3/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator) and L. Cheek, Jr. Subject- purchase requests for photographs. Dates- 10/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Ivan Dimitri as Director of Photography in the Fine Arts at the Brussels World's Fair, his service on the advisory committee, list of photographs given to VMFA from the PFA exhibition. Directors of America's Finest Museums: portraits, credo of on art and their personal selection of photographs from the PFA archives was the subject of the World's Fair exhibition. Etching by Levon West (Ivan Dimitri). Dates- 12/59 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Atillio Piccirilli. Subject- biographical information, loans of work to the Museum, etc. Dates- 7/35-1/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- viewing the feature film 'Pictura \"An Adventure in Art\"', invitations, contributions, listing of attendance, etc. Dates- 2/52-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Herman Starr (Pres. Pictura Corp). Subject- A group of films devoted to the fine arts. Presentation of \"Leonardo da Vinci\" at Richmond's Lee Art Theatre and film on Goya to accompany exhibition. Dates- 1/51 - 3/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Gallery dinner, menu, agenda, program for event. Dates- 8/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- policies on use of meeting rooms and studios, special food service, interpretative services, scheduling programs, etc. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence to and from him when he was President of the Board of Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- the VMFA inaugural exhibition, Museum events, finances, Museum Board business and bequests/gifts to the Museum, etc. Dates- 1/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- Museum operations, investments, finances and gifts to the Museum, etc. Dates- 1/37-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His service as President, Trustee and membership in the Collector's Circle. Biographical data, museum business: operating fund, Artmobile, Newsom Report, 25th Anniversary fund, Melchers Estate transfer, gifts, contributions, Fellowship Fund. Exhibitions: Sport and Horse. Dates- 9/53 - 2/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His service as a Trustee, VMFA Resident Craftsman Program. Dates- 2/64 - 2/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Design of members Bulletin, records retirement, museum business. Dates- 1949, 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Museum business, Pratt installation, museum courses and equipment. Dates- 9/54 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Gift of \"Rotating Sphere\" from Lloyd Noland. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- As founder and director of the Barter Theatre, proposed plans for Theatre Virginia and NEA funding. Dates- 4/67 - 5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., and Mr. David Payne. Subject- correspondence with Payne about arranging the exhibition \"Portraits by David Payne\", biographical information, letter from Phillip Johnson, etc. Dates- 5/51-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J.G. Pollard, L. Cheek, Priscilla Crum (Curator, Asst. in Education). Subject- Gallery representing portrait artists, biographical data on various artists and portrait of Senator Byrd. Photographs. Dates- 6/45 - 11/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Statewide tribute to John Powell (a native of Virginia) and the presentation of his \"Symphony in A\". Date- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Correspondence with Pratt as a trustee. Discuss first Easter egg exhibition in 1949 and Hammer visit. Letter from Schaffer (A La Vieille Russie) in 1949 about lending some pieces for an exhibition. Includes a few letters from Mrs. Pratt before she died, about a Faberge table donation in 1942 and donating \"Twice Seven\" to the Library. Establishment of the Fellowship fund, including letter from Twombly as early recipient. Pratt Collection: insurance estimates and installation. Gift of funds to purchase the first Artmobile from Pratt and Miller and Rhoads. Dates- 7/40 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artmobile, Fellowship committee, underwriting of Faberge booklet, terra-cotta statue of \"Diana\" from the Pratt Estate given to VMFA, newspaper clippings. \"A Plan For Fellowships For Virginia Artists\" as suggested by Mr. John Lee Pratt. Minutes from Fellowship Committee meeting, 6/12/42. Dates- 12/49 - 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. John Lee Pratt. Subject- Trustee/Museum business, VMFA fellowship updates, etc. Dates- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown. Subject- Biographical data, fellowship recipients: Cynthia Morehead Smith, Paul Steuke, June Chapman, Fred Bonds, Richard Kevorkian and Reginia Perry. Pratt Collection: catalogue, except from forward by L. Cheek, questionnaire regarding Mrs. Pratt's initial contact/purchase sources for Russian Jewels, list of objects bequeathed by Pratt Estate. Dates- 1/57 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposals and cost estimates for Healy's Sitters exhibition and Pratt collection catalogues. Dates- 4/50-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, L. Cheek, Armand Hammer (Hammer Gallery) and Alexander Schaffer (La Vielle Russie Gallery). Subject- Legal claim against the Romanoff Family assets via the Pratt Collection of Russian Jewels. Possible lawsuit by A.G. Sharkey, President and Trustee of Marine Transport Service Corporation in NY who had judgment against Czar Nicholas Romanoff since 1918. Hammer and Schaffer dismissed it. Details of Pratt bequest, provenance of objects, announcement of bequest with sample of text to be used in pamphlet. Excerpt from \"Twice Seven\", by H. C. Bainbridge, E. P. Dutton and Co. Inc., 1934 (reference to Faberge Jewels owned by Armand Hammer). Dates- 8/47 - 10/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Mrs. J. G. Pollard. Subject- Installation, list of items on exhibition, security and transportation. List of objects in the collection of Mrs. Joseph E. Davies and pamphlets. Correspondence regarding various showings around the state - Roanoke in 1950 and Norfolk in 1951. Dates- 1/49 - 4/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from C. Humelsine. Subject- General correspondence to the VMFA membership, calendar of events, museum news. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to the media from the Museum. Subject- news releases about Museum events. Dates- 10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News releases about Museum events. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- positions and duties for volunteers and guards during an undisclosed preview. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Gov. Price. Subject-proposed salary increases, Board meeting announcements, nomination of Colt to select work to go to the Annual Exhibition of American Art 1938. Dates- 1/38-11/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- On the occasion of his being collector of the Year 1964, his cookbook including photographs of VMFA and the menu from the Collectors Gala, newspaper clippings. Gifts: Lachaise drawing. Dates- 6/63 - 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, P. Grigaut and P. Near. Subject- A. Priest as Metropolitan Curator of Far Eastern Art, his service as a consultant to VMFA (1963-69) in the formation of the Asian collections. Correspondence on examination and provenance of works in the VMFA. Minutes of Executive Committee, 9/9/63, 12/8/64, minutes of Accessions Committee Meeting, 9/9/63. \"A Buddhist Paradise\", A. Priest, AIV, 1963. Newspaper clippings, postcards, etc. Dates- 1963 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator) and Mrs. J.G. Pollard. Subject- printing schedules for 1956, miscellaneous print job specs, etc. Dates- 11/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- asking local corporations to fund the printing of school guide sheets for the Museum. Dates- 8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence pertaining to bulletin layouts, copies of Members Bulletin Vol.9, No.'s 1and7 and copies of Christmas cards 1948-9, etc.. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Museum publications: Contemporary Paintings 1946, Program Season of 1947-8, The VMFA Annual Report 1947-8, Virginia Art 1947 and Museum Bulletins: Vol.3 No.'s 1,2,4,6and9,  Vol.4, No.'s 4and5,  Vol.7, No.'s1,2,3,4,5,6,7,8and9,  Vol.1, No.8,  Vol.8, No.'s 2,3,4,5,6,7,8and9,  Vol.9, No.'s 1,4,5,6and8. Dates-9/42-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- securing a speaker (Robert T. Paine) for the exhibition \"Prints by Hiroshige\", thank you note to Mr. Paine, etc. Dates- 11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposed programming for the Museum. Dates- 2/49-9/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and lecturers. Subject- proposed program/events and exhibition schedule, biographical information on lecturers, etc. Dates- 10/50-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Peter Mooz. Subject- Artmobile schedules, Three-Days-In-March, members travel, grants, pamphlets. \"Proposal For The Development Of American Writers And Resources With Special Emphasis On The Production Of New Forms Of Drama Created Especially For Television\"; The Mark Report\": A survey and evaluation of VMFA statewide programs. Dates- 1974 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Safaris, Artist-in-Residence, lectures. Film series: \"The Romantic Rebellion\", exhibitions, COVA events, agendas, Professional Workshop. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt and Nancy Durett. Subject- violin recital 4/47. Dates- 4/46-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- memos to determine dates for the Trust Fund Orchestra to perform at the Museum. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- VMFA educational services, VMT and all manner of print and broadcast media promotion. Exhibitions, publicity schedules, press releases and newspaper clippings. Dates- 9/50 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General invitation to groups to participate in VMT. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Prospective givers: foundations and individuals. Date- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newsom Report: \"A Report To The Virginia Museum Of Fine Arts\", 11/19/58, Earl Newsom and Company, a study of VMFA public relations, information and communications responsibilities. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Various outside publications mentioning VMFA, 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Design and production of AIV: promotion, organization, printing schedules, contributors , etc. Catalogue \"Architectural Drawings in Virginia\" and \"\"Confessions of an Ex- Elitist\", M.W. Fishwick, Popular Culture Association, American Studies Institute, Lincoln University. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- photo of the Museum and of the \"Brussels Tapestry Exhibition\" 1949, Museum publications: VMFA Catalog of Paintings 1938, The Collection of Catesby T. Jones, 1948, and the following VMFA Members' Bulletins: vol.10, no.'s 1-5, etc. Dates- 1938-1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- copies of the following publications: The VMFA Annual Report 1947-8, The T. Catesby Jones Collection, Contemporary American Paintings 1948, William James Hubbard, Three Virginians Behl, Hunter, Blaine, Portrait Panorama, Program Season of 1947-8 and Member's Bulletins: Vol.1, No.8, Vol.8, No.'s 2,3,4,5,6,7,8and9. Dates- 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release, jurors. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing the Parsons gift of the Egyptian Gallery and 25th Anniversary Fund Committee. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitations to the VMFA's 25th birthday celebration for the affiliates, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- press release announcing loan of Chinese wine vessel. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 25th Anniversary projects, press release: message from the President (Robertson). Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Appeal to Trustees for contributions to the Drama Festival.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: 28th Virginia Artists Rotating Exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing a network of local art centers and museums affiliated with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- VMFA as regional jury center for the national exhibition \"Designer-Craftsmen-U.S.A.\", news releases, information on obtaining a jury and a speaker, etc. Dates-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Va. Architects, Photographers and Designers, seminar for Historical Administrators, VMT and Virginia Composers Concert. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release and photo for first issue of AIV. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release on Arts in Virginia. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains a cover letter for a mailing, no date. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing 25th anniversary events, exhibitions, VMT, etc. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing conclusion of 25th anniversary celebration with the presentation of awards to Colonial Williamsburg, The Old Dominion Foundation, sculptor: Carl Milles, architect: Eero Saarinen, collector\" Robert Lehman and Naval designer: William F. Gibbs for their outstanding contributions to the Arts in Virginia. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- obtaining the exhibition \"Built in the U.S.A.\", presenting programs related to the exhibition, biographical information on Phillip Johnson, etc. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- photo of \"Little Triton\" fountain for the Bulletin, copy of Members' Bulletin vol.15, no.1(9/54), etc. Dates- 9/53-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for Members' Bulletin. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for Members' Bulletin, calendar of Museum events. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Vol. 13 no.'s 1-9, 1952-5/53; vol. 17 no. 8, 2/57; vol. f19 no.'s 7 and 8, 3/59 - 4/59. Biographical data on Iren Marik, pianist, and reviews. Dates-1952 -53, 1957, 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Vol. 20 no.'s 4-6, 12/59-2/60 Dates- 12/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press releases: Tours organized through Virginia Federation of Women's Clubs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press releases: season opening production and call for volunteers. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Extended performances of VMT's \"Carousel\". Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Bus trips to VMT. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- listing of certificate winners and a gallery guide from the \"Virginia Artists\" exhibition 1955. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Portions of VMT concert to be broadcast with commentary and explanations of technique. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Programs and photographs. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Information regarding the Museum's chapters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- photographs [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing festival with guest artists: Helen Tamris and Daniel Nagrin. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Critic, Stella Adler, Speaker: Alfred de Liagre. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- TV news film of highlights of the College Drama Festival, script, telegrams and surveys to Virginia TV stations concerning air time and usage. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Announcement of individual participants announcing their attendance in the festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- loan of Cone collection from the Baltimore Museum of Art to VMFA for an exhibition, a catalogue of the Cone collection, news release about the  bequest of the collection to the Baltimore Museum of Art, etc. Dates- 10/49-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Public information schedule for exhibition: \"The Architecture of Skidmore, Owings and Merrill\", \"The Little International\". Artmobile public and information schedule and Bulletin, vol. 19, no.2 10/58. Essay- The Little International Exhibition\", Fred Olsen, 4/57. Dates- 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Publicity stills, reviews and biographical data.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- list of designers proposed for inclusion in the exhibition \"Design for Theatre\", tentative list, etc. Dates- 8/52-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing loan of painting by Winslow Homer. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Evaluation of the Discovery Television Series sponsored by the San Francisco Museum of Art. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Statewide Press Release announcing fellowships 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press Releases regarding fellowships 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Publicity stills and posters. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Buckminister Fuller. Subject- Exhibition of the work of 13 leading architects, opening lecture given by Buckminister Fuller, list of catalog content, gallery talk, press release, invitations and biographical data. Photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing formation of a fundraising committee for the 25th anniversary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibitions: \"Drawings From Five Centuries From The Cooper Union Museum\", \"Hans Moller\", \"Is Photography An Art\", \"Sport and the Horse\", \"25th Anniversary\". Parsons gift of the Egyptian Gallery, Chamber Music Society, Virginia Artists, evening hours, speakers/lecturers, Virginia Art Alliance, state services, Fellowships, Search for a female collector with a collection of Imperial robes. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press releases announcing exhibition of contemporary glass. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibitions: Skidmore, Owings and Merrill (AIA for Reynolds Building), publicity, progress report on exhibition arrangements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Ivan Dmitri. Subject- Symposium on photography conducted by Dmitri with a panel composed of: A. Hyatt Mayor (MET) and Hilton Kramer (Arts Magazine). List of paintings and photograph comparisons and press releases. Photographs. Dates- 10/59 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Status report of the Broadway production. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information about the loan exhibition. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Speaker 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: History of Lynchburg Center published in the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Brief film on masterpieces of American silver, script and outline for the 25th anniversary program. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains press releases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains layout and planning for the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Photographs of the moving of art objects, installations, physical plant and behind-the-scene workshops and people.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Editorial Writers, agenda, and guest speakers, exhibitions, events, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Ms. Nemone Balfour. Subject- a ballad concert given by Balfour sponsored by the Museum, new release, printed material, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: R. Neutra lecture in coordinate with his VMFA exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- invitations to grand opening of the 10/54 VMFA addition. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing the Norfolk Museum affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Bus tour and photograph. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Photographs of galleries. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing gift of marble statue \"Dawn of Young Womanhood\", Oronzio Maldrelli from Miller and Rhoads Department Store. Press releases from: Mariners Museum, National Gallery, Henry Ford Museum, Walker Art Center and the MOMA. Dates- 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: purchase of Patronship by Richmond businesses for season tickets to VMT.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- radio transcripts and publicity releases. Dates- 1948-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases. Dates- 8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases, publicity schedule 6/26- 7/22. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases. Dates- 5/56-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases. Dates- 4/51-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases. Dates- 1952- 5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press releases for various museum events: theatre, exhibitions, films, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Affiliation announcement of the Roanoke Fine Arts Center 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing the loan of \"The Ecstasy of St. Francis\" by Carravaggio. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- press release announcing the acquisition of a rare funeral monument from 2nd century B.C. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Advertising copy and selection of artist to draw a cartoon. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- press release for VMT promotion. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing special schedule to accommodate bus trip from out of town. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Publicity schedule and advertising copy. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- scheduling a speaker (Bernard V. Bothmer) to coincide with the exhibition \"Smith's Egypt\", photo and biographical information about Bothmer, etc. Dates- 6/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition and Publication information regarding \"Sport and the Horse.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- News Releases regarding newspaper column 1960. The column was carried in 50 Virginia newspapers as 42 weekly articles by Cheek. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Syndicated column written by Cheek as part of a promotion for the Museum's 25th anniversary. Contains a mailing schedule for the column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Return forms from newspaper publishers regarding column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Promotional letter for newspaper column. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Broadcast script for performance promotion. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from G. Friddell (Public Information Director). Subject- controversial nature of the \"American Painting 1950\" exhibition, James Johnson Sweeney was the juror for this exhibition, Sweeney biographical information, News Releases, exchange/gift publications of the catalogue to this exhibition, etc. Dates- 1/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Broadcast script promoting 25th anniversary year. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 25th Anniversary, broadcast scripts, VMT and list of Virginia and Washington TV stations. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Broadcast promotion script. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- press release with performance information  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release for VMT promotion. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release concerning a 25th birthday year magazine, the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Tours arranged by Virginia Federation of Women's Club in 6 Virginia towns to see VMT production of \"Carousel\" Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Reviews of show. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Introductory speeches. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"The Tempest\", \"The Mad Woman of Challiot\", \"Berkeley Square\", \"I Remember Moma\", \"Noah\", \"Blind Alley\", \"The Devils Disciple\", \"High Tor\", \"Oh Wilderness\", \"Private Lives\", \"The Petrified Forest\" and \"Victoria Regina\". Dates- 1955 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Assigned design projects and newspaper clippings. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- National broadcasts focusing on topics of national interest, VMFA requests for financial assistance to host a \"Meeting\", pamphlets and photograph. Dates- 1953 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Aubrey Bodine and Gordon Bunshaft, biographical data, Competition promotion, preliminary text for official entry forms, press release. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- list of pieces included in the \"Virginia Artists 1953\" exhibition, list of purchases made from the exhibition, information on the jury and on purchase prizes, letter from Jacques Lipchitz, etc. Dates- 12/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information about the exhibitions and photographs of the artists and their works. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Jurors: Richard Lippold, Isabel Bishop and Perry Rathbone. Press release announcing event.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Eighteenth annual exhibition held at the Museum and sponsored by the Camera Club of Richmond. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- fountains that flank the Museum's front entrance. Dates- 9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- photo of conservation lab, gift and exhibition of the Williams collection of art at VMFA, announcements to and articles in major art publications about the gift of the Williams collection. Dates- 3/52-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition \"The American Cartoon\", original American cartoons from the collection of Mr. Art Wood, invitations and R.S.V.P.'s to exhibition preview, photos of some of the pieces of cartoon art, etc. Dates- 5/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Wm. Quillan Jr. (President of Randolph Macon Women's College). Subject- Loan of Randolph-Macon's collection of paintings. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Isobel C. Lee (Steuben Glass). Subject- Loan from Queen Elizabeth, installation, lighting and press-release. Dates- 7/10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artmobile, AAM, Jamestown Foundation, loans, Accession, gifts, biographical data and resumes. Exhibition: Randolph Macon Collection. Letter from Richard Rogers to lecture to VMT, Reston Foundation: Minutes of the Executive Meeting, 9/12/60. Dates- 9/60, 5/62 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown and P. Near. Subject- Loans, contributions, acquisitions, exhibitions and Africa Gallery. Dates- 1/68 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to W. C. Cottrell (Elec. Corp.). Subject- Proposal and technical information for Audio-Guide radio-lecture, pamphlets, blueprints/plans of galleries. Dates- 5/72 - 8/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, Priscilla Crum and M. Christison. Subject- Broadcast of Biennial Jury, notes from WMBG broadcast, 12/6/46, \"What Is Your Art Museum\", participants: Priscilla Crum (Curator of Education), Edward Davis III (Curator of Decorative Arts) Mrs. J.G. Pollard and T. Colt. Notes from WLEE broadcast, \"Know Your Museum\": a weekly series with guests from the local arts community and \"For Parents Only\": a children's radio program. Dates- 2/46 - 11/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- radio talk shows and transcripts. Dates- 12/37-9/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr.and Mrs. Robert C. Randolph. Subject- the loan of a portrait of Wm. Henry Harrison by Rembrandt Peale to the Museum for the inaugural exhibition and an additional later loan. Dates- 9/35-11/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, L. Cheek and Mary F. Williams. Subject- The service of Beatrice Von Keller as VMFA Acting Director during Colt's military duty. Biographical data, Randolph-Macon Collection including the acquisition of the Bliss Collection. Dates- 7/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Hours of operation, policy, menu. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and the Frank Rehn Gallery. Subject- loan of paintings to inaugural exhibition of VMFA and later proposed acquisitions from the Frank Rehn Gallery, etc. Dates- 9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt. Subject- Artist from West Virginia: application and recommendation for a Rosenwald Fellowship by T. Colt. Dates- 6/49 - 10/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Rennolds' service as a Trustee and entertainment committee. List of objects in the home of her mother, Mrs. John Kerr Branch, that may be of use to the VMFA. Dates- 1/53 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Policy and requests for rental of museum meeting rooms. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposal for state/federal funding for the creation of the \"Latrobe Theatre\" (never built), a professional theatre organization. The design of the Theatre was based on plans by the 19th century architect Latrobe. \"The Virginia Museum Theatre\", statement of facts in relation to charges appearing in the Richmond Times - Dispatch, 10/13/66. Subject- 8/65 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of requests and general correspondence. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison, Edward Kallop and L. Cheek. Subject- Inquiries concerning specific artists, objects, valuations, conservation/restoration, etc. Dates- 6/56 - 6/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek served on the Board of the Reston Foundation Community Program, includes roster of board members. Dates- 11/10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to the Executive Director of the Reston Fund. Subject- L. Cheek's membership on the Board, and proposals for development of the Reston Community, low-cost housing, maps, agendas, Reston architects, Minutes of Annual Meeting- Reston Community Foundation,12/15/64, 4/25/65, 11/12/67, 4/8/68. Dates- 6/65 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- VMFA membership and letter of condolences to the Reynolds family. Dates-10/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. cheek. Subject- R. J. Reynolds service as Chair of VMFA promotion and development committee. suggested organization agenda for the meeting of the Public Relations Development Committee, to further the advancement of VMFA. Contributions, invitations and photographs. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"R.S. Reynolds Memorial Award\", awarded annually to the architect or group of architects who make the most significant contribution to the use of aluminum, aesthetically or structurally, in the building field. Theodore Rozak chosen to commission the first sculpture. Dates- 5/58 - 11/6 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Miss Katherine Rhoads. Subject- a bequest to the Museum. Dates- 5/35-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from G. Martin (Secretary of VMFA). Subject- Rhoads Medal awarded to persons who have made a notable contribution to Art in Virginia; list of recipient, excerpts from the Minutes of the Executive Board, 5/25/69/. Biographical data on Concetta Scaravaglione, designer of medal. Medal awarded to Walter Spencer Robertson. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence to and from Rhoads as Vice-president Board of Trustees. Dates- 1934-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Contributions to a purchase fund in his memory. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, L. Cheek, Mrs. J.G. Pollard and P. Mellon. Subject- Museum business, exhibitions. Pratt Estate, John Barton Payne Endowment, Resolutions in memory of Judge Payne, resignation of Colt, Fellowships. List of employees and job descriptions. List of Benefactors, Patrons and Life members, Board of Trustees, Rockefeller Foundation, segregation, contributions, gifts and accessions, including Mellon. Dates- 11/40 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, W. Robertson, Mrs. J.G. Pollard and W.S. Rhoads. Subject- General letter to membership from the President (W.S. Rhoads), Webster S. Rhoads Medal, Artmobile III and South Wing. Dates- 1951 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- General Museum Business, VMT, policy regarding expense accounts and museum entertaining. Dates- 5/57 - 11/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitation list, invoice for cocktail party honoring W.S. Rhoads. Dates- 5/8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Westwood Winfree (Pres. RAA). Subject- Winfree's participation in the Virginia Rotating Exhibition and other events. Requests for restructuring of jurying procedure. \"Reasons For Suggesting A State-Wide Artists Study Committee To Be Sponsored By The Virginia Museum Of Fine Arts\". Dates- 2/56 - 9/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Richmond Chamber Music Society programming seasons: 1950-1, 1951-2, 1952-3, 1953-4 and 1954-5, membership rosters 1951-2 and 1954-5, etc. Dates- 10/50-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed policy for relations between VMFA and Richmond Chamber Music Society (conducting events there), listing of Society members, etc. Dates- 1/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- To increase Jaycees interest and support of VMFA. List of member organizations. Certificate to L. Cheek as a member of the \"Civil War Centennial Committee\", Minutes from the \"Society of Architectural Historians,1/30/58. The presentation of the \"Distinguished Service Award\" to L. Cheek. Dates- 11/60 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Disturbances in area of Westmoreland Place (Cheek residence), Cheek's Anniversary Party. Presentation of Canal Locks to Mayor M.M. Crowe. Dates- 2/64 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Field trips taken to the museum by schools throughout the state, 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Broadening cultural horizons in Richmond, proposal for Civic Center in downtown Richmond and the necessary steps for improvement of downtown, editorials, newspaper clippings. \"Plight Of Museums Is Very Real\", L.J. Ahlander, 11/25/65, Washington Post, \"Activities Center Study For The City Of Richmond\", Wm. A. Briggs A.I.A. and B.R. Johns A.I.A., Associated Architects, 8/1/64, \"Modern Living\", 11/6/64, Time and \"Are Most cities Too Ugly To Save\", 11/30/64, U.S. News and World Report, Inc. Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains financial statements for the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- proposed relationship of The Richmond Film Society with the Museum (use of Museum facilities), Film Society programs 1951-2, 1952-3, 1953-4, 1954-5 and 1955-6, etc. Dates- 6/50-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters of compliment to editors and journalists of Virginia periodicals regarding VMFA. Dates- 7/58 - 19/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Priscilla Crum, T. Colt, L. Cheek and M. Christison, Theresa Pollack, H.H. Hibbs and Mrs. J.G. Pollard. Subject- Exhibitions and musical programs. Dates- 9/45 - 11/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, J. Schaeffer (General Manager, RSL) Subject- Opening performance and concert dates. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Gala opening event of Artmobile. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and L. Willock (Exec, Dir.). Subject- Renewal of Affiliate members. Dates- 1961 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Charter proposal for a Roanoke museum and minutes from the Roanoke Fine Arts Committee. Dates- 12/47 - 9/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Special building committee, draft of letters from Affiliates/Chapters in support of VMFA expansion to be sent to the House Appropriations Committee , members of the Senate and members of the State Finance Committee. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and E. Will (Pres.). Subject- Purchase of \"St. John the Baptist\", Rodin, in memory of W.S. Robertson. Dates-2/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artmobile proposal, museum business, exhibitions: \"George Stevens Makes A Film\". Fellows organizing campaign, selected list of paintings in VMFA permanent collection. Rosters: Members of commission of State Capital and Outlays and Means of Financing; VMFA Executive Officers and committee's. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter from the President to the membership (W. Robertson), grant proposal for North Wing architectural plans.  List of objects needed for VMFA collections.  Rejection of the north facade by the Arts Commission.  Schedule of events, newspaper clippings.  \"Connoisseur's Comments\", guided VMFA tours narrated by world-famed collectors, critics and curators.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- letter of interest in erecting a monument to Bill Robinson. Dates- 12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Rockefellers' membership in the Fellows and their subsequent donation to aid in the Drama Development program. Dates- 1955 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Charles Fahs (Dir. Rockefeller Foundation), W.S. Rhoads. Subject- Proposal for the formation of VMT with initial funding from the Foundation, \"Charter for the Rockefeller Foundation\": Statement of purpose and methods of operation. Dates- 1/50-12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt and Roman Bronze Works Inc. Subject- casting busts of Gov. Pollard and Judge Payne and casting other figurative groups. Dates- 9/35-1/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter of authentication. Dates- 4/60 - 8/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Addresses made by F.D. Roosevelt upon the opening of the Museum of Modern Art. Dates- 6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Matilda McCord Roper (Mrs. George W. Roper). Subject- donations. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, expansion of VMFA print collection, The Alverthorpe Collection, loans of prints. Dates- 8/65 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA as recipient of a rose garden by the Garden of the Patriots. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- M. Ross as VMFA advisor, on retainer, for Byzantine and Medieval acquisitions. the Heeramanecks and Hunt Collections. Dates- 9/65 - 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data and brief history of Rothschild family. List of paintings in VMFA from Rothschild Collection. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Text and pamphlet for the opening of the Melchers Room. Photographs. Dates- 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Edward B. Rowan. Subject- mural competition for post offices in Petersburg, Hopewell and Richmond. Colt acted as chairman for a regional committee to carry out this competition for the Procurement Division, Public Works Branch of the Treasury Department, etc. Dates- 3/30. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- securing a speaker (Mr. Everett Parker Lesley, Jr.), obtaining a transparency from Time magazine of one of the Museum's eggs, etc. Dates- 3/53-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- General correspondence to Trustees regarding Museum business and events. Photographs and slides. Date- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- General correspondence regarding loans, acquisitions and invitations. Dates- 1/62 - 11/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Eero Saarinen. Subject- Aline Saarinen broadcast on the VMT Shakespeare Preview. Drawing. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition: \"Master Drawings\", with lecture by Paul Sachs. Theft of Degas drawing on loan to VMFA from the Fogg. List of London and Paris art dealers. Dates- 5/51 - 6/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- letters from other U.S. Art Museums about staff salaries and Curator's Report activities from the 1st season 1/16-5/24 1936. Dates- 1936- 7/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Requests for purchase of cases from the Greek Gold exhibition. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Form letters: members, advertisements, donors, other institutions regarding loans, lectures and publication requests, etc. Dates- 1967 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Samuels gift of building for the Front Royal Library. Loan and cleaning of \"View Near Oxford\" by Richard Wilson. Dates- 4/52 - 9/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- 10th Miller and Rhoads Women's Forum; invitation to Philip Johnson to serve as a speaker. Biographical data on James Parton and Max Abromovitz. Dates- 8/51 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Hans van Weeren-Griek. and Concetta Scaravaglione. Subject- exhibition of her work and insurance of a piece that was damaged. Dates- 9/40-7/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Events and mailing schedules. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Events and mailing schedules, Paul Taylor Dance Tour, Safari-Dinner, agendas, etc. Dates- 7/70 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Appraisal of an agate cup belonging to Mrs. Paul Mellon as a work of art, for the Customs Commissioner. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- war-time high school art exhibition held at Miller and Rhoads department store, list of hostess for this event. Dates- 1943-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Invitations and general correspondence regarding the opening's of new art centers/buildings of various institutions, anniversary celebration, National Presentation Broadcast of Artmobile. Dates- 9/60 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.G. Pollard. Subject- Loan of items in his Collection to VMFA and his service as Vice-President. Exhibitions: American Contemporary Prints and Sport and Horse. Melcher Estate, accessions and acquisitions, list of gifts to VMFA. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Scott, Horner and Mason, Inc. Investment Securities in Lynchburg, VA. Subject- possible investments by VMFA, financing the new wing and the possibility of matching a Public Works Administration grant. Dates- 5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Seay collection of Decorative Objects, list of objects in Seay home. Dates- 1/39 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper clippings and letters to and from Leslie Cheek. Dates- 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Service reports on traveling exhibits. Dates- 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence about slide loans. Dates- 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Museum Services. Correspondence regarding loans 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Houdon statue of Washington on loan to VMFA, insurance valuation. Seymour's lecture on \"Houdon in America\" and panel discussion on contemporary sculpture. Opinions on dating and provenance of VMFA objects. Dates- 5/50 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Shalett's articles on the VMFA for the \"Saturday Evening Post\" and \"The Diplomat\" Dates- 8/56 - 10/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, letters of invitation to VMFA events, College Drama Festival. Melchers Estate: \"The Last Supper\", newspaper clippings and postcards. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Virginia Film Society, Dance Tour, VMT: job descriptions, Table of Organization, staff hours, Theatre Associates and Annual Theatre Train. Date- 4/66 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Agenda and events for Entertainment Committee, loan of Col. Anderson bequest items. Dates- 1/59 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and E. Shiflet (Sec. of Education). Subject- budget, museum business, financial profile, role of office of Education and pamphlets. Executive Order #20 and #21: Reassignment of VMFA to the Office of Education. Dates- 8/72 - 12/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Dealer in antique English silver and his gift to VMFA of a silver teapot. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT, juror search, biographical data, exhibition catalogues, loans of art work, accessions, gifts and general museum business. Dates- 1956 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- General correspondence, exhibitions, requests for publications, pamphlets, invitations, exhibition catalogues, A.D. and W.C. Williams Trust Fund. Photographs. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- paperwork authorizing R.A.Velz and W.J. Rhodes to sign vouchers and checks, list of Virginia Museum Theatre expenditures 1956-7. Dates- 2/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Blank stationary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- excerpts from Virginia Architecture exhibition catalogue, miscellaneous correspondence about catalogue,  etc. Dates- 11/58-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- compliments on exhibition \"Architecture in Virginia\", thank you notes to the Museum about exchange/gift publications of exhibition catalogue-Architecture in Virginia 1776-1958: The Old Dominion's Twelve Best Buildings, etc. Dates- 9/58-4/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- biographical information on various 20th century architects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- G. Smith (architect, writer and photographer), biographical data, and his collection of Travel Posters. Newspaper and magazine clippings, invitations. Application for Fulbright grant. Dates- 2/52 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Her membership on Executive Board, donation and contributions. Dates- 5/51 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mrs. Marrow Stuart Smith, Virginia artist, correspondence with museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of alumnae in Virginia. Dates- 9/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, M. Christison, and Mrs. J.A. Pope (International Traveling Exhibition Service). Subject- Exhibition: \"Swedish Textiles Today\": catalogue, pamphlet. Brussels World's Fair, U.S. Pavilion. Catalogue of Traveling Exhibitions for 1961-62. Dates- 4/53 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- S.A.H Directors meeting in Richmond, formation and organization of a Virginia chapter: agendas, lists of prospective members, directors of S.A.H., minutes from S.A.H. meeting. Dates- 12/52 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Meeting agendas, Architects Virginia Tour, preservation of the National Capitol, Shirley Plantation, landmarks in danger. Proposal to coordinate the activities of the SAH with AIA and the National Trust for Historic Preservation in the field of Historic Buildings Preservation. SAH: Minutes of Executive Board, 10/26/57, 5/17/58, 10/18/58, Treasurers Report, 1/58-4/58, Newsletters. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lists: Fellows, Staff and Board of Trustees. Invoices, receipts and newspaper clippings. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Dinner schedule, agenda and pamphlet. Dates- 5/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Confirmation for Dinner event and agenda. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Fall meeting to be held at VMFA, conference agenda, mailing list and pamphlets. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Meeting agendas, events schedules, attendance rosters, officers, newsletters, registration forms. Report of SEMC '72 meeting, \"SEMC Notes\", no. 1, 1974 and no.1, 1975. Dates- 1972 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- printed material for exhibition \"Southern Exposures\", the following essays: \"Coming of Age of Photography\", \"Down the First Century of Photography with George and Heutis Cook\", \"Concerning the Cook Collection and Its Recovery of the Epos of the Attic\", etc.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Williamsburg International Assembly Speakers, biographical data: Edward Downes, Charles Seymor, Harris Prior and Arthur Drexler. Dates- 1951 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Wm. Gaines. Subject- Biographical data of speakers: C.V. Donovan and Joseph Curtis Sloane. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- printed material for the opening for prospective members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Safari Theatre Dinners, loan exhibition previews, maintenance. Dates- 1967 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Essay- \"The Art Museum As A Community Center\", by L. Cheek. Pamphlets, newspaper and magazine clippings of other museum programs. Date- 1961 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- early interest and planning of the exhibition \"Sport and the Horse\", etc. Dates- 5/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Frederick Robinson (Dir., SMFA). Subject- SMFA exhibition of Virginia Artists. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibitions, security, general operations and museum business. Employee policy, regulations, salaries, etc. Dates- 1962 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- General Museum operation, exhibitions, publicity evaluation, landscaping of Confederate Chapel, loan exhibition previews. Dates- 1963 - 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Employee policy/regulations, programs division, collection divisions, staff information and table of organization for Theatre Arts Committee. Newspaper clippings and salaries. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Suggested structure of staff organization and salary scales. Dates- 2/54 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA By-Laws 1958 and 1959, income sources, proposed improved operations plan. Salary information from the Smithsonian Institution. Job description for Assistant Administrator. Date 1959 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Head of Collections Division and Education Supervisor, Program Division. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Business meeting and reception regarding architectural improvements, gifts and loans to the State Department reception rooms. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- reception for General Assembly Wives. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Service reports for loans of exhibits, films and slides. Dates- 1951-1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for information regarding circulating visual materials 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Non-member requests for exhibitions 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Non-member requests for exhibitions 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Non-member Requests for gallery visits and lectures 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Out of state inquiries about Museum services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Out of state inquiries about Museum services 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of prospective organizations for using extension services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for circulating visual materials and exhibitions 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General Correspondence Traveling Exhibitions 1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information on the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains statement for addenda to the Governor's report concerning the VMFA.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mr. Saul Steinberg. Subject- exhibition of Steinberg's work and lecture by Steinberg, etc. Dates- 8/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Opening of new auditorium, purchase of pianos and price lists. Program for the Chamber Music Society, newsletters from Steinway and Co. , 4/55-6/55. Dates- 4/55 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Philip N. Stern, Chairman of the Art Commission, Commonwealth of Virginia. Subject- Art Commission meetings, funds for museum equipment, funding from the Public Works Administration, architectural exhibition, etc. Dates- 7/35-10/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Steuben correspondence with the VMFA, 1938-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Ten Talents In the American Theatre\", Ed. David Stevens; \"Theatre For Art's Sake\" by L. Cheek. Proposal to the Rockefeller Foundation for financial support of VMT. Dates- 12/49 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and P. Near. Subject- Her gift of \"La Signora in Biege\", Lazzaro Donati. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, preliminary design program for South Wing Addition, letters to other museums regarding design, security and general building functions. Dates- 1948-49, 1962-63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Jas. N. Trevillian (Secretary). Subject- Conductor of the New York Philharmonic Orchestra, concert at the VMFA and program. Dates- 1947 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA and Gordon E. Strause, 1935-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Strause and various Museum staff. Subject- exhibition of his collection at the Museum, written complaints by Mr. Strause, Strause is named 1st honorary benefactor of the Museum by the Board of Trustees. Dates- 3/36-5/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J. G. Pollard, T. Colt and L. Cheek. Subject- Lewis S. Strauss, founder of the Albert Einstein Award (for achievement in Natural Sciences). Chairman of the Atomic Energy Commission, his service on the VMFA Finance and Membership committees. Letter of Henry Anderson regarding discussion with Paul Mellon and VMFA expansion potential. Newspaper and magazines clippings, Artmobile, gifts and contributions. Dates- 1945 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Fellows: theatre Orientation, general meetings, prospective Fellows, report of the Fellows 5/3/67. Date- 1965-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- As a Trustee and member of the development committee. Contributions. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Mr. William A. Stuart. Subject- Trustee/Museum business, etc. Dates- 7/51-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Julia Sully to the Museum. Subject- Virginia Art Index. Dates- 1935-48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and J. McGee (Sunrise, Pres.). Subject- \"Sunrise\", Charleston Cultural complex, budget analysis, roster of Executive Board, Annual Report, 1971, pamphlets. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J.G. Pollard, T. Colt and L. Cheek. Subject- Early correspondence concerning museum services, statement of purpose, Pratt Bequest, exhibitions and requests for publications. Dates- 7/45 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- General correspondence, request for publications, employment, Fellows, Russian Loan Bill, gifts, contributions, biographical data. Dates- 6/56 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Museum business, loans of art works, list of objects for long term loan, zoning ordinance. Paul Tishman Collection, Troubs Collection of Russian miniatures. Provenance of St. John the Baptist, Rodin. Pamphlets, brochures and press releases. Dates- 2/70 - 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. J.G. Pollard, M. Christison, John Canaday and Maurice Bonds. Subject- Informal discussion series on art, artists and technique. Topics: Lithography, sculpture, restoration, art history etc. Includes biographical data on lecturers and exhibitions. Excerpt from \"American Silversmiths and Their Marks II\", by Stephen G.C. Ensko. Dates- 9/48 - 3/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding Mrs. A.I. duPont's gift of tapestries to the VMFA and a subsequent exhibition, 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding taxes on honorariums, admissions and rental space, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA series of weekly TV programs, list of suggested topics, program guests, resource information from other Institutions, film rentals, television presentation of the 25th Anniversary and minutes of the Mayor's Committee on Educational Television, 11/11/53. Dates- 3/54 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison. Subject- The development of a public television station to be shared by educational institutions. TV question and answer scripts and newspaper clippings. Dates- 1/49 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper and magazine clippings. Dates- 1961-62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Salary scales, job openings at VMT, applicants, referrals, biographical data, financial statements, staff tors and guest speakers. Dates- 3/58 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Morton Thalhimer. Subject- Biographical data, production, general theatre administration and Ford Foundation Fellowship Grant. Dates- 5/58 - 7/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Basil Langton. Subject- Langton's service as VMT guest director of \"The Tempest\", in celebration of the Jamestown Festival; program and procurement of professional actors. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Wm. Thalhimer Jr. Subject- Exhibit: \"Habiliments for Heroines\" underwritten by Thalhimers, VMT: \"Lady in the Dark\", Lorren Aldrich Collection. Catalogue: \"The Helena Rubenstein, Princess Gourelli Collection\", Deluca, Editore Roma, June 1953. Dates- 11/51 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His service as a Trustee and Chair of the Theatre Arts Committee on theatre and Television, museum business, salary scales, general operation of VMT, budget, income, newspaper clippings. Contributions and gifts. Dates- 6/52 - 3/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Underwriting of Mediterranean court, plants and flowers. Gift of Sandwich glass. Dates- 5/55 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Thayer's service as special assistant to the Secretary of State for Cultural Affairs. Biographical data, UNESCO, ICOM, International traveling Exhibitions, placement of American works of art in United States Embassies. Dates- 5/59 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Committee Minutes 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Committee minutes, agendas and programs, box office grosses etc. Letter from Paul Mellon. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- Establishment of a theatre Collection by Louise Branch of drawings, scenery and costumes. Dates- 2/59 - 3/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Morton Thalhimer. Subject- Proposal for costume ball. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- Morale and general organization of the VMT Associates, proposed speakers, newsletter and roster of VMT Associates. Dates- 4/57 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and William Morrison. Subject- taped readings by Henry Fonda, Lee Remick and Olivia deHavilland on the anniversary celebration. Reviews and letters to other film stars. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Safari-Dinner agenda and setup. Dates- 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Reviews, gift of Dan River Mills fabrics for costumes. Programs: \"Streetcar Named Desire\", \"School For Wives\", \"Camelot\" and \"The Odd Couple\". Dates- 1967 - 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- reviews, letters of compliment. Program: \"the Royal Hunt of the Sun\" Dates- 1968 -69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program and staff hours. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Report of Acoustical Analysis for Auditorium of Virginia Museum Theatre\" Dates- 9/1950 and 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Review, performance production. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Theatre-designer: salary and letters of recommendation. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMT, Dance, Film and Chamber Music Societies: financial statements, salaries, budgets, production costs, income records, purchase of stage equipment and suggested future of organization. Dates- 2/54 - 12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- bus tours from Virginia towns for Theatre evenings, sponsors by Virginia Federation of Women's Clubs, newspaper clippings. \"The Virginia Club Woman\", vol. XXXII no. I 8/55. Dates- 1/59 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Chairman of Yale Drama Dept., his service as consultant to VMT, budget suggestions for proposed VMT, various drama activities, playbill, budgets from other University Drama departments. Dates- 1/56 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Program, letters of disagreement between directors and actors. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- The first annual event, critic and counselors: Virginia Freeman, Meriam Rosen, Dan Wagoner, Patricia Wityle. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Valerie Gettis as guest speaker/artist. Dates- 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Invitations to college Presidents. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Alan Schnieder, Speaker: Jo Mielziner. The 1st College Drama Festival, guest lists and exhibition of Jo Mielziner's theatre designs. Newsletter. Dates- 8/56 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Harold Clurman, Speaker: Norris Houghton. Events schedule and program. Dates- 4/57 - 2/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Norris Houghton, Speaker: John Gassner. Event agenda/program, brochures. Dates- 4/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Henry Hewes, Speaker: Marc Connelly, reception, production procedure, etc. Newsletter 2/60 Dates- 10/59 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Stella Adler and Speaker: Alfred de Ligre, Jr. Event schedule, festival speaker, program, biographical data, reviews. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Event agenda, scheduling, program and newspaper clippings. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Robert Lewis, Speaker: Edward Albee. Event agenda/program, brochure, pamphlet, etc. Dates- 10/56 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Original drama by John C. Collison, VMT Premiere. \"New Play in Virginia\", Wm. Morrison, Encore vol.6 ,no.5 Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and L. Cheek. Subject- Reorganization of Museum Theatre 1972-73, budget and summary of proposals. Additions to VMFA statutes and By-Laws. Theatre Committee annual Report 6/30/67. Dates- 5/67 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Contributions, minutes of Theatre Patron Campaign Committee. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- theatre Arts Committee Executive Meeting minutes 6/30/70 and 7/6/70, Rosters for various Executive committee's of VMFA. Reviews and pamphlets. Dates- 9/69 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- HEW grant to produce and circulate throughout Virginia a play during 67-68 season, suggested dramas. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibitions: \"Gibson Collection of Contemporary Italian Art\", \"Contemporary Japanese Art\", \"Ten Reynolds Sculptures\". Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, A.H. Ballet and Robert Telford. Subject- General VMT business, schedule of events, scenic design, reviews, performance, staff policy/procedure, ticket prices, season subscriptions, etc. Dates- 1955 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- College Drama Festival, Dance Society and Chamber Music Society. Performance programs, events schedules, guest director contract, pamphlets and contributions. Dates- 1959 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- General Theatre Business, contractual agreements, events schedules, Richmond Film Society, College Drama Festival, financial statements, theatre reviews and job applicants. Dates- 5/61 - 9/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- theatre openings, job descriptions, applicants, hours. Dates- 12/62 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT, Vignettes tour, general estimate of costs, Drama, Dance and Music programs.  \"Virginia Report For State Arts Agency Individual Projects July 1, 1966- June 30,1967\" and \"Performing Arts in Virginia Education\" an introductory survey. Dates- 1966 -68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Budgets, financial summary, events schedules, newsletters, etc. Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Season events, programming, budget and revenue, newsletters, list of season subscribers and press kit for the Mummers Theatre, Oklahoma City, Oklahoma. \"Constitution of the Virginia Museum Theatre Associates\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Theatre business, budgets, salaries, production schedules, invitations, program design, contracts, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letters to and from VMT subscribers, program for \"Purlie\". Proposals for summer season productions, opening night telegrams. Dates- 1974 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Operating expense appropriation, \"VMT Sound System Report\", and synopsis of No Title play of the life of Lord Byron by Romulus Linney (later titled \"Childe Byron\"). Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Reviews. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Keith Fowler. Subject- Reviews, production calendar and letters of compliments. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Event underwritten by the Weeden Foundation. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter of invitation, remarks after preview. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Programs. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Payment for use of two geese. Program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Financial report and program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Program, reviews, letters of complaint from theatre patrons regarding play content. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Program, search for guest director. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Review, program and editorials. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Letters of complaint and approval from theatre patrons. Dates- 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- List of series underwriters, proposal for music lecture series conducted by Dr. John White. Dates- 10/58 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Patron financial support and proposal for a Sunday lecture series: \" The Eager Listener\". Dates- 9/59 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Harpist: Nicanor Zableta, brochures of concert series sponsored by other museums and galleries. Dates- 1/50 - 1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Program Dates- 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Morton Thalhimer. Subject- General letters to theatre subscribers, brief outline of the five scheduled plays and descriptions of the major characters. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Playbills, magazine and newspaper clippings of performances in theatres other than VMT. Dates- 12/54 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Reviews and programs for \"Separate Tables\", \"The Skin Of Your Teeth\", \"Ondine\", \"Kiss Me Kate\" and \"The Kids\". Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- Rehearsal schedules, invitations, programs: \"Life With Mother\", \"The Limbo Kid\", \"Pygmalian\" and \"The Brothers Karamazov\". Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Reviews, letter/telegrams of compliment. Programs: \"Teahouse of the August Moon\", \"The Woman from Colchis\", \"Hall of Mirrors\", \"Caesar and Cleopatra\" and \"The Most Happy Fella\". Dates- 1962 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Reviews, letters and telegrams of compliment. Program: \"A Thousand Clowns\". Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Robert Telford. Subject- Reviews, letters/telegrams of compliment. Programs: \"The Admiral Crichton\", \"Hedda Gabler\". \"Tartuffe\" and \"No Time For Sergeants\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Reviews, letters/telegrams of compliment. Programs: \"The Comedy of Errors\", \"The Visit\" and \"Fanny\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters/telegrams of compliment. Programs: \"Androcles and The Lion\", \"The Miracle Worker\". Contributions from Dan River Mills. Photographs. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Reviews, letters/telegrams of compliment, opening night gala, Safari Theatre/Dinners. Programs: \"The Glass Menagerie\", \"Once In A Lifetime\", \"Julius Caesar\", \"Blithe Spirit\" and \"Three Penny Opera\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Reviews and Letters/telegrams of compliment. Programs: \"Charley's Aunt\", \"The Sorrows of Frederick The Great\", \"Uncle Vanya\", \"Twelfth Night, On What You Will\" and \"the Man Who Lost the River\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Timetable, production schedules, Safari theatre Dinners, programs and reviews. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters to former subscribers seeking financial assistance for the upcoming season. Photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program and letter/telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- VMFA By- Laws 1972, Minutes of Theatre Arts Committee 10/21/71, agendas, budget and cost estimates. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Programming, policy for relations to the VMFA, contractual agreements, events schedules, promotion plans and financial statements, programs and brochures. Executive board meetings: 7/57, 11/57, 2/58, 4/58, 5/58. Dates- 4/56 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters and contributions from Chamber Music Society Patrons. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposal for the formation of the Dance Society, guest list, officers, policy regarding the Dance Society's relationship to the VMFA. Minutes of Executive Board, 5/11/56, 6/12/57, 7/57, 12/57. Receipt and attendance records, contributions, programs, pamphlets and guest performers. Dates- 5/56 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters and contributions from patrons of Dance Society. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Rockefeller grant to the museum to develop theatre and a program in drama, 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Kay Rockefeller. Subject- Traveling exhibition troupe for children's theatre: financial statement and invitations. Dates- 9/57 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program for \"Rossum's Universal Robots\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT designated seating area according to race, and letters of protest in support of Dr. Mary Elizabeth Johnson. Dates- 1/56 - 5/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program and letters/telegrams of compliment. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Robert Telford and Morton Thalhimer. Subject- Attendance records, publicity program and biographical data. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters and telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Cost estimate, theatre needs and improvements. Date- 12/56 - 7/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Sample survey, list of Chapter/Affiliate communities. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Morton Thalhimer and Robert Telford. Subject- Theatre Arts Committee agenda, VMT proposals for: director, administrator, production and apprentices. Date- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"The Gallows Man\", limited performance schedule, invitations. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Events program, list of composers represented. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cancelled, considered distasteful for VMT audience. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program and letters, telegrams of compliment. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- AAMD conference, theft of Roualt drawing from Toronto Gallery, requests for publications. Dates- 5/50 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains reports concerning slide sets and film strips distributed throughout the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Fashion designer to lecture on fashion from 1752 to 1952 for the exhibition: \"Habiliments for Heroines\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- New York World's Fair, newspaper and magazine clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His election to VMFA Board, museum business. Dates- 5/51 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper and magazine clippings of Governor Tuck. Dates- 12/49 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, Tunnard's expertise on city planning. Virginia Town Case Study Group: \"Problems of Planning in the Small Southern Town\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Severance of affiliation to the VMFA. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artist for VMFA Christmas card. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from F. Brandt and Wm. Gaines. Subject- Seminar to expose students and teachers to the function and operation of VMFA, agenda, program procedure, etc. Dates- 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Questionnaire from UCLA Graduate School of Management and the College of Fine Arts on the priorities related to the Arts, pamphlets. \"U.S. Information Agency-Its Task in World Affairs\". Date- 4/51 - 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Annual Meeting Minutes, travel authorization, organization news, pamphlets, general UNESCO business. Dates- 10/46 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Conference topic: Aid to South American Museums, project development, UNESCO Annual Report, Report of Program Committee. The Voice of America, Forum Lectures with transcript of by L. Cheek of \"The Art Museum As A Community Center\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Requests for loans of slides from South American Museums for L. Cheek's presentation to Denver conference, list of South American Museums. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Opening of UDC new building. Resolution concerning accessibility to members of UDC, invitations. Dates- 6/57 - 12/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence, reports, minutes. Expansion of local service. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Charitable organizations that have received UGF monies and fund raising campaign. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- The Air Force Memorial Center: statement of purpose, design, personnel requirements, building program, Minutes of U.S. Air Force Fine Art Committee 6/58 and 12/60, \"Proposal For The USAF Memorial Education Center\", travel vouchers and floor plan for the Academy Museum (Planetarium). Slides. Dates- 2/57-4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Edward R. Murrow as Director, merging of the People-to People Program (organization of museum professional) with the USIA. Newspaper clippings. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Forum Series\": International Broadcast, lecture series. Essay- \"the Art Museum As A Community Center\" by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- UNESCO Action to safeguard Nubian monuments due to the construction of the Aswan Dam. Roster of Honorary Committee, International Action Committee, United Arab Committee, Executive Board Minutes. Dates- 4/60 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Virginia State Employees U.S. Savings Bond campaign, handbook for canvassers, meeting agendas and progress reports. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Col. H.W. Fitzroy. Subject- Coordinating agency between institutions and other cultural, educational and scientific agencies in Virginia through a lecture series of visiting scholars. Dates- 9/54 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Bayly Art Museum and the McIntire School of Fine Arts at the University of Virginia. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Lecturers and AIV contributors, loans of objects, fellowships. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and T. Colt. Subject- UVA Museum loan of objects and lecture tours, fellowships. List of prints on loan to VMFA from Catesby estate and list of Lurcat Tapestries. Dates- 8/47 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Museum business, Artmobile, VMT, requests for loans, contributions and gifts. Reference to photos of ancient Greek sculpture, architecture and landscape views, invitations, pamphlets and postcards. Dates- 10/58 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains the schedules for staff vacations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence of Hans van Weeren-Griek, curator of Education at the VMFA. Dates- 1940-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Report regarding vandalism and misconduct: soaping of the fountains and damage to shrubs. Dates- 11/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Velz' service as VMFA Head of promotion, civilian and military experience record, newspaper clippings and Melchers Estate. Dates- 1949 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains general correspondence of Velz, Associate Director of VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Status of tax deduction, recommendations for event, invitations and dance card. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 9the Annual Viennese Ball sponsored by the Council: Ball Committee, agenda, decoration, invitations, etc. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- Virginia Art Alliance By-Laws, program and minutes of VAA meeting 1945, Report of the Trustees of Richmond Academy of Arts 1933, correspondence with other members of VAA, etc. Dates- 1933-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- program for annual meeting 1941, blank ballots labeled \"Board of Trustees Ballots\", statement of need for a state Supervisor of Fine Arts Education. Dates- 4/40-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- reports of activities of organization members 1942-3, correspondence with organization members-no annual meeting held this year due to World War II, etc. Dates- 3/43-5/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcement, agenda and program for annual meeting 1944, correspondence with organization members, election of officers/trustees, etc. Dates- 3/44-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting minutes ('49), listing and certification of delegates to VAA annual convention ('49), listing of the VAA Board of Trustees ('49), etc. Dates- 1948-49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes from meetings and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to Miss Helen C. Rose (Virginia Art Alliance President). Subject- correspondence with member organizations, etc. Dates- 3/58-8/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- minutes of Trustees meeting and annual meeting 1959, roster of officers and Trustees, program for annual meeting 1960, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of Va. Art Alliance). Subject- announcement, replies agenda and program for annual meeting of (1936) the VAA Trustees, listing of organizational members to VAA, certification forms for delegates to the VAA annual convention (1936), etc. Dates- 5/35-5/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension VMFA, Secretary of VA. Art Alliance). Subject- announcements, program and report for VAA annual meeting 1937, resolution changing the organization of the VAA (consolidating its function with that of the VMFA), certification of delegates to VAA annual meeting 1937, etc. Dates- 4/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept., Secretary of VA, Art Alliance). Subject- VAA annual meeting announcement and program (1938), certification for delegates to VAA annual convention 1938, correspondence with member organizations about the reorganization of the VAA (consolidating its function with that of the VMFA), etc. Dates- 2/38-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance). Subject- announcements and program for VAA annual meeting 1939, certification of delegates to the VAA annual convention 1939, letter from Gayle to the State Board of Education supporting the appointment of a state supervisor of art, etc. Dates- 3/39-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1940, correspondence with member organizations, nomination of trustees, certification of delegates to annual convention 1940, etc. Dates- 3/39-5/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1941, report of the VAA 1940-1, listing of organization members, By-Laws of VAA 1934, correspondence with trustees, etc. Dates- 3/41-4/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- program for annual meeting 1942, roster of member organizations, reports from member organizations, Annual Report of the VAA 1941-2, listing of VAA lectures in 1941, Museum Bulletin (VMFA) vol.2, no.6, 1942etc. Dates- 3/42-4/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcements, program and minutes for annual meeting 1944, reports of member organizations 1944, certification of delegates to annual convention 1944, listing of Board resolutions during war time, roster of member organizations, etc. Dates- 4/44-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. T.C. Colt (Secretary of VA Art Alliance). Subject- announcements, program and minutes for annual meeting 1945, roster of trustees and nominating committee, reports of member organizations, certification of delegates to annual convention 1945, etc. Dates- 3/45-2/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945, announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945,announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting program ('46 and'47) and minutes ('46), list of members ('47), certification of delegates to annual VAA convention ('47), Reports of art activities around the state, etc. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance)and M.B. Christison (Curator of Education). Subject- copies of 1947 resolution about art display areas in public buildings, minutes of annual meeting 1947, announcements and program for annual meeting 1948, roster of member organizations 1948, correspondence about securing guest speakers for VAA annual convention 1948, certification of delegates to annual convention 1949, etc. Dates- 7/45-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- membership roster ('48), list of trustees ('48), announcement, minutes and attendance to annual meeting ('48), summary of panel discussion about art education in Va. schools, statement of VAA purposes and objectives, etc. Dates- 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- minutes of the Virginia Art Alliance meeting ('47 and'48), Board meeting announcement and attendance, program of annual meeting ('48), list of suggested nominees to the VAA Board ('48), etc. Dates- 1947-8.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- annual reports of activities made by VAA members. Dates- 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Annual meeting 1955. Correspondence, resolutions and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence, minutes and agendas. Form letter announcing annual meeting 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes, agenda and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcement and minutes of Fall Meeting 1957, correspondence with member organizations, etc. Dates- 11/57-12/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Meeting held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1957, appointments to nominating committee, minutes of the Trustees meeting 1957, roster of organization members, The Annual Review of the Virginia Art Alliance 5/39,etc. Dates- 2/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and tentative reservation list for annual meeting 1958, etc. Dates- 9/58-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1958, reports of member organizations, Virginia Art Alliance By-Laws, proposed revisions to By-Laws, VAA procedures, appointments to committees and to board, etc. Dates- 1/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes from annual meeting 1959, member organization reports, roster of VA. Art Alliance officers and trustees, VAA By-Laws, etc. Dates- 5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison Assistant Director VMFA). Subject- announcement and schedule for annual meeting 1959, blank reservation forms for school artmobile visits, etc. Dates- 10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and program for annual meeting 1960, listing of nominating committee appointments, roster of officers and trustees, listing of delegates to annual meeting, etc. Dates- 3/60-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- reports from member organizations, etc. Dates- 1956-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of organizational members and their attendance, correspondence and form letters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Board of trustees and list of members 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Board of trustees' meeting 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Board of Trustees, 1952-55. Correspondence, minutes. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trustee correspondence, minutes and members. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard Subject- preliminary work for the VAA booklet: \"Facilities for Organization Members Comprising the Virginia Art Alliance\". Dates- 8/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Secretary Virginia Art Alliance). Subject- minutes of Virginia Art Alliance (VAA) annual meeting 1957, proposed revisions to By-Laws, etc. Dates- 8/56-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- outline of a state art federation, constitutions, by-laws, information on other art federations (i.e.: The American Federation of Art, The Kansas State Federation of Art, The Indiana Federation of Art Clubs, etc.), etc. Dates- 1/34. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Va. Art Alliance procedures and a short history, draft of proposed revisions to VAA By-Laws, Annual Review of the Virginia Art Alliance. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA/ Secretary of the VA Art Alliance). Subject- VAA By-Laws 1934, resolution (1936) to consolidate the functions of the VMFA and VAA, information about the development of a new type of VMFA annual membership- the organization membership, etc. Dates- 1934-10/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- listing of Trustees 1934- 39, Trustee meeting announcements, letters accepting election to the VAA Board of Trustees, etc. Dates- 11/34-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA representative on the Virginia Art Commission. Dates- 11/55 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- selecting and securing jurors for the exhibition \"Virginia Artists 1955\", listing of pieces and artist included in the exhibition, printed material for the exhibition, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: Paul Smith, Rose Slivka and Frank Getlein. Salon des Refuse's, biographical data, exhibition catalog. Dates- 6/66 - 6/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Prospective jurors and exhibition announcement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Jurors: Thomas Hess. Exhibition statement, reception, guest list, members preview, program agenda, discontinuation of salon des refuse's, installation and exhibition catalog. Dates- 1967, 11/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper and magazine clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence regarding auditor's reports. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Audit Reports 1936-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Auditors Survey and Systems study of the VMFA. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Wm. Morrison. Subject- Filming of \"California Watercolors\" traveling exhibition with footage of Virginia Beach Sidewalk Show included in the 25th anniversary film. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Prospectus for the Virginia Center For the Performing Arts. Statement of purpose: Academy-Conservatoire of Dramatic Art with training center and professional theatre. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding objects and paintings in private collections throughout state of Virginia. Correspondence with artists and owners. 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Statement of mission, NEA grants, proposals, awards, potential applicants, recipients. Collectors' Circle: Arts and Humanities Challenge grants for Conservation projects. Degas exhibition. Dates- 2/74 - 6/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- VCU and U of R Drama departments. VMFA/VCU Museum Methods Course. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Current/future cooperation between VCU and VMFA: theatre, Art Historical studies, education, museum training, music dept.'s, VCU Conservation Lab and Anderson Gallery. Dates- 1/73 - 2/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Juror: Paul Smith. Reception, guest list, program, agenda and exhibition catalog. Dates- 3/71 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Juror: Henry Wolf. Event program, invitations, guest list, statistics regarding entrants, certificate winners, etc. Exhibition catalogs for \"Virginia Designers\", 1970 and 1971; \"Virginia Photographers\", 1970 Date- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding state budget 1946-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VEA Centennial Event and retired teachers complex, theatre program and Executive Committee Minutes, 12/61. Dates- 10/63 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Retired teachers apartment complex proposed for the 2900 block of Grove Ave., later rejected by the City Council, newspaper clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Exhibition: \"American Rooms in Miniature\", sponsored by Va. Federation of Women's Clubs, sponsorship of statewide tour of Artmobile, newspaper clippings and pamphlets, \"Virginia Journal of Education\", 10/63, catalog of \"American Rooms in Miniature\" by Mrs. J.W. Thorne, Art Institute of Chicago, 1941. Dates- 6/53 - 2/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Virginia Federation of Women's Clubs Statewide Arts Festival. Dates- 5/67 - 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Thank you notes from newly elected/reelected members of the House of Delegates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Gov. John. S. Battle. Dates- 1949-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Gov. Colgate W. Darden. Dates- 1942-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Gov. George C. Peery. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Bills vetoed and passed by Gov. Thomas B. Stanley [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Gov. William M. Tuck. Dates-1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Multi-level Arts Festival held annually in Abingdon, Va., loans of art works, consultation on programming and pamphlets. Dates- 11/52 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, F. Numan (Wm. and Mary) Subject- Meeting to focus on Architecture and the Humanities. Dates- 11/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Catalog from Franklin Mint series of silver commemorative medals. Norton Simon summary of Annual report, 1970. Dates- 1970 -71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mrs. J.G. Pollard was chairman of this agency; copies of: Fundamentals of a Growing Recreation Program by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Agendas and minutes of meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns a Governor's commission to study juvenile delinquency and the Virginia Advisory Legislative Council. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Report to the Committee on \"Recreation as a Function of Government in Virginia.\"   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- copies of the executive order creating the Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- planning a listing of recreation films available through state agencies and 16mm Recreation Films Available in Virginia published by the VA Inter-Agency Committee on Recreation, etc. Dates- 6/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- working papers and final copies of the \"1st Report to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 10/53-1/54; Correspondence Subject- copies of the \"First Report to the Governor by the Inter-Agency Committee on Recreation\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Selected legislation on recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- membership rosters for the VA Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- statewide recreation reports listing facilities, budgets, organizations and needs, pamphlets from the National Recreation Association, etc. Dates- 7/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Sponsored by the National Recreation Association 1955-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains a listing of personnel and the purpose of the committee.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper clippings and pamphlets.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Pamphlets, magazine articles etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Copies of \"Fundamentals of a Growing Recreation Program\" by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- working papers for and final copies of the \"1st and 2nd Reports to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 11/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Juror: Sarah Tomerlin Lee, Biographical data, event program, pamphlets and catalog for exhibition. Dates- 9/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Museum events, rosters: Senate, House of Delegates. Letter to members of the general assembly. Essay- \"The Virginia Museum and the Arts in Virginia\". Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Reception for organization composed of Mayors, City Managers and City Officials. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Faye Ambrose and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year. Dates- 5/56-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Charles E. Baker and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications and award letters (1950, 1951) for VMFA in-state fellowship, artist progress reports for 2 years, etc. Dates- 5/50-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Regina Bartley and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 4/51-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Wm. Thomas Bland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA fellowship, thank you notes made by Mr. Bland (mixed media including watercolors). Dates- 8/48-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Robert Brushwood and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations, award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Kuhn R. Caldwell and Mrs. J.G. Pollard, M.B. Christison (Assistant Director), and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, artist progress reports for 1 year . Dates- 12/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mary Frances Cheatham and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA junior fellowship, artist progress reports for 1 year. Dates- 1/49-3/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Janet Clausen and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Robert L. Davis and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA in-state fellowship, photos of artist's work, artist progress reports for 1 year, etc. Dates- 4/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Worden Day and Mrs. J.G. Pollard, M.B. Christison and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, etc. Dates-4/49-8/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. T.V. Downing, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 10/49-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Charles Flynn, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 4/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 2/54-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- award letter for VMFA in-state fellowship, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Barbara Harding and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications ('53 and '54), recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Catherine M. Hipp and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Jem W. Hom and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/56-7/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between W.B. Houghland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Caroline C. Huff and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. William W. Jackson and Mrs. J.G. Pollard and L. Cheek Jr. Subject- applications (1948,1949), recommendations and award letter for VMFA fellowship, etc. Dates- 5/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Benjamin Knapp and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. James Leedy and Mrs. J.G. Pollard and M.B. Christison (Assistant Director). Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/57-6/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Brenda R. MacBaisey and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year (includes lithography proofs), etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. James P. Moyers and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Joe Ravenscroft and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, application and recommendations for VMFA fellowship, etc. Dates- 8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, recommendations for VMFA fellowship, etc. Dates-8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.F. Russell and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for out-of-state fellowship, artist progress report for 1 year, etc. Dates- 4/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between R.E. Spain and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Mary R. Tatum and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1year, etc. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Primm Turner and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress report for 1 year, application for Catherwood Foundation fellowship, etc. Dates- 3/56-9/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. E. Parker Twombly and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA out-of-state fellowship, recommendation letters written by: Ben Shahn and Robert Motherwell, artist progress report for 1 year, etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress report for 1 year, etc. Dates- 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Howard Woody and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for student fellowship, etc. Dates- 4/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Peter Wreden and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, etc. Dates- 4/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of fellowship applicants, requests for applications, rejection letters, etc. Dates- 3/49-6/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications, recommendations and rejection letters for those applicants not chosen to receive fellowships. Dates- 3/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship, fellowship announcement, minutes of the fellowship committee meeting (1954), etc. Dates- 12/40-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- listing of applicants 1942-44, listing of types of fellowships offered by the Museum, etc. Dates- 1942-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- various applications, recommendations, rejection letters, etc. Dates- 5/46-6/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- announcements of fellowships, blank fellowship applications, requests for applications, various completed applications, award and rejection letters for fellowships, artist reply letters, etc. Dates-4/46-12/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- various applications, recommendations, fellowship recipient progress reports, award and rejection letters, correspondence with Fellowship committee, etc. Dates- 4/47-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject-the organization of the Fellowship committee, requests for fellowship applications, etc. Dates- 9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. John L. Pratt. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship program, minutes of: annual board meeting (1941), executive committee meeting (1940), VA artists fellowship committee meeting (1940), announcement/application for VMFA fellowship, etc. Dates- 6/40-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence about the Museum. Dates- 1939-46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition- \"The Virginia Museum of Fine Arts in Roanoke\", 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Essays by Director Thomas Colt on the Principles and Work of the Virginia Museum of Fine arts and its history.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Timetable, agenda, invitation, guest list. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Juror: Henry Callahan, biographical data, entry form, letters to selected applicants, statistics: entrants vs. applicants etc., and jury procedure. Dates- 4/71-2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Fellowships, VPI Traveling Theatre. Letter to Josef Albers with biographical data, invitations and exhibitions. Dates- 3/59 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains pamphlets and correspondence between this association and Mrs. Pollard's Inter-agency committee on recreation 1949-54; Reports and Inventories of recreational activities of state agencies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- VMFA budget, state issue vehicles, Artmobile, salaries, Robinson House, etc. Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Complimentary memberships to members of the house of delegates, travel regulations, United Givers Fund campaign, management studies. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VSAA membership rosters, membership of confidential secretaries to directors of state agencies. Dates- 9/63 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from the Office of the Governor. Subject- Memos to heads of state agencies regarding all manner of state operations, capital outlays. Annual Report of \"Virginia Department of Vocational Rehabilitation\", 1976. Dates- 1/73 - 10/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from the Office of the Governor. Subject- Affirmative Action and Freedom of Information Act requests. \"Virginia Local and Regional Planning 1974\"; \"Virginia Commission Visually Handicapped Annual Report\", 1973-74; \"Virginia Highway Commission Annual Report\", 1973-74. Dates- 11/74 - 12/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from the Office of the Governor. Subject- State governmental management, budget appropriation requests, Virginia calendar of events, newsletters, museum salaries and the Virginia Privacy Act of 1976. Dates- 4/75 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regards donating old exhibition materials 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt. Subject- Roster of VMFA Trustees, resume of progress in the Fine Arts of Virginia. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and E.M. Kates (VSIF). Subject- Planting of flower beds and maintenance of interior foliage, Elizabeth Kates Foundation. Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cleaning and treatment reports of portraits owned by the Virginia State Library and Archives. Also correspondence regarding the wartime protection of Virginia's cultural materials, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- outline of annual meeting. Dates- 11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- \"Planning Your Town\" traveling exhibition, photos and description of exhibition installation, copy of an essay written by Cheek for Art Digest (4/52) Dates- 2/52-10/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- VA Union choir singing at the Museum during the Christmas season, pamphlets about Museum sponsored activities during the holidays, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Statewide competition for the design of Memorial and jury selection. L. Cheek's service as advisor to the Memorial Commission. T.J. Collins and Son as winners of competition. \"Program Of Competition For The Virginia World War II Memorial\". Dates- 12/50 - 3/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Program Of Competition For The Virginia World War II Memorial\", firms invited to compete in the final selection, expenses incurred and resumes of applicants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, John J. Wicker Jr. (Chairman). Subject- Competition program, VWW II Memorial Commission meeting minutes, \"Preamble\", for the creation of the memorial, \"Architectural Competitions\", AIA Document no.213. Drawings/plans and photographs for site development. Dates- 5/50 - 12/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 1953 Official Report of the Virginia World War II Memorial Commission. Dates- 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Competition program and closing proceedings. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Applications from selected entrants, official report of the jury in their selection of J.T. Collins and Son, (A.I.A.). Dates- 3/51 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Report of the Jury concerning the winning design. Jury members: Waldon Franklin, George Howe, Frederick C. Disque, Edward D. Stone, W. S. Robertson, biographical data included and list of competition entrants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Guest lecturers, membership. Dates- 12/63 - 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mrs. von Keller. Subject- appointment of von Keller as Acting Director of VMFA in absence of Colt, biographical information, etc. Dates- 4/35-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mrs. von Keller (Art Director, Randolph-Macon Woman's College). Subject- personal, Museum events, etc. Dates- 8/42-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Morton Vose. Subject- Acquisitions and provenance of objects. Dates- 7/56 - 2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J.G. Pollard, T. Colt. Priscilla Crum and L. Cheek. Subject- Segregation in children's art classes, Study of early 19th century architect and builder John Jordan. WRVA Radio weekly series of VMFA activities, Salon des Refuses' for artists eliminated from the Virginia Artists juried exhibition. World War II Memorial design competition, Artmobile, newspaper clippings, paintings from the Williams Collection and the Helena Woolworth McCann Collection of Export Collection. Exhibition catalog: \"Eugene Wiesz\". Photographs. Dates- 9/45 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and M. Christison. Subject- Artmobile, AIV, sit-see chairs, collectors circle, Fellows, Wise Pre-Columbian Collection, requests for employment. Woodrow Wilson Birthplace Foundation: Annual Report 10/64. Gifts, loans, contributions and acquisitions. Dates- 3/60 -11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Exhibition announcements, invitations, newsletters, biographical data, requests for employment. Purchases, gifts and acquisitions. Damage report of art works. \"Profile\", re: Tishman Collection of African Objects. \"Hermes Wingraf Quarterly Catalog\", Summer 1971, re: 17th century Dutch still-lifes. Dates- 2/70 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Waddy bequest for fountain construction. Costs of construction and maintenance of fountains: National Gallery, Frick Collection and Isabella Stewart Gardner Museum, includes photographs. Blueprints/plans: VMFA Site Development, East Elevations. Excerpt from the will of Woodson P. Waddy. Dates- 1947, 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Bronze Waddy Memorial Fountains, architects: Eggers and Higgins, Sculptor: Ralph Menconi. Contractual agreement with architects, Blueprints/ plans, detail drawings for : Waddy Memorial Fountain, Triton Fountain, East elevation and site development plans. Dates- 8/53 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt and Mr. Clifford L. Walker. Subject- inscribed plates for paintings in Museum collection, bronze busts and tablets for founders. Dates- 11/35-8/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Walpole Society Dinner, membership roster and newspaper clippings. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA staff orders for conduct of Museum during an emergency, pamphlets from the U.S. Government, Association of Art Museum Directors and American and British museums about art preservation in case of a wartime emergency. Dates- 1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Warburg Collection on loan to VMFA and his address to collector's circle. Bulletin vol.18 no.9 5/58 Dates- 5/57 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT scenery design. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- pamphlets from the U.S. Government, Association of Art Directors and American and British museums about art preservation in case of a wartime emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- prospective sale of George Washington portrait by Peale to the state of Virginia, history of the painting, may have been commissioned by the state in 1784 for use by Houdin (the sculptor of the George Washington statue in the capital). Dates- 10/37-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Marion Junkin. Subject- Metropolitan Collection on permanent loan to W\u0026amp;L, letter from M. Junkin espousing the talents/commitments of the young artist Cy Twombly. Hans Gasman as restorer for VMFA lists of objects and exhibitions. Dates- 11/49 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Alexander W. Weddell. Subject- Weddell's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, gifts from Weddell, listing of Trustees 1942, listing of Trustees committee assignments 1945. Dates- 9/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and Mrs. J.G. Pollard. Subject- Founding member of VMFA, resolution from Executive Board in memoriam of Alexander Wilbourne and Virginia Chase Weddell. Award of the Webster S. Rhoads Medal for distinguished service. Minutes of Annual Meeting, descent and authenticity of a pair of copies of portraits of George Mason and his wife. Dates- 7/45 - 1/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Foundation financial support: VMT, library, contributions to Fellows fund, book purchases, VMFA services catalog. Dates- 7/66 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Director of Gallery of Modern Art, NYC, and his service as a juror. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"Time\" article on George Catlin, artist of the American West. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and P. Mellon. Subject- Ultimate destination of Mellon English Collection. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Tour request. Dates- 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Mrs. J. H. Parsons. Subject- Wheelchairs adapted for sit-see chairs and underwritten by Mrs. Parsons. Dates- 10/65 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecture/recital to VMFA council and Fellows. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitation to L. Cheek by President Johnson to attend luncheon for President-elect Barrentos of Bolivia. Dates- 7/20/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Objects on loan to White House. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Theo B. White. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Diorama's made by Whitelaw in the collection of the L.A. County Museum and George Washington Masonic National Memorial Association. Photographs Dates- 7/62 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- general correspondence with a Trustee on Museum programs and operating activities (esp. Accessions Committee). Dates- 6/35-3/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Beatrice von Keller, T. Colt and L. Cheek. Subject- Organization of an exhibition of pre-Columbian sculpture, Catesby-Jones collection, Whitman Collection of Mayan Sculpture, Chrysler Collection accessions and exhibitions. Date- 8/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mrs. Thelma Cudlipp Whitman. Subject- Trustee/Museum business, etc. Dates- 5/51-2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Ambassador to Great Britain, invitation to become Collector-of-the- Year. Dates- 5/61 - 7/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and various Whitney Museum staff. Subject- loans to the Museum for the inaugural exhibition, loan to the Whitney from VMFA, museum practices, etc. Dates- 5/35-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Summer state service projects, VMFA projects list. Dates- 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Playwright, invitation to address VMT, Time Cover 11/12/53. Dates- 1/53 - 3/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA appointment to Board of Trustees, service as President and on the Entertainment Committee. Museum business, South Wing, Fellows, NEFTA. Gift of Mellon French painting collection, gifts, contributions. Dates- 6/65 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibitions: \"Jean Outland Chrysler Collection\" and \"30 Years of Virginia Art\". List of objects, Charter Day ceremonies: invitation list and dedication of the new Fine Arts building. Essays- \"Thomas Jefferson and the Fine Arts\" and \"The Arts in Virginia\", by L. Cheek 2/67. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT and loans of objects to VMFA. Dates- 1/50 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Mrs. J.G. Pollard. Subject- Williams Collection inventory, Williams purchase fund, statement concerning the informal agreement between L. Cheek and Mrs. A. D. Williams concerning installation of collection in the new wing. Selected inventory of furnishings in the Williams home. A.D. Williams as recipient of the Rhoads Medal, financial contributions, gifts and loans. Dates- 6/48 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Berkley Williams Jr., Virginia artist. Dates- 1936-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., and Mr. E. Rand Williams. Subject- Trustee/Museum business, Rand served as Buildings and Grounds Committee Chairman 1937-8 and as first Vice-President in 1941, etc. Dates- 6/35-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. E. Randolph Williams. Subject- Trustee/ Museum business, etc. Dates- 5/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Glasglow bequest, Melchers Estate, Pratt Jewels, Portrait of \"James Patton Preston\", Gilbert Stuart, general legal questions. Dates- 10/58 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Election to board of Trustees; Dance Society. Dates- 6/54 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Advisory committee on the new Reception Center, L. Cheek as a member and a map with the proposed location. \"Summary of Reception Center Objectives and Experience\". Dates- 11/53-1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- List of objects accepted as loans and pending gift status. Dates- 10/49 - 3/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Preliminary plans for a foundation to house objects related to W. Wilson's life. Portrait exhibition of the 8 Virginia born Presidents, portrait of Mrs. Wilson, artist unknown. \"Woodrow Wilson's Heritage of Faith\", Frank Bell Lewis, Woodrow Wilson Birthplace Foundation, 1956. Dates- 9/55 - 6/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters of request and approval for event, agendas and timetable. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letter of confirmation. Dates- 7/11 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Woodlawn Plantation event, guest list and map. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. to Worcester Art Museum staff. Subject- loans for VMFA inaugural exhibition, loan to Worcester Art Museum, etc. Dates-8/35-7/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- exhibition held at the Museum \"Southern States Preview\" a regional exhibition connected to the World's Fair. Dates-10/38-12/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by applicants to exhibition. Subject- listings of artists accepted to the show (listed state by state). Dates- 12/38-1/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Arthur Drexler (MOMA) to lecture on Wright exhibition, reception, guest list. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Transcript of radio broadcast 2/26/54, exhibition: \"American Painting\", Artmobile and magazine excerpt. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Betsy Wyeth and Harry Brooks (Knoedlers). Subject- \"Country\": Working drawings, Artmobile layout and tour and reviews. Dates- 2/67 - 11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown and P. Near. Subject- Exhibitions, loans, acquisitions, AIV, gifts, contributions. Correspondence with William Zorach, sculptor. Dates- 9/49 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- museum practices, loans for the VMFA inaugural exhibition, etc. Dates-9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- General correspondence from Alumni, possible lecturers, newspaper clippings. Correspondence between Cheek and Alfred Stiegletz. Minutes of Alumni and Friends of the School of Art and Architecture, 5/58, pamphlets. Dates- 6/58 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Third Report Of The Committee On Architecture, Painting and Sculpture\", 4/50. Committee membership roster, issues facing various Yale departments. \"Bulletin Of Yale University\", series 44, 4/48 #5 and \"Official Register Of Harvard University\", vol. XLV, no.15 7/15/48. Dates- 1949 - 50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. Pollard and M. Christison. Subject- Yale school of the arts general operation, appointment of Joseph Albers, list of University Council Committees. Dates- 9/48 - 9/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Draft of the committee report and responses from other Yale committee members regarding departmental personnel, curriculum, problems and resolutions. \"Report Of The Committee Of The Division Of The Arts (Architecture and Planning And Design)\",prepared by L. Cheek, 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Report Of The Chairman Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 4/48, prepared by L. Cheek. Issues concerning Yale departments of the arts. Minutes of Yale Executive Committee Meetings, various reports on Yale departments. Dates- 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Cheek draft of, \"Report Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 1952. Yale policy review, new appointments, letters to other committee members, roster of membership. Dates- 5/51 - 4/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Evolving challenges of the various Yale departments. \"Report Of The Committee On The Division Of The Arts (Architecture, Planning and Design)\", 4/53. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA performance of Yale Glee Club, agenda, program, roster, etc. Dates- 10/60 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eR. Peter Mooz was Director of the museum from 1976-1981.\u003c/p\u003e","\u003cp\u003eCharles L. Reed was Interim Director of the museum from 1981-1984.\u003c/p\u003e","\u003cp\u003ePaul N. Perrot was Director of the museum from 1984-1991.\u003c/p\u003e","\u003cp\u003eKatherine R. Lee was Director of the museum from 1991-2000.\u003c/p\u003e","\u003cp\u003eRichard B. Woodward was Interim Director of the museum in 2000.\u003c/p\u003e","\u003cp\u003eMichael Brand was Director of the museum from 2000-2005.\u003c/p\u003e","\u003cp\u003eThomas N. Allen was Interim Director of the museum in 2006.\u003c/p\u003e","\u003cp\u003eThis series contains correspondence and subject files from staff members in the Director's Office.\u003c/p\u003e","\u003cp\u003eCarolyn Weekley was the Assistant to the Director from 1978-1979. She later became Curator of Decorative Arts, so there is some overlap in the files with her curatorial work.\u003c/p\u003e","\u003cp\u003eMargaret (Peggy) Burke was Assistant to the Director from 1980-1981, then Deputy Director in 1982, Deputy Director. She originally served as Assistant Director for Collections and Interpretation, so there is some overlap in the files with her other work.\u003c/p\u003e","\u003cp\u003eLulan Yu was Assistant to the Director from 2002-2007. Her files are mostly related to the North Wing expansion and the museum identity project.\u003c/p\u003e","\u003cp\u003eLee Anne Hurt Chesterfield was Assistant to the Director from 2004-2009, then became Director of Board Relations and Museum Planning. Her files are mostly related to special projects, exhibitions, and AAM reaccreditation.\u003c/p\u003e","\u003cp\u003eThis series consists of building files that were maintained separately in the Director's Office. There are often additional building files found in each Director's Correspondence files.\u003c/p\u003e","\u003cp\u003eThe West Wing was completed in 1985.\u003c/p\u003e","\u003cp\u003eThe North Wing expansion was completed in 2010.\u003c/p\u003e","\u003cp\u003eThis series consists of corespondence with internal and external groups, the affiliations or creations of which often often overlap different Directors.\u003c/p\u003e","\u003cp\u003eThis series consists of minutes and planning documents for meetings convened by the Director.\u003c/p\u003e","\u003cp\u003eThis series consists of program files that were maintained separately in the Director's Office. 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Sub-Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Series Description","Sub-Series Description","Sub-Series Description","Series Description","Series Description","Series Description"],"scopecontent_tesim":["This series is comprised of correspondence of all of the various Directors of the museum. Files were arranged alphabetically by subject, and there is a lot of overlap between different Director's as the files often contained pertinent items from a predecessor. In the case of the first sub-series (1.1), until 1976, the entire museum's files were maintained centrally as one unit in the Director's Office.","This series includes the records of the first three Directors - Thomas C. Colt (1935-1948), Leslie Cheek, Jr. (1948-1968), and James M. Brown (1969-1976) - as well as the two Interim Co-Directors Beatrice von Keller and Violet McDougall Pollard (1942-1945). The bulk of this series was deposited at the Library of Virginia, therefore most of the items held at VMFA are copies that LVA returned to the museum.","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with individuals, institutions and corporations beginning with the letter 'A', note- two letters written to Josef Albers (no replies). Dates- 2/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding a copy of Gainsborough's \"Blue Boy\" in the collection of Van Clief of Esmont, Virginia.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters from private donors and dealers offering objects for sale and as gifts to the Museum when it was first started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and information about gifts and purchases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about items being considered for purchase and members of the committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes, and information on bequests and purchases. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- minutes of accessions committee meeting 1972, announcements and attendance for meetings 1973, acquisitions policy for bidding on works of art at auction, etc. Dates- 9/72-1/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- painted decorations of St. James church, putting this church on the Virginia section of the National Register. Dates- 4/68-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- departmental inventories of non-expandable assets of the Commonwealth of VA 1940-3, worksheets on individual art objects and Museum equipment, state regulations, etc. Dates- 6/43-11/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown and P. Near (Curator). Subject- correspondence about possible acquisitions, considerations of gifts, notes on possible acquisitions, etc., 10/70-4/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding the gift of Mrs. Charles Adams (Ann Fowlkes) of music albums 1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's appointment by the Governor to an advisory committee assisting the Dept. of Conservation and Economic Development in a study for a proposed museum of science, archaeology and natural history (to be located in Richmond), copy of Senate joint resolution no.26-to study the encouragement or establishment of a museum of science and natural history, list of committee members, Report of the Department of Conservation and Economic Development to the Governor and the General Assembly of Virginia Relative to the Establishment of a Museum of Science, Archaeology and Natural History in Richmond, 1965, etc. Dates- 5/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Excerpt from the Report of the Committee on Recreation to the Advisory Council on the VA Economy and A Summary of Major Recommendations that Involve Questions of State Policy by the Advisory Council on the VA Economy. Dates- 8/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- possible Museum acquisitions from the dealer. Dates- 4/53-5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Airfiltering System 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- correspondence and announcement for lecture by Ambassador Akar about Africa's unique cultural heritage, etc. Dates- 10/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek was a judge for their annual show. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with Albemarle Art Association President about discontinued affiliation with VMFA, biographical information on Cheek, introduction about Cheek for lecture at AAA, Cheek's remarks in honor of Horace Burr 1966, etc. Dates- 8/57-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with and biographical information about Josef Albers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- a letter to Albers (no reply). Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown Subject- correspondence with Director about appointment to board of Hon. George S. Aldhizer II, Education in the Arts and Honors and Awards Committee appointments, etc. Dates- 6/67-2/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Donor of several paintings to the Museum, 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek as speaker for \"The Alexandria Forum: Southern Decorative Arts 1750-1850\", exhibition loans to Alexandria Assoc., etc. Dates- 9/55-1/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Printed materials. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding annual meetings and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- AAM (American Association of Museums)annual meeting pamphlets 1955,'57,'58,'59'60,'61,'62,'65 and'68, proposed constitution and By-Laws 1961, roster of member institutions 1959, correspondence about AAM meeting in Williamsburg, etc. Dates- 10/60-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from AAM Directors. Subject- Minutes annual meeting 1969, membership reports 1969-70, Financial Statements 1969-70, agenda for AAM council meeting 1970, memos, etc. Dates- 8/69-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- info about AAM (American Association of Museums) seminar held in Richmond 1972, financial and membership reports 1972, minutes of exec. committee meeting 1972, news releases, letter from Richard Nixon to Mr. Brown as President of the AAM, mailings sent out by AAM, etc. Dates- 7/72-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about Cheek as Program Chairman for AAM (American Association of Museums) annual meeting in Williamsburg 1962, tentative agenda, schedule of events, attendance list, committee reports, program, etc. Dates- 5/59-1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- correspondence to American Art Association (AAM) section chairmen about annual meeting, program, schedule of events, etc. Dates- 9/60-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about arranging program for American Association of Museums (AAM) meeting, roster of section chairmen 1962, agenda for exec. committee meeting 1961, invitations sent to VMFA trustees for a reception (held at VMFA) to meet the delegates to AAM meeting, etc. Dates- 7/59-6/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- roster of AAM (American Association of Museums) section chairmen 1962, attendance and schedule for section meetings, etc. Dates- 1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lloyd Goodrich Lecturer. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek on advisory committee for the study of design and craftsmanship in today's products, roster of advisory committee, proposed exhibition, conference series, documentary and publication about design and craftsmanship, National Exhibition Project Committee meeting minutes 1950, etc. Dates- 3/49-4/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek on Board of organization. Contains memos, pamphlets, exhibition literature etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns L. Cheek's membership in the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- minutes of exec. committee meetings 1961, '62 and '65, roster of trustees, memos to trustees, correspondence about convention in Chicago, etc. Dates- 1/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. (trustee of AFA). Subject- information about circulating exhibitions, minutes of Exec. committee meetings 1966 and '67, minutes of trustee meetings 1966, '67 and '68, memos to trustees, etc. Dates- 1/60-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- American Federation of Arts (AFA) exec. committee meeting minutes 1967 and '68, correspondence about AFA delegates visit to VMFA 1969, roster of members and committee appointments, news releases 1968, President's annual report to AFA, etc. Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about Cheek as Convention Committee Chairman 1959, correspondence about potential committee members, program for convention, minutes of preliminary joint meeting of the AFA trustees 1958, minutes of trustees meeting 1959, Golden Anniversary Convention, The American Federation of Arts 1909-1959, congratulatory and appreciation letters to Cheek, etc. Dates- 3/58-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown Subject- AFA (American Federation of Arts) exec. committee meeting minutes 1959,'60,'61,'62 and'65, roster of board of trustees, trustee meeting minutes 1961 and '62, AFA constitution, National Council on the Arts and Government Annual Report 1960, etc. Dates- 3/61-1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with the American Institute of Architects. Dates- 4/47-1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek served as a juror for the Annual Homefurnishings Design Competition and was an honorary member, 1949-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- A.I.D. (American Institute of Designers) VA chapter yearbook 1961-2, listing of suggested museums for A.I.D. exhibition, etc. Dates-5/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown. Subject- dinner meeting for the AID (American Institute of Designers) (interior designers). Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz and Wm. Wilkinson (Mariners Museum). Subject- Loan requests, cost estimates, pamphlets and photographs. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz and Wm. Wilkinson\u003e Subject- First major survey of American Marine Painting in observance of the Bicentennial. Lists of paintings, installation, budget, etc. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains copies of lecture invitation and catalog. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown from ASA (American Society of Appraisers). Subject- Brown's membership in ASA, ASA news 1971-2, announcement of meeting 1971, etc. Dates- 10/70-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for gallery dinner at VMFA for American Society of Appraisers. Dates- 1/72-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Brown as Chairman of a committee on collections at Amherst College and member of Exec. Committee of the Association of Fine Arts, constitution and minutes of Association of Fine Arts meetings 1970 and '71, roster of members of the Association of Fine Arts, membership solicitation letter, catalogue: The Amherst Sesquicentennial Exhibition 1972, etc. Dates- 10/69-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. J.G. Pollard and Mr. Henry W. Anderson. Subject- meetings of the Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, a portrait of Anderson by VA artist, Julian Binford, etc. Dates- 6/35-11/44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Henry W. Anderson. Subject- Anderson's presidency of the Board of Trustees 1947, trustee and Museum business, Annual Board meeting minutes 1947-8, Museum events and daily operations, Museum investments and gifts to the Museum, a general study of the Museum's collections and suggested plan of development (1947), information about the land occupied by the Museum and its estimated future needs, etc. Dates- 6/47-6/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- President of the Board of Trustees. 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and L. Cheek, Jr. and Col. Henry W. Anderson. Subject- Anderson's presidency of the VMFA Board of Trustees, Museum events and daily operations, gifts to the Museum, investment of the Museum's A.D. Williams fund, listing of financial condition of endowment and special funds 1952-3, etc. Dates- 5/51-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for dinner honoring Mr.and Mrs. Walter P. Chrysler, guest lists, invitations, R.S.V.P.'s, etc. Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- final copies: VMFA 2nd Annual Report of the Director 7/1/36-6/15/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 7th Annual Report of the Director 7/1/41-5/1/42 and VMFA staff orders 1/42 elaborating the orders of 6/41 conduct of the Museum during an emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers, preliminary and final copies of The Report of the Acting Directors for the Year 1944-5, agenda for Executive committee meeting 6/44, breakdown of membership 1943-4, 1944-5 and working papers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- final copy VMFA Annual Report. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- preliminary and final copies VMFA Annual Report 1946-7 7/1/47-4/30/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- preliminary and final copy: VMFA Annual Report 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for the 1948-9 Annual Report, Report of the Executive Committee of the VMFA to the Board of Trustees (5/22/49) also a listing and attendance record of the Board of Trustees (5/27/49).  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for the 14th Annual Report, including operations budget, salaries and membership count, also a copy of VMFA Organic Laws (10/36). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- The 14th Annual Report of the Director (5/27/49) and its working papers, also correspondence about VMFA role in selecting and displaying portraits in the Governor's Mansion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- working papers for the annual report, listing of Cheek's activities (lectures, consultations, committee and jury duties). Dates- 1960-1. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual Reports for Collections and Gallery Divisions 1951-54, and for State Extension Services 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 1st Annual Financial Report of the Curator (4/13/35-6/15/36), VMFA 2nd Annual Report of the Director (7/1/36-6/15/37), VMFA 3rd Annual Report of the Director (7/1/37-6/1/38), VMFA 4th Annual Report of the Director (7/1/38-6/1/39), VMFA 5th Annual Report of the Director (7/1/39-5/1/40), VMFA 6th Annual Report of the Director (7/1/40-5/1/41). Dates- 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 7th Annual Report of the Director (7/1/41-5/1/42), VMFA 8th Annual Report by the Acting Directors (7/1/42-5/31/43), also, VMFA 9th Annual Report by the Acting Directors (7/1/43-5/31/44).  Dates- 1941-1944. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- the following reports: \"Remarks by Robert Marsh, Jr. before the Appropriations Committee of the General Assembly\" and \"Resume of the Request of the Trustees of the Virginia Museum of Fine Arts before the Appropriations Committee 2/64\" Dates- 2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual meeting of its Richmond Chapter at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and Ms. B. von Keller. Subject- biographical info, purchase of his painting Maggie, letters of introduction, personal references, loaning work to Museum, Va. artists exhibitions, counsel on museum operations, etc. Dates- 10/35-10/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed paperback guide to architecture in Virginia, roster of Editorial Advisory Board for guidebook, list of sites by counties and cities, etc., final list of buildings and sites, announcements and minutes of Nominating Committee meeting, etc. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- biographical information on H. Harvard Arnason, speaker on Henry Moore sculpture at VMFA, VMFA Members' Bulletin vol.26, no.2 10/65. Dates- 9/65-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- confirmation of meeting with State Art Commission to present plans to enlarge VMFA. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership roster, pamphlet of Art Dealers of America, Inc., etc. Dates- 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given at the VMFA by members of the staff of the Museum of Modern Art 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices, the following publication: Let's Make the Lions Roar: A Marketing Study of the Art Institute of Chicago by Edward J. Teply (Northwestern University 1959) Dates- 6/48-1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Potential jurors for biennial exhibitions 1970. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence and a listing of members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and art nouveau purchase plan. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Artificial flowers for decoration in galleries, 1964. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum program where artist-members participated in a life drawing class.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program sponsored by museum for artist members, included life drawing classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and memorandums. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and minutes from meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Project to try and send artmobiles overseas as suggested by the State Department. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence as to whether or not they would like to have the artmobile visit their school. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains plans, blueprints, and correspondence that occurred during its development.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Manufacturer of custom van bodies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Presidential Inauguration. Artmobile was State of Virginia's entry in President Johnson's inaugural parade, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed exhibition for the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Magic City Bank had an exhibit trailer, which was a prototype for artmobile.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations, programs and correspondence.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reprints of A.I.V. article \"Galleries on Wheels\", 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VFWC was instrumental in getting the artmobile started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, newspaper and magazine clippings and schedule 1961-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedules, Plans, correspondence and photographs, 1960-63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and plans for 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening, Middleburg, Virginia, 1962.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner and Invitation List. Artmobile II Opening. Middleburg, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Facts sheets, invitations and photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dedication. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- correspondence re. funding, construction, photographs, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans for Collegiate Artmobile to visit Virginia Colleges. 1964-65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal to ask the Carnegie Foundation for funding for a collegiate artmobile, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening, Ashland, Virginia. Correspondence and programs, Sept. 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Meeting of Virginia college Presidents regarding the Artmobile project to service college and University campuses. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, David Pittman, Peter Mooz. Subject- Artmobile workshop: program agenda, exhibition schedules, etc. \"Artmobile Chairman Handbook\". Dates- 7/74 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fruehauf Trailer Co., artmobile manufacturer, 1965-66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed by Lt. Governor Mills Godwin, attempted to establish a Virginia Arts and Crafts Museum. Newspaper clippings, correspondence, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets, prints, minutes and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Arts and Humanities Summer Institute. Sponsored by the Va. Commission of Arts and Humanities at the Museum in 1971. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Informational pamphlet from the President's advisory Council on the Arts, 1963. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Art Council of America and Governor's office. Subject- invitation from the Art Council of America to be represented in this council, etc. Dates- 10/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from George Cruger (Editor, AIV), J.M. Brown and Wm. Gaines. Subject- Microfilming of AIV and checklist of Articles to date, Spring 1974. Catalog: \"Image\", George Eastman House, 1973. Dates- 11/73 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memos and Correspondence. Dates- 1960 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Search for a designer for the magazine. Letters to and from possible candidates. Dates- 1964.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Various issues of the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- A.P. News clips regarding Museum, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the portrait bust of John Marshall.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- A.P.V.A. Pamphlets and Correspondence, 1972. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- agenda for the APVA (Association for the Preservation of VA. Antiquities) meeting held at VMFA, roster of exec. committee and trustees, etc. Dates- 3/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of members and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and reports from annual meeting 1964-68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- General correspondence to Directors of various museums regarding membership, loans of art works, invitations, etc.  Fact sheet on Artist housing in Soho. Dates- 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and minutes from annual meeting 1970-71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Annual meeting: reports, minutes, events schedules, officers, membership. Code of Ethics for ilicit traffic in works of art. \"Reproductions and Reproduction Rights For Museum-Owned Objects\", 1962, American Federation of Arts. Dates- 1972, 1979 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes from meeting. Dates- 5/59 - 6/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposals for membership. L. Cheek was membership chairman. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes of meeting. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report on dangers of lending objects to institutions for special exhibitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Questionnaires, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Lady Nancy Astor. Subject- Donation of her portrait by John Singer Sargent and china. Dates- 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"B\". Subject- varied. Dates- 9/50-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with institutions, individuals or corporations beginning with the letter \"B\" and the VMFA loan-own art service policy statement. Dates- 6/62-10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Transcript of remarks by Frank Stanton on his award of the Michael Friedman Medal of the Architectural league, magazine clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Ballet and L. Cheek concerning the beginning and future of a theatre at the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, A. Ballet and trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Baltimore Museum of Art calendars of events, correspondence about museum practices, etc. Dates- 9/48-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Miss Iris Barry. Subject- giving a film lecture, newspaper clipping, etc. Dates- 8/49-5/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, T.C. Colt, Jr. and L. Cheek, Jr. Subject- general information about Barter Theatre (announcements, VA Highlands Festival schedule, etc.) and correspondence about the Museum sponsoring drama productions as a state extension service. Dates- 12/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Barzansky Galleries. Subject- invitation to a Harriet Fitzgerald exhibition at the Charles Barzansky Galleries, N.Y.C. Dates- 1/58-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Governor Battle. Subject- thank you notes, etc. Dates- 11/50-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlet of the Museum's 1945-6 season. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. Bellows. Subject- the proposed acquisition of one of two of Bellows' paintings (Kids, The Teamster) which the museum didn't purchase. Dates-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Fitzgerald Bemiss as a Trustee, correspondence about Board of Trustees and Membership Committee business, gifts to VMFA, etc. Dates- 6/54-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- visit to Florence, Italy and to see Bernhard Berenson. Dates- 1/56-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition: Eugene Berman's sketches for the Metropolitan Opera's Barber of Seville. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Brown was a chairman of the panel of judges for the Franklin Mint Bicentennial Medal competition in the state of Virginia, official rules and entry form for competition, etc. Dates- 4/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- House Bill no.131 to keep Va. interstates free of billboards, response letters from Va. politicians, etc. Dates- 2/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Mr. Paul Bird as a lecturer on contemporary painting, a transcript of the lecture, etc. Dates- 1/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek and J.M. Brown. Subject- Accessions: Chinese objects. Requests for loan of A. Wyeth paintings from Wyeth Estate, invitation to Clare Boothe Luce to address 17th Annual Va. Public Relations Conference, letter of inquiry regarding the artist Lucille Sinclair Douglas. Accessions: Dubuffet prints, period chairs, pedestals, chest, Aphrodite Torso, female draped figure, Claude Hirst painting, Roger Barr painting. Eric Christmas and Festival Theatre, Ontario, Canada, proposal around building of Bristol Chapter House, furnishing of Agecroft Hall, expansion of University curriculum to include Art Historical Studies in surrounding colleges, Hogarth exhibition, World Museum Fund with description of event and agenda.  Text from \"Country Beautiful, America's Finest Small Museums\", with description of VMFA. Accession and gifts: \"The Little School Girl\", Degas; Amphipolis Gold. Dates- 1959-70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek. Jr. Subject- By-Laws revised and adopted 1951, Organic Laws, announcements, replies, agenda and minutes of annual Board meeting 1950, committee reports, listing of Trustees, etc. Dates- 5/50-5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Col. H.W. Anderson. Subject- annual Board meeting, listing of Trustees 1952-3, announcement of annual meeting, VMFA Annual Report of the Director 1952, etc. Dates- 5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement, replies, agenda and minutes of annual meeting 1953, notice of amendments to the By-Laws, a VMFA report/essay \"The Need for Completing Its Addition\", etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- annual Board meeting minutes 1953, 54, VMFA Annual Report of the Director 1954, notice of amendments to the By-Laws 1954, announcement, replies and agenda for meeting, etc. Dates- 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- minutes of Trustees annual meeting 1955, working papers for the meeting, committee reports, By-Laws revised and adopted 6/54, listing of insurance coverage, Museum events, etc. Dates- 5/55-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mid-year meeting and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement of annual meeting and luncheon for the Trustees, R.S.V.P.'s, attendance list, etc. Dates- 4/56-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Index cards with names and addresses of current and former Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff and Board Presidents. Subject- Board of Trustees committee appointments, appointment letters and reply letters for the following years: '45/6, '46/7, '47/8, '48/9 and '49/50. Dates- 1945-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- letters of appointment to serve on Trustee committees and reply letters, listing of committee appointments 1949-50, etc. Dates- 7/49-7/50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Henry W. Anderson (President of the Board). Subject- appointment to committee letters and reply letters, etc. Dates- 8/51-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence By L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of committee appointments. Dates- 1954-5. Correspondence- Subject- listing of committee appointments. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of Trustees committee appointments (1956-7), reply letters to committee appointments, etc. Dates- 8/56-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- notes on planning, cost estimates, invitations, replies to preview of A.D. Williams collection and dinner honoring Governor and Mrs. Battle, etc. Dates- 10/52-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Museum events, working papers for the annual Board meetings and agendas, nominations to the Board, excerpts from the Board minutes, committee reports, etc. Dates- 2/37-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains miscellaneous correspondence, memos and minutes from meetings. 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board annual meeting minutes 1955, By-Laws revised and adopted 1954, By-Laws and suggested revisions 1956, listing of Trustees 1955, Committee appointments 1954-57, etc. Dates- 1954-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Roster of the VMFA Board of Trustees. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement, replies for Board meeting, listing of Trustees 1952, 53, notice of meeting cancellation because of inability to secure a quorum, etc. Dates- 1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- announcements, replies, agenda and minutes of Trustees special meeting and Executive Committee meeting, etc., 1/54-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of the Board of Trustees annual meetings. Dates- 1934-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- suggested plan for developing VMFA collections by Colt (1945), announcements and replies for Board annual meeting , prepared budget 1947-8, listings of Trustees, officers and committees, etc. Dates- 10/45-6/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- sightseeing boat tour on the James River. Dates- 2/57-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mrs. John H. Bocock as a Trustee, Board of Trustees, Entertainment and Accessions Committee business, art lending service information, gifts to VMFA, etc. Dates- 5/51-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek writing introduction for A. Aubrey Bodine's photography book: The Face of Virginia, draft of the foreword/introduction, biographical information on Bodine, etc. Dates- 3/62-1/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- letter to Hon. Armstead L. Boothe about appointment to Board. Dates- 6/64-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Jr. primarily with the Sheraton Hotel. Subject- a cocktail party held on Cheek's Boston trip, guest lists, invitations, etc. Dates- 10/58-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. with various Boston Museum staff. Subject- museum practices, loans, speaking engagements, exchange publications, etc. Dates- 11/47-10/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loaning objects to VMFA, correspondence about museum practices, lecture given by Cheek in Boston about art in Virginia, etc. Dates- 3/55-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and V.Y. Bowditch. Subject- Bowditch biographical information, drama schedule 1955-6 season, evaluations, theatre operations, etc. Dates- 7/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Theatre director of Pasadena Playhouse 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. with E.G. Bowles and the Public Works Administration (PWA). Subject- landscaping the Museum and bids complying with PWA, construction contract 4/36, classifications of labor/workmen and wage rates 12/34 and Form Of Bond-VA 4/36. Dates-3/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's membership to the VMFA Board of Trustees, Museum events and daily operations, the following Museum publications: Virginia Museum of Fine Arts By-Laws, 1st Annual Financial Report of the Curator (4/13/35-6/15/36) and Virginia Museum of Fine Arts 1st Quarterly Financial Report of the Curator (5/1/36), listing of suggested prospective Trustees, listing of Trustee committee appointments 1937, sketches of Museum floor plan, etc. Dates- 12/34-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, Museum publication: Prospectus of Program Season of 1937-38, radio talk show transcript 3/38, etc. Dates- 6/37-6/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, PWA grant offer 1938 to the Museum, letter from VMFA rejecting the offer of a PWA grant, copy of the resolution that Henry P. Strause, Esq. be named first Honorary Benefactor of the Virginia Museum of Fine Arts, etc. Dates- 7/38-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Trustee committee appointments 1939-40, essays by Branch about WWII, financial situation of the Museum 1939, creation of a \"Ways and Means\" committee, etc. Dates- 8/39-6/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe Branch. Subject- Branch's presidency of the VMFA Board of Trustees, staff organization (1940), plan for VA artist fellowships, \"Art in Virginia\" an article written by Colt, Museum events and daily operations, Museum investments and gifts to the Museum, biographical information on Branch, Trustee committee appointments 1940-1, etc. Dates- 6/40-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, biographical information on Branch, Museum events and daily operations, Museum investments and gifts to the Museum, winner of the first Webster S. Rhoads medal, etc. Dates- 5/41-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Thalhimer Brothers, Inc. Subject- use of VMFA's Medieval Gallery for British Embassy reception. Dates- 6/1/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- brochures for the VA Dance Society, VA Film Society and VA Chamber Music Society. Dates- 1963-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loaning objects to Brooklyn Museum, correspondence about museum practices, exchange publications, etc. Dates- 2/48-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- essay written by J. Carter Brown for New York University. Dates- 5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- news releases about James M. Brown becoming VMFA Director, newspaper clippings, photos of Brown, Report of the Director 1972-3, etc. Dates- 6/69-11/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff and Trustees. Subject- plans for receiving the new Director. Dates- 6/69-7/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Fred Haseltine (Assistant to Director). Subject- list of objects being offered to the Museum including: antique gold boxes, ornaments, clocks, etc., letters to the executors of the Ailsa Mellon Bruce estate, correspondence with Paul Mellon, news releases and news paper clippings about gift, photos of the galleries, etc. Dates- 8/70-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Mr. David K.E. Bruce as a Trustee, Board of Trustees business, gifts to VMFA, etc. Dates- 5/48-3/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed acquisition of the Brummer collection of Medieval art, report on collection, list of objects, correspondence to Paul Mellon, etc., later sold to Duke University. Dates- 12/65-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and the Smithsonian Traveling Exhibition Service. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Exhibition 1958, includes layouts and photos, etc. Dates- 3/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's membership on the Fine Arts Advisory Committee to U.S. Commission for the Brussels Universal and International Exhibition of 1958, committee meeting minutes 1957, committee roster, etc. Dates- 2/57-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Fair 1958, Cheek was an advisory committee member, loan, catalogue and installation lists, information on slide presentation- \"Art in American Museums\", etc. Dates- 3/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- sketches, plans of the U.S. pavilion for the Brussels International Fair 1958, information and listing of objects in the \"American Folk Art\" exhibition, etc. Dates- 1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Harry Bertoia (Sculptor). Subject- the acquisition of a Bertoia piece (Tree) shown at the Brussels Fair. Dates- 8/57-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr. Subject- D. Tennant Bryan as a Trustee, Board of Trustee and Membership Committee business, etc. Dates- 10/47-6/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. D. Tennant Bryan. Subject- Trustee/Museum business, membership to the Museum, etc. Dates- 5/51-9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. J. Stewart Bryan. Subject- Trustee/Museum business, loan of paintings for inaugural exhibition, gift to Museum, etc. Dates- 6/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Thomas P. Bryan as a Trustee, Board of Trustee business, etc. Dates- 9/58-11/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- congratulatory letter to Mr. Thomas P. Bryan on election as Mayor, Date- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. to Buchholz Gallery. Subject- proposed purchases, loans, exchange publications, etc. Dates- 4/47-8/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VMFA budget exhibit 1959 and 1966-8, resume of the VMFA Trustees before the Appropriations Committee 1964, budget requests 1960-1 and 1962-4, etc. Dates- 9/61-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of Governor's Budget Advisory Board 1965, outline for capital outlay funds dinner, invitation letter to Trustees, etc. Dates- 5/65-6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed 25th anniversary budget, correspondence about obtaining a Budget Committee for the 25th anniversary program, anniversary publications, etc. Dates- 1/60-3/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about Capital Outlay Commission dinner and theatre, etc. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- suggested order of events for Budget Advisory Committee meeting, invitation letters to the Presidents of VMFA affiliate chapters, draft of end of dinner announcement, etc. Dates- 7/61-9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- list of Governor's Budget Advisory Committee 1969, review of Museum's request for capital outlay funds to construct North Wing and theatre, etc. Dates- 4/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- roster of Governor's Budget Advisory Board 1967, outline for Cheek's remarks to Budget Advisory Committee, etc. Dates- 1/67-5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- roster of Governor's Budget Advisory Committee members 1972-4, request for hearing, dinner invitations for Advisory Committee, etc. Dates- 5/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers and news releases about the addition to the Museum. Dates- 6/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to other U.S. art museums. Subject- installation and advice on purchasing an air conditioning system. Dates- 5/53-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Wm. Rhodes. Subject- correspondence about air condition system failure. Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- addition and renovation to the Museum, proposals and preliminary studies by Mr. Merrill Lee, Architect, copy of a Architects and Consulting Architects Contract, etc. Dates- 12/49-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard primarily with Architects M.C. Lee and Eggers and Higgins. Subject- schedule of interior installation, list of architects bills, building inspection, review work/progress, photographs of progress of additions to the Museum 1953, etc. Dates-12/48-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the proposed addition the VMFA 1949-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Baskervill and Sons (architects and engineers) preliminary drawings, schedule for construction project, etc. Dates- 7/64-12/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Attempt by the United Daughters of the Confederacy to expand their facility on the block. The Museum's and the Virginia Historical Society's attempts to stop them and acquire the land for their own use. Dates- 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about equipment needed to supply music to members' quarters, lobby area and galleries. Dates- 7/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- information about sound equipment. Dates- 6/54-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information on purchasing folding and stackable chairs. Dates- 8/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- extending the rise of freight elevator. Dates- 8/53-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- proposals and layout for a film production unit to be located in the new wing (to make interpretative sound films). Dates- 7/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information, blueprints on changes to and installation of kitchen equipment. Dates- 6/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- the proposed purchase and installation of photographic equipment, correspondence with other art museums about creating and maintaining a darkroom and staff photographer. Dates- 8/53-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- blueprints of check room, information about coat, overshoe and umbrella racks for the Museum check room. Dates- 9/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information about seating for the theatre and auditorium, blueprints of the auditorium. Dates- 8/53-8/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of machinery and equipment needed for the new shop. Dates- 8/17/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about chandelier for front entrance of Museum. Dates- 9/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M.C. Lee, Architect. Subject- alterations and additions to the Museum, color samples and specs for painting and finishing, etc. Dates- 8/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains amounts of pledges and names of donors giving money for new galleries.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Gallery floor plans: VMFA, Brooklyn Museum, Victoria and Albert, British Museum, Art Institute of Chicago, Walters. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Merrill C. Lee, Architect. Subject- progress photographs and negatives (north wing). Dates- 5/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Architects: contractual agreements, VMFA design program, Capital Outlay Appropriation, alteration, additions, cost estimates, expenditures, contracts for Doyle and Russell and Merrill C. Lee (AIA). Dates- 12/48 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- blueprints of a darkroom and information about and catalogs of photographic equipment. Dates- 8/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns securing restricted material such as steel for post-wartime construction. 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Mrs. J.G. Pollard. Subject- Economic Stabilization Committee (ESA) search for qualified women employees, ESA headquarters to be located in Richmond, federal government regulations that established ceiling prices for all commodities and services (except those specifically exempt) upon the basis of prices in effect between 12/19/50-1/25/51. Dates- 2/51-12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Final Statement Museum Of Fine Arts Richmond, Virginia\", contract dated June 9th, 1952. Financial statement/contract from Doyle and Russell Construction. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Terra cotta statues at the North entrance to the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Original Building: \"Manual On The Planning And Execution Of State Capital Outlays\", 9/1/44, contracts: Doyle and Russell (Building Contractors) and Merrill C. Lee (AIA). Detail for additions and deletion from original building. Design contracts and inspection reports. Dates- 1952 - 55, 1966, 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Brochures, drawings, correspondence 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- information on red carpet and padding for the front entrance. Dates- 8/51-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Meeting with Interior designers 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding plants around the Waddy fountain. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- the Richmond Junior League's proposed campaign to raise money for construction of South wing for the Museum, working papers for and final copy of the pamphlet: \"The Virginia Museum Needs Wings\", etc. Dates-12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- renovations and construction of a new wing to the Museum, Cheek's comments on preliminary and revised drawings, and construction progress, Architects and Consulting Architects Contract (Merrill C. Lee, Architect, Eggers and Higgins, Consulting Architects), an essay \"The Virginia Museum of Fine Arts Need for Completing Its Addition\", etc. Dates- 1/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information relating to addition to Museum, several reports including: Building Program 1950-1, Addition to Building 1949-50, The Virginia Museum of Fine Arts The Need For Completing its Addition, History of Appropriation for Construction (1948-53) ,also, notes for Sen. Gray about Museum addition (1952). Dates- 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- miscellaneous daily and general building maintenance. Dates- 2/60-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Governors Stanley and Battle. Subject- improvements on Museum building and completion of new wing (1954). Dates- 12/50- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject-construction/installation of American and English galleries, alterations to Medieval hall, blueprints, etc. Dates- 7/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- information on purchase of steel lockers, blueprints, etc. Dates- 4/54-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about ordering office furniture designed by Eero Saarinen. Dates- 8/64-1/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Alfred Geiffert, landscape architect. 1949-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- analysis of situation concerning the parking lot and planting, etc. Dates- 8/66-10/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Budget Estimates for landscaping the grounds of the Museum around addition, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information and bids on purchasing lighting and steel storage equipment. Dates- 11/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- info on purchase of supplies for dining room/cafeteria: placemats, traymats, doilies, napkins, matches. Dates- 1/55-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains plans for the Waddy Fountain, and furnishing brochures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Carl Milles, donor of the Little Triton Fountain 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- marble chips for garden court fountain request for information about installation of mosaics in garden court. Dates- 8/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed purchase of wall coverings for new galleries (movable partitions and door headers). Dates- 2/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- commission to decorate behind refreshment counter in the new building, commission switches from Julien Binford to Richard Q. Yardley. Dates- 6/54-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Richard Q. Yardley Mural in the refreshment room. Also contains information on Julien Binford who was originally retained to do the mural before Yardley. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Public Works Administration Grant for Museum addition, application to National Production Authority (N.P.A.) for assistance in obtaining materials for proposed Museum construction. Dates- 10/35-9/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- staff requests for facilities and equipment, list of private funds for Museum addition, Board resolution about the construction on the building, etc. Dates- 7/48-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- drawings of proposed Museum addition, Special Building Committee procedure in dealing with Appropriations Committee of the House of Delegates, etc. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and New York City Museums: Metropolitan, Guggenheim, MOMA, and Whitney. Subject- Extended loans of paintings and sculpture for the VMFA's new wing of Contemporary Art, scheduled for Jan. 1970. Correspondence from L. Cheek to John Walker to address the Collectors Circle. Dates- 7/69 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- report on budget dinners 6/65, Cheek's itinerary for talks 1965, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and Joseph Whitehead (Interior Designer). Subject- Interiors of the New South Wing, Fabric sample enclosed. Correspondence between L. Cheek and Bernard Bothner of the Brooklyn Museum. Subject- Resources for slides to accompany the reinstallation of the Egyptian Gallery. Dates- 6/66- 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposals for gallery orientation theatre systems. Memo To VMFA staff regarding upcoming Fellows meeting. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to other museum directors. Subject- Request for slides of recent building additions to their respective museums, to prepare for a presentation to the Virginia Legislature. Dates- 4/65 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey conducted by L. Cheek to determine the necessity of a sprinkler system in galleries. Letters, cards of response and survey results. Dates- 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains brochures and catalogs 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photos of preliminary architect's drawings, preliminary cost estimates, etc. Dates- 7/62-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Information concerning the MOMA 30th Anniversary, building funds drive with text of building/expansion plans, \"Toward The New Museum Of Modern Art\" , 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- review of presentations to the Art Commission, photos of other art museum additions, statements about addition (Mr. Wallace K. Harrison and Mr. Frederick D. Nichols), etc. Dates- 9/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sculpture garden fountain and the renovation of the theatre lobby. Dates- 7/76 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Wm. Higgins. Subject- Membership drive/ New Wing opening, progress reports to members of the Board, financial statements: cost estimates, design fees, operating fund, construction timetables. Fact sheet relating to history of VMFA. Signficant dates for the Virginia Museum, \"History of North Wing Construction\". Dates- 4/71 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nicholas and C. Chamberlayne (Hardwick). Subject- Progress timetable, architectural engineering/ landscape/ interior design. Revisions/ alterations to construction, cost estimates, instructions to bidding contractors. Review by building committee of the Board of Trustees. Minutes of the building committee, 2/25/72, drawing/plans. Dates- 1971 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nichols and C. Humelsine. Subject- North Wing plans, justification and description, funding, appeal to legislature to win support for North Wing funding. Rosters: Appropriations committee, finance committee, Governor's budget advisory committee. Essay- \"The Unique, Pioneering Virginia Museum\" and \"Facts on the Virginia Museum of Fine Arts\". Dates- 1967, 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson and L. Cheek. Subject- Original design of North Wing per L. Cheek and Baskerville (AIA), later rejected by the Arts Commission. List of significant dates with regard to North and South Wing additions. Minutes of Special building Fund committee, 3/11/65, original building proposal, photographs. Bulletin vol.26, no.2 10/65. Dates- 9/65 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs/Plans/Drawings from Baskerville and Son (AIA) for:entrance hall, basement/sub-basement, site plan elevations/cross section, gallery floor plans and views of entire block.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nicholas and L. Noland (building committee). Subject- Construction, architectural engineering, capital outlay, construction bids, plans and contract documents. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- blank order forms labeled VMFA NPA Regulation No. 4. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. J.G. Pollard. Subject- National Production Authority (NPA) regulations, order listings for maintenance, repair and operating (MRO) supplies, regulations about using the DO-97 rating (Form used to obtain MRO supplies), quota for the 4th quarter 1951, etc. Dates- 3/51-7/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about construction and funding (some PWA) of a wing to the Museum, publication: Working Relationships Between Private Architects and Engineers and the Commonwealth of VA (2/44, Governors' office, Division of the Budget) and The General Conditions of the Contract for the Construction of Buildings (standard form of the American Institute of Architects). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Doyle and Russell, Building and Industrial Construction. Subject- Bronze founders tablets, frames, building inspections and taking over and operating the building 10/35. Dates- 8/35-10/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Peebles and Ferguson, Architects, Norfolk. Subject-blueprints (including detail of the Portuguese Room dated 9/18/35), maintenance and furnishings (benches, plaques, interior painting, etc.) for the Museum. Dates- 4/35- 6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Ferguson, Meakin and Moore, Architects, Norfolk. Subject- reproductions of drawings of proposed south wing, drawings, bids, etc. Dates- 10/37-5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans and Correspondence 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photos of drawings showing the proposed additions and alterations to Museum. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans and correspondence regarding the memorial plaques around the building: R.E. Lee Camp, Waddy and the Old Dominion Foundation fountains. 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- construction/installation for the Pratt collection, blueprints, progress reports to Mr. John Lee Pratt, etc. Correspondence with Milton Samuels of French and Company who designed the installation, including quotes for fabric, carpet, cases, carpentry, lighting (including the chandelier). Cheek asked Pratt to fund it and he agreed. Lots of invoices. Dates- 6/54-5/55.   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Baskerville and Sons, Architects, 3/11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about building models, preliminary drawings, furnishing and equipment catalogues, etc. Dates- 4/65-12/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence and statements from Marcellus Wright and Son. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and Merill Lee (architect) and Chairman of the Building and grounds committee, concerning construction of the service area. Dates- 1/59 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Eggers and Higgins, Architects. Sketches and drawings 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., J.M. Brown and Erwin H. Will (VMFA President of the Board). Subject- all aspects of construction of the South Wing, additions and alterations to Museum, landscaping, fountain, parking lot, etc. Dates- 12/66-3/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of South Wing construction conferences 1969-72, outline of construction to South Wing, etc. Dates- 1969-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Governors Dinner/Event in celebration of the South Wing: program agenda, menu, dedication plans, News Media reception, Rosters: House of Delegates, Senate, Trustees. Key presented to Governor Linwood Holton donated to the archives by Anne Holton November 3, 2022. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Capital Outlay requests, individual project descriptions, preliminary plans, tabulations of construction bids, estimated income sources, floor plans, budgets, invoices, Executive Committee Minutes and Building Committee Minutes. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Erwin Will. Subject- New duct layout for the South Wing attic space: revisions necessary due to mistakes in original drawings and improper work. Financial statements. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA Charter, Act of March 27, 1934. Design program (2/18/49) Phase II, museum enlargement, boiler replacement, contract cost estimates, committee no.279-A, addendum no.7 to the drawings and alterations to VMFA. Theatre light control system, weekly project inspections. \"General Conditions Of The Contract For Capital Outlay Projects\". Dates- 2/52 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and members of the building committee. Subject- Proposed additions, rejection of north facade by Arts Commission. Excerpts from Minutes of Art Commission Meeting, 6/4/65, 7/9/65, 7/29/66. \"The Virginia Museum Opens The New South Wing\", Press package, Brief History and Signficant Dates of VMFA, photographs. Dates- 1965 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Supplemental Agreement #2: Additions and alteration to various aspects of structural design contracts. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Interior construction and design. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment purchasing list, blueprints of theatre, installation of theatre and projection equipment and an orchestra lift, local building committee meeting minutes, etc. Dates- 7/53-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment: bronze stands and velvet ropes. Dates- 1/55-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Construction blueprints and plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letter of invitation to Trustees, former and current, to celebrate the construction of the North Wing, seating arrangement and timetable for event. Letter to Gov. Holton concerning ground breaking ceremonies and gala dinner. Dates - 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Col. Anderson. Subject- proposal for theatre for Museum, possible recreation center for armed forces stationed in Richmond. Dates- 2/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Waddy Memorial and Triton Fountains 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- B.F. Ruskin and Associates 1953-55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- committee reports on funding for construction of addition to the Museum, schedule of payments to date (12/4/50 and 12/20/50). Dates- 10/50-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- additions and alterations to VMFA 1955, list of Museum alterations and additions to date 6/15/55 by Merrill C. Lee, Architect, VMFA Noise Survey CA 9687 (1955), blueprints, etc. Dates- 1/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains architectural plans for the first addition to the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- cost estimates/proposed funding for Museum addition, copy of the resolution to establish a Local Building Committee, announcements, replies and minutes of Local Building Committee meetings 1950-2, etc. Dates- 1/46-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Local Building Committee, 1951-54. Information regarding the local contractor. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- minutes and outlines of VMFA Building Committee meetings 1952-3. Dates- 6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr., and G.D. Gibson (Chairman of the VMFA Building Committee). Subject- addition to Museum building, listing of additions and alterations to the building, agenda and minutes of Building Committee meetings 1953-4, etc. Dates- 9/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- addition to Museum building, minutes, announcement and agenda for VMFA Building Committee meetings 1954-5, list of contributors to Museum Building Fund, etc. Dates- 7/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by G.D. Gibson (Trustee). Subject- installation of Museum equipment, minutes of the Buildings and Grounds Committee meetings 1955-6, etc. Dates- 9/56-12/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains lists of expenditures, list of private donors with amounts donated for the addition to the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA Local Buildings and Grounds Committee meeting minutes 1948-56, listing of committee meeting dates 1948-56. Dates- 1948-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard to Senator Garland Gray. Subject- information about planning costs for addition to Museum building, Museum business and events, etc. Dates- 5/51-7/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of the Museum's members bulletin. Vol.1, No.8, Vol.7, No.'s 1,4and6, Vol.8, No.'s 5and8, Vol.9, No.'s 1,2and4, Vol.10, No.'s 1,2,7and8, Vol.11, No.'s 1,2,3,4,5,6,7and9, Vol.12, No.'s 8and9, Vol.13, No.'s 6and9, Vol.14, No.'s 1,3,6,7,8and9, Vol.15, No.'s 3,4,5,6,7,8and9, Vol.16, No.'s 1,2,3,4,5and6. Dates- 9/46-2/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Bulletins with general information and a survey of sources of income, private and public, from various museums. Dates-1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 1962-1966 Donations, Trustee File. Dates- 7/55 - 12/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and members of Board of Trustees. Subject- Revision of By-laws and Memorial Fund Policy, revisions and recommendations, minutes from sub- committee on By-laws. Dates- 1958 and 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA By-Laws (revised and adopted 5/51, 5/53, 6/54), Notice of Amendments to By-Laws (6/50, 5/53, 6/54), VMFA Organic Laws, etc.. Dates- 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Senator Byrd. Subject- amendment of IRS code Sec. 863, exempting works of art loaned for exhibition in this country from federal estate taxes. Dates- 7/51-10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard, and L. Cheek, Jr. to individuals, institutions and companies beginning with the letters Ca-Cn. Subject- varied, including four letters from Alexander Calder about Museum purchase of one of his pieces. Dates- 8/45-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek. Subject- Loans of artwork, Trustees, Fellows, Mary Callery (juror, 1963 Va. Artists Exhibition). Accessions and gifts: Tree, Callery; Han Dynasty pottery; Nanny, T. Sully. Dates- 2/59 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and P. Near to J. Brun and H. Jucker. Subject- Acquisition and provenance of Caligula, Newspaper clippings. Dates- 1971-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, his term as Treasurer of the Fellows. Dates- 1/60-6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. John Canaday (from University of VA). Subject- Christmas card design by Canaday, loan of a sculpture show, jobs, etc. Dates- 5/49-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Capital outlay requests for parking area, South Wing, Entrance Improvements, Expenditures and revenues for the year ending 6/1960. \"Instructions for Form c-54-A (individual project report)\" from Commission on State Capital Outlays and Means of Financing. General Endowment Income 1960-61; Capital Outlay for Galleries, landscaping, Egyptian gallery and North Wing, 1935-60. Collections for which there is inadequate exhibition space, list of cultures that are not represented or under-represented, roster of members serving on the \"Commission on State Capital Outlays and Means of Financing. Dates- 1960-61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Includes Frances Benjamin Johnston acquisition.","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- officers from the Carnegie Corporation visiting Richmond and the Museum. Dates- 8/55-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to F. Anderson (Carnegie Corporation). Subject- Experimental use of Carnegie Collection of Materials for the Instruction of American Culture and funding of Collegiate Artmobile IV. Proposal, '\" An Artmobile for Virginia Colleges\", March 1965, Supplement, A Statewide Stimulus for Education in the Humanities, Statement of purpose, photocopy of partial grant payment. Dates- 1/58-7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Carnegie Corporation of New York and Carnegie Institute, Department of Fine Arts. Subject- Frances Benjamin Johnston acquisition, requesting a grant, requesting loans for inaugural exhibition, counsel on museum practices. Dates-8/35- 12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Carnegie Trust. Subject- a visit to Richmond by officers of three British Carnegie Foundations, information on Carnegie Trust 1954, etc. Dates- 8/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Secretary of Carnegie Dunfermline Trust. Subject- Roster of Carnegie Delegation visiting VMFA; Annual Report- Carnegie Dunfermline Trustees, 1960. Dates- 7/59-60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- job of Technical Director of the Theatre Division, etc. Dates- 6/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lists of 25th Anniversary donors; VMFA presidents and terms of office 1935-60. Essay- \" The Arts In Virginia\", Walter S. Robertson (Pres. VMFA). Essay- \"Collecting In America\", Alfred Frankfurter (editor and Pres., Art News) Dates- 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of orders for and purchasers of the Healy's Sitters Catalogues, thank you notes for exchange publications, list of relatives of Judge John Barton Payne, etc. Dates- 4/51-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Jaquelin-Ambler Portrait catalogs, listing of the members of the Jaquelin, Ambler and Broadnax families. Dates- 11/48-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- a fellowship set up by the Catherwood Foundation (previous owners of the Dali jewels) to be used for travel/education in Europe, information about transporting Dali jewels from the Museum. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fellowship for artists provided by the Catherwood Foundation and awarded and administered by the VMFA that year. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. William Gaines and L. Cheek, Jr. and M.B. Christison (Assistant Director). Subject- Gaines biographical information, Catherwood Foundation fellowship recipient, application, recommendations and award letter for fellowship, list and some photos of work submitted, etc. Dates- 3/56-11/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual luncheon and tour. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Century Lighting Co. Subject- lighting for the artmobile and theatre, etc. Dates- 6/53-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets from the Convention and Tourist Bureau (Richmond). Dates- 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- pamphlets from the Virginia Chamber of Commerce. Dates- 5/49-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Restoration of Old Botetourt Hotel, Gloucester, Va.; Programming instructions for \"Civilization\" Film Series; proposal and budget for statewide broadcast of Affiliate promotionals. Rosters of Affiliates, Chapters and Confederation Officers; Minutes of \"Executive Committee Meeting\", 10/72; maps, postcards, press release, newspaper clipping, photographs. Dates- 2/67-7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Winter Conference agenda, participants, newspaper clippings. Dates- 12/71-3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal and budget. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Affiliate/Chapter offices Museum Lecture/Tour; roster of Officers, speaking schedule, events, remarks for each engagement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prototype for letter to be sent from all VMFA Chapter Presidents to convince Legislature of the need for new building. Dates- 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dali Jewels. Date- 7/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. primarily to realtors and lawyers. Subject- sale of Cheek's property \"Faraway Farms\", information on sale of Chebry Co. property, etc. Dates- 6/50-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to T.C. Colt, Jr. from L. Cheek (when he was Chairman of the Fine Arts Department at The College of William and Mary and when he was Director at the Baltimore Museum of Fine Arts). Subject- art in Virginia, counsel on museum practices, etc. Dates- 12/36-1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- The retirement of L. Cheek, Trustee dinner honoring the occasion, presentation of \"Thomas Jefferson Public Service Award\", with remarks by Lt. Gov. F.G. Pollard; South Wing construction; invitations and newspaper interview with L. Cheek. Dates- 1/65-3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W.S. Robertson and Morton Thalhimer. Subject- Letters of moral support, press releases and newspaper clippings announcing the resignation of L. Cheek (decision later recanted). Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding L. Cheek's reconsideration of his resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resolution from VMFA Council regarding the outstanding contributions of L. Cheek. Includes letters from and too supporters. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Replies to his reconsideration of resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Text from interview of 11/2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- PR, decorations, lecture, etc. Dates- 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memo to VMFA staff, PR, agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Thank you letter from by a class participant.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding classes at the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Registration information and class lists.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison. Subject- installation of collections and exhibitions, Museum programming, biographical information, etc. Dates- 10/54-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. Christison. Subject- scripts and working papers for children's radio program (\"Treasure Trails\" on WRVA), listing of slides for Season Survey and information on a Life magazine photo exhibition entitled \"Egypt\". Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vouchers and receipts for travel expenses, 1948-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Christmas cards received by the Museum, a copy of the Museum Christmas card (1956), Information about a Christmas tree in the Members' suite, etc. Dates- 11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Commission of Virginia Artists to design Christmas Cards; rosters: Board of Trustees, A.A.M.D., newspaper clippings, cards, photographs. Dates- 1966-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- ordering Christmas decorations. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz, Sydney and Frances Lewis. Subject- Remarks by J.M. Brown on the dedication of the North Wing and on his resignation. Andrew W. Mellon Foundation, Lewis gift of funds for Art Nouveau purchases, Noland gift of \"Rotating Sphere\", reattribution of the Jewel casket. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Controversy concerning gift of Walter P. Chrysler, newspaper clippings, and Chrysler newsletters, 1973-75. Dates- 1969 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Henry Clay Hofheimer and J.M. Brown. Subject- New wing, correspondence between the Executive Board, the closing of the Chrysler Museum School, operating budget, accessions, list of objects. Minutes of Executive Board, 2/8/72. Transcript of William L. Parkers, et al complaints vs. Walter P. Chrysler Jr. et as Defendants. Dates- 1972 - 33 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Chrysler collection exhibition at the Museum and possible Artmobile tour, listing of pieces in collection, etc. Dates- 9/49-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Loan Exhibition for Church Silver of Colonial Williamsburg, outline for proposed exhibition, budget, letter drafts to Church Wardens, lists of Episcopal Churches owning Church Sliver, Format for catalogue. Dates- 7/68-4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about proposed reproduction in miniature of a Cigar Store figure from the Museum collection. Dates- 7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed reproduction in miniature of American cigar store figures from the Museum collection. Dates- 5/56-12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek Subject- Civil War Centennial Exhibition, agenda, maps, newsletters, VMT copy of \"Certificate of Award\", conferred on the Virginia Civil War Commission. \"Virginia Joins The Confederacy, Chronology of Events November 1860 through 1861\", Civil War Centennial, 1961-1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's membership on advisory council of the Civil War Centennial Commission, site development study for proposed Confederate Memorial Park in the Museum area, \"Report of the Preliminary Plans of the Virginia Civil War Commission to the General Assembly\" 12/59, etc. Dates- 5/59- 12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Programming, Ticket Stubs, newspaper reviews, news releases, photographs. Dates- 7/70 - 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Joseph Lucas (pres. Civitan Club) [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Resume of Cleveland Museum President, Sherman Emery Lee with photo, Cleveland Plain Dealer Interview \"Sherman Lee's Double Life\". Dates- 12/55-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Clopton complaint about film tickets. Dates- 2/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- membership in The Poetry Society of Virginia. Dates- 2/53-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr., to individuals, institutions and companies beginning with the letters Co-Cz. Subject- varied. Dates- 8/45-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., L. Cheek and J.M. Brown. Subject- Geri Melchers Memorial; Minutes of Annual Meeting 1962; Minutes of Executive Committee Annual Meeting 1962; restaurant feasibility. Dates- 1957-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arranging a lecture by Mr. Alexander S. Cochran, Architect in conjunction with the exhibition \"Domestic Architecture of the San Francisco bay Region\", biographical information, etc. Dates- 10/49-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, gifts. Dates- 6/54 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the American Association of Museums (AAM). Subject- copies of the Code of Ethics for Museum Workers 1925 AAM report. Dates- 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Remarks on \"The Relation of Trustees and Professional Staff of General Art Museums\", delivered by Charles Nagel 5/17/69,  \"Code of Ethics for Museum Workers\" 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rhodes Rathskellar, proposals for lunchroom: use by staff, volunteer personnel, policy on break schedule and lunch periods. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from P. Near and Peter Mooz. Subject- Checklist of the status, strength, weaknesses and needs of the VMFA. Damage report, gifts of artworks and accessions, Art Purchase Fund, press releases. Letters to Christo and Robert Rauschenberg. Dates- 1976-77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, letters, newspaper clippings and information from dealers, prices regarding possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, prices and other information relating to possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (assistant Director for Collections and Education). Subject- listing of possible additions to Museum's collections 1953, information and some photos of objects considered for acquisition, correspondence with art dealers, etc. Dates- 12/51- 11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- listing of possible additions to the Museum's collections, information and some photos about objects considered for Museum acquisition, correspondence with art dealers, etc. Dates- 1/53-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near, F. Brandt and P. Mooz. Subject- Reorganization of the Collector-of-the-year. 1975- Mrs. Lummont du Pont Copeland Collection on Export Porcelain. 1977- David Lloyd Kruger Collection of Contemporary Art. 1978- Hugo Weisgall Collection, list of objects, copies of scores for the Weisgall Concert catalog. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from P. Near to members. Subject- Collectors circle event with lecture by Caroline Keck. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Cultural exchange, Minutes of Executive Committee of C.A.A., 1/62, 4/62, Minutes of Annual Meeting, 1971; Minutes of C.A.A. Business Meeting, 1/62; revised draft of \"Policies and Purposes\", roster of officers, Directors and committee members; Essay- \"The Visual Arts in Higher Education\". Dates- 1/62 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List for reception/cocktail party, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Preston L. Collins (Lt. Governor). Subject- announcements of Trustee meetings, invitations to Museum events, replies, etc. Dates- 5/51-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. to staff of Colonial Williamsburg. Subject- museum methods. Dates- 7/46-12/54.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- general correspondence with staff of Colonial Williamsburg, information on Cheek's speaking engagement with Williamsburg Rotary Club, etc. Dates- 2/54-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and the President of Colonial Williamsburg. Subject- loan of display units to Colonial Williamsburg, museum practices, etc. Dates- 3/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Colonial Williamsburg. Subject- correspondence about the Williamsburg Antiques Forum, publications/mailings about Antiques Forum 1964,'66,'67,'73, etc. Dates- 5/66-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- detailed letters about the goings-on at the Museum while Colt was serving in WWII, also letter from Mrs. Alfred DuPont about art education. Dates-8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. J.G. Pollard and others. Subject- record of Colt's military service, his resignation to serve in WWII. Dates- 11/42-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Columbia Records presented 55 recordings of the New York Philharmonic Orchestra to the VMFA in 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of \"On Fine Arts in Modern Society: A Research Proposal Prepared for the Virginia Museum of Fine Arts by the Columbia University Bureau of Applied Social Research\". Dates- 5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices with The Columbus Gallery of Fine Arts (Columbus, OH) and Columbus Museum of Arts and Crafts, Inc. (Columbus, GA). Dates- 3/51-8/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to the Board, list of appointments, etc. Dates- 1959-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of committee appointments 1963-4, invitations to Trustee committee appointments, etc. Dates- 8/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to Board and replies, list of appointments, etc. Dates- 1958-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and W.S. Robertson (VMFA President of the Board). Subject- VMFA roster of Trustees 1964-5 and 1965-6, Board committee appointments 1965-6, invitations and responses to Trustee committee appointments, letter about Board term limitations (proposed limitation 2 successive terms of 5 years each), etc. Dates- 6/64-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek correspondence as a member of Committee for International Cultural Exchange (CICE), etc. Dates- 6/61-2/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- suggested projects for Public Relations and Development committees, proposal for the Museum by the P.R. counseling firm Earl Newsom and Co., etc.. Dates- 3/54-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from State Department of Purchases and Supply. Subject- information about choosing stationary, samples for new state letterhead. Dates- 9/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"A Report to the Virginia Museum of Fine Arts 11/19/58\" from the viewpoint of its public relations information and communications responsibilities and program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- information and memos about arrangements for community college presidents to meet at the Museum. Dates- 12/70- 1/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- cooperative arrangements between VMFA and Va. community colleges, Virginia Community College System Annual Reports 1969/70 and 1970/71, proposed programs for community colleges, etc. Dates- 10/70-8/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complaints from Museum visitors about exhibitions, entrance fees, membership rates, guards, etc. Dates- 12/63-7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Museum operations: food service, VMT, membership, discontinuation of dinners in the galleries and newspaper clippings. Dates- 1974 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- guest list for complimentary cocktails in honor of officers and Museum volunteers from the Council, Jr. League and Theatre Affiliates, roster of Jr. League officers 1970-1, etc. Dates- 9/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Erwin H. Will (VMFA President of the Board). Subject- arrangements for a luncheon held in honor of officers and Museum volunteers from the Council, Junior League and Theatre Affiliates, guest list, suggested remarks for Mr. Will at luncheon. Dates- 9/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- miscellaneous Thank you's and compliments about gift and exchange publications, exhibitions, programs, the Museum in general and Cheek's responses. Dates- 2/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence from the public complimenting the museum in some way. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. and W.S. Robertson (President of the Board of Trustees). Subject- Complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 7/60-12/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 1/64-11/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on programs, theatre productions, museum in general and his responses. Dates- 7/66-10/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Various museum operations. Dates- 1972 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- compliments about 25th anniversary exhibitions, events and catalogue: Treasures in America, \"A Tribute to Virginia's Unique Museum\"-a Sunday newspaper supplement, etc. Dates- 1/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for VMFA European catalogue, an exchange publication. Dates- 5/66-9/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Faberge catalogue: Russian Imperial Jewels, a VMFA exchange publication. Dates- 12/60-2/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- compliments and thank you's for gifts/exchange publications of Russian Imperial Jewels, the catalogue of the Museum's Faberge collection. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Architecture in Virginia, a VMFA exchange publication. Dates- 2/68-5/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for William Hogarth, A Loan Exhibition of Paintings, Drawings and Prints, a VMFA exchange publication. Dates- 1/67-3/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Painting in England 1700-1850, Collection of Mr. and Mrs. Paul Mellon, a VMFA exchange publication. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on \"Painting in England\" exhibition (Mellon Collection) and his responses. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for The World of Shakespeare, a VMFA exchange publication. Dates- 1/64-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Form letter from the President to potential members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J. G. Pollard. subject- Letters to Trustees regarding 25th anniversary fund and letters to new members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- performance at Mosque of \"The Confederacy\" as a benefit for the Artmobile, project later abandoned, Date- 11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- drawings of the site of the Confederate Memorial Chapel, landscaping plans, etc. Dates- 7/66-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Richmond Times-Dispatch article \"The Old Soldiers Faded Away Home Here is Vacant\". Dates- 1/16/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitation to Director of the Norfolk Museum to Confederation workshop. Dates- 5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- congratulation and reply letters on the installation of Mr. James M. Brown as VMFA Director. Dates- 6/69-6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of objects from the Glasgow bequest and purchase fund currently exhibited in Museum galleries. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Mrs. Anthony Congreve. Subject- biographical information on Arthur and Margaret Glasgow, correspondence about Glasgow fund for purchasing works of art, listings of purchases made with Glasgow Endowment Fund 1966-72. Dates- 11/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz. Subject- Physical plant restoration project: cleaning of VMFA interior and extensive improvement of motor park, project data summary, Conservation Laboratory: construction and equipment, supply expenditures, budget. Grant application: \"Proposal for Virginia Museum Conservation Laboratory\", employment contract, job descriptions, resumes of prospective applicants. Dates- 1975 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- biographical information arrangements for giving lectures/seminars at the Museum, VMFA Members' Bulletin vol.23, no.9 5/63, etc., Date- 11/50-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for securing speakers for the \"Fireside Series\" proposed art talks held in the library, Thank you's to speakers, etc. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loans of objects between VMFA and Corcoran Gallery of Art, correspondence about museum practices. Dates- 3/51-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Katharine Cornwell. Subject- biographical information on this actress, invitation to come to Richmond to see a show and promote TheatreVirginia. Dates- 5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets and post cards from the Corning Glass Center. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information on obtaining assistance from philanthropic organizations and corporations, etc. Dates- 2/55-12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by E.H. Will (VMFA President of the Board). Subject- solicitation letter for corporate patrons, information on corporate patrons program, roster of Richmond corporate patrons 1970, invitations to corporate patrons gala, etc. Dates- 12/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by E.H. Will (VMFA President of the Board). Subject- solicitation of corporate patrons, pamphlets about corporate patrons program, publications for the corporate patrons gala, etc. Dates- 7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- roster of Richmond and of state corporate patrons 1971, planning for \"Fete Aux Galleries\" the corporate patrons event 1972, invitations and guest list for event, etc. Dates- 6/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Exhibitions, condition reports, insurance, gifts and purchases. Essay- \"Successful Adult Museum Programs\", M. Christison. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Velz.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) primarily, also L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- varied. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- General correspondence regarding publications, museum practices, exhibitions, pamphlets. Letter from Alexander Calder. Dates- 7/56 - 12/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Ford Foundation grant-in-aid program, Fogg Conservation Symposium and the Chrysler Collection. Photographs, cesolution recognizing the outstanding contribution of L. Cheek by the VMFA Council. Draft of \"Standards For Museum Practices\", SEMC, 1958. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition of American Silver, jurors for 1965 ADP exhibition, biographical data, 25th Anniversary exhibition and list of objects for loan. VMFA film series, press releases for \"The Little International\" from the Olsen Foundation and the Artmobile. Dates- 1958 -1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and VMFA Council officers. Subject- Council roster 1957-8 and 1958-9, listing of charter members, council-sponsored events and programs, lecture series schedule 1957-8 and 1959-60, statement of purpose of the Council, minutes of general meetings 1962 and'65, Executive Committee meeting minutes 1962 and '63, acknowledgments of gifts to the Museum, etc. Dates- 7/56-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown with the VMFA Council. Subject- Council gifts, Council -sponsored events and programs, preliminary drawings for Council shop office, breakdown of Council Contribution Fund 10/70 and 11/70, etc. Dates- 2/66-4/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for corporate patrons ball, roster of Richmond and of state corporate patrons, roster of Council committee for the ball, invitations and guest lists for ball, etc. Dates- 10/70-3/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- outline of the organization of the VMFA Council, Council Program 1955-6, Council of the VMFA Charter Meeting and Articles of Association, \"Friends of the Museum Constitution\", etc. Dates- 5/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- VMFA Council Contribution Fund analysis 1971 and'72, various Council sponsored events and programs, agreement between VMFA and the Council 10/20/70, A Short History of Council Gifts to Museum 1955-71, The Council of the Virginia Museum Directory 1971-2, general correspondence between Council officers and VMFA staff, etc. Dates- 1/71-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Council Trustee Contribution Fund, conservation laboratory, library, state services, fellowships and internships. Profit and loss statements, general ledger trail balance, Art Purchase Fund, staff expenses, VMT financial statements, matching funds for NEA Grant. New Council Shop, furnishings, installation, etc. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposal to establish fellowships for professional craftsmen (resident Craftsman Program), letters from interested craftsmen, etc. Dates- 2/63-2/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- proposal of a story about the Museum for Time-Life magazines, reference made about a reproduction of a Watteau from the Museum's collection appearing in Time. Dates- 11/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Monica Hamm and P. Mooz. Subject- Head of publications, editor of AIV and advisor for photography exhibitions. \"Focus On The Arts\", Pat Becker. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- fact sheet about VMFA, House bill no.862 was about establishing a Virginia Commission of the Arts and Humanities, transcript of the VMFA presentation by E.H. Will (VMFA President of the Board) to the Virginia Assembly, Rules Committee asking to kill or amend the bill, etc. Dates- 1/68-2/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- roster of Virginia Cultural Development Study Commission and of the State Arts Committee, information about the creation of the Va. Cultural Development Study Commission by Senate joint resolution no.67, essay- \"The Virginia Museum and the Arts in Virginia\", correspondence about meeting with the Cultural Development Commission, \"Dissenting Opinion Report of the Cultural Development Commission\" by Dr. William H. Higgins, Jr., member of the Commission, etc. Dates- 3/66-1/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"D\". Subject- varied. Dates- 3/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- VMT, exhibition schedules, Byzantine Architectural exhibition, College Drama Festival, loans of art works, Artmobile, Horace Day, NEA proposal, pamphlets, magazine excerpts, cards, biographical data, etc. Accessions and gifts: \"The Meeting of Joachim and Anna Under the Golden Gate\", A. Duer. Dates- 10/58 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Conference for teachers and students of Dance at VMFA, master classes, lecture and performance by Alwin Dance Theatre, agenda, list of dance teachers. Date- 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, AIV. Dates- 1/61 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Virginia Architects, Designers and photographers\", Collectors Circle, Va. Artists Biennial, donations, gifts, memorial fund. Dates- 6/59 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, acting director of the Museum and Governor Darden, regarding the Museum director and the Curator of Decorative Arts, who were both on leave to the armed forces during World War II, 1942-44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with and biographical information about Carson Davenport, Virginia artist. Dates- 1936-1944.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Ms. Davis. Subject- visits to \"Faraway Farms\" (Cheek's property) Davis was apparently a housekeeper/caretaker of some kind. Dates- 2/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and donors Mrs. Lincoln Davis, and George Cole Scott and Hildreth Dunn Scott, 1937-43.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., E.M. Davis, III (Curator) and L. Cheek, Jr. Subject-restoration of Mrs. Davis' Flemish painting, gifts from Mrs. Davis, information on Museum Board accessions committee (Mrs. Davis member), etc. Dates- 10/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. Lincoln Davis. Subject- Trustee/Museum business, letter of resignation from Board, etc., 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Elizabeth Nottingham Day and Horace Day, patrons and donors, 1934-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Day's exhibition at the VMFA. Dates- 1/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard to Mr. and Mrs. Horace Day. Subject- Horace Day biographical information, exhibition record, job recommendation, newspaper editorial written by Mr. Day on American Painting, etc. Dates- 1950- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Mr. Howard Dearstyne. Subject- proposed exhibition of Dearstyne's work and speaking engagement, etc. Dates- 11/50-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chamber Music Society, Building grounds committee, gifts, donation. Dates- 1954-65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to the Earl de la Warr. Subject- a visit to Richmond by the Earl, loan of a painting to the Museum exhibition \"England's World of 1607\", etc. Dates- 4/57-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. Marie de Mare. Subject- catalogues of \"Healy's Sitters\" exhibition ( Mrs. de Mare was Healy's grand-daughter), proposed film and biography of Healy by Mrs. de Mare, etc. Dates- 5/49-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His position as Art Director of AIV, music and dance folders. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from D. Nichols (administrator), F. Haseltine (PR). Subject- VMT subscription, Executive Committee Report, Collections Activities, Public Information Report. Dates- 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- information about an exhibition scheduled From Nov.22-Dec.31, 1955 featuring merchandise available for purchase in time for Christmas. Dates- 9/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Traveling exhibition. Dates- 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- International Traveling exhibition. VMFA and Leslie Cheek were the American coordinators from 1951-1954. Lists of attendees at the opening dinner 1/15/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Design in Scandinavia\" exhibition checklist, description of the exhibition, official record of receipt and list of items received but not included in exhibition, etc. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- RSVP's to dinner held on the opening night of the exhibition \"Design in Scandinavia\". Dates- 12/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., Mrs. J.G. Pollard and M.B. Christison. Subject- exhibition catalogue information for \"Design in Scandinavia\" and RSVP's for dinner held on the opening night of the exhibition. Dates- 12/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- American Tour 1954-57. Correspondence and publicity regarding. AFA took over the circulation of the exhibition.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committees in the United States. Lists of members and minutes from meetings 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Favorable reviews of the exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copy of a New York Times article written by Cheek concerning the upcoming exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening of the exhibition at the Museum, January 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- dinner guest lists, menu, planning for opening night dinner for \"Design in Scandinavia\" exhibition, list of Board of Trustee committee appointments 1953-4, registration for Southeastern Museums conference 1953, etc. Dates- 12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- RSVP's for the dinner and other opening events for the exhibition \"Design in Scandinavia\", exhibition catalogue, information used in planning printed material for the exhibition, etc. Dates- 4/53-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject-job description of a designer for the Design and Construction division of the Museum, proposed hiring of a designer, etc. Dates- 2/54-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- floor plan and printed matter for \"Designer-Craftsmen USA\" exhibition, photos of the exhibition, VMFA Member's Bulletin vol.15, no.5 (1/55), etc. Dates-11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Strauss. Subject- 25th Anniversary, draft of appeal to enlarge endowment fund, pamphlet. Dated- 6/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for a diorama in connection with \"Orientations of Virginia's Cultural Background\", photographs. Dates- 7/61 - 6/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resolution by the Executive Committee to authorize excess travel cost by VMFA staff. Dates- 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trip itinerary, pamphlets. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Fowler, D. Nichols, B. Ryan. Subject- All manner of VMFA operation: photography budgets, payroll dispersal, VMT renovation, Artmobile, damage and security of Art works, gallery installation, loans, art purchase invoices, Theatre contract, repairs and modification invoices, grievance procedure, pamphlets, Interpol investigation of Indian sculptures, requests for establishing new positions: Vice Director for Public Affairs and Artmobile curator. \"Partnership Agreement of Artco and Company\", \"Operation Countdown\", analysis of responsibilities and time required for completion of the North Wing. Photographs, pamphlets, announcements. Accessions and gifts: 17th C. Eng. Embroidered Casket, Byzantine Bronze Plaque, Tomato Soup Can (A. Warhol), Bolt of Lightening (R. Lichtenstein), Portrait of a Lady, Payne Collection. Dates- 1/68 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, F. Haseltine, D. Nicholas, J.M. Brown, P. Near, A.W. Stalnaker, B. Ryan, Mrs. Pollard. Subject- All manner of inter-museum operations: Public information schedules, membership campaign, promotion deadlines, travel itineraries, budget proposals, etc. P. Nears observations on possible acquisitions. Dates- 7/64 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters of request, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Secretary to the museum, biographical data, job description. Museum files and the law regarding public information, records management, records to be retired, list of file classification: deletions and additions. Events schedules, agendas and exhibitions. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, A. Dohn. Subject- Letter of recognition of donations, list of donors and their gifts of art works. Dates- 1964-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Chenery Estate and Gottwald endowment Fund. Art Nouveau gift of Sydney and Frances Lewis. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMT, Fellowship Fund, Museum Classes, Chenery Estate, Art Nouveau Fund, Artmobile and Gottwald Endowment Fund. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Buyers guides, pamphlets, magazine excerpts, specifications, blueprints, lists of chapters and affiliates, photographs. Dates- 9/61 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, and L. Cheek. Subject- Gift of Dunsten Memorial, Payment record, gallery proposals, \"The Virginia Museum Needs New Wings\": appeal to membership and Trustees for building funds. Dates- 12/46 - 4/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. Alfred I. (Jessie Ball) Dupont. Subject- Donations. Contains a letter regarding her feelings in favor of segregation at the museum and in the arts. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jessie Ball duPont's membership on the Executive Board, gifts and donations. Dates- 5/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Jessie Ball duPont. Subject- Membership as a Trustee, Fellow, Chair of 25th Anniversary Fund drive, contributions and gifts, magazine excerpts, biographical information, contributions and gifts, progress report from Anniversary Fund Drive. Dates- 2/59 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and D. Hudson (state coordinator of Arts System). Subject- Salary scales for VMT, NEA grant proposals. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Exhibitions, Artmobile, VMT, Va. Fellowships, search for potential jurors, work schedules invitations, newspapers, postcards, etc. Accessions and gifts: \"Autumn Leaves\", A. Palmer. Dates- 5/46-5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agenda and letters to K. Fowler of VMT. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Wm. Heartwell and Gov. Holton. Subject- \"Minutes of Economic Resource Task Force Meeting\": 7/23/71, 9/2/71, 10/8/71, 1/13/72, 4/20/72, purpose of task force was to improve communication between various agencies and the governors office. Draft of Executive order: relationship of state agency organizations to Commonwealth planning districts, budget estimates, agendas, Bills held in House Committee for the 1973 General Assembly. Dates- 1971 -72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- C. Guinnan request for a meeting room. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from A. Stalnaker and H. Dohn. Subject- Events for Governors School for Gifted Students: schedule, housing, food service, etc. Dated- 7/73- 8/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between A. Dohn and Mr. Albertia. Subject- Student application, agendas and statement of purpose. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Event to expose students to the function, organization and operation of VMFA, timetable and agendas. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and B. Bothmer (Egyptologist, BMFA). Subject- Invitations, list of Egyptian art objects available for purchase. Dates- 9/54 - 11/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Requests for films and slides, Artmobile, loans for Egyptian Gallery, statement/remarks for opening exhibition, newspaper clippings, blueprints. Dates- 2/55 - 12/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Suggested remarks related to \"Installation of a Gallery of Egyptian Art\", loans from other museums, agendas, letters to other curators and directors. Gift of Egyptian Gallery from Mrs. James Parsons. Dates-2/61 - 4/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- early planning stages of the exhibition \"England 1607\", list of pieces in, list of lenders to the exhibition, installation schedule and exhibition description, printed materials, \"Status Report on the Museum's Jamestown Festival Program\", etc. Dates- 6/54-8/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gallery opening made possible through gifts of china from Lady Nancy Astor, invitations and loan requests. Dates- 4/61 - 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- invitations to these exhibitions: \"Masterpieces of Chinese Art\" and \"Russian Imperial Jewels\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedules 1946, 1946/7, 1949, 1950, Entertainment Committee announcements and replies, committee report 1946, committee roster 1949/50, biographical information on the following Museum guests: Yasuo Kuniyoshi, John W. Taylor, Charles W. Smith, Reginald Marsh and Lamar Dodd, etc. Dates- 1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedule 1946/7, 1950, 1951, 1952, 1953, 1954, Entertainment Committee rosters 1950/1, 1951/2, 1952/3, proposed Friday evening events 1950/1, committee meeting minutes 1952, biographical information about George T. Hamilton, etc. Dates- 1946-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, VMFA Entertainment Committee schedule 1954, 1955, 1956, announcements and minutes of Entertainment Committee meetings 1951, 1953, 1954, 1955, 1956, etc. Dates- 1951-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee roster, Entertainment Committee schedule 1955, meeting announcements, biographical information about the artist Donald Oenslager, etc. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, announcements and replies for VMFA Entertainment Committee meetings, roster of Entertainment Committee, committee schedule 1955, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. Arthur Kelly Evans. Subject- a bequest to the Museum from Mrs. Evans, etc. Dates- 11/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- proposal for fundraising project for VMFA Council in fall 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- 60the Anniversary of the AFA meeting and symposium in Williamsburg, registration forms. Dates- 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agenda, timetable and luncheon for behind the scenes tours by the Council. Date-1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Benefit for the Council Service Fund, program, menu. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Museum in Action\": documentary of VMFA galleries and statewide activities, preview agenda, press dinner, invitations. Producer: Richard Rochement Narrator: Alistair Cooke Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for VMFA banquet services. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Exhibition: \"Treasures from the Norfolk Museum\", Governor's reception, program agenda. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gallery plan, staff assignments and program. Dates- 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reinstallation of the permanent galleries. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Members dinner dance event, invitations, guest list. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Glasgow Estate, Jamestown Tablet. Reception for Committee on Law Celebration. Dates- 12/58 - 4/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Members preview and reception: timetable, program, invitations, gallery plan, etc. Jack Larsen: lecture and biographical data. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of invitation to members of Virginia Chamber Music Society to attend a Theatre-Dinner. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Inauguration of a monthly series of theatre Dinners, guest list, letters of invitation for event and menu. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition: \"Designs for the Theatre\" Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reception for British group of scholars and collectors and travel itinerary. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- A British organization on American Tour. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Meeting at VMFA for NCEW: an organization to stimulate the conscience and quality of the American Editorial page. VMFA Executive committee minutes, biographical data, program agenda. Dates- 7/58 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of request for use of VMFA Gallery for Dinner, agenda, timetable. Dates- 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Tour routes, agenda and schedule of events for reception and letter to new members. Dates- 9/68 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of invitation to reception, tour of museum, agenda, timetable, etc. Dates- 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. Breeden (Membership Chair). Subject- Procedure and agenda for members reception and tour schedule, press release, invitations, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Haseltine. Subject- VMT Premiere performance and promotion. Dates- 5/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- exhibition: \"Treasures of the Norfolk Museum\", program/dinner agenda, invitation, etc. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Arthur Houghton. Subject- Preliminary event outline, layout, program agenda, procedure, invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Annual event to honor corporate patrons: entertainment, decorations, invitation list and suggested remarks to be delivered by President, E. Will. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Private advanced performance of \"School For Wives\", biographical data on Peggy Wood. Dates- 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Rhoads. Subject- Agenda and sample of invitation. Dates- 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Gregory Peck. Subject- Grand opening of Virginia Theatre Arts System, events schedule for preview, Letter from Gregory Peck. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Library reception and banquet for college Presidents attending the Drama Festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner and Theatre Party: agenda, invitations. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters of request and agenda for Theatre Dinner Party. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Rhodes and E.M. Last (Chair, RLS) Subject- Performance of RLS at VMT, ticket sales and cost estimates. Dates- 1/65 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of request for VMFA services. Dates- 4/31/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Robinson House formerly the Scientific Research Organization, VMFA headquarters for LOAS, adult classes and resident craftsperson, Invitation, Historical background, Bulletin vol.24 no.7 4/64 Dates- 8/62 - 3/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Helen Dohn. Subject- Smith College dinner with lecture by Charles Chetham, Director of Smith College Art Museum, agenda, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- The VMFA Council, Theatre Affiliates, President's Dinner. Music, Dance and Film Societies. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The Hospitality and Information Service for diplomatic residents and families. Dates- 1968. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- three day seminar program of multi-level experience in the Arts For exceptional Virginia Youths, agendas, etc. Dates- 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMFA luncheon and tour. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Paintings and drawings by E. Vedder, speaker. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for contributions. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: Hugh Newell Johnson. Reception, guest list and agenda. Exhibition catalog. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Harry Bertoia, Sherman Lee. Subject- General correspondence regarding juror service. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Sherman Lee. Subject- Jury Chair: Sherman Lee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Juror: William Pahlmann. Event program agenda, invitation, guest list, etc. Catalog: \"Virginia Interior Designers 1973\". Dates- 10/72 - 3/73 \"Virginia Interior Designers Reception Fri. 16 Mar.,  1973, 5-7 p.m.\" Subject- Invitation. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, W. Gaines and H. Dohn. Subject- Schedule of events, exhibitions, Bicentennial Celebration. loans, gallery tours, calendar news, Invitation for the \"India In Virginia\" exhibition. Dates- 8/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains minutes, agendas and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas, 1954-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, announcements, agendas and minutes of VMFA Exec. Committee meetings 1955, 1956, etc. Dates- 9/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, VMFA Exec. Committee minutes 1956, list of Exec, Committee members 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and William J. Rhodes, Jr. (President). Subject- Trustee/Museum business Exec. Committee meeting agendas 1954, 1955, 1956, Museum finances (pay scale, Director's allowable expenses, approvals for purchases) VMFA Committee appointments 1956-7, etc. Dates- 6/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. and Col. Henry W. Anderson (President). Subject- Trustee/Museum business, VMFA Exec. Committee meeting minutes 1950, 1951, 1952, 1953, listing of members of the Exec. Committee 1950, 1951, Exec. Committee resolutions 1950, 1951, 1953, By-Laws revised and adopted 1951, etc. Dates- 1950-3. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- Executive Committee minutes, copies of Exec. Committee minutes 1953, 1954, 1955. Dates- 12/53-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Gari Melchers Memorial Committee, VMFA Exec. Committee minutes 1956, list of Exec. Committee members 1956, etc. Dates- 4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Trustee/Museum business, VA Art Alliance, Williams Fund purchase, VMFA Exec. Committee agenda 1952, 1953, 1954. Dates- 5/51-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W. Gaines, R. Velz, M. Christison. Subject- Roster of large Richmond firms and number of employees, invitation cover letter, remarks to be delivered after luncheon. Dates- 9/63 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- lists of proposed exhibitions, events schedule for 1955-6 season, roster of members and schedule of the entertainment committee, drama schedule for Virginia Museum Theatre, etc. Dates- 7/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Notable lecturers and AIV contributors, biographical data. Jurors: Charles Eames, Morris Ketchum and Bert Stern. Dates- 1967 – 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Budgets, loan requests. \"Picasso: A Selected View\", \"12 American Painters\", List of Art Works, biographical notes test for the catalog: \"The Flowering of American Folk Art\". Catalog: \"American Painting 1970 including correspondence with Richard Diebenkorn. Dates- 1970-1974. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Bernard Martins' \"Portrait of Edward Hopper\", \"Walter Gropius - 1883 - 1969\", \"Jose Puig\", projected budget, attendance records, requests for loans, receptions events schedules, etc. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Engineering projects around the world, assembled to illustrate the aesthetic impact of technology. Cost estimates for exhibition, speakers and invitations. Dates- 7/64 - 1/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Outstanding objects in American Museum collections that are gifts or have been purchased with contributions from patrons. Event arrangements/planning. Requests of loans and press releases. \"A Brief History of the Virginia Museum of Fine Arts\", by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition \"Homage to the Square\", signed letter from Elaine de Kooning. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening festivities of the Aldrich Collection of Impressionist and Post-Impressionist paintings and sculpture. Catalogue: \"The Aldrich Collection\", foreword by L. Cheek. Dates- 11/58 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: Bartlett Hayes. VMFA purchases from exhibition. Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: C.V. Donovan. Request for loans from other galleries. Dates- 1962 , 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Al Held. Subject- Juror: Peter Selz. The removal of artwork from the wall of the VMFA for a period of one week in demonstration of racism, war and repression in America. List of paintings to be shipped and installation instructions. Dates- 9/69 - 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Search for a disposable cardboard shelter for use in a traveling sculpture exhibition to the Chapters and Affiliates. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Juried exhibition of Virginia Architects, Designers and Photographers. American Painting exhibition. Dates- 1964, 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt, Sydney and Frances Lewis. Subject- Art Nouveau exhibition: request for loans, lists of objects, opening event agenda, timetable, invitations, etc. Lecturer: Robert Koch. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. H. Bache and P. Near. Subject- Collector-of-the Year: Pre-Columbian gold collection, list of objects, letters to members of Collectors Circle. Dates- 196 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for flags from Embassy of the Federal Republic of Germany. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Kent Bicentennial Portfolio: \"Spirit of Independence\", prints by 12 Contemporary American Artists. Rockefeller Collection of Picasso Tapestries. Dates- 11/74 - 11/75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Phillip Hofer. Subject- Philip Hofer: biographical data and lecture on Blake. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Block as Collector-of-the Year (1967): Collection of 19th and 20th century watercolors and drawings, reviews and agendas. Dates- 10/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum of Modern Art exhibition \"Art Lending Service Retrospective\", lecture by MOMA Junior Council President Lily Auchincloss, lending services, expenses and pamphlet. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibit on ancient Chinese treasures. Date- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases for Virginia's Civil War centennial Exhibition and celebration at the VMFA, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- C. Conger (White House Curator) and his collection of interior furnishings. Heeramaneck Collection. Dates- 1967, 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Blumka Medieval Collection: Preview, program agenda, invitations, etc. Damage report to Gothic Cut Velvet Cloth, Conservators report and insurance claims. Dates- 1/73 - 5/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Exhibition of Tapestries from the House of Edgeworth and paintings, prints and drawings. Lecture, list of objects, PR, gallery plan, invitations, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek's service as a juror for \"International Glass\", gallery plan, photographs, list of jurors choice objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition \"Robes from the Forbidden City\": lecture by Alan Priest on Chinese Textiles. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt and P. Near. Subject- Virginia Photographer 1971, juror: Harry Callahan. Mourot Collection of porcelain. Exhibition schedules, lectures, gifts, loans of art objects, roster of Trustees. Catalog: \"Virginia Artists 1971\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Davies exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and H. Gummerus (Finnish Society of Crafts and Design). Subject- Gummerus lecture on Finnish design. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibition of Tutankhamun. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Bernard Von Bothmer (Brooklyn Museum). Subject- Von Bothmer account of his discovery fo the missing portion of VMFA fragment of Sema-Tawy-Tefnakht. Conservation and restoration of scribe, magazine clippings. Slides and photographs. Dates- 12/64 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. L.J. Dee (Cooper- Hewitt) Subject- Her Lecture to VMFA. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture by Buckminister Fuller, biographical data, catalog, installation, invitations, etc. Dates- 1/59 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contemporary Art forms of Israel. Lecturer: Avid Yafeh. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturer: John Walker. Invitations, entertainment. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Gaines. Subject- Documentation of the making of George Steven's film. Installation, design, floor plans and cooperating agencies. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Herbert Hoffman, Perry Rathbone and Patricia Davidson. Subject- Bill S.2273: to enable works of art and other materials imported for temporary exhibition in non-profit activities to be immune from judicial process. Description of objects for possible acquisition. Exhibition design, installation, VMFA and BMFA gallery plans, invitations, etc. Dates- 9/63 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Rathbone and H. Hoffman. Subject- Loans of Greek gold from the Hermitage and other institutions. Appeals to the State Department regarding Bill S.2773. Dates- 3/64 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Christine Alexander. Subject- Alexander's service to VMFA consultant on Greek and roman acquisitions. Exhibition lecture by Dorothy Kent Hill. Dates- 12/61 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Western art in Virginia collections, loan requests, film series, invitations, program agenda, etc. Lecturer: Larry Curry. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Perry Rathbone and Nasli Heeramaneck. Subject- Installation and acquisitions from the Heeramaneck collection. Lecturer: John Alexander Pope (Freer Gallery), newspaper clippings. Dates- 12/66 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon and Lessing Roswald. Subject- Request for loans, receiving and storage of objects. Event invitations, agenda, etc. Lecturer: Philip Hofer. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and John Koenig. Subject- Proposals for the filming and documentation of an epic film: research, selection, documentation, etc. Proposals were originally made to Samuel Goldwyn and Cecil B. de Mille. Dates- 7/55 - 2/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Goodrich. Subject- Requests for loans from various collections. Text for catalog forward by L. Cheek, and essay by Lloyd Goodrich. Biographical data and newspaper clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Events schedule, agenda, invitations, pamphlets. Lecturer: Robert Doty. \"Portrait of Edward Hopper\" and drawing studies by Virginia painter, Bernard Martin. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Exhibition of art from Virginia Collections to commemorate the 10th anniversary of AIV. Request for loans, invitations, members preview, agenda, list of objects for exhibition. Lecturer: Thomas E. Norton, biographical data. Dates- 7/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Acquisition of Indian art collection. Dates- 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition of works by French artists commissioned by Claude Aveline to illustrate his poem \"L'Oiseau que n'existe pas\". Lecturer: Lawrence Alloway, biographical data. Members Bulletin vol.24 no.8 4.64. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Anne Marie Pope. Subject- VMFA display areas. Date- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt and P. Near. Subject- Art Nouveau Loan, list of Lewis gifts and purchases. Dates- 1971 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and C.S. Hathway. Subject- Lecture search. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Biographical data, agendas, timetables and invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Islamic rugs circulated by the Smithsonian Institute and lecture by McMullan. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J. Baskett and P. Mellon. Subject- List of paintings from Mellon Collection. Gallery preparation, storage, costs, opening festivities, interpretation of exhibition, letters to print media. Press release, newspaper clippings. Lecturers: W.G. Constable, John Baskett and Basil Taylor. Essay- \"Painting In England, 1700-1850\". Dates- 8/62 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Paul Mellon. Subject- Mellon English Painting Collection, early discussion concerning the scope and preparation of catalog and exhibition. \"Letter from Basil Taylor Dated-23 January 1963 re: Mellon Show\", letter of disgruntlement over the various stages of the Mellon catalog. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Basil Taylor. Subject- Mellon Collection of English painting, initial planning stages, lectures, installation, catalog, etc. Dates- 11/61 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Paul Mellon. Subject- Exhibition: \"Painting in England\", program of events, invitations, gallery plan, program, invitation, guest list, etc. Dates- 5/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon and Basil Taylor. Subject- Basil Taylor, advisor tot Mellon collection and author of exhibition catalog: \"Painting in England, 1700-1850\". Catalog foreword by L. Cheek. Dates- 12/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations and dinner programs. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Installation, catalog, security, lecture. List of slides, media coverage. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Remarks by Paul Mellon on exhibition opening, mock-ups of booklet form. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Full color photographic reproduction of the \"Sistine Chapel\", exhibition circulated by LIFE magazine. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Demonstration of mosaic technique using contemporary materials. Dates- 5/54 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Henry Moore. Subject- Aid of Helen Norman (neighbor to Moore) on establishing a dialogue with the VMFA concerning an exhibition and visit by the artist. Preliminary exhibition plans. Dates- 10/57 - 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Henry Moore. Subject- Preview and opening night arrangements, newspaper clippings and press releases. Dates- 5/65 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Neutra. Subject- Exhibition and speaking tour by the artist. Dates- 6/59 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Goya exhibition: request for loans of works by Goya, announcements, invitations, list of paintings, Dr. Priscilla Muller (curator and speaker for exhibition). Program agenda. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturer: John S. Szarkowski. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and James Rorimer. Subject- Exhibition of Contemporary photographs. Biographical data on Ivan Dimitri and A. Hyatt Mayor. Catalog: \"Phototgraphy in the Fine Arts\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- proposed exhibitions, information about traveling exhibitions, etc. Dates- 10/48-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Perry Rathbone. Subject- Pre-Columbian gold with lecture by Allen Wardwell. Dates- 4/67 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Vincent Price as Collector-of-the-Year. Date- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- African collection from the Olsen Foundation. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Una Johnson (Brooklyn Museum). Subject- Contemporary prints from the Brooklyn Museum, invitations and announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition of the American Institute of Graphic Arts 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Gaines, F. Brandt, Anne Marie Pope. Subject- Reinstallation of the permanent collection, estimated exhibition costs, Heeramaneck collection, list of exhibitions available form International Exhibitions foundation. Exhibition catalog: John Kelly Fitzpatrick\" , photographs. Dates- 9/68 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Quillian. Subject- Exhibition of Randolph-Macon Collection. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program agenda for reception, exhibition, gallery plan. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions of Chinese Textiles from Minneapolis Institute of the Arts. Lecture by Alan Priest. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposed gift of \"Gates of Hell\", from the Cantor Collection. Exhibition \"Study of a Woman's Torso\". Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Rosenwald as Collector-of-the-Year, 1965. \"Master Prints From The Rosenwald Collection\", introduction by Rosenwald for the exhibition checklist. Dates- 12/64 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Corrected draft by L. Cheek. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Rosenwald. Subject- Personal invitations from L. Cheek. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition announcements. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of events for the season. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Paul Tishman. Subject- Exhibition from the Tishman Collection, letter of invitation, installation, Council lecture/luncheon. Speaker: Dr. John Akar, Ambassador of Sierra Leone. Remarks by J.M. Brown and Tishman, announcements and biographical data, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing lists for colleges, museums, etc. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek tour of England to photograph Elizabethan Houses. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Presentation of various forms of Arts of England during Shakespeare's life in commemoration of the 4th Centenary of his birth. Requests for loans of Elizabethan objects, press release, installation, etc. Dates- 8/63 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Exhibition of 19th and 20th century paintings, reception and event announcements. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon (Exhibition Chair) and Wm. Constable. Subject- requests for loans, French and British sponsors of exhibition including Queen Elizabeth, Honorary Committee Members, Patrons, catalog, PR, object damage report. Basil Taylor as special advisor to exhibition. Dates- 7/58 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Consultation on exhibition proceedings, travel and lecture schedule, biographical data and text for introduction to the catalog. Dates- 4/60 - 7/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Basil Taylor, Paul Mellon and A. Eiseman. Subject- Catalog layout, printing, design, budget, cost estimates, contributions. Essay- \"Classic Horse Paintings\", foreword by L. Cheek. Dates- 1/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Recipients of free catalogs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- William George Constable and his lecture for exhibition, biographical data, Bulletin vol.20 no.8 4/60. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of British sponsors, loans, selection committee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Mailing list, opening event, program and list of lenders to exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and John G. Pollard. Subject- List of sponsors, reception: program, agenda, menus, etc. Newspaper clippings. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibition in commemoration of Stravinsky's 80th birthday with related settings and costumes created for his ballets. Dates- 4/61 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Exhibition of contemporary prints and multiples (3-dimensional objects of limited editions), Lewis contributions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Railey Collection of European and Asian seals, Fisher Collection of paintings and exhibition of Ruth Safford: \"Interiors of Famous Houses\". Dates- 8/61 - 2/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt. Subject- Problems with exhibition objects. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Damage report of exhibition objects. Dates- 11/63  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Loans of objects from Pierpoint Morgan Library. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Extension of Tutankhamen exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sample invitation and preview guest list. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- List of objects available for loan and prices. Exhibition announcements, gallery floor plan. Lecturers: Gerald Nordland and Hilton Kramer. Dates-1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibit from MOMA: \"Form In The Animated Cartoon\". Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to M. Christison. Subject- Unavailability of Van Gogh exhibition. Dates- 8/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Philip Johnson. Subject- Jurors: Carroll Meeks, Richard Di Natale and Hans Namuth. Official entry forms, exhibition announcements, biographical data. Dates- 10/61 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Gyorgy Kepes, Philip Johnson and Ivan Dimitri. Invitations, guest lists, biographical data and entry forms. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- 1st Biennial exhibition.  Juror: Romaldo Giurgola.  AIA reception and dinner, program agenda, biographical data, invitations, pamphlets and exhibition catalog. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Sherman Lee, Harry Bertoia, Bernard Perlin. Collectors reception, purchase of artist work by Trustees, invitations, entry forms, etc. Dates- 12/57 - 2/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Near. Subject- Reception for purchasers of art works from the exhibition, and catalog. Dates- 1957, 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters to Artist on their award by the jury. Exhibition catalog, juror search and entry forms. Dates- 1959, 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Carl Wienhardt Jr., Mary Callery and Robert Vickrey. Salon des Refuse's on view at Thalhimer's, events schedule and exhibition catalog. Dates- 6/64 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: William Seitz. Installation, list of purchases, invoices, PR, invitations, guest lists, etc. Acquisition from Lewis Fund. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Gordon Bunshaft and A. Bodine. Entry forms and recipients of certificates of Distinction. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Exhibition to travel to Charlottesville. Dates- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture by Dorothy Miner, announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and Mr. John G. Hays (Chairman of the Expansion and Development Committee). Subject- Trustee/Museum business, formation of the VMFA Expansion and Development Committee, report of the chairman, etc. Dates- 11/47-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and P. Crum (Curator) and College of William and Mary. Subject- W\u0026M students visit to VMFA, loan from W\u0026M for a VMFA traveling exhibition, arrangements for traveling exhibitions to W\u0026M, etc. Dates- 2/41-7/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Education and Exhibitions) and Longwood College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Farmville State Teachers College, etc., 3/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- information on VMFA traveling exhibitions and an organization membership, etc. Dates- 7/48/8/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Art Club. Subject- arrangements for VMFA slides and traveling exhibitions to LAC, etc. Dates- 3/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Lynchburg College, etc. Dates- 1/49-2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Teacher's Club. Subject- arrangements for traveling exhibitions and slides to LTC, etc. Dates- 3/46-2/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Madison College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Madison College, etc. Dates- 12/47-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.C. McGehee (Assistant in Education Dept.) and Martinsville City schools. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Martinsville City schools, etc. Dates- 9/51- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Mary Baldwin College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to M.B. College. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Mary Washington College. Subject- arrangements for traveling exhibitions to M.W. College, arrangements for lecture by Christison at M.W. College, etc. Dates- 3/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Middlesex County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to MCWC, arrangements for lecture by Christison for MCWC, etc. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Narrows Woman's Club. Subject- arrangements for traveling exhibitions to NWC, etc. Dates- 10/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Newport News Woman's Club. Subject- arrangements for traveling exhibitions to NNWC, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Education and Exhibitions) and Norfolk Museum of Art. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to NM of A, exchange publications, etc. Dates- 1/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H. Lloyd (VMFA State Services) and Richmond County Junior Woman's Club. Subject- arrangements for filmstrips to RCJWC, shipping instructions, etc. Dates- 10/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Roanoke County Woman's Club. Subject- VMFA traveling exhibition checklists, request for information about organization membership to the Museum, etc. Dates- 4/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H. Lloyd (VMFA State Services Dept.) and Rockingham County public schools. Subject- VMFA traveling exhibition and slides checklists, arrangements for traveling exhibitions to Rockingham Co. Public schools, shipping instructions, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between E.L. Kallop (VMFA State Services Dept.) and Scottsville High Scholl. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions and slide sets to Scottsville HS, shipping instructions, etc. Dates- 9/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Sedley Woman's Club. Subject- notification of installment of Mrs. N.B. Rollings as chairman of Fine Arts Dept. of SWC, Date- 12/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Smithfield P.T.A. Subject- art material for Smithfield schools, Date- 11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H.V. Rennie (Assistant in Education Dept.) and Southern Seminary and Junior College. Subject- schedule of VMFA traveling exhibitions to Southern Seminary and Jr. College ('46) and arrangements for traveling exhibitions to Southern Seminary and Jr. College, etc. Dates- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Hart (Extension Dept.) and St. Catherine's school. Subject- VMFA traveling exhibition checklists, schedule for traveling exhibitions to St. Catherine's, etc. Dates- 1/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and St. Christopher's school. Subject- schedule and arrangements for VMFA traveling exhibitions to St. Christopher's, etc. Dates- 9/48-11/48.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Staunton City School Board. Subject- arrangements for traveling exhibitions to Staunton City School Board, etc. Dates- 1/52-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various Education Dept. staff and Stony Creek Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SCWC, etc. Dates- 2/47-1/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various VMFA State Service Dept. and Education Dept. staff and Stratford College. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to Stratford College, shipping instructions, etc. Dates- 8/48-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition checklists, schedule and arrangements for traveling exhibitions to Stuart Hall, shipping instructions, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director of Collections and Education) and Suffolk Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SWC, etc. Dates- 8/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Surry Woman's Club. Subject- arrangements for tour of the Museum and traveling exhibitions to SWC, etc. Dates- 10/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Sweet Briar College. Subject- schedule and arrangements for traveling exhibitions to SBC, shipping instructions, etc. Dates- 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Service Dept. staff and Tazewell Parent-Teacher Association. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions, slide sets and filmstrips to Tazewell Parent-Teacher Association, shipping instructions, etc. Dates- 11/52-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Thomas Jefferson Junior Woman's Club. Subject- request and suggestions for speakers for TJJWC, etc. Dates- 7/47-9/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA and Thomas Jefferson Woman's Club. Subject- arrangements to visit, tour and hold a meeting at the Museum, etc. Dates- 11/40-1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Three Arts Club of Blackstone. Subject- arrangements for filmstrips for TAC of B, shipping instructions, etc. Dates- 12/52-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- address of Mrs. Woods, President. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Toano Woman's Club. Subject- arrangements for holding a meeting at the Museum. Dates- 1/50-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and University of Richmond and Westhampton. Subject- arrangements for traveling exhibitions to U of R, shipping instructions, etc. Dates- 3/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- catalogues from the UVA Extension Dept. including the following: Famous Italian Paintings, Famous Flemish Paintings (Reprints from Seventy Famous Paintings by Adelaide D. Simpson (1927), The Story of Venetian Painting by Mrs. Stringfellow Barr and Cecily B.D. Ryder (1928) and Catalogue of Art Prints and Books (1937), etc. Dates- 1927-1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to UVA, shipping instructions, etc. Dates- 10/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and University of Virginia Museum of Fine Arts. Subject- checklists for traveling exhibitions sponsored by VMFA and UVA, the following publications by UVA: \"Twenty-five Contemporary Artists of Cleveland, Ohio\", \"Hugh Breckenridge\", \"Contemporary Artists of Virginia\", \"Contemporary Artists of Albemarle County and The University\", \"Alexander B. Trowbridge and Olin Dows\" and \"Elinor F. Hopkins\". Dates- 4/34-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.Y. Casey (Assistant in Education Dept.) and Upper King William County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to UKWCWC, shipping instructions, etc. Dates- 3/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Valentine Museum. Subject- information about becoming organization members of VMFA, a loan to VMFA from the Valentine, listing of the Valentine's activities, etc. Dates- 10/35-9/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and VA Education Association. Subject- Virginia Education Association art section meetings, etc. Dates- 2/47-10/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and VA Federation of Woman's Clubs. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VA. Federation of Woman's Clubs, VA Federation of Woman's Clubs yearbook ('47/8) and Directory ('48/9), etc. Dates- 1/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA traveling exhibition checklist. Dates- 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Virginia Polytechnic Institute. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to V.P.I.'s Architectural Department, etc. Dates- 6/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Virginia State College (Norfolk Division). Subject- checklists for VMFA traveling exhibitions, arrangements for traveling exhibitions to VSC, shipping instructions, etc. Dates- 10/52-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and the Extension Dept. and VA State University. Subject- schedule of VMFA traveling exhibitions to VSU 1945-7, arrangements for traveling exhibitions to VSU, etc. Dates- 6/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Va. Teachers' Association. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VTA, arrangements for a lecture by Christison to VTA. Dates- 12/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Virginia Union University. Subject- VMFA loans to VUU's art festival, arrangements for traveling exhibitions to VUU, etc. Dates- 1946-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between E.L. Kallop (State Services Dept.) and Wakefield Woman's Club and P.T.A. Subject- checklists for VMFA traveling exhibition, arrangements for traveling exhibitions to WWC and P.T.A. Dates- 9/51-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Warren County High School. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Warren Co. HS, shipping instructions, etc. Dates- 10/46- 5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between O. Hart (Registrar) and Warwick County School Board. Subject- arrangements for traveling exhibitions to Warwick Co. Schools, etc. Dates- 1/49-4/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Warwick Woman's Club. Subject- arrangements for traveling exhibition to WWC, etc. Dates- 10/48- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Washington and Lee University. Subject- checklists of VMFA traveling exhibitions, arrangements for traveling exhibitions to W\u0026L, etc. Dates-1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Waverly Woman's Club. Subject- schedule of VMFA traveling exhibitions to WWC ('46), WWC visit (with lecture) to VMFA, etc. Dates- 3/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA staff and West Point Schools P.T.A. Subject- arrangements for traveling exhibitions to West Point Schools, etc. Dates- 12/50-6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various Education Dept. staff and Westmoreland Woman's Club. Subject- arrangements for traveling exhibitions to WWC, etc. Dates- 1/48-3/49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and William Campbell High School in Naruna, VA. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wm. Campbell HS, shipping instructions, etc. Dates- 12/52-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and various Education Dept. staff and Wilson-Jackson P.T.A. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wilson-Jackson P.T.A., etc. Dates- 1/47-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.T. Rhodes (Assistant in Education Dept.) and Wytheville County schools. Subject- arrangements for traveling exhibitions to Wytheville Co. schools. Dates- 4/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Wythe Woman's Club, Hampton. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC. Dates- 8/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education), various Education Dept. and State Services staff and Wytheville Woman's Club. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC, etc. Dates- 5/49-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Y.W.C.A.-Richmond. Subject- holding a meeting (with a visit and lecture) at VMFA. Dates- 4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Young Woman's Club of Williamsburg. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to YWCW, shipping instructions, etc. Dates- 12/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.Y. Casey (Assistant in Education Dept.) and VMFA State Services Dept. and Zuni Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to ZWC, etc. Dates- 8/50-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\". Dates- 12/54-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\", note-included in these files: slides from Williams College of Art. Dates- 1947-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Chairman of the art department Williams College. Correspondence and biography 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fashion Show in cooperation with Miller and Rhoads Dept. Store and Harpers Bazaar magazine to benefit the VMFA Council, Education Fund, Council dinner, event plans and program catalogue. Dates- 12/55 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- the Fashion Festival of Arts and Flowers presented by the VMFA Council in cooperation with Miller and Rhoads Department Store, attendance lists, newspaper clippings, etc. Dates- 3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between national director and Thomas Colt, who was the State Director of the Federal Arts Project, 1935. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Federal Emergency Administration of Public Works regarding a grant to construct an additional wing to the Museum. 1935-38. More applications from Museum for funds from the Federal Emergency Administration of Public Works to complete projects such as casting a bust of John B. Payne and landscaping grounds. 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Federal Emergency Administration of Public Works and Virginia Commission for the Arts material, mostly on landscaping the grounds of the Museum, 1936. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Federated Arts Council of Richmond dinner and agenda, invitations. Dates- 2/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- Committee reports, events schedules, annual meeting 5/29/74, \"Festival Of The Arts\", 18th annual report, Dogwood Dell June-Aug'74. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Awards Dinner agenda, letters of confirmation, thank-you's, etc. Dates- 12/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T.C. Colt, Jr. Subject- listing of and letters to prospective fellows (founding fellows), a copy of the constitution 4/55. Dates- 3/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospects for new membership program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Conservation Laboratory, Library Endowment, Fellows Weekend, orientation theatre, contributions and projects, statement of purpose, agendas, biographical data. Resolution in memory of Lewis Strauss. Dates- 1964-79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Fellowship Committee minutes 1942, 1948, 1949, 1950, Fellowship Committee agendas 1950, 1951, committee report 1949/50, Fellowship Committee announcements and replies, listing of fellowships given by the Virginia Museum of Fine Arts 1940-51, etc. Dates- 1942-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Aplicant interviews procedure. Date- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellowship Fund income account, application, letters to recipients: Primm Turner, Jenny- Lynn Franklin and John D. Norwood. Dates- 5/54 - 5/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Essay- \"Outline for a Proposed Film for the Virginia Museum of Fine Arts\" by Vavin, Inc. 3/60.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1947, 1948, 1950, Finance Committee meeting minutes 1948, 1949, 1950, letters soliciting opinions from Trustees about stock purchases and committee resolutions and replies, VMFA Pooled Endowment Account 1949, stockholder information , etc. Dates- 1947-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1950, 1951, Finance Committee meeting minutes 1952, committee report 1950, status of capital funds listing 1950, list of securities held and cash balances, financial transactions, etc. Dates- 1950-2. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1952, 1953, Finance Committee resolutions 1953/4, Capital Funds Investments and Cash listings 1952, 1953, stockholder information, financial transactions, etc. Dates- 1952-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1955, Finance Committee resolutions 1954, a listing of Finance Committee meetings and actions in writing 1948-56, financial transactions, stockholder information, statement of endowment investments 1955, pooled investment listing 1955, investment changes for the period 4/30/55-12/31/55, etc. Dates-1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Lawler Fund. Dates- 10/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- stockholder information (i.e. annual and quarterly reports of companies). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee resolutions 1948/9, excerpts from Finance Committee meeting minutes 1939, 1951, Date- 3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from A. Nicholas. Subject- Statements of income, balances, private income, special purchase funds, operating budget, etc. \"Virginia Museum Semi- Annual Financial Report Dec. 31, 1970\" , \"Summary of Financial Support\": 1935- March 31, 1971, 19l35- June 30, 1969, Art Purchase Funds, Capital Outlay Programs to purchase land and buildings, List of Art Purchases 1970-71. Dates- 6/70 - 10/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and G. Martin. Subject- Responses to questionnaire from various theatre directors, VMT regulations. Dates- 1965 -66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT Statement of Purpose, application for Samuel Tate Morgan and/or George Seay Memorial Trust Funds. Letter of grant award for the expansion of VMFA Library holdings and list of books purchased, newspaper clippings. Dates- 5/69 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Administrator, Richmond Area University Center. Correspondence with 1949-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Memorial for Col. Herbert Fitzroy, letters of receipt of contributors to purchase a sculpture to be placed on permanent exhibit in Artmobile II: \"Crowing Rooster II\", G. Marcks. Dates- 10/67 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- information about proper display of U.S., U.N. and VA flags. Dates-11/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns cultural development there. 1957-59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Agreement on the Importation of Educational, Scientific and Cultural Materials\", Bill signed on 6/24/59, press release. Unesco sponsored agreement to eliminate tariffs and special import taxes on educational, scientific and cultural materials. Dates- 9/59 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Horace S. Flournoy. Subject- repair of heating system at the Museum. Dates- 10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- plantings around the Waddy Fountains at the front of the building, lawn and plant care, listing of growing plants used, etc. Dates-6/54-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA staff and Harvard University's Fogg Art Museum, mostly regarding the loan of a Copley portrait for the Museum's inaugural exhibition, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, J. Coolidge (Dir., Fogg). Subject- General correspondence regarding conservation, authenticity of objects, employment referrals, research, etc. Dates- 4/52 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for Folktale Marionette Theatre to perform at VMFA in Dec.1953, etc. Dates- 3/53-1/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- visit of Mrs. Henry Ford II, to see VMFA operations. Dates- 3/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about a Virginia artists watercolor exhibition sponsored by the Ford Foundation Title \"Virginia by Virginians\", copy of an invitation to Mr.and Mrs. Ford to the opening, etc. Dates- 1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- newspaper clippings and statement of purpose of the Ford Foundation. Dates-12/48-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Ford Foundation. Subject- proposal of VMFA serving as regional center for Ford Foundation's creative artists selection program 1958, proposals for Foundation support, Foundation publications, etc. Dates- 10/50-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Ford Foundation. Subject- information about applying for Ford Foundation support, Foundation publications, etc. Dates- 10/59-10/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program for Painters, Sculptors and Related Artists. Letters to jury members, entertainment. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and the Ford Foundation. Subject- the Museum as a locale for the premiere art exhibition to be featured in the March issue of the Ford Times, an exhibition highlighting VA artists named \"Virginia for Virginians\", included are copies of the exhibitions' gallery guide, invitations to the preview and a copy of the Ford Times feature issue. Dates- 11/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and American Association of Museums (AAM). Subject- roster of foreign museum Directors visiting VMFA on a AAM sponsored tour (in cooperation with the State Department), biographical information on visitors, etc. Dates- 3/65-5/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to VMFA staff. Subject- memos about arrangements for luncheon held at Museum for international newspaper people. Dates- 6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal for VMFA travel program, tour estimates and brochures. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition preview speaker: Ariad Yafeh, biographical data, reviews and photographs. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Guest lists for opening event, sample letters for invitations and replies. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices, Cheek serving as honorary member of advisory committee of Directors and Curators, etc. Dates- 3/52-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Keith Fowler. Subject- theatre operations, policies, programming, newsletter to friends, volunteers and theatre subscribers, etc. Dates- 10/69-12/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between William Francis and L. Cheek, Jr. Subject- Museum publications business and arrangements, etc. Dates- 12/64-9/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Governor Peery, T.C. Colt, Jr. and Douglas S. Freeman, president of the Confederate Memorial Institute. Subject- Transfer of the John B. Payne collection from the Battle Abbey to the museum. Dates- 1935-39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. Subject- mostly professional matters, but some personal information is given. Dates- 1948-53.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and French and Company. Subject- French and Company, Inc. art dealers, loans, conservation work, proposed sales to Museum, photos and descriptions of objects, etc. Dates- 6/46-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject- photo requests from the Frick Art Reference Library, reference questions, exchange publications, etc. Dates- 2/46-9/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Friddell was columnist for the Richmond News Leader. Correspondence with Cheek, 1949-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- memo about calendar of Museum events, mailing to American Ballet Theatre Friends, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Preparation plans for \"George Stevens Makes a Film\", an exhibition based on the making of an epic film (The Greatest Story Ever Told), installation, cost estimates, etc. Dates- 1/64 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Search for Egyptian objects to purchase, exhibitions: Sport and Horse and American Folk Art, College Drama Festival, loan of P. Klee works, collectors circle, Biographical data, Fellows, donation, gifts, Segregation in VMT, background information on paintings for Wm. Henry Yates, Marshall Research Library, Poetry Society of Virginia, Glasgow Estate. Accessions and gifts: \"Tree\", H. Gray; E. Hopper; Rutherford Goodwin, Jr.(signature). Dates- 1/55 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General museum business, inter-museum memos. Richmond Sinfonia, special purpose gallery, exhibition policy. Museum television, funding sources, COVAO conference, sale of Artmobile I, Council, newspaper clippings, pamphlets and funds generated through programs division, letter from Robert Indiana.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Bill (William) Gaines (head of Programs Division). Subject- programming educational, exhibitions, films, affiliates, etc., Museum operations, etc. Dates- 3/70-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Acquisitions, objects for purchase consideration, various newsletters, exhibition catalog: \"Nature As Scene\". Dates- 4/76 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with other museums. Subject- exhibition announcements, information about loans to other museums, etc. Dates- 3/53-3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Dir. for Collections and Education) and Mr. Charles Seymour (Yale University). Subject-request to look at the Museum's collections. Dates- 2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Col. Edgar Garbisch and L. Cheek, Jr. Subject- gift to VMFA-Junius Brutus Stearns paintings of life of George Washington, photos and information about paintings, biographical information about Garbisch, etc. Dates- 1/50-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for the 50th anniversary dinner of Garden Club held at VMFA, etc. Dates- 9/68-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the Garden Clubs of Virginia and America 1958-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Mrs. T. Fleetwood. Subject- Mrs. T. Fleetwood as a Trustee, Trustee business, gift to Museum, etc. Dates- 5/64-7/75. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Landscape Architect for Museum. 1957-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by John Garland Pollard, Jr. Subject- invitation to members of General Assembly to use Museum facilities, announcement of a reception for General Assembly members spouses, VMFA Members' Bulletin vol.20, no.5 1/60. Dates- 1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters sent to members of the General Assembly 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Gibbes Art Gallery. Subject- Brown working on problems of the Gibbes Art Gallery, \"Report to the Board of the Charleston Art Association\" co-written by Brown, etc. Dates- 12/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee, Executive Committee. Dates- 1950-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mr. George D. Gibson as Trustee, Trustee and Local Building Committee business, copies and excerpts from minutes of the Executive Committee 1948-53 dealing with VMFA building, news release 6/57 about Gibson being elected VMFA President, etc. Dates- 12/52-11/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. George D. Gibson, a lawyer with Hunton, Williams, Gay., Moore and Powell. Subject- flooding at the Museum, building inspections, structural problems with the building, the shipment of a Watteau painting to VMFA, a Melchers gift, etc. Dates- 7/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- acknowledgments of receipt, thank you letters to donors for gifts of all kinds (money, books, equipment, etc.,). Dates-11/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Arthur G. Glasgow. Subject- gifts to Museum, Museum events, information pertaining to the Estates of Margaret Branch Glasgow and Arthur Graham Glasgow. Dates- 2/54-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., J.M. Brown and Walter S. Robertson (VMFA President). Subject- transcript of remarks by Governor Mills E. Godwin, Jr. at Southeastern Theatre Conference 1966, Museum events, Mrs. Godwin to serve as honorary chairman of Entertainment Committee, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- President of Princeton University. Request for him to lecture at Museum. Dates- 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Associated Artist Gallery, Washington, D.C. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for Theatre Director-Producer 1957.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Pollard was a member of the Goodwin Memorial Commission appointed by the state to erect a scroll honoring the Reverend William Archer Rutherfoord Goodwin, former rector of Bruton Parish Church and man who dedicated his life to the restoration of Colonial Williamsburg, 1950-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Mr. F.D. Gottwald. Subject- agreement and arrangements to establish Elisabeth Shelton Gottwald Fund. Dates- 4/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- copy of report on Museum, recommendations to Museum made by Governor's Management Study Group. Dates-7/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Mills Godwin and Peter Mooz. Subject- Budgets: cutbacks, executive order, appointments to VMFA Executive Board, creation of job positions, Museum organization charts, Melchers Estate, Arts Commission, Executive Mansion furnishings and lists of objects. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for unveiling (10/5/71) of new acquisition of Goya's painting- General Nicholas Guye guest lists, invitation, news releases, photo and information about painting, etc. Dates- 9/71-2/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- \"General Guye\", Goya. Special event, agenda, invitations, etc. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with John Graham (Curator, Colonial Williamsburg). Dates- 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Related to the death of Mr. Gray and his family. His bequest to the Museum and a memorial to him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Horace Gray, Trustee. Subject- Museum business, biographical information about Horace Gray, VMFA Members' Bulletin vol.19, no.6 (2/59), etc. Dates-5/51-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about hiring Mr. Paul Grigaut as head of Collections Division, Museum practices, information about Museum Collections catalogues, etc. Dates- 6/62-4/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Theft-general. Contains one newspaper clipping 5/28/62.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- correspondence with Senator Raymond R. Guest, announcement of gift to Museum of bronze gates, Museum events and business, etc. Dates- 11/48-5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and L. Cheek. Subject- List of sites for guidebook , roster of names for nominating committee, letters to publishers, price structure, biographical data, promotional information, outline for publication by the Trustees for \"An Official Guide To Four Centuries Of Building In The Old Dominion\". Dates- 4/66 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Finnish Society of Crafts and Design 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt, F. Haseltine. Subject- Installation of \"Symbol\" at Phillip Morris site, invitation mailing list, reception agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, F. Haseltine, P. Near. Subject- Exhibitions, VMT, loans, gifts, endowments, biographical data, invoice for work restored, acquisitions, installation of Heeramaneck Collection, Pastorale fund, Project Grant Application, Tax Status. Essay- \"A Brief Summary of Accomplishments of the Virginia Museum of Fine Arts\", 1962-64. Dates- 9/51 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mr. Haller was a public relations consultant hired under special circumstances and kept off of the state payroll. This letter pertains to this and circumventing the state system 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and S. Robertson. Subject- AAM meeting in Williamsburg, increase in security staff at VMFA, Artmobile, Executive order from the Governor's office to divide the Board of Trustees into five divisions. Request for authority to prepare Capital Outlay Plans for South Wing, invitations to serve on various committees, presentation of Webster S. Rhoads award to Gov. Harrison, newspaper clippings. Dates- 5/61 - 11/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Public Buildings Administration (Federal Works Agency). Subject- Harrisonburg post office mural competition (Colt served on the jury of selection and advisory committee) and contract with Public Buildings Administration. Dates- 2/41-10/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek's 25th college reunion and an art exhibition in conjunction with the reunion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Melissa Hayden and Andre Eglevsky. Dance performances at the VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. John G. Hayes, Sr. Subject- Trustee/Museum business, money to the John G. Hayes Endowment Fund, etc. Dates- 11/49-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. J.G. Pollard and W. Rhoads. Subject- John Green Hayes Memorial Fund. Dates- 5/48 - 11/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of appeal from VMFA to Hearst Foundation for financial assistance. Dates- 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Biographical data, press release and his presentation to the AAMD, newspaper clippings. Dates- 4/62 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lecturer for the Latin American Exhibition 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT: tour schedule, HEW grant proposal, \"A Cultural Program in the Dramatic Arts for Virginia High School Students\", newspaper clippings, postcards, reviews, project budget, financial support. Dates- 5/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Travel Itinerary, loans , VMT productions, collectors circle, LOAS (Loan-Own Art Service), search for prospective jurors, letter to Helen Hayes to address VMT, biographical data, gallery plans, invitations to preview Hogarth exhibition. Dates- 9/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for luncheon and agenda. Dates- 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Request for VHS to hold annual meeting. Dates- 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Col. Hodges (Membership Chair). Subject- Trustee/Museum business, Hodges served as the Chairman of the VMFA Membership Committee, etc. Dates- 11/35-3/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA Bulletins: vol.26 no.3 and vol.27 no.6. Hogarth lecture to VMFA, itinerary, biographical data, Wm. Blake exhibition. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for Theatre Director 1957. Contains resume and letters to, from, and about him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, P. Davidson, and P. Rathbone. Subject- Exhibition: \"Treasures of Alexander\", request for loans, list of objects in connection with exhibition, installation design, theft of Nike Earring. Dates- 9/63 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Term as a Trustee and Fellow at VMFA and as a Trustee at Norfolk Museum, Exhibition: Treasures from the Norfolk Museum. Gifts and donations. Dates- 9/61 - 4/3 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Collectors circle, Fellows, Trustee, gifts and donation. His service as a Trustee at the Chrysler Museum. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on state holidays. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Gov. Holton. Subject- Proposal for a Bill to organize a citizens advisory committee to improve furnishings and interpretation of the Gov. Mansion. Statewide Building Code, Administrative Amendments 1/29/73, Sec. 873.5. List of participants and Museum conference notes to determine how Va. Museums can assist one another, Inauguration arrangements committee, rosters: House of Delegates, Senate and legislature. Essay- \"The Holton Years: A Summing Up 1970-1974\". Dates- 9/61 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Reports from the Honors and Awards Committee and the Board of Trustees, 1948-56. Much of this concerns Mr. and Mrs. A.D. Williams, The Katherine Rhoads Fund and the Webster Rhoads Medal, and Arthur and Margaret Glasgow, letter regarding the Mary Samuel Davies Bright Memorial. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Arts and Humanities Commission, Pratt Estate, Cabell Foundation, Ford Foundation: VMT underwriting. Trustee interviews, gifts of appreciated property. Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings, photographs. Dates- 10/8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and J.M. Brown. Subject- Parsons Fashion Show, slides, pamphlets, newspaper clippings. Dates- 8/63 - 7/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Seating arrangement. Dates- 11/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J. Sweeney and Lee Malone. Subject- \"Design In Scandinavia\", Cheek's remarks. General correspondence concerning museum loans and policy. Dates- 4/63 - 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Miss Nora Houston and T.C. Colt, Jr. Subject- biographical information, information about exhibitions she participated in, proposed acquisition of her work, etc. Dates- 4/36-2/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- U.S. House of Representatives, New York State. Correspondence concerning government support of the arts. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copy of his speech given at the Architectural League Symposium 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Term as a Trustee, membership campaign, budget committee, newspaper clippings. Dates- 5/59 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellow, VMT, Exhibitions, Artmobile, long term loan of 18th C. Dec, Arts objects, Hogarth exhibition, contract bid for landscaping, North Wing. FILM: \"THE ART of THE CONSERVATOR\" Dates- 2/64 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Trustee, Fellow, gifts. Remarks concerning Fellows meeting, Draft of Executive Committee Meeting Minutes, 12/8/70. Official application form for AAM accreditation. Art Nouveau Collection, Council lecture and luncheon with draft of suggested remarks delivered by C. Humelsine. Dates- 1969 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Requests for catalogues, loans, exhibition announcement, proposal for an \"International Traveling Exhibition\", technical info on Ivisiglass. Dates- 4/45 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- RSVP's to auditorium inauguration, thank you notes to musicians used for the opening, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Innocenti and Webel (landscape architects) concerning VMFA grounds. Dates- 7/64 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek, T. Colt and Mrs. Pollard. Subject- Requests for publications, general information regarding VMFA collections, exhibitions and museum operations. Dates- 10/35 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General information on exhibition installations.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains one brochure, 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- insurance against air raids and other war damage, correspondence with other museums about war risk insurance. Dates- 6/42 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. and M.B. Christison (Assistant Dir. for Collections and Education). Subject- damage claims to art objects we lent and/or were on loan to the Museum. Dates- 11/49-11/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuels Collection [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Draft of the Constitution and By-Laws of the proposed Virginia History and Museums Federation. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- ICOM statement of mission, travel expense records, membership and financial statements, pamphlets, Minutes of Executive Committee 1/30/60, 5/25/65, Annual Report 1965, newsletter, pamphlets, etc. Dates- 1961 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual Reports, Statutes, guidelines for International Rules of National Committee, Museum Training Programs, Newsletters, Minutes of Annual Meetings, budget, membership, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Mrs. J. Pope (Pres. IEF) Subject- Invitation to become a member, statement of mission, list of officers, IEF Financial Report 12/31/72, Annual Report 12/1/72, NEA award, catalogue listings, list of traveling exhibitions 1966-72. Dates- 1966 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Anne Marie Pope. Subject- Lists of current and planned exhibitions, events schedules, minutes of annual meeting. Dates- 1973 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Article from \"Preservation News\", 1/71 vol., XI, no.1 and Sunday Supplement from New York Times. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, P. Near, Phillip Johnson. Subject- P. Johnson's advise of design of the New Wing and as possible juror for Va. Biennial. Rotunda Club, Jamestown Festival, Robinson House, Hogarth Exhibition, Jr. League activities, and restoration of downtown Richmond. Photocopy of text from letter between Wm. Fitzhugh to Charles Carter 11/30/1796, pamphlets, donations, gifts. Dates- 12/55 - 12/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Letter of appointment to Executive Board. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 350th Anniversary. 1955-57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on the Museum's contributions to the celebration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek to serve on advisory committee and certificate of award for his service, presentation of Pocahontas portrait for permanent display, \"Report From Sub-Committee, Jamestown Commission\", 10/30/57. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photos of the \"Japanese Architecture\" exhibition, printed material for the exhibition, arrangements for bringing the Japanese Charge d'Affaires to VMFA, transcript of remarks made by Mr. Shima (Japanese Charge d'Affaires) at the opening preview, etc. Dates- 4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Itinerary and agenda for East Meadow High School of East Meadow L.I., New York. Dates- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown. P. Near, A.P. Jenkins. Subject- A.P. Jenkins collection, gifts and contributions, loans, Fisher rug collection, B. Barenson, Ash Lawn, Caligula statue, invitations, agendas etc. \"Art Now: New York\" vol.2 #10, University Galleries, 1970 (contains large color plates). Conceptual statement for Cabrillo Marine Museum. Dates- 8/54 - 9/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Jay W. Johns. Subject- Trustee/Museum business, gifts to Museum, information about an Evelyn Byrd portrait by a disputed artist (Kneller or Bridges), etc. Dates- 6/35-9/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- J. Johns service as a Trustee and Fellow, gifts and donations. Dates- 4/50 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- B. Johnson's (Conservator of L.A. County Museum) observations concerning the authenticity of a Veronese painting and his personal collection of pre- Columbian sculpture and Asian ceramics. Dates- 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and T. Catesby Jones. Subject- Jones' collection of modern paintings and sculptures, gifts to the Museum art and books, letter from Jean Lurcat, etc. Dates- 3/41-12/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The loan of Mrs. Catesby's collection of French Modernists to the VMFA and gifts. Dates- 2/50 - 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from l. Cheek, R. Guest (Fellows, Chair) and W. Robertson. Subject- Her appointment as a Trustee and role as chair of the membership committee. Dates- 7/64 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- State Supervisor of Art, 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- purchase requests for photos. Dates- 3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown. Subject- Agenda and letters of confirmation. Dates- 6/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Volunteers at the Museum, 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of confirmation. Dates- 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Letters of recommendation, resumes, prospective jurors, exhibition: \"Ugliness in Virginia\", Robert E. Lee Memorial, Fellows, gifts, donations, pamphlets. Acquisitions: Artists, Duane Hanson and Stephen Posner. Dates- 4/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Karolik collection of American Painting, Artmobile and Collectors Circle. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Maxim Karolik. Subject- proposed lecture for exhibition \"The Karolik Collection\", printed material for exhibition, etc. Dates- 9/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Illumination exhibition for the American Federation of Arts: proposal, budget, exhibition news, advisory committee and Minutes of 1st Meeting 11/23/64. Dates- 1/65 - 2/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek as member of the Council for the Kennedy Center and Board of Trustees, bulletins, progress reports and newsletters and a letter from Jacqueline Kennedy dated 1/14/66. Dates- 2/59 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and H. Willett (Supt. of Rich. City Schools) Subject- Letter to F. Keppel (Asst. Sec. of HEW) concerning a Math and Science Center. Essay- \"Proposal For a Supplementary Mathematics and Science Center\". Dates- 11/65 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters of request and confirmation, menu and tour. Dates- 8/71 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets: \"The Library - Documentation Project spring 70\" , \"The Urgency of Our Mission\" and \"Statement of Purpose Fall 1969\". Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt, L. Cheek and Harry Brooks. Subject- Requests for publications, provenance of Italian Renaissance painting being considered for acquisition, loans, pamphlets and shipping invoices, etc. Dates- 2/46 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, T. Simmons (Knoll) and Florence Shu Knoll. Subject- Interior design and furnishings of the Members Suite, offices, restaurant and Library, Knoll Catalogue 1956, newspaper clippings. Dates- 2/49 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Portrait commission of L. and Mary Tyler Cheek and his exhibition at the Museum of the City of New York. Information about introduction to exhibition catalog. Dates- 1/63 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Parson's School of Design. Design consultant VMFA 1954-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The creation of layouts of loan exhibitions and permanent displays, agendas, job description, newspaper clippings, biographical data, postcard, etc. Dates- 2/58 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mr. Koenig was a guest promotion director at the VMFA 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to contributors of memorial fund. Subject- Memorial established by the Theatre Associates of VMFA, sample of bookplate in his memory. Dates- 4/62 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuel H. Kress Foundation 1958-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about bill and payments with Kuhn. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile project for the Arkansas Arts Center, \"Let's Go, Reflections on the Art of Administrative Leadership\". Dates- 8/62 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chapters/Affiliates, newsletters, Lectour broadcasts, newspaper clippings, invitations, Lawler Memorial Fund, Artmobile. Artists: Pietro Lazzari, Janice S. Lemen, John Gadsby Chapman, photograph. Dates- 5/58 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Publication requests, gifts, contributions, collectors circle, Fellows, suggested bequest wording, Artmobile, loans, exhibition announcements, NEA questionnaire: \"Conservation in Museums- August 1971\", restoration and condition report of \"Battle of Yorktown\", Lami. Artists: Mario Dubsky and Eugene Berman. Gift and donations: \"La Sympathie\", Pettijean. Date- 11/62 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Port Sunlight, Chesire England.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and the VMFA Board of Trustees. Subject- To prevent the construction of the Valentine Museum's Latrobe Theatre. Dates- 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lecture by Cheek to the College Art Association 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to E. Cless (program Consult., U. of Minn.) Subject- U. of Minnesota Institute on Administration and Services in the Small Art Museum, program agenda, travel schedule, list of registrants for the seminar, report on the panel on museum publications, pamphlets, map, etc. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek to G.H. Holmes (Dean of U. of Pa.). Subject- Urban Criticism, experiences in traveling exhibitions on city planning, resolutions and solutions on urban problems. Biographical data on participants of conference, travel expenditures, agenda. Dates- 7/58 - 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Priscilla Crum to Prentiss Taylor. Subject- lecture by Taylor, Wednesday evening programs schedule 1948, proposed schedule 1947-8, etc. Dates- 9/47-1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison. Subject- prospective speakers, films, etc. for programming. Dates- 10/48-12/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- schedules for Wednesday evening and musical programs. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given by L. Cheek, Jury duty lists, consultations, invoices, expense records, agendas, pamphlets, magazine excerpts, Essay- \"The Place Of The Arts In Our American Culture\", by L. Cheek. Dates- 1953 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given by various members of the VMFA staff. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from D. Nicholas. Subject- Procedure and policy concerning VMFA security.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Monthly newsletters on \"Reflections on the Art of Administrative Leadership\", L.H. Kurtz, publisher/editor. Dates- 9/62 - 11/64, 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, P. Near C. Humelsine, F. Brandt and Wm. Gaines. Subject- Art Nouveau Fund: list of purchases, legal document of fund establishment. Artmobile and contemporary Art Purchase Fund. Dates- 5/67 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Possible sources for the purchase and restoration of the Alexander-Withrow House, Lexington, Va. Dates- 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- D. Liebes (color consultant and textile designer) on proposed text for her essay to appear in AIV and her lecture to be given at the VMFA on crafts and the creation of VMFA Craftsperson - residence. Dates- 4/63 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and E. H. Bushbeck (Kress Found.). Subject- Drawings and description of Dr. Reinhardt's gallery in Switzerland. Dates- 2/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and V. Gaskins (asst. to L. Cheek). subject- Planning of VMFA lighting facilities, \"Art Museum Lighting\", 2/59, excerpt from a journal of Electrical construction and Maintenance. Dates- 2/59 - 9/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal of Library-Museum at Lincoln Center. Dates- 2/59 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ralph Linton Collection of African Sculpture. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for loans of furnishings to other state properties. Dates- 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of loans under consideration, loans to ambassador residences in England and Australia. Photographs. Dates- 2/61 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and director of Louvre. Subject- Poussin exhibition at Louvre and VMFA loan of \"Achilles on Skyros\" and Delacroix exhibition, loan of \"Deliverance of Princess Olga\". Dates- 10/59 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lighting Technician, VMFA, 1953-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and C.B. Lusk. Subject- Lighting instruments and technical drawings. Essays- \"Lusklite as developed and used at the VMFA\" and  \"The Installation and Lighting of Exhibitions at VMFA\" Dates- 8/56 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.R. Duncan and Gordon Huff. Subject- Expansion of Lynchburg Arts Center to become an affiliate, loans for opening gala, suggested text for print media, schedule of events, Artmobile, Lynchburg Arts Center Executive officers. Introductions for L. Cheek and W. Robertson, travel itinerary. VMFA lecture series: Building For The Arts 1965-66, pamphlets. Dates- 5/62 - 7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for \"The National Arts Center of New York University at Washington Square\", Exhibition: \"Tastemakers\", based on R. Lynes Book. Official guest list for opening reception. Dates- 10/54 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, L. Cheek, P. Near and F. Haseltine. Subject- Membership, gifts, personnel references, loans, Jamestown Foundation, proposal for commission of sculpture in F\u0026M Plaza. Acquisitions and gifts: Egyptian cups, Coptic sculpture, Bertoia drawing. Dates- 4/61 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Macbeth Galleries. Subject- loans for inaugural exhibition and general correspondence about proposed acquisitions from Macbeth galleries. Dates- 9/35-7/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Orders and correspondence for back issues of Bulletins and magazines, 1946-47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Alessandro Magnasco, Painting 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing and sign schedules, roster of names and institutions. Dates- 1960 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing and events schedules. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near, D. Isley (Norton Simon Collection). Subject- Press releases, shipping, installation, purchase invoice, info regarding owners of the other castings. Photographs and slides. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Paul Manship. Subject- designing the John Barton Payne medal. Dates- 9/36-10/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Robertson. Subject- His Service as a Trustee, Fellow, and chair of Trustee Budget Committee. Biographical info, Artmobile, 25th Anniversary of VMFA, museum business, financial statements, Education In The Arts. Dates- 12/56 - 5/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Long Island Historical Society. Subject- Provenance, purchase through Glasglow Fund. Dates- 12/55 - 1/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resume, photo, agenda, NEA grant request. Dates- 4/65 - 5/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- M. Baldwin Choir Program, Alumnae issue Bulletin concerning visit of Pres. Eisenhower. Invitations, Fine Arts Center, Woodrow Wilson Project. Dates- 2/56 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Julien Binford. Subject- Mary Washington Arts Center, invitations, VMT, loans of art works, newspaper clippings. Dates- 11/49 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gifts to VMFA. Dates- 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. William R. Massie. Subject- Trustee/Museum business, etc. Dates- 12/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture: John Goldsmith Phillips, biographical data, press release and catalog list. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturers: V. Isabelle Miller and Mrs. Yves Henry Buhler. Press release, publicity schedule and photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- floor plan, instructions for installation for exhibition \"Masterpieces of Chinese Art\", printed material for exhibition, thank you notes to lenders to the exhibition, etc. Dates-11/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for the Theatre Director Position. Contains resume and applications, letters of recommendation etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Director of Public Relations for 20th Century Fox. Speaker at the Museum 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Public Information Division VMFA. 1955-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Director of Vassar College Art Gallery, requests for publications, lecture. Term as curatorial research asst. at VMFA. Dates- 9/53 - 6/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dedication of new Library, loans, invitations, VMT, Farewell gift to Mr. and Mrs. Cheeks with poem. Gifts, contributions, G. Melchers memorial. Dates- 2/60 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- General membership information, loans, press release, invoices, newspaper clippings, etc. Art Nouveau Collection. Letter to L. Marden (residence designed by Frank Lloyd Wright). List of Artists editions: prints and objects from Multiples Inc., NYC, price list and description. Artist: Phillip Lindsay, signature. Acquisitions: Monet, van der Helst and Rodin. Dates- 12/69 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and French and Co., Inc. Subject- pieces sold to and installed in the Museum, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal to establish an Institute of Mediterranean Culture at U. of R. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Carroll L.V. Meeks. Subject- thank you notes for visit to New England personal friendly letters, etc. Dates- 4/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, Mrs. Pennell (Membership Secretary) and Mrs. Gari Melchers. Subject- VMFA members in Fredericksburg, postcards, gift to Museum , etc. Dates- 12/35-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Her service on the Executive Committee, Melchers Estate, budget, gift status of \"Dead Jockey\", E. Degas. Contributions, gifts, newspaper clippings, biographical data. Dates- 4/56 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt (Dayton Art Inst.) and Dr. Higgins (Chair of VMFA Board), J.M. Brown. Subject- \"Disposition of Mr. Gari Melcher's Estate Excerpted from Virginia Museum Minutes Books, No.4,5and6\" , prepared by A.W. Statnaker, Asst. Administrator 7/17/74. Resolution, re: \"Belmont As An Art Center And Museum\" and \"Opening Of The Belmont Facility To The Public\" , Executive committee Minutes. Dates- 5/74 - 11/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Melchers estate/bequest to the Museum, agenda and minutes of Gari Melchers Memorial Committee 5/56-10/56, report and proposals of that committee. Dates-5/56-10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- appointments to committee, general operation of Estate, suggested budget, list of Melcher paintings owned by VMFA, loans of art works, drawings/blueprints: G. Melchers Studio air conditioning system and proposed plaque for ashes of Mr. and Mrs. Melcher. \"Belmont Agency Agreement\", Bill to transfer Melchers Memorial from VMFA to Mary Washington college. Dates- 4/56 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- First Chairman of Fellows: 1st Annual Meeting and statement of purpose. Exhibitions: English Painting, French Portraits, Sport and Horse, Artmobile. Old Dominion Foundation and his membership on the Executive Committee, gifts, donations and contributions. Dates- 2/38 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His membership on the Board of Trustees, Fellows, Collectors Circle. Biographical info, loans of art works from his personal collection, donations and gifts to VMFA and the National Gallery, Artmobile, as a recipient of the Benjamin Franklin Award: statement of purpose, nomination form, list of contributions, newspaper clippings, photocopies of magazine articles, invitations , etc. Dates- 1965 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Robertson. Subject- Collectors Circle, Fellows, term as VMFA Vice President. Press releases, newspaper clippings, contributions and gifts. Dates- 4/60 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Members lecture series. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Higgins, Jr. (Pres.) and C. Humelsine (Pres.) Subject- Draft of letter to membership regarding schedule of events etc. Dates- 9/71 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program where paintings from contemporary Virginia artists would be loaned (rented) to members to have in their homes. Members could also purchase the paintings. \"Designed to bring the work of Virginia artists into the homes of Virginia citizens.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Wm. Higgins. Subject- Monthly membership report summary, Chapters/Affiliates reciprocal membership program, letters of general correspondence to the membership. Dates- 4/70 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of the Membership Committee 1/48, 2/49 and a letter supporting the proposed theatre wing from Mrs. Wm. Trigg, Jr.(Civic Theatre Committee, Div. of Recreation, City of Richmond). Dates- 9/47-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Membership report, promotion, agenda, roster of committee members, minutes of committee meeting. Dates-8/72 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes of membership committee, elements of campaign to attract new members and move members to higher categories. Dates- 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Guided tours for prospective members, agendas, schedules, newspaper clippings, excerpt from Minutes of Executive Committee 12/14/72. Dates- 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Webster Rhoads (Pres. of Museum Board) and R.A.Velz (Administrator). Subject- list of new museum members, request form for membership, Membership Reports 1954-5 and 1955-6, list of membership privileges, etc. Dates- 11/55-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. W.A. Nones (Chair, Trustees), J.M. Brown and C. Humelsine. Subject- General membership information, schedule of events, calendar, pamphlets, etc. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership rosters of local organizations, copies of a cover letter soliciting members, etc. Dates- 1/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey results, years of membership, exhibit preference, age, attendance, annual contribution. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- planning stages for corporate memberships, proposed fees, privileges, etc., counsel from other US art museums, list of corporations to be approached about the idea, etc. Dates- 1946- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Corporate membership drives, presentation to J.C.'s, excerpt from Newsweek. Dates- 6/60 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Members art studio classes and lecture series. Dates- 6/54 - 9/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 6/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 9/54-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Velz. Subject- memos regarding segregation and other policies at the Museum. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek and R. Velz. Subject- Miscellaneous information concerning collections in general: treatment/condition reports, insurance, loans, installations, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Miscellaneous museum operation: Artmobile, Art Lending Service, Virginia Artists, lists of objects on loan, exhibitions, damage reports of objects and gallery inspections, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- inter-office memorandums on various subjects. Dates- 12/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek and H. Glasser. Subject- Exhibitions, Pratt Collection, gallery inspections and all manner of museum operations and programs. List of lost objects on loan to the Bon Air School for Girls. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Inter-office memos concerning insurance valuations, loans, lectures, library, exhibitions and policy on filing acquisitions data and damage reports. Date- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets published by the state Department of Mental Hygiene and Hospitals and the Mental Hygiene Society of Virginia. Dates- 1951-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and various staff at the Metropolitan Museum. Subject- museum practices, long-term loans of Egyptian art and artifacts, securing speakers, etc. Dates- 1/55-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J. Rorimer (Dir., MET) and A. Priest (Curator, MET). Subject- Damage to MET's \"Bacchus\", objects to purchase, loan requests. Acquistions and gifts: Tibetan Scroll; Coat of Japanese Mail. Dates- 11/69 - and/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Michael Jacobs Gallery. Subject- loan of painting (George Washington by Gilbert Stuart) for inaugural exhibition. Dates- 6/35-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Midwestern book competition for which Cheek served as a juror, competition judged in Richmond, lists of criteria and books, printed material for the competition, etc. Dates- 4/56-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Jo Mielziner. Subject- friendly letters, mention of possible Mielziner exhibition, etc. Dates- 12/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, list of stage designs available for purchase, his lecture to VMFA, schedules and agenda's, etc. Dates- 10/54 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Miller and Rhoads department store staff. Subject- showing VA artist work in store windows, borrowing supplies from the display department for the Museum (folding chairs, textiles), etc. Dates- 2/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W.S. Rhoads. Subject- Nomination of Miller and Rhoads, Inc. for Esquire magazines 1st annual \"Business in the Arts\" award. Support of Artmobile II. Exhibition: \"Masterpieces in Millinery\", spring 1958. Preliminary outline of fashion costume requirements for VMT \"Lady In The Dark\". Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Speaker: Philip Adams. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. John M. Miller, Jr. Subject- Trustee/Museum business, Miller served as a member of the Membership Committee, etc. Dates- 6/35-7/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mr. J.G. Pollard, Jr. Subject- asking Mr. Milliken (Director of The Cleveland Museum of Art) for counseling on acquisitions, draft of an agreement where Milliken counsels the Museum staff about proposed acquisitions, etc. Dates- 3/58-3/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from B. Mills in his role as Asst. Administrator of Personnel. Subject- Records, applications, payroll, medical insurance, announcements of new employees and terminations. Dates- 9/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and L. Cheek, Jr. and The Mint Museum staff. Subject- museum practices, loans, etc. Dates- 8/46-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- obtaining the motion picture for which the drawings in the exhibition \"Gil Wilson 'Moby Dick'\" were made. Dates- 12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- printed material for exhibition \"Modern German Art\", invitation to Mr.and Mrs. Alfred P. Jenkins for dinner and exhibition preview, (Mr.and Mrs. Jenkins owned the modern German art collection shown). Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Creation of James Monroe Bicentennial Commission. Dates- 8/57 - 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown between MAC. subject- Section 21-2 of the Richmond City Code: designation of Monument Avenue as an Historic District.  Minutes of meeting of MAC, 4/24/71 and 5/19/71.  Program Planning Task Force, editorial broadcast, roster of members, Articles of Incorporation, By-Laws, agendas, proposals and pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and Mr. Charles Moore. Subject- Moore's application for the Director/Producer position in the Virginia Museum Theatre. Dates- 12/56-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data and his lecture tour to the VMFA. Dates- 4/53 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Georgia Watson Morgan. Dates- 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Search for candidates for public information supervisor, job requirements, resume, publicity agendas, public information schedules, Bulletin vol.20, no.3. Dates- 6/59 - 7/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Mulholland (magician), biographical data/pamphlet, his magic presentation to the Fellows and VMT. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, his address to VMFA membership concerning architectural history. Dates- 10/55 - 8/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Munn Last Will and Testament with list of objects bequeathed to VMFA. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and T. Colt. Subject- Mural competition for Virginia State Library entrance hall: selection process, general assembly commission of monument to Stonewall Jackson. Dates- 4/46 - 6/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Envelopes of photos and negatives of Pre-Columbian art objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Gallery attendance and educational groups. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Oct. Bulletin 1954, copies of the following Members' Bulletins-vol.15, no.2 (10/54) and vol.13, no.3 (11/52). Dates-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison. Subject- working papers for Members' Bulletin Oct. 1955, VMFA calendar 10/55, etc. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Oct. Bulletin 1955. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Design of annual Christmas cards by Virginia Artists: John Ballator, Charles Smith, John Canaday, Allan Jones, Ross Abrams, Julien Binford and Prentiss Taylor. Dates- 11/48 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns transportation for the Museum lecturers and guests 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Christison and Mrs. Pollard. Subject- Inquiries from other institutions regarding museum operations, budget, services, corporate membership, Trustees, etc. Lists of purchases, Fellowship recipients. Dates- 1937 - 53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Arrival of Hollins and VCU students to work on specific projects for one month. Dates- 12/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Proposal and tentative plans, prospective filmmakers. Minutes of Executive Committee of Southern Educational Film Production Service. \"Motion Picture Production\": Study by H. Jeff Forbes and Associates regarding promotion of VMFA. Dates- 11/46 - 2/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memos about various museum topics. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, V. D'Amico (Dir. MOMA), M. d' Haroncourt. Subject- Art education standards, exhibitions, loans, lectures, museum policy, juror search and Jamestown Commission. Dates- 11/55 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Head of Administrative Division), Mrs. J.G. Pollard and L. Cheek, Jr. Subject- suggested future organization of the institution, operating procedures throughout the building, etc. Dates-2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding the division of expenses between the theatre and the museum, 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Promotional literature on the VMFA. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Material deals with segregation policies at museum events. 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence pertaining to printing. Bulletin mock-ups and copies of the following bulletins: Vol.6, No.4,  Vol.7, No.'s 2and7. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and magazine articles. Photographs, press releases etc. 1955-57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed budget groupings for VMFA, according to departmental divisions and table of organization. Dates- 1948 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events, timetables, agendas, Robinson House, housekeeping, security, VMT. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of events, exhibitions, Robinson House. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Schedule of events, mailing schedules, spring agenda, Confederation Conference, Robinson House, VMT, gallery closings, Discovery Cruise: Land of Maya. Date- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Suggested talk by Pres. of Museum to guests at Safari Dinner in Medieval Hall. Dates- 1/22/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Travel package for travel to Asia, brochures, cultural travel tours. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Policy regarding loans of art works to other Museums, employment search, provenance of art objects, pamphlets, newspaper clippings, etc. Resolution: To order immediate safe return of German master works after Nazi occupation, signed by U.S. museum directors. Dates- 4/46 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Applicant search for various positions, invitations, announcements, exhibitions, etc. Press kit for the Milwaukee Art Center. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- General correspondence on exhibitions, loan requests, museum business, job placement, magazine and newspaper clippings. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions, loans, policy. Dates- 12/60 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of music series and members of committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- schedule of program of recorded music, announcement of 6th artist evening 1/46, Museum Bulletin Vol.5, No.2, etc. Dates- 2/46-5/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Jerome Myers. Subject- acquisition of his painting: Street Scene, N.Y., his acceptance to the National Exhibition of American Art, N.Y., etc. Dates- 4/36-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- General correspondence to Trustees and membership, letters to Robert Neutra, exhibitions: Henry Moore, Sport and Horse. Agendas, travel itinerary, events and invitations. \"Encouragement of the Nations Arts\", an appeal to congress, and \"Proposed Federal Advisory Council on the Arts\", Hon. H. Alexander Smith, U.S. Government Printing office, Washington D.C., 3/26/57. Requests for employment, postcards, pamphlets and photographs. Artists: Jean Nikolic. Accessions and Gifts: \"Disasters of War\", Goya; \"Lore Fuller\", Raoul Francois Lanke; \"Dancing Girl With Tambourine\", A. Leonard; \"La Revre Blanche\", Toulouse Lautrec; Revere and John Andrew spoons and vase possibly made by Johannes Loetz Witwe. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Namuth's exhibit of photographs at the Brussels World's Fair, as a juror VMFA. List of Seventeen painters photographed by Namuth: Wm. Baziotes, J. Boynton, L. Calgagno, N. Carone, R. Diebenkorn, J. Ernst, S. Gechtoff, G. Hartigan, E. Kelly, W. Kienbusch, G. Mueller, K. Morris, B. Perlin, C. Marca-Relli, R. Motherwell, A. Reinhardt, L. Siegriest, with original notes by Namuth. Letter from J. Ernst with signature. Date 4/61 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statement of purpose and future of NCA, Board of Directors, Members of Council, fellowships, program grant application. Essay- \"National Endowment For The Arts Before The House Appropriations Subcommittee On The Interior And Related Agencies Tuesday, March 14,1972\", statement by Nancy Hanks (Chair): \"New Dimensions For The Arts: 1971-1972\" Dates- 1970-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L Cheek. Subject- Bill: S. 2379, To provide for the establishment of National Council on the Arts and National Arts Foundation. \"Congressional Record: Proceedings and Debates of the 88th Congress\" Dates- 2/64 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Public-Law 85-874, S. 3335: charted by the 85th Congress to establish a bureau in the Smithsonian Institution devoted to the Performing Arts. \"Peaceful Use Of Creative Energy\": transcript of lecture given by Col. Corrin Strong at the Tri State Arts Conference 4/29/61; Report: \"The National Cultural Center Part Two: What Goes into the Center\" by Dr. Carelton Sprague Smith, 10/60. Minutes for the NCC Executive Board: 5/23/60 and 6/29/60 Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. cheek. Subject- VMFA Council sponsorship of a closed circuit telecast by NCC: \"An American Pageant Of The Arts\". Suggested text of publicity folder, invitations, Newsletter: \"Footlight\", vol.1 no.3.; \"For A Cultural Capital\", Eleanor Roosevelt, 1962, United Feature Syndicate, Inc. NCC, later to be named the \"Kennedy Center For Performing Arts\". Dates- 7/62 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exchange of ideas and experience with other institutions who use audiovisual tool to communicate with museum visitors. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of appeal to serve on Virginia NEFTA committee, roster of members. VMFA appointed as the state agency for the administration of Federal matching funds; to aid in expanding the cultural horizons of a states and territories. \"Guidelines\" 1/67, NEA, Washington D.C.; \"National Foundation On The Arts And The Humanities, Question and Answers\", U.S. Government, Washington D.C., 1965. Dates- 1965 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey of membership, officers of VMFA, according to race, gender, age, position and time served. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz. Subject- Grant proposals, application, letters of support, proposal for a Regional Conservation Center, Soldiers Home, American Marine Painting, NEA statement of purpose, Museums A.S.A. Study, Museum Program guidelines, Smithsonian Puppet Theatre, Young Peoples Theatre Safari, \"American Painting 1974\" and newsletter from the Arts Reporting Service. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Financial assistance to Chamber Music Societies, season brochures, project grant application form for Va. Chamber Music Society. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Grants received by Arts/Cultural organizations in Virginia: guidelines, program committee members, agendas and minutes from the program sub- committee 3/7/68. NEFTA project recommendations for a regional conservation center. Dates- 6/76 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT survey, McLean Arts Center, guidelines for program grants. Senate Joint Resolution No. 67: to create a Virginia development study commission, bill 1483: National Foundation on the Arts and Humanities Act of 1965 and a report with guidelines for VMFA as the sole administrator of NEFTA matching grants. Study for Virginia Artist and Craftsman in regard to education and support. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Grant applications from Virginia Dance Society, VMFA, Confederation of Virginia Art Organizations and Budget proposals. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- State guidelines and general information, terms and conditions, NEA matching grant to begin statewide professional operation of VMT. Addresses of applicants for state grants, roster of Virginia NEFTA committee members. Dates- 2/66 - 6/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Regarding J.M. Brown's service on committee to evaluate grant applications. Valentine Museum NEA application, pamphlets. Date- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for exhibition \"Designer-Craftsmen 1953\" presented in conjunction with the American Craftsmen's Educational Council, Inc., (ACEC), letters to jurors, etc. Dates- 9/52-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and National Gallery of Art. Subject- preview invitations, exchange publications, excerpts from Roosevelt Art Address (from dedication of National Gallery 3/41), loan request for VMFA inaugural exhibition, etc. Dates- 3/41-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets and information about \"National Park and Recreation Week\" sponsored in Richmond 5/21-5/30, 1949. Dates- 4/49-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Geographical directory, \"Historic Preservation\" journal, vol.11, no.3, 1959 and Melchers Memorial. Dates- 1959 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Organization membership information form, questionnaire. NTHP certificate of associate membership 1971-73, employment placement and service pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Travel itineraries, objects for prospective traveling exhibitions, list of slides, forgeries and thefts. Accession and acquisition proposals. Dates- 1/61 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Conservation of objects/paintings, loans. Accessions committee meeting agenda, 10/69. Report on Authenticity of \"Marble Head of a Horse\", Heermaneck Ancient Iranian Collection. Exhibitors: The child and his World. Condition reports and repair estimates for tapestries. Photographs Dates- 12/69 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Sydney Lewis and Peter Mooz. Subject- Authenticity of Cycladic Harpist and 18th century American secretary. Provenances of various objects, conservation and treatment reports. Catalog: \"Arshille Gorky\" Dates- 1/74 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Sydney and Frances Lewis and Peter Mooz. Subject- Conservation/treatment reports, Artnian Collection of self-portraits. Conservation/treatment reports, Kent Independence Portfolio. List of Art Nouveau objects, damage reports, African Collection. Report of authenticity regarding the Cycladic \"Harpist\". Letter from Arnaldo Pomodoro regarding a base for \"Rotating Sphere\". Dates- 5/75 - 8/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Hours of operation, VMFA and other museums, attendance records, VMT, security, UNESCO newsletters 4/58 - 8/59, newspapers and magazine clippings, press releases. Dates- 7/59 - 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cheek's annual N.Y. cocktail party: guest lists, arrangements, rosters of speakers to VMFA: 1951-52 and 1952-53. Dates- 1952 - 54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newsletter to Trustees concerning exhibitions and appointments to Executive Board, accessions, building, etc. Dates- 11/70 - 8/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Morrison (P.R. VMFA), F. Palmer (P.R. consultant), D. McCammond (P.R. Reynolds Metals). Subject- Public Relations of E. Newsom and Co. to conduct a study to determine the needs and potential of VMFA. Program organization, community relations, film, book press material, schedules of events, etc. Dates- 8/58 - 9/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- A survey targeting the needs, current and future of VMFA, with solutions/resolutions for every aspect of the museums' operation. Dates- 11/58 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. A. I. duPont and F. Palmer. Subject- Roster of members of Board of Trustees, letter of appeal for pledges, principal elements of Newsom Program. Dates- 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. A.I. duPont (chair, Ann. fund). Subject- Strategy to raise funds through the Trustees to finance the Newsom Public Relation Firm program for VMFA. Drafts of letters to Trustees, progress report, minutes of 25th Anniversary Committee, 9/8/59. Dates- 12/58 - 7/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- all manner of museum operation: security, policy and procedure, personnel policy. operating budget and VMT. Diagrams of electronic console panel. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Museum business, construction and installation project schedules, budget, Equal Opportunity regulations, design contract for the Council shop, salary scales. Dates- 10/73 - 1/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum business, Conservation Lab, Fine Arts insurance coverage, budgets, Cabell Foundation gift. \"Report on the Freedom of Information Act\". Depreciation of \"Death of Regulus\", Salvatore Rosa. Dates- 12/74 - 7/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum business and operations, budget, contractual agreement between VMFA and Harwicke Associates, Inc. for North Wing project. \"Organization of the Virginia State Government\". Dates- 10/75 - 11/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- UVA architect and his membership in the Collectors Circle. Dates- 1/63 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General assistant to VMT, employment recommendation. Dates- 6/55 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Possible acquisitions from his gallery. Dates- 10/62 - 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L Cheek and J.M. Brown. Subject- Loans, exhibitions, VMT, Rotunda Club, Fellows. Accessions and gifts: \"Metamorphosis\", Grillo. Dates- 4/57 - 6/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- correspondence with individuals, institutions and companies beginning with the letter \"O\". Dates- 4/43-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, photo and job description/responsibilities as program director for \"Art Column\". Dates- 3/61 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- As a scenic design consultant, his lecture to VMT in connection with the Exhibition: \"Design For The Theatre\". College Drama Festival, biographical data. Dates- 1/60 - 2/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Mellon, E. Brooks Jr., and M. Bush. Subject- Financial support: Artmobile II, building grant and museum survey to expand visitors use to VMFA. Photographs, newspaper clippings. \"A Study in Modern Giving: The Old Dominion Foundation\", reprinted from articles in Richmond News Leader. \"Bollenger Series\", catalogue of special edition books. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Bush (Asst. to Pres. of ODF) and P. Mellon (Pres. of ODF). Subject- Financial assistance to VMFA, Artmobile II, collectors circle, and Old Dominion Foundation statement of purpose. Dates- 9/58 11/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Dan Olney. Subject- receiving a Senior Fellowship 1941/2, outline for a lecture, etc. Dates- 10/40-6/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Governor Thomas B. Stanley. Subject- opening of the new wing. Dates- 8/54-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- opening and reception for Governor Stanley. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitations and replies to the opening of the Members' Suite, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opera Society's first season. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- miscellaneous printed materials for the Museum, etc. Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- tickets to the Museum for State Lions' Club convention, etc. Dates- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- ideas/proposals for \"Members' Room\", suggested operating procedures, menus, pricing, etc., cost estimates, \"Refreshment Room Statement\" 1955, etc. Dates- 1/55-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre operations proposals, list of staff, their duties and salaries, etc. Dates- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- lists of statewide business, civic, commercial and other organizations, invitation list for General Assembly/Governor's reception, etc. Dates- 1953-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Orloff's (Chief-interpreter of U.N.) lecture to VMFA concerning the Faberge Collection, Biographical data. Dates- 11/49 - 4/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of inquiry to firms specializing in plaster and wood ornament, catalogs. Dates- 5/54 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- museum practices especially concerning finances of other US art museums, etc. Dates- 4/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Near and J.M. Brown. Subject- Artmobile, VMT, Collector's Circle, Fellows, Chapters/Affiliates, biographical data, campaign to restore the Jefferson Hotel, list of exhibitions from 1942 - 45.  International Exhibition Foundation, the appointment of John A. Pope (Director of Freer Gallery) as advisor/consultant to VMFA for expansion of Far Eastern Collections.  Acquisitions and gifts. Artists: Nell Blaine, Howard Kanovitz, Otto Piene. Gifts: Masson lithograph, Irving Penn photo and 15 Russian 19th century paintings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Painter's lecture on \"Armor and Medieval Man\" to compliment the \"Arms and Armor\" exhibition, biographical data. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Nelson Parker. Subject- announcement of Board meetings, etc., Date- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Appeal to Virginia Senate and legislature regarding sufficient museum parking utilizing land belonging to the UDC (United Daughters of the Confederacy). Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gift of Egyptian Gallery and English Decorative Arts Gallery. VMT, and her membership as a Fellow and in collector's circle. Dates- 4/61 - 10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. J.G. Pollard and Executive Committee of the Board. Subject- proposal and planning stages of conferring an honorary degree of \"Patron of the Arts\". Dates- 6/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject-housing J.B. Payne books in library of the College of William and Mary in exchange for paintings from their collection of art for display at the Museum. Dates- 1/50-4/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek's service on the Board of Trustees and on the Advisory Board of the School of the Arts. Minutes of U. of P. Executive Board, 4/8/60, 4/29/63, 4/26/65 and Annual Report of Graduate School of Fine Arts, 3/64, 5/65. Dates- 10/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek as chair of Fine Arts Committee. Subject- Letter to P. Coombs on his appointment as Assistant Secretary of State for Educational and Cultural affairs, UNESCO newsletter, Nubian archeological sites. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and A. Frankfurter (editor, Art News). Subject- VMFA general collection, list of gifts and purchases, 1955-67, scope of exhibitions, dates, publications, colorplates. List of VMFA Board of Trustees, 1962, Gobelin Tapestries. Dates- 1953 -64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Articles based on exhibitions and general collection of VMFA, VMT, invoices, newspaper clippings, pamphlets, reviews, newsletters. NEA museum programs, research education grants. Dates- 1967 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Articles of VMFA: \"A Spring View of Virginia Museum\", 10/56, Wm. Lacey, Editor; \"Art isn't Caviar at this Museum\", Sidney Shalett, 7/57, The Diplomat. Dates- 10/56 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Articles and editorials pertaining to VMFA: Newsweek, Time, Art Gallery, Antiques, Museum News , etc. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Harper's Bazaar, New York Magazine, Apollo, reviews. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Editors V. Dabney (RTD) and J. Kilpatrik (RNL). Subject- Artmobile, reviews of VMT and media coverage by print journalists, newspaper clippings. Essay- \"The Arts In The Sixties\", by L. Cheek. Dates- 11/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and F. Stewart and C. Jones. Subject- Exhibitions: \"Form Givers\", Sport and Horse\" and Mellon Collection. Dates- 2/60 - 12/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information on candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Job descriptions. Dates- 1953 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, P. Near and L. Cheek. Subject- Fellowships: list of recipients from 1940 - 1955. Prospective employees and VMT. Dates- 12/54 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- personnel rules and procedures of VMFA and the Commonwealth of VA, mandates from the Governor's office, additional personnel and pay increase requests, Roster Cards (listings of all employees and pay rates), etc. Dates- 8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., and R.A.Velz (Administrator). Subject- listing of division duties, proposed salary ranges, information about hiring an artmobile driver-curator, etc. Dates- 2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of L. Cheek, Mrs. J.G. Pollard, theatre staff, Ariel Ballif, Vincent Bowditch, Arthur Ballet, R. Velz and P. Near. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Personnel matters. Dates- 4/66 - 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains general information about the system and ratings for museum employees. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about the candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about various candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Governor's personnel survey staff. Subject- employment questionnaire, job descriptions (buildings and grounds staff, watchman, registrar, secretary, etc.), etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Governor's personnel survey staff. Subject- employment questionnaire, VMFA tentative classification of positions (3/37). Dates- 10/36-4/37.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Fiske Kimball (Director of Penn. Museum of Art). Subject- loans for VMFA inaugural exhibition, exchange publications, counsel on museum practices, etc. Dates- 5/35-5/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R.L. Dickinson (Hanover Bank). Subject- The Library of Philanthropic Information at the Hanover Bank, New York City. Dates- 11/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- E. Turpin Phillips, a Virginia citizen and his request to see proposal plans for expanded museum parking onto UDC property. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Consultant for VMFA acquisitions. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Duncan Phillips (Director, Phillips Memorial Gallery). Subject- request for loans to VMFA inaugural exhibition, etc. Dates- 9/35-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Installation of VMFA photography department, list of equipment and supplies, employment of staff photographer: Gordon Burns. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of entries to the \"19th Photographic Salon\" exhibition, schedule for jurors, etc. Dates- 3/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) and L. Cheek, Jr. Subject- purchase requests for photographs. Dates- 10/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Ivan Dimitri as Director of Photography in the Fine Arts at the Brussels World's Fair, his service on the advisory committee, list of photographs given to VMFA from the PFA exhibition. Directors of America's Finest Museums: portraits, credo of on art and their personal selection of photographs from the PFA archives was the subject of the World's Fair exhibition. Etching by Levon West (Ivan Dimitri). Dates- 12/59 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Atillio Piccirilli. Subject- biographical information, loans of work to the Museum, etc. Dates- 7/35-1/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- viewing the feature film 'Pictura \"An Adventure in Art\"', invitations, contributions, listing of attendance, etc. Dates- 2/52-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Herman Starr (Pres. Pictura Corp). Subject- A group of films devoted to the fine arts. Presentation of \"Leonardo da Vinci\" at Richmond's Lee Art Theatre and film on Goya to accompany exhibition. Dates- 1/51 - 3/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Gallery dinner, menu, agenda, program for event. Dates- 8/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- policies on use of meeting rooms and studios, special food service, interpretative services, scheduling programs, etc. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence to and from him when he was President of the Board of Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- the VMFA inaugural exhibition, Museum events, finances, Museum Board business and bequests/gifts to the Museum, etc. Dates- 1/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- Museum operations, investments, finances and gifts to the Museum, etc. Dates- 1/37-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as President, Trustee and membership in the Collector's Circle. Biographical data, museum business: operating fund, Artmobile, Newsom Report, 25th Anniversary fund, Melchers Estate transfer, gifts, contributions, Fellowship Fund. Exhibitions: Sport and Horse. Dates- 9/53 - 2/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as a Trustee, VMFA Resident Craftsman Program. Dates- 2/64 - 2/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Design of members Bulletin, records retirement, museum business. Dates- 1949, 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum business, Pratt installation, museum courses and equipment. Dates- 9/54 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Gift of \"Rotating Sphere\" from Lloyd Noland. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- As founder and director of the Barter Theatre, proposed plans for Theatre Virginia and NEA funding. Dates- 4/67 - 5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and Mr. David Payne. Subject- correspondence with Payne about arranging the exhibition \"Portraits by David Payne\", biographical information, letter from Phillip Johnson, etc. Dates- 5/51-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, L. Cheek, Priscilla Crum (Curator, Asst. in Education). Subject- Gallery representing portrait artists, biographical data on various artists and portrait of Senator Byrd. Photographs. Dates- 6/45 - 11/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statewide tribute to John Powell (a native of Virginia) and the presentation of his \"Symphony in A\". Date- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Correspondence with Pratt as a trustee. Discuss first Easter egg exhibition in 1949 and Hammer visit. Letter from Schaffer (A La Vieille Russie) in 1949 about lending some pieces for an exhibition. Includes a few letters from Mrs. Pratt before she died, about a Faberge table donation in 1942 and donating \"Twice Seven\" to the Library. Establishment of the Fellowship fund, including letter from Twombly as early recipient. Pratt Collection: insurance estimates and installation. Gift of funds to purchase the first Artmobile from Pratt and Miller and Rhoads. Dates- 7/40 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, Fellowship committee, underwriting of Faberge booklet, terra-cotta statue of \"Diana\" from the Pratt Estate given to VMFA, newspaper clippings. \"A Plan For Fellowships For Virginia Artists\" as suggested by Mr. John Lee Pratt. Minutes from Fellowship Committee meeting, 6/12/42. Dates- 12/49 - 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. John Lee Pratt. Subject- Trustee/Museum business, VMFA fellowship updates, etc. Dates- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown. Subject- Biographical data, fellowship recipients: Cynthia Morehead Smith, Paul Steuke, June Chapman, Fred Bonds, Richard Kevorkian and Reginia Perry. Pratt Collection: catalogue, except from forward by L. Cheek, questionnaire regarding Mrs. Pratt's initial contact/purchase sources for Russian Jewels, list of objects bequeathed by Pratt Estate. Dates- 1/57 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposals and cost estimates for Healy's Sitters exhibition and Pratt collection catalogues. Dates- 4/50-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek, Armand Hammer (Hammer Gallery) and Alexander Schaffer (La Vielle Russie Gallery). Subject- Legal claim against the Romanoff Family assets via the Pratt Collection of Russian Jewels. Possible lawsuit by A.G. Sharkey, President and Trustee of Marine Transport Service Corporation in NY who had judgment against Czar Nicholas Romanoff since 1918. Hammer and Schaffer dismissed it. Details of Pratt bequest, provenance of objects, announcement of bequest with sample of text to be used in pamphlet. Excerpt from \"Twice Seven\", by H. C. Bainbridge, E. P. Dutton and Co. Inc., 1934 (reference to Faberge Jewels owned by Armand Hammer). Dates- 8/47 - 10/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. J. G. Pollard. Subject- Installation, list of items on exhibition, security and transportation. List of objects in the collection of Mrs. Joseph E. Davies and pamphlets. Correspondence regarding various showings around the state - Roanoke in 1950 and Norfolk in 1951. Dates- 1/49 - 4/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from C. Humelsine. Subject- General correspondence to the VMFA membership, calendar of events, museum news. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to the media from the Museum. Subject- news releases about Museum events. Dates- 10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News releases about Museum events. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- positions and duties for volunteers and guards during an undisclosed preview. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Gov. Price. Subject-proposed salary increases, Board meeting announcements, nomination of Colt to select work to go to the Annual Exhibition of American Art 1938. Dates- 1/38-11/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- On the occasion of his being collector of the Year 1964, his cookbook including photographs of VMFA and the menu from the Collectors Gala, newspaper clippings. Gifts: Lachaise drawing. Dates- 6/63 - 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Grigaut and P. Near. Subject- A. Priest as Metropolitan Curator of Far Eastern Art, his service as a consultant to VMFA (1963-69) in the formation of the Asian collections. Correspondence on examination and provenance of works in the VMFA. Minutes of Executive Committee, 9/9/63, 12/8/64, minutes of Accessions Committee Meeting, 9/9/63. \"A Buddhist Paradise\", A. Priest, AIV, 1963. Newspaper clippings, postcards, etc. Dates- 1963 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) and Mrs. J.G. Pollard. Subject- printing schedules for 1956, miscellaneous print job specs, etc. Dates- 11/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- asking local corporations to fund the printing of school guide sheets for the Museum. Dates- 8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence pertaining to bulletin layouts, copies of Members Bulletin Vol.9, No.'s 1and7 and copies of Christmas cards 1948-9, etc.. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum publications: Contemporary Paintings 1946, Program Season of 1947-8, The VMFA Annual Report 1947-8, Virginia Art 1947 and Museum Bulletins: Vol.3 No.'s 1,2,4,6and9,  Vol.4, No.'s 4and5,  Vol.7, No.'s1,2,3,4,5,6,7,8and9,  Vol.1, No.8,  Vol.8, No.'s 2,3,4,5,6,7,8and9,  Vol.9, No.'s 1,4,5,6and8. Dates-9/42-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- securing a speaker (Robert T. Paine) for the exhibition \"Prints by Hiroshige\", thank you note to Mr. Paine, etc. Dates- 11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed programming for the Museum. Dates- 2/49-9/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and lecturers. Subject- proposed program/events and exhibition schedule, biographical information on lecturers, etc. Dates- 10/50-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- Artmobile schedules, Three-Days-In-March, members travel, grants, pamphlets. \"Proposal For The Development Of American Writers And Resources With Special Emphasis On The Production Of New Forms Of Drama Created Especially For Television\"; The Mark Report\": A survey and evaluation of VMFA statewide programs. Dates- 1974 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safaris, Artist-in-Residence, lectures. Film series: \"The Romantic Rebellion\", exhibitions, COVA events, agendas, Professional Workshop. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Nancy Durett. Subject- violin recital 4/47. Dates- 4/46-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- memos to determine dates for the Trust Fund Orchestra to perform at the Museum. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- VMFA educational services, VMT and all manner of print and broadcast media promotion. Exhibitions, publicity schedules, press releases and newspaper clippings. Dates- 9/50 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General invitation to groups to participate in VMT. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Prospective givers: foundations and individuals. Date- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newsom Report: \"A Report To The Virginia Museum Of Fine Arts\", 11/19/58, Earl Newsom and Company, a study of VMFA public relations, information and communications responsibilities. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Various outside publications mentioning VMFA, 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Design and production of AIV: promotion, organization, printing schedules, contributors , etc. Catalogue \"Architectural Drawings in Virginia\" and \"\"Confessions of an Ex- Elitist\", M.W. Fishwick, Popular Culture Association, American Studies Institute, Lincoln University. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photo of the Museum and of the \"Brussels Tapestry Exhibition\" 1949, Museum publications: VMFA Catalog of Paintings 1938, The Collection of Catesby T. Jones, 1948, and the following VMFA Members' Bulletins: vol.10, no.'s 1-5, etc. Dates- 1938-1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- copies of the following publications: The VMFA Annual Report 1947-8, The T. Catesby Jones Collection, Contemporary American Paintings 1948, William James Hubbard, Three Virginians Behl, Hunter, Blaine, Portrait Panorama, Program Season of 1947-8 and Member's Bulletins: Vol.1, No.8, Vol.8, No.'s 2,3,4,5,6,7,8and9. Dates- 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release, jurors. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the Parsons gift of the Egyptian Gallery and 25th Anniversary Fund Committee. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations to the VMFA's 25th birthday celebration for the affiliates, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release announcing loan of Chinese wine vessel. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 25th Anniversary projects, press release: message from the President (Robertson). Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Appeal to Trustees for contributions to the Drama Festival.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: 28th Virginia Artists Rotating Exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing a network of local art centers and museums affiliated with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VMFA as regional jury center for the national exhibition \"Designer-Craftsmen-U.S.A.\", news releases, information on obtaining a jury and a speaker, etc. Dates-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Va. Architects, Photographers and Designers, seminar for Historical Administrators, VMT and Virginia Composers Concert. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release and photo for first issue of AIV. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release on Arts in Virginia. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains a cover letter for a mailing, no date. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing 25th anniversary events, exhibitions, VMT, etc. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing conclusion of 25th anniversary celebration with the presentation of awards to Colonial Williamsburg, The Old Dominion Foundation, sculptor: Carl Milles, architect: Eero Saarinen, collector\" Robert Lehman and Naval designer: William F. Gibbs for their outstanding contributions to the Arts in Virginia. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- obtaining the exhibition \"Built in the U.S.A.\", presenting programs related to the exhibition, biographical information on Phillip Johnson, etc. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photo of \"Little Triton\" fountain for the Bulletin, copy of Members' Bulletin vol.15, no.1(9/54), etc. Dates- 9/53-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Members' Bulletin. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Members' Bulletin, calendar of Museum events. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vol. 13 no.'s 1-9, 1952-5/53; vol. 17 no. 8, 2/57; vol. f19 no.'s 7 and 8, 3/59 - 4/59. Biographical data on Iren Marik, pianist, and reviews. Dates-1952 -53, 1957, 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vol. 20 no.'s 4-6, 12/59-2/60 Dates- 12/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases: Tours organized through Virginia Federation of Women's Clubs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases: season opening production and call for volunteers. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Extended performances of VMT's \"Carousel\". Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Bus trips to VMT. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of certificate winners and a gallery guide from the \"Virginia Artists\" exhibition 1955. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Portions of VMT concert to be broadcast with commentary and explanations of technique. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Programs and photographs. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Information regarding the Museum's chapters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photographs [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing festival with guest artists: Helen Tamris and Daniel Nagrin. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Critic, Stella Adler, Speaker: Alfred de Liagre. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- TV news film of highlights of the College Drama Festival, script, telegrams and surveys to Virginia TV stations concerning air time and usage. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Announcement of individual participants announcing their attendance in the festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loan of Cone collection from the Baltimore Museum of Art to VMFA for an exhibition, a catalogue of the Cone collection, news release about the  bequest of the collection to the Baltimore Museum of Art, etc. Dates- 10/49-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Public information schedule for exhibition: \"The Architecture of Skidmore, Owings and Merrill\", \"The Little International\". Artmobile public and information schedule and Bulletin, vol. 19, no.2 10/58. Essay- The Little International Exhibition\", Fred Olsen, 4/57. Dates- 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills, reviews and biographical data.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- list of designers proposed for inclusion in the exhibition \"Design for Theatre\", tentative list, etc. Dates- 8/52-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing loan of painting by Winslow Homer. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Evaluation of the Discovery Television Series sponsored by the San Francisco Museum of Art. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Statewide Press Release announcing fellowships 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press Releases regarding fellowships 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills and posters. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Buckminister Fuller. Subject- Exhibition of the work of 13 leading architects, opening lecture given by Buckminister Fuller, list of catalog content, gallery talk, press release, invitations and biographical data. Photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing formation of a fundraising committee for the 25th anniversary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions: \"Drawings From Five Centuries From The Cooper Union Museum\", \"Hans Moller\", \"Is Photography An Art\", \"Sport and the Horse\", \"25th Anniversary\". Parsons gift of the Egyptian Gallery, Chamber Music Society, Virginia Artists, evening hours, speakers/lecturers, Virginia Art Alliance, state services, Fellowships, Search for a female collector with a collection of Imperial robes. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases announcing exhibition of contemporary glass. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions: Skidmore, Owings and Merrill (AIA for Reynolds Building), publicity, progress report on exhibition arrangements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Ivan Dmitri. Subject- Symposium on photography conducted by Dmitri with a panel composed of: A. Hyatt Mayor (MET) and Hilton Kramer (Arts Magazine). List of paintings and photograph comparisons and press releases. Photographs. Dates- 10/59 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Status report of the Broadway production. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about the loan exhibition. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Speaker 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: History of Lynchburg Center published in the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Brief film on masterpieces of American silver, script and outline for the 25th anniversary program. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains press releases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains layout and planning for the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of the moving of art objects, installations, physical plant and behind-the-scene workshops and people.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Editorial Writers, agenda, and guest speakers, exhibitions, events, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Ms. Nemone Balfour. Subject- a ballad concert given by Balfour sponsored by the Museum, new release, printed material, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: R. Neutra lecture in coordinate with his VMFA exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitations to grand opening of the 10/54 VMFA addition. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the Norfolk Museum affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Bus tour and photograph. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of galleries. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing gift of marble statue \"Dawn of Young Womanhood\", Oronzio Maldrelli from Miller and Rhoads Department Store. Press releases from: Mariners Museum, National Gallery, Henry Ford Museum, Walker Art Center and the MOMA. Dates- 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: purchase of Patronship by Richmond businesses for season tickets to VMT.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- radio transcripts and publicity releases. Dates- 1948-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases, publicity schedule 6/26- 7/22. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 5/56-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 4/51-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 1952- 5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases for various museum events: theatre, exhibitions, films, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Affiliation announcement of the Roanoke Fine Arts Center 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the loan of \"The Ecstasy of St. Francis\" by Carravaggio. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release announcing the acquisition of a rare funeral monument from 2nd century B.C. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Advertising copy and selection of artist to draw a cartoon. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release for VMT promotion. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing special schedule to accommodate bus trip from out of town. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity schedule and advertising copy. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- scheduling a speaker (Bernard V. Bothmer) to coincide with the exhibition \"Smith's Egypt\", photo and biographical information about Bothmer, etc. Dates- 6/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition and Publication information regarding \"Sport and the Horse.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- News Releases regarding newspaper column 1960. The column was carried in 50 Virginia newspapers as 42 weekly articles by Cheek. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Syndicated column written by Cheek as part of a promotion for the Museum's 25th anniversary. Contains a mailing schedule for the column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Return forms from newspaper publishers regarding column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Promotional letter for newspaper column. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast script for performance promotion. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from G. Friddell (Public Information Director). Subject- controversial nature of the \"American Painting 1950\" exhibition, James Johnson Sweeney was the juror for this exhibition, Sweeney biographical information, News Releases, exchange/gift publications of the catalogue to this exhibition, etc. Dates- 1/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast script promoting 25th anniversary year. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 25th Anniversary, broadcast scripts, VMT and list of Virginia and Washington TV stations. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast promotion script. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release with performance information  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release for VMT promotion. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release concerning a 25th birthday year magazine, the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Tours arranged by Virginia Federation of Women's Club in 6 Virginia towns to see VMT production of \"Carousel\" Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews of show. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Introductory speeches. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"The Tempest\", \"The Mad Woman of Challiot\", \"Berkeley Square\", \"I Remember Moma\", \"Noah\", \"Blind Alley\", \"The Devils Disciple\", \"High Tor\", \"Oh Wilderness\", \"Private Lives\", \"The Petrified Forest\" and \"Victoria Regina\". Dates- 1955 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Assigned design projects and newspaper clippings. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- National broadcasts focusing on topics of national interest, VMFA requests for financial assistance to host a \"Meeting\", pamphlets and photograph. Dates- 1953 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Aubrey Bodine and Gordon Bunshaft, biographical data, Competition promotion, preliminary text for official entry forms, press release. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- list of pieces included in the \"Virginia Artists 1953\" exhibition, list of purchases made from the exhibition, information on the jury and on purchase prizes, letter from Jacques Lipchitz, etc. Dates- 12/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about the exhibitions and photographs of the artists and their works. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Jurors: Richard Lippold, Isabel Bishop and Perry Rathbone. Press release announcing event.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Eighteenth annual exhibition held at the Museum and sponsored by the Camera Club of Richmond. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- fountains that flank the Museum's front entrance. Dates- 9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photo of conservation lab, gift and exhibition of the Williams collection of art at VMFA, announcements to and articles in major art publications about the gift of the Williams collection. Dates- 3/52-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition \"The American Cartoon\", original American cartoons from the collection of Mr. Art Wood, invitations and R.S.V.P.'s to exhibition preview, photos of some of the pieces of cartoon art, etc. Dates- 5/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Wm. Quillan Jr. (President of Randolph Macon Women's College). Subject- Loan of Randolph-Macon's collection of paintings. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Isobel C. Lee (Steuben Glass). Subject- Loan from Queen Elizabeth, installation, lighting and press-release. Dates- 7/10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, AAM, Jamestown Foundation, loans, Accession, gifts, biographical data and resumes. Exhibition: Randolph Macon Collection. Letter from Richard Rogers to lecture to VMT, Reston Foundation: Minutes of the Executive Meeting, 9/12/60. Dates- 9/60, 5/62 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Loans, contributions, acquisitions, exhibitions and Africa Gallery. Dates- 1/68 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to W. C. Cottrell (Elec. Corp.). Subject- Proposal and technical information for Audio-Guide radio-lecture, pamphlets, blueprints/plans of galleries. Dates- 5/72 - 8/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Priscilla Crum and M. Christison. Subject- Broadcast of Biennial Jury, notes from WMBG broadcast, 12/6/46, \"What Is Your Art Museum\", participants: Priscilla Crum (Curator of Education), Edward Davis III (Curator of Decorative Arts) Mrs. J.G. Pollard and T. Colt. Notes from WLEE broadcast, \"Know Your Museum\": a weekly series with guests from the local arts community and \"For Parents Only\": a children's radio program. Dates- 2/46 - 11/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- radio talk shows and transcripts. Dates- 12/37-9/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr.and Mrs. Robert C. Randolph. Subject- the loan of a portrait of Wm. Henry Harrison by Rembrandt Peale to the Museum for the inaugural exhibition and an additional later loan. Dates- 9/35-11/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek and Mary F. Williams. Subject- The service of Beatrice Von Keller as VMFA Acting Director during Colt's military duty. Biographical data, Randolph-Macon Collection including the acquisition of the Bliss Collection. Dates- 7/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Hours of operation, policy, menu. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Frank Rehn Gallery. Subject- loan of paintings to inaugural exhibition of VMFA and later proposed acquisitions from the Frank Rehn Gallery, etc. Dates- 9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Artist from West Virginia: application and recommendation for a Rosenwald Fellowship by T. Colt. Dates- 6/49 - 10/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rennolds' service as a Trustee and entertainment committee. List of objects in the home of her mother, Mrs. John Kerr Branch, that may be of use to the VMFA. Dates- 1/53 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Policy and requests for rental of museum meeting rooms. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for state/federal funding for the creation of the \"Latrobe Theatre\" (never built), a professional theatre organization. The design of the Theatre was based on plans by the 19th century architect Latrobe. \"The Virginia Museum Theatre\", statement of facts in relation to charges appearing in the Richmond Times - Dispatch, 10/13/66. Subject- 8/65 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of requests and general correspondence. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, Edward Kallop and L. Cheek. Subject- Inquiries concerning specific artists, objects, valuations, conservation/restoration, etc. Dates- 6/56 - 6/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek served on the Board of the Reston Foundation Community Program, includes roster of board members. Dates- 11/10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to the Executive Director of the Reston Fund. Subject- L. Cheek's membership on the Board, and proposals for development of the Reston Community, low-cost housing, maps, agendas, Reston architects, Minutes of Annual Meeting- Reston Community Foundation,12/15/64, 4/25/65, 11/12/67, 4/8/68. Dates- 6/65 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMFA membership and letter of condolences to the Reynolds family. Dates-10/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. cheek. Subject- R. J. Reynolds service as Chair of VMFA promotion and development committee. suggested organization agenda for the meeting of the Public Relations Development Committee, to further the advancement of VMFA. Contributions, invitations and photographs. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"R.S. Reynolds Memorial Award\", awarded annually to the architect or group of architects who make the most significant contribution to the use of aluminum, aesthetically or structurally, in the building field. Theodore Rozak chosen to commission the first sculpture. Dates- 5/58 - 11/6 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Miss Katherine Rhoads. Subject- a bequest to the Museum. Dates- 5/35-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from G. Martin (Secretary of VMFA). Subject- Rhoads Medal awarded to persons who have made a notable contribution to Art in Virginia; list of recipient, excerpts from the Minutes of the Executive Board, 5/25/69/. Biographical data on Concetta Scaravaglione, designer of medal. Medal awarded to Walter Spencer Robertson. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence to and from Rhoads as Vice-president Board of Trustees. Dates- 1934-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contributions to a purchase fund in his memory. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek, Mrs. J.G. Pollard and P. Mellon. Subject- Museum business, exhibitions. Pratt Estate, John Barton Payne Endowment, Resolutions in memory of Judge Payne, resignation of Colt, Fellowships. List of employees and job descriptions. List of Benefactors, Patrons and Life members, Board of Trustees, Rockefeller Foundation, segregation, contributions, gifts and accessions, including Mellon. Dates- 11/40 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W. Robertson, Mrs. J.G. Pollard and W.S. Rhoads. Subject- General letter to membership from the President (W.S. Rhoads), Webster S. Rhoads Medal, Artmobile III and South Wing. Dates- 1951 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General Museum Business, VMT, policy regarding expense accounts and museum entertaining. Dates- 5/57 - 11/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitation list, invoice for cocktail party honoring W.S. Rhoads. Dates- 5/8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Westwood Winfree (Pres. RAA). Subject- Winfree's participation in the Virginia Rotating Exhibition and other events. Requests for restructuring of jurying procedure. \"Reasons For Suggesting A State-Wide Artists Study Committee To Be Sponsored By The Virginia Museum Of Fine Arts\". Dates- 2/56 - 9/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Richmond Chamber Music Society programming seasons: 1950-1, 1951-2, 1952-3, 1953-4 and 1954-5, membership rosters 1951-2 and 1954-5, etc. Dates- 10/50-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed policy for relations between VMFA and Richmond Chamber Music Society (conducting events there), listing of Society members, etc. Dates- 1/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- To increase Jaycees interest and support of VMFA. List of member organizations. Certificate to L. Cheek as a member of the \"Civil War Centennial Committee\", Minutes from the \"Society of Architectural Historians,1/30/58. The presentation of the \"Distinguished Service Award\" to L. Cheek. Dates- 11/60 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Disturbances in area of Westmoreland Place (Cheek residence), Cheek's Anniversary Party. Presentation of Canal Locks to Mayor M.M. Crowe. Dates- 2/64 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Field trips taken to the museum by schools throughout the state, 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Broadening cultural horizons in Richmond, proposal for Civic Center in downtown Richmond and the necessary steps for improvement of downtown, editorials, newspaper clippings. \"Plight Of Museums Is Very Real\", L.J. Ahlander, 11/25/65, Washington Post, \"Activities Center Study For The City Of Richmond\", Wm. A. Briggs A.I.A. and B.R. Johns A.I.A., Associated Architects, 8/1/64, \"Modern Living\", 11/6/64, Time and \"Are Most cities Too Ugly To Save\", 11/30/64, U.S. News and World Report, Inc. Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains financial statements for the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- proposed relationship of The Richmond Film Society with the Museum (use of Museum facilities), Film Society programs 1951-2, 1952-3, 1953-4, 1954-5 and 1955-6, etc. Dates- 6/50-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of compliment to editors and journalists of Virginia periodicals regarding VMFA. Dates- 7/58 - 19/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Priscilla Crum, T. Colt, L. Cheek and M. Christison, Theresa Pollack, H.H. Hibbs and Mrs. J.G. Pollard. Subject- Exhibitions and musical programs. Dates- 9/45 - 11/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, J. Schaeffer (General Manager, RSL) Subject- Opening performance and concert dates. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gala opening event of Artmobile. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Willock (Exec, Dir.). Subject- Renewal of Affiliate members. Dates- 1961 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Charter proposal for a Roanoke museum and minutes from the Roanoke Fine Arts Committee. Dates- 12/47 - 9/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Special building committee, draft of letters from Affiliates/Chapters in support of VMFA expansion to be sent to the House Appropriations Committee , members of the Senate and members of the State Finance Committee. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and E. Will (Pres.). Subject- Purchase of \"St. John the Baptist\", Rodin, in memory of W.S. Robertson. Dates-2/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile proposal, museum business, exhibitions: \"George Stevens Makes A Film\". Fellows organizing campaign, selected list of paintings in VMFA permanent collection. Rosters: Members of commission of State Capital and Outlays and Means of Financing; VMFA Executive Officers and committee's. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter from the President to the membership (W. Robertson), grant proposal for North Wing architectural plans.  List of objects needed for VMFA collections.  Rejection of the north facade by the Arts Commission.  Schedule of events, newspaper clippings.  \"Connoisseur's Comments\", guided VMFA tours narrated by world-famed collectors, critics and curators.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- letter of interest in erecting a monument to Bill Robinson. Dates- 12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rockefellers' membership in the Fellows and their subsequent donation to aid in the Drama Development program. Dates- 1955 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Charles Fahs (Dir. Rockefeller Foundation), W.S. Rhoads. Subject- Proposal for the formation of VMT with initial funding from the Foundation, \"Charter for the Rockefeller Foundation\": Statement of purpose and methods of operation. Dates- 1/50-12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Roman Bronze Works Inc. Subject- casting busts of Gov. Pollard and Judge Payne and casting other figurative groups. Dates- 9/35-1/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of authentication. Dates- 4/60 - 8/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Addresses made by F.D. Roosevelt upon the opening of the Museum of Modern Art. Dates- 6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Matilda McCord Roper (Mrs. George W. Roper). Subject- donations. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, expansion of VMFA print collection, The Alverthorpe Collection, loans of prints. Dates- 8/65 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA as recipient of a rose garden by the Garden of the Patriots. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- M. Ross as VMFA advisor, on retainer, for Byzantine and Medieval acquisitions. the Heeramanecks and Hunt Collections. Dates- 9/65 - 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data and brief history of Rothschild family. List of paintings in VMFA from Rothschild Collection. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Text and pamphlet for the opening of the Melchers Room. Photographs. Dates- 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Edward B. Rowan. Subject- mural competition for post offices in Petersburg, Hopewell and Richmond. Colt acted as chairman for a regional committee to carry out this competition for the Procurement Division, Public Works Branch of the Treasury Department, etc. Dates- 3/30. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- securing a speaker (Mr. Everett Parker Lesley, Jr.), obtaining a transparency from Time magazine of one of the Museum's eggs, etc. Dates- 3/53-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- General correspondence to Trustees regarding Museum business and events. Photographs and slides. Date- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- General correspondence regarding loans, acquisitions and invitations. Dates- 1/62 - 11/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Eero Saarinen. Subject- Aline Saarinen broadcast on the VMT Shakespeare Preview. Drawing. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition: \"Master Drawings\", with lecture by Paul Sachs. Theft of Degas drawing on loan to VMFA from the Fogg. List of London and Paris art dealers. Dates- 5/51 - 6/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- letters from other U.S. Art Museums about staff salaries and Curator's Report activities from the 1st season 1/16-5/24 1936. Dates- 1936- 7/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for purchase of cases from the Greek Gold exhibition. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Form letters: members, advertisements, donors, other institutions regarding loans, lectures and publication requests, etc. Dates- 1967 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuels gift of building for the Front Royal Library. Loan and cleaning of \"View Near Oxford\" by Richard Wilson. Dates- 4/52 - 9/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- 10th Miller and Rhoads Women's Forum; invitation to Philip Johnson to serve as a speaker. Biographical data on James Parton and Max Abromovitz. Dates- 8/51 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Hans van Weeren-Griek. and Concetta Scaravaglione. Subject- exhibition of her work and insurance of a piece that was damaged. Dates- 9/40-7/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events and mailing schedules. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events and mailing schedules, Paul Taylor Dance Tour, Safari-Dinner, agendas, etc. Dates- 7/70 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Appraisal of an agate cup belonging to Mrs. Paul Mellon as a work of art, for the Customs Commissioner. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- war-time high school art exhibition held at Miller and Rhoads department store, list of hostess for this event. Dates- 1943-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Invitations and general correspondence regarding the opening's of new art centers/buildings of various institutions, anniversary celebration, National Presentation Broadcast of Artmobile. Dates- 9/60 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.G. Pollard. Subject- Loan of items in his Collection to VMFA and his service as Vice-President. Exhibitions: American Contemporary Prints and Sport and Horse. Melcher Estate, accessions and acquisitions, list of gifts to VMFA. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Scott, Horner and Mason, Inc. Investment Securities in Lynchburg, VA. Subject- possible investments by VMFA, financing the new wing and the possibility of matching a Public Works Administration grant. Dates- 5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Seay collection of Decorative Objects, list of objects in Seay home. Dates- 1/39 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and letters to and from Leslie Cheek. Dates- 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Service reports on traveling exhibits. Dates- 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about slide loans. Dates- 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum Services. Correspondence regarding loans 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Houdon statue of Washington on loan to VMFA, insurance valuation. Seymour's lecture on \"Houdon in America\" and panel discussion on contemporary sculpture. Opinions on dating and provenance of VMFA objects. Dates- 5/50 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Shalett's articles on the VMFA for the \"Saturday Evening Post\" and \"The Diplomat\" Dates- 8/56 - 10/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, letters of invitation to VMFA events, College Drama Festival. Melchers Estate: \"The Last Supper\", newspaper clippings and postcards. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Virginia Film Society, Dance Tour, VMT: job descriptions, Table of Organization, staff hours, Theatre Associates and Annual Theatre Train. Date- 4/66 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Agenda and events for Entertainment Committee, loan of Col. Anderson bequest items. Dates- 1/59 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and E. Shiflet (Sec. of Education). Subject- budget, museum business, financial profile, role of office of Education and pamphlets. Executive Order #20 and #21: Reassignment of VMFA to the Office of Education. Dates- 8/72 - 12/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dealer in antique English silver and his gift to VMFA of a silver teapot. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT, juror search, biographical data, exhibition catalogues, loans of art work, accessions, gifts and general museum business. Dates- 1956 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- General correspondence, exhibitions, requests for publications, pamphlets, invitations, exhibition catalogues, A.D. and W.C. Williams Trust Fund. Photographs. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- paperwork authorizing R.A.Velz and W.J. Rhodes to sign vouchers and checks, list of Virginia Museum Theatre expenditures 1956-7. Dates- 2/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Blank stationary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- excerpts from Virginia Architecture exhibition catalogue, miscellaneous correspondence about catalogue,  etc. Dates- 11/58-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- compliments on exhibition \"Architecture in Virginia\", thank you notes to the Museum about exchange/gift publications of exhibition catalogue-Architecture in Virginia 1776-1958: The Old Dominion's Twelve Best Buildings, etc. Dates- 9/58-4/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- biographical information on various 20th century architects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- G. Smith (architect, writer and photographer), biographical data, and his collection of Travel Posters. Newspaper and magazine clippings, invitations. Application for Fulbright grant. Dates- 2/52 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Her membership on Executive Board, donation and contributions. Dates- 5/51 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Marrow Stuart Smith, Virginia artist, correspondence with museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of alumnae in Virginia. Dates- 9/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Christison, and Mrs. J.A. Pope (International Traveling Exhibition Service). Subject- Exhibition: \"Swedish Textiles Today\": catalogue, pamphlet. Brussels World's Fair, U.S. Pavilion. Catalogue of Traveling Exhibitions for 1961-62. Dates- 4/53 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- S.A.H Directors meeting in Richmond, formation and organization of a Virginia chapter: agendas, lists of prospective members, directors of S.A.H., minutes from S.A.H. meeting. Dates- 12/52 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Meeting agendas, Architects Virginia Tour, preservation of the National Capitol, Shirley Plantation, landmarks in danger. Proposal to coordinate the activities of the SAH with AIA and the National Trust for Historic Preservation in the field of Historic Buildings Preservation. SAH: Minutes of Executive Board, 10/26/57, 5/17/58, 10/18/58, Treasurers Report, 1/58-4/58, Newsletters. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lists: Fellows, Staff and Board of Trustees. Invoices, receipts and newspaper clippings. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Dinner schedule, agenda and pamphlet. Dates- 5/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Confirmation for Dinner event and agenda. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fall meeting to be held at VMFA, conference agenda, mailing list and pamphlets. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Meeting agendas, events schedules, attendance rosters, officers, newsletters, registration forms. Report of SEMC '72 meeting, \"SEMC Notes\", no. 1, 1974 and no.1, 1975. Dates- 1972 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- printed material for exhibition \"Southern Exposures\", the following essays: \"Coming of Age of Photography\", \"Down the First Century of Photography with George and Heutis Cook\", \"Concerning the Cook Collection and Its Recovery of the Epos of the Attic\", etc.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Williamsburg International Assembly Speakers, biographical data: Edward Downes, Charles Seymor, Harris Prior and Arthur Drexler. Dates- 1951 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Gaines. Subject- Biographical data of speakers: C.V. Donovan and Joseph Curtis Sloane. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- printed material for the opening for prospective members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safari Theatre Dinners, loan exhibition previews, maintenance. Dates- 1967 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Essay- \"The Art Museum As A Community Center\", by L. Cheek. Pamphlets, newspaper and magazine clippings of other museum programs. Date- 1961 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- early interest and planning of the exhibition \"Sport and the Horse\", etc. Dates- 5/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Frederick Robinson (Dir., SMFA). Subject- SMFA exhibition of Virginia Artists. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions, security, general operations and museum business. Employee policy, regulations, salaries, etc. Dates- 1962 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General Museum operation, exhibitions, publicity evaluation, landscaping of Confederate Chapel, loan exhibition previews. Dates- 1963 - 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Employee policy/regulations, programs division, collection divisions, staff information and table of organization for Theatre Arts Committee. Newspaper clippings and salaries. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Suggested structure of staff organization and salary scales. Dates- 2/54 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA By-Laws 1958 and 1959, income sources, proposed improved operations plan. Salary information from the Smithsonian Institution. Job description for Assistant Administrator. Date 1959 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Head of Collections Division and Education Supervisor, Program Division. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Business meeting and reception regarding architectural improvements, gifts and loans to the State Department reception rooms. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- reception for General Assembly Wives. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Service reports for loans of exhibits, films and slides. Dates- 1951-1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for information regarding circulating visual materials 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member requests for exhibitions 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member requests for exhibitions 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member Requests for gallery visits and lectures 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Out of state inquiries about Museum services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Out of state inquiries about Museum services 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of prospective organizations for using extension services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for circulating visual materials and exhibitions 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General Correspondence Traveling Exhibitions 1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains statement for addenda to the Governor's report concerning the VMFA.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Saul Steinberg. Subject- exhibition of Steinberg's work and lecture by Steinberg, etc. Dates- 8/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening of new auditorium, purchase of pianos and price lists. Program for the Chamber Music Society, newsletters from Steinway and Co. , 4/55-6/55. Dates- 4/55 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Philip N. Stern, Chairman of the Art Commission, Commonwealth of Virginia. Subject- Art Commission meetings, funds for museum equipment, funding from the Public Works Administration, architectural exhibition, etc. Dates- 7/35-10/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Steuben correspondence with the VMFA, 1938-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Ten Talents In the American Theatre\", Ed. David Stevens; \"Theatre For Art's Sake\" by L. Cheek. Proposal to the Rockefeller Foundation for financial support of VMT. Dates- 12/49 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Her gift of \"La Signora in Biege\", Lazzaro Donati. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, preliminary design program for South Wing Addition, letters to other museums regarding design, security and general building functions. Dates- 1948-49, 1962-63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Jas. N. Trevillian (Secretary). Subject- Conductor of the New York Philharmonic Orchestra, concert at the VMFA and program. Dates- 1947 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA and Gordon E. Strause, 1935-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Strause and various Museum staff. Subject- exhibition of his collection at the Museum, written complaints by Mr. Strause, Strause is named 1st honorary benefactor of the Museum by the Board of Trustees. Dates- 3/36-5/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J. G. Pollard, T. Colt and L. Cheek. Subject- Lewis S. Strauss, founder of the Albert Einstein Award (for achievement in Natural Sciences). Chairman of the Atomic Energy Commission, his service on the VMFA Finance and Membership committees. Letter of Henry Anderson regarding discussion with Paul Mellon and VMFA expansion potential. Newspaper and magazines clippings, Artmobile, gifts and contributions. Dates- 1945 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Fellows: theatre Orientation, general meetings, prospective Fellows, report of the Fellows 5/3/67. Date- 1965-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- As a Trustee and member of the development committee. Contributions. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Mr. William A. Stuart. Subject- Trustee/Museum business, etc. Dates- 7/51-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Julia Sully to the Museum. Subject- Virginia Art Index. Dates- 1935-48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and J. McGee (Sunrise, Pres.). Subject- \"Sunrise\", Charleston Cultural complex, budget analysis, roster of Executive Board, Annual Report, 1971, pamphlets. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt and L. Cheek. Subject- Early correspondence concerning museum services, statement of purpose, Pratt Bequest, exhibitions and requests for publications. Dates- 7/45 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General correspondence, request for publications, employment, Fellows, Russian Loan Bill, gifts, contributions, biographical data. Dates- 6/56 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Museum business, loans of art works, list of objects for long term loan, zoning ordinance. Paul Tishman Collection, Troubs Collection of Russian miniatures. Provenance of St. John the Baptist, Rodin. Pamphlets, brochures and press releases. Dates- 2/70 - 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. J.G. Pollard, M. Christison, John Canaday and Maurice Bonds. Subject- Informal discussion series on art, artists and technique. Topics: Lithography, sculpture, restoration, art history etc. Includes biographical data on lecturers and exhibitions. Excerpt from \"American Silversmiths and Their Marks II\", by Stephen G.C. Ensko. Dates- 9/48 - 3/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding Mrs. A.I. duPont's gift of tapestries to the VMFA and a subsequent exhibition, 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding taxes on honorariums, admissions and rental space, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA series of weekly TV programs, list of suggested topics, program guests, resource information from other Institutions, film rentals, television presentation of the 25th Anniversary and minutes of the Mayor's Committee on Educational Television, 11/11/53. Dates- 3/54 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- The development of a public television station to be shared by educational institutions. TV question and answer scripts and newspaper clippings. Dates- 1/49 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings. Dates- 1961-62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Salary scales, job openings at VMT, applicants, referrals, biographical data, financial statements, staff tors and guest speakers. Dates- 3/58 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Thalhimer. Subject- Biographical data, production, general theatre administration and Ford Foundation Fellowship Grant. Dates- 5/58 - 7/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Basil Langton. Subject- Langton's service as VMT guest director of \"The Tempest\", in celebration of the Jamestown Festival; program and procurement of professional actors. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Thalhimer Jr. Subject- Exhibit: \"Habiliments for Heroines\" underwritten by Thalhimers, VMT: \"Lady in the Dark\", Lorren Aldrich Collection. Catalogue: \"The Helena Rubenstein, Princess Gourelli Collection\", Deluca, Editore Roma, June 1953. Dates- 11/51 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as a Trustee and Chair of the Theatre Arts Committee on theatre and Television, museum business, salary scales, general operation of VMT, budget, income, newspaper clippings. Contributions and gifts. Dates- 6/52 - 3/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Underwriting of Mediterranean court, plants and flowers. Gift of Sandwich glass. Dates- 5/55 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Thayer's service as special assistant to the Secretary of State for Cultural Affairs. Biographical data, UNESCO, ICOM, International traveling Exhibitions, placement of American works of art in United States Embassies. Dates- 5/59 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committee Minutes 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committee minutes, agendas and programs, box office grosses etc. Letter from Paul Mellon. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Establishment of a theatre Collection by Louise Branch of drawings, scenery and costumes. Dates- 2/59 - 3/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Thalhimer. Subject- Proposal for costume ball. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Morale and general organization of the VMT Associates, proposed speakers, newsletter and roster of VMT Associates. Dates- 4/57 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and William Morrison. Subject- taped readings by Henry Fonda, Lee Remick and Olivia deHavilland on the anniversary celebration. Reviews and letters to other film stars. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safari-Dinner agenda and setup. Dates- 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reviews, gift of Dan River Mills fabrics for costumes. Programs: \"Streetcar Named Desire\", \"School For Wives\", \"Camelot\" and \"The Odd Couple\". Dates- 1967 - 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- reviews, letters of compliment. Program: \"the Royal Hunt of the Sun\" Dates- 1968 -69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and staff hours. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Report of Acoustical Analysis for Auditorium of Virginia Museum Theatre\" Dates- 9/1950 and 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Review, performance production. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Theatre-designer: salary and letters of recommendation. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMT, Dance, Film and Chamber Music Societies: financial statements, salaries, budgets, production costs, income records, purchase of stage equipment and suggested future of organization. Dates- 2/54 - 12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- bus tours from Virginia towns for Theatre evenings, sponsors by Virginia Federation of Women's Clubs, newspaper clippings. \"The Virginia Club Woman\", vol. XXXII no. I 8/55. Dates- 1/59 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chairman of Yale Drama Dept., his service as consultant to VMT, budget suggestions for proposed VMT, various drama activities, playbill, budgets from other University Drama departments. Dates- 1/56 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program, letters of disagreement between directors and actors. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The first annual event, critic and counselors: Virginia Freeman, Meriam Rosen, Dan Wagoner, Patricia Wityle. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Valerie Gettis as guest speaker/artist. Dates- 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Invitations to college Presidents. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Alan Schnieder, Speaker: Jo Mielziner. The 1st College Drama Festival, guest lists and exhibition of Jo Mielziner's theatre designs. Newsletter. Dates- 8/56 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Harold Clurman, Speaker: Norris Houghton. Events schedule and program. Dates- 4/57 - 2/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Norris Houghton, Speaker: John Gassner. Event agenda/program, brochures. Dates- 4/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Henry Hewes, Speaker: Marc Connelly, reception, production procedure, etc. Newsletter 2/60 Dates- 10/59 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Stella Adler and Speaker: Alfred de Ligre, Jr. Event schedule, festival speaker, program, biographical data, reviews. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Event agenda, scheduling, program and newspaper clippings. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Robert Lewis, Speaker: Edward Albee. Event agenda/program, brochure, pamphlet, etc. Dates- 10/56 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Original drama by John C. Collison, VMT Premiere. \"New Play in Virginia\", Wm. Morrison, Encore vol.6 ,no.5 Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and L. Cheek. Subject- Reorganization of Museum Theatre 1972-73, budget and summary of proposals. Additions to VMFA statutes and By-Laws. Theatre Committee annual Report 6/30/67. Dates- 5/67 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contributions, minutes of Theatre Patron Campaign Committee. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- theatre Arts Committee Executive Meeting minutes 6/30/70 and 7/6/70, Rosters for various Executive committee's of VMFA. Reviews and pamphlets. Dates- 9/69 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- HEW grant to produce and circulate throughout Virginia a play during 67-68 season, suggested dramas. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions: \"Gibson Collection of Contemporary Italian Art\", \"Contemporary Japanese Art\", \"Ten Reynolds Sculptures\". Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, A.H. Ballet and Robert Telford. Subject- General VMT business, schedule of events, scenic design, reviews, performance, staff policy/procedure, ticket prices, season subscriptions, etc. Dates- 1955 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- College Drama Festival, Dance Society and Chamber Music Society. Performance programs, events schedules, guest director contract, pamphlets and contributions. Dates- 1959 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- General Theatre Business, contractual agreements, events schedules, Richmond Film Society, College Drama Festival, financial statements, theatre reviews and job applicants. Dates- 5/61 - 9/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- theatre openings, job descriptions, applicants, hours. Dates- 12/62 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT, Vignettes tour, general estimate of costs, Drama, Dance and Music programs.  \"Virginia Report For State Arts Agency Individual Projects July 1, 1966- June 30,1967\" and \"Performing Arts in Virginia Education\" an introductory survey. Dates- 1966 -68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Budgets, financial summary, events schedules, newsletters, etc. Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Season events, programming, budget and revenue, newsletters, list of season subscribers and press kit for the Mummers Theatre, Oklahoma City, Oklahoma. \"Constitution of the Virginia Museum Theatre Associates\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Theatre business, budgets, salaries, production schedules, invitations, program design, contracts, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters to and from VMT subscribers, program for \"Purlie\". Proposals for summer season productions, opening night telegrams. Dates- 1974 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Operating expense appropriation, \"VMT Sound System Report\", and synopsis of No Title play of the life of Lord Byron by Romulus Linney (later titled \"Childe Byron\"). Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Reviews. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Keith Fowler. Subject- Reviews, production calendar and letters of compliments. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Event underwritten by the Weeden Foundation. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of invitation, remarks after preview. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Programs. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Payment for use of two geese. Program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Financial report and program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Program, reviews, letters of complaint from theatre patrons regarding play content. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program, search for guest director. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Review, program and editorials. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Letters of complaint and approval from theatre patrons. Dates- 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List of series underwriters, proposal for music lecture series conducted by Dr. John White. Dates- 10/58 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Patron financial support and proposal for a Sunday lecture series: \" The Eager Listener\". Dates- 9/59 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Harpist: Nicanor Zableta, brochures of concert series sponsored by other museums and galleries. Dates- 1/50 - 1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program Dates- 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Morton Thalhimer. Subject- General letters to theatre subscribers, brief outline of the five scheduled plays and descriptions of the major characters. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Playbills, magazine and newspaper clippings of performances in theatres other than VMT. Dates- 12/54 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews and programs for \"Separate Tables\", \"The Skin Of Your Teeth\", \"Ondine\", \"Kiss Me Kate\" and \"The Kids\". Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Rehearsal schedules, invitations, programs: \"Life With Mother\", \"The Limbo Kid\", \"Pygmalian\" and \"The Brothers Karamazov\". Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews, letter/telegrams of compliment. Programs: \"Teahouse of the August Moon\", \"The Woman from Colchis\", \"Hall of Mirrors\", \"Caesar and Cleopatra\" and \"The Most Happy Fella\". Dates- 1962 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reviews, letters and telegrams of compliment. Program: \"A Thousand Clowns\". Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Robert Telford. Subject- Reviews, letters/telegrams of compliment. Programs: \"The Admiral Crichton\", \"Hedda Gabler\". \"Tartuffe\" and \"No Time For Sergeants\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews, letters/telegrams of compliment. Programs: \"The Comedy of Errors\", \"The Visit\" and \"Fanny\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters/telegrams of compliment. Programs: \"Androcles and The Lion\", \"The Miracle Worker\". Contributions from Dan River Mills. Photographs. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Reviews, letters/telegrams of compliment, opening night gala, Safari Theatre/Dinners. Programs: \"The Glass Menagerie\", \"Once In A Lifetime\", \"Julius Caesar\", \"Blithe Spirit\" and \"Three Penny Opera\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Reviews and Letters/telegrams of compliment. Programs: \"Charley's Aunt\", \"The Sorrows of Frederick The Great\", \"Uncle Vanya\", \"Twelfth Night, On What You Will\" and \"the Man Who Lost the River\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Timetable, production schedules, Safari theatre Dinners, programs and reviews. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters to former subscribers seeking financial assistance for the upcoming season. Photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letter/telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- VMFA By- Laws 1972, Minutes of Theatre Arts Committee 10/21/71, agendas, budget and cost estimates. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Programming, policy for relations to the VMFA, contractual agreements, events schedules, promotion plans and financial statements, programs and brochures. Executive board meetings: 7/57, 11/57, 2/58, 4/58, 5/58. Dates- 4/56 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters and contributions from Chamber Music Society Patrons. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for the formation of the Dance Society, guest list, officers, policy regarding the Dance Society's relationship to the VMFA. Minutes of Executive Board, 5/11/56, 6/12/57, 7/57, 12/57. Receipt and attendance records, contributions, programs, pamphlets and guest performers. Dates- 5/56 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters and contributions from patrons of Dance Society. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Rockefeller grant to the museum to develop theatre and a program in drama, 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Kay Rockefeller. Subject- Traveling exhibition troupe for children's theatre: financial statement and invitations. Dates- 9/57 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program for \"Rossum's Universal Robots\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT designated seating area according to race, and letters of protest in support of Dr. Mary Elizabeth Johnson. Dates- 1/56 - 5/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letters/telegrams of compliment. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Robert Telford and Morton Thalhimer. Subject- Attendance records, publicity program and biographical data. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters and telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cost estimate, theatre needs and improvements. Date- 12/56 - 7/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sample survey, list of Chapter/Affiliate communities. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Morton Thalhimer and Robert Telford. Subject- Theatre Arts Committee agenda, VMT proposals for: director, administrator, production and apprentices. Date- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"The Gallows Man\", limited performance schedule, invitations. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Events program, list of composers represented. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cancelled, considered distasteful for VMT audience. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letters, telegrams of compliment. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- AAMD conference, theft of Roualt drawing from Toronto Gallery, requests for publications. Dates- 5/50 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains reports concerning slide sets and film strips distributed throughout the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fashion designer to lecture on fashion from 1752 to 1952 for the exhibition: \"Habiliments for Heroines\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- New York World's Fair, newspaper and magazine clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His election to VMFA Board, museum business. Dates- 5/51 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings of Governor Tuck. Dates- 12/49 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, Tunnard's expertise on city planning. Virginia Town Case Study Group: \"Problems of Planning in the Small Southern Town\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Severance of affiliation to the VMFA. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artist for VMFA Christmas card. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt and Wm. Gaines. Subject- Seminar to expose students and teachers to the function and operation of VMFA, agenda, program procedure, etc. Dates- 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Questionnaire from UCLA Graduate School of Management and the College of Fine Arts on the priorities related to the Arts, pamphlets. \"U.S. Information Agency-Its Task in World Affairs\". Date- 4/51 - 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Annual Meeting Minutes, travel authorization, organization news, pamphlets, general UNESCO business. Dates- 10/46 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Conference topic: Aid to South American Museums, project development, UNESCO Annual Report, Report of Program Committee. The Voice of America, Forum Lectures with transcript of by L. Cheek of \"The Art Museum As A Community Center\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for loans of slides from South American Museums for L. Cheek's presentation to Denver conference, list of South American Museums. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening of UDC new building. Resolution concerning accessibility to members of UDC, invitations. Dates- 6/57 - 12/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence, reports, minutes. Expansion of local service. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Charitable organizations that have received UGF monies and fund raising campaign. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The Air Force Memorial Center: statement of purpose, design, personnel requirements, building program, Minutes of U.S. Air Force Fine Art Committee 6/58 and 12/60, \"Proposal For The USAF Memorial Education Center\", travel vouchers and floor plan for the Academy Museum (Planetarium). Slides. Dates- 2/57-4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Edward R. Murrow as Director, merging of the People-to People Program (organization of museum professional) with the USIA. Newspaper clippings. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Forum Series\": International Broadcast, lecture series. Essay- \"the Art Museum As A Community Center\" by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- UNESCO Action to safeguard Nubian monuments due to the construction of the Aswan Dam. Roster of Honorary Committee, International Action Committee, United Arab Committee, Executive Board Minutes. Dates- 4/60 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Virginia State Employees U.S. Savings Bond campaign, handbook for canvassers, meeting agendas and progress reports. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Col. H.W. Fitzroy. Subject- Coordinating agency between institutions and other cultural, educational and scientific agencies in Virginia through a lecture series of visiting scholars. Dates- 9/54 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Bayly Art Museum and the McIntire School of Fine Arts at the University of Virginia. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Lecturers and AIV contributors, loans of objects, fellowships. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and T. Colt. Subject- UVA Museum loan of objects and lecture tours, fellowships. List of prints on loan to VMFA from Catesby estate and list of Lurcat Tapestries. Dates- 8/47 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Museum business, Artmobile, VMT, requests for loans, contributions and gifts. Reference to photos of ancient Greek sculpture, architecture and landscape views, invitations, pamphlets and postcards. Dates- 10/58 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains the schedules for staff vacations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Hans van Weeren-Griek, curator of Education at the VMFA. Dates- 1940-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Report regarding vandalism and misconduct: soaping of the fountains and damage to shrubs. Dates- 11/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Velz' service as VMFA Head of promotion, civilian and military experience record, newspaper clippings and Melchers Estate. Dates- 1949 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains general correspondence of Velz, Associate Director of VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Status of tax deduction, recommendations for event, invitations and dance card. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 9the Annual Viennese Ball sponsored by the Council: Ball Committee, agenda, decoration, invitations, etc. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- Virginia Art Alliance By-Laws, program and minutes of VAA meeting 1945, Report of the Trustees of Richmond Academy of Arts 1933, correspondence with other members of VAA, etc. Dates- 1933-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- program for annual meeting 1941, blank ballots labeled \"Board of Trustees Ballots\", statement of need for a state Supervisor of Fine Arts Education. Dates- 4/40-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- reports of activities of organization members 1942-3, correspondence with organization members-no annual meeting held this year due to World War II, etc. Dates- 3/43-5/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcement, agenda and program for annual meeting 1944, correspondence with organization members, election of officers/trustees, etc. Dates- 3/44-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting minutes ('49), listing and certification of delegates to VAA annual convention ('49), listing of the VAA Board of Trustees ('49), etc. Dates- 1948-49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes from meetings and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Miss Helen C. Rose (Virginia Art Alliance President). Subject- correspondence with member organizations, etc. Dates- 3/58-8/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- minutes of Trustees meeting and annual meeting 1959, roster of officers and Trustees, program for annual meeting 1960, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of Va. Art Alliance). Subject- announcement, replies agenda and program for annual meeting of (1936) the VAA Trustees, listing of organizational members to VAA, certification forms for delegates to the VAA annual convention (1936), etc. Dates- 5/35-5/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension VMFA, Secretary of VA. Art Alliance). Subject- announcements, program and report for VAA annual meeting 1937, resolution changing the organization of the VAA (consolidating its function with that of the VMFA), certification of delegates to VAA annual meeting 1937, etc. Dates- 4/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept., Secretary of VA, Art Alliance). Subject- VAA annual meeting announcement and program (1938), certification for delegates to VAA annual convention 1938, correspondence with member organizations about the reorganization of the VAA (consolidating its function with that of the VMFA), etc. Dates- 2/38-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance). Subject- announcements and program for VAA annual meeting 1939, certification of delegates to the VAA annual convention 1939, letter from Gayle to the State Board of Education supporting the appointment of a state supervisor of art, etc. Dates- 3/39-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1940, correspondence with member organizations, nomination of trustees, certification of delegates to annual convention 1940, etc. Dates- 3/39-5/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1941, report of the VAA 1940-1, listing of organization members, By-Laws of VAA 1934, correspondence with trustees, etc. Dates- 3/41-4/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- program for annual meeting 1942, roster of member organizations, reports from member organizations, Annual Report of the VAA 1941-2, listing of VAA lectures in 1941, Museum Bulletin (VMFA) vol.2, no.6, 1942etc. Dates- 3/42-4/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcements, program and minutes for annual meeting 1944, reports of member organizations 1944, certification of delegates to annual convention 1944, listing of Board resolutions during war time, roster of member organizations, etc. Dates- 4/44-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA Art Alliance). Subject- announcements, program and minutes for annual meeting 1945, roster of trustees and nominating committee, reports of member organizations, certification of delegates to annual convention 1945, etc. Dates- 3/45-2/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945, announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945,announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting program ('46 and'47) and minutes ('46), list of members ('47), certification of delegates to annual VAA convention ('47), Reports of art activities around the state, etc. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance)and M.B. Christison (Curator of Education). Subject- copies of 1947 resolution about art display areas in public buildings, minutes of annual meeting 1947, announcements and program for annual meeting 1948, roster of member organizations 1948, correspondence about securing guest speakers for VAA annual convention 1948, certification of delegates to annual convention 1949, etc. Dates- 7/45-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- membership roster ('48), list of trustees ('48), announcement, minutes and attendance to annual meeting ('48), summary of panel discussion about art education in Va. schools, statement of VAA purposes and objectives, etc. Dates- 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- minutes of the Virginia Art Alliance meeting ('47 and'48), Board meeting announcement and attendance, program of annual meeting ('48), list of suggested nominees to the VAA Board ('48), etc. Dates- 1947-8.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- annual reports of activities made by VAA members. Dates- 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual meeting 1955. Correspondence, resolutions and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence, minutes and agendas. Form letter announcing annual meeting 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes, agenda and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcement and minutes of Fall Meeting 1957, correspondence with member organizations, etc. Dates- 11/57-12/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Meeting held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1957, appointments to nominating committee, minutes of the Trustees meeting 1957, roster of organization members, The Annual Review of the Virginia Art Alliance 5/39,etc. Dates- 2/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and tentative reservation list for annual meeting 1958, etc. Dates- 9/58-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1958, reports of member organizations, Virginia Art Alliance By-Laws, proposed revisions to By-Laws, VAA procedures, appointments to committees and to board, etc. Dates- 1/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes from annual meeting 1959, member organization reports, roster of VA. Art Alliance officers and trustees, VAA By-Laws, etc. Dates- 5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison Assistant Director VMFA). Subject- announcement and schedule for annual meeting 1959, blank reservation forms for school artmobile visits, etc. Dates- 10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and program for annual meeting 1960, listing of nominating committee appointments, roster of officers and trustees, listing of delegates to annual meeting, etc. Dates- 3/60-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- reports from member organizations, etc. Dates- 1956-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of organizational members and their attendance, correspondence and form letters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of trustees and list of members 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of trustees' meeting 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of Trustees, 1952-55. Correspondence, minutes. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee correspondence, minutes and members. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard Subject- preliminary work for the VAA booklet: \"Facilities for Organization Members Comprising the Virginia Art Alliance\". Dates- 8/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Secretary Virginia Art Alliance). Subject- minutes of Virginia Art Alliance (VAA) annual meeting 1957, proposed revisions to By-Laws, etc. Dates- 8/56-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- outline of a state art federation, constitutions, by-laws, information on other art federations (i.e.: The American Federation of Art, The Kansas State Federation of Art, The Indiana Federation of Art Clubs, etc.), etc. Dates- 1/34. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Va. Art Alliance procedures and a short history, draft of proposed revisions to VAA By-Laws, Annual Review of the Virginia Art Alliance. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA/ Secretary of the VA Art Alliance). Subject- VAA By-Laws 1934, resolution (1936) to consolidate the functions of the VMFA and VAA, information about the development of a new type of VMFA annual membership- the organization membership, etc. Dates- 1934-10/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- listing of Trustees 1934- 39, Trustee meeting announcements, letters accepting election to the VAA Board of Trustees, etc. Dates- 11/34-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA representative on the Virginia Art Commission. Dates- 11/55 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- selecting and securing jurors for the exhibition \"Virginia Artists 1955\", listing of pieces and artist included in the exhibition, printed material for the exhibition, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Paul Smith, Rose Slivka and Frank Getlein. Salon des Refuse's, biographical data, exhibition catalog. Dates- 6/66 - 6/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Prospective jurors and exhibition announcement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Jurors: Thomas Hess. Exhibition statement, reception, guest list, members preview, program agenda, discontinuation of salon des refuse's, installation and exhibition catalog. Dates- 1967, 11/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding auditor's reports. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Audit Reports 1936-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Auditors Survey and Systems study of the VMFA. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Morrison. Subject- Filming of \"California Watercolors\" traveling exhibition with footage of Virginia Beach Sidewalk Show included in the 25th anniversary film. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospectus for the Virginia Center For the Performing Arts. Statement of purpose: Academy-Conservatoire of Dramatic Art with training center and professional theatre. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding objects and paintings in private collections throughout state of Virginia. Correspondence with artists and owners. 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Statement of mission, NEA grants, proposals, awards, potential applicants, recipients. Collectors' Circle: Arts and Humanities Challenge grants for Conservation projects. Degas exhibition. Dates- 2/74 - 6/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VCU and U of R Drama departments. VMFA/VCU Museum Methods Course. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Current/future cooperation between VCU and VMFA: theatre, Art Historical studies, education, museum training, music dept.'s, VCU Conservation Lab and Anderson Gallery. Dates- 1/73 - 2/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Paul Smith. Reception, guest list, program, agenda and exhibition catalog. Dates- 3/71 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Juror: Henry Wolf. Event program, invitations, guest list, statistics regarding entrants, certificate winners, etc. Exhibition catalogs for \"Virginia Designers\", 1970 and 1971; \"Virginia Photographers\", 1970 Date- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding state budget 1946-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VEA Centennial Event and retired teachers complex, theatre program and Executive Committee Minutes, 12/61. Dates- 10/63 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Retired teachers apartment complex proposed for the 2900 block of Grove Ave., later rejected by the City Council, newspaper clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Exhibition: \"American Rooms in Miniature\", sponsored by Va. Federation of Women's Clubs, sponsorship of statewide tour of Artmobile, newspaper clippings and pamphlets, \"Virginia Journal of Education\", 10/63, catalog of \"American Rooms in Miniature\" by Mrs. J.W. Thorne, Art Institute of Chicago, 1941. Dates- 6/53 - 2/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Virginia Federation of Women's Clubs Statewide Arts Festival. Dates- 5/67 - 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Thank you notes from newly elected/reelected members of the House of Delegates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. John. S. Battle. Dates- 1949-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. Colgate W. Darden. Dates- 1942-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. George C. Peery. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Bills vetoed and passed by Gov. Thomas B. Stanley [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. William M. Tuck. Dates-1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Multi-level Arts Festival held annually in Abingdon, Va., loans of art works, consultation on programming and pamphlets. Dates- 11/52 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, F. Numan (Wm. and Mary) Subject- Meeting to focus on Architecture and the Humanities. Dates- 11/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Catalog from Franklin Mint series of silver commemorative medals. Norton Simon summary of Annual report, 1970. Dates- 1970 -71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. J.G. Pollard was chairman of this agency; copies of: Fundamentals of a Growing Recreation Program by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agendas and minutes of meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns a Governor's commission to study juvenile delinquency and the Virginia Advisory Legislative Council. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report to the Committee on \"Recreation as a Function of Government in Virginia.\"   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- copies of the executive order creating the Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- planning a listing of recreation films available through state agencies and 16mm Recreation Films Available in Virginia published by the VA Inter-Agency Committee on Recreation, etc. Dates- 6/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- working papers and final copies of the \"1st Report to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 10/53-1/54; Correspondence Subject- copies of the \"First Report to the Governor by the Inter-Agency Committee on Recreation\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Selected legislation on recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership rosters for the VA Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- statewide recreation reports listing facilities, budgets, organizations and needs, pamphlets from the National Recreation Association, etc. Dates- 7/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sponsored by the National Recreation Association 1955-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains a listing of personnel and the purpose of the committee.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and pamphlets.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets, magazine articles etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of \"Fundamentals of a Growing Recreation Program\" by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- working papers for and final copies of the \"1st and 2nd Reports to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 11/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Sarah Tomerlin Lee, Biographical data, event program, pamphlets and catalog for exhibition. Dates- 9/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum events, rosters: Senate, House of Delegates. Letter to members of the general assembly. Essay- \"The Virginia Museum and the Arts in Virginia\". Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reception for organization composed of Mayors, City Managers and City Officials. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Faye Ambrose and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year. Dates- 5/56-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Charles E. Baker and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications and award letters (1950, 1951) for VMFA in-state fellowship, artist progress reports for 2 years, etc. Dates- 5/50-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Regina Bartley and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 4/51-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Wm. Thomas Bland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA fellowship, thank you notes made by Mr. Bland (mixed media including watercolors). Dates- 8/48-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Robert Brushwood and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations, award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Kuhn R. Caldwell and Mrs. J.G. Pollard, M.B. Christison (Assistant Director), and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, artist progress reports for 1 year . Dates- 12/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mary Frances Cheatham and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA junior fellowship, artist progress reports for 1 year. Dates- 1/49-3/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Janet Clausen and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Robert L. Davis and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA in-state fellowship, photos of artist's work, artist progress reports for 1 year, etc. Dates- 4/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Worden Day and Mrs. J.G. Pollard, M.B. Christison and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, etc. Dates-4/49-8/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. T.V. Downing, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 10/49-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Charles Flynn, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 4/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 2/54-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- award letter for VMFA in-state fellowship, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Barbara Harding and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications ('53 and '54), recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Catherine M. Hipp and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Jem W. Hom and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/56-7/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between W.B. Houghland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Caroline C. Huff and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. William W. Jackson and Mrs. J.G. Pollard and L. Cheek Jr. Subject- applications (1948,1949), recommendations and award letter for VMFA fellowship, etc. Dates- 5/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Knapp and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. James Leedy and Mrs. J.G. Pollard and M.B. Christison (Assistant Director). Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/57-6/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Brenda R. MacBaisey and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year (includes lithography proofs), etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. James P. Moyers and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Joe Ravenscroft and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, application and recommendations for VMFA fellowship, etc. Dates- 8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, recommendations for VMFA fellowship, etc. Dates-8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.F. Russell and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for out-of-state fellowship, artist progress report for 1 year, etc. Dates- 4/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between R.E. Spain and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Mary R. Tatum and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1year, etc. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Primm Turner and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress report for 1 year, application for Catherwood Foundation fellowship, etc. Dates- 3/56-9/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. E. Parker Twombly and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA out-of-state fellowship, recommendation letters written by: Ben Shahn and Robert Motherwell, artist progress report for 1 year, etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress report for 1 year, etc. Dates- 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Howard Woody and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for student fellowship, etc. Dates- 4/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Peter Wreden and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, etc. Dates- 4/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of fellowship applicants, requests for applications, rejection letters, etc. Dates- 3/49-6/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications, recommendations and rejection letters for those applicants not chosen to receive fellowships. Dates- 3/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship, fellowship announcement, minutes of the fellowship committee meeting (1954), etc. Dates- 12/40-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- listing of applicants 1942-44, listing of types of fellowships offered by the Museum, etc. Dates- 1942-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- various applications, recommendations, rejection letters, etc. Dates- 5/46-6/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- announcements of fellowships, blank fellowship applications, requests for applications, various completed applications, award and rejection letters for fellowships, artist reply letters, etc. Dates-4/46-12/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- various applications, recommendations, fellowship recipient progress reports, award and rejection letters, correspondence with Fellowship committee, etc. Dates- 4/47-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject-the organization of the Fellowship committee, requests for fellowship applications, etc. Dates- 9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. John L. Pratt. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship program, minutes of: annual board meeting (1941), executive committee meeting (1940), VA artists fellowship committee meeting (1940), announcement/application for VMFA fellowship, etc. Dates- 6/40-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence about the Museum. Dates- 1939-46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition- \"The Virginia Museum of Fine Arts in Roanoke\", 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Essays by Director Thomas Colt on the Principles and Work of the Virginia Museum of Fine arts and its history.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Timetable, agenda, invitation, guest list. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Henry Callahan, biographical data, entry form, letters to selected applicants, statistics: entrants vs. applicants etc., and jury procedure. Dates- 4/71-2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellowships, VPI Traveling Theatre. Letter to Josef Albers with biographical data, invitations and exhibitions. Dates- 3/59 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains pamphlets and correspondence between this association and Mrs. Pollard's Inter-agency committee on recreation 1949-54; Reports and Inventories of recreational activities of state agencies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- VMFA budget, state issue vehicles, Artmobile, salaries, Robinson House, etc. Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Complimentary memberships to members of the house of delegates, travel regulations, United Givers Fund campaign, management studies. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VSAA membership rosters, membership of confidential secretaries to directors of state agencies. Dates- 9/63 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- Memos to heads of state agencies regarding all manner of state operations, capital outlays. Annual Report of \"Virginia Department of Vocational Rehabilitation\", 1976. Dates- 1/73 - 10/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- Affirmative Action and Freedom of Information Act requests. \"Virginia Local and Regional Planning 1974\"; \"Virginia Commission Visually Handicapped Annual Report\", 1973-74; \"Virginia Highway Commission Annual Report\", 1973-74. Dates- 11/74 - 12/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- State governmental management, budget appropriation requests, Virginia calendar of events, newsletters, museum salaries and the Virginia Privacy Act of 1976. Dates- 4/75 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regards donating old exhibition materials 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Roster of VMFA Trustees, resume of progress in the Fine Arts of Virginia. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and E.M. Kates (VSIF). Subject- Planting of flower beds and maintenance of interior foliage, Elizabeth Kates Foundation. Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cleaning and treatment reports of portraits owned by the Virginia State Library and Archives. Also correspondence regarding the wartime protection of Virginia's cultural materials, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- outline of annual meeting. Dates- 11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- \"Planning Your Town\" traveling exhibition, photos and description of exhibition installation, copy of an essay written by Cheek for Art Digest (4/52) Dates- 2/52-10/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VA Union choir singing at the Museum during the Christmas season, pamphlets about Museum sponsored activities during the holidays, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statewide competition for the design of Memorial and jury selection. L. Cheek's service as advisor to the Memorial Commission. T.J. Collins and Son as winners of competition. \"Program Of Competition For The Virginia World War II Memorial\". Dates- 12/50 - 3/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Program Of Competition For The Virginia World War II Memorial\", firms invited to compete in the final selection, expenses incurred and resumes of applicants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, John J. Wicker Jr. (Chairman). Subject- Competition program, VWW II Memorial Commission meeting minutes, \"Preamble\", for the creation of the memorial, \"Architectural Competitions\", AIA Document no.213. Drawings/plans and photographs for site development. Dates- 5/50 - 12/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 1953 Official Report of the Virginia World War II Memorial Commission. Dates- 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Competition program and closing proceedings. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Applications from selected entrants, official report of the jury in their selection of J.T. Collins and Son, (A.I.A.). Dates- 3/51 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report of the Jury concerning the winning design. Jury members: Waldon Franklin, George Howe, Frederick C. Disque, Edward D. Stone, W. S. Robertson, biographical data included and list of competition entrants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Guest lecturers, membership. Dates- 12/63 - 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. von Keller. Subject- appointment of von Keller as Acting Director of VMFA in absence of Colt, biographical information, etc. Dates- 4/35-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. von Keller (Art Director, Randolph-Macon Woman's College). Subject- personal, Museum events, etc. Dates- 8/42-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Vose. Subject- Acquisitions and provenance of objects. Dates- 7/56 - 2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt. Priscilla Crum and L. Cheek. Subject- Segregation in children's art classes, Study of early 19th century architect and builder John Jordan. WRVA Radio weekly series of VMFA activities, Salon des Refuses' for artists eliminated from the Virginia Artists juried exhibition. World War II Memorial design competition, Artmobile, newspaper clippings, paintings from the Williams Collection and the Helena Woolworth McCann Collection of Export Collection. Exhibition catalog: \"Eugene Wiesz\". Photographs. Dates- 9/45 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Artmobile, AIV, sit-see chairs, collectors circle, Fellows, Wise Pre-Columbian Collection, requests for employment. Woodrow Wilson Birthplace Foundation: Annual Report 10/64. Gifts, loans, contributions and acquisitions. Dates- 3/60 -11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Exhibition announcements, invitations, newsletters, biographical data, requests for employment. Purchases, gifts and acquisitions. Damage report of art works. \"Profile\", re: Tishman Collection of African Objects. \"Hermes Wingraf Quarterly Catalog\", Summer 1971, re: 17th century Dutch still-lifes. Dates- 2/70 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Waddy bequest for fountain construction. Costs of construction and maintenance of fountains: National Gallery, Frick Collection and Isabella Stewart Gardner Museum, includes photographs. Blueprints/plans: VMFA Site Development, East Elevations. Excerpt from the will of Woodson P. Waddy. Dates- 1947, 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Bronze Waddy Memorial Fountains, architects: Eggers and Higgins, Sculptor: Ralph Menconi. Contractual agreement with architects, Blueprints/ plans, detail drawings for : Waddy Memorial Fountain, Triton Fountain, East elevation and site development plans. Dates- 8/53 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Mr. Clifford L. Walker. Subject- inscribed plates for paintings in Museum collection, bronze busts and tablets for founders. Dates- 11/35-8/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Walpole Society Dinner, membership roster and newspaper clippings. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA staff orders for conduct of Museum during an emergency, pamphlets from the U.S. Government, Association of Art Museum Directors and American and British museums about art preservation in case of a wartime emergency. Dates- 1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Warburg Collection on loan to VMFA and his address to collector's circle. Bulletin vol.18 no.9 5/58 Dates- 5/57 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT scenery design. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets from the U.S. Government, Association of Art Directors and American and British museums about art preservation in case of a wartime emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- prospective sale of George Washington portrait by Peale to the state of Virginia, history of the painting, may have been commissioned by the state in 1784 for use by Houdin (the sculptor of the George Washington statue in the capital). Dates- 10/37-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Marion Junkin. Subject- Metropolitan Collection on permanent loan to W\u0026L, letter from M. Junkin espousing the talents/commitments of the young artist Cy Twombly. Hans Gasman as restorer for VMFA lists of objects and exhibitions. Dates- 11/49 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Alexander W. Weddell. Subject- Weddell's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, gifts from Weddell, listing of Trustees 1942, listing of Trustees committee assignments 1945. Dates- 9/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and Mrs. J.G. Pollard. Subject- Founding member of VMFA, resolution from Executive Board in memoriam of Alexander Wilbourne and Virginia Chase Weddell. Award of the Webster S. Rhoads Medal for distinguished service. Minutes of Annual Meeting, descent and authenticity of a pair of copies of portraits of George Mason and his wife. Dates- 7/45 - 1/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Foundation financial support: VMT, library, contributions to Fellows fund, book purchases, VMFA services catalog. Dates- 7/66 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Director of Gallery of Modern Art, NYC, and his service as a juror. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Time\" article on George Catlin, artist of the American West. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Mellon. Subject- Ultimate destination of Mellon English Collection. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Tour request. Dates- 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Mrs. J. H. Parsons. Subject- Wheelchairs adapted for sit-see chairs and underwritten by Mrs. Parsons. Dates- 10/65 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture/recital to VMFA council and Fellows. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitation to L. Cheek by President Johnson to attend luncheon for President-elect Barrentos of Bolivia. Dates- 7/20/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Objects on loan to White House. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Theo B. White. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Diorama's made by Whitelaw in the collection of the L.A. County Museum and George Washington Masonic National Memorial Association. Photographs Dates- 7/62 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- general correspondence with a Trustee on Museum programs and operating activities (esp. Accessions Committee). Dates- 6/35-3/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Beatrice von Keller, T. Colt and L. Cheek. Subject- Organization of an exhibition of pre-Columbian sculpture, Catesby-Jones collection, Whitman Collection of Mayan Sculpture, Chrysler Collection accessions and exhibitions. Date- 8/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. Thelma Cudlipp Whitman. Subject- Trustee/Museum business, etc. Dates- 5/51-2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Ambassador to Great Britain, invitation to become Collector-of-the- Year. Dates- 5/61 - 7/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and various Whitney Museum staff. Subject- loans to the Museum for the inaugural exhibition, loan to the Whitney from VMFA, museum practices, etc. Dates- 5/35-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Summer state service projects, VMFA projects list. Dates- 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Playwright, invitation to address VMT, Time Cover 11/12/53. Dates- 1/53 - 3/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA appointment to Board of Trustees, service as President and on the Entertainment Committee. Museum business, South Wing, Fellows, NEFTA. Gift of Mellon French painting collection, gifts, contributions. Dates- 6/65 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions: \"Jean Outland Chrysler Collection\" and \"30 Years of Virginia Art\". List of objects, Charter Day ceremonies: invitation list and dedication of the new Fine Arts building. Essays- \"Thomas Jefferson and the Fine Arts\" and \"The Arts in Virginia\", by L. Cheek 2/67. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT and loans of objects to VMFA. Dates- 1/50 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. J.G. Pollard. Subject- Williams Collection inventory, Williams purchase fund, statement concerning the informal agreement between L. Cheek and Mrs. A. D. Williams concerning installation of collection in the new wing. Selected inventory of furnishings in the Williams home. A.D. Williams as recipient of the Rhoads Medal, financial contributions, gifts and loans. Dates- 6/48 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Berkley Williams Jr., Virginia artist. Dates- 1936-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., and Mr. E. Rand Williams. Subject- Trustee/Museum business, Rand served as Buildings and Grounds Committee Chairman 1937-8 and as first Vice-President in 1941, etc. Dates- 6/35-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. E. Randolph Williams. Subject- Trustee/ Museum business, etc. Dates- 5/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Glasglow bequest, Melchers Estate, Pratt Jewels, Portrait of \"James Patton Preston\", Gilbert Stuart, general legal questions. Dates- 10/58 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Election to board of Trustees; Dance Society. Dates- 6/54 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Advisory committee on the new Reception Center, L. Cheek as a member and a map with the proposed location. \"Summary of Reception Center Objectives and Experience\". Dates- 11/53-1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List of objects accepted as loans and pending gift status. Dates- 10/49 - 3/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Preliminary plans for a foundation to house objects related to W. Wilson's life. Portrait exhibition of the 8 Virginia born Presidents, portrait of Mrs. Wilson, artist unknown. \"Woodrow Wilson's Heritage of Faith\", Frank Bell Lewis, Woodrow Wilson Birthplace Foundation, 1956. Dates- 9/55 - 6/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of request and approval for event, agendas and timetable. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letter of confirmation. Dates- 7/11 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Woodlawn Plantation event, guest list and map. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. to Worcester Art Museum staff. Subject- loans for VMFA inaugural exhibition, loan to Worcester Art Museum, etc. Dates-8/35-7/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- exhibition held at the Museum \"Southern States Preview\" a regional exhibition connected to the World's Fair. Dates-10/38-12/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by applicants to exhibition. Subject- listings of artists accepted to the show (listed state by state). Dates- 12/38-1/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Arthur Drexler (MOMA) to lecture on Wright exhibition, reception, guest list. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Transcript of radio broadcast 2/26/54, exhibition: \"American Painting\", Artmobile and magazine excerpt. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Betsy Wyeth and Harry Brooks (Knoedlers). Subject- \"Country\": Working drawings, Artmobile layout and tour and reviews. Dates- 2/67 - 11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Exhibitions, loans, acquisitions, AIV, gifts, contributions. Correspondence with William Zorach, sculptor. Dates- 9/49 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- museum practices, loans for the VMFA inaugural exhibition, etc. Dates-9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General correspondence from Alumni, possible lecturers, newspaper clippings. Correspondence between Cheek and Alfred Stiegletz. Minutes of Alumni and Friends of the School of Art and Architecture, 5/58, pamphlets. Dates- 6/58 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Third Report Of The Committee On Architecture, Painting and Sculpture\", 4/50. Committee membership roster, issues facing various Yale departments. \"Bulletin Of Yale University\", series 44, 4/48 #5 and \"Official Register Of Harvard University\", vol. XLV, no.15 7/15/48. Dates- 1949 - 50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. Pollard and M. Christison. Subject- Yale school of the arts general operation, appointment of Joseph Albers, list of University Council Committees. Dates- 9/48 - 9/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Draft of the committee report and responses from other Yale committee members regarding departmental personnel, curriculum, problems and resolutions. \"Report Of The Committee Of The Division Of The Arts (Architecture and Planning And Design)\",prepared by L. Cheek, 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Report Of The Chairman Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 4/48, prepared by L. Cheek. Issues concerning Yale departments of the arts. Minutes of Yale Executive Committee Meetings, various reports on Yale departments. Dates- 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cheek draft of, \"Report Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 1952. Yale policy review, new appointments, letters to other committee members, roster of membership. Dates- 5/51 - 4/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Evolving challenges of the various Yale departments. \"Report Of The Committee On The Division Of The Arts (Architecture, Planning and Design)\", 4/53. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA performance of Yale Glee Club, agenda, program, roster, etc. Dates- 10/60 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","R. Peter Mooz was Director of the museum from 1976-1981.","Charles L. Reed was Interim Director of the museum from 1981-1984.","Paul N. Perrot was Director of the museum from 1984-1991.","Katherine R. Lee was Director of the museum from 1991-2000.","Richard B. Woodward was Interim Director of the museum in 2000.","Michael Brand was Director of the museum from 2000-2005.","Thomas N. Allen was Interim Director of the museum in 2006.","This series contains correspondence and subject files from staff members in the Director's Office.","Carolyn Weekley was the Assistant to the Director from 1978-1979. She later became Curator of Decorative Arts, so there is some overlap in the files with her curatorial work.","Margaret (Peggy) Burke was Assistant to the Director from 1980-1981, then Deputy Director in 1982, Deputy Director. She originally served as Assistant Director for Collections and Interpretation, so there is some overlap in the files with her other work.","Lulan Yu was Assistant to the Director from 2002-2007. Her files are mostly related to the North Wing expansion and the museum identity project.","Lee Anne Hurt Chesterfield was Assistant to the Director from 2004-2009, then became Director of Board Relations and Museum Planning. Her files are mostly related to special projects, exhibitions, and AAM reaccreditation.","This series consists of building files that were maintained separately in the Director's Office. There are often additional building files found in each Director's Correspondence files.","The West Wing was completed in 1985.","The North Wing expansion was completed in 2010.","This series consists of corespondence with internal and external groups, the affiliations or creations of which often often overlap different Directors.","This series consists of minutes and planning documents for meetings convened by the Director.","This series consists of program files that were maintained separately in the Director's Office. There are often additional program and exhibition files found in each Director's Correspondence files."],"separatedmaterial_html_tesm":["\u003cp\u003eMedal awarded to Walter Spencer Robertson housed separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Medal awarded to Walter Spencer Robertson housed separately."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"names_ssim":["Virginia Museum of Fine Arts Archives"],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"language_ssim":["English \n.    "],"total_component_count_is":7183,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:29:10.278Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_44_c01_c01_c01"}},{"id":"virmu_repositories_2_resources_44_c01_c01_c02","type":"File","attributes":{"title":"25th Anniversary: Birthday Party/Awards","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_44_c01_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_44_c01_c01_c02","ref_ssm":["virmu_repositories_2_resources_44_c01_c01_c02"],"id":"virmu_repositories_2_resources_44_c01_c01_c02","ead_ssi":"virmu_repositories_2_resources_44","_root_":"virmu_repositories_2_resources_44","_nest_parent_":"virmu_repositories_2_resources_44_c01_c01","parent_ssi":"virmu_repositories_2_resources_44_c01_c01","parent_ssim":["virmu_repositories_2_resources_44","virmu_repositories_2_resources_44_c01","virmu_repositories_2_resources_44_c01_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_44","virmu_repositories_2_resources_44_c01","virmu_repositories_2_resources_44_c01_c01"],"parent_unittitles_ssm":["Director's Correspondence (RG-01)","Series 1: Director's Correspondence","Series 1.1: Early Directors"],"parent_unittitles_tesim":["Director's Correspondence (RG-01)","Series 1: Director's Correspondence","Series 1.1: Early Directors"],"text":["Director's Correspondence (RG-01)","Series 1: Director's Correspondence","Series 1.1: Early Directors","25th Anniversary: Birthday Party/Awards","box 33863 Box 92","folder 2","Item RG01.01.1.0002"],"title_filing_ssi":"25th Anniversary: Birthday Party/Awards","title_ssm":["25th Anniversary: Birthday Party/Awards"],"title_tesim":["25th Anniversary: Birthday Party/Awards"],"unitdate_other_ssim":["1960-1961"],"normalized_date_ssm":["1960/1961"],"normalized_title_ssm":["25th Anniversary: Birthday Party/Awards"],"component_level_isim":[3],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Director's Correspondence (RG-01)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4,"parent_access_restrict_tesm":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1960,1961],"containers_ssim":["box 33863 Box 92","folder 2","Item RG01.01.1.0002"],"_nest_path_":"/components#0/components#0/components#1","timestamp":"2026-05-21T03:29:10.278Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_44","ead_ssi":"virmu_repositories_2_resources_44","_root_":"virmu_repositories_2_resources_44","_nest_parent_":"virmu_repositories_2_resources_44","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_44.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/44","title_filing_ssi":"Director's Correspondence (RG-01)","title_ssm":["Director's Correspondence (RG-01)"],"title_tesim":["Director's Correspondence (RG-01)"],"unitdate_ssm":["1927-2009"],"unitdate_inclusive_ssm":["1927-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-01","/repositories/2/resources/44"],"text":["RG-01","/repositories/2/resources/44","Director's Correspondence (RG-01)","The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809).","\"Museum in Action\" was reformatted and is available on YouTube:  https://www.youtube.com/watch?v=03tQlnoFx0A\u0026t=1s","The collection is organized into six series, and items are generally arranged alphabetically within series 1-2. Series 3-6 are generally arranged chronologically.","Series 1 Director's Correspondence, 1927-2006 Series 2 Director's Office Staff, 1977-2008 Series 3 Building Files, 1979-2004 Series 4 Organization Files, 1991-2006 Series 5 Meeting Files, 1998-2009 Series 6 Program Files, 1992-2007","The collection was transferred from the Director's Office through periodic deposits since 1989. The bulk of the Early Director's Correspondence (Series 1.1) was deposited at to the Library of Virginia in 1982, where it remained until November 2022 when it was returned to VMFA.","Between June 17-September 10, 2023, the Fellowship Application and associated photograph of Wigfall were placed in the exhibition \"Benjamin Wigfall \u0026 Communications Village.\"","Between June 17-September 10, 2023, the recommendation letter from Leo Katz was placed in the exhibition \"Benjamin Wigfall \u0026 Communications Village.\"","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","Series 1.1 was processed by State Records Archivist Laura Drake Davis from 2006-2008 while it was still deposited at the Library of Virginia. In 2023, Senior Archivist Courtney Tkacz integrated VMFA's holdings into that series and in the process, RG-01 Boxes 1-4 and LVA 33863 Boxes 60, 67, 74, and 89 were removed.  ","Select application materials were digitized with the identifier: RG01.01.1.33863.001","Select application materials were digitized with the identifier: RG01.01.1.33863.007","Select application materials were digitized with the identifier: RG01.01.1.33863.008","Select application materials were digitized with the identifier: RG01.01.1.33863.009","This series is comprised of correspondence of all of the various Directors of the museum. Files were arranged alphabetically by subject, and there is a lot of overlap between different Director's as the files often contained pertinent items from a predecessor. In the case of the first sub-series (1.1), until 1976, the entire museum's files were maintained centrally as one unit in the Director's Office.","This series includes the records of the first three Directors - Thomas C. Colt (1935-1948), Leslie Cheek, Jr. (1948-1968), and James M. Brown (1969-1976) - as well as the two Interim Co-Directors Beatrice von Keller and Violet McDougall Pollard (1942-1945). The bulk of this series was deposited at the Library of Virginia, therefore most of the items held at VMFA are copies that LVA returned to the museum.","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with individuals, institutions and corporations beginning with the letter 'A', note- two letters written to Josef Albers (no replies). Dates- 2/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding a copy of Gainsborough's \"Blue Boy\" in the collection of Van Clief of Esmont, Virginia.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters from private donors and dealers offering objects for sale and as gifts to the Museum when it was first started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and information about gifts and purchases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about items being considered for purchase and members of the committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes, and information on bequests and purchases. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- minutes of accessions committee meeting 1972, announcements and attendance for meetings 1973, acquisitions policy for bidding on works of art at auction, etc. Dates- 9/72-1/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- painted decorations of St. James church, putting this church on the Virginia section of the National Register. Dates- 4/68-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- departmental inventories of non-expandable assets of the Commonwealth of VA 1940-3, worksheets on individual art objects and Museum equipment, state regulations, etc. Dates- 6/43-11/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown and P. Near (Curator). Subject- correspondence about possible acquisitions, considerations of gifts, notes on possible acquisitions, etc., 10/70-4/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding the gift of Mrs. Charles Adams (Ann Fowlkes) of music albums 1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's appointment by the Governor to an advisory committee assisting the Dept. of Conservation and Economic Development in a study for a proposed museum of science, archaeology and natural history (to be located in Richmond), copy of Senate joint resolution no.26-to study the encouragement or establishment of a museum of science and natural history, list of committee members, Report of the Department of Conservation and Economic Development to the Governor and the General Assembly of Virginia Relative to the Establishment of a Museum of Science, Archaeology and Natural History in Richmond, 1965, etc. Dates- 5/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Excerpt from the Report of the Committee on Recreation to the Advisory Council on the VA Economy and A Summary of Major Recommendations that Involve Questions of State Policy by the Advisory Council on the VA Economy. Dates- 8/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- possible Museum acquisitions from the dealer. Dates- 4/53-5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Airfiltering System 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- correspondence and announcement for lecture by Ambassador Akar about Africa's unique cultural heritage, etc. Dates- 10/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek was a judge for their annual show. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with Albemarle Art Association President about discontinued affiliation with VMFA, biographical information on Cheek, introduction about Cheek for lecture at AAA, Cheek's remarks in honor of Horace Burr 1966, etc. Dates- 8/57-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with and biographical information about Josef Albers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- a letter to Albers (no reply). Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown Subject- correspondence with Director about appointment to board of Hon. George S. Aldhizer II, Education in the Arts and Honors and Awards Committee appointments, etc. Dates- 6/67-2/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Donor of several paintings to the Museum, 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek as speaker for \"The Alexandria Forum: Southern Decorative Arts 1750-1850\", exhibition loans to Alexandria Assoc., etc. Dates- 9/55-1/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Printed materials. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding annual meetings and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- AAM (American Association of Museums)annual meeting pamphlets 1955,'57,'58,'59'60,'61,'62,'65 and'68, proposed constitution and By-Laws 1961, roster of member institutions 1959, correspondence about AAM meeting in Williamsburg, etc. Dates- 10/60-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from AAM Directors. Subject- Minutes annual meeting 1969, membership reports 1969-70, Financial Statements 1969-70, agenda for AAM council meeting 1970, memos, etc. Dates- 8/69-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- info about AAM (American Association of Museums) seminar held in Richmond 1972, financial and membership reports 1972, minutes of exec. committee meeting 1972, news releases, letter from Richard Nixon to Mr. Brown as President of the AAM, mailings sent out by AAM, etc. Dates- 7/72-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about Cheek as Program Chairman for AAM (American Association of Museums) annual meeting in Williamsburg 1962, tentative agenda, schedule of events, attendance list, committee reports, program, etc. Dates- 5/59-1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- correspondence to American Art Association (AAM) section chairmen about annual meeting, program, schedule of events, etc. Dates- 9/60-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about arranging program for American Association of Museums (AAM) meeting, roster of section chairmen 1962, agenda for exec. committee meeting 1961, invitations sent to VMFA trustees for a reception (held at VMFA) to meet the delegates to AAM meeting, etc. Dates- 7/59-6/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- roster of AAM (American Association of Museums) section chairmen 1962, attendance and schedule for section meetings, etc. Dates- 1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lloyd Goodrich Lecturer. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek on advisory committee for the study of design and craftsmanship in today's products, roster of advisory committee, proposed exhibition, conference series, documentary and publication about design and craftsmanship, National Exhibition Project Committee meeting minutes 1950, etc. Dates- 3/49-4/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek on Board of organization. Contains memos, pamphlets, exhibition literature etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns L. Cheek's membership in the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- minutes of exec. committee meetings 1961, '62 and '65, roster of trustees, memos to trustees, correspondence about convention in Chicago, etc. Dates- 1/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. (trustee of AFA). Subject- information about circulating exhibitions, minutes of Exec. committee meetings 1966 and '67, minutes of trustee meetings 1966, '67 and '68, memos to trustees, etc. Dates- 1/60-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- American Federation of Arts (AFA) exec. committee meeting minutes 1967 and '68, correspondence about AFA delegates visit to VMFA 1969, roster of members and committee appointments, news releases 1968, President's annual report to AFA, etc. Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about Cheek as Convention Committee Chairman 1959, correspondence about potential committee members, program for convention, minutes of preliminary joint meeting of the AFA trustees 1958, minutes of trustees meeting 1959, Golden Anniversary Convention, The American Federation of Arts 1909-1959, congratulatory and appreciation letters to Cheek, etc. Dates- 3/58-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown Subject- AFA (American Federation of Arts) exec. committee meeting minutes 1959,'60,'61,'62 and'65, roster of board of trustees, trustee meeting minutes 1961 and '62, AFA constitution, National Council on the Arts and Government Annual Report 1960, etc. Dates- 3/61-1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with the American Institute of Architects. Dates- 4/47-1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek served as a juror for the Annual Homefurnishings Design Competition and was an honorary member, 1949-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- A.I.D. (American Institute of Designers) VA chapter yearbook 1961-2, listing of suggested museums for A.I.D. exhibition, etc. Dates-5/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown. Subject- dinner meeting for the AID (American Institute of Designers) (interior designers). Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz and Wm. Wilkinson (Mariners Museum). Subject- Loan requests, cost estimates, pamphlets and photographs. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz and Wm. Wilkinson\u003e Subject- First major survey of American Marine Painting in observance of the Bicentennial. Lists of paintings, installation, budget, etc. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains copies of lecture invitation and catalog. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown from ASA (American Society of Appraisers). Subject- Brown's membership in ASA, ASA news 1971-2, announcement of meeting 1971, etc. Dates- 10/70-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for gallery dinner at VMFA for American Society of Appraisers. Dates- 1/72-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Brown as Chairman of a committee on collections at Amherst College and member of Exec. Committee of the Association of Fine Arts, constitution and minutes of Association of Fine Arts meetings 1970 and '71, roster of members of the Association of Fine Arts, membership solicitation letter, catalogue: The Amherst Sesquicentennial Exhibition 1972, etc. Dates- 10/69-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. J.G. Pollard and Mr. Henry W. Anderson. Subject- meetings of the Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, a portrait of Anderson by VA artist, Julian Binford, etc. Dates- 6/35-11/44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Henry W. Anderson. Subject- Anderson's presidency of the Board of Trustees 1947, trustee and Museum business, Annual Board meeting minutes 1947-8, Museum events and daily operations, Museum investments and gifts to the Museum, a general study of the Museum's collections and suggested plan of development (1947), information about the land occupied by the Museum and its estimated future needs, etc. Dates- 6/47-6/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- President of the Board of Trustees. 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and L. Cheek, Jr. and Col. Henry W. Anderson. Subject- Anderson's presidency of the VMFA Board of Trustees, Museum events and daily operations, gifts to the Museum, investment of the Museum's A.D. Williams fund, listing of financial condition of endowment and special funds 1952-3, etc. Dates- 5/51-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for dinner honoring Mr.and Mrs. Walter P. Chrysler, guest lists, invitations, R.S.V.P.'s, etc. Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- final copies: VMFA 2nd Annual Report of the Director 7/1/36-6/15/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 7th Annual Report of the Director 7/1/41-5/1/42 and VMFA staff orders 1/42 elaborating the orders of 6/41 conduct of the Museum during an emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers, preliminary and final copies of The Report of the Acting Directors for the Year 1944-5, agenda for Executive committee meeting 6/44, breakdown of membership 1943-4, 1944-5 and working papers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- final copy VMFA Annual Report. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- preliminary and final copies VMFA Annual Report 1946-7 7/1/47-4/30/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- preliminary and final copy: VMFA Annual Report 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for the 1948-9 Annual Report, Report of the Executive Committee of the VMFA to the Board of Trustees (5/22/49) also a listing and attendance record of the Board of Trustees (5/27/49).  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for the 14th Annual Report, including operations budget, salaries and membership count, also a copy of VMFA Organic Laws (10/36). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- The 14th Annual Report of the Director (5/27/49) and its working papers, also correspondence about VMFA role in selecting and displaying portraits in the Governor's Mansion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- working papers for the annual report, listing of Cheek's activities (lectures, consultations, committee and jury duties). Dates- 1960-1. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual Reports for Collections and Gallery Divisions 1951-54, and for State Extension Services 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 1st Annual Financial Report of the Curator (4/13/35-6/15/36), VMFA 2nd Annual Report of the Director (7/1/36-6/15/37), VMFA 3rd Annual Report of the Director (7/1/37-6/1/38), VMFA 4th Annual Report of the Director (7/1/38-6/1/39), VMFA 5th Annual Report of the Director (7/1/39-5/1/40), VMFA 6th Annual Report of the Director (7/1/40-5/1/41). Dates- 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 7th Annual Report of the Director (7/1/41-5/1/42), VMFA 8th Annual Report by the Acting Directors (7/1/42-5/31/43), also, VMFA 9th Annual Report by the Acting Directors (7/1/43-5/31/44).  Dates- 1941-1944. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- the following reports: \"Remarks by Robert Marsh, Jr. before the Appropriations Committee of the General Assembly\" and \"Resume of the Request of the Trustees of the Virginia Museum of Fine Arts before the Appropriations Committee 2/64\" Dates- 2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual meeting of its Richmond Chapter at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and Ms. B. von Keller. Subject- biographical info, purchase of his painting Maggie, letters of introduction, personal references, loaning work to Museum, Va. artists exhibitions, counsel on museum operations, etc. Dates- 10/35-10/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed paperback guide to architecture in Virginia, roster of Editorial Advisory Board for guidebook, list of sites by counties and cities, etc., final list of buildings and sites, announcements and minutes of Nominating Committee meeting, etc. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- biographical information on H. Harvard Arnason, speaker on Henry Moore sculpture at VMFA, VMFA Members' Bulletin vol.26, no.2 10/65. Dates- 9/65-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- confirmation of meeting with State Art Commission to present plans to enlarge VMFA. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership roster, pamphlet of Art Dealers of America, Inc., etc. Dates- 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given at the VMFA by members of the staff of the Museum of Modern Art 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices, the following publication: Let's Make the Lions Roar: A Marketing Study of the Art Institute of Chicago by Edward J. Teply (Northwestern University 1959) Dates- 6/48-1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Potential jurors for biennial exhibitions 1970. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence and a listing of members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and art nouveau purchase plan. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Artificial flowers for decoration in galleries, 1964. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum program where artist-members participated in a life drawing class.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program sponsored by museum for artist members, included life drawing classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and memorandums. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and minutes from meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Project to try and send artmobiles overseas as suggested by the State Department. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence as to whether or not they would like to have the artmobile visit their school. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains plans, blueprints, and correspondence that occurred during its development.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Manufacturer of custom van bodies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Presidential Inauguration. Artmobile was State of Virginia's entry in President Johnson's inaugural parade, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed exhibition for the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Magic City Bank had an exhibit trailer, which was a prototype for artmobile.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations, programs and correspondence.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reprints of A.I.V. article \"Galleries on Wheels\", 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VFWC was instrumental in getting the artmobile started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, newspaper and magazine clippings and schedule 1961-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedules, Plans, correspondence and photographs, 1960-63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and plans for 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening, Middleburg, Virginia, 1962.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner and Invitation List. Artmobile II Opening. Middleburg, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Facts sheets, invitations and photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dedication. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- correspondence re. funding, construction, photographs, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans for Collegiate Artmobile to visit Virginia Colleges. 1964-65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal to ask the Carnegie Foundation for funding for a collegiate artmobile, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening, Ashland, Virginia. Correspondence and programs, Sept. 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Meeting of Virginia college Presidents regarding the Artmobile project to service college and University campuses. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, David Pittman, Peter Mooz. Subject- Artmobile workshop: program agenda, exhibition schedules, etc. \"Artmobile Chairman Handbook\". Dates- 7/74 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fruehauf Trailer Co., artmobile manufacturer, 1965-66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed by Lt. Governor Mills Godwin, attempted to establish a Virginia Arts and Crafts Museum. Newspaper clippings, correspondence, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets, prints, minutes and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Arts and Humanities Summer Institute. Sponsored by the Va. Commission of Arts and Humanities at the Museum in 1971. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Informational pamphlet from the President's advisory Council on the Arts, 1963. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Art Council of America and Governor's office. Subject- invitation from the Art Council of America to be represented in this council, etc. Dates- 10/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from George Cruger (Editor, AIV), J.M. Brown and Wm. Gaines. Subject- Microfilming of AIV and checklist of Articles to date, Spring 1974. Catalog: \"Image\", George Eastman House, 1973. Dates- 11/73 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memos and Correspondence. Dates- 1960 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Search for a designer for the magazine. Letters to and from possible candidates. Dates- 1964.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Various issues of the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- A.P. News clips regarding Museum, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the portrait bust of John Marshall.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- A.P.V.A. Pamphlets and Correspondence, 1972. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- agenda for the APVA (Association for the Preservation of VA. Antiquities) meeting held at VMFA, roster of exec. committee and trustees, etc. Dates- 3/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of members and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and reports from annual meeting 1964-68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- General correspondence to Directors of various museums regarding membership, loans of art works, invitations, etc.  Fact sheet on Artist housing in Soho. Dates- 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and minutes from annual meeting 1970-71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Annual meeting: reports, minutes, events schedules, officers, membership. Code of Ethics for ilicit traffic in works of art. \"Reproductions and Reproduction Rights For Museum-Owned Objects\", 1962, American Federation of Arts. Dates- 1972, 1979 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes from meeting. Dates- 5/59 - 6/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposals for membership. L. Cheek was membership chairman. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes of meeting. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report on dangers of lending objects to institutions for special exhibitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Questionnaires, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Lady Nancy Astor. Subject- Donation of her portrait by John Singer Sargent and china. Dates- 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"B\". Subject- varied. Dates- 9/50-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with institutions, individuals or corporations beginning with the letter \"B\" and the VMFA loan-own art service policy statement. Dates- 6/62-10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Transcript of remarks by Frank Stanton on his award of the Michael Friedman Medal of the Architectural league, magazine clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Ballet and L. Cheek concerning the beginning and future of a theatre at the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, A. Ballet and trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Baltimore Museum of Art calendars of events, correspondence about museum practices, etc. Dates- 9/48-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Miss Iris Barry. Subject- giving a film lecture, newspaper clipping, etc. Dates- 8/49-5/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, T.C. Colt, Jr. and L. Cheek, Jr. Subject- general information about Barter Theatre (announcements, VA Highlands Festival schedule, etc.) and correspondence about the Museum sponsoring drama productions as a state extension service. Dates- 12/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Barzansky Galleries. Subject- invitation to a Harriet Fitzgerald exhibition at the Charles Barzansky Galleries, N.Y.C. Dates- 1/58-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Governor Battle. Subject- thank you notes, etc. Dates- 11/50-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlet of the Museum's 1945-6 season. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. Bellows. Subject- the proposed acquisition of one of two of Bellows' paintings (Kids, The Teamster) which the museum didn't purchase. Dates-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Fitzgerald Bemiss as a Trustee, correspondence about Board of Trustees and Membership Committee business, gifts to VMFA, etc. Dates- 6/54-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- visit to Florence, Italy and to see Bernhard Berenson. Dates- 1/56-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition: Eugene Berman's sketches for the Metropolitan Opera's Barber of Seville. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Brown was a chairman of the panel of judges for the Franklin Mint Bicentennial Medal competition in the state of Virginia, official rules and entry form for competition, etc. Dates- 4/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- House Bill no.131 to keep Va. interstates free of billboards, response letters from Va. politicians, etc. Dates- 2/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Mr. Paul Bird as a lecturer on contemporary painting, a transcript of the lecture, etc. Dates- 1/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek and J.M. Brown. Subject- Accessions: Chinese objects. Requests for loan of A. Wyeth paintings from Wyeth Estate, invitation to Clare Boothe Luce to address 17th Annual Va. Public Relations Conference, letter of inquiry regarding the artist Lucille Sinclair Douglas. Accessions: Dubuffet prints, period chairs, pedestals, chest, Aphrodite Torso, female draped figure, Claude Hirst painting, Roger Barr painting. Eric Christmas and Festival Theatre, Ontario, Canada, proposal around building of Bristol Chapter House, furnishing of Agecroft Hall, expansion of University curriculum to include Art Historical Studies in surrounding colleges, Hogarth exhibition, World Museum Fund with description of event and agenda.  Text from \"Country Beautiful, America's Finest Small Museums\", with description of VMFA. Accession and gifts: \"The Little School Girl\", Degas; Amphipolis Gold. Dates- 1959-70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek. Jr. Subject- By-Laws revised and adopted 1951, Organic Laws, announcements, replies, agenda and minutes of annual Board meeting 1950, committee reports, listing of Trustees, etc. Dates- 5/50-5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Col. H.W. Anderson. Subject- annual Board meeting, listing of Trustees 1952-3, announcement of annual meeting, VMFA Annual Report of the Director 1952, etc. Dates- 5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement, replies, agenda and minutes of annual meeting 1953, notice of amendments to the By-Laws, a VMFA report/essay \"The Need for Completing Its Addition\", etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- annual Board meeting minutes 1953, 54, VMFA Annual Report of the Director 1954, notice of amendments to the By-Laws 1954, announcement, replies and agenda for meeting, etc. Dates- 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- minutes of Trustees annual meeting 1955, working papers for the meeting, committee reports, By-Laws revised and adopted 6/54, listing of insurance coverage, Museum events, etc. Dates- 5/55-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mid-year meeting and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement of annual meeting and luncheon for the Trustees, R.S.V.P.'s, attendance list, etc. Dates- 4/56-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Index cards with names and addresses of current and former Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff and Board Presidents. Subject- Board of Trustees committee appointments, appointment letters and reply letters for the following years: '45/6, '46/7, '47/8, '48/9 and '49/50. Dates- 1945-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- letters of appointment to serve on Trustee committees and reply letters, listing of committee appointments 1949-50, etc. Dates- 7/49-7/50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Henry W. Anderson (President of the Board). Subject- appointment to committee letters and reply letters, etc. Dates- 8/51-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence By L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of committee appointments. Dates- 1954-5. Correspondence- Subject- listing of committee appointments. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of Trustees committee appointments (1956-7), reply letters to committee appointments, etc. Dates- 8/56-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- notes on planning, cost estimates, invitations, replies to preview of A.D. Williams collection and dinner honoring Governor and Mrs. Battle, etc. Dates- 10/52-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Museum events, working papers for the annual Board meetings and agendas, nominations to the Board, excerpts from the Board minutes, committee reports, etc. Dates- 2/37-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains miscellaneous correspondence, memos and minutes from meetings. 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board annual meeting minutes 1955, By-Laws revised and adopted 1954, By-Laws and suggested revisions 1956, listing of Trustees 1955, Committee appointments 1954-57, etc. Dates- 1954-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Roster of the VMFA Board of Trustees. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement, replies for Board meeting, listing of Trustees 1952, 53, notice of meeting cancellation because of inability to secure a quorum, etc. Dates- 1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- announcements, replies, agenda and minutes of Trustees special meeting and Executive Committee meeting, etc., 1/54-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of the Board of Trustees annual meetings. Dates- 1934-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- suggested plan for developing VMFA collections by Colt (1945), announcements and replies for Board annual meeting , prepared budget 1947-8, listings of Trustees, officers and committees, etc. Dates- 10/45-6/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- sightseeing boat tour on the James River. Dates- 2/57-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mrs. John H. Bocock as a Trustee, Board of Trustees, Entertainment and Accessions Committee business, art lending service information, gifts to VMFA, etc. Dates- 5/51-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek writing introduction for A. Aubrey Bodine's photography book: The Face of Virginia, draft of the foreword/introduction, biographical information on Bodine, etc. Dates- 3/62-1/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- letter to Hon. Armstead L. Boothe about appointment to Board. Dates- 6/64-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Jr. primarily with the Sheraton Hotel. Subject- a cocktail party held on Cheek's Boston trip, guest lists, invitations, etc. Dates- 10/58-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. with various Boston Museum staff. Subject- museum practices, loans, speaking engagements, exchange publications, etc. Dates- 11/47-10/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loaning objects to VMFA, correspondence about museum practices, lecture given by Cheek in Boston about art in Virginia, etc. Dates- 3/55-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and V.Y. Bowditch. Subject- Bowditch biographical information, drama schedule 1955-6 season, evaluations, theatre operations, etc. Dates- 7/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Theatre director of Pasadena Playhouse 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. with E.G. Bowles and the Public Works Administration (PWA). Subject- landscaping the Museum and bids complying with PWA, construction contract 4/36, classifications of labor/workmen and wage rates 12/34 and Form Of Bond-VA 4/36. Dates-3/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's membership to the VMFA Board of Trustees, Museum events and daily operations, the following Museum publications: Virginia Museum of Fine Arts By-Laws, 1st Annual Financial Report of the Curator (4/13/35-6/15/36) and Virginia Museum of Fine Arts 1st Quarterly Financial Report of the Curator (5/1/36), listing of suggested prospective Trustees, listing of Trustee committee appointments 1937, sketches of Museum floor plan, etc. Dates- 12/34-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, Museum publication: Prospectus of Program Season of 1937-38, radio talk show transcript 3/38, etc. Dates- 6/37-6/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, PWA grant offer 1938 to the Museum, letter from VMFA rejecting the offer of a PWA grant, copy of the resolution that Henry P. Strause, Esq. be named first Honorary Benefactor of the Virginia Museum of Fine Arts, etc. Dates- 7/38-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Trustee committee appointments 1939-40, essays by Branch about WWII, financial situation of the Museum 1939, creation of a \"Ways and Means\" committee, etc. Dates- 8/39-6/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe Branch. Subject- Branch's presidency of the VMFA Board of Trustees, staff organization (1940), plan for VA artist fellowships, \"Art in Virginia\" an article written by Colt, Museum events and daily operations, Museum investments and gifts to the Museum, biographical information on Branch, Trustee committee appointments 1940-1, etc. Dates- 6/40-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, biographical information on Branch, Museum events and daily operations, Museum investments and gifts to the Museum, winner of the first Webster S. Rhoads medal, etc. Dates- 5/41-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Thalhimer Brothers, Inc. Subject- use of VMFA's Medieval Gallery for British Embassy reception. Dates- 6/1/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- brochures for the VA Dance Society, VA Film Society and VA Chamber Music Society. Dates- 1963-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loaning objects to Brooklyn Museum, correspondence about museum practices, exchange publications, etc. Dates- 2/48-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- essay written by J. Carter Brown for New York University. Dates- 5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- news releases about James M. Brown becoming VMFA Director, newspaper clippings, photos of Brown, Report of the Director 1972-3, etc. Dates- 6/69-11/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff and Trustees. Subject- plans for receiving the new Director. Dates- 6/69-7/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Fred Haseltine (Assistant to Director). Subject- list of objects being offered to the Museum including: antique gold boxes, ornaments, clocks, etc., letters to the executors of the Ailsa Mellon Bruce estate, correspondence with Paul Mellon, news releases and news paper clippings about gift, photos of the galleries, etc. Dates- 8/70-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Mr. David K.E. Bruce as a Trustee, Board of Trustees business, gifts to VMFA, etc. Dates- 5/48-3/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed acquisition of the Brummer collection of Medieval art, report on collection, list of objects, correspondence to Paul Mellon, etc., later sold to Duke University. Dates- 12/65-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and the Smithsonian Traveling Exhibition Service. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Exhibition 1958, includes layouts and photos, etc. Dates- 3/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's membership on the Fine Arts Advisory Committee to U.S. Commission for the Brussels Universal and International Exhibition of 1958, committee meeting minutes 1957, committee roster, etc. Dates- 2/57-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Fair 1958, Cheek was an advisory committee member, loan, catalogue and installation lists, information on slide presentation- \"Art in American Museums\", etc. Dates- 3/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- sketches, plans of the U.S. pavilion for the Brussels International Fair 1958, information and listing of objects in the \"American Folk Art\" exhibition, etc. Dates- 1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Harry Bertoia (Sculptor). Subject- the acquisition of a Bertoia piece (Tree) shown at the Brussels Fair. Dates- 8/57-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr. Subject- D. Tennant Bryan as a Trustee, Board of Trustee and Membership Committee business, etc. Dates- 10/47-6/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. D. Tennant Bryan. Subject- Trustee/Museum business, membership to the Museum, etc. Dates- 5/51-9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. J. Stewart Bryan. Subject- Trustee/Museum business, loan of paintings for inaugural exhibition, gift to Museum, etc. Dates- 6/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Thomas P. Bryan as a Trustee, Board of Trustee business, etc. Dates- 9/58-11/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- congratulatory letter to Mr. Thomas P. Bryan on election as Mayor, Date- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. to Buchholz Gallery. Subject- proposed purchases, loans, exchange publications, etc. Dates- 4/47-8/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VMFA budget exhibit 1959 and 1966-8, resume of the VMFA Trustees before the Appropriations Committee 1964, budget requests 1960-1 and 1962-4, etc. Dates- 9/61-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of Governor's Budget Advisory Board 1965, outline for capital outlay funds dinner, invitation letter to Trustees, etc. Dates- 5/65-6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed 25th anniversary budget, correspondence about obtaining a Budget Committee for the 25th anniversary program, anniversary publications, etc. Dates- 1/60-3/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about Capital Outlay Commission dinner and theatre, etc. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- suggested order of events for Budget Advisory Committee meeting, invitation letters to the Presidents of VMFA affiliate chapters, draft of end of dinner announcement, etc. Dates- 7/61-9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- list of Governor's Budget Advisory Committee 1969, review of Museum's request for capital outlay funds to construct North Wing and theatre, etc. Dates- 4/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- roster of Governor's Budget Advisory Board 1967, outline for Cheek's remarks to Budget Advisory Committee, etc. Dates- 1/67-5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- roster of Governor's Budget Advisory Committee members 1972-4, request for hearing, dinner invitations for Advisory Committee, etc. Dates- 5/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers and news releases about the addition to the Museum. Dates- 6/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to other U.S. art museums. Subject- installation and advice on purchasing an air conditioning system. Dates- 5/53-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Wm. Rhodes. Subject- correspondence about air condition system failure. Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- addition and renovation to the Museum, proposals and preliminary studies by Mr. Merrill Lee, Architect, copy of a Architects and Consulting Architects Contract, etc. Dates- 12/49-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard primarily with Architects M.C. Lee and Eggers and Higgins. Subject- schedule of interior installation, list of architects bills, building inspection, review work/progress, photographs of progress of additions to the Museum 1953, etc. Dates-12/48-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the proposed addition the VMFA 1949-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Baskervill and Sons (architects and engineers) preliminary drawings, schedule for construction project, etc. Dates- 7/64-12/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Attempt by the United Daughters of the Confederacy to expand their facility on the block. The Museum's and the Virginia Historical Society's attempts to stop them and acquire the land for their own use. Dates- 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about equipment needed to supply music to members' quarters, lobby area and galleries. Dates- 7/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- information about sound equipment. Dates- 6/54-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information on purchasing folding and stackable chairs. Dates- 8/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- extending the rise of freight elevator. Dates- 8/53-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- proposals and layout for a film production unit to be located in the new wing (to make interpretative sound films). Dates- 7/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information, blueprints on changes to and installation of kitchen equipment. Dates- 6/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- the proposed purchase and installation of photographic equipment, correspondence with other art museums about creating and maintaining a darkroom and staff photographer. Dates- 8/53-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- blueprints of check room, information about coat, overshoe and umbrella racks for the Museum check room. Dates- 9/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information about seating for the theatre and auditorium, blueprints of the auditorium. Dates- 8/53-8/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of machinery and equipment needed for the new shop. Dates- 8/17/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about chandelier for front entrance of Museum. Dates- 9/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M.C. Lee, Architect. Subject- alterations and additions to the Museum, color samples and specs for painting and finishing, etc. Dates- 8/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains amounts of pledges and names of donors giving money for new galleries.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Gallery floor plans: VMFA, Brooklyn Museum, Victoria and Albert, British Museum, Art Institute of Chicago, Walters. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Merrill C. Lee, Architect. Subject- progress photographs and negatives (north wing). Dates- 5/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Architects: contractual agreements, VMFA design program, Capital Outlay Appropriation, alteration, additions, cost estimates, expenditures, contracts for Doyle and Russell and Merrill C. Lee (AIA). Dates- 12/48 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- blueprints of a darkroom and information about and catalogs of photographic equipment. Dates- 8/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns securing restricted material such as steel for post-wartime construction. 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Mrs. J.G. Pollard. Subject- Economic Stabilization Committee (ESA) search for qualified women employees, ESA headquarters to be located in Richmond, federal government regulations that established ceiling prices for all commodities and services (except those specifically exempt) upon the basis of prices in effect between 12/19/50-1/25/51. Dates- 2/51-12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Final Statement Museum Of Fine Arts Richmond, Virginia\", contract dated June 9th, 1952. Financial statement/contract from Doyle and Russell Construction. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Terra cotta statues at the North entrance to the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Original Building: \"Manual On The Planning And Execution Of State Capital Outlays\", 9/1/44, contracts: Doyle and Russell (Building Contractors) and Merrill C. Lee (AIA). Detail for additions and deletion from original building. Design contracts and inspection reports. Dates- 1952 - 55, 1966, 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Brochures, drawings, correspondence 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- information on red carpet and padding for the front entrance. Dates- 8/51-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Meeting with Interior designers 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding plants around the Waddy fountain. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- the Richmond Junior League's proposed campaign to raise money for construction of South wing for the Museum, working papers for and final copy of the pamphlet: \"The Virginia Museum Needs Wings\", etc. Dates-12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- renovations and construction of a new wing to the Museum, Cheek's comments on preliminary and revised drawings, and construction progress, Architects and Consulting Architects Contract (Merrill C. Lee, Architect, Eggers and Higgins, Consulting Architects), an essay \"The Virginia Museum of Fine Arts Need for Completing Its Addition\", etc. Dates- 1/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information relating to addition to Museum, several reports including: Building Program 1950-1, Addition to Building 1949-50, The Virginia Museum of Fine Arts The Need For Completing its Addition, History of Appropriation for Construction (1948-53) ,also, notes for Sen. Gray about Museum addition (1952). Dates- 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- miscellaneous daily and general building maintenance. Dates- 2/60-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Governors Stanley and Battle. Subject- improvements on Museum building and completion of new wing (1954). Dates- 12/50- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject-construction/installation of American and English galleries, alterations to Medieval hall, blueprints, etc. Dates- 7/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- information on purchase of steel lockers, blueprints, etc. Dates- 4/54-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about ordering office furniture designed by Eero Saarinen. Dates- 8/64-1/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Alfred Geiffert, landscape architect. 1949-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- analysis of situation concerning the parking lot and planting, etc. Dates- 8/66-10/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Budget Estimates for landscaping the grounds of the Museum around addition, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information and bids on purchasing lighting and steel storage equipment. Dates- 11/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- info on purchase of supplies for dining room/cafeteria: placemats, traymats, doilies, napkins, matches. Dates- 1/55-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains plans for the Waddy Fountain, and furnishing brochures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Carl Milles, donor of the Little Triton Fountain 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- marble chips for garden court fountain request for information about installation of mosaics in garden court. Dates- 8/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed purchase of wall coverings for new galleries (movable partitions and door headers). Dates- 2/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- commission to decorate behind refreshment counter in the new building, commission switches from Julien Binford to Richard Q. Yardley. Dates- 6/54-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Richard Q. Yardley Mural in the refreshment room. Also contains information on Julien Binford who was originally retained to do the mural before Yardley. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Public Works Administration Grant for Museum addition, application to National Production Authority (N.P.A.) for assistance in obtaining materials for proposed Museum construction. Dates- 10/35-9/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- staff requests for facilities and equipment, list of private funds for Museum addition, Board resolution about the construction on the building, etc. Dates- 7/48-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- drawings of proposed Museum addition, Special Building Committee procedure in dealing with Appropriations Committee of the House of Delegates, etc. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and New York City Museums: Metropolitan, Guggenheim, MOMA, and Whitney. Subject- Extended loans of paintings and sculpture for the VMFA's new wing of Contemporary Art, scheduled for Jan. 1970. Correspondence from L. Cheek to John Walker to address the Collectors Circle. Dates- 7/69 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- report on budget dinners 6/65, Cheek's itinerary for talks 1965, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and Joseph Whitehead (Interior Designer). Subject- Interiors of the New South Wing, Fabric sample enclosed. Correspondence between L. Cheek and Bernard Bothner of the Brooklyn Museum. Subject- Resources for slides to accompany the reinstallation of the Egyptian Gallery. Dates- 6/66- 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposals for gallery orientation theatre systems. Memo To VMFA staff regarding upcoming Fellows meeting. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to other museum directors. Subject- Request for slides of recent building additions to their respective museums, to prepare for a presentation to the Virginia Legislature. Dates- 4/65 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey conducted by L. Cheek to determine the necessity of a sprinkler system in galleries. Letters, cards of response and survey results. Dates- 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains brochures and catalogs 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photos of preliminary architect's drawings, preliminary cost estimates, etc. Dates- 7/62-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Information concerning the MOMA 30th Anniversary, building funds drive with text of building/expansion plans, \"Toward The New Museum Of Modern Art\" , 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- review of presentations to the Art Commission, photos of other art museum additions, statements about addition (Mr. Wallace K. Harrison and Mr. Frederick D. Nichols), etc. Dates- 9/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sculpture garden fountain and the renovation of the theatre lobby. Dates- 7/76 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Wm. Higgins. Subject- Membership drive/ New Wing opening, progress reports to members of the Board, financial statements: cost estimates, design fees, operating fund, construction timetables. Fact sheet relating to history of VMFA. Signficant dates for the Virginia Museum, \"History of North Wing Construction\". Dates- 4/71 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nicholas and C. Chamberlayne (Hardwick). Subject- Progress timetable, architectural engineering/ landscape/ interior design. Revisions/ alterations to construction, cost estimates, instructions to bidding contractors. Review by building committee of the Board of Trustees. Minutes of the building committee, 2/25/72, drawing/plans. Dates- 1971 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nichols and C. Humelsine. Subject- North Wing plans, justification and description, funding, appeal to legislature to win support for North Wing funding. Rosters: Appropriations committee, finance committee, Governor's budget advisory committee. Essay- \"The Unique, Pioneering Virginia Museum\" and \"Facts on the Virginia Museum of Fine Arts\". Dates- 1967, 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson and L. Cheek. Subject- Original design of North Wing per L. Cheek and Baskerville (AIA), later rejected by the Arts Commission. List of significant dates with regard to North and South Wing additions. Minutes of Special building Fund committee, 3/11/65, original building proposal, photographs. Bulletin vol.26, no.2 10/65. Dates- 9/65 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs/Plans/Drawings from Baskerville and Son (AIA) for:entrance hall, basement/sub-basement, site plan elevations/cross section, gallery floor plans and views of entire block.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nicholas and L. Noland (building committee). Subject- Construction, architectural engineering, capital outlay, construction bids, plans and contract documents. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- blank order forms labeled VMFA NPA Regulation No. 4. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. J.G. Pollard. Subject- National Production Authority (NPA) regulations, order listings for maintenance, repair and operating (MRO) supplies, regulations about using the DO-97 rating (Form used to obtain MRO supplies), quota for the 4th quarter 1951, etc. Dates- 3/51-7/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about construction and funding (some PWA) of a wing to the Museum, publication: Working Relationships Between Private Architects and Engineers and the Commonwealth of VA (2/44, Governors' office, Division of the Budget) and The General Conditions of the Contract for the Construction of Buildings (standard form of the American Institute of Architects). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Doyle and Russell, Building and Industrial Construction. Subject- Bronze founders tablets, frames, building inspections and taking over and operating the building 10/35. Dates- 8/35-10/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Peebles and Ferguson, Architects, Norfolk. Subject-blueprints (including detail of the Portuguese Room dated 9/18/35), maintenance and furnishings (benches, plaques, interior painting, etc.) for the Museum. Dates- 4/35- 6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Ferguson, Meakin and Moore, Architects, Norfolk. Subject- reproductions of drawings of proposed south wing, drawings, bids, etc. Dates- 10/37-5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans and Correspondence 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photos of drawings showing the proposed additions and alterations to Museum. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans and correspondence regarding the memorial plaques around the building: R.E. Lee Camp, Waddy and the Old Dominion Foundation fountains. 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- construction/installation for the Pratt collection, blueprints, progress reports to Mr. John Lee Pratt, etc. Correspondence with Milton Samuels of French and Company who designed the installation, including quotes for fabric, carpet, cases, carpentry, lighting (including the chandelier). Cheek asked Pratt to fund it and he agreed. Lots of invoices. Dates- 6/54-5/55.   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Baskerville and Sons, Architects, 3/11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about building models, preliminary drawings, furnishing and equipment catalogues, etc. Dates- 4/65-12/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence and statements from Marcellus Wright and Son. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and Merill Lee (architect) and Chairman of the Building and grounds committee, concerning construction of the service area. Dates- 1/59 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Eggers and Higgins, Architects. Sketches and drawings 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., J.M. Brown and Erwin H. Will (VMFA President of the Board). Subject- all aspects of construction of the South Wing, additions and alterations to Museum, landscaping, fountain, parking lot, etc. Dates- 12/66-3/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of South Wing construction conferences 1969-72, outline of construction to South Wing, etc. Dates- 1969-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Governors Dinner/Event in celebration of the South Wing: program agenda, menu, dedication plans, News Media reception, Rosters: House of Delegates, Senate, Trustees. Key presented to Governor Linwood Holton donated to the archives by Anne Holton November 3, 2022. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Capital Outlay requests, individual project descriptions, preliminary plans, tabulations of construction bids, estimated income sources, floor plans, budgets, invoices, Executive Committee Minutes and Building Committee Minutes. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Erwin Will. Subject- New duct layout for the South Wing attic space: revisions necessary due to mistakes in original drawings and improper work. Financial statements. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA Charter, Act of March 27, 1934. Design program (2/18/49) Phase II, museum enlargement, boiler replacement, contract cost estimates, committee no.279-A, addendum no.7 to the drawings and alterations to VMFA. Theatre light control system, weekly project inspections. \"General Conditions Of The Contract For Capital Outlay Projects\". Dates- 2/52 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and members of the building committee. Subject- Proposed additions, rejection of north facade by Arts Commission. Excerpts from Minutes of Art Commission Meeting, 6/4/65, 7/9/65, 7/29/66. \"The Virginia Museum Opens The New South Wing\", Press package, Brief History and Signficant Dates of VMFA, photographs. Dates- 1965 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Supplemental Agreement #2: Additions and alteration to various aspects of structural design contracts. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Interior construction and design. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment purchasing list, blueprints of theatre, installation of theatre and projection equipment and an orchestra lift, local building committee meeting minutes, etc. Dates- 7/53-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment: bronze stands and velvet ropes. Dates- 1/55-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Construction blueprints and plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letter of invitation to Trustees, former and current, to celebrate the construction of the North Wing, seating arrangement and timetable for event. Letter to Gov. Holton concerning ground breaking ceremonies and gala dinner. Dates - 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Col. Anderson. Subject- proposal for theatre for Museum, possible recreation center for armed forces stationed in Richmond. Dates- 2/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Waddy Memorial and Triton Fountains 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- B.F. Ruskin and Associates 1953-55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- committee reports on funding for construction of addition to the Museum, schedule of payments to date (12/4/50 and 12/20/50). Dates- 10/50-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- additions and alterations to VMFA 1955, list of Museum alterations and additions to date 6/15/55 by Merrill C. Lee, Architect, VMFA Noise Survey CA 9687 (1955), blueprints, etc. Dates- 1/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains architectural plans for the first addition to the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- cost estimates/proposed funding for Museum addition, copy of the resolution to establish a Local Building Committee, announcements, replies and minutes of Local Building Committee meetings 1950-2, etc. Dates- 1/46-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Local Building Committee, 1951-54. Information regarding the local contractor. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- minutes and outlines of VMFA Building Committee meetings 1952-3. Dates- 6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr., and G.D. Gibson (Chairman of the VMFA Building Committee). Subject- addition to Museum building, listing of additions and alterations to the building, agenda and minutes of Building Committee meetings 1953-4, etc. Dates- 9/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- addition to Museum building, minutes, announcement and agenda for VMFA Building Committee meetings 1954-5, list of contributors to Museum Building Fund, etc. Dates- 7/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by G.D. Gibson (Trustee). Subject- installation of Museum equipment, minutes of the Buildings and Grounds Committee meetings 1955-6, etc. Dates- 9/56-12/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains lists of expenditures, list of private donors with amounts donated for the addition to the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA Local Buildings and Grounds Committee meeting minutes 1948-56, listing of committee meeting dates 1948-56. Dates- 1948-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard to Senator Garland Gray. Subject- information about planning costs for addition to Museum building, Museum business and events, etc. Dates- 5/51-7/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of the Museum's members bulletin. Vol.1, No.8, Vol.7, No.'s 1,4and6, Vol.8, No.'s 5and8, Vol.9, No.'s 1,2and4, Vol.10, No.'s 1,2,7and8, Vol.11, No.'s 1,2,3,4,5,6,7and9, Vol.12, No.'s 8and9, Vol.13, No.'s 6and9, Vol.14, No.'s 1,3,6,7,8and9, Vol.15, No.'s 3,4,5,6,7,8and9, Vol.16, No.'s 1,2,3,4,5and6. Dates- 9/46-2/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Bulletins with general information and a survey of sources of income, private and public, from various museums. Dates-1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 1962-1966 Donations, Trustee File. Dates- 7/55 - 12/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and members of Board of Trustees. Subject- Revision of By-laws and Memorial Fund Policy, revisions and recommendations, minutes from sub- committee on By-laws. Dates- 1958 and 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA By-Laws (revised and adopted 5/51, 5/53, 6/54), Notice of Amendments to By-Laws (6/50, 5/53, 6/54), VMFA Organic Laws, etc.. Dates- 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Senator Byrd. Subject- amendment of IRS code Sec. 863, exempting works of art loaned for exhibition in this country from federal estate taxes. Dates- 7/51-10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard, and L. Cheek, Jr. to individuals, institutions and companies beginning with the letters Ca-Cn. Subject- varied, including four letters from Alexander Calder about Museum purchase of one of his pieces. Dates- 8/45-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek. Subject- Loans of artwork, Trustees, Fellows, Mary Callery (juror, 1963 Va. Artists Exhibition). Accessions and gifts: Tree, Callery; Han Dynasty pottery; Nanny, T. Sully. Dates- 2/59 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and P. Near to J. Brun and H. Jucker. Subject- Acquisition and provenance of Caligula, Newspaper clippings. Dates- 1971-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, his term as Treasurer of the Fellows. Dates- 1/60-6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. John Canaday (from University of VA). Subject- Christmas card design by Canaday, loan of a sculpture show, jobs, etc. Dates- 5/49-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Capital outlay requests for parking area, South Wing, Entrance Improvements, Expenditures and revenues for the year ending 6/1960. \"Instructions for Form c-54-A (individual project report)\" from Commission on State Capital Outlays and Means of Financing. General Endowment Income 1960-61; Capital Outlay for Galleries, landscaping, Egyptian gallery and North Wing, 1935-60. Collections for which there is inadequate exhibition space, list of cultures that are not represented or under-represented, roster of members serving on the \"Commission on State Capital Outlays and Means of Financing. Dates- 1960-61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Includes Frances Benjamin Johnston acquisition.","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- officers from the Carnegie Corporation visiting Richmond and the Museum. Dates- 8/55-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to F. Anderson (Carnegie Corporation). Subject- Experimental use of Carnegie Collection of Materials for the Instruction of American Culture and funding of Collegiate Artmobile IV. Proposal, '\" An Artmobile for Virginia Colleges\", March 1965, Supplement, A Statewide Stimulus for Education in the Humanities, Statement of purpose, photocopy of partial grant payment. Dates- 1/58-7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Carnegie Corporation of New York and Carnegie Institute, Department of Fine Arts. Subject- Frances Benjamin Johnston acquisition, requesting a grant, requesting loans for inaugural exhibition, counsel on museum practices. Dates-8/35- 12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Carnegie Trust. Subject- a visit to Richmond by officers of three British Carnegie Foundations, information on Carnegie Trust 1954, etc. Dates- 8/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Secretary of Carnegie Dunfermline Trust. Subject- Roster of Carnegie Delegation visiting VMFA; Annual Report- Carnegie Dunfermline Trustees, 1960. Dates- 7/59-60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- job of Technical Director of the Theatre Division, etc. Dates- 6/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lists of 25th Anniversary donors; VMFA presidents and terms of office 1935-60. Essay- \" The Arts In Virginia\", Walter S. Robertson (Pres. VMFA). Essay- \"Collecting In America\", Alfred Frankfurter (editor and Pres., Art News) Dates- 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of orders for and purchasers of the Healy's Sitters Catalogues, thank you notes for exchange publications, list of relatives of Judge John Barton Payne, etc. Dates- 4/51-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Jaquelin-Ambler Portrait catalogs, listing of the members of the Jaquelin, Ambler and Broadnax families. Dates- 11/48-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- a fellowship set up by the Catherwood Foundation (previous owners of the Dali jewels) to be used for travel/education in Europe, information about transporting Dali jewels from the Museum. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fellowship for artists provided by the Catherwood Foundation and awarded and administered by the VMFA that year. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. William Gaines and L. Cheek, Jr. and M.B. Christison (Assistant Director). Subject- Gaines biographical information, Catherwood Foundation fellowship recipient, application, recommendations and award letter for fellowship, list and some photos of work submitted, etc. Dates- 3/56-11/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual luncheon and tour. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Century Lighting Co. Subject- lighting for the artmobile and theatre, etc. Dates- 6/53-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets from the Convention and Tourist Bureau (Richmond). Dates- 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- pamphlets from the Virginia Chamber of Commerce. Dates- 5/49-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Restoration of Old Botetourt Hotel, Gloucester, Va.; Programming instructions for \"Civilization\" Film Series; proposal and budget for statewide broadcast of Affiliate promotionals. Rosters of Affiliates, Chapters and Confederation Officers; Minutes of \"Executive Committee Meeting\", 10/72; maps, postcards, press release, newspaper clipping, photographs. Dates- 2/67-7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Winter Conference agenda, participants, newspaper clippings. Dates- 12/71-3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal and budget. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Affiliate/Chapter offices Museum Lecture/Tour; roster of Officers, speaking schedule, events, remarks for each engagement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prototype for letter to be sent from all VMFA Chapter Presidents to convince Legislature of the need for new building. Dates- 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dali Jewels. Date- 7/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. primarily to realtors and lawyers. Subject- sale of Cheek's property \"Faraway Farms\", information on sale of Chebry Co. property, etc. Dates- 6/50-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to T.C. Colt, Jr. from L. Cheek (when he was Chairman of the Fine Arts Department at The College of William and Mary and when he was Director at the Baltimore Museum of Fine Arts). Subject- art in Virginia, counsel on museum practices, etc. Dates- 12/36-1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- The retirement of L. Cheek, Trustee dinner honoring the occasion, presentation of \"Thomas Jefferson Public Service Award\", with remarks by Lt. Gov. F.G. Pollard; South Wing construction; invitations and newspaper interview with L. Cheek. Dates- 1/65-3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W.S. Robertson and Morton Thalhimer. Subject- Letters of moral support, press releases and newspaper clippings announcing the resignation of L. Cheek (decision later recanted). Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding L. Cheek's reconsideration of his resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resolution from VMFA Council regarding the outstanding contributions of L. Cheek. Includes letters from and too supporters. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Replies to his reconsideration of resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Text from interview of 11/2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- PR, decorations, lecture, etc. Dates- 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memo to VMFA staff, PR, agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Thank you letter from by a class participant.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding classes at the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Registration information and class lists.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison. Subject- installation of collections and exhibitions, Museum programming, biographical information, etc. Dates- 10/54-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. Christison. Subject- scripts and working papers for children's radio program (\"Treasure Trails\" on WRVA), listing of slides for Season Survey and information on a Life magazine photo exhibition entitled \"Egypt\". Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vouchers and receipts for travel expenses, 1948-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Christmas cards received by the Museum, a copy of the Museum Christmas card (1956), Information about a Christmas tree in the Members' suite, etc. Dates- 11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Commission of Virginia Artists to design Christmas Cards; rosters: Board of Trustees, A.A.M.D., newspaper clippings, cards, photographs. Dates- 1966-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- ordering Christmas decorations. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz, Sydney and Frances Lewis. Subject- Remarks by J.M. Brown on the dedication of the North Wing and on his resignation. Andrew W. Mellon Foundation, Lewis gift of funds for Art Nouveau purchases, Noland gift of \"Rotating Sphere\", reattribution of the Jewel casket. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Controversy concerning gift of Walter P. Chrysler, newspaper clippings, and Chrysler newsletters, 1973-75. Dates- 1969 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Henry Clay Hofheimer and J.M. Brown. Subject- New wing, correspondence between the Executive Board, the closing of the Chrysler Museum School, operating budget, accessions, list of objects. Minutes of Executive Board, 2/8/72. Transcript of William L. Parkers, et al complaints vs. Walter P. Chrysler Jr. et as Defendants. Dates- 1972 - 33 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Chrysler collection exhibition at the Museum and possible Artmobile tour, listing of pieces in collection, etc. Dates- 9/49-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Loan Exhibition for Church Silver of Colonial Williamsburg, outline for proposed exhibition, budget, letter drafts to Church Wardens, lists of Episcopal Churches owning Church Sliver, Format for catalogue. Dates- 7/68-4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about proposed reproduction in miniature of a Cigar Store figure from the Museum collection. Dates- 7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed reproduction in miniature of American cigar store figures from the Museum collection. Dates- 5/56-12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek Subject- Civil War Centennial Exhibition, agenda, maps, newsletters, VMT copy of \"Certificate of Award\", conferred on the Virginia Civil War Commission. \"Virginia Joins The Confederacy, Chronology of Events November 1860 through 1861\", Civil War Centennial, 1961-1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's membership on advisory council of the Civil War Centennial Commission, site development study for proposed Confederate Memorial Park in the Museum area, \"Report of the Preliminary Plans of the Virginia Civil War Commission to the General Assembly\" 12/59, etc. Dates- 5/59- 12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Programming, Ticket Stubs, newspaper reviews, news releases, photographs. Dates- 7/70 - 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Joseph Lucas (pres. Civitan Club) [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Resume of Cleveland Museum President, Sherman Emery Lee with photo, Cleveland Plain Dealer Interview \"Sherman Lee's Double Life\". Dates- 12/55-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Clopton complaint about film tickets. Dates- 2/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- membership in The Poetry Society of Virginia. Dates- 2/53-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr., to individuals, institutions and companies beginning with the letters Co-Cz. Subject- varied. Dates- 8/45-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., L. Cheek and J.M. Brown. Subject- Geri Melchers Memorial; Minutes of Annual Meeting 1962; Minutes of Executive Committee Annual Meeting 1962; restaurant feasibility. Dates- 1957-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arranging a lecture by Mr. Alexander S. Cochran, Architect in conjunction with the exhibition \"Domestic Architecture of the San Francisco bay Region\", biographical information, etc. Dates- 10/49-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, gifts. Dates- 6/54 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the American Association of Museums (AAM). Subject- copies of the Code of Ethics for Museum Workers 1925 AAM report. Dates- 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Remarks on \"The Relation of Trustees and Professional Staff of General Art Museums\", delivered by Charles Nagel 5/17/69,  \"Code of Ethics for Museum Workers\" 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rhodes Rathskellar, proposals for lunchroom: use by staff, volunteer personnel, policy on break schedule and lunch periods. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from P. Near and Peter Mooz. Subject- Checklist of the status, strength, weaknesses and needs of the VMFA. Damage report, gifts of artworks and accessions, Art Purchase Fund, press releases. Letters to Christo and Robert Rauschenberg. Dates- 1976-77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, letters, newspaper clippings and information from dealers, prices regarding possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, prices and other information relating to possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (assistant Director for Collections and Education). Subject- listing of possible additions to Museum's collections 1953, information and some photos of objects considered for acquisition, correspondence with art dealers, etc. Dates- 12/51- 11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- listing of possible additions to the Museum's collections, information and some photos about objects considered for Museum acquisition, correspondence with art dealers, etc. Dates- 1/53-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near, F. Brandt and P. Mooz. Subject- Reorganization of the Collector-of-the-year. 1975- Mrs. Lummont du Pont Copeland Collection on Export Porcelain. 1977- David Lloyd Kruger Collection of Contemporary Art. 1978- Hugo Weisgall Collection, list of objects, copies of scores for the Weisgall Concert catalog. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from P. Near to members. Subject- Collectors circle event with lecture by Caroline Keck. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Cultural exchange, Minutes of Executive Committee of C.A.A., 1/62, 4/62, Minutes of Annual Meeting, 1971; Minutes of C.A.A. Business Meeting, 1/62; revised draft of \"Policies and Purposes\", roster of officers, Directors and committee members; Essay- \"The Visual Arts in Higher Education\". Dates- 1/62 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List for reception/cocktail party, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Preston L. Collins (Lt. Governor). Subject- announcements of Trustee meetings, invitations to Museum events, replies, etc. Dates- 5/51-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. to staff of Colonial Williamsburg. Subject- museum methods. Dates- 7/46-12/54.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- general correspondence with staff of Colonial Williamsburg, information on Cheek's speaking engagement with Williamsburg Rotary Club, etc. Dates- 2/54-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and the President of Colonial Williamsburg. Subject- loan of display units to Colonial Williamsburg, museum practices, etc. Dates- 3/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Colonial Williamsburg. Subject- correspondence about the Williamsburg Antiques Forum, publications/mailings about Antiques Forum 1964,'66,'67,'73, etc. Dates- 5/66-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- detailed letters about the goings-on at the Museum while Colt was serving in WWII, also letter from Mrs. Alfred DuPont about art education. Dates-8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. J.G. Pollard and others. Subject- record of Colt's military service, his resignation to serve in WWII. Dates- 11/42-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Columbia Records presented 55 recordings of the New York Philharmonic Orchestra to the VMFA in 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of \"On Fine Arts in Modern Society: A Research Proposal Prepared for the Virginia Museum of Fine Arts by the Columbia University Bureau of Applied Social Research\". Dates- 5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices with The Columbus Gallery of Fine Arts (Columbus, OH) and Columbus Museum of Arts and Crafts, Inc. (Columbus, GA). Dates- 3/51-8/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to the Board, list of appointments, etc. Dates- 1959-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of committee appointments 1963-4, invitations to Trustee committee appointments, etc. Dates- 8/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to Board and replies, list of appointments, etc. Dates- 1958-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and W.S. Robertson (VMFA President of the Board). Subject- VMFA roster of Trustees 1964-5 and 1965-6, Board committee appointments 1965-6, invitations and responses to Trustee committee appointments, letter about Board term limitations (proposed limitation 2 successive terms of 5 years each), etc. Dates- 6/64-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek correspondence as a member of Committee for International Cultural Exchange (CICE), etc. Dates- 6/61-2/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- suggested projects for Public Relations and Development committees, proposal for the Museum by the P.R. counseling firm Earl Newsom and Co., etc.. Dates- 3/54-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from State Department of Purchases and Supply. Subject- information about choosing stationary, samples for new state letterhead. Dates- 9/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"A Report to the Virginia Museum of Fine Arts 11/19/58\" from the viewpoint of its public relations information and communications responsibilities and program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- information and memos about arrangements for community college presidents to meet at the Museum. Dates- 12/70- 1/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- cooperative arrangements between VMFA and Va. community colleges, Virginia Community College System Annual Reports 1969/70 and 1970/71, proposed programs for community colleges, etc. Dates- 10/70-8/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complaints from Museum visitors about exhibitions, entrance fees, membership rates, guards, etc. Dates- 12/63-7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Museum operations: food service, VMT, membership, discontinuation of dinners in the galleries and newspaper clippings. Dates- 1974 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- guest list for complimentary cocktails in honor of officers and Museum volunteers from the Council, Jr. League and Theatre Affiliates, roster of Jr. League officers 1970-1, etc. Dates- 9/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Erwin H. Will (VMFA President of the Board). Subject- arrangements for a luncheon held in honor of officers and Museum volunteers from the Council, Junior League and Theatre Affiliates, guest list, suggested remarks for Mr. Will at luncheon. Dates- 9/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- miscellaneous Thank you's and compliments about gift and exchange publications, exhibitions, programs, the Museum in general and Cheek's responses. Dates- 2/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence from the public complimenting the museum in some way. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. and W.S. Robertson (President of the Board of Trustees). Subject- Complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 7/60-12/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 1/64-11/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on programs, theatre productions, museum in general and his responses. Dates- 7/66-10/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Various museum operations. Dates- 1972 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- compliments about 25th anniversary exhibitions, events and catalogue: Treasures in America, \"A Tribute to Virginia's Unique Museum\"-a Sunday newspaper supplement, etc. Dates- 1/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for VMFA European catalogue, an exchange publication. Dates- 5/66-9/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Faberge catalogue: Russian Imperial Jewels, a VMFA exchange publication. Dates- 12/60-2/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- compliments and thank you's for gifts/exchange publications of Russian Imperial Jewels, the catalogue of the Museum's Faberge collection. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Architecture in Virginia, a VMFA exchange publication. Dates- 2/68-5/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for William Hogarth, A Loan Exhibition of Paintings, Drawings and Prints, a VMFA exchange publication. Dates- 1/67-3/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Painting in England 1700-1850, Collection of Mr. and Mrs. Paul Mellon, a VMFA exchange publication. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on \"Painting in England\" exhibition (Mellon Collection) and his responses. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for The World of Shakespeare, a VMFA exchange publication. Dates- 1/64-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Form letter from the President to potential members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J. G. Pollard. subject- Letters to Trustees regarding 25th anniversary fund and letters to new members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- performance at Mosque of \"The Confederacy\" as a benefit for the Artmobile, project later abandoned, Date- 11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- drawings of the site of the Confederate Memorial Chapel, landscaping plans, etc. Dates- 7/66-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Richmond Times-Dispatch article \"The Old Soldiers Faded Away Home Here is Vacant\". Dates- 1/16/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitation to Director of the Norfolk Museum to Confederation workshop. Dates- 5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- congratulation and reply letters on the installation of Mr. James M. Brown as VMFA Director. Dates- 6/69-6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of objects from the Glasgow bequest and purchase fund currently exhibited in Museum galleries. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Mrs. Anthony Congreve. Subject- biographical information on Arthur and Margaret Glasgow, correspondence about Glasgow fund for purchasing works of art, listings of purchases made with Glasgow Endowment Fund 1966-72. Dates- 11/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz. Subject- Physical plant restoration project: cleaning of VMFA interior and extensive improvement of motor park, project data summary, Conservation Laboratory: construction and equipment, supply expenditures, budget. Grant application: \"Proposal for Virginia Museum Conservation Laboratory\", employment contract, job descriptions, resumes of prospective applicants. Dates- 1975 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- biographical information arrangements for giving lectures/seminars at the Museum, VMFA Members' Bulletin vol.23, no.9 5/63, etc., Date- 11/50-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for securing speakers for the \"Fireside Series\" proposed art talks held in the library, Thank you's to speakers, etc. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loans of objects between VMFA and Corcoran Gallery of Art, correspondence about museum practices. Dates- 3/51-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Katharine Cornwell. Subject- biographical information on this actress, invitation to come to Richmond to see a show and promote TheatreVirginia. Dates- 5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets and post cards from the Corning Glass Center. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information on obtaining assistance from philanthropic organizations and corporations, etc. Dates- 2/55-12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by E.H. Will (VMFA President of the Board). Subject- solicitation letter for corporate patrons, information on corporate patrons program, roster of Richmond corporate patrons 1970, invitations to corporate patrons gala, etc. Dates- 12/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by E.H. Will (VMFA President of the Board). Subject- solicitation of corporate patrons, pamphlets about corporate patrons program, publications for the corporate patrons gala, etc. Dates- 7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- roster of Richmond and of state corporate patrons 1971, planning for \"Fete Aux Galleries\" the corporate patrons event 1972, invitations and guest list for event, etc. Dates- 6/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Exhibitions, condition reports, insurance, gifts and purchases. Essay- \"Successful Adult Museum Programs\", M. Christison. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Velz.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) primarily, also L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- varied. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- General correspondence regarding publications, museum practices, exhibitions, pamphlets. Letter from Alexander Calder. Dates- 7/56 - 12/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Ford Foundation grant-in-aid program, Fogg Conservation Symposium and the Chrysler Collection. Photographs, cesolution recognizing the outstanding contribution of L. Cheek by the VMFA Council. Draft of \"Standards For Museum Practices\", SEMC, 1958. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition of American Silver, jurors for 1965 ADP exhibition, biographical data, 25th Anniversary exhibition and list of objects for loan. VMFA film series, press releases for \"The Little International\" from the Olsen Foundation and the Artmobile. Dates- 1958 -1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and VMFA Council officers. Subject- Council roster 1957-8 and 1958-9, listing of charter members, council-sponsored events and programs, lecture series schedule 1957-8 and 1959-60, statement of purpose of the Council, minutes of general meetings 1962 and'65, Executive Committee meeting minutes 1962 and '63, acknowledgments of gifts to the Museum, etc. Dates- 7/56-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown with the VMFA Council. Subject- Council gifts, Council -sponsored events and programs, preliminary drawings for Council shop office, breakdown of Council Contribution Fund 10/70 and 11/70, etc. Dates- 2/66-4/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for corporate patrons ball, roster of Richmond and of state corporate patrons, roster of Council committee for the ball, invitations and guest lists for ball, etc. Dates- 10/70-3/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- outline of the organization of the VMFA Council, Council Program 1955-6, Council of the VMFA Charter Meeting and Articles of Association, \"Friends of the Museum Constitution\", etc. Dates- 5/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- VMFA Council Contribution Fund analysis 1971 and'72, various Council sponsored events and programs, agreement between VMFA and the Council 10/20/70, A Short History of Council Gifts to Museum 1955-71, The Council of the Virginia Museum Directory 1971-2, general correspondence between Council officers and VMFA staff, etc. Dates- 1/71-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Council Trustee Contribution Fund, conservation laboratory, library, state services, fellowships and internships. Profit and loss statements, general ledger trail balance, Art Purchase Fund, staff expenses, VMT financial statements, matching funds for NEA Grant. New Council Shop, furnishings, installation, etc. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposal to establish fellowships for professional craftsmen (resident Craftsman Program), letters from interested craftsmen, etc. Dates- 2/63-2/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- proposal of a story about the Museum for Time-Life magazines, reference made about a reproduction of a Watteau from the Museum's collection appearing in Time. Dates- 11/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Monica Hamm and P. Mooz. Subject- Head of publications, editor of AIV and advisor for photography exhibitions. \"Focus On The Arts\", Pat Becker. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- fact sheet about VMFA, House bill no.862 was about establishing a Virginia Commission of the Arts and Humanities, transcript of the VMFA presentation by E.H. Will (VMFA President of the Board) to the Virginia Assembly, Rules Committee asking to kill or amend the bill, etc. Dates- 1/68-2/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- roster of Virginia Cultural Development Study Commission and of the State Arts Committee, information about the creation of the Va. Cultural Development Study Commission by Senate joint resolution no.67, essay- \"The Virginia Museum and the Arts in Virginia\", correspondence about meeting with the Cultural Development Commission, \"Dissenting Opinion Report of the Cultural Development Commission\" by Dr. William H. Higgins, Jr., member of the Commission, etc. Dates- 3/66-1/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"D\". Subject- varied. Dates- 3/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- VMT, exhibition schedules, Byzantine Architectural exhibition, College Drama Festival, loans of art works, Artmobile, Horace Day, NEA proposal, pamphlets, magazine excerpts, cards, biographical data, etc. Accessions and gifts: \"The Meeting of Joachim and Anna Under the Golden Gate\", A. Duer. Dates- 10/58 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Conference for teachers and students of Dance at VMFA, master classes, lecture and performance by Alwin Dance Theatre, agenda, list of dance teachers. Date- 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, AIV. Dates- 1/61 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Virginia Architects, Designers and photographers\", Collectors Circle, Va. Artists Biennial, donations, gifts, memorial fund. Dates- 6/59 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, acting director of the Museum and Governor Darden, regarding the Museum director and the Curator of Decorative Arts, who were both on leave to the armed forces during World War II, 1942-44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with and biographical information about Carson Davenport, Virginia artist. Dates- 1936-1944.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Ms. Davis. Subject- visits to \"Faraway Farms\" (Cheek's property) Davis was apparently a housekeeper/caretaker of some kind. Dates- 2/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and donors Mrs. Lincoln Davis, and George Cole Scott and Hildreth Dunn Scott, 1937-43.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., E.M. Davis, III (Curator) and L. Cheek, Jr. Subject-restoration of Mrs. Davis' Flemish painting, gifts from Mrs. Davis, information on Museum Board accessions committee (Mrs. Davis member), etc. Dates- 10/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. Lincoln Davis. Subject- Trustee/Museum business, letter of resignation from Board, etc., 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Elizabeth Nottingham Day and Horace Day, patrons and donors, 1934-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Day's exhibition at the VMFA. Dates- 1/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard to Mr. and Mrs. Horace Day. Subject- Horace Day biographical information, exhibition record, job recommendation, newspaper editorial written by Mr. Day on American Painting, etc. Dates- 1950- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Mr. Howard Dearstyne. Subject- proposed exhibition of Dearstyne's work and speaking engagement, etc. Dates- 11/50-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chamber Music Society, Building grounds committee, gifts, donation. Dates- 1954-65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to the Earl de la Warr. Subject- a visit to Richmond by the Earl, loan of a painting to the Museum exhibition \"England's World of 1607\", etc. Dates- 4/57-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. Marie de Mare. Subject- catalogues of \"Healy's Sitters\" exhibition ( Mrs. de Mare was Healy's grand-daughter), proposed film and biography of Healy by Mrs. de Mare, etc. Dates- 5/49-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His position as Art Director of AIV, music and dance folders. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from D. Nichols (administrator), F. Haseltine (PR). Subject- VMT subscription, Executive Committee Report, Collections Activities, Public Information Report. Dates- 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- information about an exhibition scheduled From Nov.22-Dec.31, 1955 featuring merchandise available for purchase in time for Christmas. Dates- 9/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Traveling exhibition. Dates- 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- International Traveling exhibition. VMFA and Leslie Cheek were the American coordinators from 1951-1954. Lists of attendees at the opening dinner 1/15/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Design in Scandinavia\" exhibition checklist, description of the exhibition, official record of receipt and list of items received but not included in exhibition, etc. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- RSVP's to dinner held on the opening night of the exhibition \"Design in Scandinavia\". Dates- 12/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., Mrs. J.G. Pollard and M.B. Christison. Subject- exhibition catalogue information for \"Design in Scandinavia\" and RSVP's for dinner held on the opening night of the exhibition. Dates- 12/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- American Tour 1954-57. Correspondence and publicity regarding. AFA took over the circulation of the exhibition.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committees in the United States. Lists of members and minutes from meetings 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Favorable reviews of the exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copy of a New York Times article written by Cheek concerning the upcoming exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening of the exhibition at the Museum, January 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- dinner guest lists, menu, planning for opening night dinner for \"Design in Scandinavia\" exhibition, list of Board of Trustee committee appointments 1953-4, registration for Southeastern Museums conference 1953, etc. Dates- 12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- RSVP's for the dinner and other opening events for the exhibition \"Design in Scandinavia\", exhibition catalogue, information used in planning printed material for the exhibition, etc. Dates- 4/53-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject-job description of a designer for the Design and Construction division of the Museum, proposed hiring of a designer, etc. Dates- 2/54-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- floor plan and printed matter for \"Designer-Craftsmen USA\" exhibition, photos of the exhibition, VMFA Member's Bulletin vol.15, no.5 (1/55), etc. Dates-11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Strauss. Subject- 25th Anniversary, draft of appeal to enlarge endowment fund, pamphlet. Dated- 6/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for a diorama in connection with \"Orientations of Virginia's Cultural Background\", photographs. Dates- 7/61 - 6/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resolution by the Executive Committee to authorize excess travel cost by VMFA staff. Dates- 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trip itinerary, pamphlets. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Fowler, D. Nichols, B. Ryan. Subject- All manner of VMFA operation: photography budgets, payroll dispersal, VMT renovation, Artmobile, damage and security of Art works, gallery installation, loans, art purchase invoices, Theatre contract, repairs and modification invoices, grievance procedure, pamphlets, Interpol investigation of Indian sculptures, requests for establishing new positions: Vice Director for Public Affairs and Artmobile curator. \"Partnership Agreement of Artco and Company\", \"Operation Countdown\", analysis of responsibilities and time required for completion of the North Wing. Photographs, pamphlets, announcements. Accessions and gifts: 17th C. Eng. Embroidered Casket, Byzantine Bronze Plaque, Tomato Soup Can (A. Warhol), Bolt of Lightening (R. Lichtenstein), Portrait of a Lady, Payne Collection. Dates- 1/68 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, F. Haseltine, D. Nicholas, J.M. Brown, P. Near, A.W. Stalnaker, B. Ryan, Mrs. Pollard. Subject- All manner of inter-museum operations: Public information schedules, membership campaign, promotion deadlines, travel itineraries, budget proposals, etc. P. Nears observations on possible acquisitions. Dates- 7/64 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters of request, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Secretary to the museum, biographical data, job description. Museum files and the law regarding public information, records management, records to be retired, list of file classification: deletions and additions. Events schedules, agendas and exhibitions. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, A. Dohn. Subject- Letter of recognition of donations, list of donors and their gifts of art works. Dates- 1964-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Chenery Estate and Gottwald endowment Fund. Art Nouveau gift of Sydney and Frances Lewis. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMT, Fellowship Fund, Museum Classes, Chenery Estate, Art Nouveau Fund, Artmobile and Gottwald Endowment Fund. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Buyers guides, pamphlets, magazine excerpts, specifications, blueprints, lists of chapters and affiliates, photographs. Dates- 9/61 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, and L. Cheek. Subject- Gift of Dunsten Memorial, Payment record, gallery proposals, \"The Virginia Museum Needs New Wings\": appeal to membership and Trustees for building funds. Dates- 12/46 - 4/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. Alfred I. (Jessie Ball) Dupont. Subject- Donations. Contains a letter regarding her feelings in favor of segregation at the museum and in the arts. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jessie Ball duPont's membership on the Executive Board, gifts and donations. Dates- 5/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Jessie Ball duPont. Subject- Membership as a Trustee, Fellow, Chair of 25th Anniversary Fund drive, contributions and gifts, magazine excerpts, biographical information, contributions and gifts, progress report from Anniversary Fund Drive. Dates- 2/59 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and D. Hudson (state coordinator of Arts System). Subject- Salary scales for VMT, NEA grant proposals. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Exhibitions, Artmobile, VMT, Va. Fellowships, search for potential jurors, work schedules invitations, newspapers, postcards, etc. Accessions and gifts: \"Autumn Leaves\", A. Palmer. Dates- 5/46-5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agenda and letters to K. Fowler of VMT. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Wm. Heartwell and Gov. Holton. Subject- \"Minutes of Economic Resource Task Force Meeting\": 7/23/71, 9/2/71, 10/8/71, 1/13/72, 4/20/72, purpose of task force was to improve communication between various agencies and the governors office. Draft of Executive order: relationship of state agency organizations to Commonwealth planning districts, budget estimates, agendas, Bills held in House Committee for the 1973 General Assembly. Dates- 1971 -72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- C. Guinnan request for a meeting room. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from A. Stalnaker and H. Dohn. Subject- Events for Governors School for Gifted Students: schedule, housing, food service, etc. Dated- 7/73- 8/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between A. Dohn and Mr. Albertia. Subject- Student application, agendas and statement of purpose. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Event to expose students to the function, organization and operation of VMFA, timetable and agendas. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and B. Bothmer (Egyptologist, BMFA). Subject- Invitations, list of Egyptian art objects available for purchase. Dates- 9/54 - 11/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Requests for films and slides, Artmobile, loans for Egyptian Gallery, statement/remarks for opening exhibition, newspaper clippings, blueprints. Dates- 2/55 - 12/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Suggested remarks related to \"Installation of a Gallery of Egyptian Art\", loans from other museums, agendas, letters to other curators and directors. Gift of Egyptian Gallery from Mrs. James Parsons. Dates-2/61 - 4/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- early planning stages of the exhibition \"England 1607\", list of pieces in, list of lenders to the exhibition, installation schedule and exhibition description, printed materials, \"Status Report on the Museum's Jamestown Festival Program\", etc. Dates- 6/54-8/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gallery opening made possible through gifts of china from Lady Nancy Astor, invitations and loan requests. Dates- 4/61 - 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- invitations to these exhibitions: \"Masterpieces of Chinese Art\" and \"Russian Imperial Jewels\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedules 1946, 1946/7, 1949, 1950, Entertainment Committee announcements and replies, committee report 1946, committee roster 1949/50, biographical information on the following Museum guests: Yasuo Kuniyoshi, John W. Taylor, Charles W. Smith, Reginald Marsh and Lamar Dodd, etc. Dates- 1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedule 1946/7, 1950, 1951, 1952, 1953, 1954, Entertainment Committee rosters 1950/1, 1951/2, 1952/3, proposed Friday evening events 1950/1, committee meeting minutes 1952, biographical information about George T. Hamilton, etc. Dates- 1946-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, VMFA Entertainment Committee schedule 1954, 1955, 1956, announcements and minutes of Entertainment Committee meetings 1951, 1953, 1954, 1955, 1956, etc. Dates- 1951-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee roster, Entertainment Committee schedule 1955, meeting announcements, biographical information about the artist Donald Oenslager, etc. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, announcements and replies for VMFA Entertainment Committee meetings, roster of Entertainment Committee, committee schedule 1955, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. Arthur Kelly Evans. Subject- a bequest to the Museum from Mrs. Evans, etc. Dates- 11/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- proposal for fundraising project for VMFA Council in fall 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- 60the Anniversary of the AFA meeting and symposium in Williamsburg, registration forms. Dates- 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agenda, timetable and luncheon for behind the scenes tours by the Council. Date-1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Benefit for the Council Service Fund, program, menu. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Museum in Action\": documentary of VMFA galleries and statewide activities, preview agenda, press dinner, invitations. Producer: Richard Rochement Narrator: Alistair Cooke Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for VMFA banquet services. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Exhibition: \"Treasures from the Norfolk Museum\", Governor's reception, program agenda. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gallery plan, staff assignments and program. Dates- 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reinstallation of the permanent galleries. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Members dinner dance event, invitations, guest list. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Glasgow Estate, Jamestown Tablet. Reception for Committee on Law Celebration. Dates- 12/58 - 4/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Members preview and reception: timetable, program, invitations, gallery plan, etc. Jack Larsen: lecture and biographical data. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of invitation to members of Virginia Chamber Music Society to attend a Theatre-Dinner. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Inauguration of a monthly series of theatre Dinners, guest list, letters of invitation for event and menu. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition: \"Designs for the Theatre\" Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reception for British group of scholars and collectors and travel itinerary. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- A British organization on American Tour. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Meeting at VMFA for NCEW: an organization to stimulate the conscience and quality of the American Editorial page. VMFA Executive committee minutes, biographical data, program agenda. Dates- 7/58 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of request for use of VMFA Gallery for Dinner, agenda, timetable. Dates- 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Tour routes, agenda and schedule of events for reception and letter to new members. Dates- 9/68 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of invitation to reception, tour of museum, agenda, timetable, etc. Dates- 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. Breeden (Membership Chair). Subject- Procedure and agenda for members reception and tour schedule, press release, invitations, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Haseltine. Subject- VMT Premiere performance and promotion. Dates- 5/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- exhibition: \"Treasures of the Norfolk Museum\", program/dinner agenda, invitation, etc. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Arthur Houghton. Subject- Preliminary event outline, layout, program agenda, procedure, invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Annual event to honor corporate patrons: entertainment, decorations, invitation list and suggested remarks to be delivered by President, E. Will. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Private advanced performance of \"School For Wives\", biographical data on Peggy Wood. Dates- 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Rhoads. Subject- Agenda and sample of invitation. Dates- 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Gregory Peck. Subject- Grand opening of Virginia Theatre Arts System, events schedule for preview, Letter from Gregory Peck. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Library reception and banquet for college Presidents attending the Drama Festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner and Theatre Party: agenda, invitations. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters of request and agenda for Theatre Dinner Party. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Rhodes and E.M. Last (Chair, RLS) Subject- Performance of RLS at VMT, ticket sales and cost estimates. Dates- 1/65 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of request for VMFA services. Dates- 4/31/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Robinson House formerly the Scientific Research Organization, VMFA headquarters for LOAS, adult classes and resident craftsperson, Invitation, Historical background, Bulletin vol.24 no.7 4/64 Dates- 8/62 - 3/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Helen Dohn. Subject- Smith College dinner with lecture by Charles Chetham, Director of Smith College Art Museum, agenda, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- The VMFA Council, Theatre Affiliates, President's Dinner. Music, Dance and Film Societies. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The Hospitality and Information Service for diplomatic residents and families. Dates- 1968. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- three day seminar program of multi-level experience in the Arts For exceptional Virginia Youths, agendas, etc. Dates- 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMFA luncheon and tour. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Paintings and drawings by E. Vedder, speaker. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for contributions. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: Hugh Newell Johnson. Reception, guest list and agenda. Exhibition catalog. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Harry Bertoia, Sherman Lee. Subject- General correspondence regarding juror service. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Sherman Lee. Subject- Jury Chair: Sherman Lee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Juror: William Pahlmann. Event program agenda, invitation, guest list, etc. Catalog: \"Virginia Interior Designers 1973\". Dates- 10/72 - 3/73 \"Virginia Interior Designers Reception Fri. 16 Mar.,  1973, 5-7 p.m.\" Subject- Invitation. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, W. Gaines and H. Dohn. Subject- Schedule of events, exhibitions, Bicentennial Celebration. loans, gallery tours, calendar news, Invitation for the \"India In Virginia\" exhibition. Dates- 8/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains minutes, agendas and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas, 1954-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, announcements, agendas and minutes of VMFA Exec. Committee meetings 1955, 1956, etc. Dates- 9/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, VMFA Exec. Committee minutes 1956, list of Exec, Committee members 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and William J. Rhodes, Jr. (President). Subject- Trustee/Museum business Exec. Committee meeting agendas 1954, 1955, 1956, Museum finances (pay scale, Director's allowable expenses, approvals for purchases) VMFA Committee appointments 1956-7, etc. Dates- 6/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. and Col. Henry W. Anderson (President). Subject- Trustee/Museum business, VMFA Exec. Committee meeting minutes 1950, 1951, 1952, 1953, listing of members of the Exec. Committee 1950, 1951, Exec. Committee resolutions 1950, 1951, 1953, By-Laws revised and adopted 1951, etc. Dates- 1950-3. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- Executive Committee minutes, copies of Exec. Committee minutes 1953, 1954, 1955. Dates- 12/53-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Gari Melchers Memorial Committee, VMFA Exec. Committee minutes 1956, list of Exec. Committee members 1956, etc. Dates- 4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Trustee/Museum business, VA Art Alliance, Williams Fund purchase, VMFA Exec. Committee agenda 1952, 1953, 1954. Dates- 5/51-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W. Gaines, R. Velz, M. Christison. Subject- Roster of large Richmond firms and number of employees, invitation cover letter, remarks to be delivered after luncheon. Dates- 9/63 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- lists of proposed exhibitions, events schedule for 1955-6 season, roster of members and schedule of the entertainment committee, drama schedule for Virginia Museum Theatre, etc. Dates- 7/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Notable lecturers and AIV contributors, biographical data. Jurors: Charles Eames, Morris Ketchum and Bert Stern. Dates- 1967 – 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Budgets, loan requests. \"Picasso: A Selected View\", \"12 American Painters\", List of Art Works, biographical notes test for the catalog: \"The Flowering of American Folk Art\". Catalog: \"American Painting 1970 including correspondence with Richard Diebenkorn. Dates- 1970-1974. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Bernard Martins' \"Portrait of Edward Hopper\", \"Walter Gropius - 1883 - 1969\", \"Jose Puig\", projected budget, attendance records, requests for loans, receptions events schedules, etc. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Engineering projects around the world, assembled to illustrate the aesthetic impact of technology. Cost estimates for exhibition, speakers and invitations. Dates- 7/64 - 1/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Outstanding objects in American Museum collections that are gifts or have been purchased with contributions from patrons. Event arrangements/planning. Requests of loans and press releases. \"A Brief History of the Virginia Museum of Fine Arts\", by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition \"Homage to the Square\", signed letter from Elaine de Kooning. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening festivities of the Aldrich Collection of Impressionist and Post-Impressionist paintings and sculpture. Catalogue: \"The Aldrich Collection\", foreword by L. Cheek. Dates- 11/58 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: Bartlett Hayes. VMFA purchases from exhibition. Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: C.V. Donovan. Request for loans from other galleries. Dates- 1962 , 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Al Held. Subject- Juror: Peter Selz. The removal of artwork from the wall of the VMFA for a period of one week in demonstration of racism, war and repression in America. List of paintings to be shipped and installation instructions. Dates- 9/69 - 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Search for a disposable cardboard shelter for use in a traveling sculpture exhibition to the Chapters and Affiliates. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Juried exhibition of Virginia Architects, Designers and Photographers. American Painting exhibition. Dates- 1964, 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt, Sydney and Frances Lewis. Subject- Art Nouveau exhibition: request for loans, lists of objects, opening event agenda, timetable, invitations, etc. Lecturer: Robert Koch. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. H. Bache and P. Near. Subject- Collector-of-the Year: Pre-Columbian gold collection, list of objects, letters to members of Collectors Circle. Dates- 196 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for flags from Embassy of the Federal Republic of Germany. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Kent Bicentennial Portfolio: \"Spirit of Independence\", prints by 12 Contemporary American Artists. Rockefeller Collection of Picasso Tapestries. Dates- 11/74 - 11/75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Phillip Hofer. Subject- Philip Hofer: biographical data and lecture on Blake. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Block as Collector-of-the Year (1967): Collection of 19th and 20th century watercolors and drawings, reviews and agendas. Dates- 10/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum of Modern Art exhibition \"Art Lending Service Retrospective\", lecture by MOMA Junior Council President Lily Auchincloss, lending services, expenses and pamphlet. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibit on ancient Chinese treasures. Date- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases for Virginia's Civil War centennial Exhibition and celebration at the VMFA, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- C. Conger (White House Curator) and his collection of interior furnishings. Heeramaneck Collection. Dates- 1967, 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Blumka Medieval Collection: Preview, program agenda, invitations, etc. Damage report to Gothic Cut Velvet Cloth, Conservators report and insurance claims. Dates- 1/73 - 5/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Exhibition of Tapestries from the House of Edgeworth and paintings, prints and drawings. Lecture, list of objects, PR, gallery plan, invitations, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek's service as a juror for \"International Glass\", gallery plan, photographs, list of jurors choice objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition \"Robes from the Forbidden City\": lecture by Alan Priest on Chinese Textiles. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt and P. Near. Subject- Virginia Photographer 1971, juror: Harry Callahan. Mourot Collection of porcelain. Exhibition schedules, lectures, gifts, loans of art objects, roster of Trustees. Catalog: \"Virginia Artists 1971\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Davies exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and H. Gummerus (Finnish Society of Crafts and Design). Subject- Gummerus lecture on Finnish design. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibition of Tutankhamun. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Bernard Von Bothmer (Brooklyn Museum). Subject- Von Bothmer account of his discovery fo the missing portion of VMFA fragment of Sema-Tawy-Tefnakht. Conservation and restoration of scribe, magazine clippings. Slides and photographs. Dates- 12/64 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. L.J. Dee (Cooper- Hewitt) Subject- Her Lecture to VMFA. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture by Buckminister Fuller, biographical data, catalog, installation, invitations, etc. Dates- 1/59 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contemporary Art forms of Israel. Lecturer: Avid Yafeh. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturer: John Walker. Invitations, entertainment. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Gaines. Subject- Documentation of the making of George Steven's film. Installation, design, floor plans and cooperating agencies. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Herbert Hoffman, Perry Rathbone and Patricia Davidson. Subject- Bill S.2273: to enable works of art and other materials imported for temporary exhibition in non-profit activities to be immune from judicial process. Description of objects for possible acquisition. Exhibition design, installation, VMFA and BMFA gallery plans, invitations, etc. Dates- 9/63 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Rathbone and H. Hoffman. Subject- Loans of Greek gold from the Hermitage and other institutions. Appeals to the State Department regarding Bill S.2773. Dates- 3/64 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Christine Alexander. Subject- Alexander's service to VMFA consultant on Greek and roman acquisitions. Exhibition lecture by Dorothy Kent Hill. Dates- 12/61 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Western art in Virginia collections, loan requests, film series, invitations, program agenda, etc. Lecturer: Larry Curry. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Perry Rathbone and Nasli Heeramaneck. Subject- Installation and acquisitions from the Heeramaneck collection. Lecturer: John Alexander Pope (Freer Gallery), newspaper clippings. Dates- 12/66 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon and Lessing Roswald. Subject- Request for loans, receiving and storage of objects. Event invitations, agenda, etc. Lecturer: Philip Hofer. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and John Koenig. Subject- Proposals for the filming and documentation of an epic film: research, selection, documentation, etc. Proposals were originally made to Samuel Goldwyn and Cecil B. de Mille. Dates- 7/55 - 2/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Goodrich. Subject- Requests for loans from various collections. Text for catalog forward by L. Cheek, and essay by Lloyd Goodrich. Biographical data and newspaper clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Events schedule, agenda, invitations, pamphlets. Lecturer: Robert Doty. \"Portrait of Edward Hopper\" and drawing studies by Virginia painter, Bernard Martin. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Exhibition of art from Virginia Collections to commemorate the 10th anniversary of AIV. Request for loans, invitations, members preview, agenda, list of objects for exhibition. Lecturer: Thomas E. Norton, biographical data. Dates- 7/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Acquisition of Indian art collection. Dates- 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition of works by French artists commissioned by Claude Aveline to illustrate his poem \"L'Oiseau que n'existe pas\". Lecturer: Lawrence Alloway, biographical data. Members Bulletin vol.24 no.8 4.64. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Anne Marie Pope. Subject- VMFA display areas. Date- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt and P. Near. Subject- Art Nouveau Loan, list of Lewis gifts and purchases. Dates- 1971 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and C.S. Hathway. Subject- Lecture search. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Biographical data, agendas, timetables and invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Islamic rugs circulated by the Smithsonian Institute and lecture by McMullan. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J. Baskett and P. Mellon. Subject- List of paintings from Mellon Collection. Gallery preparation, storage, costs, opening festivities, interpretation of exhibition, letters to print media. Press release, newspaper clippings. Lecturers: W.G. Constable, John Baskett and Basil Taylor. Essay- \"Painting In England, 1700-1850\". Dates- 8/62 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Paul Mellon. Subject- Mellon English Painting Collection, early discussion concerning the scope and preparation of catalog and exhibition. \"Letter from Basil Taylor Dated-23 January 1963 re: Mellon Show\", letter of disgruntlement over the various stages of the Mellon catalog. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Basil Taylor. Subject- Mellon Collection of English painting, initial planning stages, lectures, installation, catalog, etc. Dates- 11/61 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Paul Mellon. Subject- Exhibition: \"Painting in England\", program of events, invitations, gallery plan, program, invitation, guest list, etc. Dates- 5/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon and Basil Taylor. Subject- Basil Taylor, advisor tot Mellon collection and author of exhibition catalog: \"Painting in England, 1700-1850\". Catalog foreword by L. Cheek. Dates- 12/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations and dinner programs. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Installation, catalog, security, lecture. List of slides, media coverage. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Remarks by Paul Mellon on exhibition opening, mock-ups of booklet form. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Full color photographic reproduction of the \"Sistine Chapel\", exhibition circulated by LIFE magazine. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Demonstration of mosaic technique using contemporary materials. Dates- 5/54 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Henry Moore. Subject- Aid of Helen Norman (neighbor to Moore) on establishing a dialogue with the VMFA concerning an exhibition and visit by the artist. Preliminary exhibition plans. Dates- 10/57 - 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Henry Moore. Subject- Preview and opening night arrangements, newspaper clippings and press releases. Dates- 5/65 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Neutra. Subject- Exhibition and speaking tour by the artist. Dates- 6/59 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Goya exhibition: request for loans of works by Goya, announcements, invitations, list of paintings, Dr. Priscilla Muller (curator and speaker for exhibition). Program agenda. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturer: John S. Szarkowski. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and James Rorimer. Subject- Exhibition of Contemporary photographs. Biographical data on Ivan Dimitri and A. Hyatt Mayor. Catalog: \"Phototgraphy in the Fine Arts\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- proposed exhibitions, information about traveling exhibitions, etc. Dates- 10/48-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Perry Rathbone. Subject- Pre-Columbian gold with lecture by Allen Wardwell. Dates- 4/67 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Vincent Price as Collector-of-the-Year. Date- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- African collection from the Olsen Foundation. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Una Johnson (Brooklyn Museum). Subject- Contemporary prints from the Brooklyn Museum, invitations and announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition of the American Institute of Graphic Arts 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Gaines, F. Brandt, Anne Marie Pope. Subject- Reinstallation of the permanent collection, estimated exhibition costs, Heeramaneck collection, list of exhibitions available form International Exhibitions foundation. Exhibition catalog: John Kelly Fitzpatrick\" , photographs. Dates- 9/68 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Quillian. Subject- Exhibition of Randolph-Macon Collection. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program agenda for reception, exhibition, gallery plan. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions of Chinese Textiles from Minneapolis Institute of the Arts. Lecture by Alan Priest. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposed gift of \"Gates of Hell\", from the Cantor Collection. Exhibition \"Study of a Woman's Torso\". Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Rosenwald as Collector-of-the-Year, 1965. \"Master Prints From The Rosenwald Collection\", introduction by Rosenwald for the exhibition checklist. Dates- 12/64 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Corrected draft by L. Cheek. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Rosenwald. Subject- Personal invitations from L. Cheek. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition announcements. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of events for the season. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Paul Tishman. Subject- Exhibition from the Tishman Collection, letter of invitation, installation, Council lecture/luncheon. Speaker: Dr. John Akar, Ambassador of Sierra Leone. Remarks by J.M. Brown and Tishman, announcements and biographical data, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing lists for colleges, museums, etc. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek tour of England to photograph Elizabethan Houses. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Presentation of various forms of Arts of England during Shakespeare's life in commemoration of the 4th Centenary of his birth. Requests for loans of Elizabethan objects, press release, installation, etc. Dates- 8/63 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Exhibition of 19th and 20th century paintings, reception and event announcements. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon (Exhibition Chair) and Wm. Constable. Subject- requests for loans, French and British sponsors of exhibition including Queen Elizabeth, Honorary Committee Members, Patrons, catalog, PR, object damage report. Basil Taylor as special advisor to exhibition. Dates- 7/58 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Consultation on exhibition proceedings, travel and lecture schedule, biographical data and text for introduction to the catalog. Dates- 4/60 - 7/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Basil Taylor, Paul Mellon and A. Eiseman. Subject- Catalog layout, printing, design, budget, cost estimates, contributions. Essay- \"Classic Horse Paintings\", foreword by L. Cheek. Dates- 1/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Recipients of free catalogs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- William George Constable and his lecture for exhibition, biographical data, Bulletin vol.20 no.8 4/60. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of British sponsors, loans, selection committee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Mailing list, opening event, program and list of lenders to exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and John G. Pollard. Subject- List of sponsors, reception: program, agenda, menus, etc. Newspaper clippings. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibition in commemoration of Stravinsky's 80th birthday with related settings and costumes created for his ballets. Dates- 4/61 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Exhibition of contemporary prints and multiples (3-dimensional objects of limited editions), Lewis contributions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Railey Collection of European and Asian seals, Fisher Collection of paintings and exhibition of Ruth Safford: \"Interiors of Famous Houses\". Dates- 8/61 - 2/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt. Subject- Problems with exhibition objects. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Damage report of exhibition objects. Dates- 11/63  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Loans of objects from Pierpoint Morgan Library. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Extension of Tutankhamen exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sample invitation and preview guest list. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- List of objects available for loan and prices. Exhibition announcements, gallery floor plan. Lecturers: Gerald Nordland and Hilton Kramer. Dates-1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibit from MOMA: \"Form In The Animated Cartoon\". Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to M. Christison. Subject- Unavailability of Van Gogh exhibition. Dates- 8/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Philip Johnson. Subject- Jurors: Carroll Meeks, Richard Di Natale and Hans Namuth. Official entry forms, exhibition announcements, biographical data. Dates- 10/61 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Gyorgy Kepes, Philip Johnson and Ivan Dimitri. Invitations, guest lists, biographical data and entry forms. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- 1st Biennial exhibition.  Juror: Romaldo Giurgola.  AIA reception and dinner, program agenda, biographical data, invitations, pamphlets and exhibition catalog. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Sherman Lee, Harry Bertoia, Bernard Perlin. Collectors reception, purchase of artist work by Trustees, invitations, entry forms, etc. Dates- 12/57 - 2/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Near. Subject- Reception for purchasers of art works from the exhibition, and catalog. Dates- 1957, 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters to Artist on their award by the jury. Exhibition catalog, juror search and entry forms. Dates- 1959, 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Carl Wienhardt Jr., Mary Callery and Robert Vickrey. Salon des Refuse's on view at Thalhimer's, events schedule and exhibition catalog. Dates- 6/64 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: William Seitz. Installation, list of purchases, invoices, PR, invitations, guest lists, etc. Acquisition from Lewis Fund. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Gordon Bunshaft and A. Bodine. Entry forms and recipients of certificates of Distinction. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Exhibition to travel to Charlottesville. Dates- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture by Dorothy Miner, announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and Mr. John G. Hays (Chairman of the Expansion and Development Committee). Subject- Trustee/Museum business, formation of the VMFA Expansion and Development Committee, report of the chairman, etc. Dates- 11/47-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and P. Crum (Curator) and College of William and Mary. Subject- W\u0026M students visit to VMFA, loan from W\u0026M for a VMFA traveling exhibition, arrangements for traveling exhibitions to W\u0026M, etc. Dates- 2/41-7/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Education and Exhibitions) and Longwood College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Farmville State Teachers College, etc., 3/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- information on VMFA traveling exhibitions and an organization membership, etc. Dates- 7/48/8/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Art Club. Subject- arrangements for VMFA slides and traveling exhibitions to LAC, etc. Dates- 3/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Lynchburg College, etc. Dates- 1/49-2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Teacher's Club. Subject- arrangements for traveling exhibitions and slides to LTC, etc. Dates- 3/46-2/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Madison College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Madison College, etc. Dates- 12/47-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.C. McGehee (Assistant in Education Dept.) and Martinsville City schools. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Martinsville City schools, etc. Dates- 9/51- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Mary Baldwin College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to M.B. College. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Mary Washington College. Subject- arrangements for traveling exhibitions to M.W. College, arrangements for lecture by Christison at M.W. College, etc. Dates- 3/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Middlesex County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to MCWC, arrangements for lecture by Christison for MCWC, etc. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Narrows Woman's Club. Subject- arrangements for traveling exhibitions to NWC, etc. Dates- 10/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Newport News Woman's Club. Subject- arrangements for traveling exhibitions to NNWC, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Education and Exhibitions) and Norfolk Museum of Art. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to NM of A, exchange publications, etc. Dates- 1/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H. Lloyd (VMFA State Services) and Richmond County Junior Woman's Club. Subject- arrangements for filmstrips to RCJWC, shipping instructions, etc. Dates- 10/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Roanoke County Woman's Club. Subject- VMFA traveling exhibition checklists, request for information about organization membership to the Museum, etc. Dates- 4/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H. Lloyd (VMFA State Services Dept.) and Rockingham County public schools. Subject- VMFA traveling exhibition and slides checklists, arrangements for traveling exhibitions to Rockingham Co. Public schools, shipping instructions, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between E.L. Kallop (VMFA State Services Dept.) and Scottsville High Scholl. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions and slide sets to Scottsville HS, shipping instructions, etc. Dates- 9/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Sedley Woman's Club. Subject- notification of installment of Mrs. N.B. Rollings as chairman of Fine Arts Dept. of SWC, Date- 12/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Smithfield P.T.A. Subject- art material for Smithfield schools, Date- 11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H.V. Rennie (Assistant in Education Dept.) and Southern Seminary and Junior College. Subject- schedule of VMFA traveling exhibitions to Southern Seminary and Jr. College ('46) and arrangements for traveling exhibitions to Southern Seminary and Jr. College, etc. Dates- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Hart (Extension Dept.) and St. Catherine's school. Subject- VMFA traveling exhibition checklists, schedule for traveling exhibitions to St. Catherine's, etc. Dates- 1/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and St. Christopher's school. Subject- schedule and arrangements for VMFA traveling exhibitions to St. Christopher's, etc. Dates- 9/48-11/48.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Staunton City School Board. Subject- arrangements for traveling exhibitions to Staunton City School Board, etc. Dates- 1/52-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various Education Dept. staff and Stony Creek Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SCWC, etc. Dates- 2/47-1/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various VMFA State Service Dept. and Education Dept. staff and Stratford College. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to Stratford College, shipping instructions, etc. Dates- 8/48-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition checklists, schedule and arrangements for traveling exhibitions to Stuart Hall, shipping instructions, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director of Collections and Education) and Suffolk Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SWC, etc. Dates- 8/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Surry Woman's Club. Subject- arrangements for tour of the Museum and traveling exhibitions to SWC, etc. Dates- 10/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Sweet Briar College. Subject- schedule and arrangements for traveling exhibitions to SBC, shipping instructions, etc. Dates- 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Service Dept. staff and Tazewell Parent-Teacher Association. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions, slide sets and filmstrips to Tazewell Parent-Teacher Association, shipping instructions, etc. Dates- 11/52-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Thomas Jefferson Junior Woman's Club. Subject- request and suggestions for speakers for TJJWC, etc. Dates- 7/47-9/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA and Thomas Jefferson Woman's Club. Subject- arrangements to visit, tour and hold a meeting at the Museum, etc. Dates- 11/40-1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Three Arts Club of Blackstone. Subject- arrangements for filmstrips for TAC of B, shipping instructions, etc. Dates- 12/52-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- address of Mrs. Woods, President. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Toano Woman's Club. Subject- arrangements for holding a meeting at the Museum. Dates- 1/50-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and University of Richmond and Westhampton. Subject- arrangements for traveling exhibitions to U of R, shipping instructions, etc. Dates- 3/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- catalogues from the UVA Extension Dept. including the following: Famous Italian Paintings, Famous Flemish Paintings (Reprints from Seventy Famous Paintings by Adelaide D. Simpson (1927), The Story of Venetian Painting by Mrs. Stringfellow Barr and Cecily B.D. Ryder (1928) and Catalogue of Art Prints and Books (1937), etc. Dates- 1927-1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to UVA, shipping instructions, etc. Dates- 10/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and University of Virginia Museum of Fine Arts. Subject- checklists for traveling exhibitions sponsored by VMFA and UVA, the following publications by UVA: \"Twenty-five Contemporary Artists of Cleveland, Ohio\", \"Hugh Breckenridge\", \"Contemporary Artists of Virginia\", \"Contemporary Artists of Albemarle County and The University\", \"Alexander B. Trowbridge and Olin Dows\" and \"Elinor F. Hopkins\". Dates- 4/34-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.Y. Casey (Assistant in Education Dept.) and Upper King William County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to UKWCWC, shipping instructions, etc. Dates- 3/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Valentine Museum. Subject- information about becoming organization members of VMFA, a loan to VMFA from the Valentine, listing of the Valentine's activities, etc. Dates- 10/35-9/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and VA Education Association. Subject- Virginia Education Association art section meetings, etc. Dates- 2/47-10/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and VA Federation of Woman's Clubs. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VA. Federation of Woman's Clubs, VA Federation of Woman's Clubs yearbook ('47/8) and Directory ('48/9), etc. Dates- 1/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA traveling exhibition checklist. Dates- 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Virginia Polytechnic Institute. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to V.P.I.'s Architectural Department, etc. Dates- 6/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Virginia State College (Norfolk Division). Subject- checklists for VMFA traveling exhibitions, arrangements for traveling exhibitions to VSC, shipping instructions, etc. Dates- 10/52-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and the Extension Dept. and VA State University. Subject- schedule of VMFA traveling exhibitions to VSU 1945-7, arrangements for traveling exhibitions to VSU, etc. Dates- 6/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Va. Teachers' Association. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VTA, arrangements for a lecture by Christison to VTA. Dates- 12/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Virginia Union University. Subject- VMFA loans to VUU's art festival, arrangements for traveling exhibitions to VUU, etc. Dates- 1946-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between E.L. Kallop (State Services Dept.) and Wakefield Woman's Club and P.T.A. Subject- checklists for VMFA traveling exhibition, arrangements for traveling exhibitions to WWC and P.T.A. Dates- 9/51-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Warren County High School. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Warren Co. HS, shipping instructions, etc. Dates- 10/46- 5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between O. Hart (Registrar) and Warwick County School Board. Subject- arrangements for traveling exhibitions to Warwick Co. Schools, etc. Dates- 1/49-4/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Warwick Woman's Club. Subject- arrangements for traveling exhibition to WWC, etc. Dates- 10/48- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Washington and Lee University. Subject- checklists of VMFA traveling exhibitions, arrangements for traveling exhibitions to W\u0026L, etc. Dates-1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Waverly Woman's Club. Subject- schedule of VMFA traveling exhibitions to WWC ('46), WWC visit (with lecture) to VMFA, etc. Dates- 3/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA staff and West Point Schools P.T.A. Subject- arrangements for traveling exhibitions to West Point Schools, etc. Dates- 12/50-6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various Education Dept. staff and Westmoreland Woman's Club. Subject- arrangements for traveling exhibitions to WWC, etc. Dates- 1/48-3/49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and William Campbell High School in Naruna, VA. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wm. Campbell HS, shipping instructions, etc. Dates- 12/52-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and various Education Dept. staff and Wilson-Jackson P.T.A. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wilson-Jackson P.T.A., etc. Dates- 1/47-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.T. Rhodes (Assistant in Education Dept.) and Wytheville County schools. Subject- arrangements for traveling exhibitions to Wytheville Co. schools. Dates- 4/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Wythe Woman's Club, Hampton. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC. Dates- 8/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education), various Education Dept. and State Services staff and Wytheville Woman's Club. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC, etc. Dates- 5/49-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Y.W.C.A.-Richmond. Subject- holding a meeting (with a visit and lecture) at VMFA. Dates- 4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Young Woman's Club of Williamsburg. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to YWCW, shipping instructions, etc. Dates- 12/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.Y. Casey (Assistant in Education Dept.) and VMFA State Services Dept. and Zuni Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to ZWC, etc. Dates- 8/50-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\". Dates- 12/54-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\", note-included in these files: slides from Williams College of Art. Dates- 1947-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Chairman of the art department Williams College. Correspondence and biography 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fashion Show in cooperation with Miller and Rhoads Dept. Store and Harpers Bazaar magazine to benefit the VMFA Council, Education Fund, Council dinner, event plans and program catalogue. Dates- 12/55 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- the Fashion Festival of Arts and Flowers presented by the VMFA Council in cooperation with Miller and Rhoads Department Store, attendance lists, newspaper clippings, etc. Dates- 3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between national director and Thomas Colt, who was the State Director of the Federal Arts Project, 1935. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Federal Emergency Administration of Public Works regarding a grant to construct an additional wing to the Museum. 1935-38. More applications from Museum for funds from the Federal Emergency Administration of Public Works to complete projects such as casting a bust of John B. Payne and landscaping grounds. 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Federal Emergency Administration of Public Works and Virginia Commission for the Arts material, mostly on landscaping the grounds of the Museum, 1936. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Federated Arts Council of Richmond dinner and agenda, invitations. Dates- 2/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- Committee reports, events schedules, annual meeting 5/29/74, \"Festival Of The Arts\", 18th annual report, Dogwood Dell June-Aug'74. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Awards Dinner agenda, letters of confirmation, thank-you's, etc. Dates- 12/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T.C. Colt, Jr. Subject- listing of and letters to prospective fellows (founding fellows), a copy of the constitution 4/55. Dates- 3/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospects for new membership program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Conservation Laboratory, Library Endowment, Fellows Weekend, orientation theatre, contributions and projects, statement of purpose, agendas, biographical data. Resolution in memory of Lewis Strauss. Dates- 1964-79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Fellowship Committee minutes 1942, 1948, 1949, 1950, Fellowship Committee agendas 1950, 1951, committee report 1949/50, Fellowship Committee announcements and replies, listing of fellowships given by the Virginia Museum of Fine Arts 1940-51, etc. Dates- 1942-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Aplicant interviews procedure. Date- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellowship Fund income account, application, letters to recipients: Primm Turner, Jenny- Lynn Franklin and John D. Norwood. Dates- 5/54 - 5/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Essay- \"Outline for a Proposed Film for the Virginia Museum of Fine Arts\" by Vavin, Inc. 3/60.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1947, 1948, 1950, Finance Committee meeting minutes 1948, 1949, 1950, letters soliciting opinions from Trustees about stock purchases and committee resolutions and replies, VMFA Pooled Endowment Account 1949, stockholder information , etc. Dates- 1947-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1950, 1951, Finance Committee meeting minutes 1952, committee report 1950, status of capital funds listing 1950, list of securities held and cash balances, financial transactions, etc. Dates- 1950-2. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1952, 1953, Finance Committee resolutions 1953/4, Capital Funds Investments and Cash listings 1952, 1953, stockholder information, financial transactions, etc. Dates- 1952-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1955, Finance Committee resolutions 1954, a listing of Finance Committee meetings and actions in writing 1948-56, financial transactions, stockholder information, statement of endowment investments 1955, pooled investment listing 1955, investment changes for the period 4/30/55-12/31/55, etc. Dates-1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Lawler Fund. Dates- 10/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- stockholder information (i.e. annual and quarterly reports of companies). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee resolutions 1948/9, excerpts from Finance Committee meeting minutes 1939, 1951, Date- 3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from A. Nicholas. Subject- Statements of income, balances, private income, special purchase funds, operating budget, etc. \"Virginia Museum Semi- Annual Financial Report Dec. 31, 1970\" , \"Summary of Financial Support\": 1935- March 31, 1971, 19l35- June 30, 1969, Art Purchase Funds, Capital Outlay Programs to purchase land and buildings, List of Art Purchases 1970-71. Dates- 6/70 - 10/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and G. Martin. Subject- Responses to questionnaire from various theatre directors, VMT regulations. Dates- 1965 -66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT Statement of Purpose, application for Samuel Tate Morgan and/or George Seay Memorial Trust Funds. Letter of grant award for the expansion of VMFA Library holdings and list of books purchased, newspaper clippings. Dates- 5/69 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Administrator, Richmond Area University Center. Correspondence with 1949-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Memorial for Col. Herbert Fitzroy, letters of receipt of contributors to purchase a sculpture to be placed on permanent exhibit in Artmobile II: \"Crowing Rooster II\", G. Marcks. Dates- 10/67 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- information about proper display of U.S., U.N. and VA flags. Dates-11/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns cultural development there. 1957-59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Agreement on the Importation of Educational, Scientific and Cultural Materials\", Bill signed on 6/24/59, press release. Unesco sponsored agreement to eliminate tariffs and special import taxes on educational, scientific and cultural materials. Dates- 9/59 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Horace S. Flournoy. Subject- repair of heating system at the Museum. Dates- 10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- plantings around the Waddy Fountains at the front of the building, lawn and plant care, listing of growing plants used, etc. Dates-6/54-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA staff and Harvard University's Fogg Art Museum, mostly regarding the loan of a Copley portrait for the Museum's inaugural exhibition, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, J. Coolidge (Dir., Fogg). Subject- General correspondence regarding conservation, authenticity of objects, employment referrals, research, etc. Dates- 4/52 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for Folktale Marionette Theatre to perform at VMFA in Dec.1953, etc. Dates- 3/53-1/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- visit of Mrs. Henry Ford II, to see VMFA operations. Dates- 3/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about a Virginia artists watercolor exhibition sponsored by the Ford Foundation Title \"Virginia by Virginians\", copy of an invitation to Mr.and Mrs. Ford to the opening, etc. Dates- 1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- newspaper clippings and statement of purpose of the Ford Foundation. Dates-12/48-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Ford Foundation. Subject- proposal of VMFA serving as regional center for Ford Foundation's creative artists selection program 1958, proposals for Foundation support, Foundation publications, etc. Dates- 10/50-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Ford Foundation. Subject- information about applying for Ford Foundation support, Foundation publications, etc. Dates- 10/59-10/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program for Painters, Sculptors and Related Artists. Letters to jury members, entertainment. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and the Ford Foundation. Subject- the Museum as a locale for the premiere art exhibition to be featured in the March issue of the Ford Times, an exhibition highlighting VA artists named \"Virginia for Virginians\", included are copies of the exhibitions' gallery guide, invitations to the preview and a copy of the Ford Times feature issue. Dates- 11/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and American Association of Museums (AAM). Subject- roster of foreign museum Directors visiting VMFA on a AAM sponsored tour (in cooperation with the State Department), biographical information on visitors, etc. Dates- 3/65-5/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to VMFA staff. Subject- memos about arrangements for luncheon held at Museum for international newspaper people. Dates- 6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal for VMFA travel program, tour estimates and brochures. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition preview speaker: Ariad Yafeh, biographical data, reviews and photographs. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Guest lists for opening event, sample letters for invitations and replies. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices, Cheek serving as honorary member of advisory committee of Directors and Curators, etc. Dates- 3/52-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Keith Fowler. Subject- theatre operations, policies, programming, newsletter to friends, volunteers and theatre subscribers, etc. Dates- 10/69-12/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between William Francis and L. Cheek, Jr. Subject- Museum publications business and arrangements, etc. Dates- 12/64-9/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Governor Peery, T.C. Colt, Jr. and Douglas S. Freeman, president of the Confederate Memorial Institute. Subject- Transfer of the John B. Payne collection from the Battle Abbey to the museum. Dates- 1935-39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. Subject- mostly professional matters, but some personal information is given. Dates- 1948-53.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and French and Company. Subject- French and Company, Inc. art dealers, loans, conservation work, proposed sales to Museum, photos and descriptions of objects, etc. Dates- 6/46-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject- photo requests from the Frick Art Reference Library, reference questions, exchange publications, etc. Dates- 2/46-9/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Friddell was columnist for the Richmond News Leader. Correspondence with Cheek, 1949-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- memo about calendar of Museum events, mailing to American Ballet Theatre Friends, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Preparation plans for \"George Stevens Makes a Film\", an exhibition based on the making of an epic film (The Greatest Story Ever Told), installation, cost estimates, etc. Dates- 1/64 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Search for Egyptian objects to purchase, exhibitions: Sport and Horse and American Folk Art, College Drama Festival, loan of P. Klee works, collectors circle, Biographical data, Fellows, donation, gifts, Segregation in VMT, background information on paintings for Wm. Henry Yates, Marshall Research Library, Poetry Society of Virginia, Glasgow Estate. Accessions and gifts: \"Tree\", H. Gray; E. Hopper; Rutherford Goodwin, Jr.(signature). Dates- 1/55 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General museum business, inter-museum memos. Richmond Sinfonia, special purpose gallery, exhibition policy. Museum television, funding sources, COVAO conference, sale of Artmobile I, Council, newspaper clippings, pamphlets and funds generated through programs division, letter from Robert Indiana.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Bill (William) Gaines (head of Programs Division). Subject- programming educational, exhibitions, films, affiliates, etc., Museum operations, etc. Dates- 3/70-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Acquisitions, objects for purchase consideration, various newsletters, exhibition catalog: \"Nature As Scene\". Dates- 4/76 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with other museums. Subject- exhibition announcements, information about loans to other museums, etc. Dates- 3/53-3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Dir. for Collections and Education) and Mr. Charles Seymour (Yale University). Subject-request to look at the Museum's collections. Dates- 2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Col. Edgar Garbisch and L. Cheek, Jr. Subject- gift to VMFA-Junius Brutus Stearns paintings of life of George Washington, photos and information about paintings, biographical information about Garbisch, etc. Dates- 1/50-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for the 50th anniversary dinner of Garden Club held at VMFA, etc. Dates- 9/68-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the Garden Clubs of Virginia and America 1958-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Mrs. T. Fleetwood. Subject- Mrs. T. Fleetwood as a Trustee, Trustee business, gift to Museum, etc. Dates- 5/64-7/75. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Landscape Architect for Museum. 1957-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by John Garland Pollard, Jr. Subject- invitation to members of General Assembly to use Museum facilities, announcement of a reception for General Assembly members spouses, VMFA Members' Bulletin vol.20, no.5 1/60. Dates- 1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters sent to members of the General Assembly 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Gibbes Art Gallery. Subject- Brown working on problems of the Gibbes Art Gallery, \"Report to the Board of the Charleston Art Association\" co-written by Brown, etc. Dates- 12/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee, Executive Committee. Dates- 1950-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mr. George D. Gibson as Trustee, Trustee and Local Building Committee business, copies and excerpts from minutes of the Executive Committee 1948-53 dealing with VMFA building, news release 6/57 about Gibson being elected VMFA President, etc. Dates- 12/52-11/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. George D. Gibson, a lawyer with Hunton, Williams, Gay., Moore and Powell. Subject- flooding at the Museum, building inspections, structural problems with the building, the shipment of a Watteau painting to VMFA, a Melchers gift, etc. Dates- 7/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- acknowledgments of receipt, thank you letters to donors for gifts of all kinds (money, books, equipment, etc.,). Dates-11/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Arthur G. Glasgow. Subject- gifts to Museum, Museum events, information pertaining to the Estates of Margaret Branch Glasgow and Arthur Graham Glasgow. Dates- 2/54-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., J.M. Brown and Walter S. Robertson (VMFA President). Subject- transcript of remarks by Governor Mills E. Godwin, Jr. at Southeastern Theatre Conference 1966, Museum events, Mrs. Godwin to serve as honorary chairman of Entertainment Committee, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- President of Princeton University. Request for him to lecture at Museum. Dates- 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Associated Artist Gallery, Washington, D.C. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for Theatre Director-Producer 1957.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Pollard was a member of the Goodwin Memorial Commission appointed by the state to erect a scroll honoring the Reverend William Archer Rutherfoord Goodwin, former rector of Bruton Parish Church and man who dedicated his life to the restoration of Colonial Williamsburg, 1950-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Mr. F.D. Gottwald. Subject- agreement and arrangements to establish Elisabeth Shelton Gottwald Fund. Dates- 4/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- copy of report on Museum, recommendations to Museum made by Governor's Management Study Group. Dates-7/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Mills Godwin and Peter Mooz. Subject- Budgets: cutbacks, executive order, appointments to VMFA Executive Board, creation of job positions, Museum organization charts, Melchers Estate, Arts Commission, Executive Mansion furnishings and lists of objects. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for unveiling (10/5/71) of new acquisition of Goya's painting- General Nicholas Guye guest lists, invitation, news releases, photo and information about painting, etc. Dates- 9/71-2/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- \"General Guye\", Goya. Special event, agenda, invitations, etc. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with John Graham (Curator, Colonial Williamsburg). Dates- 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Related to the death of Mr. Gray and his family. His bequest to the Museum and a memorial to him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Horace Gray, Trustee. Subject- Museum business, biographical information about Horace Gray, VMFA Members' Bulletin vol.19, no.6 (2/59), etc. Dates-5/51-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about hiring Mr. Paul Grigaut as head of Collections Division, Museum practices, information about Museum Collections catalogues, etc. Dates- 6/62-4/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Theft-general. Contains one newspaper clipping 5/28/62.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- correspondence with Senator Raymond R. Guest, announcement of gift to Museum of bronze gates, Museum events and business, etc. Dates- 11/48-5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and L. Cheek. Subject- List of sites for guidebook , roster of names for nominating committee, letters to publishers, price structure, biographical data, promotional information, outline for publication by the Trustees for \"An Official Guide To Four Centuries Of Building In The Old Dominion\". Dates- 4/66 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Finnish Society of Crafts and Design 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt, F. Haseltine. Subject- Installation of \"Symbol\" at Phillip Morris site, invitation mailing list, reception agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, F. Haseltine, P. Near. Subject- Exhibitions, VMT, loans, gifts, endowments, biographical data, invoice for work restored, acquisitions, installation of Heeramaneck Collection, Pastorale fund, Project Grant Application, Tax Status. Essay- \"A Brief Summary of Accomplishments of the Virginia Museum of Fine Arts\", 1962-64. Dates- 9/51 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mr. Haller was a public relations consultant hired under special circumstances and kept off of the state payroll. This letter pertains to this and circumventing the state system 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and S. Robertson. Subject- AAM meeting in Williamsburg, increase in security staff at VMFA, Artmobile, Executive order from the Governor's office to divide the Board of Trustees into five divisions. Request for authority to prepare Capital Outlay Plans for South Wing, invitations to serve on various committees, presentation of Webster S. Rhoads award to Gov. Harrison, newspaper clippings. Dates- 5/61 - 11/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Public Buildings Administration (Federal Works Agency). Subject- Harrisonburg post office mural competition (Colt served on the jury of selection and advisory committee) and contract with Public Buildings Administration. Dates- 2/41-10/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek's 25th college reunion and an art exhibition in conjunction with the reunion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Melissa Hayden and Andre Eglevsky. Dance performances at the VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. John G. Hayes, Sr. Subject- Trustee/Museum business, money to the John G. Hayes Endowment Fund, etc. Dates- 11/49-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. J.G. Pollard and W. Rhoads. Subject- John Green Hayes Memorial Fund. Dates- 5/48 - 11/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of appeal from VMFA to Hearst Foundation for financial assistance. Dates- 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Biographical data, press release and his presentation to the AAMD, newspaper clippings. Dates- 4/62 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lecturer for the Latin American Exhibition 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT: tour schedule, HEW grant proposal, \"A Cultural Program in the Dramatic Arts for Virginia High School Students\", newspaper clippings, postcards, reviews, project budget, financial support. Dates- 5/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Travel Itinerary, loans , VMT productions, collectors circle, LOAS (Loan-Own Art Service), search for prospective jurors, letter to Helen Hayes to address VMT, biographical data, gallery plans, invitations to preview Hogarth exhibition. Dates- 9/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for luncheon and agenda. Dates- 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Request for VHS to hold annual meeting. Dates- 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Col. Hodges (Membership Chair). Subject- Trustee/Museum business, Hodges served as the Chairman of the VMFA Membership Committee, etc. Dates- 11/35-3/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA Bulletins: vol.26 no.3 and vol.27 no.6. Hogarth lecture to VMFA, itinerary, biographical data, Wm. Blake exhibition. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for Theatre Director 1957. Contains resume and letters to, from, and about him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, P. Davidson, and P. Rathbone. Subject- Exhibition: \"Treasures of Alexander\", request for loans, list of objects in connection with exhibition, installation design, theft of Nike Earring. Dates- 9/63 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Term as a Trustee and Fellow at VMFA and as a Trustee at Norfolk Museum, Exhibition: Treasures from the Norfolk Museum. Gifts and donations. Dates- 9/61 - 4/3 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Collectors circle, Fellows, Trustee, gifts and donation. His service as a Trustee at the Chrysler Museum. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on state holidays. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Gov. Holton. Subject- Proposal for a Bill to organize a citizens advisory committee to improve furnishings and interpretation of the Gov. Mansion. Statewide Building Code, Administrative Amendments 1/29/73, Sec. 873.5. List of participants and Museum conference notes to determine how Va. Museums can assist one another, Inauguration arrangements committee, rosters: House of Delegates, Senate and legislature. Essay- \"The Holton Years: A Summing Up 1970-1974\". Dates- 9/61 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Reports from the Honors and Awards Committee and the Board of Trustees, 1948-56. Much of this concerns Mr. and Mrs. A.D. Williams, The Katherine Rhoads Fund and the Webster Rhoads Medal, and Arthur and Margaret Glasgow, letter regarding the Mary Samuel Davies Bright Memorial. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Arts and Humanities Commission, Pratt Estate, Cabell Foundation, Ford Foundation: VMT underwriting. Trustee interviews, gifts of appreciated property. Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings, photographs. Dates- 10/8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and J.M. Brown. Subject- Parsons Fashion Show, slides, pamphlets, newspaper clippings. Dates- 8/63 - 7/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Seating arrangement. Dates- 11/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J. Sweeney and Lee Malone. Subject- \"Design In Scandinavia\", Cheek's remarks. General correspondence concerning museum loans and policy. Dates- 4/63 - 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Miss Nora Houston and T.C. Colt, Jr. Subject- biographical information, information about exhibitions she participated in, proposed acquisition of her work, etc. Dates- 4/36-2/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- U.S. House of Representatives, New York State. Correspondence concerning government support of the arts. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copy of his speech given at the Architectural League Symposium 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Term as a Trustee, membership campaign, budget committee, newspaper clippings. Dates- 5/59 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellow, VMT, Exhibitions, Artmobile, long term loan of 18th C. Dec, Arts objects, Hogarth exhibition, contract bid for landscaping, North Wing. FILM: \"THE ART of THE CONSERVATOR\" Dates- 2/64 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Trustee, Fellow, gifts. Remarks concerning Fellows meeting, Draft of Executive Committee Meeting Minutes, 12/8/70. Official application form for AAM accreditation. Art Nouveau Collection, Council lecture and luncheon with draft of suggested remarks delivered by C. Humelsine. Dates- 1969 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Requests for catalogues, loans, exhibition announcement, proposal for an \"International Traveling Exhibition\", technical info on Ivisiglass. Dates- 4/45 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- RSVP's to auditorium inauguration, thank you notes to musicians used for the opening, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Innocenti and Webel (landscape architects) concerning VMFA grounds. Dates- 7/64 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek, T. Colt and Mrs. Pollard. Subject- Requests for publications, general information regarding VMFA collections, exhibitions and museum operations. Dates- 10/35 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General information on exhibition installations.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains one brochure, 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- insurance against air raids and other war damage, correspondence with other museums about war risk insurance. Dates- 6/42 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. and M.B. Christison (Assistant Dir. for Collections and Education). Subject- damage claims to art objects we lent and/or were on loan to the Museum. Dates- 11/49-11/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuels Collection [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Draft of the Constitution and By-Laws of the proposed Virginia History and Museums Federation. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- ICOM statement of mission, travel expense records, membership and financial statements, pamphlets, Minutes of Executive Committee 1/30/60, 5/25/65, Annual Report 1965, newsletter, pamphlets, etc. Dates- 1961 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual Reports, Statutes, guidelines for International Rules of National Committee, Museum Training Programs, Newsletters, Minutes of Annual Meetings, budget, membership, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Mrs. J. Pope (Pres. IEF) Subject- Invitation to become a member, statement of mission, list of officers, IEF Financial Report 12/31/72, Annual Report 12/1/72, NEA award, catalogue listings, list of traveling exhibitions 1966-72. Dates- 1966 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Anne Marie Pope. Subject- Lists of current and planned exhibitions, events schedules, minutes of annual meeting. Dates- 1973 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Article from \"Preservation News\", 1/71 vol., XI, no.1 and Sunday Supplement from New York Times. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, P. Near, Phillip Johnson. Subject- P. Johnson's advise of design of the New Wing and as possible juror for Va. Biennial. Rotunda Club, Jamestown Festival, Robinson House, Hogarth Exhibition, Jr. League activities, and restoration of downtown Richmond. Photocopy of text from letter between Wm. Fitzhugh to Charles Carter 11/30/1796, pamphlets, donations, gifts. Dates- 12/55 - 12/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Letter of appointment to Executive Board. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 350th Anniversary. 1955-57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on the Museum's contributions to the celebration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek to serve on advisory committee and certificate of award for his service, presentation of Pocahontas portrait for permanent display, \"Report From Sub-Committee, Jamestown Commission\", 10/30/57. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photos of the \"Japanese Architecture\" exhibition, printed material for the exhibition, arrangements for bringing the Japanese Charge d'Affaires to VMFA, transcript of remarks made by Mr. Shima (Japanese Charge d'Affaires) at the opening preview, etc. Dates- 4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Itinerary and agenda for East Meadow High School of East Meadow L.I., New York. Dates- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown. P. Near, A.P. Jenkins. Subject- A.P. Jenkins collection, gifts and contributions, loans, Fisher rug collection, B. Barenson, Ash Lawn, Caligula statue, invitations, agendas etc. \"Art Now: New York\" vol.2 #10, University Galleries, 1970 (contains large color plates). Conceptual statement for Cabrillo Marine Museum. Dates- 8/54 - 9/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Jay W. Johns. Subject- Trustee/Museum business, gifts to Museum, information about an Evelyn Byrd portrait by a disputed artist (Kneller or Bridges), etc. Dates- 6/35-9/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- J. Johns service as a Trustee and Fellow, gifts and donations. Dates- 4/50 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- B. Johnson's (Conservator of L.A. County Museum) observations concerning the authenticity of a Veronese painting and his personal collection of pre- Columbian sculpture and Asian ceramics. Dates- 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and T. Catesby Jones. Subject- Jones' collection of modern paintings and sculptures, gifts to the Museum art and books, letter from Jean Lurcat, etc. Dates- 3/41-12/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The loan of Mrs. Catesby's collection of French Modernists to the VMFA and gifts. Dates- 2/50 - 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from l. Cheek, R. Guest (Fellows, Chair) and W. Robertson. Subject- Her appointment as a Trustee and role as chair of the membership committee. Dates- 7/64 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- State Supervisor of Art, 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- purchase requests for photos. Dates- 3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown. Subject- Agenda and letters of confirmation. Dates- 6/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Volunteers at the Museum, 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of confirmation. Dates- 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Letters of recommendation, resumes, prospective jurors, exhibition: \"Ugliness in Virginia\", Robert E. Lee Memorial, Fellows, gifts, donations, pamphlets. Acquisitions: Artists, Duane Hanson and Stephen Posner. Dates- 4/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Karolik collection of American Painting, Artmobile and Collectors Circle. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Maxim Karolik. Subject- proposed lecture for exhibition \"The Karolik Collection\", printed material for exhibition, etc. Dates- 9/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Illumination exhibition for the American Federation of Arts: proposal, budget, exhibition news, advisory committee and Minutes of 1st Meeting 11/23/64. Dates- 1/65 - 2/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek as member of the Council for the Kennedy Center and Board of Trustees, bulletins, progress reports and newsletters and a letter from Jacqueline Kennedy dated 1/14/66. Dates- 2/59 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and H. Willett (Supt. of Rich. City Schools) Subject- Letter to F. Keppel (Asst. Sec. of HEW) concerning a Math and Science Center. Essay- \"Proposal For a Supplementary Mathematics and Science Center\". Dates- 11/65 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters of request and confirmation, menu and tour. Dates- 8/71 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets: \"The Library - Documentation Project spring 70\" , \"The Urgency of Our Mission\" and \"Statement of Purpose Fall 1969\". Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt, L. Cheek and Harry Brooks. Subject- Requests for publications, provenance of Italian Renaissance painting being considered for acquisition, loans, pamphlets and shipping invoices, etc. Dates- 2/46 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, T. Simmons (Knoll) and Florence Shu Knoll. Subject- Interior design and furnishings of the Members Suite, offices, restaurant and Library, Knoll Catalogue 1956, newspaper clippings. Dates- 2/49 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Portrait commission of L. and Mary Tyler Cheek and his exhibition at the Museum of the City of New York. Information about introduction to exhibition catalog. Dates- 1/63 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Parson's School of Design. Design consultant VMFA 1954-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The creation of layouts of loan exhibitions and permanent displays, agendas, job description, newspaper clippings, biographical data, postcard, etc. Dates- 2/58 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mr. Koenig was a guest promotion director at the VMFA 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to contributors of memorial fund. Subject- Memorial established by the Theatre Associates of VMFA, sample of bookplate in his memory. Dates- 4/62 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuel H. Kress Foundation 1958-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about bill and payments with Kuhn. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile project for the Arkansas Arts Center, \"Let's Go, Reflections on the Art of Administrative Leadership\". Dates- 8/62 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chapters/Affiliates, newsletters, Lectour broadcasts, newspaper clippings, invitations, Lawler Memorial Fund, Artmobile. Artists: Pietro Lazzari, Janice S. Lemen, John Gadsby Chapman, photograph. Dates- 5/58 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Publication requests, gifts, contributions, collectors circle, Fellows, suggested bequest wording, Artmobile, loans, exhibition announcements, NEA questionnaire: \"Conservation in Museums- August 1971\", restoration and condition report of \"Battle of Yorktown\", Lami. Artists: Mario Dubsky and Eugene Berman. Gift and donations: \"La Sympathie\", Pettijean. Date- 11/62 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Port Sunlight, Chesire England.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and the VMFA Board of Trustees. Subject- To prevent the construction of the Valentine Museum's Latrobe Theatre. Dates- 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lecture by Cheek to the College Art Association 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to E. Cless (program Consult., U. of Minn.) Subject- U. of Minnesota Institute on Administration and Services in the Small Art Museum, program agenda, travel schedule, list of registrants for the seminar, report on the panel on museum publications, pamphlets, map, etc. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek to G.H. Holmes (Dean of U. of Pa.). Subject- Urban Criticism, experiences in traveling exhibitions on city planning, resolutions and solutions on urban problems. Biographical data on participants of conference, travel expenditures, agenda. Dates- 7/58 - 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Priscilla Crum to Prentiss Taylor. Subject- lecture by Taylor, Wednesday evening programs schedule 1948, proposed schedule 1947-8, etc. Dates- 9/47-1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison. Subject- prospective speakers, films, etc. for programming. Dates- 10/48-12/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- schedules for Wednesday evening and musical programs. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given by L. Cheek, Jury duty lists, consultations, invoices, expense records, agendas, pamphlets, magazine excerpts, Essay- \"The Place Of The Arts In Our American Culture\", by L. Cheek. Dates- 1953 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given by various members of the VMFA staff. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from D. Nicholas. Subject- Procedure and policy concerning VMFA security.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Monthly newsletters on \"Reflections on the Art of Administrative Leadership\", L.H. Kurtz, publisher/editor. Dates- 9/62 - 11/64, 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, P. Near C. Humelsine, F. Brandt and Wm. Gaines. Subject- Art Nouveau Fund: list of purchases, legal document of fund establishment. Artmobile and contemporary Art Purchase Fund. Dates- 5/67 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Possible sources for the purchase and restoration of the Alexander-Withrow House, Lexington, Va. Dates- 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- D. Liebes (color consultant and textile designer) on proposed text for her essay to appear in AIV and her lecture to be given at the VMFA on crafts and the creation of VMFA Craftsperson - residence. Dates- 4/63 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and E. H. Bushbeck (Kress Found.). Subject- Drawings and description of Dr. Reinhardt's gallery in Switzerland. Dates- 2/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and V. Gaskins (asst. to L. Cheek). subject- Planning of VMFA lighting facilities, \"Art Museum Lighting\", 2/59, excerpt from a journal of Electrical construction and Maintenance. Dates- 2/59 - 9/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal of Library-Museum at Lincoln Center. Dates- 2/59 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ralph Linton Collection of African Sculpture. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for loans of furnishings to other state properties. Dates- 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of loans under consideration, loans to ambassador residences in England and Australia. Photographs. Dates- 2/61 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and director of Louvre. Subject- Poussin exhibition at Louvre and VMFA loan of \"Achilles on Skyros\" and Delacroix exhibition, loan of \"Deliverance of Princess Olga\". Dates- 10/59 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lighting Technician, VMFA, 1953-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and C.B. Lusk. Subject- Lighting instruments and technical drawings. Essays- \"Lusklite as developed and used at the VMFA\" and  \"The Installation and Lighting of Exhibitions at VMFA\" Dates- 8/56 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.R. Duncan and Gordon Huff. Subject- Expansion of Lynchburg Arts Center to become an affiliate, loans for opening gala, suggested text for print media, schedule of events, Artmobile, Lynchburg Arts Center Executive officers. Introductions for L. Cheek and W. Robertson, travel itinerary. VMFA lecture series: Building For The Arts 1965-66, pamphlets. Dates- 5/62 - 7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for \"The National Arts Center of New York University at Washington Square\", Exhibition: \"Tastemakers\", based on R. Lynes Book. Official guest list for opening reception. Dates- 10/54 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, L. Cheek, P. Near and F. Haseltine. Subject- Membership, gifts, personnel references, loans, Jamestown Foundation, proposal for commission of sculpture in F\u0026M Plaza. Acquisitions and gifts: Egyptian cups, Coptic sculpture, Bertoia drawing. Dates- 4/61 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Macbeth Galleries. Subject- loans for inaugural exhibition and general correspondence about proposed acquisitions from Macbeth galleries. Dates- 9/35-7/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Orders and correspondence for back issues of Bulletins and magazines, 1946-47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Alessandro Magnasco, Painting 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing and sign schedules, roster of names and institutions. Dates- 1960 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing and events schedules. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near, D. Isley (Norton Simon Collection). Subject- Press releases, shipping, installation, purchase invoice, info regarding owners of the other castings. Photographs and slides. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Paul Manship. Subject- designing the John Barton Payne medal. Dates- 9/36-10/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Robertson. Subject- His Service as a Trustee, Fellow, and chair of Trustee Budget Committee. Biographical info, Artmobile, 25th Anniversary of VMFA, museum business, financial statements, Education In The Arts. Dates- 12/56 - 5/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Long Island Historical Society. Subject- Provenance, purchase through Glasglow Fund. Dates- 12/55 - 1/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resume, photo, agenda, NEA grant request. Dates- 4/65 - 5/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- M. Baldwin Choir Program, Alumnae issue Bulletin concerning visit of Pres. Eisenhower. Invitations, Fine Arts Center, Woodrow Wilson Project. Dates- 2/56 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Julien Binford. Subject- Mary Washington Arts Center, invitations, VMT, loans of art works, newspaper clippings. Dates- 11/49 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gifts to VMFA. Dates- 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. William R. Massie. Subject- Trustee/Museum business, etc. Dates- 12/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture: John Goldsmith Phillips, biographical data, press release and catalog list. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturers: V. Isabelle Miller and Mrs. Yves Henry Buhler. Press release, publicity schedule and photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- floor plan, instructions for installation for exhibition \"Masterpieces of Chinese Art\", printed material for exhibition, thank you notes to lenders to the exhibition, etc. Dates-11/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for the Theatre Director Position. Contains resume and applications, letters of recommendation etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Director of Public Relations for 20th Century Fox. Speaker at the Museum 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Public Information Division VMFA. 1955-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Director of Vassar College Art Gallery, requests for publications, lecture. Term as curatorial research asst. at VMFA. Dates- 9/53 - 6/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dedication of new Library, loans, invitations, VMT, Farewell gift to Mr. and Mrs. Cheeks with poem. Gifts, contributions, G. Melchers memorial. Dates- 2/60 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- General membership information, loans, press release, invoices, newspaper clippings, etc. Art Nouveau Collection. Letter to L. Marden (residence designed by Frank Lloyd Wright). List of Artists editions: prints and objects from Multiples Inc., NYC, price list and description. Artist: Phillip Lindsay, signature. Acquisitions: Monet, van der Helst and Rodin. Dates- 12/69 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and French and Co., Inc. Subject- pieces sold to and installed in the Museum, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal to establish an Institute of Mediterranean Culture at U. of R. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Carroll L.V. Meeks. Subject- thank you notes for visit to New England personal friendly letters, etc. Dates- 4/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, Mrs. Pennell (Membership Secretary) and Mrs. Gari Melchers. Subject- VMFA members in Fredericksburg, postcards, gift to Museum , etc. Dates- 12/35-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Her service on the Executive Committee, Melchers Estate, budget, gift status of \"Dead Jockey\", E. Degas. Contributions, gifts, newspaper clippings, biographical data. Dates- 4/56 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt (Dayton Art Inst.) and Dr. Higgins (Chair of VMFA Board), J.M. Brown. Subject- \"Disposition of Mr. Gari Melcher's Estate Excerpted from Virginia Museum Minutes Books, No.4,5and6\" , prepared by A.W. Statnaker, Asst. Administrator 7/17/74. Resolution, re: \"Belmont As An Art Center And Museum\" and \"Opening Of The Belmont Facility To The Public\" , Executive committee Minutes. Dates- 5/74 - 11/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Melchers estate/bequest to the Museum, agenda and minutes of Gari Melchers Memorial Committee 5/56-10/56, report and proposals of that committee. Dates-5/56-10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- appointments to committee, general operation of Estate, suggested budget, list of Melcher paintings owned by VMFA, loans of art works, drawings/blueprints: G. Melchers Studio air conditioning system and proposed plaque for ashes of Mr. and Mrs. Melcher. \"Belmont Agency Agreement\", Bill to transfer Melchers Memorial from VMFA to Mary Washington college. Dates- 4/56 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- First Chairman of Fellows: 1st Annual Meeting and statement of purpose. Exhibitions: English Painting, French Portraits, Sport and Horse, Artmobile. Old Dominion Foundation and his membership on the Executive Committee, gifts, donations and contributions. Dates- 2/38 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His membership on the Board of Trustees, Fellows, Collectors Circle. Biographical info, loans of art works from his personal collection, donations and gifts to VMFA and the National Gallery, Artmobile, as a recipient of the Benjamin Franklin Award: statement of purpose, nomination form, list of contributions, newspaper clippings, photocopies of magazine articles, invitations , etc. Dates- 1965 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Robertson. Subject- Collectors Circle, Fellows, term as VMFA Vice President. Press releases, newspaper clippings, contributions and gifts. Dates- 4/60 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Members lecture series. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Higgins, Jr. (Pres.) and C. Humelsine (Pres.) Subject- Draft of letter to membership regarding schedule of events etc. Dates- 9/71 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program where paintings from contemporary Virginia artists would be loaned (rented) to members to have in their homes. Members could also purchase the paintings. \"Designed to bring the work of Virginia artists into the homes of Virginia citizens.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Wm. Higgins. Subject- Monthly membership report summary, Chapters/Affiliates reciprocal membership program, letters of general correspondence to the membership. Dates- 4/70 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of the Membership Committee 1/48, 2/49 and a letter supporting the proposed theatre wing from Mrs. Wm. Trigg, Jr.(Civic Theatre Committee, Div. of Recreation, City of Richmond). Dates- 9/47-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Membership report, promotion, agenda, roster of committee members, minutes of committee meeting. Dates-8/72 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes of membership committee, elements of campaign to attract new members and move members to higher categories. Dates- 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Guided tours for prospective members, agendas, schedules, newspaper clippings, excerpt from Minutes of Executive Committee 12/14/72. Dates- 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Webster Rhoads (Pres. of Museum Board) and R.A.Velz (Administrator). Subject- list of new museum members, request form for membership, Membership Reports 1954-5 and 1955-6, list of membership privileges, etc. Dates- 11/55-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. W.A. Nones (Chair, Trustees), J.M. Brown and C. Humelsine. Subject- General membership information, schedule of events, calendar, pamphlets, etc. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership rosters of local organizations, copies of a cover letter soliciting members, etc. Dates- 1/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey results, years of membership, exhibit preference, age, attendance, annual contribution. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- planning stages for corporate memberships, proposed fees, privileges, etc., counsel from other US art museums, list of corporations to be approached about the idea, etc. Dates- 1946- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Corporate membership drives, presentation to J.C.'s, excerpt from Newsweek. Dates- 6/60 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Members art studio classes and lecture series. Dates- 6/54 - 9/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 6/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 9/54-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Velz. Subject- memos regarding segregation and other policies at the Museum. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek and R. Velz. Subject- Miscellaneous information concerning collections in general: treatment/condition reports, insurance, loans, installations, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Miscellaneous museum operation: Artmobile, Art Lending Service, Virginia Artists, lists of objects on loan, exhibitions, damage reports of objects and gallery inspections, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- inter-office memorandums on various subjects. Dates- 12/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek and H. Glasser. Subject- Exhibitions, Pratt Collection, gallery inspections and all manner of museum operations and programs. List of lost objects on loan to the Bon Air School for Girls. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Inter-office memos concerning insurance valuations, loans, lectures, library, exhibitions and policy on filing acquisitions data and damage reports. Date- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets published by the state Department of Mental Hygiene and Hospitals and the Mental Hygiene Society of Virginia. Dates- 1951-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and various staff at the Metropolitan Museum. Subject- museum practices, long-term loans of Egyptian art and artifacts, securing speakers, etc. Dates- 1/55-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J. Rorimer (Dir., MET) and A. Priest (Curator, MET). Subject- Damage to MET's \"Bacchus\", objects to purchase, loan requests. Acquistions and gifts: Tibetan Scroll; Coat of Japanese Mail. Dates- 11/69 - and/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Michael Jacobs Gallery. Subject- loan of painting (George Washington by Gilbert Stuart) for inaugural exhibition. Dates- 6/35-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Midwestern book competition for which Cheek served as a juror, competition judged in Richmond, lists of criteria and books, printed material for the competition, etc. Dates- 4/56-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Jo Mielziner. Subject- friendly letters, mention of possible Mielziner exhibition, etc. Dates- 12/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, list of stage designs available for purchase, his lecture to VMFA, schedules and agenda's, etc. Dates- 10/54 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Miller and Rhoads department store staff. Subject- showing VA artist work in store windows, borrowing supplies from the display department for the Museum (folding chairs, textiles), etc. Dates- 2/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W.S. Rhoads. Subject- Nomination of Miller and Rhoads, Inc. for Esquire magazines 1st annual \"Business in the Arts\" award. Support of Artmobile II. Exhibition: \"Masterpieces in Millinery\", spring 1958. Preliminary outline of fashion costume requirements for VMT \"Lady In The Dark\". Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Speaker: Philip Adams. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. John M. Miller, Jr. Subject- Trustee/Museum business, Miller served as a member of the Membership Committee, etc. Dates- 6/35-7/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mr. J.G. Pollard, Jr. Subject- asking Mr. Milliken (Director of The Cleveland Museum of Art) for counseling on acquisitions, draft of an agreement where Milliken counsels the Museum staff about proposed acquisitions, etc. Dates- 3/58-3/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from B. Mills in his role as Asst. Administrator of Personnel. Subject- Records, applications, payroll, medical insurance, announcements of new employees and terminations. Dates- 9/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and L. Cheek, Jr. and The Mint Museum staff. Subject- museum practices, loans, etc. Dates- 8/46-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- obtaining the motion picture for which the drawings in the exhibition \"Gil Wilson 'Moby Dick'\" were made. Dates- 12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- printed material for exhibition \"Modern German Art\", invitation to Mr.and Mrs. Alfred P. Jenkins for dinner and exhibition preview, (Mr.and Mrs. Jenkins owned the modern German art collection shown). Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Creation of James Monroe Bicentennial Commission. Dates- 8/57 - 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown between MAC. subject- Section 21-2 of the Richmond City Code: designation of Monument Avenue as an Historic District.  Minutes of meeting of MAC, 4/24/71 and 5/19/71.  Program Planning Task Force, editorial broadcast, roster of members, Articles of Incorporation, By-Laws, agendas, proposals and pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and Mr. Charles Moore. Subject- Moore's application for the Director/Producer position in the Virginia Museum Theatre. Dates- 12/56-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data and his lecture tour to the VMFA. Dates- 4/53 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Georgia Watson Morgan. Dates- 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Search for candidates for public information supervisor, job requirements, resume, publicity agendas, public information schedules, Bulletin vol.20, no.3. Dates- 6/59 - 7/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Mulholland (magician), biographical data/pamphlet, his magic presentation to the Fellows and VMT. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, his address to VMFA membership concerning architectural history. Dates- 10/55 - 8/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Munn Last Will and Testament with list of objects bequeathed to VMFA. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and T. Colt. Subject- Mural competition for Virginia State Library entrance hall: selection process, general assembly commission of monument to Stonewall Jackson. Dates- 4/46 - 6/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Envelopes of photos and negatives of Pre-Columbian art objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Gallery attendance and educational groups. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Oct. Bulletin 1954, copies of the following Members' Bulletins-vol.15, no.2 (10/54) and vol.13, no.3 (11/52). Dates-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison. Subject- working papers for Members' Bulletin Oct. 1955, VMFA calendar 10/55, etc. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Oct. Bulletin 1955. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Design of annual Christmas cards by Virginia Artists: John Ballator, Charles Smith, John Canaday, Allan Jones, Ross Abrams, Julien Binford and Prentiss Taylor. Dates- 11/48 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns transportation for the Museum lecturers and guests 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Christison and Mrs. Pollard. Subject- Inquiries from other institutions regarding museum operations, budget, services, corporate membership, Trustees, etc. Lists of purchases, Fellowship recipients. Dates- 1937 - 53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Arrival of Hollins and VCU students to work on specific projects for one month. Dates- 12/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Proposal and tentative plans, prospective filmmakers. Minutes of Executive Committee of Southern Educational Film Production Service. \"Motion Picture Production\": Study by H. Jeff Forbes and Associates regarding promotion of VMFA. Dates- 11/46 - 2/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memos about various museum topics. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, V. D'Amico (Dir. MOMA), M. d' Haroncourt. Subject- Art education standards, exhibitions, loans, lectures, museum policy, juror search and Jamestown Commission. Dates- 11/55 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Head of Administrative Division), Mrs. J.G. Pollard and L. Cheek, Jr. Subject- suggested future organization of the institution, operating procedures throughout the building, etc. Dates-2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding the division of expenses between the theatre and the museum, 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Promotional literature on the VMFA. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Material deals with segregation policies at museum events. 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence pertaining to printing. Bulletin mock-ups and copies of the following bulletins: Vol.6, No.4,  Vol.7, No.'s 2and7. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and magazine articles. Photographs, press releases etc. 1955-57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed budget groupings for VMFA, according to departmental divisions and table of organization. Dates- 1948 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events, timetables, agendas, Robinson House, housekeeping, security, VMT. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of events, exhibitions, Robinson House. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Schedule of events, mailing schedules, spring agenda, Confederation Conference, Robinson House, VMT, gallery closings, Discovery Cruise: Land of Maya. Date- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Suggested talk by Pres. of Museum to guests at Safari Dinner in Medieval Hall. Dates- 1/22/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Travel package for travel to Asia, brochures, cultural travel tours. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Policy regarding loans of art works to other Museums, employment search, provenance of art objects, pamphlets, newspaper clippings, etc. Resolution: To order immediate safe return of German master works after Nazi occupation, signed by U.S. museum directors. Dates- 4/46 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Applicant search for various positions, invitations, announcements, exhibitions, etc. Press kit for the Milwaukee Art Center. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- General correspondence on exhibitions, loan requests, museum business, job placement, magazine and newspaper clippings. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions, loans, policy. Dates- 12/60 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of music series and members of committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- schedule of program of recorded music, announcement of 6th artist evening 1/46, Museum Bulletin Vol.5, No.2, etc. Dates- 2/46-5/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Jerome Myers. Subject- acquisition of his painting: Street Scene, N.Y., his acceptance to the National Exhibition of American Art, N.Y., etc. Dates- 4/36-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- General correspondence to Trustees and membership, letters to Robert Neutra, exhibitions: Henry Moore, Sport and Horse. Agendas, travel itinerary, events and invitations. \"Encouragement of the Nations Arts\", an appeal to congress, and \"Proposed Federal Advisory Council on the Arts\", Hon. H. Alexander Smith, U.S. Government Printing office, Washington D.C., 3/26/57. Requests for employment, postcards, pamphlets and photographs. Artists: Jean Nikolic. Accessions and Gifts: \"Disasters of War\", Goya; \"Lore Fuller\", Raoul Francois Lanke; \"Dancing Girl With Tambourine\", A. Leonard; \"La Revre Blanche\", Toulouse Lautrec; Revere and John Andrew spoons and vase possibly made by Johannes Loetz Witwe. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Namuth's exhibit of photographs at the Brussels World's Fair, as a juror VMFA. List of Seventeen painters photographed by Namuth: Wm. Baziotes, J. Boynton, L. Calgagno, N. Carone, R. Diebenkorn, J. Ernst, S. Gechtoff, G. Hartigan, E. Kelly, W. Kienbusch, G. Mueller, K. Morris, B. Perlin, C. Marca-Relli, R. Motherwell, A. Reinhardt, L. Siegriest, with original notes by Namuth. Letter from J. Ernst with signature. Date 4/61 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statement of purpose and future of NCA, Board of Directors, Members of Council, fellowships, program grant application. Essay- \"National Endowment For The Arts Before The House Appropriations Subcommittee On The Interior And Related Agencies Tuesday, March 14,1972\", statement by Nancy Hanks (Chair): \"New Dimensions For The Arts: 1971-1972\" Dates- 1970-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L Cheek. Subject- Bill: S. 2379, To provide for the establishment of National Council on the Arts and National Arts Foundation. \"Congressional Record: Proceedings and Debates of the 88th Congress\" Dates- 2/64 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Public-Law 85-874, S. 3335: charted by the 85th Congress to establish a bureau in the Smithsonian Institution devoted to the Performing Arts. \"Peaceful Use Of Creative Energy\": transcript of lecture given by Col. Corrin Strong at the Tri State Arts Conference 4/29/61; Report: \"The National Cultural Center Part Two: What Goes into the Center\" by Dr. Carelton Sprague Smith, 10/60. Minutes for the NCC Executive Board: 5/23/60 and 6/29/60 Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. cheek. Subject- VMFA Council sponsorship of a closed circuit telecast by NCC: \"An American Pageant Of The Arts\". Suggested text of publicity folder, invitations, Newsletter: \"Footlight\", vol.1 no.3.; \"For A Cultural Capital\", Eleanor Roosevelt, 1962, United Feature Syndicate, Inc. NCC, later to be named the \"Kennedy Center For Performing Arts\". Dates- 7/62 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exchange of ideas and experience with other institutions who use audiovisual tool to communicate with museum visitors. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of appeal to serve on Virginia NEFTA committee, roster of members. VMFA appointed as the state agency for the administration of Federal matching funds; to aid in expanding the cultural horizons of a states and territories. \"Guidelines\" 1/67, NEA, Washington D.C.; \"National Foundation On The Arts And The Humanities, Question and Answers\", U.S. Government, Washington D.C., 1965. Dates- 1965 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey of membership, officers of VMFA, according to race, gender, age, position and time served. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz. Subject- Grant proposals, application, letters of support, proposal for a Regional Conservation Center, Soldiers Home, American Marine Painting, NEA statement of purpose, Museums A.S.A. Study, Museum Program guidelines, Smithsonian Puppet Theatre, Young Peoples Theatre Safari, \"American Painting 1974\" and newsletter from the Arts Reporting Service. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Financial assistance to Chamber Music Societies, season brochures, project grant application form for Va. Chamber Music Society. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Grants received by Arts/Cultural organizations in Virginia: guidelines, program committee members, agendas and minutes from the program sub- committee 3/7/68. NEFTA project recommendations for a regional conservation center. Dates- 6/76 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT survey, McLean Arts Center, guidelines for program grants. Senate Joint Resolution No. 67: to create a Virginia development study commission, bill 1483: National Foundation on the Arts and Humanities Act of 1965 and a report with guidelines for VMFA as the sole administrator of NEFTA matching grants. Study for Virginia Artist and Craftsman in regard to education and support. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Grant applications from Virginia Dance Society, VMFA, Confederation of Virginia Art Organizations and Budget proposals. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- State guidelines and general information, terms and conditions, NEA matching grant to begin statewide professional operation of VMT. Addresses of applicants for state grants, roster of Virginia NEFTA committee members. Dates- 2/66 - 6/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Regarding J.M. Brown's service on committee to evaluate grant applications. Valentine Museum NEA application, pamphlets. Date- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for exhibition \"Designer-Craftsmen 1953\" presented in conjunction with the American Craftsmen's Educational Council, Inc., (ACEC), letters to jurors, etc. Dates- 9/52-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and National Gallery of Art. Subject- preview invitations, exchange publications, excerpts from Roosevelt Art Address (from dedication of National Gallery 3/41), loan request for VMFA inaugural exhibition, etc. Dates- 3/41-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets and information about \"National Park and Recreation Week\" sponsored in Richmond 5/21-5/30, 1949. Dates- 4/49-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Geographical directory, \"Historic Preservation\" journal, vol.11, no.3, 1959 and Melchers Memorial. Dates- 1959 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Organization membership information form, questionnaire. NTHP certificate of associate membership 1971-73, employment placement and service pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Travel itineraries, objects for prospective traveling exhibitions, list of slides, forgeries and thefts. Accession and acquisition proposals. Dates- 1/61 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Conservation of objects/paintings, loans. Accessions committee meeting agenda, 10/69. Report on Authenticity of \"Marble Head of a Horse\", Heermaneck Ancient Iranian Collection. Exhibitors: The child and his World. Condition reports and repair estimates for tapestries. Photographs Dates- 12/69 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Sydney Lewis and Peter Mooz. Subject- Authenticity of Cycladic Harpist and 18th century American secretary. Provenances of various objects, conservation and treatment reports. Catalog: \"Arshille Gorky\" Dates- 1/74 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Sydney and Frances Lewis and Peter Mooz. Subject- Conservation/treatment reports, Artnian Collection of self-portraits. Conservation/treatment reports, Kent Independence Portfolio. List of Art Nouveau objects, damage reports, African Collection. Report of authenticity regarding the Cycladic \"Harpist\". Letter from Arnaldo Pomodoro regarding a base for \"Rotating Sphere\". Dates- 5/75 - 8/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Hours of operation, VMFA and other museums, attendance records, VMT, security, UNESCO newsletters 4/58 - 8/59, newspapers and magazine clippings, press releases. Dates- 7/59 - 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cheek's annual N.Y. cocktail party: guest lists, arrangements, rosters of speakers to VMFA: 1951-52 and 1952-53. Dates- 1952 - 54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newsletter to Trustees concerning exhibitions and appointments to Executive Board, accessions, building, etc. Dates- 11/70 - 8/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Morrison (P.R. VMFA), F. Palmer (P.R. consultant), D. McCammond (P.R. Reynolds Metals). Subject- Public Relations of E. Newsom and Co. to conduct a study to determine the needs and potential of VMFA. Program organization, community relations, film, book press material, schedules of events, etc. Dates- 8/58 - 9/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- A survey targeting the needs, current and future of VMFA, with solutions/resolutions for every aspect of the museums' operation. Dates- 11/58 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. A. I. duPont and F. Palmer. Subject- Roster of members of Board of Trustees, letter of appeal for pledges, principal elements of Newsom Program. Dates- 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. A.I. duPont (chair, Ann. fund). Subject- Strategy to raise funds through the Trustees to finance the Newsom Public Relation Firm program for VMFA. Drafts of letters to Trustees, progress report, minutes of 25th Anniversary Committee, 9/8/59. Dates- 12/58 - 7/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- all manner of museum operation: security, policy and procedure, personnel policy. operating budget and VMT. Diagrams of electronic console panel. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Museum business, construction and installation project schedules, budget, Equal Opportunity regulations, design contract for the Council shop, salary scales. Dates- 10/73 - 1/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum business, Conservation Lab, Fine Arts insurance coverage, budgets, Cabell Foundation gift. \"Report on the Freedom of Information Act\". Depreciation of \"Death of Regulus\", Salvatore Rosa. Dates- 12/74 - 7/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum business and operations, budget, contractual agreement between VMFA and Harwicke Associates, Inc. for North Wing project. \"Organization of the Virginia State Government\". Dates- 10/75 - 11/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- UVA architect and his membership in the Collectors Circle. Dates- 1/63 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General assistant to VMT, employment recommendation. Dates- 6/55 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Possible acquisitions from his gallery. Dates- 10/62 - 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L Cheek and J.M. Brown. Subject- Loans, exhibitions, VMT, Rotunda Club, Fellows. Accessions and gifts: \"Metamorphosis\", Grillo. Dates- 4/57 - 6/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- correspondence with individuals, institutions and companies beginning with the letter \"O\". Dates- 4/43-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, photo and job description/responsibilities as program director for \"Art Column\". Dates- 3/61 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- As a scenic design consultant, his lecture to VMT in connection with the Exhibition: \"Design For The Theatre\". College Drama Festival, biographical data. Dates- 1/60 - 2/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Mellon, E. Brooks Jr., and M. Bush. Subject- Financial support: Artmobile II, building grant and museum survey to expand visitors use to VMFA. Photographs, newspaper clippings. \"A Study in Modern Giving: The Old Dominion Foundation\", reprinted from articles in Richmond News Leader. \"Bollenger Series\", catalogue of special edition books. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Bush (Asst. to Pres. of ODF) and P. Mellon (Pres. of ODF). Subject- Financial assistance to VMFA, Artmobile II, collectors circle, and Old Dominion Foundation statement of purpose. Dates- 9/58 11/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Dan Olney. Subject- receiving a Senior Fellowship 1941/2, outline for a lecture, etc. Dates- 10/40-6/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Governor Thomas B. Stanley. Subject- opening of the new wing. Dates- 8/54-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- opening and reception for Governor Stanley. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitations and replies to the opening of the Members' Suite, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opera Society's first season. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- miscellaneous printed materials for the Museum, etc. Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- tickets to the Museum for State Lions' Club convention, etc. Dates- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- ideas/proposals for \"Members' Room\", suggested operating procedures, menus, pricing, etc., cost estimates, \"Refreshment Room Statement\" 1955, etc. Dates- 1/55-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre operations proposals, list of staff, their duties and salaries, etc. Dates- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- lists of statewide business, civic, commercial and other organizations, invitation list for General Assembly/Governor's reception, etc. Dates- 1953-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Orloff's (Chief-interpreter of U.N.) lecture to VMFA concerning the Faberge Collection, Biographical data. Dates- 11/49 - 4/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of inquiry to firms specializing in plaster and wood ornament, catalogs. Dates- 5/54 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- museum practices especially concerning finances of other US art museums, etc. Dates- 4/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Near and J.M. Brown. Subject- Artmobile, VMT, Collector's Circle, Fellows, Chapters/Affiliates, biographical data, campaign to restore the Jefferson Hotel, list of exhibitions from 1942 - 45.  International Exhibition Foundation, the appointment of John A. Pope (Director of Freer Gallery) as advisor/consultant to VMFA for expansion of Far Eastern Collections.  Acquisitions and gifts. Artists: Nell Blaine, Howard Kanovitz, Otto Piene. Gifts: Masson lithograph, Irving Penn photo and 15 Russian 19th century paintings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Painter's lecture on \"Armor and Medieval Man\" to compliment the \"Arms and Armor\" exhibition, biographical data. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Nelson Parker. Subject- announcement of Board meetings, etc., Date- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Appeal to Virginia Senate and legislature regarding sufficient museum parking utilizing land belonging to the UDC (United Daughters of the Confederacy). Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gift of Egyptian Gallery and English Decorative Arts Gallery. VMT, and her membership as a Fellow and in collector's circle. Dates- 4/61 - 10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. J.G. Pollard and Executive Committee of the Board. Subject- proposal and planning stages of conferring an honorary degree of \"Patron of the Arts\". Dates- 6/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject-housing J.B. Payne books in library of the College of William and Mary in exchange for paintings from their collection of art for display at the Museum. Dates- 1/50-4/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek's service on the Board of Trustees and on the Advisory Board of the School of the Arts. Minutes of U. of P. Executive Board, 4/8/60, 4/29/63, 4/26/65 and Annual Report of Graduate School of Fine Arts, 3/64, 5/65. Dates- 10/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek as chair of Fine Arts Committee. Subject- Letter to P. Coombs on his appointment as Assistant Secretary of State for Educational and Cultural affairs, UNESCO newsletter, Nubian archeological sites. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and A. Frankfurter (editor, Art News). Subject- VMFA general collection, list of gifts and purchases, 1955-67, scope of exhibitions, dates, publications, colorplates. List of VMFA Board of Trustees, 1962, Gobelin Tapestries. Dates- 1953 -64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Articles based on exhibitions and general collection of VMFA, VMT, invoices, newspaper clippings, pamphlets, reviews, newsletters. NEA museum programs, research education grants. Dates- 1967 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Articles of VMFA: \"A Spring View of Virginia Museum\", 10/56, Wm. Lacey, Editor; \"Art isn't Caviar at this Museum\", Sidney Shalett, 7/57, The Diplomat. Dates- 10/56 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Articles and editorials pertaining to VMFA: Newsweek, Time, Art Gallery, Antiques, Museum News , etc. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Harper's Bazaar, New York Magazine, Apollo, reviews. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Editors V. Dabney (RTD) and J. Kilpatrik (RNL). Subject- Artmobile, reviews of VMT and media coverage by print journalists, newspaper clippings. Essay- \"The Arts In The Sixties\", by L. Cheek. Dates- 11/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and F. Stewart and C. Jones. Subject- Exhibitions: \"Form Givers\", Sport and Horse\" and Mellon Collection. Dates- 2/60 - 12/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information on candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Job descriptions. Dates- 1953 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, P. Near and L. Cheek. Subject- Fellowships: list of recipients from 1940 - 1955. Prospective employees and VMT. Dates- 12/54 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- personnel rules and procedures of VMFA and the Commonwealth of VA, mandates from the Governor's office, additional personnel and pay increase requests, Roster Cards (listings of all employees and pay rates), etc. Dates- 8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., and R.A.Velz (Administrator). Subject- listing of division duties, proposed salary ranges, information about hiring an artmobile driver-curator, etc. Dates- 2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of L. Cheek, Mrs. J.G. Pollard, theatre staff, Ariel Ballif, Vincent Bowditch, Arthur Ballet, R. Velz and P. Near. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Personnel matters. Dates- 4/66 - 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains general information about the system and ratings for museum employees. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about the candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about various candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Governor's personnel survey staff. Subject- employment questionnaire, job descriptions (buildings and grounds staff, watchman, registrar, secretary, etc.), etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Governor's personnel survey staff. Subject- employment questionnaire, VMFA tentative classification of positions (3/37). Dates- 10/36-4/37.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Fiske Kimball (Director of Penn. Museum of Art). Subject- loans for VMFA inaugural exhibition, exchange publications, counsel on museum practices, etc. Dates- 5/35-5/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R.L. Dickinson (Hanover Bank). Subject- The Library of Philanthropic Information at the Hanover Bank, New York City. Dates- 11/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- E. Turpin Phillips, a Virginia citizen and his request to see proposal plans for expanded museum parking onto UDC property. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Consultant for VMFA acquisitions. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Duncan Phillips (Director, Phillips Memorial Gallery). Subject- request for loans to VMFA inaugural exhibition, etc. Dates- 9/35-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Installation of VMFA photography department, list of equipment and supplies, employment of staff photographer: Gordon Burns. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of entries to the \"19th Photographic Salon\" exhibition, schedule for jurors, etc. Dates- 3/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) and L. Cheek, Jr. Subject- purchase requests for photographs. Dates- 10/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Ivan Dimitri as Director of Photography in the Fine Arts at the Brussels World's Fair, his service on the advisory committee, list of photographs given to VMFA from the PFA exhibition. Directors of America's Finest Museums: portraits, credo of on art and their personal selection of photographs from the PFA archives was the subject of the World's Fair exhibition. Etching by Levon West (Ivan Dimitri). Dates- 12/59 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Atillio Piccirilli. Subject- biographical information, loans of work to the Museum, etc. Dates- 7/35-1/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- viewing the feature film 'Pictura \"An Adventure in Art\"', invitations, contributions, listing of attendance, etc. Dates- 2/52-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Herman Starr (Pres. Pictura Corp). Subject- A group of films devoted to the fine arts. Presentation of \"Leonardo da Vinci\" at Richmond's Lee Art Theatre and film on Goya to accompany exhibition. Dates- 1/51 - 3/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Gallery dinner, menu, agenda, program for event. Dates- 8/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- policies on use of meeting rooms and studios, special food service, interpretative services, scheduling programs, etc. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence to and from him when he was President of the Board of Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- the VMFA inaugural exhibition, Museum events, finances, Museum Board business and bequests/gifts to the Museum, etc. Dates- 1/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- Museum operations, investments, finances and gifts to the Museum, etc. Dates- 1/37-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as President, Trustee and membership in the Collector's Circle. Biographical data, museum business: operating fund, Artmobile, Newsom Report, 25th Anniversary fund, Melchers Estate transfer, gifts, contributions, Fellowship Fund. Exhibitions: Sport and Horse. Dates- 9/53 - 2/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as a Trustee, VMFA Resident Craftsman Program. Dates- 2/64 - 2/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Design of members Bulletin, records retirement, museum business. Dates- 1949, 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum business, Pratt installation, museum courses and equipment. Dates- 9/54 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Gift of \"Rotating Sphere\" from Lloyd Noland. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- As founder and director of the Barter Theatre, proposed plans for Theatre Virginia and NEA funding. Dates- 4/67 - 5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and Mr. David Payne. Subject- correspondence with Payne about arranging the exhibition \"Portraits by David Payne\", biographical information, letter from Phillip Johnson, etc. Dates- 5/51-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, L. Cheek, Priscilla Crum (Curator, Asst. in Education). Subject- Gallery representing portrait artists, biographical data on various artists and portrait of Senator Byrd. Photographs. Dates- 6/45 - 11/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statewide tribute to John Powell (a native of Virginia) and the presentation of his \"Symphony in A\". Date- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Correspondence with Pratt as a trustee. Discuss first Easter egg exhibition in 1949 and Hammer visit. Letter from Schaffer (A La Vieille Russie) in 1949 about lending some pieces for an exhibition. Includes a few letters from Mrs. Pratt before she died, about a Faberge table donation in 1942 and donating \"Twice Seven\" to the Library. Establishment of the Fellowship fund, including letter from Twombly as early recipient. Pratt Collection: insurance estimates and installation. Gift of funds to purchase the first Artmobile from Pratt and Miller and Rhoads. Dates- 7/40 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, Fellowship committee, underwriting of Faberge booklet, terra-cotta statue of \"Diana\" from the Pratt Estate given to VMFA, newspaper clippings. \"A Plan For Fellowships For Virginia Artists\" as suggested by Mr. John Lee Pratt. Minutes from Fellowship Committee meeting, 6/12/42. Dates- 12/49 - 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. John Lee Pratt. Subject- Trustee/Museum business, VMFA fellowship updates, etc. Dates- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown. Subject- Biographical data, fellowship recipients: Cynthia Morehead Smith, Paul Steuke, June Chapman, Fred Bonds, Richard Kevorkian and Reginia Perry. Pratt Collection: catalogue, except from forward by L. Cheek, questionnaire regarding Mrs. Pratt's initial contact/purchase sources for Russian Jewels, list of objects bequeathed by Pratt Estate. Dates- 1/57 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposals and cost estimates for Healy's Sitters exhibition and Pratt collection catalogues. Dates- 4/50-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek, Armand Hammer (Hammer Gallery) and Alexander Schaffer (La Vielle Russie Gallery). Subject- Legal claim against the Romanoff Family assets via the Pratt Collection of Russian Jewels. Possible lawsuit by A.G. Sharkey, President and Trustee of Marine Transport Service Corporation in NY who had judgment against Czar Nicholas Romanoff since 1918. Hammer and Schaffer dismissed it. Details of Pratt bequest, provenance of objects, announcement of bequest with sample of text to be used in pamphlet. Excerpt from \"Twice Seven\", by H. C. Bainbridge, E. P. Dutton and Co. Inc., 1934 (reference to Faberge Jewels owned by Armand Hammer). Dates- 8/47 - 10/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. J. G. Pollard. Subject- Installation, list of items on exhibition, security and transportation. List of objects in the collection of Mrs. Joseph E. Davies and pamphlets. Correspondence regarding various showings around the state - Roanoke in 1950 and Norfolk in 1951. Dates- 1/49 - 4/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from C. Humelsine. Subject- General correspondence to the VMFA membership, calendar of events, museum news. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to the media from the Museum. Subject- news releases about Museum events. Dates- 10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News releases about Museum events. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- positions and duties for volunteers and guards during an undisclosed preview. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Gov. Price. Subject-proposed salary increases, Board meeting announcements, nomination of Colt to select work to go to the Annual Exhibition of American Art 1938. Dates- 1/38-11/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- On the occasion of his being collector of the Year 1964, his cookbook including photographs of VMFA and the menu from the Collectors Gala, newspaper clippings. Gifts: Lachaise drawing. Dates- 6/63 - 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Grigaut and P. Near. Subject- A. Priest as Metropolitan Curator of Far Eastern Art, his service as a consultant to VMFA (1963-69) in the formation of the Asian collections. Correspondence on examination and provenance of works in the VMFA. Minutes of Executive Committee, 9/9/63, 12/8/64, minutes of Accessions Committee Meeting, 9/9/63. \"A Buddhist Paradise\", A. Priest, AIV, 1963. Newspaper clippings, postcards, etc. Dates- 1963 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) and Mrs. J.G. Pollard. Subject- printing schedules for 1956, miscellaneous print job specs, etc. Dates- 11/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- asking local corporations to fund the printing of school guide sheets for the Museum. Dates- 8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence pertaining to bulletin layouts, copies of Members Bulletin Vol.9, No.'s 1and7 and copies of Christmas cards 1948-9, etc.. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum publications: Contemporary Paintings 1946, Program Season of 1947-8, The VMFA Annual Report 1947-8, Virginia Art 1947 and Museum Bulletins: Vol.3 No.'s 1,2,4,6and9,  Vol.4, No.'s 4and5,  Vol.7, No.'s1,2,3,4,5,6,7,8and9,  Vol.1, No.8,  Vol.8, No.'s 2,3,4,5,6,7,8and9,  Vol.9, No.'s 1,4,5,6and8. Dates-9/42-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- securing a speaker (Robert T. Paine) for the exhibition \"Prints by Hiroshige\", thank you note to Mr. Paine, etc. Dates- 11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed programming for the Museum. Dates- 2/49-9/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and lecturers. Subject- proposed program/events and exhibition schedule, biographical information on lecturers, etc. Dates- 10/50-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- Artmobile schedules, Three-Days-In-March, members travel, grants, pamphlets. \"Proposal For The Development Of American Writers And Resources With Special Emphasis On The Production Of New Forms Of Drama Created Especially For Television\"; The Mark Report\": A survey and evaluation of VMFA statewide programs. Dates- 1974 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safaris, Artist-in-Residence, lectures. Film series: \"The Romantic Rebellion\", exhibitions, COVA events, agendas, Professional Workshop. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Nancy Durett. Subject- violin recital 4/47. Dates- 4/46-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- memos to determine dates for the Trust Fund Orchestra to perform at the Museum. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- VMFA educational services, VMT and all manner of print and broadcast media promotion. Exhibitions, publicity schedules, press releases and newspaper clippings. Dates- 9/50 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General invitation to groups to participate in VMT. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Prospective givers: foundations and individuals. Date- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newsom Report: \"A Report To The Virginia Museum Of Fine Arts\", 11/19/58, Earl Newsom and Company, a study of VMFA public relations, information and communications responsibilities. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Various outside publications mentioning VMFA, 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Design and production of AIV: promotion, organization, printing schedules, contributors , etc. Catalogue \"Architectural Drawings in Virginia\" and \"\"Confessions of an Ex- Elitist\", M.W. Fishwick, Popular Culture Association, American Studies Institute, Lincoln University. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photo of the Museum and of the \"Brussels Tapestry Exhibition\" 1949, Museum publications: VMFA Catalog of Paintings 1938, The Collection of Catesby T. Jones, 1948, and the following VMFA Members' Bulletins: vol.10, no.'s 1-5, etc. Dates- 1938-1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- copies of the following publications: The VMFA Annual Report 1947-8, The T. Catesby Jones Collection, Contemporary American Paintings 1948, William James Hubbard, Three Virginians Behl, Hunter, Blaine, Portrait Panorama, Program Season of 1947-8 and Member's Bulletins: Vol.1, No.8, Vol.8, No.'s 2,3,4,5,6,7,8and9. Dates- 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release, jurors. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the Parsons gift of the Egyptian Gallery and 25th Anniversary Fund Committee. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations to the VMFA's 25th birthday celebration for the affiliates, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release announcing loan of Chinese wine vessel. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 25th Anniversary projects, press release: message from the President (Robertson). Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Appeal to Trustees for contributions to the Drama Festival.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: 28th Virginia Artists Rotating Exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing a network of local art centers and museums affiliated with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VMFA as regional jury center for the national exhibition \"Designer-Craftsmen-U.S.A.\", news releases, information on obtaining a jury and a speaker, etc. Dates-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Va. Architects, Photographers and Designers, seminar for Historical Administrators, VMT and Virginia Composers Concert. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release and photo for first issue of AIV. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release on Arts in Virginia. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains a cover letter for a mailing, no date. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing 25th anniversary events, exhibitions, VMT, etc. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing conclusion of 25th anniversary celebration with the presentation of awards to Colonial Williamsburg, The Old Dominion Foundation, sculptor: Carl Milles, architect: Eero Saarinen, collector\" Robert Lehman and Naval designer: William F. Gibbs for their outstanding contributions to the Arts in Virginia. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- obtaining the exhibition \"Built in the U.S.A.\", presenting programs related to the exhibition, biographical information on Phillip Johnson, etc. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photo of \"Little Triton\" fountain for the Bulletin, copy of Members' Bulletin vol.15, no.1(9/54), etc. Dates- 9/53-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Members' Bulletin. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Members' Bulletin, calendar of Museum events. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vol. 13 no.'s 1-9, 1952-5/53; vol. 17 no. 8, 2/57; vol. f19 no.'s 7 and 8, 3/59 - 4/59. Biographical data on Iren Marik, pianist, and reviews. Dates-1952 -53, 1957, 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vol. 20 no.'s 4-6, 12/59-2/60 Dates- 12/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases: Tours organized through Virginia Federation of Women's Clubs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases: season opening production and call for volunteers. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Extended performances of VMT's \"Carousel\". Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Bus trips to VMT. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of certificate winners and a gallery guide from the \"Virginia Artists\" exhibition 1955. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Portions of VMT concert to be broadcast with commentary and explanations of technique. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Programs and photographs. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Information regarding the Museum's chapters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photographs [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing festival with guest artists: Helen Tamris and Daniel Nagrin. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Critic, Stella Adler, Speaker: Alfred de Liagre. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- TV news film of highlights of the College Drama Festival, script, telegrams and surveys to Virginia TV stations concerning air time and usage. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Announcement of individual participants announcing their attendance in the festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loan of Cone collection from the Baltimore Museum of Art to VMFA for an exhibition, a catalogue of the Cone collection, news release about the  bequest of the collection to the Baltimore Museum of Art, etc. Dates- 10/49-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Public information schedule for exhibition: \"The Architecture of Skidmore, Owings and Merrill\", \"The Little International\". Artmobile public and information schedule and Bulletin, vol. 19, no.2 10/58. Essay- The Little International Exhibition\", Fred Olsen, 4/57. Dates- 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills, reviews and biographical data.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- list of designers proposed for inclusion in the exhibition \"Design for Theatre\", tentative list, etc. Dates- 8/52-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing loan of painting by Winslow Homer. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Evaluation of the Discovery Television Series sponsored by the San Francisco Museum of Art. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Statewide Press Release announcing fellowships 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press Releases regarding fellowships 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills and posters. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Buckminister Fuller. Subject- Exhibition of the work of 13 leading architects, opening lecture given by Buckminister Fuller, list of catalog content, gallery talk, press release, invitations and biographical data. Photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing formation of a fundraising committee for the 25th anniversary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions: \"Drawings From Five Centuries From The Cooper Union Museum\", \"Hans Moller\", \"Is Photography An Art\", \"Sport and the Horse\", \"25th Anniversary\". Parsons gift of the Egyptian Gallery, Chamber Music Society, Virginia Artists, evening hours, speakers/lecturers, Virginia Art Alliance, state services, Fellowships, Search for a female collector with a collection of Imperial robes. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases announcing exhibition of contemporary glass. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions: Skidmore, Owings and Merrill (AIA for Reynolds Building), publicity, progress report on exhibition arrangements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Ivan Dmitri. Subject- Symposium on photography conducted by Dmitri with a panel composed of: A. Hyatt Mayor (MET) and Hilton Kramer (Arts Magazine). List of paintings and photograph comparisons and press releases. Photographs. Dates- 10/59 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Status report of the Broadway production. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about the loan exhibition. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Speaker 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: History of Lynchburg Center published in the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Brief film on masterpieces of American silver, script and outline for the 25th anniversary program. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains press releases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains layout and planning for the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of the moving of art objects, installations, physical plant and behind-the-scene workshops and people.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Editorial Writers, agenda, and guest speakers, exhibitions, events, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Ms. Nemone Balfour. Subject- a ballad concert given by Balfour sponsored by the Museum, new release, printed material, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: R. Neutra lecture in coordinate with his VMFA exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitations to grand opening of the 10/54 VMFA addition. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the Norfolk Museum affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Bus tour and photograph. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of galleries. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing gift of marble statue \"Dawn of Young Womanhood\", Oronzio Maldrelli from Miller and Rhoads Department Store. Press releases from: Mariners Museum, National Gallery, Henry Ford Museum, Walker Art Center and the MOMA. Dates- 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: purchase of Patronship by Richmond businesses for season tickets to VMT.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- radio transcripts and publicity releases. Dates- 1948-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases, publicity schedule 6/26- 7/22. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 5/56-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 4/51-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 1952- 5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases for various museum events: theatre, exhibitions, films, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Affiliation announcement of the Roanoke Fine Arts Center 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the loan of \"The Ecstasy of St. Francis\" by Carravaggio. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release announcing the acquisition of a rare funeral monument from 2nd century B.C. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Advertising copy and selection of artist to draw a cartoon. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release for VMT promotion. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing special schedule to accommodate bus trip from out of town. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity schedule and advertising copy. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- scheduling a speaker (Bernard V. Bothmer) to coincide with the exhibition \"Smith's Egypt\", photo and biographical information about Bothmer, etc. Dates- 6/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition and Publication information regarding \"Sport and the Horse.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- News Releases regarding newspaper column 1960. The column was carried in 50 Virginia newspapers as 42 weekly articles by Cheek. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Syndicated column written by Cheek as part of a promotion for the Museum's 25th anniversary. Contains a mailing schedule for the column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Return forms from newspaper publishers regarding column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Promotional letter for newspaper column. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast script for performance promotion. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from G. Friddell (Public Information Director). Subject- controversial nature of the \"American Painting 1950\" exhibition, James Johnson Sweeney was the juror for this exhibition, Sweeney biographical information, News Releases, exchange/gift publications of the catalogue to this exhibition, etc. Dates- 1/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast script promoting 25th anniversary year. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 25th Anniversary, broadcast scripts, VMT and list of Virginia and Washington TV stations. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast promotion script. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release with performance information  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release for VMT promotion. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release concerning a 25th birthday year magazine, the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Tours arranged by Virginia Federation of Women's Club in 6 Virginia towns to see VMT production of \"Carousel\" Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews of show. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Introductory speeches. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"The Tempest\", \"The Mad Woman of Challiot\", \"Berkeley Square\", \"I Remember Moma\", \"Noah\", \"Blind Alley\", \"The Devils Disciple\", \"High Tor\", \"Oh Wilderness\", \"Private Lives\", \"The Petrified Forest\" and \"Victoria Regina\". Dates- 1955 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Assigned design projects and newspaper clippings. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- National broadcasts focusing on topics of national interest, VMFA requests for financial assistance to host a \"Meeting\", pamphlets and photograph. Dates- 1953 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Aubrey Bodine and Gordon Bunshaft, biographical data, Competition promotion, preliminary text for official entry forms, press release. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- list of pieces included in the \"Virginia Artists 1953\" exhibition, list of purchases made from the exhibition, information on the jury and on purchase prizes, letter from Jacques Lipchitz, etc. Dates- 12/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about the exhibitions and photographs of the artists and their works. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Jurors: Richard Lippold, Isabel Bishop and Perry Rathbone. Press release announcing event.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Eighteenth annual exhibition held at the Museum and sponsored by the Camera Club of Richmond. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- fountains that flank the Museum's front entrance. Dates- 9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photo of conservation lab, gift and exhibition of the Williams collection of art at VMFA, announcements to and articles in major art publications about the gift of the Williams collection. Dates- 3/52-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition \"The American Cartoon\", original American cartoons from the collection of Mr. Art Wood, invitations and R.S.V.P.'s to exhibition preview, photos of some of the pieces of cartoon art, etc. Dates- 5/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Wm. Quillan Jr. (President of Randolph Macon Women's College). Subject- Loan of Randolph-Macon's collection of paintings. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Isobel C. Lee (Steuben Glass). Subject- Loan from Queen Elizabeth, installation, lighting and press-release. Dates- 7/10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, AAM, Jamestown Foundation, loans, Accession, gifts, biographical data and resumes. Exhibition: Randolph Macon Collection. Letter from Richard Rogers to lecture to VMT, Reston Foundation: Minutes of the Executive Meeting, 9/12/60. Dates- 9/60, 5/62 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Loans, contributions, acquisitions, exhibitions and Africa Gallery. Dates- 1/68 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to W. C. Cottrell (Elec. Corp.). Subject- Proposal and technical information for Audio-Guide radio-lecture, pamphlets, blueprints/plans of galleries. Dates- 5/72 - 8/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Priscilla Crum and M. Christison. Subject- Broadcast of Biennial Jury, notes from WMBG broadcast, 12/6/46, \"What Is Your Art Museum\", participants: Priscilla Crum (Curator of Education), Edward Davis III (Curator of Decorative Arts) Mrs. J.G. Pollard and T. Colt. Notes from WLEE broadcast, \"Know Your Museum\": a weekly series with guests from the local arts community and \"For Parents Only\": a children's radio program. Dates- 2/46 - 11/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- radio talk shows and transcripts. Dates- 12/37-9/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr.and Mrs. Robert C. Randolph. Subject- the loan of a portrait of Wm. Henry Harrison by Rembrandt Peale to the Museum for the inaugural exhibition and an additional later loan. Dates- 9/35-11/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek and Mary F. Williams. Subject- The service of Beatrice Von Keller as VMFA Acting Director during Colt's military duty. Biographical data, Randolph-Macon Collection including the acquisition of the Bliss Collection. Dates- 7/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Hours of operation, policy, menu. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Frank Rehn Gallery. Subject- loan of paintings to inaugural exhibition of VMFA and later proposed acquisitions from the Frank Rehn Gallery, etc. Dates- 9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Artist from West Virginia: application and recommendation for a Rosenwald Fellowship by T. Colt. Dates- 6/49 - 10/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rennolds' service as a Trustee and entertainment committee. List of objects in the home of her mother, Mrs. John Kerr Branch, that may be of use to the VMFA. Dates- 1/53 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Policy and requests for rental of museum meeting rooms. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for state/federal funding for the creation of the \"Latrobe Theatre\" (never built), a professional theatre organization. The design of the Theatre was based on plans by the 19th century architect Latrobe. \"The Virginia Museum Theatre\", statement of facts in relation to charges appearing in the Richmond Times - Dispatch, 10/13/66. Subject- 8/65 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of requests and general correspondence. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, Edward Kallop and L. Cheek. Subject- Inquiries concerning specific artists, objects, valuations, conservation/restoration, etc. Dates- 6/56 - 6/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek served on the Board of the Reston Foundation Community Program, includes roster of board members. Dates- 11/10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to the Executive Director of the Reston Fund. Subject- L. Cheek's membership on the Board, and proposals for development of the Reston Community, low-cost housing, maps, agendas, Reston architects, Minutes of Annual Meeting- Reston Community Foundation,12/15/64, 4/25/65, 11/12/67, 4/8/68. Dates- 6/65 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMFA membership and letter of condolences to the Reynolds family. Dates-10/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. cheek. Subject- R. J. Reynolds service as Chair of VMFA promotion and development committee. suggested organization agenda for the meeting of the Public Relations Development Committee, to further the advancement of VMFA. Contributions, invitations and photographs. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"R.S. Reynolds Memorial Award\", awarded annually to the architect or group of architects who make the most significant contribution to the use of aluminum, aesthetically or structurally, in the building field. Theodore Rozak chosen to commission the first sculpture. Dates- 5/58 - 11/6 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Miss Katherine Rhoads. Subject- a bequest to the Museum. Dates- 5/35-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from G. Martin (Secretary of VMFA). Subject- Rhoads Medal awarded to persons who have made a notable contribution to Art in Virginia; list of recipient, excerpts from the Minutes of the Executive Board, 5/25/69/. Biographical data on Concetta Scaravaglione, designer of medal. Medal awarded to Walter Spencer Robertson. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence to and from Rhoads as Vice-president Board of Trustees. Dates- 1934-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contributions to a purchase fund in his memory. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek, Mrs. J.G. Pollard and P. Mellon. Subject- Museum business, exhibitions. Pratt Estate, John Barton Payne Endowment, Resolutions in memory of Judge Payne, resignation of Colt, Fellowships. List of employees and job descriptions. List of Benefactors, Patrons and Life members, Board of Trustees, Rockefeller Foundation, segregation, contributions, gifts and accessions, including Mellon. Dates- 11/40 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W. Robertson, Mrs. J.G. Pollard and W.S. Rhoads. Subject- General letter to membership from the President (W.S. Rhoads), Webster S. Rhoads Medal, Artmobile III and South Wing. Dates- 1951 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General Museum Business, VMT, policy regarding expense accounts and museum entertaining. Dates- 5/57 - 11/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitation list, invoice for cocktail party honoring W.S. Rhoads. Dates- 5/8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Westwood Winfree (Pres. RAA). Subject- Winfree's participation in the Virginia Rotating Exhibition and other events. Requests for restructuring of jurying procedure. \"Reasons For Suggesting A State-Wide Artists Study Committee To Be Sponsored By The Virginia Museum Of Fine Arts\". Dates- 2/56 - 9/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Richmond Chamber Music Society programming seasons: 1950-1, 1951-2, 1952-3, 1953-4 and 1954-5, membership rosters 1951-2 and 1954-5, etc. Dates- 10/50-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed policy for relations between VMFA and Richmond Chamber Music Society (conducting events there), listing of Society members, etc. Dates- 1/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- To increase Jaycees interest and support of VMFA. List of member organizations. Certificate to L. Cheek as a member of the \"Civil War Centennial Committee\", Minutes from the \"Society of Architectural Historians,1/30/58. The presentation of the \"Distinguished Service Award\" to L. Cheek. Dates- 11/60 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Disturbances in area of Westmoreland Place (Cheek residence), Cheek's Anniversary Party. Presentation of Canal Locks to Mayor M.M. Crowe. Dates- 2/64 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Field trips taken to the museum by schools throughout the state, 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Broadening cultural horizons in Richmond, proposal for Civic Center in downtown Richmond and the necessary steps for improvement of downtown, editorials, newspaper clippings. \"Plight Of Museums Is Very Real\", L.J. Ahlander, 11/25/65, Washington Post, \"Activities Center Study For The City Of Richmond\", Wm. A. Briggs A.I.A. and B.R. Johns A.I.A., Associated Architects, 8/1/64, \"Modern Living\", 11/6/64, Time and \"Are Most cities Too Ugly To Save\", 11/30/64, U.S. News and World Report, Inc. Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains financial statements for the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- proposed relationship of The Richmond Film Society with the Museum (use of Museum facilities), Film Society programs 1951-2, 1952-3, 1953-4, 1954-5 and 1955-6, etc. Dates- 6/50-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of compliment to editors and journalists of Virginia periodicals regarding VMFA. Dates- 7/58 - 19/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Priscilla Crum, T. Colt, L. Cheek and M. Christison, Theresa Pollack, H.H. Hibbs and Mrs. J.G. Pollard. Subject- Exhibitions and musical programs. Dates- 9/45 - 11/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, J. Schaeffer (General Manager, RSL) Subject- Opening performance and concert dates. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gala opening event of Artmobile. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Willock (Exec, Dir.). Subject- Renewal of Affiliate members. Dates- 1961 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Charter proposal for a Roanoke museum and minutes from the Roanoke Fine Arts Committee. Dates- 12/47 - 9/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Special building committee, draft of letters from Affiliates/Chapters in support of VMFA expansion to be sent to the House Appropriations Committee , members of the Senate and members of the State Finance Committee. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and E. Will (Pres.). Subject- Purchase of \"St. John the Baptist\", Rodin, in memory of W.S. Robertson. Dates-2/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile proposal, museum business, exhibitions: \"George Stevens Makes A Film\". Fellows organizing campaign, selected list of paintings in VMFA permanent collection. Rosters: Members of commission of State Capital and Outlays and Means of Financing; VMFA Executive Officers and committee's. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter from the President to the membership (W. Robertson), grant proposal for North Wing architectural plans.  List of objects needed for VMFA collections.  Rejection of the north facade by the Arts Commission.  Schedule of events, newspaper clippings.  \"Connoisseur's Comments\", guided VMFA tours narrated by world-famed collectors, critics and curators.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- letter of interest in erecting a monument to Bill Robinson. Dates- 12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rockefellers' membership in the Fellows and their subsequent donation to aid in the Drama Development program. Dates- 1955 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Charles Fahs (Dir. Rockefeller Foundation), W.S. Rhoads. Subject- Proposal for the formation of VMT with initial funding from the Foundation, \"Charter for the Rockefeller Foundation\": Statement of purpose and methods of operation. Dates- 1/50-12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Roman Bronze Works Inc. Subject- casting busts of Gov. Pollard and Judge Payne and casting other figurative groups. Dates- 9/35-1/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of authentication. Dates- 4/60 - 8/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Addresses made by F.D. Roosevelt upon the opening of the Museum of Modern Art. Dates- 6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Matilda McCord Roper (Mrs. George W. Roper). Subject- donations. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, expansion of VMFA print collection, The Alverthorpe Collection, loans of prints. Dates- 8/65 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA as recipient of a rose garden by the Garden of the Patriots. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- M. Ross as VMFA advisor, on retainer, for Byzantine and Medieval acquisitions. the Heeramanecks and Hunt Collections. Dates- 9/65 - 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data and brief history of Rothschild family. List of paintings in VMFA from Rothschild Collection. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Text and pamphlet for the opening of the Melchers Room. Photographs. Dates- 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Edward B. Rowan. Subject- mural competition for post offices in Petersburg, Hopewell and Richmond. Colt acted as chairman for a regional committee to carry out this competition for the Procurement Division, Public Works Branch of the Treasury Department, etc. Dates- 3/30. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- securing a speaker (Mr. Everett Parker Lesley, Jr.), obtaining a transparency from Time magazine of one of the Museum's eggs, etc. Dates- 3/53-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- General correspondence to Trustees regarding Museum business and events. Photographs and slides. Date- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- General correspondence regarding loans, acquisitions and invitations. Dates- 1/62 - 11/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Eero Saarinen. Subject- Aline Saarinen broadcast on the VMT Shakespeare Preview. Drawing. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition: \"Master Drawings\", with lecture by Paul Sachs. Theft of Degas drawing on loan to VMFA from the Fogg. List of London and Paris art dealers. Dates- 5/51 - 6/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- letters from other U.S. Art Museums about staff salaries and Curator's Report activities from the 1st season 1/16-5/24 1936. Dates- 1936- 7/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for purchase of cases from the Greek Gold exhibition. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Form letters: members, advertisements, donors, other institutions regarding loans, lectures and publication requests, etc. Dates- 1967 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuels gift of building for the Front Royal Library. Loan and cleaning of \"View Near Oxford\" by Richard Wilson. Dates- 4/52 - 9/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- 10th Miller and Rhoads Women's Forum; invitation to Philip Johnson to serve as a speaker. Biographical data on James Parton and Max Abromovitz. Dates- 8/51 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Hans van Weeren-Griek. and Concetta Scaravaglione. Subject- exhibition of her work and insurance of a piece that was damaged. Dates- 9/40-7/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events and mailing schedules. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events and mailing schedules, Paul Taylor Dance Tour, Safari-Dinner, agendas, etc. Dates- 7/70 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Appraisal of an agate cup belonging to Mrs. Paul Mellon as a work of art, for the Customs Commissioner. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- war-time high school art exhibition held at Miller and Rhoads department store, list of hostess for this event. Dates- 1943-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Invitations and general correspondence regarding the opening's of new art centers/buildings of various institutions, anniversary celebration, National Presentation Broadcast of Artmobile. Dates- 9/60 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.G. Pollard. Subject- Loan of items in his Collection to VMFA and his service as Vice-President. Exhibitions: American Contemporary Prints and Sport and Horse. Melcher Estate, accessions and acquisitions, list of gifts to VMFA. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Scott, Horner and Mason, Inc. Investment Securities in Lynchburg, VA. Subject- possible investments by VMFA, financing the new wing and the possibility of matching a Public Works Administration grant. Dates- 5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Seay collection of Decorative Objects, list of objects in Seay home. Dates- 1/39 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and letters to and from Leslie Cheek. Dates- 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Service reports on traveling exhibits. Dates- 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about slide loans. Dates- 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum Services. Correspondence regarding loans 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Houdon statue of Washington on loan to VMFA, insurance valuation. Seymour's lecture on \"Houdon in America\" and panel discussion on contemporary sculpture. Opinions on dating and provenance of VMFA objects. Dates- 5/50 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Shalett's articles on the VMFA for the \"Saturday Evening Post\" and \"The Diplomat\" Dates- 8/56 - 10/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, letters of invitation to VMFA events, College Drama Festival. Melchers Estate: \"The Last Supper\", newspaper clippings and postcards. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Virginia Film Society, Dance Tour, VMT: job descriptions, Table of Organization, staff hours, Theatre Associates and Annual Theatre Train. Date- 4/66 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Agenda and events for Entertainment Committee, loan of Col. Anderson bequest items. Dates- 1/59 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and E. Shiflet (Sec. of Education). Subject- budget, museum business, financial profile, role of office of Education and pamphlets. Executive Order #20 and #21: Reassignment of VMFA to the Office of Education. Dates- 8/72 - 12/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dealer in antique English silver and his gift to VMFA of a silver teapot. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT, juror search, biographical data, exhibition catalogues, loans of art work, accessions, gifts and general museum business. Dates- 1956 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- General correspondence, exhibitions, requests for publications, pamphlets, invitations, exhibition catalogues, A.D. and W.C. Williams Trust Fund. Photographs. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- paperwork authorizing R.A.Velz and W.J. Rhodes to sign vouchers and checks, list of Virginia Museum Theatre expenditures 1956-7. Dates- 2/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Blank stationary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- excerpts from Virginia Architecture exhibition catalogue, miscellaneous correspondence about catalogue,  etc. Dates- 11/58-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- compliments on exhibition \"Architecture in Virginia\", thank you notes to the Museum about exchange/gift publications of exhibition catalogue-Architecture in Virginia 1776-1958: The Old Dominion's Twelve Best Buildings, etc. Dates- 9/58-4/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- biographical information on various 20th century architects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- G. Smith (architect, writer and photographer), biographical data, and his collection of Travel Posters. Newspaper and magazine clippings, invitations. Application for Fulbright grant. Dates- 2/52 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Her membership on Executive Board, donation and contributions. Dates- 5/51 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Marrow Stuart Smith, Virginia artist, correspondence with museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of alumnae in Virginia. Dates- 9/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Christison, and Mrs. J.A. Pope (International Traveling Exhibition Service). Subject- Exhibition: \"Swedish Textiles Today\": catalogue, pamphlet. Brussels World's Fair, U.S. Pavilion. Catalogue of Traveling Exhibitions for 1961-62. Dates- 4/53 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- S.A.H Directors meeting in Richmond, formation and organization of a Virginia chapter: agendas, lists of prospective members, directors of S.A.H., minutes from S.A.H. meeting. Dates- 12/52 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Meeting agendas, Architects Virginia Tour, preservation of the National Capitol, Shirley Plantation, landmarks in danger. Proposal to coordinate the activities of the SAH with AIA and the National Trust for Historic Preservation in the field of Historic Buildings Preservation. SAH: Minutes of Executive Board, 10/26/57, 5/17/58, 10/18/58, Treasurers Report, 1/58-4/58, Newsletters. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lists: Fellows, Staff and Board of Trustees. Invoices, receipts and newspaper clippings. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Dinner schedule, agenda and pamphlet. Dates- 5/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Confirmation for Dinner event and agenda. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fall meeting to be held at VMFA, conference agenda, mailing list and pamphlets. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Meeting agendas, events schedules, attendance rosters, officers, newsletters, registration forms. Report of SEMC '72 meeting, \"SEMC Notes\", no. 1, 1974 and no.1, 1975. Dates- 1972 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- printed material for exhibition \"Southern Exposures\", the following essays: \"Coming of Age of Photography\", \"Down the First Century of Photography with George and Heutis Cook\", \"Concerning the Cook Collection and Its Recovery of the Epos of the Attic\", etc.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Williamsburg International Assembly Speakers, biographical data: Edward Downes, Charles Seymor, Harris Prior and Arthur Drexler. Dates- 1951 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Gaines. Subject- Biographical data of speakers: C.V. Donovan and Joseph Curtis Sloane. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- printed material for the opening for prospective members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safari Theatre Dinners, loan exhibition previews, maintenance. Dates- 1967 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Essay- \"The Art Museum As A Community Center\", by L. Cheek. Pamphlets, newspaper and magazine clippings of other museum programs. Date- 1961 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- early interest and planning of the exhibition \"Sport and the Horse\", etc. Dates- 5/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Frederick Robinson (Dir., SMFA). Subject- SMFA exhibition of Virginia Artists. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions, security, general operations and museum business. Employee policy, regulations, salaries, etc. Dates- 1962 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General Museum operation, exhibitions, publicity evaluation, landscaping of Confederate Chapel, loan exhibition previews. Dates- 1963 - 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Employee policy/regulations, programs division, collection divisions, staff information and table of organization for Theatre Arts Committee. Newspaper clippings and salaries. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Suggested structure of staff organization and salary scales. Dates- 2/54 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA By-Laws 1958 and 1959, income sources, proposed improved operations plan. Salary information from the Smithsonian Institution. Job description for Assistant Administrator. Date 1959 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Head of Collections Division and Education Supervisor, Program Division. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Business meeting and reception regarding architectural improvements, gifts and loans to the State Department reception rooms. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- reception for General Assembly Wives. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Service reports for loans of exhibits, films and slides. Dates- 1951-1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for information regarding circulating visual materials 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member requests for exhibitions 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member requests for exhibitions 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member Requests for gallery visits and lectures 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Out of state inquiries about Museum services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Out of state inquiries about Museum services 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of prospective organizations for using extension services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for circulating visual materials and exhibitions 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General Correspondence Traveling Exhibitions 1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains statement for addenda to the Governor's report concerning the VMFA.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Saul Steinberg. Subject- exhibition of Steinberg's work and lecture by Steinberg, etc. Dates- 8/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening of new auditorium, purchase of pianos and price lists. Program for the Chamber Music Society, newsletters from Steinway and Co. , 4/55-6/55. Dates- 4/55 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Philip N. Stern, Chairman of the Art Commission, Commonwealth of Virginia. Subject- Art Commission meetings, funds for museum equipment, funding from the Public Works Administration, architectural exhibition, etc. Dates- 7/35-10/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Steuben correspondence with the VMFA, 1938-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Ten Talents In the American Theatre\", Ed. David Stevens; \"Theatre For Art's Sake\" by L. Cheek. Proposal to the Rockefeller Foundation for financial support of VMT. Dates- 12/49 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Her gift of \"La Signora in Biege\", Lazzaro Donati. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, preliminary design program for South Wing Addition, letters to other museums regarding design, security and general building functions. Dates- 1948-49, 1962-63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Jas. N. Trevillian (Secretary). Subject- Conductor of the New York Philharmonic Orchestra, concert at the VMFA and program. Dates- 1947 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA and Gordon E. Strause, 1935-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Strause and various Museum staff. Subject- exhibition of his collection at the Museum, written complaints by Mr. Strause, Strause is named 1st honorary benefactor of the Museum by the Board of Trustees. Dates- 3/36-5/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J. G. Pollard, T. Colt and L. Cheek. Subject- Lewis S. Strauss, founder of the Albert Einstein Award (for achievement in Natural Sciences). Chairman of the Atomic Energy Commission, his service on the VMFA Finance and Membership committees. Letter of Henry Anderson regarding discussion with Paul Mellon and VMFA expansion potential. Newspaper and magazines clippings, Artmobile, gifts and contributions. Dates- 1945 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Fellows: theatre Orientation, general meetings, prospective Fellows, report of the Fellows 5/3/67. Date- 1965-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- As a Trustee and member of the development committee. Contributions. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Mr. William A. Stuart. Subject- Trustee/Museum business, etc. Dates- 7/51-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Julia Sully to the Museum. Subject- Virginia Art Index. Dates- 1935-48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and J. McGee (Sunrise, Pres.). Subject- \"Sunrise\", Charleston Cultural complex, budget analysis, roster of Executive Board, Annual Report, 1971, pamphlets. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt and L. Cheek. Subject- Early correspondence concerning museum services, statement of purpose, Pratt Bequest, exhibitions and requests for publications. Dates- 7/45 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General correspondence, request for publications, employment, Fellows, Russian Loan Bill, gifts, contributions, biographical data. Dates- 6/56 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Museum business, loans of art works, list of objects for long term loan, zoning ordinance. Paul Tishman Collection, Troubs Collection of Russian miniatures. Provenance of St. John the Baptist, Rodin. Pamphlets, brochures and press releases. Dates- 2/70 - 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. J.G. Pollard, M. Christison, John Canaday and Maurice Bonds. Subject- Informal discussion series on art, artists and technique. Topics: Lithography, sculpture, restoration, art history etc. Includes biographical data on lecturers and exhibitions. Excerpt from \"American Silversmiths and Their Marks II\", by Stephen G.C. Ensko. Dates- 9/48 - 3/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding Mrs. A.I. duPont's gift of tapestries to the VMFA and a subsequent exhibition, 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding taxes on honorariums, admissions and rental space, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA series of weekly TV programs, list of suggested topics, program guests, resource information from other Institutions, film rentals, television presentation of the 25th Anniversary and minutes of the Mayor's Committee on Educational Television, 11/11/53. Dates- 3/54 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- The development of a public television station to be shared by educational institutions. TV question and answer scripts and newspaper clippings. Dates- 1/49 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings. Dates- 1961-62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Salary scales, job openings at VMT, applicants, referrals, biographical data, financial statements, staff tors and guest speakers. Dates- 3/58 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Thalhimer. Subject- Biographical data, production, general theatre administration and Ford Foundation Fellowship Grant. Dates- 5/58 - 7/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Basil Langton. Subject- Langton's service as VMT guest director of \"The Tempest\", in celebration of the Jamestown Festival; program and procurement of professional actors. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Thalhimer Jr. Subject- Exhibit: \"Habiliments for Heroines\" underwritten by Thalhimers, VMT: \"Lady in the Dark\", Lorren Aldrich Collection. Catalogue: \"The Helena Rubenstein, Princess Gourelli Collection\", Deluca, Editore Roma, June 1953. Dates- 11/51 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as a Trustee and Chair of the Theatre Arts Committee on theatre and Television, museum business, salary scales, general operation of VMT, budget, income, newspaper clippings. Contributions and gifts. Dates- 6/52 - 3/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Underwriting of Mediterranean court, plants and flowers. Gift of Sandwich glass. Dates- 5/55 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Thayer's service as special assistant to the Secretary of State for Cultural Affairs. Biographical data, UNESCO, ICOM, International traveling Exhibitions, placement of American works of art in United States Embassies. Dates- 5/59 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committee Minutes 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committee minutes, agendas and programs, box office grosses etc. Letter from Paul Mellon. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Establishment of a theatre Collection by Louise Branch of drawings, scenery and costumes. Dates- 2/59 - 3/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Thalhimer. Subject- Proposal for costume ball. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Morale and general organization of the VMT Associates, proposed speakers, newsletter and roster of VMT Associates. Dates- 4/57 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and William Morrison. Subject- taped readings by Henry Fonda, Lee Remick and Olivia deHavilland on the anniversary celebration. Reviews and letters to other film stars. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safari-Dinner agenda and setup. Dates- 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reviews, gift of Dan River Mills fabrics for costumes. Programs: \"Streetcar Named Desire\", \"School For Wives\", \"Camelot\" and \"The Odd Couple\". Dates- 1967 - 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- reviews, letters of compliment. Program: \"the Royal Hunt of the Sun\" Dates- 1968 -69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and staff hours. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Report of Acoustical Analysis for Auditorium of Virginia Museum Theatre\" Dates- 9/1950 and 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Review, performance production. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Theatre-designer: salary and letters of recommendation. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMT, Dance, Film and Chamber Music Societies: financial statements, salaries, budgets, production costs, income records, purchase of stage equipment and suggested future of organization. Dates- 2/54 - 12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- bus tours from Virginia towns for Theatre evenings, sponsors by Virginia Federation of Women's Clubs, newspaper clippings. \"The Virginia Club Woman\", vol. XXXII no. I 8/55. Dates- 1/59 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chairman of Yale Drama Dept., his service as consultant to VMT, budget suggestions for proposed VMT, various drama activities, playbill, budgets from other University Drama departments. Dates- 1/56 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program, letters of disagreement between directors and actors. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The first annual event, critic and counselors: Virginia Freeman, Meriam Rosen, Dan Wagoner, Patricia Wityle. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Valerie Gettis as guest speaker/artist. Dates- 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Invitations to college Presidents. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Alan Schnieder, Speaker: Jo Mielziner. The 1st College Drama Festival, guest lists and exhibition of Jo Mielziner's theatre designs. Newsletter. Dates- 8/56 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Harold Clurman, Speaker: Norris Houghton. Events schedule and program. Dates- 4/57 - 2/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Norris Houghton, Speaker: John Gassner. Event agenda/program, brochures. Dates- 4/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Henry Hewes, Speaker: Marc Connelly, reception, production procedure, etc. Newsletter 2/60 Dates- 10/59 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Stella Adler and Speaker: Alfred de Ligre, Jr. Event schedule, festival speaker, program, biographical data, reviews. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Event agenda, scheduling, program and newspaper clippings. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Robert Lewis, Speaker: Edward Albee. Event agenda/program, brochure, pamphlet, etc. Dates- 10/56 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Original drama by John C. Collison, VMT Premiere. \"New Play in Virginia\", Wm. Morrison, Encore vol.6 ,no.5 Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and L. Cheek. Subject- Reorganization of Museum Theatre 1972-73, budget and summary of proposals. Additions to VMFA statutes and By-Laws. Theatre Committee annual Report 6/30/67. Dates- 5/67 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contributions, minutes of Theatre Patron Campaign Committee. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- theatre Arts Committee Executive Meeting minutes 6/30/70 and 7/6/70, Rosters for various Executive committee's of VMFA. Reviews and pamphlets. Dates- 9/69 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- HEW grant to produce and circulate throughout Virginia a play during 67-68 season, suggested dramas. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions: \"Gibson Collection of Contemporary Italian Art\", \"Contemporary Japanese Art\", \"Ten Reynolds Sculptures\". Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, A.H. Ballet and Robert Telford. Subject- General VMT business, schedule of events, scenic design, reviews, performance, staff policy/procedure, ticket prices, season subscriptions, etc. Dates- 1955 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- College Drama Festival, Dance Society and Chamber Music Society. Performance programs, events schedules, guest director contract, pamphlets and contributions. Dates- 1959 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- General Theatre Business, contractual agreements, events schedules, Richmond Film Society, College Drama Festival, financial statements, theatre reviews and job applicants. Dates- 5/61 - 9/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- theatre openings, job descriptions, applicants, hours. Dates- 12/62 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT, Vignettes tour, general estimate of costs, Drama, Dance and Music programs.  \"Virginia Report For State Arts Agency Individual Projects July 1, 1966- June 30,1967\" and \"Performing Arts in Virginia Education\" an introductory survey. Dates- 1966 -68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Budgets, financial summary, events schedules, newsletters, etc. Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Season events, programming, budget and revenue, newsletters, list of season subscribers and press kit for the Mummers Theatre, Oklahoma City, Oklahoma. \"Constitution of the Virginia Museum Theatre Associates\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Theatre business, budgets, salaries, production schedules, invitations, program design, contracts, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters to and from VMT subscribers, program for \"Purlie\". Proposals for summer season productions, opening night telegrams. Dates- 1974 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Operating expense appropriation, \"VMT Sound System Report\", and synopsis of No Title play of the life of Lord Byron by Romulus Linney (later titled \"Childe Byron\"). Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Reviews. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Keith Fowler. Subject- Reviews, production calendar and letters of compliments. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Event underwritten by the Weeden Foundation. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of invitation, remarks after preview. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Programs. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Payment for use of two geese. Program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Financial report and program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Program, reviews, letters of complaint from theatre patrons regarding play content. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program, search for guest director. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Review, program and editorials. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Letters of complaint and approval from theatre patrons. Dates- 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List of series underwriters, proposal for music lecture series conducted by Dr. John White. Dates- 10/58 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Patron financial support and proposal for a Sunday lecture series: \" The Eager Listener\". Dates- 9/59 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Harpist: Nicanor Zableta, brochures of concert series sponsored by other museums and galleries. Dates- 1/50 - 1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program Dates- 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Morton Thalhimer. Subject- General letters to theatre subscribers, brief outline of the five scheduled plays and descriptions of the major characters. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Playbills, magazine and newspaper clippings of performances in theatres other than VMT. Dates- 12/54 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews and programs for \"Separate Tables\", \"The Skin Of Your Teeth\", \"Ondine\", \"Kiss Me Kate\" and \"The Kids\". Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Rehearsal schedules, invitations, programs: \"Life With Mother\", \"The Limbo Kid\", \"Pygmalian\" and \"The Brothers Karamazov\". Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews, letter/telegrams of compliment. Programs: \"Teahouse of the August Moon\", \"The Woman from Colchis\", \"Hall of Mirrors\", \"Caesar and Cleopatra\" and \"The Most Happy Fella\". Dates- 1962 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reviews, letters and telegrams of compliment. Program: \"A Thousand Clowns\". Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Robert Telford. Subject- Reviews, letters/telegrams of compliment. Programs: \"The Admiral Crichton\", \"Hedda Gabler\". \"Tartuffe\" and \"No Time For Sergeants\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews, letters/telegrams of compliment. Programs: \"The Comedy of Errors\", \"The Visit\" and \"Fanny\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters/telegrams of compliment. Programs: \"Androcles and The Lion\", \"The Miracle Worker\". Contributions from Dan River Mills. Photographs. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Reviews, letters/telegrams of compliment, opening night gala, Safari Theatre/Dinners. Programs: \"The Glass Menagerie\", \"Once In A Lifetime\", \"Julius Caesar\", \"Blithe Spirit\" and \"Three Penny Opera\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Reviews and Letters/telegrams of compliment. Programs: \"Charley's Aunt\", \"The Sorrows of Frederick The Great\", \"Uncle Vanya\", \"Twelfth Night, On What You Will\" and \"the Man Who Lost the River\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Timetable, production schedules, Safari theatre Dinners, programs and reviews. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters to former subscribers seeking financial assistance for the upcoming season. Photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letter/telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- VMFA By- Laws 1972, Minutes of Theatre Arts Committee 10/21/71, agendas, budget and cost estimates. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Programming, policy for relations to the VMFA, contractual agreements, events schedules, promotion plans and financial statements, programs and brochures. Executive board meetings: 7/57, 11/57, 2/58, 4/58, 5/58. Dates- 4/56 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters and contributions from Chamber Music Society Patrons. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for the formation of the Dance Society, guest list, officers, policy regarding the Dance Society's relationship to the VMFA. Minutes of Executive Board, 5/11/56, 6/12/57, 7/57, 12/57. Receipt and attendance records, contributions, programs, pamphlets and guest performers. Dates- 5/56 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters and contributions from patrons of Dance Society. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Rockefeller grant to the museum to develop theatre and a program in drama, 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Kay Rockefeller. Subject- Traveling exhibition troupe for children's theatre: financial statement and invitations. Dates- 9/57 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program for \"Rossum's Universal Robots\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT designated seating area according to race, and letters of protest in support of Dr. Mary Elizabeth Johnson. Dates- 1/56 - 5/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letters/telegrams of compliment. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Robert Telford and Morton Thalhimer. Subject- Attendance records, publicity program and biographical data. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters and telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cost estimate, theatre needs and improvements. Date- 12/56 - 7/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sample survey, list of Chapter/Affiliate communities. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Morton Thalhimer and Robert Telford. Subject- Theatre Arts Committee agenda, VMT proposals for: director, administrator, production and apprentices. Date- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"The Gallows Man\", limited performance schedule, invitations. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Events program, list of composers represented. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cancelled, considered distasteful for VMT audience. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letters, telegrams of compliment. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- AAMD conference, theft of Roualt drawing from Toronto Gallery, requests for publications. Dates- 5/50 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains reports concerning slide sets and film strips distributed throughout the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fashion designer to lecture on fashion from 1752 to 1952 for the exhibition: \"Habiliments for Heroines\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- New York World's Fair, newspaper and magazine clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His election to VMFA Board, museum business. Dates- 5/51 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings of Governor Tuck. Dates- 12/49 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, Tunnard's expertise on city planning. Virginia Town Case Study Group: \"Problems of Planning in the Small Southern Town\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Severance of affiliation to the VMFA. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artist for VMFA Christmas card. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt and Wm. Gaines. Subject- Seminar to expose students and teachers to the function and operation of VMFA, agenda, program procedure, etc. Dates- 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Questionnaire from UCLA Graduate School of Management and the College of Fine Arts on the priorities related to the Arts, pamphlets. \"U.S. Information Agency-Its Task in World Affairs\". Date- 4/51 - 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Annual Meeting Minutes, travel authorization, organization news, pamphlets, general UNESCO business. Dates- 10/46 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Conference topic: Aid to South American Museums, project development, UNESCO Annual Report, Report of Program Committee. The Voice of America, Forum Lectures with transcript of by L. Cheek of \"The Art Museum As A Community Center\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for loans of slides from South American Museums for L. Cheek's presentation to Denver conference, list of South American Museums. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening of UDC new building. Resolution concerning accessibility to members of UDC, invitations. Dates- 6/57 - 12/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence, reports, minutes. Expansion of local service. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Charitable organizations that have received UGF monies and fund raising campaign. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The Air Force Memorial Center: statement of purpose, design, personnel requirements, building program, Minutes of U.S. Air Force Fine Art Committee 6/58 and 12/60, \"Proposal For The USAF Memorial Education Center\", travel vouchers and floor plan for the Academy Museum (Planetarium). Slides. Dates- 2/57-4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Edward R. Murrow as Director, merging of the People-to People Program (organization of museum professional) with the USIA. Newspaper clippings. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Forum Series\": International Broadcast, lecture series. Essay- \"the Art Museum As A Community Center\" by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- UNESCO Action to safeguard Nubian monuments due to the construction of the Aswan Dam. Roster of Honorary Committee, International Action Committee, United Arab Committee, Executive Board Minutes. Dates- 4/60 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Virginia State Employees U.S. Savings Bond campaign, handbook for canvassers, meeting agendas and progress reports. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Col. H.W. Fitzroy. Subject- Coordinating agency between institutions and other cultural, educational and scientific agencies in Virginia through a lecture series of visiting scholars. Dates- 9/54 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Bayly Art Museum and the McIntire School of Fine Arts at the University of Virginia. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Lecturers and AIV contributors, loans of objects, fellowships. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and T. Colt. Subject- UVA Museum loan of objects and lecture tours, fellowships. List of prints on loan to VMFA from Catesby estate and list of Lurcat Tapestries. Dates- 8/47 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Museum business, Artmobile, VMT, requests for loans, contributions and gifts. Reference to photos of ancient Greek sculpture, architecture and landscape views, invitations, pamphlets and postcards. Dates- 10/58 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains the schedules for staff vacations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Hans van Weeren-Griek, curator of Education at the VMFA. Dates- 1940-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Report regarding vandalism and misconduct: soaping of the fountains and damage to shrubs. Dates- 11/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Velz' service as VMFA Head of promotion, civilian and military experience record, newspaper clippings and Melchers Estate. Dates- 1949 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains general correspondence of Velz, Associate Director of VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Status of tax deduction, recommendations for event, invitations and dance card. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 9the Annual Viennese Ball sponsored by the Council: Ball Committee, agenda, decoration, invitations, etc. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- Virginia Art Alliance By-Laws, program and minutes of VAA meeting 1945, Report of the Trustees of Richmond Academy of Arts 1933, correspondence with other members of VAA, etc. Dates- 1933-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- program for annual meeting 1941, blank ballots labeled \"Board of Trustees Ballots\", statement of need for a state Supervisor of Fine Arts Education. Dates- 4/40-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- reports of activities of organization members 1942-3, correspondence with organization members-no annual meeting held this year due to World War II, etc. Dates- 3/43-5/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcement, agenda and program for annual meeting 1944, correspondence with organization members, election of officers/trustees, etc. Dates- 3/44-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting minutes ('49), listing and certification of delegates to VAA annual convention ('49), listing of the VAA Board of Trustees ('49), etc. Dates- 1948-49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes from meetings and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Miss Helen C. Rose (Virginia Art Alliance President). Subject- correspondence with member organizations, etc. Dates- 3/58-8/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- minutes of Trustees meeting and annual meeting 1959, roster of officers and Trustees, program for annual meeting 1960, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of Va. Art Alliance). Subject- announcement, replies agenda and program for annual meeting of (1936) the VAA Trustees, listing of organizational members to VAA, certification forms for delegates to the VAA annual convention (1936), etc. Dates- 5/35-5/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension VMFA, Secretary of VA. Art Alliance). Subject- announcements, program and report for VAA annual meeting 1937, resolution changing the organization of the VAA (consolidating its function with that of the VMFA), certification of delegates to VAA annual meeting 1937, etc. Dates- 4/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept., Secretary of VA, Art Alliance). Subject- VAA annual meeting announcement and program (1938), certification for delegates to VAA annual convention 1938, correspondence with member organizations about the reorganization of the VAA (consolidating its function with that of the VMFA), etc. Dates- 2/38-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance). Subject- announcements and program for VAA annual meeting 1939, certification of delegates to the VAA annual convention 1939, letter from Gayle to the State Board of Education supporting the appointment of a state supervisor of art, etc. Dates- 3/39-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1940, correspondence with member organizations, nomination of trustees, certification of delegates to annual convention 1940, etc. Dates- 3/39-5/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1941, report of the VAA 1940-1, listing of organization members, By-Laws of VAA 1934, correspondence with trustees, etc. Dates- 3/41-4/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- program for annual meeting 1942, roster of member organizations, reports from member organizations, Annual Report of the VAA 1941-2, listing of VAA lectures in 1941, Museum Bulletin (VMFA) vol.2, no.6, 1942etc. Dates- 3/42-4/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcements, program and minutes for annual meeting 1944, reports of member organizations 1944, certification of delegates to annual convention 1944, listing of Board resolutions during war time, roster of member organizations, etc. Dates- 4/44-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA Art Alliance). Subject- announcements, program and minutes for annual meeting 1945, roster of trustees and nominating committee, reports of member organizations, certification of delegates to annual convention 1945, etc. Dates- 3/45-2/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945, announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945,announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting program ('46 and'47) and minutes ('46), list of members ('47), certification of delegates to annual VAA convention ('47), Reports of art activities around the state, etc. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance)and M.B. Christison (Curator of Education). Subject- copies of 1947 resolution about art display areas in public buildings, minutes of annual meeting 1947, announcements and program for annual meeting 1948, roster of member organizations 1948, correspondence about securing guest speakers for VAA annual convention 1948, certification of delegates to annual convention 1949, etc. Dates- 7/45-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- membership roster ('48), list of trustees ('48), announcement, minutes and attendance to annual meeting ('48), summary of panel discussion about art education in Va. schools, statement of VAA purposes and objectives, etc. Dates- 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- minutes of the Virginia Art Alliance meeting ('47 and'48), Board meeting announcement and attendance, program of annual meeting ('48), list of suggested nominees to the VAA Board ('48), etc. Dates- 1947-8.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- annual reports of activities made by VAA members. Dates- 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual meeting 1955. Correspondence, resolutions and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence, minutes and agendas. Form letter announcing annual meeting 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes, agenda and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcement and minutes of Fall Meeting 1957, correspondence with member organizations, etc. Dates- 11/57-12/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Meeting held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1957, appointments to nominating committee, minutes of the Trustees meeting 1957, roster of organization members, The Annual Review of the Virginia Art Alliance 5/39,etc. Dates- 2/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and tentative reservation list for annual meeting 1958, etc. Dates- 9/58-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1958, reports of member organizations, Virginia Art Alliance By-Laws, proposed revisions to By-Laws, VAA procedures, appointments to committees and to board, etc. Dates- 1/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes from annual meeting 1959, member organization reports, roster of VA. Art Alliance officers and trustees, VAA By-Laws, etc. Dates- 5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison Assistant Director VMFA). Subject- announcement and schedule for annual meeting 1959, blank reservation forms for school artmobile visits, etc. Dates- 10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and program for annual meeting 1960, listing of nominating committee appointments, roster of officers and trustees, listing of delegates to annual meeting, etc. Dates- 3/60-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- reports from member organizations, etc. Dates- 1956-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of organizational members and their attendance, correspondence and form letters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of trustees and list of members 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of trustees' meeting 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of Trustees, 1952-55. Correspondence, minutes. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee correspondence, minutes and members. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard Subject- preliminary work for the VAA booklet: \"Facilities for Organization Members Comprising the Virginia Art Alliance\". Dates- 8/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Secretary Virginia Art Alliance). Subject- minutes of Virginia Art Alliance (VAA) annual meeting 1957, proposed revisions to By-Laws, etc. Dates- 8/56-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- outline of a state art federation, constitutions, by-laws, information on other art federations (i.e.: The American Federation of Art, The Kansas State Federation of Art, The Indiana Federation of Art Clubs, etc.), etc. Dates- 1/34. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Va. Art Alliance procedures and a short history, draft of proposed revisions to VAA By-Laws, Annual Review of the Virginia Art Alliance. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA/ Secretary of the VA Art Alliance). Subject- VAA By-Laws 1934, resolution (1936) to consolidate the functions of the VMFA and VAA, information about the development of a new type of VMFA annual membership- the organization membership, etc. Dates- 1934-10/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- listing of Trustees 1934- 39, Trustee meeting announcements, letters accepting election to the VAA Board of Trustees, etc. Dates- 11/34-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA representative on the Virginia Art Commission. Dates- 11/55 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- selecting and securing jurors for the exhibition \"Virginia Artists 1955\", listing of pieces and artist included in the exhibition, printed material for the exhibition, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Paul Smith, Rose Slivka and Frank Getlein. Salon des Refuse's, biographical data, exhibition catalog. Dates- 6/66 - 6/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Prospective jurors and exhibition announcement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Jurors: Thomas Hess. Exhibition statement, reception, guest list, members preview, program agenda, discontinuation of salon des refuse's, installation and exhibition catalog. Dates- 1967, 11/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding auditor's reports. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Audit Reports 1936-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Auditors Survey and Systems study of the VMFA. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Morrison. Subject- Filming of \"California Watercolors\" traveling exhibition with footage of Virginia Beach Sidewalk Show included in the 25th anniversary film. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospectus for the Virginia Center For the Performing Arts. Statement of purpose: Academy-Conservatoire of Dramatic Art with training center and professional theatre. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding objects and paintings in private collections throughout state of Virginia. Correspondence with artists and owners. 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Statement of mission, NEA grants, proposals, awards, potential applicants, recipients. Collectors' Circle: Arts and Humanities Challenge grants for Conservation projects. Degas exhibition. Dates- 2/74 - 6/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VCU and U of R Drama departments. VMFA/VCU Museum Methods Course. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Current/future cooperation between VCU and VMFA: theatre, Art Historical studies, education, museum training, music dept.'s, VCU Conservation Lab and Anderson Gallery. Dates- 1/73 - 2/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Paul Smith. Reception, guest list, program, agenda and exhibition catalog. Dates- 3/71 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Juror: Henry Wolf. Event program, invitations, guest list, statistics regarding entrants, certificate winners, etc. Exhibition catalogs for \"Virginia Designers\", 1970 and 1971; \"Virginia Photographers\", 1970 Date- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding state budget 1946-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VEA Centennial Event and retired teachers complex, theatre program and Executive Committee Minutes, 12/61. Dates- 10/63 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Retired teachers apartment complex proposed for the 2900 block of Grove Ave., later rejected by the City Council, newspaper clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Exhibition: \"American Rooms in Miniature\", sponsored by Va. Federation of Women's Clubs, sponsorship of statewide tour of Artmobile, newspaper clippings and pamphlets, \"Virginia Journal of Education\", 10/63, catalog of \"American Rooms in Miniature\" by Mrs. J.W. Thorne, Art Institute of Chicago, 1941. Dates- 6/53 - 2/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Virginia Federation of Women's Clubs Statewide Arts Festival. Dates- 5/67 - 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Thank you notes from newly elected/reelected members of the House of Delegates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. John. S. Battle. Dates- 1949-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. Colgate W. Darden. Dates- 1942-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. George C. Peery. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Bills vetoed and passed by Gov. Thomas B. Stanley [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. William M. Tuck. Dates-1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Multi-level Arts Festival held annually in Abingdon, Va., loans of art works, consultation on programming and pamphlets. Dates- 11/52 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, F. Numan (Wm. and Mary) Subject- Meeting to focus on Architecture and the Humanities. Dates- 11/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Catalog from Franklin Mint series of silver commemorative medals. Norton Simon summary of Annual report, 1970. Dates- 1970 -71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. J.G. Pollard was chairman of this agency; copies of: Fundamentals of a Growing Recreation Program by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agendas and minutes of meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns a Governor's commission to study juvenile delinquency and the Virginia Advisory Legislative Council. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report to the Committee on \"Recreation as a Function of Government in Virginia.\"   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- copies of the executive order creating the Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- planning a listing of recreation films available through state agencies and 16mm Recreation Films Available in Virginia published by the VA Inter-Agency Committee on Recreation, etc. Dates- 6/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- working papers and final copies of the \"1st Report to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 10/53-1/54; Correspondence Subject- copies of the \"First Report to the Governor by the Inter-Agency Committee on Recreation\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Selected legislation on recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership rosters for the VA Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- statewide recreation reports listing facilities, budgets, organizations and needs, pamphlets from the National Recreation Association, etc. Dates- 7/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sponsored by the National Recreation Association 1955-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains a listing of personnel and the purpose of the committee.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and pamphlets.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets, magazine articles etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of \"Fundamentals of a Growing Recreation Program\" by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- working papers for and final copies of the \"1st and 2nd Reports to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 11/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Sarah Tomerlin Lee, Biographical data, event program, pamphlets and catalog for exhibition. Dates- 9/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum events, rosters: Senate, House of Delegates. Letter to members of the general assembly. Essay- \"The Virginia Museum and the Arts in Virginia\". Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reception for organization composed of Mayors, City Managers and City Officials. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Faye Ambrose and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year. Dates- 5/56-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Charles E. Baker and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications and award letters (1950, 1951) for VMFA in-state fellowship, artist progress reports for 2 years, etc. Dates- 5/50-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Regina Bartley and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 4/51-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Wm. Thomas Bland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA fellowship, thank you notes made by Mr. Bland (mixed media including watercolors). Dates- 8/48-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Robert Brushwood and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations, award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Kuhn R. Caldwell and Mrs. J.G. Pollard, M.B. Christison (Assistant Director), and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, artist progress reports for 1 year . Dates- 12/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mary Frances Cheatham and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA junior fellowship, artist progress reports for 1 year. Dates- 1/49-3/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Janet Clausen and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Robert L. Davis and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA in-state fellowship, photos of artist's work, artist progress reports for 1 year, etc. Dates- 4/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Worden Day and Mrs. J.G. Pollard, M.B. Christison and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, etc. Dates-4/49-8/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. T.V. Downing, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 10/49-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Charles Flynn, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 4/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 2/54-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- award letter for VMFA in-state fellowship, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Barbara Harding and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications ('53 and '54), recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Catherine M. Hipp and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Jem W. Hom and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/56-7/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between W.B. Houghland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Caroline C. Huff and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. William W. Jackson and Mrs. J.G. Pollard and L. Cheek Jr. Subject- applications (1948,1949), recommendations and award letter for VMFA fellowship, etc. Dates- 5/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Knapp and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. James Leedy and Mrs. J.G. Pollard and M.B. Christison (Assistant Director). Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/57-6/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Brenda R. MacBaisey and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year (includes lithography proofs), etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. James P. Moyers and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Joe Ravenscroft and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, application and recommendations for VMFA fellowship, etc. Dates- 8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, recommendations for VMFA fellowship, etc. Dates-8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.F. Russell and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for out-of-state fellowship, artist progress report for 1 year, etc. Dates- 4/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between R.E. Spain and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Mary R. Tatum and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1year, etc. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Primm Turner and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress report for 1 year, application for Catherwood Foundation fellowship, etc. Dates- 3/56-9/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. E. Parker Twombly and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA out-of-state fellowship, recommendation letters written by: Ben Shahn and Robert Motherwell, artist progress report for 1 year, etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress report for 1 year, etc. Dates- 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Howard Woody and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for student fellowship, etc. Dates- 4/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Peter Wreden and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, etc. Dates- 4/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of fellowship applicants, requests for applications, rejection letters, etc. Dates- 3/49-6/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications, recommendations and rejection letters for those applicants not chosen to receive fellowships. Dates- 3/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship, fellowship announcement, minutes of the fellowship committee meeting (1954), etc. Dates- 12/40-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- listing of applicants 1942-44, listing of types of fellowships offered by the Museum, etc. Dates- 1942-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- various applications, recommendations, rejection letters, etc. Dates- 5/46-6/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- announcements of fellowships, blank fellowship applications, requests for applications, various completed applications, award and rejection letters for fellowships, artist reply letters, etc. Dates-4/46-12/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- various applications, recommendations, fellowship recipient progress reports, award and rejection letters, correspondence with Fellowship committee, etc. Dates- 4/47-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject-the organization of the Fellowship committee, requests for fellowship applications, etc. Dates- 9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. John L. Pratt. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship program, minutes of: annual board meeting (1941), executive committee meeting (1940), VA artists fellowship committee meeting (1940), announcement/application for VMFA fellowship, etc. Dates- 6/40-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence about the Museum. Dates- 1939-46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition- \"The Virginia Museum of Fine Arts in Roanoke\", 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Essays by Director Thomas Colt on the Principles and Work of the Virginia Museum of Fine arts and its history.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Timetable, agenda, invitation, guest list. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Henry Callahan, biographical data, entry form, letters to selected applicants, statistics: entrants vs. applicants etc., and jury procedure. Dates- 4/71-2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellowships, VPI Traveling Theatre. Letter to Josef Albers with biographical data, invitations and exhibitions. Dates- 3/59 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains pamphlets and correspondence between this association and Mrs. Pollard's Inter-agency committee on recreation 1949-54; Reports and Inventories of recreational activities of state agencies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- VMFA budget, state issue vehicles, Artmobile, salaries, Robinson House, etc. Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Complimentary memberships to members of the house of delegates, travel regulations, United Givers Fund campaign, management studies. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VSAA membership rosters, membership of confidential secretaries to directors of state agencies. Dates- 9/63 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- Memos to heads of state agencies regarding all manner of state operations, capital outlays. Annual Report of \"Virginia Department of Vocational Rehabilitation\", 1976. Dates- 1/73 - 10/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- Affirmative Action and Freedom of Information Act requests. \"Virginia Local and Regional Planning 1974\"; \"Virginia Commission Visually Handicapped Annual Report\", 1973-74; \"Virginia Highway Commission Annual Report\", 1973-74. Dates- 11/74 - 12/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- State governmental management, budget appropriation requests, Virginia calendar of events, newsletters, museum salaries and the Virginia Privacy Act of 1976. Dates- 4/75 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regards donating old exhibition materials 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Roster of VMFA Trustees, resume of progress in the Fine Arts of Virginia. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and E.M. Kates (VSIF). Subject- Planting of flower beds and maintenance of interior foliage, Elizabeth Kates Foundation. Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cleaning and treatment reports of portraits owned by the Virginia State Library and Archives. Also correspondence regarding the wartime protection of Virginia's cultural materials, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- outline of annual meeting. Dates- 11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- \"Planning Your Town\" traveling exhibition, photos and description of exhibition installation, copy of an essay written by Cheek for Art Digest (4/52) Dates- 2/52-10/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VA Union choir singing at the Museum during the Christmas season, pamphlets about Museum sponsored activities during the holidays, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statewide competition for the design of Memorial and jury selection. L. Cheek's service as advisor to the Memorial Commission. T.J. Collins and Son as winners of competition. \"Program Of Competition For The Virginia World War II Memorial\". Dates- 12/50 - 3/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Program Of Competition For The Virginia World War II Memorial\", firms invited to compete in the final selection, expenses incurred and resumes of applicants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, John J. Wicker Jr. (Chairman). Subject- Competition program, VWW II Memorial Commission meeting minutes, \"Preamble\", for the creation of the memorial, \"Architectural Competitions\", AIA Document no.213. Drawings/plans and photographs for site development. Dates- 5/50 - 12/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 1953 Official Report of the Virginia World War II Memorial Commission. Dates- 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Competition program and closing proceedings. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Applications from selected entrants, official report of the jury in their selection of J.T. Collins and Son, (A.I.A.). Dates- 3/51 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report of the Jury concerning the winning design. Jury members: Waldon Franklin, George Howe, Frederick C. Disque, Edward D. Stone, W. S. Robertson, biographical data included and list of competition entrants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Guest lecturers, membership. Dates- 12/63 - 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. von Keller. Subject- appointment of von Keller as Acting Director of VMFA in absence of Colt, biographical information, etc. Dates- 4/35-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. von Keller (Art Director, Randolph-Macon Woman's College). Subject- personal, Museum events, etc. Dates- 8/42-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Vose. Subject- Acquisitions and provenance of objects. Dates- 7/56 - 2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt. Priscilla Crum and L. Cheek. Subject- Segregation in children's art classes, Study of early 19th century architect and builder John Jordan. WRVA Radio weekly series of VMFA activities, Salon des Refuses' for artists eliminated from the Virginia Artists juried exhibition. World War II Memorial design competition, Artmobile, newspaper clippings, paintings from the Williams Collection and the Helena Woolworth McCann Collection of Export Collection. Exhibition catalog: \"Eugene Wiesz\". Photographs. Dates- 9/45 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Artmobile, AIV, sit-see chairs, collectors circle, Fellows, Wise Pre-Columbian Collection, requests for employment. Woodrow Wilson Birthplace Foundation: Annual Report 10/64. Gifts, loans, contributions and acquisitions. Dates- 3/60 -11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Exhibition announcements, invitations, newsletters, biographical data, requests for employment. Purchases, gifts and acquisitions. Damage report of art works. \"Profile\", re: Tishman Collection of African Objects. \"Hermes Wingraf Quarterly Catalog\", Summer 1971, re: 17th century Dutch still-lifes. Dates- 2/70 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Waddy bequest for fountain construction. Costs of construction and maintenance of fountains: National Gallery, Frick Collection and Isabella Stewart Gardner Museum, includes photographs. Blueprints/plans: VMFA Site Development, East Elevations. Excerpt from the will of Woodson P. Waddy. Dates- 1947, 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Bronze Waddy Memorial Fountains, architects: Eggers and Higgins, Sculptor: Ralph Menconi. Contractual agreement with architects, Blueprints/ plans, detail drawings for : Waddy Memorial Fountain, Triton Fountain, East elevation and site development plans. Dates- 8/53 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Mr. Clifford L. Walker. Subject- inscribed plates for paintings in Museum collection, bronze busts and tablets for founders. Dates- 11/35-8/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Walpole Society Dinner, membership roster and newspaper clippings. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA staff orders for conduct of Museum during an emergency, pamphlets from the U.S. Government, Association of Art Museum Directors and American and British museums about art preservation in case of a wartime emergency. Dates- 1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Warburg Collection on loan to VMFA and his address to collector's circle. Bulletin vol.18 no.9 5/58 Dates- 5/57 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT scenery design. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets from the U.S. Government, Association of Art Directors and American and British museums about art preservation in case of a wartime emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- prospective sale of George Washington portrait by Peale to the state of Virginia, history of the painting, may have been commissioned by the state in 1784 for use by Houdin (the sculptor of the George Washington statue in the capital). Dates- 10/37-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Marion Junkin. Subject- Metropolitan Collection on permanent loan to W\u0026L, letter from M. Junkin espousing the talents/commitments of the young artist Cy Twombly. Hans Gasman as restorer for VMFA lists of objects and exhibitions. Dates- 11/49 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Alexander W. Weddell. Subject- Weddell's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, gifts from Weddell, listing of Trustees 1942, listing of Trustees committee assignments 1945. Dates- 9/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and Mrs. J.G. Pollard. Subject- Founding member of VMFA, resolution from Executive Board in memoriam of Alexander Wilbourne and Virginia Chase Weddell. Award of the Webster S. Rhoads Medal for distinguished service. Minutes of Annual Meeting, descent and authenticity of a pair of copies of portraits of George Mason and his wife. Dates- 7/45 - 1/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Foundation financial support: VMT, library, contributions to Fellows fund, book purchases, VMFA services catalog. Dates- 7/66 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Director of Gallery of Modern Art, NYC, and his service as a juror. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Time\" article on George Catlin, artist of the American West. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Mellon. Subject- Ultimate destination of Mellon English Collection. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Tour request. Dates- 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Mrs. J. H. Parsons. Subject- Wheelchairs adapted for sit-see chairs and underwritten by Mrs. Parsons. Dates- 10/65 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture/recital to VMFA council and Fellows. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitation to L. Cheek by President Johnson to attend luncheon for President-elect Barrentos of Bolivia. Dates- 7/20/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Objects on loan to White House. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Theo B. White. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Diorama's made by Whitelaw in the collection of the L.A. County Museum and George Washington Masonic National Memorial Association. Photographs Dates- 7/62 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- general correspondence with a Trustee on Museum programs and operating activities (esp. Accessions Committee). Dates- 6/35-3/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Beatrice von Keller, T. Colt and L. Cheek. Subject- Organization of an exhibition of pre-Columbian sculpture, Catesby-Jones collection, Whitman Collection of Mayan Sculpture, Chrysler Collection accessions and exhibitions. Date- 8/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. Thelma Cudlipp Whitman. Subject- Trustee/Museum business, etc. Dates- 5/51-2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Ambassador to Great Britain, invitation to become Collector-of-the- Year. Dates- 5/61 - 7/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and various Whitney Museum staff. Subject- loans to the Museum for the inaugural exhibition, loan to the Whitney from VMFA, museum practices, etc. Dates- 5/35-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Summer state service projects, VMFA projects list. Dates- 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Playwright, invitation to address VMT, Time Cover 11/12/53. Dates- 1/53 - 3/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA appointment to Board of Trustees, service as President and on the Entertainment Committee. Museum business, South Wing, Fellows, NEFTA. Gift of Mellon French painting collection, gifts, contributions. Dates- 6/65 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions: \"Jean Outland Chrysler Collection\" and \"30 Years of Virginia Art\". List of objects, Charter Day ceremonies: invitation list and dedication of the new Fine Arts building. Essays- \"Thomas Jefferson and the Fine Arts\" and \"The Arts in Virginia\", by L. Cheek 2/67. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT and loans of objects to VMFA. Dates- 1/50 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. J.G. Pollard. Subject- Williams Collection inventory, Williams purchase fund, statement concerning the informal agreement between L. Cheek and Mrs. A. D. Williams concerning installation of collection in the new wing. Selected inventory of furnishings in the Williams home. A.D. Williams as recipient of the Rhoads Medal, financial contributions, gifts and loans. Dates- 6/48 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Berkley Williams Jr., Virginia artist. Dates- 1936-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., and Mr. E. Rand Williams. Subject- Trustee/Museum business, Rand served as Buildings and Grounds Committee Chairman 1937-8 and as first Vice-President in 1941, etc. Dates- 6/35-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. E. Randolph Williams. Subject- Trustee/ Museum business, etc. Dates- 5/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Glasglow bequest, Melchers Estate, Pratt Jewels, Portrait of \"James Patton Preston\", Gilbert Stuart, general legal questions. Dates- 10/58 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Election to board of Trustees; Dance Society. Dates- 6/54 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Advisory committee on the new Reception Center, L. Cheek as a member and a map with the proposed location. \"Summary of Reception Center Objectives and Experience\". Dates- 11/53-1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List of objects accepted as loans and pending gift status. Dates- 10/49 - 3/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Preliminary plans for a foundation to house objects related to W. Wilson's life. Portrait exhibition of the 8 Virginia born Presidents, portrait of Mrs. Wilson, artist unknown. \"Woodrow Wilson's Heritage of Faith\", Frank Bell Lewis, Woodrow Wilson Birthplace Foundation, 1956. Dates- 9/55 - 6/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of request and approval for event, agendas and timetable. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letter of confirmation. Dates- 7/11 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Woodlawn Plantation event, guest list and map. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. to Worcester Art Museum staff. Subject- loans for VMFA inaugural exhibition, loan to Worcester Art Museum, etc. Dates-8/35-7/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- exhibition held at the Museum \"Southern States Preview\" a regional exhibition connected to the World's Fair. Dates-10/38-12/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by applicants to exhibition. Subject- listings of artists accepted to the show (listed state by state). Dates- 12/38-1/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Arthur Drexler (MOMA) to lecture on Wright exhibition, reception, guest list. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Transcript of radio broadcast 2/26/54, exhibition: \"American Painting\", Artmobile and magazine excerpt. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Betsy Wyeth and Harry Brooks (Knoedlers). Subject- \"Country\": Working drawings, Artmobile layout and tour and reviews. Dates- 2/67 - 11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Exhibitions, loans, acquisitions, AIV, gifts, contributions. Correspondence with William Zorach, sculptor. Dates- 9/49 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- museum practices, loans for the VMFA inaugural exhibition, etc. Dates-9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General correspondence from Alumni, possible lecturers, newspaper clippings. Correspondence between Cheek and Alfred Stiegletz. Minutes of Alumni and Friends of the School of Art and Architecture, 5/58, pamphlets. Dates- 6/58 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Third Report Of The Committee On Architecture, Painting and Sculpture\", 4/50. Committee membership roster, issues facing various Yale departments. \"Bulletin Of Yale University\", series 44, 4/48 #5 and \"Official Register Of Harvard University\", vol. XLV, no.15 7/15/48. Dates- 1949 - 50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. Pollard and M. Christison. Subject- Yale school of the arts general operation, appointment of Joseph Albers, list of University Council Committees. Dates- 9/48 - 9/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Draft of the committee report and responses from other Yale committee members regarding departmental personnel, curriculum, problems and resolutions. \"Report Of The Committee Of The Division Of The Arts (Architecture and Planning And Design)\",prepared by L. Cheek, 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Report Of The Chairman Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 4/48, prepared by L. Cheek. Issues concerning Yale departments of the arts. Minutes of Yale Executive Committee Meetings, various reports on Yale departments. Dates- 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cheek draft of, \"Report Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 1952. Yale policy review, new appointments, letters to other committee members, roster of membership. Dates- 5/51 - 4/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Evolving challenges of the various Yale departments. \"Report Of The Committee On The Division Of The Arts (Architecture, Planning and Design)\", 4/53. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA performance of Yale Glee Club, agenda, program, roster, etc. Dates- 10/60 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","R. Peter Mooz was Director of the museum from 1976-1981.","Charles L. Reed was Interim Director of the museum from 1981-1984.","Paul N. Perrot was Director of the museum from 1984-1991.","Katherine R. Lee was Director of the museum from 1991-2000.","Richard B. Woodward was Interim Director of the museum in 2000.","Michael Brand was Director of the museum from 2000-2005.","Thomas N. Allen was Interim Director of the museum in 2006.","This series contains correspondence and subject files from staff members in the Director's Office.","Carolyn Weekley was the Assistant to the Director from 1978-1979. She later became Curator of Decorative Arts, so there is some overlap in the files with her curatorial work.","Margaret (Peggy) Burke was Assistant to the Director from 1980-1981, then Deputy Director in 1982, Deputy Director. She originally served as Assistant Director for Collections and Interpretation, so there is some overlap in the files with her other work.","Lulan Yu was Assistant to the Director from 2002-2007. Her files are mostly related to the North Wing expansion and the museum identity project.","Lee Anne Hurt Chesterfield was Assistant to the Director from 2004-2009, then became Director of Board Relations and Museum Planning. Her files are mostly related to special projects, exhibitions, and AAM reaccreditation.","This series consists of building files that were maintained separately in the Director's Office. There are often additional building files found in each Director's Correspondence files.","The West Wing was completed in 1985.","The North Wing expansion was completed in 2010.","This series consists of corespondence with internal and external groups, the affiliations or creations of which often often overlap different Directors.","This series consists of minutes and planning documents for meetings convened by the Director.","This series consists of program files that were maintained separately in the Director's Office. There are often additional program and exhibition files found in each Director's Correspondence files.","Medal awarded to Walter Spencer Robertson housed separately.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","Virginia Museum of Fine Arts Archives","English \n.    "],"unitid_tesim":["RG-01","/repositories/2/resources/44"],"normalized_title_ssm":["Director's Correspondence (RG-01)"],"collection_title_tesim":["Director's Correspondence (RG-01)"],"collection_ssim":["Director's Correspondence (RG-01)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["248.5 Linear Feet 204 boxes; 7,156 folders"],"extent_tesim":["248.5 Linear Feet 204 boxes; 7,156 folders"],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. \u003c/p\u003e\n","\u003cp\u003eAs custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809).\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"altformavail_html_tesm":["\u003cp\u003e\"Museum in Action\" was reformatted and is available on YouTube: \u003ca href=\"https://www.youtube.com/watch?v=03tQlnoFx0A\u0026amp;t=1s\"\u003ehttps://www.youtube.com/watch?v=03tQlnoFx0A\u0026amp;t=1s\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["\"Museum in Action\" was reformatted and is available on YouTube:  https://www.youtube.com/watch?v=03tQlnoFx0A\u0026t=1s"],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are generally arranged alphabetically within series 1-2. Series 3-6 are generally arranged chronologically.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eDirector's Correspondence, 1927-2006\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eDirector's Office Staff, 1977-2008\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eBuilding Files, 1979-2004\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eOrganization Files, 1991-2006\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eMeeting Files, 1998-2009\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003eProgram Files, 1992-2007\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are generally arranged alphabetically within series 1-2. Series 3-6 are generally arranged chronologically.","Series 1 Director's Correspondence, 1927-2006 Series 2 Director's Office Staff, 1977-2008 Series 3 Building Files, 1979-2004 Series 4 Organization Files, 1991-2006 Series 5 Meeting Files, 1998-2009 Series 6 Program Files, 1992-2007"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Director's Office through periodic deposits since 1989. The bulk of the Early Director's Correspondence (Series 1.1) was deposited at to the Library of Virginia in 1982, where it remained until November 2022 when it was returned to VMFA.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred from the Director's Office through periodic deposits since 1989. The bulk of the Early Director's Correspondence (Series 1.1) was deposited at to the Library of Virginia in 1982, where it remained until November 2022 when it was returned to VMFA."],"originalsloc_html_tesm":["\u003cp\u003eBetween June 17-September 10, 2023, the Fellowship Application and associated photograph of Wigfall were placed in the exhibition \"Benjamin Wigfall \u0026amp; Communications Village.\"\u003c/p\u003e","\u003cp\u003eBetween June 17-September 10, 2023, the recommendation letter from Leo Katz was placed in the exhibition \"Benjamin Wigfall \u0026amp; Communications Village.\"\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["Between June 17-September 10, 2023, the Fellowship Application and associated photograph of Wigfall were placed in the exhibition \"Benjamin Wigfall \u0026 Communications Village.\"","Between June 17-September 10, 2023, the recommendation letter from Leo Katz was placed in the exhibition \"Benjamin Wigfall \u0026 Communications Village.\""],"prefercite_html_tesm":["\u003cp\u003eDirector's Correspondence (RG-01). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Director's Correspondence (RG-01). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.\u003c/p\u003e","\u003cp\u003eSeries 1.1 was processed by State Records Archivist Laura Drake Davis from 2006-2008 while it was still deposited at the Library of Virginia. In 2023, Senior Archivist Courtney Tkacz integrated VMFA's holdings into that series and in the process, RG-01 Boxes 1-4 and LVA 33863 Boxes 60, 67, 74, and 89 were removed.  \u003c/p\u003e","\u003cp\u003eSelect application materials were digitized with the identifier: RG01.01.1.33863.001\u003c/p\u003e","\u003cp\u003eSelect application materials were digitized with the identifier: RG01.01.1.33863.007\u003c/p\u003e","\u003cp\u003eSelect application materials were digitized with the identifier: RG01.01.1.33863.008\u003c/p\u003e","\u003cp\u003eSelect application materials were digitized with the identifier: RG01.01.1.33863.009\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","Series 1.1 was processed by State Records Archivist Laura Drake Davis from 2006-2008 while it was still deposited at the Library of Virginia. In 2023, Senior Archivist Courtney Tkacz integrated VMFA's holdings into that series and in the process, RG-01 Boxes 1-4 and LVA 33863 Boxes 60, 67, 74, and 89 were removed.  ","Select application materials were digitized with the identifier: RG01.01.1.33863.001","Select application materials were digitized with the identifier: RG01.01.1.33863.007","Select application materials were digitized with the identifier: RG01.01.1.33863.008","Select application materials were digitized with the identifier: RG01.01.1.33863.009"],"scopecontent_html_tesm":["\u003cp\u003eThis series is comprised of correspondence of all of the various Directors of the museum. Files were arranged alphabetically by subject, and there is a lot of overlap between different Director's as the files often contained pertinent items from a predecessor. In the case of the first sub-series (1.1), until 1976, the entire museum's files were maintained centrally as one unit in the Director's Office.\u003c/p\u003e","\u003cp\u003eThis series includes the records of the first three Directors - Thomas C. Colt (1935-1948), Leslie Cheek, Jr. (1948-1968), and James M. Brown (1969-1976) - as well as the two Interim Co-Directors Beatrice von Keller and Violet McDougall Pollard (1942-1945). The bulk of this series was deposited at the Library of Virginia, therefore most of the items held at VMFA are copies that LVA returned to the museum.\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with individuals, institutions and corporations beginning with the letter 'A', note- two letters written to Josef Albers (no replies). Dates- 2/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding a copy of Gainsborough's \"Blue Boy\" in the collection of Van Clief of Esmont, Virginia.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters from private donors and dealers offering objects for sale and as gifts to the Museum when it was first started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence, minutes and information about gifts and purchases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information about items being considered for purchase and members of the committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence, minutes, and information on bequests and purchases. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- minutes of accessions committee meeting 1972, announcements and attendance for meetings 1973, acquisitions policy for bidding on works of art at auction, etc. Dates- 9/72-1/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- painted decorations of St. James church, putting this church on the Virginia section of the National Register. Dates- 4/68-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- departmental inventories of non-expandable assets of the Commonwealth of VA 1940-3, worksheets on individual art objects and Museum equipment, state regulations, etc. Dates- 6/43-11/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown and P. Near (Curator). Subject- correspondence about possible acquisitions, considerations of gifts, notes on possible acquisitions, etc., 10/70-4/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding the gift of Mrs. Charles Adams (Ann Fowlkes) of music albums 1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek's appointment by the Governor to an advisory committee assisting the Dept. of Conservation and Economic Development in a study for a proposed museum of science, archaeology and natural history (to be located in Richmond), copy of Senate joint resolution no.26-to study the encouragement or establishment of a museum of science and natural history, list of committee members, Report of the Department of Conservation and Economic Development to the Governor and the General Assembly of Virginia Relative to the Establishment of a Museum of Science, Archaeology and Natural History in Richmond, 1965, etc. Dates- 5/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Excerpt from the Report of the Committee on Recreation to the Advisory Council on the VA Economy and A Summary of Major Recommendations that Involve Questions of State Policy by the Advisory Council on the VA Economy. Dates- 8/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- possible Museum acquisitions from the dealer. Dates- 4/53-5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Airfiltering System 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- correspondence and announcement for lecture by Ambassador Akar about Africa's unique cultural heritage, etc. Dates- 10/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cheek was a judge for their annual show. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence with Albemarle Art Association President about discontinued affiliation with VMFA, biographical information on Cheek, introduction about Cheek for lecture at AAA, Cheek's remarks in honor of Horace Burr 1966, etc. Dates- 8/57-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with and biographical information about Josef Albers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- a letter to Albers (no reply). Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown Subject- correspondence with Director about appointment to board of Hon. George S. Aldhizer II, Education in the Arts and Honors and Awards Committee appointments, etc. Dates- 6/67-2/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Donor of several paintings to the Museum, 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek as speaker for \"The Alexandria Forum: Southern Decorative Arts 1750-1850\", exhibition loans to Alexandria Assoc., etc. Dates- 9/55-1/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Printed materials. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence regarding annual meetings and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- AAM (American Association of Museums)annual meeting pamphlets 1955,'57,'58,'59'60,'61,'62,'65 and'68, proposed constitution and By-Laws 1961, roster of member institutions 1959, correspondence about AAM meeting in Williamsburg, etc. Dates- 10/60-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from AAM Directors. Subject- Minutes annual meeting 1969, membership reports 1969-70, Financial Statements 1969-70, agenda for AAM council meeting 1970, memos, etc. Dates- 8/69-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- info about AAM (American Association of Museums) seminar held in Richmond 1972, financial and membership reports 1972, minutes of exec. committee meeting 1972, news releases, letter from Richard Nixon to Mr. Brown as President of the AAM, mailings sent out by AAM, etc. Dates- 7/72-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about Cheek as Program Chairman for AAM (American Association of Museums) annual meeting in Williamsburg 1962, tentative agenda, schedule of events, attendance list, committee reports, program, etc. Dates- 5/59-1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- correspondence to American Art Association (AAM) section chairmen about annual meeting, program, schedule of events, etc. Dates- 9/60-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about arranging program for American Association of Museums (AAM) meeting, roster of section chairmen 1962, agenda for exec. committee meeting 1961, invitations sent to VMFA trustees for a reception (held at VMFA) to meet the delegates to AAM meeting, etc. Dates- 7/59-6/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- roster of AAM (American Association of Museums) section chairmen 1962, attendance and schedule for section meetings, etc. Dates- 1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lloyd Goodrich Lecturer. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek on advisory committee for the study of design and craftsmanship in today's products, roster of advisory committee, proposed exhibition, conference series, documentary and publication about design and craftsmanship, National Exhibition Project Committee meeting minutes 1950, etc. Dates- 3/49-4/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cheek on Board of organization. Contains memos, pamphlets, exhibition literature etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns L. Cheek's membership in the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- minutes of exec. committee meetings 1961, '62 and '65, roster of trustees, memos to trustees, correspondence about convention in Chicago, etc. Dates- 1/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. (trustee of AFA). Subject- information about circulating exhibitions, minutes of Exec. committee meetings 1966 and '67, minutes of trustee meetings 1966, '67 and '68, memos to trustees, etc. Dates- 1/60-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- American Federation of Arts (AFA) exec. committee meeting minutes 1967 and '68, correspondence about AFA delegates visit to VMFA 1969, roster of members and committee appointments, news releases 1968, President's annual report to AFA, etc. Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about Cheek as Convention Committee Chairman 1959, correspondence about potential committee members, program for convention, minutes of preliminary joint meeting of the AFA trustees 1958, minutes of trustees meeting 1959, Golden Anniversary Convention, The American Federation of Arts 1909-1959, congratulatory and appreciation letters to Cheek, etc. Dates- 3/58-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown Subject- AFA (American Federation of Arts) exec. committee meeting minutes 1959,'60,'61,'62 and'65, roster of board of trustees, trustee meeting minutes 1961 and '62, AFA constitution, National Council on the Arts and Government Annual Report 1960, etc. Dates- 3/61-1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence with the American Institute of Architects. Dates- 4/47-1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cheek served as a juror for the Annual Homefurnishings Design Competition and was an honorary member, 1949-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- A.I.D. (American Institute of Designers) VA chapter yearbook 1961-2, listing of suggested museums for A.I.D. exhibition, etc. Dates-5/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to J.M. Brown. Subject- dinner meeting for the AID (American Institute of Designers) (interior designers). Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Peter Mooz and Wm. Wilkinson (Mariners Museum). Subject- Loan requests, cost estimates, pamphlets and photographs. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Peter Mooz and Wm. Wilkinson\u0026gt; Subject- First major survey of American Marine Painting in observance of the Bicentennial. Lists of paintings, installation, budget, etc. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains copies of lecture invitation and catalog. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to J.M. Brown from ASA (American Society of Appraisers). Subject- Brown's membership in ASA, ASA news 1971-2, announcement of meeting 1971, etc. Dates- 10/70-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- arrangements for gallery dinner at VMFA for American Society of Appraisers. Dates- 1/72-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- Brown as Chairman of a committee on collections at Amherst College and member of Exec. Committee of the Association of Fine Arts, constitution and minutes of Association of Fine Arts meetings 1970 and '71, roster of members of the Association of Fine Arts, membership solicitation letter, catalogue: The Amherst Sesquicentennial Exhibition 1972, etc. Dates- 10/69-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mrs. J.G. Pollard and Mr. Henry W. Anderson. Subject- meetings of the Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, a portrait of Anderson by VA artist, Julian Binford, etc. Dates- 6/35-11/44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Henry W. Anderson. Subject- Anderson's presidency of the Board of Trustees 1947, trustee and Museum business, Annual Board meeting minutes 1947-8, Museum events and daily operations, Museum investments and gifts to the Museum, a general study of the Museum's collections and suggested plan of development (1947), information about the land occupied by the Museum and its estimated future needs, etc. Dates- 6/47-6/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- President of the Board of Trustees. 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and L. Cheek, Jr. and Col. Henry W. Anderson. Subject- Anderson's presidency of the VMFA Board of Trustees, Museum events and daily operations, gifts to the Museum, investment of the Museum's A.D. Williams fund, listing of financial condition of endowment and special funds 1952-3, etc. Dates- 5/51-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- arrangements for dinner honoring Mr.and Mrs. Walter P. Chrysler, guest lists, invitations, R.S.V.P.'s, etc. Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- final copies: VMFA 2nd Annual Report of the Director 7/1/36-6/15/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA 7th Annual Report of the Director 7/1/41-5/1/42 and VMFA staff orders 1/42 elaborating the orders of 6/41 conduct of the Museum during an emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers, preliminary and final copies of The Report of the Acting Directors for the Year 1944-5, agenda for Executive committee meeting 6/44, breakdown of membership 1943-4, 1944-5 and working papers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- final copy VMFA Annual Report. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- preliminary and final copies VMFA Annual Report 1946-7 7/1/47-4/30/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- preliminary and final copy: VMFA Annual Report 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for the 1948-9 Annual Report, Report of the Executive Committee of the VMFA to the Board of Trustees (5/22/49) also a listing and attendance record of the Board of Trustees (5/27/49).  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for the 14th Annual Report, including operations budget, salaries and membership count, also a copy of VMFA Organic Laws (10/36). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- The 14th Annual Report of the Director (5/27/49) and its working papers, also correspondence about VMFA role in selecting and displaying portraits in the Governor's Mansion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- working papers for the annual report, listing of Cheek's activities (lectures, consultations, committee and jury duties). Dates- 1960-1. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Annual Reports for Collections and Gallery Divisions 1951-54, and for State Extension Services 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA 1st Annual Financial Report of the Curator (4/13/35-6/15/36), VMFA 2nd Annual Report of the Director (7/1/36-6/15/37), VMFA 3rd Annual Report of the Director (7/1/37-6/1/38), VMFA 4th Annual Report of the Director (7/1/38-6/1/39), VMFA 5th Annual Report of the Director (7/1/39-5/1/40), VMFA 6th Annual Report of the Director (7/1/40-5/1/41). Dates- 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA 7th Annual Report of the Director (7/1/41-5/1/42), VMFA 8th Annual Report by the Acting Directors (7/1/42-5/31/43), also, VMFA 9th Annual Report by the Acting Directors (7/1/43-5/31/44).  Dates- 1941-1944. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- the following reports: \"Remarks by Robert Marsh, Jr. before the Appropriations Committee of the General Assembly\" and \"Resume of the Request of the Trustees of the Virginia Museum of Fine Arts before the Appropriations Committee 2/64\" Dates- 2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Annual meeting of its Richmond Chapter at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., Mrs. J.G. Pollard and Ms. B. von Keller. Subject- biographical info, purchase of his painting Maggie, letters of introduction, personal references, loaning work to Museum, Va. artists exhibitions, counsel on museum operations, etc. Dates- 10/35-10/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposed paperback guide to architecture in Virginia, roster of Editorial Advisory Board for guidebook, list of sites by counties and cities, etc., final list of buildings and sites, announcements and minutes of Nominating Committee meeting, etc. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- biographical information on H. Harvard Arnason, speaker on Henry Moore sculpture at VMFA, VMFA Members' Bulletin vol.26, no.2 10/65. Dates- 9/65-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- confirmation of meeting with State Art Commission to present plans to enlarge VMFA. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- membership roster, pamphlet of Art Dealers of America, Inc., etc. Dates- 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lectures given at the VMFA by members of the staff of the Museum of Modern Art 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about museum practices, the following publication: Let's Make the Lions Roar: A Marketing Study of the Art Institute of Chicago by Edward J. Teply (Northwestern University 1959) Dates- 6/48-1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Potential jurors for biennial exhibitions 1970. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence and a listing of members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence and art nouveau purchase plan. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Artificial flowers for decoration in galleries, 1964. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Museum program where artist-members participated in a life drawing class.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program sponsored by museum for artist members, included life drawing classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and memorandums. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence and minutes from meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Project to try and send artmobiles overseas as suggested by the State Department. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence as to whether or not they would like to have the artmobile visit their school. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains plans, blueprints, and correspondence that occurred during its development.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Manufacturer of custom van bodies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Presidential Inauguration. Artmobile was State of Virginia's entry in President Johnson's inaugural parade, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposed exhibition for the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Magic City Bank had an exhibit trailer, which was a prototype for artmobile.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitations, programs and correspondence.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Reprints of A.I.V. article \"Galleries on Wheels\", 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VFWC was instrumental in getting the artmobile started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, newspaper and magazine clippings and schedule 1961-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Schedules, Plans, correspondence and photographs, 1960-63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Drawings and plans for 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Opening, Middleburg, Virginia, 1962.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Dinner and Invitation List. Artmobile II Opening. Middleburg, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Facts sheets, invitations and photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Dedication. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- correspondence re. funding, construction, photographs, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Plans for Collegiate Artmobile to visit Virginia Colleges. 1964-65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposal to ask the Carnegie Foundation for funding for a collegiate artmobile, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Opening, Ashland, Virginia. Correspondence and programs, Sept. 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from W.S. Robertson. Subject- Meeting of Virginia college Presidents regarding the Artmobile project to service college and University campuses. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, David Pittman, Peter Mooz. Subject- Artmobile workshop: program agenda, exhibition schedules, etc. \"Artmobile Chairman Handbook\". Dates- 7/74 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Fruehauf Trailer Co., artmobile manufacturer, 1965-66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposed by Lt. Governor Mills Godwin, attempted to establish a Virginia Arts and Crafts Museum. Newspaper clippings, correspondence, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Pamphlets, prints, minutes and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Arts and Humanities Summer Institute. Sponsored by the Va. Commission of Arts and Humanities at the Museum in 1971. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Informational pamphlet from the President's advisory Council on the Arts, 1963. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Art Council of America and Governor's office. Subject- invitation from the Art Council of America to be represented in this council, etc. Dates- 10/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from George Cruger (Editor, AIV), J.M. Brown and Wm. Gaines. Subject- Microfilming of AIV and checklist of Articles to date, Spring 1974. Catalog: \"Image\", George Eastman House, 1973. Dates- 11/73 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Memos and Correspondence. Dates- 1960 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Search for a designer for the magazine. Letters to and from possible candidates. Dates- 1964.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Various issues of the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- A.P. News clips regarding Museum, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns the portrait bust of John Marshall.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- A.P.V.A. Pamphlets and Correspondence, 1972. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- agenda for the APVA (Association for the Preservation of VA. Antiquities) meeting held at VMFA, roster of exec. committee and trustees, etc. Dates- 3/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of members and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and reports from annual meeting 1964-68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- General correspondence to Directors of various museums regarding membership, loans of art works, invitations, etc.  Fact sheet on Artist housing in Soho. Dates- 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence and minutes from annual meeting 1970-71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Annual meeting: reports, minutes, events schedules, officers, membership. Code of Ethics for ilicit traffic in works of art. \"Reproductions and Reproduction Rights For Museum-Owned Objects\", 1962, American Federation of Arts. Dates- 1972, 1979 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes from meeting. Dates- 5/59 - 6/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposals for membership. L. Cheek was membership chairman. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes of meeting. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Report on dangers of lending objects to institutions for special exhibitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Questionnaires, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Dinner held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Lady Nancy Astor. Subject- Donation of her portrait by John Singer Sargent and china. Dates- 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"B\". Subject- varied. Dates- 9/50-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with institutions, individuals or corporations beginning with the letter \"B\" and the VMFA loan-own art service policy statement. Dates- 6/62-10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Transcript of remarks by Frank Stanton on his award of the Michael Friedman Medal of the Architectural league, magazine clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Ballet and L. Cheek concerning the beginning and future of a theatre at the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, A. Ballet and trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Baltimore Museum of Art calendars of events, correspondence about museum practices, etc. Dates- 9/48-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Miss Iris Barry. Subject- giving a film lecture, newspaper clipping, etc. Dates- 8/49-5/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, T.C. Colt, Jr. and L. Cheek, Jr. Subject- general information about Barter Theatre (announcements, VA Highlands Festival schedule, etc.) and correspondence about the Museum sponsoring drama productions as a state extension service. Dates- 12/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Barzansky Galleries. Subject- invitation to a Harriet Fitzgerald exhibition at the Charles Barzansky Galleries, N.Y.C. Dates- 1/58-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Governor Battle. Subject- thank you notes, etc. Dates- 11/50-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- pamphlet of the Museum's 1945-6 season. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Mrs. Bellows. Subject- the proposed acquisition of one of two of Bellows' paintings (Kids, The Teamster) which the museum didn't purchase. Dates-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Fitzgerald Bemiss as a Trustee, correspondence about Board of Trustees and Membership Committee business, gifts to VMFA, etc. Dates- 6/54-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- visit to Florence, Italy and to see Bernhard Berenson. Dates- 1/56-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition: Eugene Berman's sketches for the Metropolitan Opera's Barber of Seville. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- Brown was a chairman of the panel of judges for the Franklin Mint Bicentennial Medal competition in the state of Virginia, official rules and entry form for competition, etc. Dates- 4/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- House Bill no.131 to keep Va. interstates free of billboards, response letters from Va. politicians, etc. Dates- 2/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Mr. Paul Bird as a lecturer on contemporary painting, a transcript of the lecture, etc. Dates- 1/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek and J.M. Brown. Subject- Accessions: Chinese objects. Requests for loan of A. Wyeth paintings from Wyeth Estate, invitation to Clare Boothe Luce to address 17th Annual Va. Public Relations Conference, letter of inquiry regarding the artist Lucille Sinclair Douglas. Accessions: Dubuffet prints, period chairs, pedestals, chest, Aphrodite Torso, female draped figure, Claude Hirst painting, Roger Barr painting. Eric Christmas and Festival Theatre, Ontario, Canada, proposal around building of Bristol Chapter House, furnishing of Agecroft Hall, expansion of University curriculum to include Art Historical Studies in surrounding colleges, Hogarth exhibition, World Museum Fund with description of event and agenda.  Text from \"Country Beautiful, America's Finest Small Museums\", with description of VMFA. Accession and gifts: \"The Little School Girl\", Degas; Amphipolis Gold. Dates- 1959-70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek. Jr. Subject- By-Laws revised and adopted 1951, Organic Laws, announcements, replies, agenda and minutes of annual Board meeting 1950, committee reports, listing of Trustees, etc. Dates- 5/50-5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Col. H.W. Anderson. Subject- annual Board meeting, listing of Trustees 1952-3, announcement of annual meeting, VMFA Annual Report of the Director 1952, etc. Dates- 5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- announcement, replies, agenda and minutes of annual meeting 1953, notice of amendments to the By-Laws, a VMFA report/essay \"The Need for Completing Its Addition\", etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- annual Board meeting minutes 1953, 54, VMFA Annual Report of the Director 1954, notice of amendments to the By-Laws 1954, announcement, replies and agenda for meeting, etc. Dates- 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- minutes of Trustees annual meeting 1955, working papers for the meeting, committee reports, By-Laws revised and adopted 6/54, listing of insurance coverage, Museum events, etc. Dates- 5/55-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mid-year meeting and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- announcement of annual meeting and luncheon for the Trustees, R.S.V.P.'s, attendance list, etc. Dates- 4/56-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Index cards with names and addresses of current and former Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by VMFA staff and Board Presidents. Subject- Board of Trustees committee appointments, appointment letters and reply letters for the following years: '45/6, '46/7, '47/8, '48/9 and '49/50. Dates- 1945-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- letters of appointment to serve on Trustee committees and reply letters, listing of committee appointments 1949-50, etc. Dates- 7/49-7/50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mr. Henry W. Anderson (President of the Board). Subject- appointment to committee letters and reply letters, etc. Dates- 8/51-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence By L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of committee appointments. Dates- 1954-5. Correspondence- Subject- listing of committee appointments. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- listing of Trustees committee appointments (1956-7), reply letters to committee appointments, etc. Dates- 8/56-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- notes on planning, cost estimates, invitations, replies to preview of A.D. Williams collection and dinner honoring Governor and Mrs. Battle, etc. Dates- 10/52-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Museum events, working papers for the annual Board meetings and agendas, nominations to the Board, excerpts from the Board minutes, committee reports, etc. Dates- 2/37-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains miscellaneous correspondence, memos and minutes from meetings. 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Board annual meeting minutes 1955, By-Laws revised and adopted 1954, By-Laws and suggested revisions 1956, listing of Trustees 1955, Committee appointments 1954-57, etc. Dates- 1954-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Roster of the VMFA Board of Trustees. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- announcement, replies for Board meeting, listing of Trustees 1952, 53, notice of meeting cancellation because of inability to secure a quorum, etc. Dates- 1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- announcements, replies, agenda and minutes of Trustees special meeting and Executive Committee meeting, etc., 1/54-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- minutes of the Board of Trustees annual meetings. Dates- 1934-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- suggested plan for developing VMFA collections by Colt (1945), announcements and replies for Board annual meeting , prepared budget 1947-8, listings of Trustees, officers and committees, etc. Dates- 10/45-6/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- sightseeing boat tour on the James River. Dates- 2/57-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mrs. John H. Bocock as a Trustee, Board of Trustees, Entertainment and Accessions Committee business, art lending service information, gifts to VMFA, etc. Dates- 5/51-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek writing introduction for A. Aubrey Bodine's photography book: The Face of Virginia, draft of the foreword/introduction, biographical information on Bodine, etc. Dates- 3/62-1/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- letter to Hon. Armstead L. Boothe about appointment to Board. Dates- 6/64-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Jr. primarily with the Sheraton Hotel. Subject- a cocktail party held on Cheek's Boston trip, guest lists, invitations, etc. Dates- 10/58-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. with various Boston Museum staff. Subject- museum practices, loans, speaking engagements, exchange publications, etc. Dates- 11/47-10/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- loaning objects to VMFA, correspondence about museum practices, lecture given by Cheek in Boston about art in Virginia, etc. Dates- 3/55-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and V.Y. Bowditch. Subject- Bowditch biographical information, drama schedule 1955-6 season, evaluations, theatre operations, etc. Dates- 7/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Theatre director of Pasadena Playhouse 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. with E.G. Bowles and the Public Works Administration (PWA). Subject- landscaping the Museum and bids complying with PWA, construction contract 4/36, classifications of labor/workmen and wage rates 12/34 and Form Of Bond-VA 4/36. Dates-3/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's membership to the VMFA Board of Trustees, Museum events and daily operations, the following Museum publications: Virginia Museum of Fine Arts By-Laws, 1st Annual Financial Report of the Curator (4/13/35-6/15/36) and Virginia Museum of Fine Arts 1st Quarterly Financial Report of the Curator (5/1/36), listing of suggested prospective Trustees, listing of Trustee committee appointments 1937, sketches of Museum floor plan, etc. Dates- 12/34-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, Museum publication: Prospectus of Program Season of 1937-38, radio talk show transcript 3/38, etc. Dates- 6/37-6/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, PWA grant offer 1938 to the Museum, letter from VMFA rejecting the offer of a PWA grant, copy of the resolution that Henry P. Strause, Esq. be named first Honorary Benefactor of the Virginia Museum of Fine Arts, etc. Dates- 7/38-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Trustee committee appointments 1939-40, essays by Branch about WWII, financial situation of the Museum 1939, creation of a \"Ways and Means\" committee, etc. Dates- 8/39-6/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe Branch. Subject- Branch's presidency of the VMFA Board of Trustees, staff organization (1940), plan for VA artist fellowships, \"Art in Virginia\" an article written by Colt, Museum events and daily operations, Museum investments and gifts to the Museum, biographical information on Branch, Trustee committee appointments 1940-1, etc. Dates- 6/40-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, biographical information on Branch, Museum events and daily operations, Museum investments and gifts to the Museum, winner of the first Webster S. Rhoads medal, etc. Dates- 5/41-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Thalhimer Brothers, Inc. Subject- use of VMFA's Medieval Gallery for British Embassy reception. Dates- 6/1/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- brochures for the VA Dance Society, VA Film Society and VA Chamber Music Society. Dates- 1963-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- loaning objects to Brooklyn Museum, correspondence about museum practices, exchange publications, etc. Dates- 2/48-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- essay written by J. Carter Brown for New York University. Dates- 5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- news releases about James M. Brown becoming VMFA Director, newspaper clippings, photos of Brown, Report of the Director 1972-3, etc. Dates- 6/69-11/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by VMFA staff and Trustees. Subject- plans for receiving the new Director. Dates- 6/69-7/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Fred Haseltine (Assistant to Director). Subject- list of objects being offered to the Museum including: antique gold boxes, ornaments, clocks, etc., letters to the executors of the Ailsa Mellon Bruce estate, correspondence with Paul Mellon, news releases and news paper clippings about gift, photos of the galleries, etc. Dates- 8/70-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Mr. David K.E. Bruce as a Trustee, Board of Trustees business, gifts to VMFA, etc. Dates- 5/48-3/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposed acquisition of the Brummer collection of Medieval art, report on collection, list of objects, correspondence to Paul Mellon, etc., later sold to Duke University. Dates- 12/65-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and the Smithsonian Traveling Exhibition Service. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Exhibition 1958, includes layouts and photos, etc. Dates- 3/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek's membership on the Fine Arts Advisory Committee to U.S. Commission for the Brussels Universal and International Exhibition of 1958, committee meeting minutes 1957, committee roster, etc. Dates- 2/57-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Fair 1958, Cheek was an advisory committee member, loan, catalogue and installation lists, information on slide presentation- \"Art in American Museums\", etc. Dates- 3/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- sketches, plans of the U.S. pavilion for the Brussels International Fair 1958, information and listing of objects in the \"American Folk Art\" exhibition, etc. Dates- 1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Harry Bertoia (Sculptor). Subject- the acquisition of a Bertoia piece (Tree) shown at the Brussels Fair. Dates- 8/57-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr. Subject- D. Tennant Bryan as a Trustee, Board of Trustee and Membership Committee business, etc. Dates- 10/47-6/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. D. Tennant Bryan. Subject- Trustee/Museum business, membership to the Museum, etc. Dates- 5/51-9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. J. Stewart Bryan. Subject- Trustee/Museum business, loan of paintings for inaugural exhibition, gift to Museum, etc. Dates- 6/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Thomas P. Bryan as a Trustee, Board of Trustee business, etc. Dates- 9/58-11/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- congratulatory letter to Mr. Thomas P. Bryan on election as Mayor, Date- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. to Buchholz Gallery. Subject- proposed purchases, loans, exchange publications, etc. Dates- 4/47-8/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- VMFA budget exhibit 1959 and 1966-8, resume of the VMFA Trustees before the Appropriations Committee 1964, budget requests 1960-1 and 1962-4, etc. Dates- 9/61-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of Governor's Budget Advisory Board 1965, outline for capital outlay funds dinner, invitation letter to Trustees, etc. Dates- 5/65-6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed 25th anniversary budget, correspondence about obtaining a Budget Committee for the 25th anniversary program, anniversary publications, etc. Dates- 1/60-3/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about Capital Outlay Commission dinner and theatre, etc. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- suggested order of events for Budget Advisory Committee meeting, invitation letters to the Presidents of VMFA affiliate chapters, draft of end of dinner announcement, etc. Dates- 7/61-9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- list of Governor's Budget Advisory Committee 1969, review of Museum's request for capital outlay funds to construct North Wing and theatre, etc. Dates- 4/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- roster of Governor's Budget Advisory Board 1967, outline for Cheek's remarks to Budget Advisory Committee, etc. Dates- 1/67-5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- roster of Governor's Budget Advisory Committee members 1972-4, request for hearing, dinner invitations for Advisory Committee, etc. Dates- 5/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers and news releases about the addition to the Museum. Dates- 6/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to other U.S. art museums. Subject- installation and advice on purchasing an air conditioning system. Dates- 5/53-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Wm. Rhodes. Subject- correspondence about air condition system failure. Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- addition and renovation to the Museum, proposals and preliminary studies by Mr. Merrill Lee, Architect, copy of a Architects and Consulting Architects Contract, etc. Dates- 12/49-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard primarily with Architects M.C. Lee and Eggers and Higgins. Subject- schedule of interior installation, list of architects bills, building inspection, review work/progress, photographs of progress of additions to the Museum 1953, etc. Dates-12/48-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns the proposed addition the VMFA 1949-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Baskervill and Sons (architects and engineers) preliminary drawings, schedule for construction project, etc. Dates- 7/64-12/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Attempt by the United Daughters of the Confederacy to expand their facility on the block. The Museum's and the Virginia Historical Society's attempts to stop them and acquire the land for their own use. Dates- 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about equipment needed to supply music to members' quarters, lobby area and galleries. Dates- 7/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- information about sound equipment. Dates- 6/54-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information on purchasing folding and stackable chairs. Dates- 8/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- extending the rise of freight elevator. Dates- 8/53-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- proposals and layout for a film production unit to be located in the new wing (to make interpretative sound films). Dates- 7/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information, blueprints on changes to and installation of kitchen equipment. Dates- 6/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- the proposed purchase and installation of photographic equipment, correspondence with other art museums about creating and maintaining a darkroom and staff photographer. Dates- 8/53-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- blueprints of check room, information about coat, overshoe and umbrella racks for the Museum check room. Dates- 9/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information about seating for the theatre and auditorium, blueprints of the auditorium. Dates- 8/53-8/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of machinery and equipment needed for the new shop. Dates- 8/17/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about chandelier for front entrance of Museum. Dates- 9/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M.C. Lee, Architect. Subject- alterations and additions to the Museum, color samples and specs for painting and finishing, etc. Dates- 8/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains amounts of pledges and names of donors giving money for new galleries.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Gallery floor plans: VMFA, Brooklyn Museum, Victoria and Albert, British Museum, Art Institute of Chicago, Walters. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Merrill C. Lee, Architect. Subject- progress photographs and negatives (north wing). Dates- 5/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Architects: contractual agreements, VMFA design program, Capital Outlay Appropriation, alteration, additions, cost estimates, expenditures, contracts for Doyle and Russell and Merrill C. Lee (AIA). Dates- 12/48 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- blueprints of a darkroom and information about and catalogs of photographic equipment. Dates- 8/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns securing restricted material such as steel for post-wartime construction. 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to Mrs. J.G. Pollard. Subject- Economic Stabilization Committee (ESA) search for qualified women employees, ESA headquarters to be located in Richmond, federal government regulations that established ceiling prices for all commodities and services (except those specifically exempt) upon the basis of prices in effect between 12/19/50-1/25/51. Dates- 2/51-12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"Final Statement Museum Of Fine Arts Richmond, Virginia\", contract dated June 9th, 1952. Financial statement/contract from Doyle and Russell Construction. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Terra cotta statues at the North entrance to the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Original Building: \"Manual On The Planning And Execution Of State Capital Outlays\", 9/1/44, contracts: Doyle and Russell (Building Contractors) and Merrill C. Lee (AIA). Detail for additions and deletion from original building. Design contracts and inspection reports. Dates- 1952 - 55, 1966, 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Brochures, drawings, correspondence 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- information on red carpet and padding for the front entrance. Dates- 8/51-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Meeting with Interior designers 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding plants around the Waddy fountain. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- the Richmond Junior League's proposed campaign to raise money for construction of South wing for the Museum, working papers for and final copy of the pamphlet: \"The Virginia Museum Needs Wings\", etc. Dates-12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- renovations and construction of a new wing to the Museum, Cheek's comments on preliminary and revised drawings, and construction progress, Architects and Consulting Architects Contract (Merrill C. Lee, Architect, Eggers and Higgins, Consulting Architects), an essay \"The Virginia Museum of Fine Arts Need for Completing Its Addition\", etc. Dates- 1/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information relating to addition to Museum, several reports including: Building Program 1950-1, Addition to Building 1949-50, The Virginia Museum of Fine Arts The Need For Completing its Addition, History of Appropriation for Construction (1948-53) ,also, notes for Sen. Gray about Museum addition (1952). Dates- 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- miscellaneous daily and general building maintenance. Dates- 2/60-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Governors Stanley and Battle. Subject- improvements on Museum building and completion of new wing (1954). Dates- 12/50- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject-construction/installation of American and English galleries, alterations to Medieval hall, blueprints, etc. Dates- 7/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- information on purchase of steel lockers, blueprints, etc. Dates- 4/54-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about ordering office furniture designed by Eero Saarinen. Dates- 8/64-1/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Alfred Geiffert, landscape architect. 1949-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- analysis of situation concerning the parking lot and planting, etc. Dates- 8/66-10/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Budget Estimates for landscaping the grounds of the Museum around addition, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information and bids on purchasing lighting and steel storage equipment. Dates- 11/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- info on purchase of supplies for dining room/cafeteria: placemats, traymats, doilies, napkins, matches. Dates- 1/55-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains plans for the Waddy Fountain, and furnishing brochures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Carl Milles, donor of the Little Triton Fountain 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- marble chips for garden court fountain request for information about installation of mosaics in garden court. Dates- 8/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed purchase of wall coverings for new galleries (movable partitions and door headers). Dates- 2/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- commission to decorate behind refreshment counter in the new building, commission switches from Julien Binford to Richard Q. Yardley. Dates- 6/54-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Richard Q. Yardley Mural in the refreshment room. Also contains information on Julien Binford who was originally retained to do the mural before Yardley. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Public Works Administration Grant for Museum addition, application to National Production Authority (N.P.A.) for assistance in obtaining materials for proposed Museum construction. Dates- 10/35-9/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- staff requests for facilities and equipment, list of private funds for Museum addition, Board resolution about the construction on the building, etc. Dates- 7/48-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- drawings of proposed Museum addition, Special Building Committee procedure in dealing with Appropriations Committee of the House of Delegates, etc. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and New York City Museums: Metropolitan, Guggenheim, MOMA, and Whitney. Subject- Extended loans of paintings and sculpture for the VMFA's new wing of Contemporary Art, scheduled for Jan. 1970. Correspondence from L. Cheek to John Walker to address the Collectors Circle. Dates- 7/69 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- report on budget dinners 6/65, Cheek's itinerary for talks 1965, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and Joseph Whitehead (Interior Designer). Subject- Interiors of the New South Wing, Fabric sample enclosed. Correspondence between L. Cheek and Bernard Bothner of the Brooklyn Museum. Subject- Resources for slides to accompany the reinstallation of the Egyptian Gallery. Dates- 6/66- 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposals for gallery orientation theatre systems. Memo To VMFA staff regarding upcoming Fellows meeting. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to other museum directors. Subject- Request for slides of recent building additions to their respective museums, to prepare for a presentation to the Virginia Legislature. Dates- 4/65 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Survey conducted by L. Cheek to determine the necessity of a sprinkler system in galleries. Letters, cards of response and survey results. Dates- 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains brochures and catalogs 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- photos of preliminary architect's drawings, preliminary cost estimates, etc. Dates- 7/62-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Information concerning the MOMA 30th Anniversary, building funds drive with text of building/expansion plans, \"Toward The New Museum Of Modern Art\" , 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- review of presentations to the Art Commission, photos of other art museum additions, statements about addition (Mr. Wallace K. Harrison and Mr. Frederick D. Nichols), etc. Dates- 9/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Sculpture garden fountain and the renovation of the theatre lobby. Dates- 7/76 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Wm. Higgins. Subject- Membership drive/ New Wing opening, progress reports to members of the Board, financial statements: cost estimates, design fees, operating fund, construction timetables. Fact sheet relating to history of VMFA. Signficant dates for the Virginia Museum, \"History of North Wing Construction\". Dates- 4/71 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, D. Nicholas and C. Chamberlayne (Hardwick). Subject- Progress timetable, architectural engineering/ landscape/ interior design. Revisions/ alterations to construction, cost estimates, instructions to bidding contractors. Review by building committee of the Board of Trustees. Minutes of the building committee, 2/25/72, drawing/plans. Dates- 1971 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, D. Nichols and C. Humelsine. Subject- North Wing plans, justification and description, funding, appeal to legislature to win support for North Wing funding. Rosters: Appropriations committee, finance committee, Governor's budget advisory committee. Essay- \"The Unique, Pioneering Virginia Museum\" and \"Facts on the Virginia Museum of Fine Arts\". Dates- 1967, 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from W.S. Robertson and L. Cheek. Subject- Original design of North Wing per L. Cheek and Baskerville (AIA), later rejected by the Arts Commission. List of significant dates with regard to North and South Wing additions. Minutes of Special building Fund committee, 3/11/65, original building proposal, photographs. Bulletin vol.26, no.2 10/65. Dates- 9/65 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Photographs/Plans/Drawings from Baskerville and Son (AIA) for:entrance hall, basement/sub-basement, site plan elevations/cross section, gallery floor plans and views of entire block.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, D. Nicholas and L. Noland (building committee). Subject- Construction, architectural engineering, capital outlay, construction bids, plans and contract documents. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- blank order forms labeled VMFA NPA Regulation No. 4. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Mrs. J.G. Pollard. Subject- National Production Authority (NPA) regulations, order listings for maintenance, repair and operating (MRO) supplies, regulations about using the DO-97 rating (Form used to obtain MRO supplies), quota for the 4th quarter 1951, etc. Dates- 3/51-7/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence about construction and funding (some PWA) of a wing to the Museum, publication: Working Relationships Between Private Architects and Engineers and the Commonwealth of VA (2/44, Governors' office, Division of the Budget) and The General Conditions of the Contract for the Construction of Buildings (standard form of the American Institute of Architects). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Doyle and Russell, Building and Industrial Construction. Subject- Bronze founders tablets, frames, building inspections and taking over and operating the building 10/35. Dates- 8/35-10/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Peebles and Ferguson, Architects, Norfolk. Subject-blueprints (including detail of the Portuguese Room dated 9/18/35), maintenance and furnishings (benches, plaques, interior painting, etc.) for the Museum. Dates- 4/35- 6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Ferguson, Meakin and Moore, Architects, Norfolk. Subject- reproductions of drawings of proposed south wing, drawings, bids, etc. Dates- 10/37-5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Plans and Correspondence 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- photos of drawings showing the proposed additions and alterations to Museum. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Plans and correspondence regarding the memorial plaques around the building: R.E. Lee Camp, Waddy and the Old Dominion Foundation fountains. 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- construction/installation for the Pratt collection, blueprints, progress reports to Mr. John Lee Pratt, etc. Correspondence with Milton Samuels of French and Company who designed the installation, including quotes for fabric, carpet, cases, carpentry, lighting (including the chandelier). Cheek asked Pratt to fund it and he agreed. Lots of invoices. Dates- 6/54-5/55.   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Baskerville and Sons, Architects, 3/11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about building models, preliminary drawings, furnishing and equipment catalogues, etc. Dates- 4/65-12/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence and statements from Marcellus Wright and Son. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and Merill Lee (architect) and Chairman of the Building and grounds committee, concerning construction of the service area. Dates- 1/59 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Eggers and Higgins, Architects. Sketches and drawings 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr., J.M. Brown and Erwin H. Will (VMFA President of the Board). Subject- all aspects of construction of the South Wing, additions and alterations to Museum, landscaping, fountain, parking lot, etc. Dates- 12/66-3/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- minutes of South Wing construction conferences 1969-72, outline of construction to South Wing, etc. Dates- 1969-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Governors Dinner/Event in celebration of the South Wing: program agenda, menu, dedication plans, News Media reception, Rosters: House of Delegates, Senate, Trustees. Key presented to Governor Linwood Holton donated to the archives by Anne Holton November 3, 2022. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Capital Outlay requests, individual project descriptions, preliminary plans, tabulations of construction bids, estimated income sources, floor plans, budgets, invoices, Executive Committee Minutes and Building Committee Minutes. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Erwin Will. Subject- New duct layout for the South Wing attic space: revisions necessary due to mistakes in original drawings and improper work. Financial statements. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA Charter, Act of March 27, 1934. Design program (2/18/49) Phase II, museum enlargement, boiler replacement, contract cost estimates, committee no.279-A, addendum no.7 to the drawings and alterations to VMFA. Theatre light control system, weekly project inspections. \"General Conditions Of The Contract For Capital Outlay Projects\". Dates- 2/52 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and members of the building committee. Subject- Proposed additions, rejection of north facade by Arts Commission. Excerpts from Minutes of Art Commission Meeting, 6/4/65, 7/9/65, 7/29/66. \"The Virginia Museum Opens The New South Wing\", Press package, Brief History and Signficant Dates of VMFA, photographs. Dates- 1965 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Supplemental Agreement #2: Additions and alteration to various aspects of structural design contracts. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Interior construction and design. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment purchasing list, blueprints of theatre, installation of theatre and projection equipment and an orchestra lift, local building committee meeting minutes, etc. Dates- 7/53-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment: bronze stands and velvet ropes. Dates- 1/55-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Construction blueprints and plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letter of invitation to Trustees, former and current, to celebrate the construction of the North Wing, seating arrangement and timetable for event. Letter to Gov. Holton concerning ground breaking ceremonies and gala dinner. Dates - 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to Col. Anderson. Subject- proposal for theatre for Museum, possible recreation center for armed forces stationed in Richmond. Dates- 2/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Waddy Memorial and Triton Fountains 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- B.F. Ruskin and Associates 1953-55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- committee reports on funding for construction of addition to the Museum, schedule of payments to date (12/4/50 and 12/20/50). Dates- 10/50-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- additions and alterations to VMFA 1955, list of Museum alterations and additions to date 6/15/55 by Merrill C. Lee, Architect, VMFA Noise Survey CA 9687 (1955), blueprints, etc. Dates- 1/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains architectural plans for the first addition to the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- cost estimates/proposed funding for Museum addition, copy of the resolution to establish a Local Building Committee, announcements, replies and minutes of Local Building Committee meetings 1950-2, etc. Dates- 1/46-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Local Building Committee, 1951-54. Information regarding the local contractor. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- minutes and outlines of VMFA Building Committee meetings 1952-3. Dates- 6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, L. Cheek, Jr., and G.D. Gibson (Chairman of the VMFA Building Committee). Subject- addition to Museum building, listing of additions and alterations to the building, agenda and minutes of Building Committee meetings 1953-4, etc. Dates- 9/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- addition to Museum building, minutes, announcement and agenda for VMFA Building Committee meetings 1954-5, list of contributors to Museum Building Fund, etc. Dates- 7/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by G.D. Gibson (Trustee). Subject- installation of Museum equipment, minutes of the Buildings and Grounds Committee meetings 1955-6, etc. Dates- 9/56-12/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains lists of expenditures, list of private donors with amounts donated for the addition to the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA Local Buildings and Grounds Committee meeting minutes 1948-56, listing of committee meeting dates 1948-56. Dates- 1948-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard to Senator Garland Gray. Subject- information about planning costs for addition to Museum building, Museum business and events, etc. Dates- 5/51-7/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Copies of the Museum's members bulletin. Vol.1, No.8, Vol.7, No.'s 1,4and6, Vol.8, No.'s 5and8, Vol.9, No.'s 1,2and4, Vol.10, No.'s 1,2,7and8, Vol.11, No.'s 1,2,3,4,5,6,7and9, Vol.12, No.'s 8and9, Vol.13, No.'s 6and9, Vol.14, No.'s 1,3,6,7,8and9, Vol.15, No.'s 3,4,5,6,7,8and9, Vol.16, No.'s 1,2,3,4,5and6. Dates- 9/46-2/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Bulletins with general information and a survey of sources of income, private and public, from various museums. Dates-1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 1962-1966 Donations, Trustee File. Dates- 7/55 - 12/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and members of Board of Trustees. Subject- Revision of By-laws and Memorial Fund Policy, revisions and recommendations, minutes from sub- committee on By-laws. Dates- 1958 and 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA By-Laws (revised and adopted 5/51, 5/53, 6/54), Notice of Amendments to By-Laws (6/50, 5/53, 6/54), VMFA Organic Laws, etc.. Dates- 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to Senator Byrd. Subject- amendment of IRS code Sec. 863, exempting works of art loaned for exhibition in this country from federal estate taxes. Dates- 7/51-10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., Mrs. J.G. Pollard, and L. Cheek, Jr. to individuals, institutions and companies beginning with the letters Ca-Cn. Subject- varied, including four letters from Alexander Calder about Museum purchase of one of his pieces. Dates- 8/45-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek. Subject- Loans of artwork, Trustees, Fellows, Mary Callery (juror, 1963 Va. Artists Exhibition). Accessions and gifts: Tree, Callery; Han Dynasty pottery; Nanny, T. Sully. Dates- 2/59 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and P. Near to J. Brun and H. Jucker. Subject- Acquisition and provenance of Caligula, Newspaper clippings. Dates- 1971-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, his term as Treasurer of the Fellows. Dates- 1/60-6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mr. John Canaday (from University of VA). Subject- Christmas card design by Canaday, loan of a sculpture show, jobs, etc. Dates- 5/49-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Capital outlay requests for parking area, South Wing, Entrance Improvements, Expenditures and revenues for the year ending 6/1960. \"Instructions for Form c-54-A (individual project report)\" from Commission on State Capital Outlays and Means of Financing. General Endowment Income 1960-61; Capital Outlay for Galleries, landscaping, Egyptian gallery and North Wing, 1935-60. Collections for which there is inadequate exhibition space, list of cultures that are not represented or under-represented, roster of members serving on the \"Commission on State Capital Outlays and Means of Financing. Dates- 1960-61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eIncludes Frances Benjamin Johnston acquisition.\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- officers from the Carnegie Corporation visiting Richmond and the Museum. Dates- 8/55-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to F. Anderson (Carnegie Corporation). Subject- Experimental use of Carnegie Collection of Materials for the Instruction of American Culture and funding of Collegiate Artmobile IV. Proposal, '\" An Artmobile for Virginia Colleges\", March 1965, Supplement, A Statewide Stimulus for Education in the Humanities, Statement of purpose, photocopy of partial grant payment. Dates- 1/58-7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Carnegie Corporation of New York and Carnegie Institute, Department of Fine Arts. Subject- Frances Benjamin Johnston acquisition, requesting a grant, requesting loans for inaugural exhibition, counsel on museum practices. Dates-8/35- 12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Carnegie Trust. Subject- a visit to Richmond by officers of three British Carnegie Foundations, information on Carnegie Trust 1954, etc. Dates- 8/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Secretary of Carnegie Dunfermline Trust. Subject- Roster of Carnegie Delegation visiting VMFA; Annual Report- Carnegie Dunfermline Trustees, 1960. Dates- 7/59-60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- job of Technical Director of the Theatre Division, etc. Dates- 6/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lists of 25th Anniversary donors; VMFA presidents and terms of office 1935-60. Essay- \" The Arts In Virginia\", Walter S. Robertson (Pres. VMFA). Essay- \"Collecting In America\", Alfred Frankfurter (editor and Pres., Art News) Dates- 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of orders for and purchasers of the Healy's Sitters Catalogues, thank you notes for exchange publications, list of relatives of Judge John Barton Payne, etc. Dates- 4/51-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Jaquelin-Ambler Portrait catalogs, listing of the members of the Jaquelin, Ambler and Broadnax families. Dates- 11/48-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- a fellowship set up by the Catherwood Foundation (previous owners of the Dali jewels) to be used for travel/education in Europe, information about transporting Dali jewels from the Museum. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Fellowship for artists provided by the Catherwood Foundation and awarded and administered by the VMFA that year. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. William Gaines and L. Cheek, Jr. and M.B. Christison (Assistant Director). Subject- Gaines biographical information, Catherwood Foundation fellowship recipient, application, recommendations and award letter for fellowship, list and some photos of work submitted, etc. Dates- 3/56-11/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Annual luncheon and tour. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to Century Lighting Co. Subject- lighting for the artmobile and theatre, etc. Dates- 6/53-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- pamphlets from the Convention and Tourist Bureau (Richmond). Dates- 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- pamphlets from the Virginia Chamber of Commerce. Dates- 5/49-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Restoration of Old Botetourt Hotel, Gloucester, Va.; Programming instructions for \"Civilization\" Film Series; proposal and budget for statewide broadcast of Affiliate promotionals. Rosters of Affiliates, Chapters and Confederation Officers; Minutes of \"Executive Committee Meeting\", 10/72; maps, postcards, press release, newspaper clipping, photographs. Dates- 2/67-7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Winter Conference agenda, participants, newspaper clippings. Dates- 12/71-3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposal and budget. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Affiliate/Chapter offices Museum Lecture/Tour; roster of Officers, speaking schedule, events, remarks for each engagement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Prototype for letter to be sent from all VMFA Chapter Presidents to convince Legislature of the need for new building. Dates- 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Dali Jewels. Date- 7/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. primarily to realtors and lawyers. Subject- sale of Cheek's property \"Faraway Farms\", information on sale of Chebry Co. property, etc. Dates- 6/50-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to T.C. Colt, Jr. from L. Cheek (when he was Chairman of the Fine Arts Department at The College of William and Mary and when he was Director at the Baltimore Museum of Fine Arts). Subject- art in Virginia, counsel on museum practices, etc. Dates- 12/36-1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- The retirement of L. Cheek, Trustee dinner honoring the occasion, presentation of \"Thomas Jefferson Public Service Award\", with remarks by Lt. Gov. F.G. Pollard; South Wing construction; invitations and newspaper interview with L. Cheek. Dates- 1/65-3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, W.S. Robertson and Morton Thalhimer. Subject- Letters of moral support, press releases and newspaper clippings announcing the resignation of L. Cheek (decision later recanted). Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding L. Cheek's reconsideration of his resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Resolution from VMFA Council regarding the outstanding contributions of L. Cheek. Includes letters from and too supporters. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Replies to his reconsideration of resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Text from interview of 11/2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- PR, decorations, lecture, etc. Dates- 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Memo to VMFA staff, PR, agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Thank you letter from by a class participant.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence regarding classes at the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Registration information and class lists.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison. Subject- installation of collections and exhibitions, Museum programming, biographical information, etc. Dates- 10/54-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. Christison. Subject- scripts and working papers for children's radio program (\"Treasure Trails\" on WRVA), listing of slides for Season Survey and information on a Life magazine photo exhibition entitled \"Egypt\". Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Vouchers and receipts for travel expenses, 1948-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Christmas cards received by the Museum, a copy of the Museum Christmas card (1956), Information about a Christmas tree in the Members' suite, etc. Dates- 11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Commission of Virginia Artists to design Christmas Cards; rosters: Board of Trustees, A.A.M.D., newspaper clippings, cards, photographs. Dates- 1966-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- ordering Christmas decorations. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Peter Mooz, Sydney and Frances Lewis. Subject- Remarks by J.M. Brown on the dedication of the North Wing and on his resignation. Andrew W. Mellon Foundation, Lewis gift of funds for Art Nouveau purchases, Noland gift of \"Rotating Sphere\", reattribution of the Jewel casket. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Controversy concerning gift of Walter P. Chrysler, newspaper clippings, and Chrysler newsletters, 1973-75. Dates- 1969 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Henry Clay Hofheimer and J.M. Brown. Subject- New wing, correspondence between the Executive Board, the closing of the Chrysler Museum School, operating budget, accessions, list of objects. Minutes of Executive Board, 2/8/72. Transcript of William L. Parkers, et al complaints vs. Walter P. Chrysler Jr. et as Defendants. Dates- 1972 - 33 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Chrysler collection exhibition at the Museum and possible Artmobile tour, listing of pieces in collection, etc. Dates- 9/49-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Loan Exhibition for Church Silver of Colonial Williamsburg, outline for proposed exhibition, budget, letter drafts to Church Wardens, lists of Episcopal Churches owning Church Sliver, Format for catalogue. Dates- 7/68-4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about proposed reproduction in miniature of a Cigar Store figure from the Museum collection. Dates- 7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposed reproduction in miniature of American cigar store figures from the Museum collection. Dates- 5/56-12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek Subject- Civil War Centennial Exhibition, agenda, maps, newsletters, VMT copy of \"Certificate of Award\", conferred on the Virginia Civil War Commission. \"Virginia Joins The Confederacy, Chronology of Events November 1860 through 1861\", Civil War Centennial, 1961-1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek's membership on advisory council of the Civil War Centennial Commission, site development study for proposed Confederate Memorial Park in the Museum area, \"Report of the Preliminary Plans of the Virginia Civil War Commission to the General Assembly\" 12/59, etc. Dates- 5/59- 12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- Programming, Ticket Stubs, newspaper reviews, news releases, photographs. Dates- 7/70 - 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and Joseph Lucas (pres. Civitan Club) [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Resume of Cleveland Museum President, Sherman Emery Lee with photo, Cleveland Plain Dealer Interview \"Sherman Lee's Double Life\". Dates- 12/55-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mrs. Clopton complaint about film tickets. Dates- 2/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- membership in The Poetry Society of Virginia. Dates- 2/53-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr., to individuals, institutions and companies beginning with the letters Co-Cz. Subject- varied. Dates- 8/45-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., L. Cheek and J.M. Brown. Subject- Geri Melchers Memorial; Minutes of Annual Meeting 1962; Minutes of Executive Committee Annual Meeting 1962; restaurant feasibility. Dates- 1957-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- arranging a lecture by Mr. Alexander S. Cochran, Architect in conjunction with the exhibition \"Domestic Architecture of the San Francisco bay Region\", biographical information, etc. Dates- 10/49-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artmobile, gifts. Dates- 6/54 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from the American Association of Museums (AAM). Subject- copies of the Code of Ethics for Museum Workers 1925 AAM report. Dates- 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Remarks on \"The Relation of Trustees and Professional Staff of General Art Museums\", delivered by Charles Nagel 5/17/69,  \"Code of Ethics for Museum Workers\" 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Rhodes Rathskellar, proposals for lunchroom: use by staff, volunteer personnel, policy on break schedule and lunch periods. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from P. Near and Peter Mooz. Subject- Checklist of the status, strength, weaknesses and needs of the VMFA. Damage report, gifts of artworks and accessions, Art Purchase Fund, press releases. Letters to Christo and Robert Rauschenberg. Dates- 1976-77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains photographs, letters, newspaper clippings and information from dealers, prices regarding possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains photographs, prices and other information relating to possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and M.B. Christison (assistant Director for Collections and Education). Subject- listing of possible additions to Museum's collections 1953, information and some photos of objects considered for acquisition, correspondence with art dealers, etc. Dates- 12/51- 11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- listing of possible additions to the Museum's collections, information and some photos about objects considered for Museum acquisition, correspondence with art dealers, etc. Dates- 1/53-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, P. Near, F. Brandt and P. Mooz. Subject- Reorganization of the Collector-of-the-year. 1975- Mrs. Lummont du Pont Copeland Collection on Export Porcelain. 1977- David Lloyd Kruger Collection of Contemporary Art. 1978- Hugo Weisgall Collection, list of objects, copies of scores for the Weisgall Concert catalog. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from P. Near to members. Subject- Collectors circle event with lecture by Caroline Keck. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Cultural exchange, Minutes of Executive Committee of C.A.A., 1/62, 4/62, Minutes of Annual Meeting, 1971; Minutes of C.A.A. Business Meeting, 1/62; revised draft of \"Policies and Purposes\", roster of officers, Directors and committee members; Essay- \"The Visual Arts in Higher Education\". Dates- 1/62 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- List for reception/cocktail party, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. Preston L. Collins (Lt. Governor). Subject- announcements of Trustee meetings, invitations to Museum events, replies, etc. Dates- 5/51-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and L. Cheek, Jr. to staff of Colonial Williamsburg. Subject- museum methods. Dates- 7/46-12/54.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- general correspondence with staff of Colonial Williamsburg, information on Cheek's speaking engagement with Williamsburg Rotary Club, etc. Dates- 2/54-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and the President of Colonial Williamsburg. Subject- loan of display units to Colonial Williamsburg, museum practices, etc. Dates- 3/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., J.M. Brown and Colonial Williamsburg. Subject- correspondence about the Williamsburg Antiques Forum, publications/mailings about Antiques Forum 1964,'66,'67,'73, etc. Dates- 5/66-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- detailed letters about the goings-on at the Museum while Colt was serving in WWII, also letter from Mrs. Alfred DuPont about art education. Dates-8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Mrs. J.G. Pollard and others. Subject- record of Colt's military service, his resignation to serve in WWII. Dates- 11/42-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Columbia Records presented 55 recordings of the New York Philharmonic Orchestra to the VMFA in 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Copies of \"On Fine Arts in Modern Society: A Research Proposal Prepared for the Virginia Museum of Fine Arts by the Columbia University Bureau of Applied Social Research\". Dates- 5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about museum practices with The Columbus Gallery of Fine Arts (Columbus, OH) and Columbus Museum of Arts and Crafts, Inc. (Columbus, GA). Dates- 3/51-8/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to the Board, list of appointments, etc. Dates- 1959-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of committee appointments 1963-4, invitations to Trustee committee appointments, etc. Dates- 8/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to Board and replies, list of appointments, etc. Dates- 1958-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and W.S. Robertson (VMFA President of the Board). Subject- VMFA roster of Trustees 1964-5 and 1965-6, Board committee appointments 1965-6, invitations and responses to Trustee committee appointments, letter about Board term limitations (proposed limitation 2 successive terms of 5 years each), etc. Dates- 6/64-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek correspondence as a member of Committee for International Cultural Exchange (CICE), etc. Dates- 6/61-2/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- suggested projects for Public Relations and Development committees, proposal for the Museum by the P.R. counseling firm Earl Newsom and Co., etc.. Dates- 3/54-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from State Department of Purchases and Supply. Subject- information about choosing stationary, samples for new state letterhead. Dates- 9/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"A Report to the Virginia Museum of Fine Arts 11/19/58\" from the viewpoint of its public relations information and communications responsibilities and program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- information and memos about arrangements for community college presidents to meet at the Museum. Dates- 12/70- 1/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- cooperative arrangements between VMFA and Va. community colleges, Virginia Community College System Annual Reports 1969/70 and 1970/71, proposed programs for community colleges, etc. Dates- 10/70-8/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- complaints from Museum visitors about exhibitions, entrance fees, membership rates, guards, etc. Dates- 12/63-7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Museum operations: food service, VMT, membership, discontinuation of dinners in the galleries and newspaper clippings. Dates- 1974 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- guest list for complimentary cocktails in honor of officers and Museum volunteers from the Council, Jr. League and Theatre Affiliates, roster of Jr. League officers 1970-1, etc. Dates- 9/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Erwin H. Will (VMFA President of the Board). Subject- arrangements for a luncheon held in honor of officers and Museum volunteers from the Council, Junior League and Theatre Affiliates, guest list, suggested remarks for Mr. Will at luncheon. Dates- 9/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- miscellaneous Thank you's and compliments about gift and exchange publications, exhibitions, programs, the Museum in general and Cheek's responses. Dates- 2/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence from the public complimenting the museum in some way. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. and W.S. Robertson (President of the Board of Trustees). Subject- Complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 7/60-12/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 1/64-11/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on programs, theatre productions, museum in general and his responses. Dates- 7/66-10/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Various museum operations. Dates- 1972 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- compliments about 25th anniversary exhibitions, events and catalogue: Treasures in America, \"A Tribute to Virginia's Unique Museum\"-a Sunday newspaper supplement, etc. Dates- 1/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for VMFA European catalogue, an exchange publication. Dates- 5/66-9/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for Faberge catalogue: Russian Imperial Jewels, a VMFA exchange publication. Dates- 12/60-2/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- compliments and thank you's for gifts/exchange publications of Russian Imperial Jewels, the catalogue of the Museum's Faberge collection. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for Architecture in Virginia, a VMFA exchange publication. Dates- 2/68-5/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for William Hogarth, A Loan Exhibition of Paintings, Drawings and Prints, a VMFA exchange publication. Dates- 1/67-3/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for Painting in England 1700-1850, Collection of Mr. and Mrs. Paul Mellon, a VMFA exchange publication. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on \"Painting in England\" exhibition (Mellon Collection) and his responses. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for The World of Shakespeare, a VMFA exchange publication. Dates- 1/64-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Form letter from the President to potential members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J. G. Pollard. subject- Letters to Trustees regarding 25th anniversary fund and letters to new members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- performance at Mosque of \"The Confederacy\" as a benefit for the Artmobile, project later abandoned, Date- 11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- drawings of the site of the Confederate Memorial Chapel, landscaping plans, etc. Dates- 7/66-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Richmond Times-Dispatch article \"The Old Soldiers Faded Away Home Here is Vacant\". Dates- 1/16/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- invitation to Director of the Norfolk Museum to Confederation workshop. Dates- 5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- congratulation and reply letters on the installation of Mr. James M. Brown as VMFA Director. Dates- 6/69-6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- listing of objects from the Glasgow bequest and purchase fund currently exhibited in Museum galleries. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and Mrs. Anthony Congreve. Subject- biographical information on Arthur and Margaret Glasgow, correspondence about Glasgow fund for purchasing works of art, listings of purchases made with Glasgow Endowment Fund 1966-72. Dates- 11/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz. Subject- Physical plant restoration project: cleaning of VMFA interior and extensive improvement of motor park, project data summary, Conservation Laboratory: construction and equipment, supply expenditures, budget. Grant application: \"Proposal for Virginia Museum Conservation Laboratory\", employment contract, job descriptions, resumes of prospective applicants. Dates- 1975 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- biographical information arrangements for giving lectures/seminars at the Museum, VMFA Members' Bulletin vol.23, no.9 5/63, etc., Date- 11/50-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- arrangements for securing speakers for the \"Fireside Series\" proposed art talks held in the library, Thank you's to speakers, etc. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- loans of objects between VMFA and Corcoran Gallery of Art, correspondence about museum practices. Dates- 3/51-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Katharine Cornwell. Subject- biographical information on this actress, invitation to come to Richmond to see a show and promote TheatreVirginia. Dates- 5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- pamphlets and post cards from the Corning Glass Center. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information on obtaining assistance from philanthropic organizations and corporations, etc. Dates- 2/55-12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by E.H. Will (VMFA President of the Board). Subject- solicitation letter for corporate patrons, information on corporate patrons program, roster of Richmond corporate patrons 1970, invitations to corporate patrons gala, etc. Dates- 12/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by E.H. Will (VMFA President of the Board). Subject- solicitation of corporate patrons, pamphlets about corporate patrons program, publications for the corporate patrons gala, etc. Dates- 7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- roster of Richmond and of state corporate patrons 1971, planning for \"Fete Aux Galleries\" the corporate patrons event 1972, invitations and guest list for event, etc. Dates- 6/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- Exhibitions, condition reports, insurance, gifts and purchases. Essay- \"Successful Adult Museum Programs\", M. Christison. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and R. Velz.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator) primarily, also L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- varied. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- General correspondence regarding publications, museum practices, exhibitions, pamphlets. Letter from Alexander Calder. Dates- 7/56 - 12/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- Ford Foundation grant-in-aid program, Fogg Conservation Symposium and the Chrysler Collection. Photographs, cesolution recognizing the outstanding contribution of L. Cheek by the VMFA Council. Draft of \"Standards For Museum Practices\", SEMC, 1958. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition of American Silver, jurors for 1965 ADP exhibition, biographical data, 25th Anniversary exhibition and list of objects for loan. VMFA film series, press releases for \"The Little International\" from the Olsen Foundation and the Artmobile. Dates- 1958 -1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and VMFA Council officers. Subject- Council roster 1957-8 and 1958-9, listing of charter members, council-sponsored events and programs, lecture series schedule 1957-8 and 1959-60, statement of purpose of the Council, minutes of general meetings 1962 and'65, Executive Committee meeting minutes 1962 and '63, acknowledgments of gifts to the Museum, etc. Dates- 7/56-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown with the VMFA Council. Subject- Council gifts, Council -sponsored events and programs, preliminary drawings for Council shop office, breakdown of Council Contribution Fund 10/70 and 11/70, etc. Dates- 2/66-4/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- arrangements for corporate patrons ball, roster of Richmond and of state corporate patrons, roster of Council committee for the ball, invitations and guest lists for ball, etc. Dates- 10/70-3/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- outline of the organization of the VMFA Council, Council Program 1955-6, Council of the VMFA Charter Meeting and Articles of Association, \"Friends of the Museum Constitution\", etc. Dates- 5/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- VMFA Council Contribution Fund analysis 1971 and'72, various Council sponsored events and programs, agreement between VMFA and the Council 10/20/70, A Short History of Council Gifts to Museum 1955-71, The Council of the Virginia Museum Directory 1971-2, general correspondence between Council officers and VMFA staff, etc. Dates- 1/71-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Council Trustee Contribution Fund, conservation laboratory, library, state services, fellowships and internships. Profit and loss statements, general ledger trail balance, Art Purchase Fund, staff expenses, VMT financial statements, matching funds for NEA Grant. New Council Shop, furnishings, installation, etc. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposal to establish fellowships for professional craftsmen (resident Craftsman Program), letters from interested craftsmen, etc. Dates- 2/63-2/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator). Subject- proposal of a story about the Museum for Time-Life magazines, reference made about a reproduction of a Watteau from the Museum's collection appearing in Time. Dates- 11/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Monica Hamm and P. Mooz. Subject- Head of publications, editor of AIV and advisor for photography exhibitions. \"Focus On The Arts\", Pat Becker. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- fact sheet about VMFA, House bill no.862 was about establishing a Virginia Commission of the Arts and Humanities, transcript of the VMFA presentation by E.H. Will (VMFA President of the Board) to the Virginia Assembly, Rules Committee asking to kill or amend the bill, etc. Dates- 1/68-2/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- roster of Virginia Cultural Development Study Commission and of the State Arts Committee, information about the creation of the Va. Cultural Development Study Commission by Senate joint resolution no.67, essay- \"The Virginia Museum and the Arts in Virginia\", correspondence about meeting with the Cultural Development Commission, \"Dissenting Opinion Report of the Cultural Development Commission\" by Dr. William H. Higgins, Jr., member of the Commission, etc. Dates- 3/66-1/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"D\". Subject- varied. Dates- 3/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- VMT, exhibition schedules, Byzantine Architectural exhibition, College Drama Festival, loans of art works, Artmobile, Horace Day, NEA proposal, pamphlets, magazine excerpts, cards, biographical data, etc. Accessions and gifts: \"The Meeting of Joachim and Anna Under the Golden Gate\", A. Duer. Dates- 10/58 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Conference for teachers and students of Dance at VMFA, master classes, lecture and performance by Alwin Dance Theatre, agenda, list of dance teachers. Date- 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, AIV. Dates- 1/61 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Virginia Architects, Designers and photographers\", Collectors Circle, Va. Artists Biennial, donations, gifts, memorial fund. Dates- 6/59 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, acting director of the Museum and Governor Darden, regarding the Museum director and the Curator of Decorative Arts, who were both on leave to the armed forces during World War II, 1942-44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with and biographical information about Carson Davenport, Virginia artist. Dates- 1936-1944.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to Ms. Davis. Subject- visits to \"Faraway Farms\" (Cheek's property) Davis was apparently a housekeeper/caretaker of some kind. Dates- 2/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and donors Mrs. Lincoln Davis, and George Cole Scott and Hildreth Dunn Scott, 1937-43.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., E.M. Davis, III (Curator) and L. Cheek, Jr. Subject-restoration of Mrs. Davis' Flemish painting, gifts from Mrs. Davis, information on Museum Board accessions committee (Mrs. Davis member), etc. Dates- 10/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mrs. Lincoln Davis. Subject- Trustee/Museum business, letter of resignation from Board, etc., 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Elizabeth Nottingham Day and Horace Day, patrons and donors, 1934-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Day's exhibition at the VMFA. Dates- 1/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and Mrs. J.G. Pollard to Mr. and Mrs. Horace Day. Subject- Horace Day biographical information, exhibition record, job recommendation, newspaper editorial written by Mr. Day on American Painting, etc. Dates- 1950- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to Mr. Howard Dearstyne. Subject- proposed exhibition of Dearstyne's work and speaking engagement, etc. Dates- 11/50-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Chamber Music Society, Building grounds committee, gifts, donation. Dates- 1954-65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to the Earl de la Warr. Subject- a visit to Richmond by the Earl, loan of a painting to the Museum exhibition \"England's World of 1607\", etc. Dates- 4/57-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mrs. Marie de Mare. Subject- catalogues of \"Healy's Sitters\" exhibition ( Mrs. de Mare was Healy's grand-daughter), proposed film and biography of Healy by Mrs. de Mare, etc. Dates- 5/49-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His position as Art Director of AIV, music and dance folders. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from D. Nichols (administrator), F. Haseltine (PR). Subject- VMT subscription, Executive Committee Report, Collections Activities, Public Information Report. Dates- 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- information about an exhibition scheduled From Nov.22-Dec.31, 1955 featuring merchandise available for purchase in time for Christmas. Dates- 9/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Traveling exhibition. Dates- 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- International Traveling exhibition. VMFA and Leslie Cheek were the American coordinators from 1951-1954. Lists of attendees at the opening dinner 1/15/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"Design in Scandinavia\" exhibition checklist, description of the exhibition, official record of receipt and list of items received but not included in exhibition, etc. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- RSVP's to dinner held on the opening night of the exhibition \"Design in Scandinavia\". Dates- 12/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr., Mrs. J.G. Pollard and M.B. Christison. Subject- exhibition catalogue information for \"Design in Scandinavia\" and RSVP's for dinner held on the opening night of the exhibition. Dates- 12/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- American Tour 1954-57. Correspondence and publicity regarding. AFA took over the circulation of the exhibition.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Committees in the United States. Lists of members and minutes from meetings 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Favorable reviews of the exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Copy of a New York Times article written by Cheek concerning the upcoming exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Opening of the exhibition at the Museum, January 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- dinner guest lists, menu, planning for opening night dinner for \"Design in Scandinavia\" exhibition, list of Board of Trustee committee appointments 1953-4, registration for Southeastern Museums conference 1953, etc. Dates- 12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- RSVP's for the dinner and other opening events for the exhibition \"Design in Scandinavia\", exhibition catalogue, information used in planning printed material for the exhibition, etc. Dates- 4/53-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject-job description of a designer for the Design and Construction division of the Museum, proposed hiring of a designer, etc. Dates- 2/54-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- floor plan and printed matter for \"Designer-Craftsmen USA\" exhibition, photos of the exhibition, VMFA Member's Bulletin vol.15, no.5 (1/55), etc. Dates-11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and L. Strauss. Subject- 25th Anniversary, draft of appeal to enlarge endowment fund, pamphlet. Dated- 6/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposal for a diorama in connection with \"Orientations of Virginia's Cultural Background\", photographs. Dates- 7/61 - 6/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Resolution by the Executive Committee to authorize excess travel cost by VMFA staff. Dates- 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trip itinerary, pamphlets. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, F. Fowler, D. Nichols, B. Ryan. Subject- All manner of VMFA operation: photography budgets, payroll dispersal, VMT renovation, Artmobile, damage and security of Art works, gallery installation, loans, art purchase invoices, Theatre contract, repairs and modification invoices, grievance procedure, pamphlets, Interpol investigation of Indian sculptures, requests for establishing new positions: Vice Director for Public Affairs and Artmobile curator. \"Partnership Agreement of Artco and Company\", \"Operation Countdown\", analysis of responsibilities and time required for completion of the North Wing. Photographs, pamphlets, announcements. Accessions and gifts: 17th C. Eng. Embroidered Casket, Byzantine Bronze Plaque, Tomato Soup Can (A. Warhol), Bolt of Lightening (R. Lichtenstein), Portrait of a Lady, Payne Collection. Dates- 1/68 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, F. Haseltine, D. Nicholas, J.M. Brown, P. Near, A.W. Stalnaker, B. Ryan, Mrs. Pollard. Subject- All manner of inter-museum operations: Public information schedules, membership campaign, promotion deadlines, travel itineraries, budget proposals, etc. P. Nears observations on possible acquisitions. Dates- 7/64 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letters of request, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Secretary to the museum, biographical data, job description. Museum files and the law regarding public information, records management, records to be retired, list of file classification: deletions and additions. Events schedules, agendas and exhibitions. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown, A. Dohn. Subject- Letter of recognition of donations, list of donors and their gifts of art works. Dates- 1964-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Chenery Estate and Gottwald endowment Fund. Art Nouveau gift of Sydney and Frances Lewis. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- VMT, Fellowship Fund, Museum Classes, Chenery Estate, Art Nouveau Fund, Artmobile and Gottwald Endowment Fund. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Buyers guides, pamphlets, magazine excerpts, specifications, blueprints, lists of chapters and affiliates, photographs. Dates- 9/61 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J.G. Pollard, and L. Cheek. Subject- Gift of Dunsten Memorial, Payment record, gallery proposals, \"The Virginia Museum Needs New Wings\": appeal to membership and Trustees for building funds. Dates- 12/46 - 4/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Mrs. Alfred I. (Jessie Ball) Dupont. Subject- Donations. Contains a letter regarding her feelings in favor of segregation at the museum and in the arts. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jessie Ball duPont's membership on the Executive Board, gifts and donations. Dates- 5/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Jessie Ball duPont. Subject- Membership as a Trustee, Fellow, Chair of 25th Anniversary Fund drive, contributions and gifts, magazine excerpts, biographical information, contributions and gifts, progress report from Anniversary Fund Drive. Dates- 2/59 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and D. Hudson (state coordinator of Arts System). Subject- Salary scales for VMT, NEA grant proposals. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Exhibitions, Artmobile, VMT, Va. Fellowships, search for potential jurors, work schedules invitations, newspapers, postcards, etc. Accessions and gifts: \"Autumn Leaves\", A. Palmer. Dates- 5/46-5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Agenda and letters to K. Fowler of VMT. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Wm. Heartwell and Gov. Holton. Subject- \"Minutes of Economic Resource Task Force Meeting\": 7/23/71, 9/2/71, 10/8/71, 1/13/72, 4/20/72, purpose of task force was to improve communication between various agencies and the governors office. Draft of Executive order: relationship of state agency organizations to Commonwealth planning districts, budget estimates, agendas, Bills held in House Committee for the 1973 General Assembly. Dates- 1971 -72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- C. Guinnan request for a meeting room. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from A. Stalnaker and H. Dohn. Subject- Events for Governors School for Gifted Students: schedule, housing, food service, etc. Dated- 7/73- 8/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between A. Dohn and Mr. Albertia. Subject- Student application, agendas and statement of purpose. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Event to expose students to the function, organization and operation of VMFA, timetable and agendas. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and B. Bothmer (Egyptologist, BMFA). Subject- Invitations, list of Egyptian art objects available for purchase. Dates- 9/54 - 11/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and M. Christison. Subject- Requests for films and slides, Artmobile, loans for Egyptian Gallery, statement/remarks for opening exhibition, newspaper clippings, blueprints. Dates- 2/55 - 12/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Suggested remarks related to \"Installation of a Gallery of Egyptian Art\", loans from other museums, agendas, letters to other curators and directors. Gift of Egyptian Gallery from Mrs. James Parsons. Dates-2/61 - 4/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- early planning stages of the exhibition \"England 1607\", list of pieces in, list of lenders to the exhibition, installation schedule and exhibition description, printed materials, \"Status Report on the Museum's Jamestown Festival Program\", etc. Dates- 6/54-8/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Gallery opening made possible through gifts of china from Lady Nancy Astor, invitations and loan requests. Dates- 4/61 - 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- invitations to these exhibitions: \"Masterpieces of Chinese Art\" and \"Russian Imperial Jewels\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedules 1946, 1946/7, 1949, 1950, Entertainment Committee announcements and replies, committee report 1946, committee roster 1949/50, biographical information on the following Museum guests: Yasuo Kuniyoshi, John W. Taylor, Charles W. Smith, Reginald Marsh and Lamar Dodd, etc. Dates- 1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedule 1946/7, 1950, 1951, 1952, 1953, 1954, Entertainment Committee rosters 1950/1, 1951/2, 1952/3, proposed Friday evening events 1950/1, committee meeting minutes 1952, biographical information about George T. Hamilton, etc. Dates- 1946-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trustee/Museum business, VMFA Entertainment Committee schedule 1954, 1955, 1956, announcements and minutes of Entertainment Committee meetings 1951, 1953, 1954, 1955, 1956, etc. Dates- 1951-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee roster, Entertainment Committee schedule 1955, meeting announcements, biographical information about the artist Donald Oenslager, etc. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trustee/Museum business, announcements and replies for VMFA Entertainment Committee meetings, roster of Entertainment Committee, committee schedule 1955, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mrs. Arthur Kelly Evans. Subject- a bequest to the Museum from Mrs. Evans, etc. Dates- 11/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- proposal for fundraising project for VMFA Council in fall 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- 60the Anniversary of the AFA meeting and symposium in Williamsburg, registration forms. Dates- 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Agenda, timetable and luncheon for behind the scenes tours by the Council. Date-1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Benefit for the Council Service Fund, program, menu. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Museum in Action\": documentary of VMFA galleries and statewide activities, preview agenda, press dinner, invitations. Producer: Richard Rochement Narrator: Alistair Cooke Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Request for VMFA banquet services. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from W.S. Robertson. Subject- Exhibition: \"Treasures from the Norfolk Museum\", Governor's reception, program agenda. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Gallery plan, staff assignments and program. Dates- 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Reinstallation of the permanent galleries. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Members dinner dance event, invitations, guest list. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Glasgow Estate, Jamestown Tablet. Reception for Committee on Law Celebration. Dates- 12/58 - 4/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Members preview and reception: timetable, program, invitations, gallery plan, etc. Jack Larsen: lecture and biographical data. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter of invitation to members of Virginia Chamber Music Society to attend a Theatre-Dinner. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Inauguration of a monthly series of theatre Dinners, guest list, letters of invitation for event and menu. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition: \"Designs for the Theatre\" Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Reception for British group of scholars and collectors and travel itinerary. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- A British organization on American Tour. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Meeting at VMFA for NCEW: an organization to stimulate the conscience and quality of the American Editorial page. VMFA Executive committee minutes, biographical data, program agenda. Dates- 7/58 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letter of request for use of VMFA Gallery for Dinner, agenda, timetable. Dates- 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Tour routes, agenda and schedule of events for reception and letter to new members. Dates- 9/68 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letter of invitation to reception, tour of museum, agenda, timetable, etc. Dates- 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. Breeden (Membership Chair). Subject- Procedure and agenda for members reception and tour schedule, press release, invitations, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from F. Haseltine. Subject- VMT Premiere performance and promotion. Dates- 5/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- exhibition: \"Treasures of the Norfolk Museum\", program/dinner agenda, invitation, etc. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Arthur Houghton. Subject- Preliminary event outline, layout, program agenda, procedure, invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Annual event to honor corporate patrons: entertainment, decorations, invitation list and suggested remarks to be delivered by President, E. Will. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Private advanced performance of \"School For Wives\", biographical data on Peggy Wood. Dates- 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and W. Rhoads. Subject- Agenda and sample of invitation. Dates- 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Gregory Peck. Subject- Grand opening of Virginia Theatre Arts System, events schedule for preview, Letter from Gregory Peck. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Library reception and banquet for college Presidents attending the Drama Festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Dinner and Theatre Party: agenda, invitations. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letters of request and agenda for Theatre Dinner Party. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Wm. Rhodes and E.M. Last (Chair, RLS) Subject- Performance of RLS at VMT, ticket sales and cost estimates. Dates- 1/65 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letter of request for VMFA services. Dates- 4/31/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Robinson House formerly the Scientific Research Organization, VMFA headquarters for LOAS, adult classes and resident craftsperson, Invitation, Historical background, Bulletin vol.24 no.7 4/64 Dates- 8/62 - 3/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Helen Dohn. Subject- Smith College dinner with lecture by Charles Chetham, Director of Smith College Art Museum, agenda, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- The VMFA Council, Theatre Affiliates, President's Dinner. Music, Dance and Film Societies. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- The Hospitality and Information Service for diplomatic residents and families. Dates- 1968. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- three day seminar program of multi-level experience in the Arts For exceptional Virginia Youths, agendas, etc. Dates- 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- VMFA luncheon and tour. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Paintings and drawings by E. Vedder, speaker. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Requests for contributions. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Juror: Hugh Newell Johnson. Reception, guest list and agenda. Exhibition catalog. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Harry Bertoia, Sherman Lee. Subject- General correspondence regarding juror service. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Sherman Lee. Subject- Jury Chair: Sherman Lee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Juror: William Pahlmann. Event program agenda, invitation, guest list, etc. Catalog: \"Virginia Interior Designers 1973\". Dates- 10/72 - 3/73 \"Virginia Interior Designers Reception Fri. 16 Mar.,  1973, 5-7 p.m.\" Subject- Invitation. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, W. Gaines and H. Dohn. Subject- Schedule of events, exhibitions, Bicentennial Celebration. loans, gallery tours, calendar news, Invitation for the \"India In Virginia\" exhibition. Dates- 8/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains minutes, agendas and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas, 1954-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, announcements, agendas and minutes of VMFA Exec. Committee meetings 1955, 1956, etc. Dates- 9/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trustee/Museum business, VMFA Exec. Committee minutes 1956, list of Exec, Committee members 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and William J. Rhodes, Jr. (President). Subject- Trustee/Museum business Exec. Committee meeting agendas 1954, 1955, 1956, Museum finances (pay scale, Director's allowable expenses, approvals for purchases) VMFA Committee appointments 1956-7, etc. Dates- 6/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, L. Cheek, Jr. and Col. Henry W. Anderson (President). Subject- Trustee/Museum business, VMFA Exec. Committee meeting minutes 1950, 1951, 1952, 1953, listing of members of the Exec. Committee 1950, 1951, Exec. Committee resolutions 1950, 1951, 1953, By-Laws revised and adopted 1951, etc. Dates- 1950-3. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- Executive Committee minutes, copies of Exec. Committee minutes 1953, 1954, 1955. Dates- 12/53-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Gari Melchers Memorial Committee, VMFA Exec. Committee minutes 1956, list of Exec. Committee members 1956, etc. Dates- 4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Trustee/Museum business, VA Art Alliance, Williams Fund purchase, VMFA Exec. Committee agenda 1952, 1953, 1954. Dates- 5/51-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, W. Gaines, R. Velz, M. Christison. Subject- Roster of large Richmond firms and number of employees, invitation cover letter, remarks to be delivered after luncheon. Dates- 9/63 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- lists of proposed exhibitions, events schedule for 1955-6 season, roster of members and schedule of the entertainment committee, drama schedule for Virginia Museum Theatre, etc. Dates- 7/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Notable lecturers and AIV contributors, biographical data. Jurors: Charles Eames, Morris Ketchum and Bert Stern. Dates- 1967 – 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Budgets, loan requests. \"Picasso: A Selected View\", \"12 American Painters\", List of Art Works, biographical notes test for the catalog: \"The Flowering of American Folk Art\". Catalog: \"American Painting 1970 including correspondence with Richard Diebenkorn. Dates- 1970-1974. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, P. Near and F. Brandt. Subject- Bernard Martins' \"Portrait of Edward Hopper\", \"Walter Gropius - 1883 - 1969\", \"Jose Puig\", projected budget, attendance records, requests for loans, receptions events schedules, etc. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Engineering projects around the world, assembled to illustrate the aesthetic impact of technology. Cost estimates for exhibition, speakers and invitations. Dates- 7/64 - 1/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Outstanding objects in American Museum collections that are gifts or have been purchased with contributions from patrons. Event arrangements/planning. Requests of loans and press releases. \"A Brief History of the Virginia Museum of Fine Arts\", by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition \"Homage to the Square\", signed letter from Elaine de Kooning. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Opening festivities of the Aldrich Collection of Impressionist and Post-Impressionist paintings and sculpture. Catalogue: \"The Aldrich Collection\", foreword by L. Cheek. Dates- 11/58 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Juror: Bartlett Hayes. VMFA purchases from exhibition. Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Juror: C.V. Donovan. Request for loans from other galleries. Dates- 1962 , 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Al Held. Subject- Juror: Peter Selz. The removal of artwork from the wall of the VMFA for a period of one week in demonstration of racism, war and repression in America. List of paintings to be shipped and installation instructions. Dates- 9/69 - 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Search for a disposable cardboard shelter for use in a traveling sculpture exhibition to the Chapters and Affiliates. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Juried exhibition of Virginia Architects, Designers and Photographers. American Painting exhibition. Dates- 1964, 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, F. Brandt, Sydney and Frances Lewis. Subject- Art Nouveau exhibition: request for loans, lists of objects, opening event agenda, timetable, invitations, etc. Lecturer: Robert Koch. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. H. Bache and P. Near. Subject- Collector-of-the Year: Pre-Columbian gold collection, list of objects, letters to members of Collectors Circle. Dates- 196 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Request for flags from Embassy of the Federal Republic of Germany. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, P. Near and F. Brandt. Subject- Kent Bicentennial Portfolio: \"Spirit of Independence\", prints by 12 Contemporary American Artists. Rockefeller Collection of Picasso Tapestries. Dates- 11/74 - 11/75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Phillip Hofer. Subject- Philip Hofer: biographical data and lecture on Blake. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and P. Near. Subject- Block as Collector-of-the Year (1967): Collection of 19th and 20th century watercolors and drawings, reviews and agendas. Dates- 10/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Museum of Modern Art exhibition \"Art Lending Service Retrospective\", lecture by MOMA Junior Council President Lily Auchincloss, lending services, expenses and pamphlet. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Traveling exhibit on ancient Chinese treasures. Date- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press releases for Virginia's Civil War centennial Exhibition and celebration at the VMFA, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- C. Conger (White House Curator) and his collection of interior furnishings. Heeramaneck Collection. Dates- 1967, 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Blumka Medieval Collection: Preview, program agenda, invitations, etc. Damage report to Gothic Cut Velvet Cloth, Conservators report and insurance claims. Dates- 1/73 - 5/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, P. Near and F. Brandt. Subject- Exhibition of Tapestries from the House of Edgeworth and paintings, prints and drawings. Lecture, list of objects, PR, gallery plan, invitations, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek's service as a juror for \"International Glass\", gallery plan, photographs, list of jurors choice objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition \"Robes from the Forbidden City\": lecture by Alan Priest on Chinese Textiles. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, F. Brandt and P. Near. Subject- Virginia Photographer 1971, juror: Harry Callahan. Mourot Collection of porcelain. Exhibition schedules, lectures, gifts, loans of art objects, roster of Trustees. Catalog: \"Virginia Artists 1971\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Davies exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and H. Gummerus (Finnish Society of Crafts and Design). Subject- Gummerus lecture on Finnish design. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Traveling exhibition of Tutankhamun. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Bernard Von Bothmer (Brooklyn Museum). Subject- Von Bothmer account of his discovery fo the missing portion of VMFA fragment of Sema-Tawy-Tefnakht. Conservation and restoration of scribe, magazine clippings. Slides and photographs. Dates- 12/64 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Mrs. L.J. Dee (Cooper- Hewitt) Subject- Her Lecture to VMFA. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecture by Buckminister Fuller, biographical data, catalog, installation, invitations, etc. Dates- 1/59 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Contemporary Art forms of Israel. Lecturer: Avid Yafeh. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecturer: John Walker. Invitations, entertainment. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Wm. Gaines. Subject- Documentation of the making of George Steven's film. Installation, design, floor plans and cooperating agencies. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Herbert Hoffman, Perry Rathbone and Patricia Davidson. Subject- Bill S.2273: to enable works of art and other materials imported for temporary exhibition in non-profit activities to be immune from judicial process. Description of objects for possible acquisition. Exhibition design, installation, VMFA and BMFA gallery plans, invitations, etc. Dates- 9/63 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, P. Rathbone and H. Hoffman. Subject- Loans of Greek gold from the Hermitage and other institutions. Appeals to the State Department regarding Bill S.2773. Dates- 3/64 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Christine Alexander. Subject- Alexander's service to VMFA consultant on Greek and roman acquisitions. Exhibition lecture by Dorothy Kent Hill. Dates- 12/61 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Western art in Virginia collections, loan requests, film series, invitations, program agenda, etc. Lecturer: Larry Curry. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Perry Rathbone and Nasli Heeramaneck. Subject- Installation and acquisitions from the Heeramaneck collection. Lecturer: John Alexander Pope (Freer Gallery), newspaper clippings. Dates- 12/66 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Paul Mellon and Lessing Roswald. Subject- Request for loans, receiving and storage of objects. Event invitations, agenda, etc. Lecturer: Philip Hofer. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and John Koenig. Subject- Proposals for the filming and documentation of an epic film: research, selection, documentation, etc. Proposals were originally made to Samuel Goldwyn and Cecil B. de Mille. Dates- 7/55 - 2/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and L. Goodrich. Subject- Requests for loans from various collections. Text for catalog forward by L. Cheek, and essay by Lloyd Goodrich. Biographical data and newspaper clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Events schedule, agenda, invitations, pamphlets. Lecturer: Robert Doty. \"Portrait of Edward Hopper\" and drawing studies by Virginia painter, Bernard Martin. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Exhibition of art from Virginia Collections to commemorate the 10th anniversary of AIV. Request for loans, invitations, members preview, agenda, list of objects for exhibition. Lecturer: Thomas E. Norton, biographical data. Dates- 7/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Acquisition of Indian art collection. Dates- 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition of works by French artists commissioned by Claude Aveline to illustrate his poem \"L'Oiseau que n'existe pas\". Lecturer: Lawrence Alloway, biographical data. Members Bulletin vol.24 no.8 4.64. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Anne Marie Pope. Subject- VMFA display areas. Date- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from F. Brandt and P. Near. Subject- Art Nouveau Loan, list of Lewis gifts and purchases. Dates- 1971 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and C.S. Hathway. Subject- Lecture search. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Biographical data, agendas, timetables and invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Islamic rugs circulated by the Smithsonian Institute and lecture by McMullan. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J. Baskett and P. Mellon. Subject- List of paintings from Mellon Collection. Gallery preparation, storage, costs, opening festivities, interpretation of exhibition, letters to print media. Press release, newspaper clippings. Lecturers: W.G. Constable, John Baskett and Basil Taylor. Essay- \"Painting In England, 1700-1850\". Dates- 8/62 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Paul Mellon. Subject- Mellon English Painting Collection, early discussion concerning the scope and preparation of catalog and exhibition. \"Letter from Basil Taylor Dated-23 January 1963 re: Mellon Show\", letter of disgruntlement over the various stages of the Mellon catalog. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Basil Taylor. Subject- Mellon Collection of English painting, initial planning stages, lectures, installation, catalog, etc. Dates- 11/61 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Paul Mellon. Subject- Exhibition: \"Painting in England\", program of events, invitations, gallery plan, program, invitation, guest list, etc. Dates- 5/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Paul Mellon and Basil Taylor. Subject- Basil Taylor, advisor tot Mellon collection and author of exhibition catalog: \"Painting in England, 1700-1850\". Catalog foreword by L. Cheek. Dates- 12/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitations and dinner programs. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Installation, catalog, security, lecture. List of slides, media coverage. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Remarks by Paul Mellon on exhibition opening, mock-ups of booklet form. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Full color photographic reproduction of the \"Sistine Chapel\", exhibition circulated by LIFE magazine. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Demonstration of mosaic technique using contemporary materials. Dates- 5/54 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Henry Moore. Subject- Aid of Helen Norman (neighbor to Moore) on establishing a dialogue with the VMFA concerning an exhibition and visit by the artist. Preliminary exhibition plans. Dates- 10/57 - 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Henry Moore. Subject- Preview and opening night arrangements, newspaper clippings and press releases. Dates- 5/65 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and R. Neutra. Subject- Exhibition and speaking tour by the artist. Dates- 6/59 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Goya exhibition: request for loans of works by Goya, announcements, invitations, list of paintings, Dr. Priscilla Muller (curator and speaker for exhibition). Program agenda. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecturer: John S. Szarkowski. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and James Rorimer. Subject- Exhibition of Contemporary photographs. Biographical data on Ivan Dimitri and A. Hyatt Mayor. Catalog: \"Phototgraphy in the Fine Arts\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- proposed exhibitions, information about traveling exhibitions, etc. Dates- 10/48-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Perry Rathbone. Subject- Pre-Columbian gold with lecture by Allen Wardwell. Dates- 4/67 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Vincent Price as Collector-of-the-Year. Date- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- African collection from the Olsen Foundation. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Una Johnson (Brooklyn Museum). Subject- Contemporary prints from the Brooklyn Museum, invitations and announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition of the American Institute of Graphic Arts 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Wm. Gaines, F. Brandt, Anne Marie Pope. Subject- Reinstallation of the permanent collection, estimated exhibition costs, Heeramaneck collection, list of exhibitions available form International Exhibitions foundation. Exhibition catalog: John Kelly Fitzpatrick\" , photographs. Dates- 9/68 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Wm. Quillian. Subject- Exhibition of Randolph-Macon Collection. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program agenda for reception, exhibition, gallery plan. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibitions of Chinese Textiles from Minneapolis Institute of the Arts. Lecture by Alan Priest. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposed gift of \"Gates of Hell\", from the Cantor Collection. Exhibition \"Study of a Woman's Torso\". Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Rosenwald as Collector-of-the-Year, 1965. \"Master Prints From The Rosenwald Collection\", introduction by Rosenwald for the exhibition checklist. Dates- 12/64 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Corrected draft by L. Cheek. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and L. Rosenwald. Subject- Personal invitations from L. Cheek. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition announcements. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Schedule of events for the season. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Paul Tishman. Subject- Exhibition from the Tishman Collection, letter of invitation, installation, Council lecture/luncheon. Speaker: Dr. John Akar, Ambassador of Sierra Leone. Remarks by J.M. Brown and Tishman, announcements and biographical data, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mailing lists for colleges, museums, etc. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek tour of England to photograph Elizabethan Houses. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Presentation of various forms of Arts of England during Shakespeare's life in commemoration of the 4th Centenary of his birth. Requests for loans of Elizabethan objects, press release, installation, etc. Dates- 8/63 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Exhibition of 19th and 20th century paintings, reception and event announcements. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Paul Mellon (Exhibition Chair) and Wm. Constable. Subject- requests for loans, French and British sponsors of exhibition including Queen Elizabeth, Honorary Committee Members, Patrons, catalog, PR, object damage report. Basil Taylor as special advisor to exhibition. Dates- 7/58 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Consultation on exhibition proceedings, travel and lecture schedule, biographical data and text for introduction to the catalog. Dates- 4/60 - 7/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Basil Taylor, Paul Mellon and A. Eiseman. Subject- Catalog layout, printing, design, budget, cost estimates, contributions. Essay- \"Classic Horse Paintings\", foreword by L. Cheek. Dates- 1/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Recipients of free catalogs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- William George Constable and his lecture for exhibition, biographical data, Bulletin vol.20 no.8 4/60. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of British sponsors, loans, selection committee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Mailing list, opening event, program and list of lenders to exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and John G. Pollard. Subject- List of sponsors, reception: program, agenda, menus, etc. Newspaper clippings. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Traveling exhibition in commemoration of Stravinsky's 80th birthday with related settings and costumes created for his ballets. Dates- 4/61 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Exhibition of contemporary prints and multiples (3-dimensional objects of limited editions), Lewis contributions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Railey Collection of European and Asian seals, Fisher Collection of paintings and exhibition of Ruth Safford: \"Interiors of Famous Houses\". Dates- 8/61 - 2/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from F. Brandt. Subject- Problems with exhibition objects. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Damage report of exhibition objects. Dates- 11/63  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Loans of objects from Pierpoint Morgan Library. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Extension of Tutankhamen exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Sample invitation and preview guest list. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- List of objects available for loan and prices. Exhibition announcements, gallery floor plan. Lecturers: Gerald Nordland and Hilton Kramer. Dates-1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Traveling exhibit from MOMA: \"Form In The Animated Cartoon\". Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to M. Christison. Subject- Unavailability of Van Gogh exhibition. Dates- 8/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Philip Johnson. Subject- Jurors: Carroll Meeks, Richard Di Natale and Hans Namuth. Official entry forms, exhibition announcements, biographical data. Dates- 10/61 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: Gyorgy Kepes, Philip Johnson and Ivan Dimitri. Invitations, guest lists, biographical data and entry forms. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- 1st Biennial exhibition.  Juror: Romaldo Giurgola.  AIA reception and dinner, program agenda, biographical data, invitations, pamphlets and exhibition catalog. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: Sherman Lee, Harry Bertoia, Bernard Perlin. Collectors reception, purchase of artist work by Trustees, invitations, entry forms, etc. Dates- 12/57 - 2/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, P. Near. Subject- Reception for purchasers of art works from the exhibition, and catalog. Dates- 1957, 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters to Artist on their award by the jury. Exhibition catalog, juror search and entry forms. Dates- 1959, 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: Carl Wienhardt Jr., Mary Callery and Robert Vickrey. Salon des Refuse's on view at Thalhimer's, events schedule and exhibition catalog. Dates- 6/64 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Juror: William Seitz. Installation, list of purchases, invoices, PR, invitations, guest lists, etc. Acquisition from Lewis Fund. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Gordon Bunshaft and A. Bodine. Entry forms and recipients of certificates of Distinction. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and P. Near. Subject- Exhibition to travel to Charlottesville. Dates- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecture by Dorothy Miner, announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and Mr. John G. Hays (Chairman of the Expansion and Development Committee). Subject- Trustee/Museum business, formation of the VMFA Expansion and Development Committee, report of the chairman, etc. Dates- 11/47-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and P. Crum (Curator) and College of William and Mary. Subject- W\u0026amp;M students visit to VMFA, loan from W\u0026amp;M for a VMFA traveling exhibition, arrangements for traveling exhibitions to W\u0026amp;M, etc. Dates- 2/41-7/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Education and Exhibitions) and Longwood College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Farmville State Teachers College, etc., 3/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- information on VMFA traveling exhibitions and an organization membership, etc. Dates- 7/48/8/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Art Club. Subject- arrangements for VMFA slides and traveling exhibitions to LAC, etc. Dates- 3/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Lynchburg College, etc. Dates- 1/49-2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Teacher's Club. Subject- arrangements for traveling exhibitions and slides to LTC, etc. Dates- 3/46-2/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Madison College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Madison College, etc. Dates- 12/47-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between C.C. McGehee (Assistant in Education Dept.) and Martinsville City schools. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Martinsville City schools, etc. Dates- 9/51- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA Education Dept. staff and Mary Baldwin College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to M.B. College. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Mary Washington College. Subject- arrangements for traveling exhibitions to M.W. College, arrangements for lecture by Christison at M.W. College, etc. Dates- 3/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Middlesex County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to MCWC, arrangements for lecture by Christison for MCWC, etc. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Narrows Woman's Club. Subject- arrangements for traveling exhibitions to NWC, etc. Dates- 10/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Newport News Woman's Club. Subject- arrangements for traveling exhibitions to NNWC, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Education and Exhibitions) and Norfolk Museum of Art. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to NM of A, exchange publications, etc. Dates- 1/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between H. Lloyd (VMFA State Services) and Richmond County Junior Woman's Club. Subject- arrangements for filmstrips to RCJWC, shipping instructions, etc. Dates- 10/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Roanoke County Woman's Club. Subject- VMFA traveling exhibition checklists, request for information about organization membership to the Museum, etc. Dates- 4/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between H. Lloyd (VMFA State Services Dept.) and Rockingham County public schools. Subject- VMFA traveling exhibition and slides checklists, arrangements for traveling exhibitions to Rockingham Co. Public schools, shipping instructions, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between E.L. Kallop (VMFA State Services Dept.) and Scottsville High Scholl. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions and slide sets to Scottsville HS, shipping instructions, etc. Dates- 9/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Sedley Woman's Club. Subject- notification of installment of Mrs. N.B. Rollings as chairman of Fine Arts Dept. of SWC, Date- 12/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Smithfield P.T.A. Subject- art material for Smithfield schools, Date- 11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between H.V. Rennie (Assistant in Education Dept.) and Southern Seminary and Junior College. Subject- schedule of VMFA traveling exhibitions to Southern Seminary and Jr. College ('46) and arrangements for traveling exhibitions to Southern Seminary and Jr. College, etc. Dates- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Hart (Extension Dept.) and St. Catherine's school. Subject- VMFA traveling exhibition checklists, schedule for traveling exhibitions to St. Catherine's, etc. Dates- 1/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and St. Christopher's school. Subject- schedule and arrangements for VMFA traveling exhibitions to St. Christopher's, etc. Dates- 9/48-11/48.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Staunton City School Board. Subject- arrangements for traveling exhibitions to Staunton City School Board, etc. Dates- 1/52-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, various Education Dept. staff and Stony Creek Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SCWC, etc. Dates- 2/47-1/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, various VMFA State Service Dept. and Education Dept. staff and Stratford College. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to Stratford College, shipping instructions, etc. Dates- 8/48-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition checklists, schedule and arrangements for traveling exhibitions to Stuart Hall, shipping instructions, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director of Collections and Education) and Suffolk Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SWC, etc. Dates- 8/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Surry Woman's Club. Subject- arrangements for tour of the Museum and traveling exhibitions to SWC, etc. Dates- 10/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Sweet Briar College. Subject- schedule and arrangements for traveling exhibitions to SBC, shipping instructions, etc. Dates- 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA State Service Dept. staff and Tazewell Parent-Teacher Association. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions, slide sets and filmstrips to Tazewell Parent-Teacher Association, shipping instructions, etc. Dates- 11/52-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Thomas Jefferson Junior Woman's Club. Subject- request and suggestions for speakers for TJJWC, etc. Dates- 7/47-9/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA and Thomas Jefferson Woman's Club. Subject- arrangements to visit, tour and hold a meeting at the Museum, etc. Dates- 11/40-1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA State Services Dept. and Three Arts Club of Blackstone. Subject- arrangements for filmstrips for TAC of B, shipping instructions, etc. Dates- 12/52-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- address of Mrs. Woods, President. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA Education Dept. staff and Toano Woman's Club. Subject- arrangements for holding a meeting at the Museum. Dates- 1/50-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and University of Richmond and Westhampton. Subject- arrangements for traveling exhibitions to U of R, shipping instructions, etc. Dates- 3/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- catalogues from the UVA Extension Dept. including the following: Famous Italian Paintings, Famous Flemish Paintings (Reprints from Seventy Famous Paintings by Adelaide D. Simpson (1927), The Story of Venetian Painting by Mrs. Stringfellow Barr and Cecily B.D. Ryder (1928) and Catalogue of Art Prints and Books (1937), etc. Dates- 1927-1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to UVA, shipping instructions, etc. Dates- 10/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and University of Virginia Museum of Fine Arts. Subject- checklists for traveling exhibitions sponsored by VMFA and UVA, the following publications by UVA: \"Twenty-five Contemporary Artists of Cleveland, Ohio\", \"Hugh Breckenridge\", \"Contemporary Artists of Virginia\", \"Contemporary Artists of Albemarle County and The University\", \"Alexander B. Trowbridge and Olin Dows\" and \"Elinor F. Hopkins\". Dates- 4/34-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between C.Y. Casey (Assistant in Education Dept.) and Upper King William County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to UKWCWC, shipping instructions, etc. Dates- 3/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Valentine Museum. Subject- information about becoming organization members of VMFA, a loan to VMFA from the Valentine, listing of the Valentine's activities, etc. Dates- 10/35-9/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and VA Education Association. Subject- Virginia Education Association art section meetings, etc. Dates- 2/47-10/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and VA Federation of Woman's Clubs. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VA. Federation of Woman's Clubs, VA Federation of Woman's Clubs yearbook ('47/8) and Directory ('48/9), etc. Dates- 1/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA traveling exhibition checklist. Dates- 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Virginia Polytechnic Institute. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to V.P.I.'s Architectural Department, etc. Dates- 6/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA State Services Dept. and Virginia State College (Norfolk Division). Subject- checklists for VMFA traveling exhibitions, arrangements for traveling exhibitions to VSC, shipping instructions, etc. Dates- 10/52-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and the Extension Dept. and VA State University. Subject- schedule of VMFA traveling exhibitions to VSU 1945-7, arrangements for traveling exhibitions to VSU, etc. Dates- 6/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Va. Teachers' Association. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VTA, arrangements for a lecture by Christison to VTA. Dates- 12/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA Education Dept. staff and Virginia Union University. Subject- VMFA loans to VUU's art festival, arrangements for traveling exhibitions to VUU, etc. Dates- 1946-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between E.L. Kallop (State Services Dept.) and Wakefield Woman's Club and P.T.A. Subject- checklists for VMFA traveling exhibition, arrangements for traveling exhibitions to WWC and P.T.A. Dates- 9/51-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Warren County High School. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Warren Co. HS, shipping instructions, etc. Dates- 10/46- 5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between O. Hart (Registrar) and Warwick County School Board. Subject- arrangements for traveling exhibitions to Warwick Co. Schools, etc. Dates- 1/49-4/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Warwick Woman's Club. Subject- arrangements for traveling exhibition to WWC, etc. Dates- 10/48- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Washington and Lee University. Subject- checklists of VMFA traveling exhibitions, arrangements for traveling exhibitions to W\u0026amp;L, etc. Dates-1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Waverly Woman's Club. Subject- schedule of VMFA traveling exhibitions to WWC ('46), WWC visit (with lecture) to VMFA, etc. Dates- 3/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA staff and West Point Schools P.T.A. Subject- arrangements for traveling exhibitions to West Point Schools, etc. Dates- 12/50-6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, various Education Dept. staff and Westmoreland Woman's Club. Subject- arrangements for traveling exhibitions to WWC, etc. Dates- 1/48-3/49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA State Services Dept. and William Campbell High School in Naruna, VA. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wm. Campbell HS, shipping instructions, etc. Dates- 12/52-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and various Education Dept. staff and Wilson-Jackson P.T.A. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wilson-Jackson P.T.A., etc. Dates- 1/47-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.T. Rhodes (Assistant in Education Dept.) and Wytheville County schools. Subject- arrangements for traveling exhibitions to Wytheville Co. schools. Dates- 4/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Wythe Woman's Club, Hampton. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC. Dates- 8/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education), various Education Dept. and State Services staff and Wytheville Woman's Club. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC, etc. Dates- 5/49-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Y.W.C.A.-Richmond. Subject- holding a meeting (with a visit and lecture) at VMFA. Dates- 4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA State Services Dept. and Young Woman's Club of Williamsburg. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to YWCW, shipping instructions, etc. Dates- 12/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between C.Y. Casey (Assistant in Education Dept.) and VMFA State Services Dept. and Zuni Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to ZWC, etc. Dates- 8/50-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\". Dates- 12/54-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\", note-included in these files: slides from Williams College of Art. Dates- 1947-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Chairman of the art department Williams College. Correspondence and biography 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Fashion Show in cooperation with Miller and Rhoads Dept. Store and Harpers Bazaar magazine to benefit the VMFA Council, Education Fund, Council dinner, event plans and program catalogue. Dates- 12/55 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator). Subject- the Fashion Festival of Arts and Flowers presented by the VMFA Council in cooperation with Miller and Rhoads Department Store, attendance lists, newspaper clippings, etc. Dates- 3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between national director and Thomas Colt, who was the State Director of the Federal Arts Project, 1935. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and the Federal Emergency Administration of Public Works regarding a grant to construct an additional wing to the Museum. 1935-38. More applications from Museum for funds from the Federal Emergency Administration of Public Works to complete projects such as casting a bust of John B. Payne and landscaping grounds. 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Federal Emergency Administration of Public Works and Virginia Commission for the Arts material, mostly on landscaping the grounds of the Museum, 1936. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Federated Arts Council of Richmond dinner and agenda, invitations. Dates- 2/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Peter Mooz. Subject- Committee reports, events schedules, annual meeting 5/29/74, \"Festival Of The Arts\", 18th annual report, Dogwood Dell June-Aug'74. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Awards Dinner agenda, letters of confirmation, thank-you's, etc. Dates- 12/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T.C. Colt, Jr. Subject- listing of and letters to prospective fellows (founding fellows), a copy of the constitution 4/55. Dates- 3/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Prospects for new membership program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Conservation Laboratory, Library Endowment, Fellows Weekend, orientation theatre, contributions and projects, statement of purpose, agendas, biographical data. Resolution in memory of Lewis Strauss. Dates- 1964-79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Fellowship Committee minutes 1942, 1948, 1949, 1950, Fellowship Committee agendas 1950, 1951, committee report 1949/50, Fellowship Committee announcements and replies, listing of fellowships given by the Virginia Museum of Fine Arts 1940-51, etc. Dates- 1942-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison. Subject- Aplicant interviews procedure. Date- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Fellowship Fund income account, application, letters to recipients: Primm Turner, Jenny- Lynn Franklin and John D. Norwood. Dates- 5/54 - 5/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Essay- \"Outline for a Proposed Film for the Virginia Museum of Fine Arts\" by Vavin, Inc. 3/60.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1947, 1948, 1950, Finance Committee meeting minutes 1948, 1949, 1950, letters soliciting opinions from Trustees about stock purchases and committee resolutions and replies, VMFA Pooled Endowment Account 1949, stockholder information , etc. Dates- 1947-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1950, 1951, Finance Committee meeting minutes 1952, committee report 1950, status of capital funds listing 1950, list of securities held and cash balances, financial transactions, etc. Dates- 1950-2. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1952, 1953, Finance Committee resolutions 1953/4, Capital Funds Investments and Cash listings 1952, 1953, stockholder information, financial transactions, etc. Dates- 1952-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1955, Finance Committee resolutions 1954, a listing of Finance Committee meetings and actions in writing 1948-56, financial transactions, stockholder information, statement of endowment investments 1955, pooled investment listing 1955, investment changes for the period 4/30/55-12/31/55, etc. Dates-1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Lawler Fund. Dates- 10/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- stockholder information (i.e. annual and quarterly reports of companies). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee resolutions 1948/9, excerpts from Finance Committee meeting minutes 1939, 1951, Date- 3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from A. Nicholas. Subject- Statements of income, balances, private income, special purchase funds, operating budget, etc. \"Virginia Museum Semi- Annual Financial Report Dec. 31, 1970\" , \"Summary of Financial Support\": 1935- March 31, 1971, 19l35- June 30, 1969, Art Purchase Funds, Capital Outlay Programs to purchase land and buildings, List of Art Purchases 1970-71. Dates- 6/70 - 10/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and G. Martin. Subject- Responses to questionnaire from various theatre directors, VMT regulations. Dates- 1965 -66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT Statement of Purpose, application for Samuel Tate Morgan and/or George Seay Memorial Trust Funds. Letter of grant award for the expansion of VMFA Library holdings and list of books purchased, newspaper clippings. Dates- 5/69 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Administrator, Richmond Area University Center. Correspondence with 1949-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Memorial for Col. Herbert Fitzroy, letters of receipt of contributors to purchase a sculpture to be placed on permanent exhibit in Artmobile II: \"Crowing Rooster II\", G. Marcks. Dates- 10/67 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- information about proper display of U.S., U.N. and VA flags. Dates-11/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns cultural development there. 1957-59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Agreement on the Importation of Educational, Scientific and Cultural Materials\", Bill signed on 6/24/59, press release. Unesco sponsored agreement to eliminate tariffs and special import taxes on educational, scientific and cultural materials. Dates- 9/59 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Horace S. Flournoy. Subject- repair of heating system at the Museum. Dates- 10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- plantings around the Waddy Fountains at the front of the building, lawn and plant care, listing of growing plants used, etc. Dates-6/54-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA staff and Harvard University's Fogg Art Museum, mostly regarding the loan of a Copley portrait for the Museum's inaugural exhibition, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, J. Coolidge (Dir., Fogg). Subject- General correspondence regarding conservation, authenticity of objects, employment referrals, research, etc. Dates- 4/52 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- arrangements for Folktale Marionette Theatre to perform at VMFA in Dec.1953, etc. Dates- 3/53-1/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- visit of Mrs. Henry Ford II, to see VMFA operations. Dates- 3/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about a Virginia artists watercolor exhibition sponsored by the Ford Foundation Title \"Virginia by Virginians\", copy of an invitation to Mr.and Mrs. Ford to the opening, etc. Dates- 1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- newspaper clippings and statement of purpose of the Ford Foundation. Dates-12/48-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Ford Foundation. Subject- proposal of VMFA serving as regional center for Ford Foundation's creative artists selection program 1958, proposals for Foundation support, Foundation publications, etc. Dates- 10/50-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., J.M. Brown and Ford Foundation. Subject- information about applying for Ford Foundation support, Foundation publications, etc. Dates- 10/59-10/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Program for Painters, Sculptors and Related Artists. Letters to jury members, entertainment. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., and the Ford Foundation. Subject- the Museum as a locale for the premiere art exhibition to be featured in the March issue of the Ford Times, an exhibition highlighting VA artists named \"Virginia for Virginians\", included are copies of the exhibitions' gallery guide, invitations to the preview and a copy of the Ford Times feature issue. Dates- 11/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and American Association of Museums (AAM). Subject- roster of foreign museum Directors visiting VMFA on a AAM sponsored tour (in cooperation with the State Department), biographical information on visitors, etc. Dates- 3/65-5/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to VMFA staff. Subject- memos about arrangements for luncheon held at Museum for international newspaper people. Dates- 6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposal for VMFA travel program, tour estimates and brochures. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition preview speaker: Ariad Yafeh, biographical data, reviews and photographs. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Guest lists for opening event, sample letters for invitations and replies. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about museum practices, Cheek serving as honorary member of advisory committee of Directors and Curators, etc. Dates- 3/52-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Keith Fowler. Subject- theatre operations, policies, programming, newsletter to friends, volunteers and theatre subscribers, etc. Dates- 10/69-12/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between William Francis and L. Cheek, Jr. Subject- Museum publications business and arrangements, etc. Dates- 12/64-9/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Governor Peery, T.C. Colt, Jr. and Douglas S. Freeman, president of the Confederate Memorial Institute. Subject- Transfer of the John B. Payne collection from the Battle Abbey to the museum. Dates- 1935-39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with L. Cheek, Jr. Subject- mostly professional matters, but some personal information is given. Dates- 1948-53.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and French and Company. Subject- French and Company, Inc. art dealers, loans, conservation work, proposed sales to Museum, photos and descriptions of objects, etc. Dates- 6/46-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject- photo requests from the Frick Art Reference Library, reference questions, exchange publications, etc. Dates- 2/46-9/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Friddell was columnist for the Richmond News Leader. Correspondence with Cheek, 1949-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- memo about calendar of Museum events, mailing to American Ballet Theatre Friends, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Preparation plans for \"George Stevens Makes a Film\", an exhibition based on the making of an epic film (The Greatest Story Ever Told), installation, cost estimates, etc. Dates- 1/64 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Search for Egyptian objects to purchase, exhibitions: Sport and Horse and American Folk Art, College Drama Festival, loan of P. Klee works, collectors circle, Biographical data, Fellows, donation, gifts, Segregation in VMT, background information on paintings for Wm. Henry Yates, Marshall Research Library, Poetry Society of Virginia, Glasgow Estate. Accessions and gifts: \"Tree\", H. Gray; E. Hopper; Rutherford Goodwin, Jr.(signature). Dates- 1/55 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General museum business, inter-museum memos. Richmond Sinfonia, special purpose gallery, exhibition policy. Museum television, funding sources, COVAO conference, sale of Artmobile I, Council, newspaper clippings, pamphlets and funds generated through programs division, letter from Robert Indiana.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Bill (William) Gaines (head of Programs Division). Subject- programming educational, exhibitions, films, affiliates, etc., Museum operations, etc. Dates- 3/70-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Acquisitions, objects for purchase consideration, various newsletters, exhibition catalog: \"Nature As Scene\". Dates- 4/76 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with other museums. Subject- exhibition announcements, information about loans to other museums, etc. Dates- 3/53-3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Dir. for Collections and Education) and Mr. Charles Seymour (Yale University). Subject-request to look at the Museum's collections. Dates- 2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Col. Edgar Garbisch and L. Cheek, Jr. Subject- gift to VMFA-Junius Brutus Stearns paintings of life of George Washington, photos and information about paintings, biographical information about Garbisch, etc. Dates- 1/50-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- arrangements for the 50th anniversary dinner of Garden Club held at VMFA, etc. Dates- 9/68-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns the Garden Clubs of Virginia and America 1958-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., J.M. Brown and Mrs. T. Fleetwood. Subject- Mrs. T. Fleetwood as a Trustee, Trustee business, gift to Museum, etc. Dates- 5/64-7/75. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Landscape Architect for Museum. 1957-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by John Garland Pollard, Jr. Subject- invitation to members of General Assembly to use Museum facilities, announcement of a reception for General Assembly members spouses, VMFA Members' Bulletin vol.20, no.5 1/60. Dates- 1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters sent to members of the General Assembly 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and Gibbes Art Gallery. Subject- Brown working on problems of the Gibbes Art Gallery, \"Report to the Board of the Charleston Art Association\" co-written by Brown, etc. Dates- 12/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trustee, Executive Committee. Dates- 1950-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mr. George D. Gibson as Trustee, Trustee and Local Building Committee business, copies and excerpts from minutes of the Executive Committee 1948-53 dealing with VMFA building, news release 6/57 about Gibson being elected VMFA President, etc. Dates- 12/52-11/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mr. George D. Gibson, a lawyer with Hunton, Williams, Gay., Moore and Powell. Subject- flooding at the Museum, building inspections, structural problems with the building, the shipment of a Watteau painting to VMFA, a Melchers gift, etc. Dates- 7/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown. Subject- acknowledgments of receipt, thank you letters to donors for gifts of all kinds (money, books, equipment, etc.,). Dates-11/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mr. Arthur G. Glasgow. Subject- gifts to Museum, Museum events, information pertaining to the Estates of Margaret Branch Glasgow and Arthur Graham Glasgow. Dates- 2/54-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr., J.M. Brown and Walter S. Robertson (VMFA President). Subject- transcript of remarks by Governor Mills E. Godwin, Jr. at Southeastern Theatre Conference 1966, Museum events, Mrs. Godwin to serve as honorary chairman of Entertainment Committee, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- President of Princeton University. Request for him to lecture at Museum. Dates- 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Associated Artist Gallery, Washington, D.C. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Candidate for Theatre Director-Producer 1957.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mrs. Pollard was a member of the Goodwin Memorial Commission appointed by the state to erect a scroll honoring the Reverend William Archer Rutherfoord Goodwin, former rector of Bruton Parish Church and man who dedicated his life to the restoration of Colonial Williamsburg, 1950-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and Mr. F.D. Gottwald. Subject- agreement and arrangements to establish Elisabeth Shelton Gottwald Fund. Dates- 4/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- copy of report on Museum, recommendations to Museum made by Governor's Management Study Group. Dates-7/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Mills Godwin and Peter Mooz. Subject- Budgets: cutbacks, executive order, appointments to VMFA Executive Board, creation of job positions, Museum organization charts, Melchers Estate, Arts Commission, Executive Mansion furnishings and lists of objects. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- arrangements for unveiling (10/5/71) of new acquisition of Goya's painting- General Nicholas Guye guest lists, invitation, news releases, photo and information about painting, etc. Dates- 9/71-2/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- \"General Guye\", Goya. Special event, agenda, invitations, etc. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with John Graham (Curator, Colonial Williamsburg). Dates- 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Related to the death of Mr. Gray and his family. His bequest to the Museum and a memorial to him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. Horace Gray, Trustee. Subject- Museum business, biographical information about Horace Gray, VMFA Members' Bulletin vol.19, no.6 (2/59), etc. Dates-5/51-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about hiring Mr. Paul Grigaut as head of Collections Division, Museum practices, information about Museum Collections catalogues, etc. Dates- 6/62-4/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Theft-general. Contains one newspaper clipping 5/28/62.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- correspondence with Senator Raymond R. Guest, announcement of gift to Museum of bronze gates, Museum events and business, etc. Dates- 11/48-5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and L. Cheek. Subject- List of sites for guidebook , roster of names for nominating committee, letters to publishers, price structure, biographical data, promotional information, outline for publication by the Trustees for \"An Official Guide To Four Centuries Of Building In The Old Dominion\". Dates- 4/66 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Finnish Society of Crafts and Design 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, F. Brandt, F. Haseltine. Subject- Installation of \"Symbol\" at Phillip Morris site, invitation mailing list, reception agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown, F. Haseltine, P. Near. Subject- Exhibitions, VMT, loans, gifts, endowments, biographical data, invoice for work restored, acquisitions, installation of Heeramaneck Collection, Pastorale fund, Project Grant Application, Tax Status. Essay- \"A Brief Summary of Accomplishments of the Virginia Museum of Fine Arts\", 1962-64. Dates- 9/51 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mr. Haller was a public relations consultant hired under special circumstances and kept off of the state payroll. This letter pertains to this and circumventing the state system 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and S. Robertson. Subject- AAM meeting in Williamsburg, increase in security staff at VMFA, Artmobile, Executive order from the Governor's office to divide the Board of Trustees into five divisions. Request for authority to prepare Capital Outlay Plans for South Wing, invitations to serve on various committees, presentation of Webster S. Rhoads award to Gov. Harrison, newspaper clippings. Dates- 5/61 - 11/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and Public Buildings Administration (Federal Works Agency). Subject- Harrisonburg post office mural competition (Colt served on the jury of selection and advisory committee) and contract with Public Buildings Administration. Dates- 2/41-10/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cheek's 25th college reunion and an art exhibition in conjunction with the reunion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Melissa Hayden and Andre Eglevsky. Dance performances at the VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mrs. John G. Hayes, Sr. Subject- Trustee/Museum business, money to the John G. Hayes Endowment Fund, etc. Dates- 11/49-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. J.G. Pollard and W. Rhoads. Subject- John Green Hayes Memorial Fund. Dates- 5/48 - 11/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter of appeal from VMFA to Hearst Foundation for financial assistance. Dates- 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Biographical data, press release and his presentation to the AAMD, newspaper clippings. Dates- 4/62 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lecturer for the Latin American Exhibition 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT: tour schedule, HEW grant proposal, \"A Cultural Program in the Dramatic Arts for Virginia High School Students\", newspaper clippings, postcards, reviews, project budget, financial support. Dates- 5/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Travel Itinerary, loans , VMT productions, collectors circle, LOAS (Loan-Own Art Service), search for prospective jurors, letter to Helen Hayes to address VMT, biographical data, gallery plans, invitations to preview Hogarth exhibition. Dates- 9/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Request for luncheon and agenda. Dates- 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison. Subject- Request for VHS to hold annual meeting. Dates- 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to Col. Hodges (Membership Chair). Subject- Trustee/Museum business, Hodges served as the Chairman of the VMFA Membership Committee, etc. Dates- 11/35-3/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA Bulletins: vol.26 no.3 and vol.27 no.6. Hogarth lecture to VMFA, itinerary, biographical data, Wm. Blake exhibition. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Candidate for Theatre Director 1957. Contains resume and letters to, from, and about him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, P. Davidson, and P. Rathbone. Subject- Exhibition: \"Treasures of Alexander\", request for loans, list of objects in connection with exhibition, installation design, theft of Nike Earring. Dates- 9/63 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Term as a Trustee and Fellow at VMFA and as a Trustee at Norfolk Museum, Exhibition: Treasures from the Norfolk Museum. Gifts and donations. Dates- 9/61 - 4/3 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Collectors circle, Fellows, Trustee, gifts and donation. His service as a Trustee at the Chrysler Museum. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information on state holidays. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and Gov. Holton. Subject- Proposal for a Bill to organize a citizens advisory committee to improve furnishings and interpretation of the Gov. Mansion. Statewide Building Code, Administrative Amendments 1/29/73, Sec. 873.5. List of participants and Museum conference notes to determine how Va. Museums can assist one another, Inauguration arrangements committee, rosters: House of Delegates, Senate and legislature. Essay- \"The Holton Years: A Summing Up 1970-1974\". Dates- 9/61 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and Reports from the Honors and Awards Committee and the Board of Trustees, 1948-56. Much of this concerns Mr. and Mrs. A.D. Williams, The Katherine Rhoads Fund and the Webster Rhoads Medal, and Arthur and Margaret Glasgow, letter regarding the Mary Samuel Davies Bright Memorial. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Arts and Humanities Commission, Pratt Estate, Cabell Foundation, Ford Foundation: VMT underwriting. Trustee interviews, gifts of appreciated property. Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper clippings, photographs. Dates- 10/8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and J.M. Brown. Subject- Parsons Fashion Show, slides, pamphlets, newspaper clippings. Dates- 8/63 - 7/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Seating arrangement. Dates- 11/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J. Sweeney and Lee Malone. Subject- \"Design In Scandinavia\", Cheek's remarks. General correspondence concerning museum loans and policy. Dates- 4/63 - 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Miss Nora Houston and T.C. Colt, Jr. Subject- biographical information, information about exhibitions she participated in, proposed acquisition of her work, etc. Dates- 4/36-2/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- U.S. House of Representatives, New York State. Correspondence concerning government support of the arts. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Copy of his speech given at the Architectural League Symposium 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Term as a Trustee, membership campaign, budget committee, newspaper clippings. Dates- 5/59 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Fellow, VMT, Exhibitions, Artmobile, long term loan of 18th C. Dec, Arts objects, Hogarth exhibition, contract bid for landscaping, North Wing. FILM: \"THE ART of THE CONSERVATOR\" Dates- 2/64 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Trustee, Fellow, gifts. Remarks concerning Fellows meeting, Draft of Executive Committee Meeting Minutes, 12/8/70. Official application form for AAM accreditation. Art Nouveau Collection, Council lecture and luncheon with draft of suggested remarks delivered by C. Humelsine. Dates- 1969 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Requests for catalogues, loans, exhibition announcement, proposal for an \"International Traveling Exhibition\", technical info on Ivisiglass. Dates- 4/45 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- RSVP's to auditorium inauguration, thank you notes to musicians used for the opening, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Innocenti and Webel (landscape architects) concerning VMFA grounds. Dates- 7/64 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison, L. Cheek, T. Colt and Mrs. Pollard. Subject- Requests for publications, general information regarding VMFA collections, exhibitions and museum operations. Dates- 10/35 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General information on exhibition installations.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains one brochure, 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- insurance against air raids and other war damage, correspondence with other museums about war risk insurance. Dates- 6/42 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, L. Cheek, Jr. and M.B. Christison (Assistant Dir. for Collections and Education). Subject- damage claims to art objects we lent and/or were on loan to the Museum. Dates- 11/49-11/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Samuels Collection [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Draft of the Constitution and By-Laws of the proposed Virginia History and Museums Federation. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- ICOM statement of mission, travel expense records, membership and financial statements, pamphlets, Minutes of Executive Committee 1/30/60, 5/25/65, Annual Report 1965, newsletter, pamphlets, etc. Dates- 1961 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Annual Reports, Statutes, guidelines for International Rules of National Committee, Museum Training Programs, Newsletters, Minutes of Annual Meetings, budget, membership, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Mrs. J. Pope (Pres. IEF) Subject- Invitation to become a member, statement of mission, list of officers, IEF Financial Report 12/31/72, Annual Report 12/1/72, NEA award, catalogue listings, list of traveling exhibitions 1966-72. Dates- 1966 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Anne Marie Pope. Subject- Lists of current and planned exhibitions, events schedules, minutes of annual meeting. Dates- 1973 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Article from \"Preservation News\", 1/71 vol., XI, no.1 and Sunday Supplement from New York Times. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown, P. Near, Phillip Johnson. Subject- P. Johnson's advise of design of the New Wing and as possible juror for Va. Biennial. Rotunda Club, Jamestown Festival, Robinson House, Hogarth Exhibition, Jr. League activities, and restoration of downtown Richmond. Photocopy of text from letter between Wm. Fitzhugh to Charles Carter 11/30/1796, pamphlets, donations, gifts. Dates- 12/55 - 12/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from W.S. Robertson. Subject- Letter of appointment to Executive Board. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 350th Anniversary. 1955-57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information on the Museum's contributions to the celebration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek to serve on advisory committee and certificate of award for his service, presentation of Pocahontas portrait for permanent display, \"Report From Sub-Committee, Jamestown Commission\", 10/30/57. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- photos of the \"Japanese Architecture\" exhibition, printed material for the exhibition, arrangements for bringing the Japanese Charge d'Affaires to VMFA, transcript of remarks made by Mr. Shima (Japanese Charge d'Affaires) at the opening preview, etc. Dates- 4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Itinerary and agenda for East Meadow High School of East Meadow L.I., New York. Dates- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown. P. Near, A.P. Jenkins. Subject- A.P. Jenkins collection, gifts and contributions, loans, Fisher rug collection, B. Barenson, Ash Lawn, Caligula statue, invitations, agendas etc. \"Art Now: New York\" vol.2 #10, University Galleries, 1970 (contains large color plates). Conceptual statement for Cabrillo Marine Museum. Dates- 8/54 - 9/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Jay W. Johns. Subject- Trustee/Museum business, gifts to Museum, information about an Evelyn Byrd portrait by a disputed artist (Kneller or Bridges), etc. Dates- 6/35-9/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- J. Johns service as a Trustee and Fellow, gifts and donations. Dates- 4/50 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- B. Johnson's (Conservator of L.A. County Museum) observations concerning the authenticity of a Veronese painting and his personal collection of pre- Columbian sculpture and Asian ceramics. Dates- 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and T. Catesby Jones. Subject- Jones' collection of modern paintings and sculptures, gifts to the Museum art and books, letter from Jean Lurcat, etc. Dates- 3/41-12/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- The loan of Mrs. Catesby's collection of French Modernists to the VMFA and gifts. Dates- 2/50 - 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from l. Cheek, R. Guest (Fellows, Chair) and W. Robertson. Subject- Her appointment as a Trustee and role as chair of the membership committee. Dates- 7/64 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- State Supervisor of Art, 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- purchase requests for photos. Dates- 3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to J.M. Brown. Subject- Agenda and letters of confirmation. Dates- 6/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Volunteers at the Museum, 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter of confirmation. Dates- 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Letters of recommendation, resumes, prospective jurors, exhibition: \"Ugliness in Virginia\", Robert E. Lee Memorial, Fellows, gifts, donations, pamphlets. Acquisitions: Artists, Duane Hanson and Stephen Posner. Dates- 4/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Karolik collection of American Painting, Artmobile and Collectors Circle. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Maxim Karolik. Subject- proposed lecture for exhibition \"The Karolik Collection\", printed material for exhibition, etc. Dates- 9/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Illumination exhibition for the American Federation of Arts: proposal, budget, exhibition news, advisory committee and Minutes of 1st Meeting 11/23/64. Dates- 1/65 - 2/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek as member of the Council for the Kennedy Center and Board of Trustees, bulletins, progress reports and newsletters and a letter from Jacqueline Kennedy dated 1/14/66. Dates- 2/59 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and H. Willett (Supt. of Rich. City Schools) Subject- Letter to F. Keppel (Asst. Sec. of HEW) concerning a Math and Science Center. Essay- \"Proposal For a Supplementary Mathematics and Science Center\". Dates- 11/65 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters of request and confirmation, menu and tour. Dates- 8/71 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Pamphlets: \"The Library - Documentation Project spring 70\" , \"The Urgency of Our Mission\" and \"Statement of Purpose Fall 1969\". Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J.G. Pollard, T. Colt, L. Cheek and Harry Brooks. Subject- Requests for publications, provenance of Italian Renaissance painting being considered for acquisition, loans, pamphlets and shipping invoices, etc. Dates- 2/46 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, T. Simmons (Knoll) and Florence Shu Knoll. Subject- Interior design and furnishings of the Members Suite, offices, restaurant and Library, Knoll Catalogue 1956, newspaper clippings. Dates- 2/49 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Portrait commission of L. and Mary Tyler Cheek and his exhibition at the Museum of the City of New York. Information about introduction to exhibition catalog. Dates- 1/63 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Parson's School of Design. Design consultant VMFA 1954-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- The creation of layouts of loan exhibitions and permanent displays, agendas, job description, newspaper clippings, biographical data, postcard, etc. Dates- 2/58 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mr. Koenig was a guest promotion director at the VMFA 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to contributors of memorial fund. Subject- Memorial established by the Theatre Associates of VMFA, sample of bookplate in his memory. Dates- 4/62 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Samuel H. Kress Foundation 1958-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence about bill and payments with Kuhn. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artmobile project for the Arkansas Arts Center, \"Let's Go, Reflections on the Art of Administrative Leadership\". Dates- 8/62 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Chapters/Affiliates, newsletters, Lectour broadcasts, newspaper clippings, invitations, Lawler Memorial Fund, Artmobile. Artists: Pietro Lazzari, Janice S. Lemen, John Gadsby Chapman, photograph. Dates- 5/58 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown and P. Near. Subject- Publication requests, gifts, contributions, collectors circle, Fellows, suggested bequest wording, Artmobile, loans, exhibition announcements, NEA questionnaire: \"Conservation in Museums- August 1971\", restoration and condition report of \"Battle of Yorktown\", Lami. Artists: Mario Dubsky and Eugene Berman. Gift and donations: \"La Sympathie\", Pettijean. Date- 11/62 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Port Sunlight, Chesire England.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and the VMFA Board of Trustees. Subject- To prevent the construction of the Valentine Museum's Latrobe Theatre. Dates- 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lecture by Cheek to the College Art Association 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to E. Cless (program Consult., U. of Minn.) Subject- U. of Minnesota Institute on Administration and Services in the Small Art Museum, program agenda, travel schedule, list of registrants for the seminar, report on the panel on museum publications, pamphlets, map, etc. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek to G.H. Holmes (Dean of U. of Pa.). Subject- Urban Criticism, experiences in traveling exhibitions on city planning, resolutions and solutions on urban problems. Biographical data on participants of conference, travel expenditures, agenda. Dates- 7/58 - 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Priscilla Crum to Prentiss Taylor. Subject- lecture by Taylor, Wednesday evening programs schedule 1948, proposed schedule 1947-8, etc. Dates- 9/47-1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and M.B. Christison. Subject- prospective speakers, films, etc. for programming. Dates- 10/48-12/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- schedules for Wednesday evening and musical programs. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lectures given by L. Cheek, Jury duty lists, consultations, invoices, expense records, agendas, pamphlets, magazine excerpts, Essay- \"The Place Of The Arts In Our American Culture\", by L. Cheek. Dates- 1953 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lectures given by various members of the VMFA staff. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from D. Nicholas. Subject- Procedure and policy concerning VMFA security.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Monthly newsletters on \"Reflections on the Art of Administrative Leadership\", L.H. Kurtz, publisher/editor. Dates- 9/62 - 11/64, 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown, P. Near C. Humelsine, F. Brandt and Wm. Gaines. Subject- Art Nouveau Fund: list of purchases, legal document of fund establishment. Artmobile and contemporary Art Purchase Fund. Dates- 5/67 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Possible sources for the purchase and restoration of the Alexander-Withrow House, Lexington, Va. Dates- 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- D. Liebes (color consultant and textile designer) on proposed text for her essay to appear in AIV and her lecture to be given at the VMFA on crafts and the creation of VMFA Craftsperson - residence. Dates- 4/63 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and E. H. Bushbeck (Kress Found.). Subject- Drawings and description of Dr. Reinhardt's gallery in Switzerland. Dates- 2/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and V. Gaskins (asst. to L. Cheek). subject- Planning of VMFA lighting facilities, \"Art Museum Lighting\", 2/59, excerpt from a journal of Electrical construction and Maintenance. Dates- 2/59 - 9/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposal of Library-Museum at Lincoln Center. Dates- 2/59 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ralph Linton Collection of African Sculpture. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Requests for loans of furnishings to other state properties. Dates- 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of loans under consideration, loans to ambassador residences in England and Australia. Photographs. Dates- 2/61 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and director of Louvre. Subject- Poussin exhibition at Louvre and VMFA loan of \"Achilles on Skyros\" and Delacroix exhibition, loan of \"Deliverance of Princess Olga\". Dates- 10/59 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lighting Technician, VMFA, 1953-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and C.B. Lusk. Subject- Lighting instruments and technical drawings. Essays- \"Lusklite as developed and used at the VMFA\" and  \"The Installation and Lighting of Exhibitions at VMFA\" Dates- 8/56 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.R. Duncan and Gordon Huff. Subject- Expansion of Lynchburg Arts Center to become an affiliate, loans for opening gala, suggested text for print media, schedule of events, Artmobile, Lynchburg Arts Center Executive officers. Introductions for L. Cheek and W. Robertson, travel itinerary. VMFA lecture series: Building For The Arts 1965-66, pamphlets. Dates- 5/62 - 7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposal for \"The National Arts Center of New York University at Washington Square\", Exhibition: \"Tastemakers\", based on R. Lynes Book. Official guest list for opening reception. Dates- 10/54 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, L. Cheek, P. Near and F. Haseltine. Subject- Membership, gifts, personnel references, loans, Jamestown Foundation, proposal for commission of sculpture in F\u0026amp;M Plaza. Acquisitions and gifts: Egyptian cups, Coptic sculpture, Bertoia drawing. Dates- 4/61 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Macbeth Galleries. Subject- loans for inaugural exhibition and general correspondence about proposed acquisitions from Macbeth galleries. Dates- 9/35-7/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Orders and correspondence for back issues of Bulletins and magazines, 1946-47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Alessandro Magnasco, Painting 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mailing and sign schedules, roster of names and institutions. Dates- 1960 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mailing and events schedules. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, P. Near, D. Isley (Norton Simon Collection). Subject- Press releases, shipping, installation, purchase invoice, info regarding owners of the other castings. Photographs and slides. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Paul Manship. Subject- designing the John Barton Payne medal. Dates- 9/36-10/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and W. Robertson. Subject- His Service as a Trustee, Fellow, and chair of Trustee Budget Committee. Biographical info, Artmobile, 25th Anniversary of VMFA, museum business, financial statements, Education In The Arts. Dates- 12/56 - 5/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Long Island Historical Society. Subject- Provenance, purchase through Glasglow Fund. Dates- 12/55 - 1/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Resume, photo, agenda, NEA grant request. Dates- 4/65 - 5/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- M. Baldwin Choir Program, Alumnae issue Bulletin concerning visit of Pres. Eisenhower. Invitations, Fine Arts Center, Woodrow Wilson Project. Dates- 2/56 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Julien Binford. Subject- Mary Washington Arts Center, invitations, VMT, loans of art works, newspaper clippings. Dates- 11/49 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Gifts to VMFA. Dates- 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mrs. William R. Massie. Subject- Trustee/Museum business, etc. Dates- 12/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecture: John Goldsmith Phillips, biographical data, press release and catalog list. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecturers: V. Isabelle Miller and Mrs. Yves Henry Buhler. Press release, publicity schedule and photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- floor plan, instructions for installation for exhibition \"Masterpieces of Chinese Art\", printed material for exhibition, thank you notes to lenders to the exhibition, etc. Dates-11/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Candidate for the Theatre Director Position. Contains resume and applications, letters of recommendation etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Director of Public Relations for 20th Century Fox. Speaker at the Museum 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Public Information Division VMFA. 1955-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Director of Vassar College Art Gallery, requests for publications, lecture. Term as curatorial research asst. at VMFA. Dates- 9/53 - 6/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Dedication of new Library, loans, invitations, VMT, Farewell gift to Mr. and Mrs. Cheeks with poem. Gifts, contributions, G. Melchers memorial. Dates- 2/60 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- General membership information, loans, press release, invoices, newspaper clippings, etc. Art Nouveau Collection. Letter to L. Marden (residence designed by Frank Lloyd Wright). List of Artists editions: prints and objects from Multiples Inc., NYC, price list and description. Artist: Phillip Lindsay, signature. Acquisitions: Monet, van der Helst and Rodin. Dates- 12/69 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and French and Co., Inc. Subject- pieces sold to and installed in the Museum, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposal to establish an Institute of Mediterranean Culture at U. of R. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Carroll L.V. Meeks. Subject- thank you notes for visit to New England personal friendly letters, etc. Dates- 4/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, Mrs. Pennell (Membership Secretary) and Mrs. Gari Melchers. Subject- VMFA members in Fredericksburg, postcards, gift to Museum , etc. Dates- 12/35-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Her service on the Executive Committee, Melchers Estate, budget, gift status of \"Dead Jockey\", E. Degas. Contributions, gifts, newspaper clippings, biographical data. Dates- 4/56 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt (Dayton Art Inst.) and Dr. Higgins (Chair of VMFA Board), J.M. Brown. Subject- \"Disposition of Mr. Gari Melcher's Estate Excerpted from Virginia Museum Minutes Books, No.4,5and6\" , prepared by A.W. Statnaker, Asst. Administrator 7/17/74. Resolution, re: \"Belmont As An Art Center And Museum\" and \"Opening Of The Belmont Facility To The Public\" , Executive committee Minutes. Dates- 5/74 - 11/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Melchers estate/bequest to the Museum, agenda and minutes of Gari Melchers Memorial Committee 5/56-10/56, report and proposals of that committee. Dates-5/56-10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- appointments to committee, general operation of Estate, suggested budget, list of Melcher paintings owned by VMFA, loans of art works, drawings/blueprints: G. Melchers Studio air conditioning system and proposed plaque for ashes of Mr. and Mrs. Melcher. \"Belmont Agency Agreement\", Bill to transfer Melchers Memorial from VMFA to Mary Washington college. Dates- 4/56 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- First Chairman of Fellows: 1st Annual Meeting and statement of purpose. Exhibitions: English Painting, French Portraits, Sport and Horse, Artmobile. Old Dominion Foundation and his membership on the Executive Committee, gifts, donations and contributions. Dates- 2/38 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His membership on the Board of Trustees, Fellows, Collectors Circle. Biographical info, loans of art works from his personal collection, donations and gifts to VMFA and the National Gallery, Artmobile, as a recipient of the Benjamin Franklin Award: statement of purpose, nomination form, list of contributions, newspaper clippings, photocopies of magazine articles, invitations , etc. Dates- 1965 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and W. Robertson. Subject- Collectors Circle, Fellows, term as VMFA Vice President. Press releases, newspaper clippings, contributions and gifts. Dates- 4/60 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison. Subject- Members lecture series. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Wm. Higgins, Jr. (Pres.) and C. Humelsine (Pres.) Subject- Draft of letter to membership regarding schedule of events etc. Dates- 9/71 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program where paintings from contemporary Virginia artists would be loaned (rented) to members to have in their homes. Members could also purchase the paintings. \"Designed to bring the work of Virginia artists into the homes of Virginia citizens.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Wm. Higgins. Subject- Monthly membership report summary, Chapters/Affiliates reciprocal membership program, letters of general correspondence to the membership. Dates- 4/70 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- minutes of the Membership Committee 1/48, 2/49 and a letter supporting the proposed theatre wing from Mrs. Wm. Trigg, Jr.(Civic Theatre Committee, Div. of Recreation, City of Richmond). Dates- 9/47-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Membership report, promotion, agenda, roster of committee members, minutes of committee meeting. Dates-8/72 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes of membership committee, elements of campaign to attract new members and move members to higher categories. Dates- 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Guided tours for prospective members, agendas, schedules, newspaper clippings, excerpt from Minutes of Executive Committee 12/14/72. Dates- 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Webster Rhoads (Pres. of Museum Board) and R.A.Velz (Administrator). Subject- list of new museum members, request form for membership, Membership Reports 1954-5 and 1955-6, list of membership privileges, etc. Dates- 11/55-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. W.A. Nones (Chair, Trustees), J.M. Brown and C. Humelsine. Subject- General membership information, schedule of events, calendar, pamphlets, etc. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- membership rosters of local organizations, copies of a cover letter soliciting members, etc. Dates- 1/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Survey results, years of membership, exhibit preference, age, attendance, annual contribution. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- planning stages for corporate memberships, proposed fees, privileges, etc., counsel from other US art museums, list of corporations to be approached about the idea, etc. Dates- 1946- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Corporate membership drives, presentation to J.C.'s, excerpt from Newsweek. Dates- 6/60 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison. Subject- Members art studio classes and lecture series. Dates- 6/54 - 9/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 6/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 9/54-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and R. Velz. Subject- memos regarding segregation and other policies at the Museum. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison, L. Cheek and R. Velz. Subject- Miscellaneous information concerning collections in general: treatment/condition reports, insurance, loans, installations, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- Miscellaneous museum operation: Artmobile, Art Lending Service, Virginia Artists, lists of objects on loan, exhibitions, damage reports of objects and gallery inspections, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- inter-office memorandums on various subjects. Dates- 12/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison, L. Cheek and H. Glasser. Subject- Exhibitions, Pratt Collection, gallery inspections and all manner of museum operations and programs. List of lost objects on loan to the Bon Air School for Girls. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- Inter-office memos concerning insurance valuations, loans, lectures, library, exhibitions and policy on filing acquisitions data and damage reports. Date- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Pamphlets published by the state Department of Mental Hygiene and Hospitals and the Mental Hygiene Society of Virginia. Dates- 1951-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and various staff at the Metropolitan Museum. Subject- museum practices, long-term loans of Egyptian art and artifacts, securing speakers, etc. Dates- 1/55-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J. Rorimer (Dir., MET) and A. Priest (Curator, MET). Subject- Damage to MET's \"Bacchus\", objects to purchase, loan requests. Acquistions and gifts: Tibetan Scroll; Coat of Japanese Mail. Dates- 11/69 - and/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Michael Jacobs Gallery. Subject- loan of painting (George Washington by Gilbert Stuart) for inaugural exhibition. Dates- 6/35-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Midwestern book competition for which Cheek served as a juror, competition judged in Richmond, lists of criteria and books, printed material for the competition, etc. Dates- 4/56-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Jo Mielziner. Subject- friendly letters, mention of possible Mielziner exhibition, etc. Dates- 12/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, list of stage designs available for purchase, his lecture to VMFA, schedules and agenda's, etc. Dates- 10/54 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Miller and Rhoads department store staff. Subject- showing VA artist work in store windows, borrowing supplies from the display department for the Museum (folding chairs, textiles), etc. Dates- 2/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and W.S. Rhoads. Subject- Nomination of Miller and Rhoads, Inc. for Esquire magazines 1st annual \"Business in the Arts\" award. Support of Artmobile II. Exhibition: \"Masterpieces in Millinery\", spring 1958. Preliminary outline of fashion costume requirements for VMT \"Lady In The Dark\". Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Speaker: Philip Adams. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. John M. Miller, Jr. Subject- Trustee/Museum business, Miller served as a member of the Membership Committee, etc. Dates- 6/35-7/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mr. J.G. Pollard, Jr. Subject- asking Mr. Milliken (Director of The Cleveland Museum of Art) for counseling on acquisitions, draft of an agreement where Milliken counsels the Museum staff about proposed acquisitions, etc. Dates- 3/58-3/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from B. Mills in his role as Asst. Administrator of Personnel. Subject- Records, applications, payroll, medical insurance, announcements of new employees and terminations. Dates- 9/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt and L. Cheek, Jr. and The Mint Museum staff. Subject- museum practices, loans, etc. Dates- 8/46-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- obtaining the motion picture for which the drawings in the exhibition \"Gil Wilson 'Moby Dick'\" were made. Dates- 12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- printed material for exhibition \"Modern German Art\", invitation to Mr.and Mrs. Alfred P. Jenkins for dinner and exhibition preview, (Mr.and Mrs. Jenkins owned the modern German art collection shown). Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Creation of James Monroe Bicentennial Commission. Dates- 8/57 - 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown between MAC. subject- Section 21-2 of the Richmond City Code: designation of Monument Avenue as an Historic District.  Minutes of meeting of MAC, 4/24/71 and 5/19/71.  Program Planning Task Force, editorial broadcast, roster of members, Articles of Incorporation, By-Laws, agendas, proposals and pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., and Mr. Charles Moore. Subject- Moore's application for the Director/Producer position in the Virginia Museum Theatre. Dates- 12/56-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data and his lecture tour to the VMFA. Dates- 4/53 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Georgia Watson Morgan. Dates- 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Search for candidates for public information supervisor, job requirements, resume, publicity agendas, public information schedules, Bulletin vol.20, no.3. Dates- 6/59 - 7/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Mulholland (magician), biographical data/pamphlet, his magic presentation to the Fellows and VMT. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, his address to VMFA membership concerning architectural history. Dates- 10/55 - 8/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Munn Last Will and Testament with list of objects bequeathed to VMFA. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and T. Colt. Subject- Mural competition for Virginia State Library entrance hall: selection process, general assembly commission of monument to Stonewall Jackson. Dates- 4/46 - 6/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Envelopes of photos and negatives of Pre-Columbian art objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Gallery attendance and educational groups. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for Oct. Bulletin 1954, copies of the following Members' Bulletins-vol.15, no.2 (10/54) and vol.13, no.3 (11/52). Dates-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison. Subject- working papers for Members' Bulletin Oct. 1955, VMFA calendar 10/55, etc. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for Oct. Bulletin 1955. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Design of annual Christmas cards by Virginia Artists: John Ballator, Charles Smith, John Canaday, Allan Jones, Ross Abrams, Julien Binford and Prentiss Taylor. Dates- 11/48 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns transportation for the Museum lecturers and guests 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, M. Christison and Mrs. Pollard. Subject- Inquiries from other institutions regarding museum operations, budget, services, corporate membership, Trustees, etc. Lists of purchases, Fellowship recipients. Dates- 1937 - 53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Arrival of Hollins and VCU students to work on specific projects for one month. Dates- 12/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt. Subject- Proposal and tentative plans, prospective filmmakers. Minutes of Executive Committee of Southern Educational Film Production Service. \"Motion Picture Production\": Study by H. Jeff Forbes and Associates regarding promotion of VMFA. Dates- 11/46 - 2/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Memos about various museum topics. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, V. D'Amico (Dir. MOMA), M. d' Haroncourt. Subject- Art education standards, exhibitions, loans, lectures, museum policy, juror search and Jamestown Commission. Dates- 11/55 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Head of Administrative Division), Mrs. J.G. Pollard and L. Cheek, Jr. Subject- suggested future organization of the institution, operating procedures throughout the building, etc. Dates-2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding the division of expenses between the theatre and the museum, 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Promotional literature on the VMFA. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Material deals with segregation policies at museum events. 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence pertaining to printing. Bulletin mock-ups and copies of the following bulletins: Vol.6, No.4,  Vol.7, No.'s 2and7. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper clippings and magazine articles. Photographs, press releases etc. 1955-57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposed budget groupings for VMFA, according to departmental divisions and table of organization. Dates- 1948 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Events, timetables, agendas, Robinson House, housekeeping, security, VMT. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Schedule of events, exhibitions, Robinson House. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Schedule of events, mailing schedules, spring agenda, Confederation Conference, Robinson House, VMT, gallery closings, Discovery Cruise: Land of Maya. Date- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Suggested talk by Pres. of Museum to guests at Safari Dinner in Medieval Hall. Dates- 1/22/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Travel package for travel to Asia, brochures, cultural travel tours. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Policy regarding loans of art works to other Museums, employment search, provenance of art objects, pamphlets, newspaper clippings, etc. Resolution: To order immediate safe return of German master works after Nazi occupation, signed by U.S. museum directors. Dates- 4/46 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Applicant search for various positions, invitations, announcements, exhibitions, etc. Press kit for the Milwaukee Art Center. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Peter Mooz. Subject- General correspondence on exhibitions, loan requests, museum business, job placement, magazine and newspaper clippings. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibitions, loans, policy. Dates- 12/60 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Schedule of music series and members of committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- schedule of program of recorded music, announcement of 6th artist evening 1/46, Museum Bulletin Vol.5, No.2, etc. Dates- 2/46-5/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Jerome Myers. Subject- acquisition of his painting: Street Scene, N.Y., his acceptance to the National Exhibition of American Art, N.Y., etc. Dates- 4/36-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown and P. Near. Subject- General correspondence to Trustees and membership, letters to Robert Neutra, exhibitions: Henry Moore, Sport and Horse. Agendas, travel itinerary, events and invitations. \"Encouragement of the Nations Arts\", an appeal to congress, and \"Proposed Federal Advisory Council on the Arts\", Hon. H. Alexander Smith, U.S. Government Printing office, Washington D.C., 3/26/57. Requests for employment, postcards, pamphlets and photographs. Artists: Jean Nikolic. Accessions and Gifts: \"Disasters of War\", Goya; \"Lore Fuller\", Raoul Francois Lanke; \"Dancing Girl With Tambourine\", A. Leonard; \"La Revre Blanche\", Toulouse Lautrec; Revere and John Andrew spoons and vase possibly made by Johannes Loetz Witwe. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Namuth's exhibit of photographs at the Brussels World's Fair, as a juror VMFA. List of Seventeen painters photographed by Namuth: Wm. Baziotes, J. Boynton, L. Calgagno, N. Carone, R. Diebenkorn, J. Ernst, S. Gechtoff, G. Hartigan, E. Kelly, W. Kienbusch, G. Mueller, K. Morris, B. Perlin, C. Marca-Relli, R. Motherwell, A. Reinhardt, L. Siegriest, with original notes by Namuth. Letter from J. Ernst with signature. Date 4/61 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Statement of purpose and future of NCA, Board of Directors, Members of Council, fellowships, program grant application. Essay- \"National Endowment For The Arts Before The House Appropriations Subcommittee On The Interior And Related Agencies Tuesday, March 14,1972\", statement by Nancy Hanks (Chair): \"New Dimensions For The Arts: 1971-1972\" Dates- 1970-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L Cheek. Subject- Bill: S. 2379, To provide for the establishment of National Council on the Arts and National Arts Foundation. \"Congressional Record: Proceedings and Debates of the 88th Congress\" Dates- 2/64 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Public-Law 85-874, S. 3335: charted by the 85th Congress to establish a bureau in the Smithsonian Institution devoted to the Performing Arts. \"Peaceful Use Of Creative Energy\": transcript of lecture given by Col. Corrin Strong at the Tri State Arts Conference 4/29/61; Report: \"The National Cultural Center Part Two: What Goes into the Center\" by Dr. Carelton Sprague Smith, 10/60. Minutes for the NCC Executive Board: 5/23/60 and 6/29/60 Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. cheek. Subject- VMFA Council sponsorship of a closed circuit telecast by NCC: \"An American Pageant Of The Arts\". Suggested text of publicity folder, invitations, Newsletter: \"Footlight\", vol.1 no.3.; \"For A Cultural Capital\", Eleanor Roosevelt, 1962, United Feature Syndicate, Inc. NCC, later to be named the \"Kennedy Center For Performing Arts\". Dates- 7/62 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exchange of ideas and experience with other institutions who use audiovisual tool to communicate with museum visitors. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters of appeal to serve on Virginia NEFTA committee, roster of members. VMFA appointed as the state agency for the administration of Federal matching funds; to aid in expanding the cultural horizons of a states and territories. \"Guidelines\" 1/67, NEA, Washington D.C.; \"National Foundation On The Arts And The Humanities, Question and Answers\", U.S. Government, Washington D.C., 1965. Dates- 1965 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Survey of membership, officers of VMFA, according to race, gender, age, position and time served. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz. Subject- Grant proposals, application, letters of support, proposal for a Regional Conservation Center, Soldiers Home, American Marine Painting, NEA statement of purpose, Museums A.S.A. Study, Museum Program guidelines, Smithsonian Puppet Theatre, Young Peoples Theatre Safari, \"American Painting 1974\" and newsletter from the Arts Reporting Service. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Financial assistance to Chamber Music Societies, season brochures, project grant application form for Va. Chamber Music Society. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Grants received by Arts/Cultural organizations in Virginia: guidelines, program committee members, agendas and minutes from the program sub- committee 3/7/68. NEFTA project recommendations for a regional conservation center. Dates- 6/76 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT survey, McLean Arts Center, guidelines for program grants. Senate Joint Resolution No. 67: to create a Virginia development study commission, bill 1483: National Foundation on the Arts and Humanities Act of 1965 and a report with guidelines for VMFA as the sole administrator of NEFTA matching grants. Study for Virginia Artist and Craftsman in regard to education and support. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Grant applications from Virginia Dance Society, VMFA, Confederation of Virginia Art Organizations and Budget proposals. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- State guidelines and general information, terms and conditions, NEA matching grant to begin statewide professional operation of VMT. Addresses of applicants for state grants, roster of Virginia NEFTA committee members. Dates- 2/66 - 6/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Regarding J.M. Brown's service on committee to evaluate grant applications. Valentine Museum NEA application, pamphlets. Date- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- arrangements for exhibition \"Designer-Craftsmen 1953\" presented in conjunction with the American Craftsmen's Educational Council, Inc., (ACEC), letters to jurors, etc. Dates- 9/52-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and National Gallery of Art. Subject- preview invitations, exchange publications, excerpts from Roosevelt Art Address (from dedication of National Gallery 3/41), loan request for VMFA inaugural exhibition, etc. Dates- 3/41-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- pamphlets and information about \"National Park and Recreation Week\" sponsored in Richmond 5/21-5/30, 1949. Dates- 4/49-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Geographical directory, \"Historic Preservation\" journal, vol.11, no.3, 1959 and Melchers Memorial. Dates- 1959 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Organization membership information form, questionnaire. NTHP certificate of associate membership 1971-73, employment placement and service pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Travel itineraries, objects for prospective traveling exhibitions, list of slides, forgeries and thefts. Accession and acquisition proposals. Dates- 1/61 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Conservation of objects/paintings, loans. Accessions committee meeting agenda, 10/69. Report on Authenticity of \"Marble Head of a Horse\", Heermaneck Ancient Iranian Collection. Exhibitors: The child and his World. Condition reports and repair estimates for tapestries. Photographs Dates- 12/69 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Sydney Lewis and Peter Mooz. Subject- Authenticity of Cycladic Harpist and 18th century American secretary. Provenances of various objects, conservation and treatment reports. Catalog: \"Arshille Gorky\" Dates- 1/74 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Sydney and Frances Lewis and Peter Mooz. Subject- Conservation/treatment reports, Artnian Collection of self-portraits. Conservation/treatment reports, Kent Independence Portfolio. List of Art Nouveau objects, damage reports, African Collection. Report of authenticity regarding the Cycladic \"Harpist\". Letter from Arnaldo Pomodoro regarding a base for \"Rotating Sphere\". Dates- 5/75 - 8/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Hours of operation, VMFA and other museums, attendance records, VMT, security, UNESCO newsletters 4/58 - 8/59, newspapers and magazine clippings, press releases. Dates- 7/59 - 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Cheek's annual N.Y. cocktail party: guest lists, arrangements, rosters of speakers to VMFA: 1951-52 and 1952-53. Dates- 1952 - 54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newsletter to Trustees concerning exhibitions and appointments to Executive Board, accessions, building, etc. Dates- 11/70 - 8/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Wm. Morrison (P.R. VMFA), F. Palmer (P.R. consultant), D. McCammond (P.R. Reynolds Metals). Subject- Public Relations of E. Newsom and Co. to conduct a study to determine the needs and potential of VMFA. Program organization, community relations, film, book press material, schedules of events, etc. Dates- 8/58 - 9/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- A survey targeting the needs, current and future of VMFA, with solutions/resolutions for every aspect of the museums' operation. Dates- 11/58 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. A. I. duPont and F. Palmer. Subject- Roster of members of Board of Trustees, letter of appeal for pledges, principal elements of Newsom Program. Dates- 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. A.I. duPont (chair, Ann. fund). Subject- Strategy to raise funds through the Trustees to finance the Newsom Public Relation Firm program for VMFA. Drafts of letters to Trustees, progress report, minutes of 25th Anniversary Committee, 9/8/59. Dates- 12/58 - 7/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- all manner of museum operation: security, policy and procedure, personnel policy. operating budget and VMT. Diagrams of electronic console panel. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Museum business, construction and installation project schedules, budget, Equal Opportunity regulations, design contract for the Council shop, salary scales. Dates- 10/73 - 1/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Museum business, Conservation Lab, Fine Arts insurance coverage, budgets, Cabell Foundation gift. \"Report on the Freedom of Information Act\". Depreciation of \"Death of Regulus\", Salvatore Rosa. Dates- 12/74 - 7/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Museum business and operations, budget, contractual agreement between VMFA and Harwicke Associates, Inc. for North Wing project. \"Organization of the Virginia State Government\". Dates- 10/75 - 11/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- UVA architect and his membership in the Collectors Circle. Dates- 1/63 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- General assistant to VMT, employment recommendation. Dates- 6/55 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Possible acquisitions from his gallery. Dates- 10/62 - 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L Cheek and J.M. Brown. Subject- Loans, exhibitions, VMT, Rotunda Club, Fellows. Accessions and gifts: \"Metamorphosis\", Grillo. Dates- 4/57 - 6/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- correspondence with individuals, institutions and companies beginning with the letter \"O\". Dates- 4/43-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, photo and job description/responsibilities as program director for \"Art Column\". Dates- 3/61 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- As a scenic design consultant, his lecture to VMT in connection with the Exhibition: \"Design For The Theatre\". College Drama Festival, biographical data. Dates- 1/60 - 2/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, P. Mellon, E. Brooks Jr., and M. Bush. Subject- Financial support: Artmobile II, building grant and museum survey to expand visitors use to VMFA. Photographs, newspaper clippings. \"A Study in Modern Giving: The Old Dominion Foundation\", reprinted from articles in Richmond News Leader. \"Bollenger Series\", catalogue of special edition books. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, M. Bush (Asst. to Pres. of ODF) and P. Mellon (Pres. of ODF). Subject- Financial assistance to VMFA, Artmobile II, collectors circle, and Old Dominion Foundation statement of purpose. Dates- 9/58 11/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Dan Olney. Subject- receiving a Senior Fellowship 1941/2, outline for a lecture, etc. Dates- 10/40-6/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Governor Thomas B. Stanley. Subject- opening of the new wing. Dates- 8/54-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- opening and reception for Governor Stanley. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- invitations and replies to the opening of the Members' Suite, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Opera Society's first season. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- miscellaneous printed materials for the Museum, etc. Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- tickets to the Museum for State Lions' Club convention, etc. Dates- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- ideas/proposals for \"Members' Room\", suggested operating procedures, menus, pricing, etc., cost estimates, \"Refreshment Room Statement\" 1955, etc. Dates- 1/55-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre operations proposals, list of staff, their duties and salaries, etc. Dates- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- lists of statewide business, civic, commercial and other organizations, invitation list for General Assembly/Governor's reception, etc. Dates- 1953-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Orloff's (Chief-interpreter of U.N.) lecture to VMFA concerning the Faberge Collection, Biographical data. Dates- 11/49 - 4/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters of inquiry to firms specializing in plaster and wood ornament, catalogs. Dates- 5/54 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator). Subject- museum practices especially concerning finances of other US art museums, etc. Dates- 4/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, P. Near and J.M. Brown. Subject- Artmobile, VMT, Collector's Circle, Fellows, Chapters/Affiliates, biographical data, campaign to restore the Jefferson Hotel, list of exhibitions from 1942 - 45.  International Exhibition Foundation, the appointment of John A. Pope (Director of Freer Gallery) as advisor/consultant to VMFA for expansion of Far Eastern Collections.  Acquisitions and gifts. Artists: Nell Blaine, Howard Kanovitz, Otto Piene. Gifts: Masson lithograph, Irving Penn photo and 15 Russian 19th century paintings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Painter's lecture on \"Armor and Medieval Man\" to compliment the \"Arms and Armor\" exhibition, biographical data. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. Nelson Parker. Subject- announcement of Board meetings, etc., Date- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Appeal to Virginia Senate and legislature regarding sufficient museum parking utilizing land belonging to the UDC (United Daughters of the Confederacy). Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Gift of Egyptian Gallery and English Decorative Arts Gallery. VMT, and her membership as a Fellow and in collector's circle. Dates- 4/61 - 10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. J.G. Pollard and Executive Committee of the Board. Subject- proposal and planning stages of conferring an honorary degree of \"Patron of the Arts\". Dates- 6/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject-housing J.B. Payne books in library of the College of William and Mary in exchange for paintings from their collection of art for display at the Museum. Dates- 1/50-4/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek's service on the Board of Trustees and on the Advisory Board of the School of the Arts. Minutes of U. of P. Executive Board, 4/8/60, 4/29/63, 4/26/65 and Annual Report of Graduate School of Fine Arts, 3/64, 5/65. Dates- 10/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek as chair of Fine Arts Committee. Subject- Letter to P. Coombs on his appointment as Assistant Secretary of State for Educational and Cultural affairs, UNESCO newsletter, Nubian archeological sites. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and A. Frankfurter (editor, Art News). Subject- VMFA general collection, list of gifts and purchases, 1955-67, scope of exhibitions, dates, publications, colorplates. List of VMFA Board of Trustees, 1962, Gobelin Tapestries. Dates- 1953 -64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Articles based on exhibitions and general collection of VMFA, VMT, invoices, newspaper clippings, pamphlets, reviews, newsletters. NEA museum programs, research education grants. Dates- 1967 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Articles of VMFA: \"A Spring View of Virginia Museum\", 10/56, Wm. Lacey, Editor; \"Art isn't Caviar at this Museum\", Sidney Shalett, 7/57, The Diplomat. Dates- 10/56 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Articles and editorials pertaining to VMFA: Newsweek, Time, Art Gallery, Antiques, Museum News , etc. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Harper's Bazaar, New York Magazine, Apollo, reviews. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Editors V. Dabney (RTD) and J. Kilpatrik (RNL). Subject- Artmobile, reviews of VMT and media coverage by print journalists, newspaper clippings. Essay- \"The Arts In The Sixties\", by L. Cheek. Dates- 11/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and F. Stewart and C. Jones. Subject- Exhibitions: \"Form Givers\", Sport and Horse\" and Mellon Collection. Dates- 2/60 - 12/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains applications, resumes and information on candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and M. Christison. Subject- Job descriptions. Dates- 1953 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison, P. Near and L. Cheek. Subject- Fellowships: list of recipients from 1940 - 1955. Prospective employees and VMT. Dates- 12/54 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- personnel rules and procedures of VMFA and the Commonwealth of VA, mandates from the Governor's office, additional personnel and pay increase requests, Roster Cards (listings of all employees and pay rates), etc. Dates- 8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr., and R.A.Velz (Administrator). Subject- listing of division duties, proposed salary ranges, information about hiring an artmobile driver-curator, etc. Dates- 2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Photographs of L. Cheek, Mrs. J.G. Pollard, theatre staff, Ariel Ballif, Vincent Bowditch, Arthur Ballet, R. Velz and P. Near. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Personnel matters. Dates- 4/66 - 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains general information about the system and ratings for museum employees. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains applications, resumes and information about candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains applications, resumes and information about the candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains applications, resumes and information about various candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from the Governor's personnel survey staff. Subject- employment questionnaire, job descriptions (buildings and grounds staff, watchman, registrar, secretary, etc.), etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and the Governor's personnel survey staff. Subject- employment questionnaire, VMFA tentative classification of positions (3/37). Dates- 10/36-4/37.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Fiske Kimball (Director of Penn. Museum of Art). Subject- loans for VMFA inaugural exhibition, exchange publications, counsel on museum practices, etc. Dates- 5/35-5/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and R.L. Dickinson (Hanover Bank). Subject- The Library of Philanthropic Information at the Hanover Bank, New York City. Dates- 11/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- E. Turpin Phillips, a Virginia citizen and his request to see proposal plans for expanded museum parking onto UDC property. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Consultant for VMFA acquisitions. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Duncan Phillips (Director, Phillips Memorial Gallery). Subject- request for loans to VMFA inaugural exhibition, etc. Dates- 9/35-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Installation of VMFA photography department, list of equipment and supplies, employment of staff photographer: Gordon Burns. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- listing of entries to the \"19th Photographic Salon\" exhibition, schedule for jurors, etc. Dates- 3/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator) and L. Cheek, Jr. Subject- purchase requests for photographs. Dates- 10/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Ivan Dimitri as Director of Photography in the Fine Arts at the Brussels World's Fair, his service on the advisory committee, list of photographs given to VMFA from the PFA exhibition. Directors of America's Finest Museums: portraits, credo of on art and their personal selection of photographs from the PFA archives was the subject of the World's Fair exhibition. Etching by Levon West (Ivan Dimitri). Dates- 12/59 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Atillio Piccirilli. Subject- biographical information, loans of work to the Museum, etc. Dates- 7/35-1/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- viewing the feature film 'Pictura \"An Adventure in Art\"', invitations, contributions, listing of attendance, etc. Dates- 2/52-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Herman Starr (Pres. Pictura Corp). Subject- A group of films devoted to the fine arts. Presentation of \"Leonardo da Vinci\" at Richmond's Lee Art Theatre and film on Goya to accompany exhibition. Dates- 1/51 - 3/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Gallery dinner, menu, agenda, program for event. Dates- 8/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- policies on use of meeting rooms and studios, special food service, interpretative services, scheduling programs, etc. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence to and from him when he was President of the Board of Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- the VMFA inaugural exhibition, Museum events, finances, Museum Board business and bequests/gifts to the Museum, etc. Dates- 1/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- Museum operations, investments, finances and gifts to the Museum, etc. Dates- 1/37-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His service as President, Trustee and membership in the Collector's Circle. Biographical data, museum business: operating fund, Artmobile, Newsom Report, 25th Anniversary fund, Melchers Estate transfer, gifts, contributions, Fellowship Fund. Exhibitions: Sport and Horse. Dates- 9/53 - 2/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His service as a Trustee, VMFA Resident Craftsman Program. Dates- 2/64 - 2/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Design of members Bulletin, records retirement, museum business. Dates- 1949, 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Museum business, Pratt installation, museum courses and equipment. Dates- 9/54 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Gift of \"Rotating Sphere\" from Lloyd Noland. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- As founder and director of the Barter Theatre, proposed plans for Theatre Virginia and NEA funding. Dates- 4/67 - 5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., and Mr. David Payne. Subject- correspondence with Payne about arranging the exhibition \"Portraits by David Payne\", biographical information, letter from Phillip Johnson, etc. Dates- 5/51-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J.G. Pollard, L. Cheek, Priscilla Crum (Curator, Asst. in Education). Subject- Gallery representing portrait artists, biographical data on various artists and portrait of Senator Byrd. Photographs. Dates- 6/45 - 11/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Statewide tribute to John Powell (a native of Virginia) and the presentation of his \"Symphony in A\". Date- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Correspondence with Pratt as a trustee. Discuss first Easter egg exhibition in 1949 and Hammer visit. Letter from Schaffer (A La Vieille Russie) in 1949 about lending some pieces for an exhibition. Includes a few letters from Mrs. Pratt before she died, about a Faberge table donation in 1942 and donating \"Twice Seven\" to the Library. Establishment of the Fellowship fund, including letter from Twombly as early recipient. Pratt Collection: insurance estimates and installation. Gift of funds to purchase the first Artmobile from Pratt and Miller and Rhoads. Dates- 7/40 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artmobile, Fellowship committee, underwriting of Faberge booklet, terra-cotta statue of \"Diana\" from the Pratt Estate given to VMFA, newspaper clippings. \"A Plan For Fellowships For Virginia Artists\" as suggested by Mr. John Lee Pratt. Minutes from Fellowship Committee meeting, 6/12/42. Dates- 12/49 - 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. John Lee Pratt. Subject- Trustee/Museum business, VMFA fellowship updates, etc. Dates- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown. Subject- Biographical data, fellowship recipients: Cynthia Morehead Smith, Paul Steuke, June Chapman, Fred Bonds, Richard Kevorkian and Reginia Perry. Pratt Collection: catalogue, except from forward by L. Cheek, questionnaire regarding Mrs. Pratt's initial contact/purchase sources for Russian Jewels, list of objects bequeathed by Pratt Estate. Dates- 1/57 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposals and cost estimates for Healy's Sitters exhibition and Pratt collection catalogues. Dates- 4/50-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, L. Cheek, Armand Hammer (Hammer Gallery) and Alexander Schaffer (La Vielle Russie Gallery). Subject- Legal claim against the Romanoff Family assets via the Pratt Collection of Russian Jewels. Possible lawsuit by A.G. Sharkey, President and Trustee of Marine Transport Service Corporation in NY who had judgment against Czar Nicholas Romanoff since 1918. Hammer and Schaffer dismissed it. Details of Pratt bequest, provenance of objects, announcement of bequest with sample of text to be used in pamphlet. Excerpt from \"Twice Seven\", by H. C. Bainbridge, E. P. Dutton and Co. Inc., 1934 (reference to Faberge Jewels owned by Armand Hammer). Dates- 8/47 - 10/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Mrs. J. G. Pollard. Subject- Installation, list of items on exhibition, security and transportation. List of objects in the collection of Mrs. Joseph E. Davies and pamphlets. Correspondence regarding various showings around the state - Roanoke in 1950 and Norfolk in 1951. Dates- 1/49 - 4/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from C. Humelsine. Subject- General correspondence to the VMFA membership, calendar of events, museum news. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to the media from the Museum. Subject- news releases about Museum events. Dates- 10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News releases about Museum events. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- positions and duties for volunteers and guards during an undisclosed preview. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Gov. Price. Subject-proposed salary increases, Board meeting announcements, nomination of Colt to select work to go to the Annual Exhibition of American Art 1938. Dates- 1/38-11/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- On the occasion of his being collector of the Year 1964, his cookbook including photographs of VMFA and the menu from the Collectors Gala, newspaper clippings. Gifts: Lachaise drawing. Dates- 6/63 - 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, P. Grigaut and P. Near. Subject- A. Priest as Metropolitan Curator of Far Eastern Art, his service as a consultant to VMFA (1963-69) in the formation of the Asian collections. Correspondence on examination and provenance of works in the VMFA. Minutes of Executive Committee, 9/9/63, 12/8/64, minutes of Accessions Committee Meeting, 9/9/63. \"A Buddhist Paradise\", A. Priest, AIV, 1963. Newspaper clippings, postcards, etc. Dates- 1963 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator) and Mrs. J.G. Pollard. Subject- printing schedules for 1956, miscellaneous print job specs, etc. Dates- 11/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- asking local corporations to fund the printing of school guide sheets for the Museum. Dates- 8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence pertaining to bulletin layouts, copies of Members Bulletin Vol.9, No.'s 1and7 and copies of Christmas cards 1948-9, etc.. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Museum publications: Contemporary Paintings 1946, Program Season of 1947-8, The VMFA Annual Report 1947-8, Virginia Art 1947 and Museum Bulletins: Vol.3 No.'s 1,2,4,6and9,  Vol.4, No.'s 4and5,  Vol.7, No.'s1,2,3,4,5,6,7,8and9,  Vol.1, No.8,  Vol.8, No.'s 2,3,4,5,6,7,8and9,  Vol.9, No.'s 1,4,5,6and8. Dates-9/42-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- securing a speaker (Robert T. Paine) for the exhibition \"Prints by Hiroshige\", thank you note to Mr. Paine, etc. Dates- 11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposed programming for the Museum. Dates- 2/49-9/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and lecturers. Subject- proposed program/events and exhibition schedule, biographical information on lecturers, etc. Dates- 10/50-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Peter Mooz. Subject- Artmobile schedules, Three-Days-In-March, members travel, grants, pamphlets. \"Proposal For The Development Of American Writers And Resources With Special Emphasis On The Production Of New Forms Of Drama Created Especially For Television\"; The Mark Report\": A survey and evaluation of VMFA statewide programs. Dates- 1974 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Safaris, Artist-in-Residence, lectures. Film series: \"The Romantic Rebellion\", exhibitions, COVA events, agendas, Professional Workshop. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt and Nancy Durett. Subject- violin recital 4/47. Dates- 4/46-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- memos to determine dates for the Trust Fund Orchestra to perform at the Museum. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- VMFA educational services, VMT and all manner of print and broadcast media promotion. Exhibitions, publicity schedules, press releases and newspaper clippings. Dates- 9/50 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General invitation to groups to participate in VMT. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Prospective givers: foundations and individuals. Date- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newsom Report: \"A Report To The Virginia Museum Of Fine Arts\", 11/19/58, Earl Newsom and Company, a study of VMFA public relations, information and communications responsibilities. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Various outside publications mentioning VMFA, 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Design and production of AIV: promotion, organization, printing schedules, contributors , etc. Catalogue \"Architectural Drawings in Virginia\" and \"\"Confessions of an Ex- Elitist\", M.W. Fishwick, Popular Culture Association, American Studies Institute, Lincoln University. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- photo of the Museum and of the \"Brussels Tapestry Exhibition\" 1949, Museum publications: VMFA Catalog of Paintings 1938, The Collection of Catesby T. Jones, 1948, and the following VMFA Members' Bulletins: vol.10, no.'s 1-5, etc. Dates- 1938-1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- copies of the following publications: The VMFA Annual Report 1947-8, The T. Catesby Jones Collection, Contemporary American Paintings 1948, William James Hubbard, Three Virginians Behl, Hunter, Blaine, Portrait Panorama, Program Season of 1947-8 and Member's Bulletins: Vol.1, No.8, Vol.8, No.'s 2,3,4,5,6,7,8and9. Dates- 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release, jurors. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing the Parsons gift of the Egyptian Gallery and 25th Anniversary Fund Committee. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitations to the VMFA's 25th birthday celebration for the affiliates, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- press release announcing loan of Chinese wine vessel. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 25th Anniversary projects, press release: message from the President (Robertson). Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Appeal to Trustees for contributions to the Drama Festival.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: 28th Virginia Artists Rotating Exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing a network of local art centers and museums affiliated with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- VMFA as regional jury center for the national exhibition \"Designer-Craftsmen-U.S.A.\", news releases, information on obtaining a jury and a speaker, etc. Dates-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Va. Architects, Photographers and Designers, seminar for Historical Administrators, VMT and Virginia Composers Concert. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release and photo for first issue of AIV. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release on Arts in Virginia. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains a cover letter for a mailing, no date. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing 25th anniversary events, exhibitions, VMT, etc. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing conclusion of 25th anniversary celebration with the presentation of awards to Colonial Williamsburg, The Old Dominion Foundation, sculptor: Carl Milles, architect: Eero Saarinen, collector\" Robert Lehman and Naval designer: William F. Gibbs for their outstanding contributions to the Arts in Virginia. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- obtaining the exhibition \"Built in the U.S.A.\", presenting programs related to the exhibition, biographical information on Phillip Johnson, etc. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- photo of \"Little Triton\" fountain for the Bulletin, copy of Members' Bulletin vol.15, no.1(9/54), etc. Dates- 9/53-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for Members' Bulletin. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for Members' Bulletin, calendar of Museum events. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Vol. 13 no.'s 1-9, 1952-5/53; vol. 17 no. 8, 2/57; vol. f19 no.'s 7 and 8, 3/59 - 4/59. Biographical data on Iren Marik, pianist, and reviews. Dates-1952 -53, 1957, 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Vol. 20 no.'s 4-6, 12/59-2/60 Dates- 12/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press releases: Tours organized through Virginia Federation of Women's Clubs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press releases: season opening production and call for volunteers. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Extended performances of VMT's \"Carousel\". Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Bus trips to VMT. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- listing of certificate winners and a gallery guide from the \"Virginia Artists\" exhibition 1955. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Portions of VMT concert to be broadcast with commentary and explanations of technique. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Programs and photographs. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Information regarding the Museum's chapters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- photographs [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing festival with guest artists: Helen Tamris and Daniel Nagrin. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Critic, Stella Adler, Speaker: Alfred de Liagre. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- TV news film of highlights of the College Drama Festival, script, telegrams and surveys to Virginia TV stations concerning air time and usage. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Announcement of individual participants announcing their attendance in the festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- loan of Cone collection from the Baltimore Museum of Art to VMFA for an exhibition, a catalogue of the Cone collection, news release about the  bequest of the collection to the Baltimore Museum of Art, etc. Dates- 10/49-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Public information schedule for exhibition: \"The Architecture of Skidmore, Owings and Merrill\", \"The Little International\". Artmobile public and information schedule and Bulletin, vol. 19, no.2 10/58. Essay- The Little International Exhibition\", Fred Olsen, 4/57. Dates- 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Publicity stills, reviews and biographical data.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- list of designers proposed for inclusion in the exhibition \"Design for Theatre\", tentative list, etc. Dates- 8/52-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing loan of painting by Winslow Homer. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Evaluation of the Discovery Television Series sponsored by the San Francisco Museum of Art. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Statewide Press Release announcing fellowships 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press Releases regarding fellowships 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Publicity stills and posters. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Buckminister Fuller. Subject- Exhibition of the work of 13 leading architects, opening lecture given by Buckminister Fuller, list of catalog content, gallery talk, press release, invitations and biographical data. Photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing formation of a fundraising committee for the 25th anniversary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibitions: \"Drawings From Five Centuries From The Cooper Union Museum\", \"Hans Moller\", \"Is Photography An Art\", \"Sport and the Horse\", \"25th Anniversary\". Parsons gift of the Egyptian Gallery, Chamber Music Society, Virginia Artists, evening hours, speakers/lecturers, Virginia Art Alliance, state services, Fellowships, Search for a female collector with a collection of Imperial robes. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press releases announcing exhibition of contemporary glass. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibitions: Skidmore, Owings and Merrill (AIA for Reynolds Building), publicity, progress report on exhibition arrangements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Ivan Dmitri. Subject- Symposium on photography conducted by Dmitri with a panel composed of: A. Hyatt Mayor (MET) and Hilton Kramer (Arts Magazine). List of paintings and photograph comparisons and press releases. Photographs. Dates- 10/59 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Status report of the Broadway production. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information about the loan exhibition. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Speaker 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: History of Lynchburg Center published in the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Brief film on masterpieces of American silver, script and outline for the 25th anniversary program. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains press releases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains layout and planning for the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Photographs of the moving of art objects, installations, physical plant and behind-the-scene workshops and people.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Editorial Writers, agenda, and guest speakers, exhibitions, events, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Ms. Nemone Balfour. Subject- a ballad concert given by Balfour sponsored by the Museum, new release, printed material, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: R. Neutra lecture in coordinate with his VMFA exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- invitations to grand opening of the 10/54 VMFA addition. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing the Norfolk Museum affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Bus tour and photograph. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Photographs of galleries. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing gift of marble statue \"Dawn of Young Womanhood\", Oronzio Maldrelli from Miller and Rhoads Department Store. Press releases from: Mariners Museum, National Gallery, Henry Ford Museum, Walker Art Center and the MOMA. Dates- 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: purchase of Patronship by Richmond businesses for season tickets to VMT.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- radio transcripts and publicity releases. Dates- 1948-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases. Dates- 8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases, publicity schedule 6/26- 7/22. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases. Dates- 5/56-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases. Dates- 4/51-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases. Dates- 1952- 5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press releases for various museum events: theatre, exhibitions, films, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Affiliation announcement of the Roanoke Fine Arts Center 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing the loan of \"The Ecstasy of St. Francis\" by Carravaggio. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- press release announcing the acquisition of a rare funeral monument from 2nd century B.C. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Advertising copy and selection of artist to draw a cartoon. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- press release for VMT promotion. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing special schedule to accommodate bus trip from out of town. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Publicity schedule and advertising copy. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- scheduling a speaker (Bernard V. Bothmer) to coincide with the exhibition \"Smith's Egypt\", photo and biographical information about Bothmer, etc. Dates- 6/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition and Publication information regarding \"Sport and the Horse.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- News Releases regarding newspaper column 1960. The column was carried in 50 Virginia newspapers as 42 weekly articles by Cheek. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Syndicated column written by Cheek as part of a promotion for the Museum's 25th anniversary. Contains a mailing schedule for the column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Return forms from newspaper publishers regarding column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Promotional letter for newspaper column. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Broadcast script for performance promotion. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from G. Friddell (Public Information Director). Subject- controversial nature of the \"American Painting 1950\" exhibition, James Johnson Sweeney was the juror for this exhibition, Sweeney biographical information, News Releases, exchange/gift publications of the catalogue to this exhibition, etc. Dates- 1/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Broadcast script promoting 25th anniversary year. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 25th Anniversary, broadcast scripts, VMT and list of Virginia and Washington TV stations. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Broadcast promotion script. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- press release with performance information  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release for VMT promotion. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release concerning a 25th birthday year magazine, the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Tours arranged by Virginia Federation of Women's Club in 6 Virginia towns to see VMT production of \"Carousel\" Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Reviews of show. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Introductory speeches. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"The Tempest\", \"The Mad Woman of Challiot\", \"Berkeley Square\", \"I Remember Moma\", \"Noah\", \"Blind Alley\", \"The Devils Disciple\", \"High Tor\", \"Oh Wilderness\", \"Private Lives\", \"The Petrified Forest\" and \"Victoria Regina\". Dates- 1955 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Assigned design projects and newspaper clippings. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- National broadcasts focusing on topics of national interest, VMFA requests for financial assistance to host a \"Meeting\", pamphlets and photograph. Dates- 1953 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Aubrey Bodine and Gordon Bunshaft, biographical data, Competition promotion, preliminary text for official entry forms, press release. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- list of pieces included in the \"Virginia Artists 1953\" exhibition, list of purchases made from the exhibition, information on the jury and on purchase prizes, letter from Jacques Lipchitz, etc. Dates- 12/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information about the exhibitions and photographs of the artists and their works. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Jurors: Richard Lippold, Isabel Bishop and Perry Rathbone. Press release announcing event.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Eighteenth annual exhibition held at the Museum and sponsored by the Camera Club of Richmond. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- fountains that flank the Museum's front entrance. Dates- 9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- photo of conservation lab, gift and exhibition of the Williams collection of art at VMFA, announcements to and articles in major art publications about the gift of the Williams collection. Dates- 3/52-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition \"The American Cartoon\", original American cartoons from the collection of Mr. Art Wood, invitations and R.S.V.P.'s to exhibition preview, photos of some of the pieces of cartoon art, etc. Dates- 5/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Wm. Quillan Jr. (President of Randolph Macon Women's College). Subject- Loan of Randolph-Macon's collection of paintings. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Isobel C. Lee (Steuben Glass). Subject- Loan from Queen Elizabeth, installation, lighting and press-release. Dates- 7/10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artmobile, AAM, Jamestown Foundation, loans, Accession, gifts, biographical data and resumes. Exhibition: Randolph Macon Collection. Letter from Richard Rogers to lecture to VMT, Reston Foundation: Minutes of the Executive Meeting, 9/12/60. Dates- 9/60, 5/62 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown and P. Near. Subject- Loans, contributions, acquisitions, exhibitions and Africa Gallery. Dates- 1/68 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to W. C. Cottrell (Elec. Corp.). Subject- Proposal and technical information for Audio-Guide radio-lecture, pamphlets, blueprints/plans of galleries. Dates- 5/72 - 8/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, Priscilla Crum and M. Christison. Subject- Broadcast of Biennial Jury, notes from WMBG broadcast, 12/6/46, \"What Is Your Art Museum\", participants: Priscilla Crum (Curator of Education), Edward Davis III (Curator of Decorative Arts) Mrs. J.G. Pollard and T. Colt. Notes from WLEE broadcast, \"Know Your Museum\": a weekly series with guests from the local arts community and \"For Parents Only\": a children's radio program. Dates- 2/46 - 11/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- radio talk shows and transcripts. Dates- 12/37-9/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr.and Mrs. Robert C. Randolph. Subject- the loan of a portrait of Wm. Henry Harrison by Rembrandt Peale to the Museum for the inaugural exhibition and an additional later loan. Dates- 9/35-11/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, L. Cheek and Mary F. Williams. Subject- The service of Beatrice Von Keller as VMFA Acting Director during Colt's military duty. Biographical data, Randolph-Macon Collection including the acquisition of the Bliss Collection. Dates- 7/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Hours of operation, policy, menu. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and the Frank Rehn Gallery. Subject- loan of paintings to inaugural exhibition of VMFA and later proposed acquisitions from the Frank Rehn Gallery, etc. Dates- 9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt. Subject- Artist from West Virginia: application and recommendation for a Rosenwald Fellowship by T. Colt. Dates- 6/49 - 10/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Rennolds' service as a Trustee and entertainment committee. List of objects in the home of her mother, Mrs. John Kerr Branch, that may be of use to the VMFA. Dates- 1/53 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Policy and requests for rental of museum meeting rooms. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposal for state/federal funding for the creation of the \"Latrobe Theatre\" (never built), a professional theatre organization. The design of the Theatre was based on plans by the 19th century architect Latrobe. \"The Virginia Museum Theatre\", statement of facts in relation to charges appearing in the Richmond Times - Dispatch, 10/13/66. Subject- 8/65 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of requests and general correspondence. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison, Edward Kallop and L. Cheek. Subject- Inquiries concerning specific artists, objects, valuations, conservation/restoration, etc. Dates- 6/56 - 6/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek served on the Board of the Reston Foundation Community Program, includes roster of board members. Dates- 11/10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to the Executive Director of the Reston Fund. Subject- L. Cheek's membership on the Board, and proposals for development of the Reston Community, low-cost housing, maps, agendas, Reston architects, Minutes of Annual Meeting- Reston Community Foundation,12/15/64, 4/25/65, 11/12/67, 4/8/68. Dates- 6/65 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- VMFA membership and letter of condolences to the Reynolds family. Dates-10/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. cheek. Subject- R. J. Reynolds service as Chair of VMFA promotion and development committee. suggested organization agenda for the meeting of the Public Relations Development Committee, to further the advancement of VMFA. Contributions, invitations and photographs. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"R.S. Reynolds Memorial Award\", awarded annually to the architect or group of architects who make the most significant contribution to the use of aluminum, aesthetically or structurally, in the building field. Theodore Rozak chosen to commission the first sculpture. Dates- 5/58 - 11/6 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Miss Katherine Rhoads. Subject- a bequest to the Museum. Dates- 5/35-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from G. Martin (Secretary of VMFA). Subject- Rhoads Medal awarded to persons who have made a notable contribution to Art in Virginia; list of recipient, excerpts from the Minutes of the Executive Board, 5/25/69/. Biographical data on Concetta Scaravaglione, designer of medal. Medal awarded to Walter Spencer Robertson. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence to and from Rhoads as Vice-president Board of Trustees. Dates- 1934-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Contributions to a purchase fund in his memory. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, L. Cheek, Mrs. J.G. Pollard and P. Mellon. Subject- Museum business, exhibitions. Pratt Estate, John Barton Payne Endowment, Resolutions in memory of Judge Payne, resignation of Colt, Fellowships. List of employees and job descriptions. List of Benefactors, Patrons and Life members, Board of Trustees, Rockefeller Foundation, segregation, contributions, gifts and accessions, including Mellon. Dates- 11/40 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, W. Robertson, Mrs. J.G. Pollard and W.S. Rhoads. Subject- General letter to membership from the President (W.S. Rhoads), Webster S. Rhoads Medal, Artmobile III and South Wing. Dates- 1951 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- General Museum Business, VMT, policy regarding expense accounts and museum entertaining. Dates- 5/57 - 11/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitation list, invoice for cocktail party honoring W.S. Rhoads. Dates- 5/8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Westwood Winfree (Pres. RAA). Subject- Winfree's participation in the Virginia Rotating Exhibition and other events. Requests for restructuring of jurying procedure. \"Reasons For Suggesting A State-Wide Artists Study Committee To Be Sponsored By The Virginia Museum Of Fine Arts\". Dates- 2/56 - 9/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Richmond Chamber Music Society programming seasons: 1950-1, 1951-2, 1952-3, 1953-4 and 1954-5, membership rosters 1951-2 and 1954-5, etc. Dates- 10/50-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed policy for relations between VMFA and Richmond Chamber Music Society (conducting events there), listing of Society members, etc. Dates- 1/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- To increase Jaycees interest and support of VMFA. List of member organizations. Certificate to L. Cheek as a member of the \"Civil War Centennial Committee\", Minutes from the \"Society of Architectural Historians,1/30/58. The presentation of the \"Distinguished Service Award\" to L. Cheek. Dates- 11/60 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Disturbances in area of Westmoreland Place (Cheek residence), Cheek's Anniversary Party. Presentation of Canal Locks to Mayor M.M. Crowe. Dates- 2/64 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Field trips taken to the museum by schools throughout the state, 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Broadening cultural horizons in Richmond, proposal for Civic Center in downtown Richmond and the necessary steps for improvement of downtown, editorials, newspaper clippings. \"Plight Of Museums Is Very Real\", L.J. Ahlander, 11/25/65, Washington Post, \"Activities Center Study For The City Of Richmond\", Wm. A. Briggs A.I.A. and B.R. Johns A.I.A., Associated Architects, 8/1/64, \"Modern Living\", 11/6/64, Time and \"Are Most cities Too Ugly To Save\", 11/30/64, U.S. News and World Report, Inc. Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains financial statements for the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- proposed relationship of The Richmond Film Society with the Museum (use of Museum facilities), Film Society programs 1951-2, 1952-3, 1953-4, 1954-5 and 1955-6, etc. Dates- 6/50-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters of compliment to editors and journalists of Virginia periodicals regarding VMFA. Dates- 7/58 - 19/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Priscilla Crum, T. Colt, L. Cheek and M. Christison, Theresa Pollack, H.H. Hibbs and Mrs. J.G. Pollard. Subject- Exhibitions and musical programs. Dates- 9/45 - 11/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, J. Schaeffer (General Manager, RSL) Subject- Opening performance and concert dates. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Gala opening event of Artmobile. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and L. Willock (Exec, Dir.). Subject- Renewal of Affiliate members. Dates- 1961 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Charter proposal for a Roanoke museum and minutes from the Roanoke Fine Arts Committee. Dates- 12/47 - 9/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Special building committee, draft of letters from Affiliates/Chapters in support of VMFA expansion to be sent to the House Appropriations Committee , members of the Senate and members of the State Finance Committee. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and E. Will (Pres.). Subject- Purchase of \"St. John the Baptist\", Rodin, in memory of W.S. Robertson. Dates-2/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artmobile proposal, museum business, exhibitions: \"George Stevens Makes A Film\". Fellows organizing campaign, selected list of paintings in VMFA permanent collection. Rosters: Members of commission of State Capital and Outlays and Means of Financing; VMFA Executive Officers and committee's. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter from the President to the membership (W. Robertson), grant proposal for North Wing architectural plans.  List of objects needed for VMFA collections.  Rejection of the north facade by the Arts Commission.  Schedule of events, newspaper clippings.  \"Connoisseur's Comments\", guided VMFA tours narrated by world-famed collectors, critics and curators.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- letter of interest in erecting a monument to Bill Robinson. Dates- 12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Rockefellers' membership in the Fellows and their subsequent donation to aid in the Drama Development program. Dates- 1955 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Charles Fahs (Dir. Rockefeller Foundation), W.S. Rhoads. Subject- Proposal for the formation of VMT with initial funding from the Foundation, \"Charter for the Rockefeller Foundation\": Statement of purpose and methods of operation. Dates- 1/50-12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt and Roman Bronze Works Inc. Subject- casting busts of Gov. Pollard and Judge Payne and casting other figurative groups. Dates- 9/35-1/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter of authentication. Dates- 4/60 - 8/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Addresses made by F.D. Roosevelt upon the opening of the Museum of Modern Art. Dates- 6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Matilda McCord Roper (Mrs. George W. Roper). Subject- donations. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, expansion of VMFA print collection, The Alverthorpe Collection, loans of prints. Dates- 8/65 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA as recipient of a rose garden by the Garden of the Patriots. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- M. Ross as VMFA advisor, on retainer, for Byzantine and Medieval acquisitions. the Heeramanecks and Hunt Collections. Dates- 9/65 - 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data and brief history of Rothschild family. List of paintings in VMFA from Rothschild Collection. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Text and pamphlet for the opening of the Melchers Room. Photographs. Dates- 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Edward B. Rowan. Subject- mural competition for post offices in Petersburg, Hopewell and Richmond. Colt acted as chairman for a regional committee to carry out this competition for the Procurement Division, Public Works Branch of the Treasury Department, etc. Dates- 3/30. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- securing a speaker (Mr. Everett Parker Lesley, Jr.), obtaining a transparency from Time magazine of one of the Museum's eggs, etc. Dates- 3/53-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- General correspondence to Trustees regarding Museum business and events. Photographs and slides. Date- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- General correspondence regarding loans, acquisitions and invitations. Dates- 1/62 - 11/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Eero Saarinen. Subject- Aline Saarinen broadcast on the VMT Shakespeare Preview. Drawing. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition: \"Master Drawings\", with lecture by Paul Sachs. Theft of Degas drawing on loan to VMFA from the Fogg. List of London and Paris art dealers. Dates- 5/51 - 6/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- letters from other U.S. Art Museums about staff salaries and Curator's Report activities from the 1st season 1/16-5/24 1936. Dates- 1936- 7/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Requests for purchase of cases from the Greek Gold exhibition. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Form letters: members, advertisements, donors, other institutions regarding loans, lectures and publication requests, etc. Dates- 1967 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Samuels gift of building for the Front Royal Library. Loan and cleaning of \"View Near Oxford\" by Richard Wilson. Dates- 4/52 - 9/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- 10th Miller and Rhoads Women's Forum; invitation to Philip Johnson to serve as a speaker. Biographical data on James Parton and Max Abromovitz. Dates- 8/51 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Hans van Weeren-Griek. and Concetta Scaravaglione. Subject- exhibition of her work and insurance of a piece that was damaged. Dates- 9/40-7/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Events and mailing schedules. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Events and mailing schedules, Paul Taylor Dance Tour, Safari-Dinner, agendas, etc. Dates- 7/70 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Appraisal of an agate cup belonging to Mrs. Paul Mellon as a work of art, for the Customs Commissioner. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- war-time high school art exhibition held at Miller and Rhoads department store, list of hostess for this event. Dates- 1943-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Invitations and general correspondence regarding the opening's of new art centers/buildings of various institutions, anniversary celebration, National Presentation Broadcast of Artmobile. Dates- 9/60 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.G. Pollard. Subject- Loan of items in his Collection to VMFA and his service as Vice-President. Exhibitions: American Contemporary Prints and Sport and Horse. Melcher Estate, accessions and acquisitions, list of gifts to VMFA. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Scott, Horner and Mason, Inc. Investment Securities in Lynchburg, VA. Subject- possible investments by VMFA, financing the new wing and the possibility of matching a Public Works Administration grant. Dates- 5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Seay collection of Decorative Objects, list of objects in Seay home. Dates- 1/39 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper clippings and letters to and from Leslie Cheek. Dates- 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Service reports on traveling exhibits. Dates- 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence about slide loans. Dates- 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Museum Services. Correspondence regarding loans 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Houdon statue of Washington on loan to VMFA, insurance valuation. Seymour's lecture on \"Houdon in America\" and panel discussion on contemporary sculpture. Opinions on dating and provenance of VMFA objects. Dates- 5/50 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Shalett's articles on the VMFA for the \"Saturday Evening Post\" and \"The Diplomat\" Dates- 8/56 - 10/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, letters of invitation to VMFA events, College Drama Festival. Melchers Estate: \"The Last Supper\", newspaper clippings and postcards. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Virginia Film Society, Dance Tour, VMT: job descriptions, Table of Organization, staff hours, Theatre Associates and Annual Theatre Train. Date- 4/66 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Agenda and events for Entertainment Committee, loan of Col. Anderson bequest items. Dates- 1/59 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and E. Shiflet (Sec. of Education). Subject- budget, museum business, financial profile, role of office of Education and pamphlets. Executive Order #20 and #21: Reassignment of VMFA to the Office of Education. Dates- 8/72 - 12/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Dealer in antique English silver and his gift to VMFA of a silver teapot. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT, juror search, biographical data, exhibition catalogues, loans of art work, accessions, gifts and general museum business. Dates- 1956 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- General correspondence, exhibitions, requests for publications, pamphlets, invitations, exhibition catalogues, A.D. and W.C. Williams Trust Fund. Photographs. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- paperwork authorizing R.A.Velz and W.J. Rhodes to sign vouchers and checks, list of Virginia Museum Theatre expenditures 1956-7. Dates- 2/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Blank stationary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- excerpts from Virginia Architecture exhibition catalogue, miscellaneous correspondence about catalogue,  etc. Dates- 11/58-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- compliments on exhibition \"Architecture in Virginia\", thank you notes to the Museum about exchange/gift publications of exhibition catalogue-Architecture in Virginia 1776-1958: The Old Dominion's Twelve Best Buildings, etc. Dates- 9/58-4/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- biographical information on various 20th century architects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- G. Smith (architect, writer and photographer), biographical data, and his collection of Travel Posters. Newspaper and magazine clippings, invitations. Application for Fulbright grant. Dates- 2/52 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Her membership on Executive Board, donation and contributions. Dates- 5/51 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mrs. Marrow Stuart Smith, Virginia artist, correspondence with museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of alumnae in Virginia. Dates- 9/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, M. Christison, and Mrs. J.A. Pope (International Traveling Exhibition Service). Subject- Exhibition: \"Swedish Textiles Today\": catalogue, pamphlet. Brussels World's Fair, U.S. Pavilion. Catalogue of Traveling Exhibitions for 1961-62. Dates- 4/53 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- S.A.H Directors meeting in Richmond, formation and organization of a Virginia chapter: agendas, lists of prospective members, directors of S.A.H., minutes from S.A.H. meeting. Dates- 12/52 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Meeting agendas, Architects Virginia Tour, preservation of the National Capitol, Shirley Plantation, landmarks in danger. Proposal to coordinate the activities of the SAH with AIA and the National Trust for Historic Preservation in the field of Historic Buildings Preservation. SAH: Minutes of Executive Board, 10/26/57, 5/17/58, 10/18/58, Treasurers Report, 1/58-4/58, Newsletters. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lists: Fellows, Staff and Board of Trustees. Invoices, receipts and newspaper clippings. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Dinner schedule, agenda and pamphlet. Dates- 5/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Confirmation for Dinner event and agenda. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Fall meeting to be held at VMFA, conference agenda, mailing list and pamphlets. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Meeting agendas, events schedules, attendance rosters, officers, newsletters, registration forms. Report of SEMC '72 meeting, \"SEMC Notes\", no. 1, 1974 and no.1, 1975. Dates- 1972 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- printed material for exhibition \"Southern Exposures\", the following essays: \"Coming of Age of Photography\", \"Down the First Century of Photography with George and Heutis Cook\", \"Concerning the Cook Collection and Its Recovery of the Epos of the Attic\", etc.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Williamsburg International Assembly Speakers, biographical data: Edward Downes, Charles Seymor, Harris Prior and Arthur Drexler. Dates- 1951 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Wm. Gaines. Subject- Biographical data of speakers: C.V. Donovan and Joseph Curtis Sloane. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- printed material for the opening for prospective members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Safari Theatre Dinners, loan exhibition previews, maintenance. Dates- 1967 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Essay- \"The Art Museum As A Community Center\", by L. Cheek. Pamphlets, newspaper and magazine clippings of other museum programs. Date- 1961 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- early interest and planning of the exhibition \"Sport and the Horse\", etc. Dates- 5/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Frederick Robinson (Dir., SMFA). Subject- SMFA exhibition of Virginia Artists. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibitions, security, general operations and museum business. Employee policy, regulations, salaries, etc. Dates- 1962 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- General Museum operation, exhibitions, publicity evaluation, landscaping of Confederate Chapel, loan exhibition previews. Dates- 1963 - 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Employee policy/regulations, programs division, collection divisions, staff information and table of organization for Theatre Arts Committee. Newspaper clippings and salaries. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Suggested structure of staff organization and salary scales. Dates- 2/54 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA By-Laws 1958 and 1959, income sources, proposed improved operations plan. Salary information from the Smithsonian Institution. Job description for Assistant Administrator. Date 1959 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Head of Collections Division and Education Supervisor, Program Division. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Business meeting and reception regarding architectural improvements, gifts and loans to the State Department reception rooms. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- reception for General Assembly Wives. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Service reports for loans of exhibits, films and slides. Dates- 1951-1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for information regarding circulating visual materials 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Non-member requests for exhibitions 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Non-member requests for exhibitions 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Non-member Requests for gallery visits and lectures 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Out of state inquiries about Museum services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Out of state inquiries about Museum services 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of prospective organizations for using extension services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for circulating visual materials and exhibitions 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General Correspondence Traveling Exhibitions 1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information on the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains statement for addenda to the Governor's report concerning the VMFA.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mr. Saul Steinberg. Subject- exhibition of Steinberg's work and lecture by Steinberg, etc. Dates- 8/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Opening of new auditorium, purchase of pianos and price lists. Program for the Chamber Music Society, newsletters from Steinway and Co. , 4/55-6/55. Dates- 4/55 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Philip N. Stern, Chairman of the Art Commission, Commonwealth of Virginia. Subject- Art Commission meetings, funds for museum equipment, funding from the Public Works Administration, architectural exhibition, etc. Dates- 7/35-10/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Steuben correspondence with the VMFA, 1938-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Ten Talents In the American Theatre\", Ed. David Stevens; \"Theatre For Art's Sake\" by L. Cheek. Proposal to the Rockefeller Foundation for financial support of VMT. Dates- 12/49 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and P. Near. Subject- Her gift of \"La Signora in Biege\", Lazzaro Donati. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, preliminary design program for South Wing Addition, letters to other museums regarding design, security and general building functions. Dates- 1948-49, 1962-63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Jas. N. Trevillian (Secretary). Subject- Conductor of the New York Philharmonic Orchestra, concert at the VMFA and program. Dates- 1947 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA and Gordon E. Strause, 1935-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Strause and various Museum staff. Subject- exhibition of his collection at the Museum, written complaints by Mr. Strause, Strause is named 1st honorary benefactor of the Museum by the Board of Trustees. Dates- 3/36-5/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J. G. Pollard, T. Colt and L. Cheek. Subject- Lewis S. Strauss, founder of the Albert Einstein Award (for achievement in Natural Sciences). Chairman of the Atomic Energy Commission, his service on the VMFA Finance and Membership committees. Letter of Henry Anderson regarding discussion with Paul Mellon and VMFA expansion potential. Newspaper and magazines clippings, Artmobile, gifts and contributions. Dates- 1945 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Fellows: theatre Orientation, general meetings, prospective Fellows, report of the Fellows 5/3/67. Date- 1965-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- As a Trustee and member of the development committee. Contributions. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Mr. William A. Stuart. Subject- Trustee/Museum business, etc. Dates- 7/51-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Julia Sully to the Museum. Subject- Virginia Art Index. Dates- 1935-48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and J. McGee (Sunrise, Pres.). Subject- \"Sunrise\", Charleston Cultural complex, budget analysis, roster of Executive Board, Annual Report, 1971, pamphlets. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J.G. Pollard, T. Colt and L. Cheek. Subject- Early correspondence concerning museum services, statement of purpose, Pratt Bequest, exhibitions and requests for publications. Dates- 7/45 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- General correspondence, request for publications, employment, Fellows, Russian Loan Bill, gifts, contributions, biographical data. Dates- 6/56 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Museum business, loans of art works, list of objects for long term loan, zoning ordinance. Paul Tishman Collection, Troubs Collection of Russian miniatures. Provenance of St. John the Baptist, Rodin. Pamphlets, brochures and press releases. Dates- 2/70 - 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. J.G. Pollard, M. Christison, John Canaday and Maurice Bonds. Subject- Informal discussion series on art, artists and technique. Topics: Lithography, sculpture, restoration, art history etc. Includes biographical data on lecturers and exhibitions. Excerpt from \"American Silversmiths and Their Marks II\", by Stephen G.C. Ensko. Dates- 9/48 - 3/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding Mrs. A.I. duPont's gift of tapestries to the VMFA and a subsequent exhibition, 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding taxes on honorariums, admissions and rental space, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA series of weekly TV programs, list of suggested topics, program guests, resource information from other Institutions, film rentals, television presentation of the 25th Anniversary and minutes of the Mayor's Committee on Educational Television, 11/11/53. Dates- 3/54 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison. Subject- The development of a public television station to be shared by educational institutions. TV question and answer scripts and newspaper clippings. Dates- 1/49 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper and magazine clippings. Dates- 1961-62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Salary scales, job openings at VMT, applicants, referrals, biographical data, financial statements, staff tors and guest speakers. Dates- 3/58 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Morton Thalhimer. Subject- Biographical data, production, general theatre administration and Ford Foundation Fellowship Grant. Dates- 5/58 - 7/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Basil Langton. Subject- Langton's service as VMT guest director of \"The Tempest\", in celebration of the Jamestown Festival; program and procurement of professional actors. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Wm. Thalhimer Jr. Subject- Exhibit: \"Habiliments for Heroines\" underwritten by Thalhimers, VMT: \"Lady in the Dark\", Lorren Aldrich Collection. Catalogue: \"The Helena Rubenstein, Princess Gourelli Collection\", Deluca, Editore Roma, June 1953. Dates- 11/51 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His service as a Trustee and Chair of the Theatre Arts Committee on theatre and Television, museum business, salary scales, general operation of VMT, budget, income, newspaper clippings. Contributions and gifts. Dates- 6/52 - 3/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Underwriting of Mediterranean court, plants and flowers. Gift of Sandwich glass. Dates- 5/55 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Thayer's service as special assistant to the Secretary of State for Cultural Affairs. Biographical data, UNESCO, ICOM, International traveling Exhibitions, placement of American works of art in United States Embassies. Dates- 5/59 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Committee Minutes 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Committee minutes, agendas and programs, box office grosses etc. Letter from Paul Mellon. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- Establishment of a theatre Collection by Louise Branch of drawings, scenery and costumes. Dates- 2/59 - 3/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Morton Thalhimer. Subject- Proposal for costume ball. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- Morale and general organization of the VMT Associates, proposed speakers, newsletter and roster of VMT Associates. Dates- 4/57 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and William Morrison. Subject- taped readings by Henry Fonda, Lee Remick and Olivia deHavilland on the anniversary celebration. Reviews and letters to other film stars. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Safari-Dinner agenda and setup. Dates- 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Reviews, gift of Dan River Mills fabrics for costumes. Programs: \"Streetcar Named Desire\", \"School For Wives\", \"Camelot\" and \"The Odd Couple\". Dates- 1967 - 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- reviews, letters of compliment. Program: \"the Royal Hunt of the Sun\" Dates- 1968 -69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program and staff hours. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Report of Acoustical Analysis for Auditorium of Virginia Museum Theatre\" Dates- 9/1950 and 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Review, performance production. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Theatre-designer: salary and letters of recommendation. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMT, Dance, Film and Chamber Music Societies: financial statements, salaries, budgets, production costs, income records, purchase of stage equipment and suggested future of organization. Dates- 2/54 - 12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- bus tours from Virginia towns for Theatre evenings, sponsors by Virginia Federation of Women's Clubs, newspaper clippings. \"The Virginia Club Woman\", vol. XXXII no. I 8/55. Dates- 1/59 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Chairman of Yale Drama Dept., his service as consultant to VMT, budget suggestions for proposed VMT, various drama activities, playbill, budgets from other University Drama departments. Dates- 1/56 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Program, letters of disagreement between directors and actors. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- The first annual event, critic and counselors: Virginia Freeman, Meriam Rosen, Dan Wagoner, Patricia Wityle. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Valerie Gettis as guest speaker/artist. Dates- 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Invitations to college Presidents. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Alan Schnieder, Speaker: Jo Mielziner. The 1st College Drama Festival, guest lists and exhibition of Jo Mielziner's theatre designs. Newsletter. Dates- 8/56 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Harold Clurman, Speaker: Norris Houghton. Events schedule and program. Dates- 4/57 - 2/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Norris Houghton, Speaker: John Gassner. Event agenda/program, brochures. Dates- 4/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Henry Hewes, Speaker: Marc Connelly, reception, production procedure, etc. Newsletter 2/60 Dates- 10/59 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Stella Adler and Speaker: Alfred de Ligre, Jr. Event schedule, festival speaker, program, biographical data, reviews. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Event agenda, scheduling, program and newspaper clippings. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Robert Lewis, Speaker: Edward Albee. Event agenda/program, brochure, pamphlet, etc. Dates- 10/56 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Original drama by John C. Collison, VMT Premiere. \"New Play in Virginia\", Wm. Morrison, Encore vol.6 ,no.5 Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and L. Cheek. Subject- Reorganization of Museum Theatre 1972-73, budget and summary of proposals. Additions to VMFA statutes and By-Laws. Theatre Committee annual Report 6/30/67. Dates- 5/67 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Contributions, minutes of Theatre Patron Campaign Committee. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- theatre Arts Committee Executive Meeting minutes 6/30/70 and 7/6/70, Rosters for various Executive committee's of VMFA. Reviews and pamphlets. Dates- 9/69 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- HEW grant to produce and circulate throughout Virginia a play during 67-68 season, suggested dramas. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibitions: \"Gibson Collection of Contemporary Italian Art\", \"Contemporary Japanese Art\", \"Ten Reynolds Sculptures\". Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, A.H. Ballet and Robert Telford. Subject- General VMT business, schedule of events, scenic design, reviews, performance, staff policy/procedure, ticket prices, season subscriptions, etc. Dates- 1955 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- College Drama Festival, Dance Society and Chamber Music Society. Performance programs, events schedules, guest director contract, pamphlets and contributions. Dates- 1959 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- General Theatre Business, contractual agreements, events schedules, Richmond Film Society, College Drama Festival, financial statements, theatre reviews and job applicants. Dates- 5/61 - 9/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- theatre openings, job descriptions, applicants, hours. Dates- 12/62 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT, Vignettes tour, general estimate of costs, Drama, Dance and Music programs.  \"Virginia Report For State Arts Agency Individual Projects July 1, 1966- June 30,1967\" and \"Performing Arts in Virginia Education\" an introductory survey. Dates- 1966 -68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Budgets, financial summary, events schedules, newsletters, etc. Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Season events, programming, budget and revenue, newsletters, list of season subscribers and press kit for the Mummers Theatre, Oklahoma City, Oklahoma. \"Constitution of the Virginia Museum Theatre Associates\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Theatre business, budgets, salaries, production schedules, invitations, program design, contracts, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letters to and from VMT subscribers, program for \"Purlie\". Proposals for summer season productions, opening night telegrams. Dates- 1974 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Operating expense appropriation, \"VMT Sound System Report\", and synopsis of No Title play of the life of Lord Byron by Romulus Linney (later titled \"Childe Byron\"). Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Reviews. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Keith Fowler. Subject- Reviews, production calendar and letters of compliments. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Event underwritten by the Weeden Foundation. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter of invitation, remarks after preview. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Programs. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Payment for use of two geese. Program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Financial report and program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Program, reviews, letters of complaint from theatre patrons regarding play content. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Program, search for guest director. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Review, program and editorials. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Letters of complaint and approval from theatre patrons. Dates- 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- List of series underwriters, proposal for music lecture series conducted by Dr. John White. Dates- 10/58 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Patron financial support and proposal for a Sunday lecture series: \" The Eager Listener\". Dates- 9/59 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Harpist: Nicanor Zableta, brochures of concert series sponsored by other museums and galleries. Dates- 1/50 - 1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Program Dates- 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Morton Thalhimer. Subject- General letters to theatre subscribers, brief outline of the five scheduled plays and descriptions of the major characters. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Playbills, magazine and newspaper clippings of performances in theatres other than VMT. Dates- 12/54 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Reviews and programs for \"Separate Tables\", \"The Skin Of Your Teeth\", \"Ondine\", \"Kiss Me Kate\" and \"The Kids\". Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- Rehearsal schedules, invitations, programs: \"Life With Mother\", \"The Limbo Kid\", \"Pygmalian\" and \"The Brothers Karamazov\". Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Reviews, letter/telegrams of compliment. Programs: \"Teahouse of the August Moon\", \"The Woman from Colchis\", \"Hall of Mirrors\", \"Caesar and Cleopatra\" and \"The Most Happy Fella\". Dates- 1962 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Reviews, letters and telegrams of compliment. Program: \"A Thousand Clowns\". Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Robert Telford. Subject- Reviews, letters/telegrams of compliment. Programs: \"The Admiral Crichton\", \"Hedda Gabler\". \"Tartuffe\" and \"No Time For Sergeants\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Reviews, letters/telegrams of compliment. Programs: \"The Comedy of Errors\", \"The Visit\" and \"Fanny\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters/telegrams of compliment. Programs: \"Androcles and The Lion\", \"The Miracle Worker\". Contributions from Dan River Mills. Photographs. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Reviews, letters/telegrams of compliment, opening night gala, Safari Theatre/Dinners. Programs: \"The Glass Menagerie\", \"Once In A Lifetime\", \"Julius Caesar\", \"Blithe Spirit\" and \"Three Penny Opera\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Reviews and Letters/telegrams of compliment. Programs: \"Charley's Aunt\", \"The Sorrows of Frederick The Great\", \"Uncle Vanya\", \"Twelfth Night, On What You Will\" and \"the Man Who Lost the River\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Timetable, production schedules, Safari theatre Dinners, programs and reviews. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters to former subscribers seeking financial assistance for the upcoming season. Photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program and letter/telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- VMFA By- Laws 1972, Minutes of Theatre Arts Committee 10/21/71, agendas, budget and cost estimates. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Programming, policy for relations to the VMFA, contractual agreements, events schedules, promotion plans and financial statements, programs and brochures. Executive board meetings: 7/57, 11/57, 2/58, 4/58, 5/58. Dates- 4/56 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters and contributions from Chamber Music Society Patrons. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposal for the formation of the Dance Society, guest list, officers, policy regarding the Dance Society's relationship to the VMFA. Minutes of Executive Board, 5/11/56, 6/12/57, 7/57, 12/57. Receipt and attendance records, contributions, programs, pamphlets and guest performers. Dates- 5/56 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters and contributions from patrons of Dance Society. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Rockefeller grant to the museum to develop theatre and a program in drama, 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Kay Rockefeller. Subject- Traveling exhibition troupe for children's theatre: financial statement and invitations. Dates- 9/57 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program for \"Rossum's Universal Robots\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT designated seating area according to race, and letters of protest in support of Dr. Mary Elizabeth Johnson. Dates- 1/56 - 5/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program and letters/telegrams of compliment. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Robert Telford and Morton Thalhimer. Subject- Attendance records, publicity program and biographical data. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters and telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Cost estimate, theatre needs and improvements. Date- 12/56 - 7/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Sample survey, list of Chapter/Affiliate communities. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Morton Thalhimer and Robert Telford. Subject- Theatre Arts Committee agenda, VMT proposals for: director, administrator, production and apprentices. Date- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"The Gallows Man\", limited performance schedule, invitations. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Events program, list of composers represented. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cancelled, considered distasteful for VMT audience. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program and letters, telegrams of compliment. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- AAMD conference, theft of Roualt drawing from Toronto Gallery, requests for publications. Dates- 5/50 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains reports concerning slide sets and film strips distributed throughout the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Fashion designer to lecture on fashion from 1752 to 1952 for the exhibition: \"Habiliments for Heroines\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- New York World's Fair, newspaper and magazine clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His election to VMFA Board, museum business. Dates- 5/51 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper and magazine clippings of Governor Tuck. Dates- 12/49 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, Tunnard's expertise on city planning. Virginia Town Case Study Group: \"Problems of Planning in the Small Southern Town\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Severance of affiliation to the VMFA. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artist for VMFA Christmas card. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from F. Brandt and Wm. Gaines. Subject- Seminar to expose students and teachers to the function and operation of VMFA, agenda, program procedure, etc. Dates- 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Questionnaire from UCLA Graduate School of Management and the College of Fine Arts on the priorities related to the Arts, pamphlets. \"U.S. Information Agency-Its Task in World Affairs\". Date- 4/51 - 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Annual Meeting Minutes, travel authorization, organization news, pamphlets, general UNESCO business. Dates- 10/46 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Conference topic: Aid to South American Museums, project development, UNESCO Annual Report, Report of Program Committee. The Voice of America, Forum Lectures with transcript of by L. Cheek of \"The Art Museum As A Community Center\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Requests for loans of slides from South American Museums for L. Cheek's presentation to Denver conference, list of South American Museums. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Opening of UDC new building. Resolution concerning accessibility to members of UDC, invitations. Dates- 6/57 - 12/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence, reports, minutes. Expansion of local service. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Charitable organizations that have received UGF monies and fund raising campaign. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- The Air Force Memorial Center: statement of purpose, design, personnel requirements, building program, Minutes of U.S. Air Force Fine Art Committee 6/58 and 12/60, \"Proposal For The USAF Memorial Education Center\", travel vouchers and floor plan for the Academy Museum (Planetarium). Slides. Dates- 2/57-4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Edward R. Murrow as Director, merging of the People-to People Program (organization of museum professional) with the USIA. Newspaper clippings. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Forum Series\": International Broadcast, lecture series. Essay- \"the Art Museum As A Community Center\" by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- UNESCO Action to safeguard Nubian monuments due to the construction of the Aswan Dam. Roster of Honorary Committee, International Action Committee, United Arab Committee, Executive Board Minutes. Dates- 4/60 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Virginia State Employees U.S. Savings Bond campaign, handbook for canvassers, meeting agendas and progress reports. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Col. H.W. Fitzroy. Subject- Coordinating agency between institutions and other cultural, educational and scientific agencies in Virginia through a lecture series of visiting scholars. Dates- 9/54 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Bayly Art Museum and the McIntire School of Fine Arts at the University of Virginia. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Lecturers and AIV contributors, loans of objects, fellowships. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and T. Colt. Subject- UVA Museum loan of objects and lecture tours, fellowships. List of prints on loan to VMFA from Catesby estate and list of Lurcat Tapestries. Dates- 8/47 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Museum business, Artmobile, VMT, requests for loans, contributions and gifts. Reference to photos of ancient Greek sculpture, architecture and landscape views, invitations, pamphlets and postcards. Dates- 10/58 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains the schedules for staff vacations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence of Hans van Weeren-Griek, curator of Education at the VMFA. Dates- 1940-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Report regarding vandalism and misconduct: soaping of the fountains and damage to shrubs. Dates- 11/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Velz' service as VMFA Head of promotion, civilian and military experience record, newspaper clippings and Melchers Estate. Dates- 1949 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains general correspondence of Velz, Associate Director of VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Status of tax deduction, recommendations for event, invitations and dance card. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 9the Annual Viennese Ball sponsored by the Council: Ball Committee, agenda, decoration, invitations, etc. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- Virginia Art Alliance By-Laws, program and minutes of VAA meeting 1945, Report of the Trustees of Richmond Academy of Arts 1933, correspondence with other members of VAA, etc. Dates- 1933-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- program for annual meeting 1941, blank ballots labeled \"Board of Trustees Ballots\", statement of need for a state Supervisor of Fine Arts Education. Dates- 4/40-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- reports of activities of organization members 1942-3, correspondence with organization members-no annual meeting held this year due to World War II, etc. Dates- 3/43-5/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcement, agenda and program for annual meeting 1944, correspondence with organization members, election of officers/trustees, etc. Dates- 3/44-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting minutes ('49), listing and certification of delegates to VAA annual convention ('49), listing of the VAA Board of Trustees ('49), etc. Dates- 1948-49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes from meetings and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to Miss Helen C. Rose (Virginia Art Alliance President). Subject- correspondence with member organizations, etc. Dates- 3/58-8/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- minutes of Trustees meeting and annual meeting 1959, roster of officers and Trustees, program for annual meeting 1960, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of Va. Art Alliance). Subject- announcement, replies agenda and program for annual meeting of (1936) the VAA Trustees, listing of organizational members to VAA, certification forms for delegates to the VAA annual convention (1936), etc. Dates- 5/35-5/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension VMFA, Secretary of VA. Art Alliance). Subject- announcements, program and report for VAA annual meeting 1937, resolution changing the organization of the VAA (consolidating its function with that of the VMFA), certification of delegates to VAA annual meeting 1937, etc. Dates- 4/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept., Secretary of VA, Art Alliance). Subject- VAA annual meeting announcement and program (1938), certification for delegates to VAA annual convention 1938, correspondence with member organizations about the reorganization of the VAA (consolidating its function with that of the VMFA), etc. Dates- 2/38-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance). Subject- announcements and program for VAA annual meeting 1939, certification of delegates to the VAA annual convention 1939, letter from Gayle to the State Board of Education supporting the appointment of a state supervisor of art, etc. Dates- 3/39-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1940, correspondence with member organizations, nomination of trustees, certification of delegates to annual convention 1940, etc. Dates- 3/39-5/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1941, report of the VAA 1940-1, listing of organization members, By-Laws of VAA 1934, correspondence with trustees, etc. Dates- 3/41-4/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- program for annual meeting 1942, roster of member organizations, reports from member organizations, Annual Report of the VAA 1941-2, listing of VAA lectures in 1941, Museum Bulletin (VMFA) vol.2, no.6, 1942etc. Dates- 3/42-4/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcements, program and minutes for annual meeting 1944, reports of member organizations 1944, certification of delegates to annual convention 1944, listing of Board resolutions during war time, roster of member organizations, etc. Dates- 4/44-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. T.C. Colt (Secretary of VA Art Alliance). Subject- announcements, program and minutes for annual meeting 1945, roster of trustees and nominating committee, reports of member organizations, certification of delegates to annual convention 1945, etc. Dates- 3/45-2/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945, announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945,announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting program ('46 and'47) and minutes ('46), list of members ('47), certification of delegates to annual VAA convention ('47), Reports of art activities around the state, etc. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance)and M.B. Christison (Curator of Education). Subject- copies of 1947 resolution about art display areas in public buildings, minutes of annual meeting 1947, announcements and program for annual meeting 1948, roster of member organizations 1948, correspondence about securing guest speakers for VAA annual convention 1948, certification of delegates to annual convention 1949, etc. Dates- 7/45-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- membership roster ('48), list of trustees ('48), announcement, minutes and attendance to annual meeting ('48), summary of panel discussion about art education in Va. schools, statement of VAA purposes and objectives, etc. Dates- 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- minutes of the Virginia Art Alliance meeting ('47 and'48), Board meeting announcement and attendance, program of annual meeting ('48), list of suggested nominees to the VAA Board ('48), etc. Dates- 1947-8.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- annual reports of activities made by VAA members. Dates- 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Annual meeting 1955. Correspondence, resolutions and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence, minutes and agendas. Form letter announcing annual meeting 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes, agenda and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcement and minutes of Fall Meeting 1957, correspondence with member organizations, etc. Dates- 11/57-12/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Meeting held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1957, appointments to nominating committee, minutes of the Trustees meeting 1957, roster of organization members, The Annual Review of the Virginia Art Alliance 5/39,etc. Dates- 2/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and tentative reservation list for annual meeting 1958, etc. Dates- 9/58-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1958, reports of member organizations, Virginia Art Alliance By-Laws, proposed revisions to By-Laws, VAA procedures, appointments to committees and to board, etc. Dates- 1/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes from annual meeting 1959, member organization reports, roster of VA. Art Alliance officers and trustees, VAA By-Laws, etc. Dates- 5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison Assistant Director VMFA). Subject- announcement and schedule for annual meeting 1959, blank reservation forms for school artmobile visits, etc. Dates- 10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and program for annual meeting 1960, listing of nominating committee appointments, roster of officers and trustees, listing of delegates to annual meeting, etc. Dates- 3/60-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- reports from member organizations, etc. Dates- 1956-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of organizational members and their attendance, correspondence and form letters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Board of trustees and list of members 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Board of trustees' meeting 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Board of Trustees, 1952-55. Correspondence, minutes. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trustee correspondence, minutes and members. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard Subject- preliminary work for the VAA booklet: \"Facilities for Organization Members Comprising the Virginia Art Alliance\". Dates- 8/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Secretary Virginia Art Alliance). Subject- minutes of Virginia Art Alliance (VAA) annual meeting 1957, proposed revisions to By-Laws, etc. Dates- 8/56-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- outline of a state art federation, constitutions, by-laws, information on other art federations (i.e.: The American Federation of Art, The Kansas State Federation of Art, The Indiana Federation of Art Clubs, etc.), etc. Dates- 1/34. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Va. Art Alliance procedures and a short history, draft of proposed revisions to VAA By-Laws, Annual Review of the Virginia Art Alliance. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA/ Secretary of the VA Art Alliance). Subject- VAA By-Laws 1934, resolution (1936) to consolidate the functions of the VMFA and VAA, information about the development of a new type of VMFA annual membership- the organization membership, etc. Dates- 1934-10/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- listing of Trustees 1934- 39, Trustee meeting announcements, letters accepting election to the VAA Board of Trustees, etc. Dates- 11/34-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA representative on the Virginia Art Commission. Dates- 11/55 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- selecting and securing jurors for the exhibition \"Virginia Artists 1955\", listing of pieces and artist included in the exhibition, printed material for the exhibition, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: Paul Smith, Rose Slivka and Frank Getlein. Salon des Refuse's, biographical data, exhibition catalog. Dates- 6/66 - 6/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Prospective jurors and exhibition announcement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Jurors: Thomas Hess. Exhibition statement, reception, guest list, members preview, program agenda, discontinuation of salon des refuse's, installation and exhibition catalog. Dates- 1967, 11/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper and magazine clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence regarding auditor's reports. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Audit Reports 1936-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Auditors Survey and Systems study of the VMFA. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Wm. Morrison. Subject- Filming of \"California Watercolors\" traveling exhibition with footage of Virginia Beach Sidewalk Show included in the 25th anniversary film. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Prospectus for the Virginia Center For the Performing Arts. Statement of purpose: Academy-Conservatoire of Dramatic Art with training center and professional theatre. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding objects and paintings in private collections throughout state of Virginia. Correspondence with artists and owners. 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Statement of mission, NEA grants, proposals, awards, potential applicants, recipients. Collectors' Circle: Arts and Humanities Challenge grants for Conservation projects. Degas exhibition. Dates- 2/74 - 6/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- VCU and U of R Drama departments. VMFA/VCU Museum Methods Course. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Current/future cooperation between VCU and VMFA: theatre, Art Historical studies, education, museum training, music dept.'s, VCU Conservation Lab and Anderson Gallery. Dates- 1/73 - 2/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Juror: Paul Smith. Reception, guest list, program, agenda and exhibition catalog. Dates- 3/71 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Juror: Henry Wolf. Event program, invitations, guest list, statistics regarding entrants, certificate winners, etc. Exhibition catalogs for \"Virginia Designers\", 1970 and 1971; \"Virginia Photographers\", 1970 Date- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding state budget 1946-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VEA Centennial Event and retired teachers complex, theatre program and Executive Committee Minutes, 12/61. Dates- 10/63 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Retired teachers apartment complex proposed for the 2900 block of Grove Ave., later rejected by the City Council, newspaper clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Exhibition: \"American Rooms in Miniature\", sponsored by Va. Federation of Women's Clubs, sponsorship of statewide tour of Artmobile, newspaper clippings and pamphlets, \"Virginia Journal of Education\", 10/63, catalog of \"American Rooms in Miniature\" by Mrs. J.W. Thorne, Art Institute of Chicago, 1941. Dates- 6/53 - 2/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Virginia Federation of Women's Clubs Statewide Arts Festival. Dates- 5/67 - 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Thank you notes from newly elected/reelected members of the House of Delegates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Gov. John. S. Battle. Dates- 1949-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Gov. Colgate W. Darden. Dates- 1942-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Gov. George C. Peery. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Bills vetoed and passed by Gov. Thomas B. Stanley [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Gov. William M. Tuck. Dates-1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Multi-level Arts Festival held annually in Abingdon, Va., loans of art works, consultation on programming and pamphlets. Dates- 11/52 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, F. Numan (Wm. and Mary) Subject- Meeting to focus on Architecture and the Humanities. Dates- 11/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Catalog from Franklin Mint series of silver commemorative medals. Norton Simon summary of Annual report, 1970. Dates- 1970 -71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mrs. J.G. Pollard was chairman of this agency; copies of: Fundamentals of a Growing Recreation Program by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Agendas and minutes of meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns a Governor's commission to study juvenile delinquency and the Virginia Advisory Legislative Council. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Report to the Committee on \"Recreation as a Function of Government in Virginia.\"   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- copies of the executive order creating the Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- planning a listing of recreation films available through state agencies and 16mm Recreation Films Available in Virginia published by the VA Inter-Agency Committee on Recreation, etc. Dates- 6/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- working papers and final copies of the \"1st Report to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 10/53-1/54; Correspondence Subject- copies of the \"First Report to the Governor by the Inter-Agency Committee on Recreation\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Selected legislation on recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- membership rosters for the VA Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- statewide recreation reports listing facilities, budgets, organizations and needs, pamphlets from the National Recreation Association, etc. Dates- 7/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Sponsored by the National Recreation Association 1955-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains a listing of personnel and the purpose of the committee.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper clippings and pamphlets.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Pamphlets, magazine articles etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Copies of \"Fundamentals of a Growing Recreation Program\" by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- working papers for and final copies of the \"1st and 2nd Reports to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 11/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Juror: Sarah Tomerlin Lee, Biographical data, event program, pamphlets and catalog for exhibition. Dates- 9/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Museum events, rosters: Senate, House of Delegates. Letter to members of the general assembly. Essay- \"The Virginia Museum and the Arts in Virginia\". Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Reception for organization composed of Mayors, City Managers and City Officials. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Faye Ambrose and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year. Dates- 5/56-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Charles E. Baker and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications and award letters (1950, 1951) for VMFA in-state fellowship, artist progress reports for 2 years, etc. Dates- 5/50-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Regina Bartley and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 4/51-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Wm. Thomas Bland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA fellowship, thank you notes made by Mr. Bland (mixed media including watercolors). Dates- 8/48-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Robert Brushwood and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations, award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Kuhn R. Caldwell and Mrs. J.G. Pollard, M.B. Christison (Assistant Director), and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, artist progress reports for 1 year . Dates- 12/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mary Frances Cheatham and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA junior fellowship, artist progress reports for 1 year. Dates- 1/49-3/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Janet Clausen and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Robert L. Davis and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA in-state fellowship, photos of artist's work, artist progress reports for 1 year, etc. Dates- 4/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Worden Day and Mrs. J.G. Pollard, M.B. Christison and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, etc. Dates-4/49-8/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. T.V. Downing, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 10/49-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Charles Flynn, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 4/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 2/54-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- award letter for VMFA in-state fellowship, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Barbara Harding and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications ('53 and '54), recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Catherine M. Hipp and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Jem W. Hom and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/56-7/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between W.B. Houghland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Caroline C. Huff and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. William W. Jackson and Mrs. J.G. Pollard and L. Cheek Jr. Subject- applications (1948,1949), recommendations and award letter for VMFA fellowship, etc. Dates- 5/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Benjamin Knapp and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. James Leedy and Mrs. J.G. Pollard and M.B. Christison (Assistant Director). Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/57-6/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Brenda R. MacBaisey and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year (includes lithography proofs), etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. James P. Moyers and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Joe Ravenscroft and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, application and recommendations for VMFA fellowship, etc. Dates- 8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, recommendations for VMFA fellowship, etc. Dates-8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.F. Russell and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for out-of-state fellowship, artist progress report for 1 year, etc. Dates- 4/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between R.E. Spain and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Mary R. Tatum and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1year, etc. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Primm Turner and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress report for 1 year, application for Catherwood Foundation fellowship, etc. Dates- 3/56-9/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. E. Parker Twombly and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA out-of-state fellowship, recommendation letters written by: Ben Shahn and Robert Motherwell, artist progress report for 1 year, etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress report for 1 year, etc. Dates- 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Howard Woody and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for student fellowship, etc. Dates- 4/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Peter Wreden and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, etc. Dates- 4/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of fellowship applicants, requests for applications, rejection letters, etc. Dates- 3/49-6/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications, recommendations and rejection letters for those applicants not chosen to receive fellowships. Dates- 3/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship, fellowship announcement, minutes of the fellowship committee meeting (1954), etc. Dates- 12/40-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- listing of applicants 1942-44, listing of types of fellowships offered by the Museum, etc. Dates- 1942-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- various applications, recommendations, rejection letters, etc. Dates- 5/46-6/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- announcements of fellowships, blank fellowship applications, requests for applications, various completed applications, award and rejection letters for fellowships, artist reply letters, etc. Dates-4/46-12/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- various applications, recommendations, fellowship recipient progress reports, award and rejection letters, correspondence with Fellowship committee, etc. Dates- 4/47-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject-the organization of the Fellowship committee, requests for fellowship applications, etc. Dates- 9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. John L. Pratt. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship program, minutes of: annual board meeting (1941), executive committee meeting (1940), VA artists fellowship committee meeting (1940), announcement/application for VMFA fellowship, etc. Dates- 6/40-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence about the Museum. Dates- 1939-46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition- \"The Virginia Museum of Fine Arts in Roanoke\", 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Essays by Director Thomas Colt on the Principles and Work of the Virginia Museum of Fine arts and its history.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Timetable, agenda, invitation, guest list. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Juror: Henry Callahan, biographical data, entry form, letters to selected applicants, statistics: entrants vs. applicants etc., and jury procedure. Dates- 4/71-2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Fellowships, VPI Traveling Theatre. Letter to Josef Albers with biographical data, invitations and exhibitions. Dates- 3/59 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains pamphlets and correspondence between this association and Mrs. Pollard's Inter-agency committee on recreation 1949-54; Reports and Inventories of recreational activities of state agencies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- VMFA budget, state issue vehicles, Artmobile, salaries, Robinson House, etc. Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Complimentary memberships to members of the house of delegates, travel regulations, United Givers Fund campaign, management studies. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VSAA membership rosters, membership of confidential secretaries to directors of state agencies. Dates- 9/63 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from the Office of the Governor. Subject- Memos to heads of state agencies regarding all manner of state operations, capital outlays. Annual Report of \"Virginia Department of Vocational Rehabilitation\", 1976. Dates- 1/73 - 10/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from the Office of the Governor. Subject- Affirmative Action and Freedom of Information Act requests. \"Virginia Local and Regional Planning 1974\"; \"Virginia Commission Visually Handicapped Annual Report\", 1973-74; \"Virginia Highway Commission Annual Report\", 1973-74. Dates- 11/74 - 12/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from the Office of the Governor. Subject- State governmental management, budget appropriation requests, Virginia calendar of events, newsletters, museum salaries and the Virginia Privacy Act of 1976. Dates- 4/75 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regards donating old exhibition materials 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt. Subject- Roster of VMFA Trustees, resume of progress in the Fine Arts of Virginia. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and E.M. Kates (VSIF). Subject- Planting of flower beds and maintenance of interior foliage, Elizabeth Kates Foundation. Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cleaning and treatment reports of portraits owned by the Virginia State Library and Archives. Also correspondence regarding the wartime protection of Virginia's cultural materials, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- outline of annual meeting. Dates- 11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- \"Planning Your Town\" traveling exhibition, photos and description of exhibition installation, copy of an essay written by Cheek for Art Digest (4/52) Dates- 2/52-10/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- VA Union choir singing at the Museum during the Christmas season, pamphlets about Museum sponsored activities during the holidays, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Statewide competition for the design of Memorial and jury selection. L. Cheek's service as advisor to the Memorial Commission. T.J. Collins and Son as winners of competition. \"Program Of Competition For The Virginia World War II Memorial\". Dates- 12/50 - 3/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Program Of Competition For The Virginia World War II Memorial\", firms invited to compete in the final selection, expenses incurred and resumes of applicants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, John J. Wicker Jr. (Chairman). Subject- Competition program, VWW II Memorial Commission meeting minutes, \"Preamble\", for the creation of the memorial, \"Architectural Competitions\", AIA Document no.213. Drawings/plans and photographs for site development. Dates- 5/50 - 12/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 1953 Official Report of the Virginia World War II Memorial Commission. Dates- 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Competition program and closing proceedings. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Applications from selected entrants, official report of the jury in their selection of J.T. Collins and Son, (A.I.A.). Dates- 3/51 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Report of the Jury concerning the winning design. Jury members: Waldon Franklin, George Howe, Frederick C. Disque, Edward D. Stone, W. S. Robertson, biographical data included and list of competition entrants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Guest lecturers, membership. Dates- 12/63 - 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mrs. von Keller. Subject- appointment of von Keller as Acting Director of VMFA in absence of Colt, biographical information, etc. Dates- 4/35-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mrs. von Keller (Art Director, Randolph-Macon Woman's College). Subject- personal, Museum events, etc. Dates- 8/42-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Morton Vose. Subject- Acquisitions and provenance of objects. Dates- 7/56 - 2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J.G. Pollard, T. Colt. Priscilla Crum and L. Cheek. Subject- Segregation in children's art classes, Study of early 19th century architect and builder John Jordan. WRVA Radio weekly series of VMFA activities, Salon des Refuses' for artists eliminated from the Virginia Artists juried exhibition. World War II Memorial design competition, Artmobile, newspaper clippings, paintings from the Williams Collection and the Helena Woolworth McCann Collection of Export Collection. Exhibition catalog: \"Eugene Wiesz\". Photographs. Dates- 9/45 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and M. Christison. Subject- Artmobile, AIV, sit-see chairs, collectors circle, Fellows, Wise Pre-Columbian Collection, requests for employment. Woodrow Wilson Birthplace Foundation: Annual Report 10/64. Gifts, loans, contributions and acquisitions. Dates- 3/60 -11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Exhibition announcements, invitations, newsletters, biographical data, requests for employment. Purchases, gifts and acquisitions. Damage report of art works. \"Profile\", re: Tishman Collection of African Objects. \"Hermes Wingraf Quarterly Catalog\", Summer 1971, re: 17th century Dutch still-lifes. Dates- 2/70 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Waddy bequest for fountain construction. Costs of construction and maintenance of fountains: National Gallery, Frick Collection and Isabella Stewart Gardner Museum, includes photographs. Blueprints/plans: VMFA Site Development, East Elevations. Excerpt from the will of Woodson P. Waddy. Dates- 1947, 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Bronze Waddy Memorial Fountains, architects: Eggers and Higgins, Sculptor: Ralph Menconi. Contractual agreement with architects, Blueprints/ plans, detail drawings for : Waddy Memorial Fountain, Triton Fountain, East elevation and site development plans. Dates- 8/53 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt and Mr. Clifford L. Walker. Subject- inscribed plates for paintings in Museum collection, bronze busts and tablets for founders. Dates- 11/35-8/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Walpole Society Dinner, membership roster and newspaper clippings. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA staff orders for conduct of Museum during an emergency, pamphlets from the U.S. Government, Association of Art Museum Directors and American and British museums about art preservation in case of a wartime emergency. Dates- 1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Warburg Collection on loan to VMFA and his address to collector's circle. Bulletin vol.18 no.9 5/58 Dates- 5/57 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT scenery design. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- pamphlets from the U.S. Government, Association of Art Directors and American and British museums about art preservation in case of a wartime emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- prospective sale of George Washington portrait by Peale to the state of Virginia, history of the painting, may have been commissioned by the state in 1784 for use by Houdin (the sculptor of the George Washington statue in the capital). Dates- 10/37-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Marion Junkin. Subject- Metropolitan Collection on permanent loan to W\u0026amp;L, letter from M. Junkin espousing the talents/commitments of the young artist Cy Twombly. Hans Gasman as restorer for VMFA lists of objects and exhibitions. Dates- 11/49 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Alexander W. Weddell. Subject- Weddell's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, gifts from Weddell, listing of Trustees 1942, listing of Trustees committee assignments 1945. Dates- 9/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and Mrs. J.G. Pollard. Subject- Founding member of VMFA, resolution from Executive Board in memoriam of Alexander Wilbourne and Virginia Chase Weddell. Award of the Webster S. Rhoads Medal for distinguished service. Minutes of Annual Meeting, descent and authenticity of a pair of copies of portraits of George Mason and his wife. Dates- 7/45 - 1/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Foundation financial support: VMT, library, contributions to Fellows fund, book purchases, VMFA services catalog. Dates- 7/66 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Director of Gallery of Modern Art, NYC, and his service as a juror. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"Time\" article on George Catlin, artist of the American West. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and P. Mellon. Subject- Ultimate destination of Mellon English Collection. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Tour request. Dates- 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Mrs. J. H. Parsons. Subject- Wheelchairs adapted for sit-see chairs and underwritten by Mrs. Parsons. Dates- 10/65 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecture/recital to VMFA council and Fellows. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitation to L. Cheek by President Johnson to attend luncheon for President-elect Barrentos of Bolivia. Dates- 7/20/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Objects on loan to White House. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Theo B. White. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Diorama's made by Whitelaw in the collection of the L.A. County Museum and George Washington Masonic National Memorial Association. Photographs Dates- 7/62 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- general correspondence with a Trustee on Museum programs and operating activities (esp. Accessions Committee). Dates- 6/35-3/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Beatrice von Keller, T. Colt and L. Cheek. Subject- Organization of an exhibition of pre-Columbian sculpture, Catesby-Jones collection, Whitman Collection of Mayan Sculpture, Chrysler Collection accessions and exhibitions. Date- 8/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mrs. Thelma Cudlipp Whitman. Subject- Trustee/Museum business, etc. Dates- 5/51-2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Ambassador to Great Britain, invitation to become Collector-of-the- Year. Dates- 5/61 - 7/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and various Whitney Museum staff. Subject- loans to the Museum for the inaugural exhibition, loan to the Whitney from VMFA, museum practices, etc. Dates- 5/35-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Summer state service projects, VMFA projects list. Dates- 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Playwright, invitation to address VMT, Time Cover 11/12/53. Dates- 1/53 - 3/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA appointment to Board of Trustees, service as President and on the Entertainment Committee. Museum business, South Wing, Fellows, NEFTA. Gift of Mellon French painting collection, gifts, contributions. Dates- 6/65 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibitions: \"Jean Outland Chrysler Collection\" and \"30 Years of Virginia Art\". List of objects, Charter Day ceremonies: invitation list and dedication of the new Fine Arts building. Essays- \"Thomas Jefferson and the Fine Arts\" and \"The Arts in Virginia\", by L. Cheek 2/67. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT and loans of objects to VMFA. Dates- 1/50 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Mrs. J.G. Pollard. Subject- Williams Collection inventory, Williams purchase fund, statement concerning the informal agreement between L. Cheek and Mrs. A. D. Williams concerning installation of collection in the new wing. Selected inventory of furnishings in the Williams home. A.D. Williams as recipient of the Rhoads Medal, financial contributions, gifts and loans. Dates- 6/48 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Berkley Williams Jr., Virginia artist. Dates- 1936-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., and Mr. E. Rand Williams. Subject- Trustee/Museum business, Rand served as Buildings and Grounds Committee Chairman 1937-8 and as first Vice-President in 1941, etc. Dates- 6/35-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. E. Randolph Williams. Subject- Trustee/ Museum business, etc. Dates- 5/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Glasglow bequest, Melchers Estate, Pratt Jewels, Portrait of \"James Patton Preston\", Gilbert Stuart, general legal questions. Dates- 10/58 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Election to board of Trustees; Dance Society. Dates- 6/54 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Advisory committee on the new Reception Center, L. Cheek as a member and a map with the proposed location. \"Summary of Reception Center Objectives and Experience\". Dates- 11/53-1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- List of objects accepted as loans and pending gift status. Dates- 10/49 - 3/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Preliminary plans for a foundation to house objects related to W. Wilson's life. Portrait exhibition of the 8 Virginia born Presidents, portrait of Mrs. Wilson, artist unknown. \"Woodrow Wilson's Heritage of Faith\", Frank Bell Lewis, Woodrow Wilson Birthplace Foundation, 1956. Dates- 9/55 - 6/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters of request and approval for event, agendas and timetable. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letter of confirmation. Dates- 7/11 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Woodlawn Plantation event, guest list and map. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. to Worcester Art Museum staff. Subject- loans for VMFA inaugural exhibition, loan to Worcester Art Museum, etc. Dates-8/35-7/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- exhibition held at the Museum \"Southern States Preview\" a regional exhibition connected to the World's Fair. Dates-10/38-12/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by applicants to exhibition. Subject- listings of artists accepted to the show (listed state by state). Dates- 12/38-1/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Arthur Drexler (MOMA) to lecture on Wright exhibition, reception, guest list. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Transcript of radio broadcast 2/26/54, exhibition: \"American Painting\", Artmobile and magazine excerpt. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Betsy Wyeth and Harry Brooks (Knoedlers). Subject- \"Country\": Working drawings, Artmobile layout and tour and reviews. Dates- 2/67 - 11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown and P. Near. Subject- Exhibitions, loans, acquisitions, AIV, gifts, contributions. Correspondence with William Zorach, sculptor. Dates- 9/49 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- museum practices, loans for the VMFA inaugural exhibition, etc. Dates-9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- General correspondence from Alumni, possible lecturers, newspaper clippings. Correspondence between Cheek and Alfred Stiegletz. Minutes of Alumni and Friends of the School of Art and Architecture, 5/58, pamphlets. Dates- 6/58 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Third Report Of The Committee On Architecture, Painting and Sculpture\", 4/50. Committee membership roster, issues facing various Yale departments. \"Bulletin Of Yale University\", series 44, 4/48 #5 and \"Official Register Of Harvard University\", vol. XLV, no.15 7/15/48. Dates- 1949 - 50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. Pollard and M. Christison. Subject- Yale school of the arts general operation, appointment of Joseph Albers, list of University Council Committees. Dates- 9/48 - 9/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Draft of the committee report and responses from other Yale committee members regarding departmental personnel, curriculum, problems and resolutions. \"Report Of The Committee Of The Division Of The Arts (Architecture and Planning And Design)\",prepared by L. Cheek, 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Report Of The Chairman Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 4/48, prepared by L. Cheek. Issues concerning Yale departments of the arts. Minutes of Yale Executive Committee Meetings, various reports on Yale departments. Dates- 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Cheek draft of, \"Report Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 1952. Yale policy review, new appointments, letters to other committee members, roster of membership. Dates- 5/51 - 4/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Evolving challenges of the various Yale departments. \"Report Of The Committee On The Division Of The Arts (Architecture, Planning and Design)\", 4/53. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA performance of Yale Glee Club, agenda, program, roster, etc. Dates- 10/60 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eR. Peter Mooz was Director of the museum from 1976-1981.\u003c/p\u003e","\u003cp\u003eCharles L. Reed was Interim Director of the museum from 1981-1984.\u003c/p\u003e","\u003cp\u003ePaul N. Perrot was Director of the museum from 1984-1991.\u003c/p\u003e","\u003cp\u003eKatherine R. Lee was Director of the museum from 1991-2000.\u003c/p\u003e","\u003cp\u003eRichard B. Woodward was Interim Director of the museum in 2000.\u003c/p\u003e","\u003cp\u003eMichael Brand was Director of the museum from 2000-2005.\u003c/p\u003e","\u003cp\u003eThomas N. Allen was Interim Director of the museum in 2006.\u003c/p\u003e","\u003cp\u003eThis series contains correspondence and subject files from staff members in the Director's Office.\u003c/p\u003e","\u003cp\u003eCarolyn Weekley was the Assistant to the Director from 1978-1979. She later became Curator of Decorative Arts, so there is some overlap in the files with her curatorial work.\u003c/p\u003e","\u003cp\u003eMargaret (Peggy) Burke was Assistant to the Director from 1980-1981, then Deputy Director in 1982, Deputy Director. She originally served as Assistant Director for Collections and Interpretation, so there is some overlap in the files with her other work.\u003c/p\u003e","\u003cp\u003eLulan Yu was Assistant to the Director from 2002-2007. Her files are mostly related to the North Wing expansion and the museum identity project.\u003c/p\u003e","\u003cp\u003eLee Anne Hurt Chesterfield was Assistant to the Director from 2004-2009, then became Director of Board Relations and Museum Planning. Her files are mostly related to special projects, exhibitions, and AAM reaccreditation.\u003c/p\u003e","\u003cp\u003eThis series consists of building files that were maintained separately in the Director's Office. There are often additional building files found in each Director's Correspondence files.\u003c/p\u003e","\u003cp\u003eThe West Wing was completed in 1985.\u003c/p\u003e","\u003cp\u003eThe North Wing expansion was completed in 2010.\u003c/p\u003e","\u003cp\u003eThis series consists of corespondence with internal and external groups, the affiliations or creations of which often often overlap different Directors.\u003c/p\u003e","\u003cp\u003eThis series consists of minutes and planning documents for meetings convened by the Director.\u003c/p\u003e","\u003cp\u003eThis series consists of program files that were maintained separately in the Director's Office. 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Sub-Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Series Description","Sub-Series Description","Sub-Series Description","Series Description","Series Description","Series Description"],"scopecontent_tesim":["This series is comprised of correspondence of all of the various Directors of the museum. Files were arranged alphabetically by subject, and there is a lot of overlap between different Director's as the files often contained pertinent items from a predecessor. In the case of the first sub-series (1.1), until 1976, the entire museum's files were maintained centrally as one unit in the Director's Office.","This series includes the records of the first three Directors - Thomas C. Colt (1935-1948), Leslie Cheek, Jr. (1948-1968), and James M. Brown (1969-1976) - as well as the two Interim Co-Directors Beatrice von Keller and Violet McDougall Pollard (1942-1945). The bulk of this series was deposited at the Library of Virginia, therefore most of the items held at VMFA are copies that LVA returned to the museum.","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with individuals, institutions and corporations beginning with the letter 'A', note- two letters written to Josef Albers (no replies). Dates- 2/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding a copy of Gainsborough's \"Blue Boy\" in the collection of Van Clief of Esmont, Virginia.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters from private donors and dealers offering objects for sale and as gifts to the Museum when it was first started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and information about gifts and purchases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about items being considered for purchase and members of the committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes, and information on bequests and purchases. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- minutes of accessions committee meeting 1972, announcements and attendance for meetings 1973, acquisitions policy for bidding on works of art at auction, etc. Dates- 9/72-1/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- painted decorations of St. James church, putting this church on the Virginia section of the National Register. Dates- 4/68-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- departmental inventories of non-expandable assets of the Commonwealth of VA 1940-3, worksheets on individual art objects and Museum equipment, state regulations, etc. Dates- 6/43-11/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown and P. Near (Curator). Subject- correspondence about possible acquisitions, considerations of gifts, notes on possible acquisitions, etc., 10/70-4/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding the gift of Mrs. Charles Adams (Ann Fowlkes) of music albums 1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's appointment by the Governor to an advisory committee assisting the Dept. of Conservation and Economic Development in a study for a proposed museum of science, archaeology and natural history (to be located in Richmond), copy of Senate joint resolution no.26-to study the encouragement or establishment of a museum of science and natural history, list of committee members, Report of the Department of Conservation and Economic Development to the Governor and the General Assembly of Virginia Relative to the Establishment of a Museum of Science, Archaeology and Natural History in Richmond, 1965, etc. Dates- 5/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Excerpt from the Report of the Committee on Recreation to the Advisory Council on the VA Economy and A Summary of Major Recommendations that Involve Questions of State Policy by the Advisory Council on the VA Economy. Dates- 8/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- possible Museum acquisitions from the dealer. Dates- 4/53-5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Airfiltering System 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- correspondence and announcement for lecture by Ambassador Akar about Africa's unique cultural heritage, etc. Dates- 10/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek was a judge for their annual show. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with Albemarle Art Association President about discontinued affiliation with VMFA, biographical information on Cheek, introduction about Cheek for lecture at AAA, Cheek's remarks in honor of Horace Burr 1966, etc. Dates- 8/57-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with and biographical information about Josef Albers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- a letter to Albers (no reply). Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown Subject- correspondence with Director about appointment to board of Hon. George S. Aldhizer II, Education in the Arts and Honors and Awards Committee appointments, etc. Dates- 6/67-2/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Donor of several paintings to the Museum, 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek as speaker for \"The Alexandria Forum: Southern Decorative Arts 1750-1850\", exhibition loans to Alexandria Assoc., etc. Dates- 9/55-1/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Printed materials. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding annual meetings and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- AAM (American Association of Museums)annual meeting pamphlets 1955,'57,'58,'59'60,'61,'62,'65 and'68, proposed constitution and By-Laws 1961, roster of member institutions 1959, correspondence about AAM meeting in Williamsburg, etc. Dates- 10/60-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from AAM Directors. Subject- Minutes annual meeting 1969, membership reports 1969-70, Financial Statements 1969-70, agenda for AAM council meeting 1970, memos, etc. Dates- 8/69-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- info about AAM (American Association of Museums) seminar held in Richmond 1972, financial and membership reports 1972, minutes of exec. committee meeting 1972, news releases, letter from Richard Nixon to Mr. Brown as President of the AAM, mailings sent out by AAM, etc. Dates- 7/72-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about Cheek as Program Chairman for AAM (American Association of Museums) annual meeting in Williamsburg 1962, tentative agenda, schedule of events, attendance list, committee reports, program, etc. Dates- 5/59-1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- correspondence to American Art Association (AAM) section chairmen about annual meeting, program, schedule of events, etc. Dates- 9/60-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about arranging program for American Association of Museums (AAM) meeting, roster of section chairmen 1962, agenda for exec. committee meeting 1961, invitations sent to VMFA trustees for a reception (held at VMFA) to meet the delegates to AAM meeting, etc. Dates- 7/59-6/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- roster of AAM (American Association of Museums) section chairmen 1962, attendance and schedule for section meetings, etc. Dates- 1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lloyd Goodrich Lecturer. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek on advisory committee for the study of design and craftsmanship in today's products, roster of advisory committee, proposed exhibition, conference series, documentary and publication about design and craftsmanship, National Exhibition Project Committee meeting minutes 1950, etc. Dates- 3/49-4/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek on Board of organization. Contains memos, pamphlets, exhibition literature etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns L. Cheek's membership in the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- minutes of exec. committee meetings 1961, '62 and '65, roster of trustees, memos to trustees, correspondence about convention in Chicago, etc. Dates- 1/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. (trustee of AFA). Subject- information about circulating exhibitions, minutes of Exec. committee meetings 1966 and '67, minutes of trustee meetings 1966, '67 and '68, memos to trustees, etc. Dates- 1/60-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- American Federation of Arts (AFA) exec. committee meeting minutes 1967 and '68, correspondence about AFA delegates visit to VMFA 1969, roster of members and committee appointments, news releases 1968, President's annual report to AFA, etc. Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about Cheek as Convention Committee Chairman 1959, correspondence about potential committee members, program for convention, minutes of preliminary joint meeting of the AFA trustees 1958, minutes of trustees meeting 1959, Golden Anniversary Convention, The American Federation of Arts 1909-1959, congratulatory and appreciation letters to Cheek, etc. Dates- 3/58-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown Subject- AFA (American Federation of Arts) exec. committee meeting minutes 1959,'60,'61,'62 and'65, roster of board of trustees, trustee meeting minutes 1961 and '62, AFA constitution, National Council on the Arts and Government Annual Report 1960, etc. Dates- 3/61-1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with the American Institute of Architects. Dates- 4/47-1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek served as a juror for the Annual Homefurnishings Design Competition and was an honorary member, 1949-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- A.I.D. (American Institute of Designers) VA chapter yearbook 1961-2, listing of suggested museums for A.I.D. exhibition, etc. Dates-5/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown. Subject- dinner meeting for the AID (American Institute of Designers) (interior designers). Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz and Wm. Wilkinson (Mariners Museum). Subject- Loan requests, cost estimates, pamphlets and photographs. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz and Wm. Wilkinson\u003e Subject- First major survey of American Marine Painting in observance of the Bicentennial. Lists of paintings, installation, budget, etc. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains copies of lecture invitation and catalog. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown from ASA (American Society of Appraisers). Subject- Brown's membership in ASA, ASA news 1971-2, announcement of meeting 1971, etc. Dates- 10/70-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for gallery dinner at VMFA for American Society of Appraisers. Dates- 1/72-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Brown as Chairman of a committee on collections at Amherst College and member of Exec. Committee of the Association of Fine Arts, constitution and minutes of Association of Fine Arts meetings 1970 and '71, roster of members of the Association of Fine Arts, membership solicitation letter, catalogue: The Amherst Sesquicentennial Exhibition 1972, etc. Dates- 10/69-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. J.G. Pollard and Mr. Henry W. Anderson. Subject- meetings of the Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, a portrait of Anderson by VA artist, Julian Binford, etc. Dates- 6/35-11/44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Henry W. Anderson. Subject- Anderson's presidency of the Board of Trustees 1947, trustee and Museum business, Annual Board meeting minutes 1947-8, Museum events and daily operations, Museum investments and gifts to the Museum, a general study of the Museum's collections and suggested plan of development (1947), information about the land occupied by the Museum and its estimated future needs, etc. Dates- 6/47-6/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- President of the Board of Trustees. 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and L. Cheek, Jr. and Col. Henry W. Anderson. Subject- Anderson's presidency of the VMFA Board of Trustees, Museum events and daily operations, gifts to the Museum, investment of the Museum's A.D. Williams fund, listing of financial condition of endowment and special funds 1952-3, etc. Dates- 5/51-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for dinner honoring Mr.and Mrs. Walter P. Chrysler, guest lists, invitations, R.S.V.P.'s, etc. Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- final copies: VMFA 2nd Annual Report of the Director 7/1/36-6/15/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 7th Annual Report of the Director 7/1/41-5/1/42 and VMFA staff orders 1/42 elaborating the orders of 6/41 conduct of the Museum during an emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers, preliminary and final copies of The Report of the Acting Directors for the Year 1944-5, agenda for Executive committee meeting 6/44, breakdown of membership 1943-4, 1944-5 and working papers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- final copy VMFA Annual Report. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- preliminary and final copies VMFA Annual Report 1946-7 7/1/47-4/30/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- preliminary and final copy: VMFA Annual Report 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for the 1948-9 Annual Report, Report of the Executive Committee of the VMFA to the Board of Trustees (5/22/49) also a listing and attendance record of the Board of Trustees (5/27/49).  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for the 14th Annual Report, including operations budget, salaries and membership count, also a copy of VMFA Organic Laws (10/36). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- The 14th Annual Report of the Director (5/27/49) and its working papers, also correspondence about VMFA role in selecting and displaying portraits in the Governor's Mansion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- working papers for the annual report, listing of Cheek's activities (lectures, consultations, committee and jury duties). Dates- 1960-1. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual Reports for Collections and Gallery Divisions 1951-54, and for State Extension Services 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 1st Annual Financial Report of the Curator (4/13/35-6/15/36), VMFA 2nd Annual Report of the Director (7/1/36-6/15/37), VMFA 3rd Annual Report of the Director (7/1/37-6/1/38), VMFA 4th Annual Report of the Director (7/1/38-6/1/39), VMFA 5th Annual Report of the Director (7/1/39-5/1/40), VMFA 6th Annual Report of the Director (7/1/40-5/1/41). Dates- 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 7th Annual Report of the Director (7/1/41-5/1/42), VMFA 8th Annual Report by the Acting Directors (7/1/42-5/31/43), also, VMFA 9th Annual Report by the Acting Directors (7/1/43-5/31/44).  Dates- 1941-1944. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- the following reports: \"Remarks by Robert Marsh, Jr. before the Appropriations Committee of the General Assembly\" and \"Resume of the Request of the Trustees of the Virginia Museum of Fine Arts before the Appropriations Committee 2/64\" Dates- 2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual meeting of its Richmond Chapter at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and Ms. B. von Keller. Subject- biographical info, purchase of his painting Maggie, letters of introduction, personal references, loaning work to Museum, Va. artists exhibitions, counsel on museum operations, etc. Dates- 10/35-10/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed paperback guide to architecture in Virginia, roster of Editorial Advisory Board for guidebook, list of sites by counties and cities, etc., final list of buildings and sites, announcements and minutes of Nominating Committee meeting, etc. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- biographical information on H. Harvard Arnason, speaker on Henry Moore sculpture at VMFA, VMFA Members' Bulletin vol.26, no.2 10/65. Dates- 9/65-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- confirmation of meeting with State Art Commission to present plans to enlarge VMFA. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership roster, pamphlet of Art Dealers of America, Inc., etc. Dates- 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given at the VMFA by members of the staff of the Museum of Modern Art 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices, the following publication: Let's Make the Lions Roar: A Marketing Study of the Art Institute of Chicago by Edward J. Teply (Northwestern University 1959) Dates- 6/48-1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Potential jurors for biennial exhibitions 1970. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence and a listing of members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and art nouveau purchase plan. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Artificial flowers for decoration in galleries, 1964. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum program where artist-members participated in a life drawing class.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program sponsored by museum for artist members, included life drawing classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and memorandums. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and minutes from meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Project to try and send artmobiles overseas as suggested by the State Department. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence as to whether or not they would like to have the artmobile visit their school. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains plans, blueprints, and correspondence that occurred during its development.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Manufacturer of custom van bodies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Presidential Inauguration. Artmobile was State of Virginia's entry in President Johnson's inaugural parade, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed exhibition for the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Magic City Bank had an exhibit trailer, which was a prototype for artmobile.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations, programs and correspondence.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reprints of A.I.V. article \"Galleries on Wheels\", 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VFWC was instrumental in getting the artmobile started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, newspaper and magazine clippings and schedule 1961-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedules, Plans, correspondence and photographs, 1960-63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and plans for 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening, Middleburg, Virginia, 1962.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner and Invitation List. Artmobile II Opening. Middleburg, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Facts sheets, invitations and photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dedication. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- correspondence re. funding, construction, photographs, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans for Collegiate Artmobile to visit Virginia Colleges. 1964-65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal to ask the Carnegie Foundation for funding for a collegiate artmobile, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening, Ashland, Virginia. Correspondence and programs, Sept. 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Meeting of Virginia college Presidents regarding the Artmobile project to service college and University campuses. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, David Pittman, Peter Mooz. Subject- Artmobile workshop: program agenda, exhibition schedules, etc. \"Artmobile Chairman Handbook\". Dates- 7/74 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fruehauf Trailer Co., artmobile manufacturer, 1965-66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed by Lt. Governor Mills Godwin, attempted to establish a Virginia Arts and Crafts Museum. Newspaper clippings, correspondence, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets, prints, minutes and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Arts and Humanities Summer Institute. Sponsored by the Va. Commission of Arts and Humanities at the Museum in 1971. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Informational pamphlet from the President's advisory Council on the Arts, 1963. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Art Council of America and Governor's office. Subject- invitation from the Art Council of America to be represented in this council, etc. Dates- 10/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from George Cruger (Editor, AIV), J.M. Brown and Wm. Gaines. Subject- Microfilming of AIV and checklist of Articles to date, Spring 1974. Catalog: \"Image\", George Eastman House, 1973. Dates- 11/73 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memos and Correspondence. Dates- 1960 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Search for a designer for the magazine. Letters to and from possible candidates. Dates- 1964.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Various issues of the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- A.P. News clips regarding Museum, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the portrait bust of John Marshall.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- A.P.V.A. Pamphlets and Correspondence, 1972. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- agenda for the APVA (Association for the Preservation of VA. Antiquities) meeting held at VMFA, roster of exec. committee and trustees, etc. Dates- 3/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of members and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and reports from annual meeting 1964-68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- General correspondence to Directors of various museums regarding membership, loans of art works, invitations, etc.  Fact sheet on Artist housing in Soho. Dates- 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and minutes from annual meeting 1970-71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Annual meeting: reports, minutes, events schedules, officers, membership. Code of Ethics for ilicit traffic in works of art. \"Reproductions and Reproduction Rights For Museum-Owned Objects\", 1962, American Federation of Arts. Dates- 1972, 1979 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes from meeting. Dates- 5/59 - 6/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposals for membership. L. Cheek was membership chairman. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes of meeting. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report on dangers of lending objects to institutions for special exhibitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Questionnaires, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Lady Nancy Astor. Subject- Donation of her portrait by John Singer Sargent and china. Dates- 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"B\". Subject- varied. Dates- 9/50-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with institutions, individuals or corporations beginning with the letter \"B\" and the VMFA loan-own art service policy statement. Dates- 6/62-10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Transcript of remarks by Frank Stanton on his award of the Michael Friedman Medal of the Architectural league, magazine clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Ballet and L. Cheek concerning the beginning and future of a theatre at the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, A. Ballet and trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Baltimore Museum of Art calendars of events, correspondence about museum practices, etc. Dates- 9/48-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Miss Iris Barry. Subject- giving a film lecture, newspaper clipping, etc. Dates- 8/49-5/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, T.C. Colt, Jr. and L. Cheek, Jr. Subject- general information about Barter Theatre (announcements, VA Highlands Festival schedule, etc.) and correspondence about the Museum sponsoring drama productions as a state extension service. Dates- 12/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Barzansky Galleries. Subject- invitation to a Harriet Fitzgerald exhibition at the Charles Barzansky Galleries, N.Y.C. Dates- 1/58-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Governor Battle. Subject- thank you notes, etc. Dates- 11/50-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlet of the Museum's 1945-6 season. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. Bellows. Subject- the proposed acquisition of one of two of Bellows' paintings (Kids, The Teamster) which the museum didn't purchase. Dates-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Fitzgerald Bemiss as a Trustee, correspondence about Board of Trustees and Membership Committee business, gifts to VMFA, etc. Dates- 6/54-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- visit to Florence, Italy and to see Bernhard Berenson. Dates- 1/56-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition: Eugene Berman's sketches for the Metropolitan Opera's Barber of Seville. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Brown was a chairman of the panel of judges for the Franklin Mint Bicentennial Medal competition in the state of Virginia, official rules and entry form for competition, etc. Dates- 4/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- House Bill no.131 to keep Va. interstates free of billboards, response letters from Va. politicians, etc. Dates- 2/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Mr. Paul Bird as a lecturer on contemporary painting, a transcript of the lecture, etc. Dates- 1/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek and J.M. Brown. Subject- Accessions: Chinese objects. Requests for loan of A. Wyeth paintings from Wyeth Estate, invitation to Clare Boothe Luce to address 17th Annual Va. Public Relations Conference, letter of inquiry regarding the artist Lucille Sinclair Douglas. Accessions: Dubuffet prints, period chairs, pedestals, chest, Aphrodite Torso, female draped figure, Claude Hirst painting, Roger Barr painting. Eric Christmas and Festival Theatre, Ontario, Canada, proposal around building of Bristol Chapter House, furnishing of Agecroft Hall, expansion of University curriculum to include Art Historical Studies in surrounding colleges, Hogarth exhibition, World Museum Fund with description of event and agenda.  Text from \"Country Beautiful, America's Finest Small Museums\", with description of VMFA. Accession and gifts: \"The Little School Girl\", Degas; Amphipolis Gold. Dates- 1959-70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek. Jr. Subject- By-Laws revised and adopted 1951, Organic Laws, announcements, replies, agenda and minutes of annual Board meeting 1950, committee reports, listing of Trustees, etc. Dates- 5/50-5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Col. H.W. Anderson. Subject- annual Board meeting, listing of Trustees 1952-3, announcement of annual meeting, VMFA Annual Report of the Director 1952, etc. Dates- 5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement, replies, agenda and minutes of annual meeting 1953, notice of amendments to the By-Laws, a VMFA report/essay \"The Need for Completing Its Addition\", etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- annual Board meeting minutes 1953, 54, VMFA Annual Report of the Director 1954, notice of amendments to the By-Laws 1954, announcement, replies and agenda for meeting, etc. Dates- 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- minutes of Trustees annual meeting 1955, working papers for the meeting, committee reports, By-Laws revised and adopted 6/54, listing of insurance coverage, Museum events, etc. Dates- 5/55-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mid-year meeting and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement of annual meeting and luncheon for the Trustees, R.S.V.P.'s, attendance list, etc. Dates- 4/56-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Index cards with names and addresses of current and former Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff and Board Presidents. Subject- Board of Trustees committee appointments, appointment letters and reply letters for the following years: '45/6, '46/7, '47/8, '48/9 and '49/50. Dates- 1945-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- letters of appointment to serve on Trustee committees and reply letters, listing of committee appointments 1949-50, etc. Dates- 7/49-7/50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Henry W. Anderson (President of the Board). Subject- appointment to committee letters and reply letters, etc. Dates- 8/51-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence By L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of committee appointments. Dates- 1954-5. Correspondence- Subject- listing of committee appointments. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of Trustees committee appointments (1956-7), reply letters to committee appointments, etc. Dates- 8/56-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- notes on planning, cost estimates, invitations, replies to preview of A.D. Williams collection and dinner honoring Governor and Mrs. Battle, etc. Dates- 10/52-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Museum events, working papers for the annual Board meetings and agendas, nominations to the Board, excerpts from the Board minutes, committee reports, etc. Dates- 2/37-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains miscellaneous correspondence, memos and minutes from meetings. 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board annual meeting minutes 1955, By-Laws revised and adopted 1954, By-Laws and suggested revisions 1956, listing of Trustees 1955, Committee appointments 1954-57, etc. Dates- 1954-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Roster of the VMFA Board of Trustees. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement, replies for Board meeting, listing of Trustees 1952, 53, notice of meeting cancellation because of inability to secure a quorum, etc. Dates- 1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- announcements, replies, agenda and minutes of Trustees special meeting and Executive Committee meeting, etc., 1/54-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of the Board of Trustees annual meetings. Dates- 1934-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- suggested plan for developing VMFA collections by Colt (1945), announcements and replies for Board annual meeting , prepared budget 1947-8, listings of Trustees, officers and committees, etc. Dates- 10/45-6/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- sightseeing boat tour on the James River. Dates- 2/57-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mrs. John H. Bocock as a Trustee, Board of Trustees, Entertainment and Accessions Committee business, art lending service information, gifts to VMFA, etc. Dates- 5/51-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek writing introduction for A. Aubrey Bodine's photography book: The Face of Virginia, draft of the foreword/introduction, biographical information on Bodine, etc. Dates- 3/62-1/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- letter to Hon. Armstead L. Boothe about appointment to Board. Dates- 6/64-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Jr. primarily with the Sheraton Hotel. Subject- a cocktail party held on Cheek's Boston trip, guest lists, invitations, etc. Dates- 10/58-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. with various Boston Museum staff. Subject- museum practices, loans, speaking engagements, exchange publications, etc. Dates- 11/47-10/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loaning objects to VMFA, correspondence about museum practices, lecture given by Cheek in Boston about art in Virginia, etc. Dates- 3/55-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and V.Y. Bowditch. Subject- Bowditch biographical information, drama schedule 1955-6 season, evaluations, theatre operations, etc. Dates- 7/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Theatre director of Pasadena Playhouse 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. with E.G. Bowles and the Public Works Administration (PWA). Subject- landscaping the Museum and bids complying with PWA, construction contract 4/36, classifications of labor/workmen and wage rates 12/34 and Form Of Bond-VA 4/36. Dates-3/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's membership to the VMFA Board of Trustees, Museum events and daily operations, the following Museum publications: Virginia Museum of Fine Arts By-Laws, 1st Annual Financial Report of the Curator (4/13/35-6/15/36) and Virginia Museum of Fine Arts 1st Quarterly Financial Report of the Curator (5/1/36), listing of suggested prospective Trustees, listing of Trustee committee appointments 1937, sketches of Museum floor plan, etc. Dates- 12/34-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, Museum publication: Prospectus of Program Season of 1937-38, radio talk show transcript 3/38, etc. Dates- 6/37-6/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, PWA grant offer 1938 to the Museum, letter from VMFA rejecting the offer of a PWA grant, copy of the resolution that Henry P. Strause, Esq. be named first Honorary Benefactor of the Virginia Museum of Fine Arts, etc. Dates- 7/38-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Trustee committee appointments 1939-40, essays by Branch about WWII, financial situation of the Museum 1939, creation of a \"Ways and Means\" committee, etc. Dates- 8/39-6/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe Branch. Subject- Branch's presidency of the VMFA Board of Trustees, staff organization (1940), plan for VA artist fellowships, \"Art in Virginia\" an article written by Colt, Museum events and daily operations, Museum investments and gifts to the Museum, biographical information on Branch, Trustee committee appointments 1940-1, etc. Dates- 6/40-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, biographical information on Branch, Museum events and daily operations, Museum investments and gifts to the Museum, winner of the first Webster S. Rhoads medal, etc. Dates- 5/41-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Thalhimer Brothers, Inc. Subject- use of VMFA's Medieval Gallery for British Embassy reception. Dates- 6/1/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- brochures for the VA Dance Society, VA Film Society and VA Chamber Music Society. Dates- 1963-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loaning objects to Brooklyn Museum, correspondence about museum practices, exchange publications, etc. Dates- 2/48-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- essay written by J. Carter Brown for New York University. Dates- 5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- news releases about James M. Brown becoming VMFA Director, newspaper clippings, photos of Brown, Report of the Director 1972-3, etc. Dates- 6/69-11/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff and Trustees. Subject- plans for receiving the new Director. Dates- 6/69-7/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Fred Haseltine (Assistant to Director). Subject- list of objects being offered to the Museum including: antique gold boxes, ornaments, clocks, etc., letters to the executors of the Ailsa Mellon Bruce estate, correspondence with Paul Mellon, news releases and news paper clippings about gift, photos of the galleries, etc. Dates- 8/70-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Mr. David K.E. Bruce as a Trustee, Board of Trustees business, gifts to VMFA, etc. Dates- 5/48-3/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed acquisition of the Brummer collection of Medieval art, report on collection, list of objects, correspondence to Paul Mellon, etc., later sold to Duke University. Dates- 12/65-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and the Smithsonian Traveling Exhibition Service. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Exhibition 1958, includes layouts and photos, etc. Dates- 3/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's membership on the Fine Arts Advisory Committee to U.S. Commission for the Brussels Universal and International Exhibition of 1958, committee meeting minutes 1957, committee roster, etc. Dates- 2/57-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Fair 1958, Cheek was an advisory committee member, loan, catalogue and installation lists, information on slide presentation- \"Art in American Museums\", etc. Dates- 3/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- sketches, plans of the U.S. pavilion for the Brussels International Fair 1958, information and listing of objects in the \"American Folk Art\" exhibition, etc. Dates- 1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Harry Bertoia (Sculptor). Subject- the acquisition of a Bertoia piece (Tree) shown at the Brussels Fair. Dates- 8/57-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr. Subject- D. Tennant Bryan as a Trustee, Board of Trustee and Membership Committee business, etc. Dates- 10/47-6/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. D. Tennant Bryan. Subject- Trustee/Museum business, membership to the Museum, etc. Dates- 5/51-9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. J. Stewart Bryan. Subject- Trustee/Museum business, loan of paintings for inaugural exhibition, gift to Museum, etc. Dates- 6/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Thomas P. Bryan as a Trustee, Board of Trustee business, etc. Dates- 9/58-11/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- congratulatory letter to Mr. Thomas P. Bryan on election as Mayor, Date- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. to Buchholz Gallery. Subject- proposed purchases, loans, exchange publications, etc. Dates- 4/47-8/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VMFA budget exhibit 1959 and 1966-8, resume of the VMFA Trustees before the Appropriations Committee 1964, budget requests 1960-1 and 1962-4, etc. Dates- 9/61-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of Governor's Budget Advisory Board 1965, outline for capital outlay funds dinner, invitation letter to Trustees, etc. Dates- 5/65-6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed 25th anniversary budget, correspondence about obtaining a Budget Committee for the 25th anniversary program, anniversary publications, etc. Dates- 1/60-3/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about Capital Outlay Commission dinner and theatre, etc. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- suggested order of events for Budget Advisory Committee meeting, invitation letters to the Presidents of VMFA affiliate chapters, draft of end of dinner announcement, etc. Dates- 7/61-9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- list of Governor's Budget Advisory Committee 1969, review of Museum's request for capital outlay funds to construct North Wing and theatre, etc. Dates- 4/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- roster of Governor's Budget Advisory Board 1967, outline for Cheek's remarks to Budget Advisory Committee, etc. Dates- 1/67-5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- roster of Governor's Budget Advisory Committee members 1972-4, request for hearing, dinner invitations for Advisory Committee, etc. Dates- 5/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers and news releases about the addition to the Museum. Dates- 6/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to other U.S. art museums. Subject- installation and advice on purchasing an air conditioning system. Dates- 5/53-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Wm. Rhodes. Subject- correspondence about air condition system failure. Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- addition and renovation to the Museum, proposals and preliminary studies by Mr. Merrill Lee, Architect, copy of a Architects and Consulting Architects Contract, etc. Dates- 12/49-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard primarily with Architects M.C. Lee and Eggers and Higgins. Subject- schedule of interior installation, list of architects bills, building inspection, review work/progress, photographs of progress of additions to the Museum 1953, etc. Dates-12/48-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the proposed addition the VMFA 1949-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Baskervill and Sons (architects and engineers) preliminary drawings, schedule for construction project, etc. Dates- 7/64-12/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Attempt by the United Daughters of the Confederacy to expand their facility on the block. The Museum's and the Virginia Historical Society's attempts to stop them and acquire the land for their own use. Dates- 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about equipment needed to supply music to members' quarters, lobby area and galleries. Dates- 7/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- information about sound equipment. Dates- 6/54-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information on purchasing folding and stackable chairs. Dates- 8/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- extending the rise of freight elevator. Dates- 8/53-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- proposals and layout for a film production unit to be located in the new wing (to make interpretative sound films). Dates- 7/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information, blueprints on changes to and installation of kitchen equipment. Dates- 6/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- the proposed purchase and installation of photographic equipment, correspondence with other art museums about creating and maintaining a darkroom and staff photographer. Dates- 8/53-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- blueprints of check room, information about coat, overshoe and umbrella racks for the Museum check room. Dates- 9/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information about seating for the theatre and auditorium, blueprints of the auditorium. Dates- 8/53-8/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of machinery and equipment needed for the new shop. Dates- 8/17/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about chandelier for front entrance of Museum. Dates- 9/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M.C. Lee, Architect. Subject- alterations and additions to the Museum, color samples and specs for painting and finishing, etc. Dates- 8/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains amounts of pledges and names of donors giving money for new galleries.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Gallery floor plans: VMFA, Brooklyn Museum, Victoria and Albert, British Museum, Art Institute of Chicago, Walters. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Merrill C. Lee, Architect. Subject- progress photographs and negatives (north wing). Dates- 5/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Architects: contractual agreements, VMFA design program, Capital Outlay Appropriation, alteration, additions, cost estimates, expenditures, contracts for Doyle and Russell and Merrill C. Lee (AIA). Dates- 12/48 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- blueprints of a darkroom and information about and catalogs of photographic equipment. Dates- 8/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns securing restricted material such as steel for post-wartime construction. 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Mrs. J.G. Pollard. Subject- Economic Stabilization Committee (ESA) search for qualified women employees, ESA headquarters to be located in Richmond, federal government regulations that established ceiling prices for all commodities and services (except those specifically exempt) upon the basis of prices in effect between 12/19/50-1/25/51. Dates- 2/51-12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Final Statement Museum Of Fine Arts Richmond, Virginia\", contract dated June 9th, 1952. Financial statement/contract from Doyle and Russell Construction. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Terra cotta statues at the North entrance to the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Original Building: \"Manual On The Planning And Execution Of State Capital Outlays\", 9/1/44, contracts: Doyle and Russell (Building Contractors) and Merrill C. Lee (AIA). Detail for additions and deletion from original building. Design contracts and inspection reports. Dates- 1952 - 55, 1966, 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Brochures, drawings, correspondence 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- information on red carpet and padding for the front entrance. Dates- 8/51-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Meeting with Interior designers 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding plants around the Waddy fountain. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- the Richmond Junior League's proposed campaign to raise money for construction of South wing for the Museum, working papers for and final copy of the pamphlet: \"The Virginia Museum Needs Wings\", etc. Dates-12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- renovations and construction of a new wing to the Museum, Cheek's comments on preliminary and revised drawings, and construction progress, Architects and Consulting Architects Contract (Merrill C. Lee, Architect, Eggers and Higgins, Consulting Architects), an essay \"The Virginia Museum of Fine Arts Need for Completing Its Addition\", etc. Dates- 1/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information relating to addition to Museum, several reports including: Building Program 1950-1, Addition to Building 1949-50, The Virginia Museum of Fine Arts The Need For Completing its Addition, History of Appropriation for Construction (1948-53) ,also, notes for Sen. Gray about Museum addition (1952). Dates- 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- miscellaneous daily and general building maintenance. Dates- 2/60-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Governors Stanley and Battle. Subject- improvements on Museum building and completion of new wing (1954). Dates- 12/50- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject-construction/installation of American and English galleries, alterations to Medieval hall, blueprints, etc. Dates- 7/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- information on purchase of steel lockers, blueprints, etc. Dates- 4/54-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about ordering office furniture designed by Eero Saarinen. Dates- 8/64-1/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Alfred Geiffert, landscape architect. 1949-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- analysis of situation concerning the parking lot and planting, etc. Dates- 8/66-10/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Budget Estimates for landscaping the grounds of the Museum around addition, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information and bids on purchasing lighting and steel storage equipment. Dates- 11/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- info on purchase of supplies for dining room/cafeteria: placemats, traymats, doilies, napkins, matches. Dates- 1/55-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains plans for the Waddy Fountain, and furnishing brochures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Carl Milles, donor of the Little Triton Fountain 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- marble chips for garden court fountain request for information about installation of mosaics in garden court. Dates- 8/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed purchase of wall coverings for new galleries (movable partitions and door headers). Dates- 2/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- commission to decorate behind refreshment counter in the new building, commission switches from Julien Binford to Richard Q. Yardley. Dates- 6/54-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Richard Q. Yardley Mural in the refreshment room. Also contains information on Julien Binford who was originally retained to do the mural before Yardley. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Public Works Administration Grant for Museum addition, application to National Production Authority (N.P.A.) for assistance in obtaining materials for proposed Museum construction. Dates- 10/35-9/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- staff requests for facilities and equipment, list of private funds for Museum addition, Board resolution about the construction on the building, etc. Dates- 7/48-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- drawings of proposed Museum addition, Special Building Committee procedure in dealing with Appropriations Committee of the House of Delegates, etc. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and New York City Museums: Metropolitan, Guggenheim, MOMA, and Whitney. Subject- Extended loans of paintings and sculpture for the VMFA's new wing of Contemporary Art, scheduled for Jan. 1970. Correspondence from L. Cheek to John Walker to address the Collectors Circle. Dates- 7/69 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- report on budget dinners 6/65, Cheek's itinerary for talks 1965, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and Joseph Whitehead (Interior Designer). Subject- Interiors of the New South Wing, Fabric sample enclosed. Correspondence between L. Cheek and Bernard Bothner of the Brooklyn Museum. Subject- Resources for slides to accompany the reinstallation of the Egyptian Gallery. Dates- 6/66- 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposals for gallery orientation theatre systems. Memo To VMFA staff regarding upcoming Fellows meeting. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to other museum directors. Subject- Request for slides of recent building additions to their respective museums, to prepare for a presentation to the Virginia Legislature. Dates- 4/65 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey conducted by L. Cheek to determine the necessity of a sprinkler system in galleries. Letters, cards of response and survey results. Dates- 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains brochures and catalogs 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photos of preliminary architect's drawings, preliminary cost estimates, etc. Dates- 7/62-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Information concerning the MOMA 30th Anniversary, building funds drive with text of building/expansion plans, \"Toward The New Museum Of Modern Art\" , 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- review of presentations to the Art Commission, photos of other art museum additions, statements about addition (Mr. Wallace K. Harrison and Mr. Frederick D. Nichols), etc. Dates- 9/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sculpture garden fountain and the renovation of the theatre lobby. Dates- 7/76 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Wm. Higgins. Subject- Membership drive/ New Wing opening, progress reports to members of the Board, financial statements: cost estimates, design fees, operating fund, construction timetables. Fact sheet relating to history of VMFA. Signficant dates for the Virginia Museum, \"History of North Wing Construction\". Dates- 4/71 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nicholas and C. Chamberlayne (Hardwick). Subject- Progress timetable, architectural engineering/ landscape/ interior design. Revisions/ alterations to construction, cost estimates, instructions to bidding contractors. Review by building committee of the Board of Trustees. Minutes of the building committee, 2/25/72, drawing/plans. Dates- 1971 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nichols and C. Humelsine. Subject- North Wing plans, justification and description, funding, appeal to legislature to win support for North Wing funding. Rosters: Appropriations committee, finance committee, Governor's budget advisory committee. Essay- \"The Unique, Pioneering Virginia Museum\" and \"Facts on the Virginia Museum of Fine Arts\". Dates- 1967, 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson and L. Cheek. Subject- Original design of North Wing per L. Cheek and Baskerville (AIA), later rejected by the Arts Commission. List of significant dates with regard to North and South Wing additions. Minutes of Special building Fund committee, 3/11/65, original building proposal, photographs. Bulletin vol.26, no.2 10/65. Dates- 9/65 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs/Plans/Drawings from Baskerville and Son (AIA) for:entrance hall, basement/sub-basement, site plan elevations/cross section, gallery floor plans and views of entire block.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nicholas and L. Noland (building committee). Subject- Construction, architectural engineering, capital outlay, construction bids, plans and contract documents. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- blank order forms labeled VMFA NPA Regulation No. 4. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. J.G. Pollard. Subject- National Production Authority (NPA) regulations, order listings for maintenance, repair and operating (MRO) supplies, regulations about using the DO-97 rating (Form used to obtain MRO supplies), quota for the 4th quarter 1951, etc. Dates- 3/51-7/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about construction and funding (some PWA) of a wing to the Museum, publication: Working Relationships Between Private Architects and Engineers and the Commonwealth of VA (2/44, Governors' office, Division of the Budget) and The General Conditions of the Contract for the Construction of Buildings (standard form of the American Institute of Architects). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Doyle and Russell, Building and Industrial Construction. Subject- Bronze founders tablets, frames, building inspections and taking over and operating the building 10/35. Dates- 8/35-10/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Peebles and Ferguson, Architects, Norfolk. Subject-blueprints (including detail of the Portuguese Room dated 9/18/35), maintenance and furnishings (benches, plaques, interior painting, etc.) for the Museum. Dates- 4/35- 6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Ferguson, Meakin and Moore, Architects, Norfolk. Subject- reproductions of drawings of proposed south wing, drawings, bids, etc. Dates- 10/37-5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans and Correspondence 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photos of drawings showing the proposed additions and alterations to Museum. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans and correspondence regarding the memorial plaques around the building: R.E. Lee Camp, Waddy and the Old Dominion Foundation fountains. 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- construction/installation for the Pratt collection, blueprints, progress reports to Mr. John Lee Pratt, etc. Correspondence with Milton Samuels of French and Company who designed the installation, including quotes for fabric, carpet, cases, carpentry, lighting (including the chandelier). Cheek asked Pratt to fund it and he agreed. Lots of invoices. Dates- 6/54-5/55.   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Baskerville and Sons, Architects, 3/11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about building models, preliminary drawings, furnishing and equipment catalogues, etc. Dates- 4/65-12/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence and statements from Marcellus Wright and Son. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and Merill Lee (architect) and Chairman of the Building and grounds committee, concerning construction of the service area. Dates- 1/59 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Eggers and Higgins, Architects. Sketches and drawings 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., J.M. Brown and Erwin H. Will (VMFA President of the Board). Subject- all aspects of construction of the South Wing, additions and alterations to Museum, landscaping, fountain, parking lot, etc. Dates- 12/66-3/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of South Wing construction conferences 1969-72, outline of construction to South Wing, etc. Dates- 1969-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Governors Dinner/Event in celebration of the South Wing: program agenda, menu, dedication plans, News Media reception, Rosters: House of Delegates, Senate, Trustees. Key presented to Governor Linwood Holton donated to the archives by Anne Holton November 3, 2022. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Capital Outlay requests, individual project descriptions, preliminary plans, tabulations of construction bids, estimated income sources, floor plans, budgets, invoices, Executive Committee Minutes and Building Committee Minutes. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Erwin Will. Subject- New duct layout for the South Wing attic space: revisions necessary due to mistakes in original drawings and improper work. Financial statements. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA Charter, Act of March 27, 1934. Design program (2/18/49) Phase II, museum enlargement, boiler replacement, contract cost estimates, committee no.279-A, addendum no.7 to the drawings and alterations to VMFA. Theatre light control system, weekly project inspections. \"General Conditions Of The Contract For Capital Outlay Projects\". Dates- 2/52 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and members of the building committee. Subject- Proposed additions, rejection of north facade by Arts Commission. Excerpts from Minutes of Art Commission Meeting, 6/4/65, 7/9/65, 7/29/66. \"The Virginia Museum Opens The New South Wing\", Press package, Brief History and Signficant Dates of VMFA, photographs. Dates- 1965 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Supplemental Agreement #2: Additions and alteration to various aspects of structural design contracts. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Interior construction and design. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment purchasing list, blueprints of theatre, installation of theatre and projection equipment and an orchestra lift, local building committee meeting minutes, etc. Dates- 7/53-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment: bronze stands and velvet ropes. Dates- 1/55-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Construction blueprints and plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letter of invitation to Trustees, former and current, to celebrate the construction of the North Wing, seating arrangement and timetable for event. Letter to Gov. Holton concerning ground breaking ceremonies and gala dinner. Dates - 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Col. Anderson. Subject- proposal for theatre for Museum, possible recreation center for armed forces stationed in Richmond. Dates- 2/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Waddy Memorial and Triton Fountains 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- B.F. Ruskin and Associates 1953-55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- committee reports on funding for construction of addition to the Museum, schedule of payments to date (12/4/50 and 12/20/50). Dates- 10/50-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- additions and alterations to VMFA 1955, list of Museum alterations and additions to date 6/15/55 by Merrill C. Lee, Architect, VMFA Noise Survey CA 9687 (1955), blueprints, etc. Dates- 1/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains architectural plans for the first addition to the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- cost estimates/proposed funding for Museum addition, copy of the resolution to establish a Local Building Committee, announcements, replies and minutes of Local Building Committee meetings 1950-2, etc. Dates- 1/46-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Local Building Committee, 1951-54. Information regarding the local contractor. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- minutes and outlines of VMFA Building Committee meetings 1952-3. Dates- 6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr., and G.D. Gibson (Chairman of the VMFA Building Committee). Subject- addition to Museum building, listing of additions and alterations to the building, agenda and minutes of Building Committee meetings 1953-4, etc. Dates- 9/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- addition to Museum building, minutes, announcement and agenda for VMFA Building Committee meetings 1954-5, list of contributors to Museum Building Fund, etc. Dates- 7/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by G.D. Gibson (Trustee). Subject- installation of Museum equipment, minutes of the Buildings and Grounds Committee meetings 1955-6, etc. Dates- 9/56-12/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains lists of expenditures, list of private donors with amounts donated for the addition to the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA Local Buildings and Grounds Committee meeting minutes 1948-56, listing of committee meeting dates 1948-56. Dates- 1948-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard to Senator Garland Gray. Subject- information about planning costs for addition to Museum building, Museum business and events, etc. Dates- 5/51-7/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of the Museum's members bulletin. Vol.1, No.8, Vol.7, No.'s 1,4and6, Vol.8, No.'s 5and8, Vol.9, No.'s 1,2and4, Vol.10, No.'s 1,2,7and8, Vol.11, No.'s 1,2,3,4,5,6,7and9, Vol.12, No.'s 8and9, Vol.13, No.'s 6and9, Vol.14, No.'s 1,3,6,7,8and9, Vol.15, No.'s 3,4,5,6,7,8and9, Vol.16, No.'s 1,2,3,4,5and6. Dates- 9/46-2/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Bulletins with general information and a survey of sources of income, private and public, from various museums. Dates-1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 1962-1966 Donations, Trustee File. Dates- 7/55 - 12/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and members of Board of Trustees. Subject- Revision of By-laws and Memorial Fund Policy, revisions and recommendations, minutes from sub- committee on By-laws. Dates- 1958 and 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA By-Laws (revised and adopted 5/51, 5/53, 6/54), Notice of Amendments to By-Laws (6/50, 5/53, 6/54), VMFA Organic Laws, etc.. Dates- 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Senator Byrd. Subject- amendment of IRS code Sec. 863, exempting works of art loaned for exhibition in this country from federal estate taxes. Dates- 7/51-10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard, and L. Cheek, Jr. to individuals, institutions and companies beginning with the letters Ca-Cn. Subject- varied, including four letters from Alexander Calder about Museum purchase of one of his pieces. Dates- 8/45-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek. Subject- Loans of artwork, Trustees, Fellows, Mary Callery (juror, 1963 Va. Artists Exhibition). Accessions and gifts: Tree, Callery; Han Dynasty pottery; Nanny, T. Sully. Dates- 2/59 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and P. Near to J. Brun and H. Jucker. Subject- Acquisition and provenance of Caligula, Newspaper clippings. Dates- 1971-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, his term as Treasurer of the Fellows. Dates- 1/60-6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. John Canaday (from University of VA). Subject- Christmas card design by Canaday, loan of a sculpture show, jobs, etc. Dates- 5/49-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Capital outlay requests for parking area, South Wing, Entrance Improvements, Expenditures and revenues for the year ending 6/1960. \"Instructions for Form c-54-A (individual project report)\" from Commission on State Capital Outlays and Means of Financing. General Endowment Income 1960-61; Capital Outlay for Galleries, landscaping, Egyptian gallery and North Wing, 1935-60. Collections for which there is inadequate exhibition space, list of cultures that are not represented or under-represented, roster of members serving on the \"Commission on State Capital Outlays and Means of Financing. Dates- 1960-61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Includes Frances Benjamin Johnston acquisition.","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- officers from the Carnegie Corporation visiting Richmond and the Museum. Dates- 8/55-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to F. Anderson (Carnegie Corporation). Subject- Experimental use of Carnegie Collection of Materials for the Instruction of American Culture and funding of Collegiate Artmobile IV. Proposal, '\" An Artmobile for Virginia Colleges\", March 1965, Supplement, A Statewide Stimulus for Education in the Humanities, Statement of purpose, photocopy of partial grant payment. Dates- 1/58-7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Carnegie Corporation of New York and Carnegie Institute, Department of Fine Arts. Subject- Frances Benjamin Johnston acquisition, requesting a grant, requesting loans for inaugural exhibition, counsel on museum practices. Dates-8/35- 12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Carnegie Trust. Subject- a visit to Richmond by officers of three British Carnegie Foundations, information on Carnegie Trust 1954, etc. Dates- 8/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Secretary of Carnegie Dunfermline Trust. Subject- Roster of Carnegie Delegation visiting VMFA; Annual Report- Carnegie Dunfermline Trustees, 1960. Dates- 7/59-60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- job of Technical Director of the Theatre Division, etc. Dates- 6/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lists of 25th Anniversary donors; VMFA presidents and terms of office 1935-60. Essay- \" The Arts In Virginia\", Walter S. Robertson (Pres. VMFA). Essay- \"Collecting In America\", Alfred Frankfurter (editor and Pres., Art News) Dates- 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of orders for and purchasers of the Healy's Sitters Catalogues, thank you notes for exchange publications, list of relatives of Judge John Barton Payne, etc. Dates- 4/51-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Jaquelin-Ambler Portrait catalogs, listing of the members of the Jaquelin, Ambler and Broadnax families. Dates- 11/48-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- a fellowship set up by the Catherwood Foundation (previous owners of the Dali jewels) to be used for travel/education in Europe, information about transporting Dali jewels from the Museum. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fellowship for artists provided by the Catherwood Foundation and awarded and administered by the VMFA that year. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. William Gaines and L. Cheek, Jr. and M.B. Christison (Assistant Director). Subject- Gaines biographical information, Catherwood Foundation fellowship recipient, application, recommendations and award letter for fellowship, list and some photos of work submitted, etc. Dates- 3/56-11/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual luncheon and tour. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Century Lighting Co. Subject- lighting for the artmobile and theatre, etc. Dates- 6/53-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets from the Convention and Tourist Bureau (Richmond). Dates- 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- pamphlets from the Virginia Chamber of Commerce. Dates- 5/49-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Restoration of Old Botetourt Hotel, Gloucester, Va.; Programming instructions for \"Civilization\" Film Series; proposal and budget for statewide broadcast of Affiliate promotionals. Rosters of Affiliates, Chapters and Confederation Officers; Minutes of \"Executive Committee Meeting\", 10/72; maps, postcards, press release, newspaper clipping, photographs. Dates- 2/67-7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Winter Conference agenda, participants, newspaper clippings. Dates- 12/71-3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal and budget. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Affiliate/Chapter offices Museum Lecture/Tour; roster of Officers, speaking schedule, events, remarks for each engagement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prototype for letter to be sent from all VMFA Chapter Presidents to convince Legislature of the need for new building. Dates- 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dali Jewels. Date- 7/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. primarily to realtors and lawyers. Subject- sale of Cheek's property \"Faraway Farms\", information on sale of Chebry Co. property, etc. Dates- 6/50-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to T.C. Colt, Jr. from L. Cheek (when he was Chairman of the Fine Arts Department at The College of William and Mary and when he was Director at the Baltimore Museum of Fine Arts). Subject- art in Virginia, counsel on museum practices, etc. Dates- 12/36-1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- The retirement of L. Cheek, Trustee dinner honoring the occasion, presentation of \"Thomas Jefferson Public Service Award\", with remarks by Lt. Gov. F.G. Pollard; South Wing construction; invitations and newspaper interview with L. Cheek. Dates- 1/65-3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W.S. Robertson and Morton Thalhimer. Subject- Letters of moral support, press releases and newspaper clippings announcing the resignation of L. Cheek (decision later recanted). Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding L. Cheek's reconsideration of his resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resolution from VMFA Council regarding the outstanding contributions of L. Cheek. Includes letters from and too supporters. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Replies to his reconsideration of resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Text from interview of 11/2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- PR, decorations, lecture, etc. Dates- 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memo to VMFA staff, PR, agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Thank you letter from by a class participant.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding classes at the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Registration information and class lists.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison. Subject- installation of collections and exhibitions, Museum programming, biographical information, etc. Dates- 10/54-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. Christison. Subject- scripts and working papers for children's radio program (\"Treasure Trails\" on WRVA), listing of slides for Season Survey and information on a Life magazine photo exhibition entitled \"Egypt\". Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vouchers and receipts for travel expenses, 1948-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Christmas cards received by the Museum, a copy of the Museum Christmas card (1956), Information about a Christmas tree in the Members' suite, etc. Dates- 11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Commission of Virginia Artists to design Christmas Cards; rosters: Board of Trustees, A.A.M.D., newspaper clippings, cards, photographs. Dates- 1966-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- ordering Christmas decorations. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz, Sydney and Frances Lewis. Subject- Remarks by J.M. Brown on the dedication of the North Wing and on his resignation. Andrew W. Mellon Foundation, Lewis gift of funds for Art Nouveau purchases, Noland gift of \"Rotating Sphere\", reattribution of the Jewel casket. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Controversy concerning gift of Walter P. Chrysler, newspaper clippings, and Chrysler newsletters, 1973-75. Dates- 1969 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Henry Clay Hofheimer and J.M. Brown. Subject- New wing, correspondence between the Executive Board, the closing of the Chrysler Museum School, operating budget, accessions, list of objects. Minutes of Executive Board, 2/8/72. Transcript of William L. Parkers, et al complaints vs. Walter P. Chrysler Jr. et as Defendants. Dates- 1972 - 33 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Chrysler collection exhibition at the Museum and possible Artmobile tour, listing of pieces in collection, etc. Dates- 9/49-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Loan Exhibition for Church Silver of Colonial Williamsburg, outline for proposed exhibition, budget, letter drafts to Church Wardens, lists of Episcopal Churches owning Church Sliver, Format for catalogue. Dates- 7/68-4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about proposed reproduction in miniature of a Cigar Store figure from the Museum collection. Dates- 7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed reproduction in miniature of American cigar store figures from the Museum collection. Dates- 5/56-12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek Subject- Civil War Centennial Exhibition, agenda, maps, newsletters, VMT copy of \"Certificate of Award\", conferred on the Virginia Civil War Commission. \"Virginia Joins The Confederacy, Chronology of Events November 1860 through 1861\", Civil War Centennial, 1961-1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's membership on advisory council of the Civil War Centennial Commission, site development study for proposed Confederate Memorial Park in the Museum area, \"Report of the Preliminary Plans of the Virginia Civil War Commission to the General Assembly\" 12/59, etc. Dates- 5/59- 12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Programming, Ticket Stubs, newspaper reviews, news releases, photographs. Dates- 7/70 - 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Joseph Lucas (pres. Civitan Club) [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Resume of Cleveland Museum President, Sherman Emery Lee with photo, Cleveland Plain Dealer Interview \"Sherman Lee's Double Life\". Dates- 12/55-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Clopton complaint about film tickets. Dates- 2/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- membership in The Poetry Society of Virginia. Dates- 2/53-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr., to individuals, institutions and companies beginning with the letters Co-Cz. Subject- varied. Dates- 8/45-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., L. Cheek and J.M. Brown. Subject- Geri Melchers Memorial; Minutes of Annual Meeting 1962; Minutes of Executive Committee Annual Meeting 1962; restaurant feasibility. Dates- 1957-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arranging a lecture by Mr. Alexander S. Cochran, Architect in conjunction with the exhibition \"Domestic Architecture of the San Francisco bay Region\", biographical information, etc. Dates- 10/49-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, gifts. Dates- 6/54 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the American Association of Museums (AAM). Subject- copies of the Code of Ethics for Museum Workers 1925 AAM report. Dates- 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Remarks on \"The Relation of Trustees and Professional Staff of General Art Museums\", delivered by Charles Nagel 5/17/69,  \"Code of Ethics for Museum Workers\" 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rhodes Rathskellar, proposals for lunchroom: use by staff, volunteer personnel, policy on break schedule and lunch periods. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from P. Near and Peter Mooz. Subject- Checklist of the status, strength, weaknesses and needs of the VMFA. Damage report, gifts of artworks and accessions, Art Purchase Fund, press releases. Letters to Christo and Robert Rauschenberg. Dates- 1976-77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, letters, newspaper clippings and information from dealers, prices regarding possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, prices and other information relating to possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (assistant Director for Collections and Education). Subject- listing of possible additions to Museum's collections 1953, information and some photos of objects considered for acquisition, correspondence with art dealers, etc. Dates- 12/51- 11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- listing of possible additions to the Museum's collections, information and some photos about objects considered for Museum acquisition, correspondence with art dealers, etc. Dates- 1/53-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near, F. Brandt and P. Mooz. Subject- Reorganization of the Collector-of-the-year. 1975- Mrs. Lummont du Pont Copeland Collection on Export Porcelain. 1977- David Lloyd Kruger Collection of Contemporary Art. 1978- Hugo Weisgall Collection, list of objects, copies of scores for the Weisgall Concert catalog. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from P. Near to members. Subject- Collectors circle event with lecture by Caroline Keck. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Cultural exchange, Minutes of Executive Committee of C.A.A., 1/62, 4/62, Minutes of Annual Meeting, 1971; Minutes of C.A.A. Business Meeting, 1/62; revised draft of \"Policies and Purposes\", roster of officers, Directors and committee members; Essay- \"The Visual Arts in Higher Education\". Dates- 1/62 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List for reception/cocktail party, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Preston L. Collins (Lt. Governor). Subject- announcements of Trustee meetings, invitations to Museum events, replies, etc. Dates- 5/51-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. to staff of Colonial Williamsburg. Subject- museum methods. Dates- 7/46-12/54.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- general correspondence with staff of Colonial Williamsburg, information on Cheek's speaking engagement with Williamsburg Rotary Club, etc. Dates- 2/54-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and the President of Colonial Williamsburg. Subject- loan of display units to Colonial Williamsburg, museum practices, etc. Dates- 3/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Colonial Williamsburg. Subject- correspondence about the Williamsburg Antiques Forum, publications/mailings about Antiques Forum 1964,'66,'67,'73, etc. Dates- 5/66-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- detailed letters about the goings-on at the Museum while Colt was serving in WWII, also letter from Mrs. Alfred DuPont about art education. Dates-8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. J.G. Pollard and others. Subject- record of Colt's military service, his resignation to serve in WWII. Dates- 11/42-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Columbia Records presented 55 recordings of the New York Philharmonic Orchestra to the VMFA in 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of \"On Fine Arts in Modern Society: A Research Proposal Prepared for the Virginia Museum of Fine Arts by the Columbia University Bureau of Applied Social Research\". Dates- 5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices with The Columbus Gallery of Fine Arts (Columbus, OH) and Columbus Museum of Arts and Crafts, Inc. (Columbus, GA). Dates- 3/51-8/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to the Board, list of appointments, etc. Dates- 1959-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of committee appointments 1963-4, invitations to Trustee committee appointments, etc. Dates- 8/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to Board and replies, list of appointments, etc. Dates- 1958-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and W.S. Robertson (VMFA President of the Board). Subject- VMFA roster of Trustees 1964-5 and 1965-6, Board committee appointments 1965-6, invitations and responses to Trustee committee appointments, letter about Board term limitations (proposed limitation 2 successive terms of 5 years each), etc. Dates- 6/64-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek correspondence as a member of Committee for International Cultural Exchange (CICE), etc. Dates- 6/61-2/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- suggested projects for Public Relations and Development committees, proposal for the Museum by the P.R. counseling firm Earl Newsom and Co., etc.. Dates- 3/54-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from State Department of Purchases and Supply. Subject- information about choosing stationary, samples for new state letterhead. Dates- 9/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"A Report to the Virginia Museum of Fine Arts 11/19/58\" from the viewpoint of its public relations information and communications responsibilities and program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- information and memos about arrangements for community college presidents to meet at the Museum. Dates- 12/70- 1/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- cooperative arrangements between VMFA and Va. community colleges, Virginia Community College System Annual Reports 1969/70 and 1970/71, proposed programs for community colleges, etc. Dates- 10/70-8/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complaints from Museum visitors about exhibitions, entrance fees, membership rates, guards, etc. Dates- 12/63-7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Museum operations: food service, VMT, membership, discontinuation of dinners in the galleries and newspaper clippings. Dates- 1974 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- guest list for complimentary cocktails in honor of officers and Museum volunteers from the Council, Jr. League and Theatre Affiliates, roster of Jr. League officers 1970-1, etc. Dates- 9/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Erwin H. Will (VMFA President of the Board). Subject- arrangements for a luncheon held in honor of officers and Museum volunteers from the Council, Junior League and Theatre Affiliates, guest list, suggested remarks for Mr. Will at luncheon. Dates- 9/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- miscellaneous Thank you's and compliments about gift and exchange publications, exhibitions, programs, the Museum in general and Cheek's responses. Dates- 2/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence from the public complimenting the museum in some way. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. and W.S. Robertson (President of the Board of Trustees). Subject- Complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 7/60-12/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 1/64-11/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on programs, theatre productions, museum in general and his responses. Dates- 7/66-10/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Various museum operations. Dates- 1972 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- compliments about 25th anniversary exhibitions, events and catalogue: Treasures in America, \"A Tribute to Virginia's Unique Museum\"-a Sunday newspaper supplement, etc. Dates- 1/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for VMFA European catalogue, an exchange publication. Dates- 5/66-9/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Faberge catalogue: Russian Imperial Jewels, a VMFA exchange publication. Dates- 12/60-2/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- compliments and thank you's for gifts/exchange publications of Russian Imperial Jewels, the catalogue of the Museum's Faberge collection. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Architecture in Virginia, a VMFA exchange publication. Dates- 2/68-5/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for William Hogarth, A Loan Exhibition of Paintings, Drawings and Prints, a VMFA exchange publication. Dates- 1/67-3/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Painting in England 1700-1850, Collection of Mr. and Mrs. Paul Mellon, a VMFA exchange publication. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on \"Painting in England\" exhibition (Mellon Collection) and his responses. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for The World of Shakespeare, a VMFA exchange publication. Dates- 1/64-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Form letter from the President to potential members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J. G. Pollard. subject- Letters to Trustees regarding 25th anniversary fund and letters to new members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- performance at Mosque of \"The Confederacy\" as a benefit for the Artmobile, project later abandoned, Date- 11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- drawings of the site of the Confederate Memorial Chapel, landscaping plans, etc. Dates- 7/66-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Richmond Times-Dispatch article \"The Old Soldiers Faded Away Home Here is Vacant\". Dates- 1/16/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitation to Director of the Norfolk Museum to Confederation workshop. Dates- 5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- congratulation and reply letters on the installation of Mr. James M. Brown as VMFA Director. Dates- 6/69-6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of objects from the Glasgow bequest and purchase fund currently exhibited in Museum galleries. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Mrs. Anthony Congreve. Subject- biographical information on Arthur and Margaret Glasgow, correspondence about Glasgow fund for purchasing works of art, listings of purchases made with Glasgow Endowment Fund 1966-72. Dates- 11/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz. Subject- Physical plant restoration project: cleaning of VMFA interior and extensive improvement of motor park, project data summary, Conservation Laboratory: construction and equipment, supply expenditures, budget. Grant application: \"Proposal for Virginia Museum Conservation Laboratory\", employment contract, job descriptions, resumes of prospective applicants. Dates- 1975 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- biographical information arrangements for giving lectures/seminars at the Museum, VMFA Members' Bulletin vol.23, no.9 5/63, etc., Date- 11/50-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for securing speakers for the \"Fireside Series\" proposed art talks held in the library, Thank you's to speakers, etc. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loans of objects between VMFA and Corcoran Gallery of Art, correspondence about museum practices. Dates- 3/51-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Katharine Cornwell. Subject- biographical information on this actress, invitation to come to Richmond to see a show and promote TheatreVirginia. Dates- 5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets and post cards from the Corning Glass Center. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information on obtaining assistance from philanthropic organizations and corporations, etc. Dates- 2/55-12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by E.H. Will (VMFA President of the Board). Subject- solicitation letter for corporate patrons, information on corporate patrons program, roster of Richmond corporate patrons 1970, invitations to corporate patrons gala, etc. Dates- 12/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by E.H. Will (VMFA President of the Board). Subject- solicitation of corporate patrons, pamphlets about corporate patrons program, publications for the corporate patrons gala, etc. Dates- 7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- roster of Richmond and of state corporate patrons 1971, planning for \"Fete Aux Galleries\" the corporate patrons event 1972, invitations and guest list for event, etc. Dates- 6/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Exhibitions, condition reports, insurance, gifts and purchases. Essay- \"Successful Adult Museum Programs\", M. Christison. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Velz.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) primarily, also L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- varied. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- General correspondence regarding publications, museum practices, exhibitions, pamphlets. Letter from Alexander Calder. Dates- 7/56 - 12/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Ford Foundation grant-in-aid program, Fogg Conservation Symposium and the Chrysler Collection. Photographs, cesolution recognizing the outstanding contribution of L. Cheek by the VMFA Council. Draft of \"Standards For Museum Practices\", SEMC, 1958. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition of American Silver, jurors for 1965 ADP exhibition, biographical data, 25th Anniversary exhibition and list of objects for loan. VMFA film series, press releases for \"The Little International\" from the Olsen Foundation and the Artmobile. Dates- 1958 -1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and VMFA Council officers. Subject- Council roster 1957-8 and 1958-9, listing of charter members, council-sponsored events and programs, lecture series schedule 1957-8 and 1959-60, statement of purpose of the Council, minutes of general meetings 1962 and'65, Executive Committee meeting minutes 1962 and '63, acknowledgments of gifts to the Museum, etc. Dates- 7/56-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown with the VMFA Council. Subject- Council gifts, Council -sponsored events and programs, preliminary drawings for Council shop office, breakdown of Council Contribution Fund 10/70 and 11/70, etc. Dates- 2/66-4/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for corporate patrons ball, roster of Richmond and of state corporate patrons, roster of Council committee for the ball, invitations and guest lists for ball, etc. Dates- 10/70-3/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- outline of the organization of the VMFA Council, Council Program 1955-6, Council of the VMFA Charter Meeting and Articles of Association, \"Friends of the Museum Constitution\", etc. Dates- 5/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- VMFA Council Contribution Fund analysis 1971 and'72, various Council sponsored events and programs, agreement between VMFA and the Council 10/20/70, A Short History of Council Gifts to Museum 1955-71, The Council of the Virginia Museum Directory 1971-2, general correspondence between Council officers and VMFA staff, etc. Dates- 1/71-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Council Trustee Contribution Fund, conservation laboratory, library, state services, fellowships and internships. Profit and loss statements, general ledger trail balance, Art Purchase Fund, staff expenses, VMT financial statements, matching funds for NEA Grant. New Council Shop, furnishings, installation, etc. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposal to establish fellowships for professional craftsmen (resident Craftsman Program), letters from interested craftsmen, etc. Dates- 2/63-2/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- proposal of a story about the Museum for Time-Life magazines, reference made about a reproduction of a Watteau from the Museum's collection appearing in Time. Dates- 11/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Monica Hamm and P. Mooz. Subject- Head of publications, editor of AIV and advisor for photography exhibitions. \"Focus On The Arts\", Pat Becker. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- fact sheet about VMFA, House bill no.862 was about establishing a Virginia Commission of the Arts and Humanities, transcript of the VMFA presentation by E.H. Will (VMFA President of the Board) to the Virginia Assembly, Rules Committee asking to kill or amend the bill, etc. Dates- 1/68-2/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- roster of Virginia Cultural Development Study Commission and of the State Arts Committee, information about the creation of the Va. Cultural Development Study Commission by Senate joint resolution no.67, essay- \"The Virginia Museum and the Arts in Virginia\", correspondence about meeting with the Cultural Development Commission, \"Dissenting Opinion Report of the Cultural Development Commission\" by Dr. William H. Higgins, Jr., member of the Commission, etc. Dates- 3/66-1/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"D\". Subject- varied. Dates- 3/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- VMT, exhibition schedules, Byzantine Architectural exhibition, College Drama Festival, loans of art works, Artmobile, Horace Day, NEA proposal, pamphlets, magazine excerpts, cards, biographical data, etc. Accessions and gifts: \"The Meeting of Joachim and Anna Under the Golden Gate\", A. Duer. Dates- 10/58 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Conference for teachers and students of Dance at VMFA, master classes, lecture and performance by Alwin Dance Theatre, agenda, list of dance teachers. Date- 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, AIV. Dates- 1/61 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Virginia Architects, Designers and photographers\", Collectors Circle, Va. Artists Biennial, donations, gifts, memorial fund. Dates- 6/59 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, acting director of the Museum and Governor Darden, regarding the Museum director and the Curator of Decorative Arts, who were both on leave to the armed forces during World War II, 1942-44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with and biographical information about Carson Davenport, Virginia artist. Dates- 1936-1944.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Ms. Davis. Subject- visits to \"Faraway Farms\" (Cheek's property) Davis was apparently a housekeeper/caretaker of some kind. Dates- 2/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and donors Mrs. Lincoln Davis, and George Cole Scott and Hildreth Dunn Scott, 1937-43.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., E.M. Davis, III (Curator) and L. Cheek, Jr. Subject-restoration of Mrs. Davis' Flemish painting, gifts from Mrs. Davis, information on Museum Board accessions committee (Mrs. Davis member), etc. Dates- 10/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. Lincoln Davis. Subject- Trustee/Museum business, letter of resignation from Board, etc., 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Elizabeth Nottingham Day and Horace Day, patrons and donors, 1934-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Day's exhibition at the VMFA. Dates- 1/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard to Mr. and Mrs. Horace Day. Subject- Horace Day biographical information, exhibition record, job recommendation, newspaper editorial written by Mr. Day on American Painting, etc. Dates- 1950- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Mr. Howard Dearstyne. Subject- proposed exhibition of Dearstyne's work and speaking engagement, etc. Dates- 11/50-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chamber Music Society, Building grounds committee, gifts, donation. Dates- 1954-65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to the Earl de la Warr. Subject- a visit to Richmond by the Earl, loan of a painting to the Museum exhibition \"England's World of 1607\", etc. Dates- 4/57-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. Marie de Mare. Subject- catalogues of \"Healy's Sitters\" exhibition ( Mrs. de Mare was Healy's grand-daughter), proposed film and biography of Healy by Mrs. de Mare, etc. Dates- 5/49-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His position as Art Director of AIV, music and dance folders. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from D. Nichols (administrator), F. Haseltine (PR). Subject- VMT subscription, Executive Committee Report, Collections Activities, Public Information Report. Dates- 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- information about an exhibition scheduled From Nov.22-Dec.31, 1955 featuring merchandise available for purchase in time for Christmas. Dates- 9/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Traveling exhibition. Dates- 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- International Traveling exhibition. VMFA and Leslie Cheek were the American coordinators from 1951-1954. Lists of attendees at the opening dinner 1/15/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Design in Scandinavia\" exhibition checklist, description of the exhibition, official record of receipt and list of items received but not included in exhibition, etc. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- RSVP's to dinner held on the opening night of the exhibition \"Design in Scandinavia\". Dates- 12/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., Mrs. J.G. Pollard and M.B. Christison. Subject- exhibition catalogue information for \"Design in Scandinavia\" and RSVP's for dinner held on the opening night of the exhibition. Dates- 12/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- American Tour 1954-57. Correspondence and publicity regarding. AFA took over the circulation of the exhibition.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committees in the United States. Lists of members and minutes from meetings 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Favorable reviews of the exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copy of a New York Times article written by Cheek concerning the upcoming exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening of the exhibition at the Museum, January 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- dinner guest lists, menu, planning for opening night dinner for \"Design in Scandinavia\" exhibition, list of Board of Trustee committee appointments 1953-4, registration for Southeastern Museums conference 1953, etc. Dates- 12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- RSVP's for the dinner and other opening events for the exhibition \"Design in Scandinavia\", exhibition catalogue, information used in planning printed material for the exhibition, etc. Dates- 4/53-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject-job description of a designer for the Design and Construction division of the Museum, proposed hiring of a designer, etc. Dates- 2/54-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- floor plan and printed matter for \"Designer-Craftsmen USA\" exhibition, photos of the exhibition, VMFA Member's Bulletin vol.15, no.5 (1/55), etc. Dates-11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Strauss. Subject- 25th Anniversary, draft of appeal to enlarge endowment fund, pamphlet. Dated- 6/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for a diorama in connection with \"Orientations of Virginia's Cultural Background\", photographs. Dates- 7/61 - 6/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resolution by the Executive Committee to authorize excess travel cost by VMFA staff. Dates- 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trip itinerary, pamphlets. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Fowler, D. Nichols, B. Ryan. Subject- All manner of VMFA operation: photography budgets, payroll dispersal, VMT renovation, Artmobile, damage and security of Art works, gallery installation, loans, art purchase invoices, Theatre contract, repairs and modification invoices, grievance procedure, pamphlets, Interpol investigation of Indian sculptures, requests for establishing new positions: Vice Director for Public Affairs and Artmobile curator. \"Partnership Agreement of Artco and Company\", \"Operation Countdown\", analysis of responsibilities and time required for completion of the North Wing. Photographs, pamphlets, announcements. Accessions and gifts: 17th C. Eng. Embroidered Casket, Byzantine Bronze Plaque, Tomato Soup Can (A. Warhol), Bolt of Lightening (R. Lichtenstein), Portrait of a Lady, Payne Collection. Dates- 1/68 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, F. Haseltine, D. Nicholas, J.M. Brown, P. Near, A.W. Stalnaker, B. Ryan, Mrs. Pollard. Subject- All manner of inter-museum operations: Public information schedules, membership campaign, promotion deadlines, travel itineraries, budget proposals, etc. P. Nears observations on possible acquisitions. Dates- 7/64 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters of request, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Secretary to the museum, biographical data, job description. Museum files and the law regarding public information, records management, records to be retired, list of file classification: deletions and additions. Events schedules, agendas and exhibitions. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, A. Dohn. Subject- Letter of recognition of donations, list of donors and their gifts of art works. Dates- 1964-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Chenery Estate and Gottwald endowment Fund. Art Nouveau gift of Sydney and Frances Lewis. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMT, Fellowship Fund, Museum Classes, Chenery Estate, Art Nouveau Fund, Artmobile and Gottwald Endowment Fund. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Buyers guides, pamphlets, magazine excerpts, specifications, blueprints, lists of chapters and affiliates, photographs. Dates- 9/61 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, and L. Cheek. Subject- Gift of Dunsten Memorial, Payment record, gallery proposals, \"The Virginia Museum Needs New Wings\": appeal to membership and Trustees for building funds. Dates- 12/46 - 4/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. Alfred I. (Jessie Ball) Dupont. Subject- Donations. Contains a letter regarding her feelings in favor of segregation at the museum and in the arts. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jessie Ball duPont's membership on the Executive Board, gifts and donations. Dates- 5/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Jessie Ball duPont. Subject- Membership as a Trustee, Fellow, Chair of 25th Anniversary Fund drive, contributions and gifts, magazine excerpts, biographical information, contributions and gifts, progress report from Anniversary Fund Drive. Dates- 2/59 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and D. Hudson (state coordinator of Arts System). Subject- Salary scales for VMT, NEA grant proposals. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Exhibitions, Artmobile, VMT, Va. Fellowships, search for potential jurors, work schedules invitations, newspapers, postcards, etc. Accessions and gifts: \"Autumn Leaves\", A. Palmer. Dates- 5/46-5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agenda and letters to K. Fowler of VMT. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Wm. Heartwell and Gov. Holton. Subject- \"Minutes of Economic Resource Task Force Meeting\": 7/23/71, 9/2/71, 10/8/71, 1/13/72, 4/20/72, purpose of task force was to improve communication between various agencies and the governors office. Draft of Executive order: relationship of state agency organizations to Commonwealth planning districts, budget estimates, agendas, Bills held in House Committee for the 1973 General Assembly. Dates- 1971 -72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- C. Guinnan request for a meeting room. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from A. Stalnaker and H. Dohn. Subject- Events for Governors School for Gifted Students: schedule, housing, food service, etc. Dated- 7/73- 8/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between A. Dohn and Mr. Albertia. Subject- Student application, agendas and statement of purpose. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Event to expose students to the function, organization and operation of VMFA, timetable and agendas. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and B. Bothmer (Egyptologist, BMFA). Subject- Invitations, list of Egyptian art objects available for purchase. Dates- 9/54 - 11/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Requests for films and slides, Artmobile, loans for Egyptian Gallery, statement/remarks for opening exhibition, newspaper clippings, blueprints. Dates- 2/55 - 12/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Suggested remarks related to \"Installation of a Gallery of Egyptian Art\", loans from other museums, agendas, letters to other curators and directors. Gift of Egyptian Gallery from Mrs. James Parsons. Dates-2/61 - 4/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- early planning stages of the exhibition \"England 1607\", list of pieces in, list of lenders to the exhibition, installation schedule and exhibition description, printed materials, \"Status Report on the Museum's Jamestown Festival Program\", etc. Dates- 6/54-8/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gallery opening made possible through gifts of china from Lady Nancy Astor, invitations and loan requests. Dates- 4/61 - 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- invitations to these exhibitions: \"Masterpieces of Chinese Art\" and \"Russian Imperial Jewels\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedules 1946, 1946/7, 1949, 1950, Entertainment Committee announcements and replies, committee report 1946, committee roster 1949/50, biographical information on the following Museum guests: Yasuo Kuniyoshi, John W. Taylor, Charles W. Smith, Reginald Marsh and Lamar Dodd, etc. Dates- 1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedule 1946/7, 1950, 1951, 1952, 1953, 1954, Entertainment Committee rosters 1950/1, 1951/2, 1952/3, proposed Friday evening events 1950/1, committee meeting minutes 1952, biographical information about George T. Hamilton, etc. Dates- 1946-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, VMFA Entertainment Committee schedule 1954, 1955, 1956, announcements and minutes of Entertainment Committee meetings 1951, 1953, 1954, 1955, 1956, etc. Dates- 1951-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee roster, Entertainment Committee schedule 1955, meeting announcements, biographical information about the artist Donald Oenslager, etc. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, announcements and replies for VMFA Entertainment Committee meetings, roster of Entertainment Committee, committee schedule 1955, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. Arthur Kelly Evans. Subject- a bequest to the Museum from Mrs. Evans, etc. Dates- 11/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- proposal for fundraising project for VMFA Council in fall 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- 60the Anniversary of the AFA meeting and symposium in Williamsburg, registration forms. Dates- 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agenda, timetable and luncheon for behind the scenes tours by the Council. Date-1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Benefit for the Council Service Fund, program, menu. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Museum in Action\": documentary of VMFA galleries and statewide activities, preview agenda, press dinner, invitations. Producer: Richard Rochement Narrator: Alistair Cooke Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for VMFA banquet services. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Exhibition: \"Treasures from the Norfolk Museum\", Governor's reception, program agenda. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gallery plan, staff assignments and program. Dates- 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reinstallation of the permanent galleries. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Members dinner dance event, invitations, guest list. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Glasgow Estate, Jamestown Tablet. Reception for Committee on Law Celebration. Dates- 12/58 - 4/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Members preview and reception: timetable, program, invitations, gallery plan, etc. Jack Larsen: lecture and biographical data. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of invitation to members of Virginia Chamber Music Society to attend a Theatre-Dinner. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Inauguration of a monthly series of theatre Dinners, guest list, letters of invitation for event and menu. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition: \"Designs for the Theatre\" Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reception for British group of scholars and collectors and travel itinerary. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- A British organization on American Tour. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Meeting at VMFA for NCEW: an organization to stimulate the conscience and quality of the American Editorial page. VMFA Executive committee minutes, biographical data, program agenda. Dates- 7/58 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of request for use of VMFA Gallery for Dinner, agenda, timetable. Dates- 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Tour routes, agenda and schedule of events for reception and letter to new members. Dates- 9/68 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of invitation to reception, tour of museum, agenda, timetable, etc. Dates- 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. Breeden (Membership Chair). Subject- Procedure and agenda for members reception and tour schedule, press release, invitations, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Haseltine. Subject- VMT Premiere performance and promotion. Dates- 5/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- exhibition: \"Treasures of the Norfolk Museum\", program/dinner agenda, invitation, etc. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Arthur Houghton. Subject- Preliminary event outline, layout, program agenda, procedure, invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Annual event to honor corporate patrons: entertainment, decorations, invitation list and suggested remarks to be delivered by President, E. Will. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Private advanced performance of \"School For Wives\", biographical data on Peggy Wood. Dates- 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Rhoads. Subject- Agenda and sample of invitation. Dates- 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Gregory Peck. Subject- Grand opening of Virginia Theatre Arts System, events schedule for preview, Letter from Gregory Peck. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Library reception and banquet for college Presidents attending the Drama Festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner and Theatre Party: agenda, invitations. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters of request and agenda for Theatre Dinner Party. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Rhodes and E.M. Last (Chair, RLS) Subject- Performance of RLS at VMT, ticket sales and cost estimates. Dates- 1/65 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of request for VMFA services. Dates- 4/31/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Robinson House formerly the Scientific Research Organization, VMFA headquarters for LOAS, adult classes and resident craftsperson, Invitation, Historical background, Bulletin vol.24 no.7 4/64 Dates- 8/62 - 3/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Helen Dohn. Subject- Smith College dinner with lecture by Charles Chetham, Director of Smith College Art Museum, agenda, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- The VMFA Council, Theatre Affiliates, President's Dinner. Music, Dance and Film Societies. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The Hospitality and Information Service for diplomatic residents and families. Dates- 1968. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- three day seminar program of multi-level experience in the Arts For exceptional Virginia Youths, agendas, etc. Dates- 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMFA luncheon and tour. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Paintings and drawings by E. Vedder, speaker. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for contributions. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: Hugh Newell Johnson. Reception, guest list and agenda. Exhibition catalog. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Harry Bertoia, Sherman Lee. Subject- General correspondence regarding juror service. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Sherman Lee. Subject- Jury Chair: Sherman Lee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Juror: William Pahlmann. Event program agenda, invitation, guest list, etc. Catalog: \"Virginia Interior Designers 1973\". Dates- 10/72 - 3/73 \"Virginia Interior Designers Reception Fri. 16 Mar.,  1973, 5-7 p.m.\" Subject- Invitation. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, W. Gaines and H. Dohn. Subject- Schedule of events, exhibitions, Bicentennial Celebration. loans, gallery tours, calendar news, Invitation for the \"India In Virginia\" exhibition. Dates- 8/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains minutes, agendas and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas, 1954-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, announcements, agendas and minutes of VMFA Exec. Committee meetings 1955, 1956, etc. Dates- 9/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, VMFA Exec. Committee minutes 1956, list of Exec, Committee members 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and William J. Rhodes, Jr. (President). Subject- Trustee/Museum business Exec. Committee meeting agendas 1954, 1955, 1956, Museum finances (pay scale, Director's allowable expenses, approvals for purchases) VMFA Committee appointments 1956-7, etc. Dates- 6/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. and Col. Henry W. Anderson (President). Subject- Trustee/Museum business, VMFA Exec. Committee meeting minutes 1950, 1951, 1952, 1953, listing of members of the Exec. Committee 1950, 1951, Exec. Committee resolutions 1950, 1951, 1953, By-Laws revised and adopted 1951, etc. Dates- 1950-3. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- Executive Committee minutes, copies of Exec. Committee minutes 1953, 1954, 1955. Dates- 12/53-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Gari Melchers Memorial Committee, VMFA Exec. Committee minutes 1956, list of Exec. Committee members 1956, etc. Dates- 4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Trustee/Museum business, VA Art Alliance, Williams Fund purchase, VMFA Exec. Committee agenda 1952, 1953, 1954. Dates- 5/51-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W. Gaines, R. Velz, M. Christison. Subject- Roster of large Richmond firms and number of employees, invitation cover letter, remarks to be delivered after luncheon. Dates- 9/63 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- lists of proposed exhibitions, events schedule for 1955-6 season, roster of members and schedule of the entertainment committee, drama schedule for Virginia Museum Theatre, etc. Dates- 7/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Notable lecturers and AIV contributors, biographical data. Jurors: Charles Eames, Morris Ketchum and Bert Stern. Dates- 1967 – 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Budgets, loan requests. \"Picasso: A Selected View\", \"12 American Painters\", List of Art Works, biographical notes test for the catalog: \"The Flowering of American Folk Art\". Catalog: \"American Painting 1970 including correspondence with Richard Diebenkorn. Dates- 1970-1974. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Bernard Martins' \"Portrait of Edward Hopper\", \"Walter Gropius - 1883 - 1969\", \"Jose Puig\", projected budget, attendance records, requests for loans, receptions events schedules, etc. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Engineering projects around the world, assembled to illustrate the aesthetic impact of technology. Cost estimates for exhibition, speakers and invitations. Dates- 7/64 - 1/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Outstanding objects in American Museum collections that are gifts or have been purchased with contributions from patrons. Event arrangements/planning. Requests of loans and press releases. \"A Brief History of the Virginia Museum of Fine Arts\", by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition \"Homage to the Square\", signed letter from Elaine de Kooning. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening festivities of the Aldrich Collection of Impressionist and Post-Impressionist paintings and sculpture. Catalogue: \"The Aldrich Collection\", foreword by L. Cheek. Dates- 11/58 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: Bartlett Hayes. VMFA purchases from exhibition. Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: C.V. Donovan. Request for loans from other galleries. Dates- 1962 , 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Al Held. Subject- Juror: Peter Selz. The removal of artwork from the wall of the VMFA for a period of one week in demonstration of racism, war and repression in America. List of paintings to be shipped and installation instructions. Dates- 9/69 - 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Search for a disposable cardboard shelter for use in a traveling sculpture exhibition to the Chapters and Affiliates. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Juried exhibition of Virginia Architects, Designers and Photographers. American Painting exhibition. Dates- 1964, 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt, Sydney and Frances Lewis. Subject- Art Nouveau exhibition: request for loans, lists of objects, opening event agenda, timetable, invitations, etc. Lecturer: Robert Koch. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. H. Bache and P. Near. Subject- Collector-of-the Year: Pre-Columbian gold collection, list of objects, letters to members of Collectors Circle. Dates- 196 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for flags from Embassy of the Federal Republic of Germany. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Kent Bicentennial Portfolio: \"Spirit of Independence\", prints by 12 Contemporary American Artists. Rockefeller Collection of Picasso Tapestries. Dates- 11/74 - 11/75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Phillip Hofer. Subject- Philip Hofer: biographical data and lecture on Blake. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Block as Collector-of-the Year (1967): Collection of 19th and 20th century watercolors and drawings, reviews and agendas. Dates- 10/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum of Modern Art exhibition \"Art Lending Service Retrospective\", lecture by MOMA Junior Council President Lily Auchincloss, lending services, expenses and pamphlet. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibit on ancient Chinese treasures. Date- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases for Virginia's Civil War centennial Exhibition and celebration at the VMFA, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- C. Conger (White House Curator) and his collection of interior furnishings. Heeramaneck Collection. Dates- 1967, 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Blumka Medieval Collection: Preview, program agenda, invitations, etc. Damage report to Gothic Cut Velvet Cloth, Conservators report and insurance claims. Dates- 1/73 - 5/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Exhibition of Tapestries from the House of Edgeworth and paintings, prints and drawings. Lecture, list of objects, PR, gallery plan, invitations, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek's service as a juror for \"International Glass\", gallery plan, photographs, list of jurors choice objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition \"Robes from the Forbidden City\": lecture by Alan Priest on Chinese Textiles. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt and P. Near. Subject- Virginia Photographer 1971, juror: Harry Callahan. Mourot Collection of porcelain. Exhibition schedules, lectures, gifts, loans of art objects, roster of Trustees. Catalog: \"Virginia Artists 1971\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Davies exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and H. Gummerus (Finnish Society of Crafts and Design). Subject- Gummerus lecture on Finnish design. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibition of Tutankhamun. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Bernard Von Bothmer (Brooklyn Museum). Subject- Von Bothmer account of his discovery fo the missing portion of VMFA fragment of Sema-Tawy-Tefnakht. Conservation and restoration of scribe, magazine clippings. Slides and photographs. Dates- 12/64 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. L.J. Dee (Cooper- Hewitt) Subject- Her Lecture to VMFA. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture by Buckminister Fuller, biographical data, catalog, installation, invitations, etc. Dates- 1/59 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contemporary Art forms of Israel. Lecturer: Avid Yafeh. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturer: John Walker. Invitations, entertainment. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Gaines. Subject- Documentation of the making of George Steven's film. Installation, design, floor plans and cooperating agencies. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Herbert Hoffman, Perry Rathbone and Patricia Davidson. Subject- Bill S.2273: to enable works of art and other materials imported for temporary exhibition in non-profit activities to be immune from judicial process. Description of objects for possible acquisition. Exhibition design, installation, VMFA and BMFA gallery plans, invitations, etc. Dates- 9/63 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Rathbone and H. Hoffman. Subject- Loans of Greek gold from the Hermitage and other institutions. Appeals to the State Department regarding Bill S.2773. Dates- 3/64 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Christine Alexander. Subject- Alexander's service to VMFA consultant on Greek and roman acquisitions. Exhibition lecture by Dorothy Kent Hill. Dates- 12/61 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Western art in Virginia collections, loan requests, film series, invitations, program agenda, etc. Lecturer: Larry Curry. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Perry Rathbone and Nasli Heeramaneck. Subject- Installation and acquisitions from the Heeramaneck collection. Lecturer: John Alexander Pope (Freer Gallery), newspaper clippings. Dates- 12/66 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon and Lessing Roswald. Subject- Request for loans, receiving and storage of objects. Event invitations, agenda, etc. Lecturer: Philip Hofer. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and John Koenig. Subject- Proposals for the filming and documentation of an epic film: research, selection, documentation, etc. Proposals were originally made to Samuel Goldwyn and Cecil B. de Mille. Dates- 7/55 - 2/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Goodrich. Subject- Requests for loans from various collections. Text for catalog forward by L. Cheek, and essay by Lloyd Goodrich. Biographical data and newspaper clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Events schedule, agenda, invitations, pamphlets. Lecturer: Robert Doty. \"Portrait of Edward Hopper\" and drawing studies by Virginia painter, Bernard Martin. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Exhibition of art from Virginia Collections to commemorate the 10th anniversary of AIV. Request for loans, invitations, members preview, agenda, list of objects for exhibition. Lecturer: Thomas E. Norton, biographical data. Dates- 7/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Acquisition of Indian art collection. Dates- 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition of works by French artists commissioned by Claude Aveline to illustrate his poem \"L'Oiseau que n'existe pas\". Lecturer: Lawrence Alloway, biographical data. Members Bulletin vol.24 no.8 4.64. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Anne Marie Pope. Subject- VMFA display areas. Date- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt and P. Near. Subject- Art Nouveau Loan, list of Lewis gifts and purchases. Dates- 1971 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and C.S. Hathway. Subject- Lecture search. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Biographical data, agendas, timetables and invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Islamic rugs circulated by the Smithsonian Institute and lecture by McMullan. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J. Baskett and P. Mellon. Subject- List of paintings from Mellon Collection. Gallery preparation, storage, costs, opening festivities, interpretation of exhibition, letters to print media. Press release, newspaper clippings. Lecturers: W.G. Constable, John Baskett and Basil Taylor. Essay- \"Painting In England, 1700-1850\". Dates- 8/62 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Paul Mellon. Subject- Mellon English Painting Collection, early discussion concerning the scope and preparation of catalog and exhibition. \"Letter from Basil Taylor Dated-23 January 1963 re: Mellon Show\", letter of disgruntlement over the various stages of the Mellon catalog. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Basil Taylor. Subject- Mellon Collection of English painting, initial planning stages, lectures, installation, catalog, etc. Dates- 11/61 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Paul Mellon. Subject- Exhibition: \"Painting in England\", program of events, invitations, gallery plan, program, invitation, guest list, etc. Dates- 5/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon and Basil Taylor. Subject- Basil Taylor, advisor tot Mellon collection and author of exhibition catalog: \"Painting in England, 1700-1850\". Catalog foreword by L. Cheek. Dates- 12/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations and dinner programs. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Installation, catalog, security, lecture. List of slides, media coverage. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Remarks by Paul Mellon on exhibition opening, mock-ups of booklet form. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Full color photographic reproduction of the \"Sistine Chapel\", exhibition circulated by LIFE magazine. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Demonstration of mosaic technique using contemporary materials. Dates- 5/54 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Henry Moore. Subject- Aid of Helen Norman (neighbor to Moore) on establishing a dialogue with the VMFA concerning an exhibition and visit by the artist. Preliminary exhibition plans. Dates- 10/57 - 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Henry Moore. Subject- Preview and opening night arrangements, newspaper clippings and press releases. Dates- 5/65 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Neutra. Subject- Exhibition and speaking tour by the artist. Dates- 6/59 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Goya exhibition: request for loans of works by Goya, announcements, invitations, list of paintings, Dr. Priscilla Muller (curator and speaker for exhibition). Program agenda. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturer: John S. Szarkowski. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and James Rorimer. Subject- Exhibition of Contemporary photographs. Biographical data on Ivan Dimitri and A. Hyatt Mayor. Catalog: \"Phototgraphy in the Fine Arts\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- proposed exhibitions, information about traveling exhibitions, etc. Dates- 10/48-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Perry Rathbone. Subject- Pre-Columbian gold with lecture by Allen Wardwell. Dates- 4/67 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Vincent Price as Collector-of-the-Year. Date- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- African collection from the Olsen Foundation. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Una Johnson (Brooklyn Museum). Subject- Contemporary prints from the Brooklyn Museum, invitations and announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition of the American Institute of Graphic Arts 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Gaines, F. Brandt, Anne Marie Pope. Subject- Reinstallation of the permanent collection, estimated exhibition costs, Heeramaneck collection, list of exhibitions available form International Exhibitions foundation. Exhibition catalog: John Kelly Fitzpatrick\" , photographs. Dates- 9/68 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Quillian. Subject- Exhibition of Randolph-Macon Collection. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program agenda for reception, exhibition, gallery plan. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions of Chinese Textiles from Minneapolis Institute of the Arts. Lecture by Alan Priest. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposed gift of \"Gates of Hell\", from the Cantor Collection. Exhibition \"Study of a Woman's Torso\". Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Rosenwald as Collector-of-the-Year, 1965. \"Master Prints From The Rosenwald Collection\", introduction by Rosenwald for the exhibition checklist. Dates- 12/64 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Corrected draft by L. Cheek. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Rosenwald. Subject- Personal invitations from L. Cheek. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition announcements. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of events for the season. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Paul Tishman. Subject- Exhibition from the Tishman Collection, letter of invitation, installation, Council lecture/luncheon. Speaker: Dr. John Akar, Ambassador of Sierra Leone. Remarks by J.M. Brown and Tishman, announcements and biographical data, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing lists for colleges, museums, etc. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek tour of England to photograph Elizabethan Houses. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Presentation of various forms of Arts of England during Shakespeare's life in commemoration of the 4th Centenary of his birth. Requests for loans of Elizabethan objects, press release, installation, etc. Dates- 8/63 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Exhibition of 19th and 20th century paintings, reception and event announcements. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon (Exhibition Chair) and Wm. Constable. Subject- requests for loans, French and British sponsors of exhibition including Queen Elizabeth, Honorary Committee Members, Patrons, catalog, PR, object damage report. Basil Taylor as special advisor to exhibition. Dates- 7/58 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Consultation on exhibition proceedings, travel and lecture schedule, biographical data and text for introduction to the catalog. Dates- 4/60 - 7/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Basil Taylor, Paul Mellon and A. Eiseman. Subject- Catalog layout, printing, design, budget, cost estimates, contributions. Essay- \"Classic Horse Paintings\", foreword by L. Cheek. Dates- 1/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Recipients of free catalogs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- William George Constable and his lecture for exhibition, biographical data, Bulletin vol.20 no.8 4/60. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of British sponsors, loans, selection committee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Mailing list, opening event, program and list of lenders to exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and John G. Pollard. Subject- List of sponsors, reception: program, agenda, menus, etc. Newspaper clippings. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibition in commemoration of Stravinsky's 80th birthday with related settings and costumes created for his ballets. Dates- 4/61 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Exhibition of contemporary prints and multiples (3-dimensional objects of limited editions), Lewis contributions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Railey Collection of European and Asian seals, Fisher Collection of paintings and exhibition of Ruth Safford: \"Interiors of Famous Houses\". Dates- 8/61 - 2/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt. Subject- Problems with exhibition objects. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Damage report of exhibition objects. Dates- 11/63  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Loans of objects from Pierpoint Morgan Library. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Extension of Tutankhamen exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sample invitation and preview guest list. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- List of objects available for loan and prices. Exhibition announcements, gallery floor plan. Lecturers: Gerald Nordland and Hilton Kramer. Dates-1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibit from MOMA: \"Form In The Animated Cartoon\". Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to M. Christison. Subject- Unavailability of Van Gogh exhibition. Dates- 8/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Philip Johnson. Subject- Jurors: Carroll Meeks, Richard Di Natale and Hans Namuth. Official entry forms, exhibition announcements, biographical data. Dates- 10/61 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Gyorgy Kepes, Philip Johnson and Ivan Dimitri. Invitations, guest lists, biographical data and entry forms. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- 1st Biennial exhibition.  Juror: Romaldo Giurgola.  AIA reception and dinner, program agenda, biographical data, invitations, pamphlets and exhibition catalog. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Sherman Lee, Harry Bertoia, Bernard Perlin. Collectors reception, purchase of artist work by Trustees, invitations, entry forms, etc. Dates- 12/57 - 2/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Near. Subject- Reception for purchasers of art works from the exhibition, and catalog. Dates- 1957, 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters to Artist on their award by the jury. Exhibition catalog, juror search and entry forms. Dates- 1959, 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Carl Wienhardt Jr., Mary Callery and Robert Vickrey. Salon des Refuse's on view at Thalhimer's, events schedule and exhibition catalog. Dates- 6/64 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: William Seitz. Installation, list of purchases, invoices, PR, invitations, guest lists, etc. Acquisition from Lewis Fund. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Gordon Bunshaft and A. Bodine. Entry forms and recipients of certificates of Distinction. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Exhibition to travel to Charlottesville. Dates- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture by Dorothy Miner, announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and Mr. John G. Hays (Chairman of the Expansion and Development Committee). Subject- Trustee/Museum business, formation of the VMFA Expansion and Development Committee, report of the chairman, etc. Dates- 11/47-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and P. Crum (Curator) and College of William and Mary. Subject- W\u0026M students visit to VMFA, loan from W\u0026M for a VMFA traveling exhibition, arrangements for traveling exhibitions to W\u0026M, etc. Dates- 2/41-7/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Education and Exhibitions) and Longwood College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Farmville State Teachers College, etc., 3/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- information on VMFA traveling exhibitions and an organization membership, etc. Dates- 7/48/8/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Art Club. Subject- arrangements for VMFA slides and traveling exhibitions to LAC, etc. Dates- 3/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Lynchburg College, etc. Dates- 1/49-2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Teacher's Club. Subject- arrangements for traveling exhibitions and slides to LTC, etc. Dates- 3/46-2/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Madison College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Madison College, etc. Dates- 12/47-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.C. McGehee (Assistant in Education Dept.) and Martinsville City schools. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Martinsville City schools, etc. Dates- 9/51- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Mary Baldwin College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to M.B. College. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Mary Washington College. Subject- arrangements for traveling exhibitions to M.W. College, arrangements for lecture by Christison at M.W. College, etc. Dates- 3/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Middlesex County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to MCWC, arrangements for lecture by Christison for MCWC, etc. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Narrows Woman's Club. Subject- arrangements for traveling exhibitions to NWC, etc. Dates- 10/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Newport News Woman's Club. Subject- arrangements for traveling exhibitions to NNWC, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Education and Exhibitions) and Norfolk Museum of Art. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to NM of A, exchange publications, etc. Dates- 1/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H. Lloyd (VMFA State Services) and Richmond County Junior Woman's Club. Subject- arrangements for filmstrips to RCJWC, shipping instructions, etc. Dates- 10/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Roanoke County Woman's Club. Subject- VMFA traveling exhibition checklists, request for information about organization membership to the Museum, etc. Dates- 4/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H. Lloyd (VMFA State Services Dept.) and Rockingham County public schools. Subject- VMFA traveling exhibition and slides checklists, arrangements for traveling exhibitions to Rockingham Co. Public schools, shipping instructions, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between E.L. Kallop (VMFA State Services Dept.) and Scottsville High Scholl. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions and slide sets to Scottsville HS, shipping instructions, etc. Dates- 9/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Sedley Woman's Club. Subject- notification of installment of Mrs. N.B. Rollings as chairman of Fine Arts Dept. of SWC, Date- 12/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Smithfield P.T.A. Subject- art material for Smithfield schools, Date- 11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H.V. Rennie (Assistant in Education Dept.) and Southern Seminary and Junior College. Subject- schedule of VMFA traveling exhibitions to Southern Seminary and Jr. College ('46) and arrangements for traveling exhibitions to Southern Seminary and Jr. College, etc. Dates- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Hart (Extension Dept.) and St. Catherine's school. Subject- VMFA traveling exhibition checklists, schedule for traveling exhibitions to St. Catherine's, etc. Dates- 1/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and St. Christopher's school. Subject- schedule and arrangements for VMFA traveling exhibitions to St. Christopher's, etc. Dates- 9/48-11/48.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Staunton City School Board. Subject- arrangements for traveling exhibitions to Staunton City School Board, etc. Dates- 1/52-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various Education Dept. staff and Stony Creek Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SCWC, etc. Dates- 2/47-1/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various VMFA State Service Dept. and Education Dept. staff and Stratford College. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to Stratford College, shipping instructions, etc. Dates- 8/48-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition checklists, schedule and arrangements for traveling exhibitions to Stuart Hall, shipping instructions, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director of Collections and Education) and Suffolk Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SWC, etc. Dates- 8/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Surry Woman's Club. Subject- arrangements for tour of the Museum and traveling exhibitions to SWC, etc. Dates- 10/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Sweet Briar College. Subject- schedule and arrangements for traveling exhibitions to SBC, shipping instructions, etc. Dates- 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Service Dept. staff and Tazewell Parent-Teacher Association. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions, slide sets and filmstrips to Tazewell Parent-Teacher Association, shipping instructions, etc. Dates- 11/52-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Thomas Jefferson Junior Woman's Club. Subject- request and suggestions for speakers for TJJWC, etc. Dates- 7/47-9/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA and Thomas Jefferson Woman's Club. Subject- arrangements to visit, tour and hold a meeting at the Museum, etc. Dates- 11/40-1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Three Arts Club of Blackstone. Subject- arrangements for filmstrips for TAC of B, shipping instructions, etc. Dates- 12/52-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- address of Mrs. Woods, President. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Toano Woman's Club. Subject- arrangements for holding a meeting at the Museum. Dates- 1/50-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and University of Richmond and Westhampton. Subject- arrangements for traveling exhibitions to U of R, shipping instructions, etc. Dates- 3/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- catalogues from the UVA Extension Dept. including the following: Famous Italian Paintings, Famous Flemish Paintings (Reprints from Seventy Famous Paintings by Adelaide D. Simpson (1927), The Story of Venetian Painting by Mrs. Stringfellow Barr and Cecily B.D. Ryder (1928) and Catalogue of Art Prints and Books (1937), etc. Dates- 1927-1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to UVA, shipping instructions, etc. Dates- 10/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and University of Virginia Museum of Fine Arts. Subject- checklists for traveling exhibitions sponsored by VMFA and UVA, the following publications by UVA: \"Twenty-five Contemporary Artists of Cleveland, Ohio\", \"Hugh Breckenridge\", \"Contemporary Artists of Virginia\", \"Contemporary Artists of Albemarle County and The University\", \"Alexander B. Trowbridge and Olin Dows\" and \"Elinor F. Hopkins\". Dates- 4/34-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.Y. Casey (Assistant in Education Dept.) and Upper King William County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to UKWCWC, shipping instructions, etc. Dates- 3/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Valentine Museum. Subject- information about becoming organization members of VMFA, a loan to VMFA from the Valentine, listing of the Valentine's activities, etc. Dates- 10/35-9/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and VA Education Association. Subject- Virginia Education Association art section meetings, etc. Dates- 2/47-10/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and VA Federation of Woman's Clubs. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VA. Federation of Woman's Clubs, VA Federation of Woman's Clubs yearbook ('47/8) and Directory ('48/9), etc. Dates- 1/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA traveling exhibition checklist. Dates- 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Virginia Polytechnic Institute. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to V.P.I.'s Architectural Department, etc. Dates- 6/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Virginia State College (Norfolk Division). Subject- checklists for VMFA traveling exhibitions, arrangements for traveling exhibitions to VSC, shipping instructions, etc. Dates- 10/52-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and the Extension Dept. and VA State University. Subject- schedule of VMFA traveling exhibitions to VSU 1945-7, arrangements for traveling exhibitions to VSU, etc. Dates- 6/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Va. Teachers' Association. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VTA, arrangements for a lecture by Christison to VTA. Dates- 12/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Virginia Union University. Subject- VMFA loans to VUU's art festival, arrangements for traveling exhibitions to VUU, etc. Dates- 1946-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between E.L. Kallop (State Services Dept.) and Wakefield Woman's Club and P.T.A. Subject- checklists for VMFA traveling exhibition, arrangements for traveling exhibitions to WWC and P.T.A. Dates- 9/51-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Warren County High School. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Warren Co. HS, shipping instructions, etc. Dates- 10/46- 5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between O. Hart (Registrar) and Warwick County School Board. Subject- arrangements for traveling exhibitions to Warwick Co. Schools, etc. Dates- 1/49-4/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Warwick Woman's Club. Subject- arrangements for traveling exhibition to WWC, etc. Dates- 10/48- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Washington and Lee University. Subject- checklists of VMFA traveling exhibitions, arrangements for traveling exhibitions to W\u0026L, etc. Dates-1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Waverly Woman's Club. Subject- schedule of VMFA traveling exhibitions to WWC ('46), WWC visit (with lecture) to VMFA, etc. Dates- 3/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA staff and West Point Schools P.T.A. Subject- arrangements for traveling exhibitions to West Point Schools, etc. Dates- 12/50-6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various Education Dept. staff and Westmoreland Woman's Club. Subject- arrangements for traveling exhibitions to WWC, etc. Dates- 1/48-3/49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and William Campbell High School in Naruna, VA. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wm. Campbell HS, shipping instructions, etc. Dates- 12/52-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and various Education Dept. staff and Wilson-Jackson P.T.A. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wilson-Jackson P.T.A., etc. Dates- 1/47-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.T. Rhodes (Assistant in Education Dept.) and Wytheville County schools. Subject- arrangements for traveling exhibitions to Wytheville Co. schools. Dates- 4/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Wythe Woman's Club, Hampton. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC. Dates- 8/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education), various Education Dept. and State Services staff and Wytheville Woman's Club. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC, etc. Dates- 5/49-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Y.W.C.A.-Richmond. Subject- holding a meeting (with a visit and lecture) at VMFA. Dates- 4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Young Woman's Club of Williamsburg. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to YWCW, shipping instructions, etc. Dates- 12/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.Y. Casey (Assistant in Education Dept.) and VMFA State Services Dept. and Zuni Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to ZWC, etc. Dates- 8/50-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\". Dates- 12/54-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\", note-included in these files: slides from Williams College of Art. Dates- 1947-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Chairman of the art department Williams College. Correspondence and biography 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fashion Show in cooperation with Miller and Rhoads Dept. Store and Harpers Bazaar magazine to benefit the VMFA Council, Education Fund, Council dinner, event plans and program catalogue. Dates- 12/55 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- the Fashion Festival of Arts and Flowers presented by the VMFA Council in cooperation with Miller and Rhoads Department Store, attendance lists, newspaper clippings, etc. Dates- 3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between national director and Thomas Colt, who was the State Director of the Federal Arts Project, 1935. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Federal Emergency Administration of Public Works regarding a grant to construct an additional wing to the Museum. 1935-38. More applications from Museum for funds from the Federal Emergency Administration of Public Works to complete projects such as casting a bust of John B. Payne and landscaping grounds. 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Federal Emergency Administration of Public Works and Virginia Commission for the Arts material, mostly on landscaping the grounds of the Museum, 1936. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Federated Arts Council of Richmond dinner and agenda, invitations. Dates- 2/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- Committee reports, events schedules, annual meeting 5/29/74, \"Festival Of The Arts\", 18th annual report, Dogwood Dell June-Aug'74. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Awards Dinner agenda, letters of confirmation, thank-you's, etc. Dates- 12/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T.C. Colt, Jr. Subject- listing of and letters to prospective fellows (founding fellows), a copy of the constitution 4/55. Dates- 3/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospects for new membership program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Conservation Laboratory, Library Endowment, Fellows Weekend, orientation theatre, contributions and projects, statement of purpose, agendas, biographical data. Resolution in memory of Lewis Strauss. Dates- 1964-79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Fellowship Committee minutes 1942, 1948, 1949, 1950, Fellowship Committee agendas 1950, 1951, committee report 1949/50, Fellowship Committee announcements and replies, listing of fellowships given by the Virginia Museum of Fine Arts 1940-51, etc. Dates- 1942-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Aplicant interviews procedure. Date- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellowship Fund income account, application, letters to recipients: Primm Turner, Jenny- Lynn Franklin and John D. Norwood. Dates- 5/54 - 5/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Essay- \"Outline for a Proposed Film for the Virginia Museum of Fine Arts\" by Vavin, Inc. 3/60.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1947, 1948, 1950, Finance Committee meeting minutes 1948, 1949, 1950, letters soliciting opinions from Trustees about stock purchases and committee resolutions and replies, VMFA Pooled Endowment Account 1949, stockholder information , etc. Dates- 1947-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1950, 1951, Finance Committee meeting minutes 1952, committee report 1950, status of capital funds listing 1950, list of securities held and cash balances, financial transactions, etc. Dates- 1950-2. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1952, 1953, Finance Committee resolutions 1953/4, Capital Funds Investments and Cash listings 1952, 1953, stockholder information, financial transactions, etc. Dates- 1952-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1955, Finance Committee resolutions 1954, a listing of Finance Committee meetings and actions in writing 1948-56, financial transactions, stockholder information, statement of endowment investments 1955, pooled investment listing 1955, investment changes for the period 4/30/55-12/31/55, etc. Dates-1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Lawler Fund. Dates- 10/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- stockholder information (i.e. annual and quarterly reports of companies). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee resolutions 1948/9, excerpts from Finance Committee meeting minutes 1939, 1951, Date- 3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from A. Nicholas. Subject- Statements of income, balances, private income, special purchase funds, operating budget, etc. \"Virginia Museum Semi- Annual Financial Report Dec. 31, 1970\" , \"Summary of Financial Support\": 1935- March 31, 1971, 19l35- June 30, 1969, Art Purchase Funds, Capital Outlay Programs to purchase land and buildings, List of Art Purchases 1970-71. Dates- 6/70 - 10/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and G. Martin. Subject- Responses to questionnaire from various theatre directors, VMT regulations. Dates- 1965 -66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT Statement of Purpose, application for Samuel Tate Morgan and/or George Seay Memorial Trust Funds. Letter of grant award for the expansion of VMFA Library holdings and list of books purchased, newspaper clippings. Dates- 5/69 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Administrator, Richmond Area University Center. Correspondence with 1949-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Memorial for Col. Herbert Fitzroy, letters of receipt of contributors to purchase a sculpture to be placed on permanent exhibit in Artmobile II: \"Crowing Rooster II\", G. Marcks. Dates- 10/67 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- information about proper display of U.S., U.N. and VA flags. Dates-11/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns cultural development there. 1957-59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Agreement on the Importation of Educational, Scientific and Cultural Materials\", Bill signed on 6/24/59, press release. Unesco sponsored agreement to eliminate tariffs and special import taxes on educational, scientific and cultural materials. Dates- 9/59 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Horace S. Flournoy. Subject- repair of heating system at the Museum. Dates- 10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- plantings around the Waddy Fountains at the front of the building, lawn and plant care, listing of growing plants used, etc. Dates-6/54-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA staff and Harvard University's Fogg Art Museum, mostly regarding the loan of a Copley portrait for the Museum's inaugural exhibition, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, J. Coolidge (Dir., Fogg). Subject- General correspondence regarding conservation, authenticity of objects, employment referrals, research, etc. Dates- 4/52 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for Folktale Marionette Theatre to perform at VMFA in Dec.1953, etc. Dates- 3/53-1/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- visit of Mrs. Henry Ford II, to see VMFA operations. Dates- 3/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about a Virginia artists watercolor exhibition sponsored by the Ford Foundation Title \"Virginia by Virginians\", copy of an invitation to Mr.and Mrs. Ford to the opening, etc. Dates- 1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- newspaper clippings and statement of purpose of the Ford Foundation. Dates-12/48-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Ford Foundation. Subject- proposal of VMFA serving as regional center for Ford Foundation's creative artists selection program 1958, proposals for Foundation support, Foundation publications, etc. Dates- 10/50-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Ford Foundation. Subject- information about applying for Ford Foundation support, Foundation publications, etc. Dates- 10/59-10/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program for Painters, Sculptors and Related Artists. Letters to jury members, entertainment. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and the Ford Foundation. Subject- the Museum as a locale for the premiere art exhibition to be featured in the March issue of the Ford Times, an exhibition highlighting VA artists named \"Virginia for Virginians\", included are copies of the exhibitions' gallery guide, invitations to the preview and a copy of the Ford Times feature issue. Dates- 11/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and American Association of Museums (AAM). Subject- roster of foreign museum Directors visiting VMFA on a AAM sponsored tour (in cooperation with the State Department), biographical information on visitors, etc. Dates- 3/65-5/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to VMFA staff. Subject- memos about arrangements for luncheon held at Museum for international newspaper people. Dates- 6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal for VMFA travel program, tour estimates and brochures. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition preview speaker: Ariad Yafeh, biographical data, reviews and photographs. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Guest lists for opening event, sample letters for invitations and replies. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices, Cheek serving as honorary member of advisory committee of Directors and Curators, etc. Dates- 3/52-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Keith Fowler. Subject- theatre operations, policies, programming, newsletter to friends, volunteers and theatre subscribers, etc. Dates- 10/69-12/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between William Francis and L. Cheek, Jr. Subject- Museum publications business and arrangements, etc. Dates- 12/64-9/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Governor Peery, T.C. Colt, Jr. and Douglas S. Freeman, president of the Confederate Memorial Institute. Subject- Transfer of the John B. Payne collection from the Battle Abbey to the museum. Dates- 1935-39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. Subject- mostly professional matters, but some personal information is given. Dates- 1948-53.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and French and Company. Subject- French and Company, Inc. art dealers, loans, conservation work, proposed sales to Museum, photos and descriptions of objects, etc. Dates- 6/46-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject- photo requests from the Frick Art Reference Library, reference questions, exchange publications, etc. Dates- 2/46-9/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Friddell was columnist for the Richmond News Leader. Correspondence with Cheek, 1949-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- memo about calendar of Museum events, mailing to American Ballet Theatre Friends, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Preparation plans for \"George Stevens Makes a Film\", an exhibition based on the making of an epic film (The Greatest Story Ever Told), installation, cost estimates, etc. Dates- 1/64 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Search for Egyptian objects to purchase, exhibitions: Sport and Horse and American Folk Art, College Drama Festival, loan of P. Klee works, collectors circle, Biographical data, Fellows, donation, gifts, Segregation in VMT, background information on paintings for Wm. Henry Yates, Marshall Research Library, Poetry Society of Virginia, Glasgow Estate. Accessions and gifts: \"Tree\", H. Gray; E. Hopper; Rutherford Goodwin, Jr.(signature). Dates- 1/55 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General museum business, inter-museum memos. Richmond Sinfonia, special purpose gallery, exhibition policy. Museum television, funding sources, COVAO conference, sale of Artmobile I, Council, newspaper clippings, pamphlets and funds generated through programs division, letter from Robert Indiana.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Bill (William) Gaines (head of Programs Division). Subject- programming educational, exhibitions, films, affiliates, etc., Museum operations, etc. Dates- 3/70-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Acquisitions, objects for purchase consideration, various newsletters, exhibition catalog: \"Nature As Scene\". Dates- 4/76 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with other museums. Subject- exhibition announcements, information about loans to other museums, etc. Dates- 3/53-3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Dir. for Collections and Education) and Mr. Charles Seymour (Yale University). Subject-request to look at the Museum's collections. Dates- 2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Col. Edgar Garbisch and L. Cheek, Jr. Subject- gift to VMFA-Junius Brutus Stearns paintings of life of George Washington, photos and information about paintings, biographical information about Garbisch, etc. Dates- 1/50-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for the 50th anniversary dinner of Garden Club held at VMFA, etc. Dates- 9/68-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the Garden Clubs of Virginia and America 1958-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Mrs. T. Fleetwood. Subject- Mrs. T. Fleetwood as a Trustee, Trustee business, gift to Museum, etc. Dates- 5/64-7/75. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Landscape Architect for Museum. 1957-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by John Garland Pollard, Jr. Subject- invitation to members of General Assembly to use Museum facilities, announcement of a reception for General Assembly members spouses, VMFA Members' Bulletin vol.20, no.5 1/60. Dates- 1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters sent to members of the General Assembly 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Gibbes Art Gallery. Subject- Brown working on problems of the Gibbes Art Gallery, \"Report to the Board of the Charleston Art Association\" co-written by Brown, etc. Dates- 12/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee, Executive Committee. Dates- 1950-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mr. George D. Gibson as Trustee, Trustee and Local Building Committee business, copies and excerpts from minutes of the Executive Committee 1948-53 dealing with VMFA building, news release 6/57 about Gibson being elected VMFA President, etc. Dates- 12/52-11/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. George D. Gibson, a lawyer with Hunton, Williams, Gay., Moore and Powell. Subject- flooding at the Museum, building inspections, structural problems with the building, the shipment of a Watteau painting to VMFA, a Melchers gift, etc. Dates- 7/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- acknowledgments of receipt, thank you letters to donors for gifts of all kinds (money, books, equipment, etc.,). Dates-11/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Arthur G. Glasgow. Subject- gifts to Museum, Museum events, information pertaining to the Estates of Margaret Branch Glasgow and Arthur Graham Glasgow. Dates- 2/54-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., J.M. Brown and Walter S. Robertson (VMFA President). Subject- transcript of remarks by Governor Mills E. Godwin, Jr. at Southeastern Theatre Conference 1966, Museum events, Mrs. Godwin to serve as honorary chairman of Entertainment Committee, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- President of Princeton University. Request for him to lecture at Museum. Dates- 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Associated Artist Gallery, Washington, D.C. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for Theatre Director-Producer 1957.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Pollard was a member of the Goodwin Memorial Commission appointed by the state to erect a scroll honoring the Reverend William Archer Rutherfoord Goodwin, former rector of Bruton Parish Church and man who dedicated his life to the restoration of Colonial Williamsburg, 1950-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Mr. F.D. Gottwald. Subject- agreement and arrangements to establish Elisabeth Shelton Gottwald Fund. Dates- 4/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- copy of report on Museum, recommendations to Museum made by Governor's Management Study Group. Dates-7/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Mills Godwin and Peter Mooz. Subject- Budgets: cutbacks, executive order, appointments to VMFA Executive Board, creation of job positions, Museum organization charts, Melchers Estate, Arts Commission, Executive Mansion furnishings and lists of objects. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for unveiling (10/5/71) of new acquisition of Goya's painting- General Nicholas Guye guest lists, invitation, news releases, photo and information about painting, etc. Dates- 9/71-2/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- \"General Guye\", Goya. Special event, agenda, invitations, etc. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with John Graham (Curator, Colonial Williamsburg). Dates- 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Related to the death of Mr. Gray and his family. His bequest to the Museum and a memorial to him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Horace Gray, Trustee. Subject- Museum business, biographical information about Horace Gray, VMFA Members' Bulletin vol.19, no.6 (2/59), etc. Dates-5/51-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about hiring Mr. Paul Grigaut as head of Collections Division, Museum practices, information about Museum Collections catalogues, etc. Dates- 6/62-4/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Theft-general. Contains one newspaper clipping 5/28/62.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- correspondence with Senator Raymond R. Guest, announcement of gift to Museum of bronze gates, Museum events and business, etc. Dates- 11/48-5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and L. Cheek. Subject- List of sites for guidebook , roster of names for nominating committee, letters to publishers, price structure, biographical data, promotional information, outline for publication by the Trustees for \"An Official Guide To Four Centuries Of Building In The Old Dominion\". Dates- 4/66 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Finnish Society of Crafts and Design 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt, F. Haseltine. Subject- Installation of \"Symbol\" at Phillip Morris site, invitation mailing list, reception agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, F. Haseltine, P. Near. Subject- Exhibitions, VMT, loans, gifts, endowments, biographical data, invoice for work restored, acquisitions, installation of Heeramaneck Collection, Pastorale fund, Project Grant Application, Tax Status. Essay- \"A Brief Summary of Accomplishments of the Virginia Museum of Fine Arts\", 1962-64. Dates- 9/51 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mr. Haller was a public relations consultant hired under special circumstances and kept off of the state payroll. This letter pertains to this and circumventing the state system 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and S. Robertson. Subject- AAM meeting in Williamsburg, increase in security staff at VMFA, Artmobile, Executive order from the Governor's office to divide the Board of Trustees into five divisions. Request for authority to prepare Capital Outlay Plans for South Wing, invitations to serve on various committees, presentation of Webster S. Rhoads award to Gov. Harrison, newspaper clippings. Dates- 5/61 - 11/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Public Buildings Administration (Federal Works Agency). Subject- Harrisonburg post office mural competition (Colt served on the jury of selection and advisory committee) and contract with Public Buildings Administration. Dates- 2/41-10/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek's 25th college reunion and an art exhibition in conjunction with the reunion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Melissa Hayden and Andre Eglevsky. Dance performances at the VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. John G. Hayes, Sr. Subject- Trustee/Museum business, money to the John G. Hayes Endowment Fund, etc. Dates- 11/49-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. J.G. Pollard and W. Rhoads. Subject- John Green Hayes Memorial Fund. Dates- 5/48 - 11/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of appeal from VMFA to Hearst Foundation for financial assistance. Dates- 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Biographical data, press release and his presentation to the AAMD, newspaper clippings. Dates- 4/62 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lecturer for the Latin American Exhibition 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT: tour schedule, HEW grant proposal, \"A Cultural Program in the Dramatic Arts for Virginia High School Students\", newspaper clippings, postcards, reviews, project budget, financial support. Dates- 5/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Travel Itinerary, loans , VMT productions, collectors circle, LOAS (Loan-Own Art Service), search for prospective jurors, letter to Helen Hayes to address VMT, biographical data, gallery plans, invitations to preview Hogarth exhibition. Dates- 9/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for luncheon and agenda. Dates- 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Request for VHS to hold annual meeting. Dates- 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Col. Hodges (Membership Chair). Subject- Trustee/Museum business, Hodges served as the Chairman of the VMFA Membership Committee, etc. Dates- 11/35-3/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA Bulletins: vol.26 no.3 and vol.27 no.6. Hogarth lecture to VMFA, itinerary, biographical data, Wm. Blake exhibition. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for Theatre Director 1957. Contains resume and letters to, from, and about him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, P. Davidson, and P. Rathbone. Subject- Exhibition: \"Treasures of Alexander\", request for loans, list of objects in connection with exhibition, installation design, theft of Nike Earring. Dates- 9/63 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Term as a Trustee and Fellow at VMFA and as a Trustee at Norfolk Museum, Exhibition: Treasures from the Norfolk Museum. Gifts and donations. Dates- 9/61 - 4/3 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Collectors circle, Fellows, Trustee, gifts and donation. His service as a Trustee at the Chrysler Museum. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on state holidays. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Gov. Holton. Subject- Proposal for a Bill to organize a citizens advisory committee to improve furnishings and interpretation of the Gov. Mansion. Statewide Building Code, Administrative Amendments 1/29/73, Sec. 873.5. List of participants and Museum conference notes to determine how Va. Museums can assist one another, Inauguration arrangements committee, rosters: House of Delegates, Senate and legislature. Essay- \"The Holton Years: A Summing Up 1970-1974\". Dates- 9/61 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Reports from the Honors and Awards Committee and the Board of Trustees, 1948-56. Much of this concerns Mr. and Mrs. A.D. Williams, The Katherine Rhoads Fund and the Webster Rhoads Medal, and Arthur and Margaret Glasgow, letter regarding the Mary Samuel Davies Bright Memorial. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Arts and Humanities Commission, Pratt Estate, Cabell Foundation, Ford Foundation: VMT underwriting. Trustee interviews, gifts of appreciated property. Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings, photographs. Dates- 10/8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and J.M. Brown. Subject- Parsons Fashion Show, slides, pamphlets, newspaper clippings. Dates- 8/63 - 7/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Seating arrangement. Dates- 11/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J. Sweeney and Lee Malone. Subject- \"Design In Scandinavia\", Cheek's remarks. General correspondence concerning museum loans and policy. Dates- 4/63 - 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Miss Nora Houston and T.C. Colt, Jr. Subject- biographical information, information about exhibitions she participated in, proposed acquisition of her work, etc. Dates- 4/36-2/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- U.S. House of Representatives, New York State. Correspondence concerning government support of the arts. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copy of his speech given at the Architectural League Symposium 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Term as a Trustee, membership campaign, budget committee, newspaper clippings. Dates- 5/59 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellow, VMT, Exhibitions, Artmobile, long term loan of 18th C. Dec, Arts objects, Hogarth exhibition, contract bid for landscaping, North Wing. FILM: \"THE ART of THE CONSERVATOR\" Dates- 2/64 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Trustee, Fellow, gifts. Remarks concerning Fellows meeting, Draft of Executive Committee Meeting Minutes, 12/8/70. Official application form for AAM accreditation. Art Nouveau Collection, Council lecture and luncheon with draft of suggested remarks delivered by C. Humelsine. Dates- 1969 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Requests for catalogues, loans, exhibition announcement, proposal for an \"International Traveling Exhibition\", technical info on Ivisiglass. Dates- 4/45 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- RSVP's to auditorium inauguration, thank you notes to musicians used for the opening, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Innocenti and Webel (landscape architects) concerning VMFA grounds. Dates- 7/64 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek, T. Colt and Mrs. Pollard. Subject- Requests for publications, general information regarding VMFA collections, exhibitions and museum operations. Dates- 10/35 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General information on exhibition installations.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains one brochure, 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- insurance against air raids and other war damage, correspondence with other museums about war risk insurance. Dates- 6/42 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. and M.B. Christison (Assistant Dir. for Collections and Education). Subject- damage claims to art objects we lent and/or were on loan to the Museum. Dates- 11/49-11/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuels Collection [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Draft of the Constitution and By-Laws of the proposed Virginia History and Museums Federation. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- ICOM statement of mission, travel expense records, membership and financial statements, pamphlets, Minutes of Executive Committee 1/30/60, 5/25/65, Annual Report 1965, newsletter, pamphlets, etc. Dates- 1961 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual Reports, Statutes, guidelines for International Rules of National Committee, Museum Training Programs, Newsletters, Minutes of Annual Meetings, budget, membership, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Mrs. J. Pope (Pres. IEF) Subject- Invitation to become a member, statement of mission, list of officers, IEF Financial Report 12/31/72, Annual Report 12/1/72, NEA award, catalogue listings, list of traveling exhibitions 1966-72. Dates- 1966 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Anne Marie Pope. Subject- Lists of current and planned exhibitions, events schedules, minutes of annual meeting. Dates- 1973 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Article from \"Preservation News\", 1/71 vol., XI, no.1 and Sunday Supplement from New York Times. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, P. Near, Phillip Johnson. Subject- P. Johnson's advise of design of the New Wing and as possible juror for Va. Biennial. Rotunda Club, Jamestown Festival, Robinson House, Hogarth Exhibition, Jr. League activities, and restoration of downtown Richmond. Photocopy of text from letter between Wm. Fitzhugh to Charles Carter 11/30/1796, pamphlets, donations, gifts. Dates- 12/55 - 12/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Letter of appointment to Executive Board. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 350th Anniversary. 1955-57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on the Museum's contributions to the celebration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek to serve on advisory committee and certificate of award for his service, presentation of Pocahontas portrait for permanent display, \"Report From Sub-Committee, Jamestown Commission\", 10/30/57. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photos of the \"Japanese Architecture\" exhibition, printed material for the exhibition, arrangements for bringing the Japanese Charge d'Affaires to VMFA, transcript of remarks made by Mr. Shima (Japanese Charge d'Affaires) at the opening preview, etc. Dates- 4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Itinerary and agenda for East Meadow High School of East Meadow L.I., New York. Dates- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown. P. Near, A.P. Jenkins. Subject- A.P. Jenkins collection, gifts and contributions, loans, Fisher rug collection, B. Barenson, Ash Lawn, Caligula statue, invitations, agendas etc. \"Art Now: New York\" vol.2 #10, University Galleries, 1970 (contains large color plates). Conceptual statement for Cabrillo Marine Museum. Dates- 8/54 - 9/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Jay W. Johns. Subject- Trustee/Museum business, gifts to Museum, information about an Evelyn Byrd portrait by a disputed artist (Kneller or Bridges), etc. Dates- 6/35-9/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- J. Johns service as a Trustee and Fellow, gifts and donations. Dates- 4/50 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- B. Johnson's (Conservator of L.A. County Museum) observations concerning the authenticity of a Veronese painting and his personal collection of pre- Columbian sculpture and Asian ceramics. Dates- 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and T. Catesby Jones. Subject- Jones' collection of modern paintings and sculptures, gifts to the Museum art and books, letter from Jean Lurcat, etc. Dates- 3/41-12/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The loan of Mrs. Catesby's collection of French Modernists to the VMFA and gifts. Dates- 2/50 - 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from l. Cheek, R. Guest (Fellows, Chair) and W. Robertson. Subject- Her appointment as a Trustee and role as chair of the membership committee. Dates- 7/64 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- State Supervisor of Art, 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- purchase requests for photos. Dates- 3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown. Subject- Agenda and letters of confirmation. Dates- 6/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Volunteers at the Museum, 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of confirmation. Dates- 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Letters of recommendation, resumes, prospective jurors, exhibition: \"Ugliness in Virginia\", Robert E. Lee Memorial, Fellows, gifts, donations, pamphlets. Acquisitions: Artists, Duane Hanson and Stephen Posner. Dates- 4/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Karolik collection of American Painting, Artmobile and Collectors Circle. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Maxim Karolik. Subject- proposed lecture for exhibition \"The Karolik Collection\", printed material for exhibition, etc. Dates- 9/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Illumination exhibition for the American Federation of Arts: proposal, budget, exhibition news, advisory committee and Minutes of 1st Meeting 11/23/64. Dates- 1/65 - 2/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek as member of the Council for the Kennedy Center and Board of Trustees, bulletins, progress reports and newsletters and a letter from Jacqueline Kennedy dated 1/14/66. Dates- 2/59 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and H. Willett (Supt. of Rich. City Schools) Subject- Letter to F. Keppel (Asst. Sec. of HEW) concerning a Math and Science Center. Essay- \"Proposal For a Supplementary Mathematics and Science Center\". Dates- 11/65 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters of request and confirmation, menu and tour. Dates- 8/71 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets: \"The Library - Documentation Project spring 70\" , \"The Urgency of Our Mission\" and \"Statement of Purpose Fall 1969\". Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt, L. Cheek and Harry Brooks. Subject- Requests for publications, provenance of Italian Renaissance painting being considered for acquisition, loans, pamphlets and shipping invoices, etc. Dates- 2/46 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, T. Simmons (Knoll) and Florence Shu Knoll. Subject- Interior design and furnishings of the Members Suite, offices, restaurant and Library, Knoll Catalogue 1956, newspaper clippings. Dates- 2/49 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Portrait commission of L. and Mary Tyler Cheek and his exhibition at the Museum of the City of New York. Information about introduction to exhibition catalog. Dates- 1/63 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Parson's School of Design. Design consultant VMFA 1954-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The creation of layouts of loan exhibitions and permanent displays, agendas, job description, newspaper clippings, biographical data, postcard, etc. Dates- 2/58 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mr. Koenig was a guest promotion director at the VMFA 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to contributors of memorial fund. Subject- Memorial established by the Theatre Associates of VMFA, sample of bookplate in his memory. Dates- 4/62 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuel H. Kress Foundation 1958-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about bill and payments with Kuhn. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile project for the Arkansas Arts Center, \"Let's Go, Reflections on the Art of Administrative Leadership\". Dates- 8/62 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chapters/Affiliates, newsletters, Lectour broadcasts, newspaper clippings, invitations, Lawler Memorial Fund, Artmobile. Artists: Pietro Lazzari, Janice S. Lemen, John Gadsby Chapman, photograph. Dates- 5/58 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Publication requests, gifts, contributions, collectors circle, Fellows, suggested bequest wording, Artmobile, loans, exhibition announcements, NEA questionnaire: \"Conservation in Museums- August 1971\", restoration and condition report of \"Battle of Yorktown\", Lami. Artists: Mario Dubsky and Eugene Berman. Gift and donations: \"La Sympathie\", Pettijean. Date- 11/62 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Port Sunlight, Chesire England.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and the VMFA Board of Trustees. Subject- To prevent the construction of the Valentine Museum's Latrobe Theatre. Dates- 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lecture by Cheek to the College Art Association 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to E. Cless (program Consult., U. of Minn.) Subject- U. of Minnesota Institute on Administration and Services in the Small Art Museum, program agenda, travel schedule, list of registrants for the seminar, report on the panel on museum publications, pamphlets, map, etc. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek to G.H. Holmes (Dean of U. of Pa.). Subject- Urban Criticism, experiences in traveling exhibitions on city planning, resolutions and solutions on urban problems. Biographical data on participants of conference, travel expenditures, agenda. Dates- 7/58 - 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Priscilla Crum to Prentiss Taylor. Subject- lecture by Taylor, Wednesday evening programs schedule 1948, proposed schedule 1947-8, etc. Dates- 9/47-1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison. Subject- prospective speakers, films, etc. for programming. Dates- 10/48-12/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- schedules for Wednesday evening and musical programs. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given by L. Cheek, Jury duty lists, consultations, invoices, expense records, agendas, pamphlets, magazine excerpts, Essay- \"The Place Of The Arts In Our American Culture\", by L. Cheek. Dates- 1953 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given by various members of the VMFA staff. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from D. Nicholas. Subject- Procedure and policy concerning VMFA security.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Monthly newsletters on \"Reflections on the Art of Administrative Leadership\", L.H. Kurtz, publisher/editor. Dates- 9/62 - 11/64, 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, P. Near C. Humelsine, F. Brandt and Wm. Gaines. Subject- Art Nouveau Fund: list of purchases, legal document of fund establishment. Artmobile and contemporary Art Purchase Fund. Dates- 5/67 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Possible sources for the purchase and restoration of the Alexander-Withrow House, Lexington, Va. Dates- 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- D. Liebes (color consultant and textile designer) on proposed text for her essay to appear in AIV and her lecture to be given at the VMFA on crafts and the creation of VMFA Craftsperson - residence. Dates- 4/63 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and E. H. Bushbeck (Kress Found.). Subject- Drawings and description of Dr. Reinhardt's gallery in Switzerland. Dates- 2/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and V. Gaskins (asst. to L. Cheek). subject- Planning of VMFA lighting facilities, \"Art Museum Lighting\", 2/59, excerpt from a journal of Electrical construction and Maintenance. Dates- 2/59 - 9/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal of Library-Museum at Lincoln Center. Dates- 2/59 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ralph Linton Collection of African Sculpture. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for loans of furnishings to other state properties. Dates- 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of loans under consideration, loans to ambassador residences in England and Australia. Photographs. Dates- 2/61 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and director of Louvre. Subject- Poussin exhibition at Louvre and VMFA loan of \"Achilles on Skyros\" and Delacroix exhibition, loan of \"Deliverance of Princess Olga\". Dates- 10/59 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lighting Technician, VMFA, 1953-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and C.B. Lusk. Subject- Lighting instruments and technical drawings. Essays- \"Lusklite as developed and used at the VMFA\" and  \"The Installation and Lighting of Exhibitions at VMFA\" Dates- 8/56 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.R. Duncan and Gordon Huff. Subject- Expansion of Lynchburg Arts Center to become an affiliate, loans for opening gala, suggested text for print media, schedule of events, Artmobile, Lynchburg Arts Center Executive officers. Introductions for L. Cheek and W. Robertson, travel itinerary. VMFA lecture series: Building For The Arts 1965-66, pamphlets. Dates- 5/62 - 7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for \"The National Arts Center of New York University at Washington Square\", Exhibition: \"Tastemakers\", based on R. Lynes Book. Official guest list for opening reception. Dates- 10/54 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, L. Cheek, P. Near and F. Haseltine. Subject- Membership, gifts, personnel references, loans, Jamestown Foundation, proposal for commission of sculpture in F\u0026M Plaza. Acquisitions and gifts: Egyptian cups, Coptic sculpture, Bertoia drawing. Dates- 4/61 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Macbeth Galleries. Subject- loans for inaugural exhibition and general correspondence about proposed acquisitions from Macbeth galleries. Dates- 9/35-7/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Orders and correspondence for back issues of Bulletins and magazines, 1946-47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Alessandro Magnasco, Painting 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing and sign schedules, roster of names and institutions. Dates- 1960 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing and events schedules. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near, D. Isley (Norton Simon Collection). Subject- Press releases, shipping, installation, purchase invoice, info regarding owners of the other castings. Photographs and slides. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Paul Manship. Subject- designing the John Barton Payne medal. Dates- 9/36-10/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Robertson. Subject- His Service as a Trustee, Fellow, and chair of Trustee Budget Committee. Biographical info, Artmobile, 25th Anniversary of VMFA, museum business, financial statements, Education In The Arts. Dates- 12/56 - 5/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Long Island Historical Society. Subject- Provenance, purchase through Glasglow Fund. Dates- 12/55 - 1/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resume, photo, agenda, NEA grant request. Dates- 4/65 - 5/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- M. Baldwin Choir Program, Alumnae issue Bulletin concerning visit of Pres. Eisenhower. Invitations, Fine Arts Center, Woodrow Wilson Project. Dates- 2/56 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Julien Binford. Subject- Mary Washington Arts Center, invitations, VMT, loans of art works, newspaper clippings. Dates- 11/49 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gifts to VMFA. Dates- 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. William R. Massie. Subject- Trustee/Museum business, etc. Dates- 12/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture: John Goldsmith Phillips, biographical data, press release and catalog list. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturers: V. Isabelle Miller and Mrs. Yves Henry Buhler. Press release, publicity schedule and photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- floor plan, instructions for installation for exhibition \"Masterpieces of Chinese Art\", printed material for exhibition, thank you notes to lenders to the exhibition, etc. Dates-11/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for the Theatre Director Position. Contains resume and applications, letters of recommendation etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Director of Public Relations for 20th Century Fox. Speaker at the Museum 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Public Information Division VMFA. 1955-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Director of Vassar College Art Gallery, requests for publications, lecture. Term as curatorial research asst. at VMFA. Dates- 9/53 - 6/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dedication of new Library, loans, invitations, VMT, Farewell gift to Mr. and Mrs. Cheeks with poem. Gifts, contributions, G. Melchers memorial. Dates- 2/60 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- General membership information, loans, press release, invoices, newspaper clippings, etc. Art Nouveau Collection. Letter to L. Marden (residence designed by Frank Lloyd Wright). List of Artists editions: prints and objects from Multiples Inc., NYC, price list and description. Artist: Phillip Lindsay, signature. Acquisitions: Monet, van der Helst and Rodin. Dates- 12/69 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and French and Co., Inc. Subject- pieces sold to and installed in the Museum, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal to establish an Institute of Mediterranean Culture at U. of R. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Carroll L.V. Meeks. Subject- thank you notes for visit to New England personal friendly letters, etc. Dates- 4/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, Mrs. Pennell (Membership Secretary) and Mrs. Gari Melchers. Subject- VMFA members in Fredericksburg, postcards, gift to Museum , etc. Dates- 12/35-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Her service on the Executive Committee, Melchers Estate, budget, gift status of \"Dead Jockey\", E. Degas. Contributions, gifts, newspaper clippings, biographical data. Dates- 4/56 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt (Dayton Art Inst.) and Dr. Higgins (Chair of VMFA Board), J.M. Brown. Subject- \"Disposition of Mr. Gari Melcher's Estate Excerpted from Virginia Museum Minutes Books, No.4,5and6\" , prepared by A.W. Statnaker, Asst. Administrator 7/17/74. Resolution, re: \"Belmont As An Art Center And Museum\" and \"Opening Of The Belmont Facility To The Public\" , Executive committee Minutes. Dates- 5/74 - 11/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Melchers estate/bequest to the Museum, agenda and minutes of Gari Melchers Memorial Committee 5/56-10/56, report and proposals of that committee. Dates-5/56-10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- appointments to committee, general operation of Estate, suggested budget, list of Melcher paintings owned by VMFA, loans of art works, drawings/blueprints: G. Melchers Studio air conditioning system and proposed plaque for ashes of Mr. and Mrs. Melcher. \"Belmont Agency Agreement\", Bill to transfer Melchers Memorial from VMFA to Mary Washington college. Dates- 4/56 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- First Chairman of Fellows: 1st Annual Meeting and statement of purpose. Exhibitions: English Painting, French Portraits, Sport and Horse, Artmobile. Old Dominion Foundation and his membership on the Executive Committee, gifts, donations and contributions. Dates- 2/38 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His membership on the Board of Trustees, Fellows, Collectors Circle. Biographical info, loans of art works from his personal collection, donations and gifts to VMFA and the National Gallery, Artmobile, as a recipient of the Benjamin Franklin Award: statement of purpose, nomination form, list of contributions, newspaper clippings, photocopies of magazine articles, invitations , etc. Dates- 1965 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Robertson. Subject- Collectors Circle, Fellows, term as VMFA Vice President. Press releases, newspaper clippings, contributions and gifts. Dates- 4/60 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Members lecture series. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Higgins, Jr. (Pres.) and C. Humelsine (Pres.) Subject- Draft of letter to membership regarding schedule of events etc. Dates- 9/71 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program where paintings from contemporary Virginia artists would be loaned (rented) to members to have in their homes. Members could also purchase the paintings. \"Designed to bring the work of Virginia artists into the homes of Virginia citizens.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Wm. Higgins. Subject- Monthly membership report summary, Chapters/Affiliates reciprocal membership program, letters of general correspondence to the membership. Dates- 4/70 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of the Membership Committee 1/48, 2/49 and a letter supporting the proposed theatre wing from Mrs. Wm. Trigg, Jr.(Civic Theatre Committee, Div. of Recreation, City of Richmond). Dates- 9/47-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Membership report, promotion, agenda, roster of committee members, minutes of committee meeting. Dates-8/72 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes of membership committee, elements of campaign to attract new members and move members to higher categories. Dates- 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Guided tours for prospective members, agendas, schedules, newspaper clippings, excerpt from Minutes of Executive Committee 12/14/72. Dates- 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Webster Rhoads (Pres. of Museum Board) and R.A.Velz (Administrator). Subject- list of new museum members, request form for membership, Membership Reports 1954-5 and 1955-6, list of membership privileges, etc. Dates- 11/55-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. W.A. Nones (Chair, Trustees), J.M. Brown and C. Humelsine. Subject- General membership information, schedule of events, calendar, pamphlets, etc. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership rosters of local organizations, copies of a cover letter soliciting members, etc. Dates- 1/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey results, years of membership, exhibit preference, age, attendance, annual contribution. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- planning stages for corporate memberships, proposed fees, privileges, etc., counsel from other US art museums, list of corporations to be approached about the idea, etc. Dates- 1946- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Corporate membership drives, presentation to J.C.'s, excerpt from Newsweek. Dates- 6/60 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Members art studio classes and lecture series. Dates- 6/54 - 9/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 6/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 9/54-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Velz. Subject- memos regarding segregation and other policies at the Museum. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek and R. Velz. Subject- Miscellaneous information concerning collections in general: treatment/condition reports, insurance, loans, installations, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Miscellaneous museum operation: Artmobile, Art Lending Service, Virginia Artists, lists of objects on loan, exhibitions, damage reports of objects and gallery inspections, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- inter-office memorandums on various subjects. Dates- 12/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek and H. Glasser. Subject- Exhibitions, Pratt Collection, gallery inspections and all manner of museum operations and programs. List of lost objects on loan to the Bon Air School for Girls. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Inter-office memos concerning insurance valuations, loans, lectures, library, exhibitions and policy on filing acquisitions data and damage reports. Date- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets published by the state Department of Mental Hygiene and Hospitals and the Mental Hygiene Society of Virginia. Dates- 1951-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and various staff at the Metropolitan Museum. Subject- museum practices, long-term loans of Egyptian art and artifacts, securing speakers, etc. Dates- 1/55-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J. Rorimer (Dir., MET) and A. Priest (Curator, MET). Subject- Damage to MET's \"Bacchus\", objects to purchase, loan requests. Acquistions and gifts: Tibetan Scroll; Coat of Japanese Mail. Dates- 11/69 - and/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Michael Jacobs Gallery. Subject- loan of painting (George Washington by Gilbert Stuart) for inaugural exhibition. Dates- 6/35-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Midwestern book competition for which Cheek served as a juror, competition judged in Richmond, lists of criteria and books, printed material for the competition, etc. Dates- 4/56-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Jo Mielziner. Subject- friendly letters, mention of possible Mielziner exhibition, etc. Dates- 12/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, list of stage designs available for purchase, his lecture to VMFA, schedules and agenda's, etc. Dates- 10/54 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Miller and Rhoads department store staff. Subject- showing VA artist work in store windows, borrowing supplies from the display department for the Museum (folding chairs, textiles), etc. Dates- 2/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W.S. Rhoads. Subject- Nomination of Miller and Rhoads, Inc. for Esquire magazines 1st annual \"Business in the Arts\" award. Support of Artmobile II. Exhibition: \"Masterpieces in Millinery\", spring 1958. Preliminary outline of fashion costume requirements for VMT \"Lady In The Dark\". Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Speaker: Philip Adams. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. John M. Miller, Jr. Subject- Trustee/Museum business, Miller served as a member of the Membership Committee, etc. Dates- 6/35-7/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mr. J.G. Pollard, Jr. Subject- asking Mr. Milliken (Director of The Cleveland Museum of Art) for counseling on acquisitions, draft of an agreement where Milliken counsels the Museum staff about proposed acquisitions, etc. Dates- 3/58-3/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from B. Mills in his role as Asst. Administrator of Personnel. Subject- Records, applications, payroll, medical insurance, announcements of new employees and terminations. Dates- 9/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and L. Cheek, Jr. and The Mint Museum staff. Subject- museum practices, loans, etc. Dates- 8/46-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- obtaining the motion picture for which the drawings in the exhibition \"Gil Wilson 'Moby Dick'\" were made. Dates- 12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- printed material for exhibition \"Modern German Art\", invitation to Mr.and Mrs. Alfred P. Jenkins for dinner and exhibition preview, (Mr.and Mrs. Jenkins owned the modern German art collection shown). Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Creation of James Monroe Bicentennial Commission. Dates- 8/57 - 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown between MAC. subject- Section 21-2 of the Richmond City Code: designation of Monument Avenue as an Historic District.  Minutes of meeting of MAC, 4/24/71 and 5/19/71.  Program Planning Task Force, editorial broadcast, roster of members, Articles of Incorporation, By-Laws, agendas, proposals and pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and Mr. Charles Moore. Subject- Moore's application for the Director/Producer position in the Virginia Museum Theatre. Dates- 12/56-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data and his lecture tour to the VMFA. Dates- 4/53 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Georgia Watson Morgan. Dates- 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Search for candidates for public information supervisor, job requirements, resume, publicity agendas, public information schedules, Bulletin vol.20, no.3. Dates- 6/59 - 7/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Mulholland (magician), biographical data/pamphlet, his magic presentation to the Fellows and VMT. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, his address to VMFA membership concerning architectural history. Dates- 10/55 - 8/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Munn Last Will and Testament with list of objects bequeathed to VMFA. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and T. Colt. Subject- Mural competition for Virginia State Library entrance hall: selection process, general assembly commission of monument to Stonewall Jackson. Dates- 4/46 - 6/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Envelopes of photos and negatives of Pre-Columbian art objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Gallery attendance and educational groups. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Oct. Bulletin 1954, copies of the following Members' Bulletins-vol.15, no.2 (10/54) and vol.13, no.3 (11/52). Dates-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison. Subject- working papers for Members' Bulletin Oct. 1955, VMFA calendar 10/55, etc. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Oct. Bulletin 1955. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Design of annual Christmas cards by Virginia Artists: John Ballator, Charles Smith, John Canaday, Allan Jones, Ross Abrams, Julien Binford and Prentiss Taylor. Dates- 11/48 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns transportation for the Museum lecturers and guests 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Christison and Mrs. Pollard. Subject- Inquiries from other institutions regarding museum operations, budget, services, corporate membership, Trustees, etc. Lists of purchases, Fellowship recipients. Dates- 1937 - 53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Arrival of Hollins and VCU students to work on specific projects for one month. Dates- 12/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Proposal and tentative plans, prospective filmmakers. Minutes of Executive Committee of Southern Educational Film Production Service. \"Motion Picture Production\": Study by H. Jeff Forbes and Associates regarding promotion of VMFA. Dates- 11/46 - 2/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memos about various museum topics. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, V. D'Amico (Dir. MOMA), M. d' Haroncourt. Subject- Art education standards, exhibitions, loans, lectures, museum policy, juror search and Jamestown Commission. Dates- 11/55 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Head of Administrative Division), Mrs. J.G. Pollard and L. Cheek, Jr. Subject- suggested future organization of the institution, operating procedures throughout the building, etc. Dates-2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding the division of expenses between the theatre and the museum, 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Promotional literature on the VMFA. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Material deals with segregation policies at museum events. 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence pertaining to printing. Bulletin mock-ups and copies of the following bulletins: Vol.6, No.4,  Vol.7, No.'s 2and7. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and magazine articles. Photographs, press releases etc. 1955-57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed budget groupings for VMFA, according to departmental divisions and table of organization. Dates- 1948 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events, timetables, agendas, Robinson House, housekeeping, security, VMT. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of events, exhibitions, Robinson House. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Schedule of events, mailing schedules, spring agenda, Confederation Conference, Robinson House, VMT, gallery closings, Discovery Cruise: Land of Maya. Date- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Suggested talk by Pres. of Museum to guests at Safari Dinner in Medieval Hall. Dates- 1/22/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Travel package for travel to Asia, brochures, cultural travel tours. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Policy regarding loans of art works to other Museums, employment search, provenance of art objects, pamphlets, newspaper clippings, etc. Resolution: To order immediate safe return of German master works after Nazi occupation, signed by U.S. museum directors. Dates- 4/46 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Applicant search for various positions, invitations, announcements, exhibitions, etc. Press kit for the Milwaukee Art Center. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- General correspondence on exhibitions, loan requests, museum business, job placement, magazine and newspaper clippings. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions, loans, policy. Dates- 12/60 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of music series and members of committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- schedule of program of recorded music, announcement of 6th artist evening 1/46, Museum Bulletin Vol.5, No.2, etc. Dates- 2/46-5/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Jerome Myers. Subject- acquisition of his painting: Street Scene, N.Y., his acceptance to the National Exhibition of American Art, N.Y., etc. Dates- 4/36-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- General correspondence to Trustees and membership, letters to Robert Neutra, exhibitions: Henry Moore, Sport and Horse. Agendas, travel itinerary, events and invitations. \"Encouragement of the Nations Arts\", an appeal to congress, and \"Proposed Federal Advisory Council on the Arts\", Hon. H. Alexander Smith, U.S. Government Printing office, Washington D.C., 3/26/57. Requests for employment, postcards, pamphlets and photographs. Artists: Jean Nikolic. Accessions and Gifts: \"Disasters of War\", Goya; \"Lore Fuller\", Raoul Francois Lanke; \"Dancing Girl With Tambourine\", A. Leonard; \"La Revre Blanche\", Toulouse Lautrec; Revere and John Andrew spoons and vase possibly made by Johannes Loetz Witwe. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Namuth's exhibit of photographs at the Brussels World's Fair, as a juror VMFA. List of Seventeen painters photographed by Namuth: Wm. Baziotes, J. Boynton, L. Calgagno, N. Carone, R. Diebenkorn, J. Ernst, S. Gechtoff, G. Hartigan, E. Kelly, W. Kienbusch, G. Mueller, K. Morris, B. Perlin, C. Marca-Relli, R. Motherwell, A. Reinhardt, L. Siegriest, with original notes by Namuth. Letter from J. Ernst with signature. Date 4/61 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statement of purpose and future of NCA, Board of Directors, Members of Council, fellowships, program grant application. Essay- \"National Endowment For The Arts Before The House Appropriations Subcommittee On The Interior And Related Agencies Tuesday, March 14,1972\", statement by Nancy Hanks (Chair): \"New Dimensions For The Arts: 1971-1972\" Dates- 1970-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L Cheek. Subject- Bill: S. 2379, To provide for the establishment of National Council on the Arts and National Arts Foundation. \"Congressional Record: Proceedings and Debates of the 88th Congress\" Dates- 2/64 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Public-Law 85-874, S. 3335: charted by the 85th Congress to establish a bureau in the Smithsonian Institution devoted to the Performing Arts. \"Peaceful Use Of Creative Energy\": transcript of lecture given by Col. Corrin Strong at the Tri State Arts Conference 4/29/61; Report: \"The National Cultural Center Part Two: What Goes into the Center\" by Dr. Carelton Sprague Smith, 10/60. Minutes for the NCC Executive Board: 5/23/60 and 6/29/60 Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. cheek. Subject- VMFA Council sponsorship of a closed circuit telecast by NCC: \"An American Pageant Of The Arts\". Suggested text of publicity folder, invitations, Newsletter: \"Footlight\", vol.1 no.3.; \"For A Cultural Capital\", Eleanor Roosevelt, 1962, United Feature Syndicate, Inc. NCC, later to be named the \"Kennedy Center For Performing Arts\". Dates- 7/62 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exchange of ideas and experience with other institutions who use audiovisual tool to communicate with museum visitors. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of appeal to serve on Virginia NEFTA committee, roster of members. VMFA appointed as the state agency for the administration of Federal matching funds; to aid in expanding the cultural horizons of a states and territories. \"Guidelines\" 1/67, NEA, Washington D.C.; \"National Foundation On The Arts And The Humanities, Question and Answers\", U.S. Government, Washington D.C., 1965. Dates- 1965 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey of membership, officers of VMFA, according to race, gender, age, position and time served. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz. Subject- Grant proposals, application, letters of support, proposal for a Regional Conservation Center, Soldiers Home, American Marine Painting, NEA statement of purpose, Museums A.S.A. Study, Museum Program guidelines, Smithsonian Puppet Theatre, Young Peoples Theatre Safari, \"American Painting 1974\" and newsletter from the Arts Reporting Service. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Financial assistance to Chamber Music Societies, season brochures, project grant application form for Va. Chamber Music Society. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Grants received by Arts/Cultural organizations in Virginia: guidelines, program committee members, agendas and minutes from the program sub- committee 3/7/68. NEFTA project recommendations for a regional conservation center. Dates- 6/76 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT survey, McLean Arts Center, guidelines for program grants. Senate Joint Resolution No. 67: to create a Virginia development study commission, bill 1483: National Foundation on the Arts and Humanities Act of 1965 and a report with guidelines for VMFA as the sole administrator of NEFTA matching grants. Study for Virginia Artist and Craftsman in regard to education and support. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Grant applications from Virginia Dance Society, VMFA, Confederation of Virginia Art Organizations and Budget proposals. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- State guidelines and general information, terms and conditions, NEA matching grant to begin statewide professional operation of VMT. Addresses of applicants for state grants, roster of Virginia NEFTA committee members. Dates- 2/66 - 6/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Regarding J.M. Brown's service on committee to evaluate grant applications. Valentine Museum NEA application, pamphlets. Date- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for exhibition \"Designer-Craftsmen 1953\" presented in conjunction with the American Craftsmen's Educational Council, Inc., (ACEC), letters to jurors, etc. Dates- 9/52-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and National Gallery of Art. Subject- preview invitations, exchange publications, excerpts from Roosevelt Art Address (from dedication of National Gallery 3/41), loan request for VMFA inaugural exhibition, etc. Dates- 3/41-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets and information about \"National Park and Recreation Week\" sponsored in Richmond 5/21-5/30, 1949. Dates- 4/49-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Geographical directory, \"Historic Preservation\" journal, vol.11, no.3, 1959 and Melchers Memorial. Dates- 1959 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Organization membership information form, questionnaire. NTHP certificate of associate membership 1971-73, employment placement and service pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Travel itineraries, objects for prospective traveling exhibitions, list of slides, forgeries and thefts. Accession and acquisition proposals. Dates- 1/61 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Conservation of objects/paintings, loans. Accessions committee meeting agenda, 10/69. Report on Authenticity of \"Marble Head of a Horse\", Heermaneck Ancient Iranian Collection. Exhibitors: The child and his World. Condition reports and repair estimates for tapestries. Photographs Dates- 12/69 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Sydney Lewis and Peter Mooz. Subject- Authenticity of Cycladic Harpist and 18th century American secretary. Provenances of various objects, conservation and treatment reports. Catalog: \"Arshille Gorky\" Dates- 1/74 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Sydney and Frances Lewis and Peter Mooz. Subject- Conservation/treatment reports, Artnian Collection of self-portraits. Conservation/treatment reports, Kent Independence Portfolio. List of Art Nouveau objects, damage reports, African Collection. Report of authenticity regarding the Cycladic \"Harpist\". Letter from Arnaldo Pomodoro regarding a base for \"Rotating Sphere\". Dates- 5/75 - 8/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Hours of operation, VMFA and other museums, attendance records, VMT, security, UNESCO newsletters 4/58 - 8/59, newspapers and magazine clippings, press releases. Dates- 7/59 - 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cheek's annual N.Y. cocktail party: guest lists, arrangements, rosters of speakers to VMFA: 1951-52 and 1952-53. Dates- 1952 - 54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newsletter to Trustees concerning exhibitions and appointments to Executive Board, accessions, building, etc. Dates- 11/70 - 8/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Morrison (P.R. VMFA), F. Palmer (P.R. consultant), D. McCammond (P.R. Reynolds Metals). Subject- Public Relations of E. Newsom and Co. to conduct a study to determine the needs and potential of VMFA. Program organization, community relations, film, book press material, schedules of events, etc. Dates- 8/58 - 9/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- A survey targeting the needs, current and future of VMFA, with solutions/resolutions for every aspect of the museums' operation. Dates- 11/58 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. A. I. duPont and F. Palmer. Subject- Roster of members of Board of Trustees, letter of appeal for pledges, principal elements of Newsom Program. Dates- 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. A.I. duPont (chair, Ann. fund). Subject- Strategy to raise funds through the Trustees to finance the Newsom Public Relation Firm program for VMFA. Drafts of letters to Trustees, progress report, minutes of 25th Anniversary Committee, 9/8/59. Dates- 12/58 - 7/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- all manner of museum operation: security, policy and procedure, personnel policy. operating budget and VMT. Diagrams of electronic console panel. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Museum business, construction and installation project schedules, budget, Equal Opportunity regulations, design contract for the Council shop, salary scales. Dates- 10/73 - 1/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum business, Conservation Lab, Fine Arts insurance coverage, budgets, Cabell Foundation gift. \"Report on the Freedom of Information Act\". Depreciation of \"Death of Regulus\", Salvatore Rosa. Dates- 12/74 - 7/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum business and operations, budget, contractual agreement between VMFA and Harwicke Associates, Inc. for North Wing project. \"Organization of the Virginia State Government\". Dates- 10/75 - 11/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- UVA architect and his membership in the Collectors Circle. Dates- 1/63 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General assistant to VMT, employment recommendation. Dates- 6/55 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Possible acquisitions from his gallery. Dates- 10/62 - 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L Cheek and J.M. Brown. Subject- Loans, exhibitions, VMT, Rotunda Club, Fellows. Accessions and gifts: \"Metamorphosis\", Grillo. Dates- 4/57 - 6/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- correspondence with individuals, institutions and companies beginning with the letter \"O\". Dates- 4/43-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, photo and job description/responsibilities as program director for \"Art Column\". Dates- 3/61 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- As a scenic design consultant, his lecture to VMT in connection with the Exhibition: \"Design For The Theatre\". College Drama Festival, biographical data. Dates- 1/60 - 2/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Mellon, E. Brooks Jr., and M. Bush. Subject- Financial support: Artmobile II, building grant and museum survey to expand visitors use to VMFA. Photographs, newspaper clippings. \"A Study in Modern Giving: The Old Dominion Foundation\", reprinted from articles in Richmond News Leader. \"Bollenger Series\", catalogue of special edition books. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Bush (Asst. to Pres. of ODF) and P. Mellon (Pres. of ODF). Subject- Financial assistance to VMFA, Artmobile II, collectors circle, and Old Dominion Foundation statement of purpose. Dates- 9/58 11/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Dan Olney. Subject- receiving a Senior Fellowship 1941/2, outline for a lecture, etc. Dates- 10/40-6/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Governor Thomas B. Stanley. Subject- opening of the new wing. Dates- 8/54-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- opening and reception for Governor Stanley. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitations and replies to the opening of the Members' Suite, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opera Society's first season. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- miscellaneous printed materials for the Museum, etc. Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- tickets to the Museum for State Lions' Club convention, etc. Dates- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- ideas/proposals for \"Members' Room\", suggested operating procedures, menus, pricing, etc., cost estimates, \"Refreshment Room Statement\" 1955, etc. Dates- 1/55-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre operations proposals, list of staff, their duties and salaries, etc. Dates- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- lists of statewide business, civic, commercial and other organizations, invitation list for General Assembly/Governor's reception, etc. Dates- 1953-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Orloff's (Chief-interpreter of U.N.) lecture to VMFA concerning the Faberge Collection, Biographical data. Dates- 11/49 - 4/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of inquiry to firms specializing in plaster and wood ornament, catalogs. Dates- 5/54 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- museum practices especially concerning finances of other US art museums, etc. Dates- 4/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Near and J.M. Brown. Subject- Artmobile, VMT, Collector's Circle, Fellows, Chapters/Affiliates, biographical data, campaign to restore the Jefferson Hotel, list of exhibitions from 1942 - 45.  International Exhibition Foundation, the appointment of John A. Pope (Director of Freer Gallery) as advisor/consultant to VMFA for expansion of Far Eastern Collections.  Acquisitions and gifts. Artists: Nell Blaine, Howard Kanovitz, Otto Piene. Gifts: Masson lithograph, Irving Penn photo and 15 Russian 19th century paintings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Painter's lecture on \"Armor and Medieval Man\" to compliment the \"Arms and Armor\" exhibition, biographical data. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Nelson Parker. Subject- announcement of Board meetings, etc., Date- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Appeal to Virginia Senate and legislature regarding sufficient museum parking utilizing land belonging to the UDC (United Daughters of the Confederacy). Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gift of Egyptian Gallery and English Decorative Arts Gallery. VMT, and her membership as a Fellow and in collector's circle. Dates- 4/61 - 10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. J.G. Pollard and Executive Committee of the Board. Subject- proposal and planning stages of conferring an honorary degree of \"Patron of the Arts\". Dates- 6/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject-housing J.B. Payne books in library of the College of William and Mary in exchange for paintings from their collection of art for display at the Museum. Dates- 1/50-4/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek's service on the Board of Trustees and on the Advisory Board of the School of the Arts. Minutes of U. of P. Executive Board, 4/8/60, 4/29/63, 4/26/65 and Annual Report of Graduate School of Fine Arts, 3/64, 5/65. Dates- 10/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek as chair of Fine Arts Committee. Subject- Letter to P. Coombs on his appointment as Assistant Secretary of State for Educational and Cultural affairs, UNESCO newsletter, Nubian archeological sites. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and A. Frankfurter (editor, Art News). Subject- VMFA general collection, list of gifts and purchases, 1955-67, scope of exhibitions, dates, publications, colorplates. List of VMFA Board of Trustees, 1962, Gobelin Tapestries. Dates- 1953 -64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Articles based on exhibitions and general collection of VMFA, VMT, invoices, newspaper clippings, pamphlets, reviews, newsletters. NEA museum programs, research education grants. Dates- 1967 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Articles of VMFA: \"A Spring View of Virginia Museum\", 10/56, Wm. Lacey, Editor; \"Art isn't Caviar at this Museum\", Sidney Shalett, 7/57, The Diplomat. Dates- 10/56 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Articles and editorials pertaining to VMFA: Newsweek, Time, Art Gallery, Antiques, Museum News , etc. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Harper's Bazaar, New York Magazine, Apollo, reviews. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Editors V. Dabney (RTD) and J. Kilpatrik (RNL). Subject- Artmobile, reviews of VMT and media coverage by print journalists, newspaper clippings. Essay- \"The Arts In The Sixties\", by L. Cheek. Dates- 11/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and F. Stewart and C. Jones. Subject- Exhibitions: \"Form Givers\", Sport and Horse\" and Mellon Collection. Dates- 2/60 - 12/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information on candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Job descriptions. Dates- 1953 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, P. Near and L. Cheek. Subject- Fellowships: list of recipients from 1940 - 1955. Prospective employees and VMT. Dates- 12/54 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- personnel rules and procedures of VMFA and the Commonwealth of VA, mandates from the Governor's office, additional personnel and pay increase requests, Roster Cards (listings of all employees and pay rates), etc. Dates- 8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., and R.A.Velz (Administrator). Subject- listing of division duties, proposed salary ranges, information about hiring an artmobile driver-curator, etc. Dates- 2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of L. Cheek, Mrs. J.G. Pollard, theatre staff, Ariel Ballif, Vincent Bowditch, Arthur Ballet, R. Velz and P. Near. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Personnel matters. Dates- 4/66 - 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains general information about the system and ratings for museum employees. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about the candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about various candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Governor's personnel survey staff. Subject- employment questionnaire, job descriptions (buildings and grounds staff, watchman, registrar, secretary, etc.), etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Governor's personnel survey staff. Subject- employment questionnaire, VMFA tentative classification of positions (3/37). Dates- 10/36-4/37.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Fiske Kimball (Director of Penn. Museum of Art). Subject- loans for VMFA inaugural exhibition, exchange publications, counsel on museum practices, etc. Dates- 5/35-5/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R.L. Dickinson (Hanover Bank). Subject- The Library of Philanthropic Information at the Hanover Bank, New York City. Dates- 11/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- E. Turpin Phillips, a Virginia citizen and his request to see proposal plans for expanded museum parking onto UDC property. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Consultant for VMFA acquisitions. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Duncan Phillips (Director, Phillips Memorial Gallery). Subject- request for loans to VMFA inaugural exhibition, etc. Dates- 9/35-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Installation of VMFA photography department, list of equipment and supplies, employment of staff photographer: Gordon Burns. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of entries to the \"19th Photographic Salon\" exhibition, schedule for jurors, etc. Dates- 3/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) and L. Cheek, Jr. Subject- purchase requests for photographs. Dates- 10/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Ivan Dimitri as Director of Photography in the Fine Arts at the Brussels World's Fair, his service on the advisory committee, list of photographs given to VMFA from the PFA exhibition. Directors of America's Finest Museums: portraits, credo of on art and their personal selection of photographs from the PFA archives was the subject of the World's Fair exhibition. Etching by Levon West (Ivan Dimitri). Dates- 12/59 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Atillio Piccirilli. Subject- biographical information, loans of work to the Museum, etc. Dates- 7/35-1/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- viewing the feature film 'Pictura \"An Adventure in Art\"', invitations, contributions, listing of attendance, etc. Dates- 2/52-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Herman Starr (Pres. Pictura Corp). Subject- A group of films devoted to the fine arts. Presentation of \"Leonardo da Vinci\" at Richmond's Lee Art Theatre and film on Goya to accompany exhibition. Dates- 1/51 - 3/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Gallery dinner, menu, agenda, program for event. Dates- 8/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- policies on use of meeting rooms and studios, special food service, interpretative services, scheduling programs, etc. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence to and from him when he was President of the Board of Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- the VMFA inaugural exhibition, Museum events, finances, Museum Board business and bequests/gifts to the Museum, etc. Dates- 1/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- Museum operations, investments, finances and gifts to the Museum, etc. Dates- 1/37-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as President, Trustee and membership in the Collector's Circle. Biographical data, museum business: operating fund, Artmobile, Newsom Report, 25th Anniversary fund, Melchers Estate transfer, gifts, contributions, Fellowship Fund. Exhibitions: Sport and Horse. Dates- 9/53 - 2/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as a Trustee, VMFA Resident Craftsman Program. Dates- 2/64 - 2/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Design of members Bulletin, records retirement, museum business. Dates- 1949, 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum business, Pratt installation, museum courses and equipment. Dates- 9/54 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Gift of \"Rotating Sphere\" from Lloyd Noland. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- As founder and director of the Barter Theatre, proposed plans for Theatre Virginia and NEA funding. Dates- 4/67 - 5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and Mr. David Payne. Subject- correspondence with Payne about arranging the exhibition \"Portraits by David Payne\", biographical information, letter from Phillip Johnson, etc. Dates- 5/51-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, L. Cheek, Priscilla Crum (Curator, Asst. in Education). Subject- Gallery representing portrait artists, biographical data on various artists and portrait of Senator Byrd. Photographs. Dates- 6/45 - 11/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statewide tribute to John Powell (a native of Virginia) and the presentation of his \"Symphony in A\". Date- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Correspondence with Pratt as a trustee. Discuss first Easter egg exhibition in 1949 and Hammer visit. Letter from Schaffer (A La Vieille Russie) in 1949 about lending some pieces for an exhibition. Includes a few letters from Mrs. Pratt before she died, about a Faberge table donation in 1942 and donating \"Twice Seven\" to the Library. Establishment of the Fellowship fund, including letter from Twombly as early recipient. Pratt Collection: insurance estimates and installation. Gift of funds to purchase the first Artmobile from Pratt and Miller and Rhoads. Dates- 7/40 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, Fellowship committee, underwriting of Faberge booklet, terra-cotta statue of \"Diana\" from the Pratt Estate given to VMFA, newspaper clippings. \"A Plan For Fellowships For Virginia Artists\" as suggested by Mr. John Lee Pratt. Minutes from Fellowship Committee meeting, 6/12/42. Dates- 12/49 - 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. John Lee Pratt. Subject- Trustee/Museum business, VMFA fellowship updates, etc. Dates- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown. Subject- Biographical data, fellowship recipients: Cynthia Morehead Smith, Paul Steuke, June Chapman, Fred Bonds, Richard Kevorkian and Reginia Perry. Pratt Collection: catalogue, except from forward by L. Cheek, questionnaire regarding Mrs. Pratt's initial contact/purchase sources for Russian Jewels, list of objects bequeathed by Pratt Estate. Dates- 1/57 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposals and cost estimates for Healy's Sitters exhibition and Pratt collection catalogues. Dates- 4/50-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek, Armand Hammer (Hammer Gallery) and Alexander Schaffer (La Vielle Russie Gallery). Subject- Legal claim against the Romanoff Family assets via the Pratt Collection of Russian Jewels. Possible lawsuit by A.G. Sharkey, President and Trustee of Marine Transport Service Corporation in NY who had judgment against Czar Nicholas Romanoff since 1918. Hammer and Schaffer dismissed it. Details of Pratt bequest, provenance of objects, announcement of bequest with sample of text to be used in pamphlet. Excerpt from \"Twice Seven\", by H. C. Bainbridge, E. P. Dutton and Co. Inc., 1934 (reference to Faberge Jewels owned by Armand Hammer). Dates- 8/47 - 10/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. J. G. Pollard. Subject- Installation, list of items on exhibition, security and transportation. List of objects in the collection of Mrs. Joseph E. Davies and pamphlets. Correspondence regarding various showings around the state - Roanoke in 1950 and Norfolk in 1951. Dates- 1/49 - 4/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from C. Humelsine. Subject- General correspondence to the VMFA membership, calendar of events, museum news. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to the media from the Museum. Subject- news releases about Museum events. Dates- 10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News releases about Museum events. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- positions and duties for volunteers and guards during an undisclosed preview. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Gov. Price. Subject-proposed salary increases, Board meeting announcements, nomination of Colt to select work to go to the Annual Exhibition of American Art 1938. Dates- 1/38-11/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- On the occasion of his being collector of the Year 1964, his cookbook including photographs of VMFA and the menu from the Collectors Gala, newspaper clippings. Gifts: Lachaise drawing. Dates- 6/63 - 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Grigaut and P. Near. Subject- A. Priest as Metropolitan Curator of Far Eastern Art, his service as a consultant to VMFA (1963-69) in the formation of the Asian collections. Correspondence on examination and provenance of works in the VMFA. Minutes of Executive Committee, 9/9/63, 12/8/64, minutes of Accessions Committee Meeting, 9/9/63. \"A Buddhist Paradise\", A. Priest, AIV, 1963. Newspaper clippings, postcards, etc. Dates- 1963 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) and Mrs. J.G. Pollard. Subject- printing schedules for 1956, miscellaneous print job specs, etc. Dates- 11/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- asking local corporations to fund the printing of school guide sheets for the Museum. Dates- 8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence pertaining to bulletin layouts, copies of Members Bulletin Vol.9, No.'s 1and7 and copies of Christmas cards 1948-9, etc.. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum publications: Contemporary Paintings 1946, Program Season of 1947-8, The VMFA Annual Report 1947-8, Virginia Art 1947 and Museum Bulletins: Vol.3 No.'s 1,2,4,6and9,  Vol.4, No.'s 4and5,  Vol.7, No.'s1,2,3,4,5,6,7,8and9,  Vol.1, No.8,  Vol.8, No.'s 2,3,4,5,6,7,8and9,  Vol.9, No.'s 1,4,5,6and8. Dates-9/42-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- securing a speaker (Robert T. Paine) for the exhibition \"Prints by Hiroshige\", thank you note to Mr. Paine, etc. Dates- 11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed programming for the Museum. Dates- 2/49-9/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and lecturers. Subject- proposed program/events and exhibition schedule, biographical information on lecturers, etc. Dates- 10/50-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- Artmobile schedules, Three-Days-In-March, members travel, grants, pamphlets. \"Proposal For The Development Of American Writers And Resources With Special Emphasis On The Production Of New Forms Of Drama Created Especially For Television\"; The Mark Report\": A survey and evaluation of VMFA statewide programs. Dates- 1974 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safaris, Artist-in-Residence, lectures. Film series: \"The Romantic Rebellion\", exhibitions, COVA events, agendas, Professional Workshop. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Nancy Durett. Subject- violin recital 4/47. Dates- 4/46-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- memos to determine dates for the Trust Fund Orchestra to perform at the Museum. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- VMFA educational services, VMT and all manner of print and broadcast media promotion. Exhibitions, publicity schedules, press releases and newspaper clippings. Dates- 9/50 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General invitation to groups to participate in VMT. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Prospective givers: foundations and individuals. Date- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newsom Report: \"A Report To The Virginia Museum Of Fine Arts\", 11/19/58, Earl Newsom and Company, a study of VMFA public relations, information and communications responsibilities. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Various outside publications mentioning VMFA, 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Design and production of AIV: promotion, organization, printing schedules, contributors , etc. Catalogue \"Architectural Drawings in Virginia\" and \"\"Confessions of an Ex- Elitist\", M.W. Fishwick, Popular Culture Association, American Studies Institute, Lincoln University. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photo of the Museum and of the \"Brussels Tapestry Exhibition\" 1949, Museum publications: VMFA Catalog of Paintings 1938, The Collection of Catesby T. Jones, 1948, and the following VMFA Members' Bulletins: vol.10, no.'s 1-5, etc. Dates- 1938-1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- copies of the following publications: The VMFA Annual Report 1947-8, The T. Catesby Jones Collection, Contemporary American Paintings 1948, William James Hubbard, Three Virginians Behl, Hunter, Blaine, Portrait Panorama, Program Season of 1947-8 and Member's Bulletins: Vol.1, No.8, Vol.8, No.'s 2,3,4,5,6,7,8and9. Dates- 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release, jurors. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the Parsons gift of the Egyptian Gallery and 25th Anniversary Fund Committee. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations to the VMFA's 25th birthday celebration for the affiliates, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release announcing loan of Chinese wine vessel. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 25th Anniversary projects, press release: message from the President (Robertson). Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Appeal to Trustees for contributions to the Drama Festival.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: 28th Virginia Artists Rotating Exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing a network of local art centers and museums affiliated with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VMFA as regional jury center for the national exhibition \"Designer-Craftsmen-U.S.A.\", news releases, information on obtaining a jury and a speaker, etc. Dates-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Va. Architects, Photographers and Designers, seminar for Historical Administrators, VMT and Virginia Composers Concert. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release and photo for first issue of AIV. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release on Arts in Virginia. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains a cover letter for a mailing, no date. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing 25th anniversary events, exhibitions, VMT, etc. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing conclusion of 25th anniversary celebration with the presentation of awards to Colonial Williamsburg, The Old Dominion Foundation, sculptor: Carl Milles, architect: Eero Saarinen, collector\" Robert Lehman and Naval designer: William F. Gibbs for their outstanding contributions to the Arts in Virginia. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- obtaining the exhibition \"Built in the U.S.A.\", presenting programs related to the exhibition, biographical information on Phillip Johnson, etc. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photo of \"Little Triton\" fountain for the Bulletin, copy of Members' Bulletin vol.15, no.1(9/54), etc. Dates- 9/53-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Members' Bulletin. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Members' Bulletin, calendar of Museum events. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vol. 13 no.'s 1-9, 1952-5/53; vol. 17 no. 8, 2/57; vol. f19 no.'s 7 and 8, 3/59 - 4/59. Biographical data on Iren Marik, pianist, and reviews. Dates-1952 -53, 1957, 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vol. 20 no.'s 4-6, 12/59-2/60 Dates- 12/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases: Tours organized through Virginia Federation of Women's Clubs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases: season opening production and call for volunteers. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Extended performances of VMT's \"Carousel\". Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Bus trips to VMT. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of certificate winners and a gallery guide from the \"Virginia Artists\" exhibition 1955. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Portions of VMT concert to be broadcast with commentary and explanations of technique. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Programs and photographs. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Information regarding the Museum's chapters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photographs [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing festival with guest artists: Helen Tamris and Daniel Nagrin. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Critic, Stella Adler, Speaker: Alfred de Liagre. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- TV news film of highlights of the College Drama Festival, script, telegrams and surveys to Virginia TV stations concerning air time and usage. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Announcement of individual participants announcing their attendance in the festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loan of Cone collection from the Baltimore Museum of Art to VMFA for an exhibition, a catalogue of the Cone collection, news release about the  bequest of the collection to the Baltimore Museum of Art, etc. Dates- 10/49-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Public information schedule for exhibition: \"The Architecture of Skidmore, Owings and Merrill\", \"The Little International\". Artmobile public and information schedule and Bulletin, vol. 19, no.2 10/58. Essay- The Little International Exhibition\", Fred Olsen, 4/57. Dates- 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills, reviews and biographical data.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- list of designers proposed for inclusion in the exhibition \"Design for Theatre\", tentative list, etc. Dates- 8/52-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing loan of painting by Winslow Homer. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Evaluation of the Discovery Television Series sponsored by the San Francisco Museum of Art. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Statewide Press Release announcing fellowships 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press Releases regarding fellowships 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills and posters. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Buckminister Fuller. Subject- Exhibition of the work of 13 leading architects, opening lecture given by Buckminister Fuller, list of catalog content, gallery talk, press release, invitations and biographical data. Photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing formation of a fundraising committee for the 25th anniversary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions: \"Drawings From Five Centuries From The Cooper Union Museum\", \"Hans Moller\", \"Is Photography An Art\", \"Sport and the Horse\", \"25th Anniversary\". Parsons gift of the Egyptian Gallery, Chamber Music Society, Virginia Artists, evening hours, speakers/lecturers, Virginia Art Alliance, state services, Fellowships, Search for a female collector with a collection of Imperial robes. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases announcing exhibition of contemporary glass. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions: Skidmore, Owings and Merrill (AIA for Reynolds Building), publicity, progress report on exhibition arrangements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Ivan Dmitri. Subject- Symposium on photography conducted by Dmitri with a panel composed of: A. Hyatt Mayor (MET) and Hilton Kramer (Arts Magazine). List of paintings and photograph comparisons and press releases. Photographs. Dates- 10/59 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Status report of the Broadway production. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about the loan exhibition. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Speaker 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: History of Lynchburg Center published in the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Brief film on masterpieces of American silver, script and outline for the 25th anniversary program. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains press releases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains layout and planning for the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of the moving of art objects, installations, physical plant and behind-the-scene workshops and people.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Editorial Writers, agenda, and guest speakers, exhibitions, events, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Ms. Nemone Balfour. Subject- a ballad concert given by Balfour sponsored by the Museum, new release, printed material, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: R. Neutra lecture in coordinate with his VMFA exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitations to grand opening of the 10/54 VMFA addition. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the Norfolk Museum affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Bus tour and photograph. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of galleries. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing gift of marble statue \"Dawn of Young Womanhood\", Oronzio Maldrelli from Miller and Rhoads Department Store. Press releases from: Mariners Museum, National Gallery, Henry Ford Museum, Walker Art Center and the MOMA. Dates- 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: purchase of Patronship by Richmond businesses for season tickets to VMT.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- radio transcripts and publicity releases. Dates- 1948-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases, publicity schedule 6/26- 7/22. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 5/56-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 4/51-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 1952- 5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases for various museum events: theatre, exhibitions, films, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Affiliation announcement of the Roanoke Fine Arts Center 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the loan of \"The Ecstasy of St. Francis\" by Carravaggio. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release announcing the acquisition of a rare funeral monument from 2nd century B.C. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Advertising copy and selection of artist to draw a cartoon. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release for VMT promotion. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing special schedule to accommodate bus trip from out of town. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity schedule and advertising copy. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- scheduling a speaker (Bernard V. Bothmer) to coincide with the exhibition \"Smith's Egypt\", photo and biographical information about Bothmer, etc. Dates- 6/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition and Publication information regarding \"Sport and the Horse.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- News Releases regarding newspaper column 1960. The column was carried in 50 Virginia newspapers as 42 weekly articles by Cheek. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Syndicated column written by Cheek as part of a promotion for the Museum's 25th anniversary. Contains a mailing schedule for the column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Return forms from newspaper publishers regarding column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Promotional letter for newspaper column. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast script for performance promotion. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from G. Friddell (Public Information Director). Subject- controversial nature of the \"American Painting 1950\" exhibition, James Johnson Sweeney was the juror for this exhibition, Sweeney biographical information, News Releases, exchange/gift publications of the catalogue to this exhibition, etc. Dates- 1/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast script promoting 25th anniversary year. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 25th Anniversary, broadcast scripts, VMT and list of Virginia and Washington TV stations. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast promotion script. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release with performance information  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release for VMT promotion. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release concerning a 25th birthday year magazine, the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Tours arranged by Virginia Federation of Women's Club in 6 Virginia towns to see VMT production of \"Carousel\" Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews of show. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Introductory speeches. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"The Tempest\", \"The Mad Woman of Challiot\", \"Berkeley Square\", \"I Remember Moma\", \"Noah\", \"Blind Alley\", \"The Devils Disciple\", \"High Tor\", \"Oh Wilderness\", \"Private Lives\", \"The Petrified Forest\" and \"Victoria Regina\". Dates- 1955 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Assigned design projects and newspaper clippings. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- National broadcasts focusing on topics of national interest, VMFA requests for financial assistance to host a \"Meeting\", pamphlets and photograph. Dates- 1953 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Aubrey Bodine and Gordon Bunshaft, biographical data, Competition promotion, preliminary text for official entry forms, press release. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- list of pieces included in the \"Virginia Artists 1953\" exhibition, list of purchases made from the exhibition, information on the jury and on purchase prizes, letter from Jacques Lipchitz, etc. Dates- 12/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about the exhibitions and photographs of the artists and their works. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Jurors: Richard Lippold, Isabel Bishop and Perry Rathbone. Press release announcing event.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Eighteenth annual exhibition held at the Museum and sponsored by the Camera Club of Richmond. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- fountains that flank the Museum's front entrance. Dates- 9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photo of conservation lab, gift and exhibition of the Williams collection of art at VMFA, announcements to and articles in major art publications about the gift of the Williams collection. Dates- 3/52-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition \"The American Cartoon\", original American cartoons from the collection of Mr. Art Wood, invitations and R.S.V.P.'s to exhibition preview, photos of some of the pieces of cartoon art, etc. Dates- 5/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Wm. Quillan Jr. (President of Randolph Macon Women's College). Subject- Loan of Randolph-Macon's collection of paintings. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Isobel C. Lee (Steuben Glass). Subject- Loan from Queen Elizabeth, installation, lighting and press-release. Dates- 7/10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, AAM, Jamestown Foundation, loans, Accession, gifts, biographical data and resumes. Exhibition: Randolph Macon Collection. Letter from Richard Rogers to lecture to VMT, Reston Foundation: Minutes of the Executive Meeting, 9/12/60. Dates- 9/60, 5/62 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Loans, contributions, acquisitions, exhibitions and Africa Gallery. Dates- 1/68 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to W. C. Cottrell (Elec. Corp.). Subject- Proposal and technical information for Audio-Guide radio-lecture, pamphlets, blueprints/plans of galleries. Dates- 5/72 - 8/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Priscilla Crum and M. Christison. Subject- Broadcast of Biennial Jury, notes from WMBG broadcast, 12/6/46, \"What Is Your Art Museum\", participants: Priscilla Crum (Curator of Education), Edward Davis III (Curator of Decorative Arts) Mrs. J.G. Pollard and T. Colt. Notes from WLEE broadcast, \"Know Your Museum\": a weekly series with guests from the local arts community and \"For Parents Only\": a children's radio program. Dates- 2/46 - 11/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- radio talk shows and transcripts. Dates- 12/37-9/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr.and Mrs. Robert C. Randolph. Subject- the loan of a portrait of Wm. Henry Harrison by Rembrandt Peale to the Museum for the inaugural exhibition and an additional later loan. Dates- 9/35-11/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek and Mary F. Williams. Subject- The service of Beatrice Von Keller as VMFA Acting Director during Colt's military duty. Biographical data, Randolph-Macon Collection including the acquisition of the Bliss Collection. Dates- 7/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Hours of operation, policy, menu. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Frank Rehn Gallery. Subject- loan of paintings to inaugural exhibition of VMFA and later proposed acquisitions from the Frank Rehn Gallery, etc. Dates- 9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Artist from West Virginia: application and recommendation for a Rosenwald Fellowship by T. Colt. Dates- 6/49 - 10/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rennolds' service as a Trustee and entertainment committee. List of objects in the home of her mother, Mrs. John Kerr Branch, that may be of use to the VMFA. Dates- 1/53 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Policy and requests for rental of museum meeting rooms. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for state/federal funding for the creation of the \"Latrobe Theatre\" (never built), a professional theatre organization. The design of the Theatre was based on plans by the 19th century architect Latrobe. \"The Virginia Museum Theatre\", statement of facts in relation to charges appearing in the Richmond Times - Dispatch, 10/13/66. Subject- 8/65 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of requests and general correspondence. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, Edward Kallop and L. Cheek. Subject- Inquiries concerning specific artists, objects, valuations, conservation/restoration, etc. Dates- 6/56 - 6/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek served on the Board of the Reston Foundation Community Program, includes roster of board members. Dates- 11/10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to the Executive Director of the Reston Fund. Subject- L. Cheek's membership on the Board, and proposals for development of the Reston Community, low-cost housing, maps, agendas, Reston architects, Minutes of Annual Meeting- Reston Community Foundation,12/15/64, 4/25/65, 11/12/67, 4/8/68. Dates- 6/65 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMFA membership and letter of condolences to the Reynolds family. Dates-10/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. cheek. Subject- R. J. Reynolds service as Chair of VMFA promotion and development committee. suggested organization agenda for the meeting of the Public Relations Development Committee, to further the advancement of VMFA. Contributions, invitations and photographs. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"R.S. Reynolds Memorial Award\", awarded annually to the architect or group of architects who make the most significant contribution to the use of aluminum, aesthetically or structurally, in the building field. Theodore Rozak chosen to commission the first sculpture. Dates- 5/58 - 11/6 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Miss Katherine Rhoads. Subject- a bequest to the Museum. Dates- 5/35-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from G. Martin (Secretary of VMFA). Subject- Rhoads Medal awarded to persons who have made a notable contribution to Art in Virginia; list of recipient, excerpts from the Minutes of the Executive Board, 5/25/69/. Biographical data on Concetta Scaravaglione, designer of medal. Medal awarded to Walter Spencer Robertson. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence to and from Rhoads as Vice-president Board of Trustees. Dates- 1934-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contributions to a purchase fund in his memory. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek, Mrs. J.G. Pollard and P. Mellon. Subject- Museum business, exhibitions. Pratt Estate, John Barton Payne Endowment, Resolutions in memory of Judge Payne, resignation of Colt, Fellowships. List of employees and job descriptions. List of Benefactors, Patrons and Life members, Board of Trustees, Rockefeller Foundation, segregation, contributions, gifts and accessions, including Mellon. Dates- 11/40 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W. Robertson, Mrs. J.G. Pollard and W.S. Rhoads. Subject- General letter to membership from the President (W.S. Rhoads), Webster S. Rhoads Medal, Artmobile III and South Wing. Dates- 1951 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General Museum Business, VMT, policy regarding expense accounts and museum entertaining. Dates- 5/57 - 11/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitation list, invoice for cocktail party honoring W.S. Rhoads. Dates- 5/8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Westwood Winfree (Pres. RAA). Subject- Winfree's participation in the Virginia Rotating Exhibition and other events. Requests for restructuring of jurying procedure. \"Reasons For Suggesting A State-Wide Artists Study Committee To Be Sponsored By The Virginia Museum Of Fine Arts\". Dates- 2/56 - 9/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Richmond Chamber Music Society programming seasons: 1950-1, 1951-2, 1952-3, 1953-4 and 1954-5, membership rosters 1951-2 and 1954-5, etc. Dates- 10/50-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed policy for relations between VMFA and Richmond Chamber Music Society (conducting events there), listing of Society members, etc. Dates- 1/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- To increase Jaycees interest and support of VMFA. List of member organizations. Certificate to L. Cheek as a member of the \"Civil War Centennial Committee\", Minutes from the \"Society of Architectural Historians,1/30/58. The presentation of the \"Distinguished Service Award\" to L. Cheek. Dates- 11/60 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Disturbances in area of Westmoreland Place (Cheek residence), Cheek's Anniversary Party. Presentation of Canal Locks to Mayor M.M. Crowe. Dates- 2/64 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Field trips taken to the museum by schools throughout the state, 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Broadening cultural horizons in Richmond, proposal for Civic Center in downtown Richmond and the necessary steps for improvement of downtown, editorials, newspaper clippings. \"Plight Of Museums Is Very Real\", L.J. Ahlander, 11/25/65, Washington Post, \"Activities Center Study For The City Of Richmond\", Wm. A. Briggs A.I.A. and B.R. Johns A.I.A., Associated Architects, 8/1/64, \"Modern Living\", 11/6/64, Time and \"Are Most cities Too Ugly To Save\", 11/30/64, U.S. News and World Report, Inc. Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains financial statements for the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- proposed relationship of The Richmond Film Society with the Museum (use of Museum facilities), Film Society programs 1951-2, 1952-3, 1953-4, 1954-5 and 1955-6, etc. Dates- 6/50-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of compliment to editors and journalists of Virginia periodicals regarding VMFA. Dates- 7/58 - 19/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Priscilla Crum, T. Colt, L. Cheek and M. Christison, Theresa Pollack, H.H. Hibbs and Mrs. J.G. Pollard. Subject- Exhibitions and musical programs. Dates- 9/45 - 11/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, J. Schaeffer (General Manager, RSL) Subject- Opening performance and concert dates. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gala opening event of Artmobile. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Willock (Exec, Dir.). Subject- Renewal of Affiliate members. Dates- 1961 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Charter proposal for a Roanoke museum and minutes from the Roanoke Fine Arts Committee. Dates- 12/47 - 9/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Special building committee, draft of letters from Affiliates/Chapters in support of VMFA expansion to be sent to the House Appropriations Committee , members of the Senate and members of the State Finance Committee. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and E. Will (Pres.). Subject- Purchase of \"St. John the Baptist\", Rodin, in memory of W.S. Robertson. Dates-2/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile proposal, museum business, exhibitions: \"George Stevens Makes A Film\". Fellows organizing campaign, selected list of paintings in VMFA permanent collection. Rosters: Members of commission of State Capital and Outlays and Means of Financing; VMFA Executive Officers and committee's. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter from the President to the membership (W. Robertson), grant proposal for North Wing architectural plans.  List of objects needed for VMFA collections.  Rejection of the north facade by the Arts Commission.  Schedule of events, newspaper clippings.  \"Connoisseur's Comments\", guided VMFA tours narrated by world-famed collectors, critics and curators.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- letter of interest in erecting a monument to Bill Robinson. Dates- 12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rockefellers' membership in the Fellows and their subsequent donation to aid in the Drama Development program. Dates- 1955 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Charles Fahs (Dir. Rockefeller Foundation), W.S. Rhoads. Subject- Proposal for the formation of VMT with initial funding from the Foundation, \"Charter for the Rockefeller Foundation\": Statement of purpose and methods of operation. Dates- 1/50-12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Roman Bronze Works Inc. Subject- casting busts of Gov. Pollard and Judge Payne and casting other figurative groups. Dates- 9/35-1/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of authentication. Dates- 4/60 - 8/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Addresses made by F.D. Roosevelt upon the opening of the Museum of Modern Art. Dates- 6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Matilda McCord Roper (Mrs. George W. Roper). Subject- donations. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, expansion of VMFA print collection, The Alverthorpe Collection, loans of prints. Dates- 8/65 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA as recipient of a rose garden by the Garden of the Patriots. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- M. Ross as VMFA advisor, on retainer, for Byzantine and Medieval acquisitions. the Heeramanecks and Hunt Collections. Dates- 9/65 - 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data and brief history of Rothschild family. List of paintings in VMFA from Rothschild Collection. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Text and pamphlet for the opening of the Melchers Room. Photographs. Dates- 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Edward B. Rowan. Subject- mural competition for post offices in Petersburg, Hopewell and Richmond. Colt acted as chairman for a regional committee to carry out this competition for the Procurement Division, Public Works Branch of the Treasury Department, etc. Dates- 3/30. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- securing a speaker (Mr. Everett Parker Lesley, Jr.), obtaining a transparency from Time magazine of one of the Museum's eggs, etc. Dates- 3/53-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- General correspondence to Trustees regarding Museum business and events. Photographs and slides. Date- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- General correspondence regarding loans, acquisitions and invitations. Dates- 1/62 - 11/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Eero Saarinen. Subject- Aline Saarinen broadcast on the VMT Shakespeare Preview. Drawing. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition: \"Master Drawings\", with lecture by Paul Sachs. Theft of Degas drawing on loan to VMFA from the Fogg. List of London and Paris art dealers. Dates- 5/51 - 6/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- letters from other U.S. Art Museums about staff salaries and Curator's Report activities from the 1st season 1/16-5/24 1936. Dates- 1936- 7/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for purchase of cases from the Greek Gold exhibition. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Form letters: members, advertisements, donors, other institutions regarding loans, lectures and publication requests, etc. Dates- 1967 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuels gift of building for the Front Royal Library. Loan and cleaning of \"View Near Oxford\" by Richard Wilson. Dates- 4/52 - 9/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- 10th Miller and Rhoads Women's Forum; invitation to Philip Johnson to serve as a speaker. Biographical data on James Parton and Max Abromovitz. Dates- 8/51 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Hans van Weeren-Griek. and Concetta Scaravaglione. Subject- exhibition of her work and insurance of a piece that was damaged. Dates- 9/40-7/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events and mailing schedules. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events and mailing schedules, Paul Taylor Dance Tour, Safari-Dinner, agendas, etc. Dates- 7/70 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Appraisal of an agate cup belonging to Mrs. Paul Mellon as a work of art, for the Customs Commissioner. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- war-time high school art exhibition held at Miller and Rhoads department store, list of hostess for this event. Dates- 1943-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Invitations and general correspondence regarding the opening's of new art centers/buildings of various institutions, anniversary celebration, National Presentation Broadcast of Artmobile. Dates- 9/60 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.G. Pollard. Subject- Loan of items in his Collection to VMFA and his service as Vice-President. Exhibitions: American Contemporary Prints and Sport and Horse. Melcher Estate, accessions and acquisitions, list of gifts to VMFA. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Scott, Horner and Mason, Inc. Investment Securities in Lynchburg, VA. Subject- possible investments by VMFA, financing the new wing and the possibility of matching a Public Works Administration grant. Dates- 5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Seay collection of Decorative Objects, list of objects in Seay home. Dates- 1/39 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and letters to and from Leslie Cheek. Dates- 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Service reports on traveling exhibits. Dates- 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about slide loans. Dates- 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum Services. Correspondence regarding loans 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Houdon statue of Washington on loan to VMFA, insurance valuation. Seymour's lecture on \"Houdon in America\" and panel discussion on contemporary sculpture. Opinions on dating and provenance of VMFA objects. Dates- 5/50 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Shalett's articles on the VMFA for the \"Saturday Evening Post\" and \"The Diplomat\" Dates- 8/56 - 10/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, letters of invitation to VMFA events, College Drama Festival. Melchers Estate: \"The Last Supper\", newspaper clippings and postcards. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Virginia Film Society, Dance Tour, VMT: job descriptions, Table of Organization, staff hours, Theatre Associates and Annual Theatre Train. Date- 4/66 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Agenda and events for Entertainment Committee, loan of Col. Anderson bequest items. Dates- 1/59 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and E. Shiflet (Sec. of Education). Subject- budget, museum business, financial profile, role of office of Education and pamphlets. Executive Order #20 and #21: Reassignment of VMFA to the Office of Education. Dates- 8/72 - 12/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dealer in antique English silver and his gift to VMFA of a silver teapot. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT, juror search, biographical data, exhibition catalogues, loans of art work, accessions, gifts and general museum business. Dates- 1956 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- General correspondence, exhibitions, requests for publications, pamphlets, invitations, exhibition catalogues, A.D. and W.C. Williams Trust Fund. Photographs. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- paperwork authorizing R.A.Velz and W.J. Rhodes to sign vouchers and checks, list of Virginia Museum Theatre expenditures 1956-7. Dates- 2/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Blank stationary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- excerpts from Virginia Architecture exhibition catalogue, miscellaneous correspondence about catalogue,  etc. Dates- 11/58-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- compliments on exhibition \"Architecture in Virginia\", thank you notes to the Museum about exchange/gift publications of exhibition catalogue-Architecture in Virginia 1776-1958: The Old Dominion's Twelve Best Buildings, etc. Dates- 9/58-4/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- biographical information on various 20th century architects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- G. Smith (architect, writer and photographer), biographical data, and his collection of Travel Posters. Newspaper and magazine clippings, invitations. Application for Fulbright grant. Dates- 2/52 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Her membership on Executive Board, donation and contributions. Dates- 5/51 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Marrow Stuart Smith, Virginia artist, correspondence with museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of alumnae in Virginia. Dates- 9/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Christison, and Mrs. J.A. Pope (International Traveling Exhibition Service). Subject- Exhibition: \"Swedish Textiles Today\": catalogue, pamphlet. Brussels World's Fair, U.S. Pavilion. Catalogue of Traveling Exhibitions for 1961-62. Dates- 4/53 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- S.A.H Directors meeting in Richmond, formation and organization of a Virginia chapter: agendas, lists of prospective members, directors of S.A.H., minutes from S.A.H. meeting. Dates- 12/52 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Meeting agendas, Architects Virginia Tour, preservation of the National Capitol, Shirley Plantation, landmarks in danger. Proposal to coordinate the activities of the SAH with AIA and the National Trust for Historic Preservation in the field of Historic Buildings Preservation. SAH: Minutes of Executive Board, 10/26/57, 5/17/58, 10/18/58, Treasurers Report, 1/58-4/58, Newsletters. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lists: Fellows, Staff and Board of Trustees. Invoices, receipts and newspaper clippings. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Dinner schedule, agenda and pamphlet. Dates- 5/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Confirmation for Dinner event and agenda. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fall meeting to be held at VMFA, conference agenda, mailing list and pamphlets. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Meeting agendas, events schedules, attendance rosters, officers, newsletters, registration forms. Report of SEMC '72 meeting, \"SEMC Notes\", no. 1, 1974 and no.1, 1975. Dates- 1972 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- printed material for exhibition \"Southern Exposures\", the following essays: \"Coming of Age of Photography\", \"Down the First Century of Photography with George and Heutis Cook\", \"Concerning the Cook Collection and Its Recovery of the Epos of the Attic\", etc.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Williamsburg International Assembly Speakers, biographical data: Edward Downes, Charles Seymor, Harris Prior and Arthur Drexler. Dates- 1951 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Gaines. Subject- Biographical data of speakers: C.V. Donovan and Joseph Curtis Sloane. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- printed material for the opening for prospective members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safari Theatre Dinners, loan exhibition previews, maintenance. Dates- 1967 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Essay- \"The Art Museum As A Community Center\", by L. Cheek. Pamphlets, newspaper and magazine clippings of other museum programs. Date- 1961 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- early interest and planning of the exhibition \"Sport and the Horse\", etc. Dates- 5/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Frederick Robinson (Dir., SMFA). Subject- SMFA exhibition of Virginia Artists. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions, security, general operations and museum business. Employee policy, regulations, salaries, etc. Dates- 1962 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General Museum operation, exhibitions, publicity evaluation, landscaping of Confederate Chapel, loan exhibition previews. Dates- 1963 - 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Employee policy/regulations, programs division, collection divisions, staff information and table of organization for Theatre Arts Committee. Newspaper clippings and salaries. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Suggested structure of staff organization and salary scales. Dates- 2/54 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA By-Laws 1958 and 1959, income sources, proposed improved operations plan. Salary information from the Smithsonian Institution. Job description for Assistant Administrator. Date 1959 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Head of Collections Division and Education Supervisor, Program Division. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Business meeting and reception regarding architectural improvements, gifts and loans to the State Department reception rooms. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- reception for General Assembly Wives. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Service reports for loans of exhibits, films and slides. Dates- 1951-1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for information regarding circulating visual materials 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member requests for exhibitions 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member requests for exhibitions 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member Requests for gallery visits and lectures 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Out of state inquiries about Museum services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Out of state inquiries about Museum services 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of prospective organizations for using extension services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for circulating visual materials and exhibitions 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General Correspondence Traveling Exhibitions 1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains statement for addenda to the Governor's report concerning the VMFA.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Saul Steinberg. Subject- exhibition of Steinberg's work and lecture by Steinberg, etc. Dates- 8/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening of new auditorium, purchase of pianos and price lists. Program for the Chamber Music Society, newsletters from Steinway and Co. , 4/55-6/55. Dates- 4/55 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Philip N. Stern, Chairman of the Art Commission, Commonwealth of Virginia. Subject- Art Commission meetings, funds for museum equipment, funding from the Public Works Administration, architectural exhibition, etc. Dates- 7/35-10/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Steuben correspondence with the VMFA, 1938-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Ten Talents In the American Theatre\", Ed. David Stevens; \"Theatre For Art's Sake\" by L. Cheek. Proposal to the Rockefeller Foundation for financial support of VMT. Dates- 12/49 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Her gift of \"La Signora in Biege\", Lazzaro Donati. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, preliminary design program for South Wing Addition, letters to other museums regarding design, security and general building functions. Dates- 1948-49, 1962-63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Jas. N. Trevillian (Secretary). Subject- Conductor of the New York Philharmonic Orchestra, concert at the VMFA and program. Dates- 1947 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA and Gordon E. Strause, 1935-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Strause and various Museum staff. Subject- exhibition of his collection at the Museum, written complaints by Mr. Strause, Strause is named 1st honorary benefactor of the Museum by the Board of Trustees. Dates- 3/36-5/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J. G. Pollard, T. Colt and L. Cheek. Subject- Lewis S. Strauss, founder of the Albert Einstein Award (for achievement in Natural Sciences). Chairman of the Atomic Energy Commission, his service on the VMFA Finance and Membership committees. Letter of Henry Anderson regarding discussion with Paul Mellon and VMFA expansion potential. Newspaper and magazines clippings, Artmobile, gifts and contributions. Dates- 1945 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Fellows: theatre Orientation, general meetings, prospective Fellows, report of the Fellows 5/3/67. Date- 1965-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- As a Trustee and member of the development committee. Contributions. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Mr. William A. Stuart. Subject- Trustee/Museum business, etc. Dates- 7/51-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Julia Sully to the Museum. Subject- Virginia Art Index. Dates- 1935-48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and J. McGee (Sunrise, Pres.). Subject- \"Sunrise\", Charleston Cultural complex, budget analysis, roster of Executive Board, Annual Report, 1971, pamphlets. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt and L. Cheek. Subject- Early correspondence concerning museum services, statement of purpose, Pratt Bequest, exhibitions and requests for publications. Dates- 7/45 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General correspondence, request for publications, employment, Fellows, Russian Loan Bill, gifts, contributions, biographical data. Dates- 6/56 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Museum business, loans of art works, list of objects for long term loan, zoning ordinance. Paul Tishman Collection, Troubs Collection of Russian miniatures. Provenance of St. John the Baptist, Rodin. Pamphlets, brochures and press releases. Dates- 2/70 - 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. J.G. Pollard, M. Christison, John Canaday and Maurice Bonds. Subject- Informal discussion series on art, artists and technique. Topics: Lithography, sculpture, restoration, art history etc. Includes biographical data on lecturers and exhibitions. Excerpt from \"American Silversmiths and Their Marks II\", by Stephen G.C. Ensko. Dates- 9/48 - 3/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding Mrs. A.I. duPont's gift of tapestries to the VMFA and a subsequent exhibition, 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding taxes on honorariums, admissions and rental space, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA series of weekly TV programs, list of suggested topics, program guests, resource information from other Institutions, film rentals, television presentation of the 25th Anniversary and minutes of the Mayor's Committee on Educational Television, 11/11/53. Dates- 3/54 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- The development of a public television station to be shared by educational institutions. TV question and answer scripts and newspaper clippings. Dates- 1/49 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings. Dates- 1961-62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Salary scales, job openings at VMT, applicants, referrals, biographical data, financial statements, staff tors and guest speakers. Dates- 3/58 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Thalhimer. Subject- Biographical data, production, general theatre administration and Ford Foundation Fellowship Grant. Dates- 5/58 - 7/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Basil Langton. Subject- Langton's service as VMT guest director of \"The Tempest\", in celebration of the Jamestown Festival; program and procurement of professional actors. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Thalhimer Jr. Subject- Exhibit: \"Habiliments for Heroines\" underwritten by Thalhimers, VMT: \"Lady in the Dark\", Lorren Aldrich Collection. Catalogue: \"The Helena Rubenstein, Princess Gourelli Collection\", Deluca, Editore Roma, June 1953. Dates- 11/51 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as a Trustee and Chair of the Theatre Arts Committee on theatre and Television, museum business, salary scales, general operation of VMT, budget, income, newspaper clippings. Contributions and gifts. Dates- 6/52 - 3/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Underwriting of Mediterranean court, plants and flowers. Gift of Sandwich glass. Dates- 5/55 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Thayer's service as special assistant to the Secretary of State for Cultural Affairs. Biographical data, UNESCO, ICOM, International traveling Exhibitions, placement of American works of art in United States Embassies. Dates- 5/59 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committee Minutes 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committee minutes, agendas and programs, box office grosses etc. Letter from Paul Mellon. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Establishment of a theatre Collection by Louise Branch of drawings, scenery and costumes. Dates- 2/59 - 3/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Thalhimer. Subject- Proposal for costume ball. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Morale and general organization of the VMT Associates, proposed speakers, newsletter and roster of VMT Associates. Dates- 4/57 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and William Morrison. Subject- taped readings by Henry Fonda, Lee Remick and Olivia deHavilland on the anniversary celebration. Reviews and letters to other film stars. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safari-Dinner agenda and setup. Dates- 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reviews, gift of Dan River Mills fabrics for costumes. Programs: \"Streetcar Named Desire\", \"School For Wives\", \"Camelot\" and \"The Odd Couple\". Dates- 1967 - 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- reviews, letters of compliment. Program: \"the Royal Hunt of the Sun\" Dates- 1968 -69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and staff hours. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Report of Acoustical Analysis for Auditorium of Virginia Museum Theatre\" Dates- 9/1950 and 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Review, performance production. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Theatre-designer: salary and letters of recommendation. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMT, Dance, Film and Chamber Music Societies: financial statements, salaries, budgets, production costs, income records, purchase of stage equipment and suggested future of organization. Dates- 2/54 - 12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- bus tours from Virginia towns for Theatre evenings, sponsors by Virginia Federation of Women's Clubs, newspaper clippings. \"The Virginia Club Woman\", vol. XXXII no. I 8/55. Dates- 1/59 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chairman of Yale Drama Dept., his service as consultant to VMT, budget suggestions for proposed VMT, various drama activities, playbill, budgets from other University Drama departments. Dates- 1/56 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program, letters of disagreement between directors and actors. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The first annual event, critic and counselors: Virginia Freeman, Meriam Rosen, Dan Wagoner, Patricia Wityle. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Valerie Gettis as guest speaker/artist. Dates- 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Invitations to college Presidents. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Alan Schnieder, Speaker: Jo Mielziner. The 1st College Drama Festival, guest lists and exhibition of Jo Mielziner's theatre designs. Newsletter. Dates- 8/56 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Harold Clurman, Speaker: Norris Houghton. Events schedule and program. Dates- 4/57 - 2/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Norris Houghton, Speaker: John Gassner. Event agenda/program, brochures. Dates- 4/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Henry Hewes, Speaker: Marc Connelly, reception, production procedure, etc. Newsletter 2/60 Dates- 10/59 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Stella Adler and Speaker: Alfred de Ligre, Jr. Event schedule, festival speaker, program, biographical data, reviews. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Event agenda, scheduling, program and newspaper clippings. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Robert Lewis, Speaker: Edward Albee. Event agenda/program, brochure, pamphlet, etc. Dates- 10/56 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Original drama by John C. Collison, VMT Premiere. \"New Play in Virginia\", Wm. Morrison, Encore vol.6 ,no.5 Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and L. Cheek. Subject- Reorganization of Museum Theatre 1972-73, budget and summary of proposals. Additions to VMFA statutes and By-Laws. Theatre Committee annual Report 6/30/67. Dates- 5/67 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contributions, minutes of Theatre Patron Campaign Committee. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- theatre Arts Committee Executive Meeting minutes 6/30/70 and 7/6/70, Rosters for various Executive committee's of VMFA. Reviews and pamphlets. Dates- 9/69 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- HEW grant to produce and circulate throughout Virginia a play during 67-68 season, suggested dramas. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions: \"Gibson Collection of Contemporary Italian Art\", \"Contemporary Japanese Art\", \"Ten Reynolds Sculptures\". Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, A.H. Ballet and Robert Telford. Subject- General VMT business, schedule of events, scenic design, reviews, performance, staff policy/procedure, ticket prices, season subscriptions, etc. Dates- 1955 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- College Drama Festival, Dance Society and Chamber Music Society. Performance programs, events schedules, guest director contract, pamphlets and contributions. Dates- 1959 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- General Theatre Business, contractual agreements, events schedules, Richmond Film Society, College Drama Festival, financial statements, theatre reviews and job applicants. Dates- 5/61 - 9/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- theatre openings, job descriptions, applicants, hours. Dates- 12/62 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT, Vignettes tour, general estimate of costs, Drama, Dance and Music programs.  \"Virginia Report For State Arts Agency Individual Projects July 1, 1966- June 30,1967\" and \"Performing Arts in Virginia Education\" an introductory survey. Dates- 1966 -68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Budgets, financial summary, events schedules, newsletters, etc. Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Season events, programming, budget and revenue, newsletters, list of season subscribers and press kit for the Mummers Theatre, Oklahoma City, Oklahoma. \"Constitution of the Virginia Museum Theatre Associates\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Theatre business, budgets, salaries, production schedules, invitations, program design, contracts, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters to and from VMT subscribers, program for \"Purlie\". Proposals for summer season productions, opening night telegrams. Dates- 1974 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Operating expense appropriation, \"VMT Sound System Report\", and synopsis of No Title play of the life of Lord Byron by Romulus Linney (later titled \"Childe Byron\"). Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Reviews. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Keith Fowler. Subject- Reviews, production calendar and letters of compliments. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Event underwritten by the Weeden Foundation. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of invitation, remarks after preview. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Programs. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Payment for use of two geese. Program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Financial report and program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Program, reviews, letters of complaint from theatre patrons regarding play content. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program, search for guest director. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Review, program and editorials. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Letters of complaint and approval from theatre patrons. Dates- 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List of series underwriters, proposal for music lecture series conducted by Dr. John White. Dates- 10/58 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Patron financial support and proposal for a Sunday lecture series: \" The Eager Listener\". Dates- 9/59 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Harpist: Nicanor Zableta, brochures of concert series sponsored by other museums and galleries. Dates- 1/50 - 1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program Dates- 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Morton Thalhimer. Subject- General letters to theatre subscribers, brief outline of the five scheduled plays and descriptions of the major characters. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Playbills, magazine and newspaper clippings of performances in theatres other than VMT. Dates- 12/54 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews and programs for \"Separate Tables\", \"The Skin Of Your Teeth\", \"Ondine\", \"Kiss Me Kate\" and \"The Kids\". Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Rehearsal schedules, invitations, programs: \"Life With Mother\", \"The Limbo Kid\", \"Pygmalian\" and \"The Brothers Karamazov\". Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews, letter/telegrams of compliment. Programs: \"Teahouse of the August Moon\", \"The Woman from Colchis\", \"Hall of Mirrors\", \"Caesar and Cleopatra\" and \"The Most Happy Fella\". Dates- 1962 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reviews, letters and telegrams of compliment. Program: \"A Thousand Clowns\". Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Robert Telford. Subject- Reviews, letters/telegrams of compliment. Programs: \"The Admiral Crichton\", \"Hedda Gabler\". \"Tartuffe\" and \"No Time For Sergeants\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews, letters/telegrams of compliment. Programs: \"The Comedy of Errors\", \"The Visit\" and \"Fanny\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters/telegrams of compliment. Programs: \"Androcles and The Lion\", \"The Miracle Worker\". Contributions from Dan River Mills. Photographs. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Reviews, letters/telegrams of compliment, opening night gala, Safari Theatre/Dinners. Programs: \"The Glass Menagerie\", \"Once In A Lifetime\", \"Julius Caesar\", \"Blithe Spirit\" and \"Three Penny Opera\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Reviews and Letters/telegrams of compliment. Programs: \"Charley's Aunt\", \"The Sorrows of Frederick The Great\", \"Uncle Vanya\", \"Twelfth Night, On What You Will\" and \"the Man Who Lost the River\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Timetable, production schedules, Safari theatre Dinners, programs and reviews. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters to former subscribers seeking financial assistance for the upcoming season. Photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letter/telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- VMFA By- Laws 1972, Minutes of Theatre Arts Committee 10/21/71, agendas, budget and cost estimates. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Programming, policy for relations to the VMFA, contractual agreements, events schedules, promotion plans and financial statements, programs and brochures. Executive board meetings: 7/57, 11/57, 2/58, 4/58, 5/58. Dates- 4/56 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters and contributions from Chamber Music Society Patrons. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for the formation of the Dance Society, guest list, officers, policy regarding the Dance Society's relationship to the VMFA. Minutes of Executive Board, 5/11/56, 6/12/57, 7/57, 12/57. Receipt and attendance records, contributions, programs, pamphlets and guest performers. Dates- 5/56 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters and contributions from patrons of Dance Society. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Rockefeller grant to the museum to develop theatre and a program in drama, 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Kay Rockefeller. Subject- Traveling exhibition troupe for children's theatre: financial statement and invitations. Dates- 9/57 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program for \"Rossum's Universal Robots\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT designated seating area according to race, and letters of protest in support of Dr. Mary Elizabeth Johnson. Dates- 1/56 - 5/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letters/telegrams of compliment. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Robert Telford and Morton Thalhimer. Subject- Attendance records, publicity program and biographical data. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters and telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cost estimate, theatre needs and improvements. Date- 12/56 - 7/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sample survey, list of Chapter/Affiliate communities. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Morton Thalhimer and Robert Telford. Subject- Theatre Arts Committee agenda, VMT proposals for: director, administrator, production and apprentices. Date- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"The Gallows Man\", limited performance schedule, invitations. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Events program, list of composers represented. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cancelled, considered distasteful for VMT audience. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letters, telegrams of compliment. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- AAMD conference, theft of Roualt drawing from Toronto Gallery, requests for publications. Dates- 5/50 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains reports concerning slide sets and film strips distributed throughout the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fashion designer to lecture on fashion from 1752 to 1952 for the exhibition: \"Habiliments for Heroines\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- New York World's Fair, newspaper and magazine clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His election to VMFA Board, museum business. Dates- 5/51 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings of Governor Tuck. Dates- 12/49 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, Tunnard's expertise on city planning. Virginia Town Case Study Group: \"Problems of Planning in the Small Southern Town\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Severance of affiliation to the VMFA. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artist for VMFA Christmas card. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt and Wm. Gaines. Subject- Seminar to expose students and teachers to the function and operation of VMFA, agenda, program procedure, etc. Dates- 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Questionnaire from UCLA Graduate School of Management and the College of Fine Arts on the priorities related to the Arts, pamphlets. \"U.S. Information Agency-Its Task in World Affairs\". Date- 4/51 - 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Annual Meeting Minutes, travel authorization, organization news, pamphlets, general UNESCO business. Dates- 10/46 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Conference topic: Aid to South American Museums, project development, UNESCO Annual Report, Report of Program Committee. The Voice of America, Forum Lectures with transcript of by L. Cheek of \"The Art Museum As A Community Center\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for loans of slides from South American Museums for L. Cheek's presentation to Denver conference, list of South American Museums. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening of UDC new building. Resolution concerning accessibility to members of UDC, invitations. Dates- 6/57 - 12/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence, reports, minutes. Expansion of local service. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Charitable organizations that have received UGF monies and fund raising campaign. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The Air Force Memorial Center: statement of purpose, design, personnel requirements, building program, Minutes of U.S. Air Force Fine Art Committee 6/58 and 12/60, \"Proposal For The USAF Memorial Education Center\", travel vouchers and floor plan for the Academy Museum (Planetarium). Slides. Dates- 2/57-4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Edward R. Murrow as Director, merging of the People-to People Program (organization of museum professional) with the USIA. Newspaper clippings. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Forum Series\": International Broadcast, lecture series. Essay- \"the Art Museum As A Community Center\" by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- UNESCO Action to safeguard Nubian monuments due to the construction of the Aswan Dam. Roster of Honorary Committee, International Action Committee, United Arab Committee, Executive Board Minutes. Dates- 4/60 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Virginia State Employees U.S. Savings Bond campaign, handbook for canvassers, meeting agendas and progress reports. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Col. H.W. Fitzroy. Subject- Coordinating agency between institutions and other cultural, educational and scientific agencies in Virginia through a lecture series of visiting scholars. Dates- 9/54 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Bayly Art Museum and the McIntire School of Fine Arts at the University of Virginia. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Lecturers and AIV contributors, loans of objects, fellowships. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and T. Colt. Subject- UVA Museum loan of objects and lecture tours, fellowships. List of prints on loan to VMFA from Catesby estate and list of Lurcat Tapestries. Dates- 8/47 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Museum business, Artmobile, VMT, requests for loans, contributions and gifts. Reference to photos of ancient Greek sculpture, architecture and landscape views, invitations, pamphlets and postcards. Dates- 10/58 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains the schedules for staff vacations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Hans van Weeren-Griek, curator of Education at the VMFA. Dates- 1940-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Report regarding vandalism and misconduct: soaping of the fountains and damage to shrubs. Dates- 11/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Velz' service as VMFA Head of promotion, civilian and military experience record, newspaper clippings and Melchers Estate. Dates- 1949 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains general correspondence of Velz, Associate Director of VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Status of tax deduction, recommendations for event, invitations and dance card. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 9the Annual Viennese Ball sponsored by the Council: Ball Committee, agenda, decoration, invitations, etc. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- Virginia Art Alliance By-Laws, program and minutes of VAA meeting 1945, Report of the Trustees of Richmond Academy of Arts 1933, correspondence with other members of VAA, etc. Dates- 1933-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- program for annual meeting 1941, blank ballots labeled \"Board of Trustees Ballots\", statement of need for a state Supervisor of Fine Arts Education. Dates- 4/40-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- reports of activities of organization members 1942-3, correspondence with organization members-no annual meeting held this year due to World War II, etc. Dates- 3/43-5/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcement, agenda and program for annual meeting 1944, correspondence with organization members, election of officers/trustees, etc. Dates- 3/44-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting minutes ('49), listing and certification of delegates to VAA annual convention ('49), listing of the VAA Board of Trustees ('49), etc. Dates- 1948-49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes from meetings and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Miss Helen C. Rose (Virginia Art Alliance President). Subject- correspondence with member organizations, etc. Dates- 3/58-8/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- minutes of Trustees meeting and annual meeting 1959, roster of officers and Trustees, program for annual meeting 1960, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of Va. Art Alliance). Subject- announcement, replies agenda and program for annual meeting of (1936) the VAA Trustees, listing of organizational members to VAA, certification forms for delegates to the VAA annual convention (1936), etc. Dates- 5/35-5/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension VMFA, Secretary of VA. Art Alliance). Subject- announcements, program and report for VAA annual meeting 1937, resolution changing the organization of the VAA (consolidating its function with that of the VMFA), certification of delegates to VAA annual meeting 1937, etc. Dates- 4/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept., Secretary of VA, Art Alliance). Subject- VAA annual meeting announcement and program (1938), certification for delegates to VAA annual convention 1938, correspondence with member organizations about the reorganization of the VAA (consolidating its function with that of the VMFA), etc. Dates- 2/38-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance). Subject- announcements and program for VAA annual meeting 1939, certification of delegates to the VAA annual convention 1939, letter from Gayle to the State Board of Education supporting the appointment of a state supervisor of art, etc. Dates- 3/39-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1940, correspondence with member organizations, nomination of trustees, certification of delegates to annual convention 1940, etc. Dates- 3/39-5/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1941, report of the VAA 1940-1, listing of organization members, By-Laws of VAA 1934, correspondence with trustees, etc. Dates- 3/41-4/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- program for annual meeting 1942, roster of member organizations, reports from member organizations, Annual Report of the VAA 1941-2, listing of VAA lectures in 1941, Museum Bulletin (VMFA) vol.2, no.6, 1942etc. Dates- 3/42-4/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcements, program and minutes for annual meeting 1944, reports of member organizations 1944, certification of delegates to annual convention 1944, listing of Board resolutions during war time, roster of member organizations, etc. Dates- 4/44-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA Art Alliance). Subject- announcements, program and minutes for annual meeting 1945, roster of trustees and nominating committee, reports of member organizations, certification of delegates to annual convention 1945, etc. Dates- 3/45-2/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945, announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945,announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting program ('46 and'47) and minutes ('46), list of members ('47), certification of delegates to annual VAA convention ('47), Reports of art activities around the state, etc. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance)and M.B. Christison (Curator of Education). Subject- copies of 1947 resolution about art display areas in public buildings, minutes of annual meeting 1947, announcements and program for annual meeting 1948, roster of member organizations 1948, correspondence about securing guest speakers for VAA annual convention 1948, certification of delegates to annual convention 1949, etc. Dates- 7/45-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- membership roster ('48), list of trustees ('48), announcement, minutes and attendance to annual meeting ('48), summary of panel discussion about art education in Va. schools, statement of VAA purposes and objectives, etc. Dates- 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- minutes of the Virginia Art Alliance meeting ('47 and'48), Board meeting announcement and attendance, program of annual meeting ('48), list of suggested nominees to the VAA Board ('48), etc. Dates- 1947-8.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- annual reports of activities made by VAA members. Dates- 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual meeting 1955. Correspondence, resolutions and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence, minutes and agendas. Form letter announcing annual meeting 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes, agenda and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcement and minutes of Fall Meeting 1957, correspondence with member organizations, etc. Dates- 11/57-12/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Meeting held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1957, appointments to nominating committee, minutes of the Trustees meeting 1957, roster of organization members, The Annual Review of the Virginia Art Alliance 5/39,etc. Dates- 2/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and tentative reservation list for annual meeting 1958, etc. Dates- 9/58-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1958, reports of member organizations, Virginia Art Alliance By-Laws, proposed revisions to By-Laws, VAA procedures, appointments to committees and to board, etc. Dates- 1/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes from annual meeting 1959, member organization reports, roster of VA. Art Alliance officers and trustees, VAA By-Laws, etc. Dates- 5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison Assistant Director VMFA). Subject- announcement and schedule for annual meeting 1959, blank reservation forms for school artmobile visits, etc. Dates- 10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and program for annual meeting 1960, listing of nominating committee appointments, roster of officers and trustees, listing of delegates to annual meeting, etc. Dates- 3/60-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- reports from member organizations, etc. Dates- 1956-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of organizational members and their attendance, correspondence and form letters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of trustees and list of members 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of trustees' meeting 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of Trustees, 1952-55. Correspondence, minutes. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee correspondence, minutes and members. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard Subject- preliminary work for the VAA booklet: \"Facilities for Organization Members Comprising the Virginia Art Alliance\". Dates- 8/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Secretary Virginia Art Alliance). Subject- minutes of Virginia Art Alliance (VAA) annual meeting 1957, proposed revisions to By-Laws, etc. Dates- 8/56-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- outline of a state art federation, constitutions, by-laws, information on other art federations (i.e.: The American Federation of Art, The Kansas State Federation of Art, The Indiana Federation of Art Clubs, etc.), etc. Dates- 1/34. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Va. Art Alliance procedures and a short history, draft of proposed revisions to VAA By-Laws, Annual Review of the Virginia Art Alliance. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA/ Secretary of the VA Art Alliance). Subject- VAA By-Laws 1934, resolution (1936) to consolidate the functions of the VMFA and VAA, information about the development of a new type of VMFA annual membership- the organization membership, etc. Dates- 1934-10/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- listing of Trustees 1934- 39, Trustee meeting announcements, letters accepting election to the VAA Board of Trustees, etc. Dates- 11/34-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA representative on the Virginia Art Commission. Dates- 11/55 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- selecting and securing jurors for the exhibition \"Virginia Artists 1955\", listing of pieces and artist included in the exhibition, printed material for the exhibition, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Paul Smith, Rose Slivka and Frank Getlein. Salon des Refuse's, biographical data, exhibition catalog. Dates- 6/66 - 6/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Prospective jurors and exhibition announcement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Jurors: Thomas Hess. Exhibition statement, reception, guest list, members preview, program agenda, discontinuation of salon des refuse's, installation and exhibition catalog. Dates- 1967, 11/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding auditor's reports. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Audit Reports 1936-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Auditors Survey and Systems study of the VMFA. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Morrison. Subject- Filming of \"California Watercolors\" traveling exhibition with footage of Virginia Beach Sidewalk Show included in the 25th anniversary film. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospectus for the Virginia Center For the Performing Arts. Statement of purpose: Academy-Conservatoire of Dramatic Art with training center and professional theatre. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding objects and paintings in private collections throughout state of Virginia. Correspondence with artists and owners. 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Statement of mission, NEA grants, proposals, awards, potential applicants, recipients. Collectors' Circle: Arts and Humanities Challenge grants for Conservation projects. Degas exhibition. Dates- 2/74 - 6/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VCU and U of R Drama departments. VMFA/VCU Museum Methods Course. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Current/future cooperation between VCU and VMFA: theatre, Art Historical studies, education, museum training, music dept.'s, VCU Conservation Lab and Anderson Gallery. Dates- 1/73 - 2/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Paul Smith. Reception, guest list, program, agenda and exhibition catalog. Dates- 3/71 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Juror: Henry Wolf. Event program, invitations, guest list, statistics regarding entrants, certificate winners, etc. Exhibition catalogs for \"Virginia Designers\", 1970 and 1971; \"Virginia Photographers\", 1970 Date- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding state budget 1946-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VEA Centennial Event and retired teachers complex, theatre program and Executive Committee Minutes, 12/61. Dates- 10/63 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Retired teachers apartment complex proposed for the 2900 block of Grove Ave., later rejected by the City Council, newspaper clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Exhibition: \"American Rooms in Miniature\", sponsored by Va. Federation of Women's Clubs, sponsorship of statewide tour of Artmobile, newspaper clippings and pamphlets, \"Virginia Journal of Education\", 10/63, catalog of \"American Rooms in Miniature\" by Mrs. J.W. Thorne, Art Institute of Chicago, 1941. Dates- 6/53 - 2/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Virginia Federation of Women's Clubs Statewide Arts Festival. Dates- 5/67 - 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Thank you notes from newly elected/reelected members of the House of Delegates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. John. S. Battle. Dates- 1949-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. Colgate W. Darden. Dates- 1942-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. George C. Peery. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Bills vetoed and passed by Gov. Thomas B. Stanley [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. William M. Tuck. Dates-1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Multi-level Arts Festival held annually in Abingdon, Va., loans of art works, consultation on programming and pamphlets. Dates- 11/52 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, F. Numan (Wm. and Mary) Subject- Meeting to focus on Architecture and the Humanities. Dates- 11/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Catalog from Franklin Mint series of silver commemorative medals. Norton Simon summary of Annual report, 1970. Dates- 1970 -71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. J.G. Pollard was chairman of this agency; copies of: Fundamentals of a Growing Recreation Program by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agendas and minutes of meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns a Governor's commission to study juvenile delinquency and the Virginia Advisory Legislative Council. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report to the Committee on \"Recreation as a Function of Government in Virginia.\"   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- copies of the executive order creating the Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- planning a listing of recreation films available through state agencies and 16mm Recreation Films Available in Virginia published by the VA Inter-Agency Committee on Recreation, etc. Dates- 6/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- working papers and final copies of the \"1st Report to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 10/53-1/54; Correspondence Subject- copies of the \"First Report to the Governor by the Inter-Agency Committee on Recreation\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Selected legislation on recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership rosters for the VA Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- statewide recreation reports listing facilities, budgets, organizations and needs, pamphlets from the National Recreation Association, etc. Dates- 7/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sponsored by the National Recreation Association 1955-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains a listing of personnel and the purpose of the committee.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and pamphlets.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets, magazine articles etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of \"Fundamentals of a Growing Recreation Program\" by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- working papers for and final copies of the \"1st and 2nd Reports to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 11/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Sarah Tomerlin Lee, Biographical data, event program, pamphlets and catalog for exhibition. Dates- 9/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum events, rosters: Senate, House of Delegates. Letter to members of the general assembly. Essay- \"The Virginia Museum and the Arts in Virginia\". Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reception for organization composed of Mayors, City Managers and City Officials. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Faye Ambrose and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year. Dates- 5/56-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Charles E. Baker and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications and award letters (1950, 1951) for VMFA in-state fellowship, artist progress reports for 2 years, etc. Dates- 5/50-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Regina Bartley and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 4/51-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Wm. Thomas Bland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA fellowship, thank you notes made by Mr. Bland (mixed media including watercolors). Dates- 8/48-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Robert Brushwood and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations, award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Kuhn R. Caldwell and Mrs. J.G. Pollard, M.B. Christison (Assistant Director), and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, artist progress reports for 1 year . Dates- 12/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mary Frances Cheatham and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA junior fellowship, artist progress reports for 1 year. Dates- 1/49-3/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Janet Clausen and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Robert L. Davis and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA in-state fellowship, photos of artist's work, artist progress reports for 1 year, etc. Dates- 4/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Worden Day and Mrs. J.G. Pollard, M.B. Christison and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, etc. Dates-4/49-8/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. T.V. Downing, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 10/49-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Charles Flynn, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 4/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 2/54-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- award letter for VMFA in-state fellowship, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Barbara Harding and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications ('53 and '54), recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Catherine M. Hipp and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Jem W. Hom and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/56-7/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between W.B. Houghland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Caroline C. Huff and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. William W. Jackson and Mrs. J.G. Pollard and L. Cheek Jr. Subject- applications (1948,1949), recommendations and award letter for VMFA fellowship, etc. Dates- 5/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Knapp and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. James Leedy and Mrs. J.G. Pollard and M.B. Christison (Assistant Director). Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/57-6/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Brenda R. MacBaisey and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year (includes lithography proofs), etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. James P. Moyers and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Joe Ravenscroft and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, application and recommendations for VMFA fellowship, etc. Dates- 8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, recommendations for VMFA fellowship, etc. Dates-8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.F. Russell and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for out-of-state fellowship, artist progress report for 1 year, etc. Dates- 4/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between R.E. Spain and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Mary R. Tatum and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1year, etc. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Primm Turner and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress report for 1 year, application for Catherwood Foundation fellowship, etc. Dates- 3/56-9/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. E. Parker Twombly and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA out-of-state fellowship, recommendation letters written by: Ben Shahn and Robert Motherwell, artist progress report for 1 year, etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress report for 1 year, etc. Dates- 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Howard Woody and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for student fellowship, etc. Dates- 4/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Peter Wreden and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, etc. Dates- 4/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of fellowship applicants, requests for applications, rejection letters, etc. Dates- 3/49-6/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications, recommendations and rejection letters for those applicants not chosen to receive fellowships. Dates- 3/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship, fellowship announcement, minutes of the fellowship committee meeting (1954), etc. Dates- 12/40-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- listing of applicants 1942-44, listing of types of fellowships offered by the Museum, etc. Dates- 1942-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- various applications, recommendations, rejection letters, etc. Dates- 5/46-6/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- announcements of fellowships, blank fellowship applications, requests for applications, various completed applications, award and rejection letters for fellowships, artist reply letters, etc. Dates-4/46-12/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- various applications, recommendations, fellowship recipient progress reports, award and rejection letters, correspondence with Fellowship committee, etc. Dates- 4/47-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject-the organization of the Fellowship committee, requests for fellowship applications, etc. Dates- 9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. John L. Pratt. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship program, minutes of: annual board meeting (1941), executive committee meeting (1940), VA artists fellowship committee meeting (1940), announcement/application for VMFA fellowship, etc. Dates- 6/40-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence about the Museum. Dates- 1939-46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition- \"The Virginia Museum of Fine Arts in Roanoke\", 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Essays by Director Thomas Colt on the Principles and Work of the Virginia Museum of Fine arts and its history.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Timetable, agenda, invitation, guest list. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Henry Callahan, biographical data, entry form, letters to selected applicants, statistics: entrants vs. applicants etc., and jury procedure. Dates- 4/71-2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellowships, VPI Traveling Theatre. Letter to Josef Albers with biographical data, invitations and exhibitions. Dates- 3/59 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains pamphlets and correspondence between this association and Mrs. Pollard's Inter-agency committee on recreation 1949-54; Reports and Inventories of recreational activities of state agencies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- VMFA budget, state issue vehicles, Artmobile, salaries, Robinson House, etc. Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Complimentary memberships to members of the house of delegates, travel regulations, United Givers Fund campaign, management studies. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VSAA membership rosters, membership of confidential secretaries to directors of state agencies. Dates- 9/63 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- Memos to heads of state agencies regarding all manner of state operations, capital outlays. Annual Report of \"Virginia Department of Vocational Rehabilitation\", 1976. Dates- 1/73 - 10/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- Affirmative Action and Freedom of Information Act requests. \"Virginia Local and Regional Planning 1974\"; \"Virginia Commission Visually Handicapped Annual Report\", 1973-74; \"Virginia Highway Commission Annual Report\", 1973-74. Dates- 11/74 - 12/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- State governmental management, budget appropriation requests, Virginia calendar of events, newsletters, museum salaries and the Virginia Privacy Act of 1976. Dates- 4/75 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regards donating old exhibition materials 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Roster of VMFA Trustees, resume of progress in the Fine Arts of Virginia. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and E.M. Kates (VSIF). Subject- Planting of flower beds and maintenance of interior foliage, Elizabeth Kates Foundation. Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cleaning and treatment reports of portraits owned by the Virginia State Library and Archives. Also correspondence regarding the wartime protection of Virginia's cultural materials, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- outline of annual meeting. Dates- 11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- \"Planning Your Town\" traveling exhibition, photos and description of exhibition installation, copy of an essay written by Cheek for Art Digest (4/52) Dates- 2/52-10/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VA Union choir singing at the Museum during the Christmas season, pamphlets about Museum sponsored activities during the holidays, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statewide competition for the design of Memorial and jury selection. L. Cheek's service as advisor to the Memorial Commission. T.J. Collins and Son as winners of competition. \"Program Of Competition For The Virginia World War II Memorial\". Dates- 12/50 - 3/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Program Of Competition For The Virginia World War II Memorial\", firms invited to compete in the final selection, expenses incurred and resumes of applicants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, John J. Wicker Jr. (Chairman). Subject- Competition program, VWW II Memorial Commission meeting minutes, \"Preamble\", for the creation of the memorial, \"Architectural Competitions\", AIA Document no.213. Drawings/plans and photographs for site development. Dates- 5/50 - 12/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 1953 Official Report of the Virginia World War II Memorial Commission. Dates- 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Competition program and closing proceedings. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Applications from selected entrants, official report of the jury in their selection of J.T. Collins and Son, (A.I.A.). Dates- 3/51 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report of the Jury concerning the winning design. Jury members: Waldon Franklin, George Howe, Frederick C. Disque, Edward D. Stone, W. S. Robertson, biographical data included and list of competition entrants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Guest lecturers, membership. Dates- 12/63 - 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. von Keller. Subject- appointment of von Keller as Acting Director of VMFA in absence of Colt, biographical information, etc. Dates- 4/35-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. von Keller (Art Director, Randolph-Macon Woman's College). Subject- personal, Museum events, etc. Dates- 8/42-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Vose. Subject- Acquisitions and provenance of objects. Dates- 7/56 - 2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt. Priscilla Crum and L. Cheek. Subject- Segregation in children's art classes, Study of early 19th century architect and builder John Jordan. WRVA Radio weekly series of VMFA activities, Salon des Refuses' for artists eliminated from the Virginia Artists juried exhibition. World War II Memorial design competition, Artmobile, newspaper clippings, paintings from the Williams Collection and the Helena Woolworth McCann Collection of Export Collection. Exhibition catalog: \"Eugene Wiesz\". Photographs. Dates- 9/45 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Artmobile, AIV, sit-see chairs, collectors circle, Fellows, Wise Pre-Columbian Collection, requests for employment. Woodrow Wilson Birthplace Foundation: Annual Report 10/64. Gifts, loans, contributions and acquisitions. Dates- 3/60 -11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Exhibition announcements, invitations, newsletters, biographical data, requests for employment. Purchases, gifts and acquisitions. Damage report of art works. \"Profile\", re: Tishman Collection of African Objects. \"Hermes Wingraf Quarterly Catalog\", Summer 1971, re: 17th century Dutch still-lifes. Dates- 2/70 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Waddy bequest for fountain construction. Costs of construction and maintenance of fountains: National Gallery, Frick Collection and Isabella Stewart Gardner Museum, includes photographs. Blueprints/plans: VMFA Site Development, East Elevations. Excerpt from the will of Woodson P. Waddy. Dates- 1947, 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Bronze Waddy Memorial Fountains, architects: Eggers and Higgins, Sculptor: Ralph Menconi. Contractual agreement with architects, Blueprints/ plans, detail drawings for : Waddy Memorial Fountain, Triton Fountain, East elevation and site development plans. Dates- 8/53 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Mr. Clifford L. Walker. Subject- inscribed plates for paintings in Museum collection, bronze busts and tablets for founders. Dates- 11/35-8/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Walpole Society Dinner, membership roster and newspaper clippings. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA staff orders for conduct of Museum during an emergency, pamphlets from the U.S. Government, Association of Art Museum Directors and American and British museums about art preservation in case of a wartime emergency. Dates- 1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Warburg Collection on loan to VMFA and his address to collector's circle. Bulletin vol.18 no.9 5/58 Dates- 5/57 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT scenery design. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets from the U.S. Government, Association of Art Directors and American and British museums about art preservation in case of a wartime emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- prospective sale of George Washington portrait by Peale to the state of Virginia, history of the painting, may have been commissioned by the state in 1784 for use by Houdin (the sculptor of the George Washington statue in the capital). Dates- 10/37-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Marion Junkin. Subject- Metropolitan Collection on permanent loan to W\u0026L, letter from M. Junkin espousing the talents/commitments of the young artist Cy Twombly. Hans Gasman as restorer for VMFA lists of objects and exhibitions. Dates- 11/49 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Alexander W. Weddell. Subject- Weddell's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, gifts from Weddell, listing of Trustees 1942, listing of Trustees committee assignments 1945. Dates- 9/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and Mrs. J.G. Pollard. Subject- Founding member of VMFA, resolution from Executive Board in memoriam of Alexander Wilbourne and Virginia Chase Weddell. Award of the Webster S. Rhoads Medal for distinguished service. Minutes of Annual Meeting, descent and authenticity of a pair of copies of portraits of George Mason and his wife. Dates- 7/45 - 1/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Foundation financial support: VMT, library, contributions to Fellows fund, book purchases, VMFA services catalog. Dates- 7/66 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Director of Gallery of Modern Art, NYC, and his service as a juror. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Time\" article on George Catlin, artist of the American West. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Mellon. Subject- Ultimate destination of Mellon English Collection. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Tour request. Dates- 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Mrs. J. H. Parsons. Subject- Wheelchairs adapted for sit-see chairs and underwritten by Mrs. Parsons. Dates- 10/65 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture/recital to VMFA council and Fellows. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitation to L. Cheek by President Johnson to attend luncheon for President-elect Barrentos of Bolivia. Dates- 7/20/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Objects on loan to White House. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Theo B. White. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Diorama's made by Whitelaw in the collection of the L.A. County Museum and George Washington Masonic National Memorial Association. Photographs Dates- 7/62 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- general correspondence with a Trustee on Museum programs and operating activities (esp. Accessions Committee). Dates- 6/35-3/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Beatrice von Keller, T. Colt and L. Cheek. Subject- Organization of an exhibition of pre-Columbian sculpture, Catesby-Jones collection, Whitman Collection of Mayan Sculpture, Chrysler Collection accessions and exhibitions. Date- 8/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. Thelma Cudlipp Whitman. Subject- Trustee/Museum business, etc. Dates- 5/51-2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Ambassador to Great Britain, invitation to become Collector-of-the- Year. Dates- 5/61 - 7/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and various Whitney Museum staff. Subject- loans to the Museum for the inaugural exhibition, loan to the Whitney from VMFA, museum practices, etc. Dates- 5/35-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Summer state service projects, VMFA projects list. Dates- 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Playwright, invitation to address VMT, Time Cover 11/12/53. Dates- 1/53 - 3/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA appointment to Board of Trustees, service as President and on the Entertainment Committee. Museum business, South Wing, Fellows, NEFTA. Gift of Mellon French painting collection, gifts, contributions. Dates- 6/65 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions: \"Jean Outland Chrysler Collection\" and \"30 Years of Virginia Art\". List of objects, Charter Day ceremonies: invitation list and dedication of the new Fine Arts building. Essays- \"Thomas Jefferson and the Fine Arts\" and \"The Arts in Virginia\", by L. Cheek 2/67. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT and loans of objects to VMFA. Dates- 1/50 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. J.G. Pollard. Subject- Williams Collection inventory, Williams purchase fund, statement concerning the informal agreement between L. Cheek and Mrs. A. D. Williams concerning installation of collection in the new wing. Selected inventory of furnishings in the Williams home. A.D. Williams as recipient of the Rhoads Medal, financial contributions, gifts and loans. Dates- 6/48 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Berkley Williams Jr., Virginia artist. Dates- 1936-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., and Mr. E. Rand Williams. Subject- Trustee/Museum business, Rand served as Buildings and Grounds Committee Chairman 1937-8 and as first Vice-President in 1941, etc. Dates- 6/35-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. E. Randolph Williams. Subject- Trustee/ Museum business, etc. Dates- 5/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Glasglow bequest, Melchers Estate, Pratt Jewels, Portrait of \"James Patton Preston\", Gilbert Stuart, general legal questions. Dates- 10/58 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Election to board of Trustees; Dance Society. Dates- 6/54 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Advisory committee on the new Reception Center, L. Cheek as a member and a map with the proposed location. \"Summary of Reception Center Objectives and Experience\". Dates- 11/53-1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List of objects accepted as loans and pending gift status. Dates- 10/49 - 3/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Preliminary plans for a foundation to house objects related to W. Wilson's life. Portrait exhibition of the 8 Virginia born Presidents, portrait of Mrs. Wilson, artist unknown. \"Woodrow Wilson's Heritage of Faith\", Frank Bell Lewis, Woodrow Wilson Birthplace Foundation, 1956. Dates- 9/55 - 6/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of request and approval for event, agendas and timetable. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letter of confirmation. Dates- 7/11 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Woodlawn Plantation event, guest list and map. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. to Worcester Art Museum staff. Subject- loans for VMFA inaugural exhibition, loan to Worcester Art Museum, etc. Dates-8/35-7/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- exhibition held at the Museum \"Southern States Preview\" a regional exhibition connected to the World's Fair. Dates-10/38-12/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by applicants to exhibition. Subject- listings of artists accepted to the show (listed state by state). Dates- 12/38-1/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Arthur Drexler (MOMA) to lecture on Wright exhibition, reception, guest list. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Transcript of radio broadcast 2/26/54, exhibition: \"American Painting\", Artmobile and magazine excerpt. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Betsy Wyeth and Harry Brooks (Knoedlers). Subject- \"Country\": Working drawings, Artmobile layout and tour and reviews. Dates- 2/67 - 11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Exhibitions, loans, acquisitions, AIV, gifts, contributions. Correspondence with William Zorach, sculptor. Dates- 9/49 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- museum practices, loans for the VMFA inaugural exhibition, etc. Dates-9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General correspondence from Alumni, possible lecturers, newspaper clippings. Correspondence between Cheek and Alfred Stiegletz. Minutes of Alumni and Friends of the School of Art and Architecture, 5/58, pamphlets. Dates- 6/58 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Third Report Of The Committee On Architecture, Painting and Sculpture\", 4/50. Committee membership roster, issues facing various Yale departments. \"Bulletin Of Yale University\", series 44, 4/48 #5 and \"Official Register Of Harvard University\", vol. XLV, no.15 7/15/48. Dates- 1949 - 50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. Pollard and M. Christison. Subject- Yale school of the arts general operation, appointment of Joseph Albers, list of University Council Committees. Dates- 9/48 - 9/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Draft of the committee report and responses from other Yale committee members regarding departmental personnel, curriculum, problems and resolutions. \"Report Of The Committee Of The Division Of The Arts (Architecture and Planning And Design)\",prepared by L. Cheek, 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Report Of The Chairman Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 4/48, prepared by L. Cheek. Issues concerning Yale departments of the arts. Minutes of Yale Executive Committee Meetings, various reports on Yale departments. Dates- 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cheek draft of, \"Report Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 1952. Yale policy review, new appointments, letters to other committee members, roster of membership. Dates- 5/51 - 4/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Evolving challenges of the various Yale departments. \"Report Of The Committee On The Division Of The Arts (Architecture, Planning and Design)\", 4/53. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA performance of Yale Glee Club, agenda, program, roster, etc. Dates- 10/60 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","R. Peter Mooz was Director of the museum from 1976-1981.","Charles L. Reed was Interim Director of the museum from 1981-1984.","Paul N. Perrot was Director of the museum from 1984-1991.","Katherine R. Lee was Director of the museum from 1991-2000.","Richard B. Woodward was Interim Director of the museum in 2000.","Michael Brand was Director of the museum from 2000-2005.","Thomas N. Allen was Interim Director of the museum in 2006.","This series contains correspondence and subject files from staff members in the Director's Office.","Carolyn Weekley was the Assistant to the Director from 1978-1979. She later became Curator of Decorative Arts, so there is some overlap in the files with her curatorial work.","Margaret (Peggy) Burke was Assistant to the Director from 1980-1981, then Deputy Director in 1982, Deputy Director. She originally served as Assistant Director for Collections and Interpretation, so there is some overlap in the files with her other work.","Lulan Yu was Assistant to the Director from 2002-2007. Her files are mostly related to the North Wing expansion and the museum identity project.","Lee Anne Hurt Chesterfield was Assistant to the Director from 2004-2009, then became Director of Board Relations and Museum Planning. Her files are mostly related to special projects, exhibitions, and AAM reaccreditation.","This series consists of building files that were maintained separately in the Director's Office. There are often additional building files found in each Director's Correspondence files.","The West Wing was completed in 1985.","The North Wing expansion was completed in 2010.","This series consists of corespondence with internal and external groups, the affiliations or creations of which often often overlap different Directors.","This series consists of minutes and planning documents for meetings convened by the Director.","This series consists of program files that were maintained separately in the Director's Office. There are often additional program and exhibition files found in each Director's Correspondence files."],"separatedmaterial_html_tesm":["\u003cp\u003eMedal awarded to Walter Spencer Robertson housed separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Medal awarded to Walter Spencer Robertson housed separately."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"names_ssim":["Virginia Museum of Fine Arts Archives"],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"language_ssim":["English \n.    "],"total_component_count_is":7183,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:29:10.278Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_44_c01_c01_c02"}},{"id":"virmu_repositories_2_resources_44_c01_c01_c03","type":"File","attributes":{"title":"25th Anniversary: Film, Richard de Rochemont","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_44_c01_c01_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_44_c01_c01_c03","ref_ssm":["virmu_repositories_2_resources_44_c01_c01_c03"],"id":"virmu_repositories_2_resources_44_c01_c01_c03","ead_ssi":"virmu_repositories_2_resources_44","_root_":"virmu_repositories_2_resources_44","_nest_parent_":"virmu_repositories_2_resources_44_c01_c01","parent_ssi":"virmu_repositories_2_resources_44_c01_c01","parent_ssim":["virmu_repositories_2_resources_44","virmu_repositories_2_resources_44_c01","virmu_repositories_2_resources_44_c01_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_44","virmu_repositories_2_resources_44_c01","virmu_repositories_2_resources_44_c01_c01"],"parent_unittitles_ssm":["Director's Correspondence (RG-01)","Series 1: Director's Correspondence","Series 1.1: Early Directors"],"parent_unittitles_tesim":["Director's Correspondence (RG-01)","Series 1: Director's Correspondence","Series 1.1: Early Directors"],"text":["Director's Correspondence (RG-01)","Series 1: Director's Correspondence","Series 1.1: Early Directors","25th Anniversary: Film, Richard de Rochemont","box 33863 Box 92","folder 3","Item RG01.01.1.0003"],"title_filing_ssi":"25th Anniversary: Film, Richard de Rochemont","title_ssm":["25th Anniversary: Film, Richard de Rochemont"],"title_tesim":["25th Anniversary: Film, Richard de Rochemont"],"unitdate_other_ssim":["1960"],"normalized_date_ssm":["1960"],"normalized_title_ssm":["25th Anniversary: Film, Richard de Rochemont"],"component_level_isim":[3],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Director's Correspondence (RG-01)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":5,"parent_access_restrict_tesm":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1960],"containers_ssim":["box 33863 Box 92","folder 3","Item RG01.01.1.0003"],"_nest_path_":"/components#0/components#0/components#2","timestamp":"2026-05-21T03:29:10.278Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_44","ead_ssi":"virmu_repositories_2_resources_44","_root_":"virmu_repositories_2_resources_44","_nest_parent_":"virmu_repositories_2_resources_44","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_44.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/44","title_filing_ssi":"Director's Correspondence (RG-01)","title_ssm":["Director's Correspondence (RG-01)"],"title_tesim":["Director's Correspondence (RG-01)"],"unitdate_ssm":["1927-2009"],"unitdate_inclusive_ssm":["1927-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-01","/repositories/2/resources/44"],"text":["RG-01","/repositories/2/resources/44","Director's Correspondence (RG-01)","The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809).","\"Museum in Action\" was reformatted and is available on YouTube:  https://www.youtube.com/watch?v=03tQlnoFx0A\u0026t=1s","The collection is organized into six series, and items are generally arranged alphabetically within series 1-2. Series 3-6 are generally arranged chronologically.","Series 1 Director's Correspondence, 1927-2006 Series 2 Director's Office Staff, 1977-2008 Series 3 Building Files, 1979-2004 Series 4 Organization Files, 1991-2006 Series 5 Meeting Files, 1998-2009 Series 6 Program Files, 1992-2007","The collection was transferred from the Director's Office through periodic deposits since 1989. The bulk of the Early Director's Correspondence (Series 1.1) was deposited at to the Library of Virginia in 1982, where it remained until November 2022 when it was returned to VMFA.","Between June 17-September 10, 2023, the Fellowship Application and associated photograph of Wigfall were placed in the exhibition \"Benjamin Wigfall \u0026 Communications Village.\"","Between June 17-September 10, 2023, the recommendation letter from Leo Katz was placed in the exhibition \"Benjamin Wigfall \u0026 Communications Village.\"","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","Series 1.1 was processed by State Records Archivist Laura Drake Davis from 2006-2008 while it was still deposited at the Library of Virginia. In 2023, Senior Archivist Courtney Tkacz integrated VMFA's holdings into that series and in the process, RG-01 Boxes 1-4 and LVA 33863 Boxes 60, 67, 74, and 89 were removed.  ","Select application materials were digitized with the identifier: RG01.01.1.33863.001","Select application materials were digitized with the identifier: RG01.01.1.33863.007","Select application materials were digitized with the identifier: RG01.01.1.33863.008","Select application materials were digitized with the identifier: RG01.01.1.33863.009","This series is comprised of correspondence of all of the various Directors of the museum. Files were arranged alphabetically by subject, and there is a lot of overlap between different Director's as the files often contained pertinent items from a predecessor. In the case of the first sub-series (1.1), until 1976, the entire museum's files were maintained centrally as one unit in the Director's Office.","This series includes the records of the first three Directors - Thomas C. Colt (1935-1948), Leslie Cheek, Jr. (1948-1968), and James M. Brown (1969-1976) - as well as the two Interim Co-Directors Beatrice von Keller and Violet McDougall Pollard (1942-1945). The bulk of this series was deposited at the Library of Virginia, therefore most of the items held at VMFA are copies that LVA returned to the museum.","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with individuals, institutions and corporations beginning with the letter 'A', note- two letters written to Josef Albers (no replies). Dates- 2/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding a copy of Gainsborough's \"Blue Boy\" in the collection of Van Clief of Esmont, Virginia.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters from private donors and dealers offering objects for sale and as gifts to the Museum when it was first started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and information about gifts and purchases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about items being considered for purchase and members of the committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes, and information on bequests and purchases. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- minutes of accessions committee meeting 1972, announcements and attendance for meetings 1973, acquisitions policy for bidding on works of art at auction, etc. Dates- 9/72-1/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- painted decorations of St. James church, putting this church on the Virginia section of the National Register. Dates- 4/68-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- departmental inventories of non-expandable assets of the Commonwealth of VA 1940-3, worksheets on individual art objects and Museum equipment, state regulations, etc. Dates- 6/43-11/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown and P. Near (Curator). Subject- correspondence about possible acquisitions, considerations of gifts, notes on possible acquisitions, etc., 10/70-4/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding the gift of Mrs. Charles Adams (Ann Fowlkes) of music albums 1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's appointment by the Governor to an advisory committee assisting the Dept. of Conservation and Economic Development in a study for a proposed museum of science, archaeology and natural history (to be located in Richmond), copy of Senate joint resolution no.26-to study the encouragement or establishment of a museum of science and natural history, list of committee members, Report of the Department of Conservation and Economic Development to the Governor and the General Assembly of Virginia Relative to the Establishment of a Museum of Science, Archaeology and Natural History in Richmond, 1965, etc. Dates- 5/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Excerpt from the Report of the Committee on Recreation to the Advisory Council on the VA Economy and A Summary of Major Recommendations that Involve Questions of State Policy by the Advisory Council on the VA Economy. Dates- 8/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- possible Museum acquisitions from the dealer. Dates- 4/53-5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Airfiltering System 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- correspondence and announcement for lecture by Ambassador Akar about Africa's unique cultural heritage, etc. Dates- 10/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek was a judge for their annual show. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with Albemarle Art Association President about discontinued affiliation with VMFA, biographical information on Cheek, introduction about Cheek for lecture at AAA, Cheek's remarks in honor of Horace Burr 1966, etc. Dates- 8/57-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with and biographical information about Josef Albers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- a letter to Albers (no reply). Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown Subject- correspondence with Director about appointment to board of Hon. George S. Aldhizer II, Education in the Arts and Honors and Awards Committee appointments, etc. Dates- 6/67-2/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Donor of several paintings to the Museum, 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek as speaker for \"The Alexandria Forum: Southern Decorative Arts 1750-1850\", exhibition loans to Alexandria Assoc., etc. Dates- 9/55-1/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Printed materials. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding annual meetings and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- AAM (American Association of Museums)annual meeting pamphlets 1955,'57,'58,'59'60,'61,'62,'65 and'68, proposed constitution and By-Laws 1961, roster of member institutions 1959, correspondence about AAM meeting in Williamsburg, etc. Dates- 10/60-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from AAM Directors. Subject- Minutes annual meeting 1969, membership reports 1969-70, Financial Statements 1969-70, agenda for AAM council meeting 1970, memos, etc. Dates- 8/69-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- info about AAM (American Association of Museums) seminar held in Richmond 1972, financial and membership reports 1972, minutes of exec. committee meeting 1972, news releases, letter from Richard Nixon to Mr. Brown as President of the AAM, mailings sent out by AAM, etc. Dates- 7/72-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about Cheek as Program Chairman for AAM (American Association of Museums) annual meeting in Williamsburg 1962, tentative agenda, schedule of events, attendance list, committee reports, program, etc. Dates- 5/59-1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- correspondence to American Art Association (AAM) section chairmen about annual meeting, program, schedule of events, etc. Dates- 9/60-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about arranging program for American Association of Museums (AAM) meeting, roster of section chairmen 1962, agenda for exec. committee meeting 1961, invitations sent to VMFA trustees for a reception (held at VMFA) to meet the delegates to AAM meeting, etc. Dates- 7/59-6/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- roster of AAM (American Association of Museums) section chairmen 1962, attendance and schedule for section meetings, etc. Dates- 1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lloyd Goodrich Lecturer. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek on advisory committee for the study of design and craftsmanship in today's products, roster of advisory committee, proposed exhibition, conference series, documentary and publication about design and craftsmanship, National Exhibition Project Committee meeting minutes 1950, etc. Dates- 3/49-4/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek on Board of organization. Contains memos, pamphlets, exhibition literature etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns L. Cheek's membership in the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- minutes of exec. committee meetings 1961, '62 and '65, roster of trustees, memos to trustees, correspondence about convention in Chicago, etc. Dates- 1/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. (trustee of AFA). Subject- information about circulating exhibitions, minutes of Exec. committee meetings 1966 and '67, minutes of trustee meetings 1966, '67 and '68, memos to trustees, etc. Dates- 1/60-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- American Federation of Arts (AFA) exec. committee meeting minutes 1967 and '68, correspondence about AFA delegates visit to VMFA 1969, roster of members and committee appointments, news releases 1968, President's annual report to AFA, etc. Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about Cheek as Convention Committee Chairman 1959, correspondence about potential committee members, program for convention, minutes of preliminary joint meeting of the AFA trustees 1958, minutes of trustees meeting 1959, Golden Anniversary Convention, The American Federation of Arts 1909-1959, congratulatory and appreciation letters to Cheek, etc. Dates- 3/58-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown Subject- AFA (American Federation of Arts) exec. committee meeting minutes 1959,'60,'61,'62 and'65, roster of board of trustees, trustee meeting minutes 1961 and '62, AFA constitution, National Council on the Arts and Government Annual Report 1960, etc. Dates- 3/61-1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with the American Institute of Architects. Dates- 4/47-1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek served as a juror for the Annual Homefurnishings Design Competition and was an honorary member, 1949-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- A.I.D. (American Institute of Designers) VA chapter yearbook 1961-2, listing of suggested museums for A.I.D. exhibition, etc. Dates-5/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown. Subject- dinner meeting for the AID (American Institute of Designers) (interior designers). Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz and Wm. Wilkinson (Mariners Museum). Subject- Loan requests, cost estimates, pamphlets and photographs. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz and Wm. Wilkinson\u003e Subject- First major survey of American Marine Painting in observance of the Bicentennial. Lists of paintings, installation, budget, etc. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains copies of lecture invitation and catalog. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown from ASA (American Society of Appraisers). Subject- Brown's membership in ASA, ASA news 1971-2, announcement of meeting 1971, etc. Dates- 10/70-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for gallery dinner at VMFA for American Society of Appraisers. Dates- 1/72-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Brown as Chairman of a committee on collections at Amherst College and member of Exec. Committee of the Association of Fine Arts, constitution and minutes of Association of Fine Arts meetings 1970 and '71, roster of members of the Association of Fine Arts, membership solicitation letter, catalogue: The Amherst Sesquicentennial Exhibition 1972, etc. Dates- 10/69-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. J.G. Pollard and Mr. Henry W. Anderson. Subject- meetings of the Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, a portrait of Anderson by VA artist, Julian Binford, etc. Dates- 6/35-11/44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Henry W. Anderson. Subject- Anderson's presidency of the Board of Trustees 1947, trustee and Museum business, Annual Board meeting minutes 1947-8, Museum events and daily operations, Museum investments and gifts to the Museum, a general study of the Museum's collections and suggested plan of development (1947), information about the land occupied by the Museum and its estimated future needs, etc. Dates- 6/47-6/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- President of the Board of Trustees. 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and L. Cheek, Jr. and Col. Henry W. Anderson. Subject- Anderson's presidency of the VMFA Board of Trustees, Museum events and daily operations, gifts to the Museum, investment of the Museum's A.D. Williams fund, listing of financial condition of endowment and special funds 1952-3, etc. Dates- 5/51-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for dinner honoring Mr.and Mrs. Walter P. Chrysler, guest lists, invitations, R.S.V.P.'s, etc. Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- final copies: VMFA 2nd Annual Report of the Director 7/1/36-6/15/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 7th Annual Report of the Director 7/1/41-5/1/42 and VMFA staff orders 1/42 elaborating the orders of 6/41 conduct of the Museum during an emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers, preliminary and final copies of The Report of the Acting Directors for the Year 1944-5, agenda for Executive committee meeting 6/44, breakdown of membership 1943-4, 1944-5 and working papers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- final copy VMFA Annual Report. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- preliminary and final copies VMFA Annual Report 1946-7 7/1/47-4/30/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- preliminary and final copy: VMFA Annual Report 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for the 1948-9 Annual Report, Report of the Executive Committee of the VMFA to the Board of Trustees (5/22/49) also a listing and attendance record of the Board of Trustees (5/27/49).  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for the 14th Annual Report, including operations budget, salaries and membership count, also a copy of VMFA Organic Laws (10/36). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- The 14th Annual Report of the Director (5/27/49) and its working papers, also correspondence about VMFA role in selecting and displaying portraits in the Governor's Mansion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- working papers for the annual report, listing of Cheek's activities (lectures, consultations, committee and jury duties). Dates- 1960-1. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual Reports for Collections and Gallery Divisions 1951-54, and for State Extension Services 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 1st Annual Financial Report of the Curator (4/13/35-6/15/36), VMFA 2nd Annual Report of the Director (7/1/36-6/15/37), VMFA 3rd Annual Report of the Director (7/1/37-6/1/38), VMFA 4th Annual Report of the Director (7/1/38-6/1/39), VMFA 5th Annual Report of the Director (7/1/39-5/1/40), VMFA 6th Annual Report of the Director (7/1/40-5/1/41). Dates- 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 7th Annual Report of the Director (7/1/41-5/1/42), VMFA 8th Annual Report by the Acting Directors (7/1/42-5/31/43), also, VMFA 9th Annual Report by the Acting Directors (7/1/43-5/31/44).  Dates- 1941-1944. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- the following reports: \"Remarks by Robert Marsh, Jr. before the Appropriations Committee of the General Assembly\" and \"Resume of the Request of the Trustees of the Virginia Museum of Fine Arts before the Appropriations Committee 2/64\" Dates- 2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual meeting of its Richmond Chapter at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and Ms. B. von Keller. Subject- biographical info, purchase of his painting Maggie, letters of introduction, personal references, loaning work to Museum, Va. artists exhibitions, counsel on museum operations, etc. Dates- 10/35-10/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed paperback guide to architecture in Virginia, roster of Editorial Advisory Board for guidebook, list of sites by counties and cities, etc., final list of buildings and sites, announcements and minutes of Nominating Committee meeting, etc. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- biographical information on H. Harvard Arnason, speaker on Henry Moore sculpture at VMFA, VMFA Members' Bulletin vol.26, no.2 10/65. Dates- 9/65-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- confirmation of meeting with State Art Commission to present plans to enlarge VMFA. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership roster, pamphlet of Art Dealers of America, Inc., etc. Dates- 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given at the VMFA by members of the staff of the Museum of Modern Art 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices, the following publication: Let's Make the Lions Roar: A Marketing Study of the Art Institute of Chicago by Edward J. Teply (Northwestern University 1959) Dates- 6/48-1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Potential jurors for biennial exhibitions 1970. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence and a listing of members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and art nouveau purchase plan. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Artificial flowers for decoration in galleries, 1964. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum program where artist-members participated in a life drawing class.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program sponsored by museum for artist members, included life drawing classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and memorandums. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and minutes from meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Project to try and send artmobiles overseas as suggested by the State Department. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence as to whether or not they would like to have the artmobile visit their school. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains plans, blueprints, and correspondence that occurred during its development.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Manufacturer of custom van bodies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Presidential Inauguration. Artmobile was State of Virginia's entry in President Johnson's inaugural parade, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed exhibition for the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Magic City Bank had an exhibit trailer, which was a prototype for artmobile.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations, programs and correspondence.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reprints of A.I.V. article \"Galleries on Wheels\", 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VFWC was instrumental in getting the artmobile started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, newspaper and magazine clippings and schedule 1961-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedules, Plans, correspondence and photographs, 1960-63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and plans for 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening, Middleburg, Virginia, 1962.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner and Invitation List. Artmobile II Opening. Middleburg, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Facts sheets, invitations and photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dedication. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- correspondence re. funding, construction, photographs, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans for Collegiate Artmobile to visit Virginia Colleges. 1964-65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal to ask the Carnegie Foundation for funding for a collegiate artmobile, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening, Ashland, Virginia. Correspondence and programs, Sept. 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Meeting of Virginia college Presidents regarding the Artmobile project to service college and University campuses. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, David Pittman, Peter Mooz. Subject- Artmobile workshop: program agenda, exhibition schedules, etc. \"Artmobile Chairman Handbook\". Dates- 7/74 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fruehauf Trailer Co., artmobile manufacturer, 1965-66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed by Lt. Governor Mills Godwin, attempted to establish a Virginia Arts and Crafts Museum. Newspaper clippings, correspondence, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets, prints, minutes and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Arts and Humanities Summer Institute. Sponsored by the Va. Commission of Arts and Humanities at the Museum in 1971. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Informational pamphlet from the President's advisory Council on the Arts, 1963. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Art Council of America and Governor's office. Subject- invitation from the Art Council of America to be represented in this council, etc. Dates- 10/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from George Cruger (Editor, AIV), J.M. Brown and Wm. Gaines. Subject- Microfilming of AIV and checklist of Articles to date, Spring 1974. Catalog: \"Image\", George Eastman House, 1973. Dates- 11/73 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memos and Correspondence. Dates- 1960 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Search for a designer for the magazine. Letters to and from possible candidates. Dates- 1964.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Various issues of the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- A.P. News clips regarding Museum, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the portrait bust of John Marshall.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- A.P.V.A. Pamphlets and Correspondence, 1972. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- agenda for the APVA (Association for the Preservation of VA. Antiquities) meeting held at VMFA, roster of exec. committee and trustees, etc. Dates- 3/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of members and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and reports from annual meeting 1964-68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- General correspondence to Directors of various museums regarding membership, loans of art works, invitations, etc.  Fact sheet on Artist housing in Soho. Dates- 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and minutes from annual meeting 1970-71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Annual meeting: reports, minutes, events schedules, officers, membership. Code of Ethics for ilicit traffic in works of art. \"Reproductions and Reproduction Rights For Museum-Owned Objects\", 1962, American Federation of Arts. Dates- 1972, 1979 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes from meeting. Dates- 5/59 - 6/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposals for membership. L. Cheek was membership chairman. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes of meeting. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report on dangers of lending objects to institutions for special exhibitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Questionnaires, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Lady Nancy Astor. Subject- Donation of her portrait by John Singer Sargent and china. Dates- 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"B\". Subject- varied. Dates- 9/50-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with institutions, individuals or corporations beginning with the letter \"B\" and the VMFA loan-own art service policy statement. Dates- 6/62-10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Transcript of remarks by Frank Stanton on his award of the Michael Friedman Medal of the Architectural league, magazine clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Ballet and L. Cheek concerning the beginning and future of a theatre at the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, A. Ballet and trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Baltimore Museum of Art calendars of events, correspondence about museum practices, etc. Dates- 9/48-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Miss Iris Barry. Subject- giving a film lecture, newspaper clipping, etc. Dates- 8/49-5/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, T.C. Colt, Jr. and L. Cheek, Jr. Subject- general information about Barter Theatre (announcements, VA Highlands Festival schedule, etc.) and correspondence about the Museum sponsoring drama productions as a state extension service. Dates- 12/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Barzansky Galleries. Subject- invitation to a Harriet Fitzgerald exhibition at the Charles Barzansky Galleries, N.Y.C. Dates- 1/58-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Governor Battle. Subject- thank you notes, etc. Dates- 11/50-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlet of the Museum's 1945-6 season. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. Bellows. Subject- the proposed acquisition of one of two of Bellows' paintings (Kids, The Teamster) which the museum didn't purchase. Dates-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Fitzgerald Bemiss as a Trustee, correspondence about Board of Trustees and Membership Committee business, gifts to VMFA, etc. Dates- 6/54-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- visit to Florence, Italy and to see Bernhard Berenson. Dates- 1/56-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition: Eugene Berman's sketches for the Metropolitan Opera's Barber of Seville. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Brown was a chairman of the panel of judges for the Franklin Mint Bicentennial Medal competition in the state of Virginia, official rules and entry form for competition, etc. Dates- 4/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- House Bill no.131 to keep Va. interstates free of billboards, response letters from Va. politicians, etc. Dates- 2/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Mr. Paul Bird as a lecturer on contemporary painting, a transcript of the lecture, etc. Dates- 1/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek and J.M. Brown. Subject- Accessions: Chinese objects. Requests for loan of A. Wyeth paintings from Wyeth Estate, invitation to Clare Boothe Luce to address 17th Annual Va. Public Relations Conference, letter of inquiry regarding the artist Lucille Sinclair Douglas. Accessions: Dubuffet prints, period chairs, pedestals, chest, Aphrodite Torso, female draped figure, Claude Hirst painting, Roger Barr painting. Eric Christmas and Festival Theatre, Ontario, Canada, proposal around building of Bristol Chapter House, furnishing of Agecroft Hall, expansion of University curriculum to include Art Historical Studies in surrounding colleges, Hogarth exhibition, World Museum Fund with description of event and agenda.  Text from \"Country Beautiful, America's Finest Small Museums\", with description of VMFA. Accession and gifts: \"The Little School Girl\", Degas; Amphipolis Gold. Dates- 1959-70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek. Jr. Subject- By-Laws revised and adopted 1951, Organic Laws, announcements, replies, agenda and minutes of annual Board meeting 1950, committee reports, listing of Trustees, etc. Dates- 5/50-5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Col. H.W. Anderson. Subject- annual Board meeting, listing of Trustees 1952-3, announcement of annual meeting, VMFA Annual Report of the Director 1952, etc. Dates- 5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement, replies, agenda and minutes of annual meeting 1953, notice of amendments to the By-Laws, a VMFA report/essay \"The Need for Completing Its Addition\", etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- annual Board meeting minutes 1953, 54, VMFA Annual Report of the Director 1954, notice of amendments to the By-Laws 1954, announcement, replies and agenda for meeting, etc. Dates- 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- minutes of Trustees annual meeting 1955, working papers for the meeting, committee reports, By-Laws revised and adopted 6/54, listing of insurance coverage, Museum events, etc. Dates- 5/55-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mid-year meeting and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement of annual meeting and luncheon for the Trustees, R.S.V.P.'s, attendance list, etc. Dates- 4/56-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Index cards with names and addresses of current and former Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff and Board Presidents. Subject- Board of Trustees committee appointments, appointment letters and reply letters for the following years: '45/6, '46/7, '47/8, '48/9 and '49/50. Dates- 1945-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- letters of appointment to serve on Trustee committees and reply letters, listing of committee appointments 1949-50, etc. Dates- 7/49-7/50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Henry W. Anderson (President of the Board). Subject- appointment to committee letters and reply letters, etc. Dates- 8/51-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence By L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of committee appointments. Dates- 1954-5. Correspondence- Subject- listing of committee appointments. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of Trustees committee appointments (1956-7), reply letters to committee appointments, etc. Dates- 8/56-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- notes on planning, cost estimates, invitations, replies to preview of A.D. Williams collection and dinner honoring Governor and Mrs. Battle, etc. Dates- 10/52-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Museum events, working papers for the annual Board meetings and agendas, nominations to the Board, excerpts from the Board minutes, committee reports, etc. Dates- 2/37-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains miscellaneous correspondence, memos and minutes from meetings. 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board annual meeting minutes 1955, By-Laws revised and adopted 1954, By-Laws and suggested revisions 1956, listing of Trustees 1955, Committee appointments 1954-57, etc. Dates- 1954-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Roster of the VMFA Board of Trustees. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement, replies for Board meeting, listing of Trustees 1952, 53, notice of meeting cancellation because of inability to secure a quorum, etc. Dates- 1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- announcements, replies, agenda and minutes of Trustees special meeting and Executive Committee meeting, etc., 1/54-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of the Board of Trustees annual meetings. Dates- 1934-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- suggested plan for developing VMFA collections by Colt (1945), announcements and replies for Board annual meeting , prepared budget 1947-8, listings of Trustees, officers and committees, etc. Dates- 10/45-6/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- sightseeing boat tour on the James River. Dates- 2/57-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mrs. John H. Bocock as a Trustee, Board of Trustees, Entertainment and Accessions Committee business, art lending service information, gifts to VMFA, etc. Dates- 5/51-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek writing introduction for A. Aubrey Bodine's photography book: The Face of Virginia, draft of the foreword/introduction, biographical information on Bodine, etc. Dates- 3/62-1/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- letter to Hon. Armstead L. Boothe about appointment to Board. Dates- 6/64-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Jr. primarily with the Sheraton Hotel. Subject- a cocktail party held on Cheek's Boston trip, guest lists, invitations, etc. Dates- 10/58-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. with various Boston Museum staff. Subject- museum practices, loans, speaking engagements, exchange publications, etc. Dates- 11/47-10/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loaning objects to VMFA, correspondence about museum practices, lecture given by Cheek in Boston about art in Virginia, etc. Dates- 3/55-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and V.Y. Bowditch. Subject- Bowditch biographical information, drama schedule 1955-6 season, evaluations, theatre operations, etc. Dates- 7/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Theatre director of Pasadena Playhouse 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. with E.G. Bowles and the Public Works Administration (PWA). Subject- landscaping the Museum and bids complying with PWA, construction contract 4/36, classifications of labor/workmen and wage rates 12/34 and Form Of Bond-VA 4/36. Dates-3/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's membership to the VMFA Board of Trustees, Museum events and daily operations, the following Museum publications: Virginia Museum of Fine Arts By-Laws, 1st Annual Financial Report of the Curator (4/13/35-6/15/36) and Virginia Museum of Fine Arts 1st Quarterly Financial Report of the Curator (5/1/36), listing of suggested prospective Trustees, listing of Trustee committee appointments 1937, sketches of Museum floor plan, etc. Dates- 12/34-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, Museum publication: Prospectus of Program Season of 1937-38, radio talk show transcript 3/38, etc. Dates- 6/37-6/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, PWA grant offer 1938 to the Museum, letter from VMFA rejecting the offer of a PWA grant, copy of the resolution that Henry P. Strause, Esq. be named first Honorary Benefactor of the Virginia Museum of Fine Arts, etc. Dates- 7/38-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Trustee committee appointments 1939-40, essays by Branch about WWII, financial situation of the Museum 1939, creation of a \"Ways and Means\" committee, etc. Dates- 8/39-6/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe Branch. Subject- Branch's presidency of the VMFA Board of Trustees, staff organization (1940), plan for VA artist fellowships, \"Art in Virginia\" an article written by Colt, Museum events and daily operations, Museum investments and gifts to the Museum, biographical information on Branch, Trustee committee appointments 1940-1, etc. Dates- 6/40-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, biographical information on Branch, Museum events and daily operations, Museum investments and gifts to the Museum, winner of the first Webster S. Rhoads medal, etc. Dates- 5/41-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Thalhimer Brothers, Inc. Subject- use of VMFA's Medieval Gallery for British Embassy reception. Dates- 6/1/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- brochures for the VA Dance Society, VA Film Society and VA Chamber Music Society. Dates- 1963-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loaning objects to Brooklyn Museum, correspondence about museum practices, exchange publications, etc. Dates- 2/48-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- essay written by J. Carter Brown for New York University. Dates- 5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- news releases about James M. Brown becoming VMFA Director, newspaper clippings, photos of Brown, Report of the Director 1972-3, etc. Dates- 6/69-11/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff and Trustees. Subject- plans for receiving the new Director. Dates- 6/69-7/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Fred Haseltine (Assistant to Director). Subject- list of objects being offered to the Museum including: antique gold boxes, ornaments, clocks, etc., letters to the executors of the Ailsa Mellon Bruce estate, correspondence with Paul Mellon, news releases and news paper clippings about gift, photos of the galleries, etc. Dates- 8/70-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Mr. David K.E. Bruce as a Trustee, Board of Trustees business, gifts to VMFA, etc. Dates- 5/48-3/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed acquisition of the Brummer collection of Medieval art, report on collection, list of objects, correspondence to Paul Mellon, etc., later sold to Duke University. Dates- 12/65-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and the Smithsonian Traveling Exhibition Service. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Exhibition 1958, includes layouts and photos, etc. Dates- 3/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's membership on the Fine Arts Advisory Committee to U.S. Commission for the Brussels Universal and International Exhibition of 1958, committee meeting minutes 1957, committee roster, etc. Dates- 2/57-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Fair 1958, Cheek was an advisory committee member, loan, catalogue and installation lists, information on slide presentation- \"Art in American Museums\", etc. Dates- 3/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- sketches, plans of the U.S. pavilion for the Brussels International Fair 1958, information and listing of objects in the \"American Folk Art\" exhibition, etc. Dates- 1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Harry Bertoia (Sculptor). Subject- the acquisition of a Bertoia piece (Tree) shown at the Brussels Fair. Dates- 8/57-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr. Subject- D. Tennant Bryan as a Trustee, Board of Trustee and Membership Committee business, etc. Dates- 10/47-6/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. D. Tennant Bryan. Subject- Trustee/Museum business, membership to the Museum, etc. Dates- 5/51-9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. J. Stewart Bryan. Subject- Trustee/Museum business, loan of paintings for inaugural exhibition, gift to Museum, etc. Dates- 6/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Thomas P. Bryan as a Trustee, Board of Trustee business, etc. Dates- 9/58-11/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- congratulatory letter to Mr. Thomas P. Bryan on election as Mayor, Date- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. to Buchholz Gallery. Subject- proposed purchases, loans, exchange publications, etc. Dates- 4/47-8/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VMFA budget exhibit 1959 and 1966-8, resume of the VMFA Trustees before the Appropriations Committee 1964, budget requests 1960-1 and 1962-4, etc. Dates- 9/61-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of Governor's Budget Advisory Board 1965, outline for capital outlay funds dinner, invitation letter to Trustees, etc. Dates- 5/65-6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed 25th anniversary budget, correspondence about obtaining a Budget Committee for the 25th anniversary program, anniversary publications, etc. Dates- 1/60-3/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about Capital Outlay Commission dinner and theatre, etc. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- suggested order of events for Budget Advisory Committee meeting, invitation letters to the Presidents of VMFA affiliate chapters, draft of end of dinner announcement, etc. Dates- 7/61-9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- list of Governor's Budget Advisory Committee 1969, review of Museum's request for capital outlay funds to construct North Wing and theatre, etc. Dates- 4/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- roster of Governor's Budget Advisory Board 1967, outline for Cheek's remarks to Budget Advisory Committee, etc. Dates- 1/67-5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- roster of Governor's Budget Advisory Committee members 1972-4, request for hearing, dinner invitations for Advisory Committee, etc. Dates- 5/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers and news releases about the addition to the Museum. Dates- 6/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to other U.S. art museums. Subject- installation and advice on purchasing an air conditioning system. Dates- 5/53-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Wm. Rhodes. Subject- correspondence about air condition system failure. Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- addition and renovation to the Museum, proposals and preliminary studies by Mr. Merrill Lee, Architect, copy of a Architects and Consulting Architects Contract, etc. Dates- 12/49-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard primarily with Architects M.C. Lee and Eggers and Higgins. Subject- schedule of interior installation, list of architects bills, building inspection, review work/progress, photographs of progress of additions to the Museum 1953, etc. Dates-12/48-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the proposed addition the VMFA 1949-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Baskervill and Sons (architects and engineers) preliminary drawings, schedule for construction project, etc. Dates- 7/64-12/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Attempt by the United Daughters of the Confederacy to expand their facility on the block. The Museum's and the Virginia Historical Society's attempts to stop them and acquire the land for their own use. Dates- 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about equipment needed to supply music to members' quarters, lobby area and galleries. Dates- 7/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- information about sound equipment. Dates- 6/54-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information on purchasing folding and stackable chairs. Dates- 8/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- extending the rise of freight elevator. Dates- 8/53-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- proposals and layout for a film production unit to be located in the new wing (to make interpretative sound films). Dates- 7/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information, blueprints on changes to and installation of kitchen equipment. Dates- 6/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- the proposed purchase and installation of photographic equipment, correspondence with other art museums about creating and maintaining a darkroom and staff photographer. Dates- 8/53-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- blueprints of check room, information about coat, overshoe and umbrella racks for the Museum check room. Dates- 9/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information about seating for the theatre and auditorium, blueprints of the auditorium. Dates- 8/53-8/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of machinery and equipment needed for the new shop. Dates- 8/17/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about chandelier for front entrance of Museum. Dates- 9/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M.C. Lee, Architect. Subject- alterations and additions to the Museum, color samples and specs for painting and finishing, etc. Dates- 8/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains amounts of pledges and names of donors giving money for new galleries.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Gallery floor plans: VMFA, Brooklyn Museum, Victoria and Albert, British Museum, Art Institute of Chicago, Walters. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Merrill C. Lee, Architect. Subject- progress photographs and negatives (north wing). Dates- 5/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Architects: contractual agreements, VMFA design program, Capital Outlay Appropriation, alteration, additions, cost estimates, expenditures, contracts for Doyle and Russell and Merrill C. Lee (AIA). Dates- 12/48 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- blueprints of a darkroom and information about and catalogs of photographic equipment. Dates- 8/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns securing restricted material such as steel for post-wartime construction. 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Mrs. J.G. Pollard. Subject- Economic Stabilization Committee (ESA) search for qualified women employees, ESA headquarters to be located in Richmond, federal government regulations that established ceiling prices for all commodities and services (except those specifically exempt) upon the basis of prices in effect between 12/19/50-1/25/51. Dates- 2/51-12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Final Statement Museum Of Fine Arts Richmond, Virginia\", contract dated June 9th, 1952. Financial statement/contract from Doyle and Russell Construction. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Terra cotta statues at the North entrance to the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Original Building: \"Manual On The Planning And Execution Of State Capital Outlays\", 9/1/44, contracts: Doyle and Russell (Building Contractors) and Merrill C. Lee (AIA). Detail for additions and deletion from original building. Design contracts and inspection reports. Dates- 1952 - 55, 1966, 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Brochures, drawings, correspondence 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- information on red carpet and padding for the front entrance. Dates- 8/51-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Meeting with Interior designers 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding plants around the Waddy fountain. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- the Richmond Junior League's proposed campaign to raise money for construction of South wing for the Museum, working papers for and final copy of the pamphlet: \"The Virginia Museum Needs Wings\", etc. Dates-12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- renovations and construction of a new wing to the Museum, Cheek's comments on preliminary and revised drawings, and construction progress, Architects and Consulting Architects Contract (Merrill C. Lee, Architect, Eggers and Higgins, Consulting Architects), an essay \"The Virginia Museum of Fine Arts Need for Completing Its Addition\", etc. Dates- 1/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information relating to addition to Museum, several reports including: Building Program 1950-1, Addition to Building 1949-50, The Virginia Museum of Fine Arts The Need For Completing its Addition, History of Appropriation for Construction (1948-53) ,also, notes for Sen. Gray about Museum addition (1952). Dates- 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- miscellaneous daily and general building maintenance. Dates- 2/60-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Governors Stanley and Battle. Subject- improvements on Museum building and completion of new wing (1954). Dates- 12/50- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject-construction/installation of American and English galleries, alterations to Medieval hall, blueprints, etc. Dates- 7/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- information on purchase of steel lockers, blueprints, etc. Dates- 4/54-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about ordering office furniture designed by Eero Saarinen. Dates- 8/64-1/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Alfred Geiffert, landscape architect. 1949-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- analysis of situation concerning the parking lot and planting, etc. Dates- 8/66-10/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Budget Estimates for landscaping the grounds of the Museum around addition, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information and bids on purchasing lighting and steel storage equipment. Dates- 11/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- info on purchase of supplies for dining room/cafeteria: placemats, traymats, doilies, napkins, matches. Dates- 1/55-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains plans for the Waddy Fountain, and furnishing brochures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Carl Milles, donor of the Little Triton Fountain 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- marble chips for garden court fountain request for information about installation of mosaics in garden court. Dates- 8/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed purchase of wall coverings for new galleries (movable partitions and door headers). Dates- 2/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- commission to decorate behind refreshment counter in the new building, commission switches from Julien Binford to Richard Q. Yardley. Dates- 6/54-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Richard Q. Yardley Mural in the refreshment room. Also contains information on Julien Binford who was originally retained to do the mural before Yardley. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Public Works Administration Grant for Museum addition, application to National Production Authority (N.P.A.) for assistance in obtaining materials for proposed Museum construction. Dates- 10/35-9/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- staff requests for facilities and equipment, list of private funds for Museum addition, Board resolution about the construction on the building, etc. Dates- 7/48-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- drawings of proposed Museum addition, Special Building Committee procedure in dealing with Appropriations Committee of the House of Delegates, etc. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and New York City Museums: Metropolitan, Guggenheim, MOMA, and Whitney. Subject- Extended loans of paintings and sculpture for the VMFA's new wing of Contemporary Art, scheduled for Jan. 1970. Correspondence from L. Cheek to John Walker to address the Collectors Circle. Dates- 7/69 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- report on budget dinners 6/65, Cheek's itinerary for talks 1965, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and Joseph Whitehead (Interior Designer). Subject- Interiors of the New South Wing, Fabric sample enclosed. Correspondence between L. Cheek and Bernard Bothner of the Brooklyn Museum. Subject- Resources for slides to accompany the reinstallation of the Egyptian Gallery. Dates- 6/66- 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposals for gallery orientation theatre systems. Memo To VMFA staff regarding upcoming Fellows meeting. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to other museum directors. Subject- Request for slides of recent building additions to their respective museums, to prepare for a presentation to the Virginia Legislature. Dates- 4/65 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey conducted by L. Cheek to determine the necessity of a sprinkler system in galleries. Letters, cards of response and survey results. Dates- 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains brochures and catalogs 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photos of preliminary architect's drawings, preliminary cost estimates, etc. Dates- 7/62-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Information concerning the MOMA 30th Anniversary, building funds drive with text of building/expansion plans, \"Toward The New Museum Of Modern Art\" , 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- review of presentations to the Art Commission, photos of other art museum additions, statements about addition (Mr. Wallace K. Harrison and Mr. Frederick D. Nichols), etc. Dates- 9/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sculpture garden fountain and the renovation of the theatre lobby. Dates- 7/76 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Wm. Higgins. Subject- Membership drive/ New Wing opening, progress reports to members of the Board, financial statements: cost estimates, design fees, operating fund, construction timetables. Fact sheet relating to history of VMFA. Signficant dates for the Virginia Museum, \"History of North Wing Construction\". Dates- 4/71 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nicholas and C. Chamberlayne (Hardwick). Subject- Progress timetable, architectural engineering/ landscape/ interior design. Revisions/ alterations to construction, cost estimates, instructions to bidding contractors. Review by building committee of the Board of Trustees. Minutes of the building committee, 2/25/72, drawing/plans. Dates- 1971 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nichols and C. Humelsine. Subject- North Wing plans, justification and description, funding, appeal to legislature to win support for North Wing funding. Rosters: Appropriations committee, finance committee, Governor's budget advisory committee. Essay- \"The Unique, Pioneering Virginia Museum\" and \"Facts on the Virginia Museum of Fine Arts\". Dates- 1967, 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson and L. Cheek. Subject- Original design of North Wing per L. Cheek and Baskerville (AIA), later rejected by the Arts Commission. List of significant dates with regard to North and South Wing additions. Minutes of Special building Fund committee, 3/11/65, original building proposal, photographs. Bulletin vol.26, no.2 10/65. Dates- 9/65 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs/Plans/Drawings from Baskerville and Son (AIA) for:entrance hall, basement/sub-basement, site plan elevations/cross section, gallery floor plans and views of entire block.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nicholas and L. Noland (building committee). Subject- Construction, architectural engineering, capital outlay, construction bids, plans and contract documents. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- blank order forms labeled VMFA NPA Regulation No. 4. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. J.G. Pollard. Subject- National Production Authority (NPA) regulations, order listings for maintenance, repair and operating (MRO) supplies, regulations about using the DO-97 rating (Form used to obtain MRO supplies), quota for the 4th quarter 1951, etc. Dates- 3/51-7/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about construction and funding (some PWA) of a wing to the Museum, publication: Working Relationships Between Private Architects and Engineers and the Commonwealth of VA (2/44, Governors' office, Division of the Budget) and The General Conditions of the Contract for the Construction of Buildings (standard form of the American Institute of Architects). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Doyle and Russell, Building and Industrial Construction. Subject- Bronze founders tablets, frames, building inspections and taking over and operating the building 10/35. Dates- 8/35-10/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Peebles and Ferguson, Architects, Norfolk. Subject-blueprints (including detail of the Portuguese Room dated 9/18/35), maintenance and furnishings (benches, plaques, interior painting, etc.) for the Museum. Dates- 4/35- 6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Ferguson, Meakin and Moore, Architects, Norfolk. Subject- reproductions of drawings of proposed south wing, drawings, bids, etc. Dates- 10/37-5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans and Correspondence 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photos of drawings showing the proposed additions and alterations to Museum. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans and correspondence regarding the memorial plaques around the building: R.E. Lee Camp, Waddy and the Old Dominion Foundation fountains. 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- construction/installation for the Pratt collection, blueprints, progress reports to Mr. John Lee Pratt, etc. Correspondence with Milton Samuels of French and Company who designed the installation, including quotes for fabric, carpet, cases, carpentry, lighting (including the chandelier). Cheek asked Pratt to fund it and he agreed. Lots of invoices. Dates- 6/54-5/55.   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Baskerville and Sons, Architects, 3/11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about building models, preliminary drawings, furnishing and equipment catalogues, etc. Dates- 4/65-12/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence and statements from Marcellus Wright and Son. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and Merill Lee (architect) and Chairman of the Building and grounds committee, concerning construction of the service area. Dates- 1/59 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Eggers and Higgins, Architects. Sketches and drawings 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., J.M. Brown and Erwin H. Will (VMFA President of the Board). Subject- all aspects of construction of the South Wing, additions and alterations to Museum, landscaping, fountain, parking lot, etc. Dates- 12/66-3/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of South Wing construction conferences 1969-72, outline of construction to South Wing, etc. Dates- 1969-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Governors Dinner/Event in celebration of the South Wing: program agenda, menu, dedication plans, News Media reception, Rosters: House of Delegates, Senate, Trustees. Key presented to Governor Linwood Holton donated to the archives by Anne Holton November 3, 2022. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Capital Outlay requests, individual project descriptions, preliminary plans, tabulations of construction bids, estimated income sources, floor plans, budgets, invoices, Executive Committee Minutes and Building Committee Minutes. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Erwin Will. Subject- New duct layout for the South Wing attic space: revisions necessary due to mistakes in original drawings and improper work. Financial statements. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA Charter, Act of March 27, 1934. Design program (2/18/49) Phase II, museum enlargement, boiler replacement, contract cost estimates, committee no.279-A, addendum no.7 to the drawings and alterations to VMFA. Theatre light control system, weekly project inspections. \"General Conditions Of The Contract For Capital Outlay Projects\". Dates- 2/52 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and members of the building committee. Subject- Proposed additions, rejection of north facade by Arts Commission. Excerpts from Minutes of Art Commission Meeting, 6/4/65, 7/9/65, 7/29/66. \"The Virginia Museum Opens The New South Wing\", Press package, Brief History and Signficant Dates of VMFA, photographs. Dates- 1965 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Supplemental Agreement #2: Additions and alteration to various aspects of structural design contracts. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Interior construction and design. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment purchasing list, blueprints of theatre, installation of theatre and projection equipment and an orchestra lift, local building committee meeting minutes, etc. Dates- 7/53-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment: bronze stands and velvet ropes. Dates- 1/55-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Construction blueprints and plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letter of invitation to Trustees, former and current, to celebrate the construction of the North Wing, seating arrangement and timetable for event. Letter to Gov. Holton concerning ground breaking ceremonies and gala dinner. Dates - 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Col. Anderson. Subject- proposal for theatre for Museum, possible recreation center for armed forces stationed in Richmond. Dates- 2/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Waddy Memorial and Triton Fountains 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- B.F. Ruskin and Associates 1953-55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- committee reports on funding for construction of addition to the Museum, schedule of payments to date (12/4/50 and 12/20/50). Dates- 10/50-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- additions and alterations to VMFA 1955, list of Museum alterations and additions to date 6/15/55 by Merrill C. Lee, Architect, VMFA Noise Survey CA 9687 (1955), blueprints, etc. Dates- 1/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains architectural plans for the first addition to the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- cost estimates/proposed funding for Museum addition, copy of the resolution to establish a Local Building Committee, announcements, replies and minutes of Local Building Committee meetings 1950-2, etc. Dates- 1/46-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Local Building Committee, 1951-54. Information regarding the local contractor. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- minutes and outlines of VMFA Building Committee meetings 1952-3. Dates- 6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr., and G.D. Gibson (Chairman of the VMFA Building Committee). Subject- addition to Museum building, listing of additions and alterations to the building, agenda and minutes of Building Committee meetings 1953-4, etc. Dates- 9/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- addition to Museum building, minutes, announcement and agenda for VMFA Building Committee meetings 1954-5, list of contributors to Museum Building Fund, etc. Dates- 7/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by G.D. Gibson (Trustee). Subject- installation of Museum equipment, minutes of the Buildings and Grounds Committee meetings 1955-6, etc. Dates- 9/56-12/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains lists of expenditures, list of private donors with amounts donated for the addition to the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA Local Buildings and Grounds Committee meeting minutes 1948-56, listing of committee meeting dates 1948-56. Dates- 1948-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard to Senator Garland Gray. Subject- information about planning costs for addition to Museum building, Museum business and events, etc. Dates- 5/51-7/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of the Museum's members bulletin. Vol.1, No.8, Vol.7, No.'s 1,4and6, Vol.8, No.'s 5and8, Vol.9, No.'s 1,2and4, Vol.10, No.'s 1,2,7and8, Vol.11, No.'s 1,2,3,4,5,6,7and9, Vol.12, No.'s 8and9, Vol.13, No.'s 6and9, Vol.14, No.'s 1,3,6,7,8and9, Vol.15, No.'s 3,4,5,6,7,8and9, Vol.16, No.'s 1,2,3,4,5and6. Dates- 9/46-2/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Bulletins with general information and a survey of sources of income, private and public, from various museums. Dates-1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 1962-1966 Donations, Trustee File. Dates- 7/55 - 12/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and members of Board of Trustees. Subject- Revision of By-laws and Memorial Fund Policy, revisions and recommendations, minutes from sub- committee on By-laws. Dates- 1958 and 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA By-Laws (revised and adopted 5/51, 5/53, 6/54), Notice of Amendments to By-Laws (6/50, 5/53, 6/54), VMFA Organic Laws, etc.. Dates- 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Senator Byrd. Subject- amendment of IRS code Sec. 863, exempting works of art loaned for exhibition in this country from federal estate taxes. Dates- 7/51-10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard, and L. Cheek, Jr. to individuals, institutions and companies beginning with the letters Ca-Cn. Subject- varied, including four letters from Alexander Calder about Museum purchase of one of his pieces. Dates- 8/45-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek. Subject- Loans of artwork, Trustees, Fellows, Mary Callery (juror, 1963 Va. Artists Exhibition). Accessions and gifts: Tree, Callery; Han Dynasty pottery; Nanny, T. Sully. Dates- 2/59 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and P. Near to J. Brun and H. Jucker. Subject- Acquisition and provenance of Caligula, Newspaper clippings. Dates- 1971-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, his term as Treasurer of the Fellows. Dates- 1/60-6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. John Canaday (from University of VA). Subject- Christmas card design by Canaday, loan of a sculpture show, jobs, etc. Dates- 5/49-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Capital outlay requests for parking area, South Wing, Entrance Improvements, Expenditures and revenues for the year ending 6/1960. \"Instructions for Form c-54-A (individual project report)\" from Commission on State Capital Outlays and Means of Financing. General Endowment Income 1960-61; Capital Outlay for Galleries, landscaping, Egyptian gallery and North Wing, 1935-60. Collections for which there is inadequate exhibition space, list of cultures that are not represented or under-represented, roster of members serving on the \"Commission on State Capital Outlays and Means of Financing. Dates- 1960-61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Includes Frances Benjamin Johnston acquisition.","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- officers from the Carnegie Corporation visiting Richmond and the Museum. Dates- 8/55-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to F. Anderson (Carnegie Corporation). Subject- Experimental use of Carnegie Collection of Materials for the Instruction of American Culture and funding of Collegiate Artmobile IV. Proposal, '\" An Artmobile for Virginia Colleges\", March 1965, Supplement, A Statewide Stimulus for Education in the Humanities, Statement of purpose, photocopy of partial grant payment. Dates- 1/58-7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Carnegie Corporation of New York and Carnegie Institute, Department of Fine Arts. Subject- Frances Benjamin Johnston acquisition, requesting a grant, requesting loans for inaugural exhibition, counsel on museum practices. Dates-8/35- 12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Carnegie Trust. Subject- a visit to Richmond by officers of three British Carnegie Foundations, information on Carnegie Trust 1954, etc. Dates- 8/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Secretary of Carnegie Dunfermline Trust. Subject- Roster of Carnegie Delegation visiting VMFA; Annual Report- Carnegie Dunfermline Trustees, 1960. Dates- 7/59-60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- job of Technical Director of the Theatre Division, etc. Dates- 6/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lists of 25th Anniversary donors; VMFA presidents and terms of office 1935-60. Essay- \" The Arts In Virginia\", Walter S. Robertson (Pres. VMFA). Essay- \"Collecting In America\", Alfred Frankfurter (editor and Pres., Art News) Dates- 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of orders for and purchasers of the Healy's Sitters Catalogues, thank you notes for exchange publications, list of relatives of Judge John Barton Payne, etc. Dates- 4/51-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Jaquelin-Ambler Portrait catalogs, listing of the members of the Jaquelin, Ambler and Broadnax families. Dates- 11/48-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- a fellowship set up by the Catherwood Foundation (previous owners of the Dali jewels) to be used for travel/education in Europe, information about transporting Dali jewels from the Museum. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fellowship for artists provided by the Catherwood Foundation and awarded and administered by the VMFA that year. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. William Gaines and L. Cheek, Jr. and M.B. Christison (Assistant Director). Subject- Gaines biographical information, Catherwood Foundation fellowship recipient, application, recommendations and award letter for fellowship, list and some photos of work submitted, etc. Dates- 3/56-11/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual luncheon and tour. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Century Lighting Co. Subject- lighting for the artmobile and theatre, etc. Dates- 6/53-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets from the Convention and Tourist Bureau (Richmond). Dates- 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- pamphlets from the Virginia Chamber of Commerce. Dates- 5/49-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Restoration of Old Botetourt Hotel, Gloucester, Va.; Programming instructions for \"Civilization\" Film Series; proposal and budget for statewide broadcast of Affiliate promotionals. Rosters of Affiliates, Chapters and Confederation Officers; Minutes of \"Executive Committee Meeting\", 10/72; maps, postcards, press release, newspaper clipping, photographs. Dates- 2/67-7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Winter Conference agenda, participants, newspaper clippings. Dates- 12/71-3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal and budget. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Affiliate/Chapter offices Museum Lecture/Tour; roster of Officers, speaking schedule, events, remarks for each engagement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prototype for letter to be sent from all VMFA Chapter Presidents to convince Legislature of the need for new building. Dates- 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dali Jewels. Date- 7/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. primarily to realtors and lawyers. Subject- sale of Cheek's property \"Faraway Farms\", information on sale of Chebry Co. property, etc. Dates- 6/50-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to T.C. Colt, Jr. from L. Cheek (when he was Chairman of the Fine Arts Department at The College of William and Mary and when he was Director at the Baltimore Museum of Fine Arts). Subject- art in Virginia, counsel on museum practices, etc. Dates- 12/36-1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- The retirement of L. Cheek, Trustee dinner honoring the occasion, presentation of \"Thomas Jefferson Public Service Award\", with remarks by Lt. Gov. F.G. Pollard; South Wing construction; invitations and newspaper interview with L. Cheek. Dates- 1/65-3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W.S. Robertson and Morton Thalhimer. Subject- Letters of moral support, press releases and newspaper clippings announcing the resignation of L. Cheek (decision later recanted). Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding L. Cheek's reconsideration of his resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resolution from VMFA Council regarding the outstanding contributions of L. Cheek. Includes letters from and too supporters. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Replies to his reconsideration of resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Text from interview of 11/2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- PR, decorations, lecture, etc. Dates- 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memo to VMFA staff, PR, agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Thank you letter from by a class participant.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding classes at the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Registration information and class lists.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison. Subject- installation of collections and exhibitions, Museum programming, biographical information, etc. Dates- 10/54-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. Christison. Subject- scripts and working papers for children's radio program (\"Treasure Trails\" on WRVA), listing of slides for Season Survey and information on a Life magazine photo exhibition entitled \"Egypt\". Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vouchers and receipts for travel expenses, 1948-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Christmas cards received by the Museum, a copy of the Museum Christmas card (1956), Information about a Christmas tree in the Members' suite, etc. Dates- 11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Commission of Virginia Artists to design Christmas Cards; rosters: Board of Trustees, A.A.M.D., newspaper clippings, cards, photographs. Dates- 1966-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- ordering Christmas decorations. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz, Sydney and Frances Lewis. Subject- Remarks by J.M. Brown on the dedication of the North Wing and on his resignation. Andrew W. Mellon Foundation, Lewis gift of funds for Art Nouveau purchases, Noland gift of \"Rotating Sphere\", reattribution of the Jewel casket. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Controversy concerning gift of Walter P. Chrysler, newspaper clippings, and Chrysler newsletters, 1973-75. Dates- 1969 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Henry Clay Hofheimer and J.M. Brown. Subject- New wing, correspondence between the Executive Board, the closing of the Chrysler Museum School, operating budget, accessions, list of objects. Minutes of Executive Board, 2/8/72. Transcript of William L. Parkers, et al complaints vs. Walter P. Chrysler Jr. et as Defendants. Dates- 1972 - 33 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Chrysler collection exhibition at the Museum and possible Artmobile tour, listing of pieces in collection, etc. Dates- 9/49-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Loan Exhibition for Church Silver of Colonial Williamsburg, outline for proposed exhibition, budget, letter drafts to Church Wardens, lists of Episcopal Churches owning Church Sliver, Format for catalogue. Dates- 7/68-4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about proposed reproduction in miniature of a Cigar Store figure from the Museum collection. Dates- 7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed reproduction in miniature of American cigar store figures from the Museum collection. Dates- 5/56-12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek Subject- Civil War Centennial Exhibition, agenda, maps, newsletters, VMT copy of \"Certificate of Award\", conferred on the Virginia Civil War Commission. \"Virginia Joins The Confederacy, Chronology of Events November 1860 through 1861\", Civil War Centennial, 1961-1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's membership on advisory council of the Civil War Centennial Commission, site development study for proposed Confederate Memorial Park in the Museum area, \"Report of the Preliminary Plans of the Virginia Civil War Commission to the General Assembly\" 12/59, etc. Dates- 5/59- 12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Programming, Ticket Stubs, newspaper reviews, news releases, photographs. Dates- 7/70 - 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Joseph Lucas (pres. Civitan Club) [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Resume of Cleveland Museum President, Sherman Emery Lee with photo, Cleveland Plain Dealer Interview \"Sherman Lee's Double Life\". Dates- 12/55-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Clopton complaint about film tickets. Dates- 2/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- membership in The Poetry Society of Virginia. Dates- 2/53-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr., to individuals, institutions and companies beginning with the letters Co-Cz. Subject- varied. Dates- 8/45-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., L. Cheek and J.M. Brown. Subject- Geri Melchers Memorial; Minutes of Annual Meeting 1962; Minutes of Executive Committee Annual Meeting 1962; restaurant feasibility. Dates- 1957-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arranging a lecture by Mr. Alexander S. Cochran, Architect in conjunction with the exhibition \"Domestic Architecture of the San Francisco bay Region\", biographical information, etc. Dates- 10/49-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, gifts. Dates- 6/54 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the American Association of Museums (AAM). Subject- copies of the Code of Ethics for Museum Workers 1925 AAM report. Dates- 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Remarks on \"The Relation of Trustees and Professional Staff of General Art Museums\", delivered by Charles Nagel 5/17/69,  \"Code of Ethics for Museum Workers\" 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rhodes Rathskellar, proposals for lunchroom: use by staff, volunteer personnel, policy on break schedule and lunch periods. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from P. Near and Peter Mooz. Subject- Checklist of the status, strength, weaknesses and needs of the VMFA. Damage report, gifts of artworks and accessions, Art Purchase Fund, press releases. Letters to Christo and Robert Rauschenberg. Dates- 1976-77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, letters, newspaper clippings and information from dealers, prices regarding possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, prices and other information relating to possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (assistant Director for Collections and Education). Subject- listing of possible additions to Museum's collections 1953, information and some photos of objects considered for acquisition, correspondence with art dealers, etc. Dates- 12/51- 11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- listing of possible additions to the Museum's collections, information and some photos about objects considered for Museum acquisition, correspondence with art dealers, etc. Dates- 1/53-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near, F. Brandt and P. Mooz. Subject- Reorganization of the Collector-of-the-year. 1975- Mrs. Lummont du Pont Copeland Collection on Export Porcelain. 1977- David Lloyd Kruger Collection of Contemporary Art. 1978- Hugo Weisgall Collection, list of objects, copies of scores for the Weisgall Concert catalog. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from P. Near to members. Subject- Collectors circle event with lecture by Caroline Keck. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Cultural exchange, Minutes of Executive Committee of C.A.A., 1/62, 4/62, Minutes of Annual Meeting, 1971; Minutes of C.A.A. Business Meeting, 1/62; revised draft of \"Policies and Purposes\", roster of officers, Directors and committee members; Essay- \"The Visual Arts in Higher Education\". Dates- 1/62 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List for reception/cocktail party, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Preston L. Collins (Lt. Governor). Subject- announcements of Trustee meetings, invitations to Museum events, replies, etc. Dates- 5/51-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. to staff of Colonial Williamsburg. Subject- museum methods. Dates- 7/46-12/54.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- general correspondence with staff of Colonial Williamsburg, information on Cheek's speaking engagement with Williamsburg Rotary Club, etc. Dates- 2/54-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and the President of Colonial Williamsburg. Subject- loan of display units to Colonial Williamsburg, museum practices, etc. Dates- 3/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Colonial Williamsburg. Subject- correspondence about the Williamsburg Antiques Forum, publications/mailings about Antiques Forum 1964,'66,'67,'73, etc. Dates- 5/66-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- detailed letters about the goings-on at the Museum while Colt was serving in WWII, also letter from Mrs. Alfred DuPont about art education. Dates-8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. J.G. Pollard and others. Subject- record of Colt's military service, his resignation to serve in WWII. Dates- 11/42-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Columbia Records presented 55 recordings of the New York Philharmonic Orchestra to the VMFA in 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of \"On Fine Arts in Modern Society: A Research Proposal Prepared for the Virginia Museum of Fine Arts by the Columbia University Bureau of Applied Social Research\". Dates- 5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices with The Columbus Gallery of Fine Arts (Columbus, OH) and Columbus Museum of Arts and Crafts, Inc. (Columbus, GA). Dates- 3/51-8/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to the Board, list of appointments, etc. Dates- 1959-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of committee appointments 1963-4, invitations to Trustee committee appointments, etc. Dates- 8/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to Board and replies, list of appointments, etc. Dates- 1958-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and W.S. Robertson (VMFA President of the Board). Subject- VMFA roster of Trustees 1964-5 and 1965-6, Board committee appointments 1965-6, invitations and responses to Trustee committee appointments, letter about Board term limitations (proposed limitation 2 successive terms of 5 years each), etc. Dates- 6/64-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek correspondence as a member of Committee for International Cultural Exchange (CICE), etc. Dates- 6/61-2/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- suggested projects for Public Relations and Development committees, proposal for the Museum by the P.R. counseling firm Earl Newsom and Co., etc.. Dates- 3/54-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from State Department of Purchases and Supply. Subject- information about choosing stationary, samples for new state letterhead. Dates- 9/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"A Report to the Virginia Museum of Fine Arts 11/19/58\" from the viewpoint of its public relations information and communications responsibilities and program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- information and memos about arrangements for community college presidents to meet at the Museum. Dates- 12/70- 1/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- cooperative arrangements between VMFA and Va. community colleges, Virginia Community College System Annual Reports 1969/70 and 1970/71, proposed programs for community colleges, etc. Dates- 10/70-8/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complaints from Museum visitors about exhibitions, entrance fees, membership rates, guards, etc. Dates- 12/63-7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Museum operations: food service, VMT, membership, discontinuation of dinners in the galleries and newspaper clippings. Dates- 1974 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- guest list for complimentary cocktails in honor of officers and Museum volunteers from the Council, Jr. League and Theatre Affiliates, roster of Jr. League officers 1970-1, etc. Dates- 9/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Erwin H. Will (VMFA President of the Board). Subject- arrangements for a luncheon held in honor of officers and Museum volunteers from the Council, Junior League and Theatre Affiliates, guest list, suggested remarks for Mr. Will at luncheon. Dates- 9/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- miscellaneous Thank you's and compliments about gift and exchange publications, exhibitions, programs, the Museum in general and Cheek's responses. Dates- 2/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence from the public complimenting the museum in some way. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. and W.S. Robertson (President of the Board of Trustees). Subject- Complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 7/60-12/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 1/64-11/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on programs, theatre productions, museum in general and his responses. Dates- 7/66-10/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Various museum operations. Dates- 1972 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- compliments about 25th anniversary exhibitions, events and catalogue: Treasures in America, \"A Tribute to Virginia's Unique Museum\"-a Sunday newspaper supplement, etc. Dates- 1/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for VMFA European catalogue, an exchange publication. Dates- 5/66-9/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Faberge catalogue: Russian Imperial Jewels, a VMFA exchange publication. Dates- 12/60-2/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- compliments and thank you's for gifts/exchange publications of Russian Imperial Jewels, the catalogue of the Museum's Faberge collection. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Architecture in Virginia, a VMFA exchange publication. Dates- 2/68-5/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for William Hogarth, A Loan Exhibition of Paintings, Drawings and Prints, a VMFA exchange publication. Dates- 1/67-3/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Painting in England 1700-1850, Collection of Mr. and Mrs. Paul Mellon, a VMFA exchange publication. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on \"Painting in England\" exhibition (Mellon Collection) and his responses. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for The World of Shakespeare, a VMFA exchange publication. Dates- 1/64-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Form letter from the President to potential members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J. G. Pollard. subject- Letters to Trustees regarding 25th anniversary fund and letters to new members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- performance at Mosque of \"The Confederacy\" as a benefit for the Artmobile, project later abandoned, Date- 11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- drawings of the site of the Confederate Memorial Chapel, landscaping plans, etc. Dates- 7/66-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Richmond Times-Dispatch article \"The Old Soldiers Faded Away Home Here is Vacant\". Dates- 1/16/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitation to Director of the Norfolk Museum to Confederation workshop. Dates- 5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- congratulation and reply letters on the installation of Mr. James M. Brown as VMFA Director. Dates- 6/69-6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of objects from the Glasgow bequest and purchase fund currently exhibited in Museum galleries. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Mrs. Anthony Congreve. Subject- biographical information on Arthur and Margaret Glasgow, correspondence about Glasgow fund for purchasing works of art, listings of purchases made with Glasgow Endowment Fund 1966-72. Dates- 11/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz. Subject- Physical plant restoration project: cleaning of VMFA interior and extensive improvement of motor park, project data summary, Conservation Laboratory: construction and equipment, supply expenditures, budget. Grant application: \"Proposal for Virginia Museum Conservation Laboratory\", employment contract, job descriptions, resumes of prospective applicants. Dates- 1975 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- biographical information arrangements for giving lectures/seminars at the Museum, VMFA Members' Bulletin vol.23, no.9 5/63, etc., Date- 11/50-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for securing speakers for the \"Fireside Series\" proposed art talks held in the library, Thank you's to speakers, etc. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loans of objects between VMFA and Corcoran Gallery of Art, correspondence about museum practices. Dates- 3/51-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Katharine Cornwell. Subject- biographical information on this actress, invitation to come to Richmond to see a show and promote TheatreVirginia. Dates- 5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets and post cards from the Corning Glass Center. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information on obtaining assistance from philanthropic organizations and corporations, etc. Dates- 2/55-12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by E.H. Will (VMFA President of the Board). Subject- solicitation letter for corporate patrons, information on corporate patrons program, roster of Richmond corporate patrons 1970, invitations to corporate patrons gala, etc. Dates- 12/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by E.H. Will (VMFA President of the Board). Subject- solicitation of corporate patrons, pamphlets about corporate patrons program, publications for the corporate patrons gala, etc. Dates- 7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- roster of Richmond and of state corporate patrons 1971, planning for \"Fete Aux Galleries\" the corporate patrons event 1972, invitations and guest list for event, etc. Dates- 6/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Exhibitions, condition reports, insurance, gifts and purchases. Essay- \"Successful Adult Museum Programs\", M. Christison. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Velz.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) primarily, also L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- varied. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- General correspondence regarding publications, museum practices, exhibitions, pamphlets. Letter from Alexander Calder. Dates- 7/56 - 12/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Ford Foundation grant-in-aid program, Fogg Conservation Symposium and the Chrysler Collection. Photographs, cesolution recognizing the outstanding contribution of L. Cheek by the VMFA Council. Draft of \"Standards For Museum Practices\", SEMC, 1958. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition of American Silver, jurors for 1965 ADP exhibition, biographical data, 25th Anniversary exhibition and list of objects for loan. VMFA film series, press releases for \"The Little International\" from the Olsen Foundation and the Artmobile. Dates- 1958 -1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and VMFA Council officers. Subject- Council roster 1957-8 and 1958-9, listing of charter members, council-sponsored events and programs, lecture series schedule 1957-8 and 1959-60, statement of purpose of the Council, minutes of general meetings 1962 and'65, Executive Committee meeting minutes 1962 and '63, acknowledgments of gifts to the Museum, etc. Dates- 7/56-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown with the VMFA Council. Subject- Council gifts, Council -sponsored events and programs, preliminary drawings for Council shop office, breakdown of Council Contribution Fund 10/70 and 11/70, etc. Dates- 2/66-4/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for corporate patrons ball, roster of Richmond and of state corporate patrons, roster of Council committee for the ball, invitations and guest lists for ball, etc. Dates- 10/70-3/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- outline of the organization of the VMFA Council, Council Program 1955-6, Council of the VMFA Charter Meeting and Articles of Association, \"Friends of the Museum Constitution\", etc. Dates- 5/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- VMFA Council Contribution Fund analysis 1971 and'72, various Council sponsored events and programs, agreement between VMFA and the Council 10/20/70, A Short History of Council Gifts to Museum 1955-71, The Council of the Virginia Museum Directory 1971-2, general correspondence between Council officers and VMFA staff, etc. Dates- 1/71-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Council Trustee Contribution Fund, conservation laboratory, library, state services, fellowships and internships. Profit and loss statements, general ledger trail balance, Art Purchase Fund, staff expenses, VMT financial statements, matching funds for NEA Grant. New Council Shop, furnishings, installation, etc. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposal to establish fellowships for professional craftsmen (resident Craftsman Program), letters from interested craftsmen, etc. Dates- 2/63-2/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- proposal of a story about the Museum for Time-Life magazines, reference made about a reproduction of a Watteau from the Museum's collection appearing in Time. Dates- 11/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Monica Hamm and P. Mooz. Subject- Head of publications, editor of AIV and advisor for photography exhibitions. \"Focus On The Arts\", Pat Becker. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- fact sheet about VMFA, House bill no.862 was about establishing a Virginia Commission of the Arts and Humanities, transcript of the VMFA presentation by E.H. Will (VMFA President of the Board) to the Virginia Assembly, Rules Committee asking to kill or amend the bill, etc. Dates- 1/68-2/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- roster of Virginia Cultural Development Study Commission and of the State Arts Committee, information about the creation of the Va. Cultural Development Study Commission by Senate joint resolution no.67, essay- \"The Virginia Museum and the Arts in Virginia\", correspondence about meeting with the Cultural Development Commission, \"Dissenting Opinion Report of the Cultural Development Commission\" by Dr. William H. Higgins, Jr., member of the Commission, etc. Dates- 3/66-1/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"D\". Subject- varied. Dates- 3/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- VMT, exhibition schedules, Byzantine Architectural exhibition, College Drama Festival, loans of art works, Artmobile, Horace Day, NEA proposal, pamphlets, magazine excerpts, cards, biographical data, etc. Accessions and gifts: \"The Meeting of Joachim and Anna Under the Golden Gate\", A. Duer. Dates- 10/58 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Conference for teachers and students of Dance at VMFA, master classes, lecture and performance by Alwin Dance Theatre, agenda, list of dance teachers. Date- 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, AIV. Dates- 1/61 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Virginia Architects, Designers and photographers\", Collectors Circle, Va. Artists Biennial, donations, gifts, memorial fund. Dates- 6/59 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, acting director of the Museum and Governor Darden, regarding the Museum director and the Curator of Decorative Arts, who were both on leave to the armed forces during World War II, 1942-44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with and biographical information about Carson Davenport, Virginia artist. Dates- 1936-1944.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Ms. Davis. Subject- visits to \"Faraway Farms\" (Cheek's property) Davis was apparently a housekeeper/caretaker of some kind. Dates- 2/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and donors Mrs. Lincoln Davis, and George Cole Scott and Hildreth Dunn Scott, 1937-43.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., E.M. Davis, III (Curator) and L. Cheek, Jr. Subject-restoration of Mrs. Davis' Flemish painting, gifts from Mrs. Davis, information on Museum Board accessions committee (Mrs. Davis member), etc. Dates- 10/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. Lincoln Davis. Subject- Trustee/Museum business, letter of resignation from Board, etc., 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Elizabeth Nottingham Day and Horace Day, patrons and donors, 1934-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Day's exhibition at the VMFA. Dates- 1/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard to Mr. and Mrs. Horace Day. Subject- Horace Day biographical information, exhibition record, job recommendation, newspaper editorial written by Mr. Day on American Painting, etc. Dates- 1950- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Mr. Howard Dearstyne. Subject- proposed exhibition of Dearstyne's work and speaking engagement, etc. Dates- 11/50-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chamber Music Society, Building grounds committee, gifts, donation. Dates- 1954-65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to the Earl de la Warr. Subject- a visit to Richmond by the Earl, loan of a painting to the Museum exhibition \"England's World of 1607\", etc. Dates- 4/57-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. Marie de Mare. Subject- catalogues of \"Healy's Sitters\" exhibition ( Mrs. de Mare was Healy's grand-daughter), proposed film and biography of Healy by Mrs. de Mare, etc. Dates- 5/49-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His position as Art Director of AIV, music and dance folders. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from D. Nichols (administrator), F. Haseltine (PR). Subject- VMT subscription, Executive Committee Report, Collections Activities, Public Information Report. Dates- 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- information about an exhibition scheduled From Nov.22-Dec.31, 1955 featuring merchandise available for purchase in time for Christmas. Dates- 9/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Traveling exhibition. Dates- 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- International Traveling exhibition. VMFA and Leslie Cheek were the American coordinators from 1951-1954. Lists of attendees at the opening dinner 1/15/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Design in Scandinavia\" exhibition checklist, description of the exhibition, official record of receipt and list of items received but not included in exhibition, etc. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- RSVP's to dinner held on the opening night of the exhibition \"Design in Scandinavia\". Dates- 12/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., Mrs. J.G. Pollard and M.B. Christison. Subject- exhibition catalogue information for \"Design in Scandinavia\" and RSVP's for dinner held on the opening night of the exhibition. Dates- 12/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- American Tour 1954-57. Correspondence and publicity regarding. AFA took over the circulation of the exhibition.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committees in the United States. Lists of members and minutes from meetings 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Favorable reviews of the exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copy of a New York Times article written by Cheek concerning the upcoming exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening of the exhibition at the Museum, January 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- dinner guest lists, menu, planning for opening night dinner for \"Design in Scandinavia\" exhibition, list of Board of Trustee committee appointments 1953-4, registration for Southeastern Museums conference 1953, etc. Dates- 12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- RSVP's for the dinner and other opening events for the exhibition \"Design in Scandinavia\", exhibition catalogue, information used in planning printed material for the exhibition, etc. Dates- 4/53-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject-job description of a designer for the Design and Construction division of the Museum, proposed hiring of a designer, etc. Dates- 2/54-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- floor plan and printed matter for \"Designer-Craftsmen USA\" exhibition, photos of the exhibition, VMFA Member's Bulletin vol.15, no.5 (1/55), etc. Dates-11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Strauss. Subject- 25th Anniversary, draft of appeal to enlarge endowment fund, pamphlet. Dated- 6/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for a diorama in connection with \"Orientations of Virginia's Cultural Background\", photographs. Dates- 7/61 - 6/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resolution by the Executive Committee to authorize excess travel cost by VMFA staff. Dates- 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trip itinerary, pamphlets. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Fowler, D. Nichols, B. Ryan. Subject- All manner of VMFA operation: photography budgets, payroll dispersal, VMT renovation, Artmobile, damage and security of Art works, gallery installation, loans, art purchase invoices, Theatre contract, repairs and modification invoices, grievance procedure, pamphlets, Interpol investigation of Indian sculptures, requests for establishing new positions: Vice Director for Public Affairs and Artmobile curator. \"Partnership Agreement of Artco and Company\", \"Operation Countdown\", analysis of responsibilities and time required for completion of the North Wing. Photographs, pamphlets, announcements. Accessions and gifts: 17th C. Eng. Embroidered Casket, Byzantine Bronze Plaque, Tomato Soup Can (A. Warhol), Bolt of Lightening (R. Lichtenstein), Portrait of a Lady, Payne Collection. Dates- 1/68 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, F. Haseltine, D. Nicholas, J.M. Brown, P. Near, A.W. Stalnaker, B. Ryan, Mrs. Pollard. Subject- All manner of inter-museum operations: Public information schedules, membership campaign, promotion deadlines, travel itineraries, budget proposals, etc. P. Nears observations on possible acquisitions. Dates- 7/64 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters of request, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Secretary to the museum, biographical data, job description. Museum files and the law regarding public information, records management, records to be retired, list of file classification: deletions and additions. Events schedules, agendas and exhibitions. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, A. Dohn. Subject- Letter of recognition of donations, list of donors and their gifts of art works. Dates- 1964-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Chenery Estate and Gottwald endowment Fund. Art Nouveau gift of Sydney and Frances Lewis. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMT, Fellowship Fund, Museum Classes, Chenery Estate, Art Nouveau Fund, Artmobile and Gottwald Endowment Fund. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Buyers guides, pamphlets, magazine excerpts, specifications, blueprints, lists of chapters and affiliates, photographs. Dates- 9/61 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, and L. Cheek. Subject- Gift of Dunsten Memorial, Payment record, gallery proposals, \"The Virginia Museum Needs New Wings\": appeal to membership and Trustees for building funds. Dates- 12/46 - 4/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. Alfred I. (Jessie Ball) Dupont. Subject- Donations. Contains a letter regarding her feelings in favor of segregation at the museum and in the arts. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jessie Ball duPont's membership on the Executive Board, gifts and donations. Dates- 5/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Jessie Ball duPont. Subject- Membership as a Trustee, Fellow, Chair of 25th Anniversary Fund drive, contributions and gifts, magazine excerpts, biographical information, contributions and gifts, progress report from Anniversary Fund Drive. Dates- 2/59 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and D. Hudson (state coordinator of Arts System). Subject- Salary scales for VMT, NEA grant proposals. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Exhibitions, Artmobile, VMT, Va. Fellowships, search for potential jurors, work schedules invitations, newspapers, postcards, etc. Accessions and gifts: \"Autumn Leaves\", A. Palmer. Dates- 5/46-5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agenda and letters to K. Fowler of VMT. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Wm. Heartwell and Gov. Holton. Subject- \"Minutes of Economic Resource Task Force Meeting\": 7/23/71, 9/2/71, 10/8/71, 1/13/72, 4/20/72, purpose of task force was to improve communication between various agencies and the governors office. Draft of Executive order: relationship of state agency organizations to Commonwealth planning districts, budget estimates, agendas, Bills held in House Committee for the 1973 General Assembly. Dates- 1971 -72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- C. Guinnan request for a meeting room. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from A. Stalnaker and H. Dohn. Subject- Events for Governors School for Gifted Students: schedule, housing, food service, etc. Dated- 7/73- 8/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between A. Dohn and Mr. Albertia. Subject- Student application, agendas and statement of purpose. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Event to expose students to the function, organization and operation of VMFA, timetable and agendas. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and B. Bothmer (Egyptologist, BMFA). Subject- Invitations, list of Egyptian art objects available for purchase. Dates- 9/54 - 11/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Requests for films and slides, Artmobile, loans for Egyptian Gallery, statement/remarks for opening exhibition, newspaper clippings, blueprints. Dates- 2/55 - 12/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Suggested remarks related to \"Installation of a Gallery of Egyptian Art\", loans from other museums, agendas, letters to other curators and directors. Gift of Egyptian Gallery from Mrs. James Parsons. Dates-2/61 - 4/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- early planning stages of the exhibition \"England 1607\", list of pieces in, list of lenders to the exhibition, installation schedule and exhibition description, printed materials, \"Status Report on the Museum's Jamestown Festival Program\", etc. Dates- 6/54-8/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gallery opening made possible through gifts of china from Lady Nancy Astor, invitations and loan requests. Dates- 4/61 - 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- invitations to these exhibitions: \"Masterpieces of Chinese Art\" and \"Russian Imperial Jewels\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedules 1946, 1946/7, 1949, 1950, Entertainment Committee announcements and replies, committee report 1946, committee roster 1949/50, biographical information on the following Museum guests: Yasuo Kuniyoshi, John W. Taylor, Charles W. Smith, Reginald Marsh and Lamar Dodd, etc. Dates- 1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedule 1946/7, 1950, 1951, 1952, 1953, 1954, Entertainment Committee rosters 1950/1, 1951/2, 1952/3, proposed Friday evening events 1950/1, committee meeting minutes 1952, biographical information about George T. Hamilton, etc. Dates- 1946-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, VMFA Entertainment Committee schedule 1954, 1955, 1956, announcements and minutes of Entertainment Committee meetings 1951, 1953, 1954, 1955, 1956, etc. Dates- 1951-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee roster, Entertainment Committee schedule 1955, meeting announcements, biographical information about the artist Donald Oenslager, etc. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, announcements and replies for VMFA Entertainment Committee meetings, roster of Entertainment Committee, committee schedule 1955, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. Arthur Kelly Evans. Subject- a bequest to the Museum from Mrs. Evans, etc. Dates- 11/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- proposal for fundraising project for VMFA Council in fall 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- 60the Anniversary of the AFA meeting and symposium in Williamsburg, registration forms. Dates- 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agenda, timetable and luncheon for behind the scenes tours by the Council. Date-1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Benefit for the Council Service Fund, program, menu. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Museum in Action\": documentary of VMFA galleries and statewide activities, preview agenda, press dinner, invitations. Producer: Richard Rochement Narrator: Alistair Cooke Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for VMFA banquet services. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Exhibition: \"Treasures from the Norfolk Museum\", Governor's reception, program agenda. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gallery plan, staff assignments and program. Dates- 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reinstallation of the permanent galleries. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Members dinner dance event, invitations, guest list. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Glasgow Estate, Jamestown Tablet. Reception for Committee on Law Celebration. Dates- 12/58 - 4/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Members preview and reception: timetable, program, invitations, gallery plan, etc. Jack Larsen: lecture and biographical data. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of invitation to members of Virginia Chamber Music Society to attend a Theatre-Dinner. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Inauguration of a monthly series of theatre Dinners, guest list, letters of invitation for event and menu. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition: \"Designs for the Theatre\" Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reception for British group of scholars and collectors and travel itinerary. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- A British organization on American Tour. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Meeting at VMFA for NCEW: an organization to stimulate the conscience and quality of the American Editorial page. VMFA Executive committee minutes, biographical data, program agenda. Dates- 7/58 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of request for use of VMFA Gallery for Dinner, agenda, timetable. Dates- 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Tour routes, agenda and schedule of events for reception and letter to new members. Dates- 9/68 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of invitation to reception, tour of museum, agenda, timetable, etc. Dates- 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. Breeden (Membership Chair). Subject- Procedure and agenda for members reception and tour schedule, press release, invitations, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Haseltine. Subject- VMT Premiere performance and promotion. Dates- 5/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- exhibition: \"Treasures of the Norfolk Museum\", program/dinner agenda, invitation, etc. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Arthur Houghton. Subject- Preliminary event outline, layout, program agenda, procedure, invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Annual event to honor corporate patrons: entertainment, decorations, invitation list and suggested remarks to be delivered by President, E. Will. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Private advanced performance of \"School For Wives\", biographical data on Peggy Wood. Dates- 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Rhoads. Subject- Agenda and sample of invitation. Dates- 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Gregory Peck. Subject- Grand opening of Virginia Theatre Arts System, events schedule for preview, Letter from Gregory Peck. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Library reception and banquet for college Presidents attending the Drama Festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner and Theatre Party: agenda, invitations. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters of request and agenda for Theatre Dinner Party. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Rhodes and E.M. Last (Chair, RLS) Subject- Performance of RLS at VMT, ticket sales and cost estimates. Dates- 1/65 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of request for VMFA services. Dates- 4/31/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Robinson House formerly the Scientific Research Organization, VMFA headquarters for LOAS, adult classes and resident craftsperson, Invitation, Historical background, Bulletin vol.24 no.7 4/64 Dates- 8/62 - 3/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Helen Dohn. Subject- Smith College dinner with lecture by Charles Chetham, Director of Smith College Art Museum, agenda, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- The VMFA Council, Theatre Affiliates, President's Dinner. Music, Dance and Film Societies. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The Hospitality and Information Service for diplomatic residents and families. Dates- 1968. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- three day seminar program of multi-level experience in the Arts For exceptional Virginia Youths, agendas, etc. Dates- 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMFA luncheon and tour. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Paintings and drawings by E. Vedder, speaker. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for contributions. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: Hugh Newell Johnson. Reception, guest list and agenda. Exhibition catalog. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Harry Bertoia, Sherman Lee. Subject- General correspondence regarding juror service. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Sherman Lee. Subject- Jury Chair: Sherman Lee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Juror: William Pahlmann. Event program agenda, invitation, guest list, etc. Catalog: \"Virginia Interior Designers 1973\". Dates- 10/72 - 3/73 \"Virginia Interior Designers Reception Fri. 16 Mar.,  1973, 5-7 p.m.\" Subject- Invitation. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, W. Gaines and H. Dohn. Subject- Schedule of events, exhibitions, Bicentennial Celebration. loans, gallery tours, calendar news, Invitation for the \"India In Virginia\" exhibition. Dates- 8/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains minutes, agendas and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas, 1954-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, announcements, agendas and minutes of VMFA Exec. Committee meetings 1955, 1956, etc. Dates- 9/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, VMFA Exec. Committee minutes 1956, list of Exec, Committee members 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and William J. Rhodes, Jr. (President). Subject- Trustee/Museum business Exec. Committee meeting agendas 1954, 1955, 1956, Museum finances (pay scale, Director's allowable expenses, approvals for purchases) VMFA Committee appointments 1956-7, etc. Dates- 6/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. and Col. Henry W. Anderson (President). Subject- Trustee/Museum business, VMFA Exec. Committee meeting minutes 1950, 1951, 1952, 1953, listing of members of the Exec. Committee 1950, 1951, Exec. Committee resolutions 1950, 1951, 1953, By-Laws revised and adopted 1951, etc. Dates- 1950-3. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- Executive Committee minutes, copies of Exec. Committee minutes 1953, 1954, 1955. Dates- 12/53-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Gari Melchers Memorial Committee, VMFA Exec. Committee minutes 1956, list of Exec. Committee members 1956, etc. Dates- 4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Trustee/Museum business, VA Art Alliance, Williams Fund purchase, VMFA Exec. Committee agenda 1952, 1953, 1954. Dates- 5/51-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W. Gaines, R. Velz, M. Christison. Subject- Roster of large Richmond firms and number of employees, invitation cover letter, remarks to be delivered after luncheon. Dates- 9/63 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- lists of proposed exhibitions, events schedule for 1955-6 season, roster of members and schedule of the entertainment committee, drama schedule for Virginia Museum Theatre, etc. Dates- 7/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Notable lecturers and AIV contributors, biographical data. Jurors: Charles Eames, Morris Ketchum and Bert Stern. Dates- 1967 – 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Budgets, loan requests. \"Picasso: A Selected View\", \"12 American Painters\", List of Art Works, biographical notes test for the catalog: \"The Flowering of American Folk Art\". Catalog: \"American Painting 1970 including correspondence with Richard Diebenkorn. Dates- 1970-1974. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Bernard Martins' \"Portrait of Edward Hopper\", \"Walter Gropius - 1883 - 1969\", \"Jose Puig\", projected budget, attendance records, requests for loans, receptions events schedules, etc. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Engineering projects around the world, assembled to illustrate the aesthetic impact of technology. Cost estimates for exhibition, speakers and invitations. Dates- 7/64 - 1/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Outstanding objects in American Museum collections that are gifts or have been purchased with contributions from patrons. Event arrangements/planning. Requests of loans and press releases. \"A Brief History of the Virginia Museum of Fine Arts\", by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition \"Homage to the Square\", signed letter from Elaine de Kooning. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening festivities of the Aldrich Collection of Impressionist and Post-Impressionist paintings and sculpture. Catalogue: \"The Aldrich Collection\", foreword by L. Cheek. Dates- 11/58 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: Bartlett Hayes. VMFA purchases from exhibition. Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: C.V. Donovan. Request for loans from other galleries. Dates- 1962 , 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Al Held. Subject- Juror: Peter Selz. The removal of artwork from the wall of the VMFA for a period of one week in demonstration of racism, war and repression in America. List of paintings to be shipped and installation instructions. Dates- 9/69 - 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Search for a disposable cardboard shelter for use in a traveling sculpture exhibition to the Chapters and Affiliates. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Juried exhibition of Virginia Architects, Designers and Photographers. American Painting exhibition. Dates- 1964, 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt, Sydney and Frances Lewis. Subject- Art Nouveau exhibition: request for loans, lists of objects, opening event agenda, timetable, invitations, etc. Lecturer: Robert Koch. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. H. Bache and P. Near. Subject- Collector-of-the Year: Pre-Columbian gold collection, list of objects, letters to members of Collectors Circle. Dates- 196 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for flags from Embassy of the Federal Republic of Germany. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Kent Bicentennial Portfolio: \"Spirit of Independence\", prints by 12 Contemporary American Artists. Rockefeller Collection of Picasso Tapestries. Dates- 11/74 - 11/75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Phillip Hofer. Subject- Philip Hofer: biographical data and lecture on Blake. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Block as Collector-of-the Year (1967): Collection of 19th and 20th century watercolors and drawings, reviews and agendas. Dates- 10/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum of Modern Art exhibition \"Art Lending Service Retrospective\", lecture by MOMA Junior Council President Lily Auchincloss, lending services, expenses and pamphlet. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibit on ancient Chinese treasures. Date- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases for Virginia's Civil War centennial Exhibition and celebration at the VMFA, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- C. Conger (White House Curator) and his collection of interior furnishings. Heeramaneck Collection. Dates- 1967, 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Blumka Medieval Collection: Preview, program agenda, invitations, etc. Damage report to Gothic Cut Velvet Cloth, Conservators report and insurance claims. Dates- 1/73 - 5/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Exhibition of Tapestries from the House of Edgeworth and paintings, prints and drawings. Lecture, list of objects, PR, gallery plan, invitations, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek's service as a juror for \"International Glass\", gallery plan, photographs, list of jurors choice objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition \"Robes from the Forbidden City\": lecture by Alan Priest on Chinese Textiles. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt and P. Near. Subject- Virginia Photographer 1971, juror: Harry Callahan. Mourot Collection of porcelain. Exhibition schedules, lectures, gifts, loans of art objects, roster of Trustees. Catalog: \"Virginia Artists 1971\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Davies exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and H. Gummerus (Finnish Society of Crafts and Design). Subject- Gummerus lecture on Finnish design. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibition of Tutankhamun. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Bernard Von Bothmer (Brooklyn Museum). Subject- Von Bothmer account of his discovery fo the missing portion of VMFA fragment of Sema-Tawy-Tefnakht. Conservation and restoration of scribe, magazine clippings. Slides and photographs. Dates- 12/64 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. L.J. Dee (Cooper- Hewitt) Subject- Her Lecture to VMFA. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture by Buckminister Fuller, biographical data, catalog, installation, invitations, etc. Dates- 1/59 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contemporary Art forms of Israel. Lecturer: Avid Yafeh. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturer: John Walker. Invitations, entertainment. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Gaines. Subject- Documentation of the making of George Steven's film. Installation, design, floor plans and cooperating agencies. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Herbert Hoffman, Perry Rathbone and Patricia Davidson. Subject- Bill S.2273: to enable works of art and other materials imported for temporary exhibition in non-profit activities to be immune from judicial process. Description of objects for possible acquisition. Exhibition design, installation, VMFA and BMFA gallery plans, invitations, etc. Dates- 9/63 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Rathbone and H. Hoffman. Subject- Loans of Greek gold from the Hermitage and other institutions. Appeals to the State Department regarding Bill S.2773. Dates- 3/64 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Christine Alexander. Subject- Alexander's service to VMFA consultant on Greek and roman acquisitions. Exhibition lecture by Dorothy Kent Hill. Dates- 12/61 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Western art in Virginia collections, loan requests, film series, invitations, program agenda, etc. Lecturer: Larry Curry. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Perry Rathbone and Nasli Heeramaneck. Subject- Installation and acquisitions from the Heeramaneck collection. Lecturer: John Alexander Pope (Freer Gallery), newspaper clippings. Dates- 12/66 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon and Lessing Roswald. Subject- Request for loans, receiving and storage of objects. Event invitations, agenda, etc. Lecturer: Philip Hofer. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and John Koenig. Subject- Proposals for the filming and documentation of an epic film: research, selection, documentation, etc. Proposals were originally made to Samuel Goldwyn and Cecil B. de Mille. Dates- 7/55 - 2/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Goodrich. Subject- Requests for loans from various collections. Text for catalog forward by L. Cheek, and essay by Lloyd Goodrich. Biographical data and newspaper clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Events schedule, agenda, invitations, pamphlets. Lecturer: Robert Doty. \"Portrait of Edward Hopper\" and drawing studies by Virginia painter, Bernard Martin. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Exhibition of art from Virginia Collections to commemorate the 10th anniversary of AIV. Request for loans, invitations, members preview, agenda, list of objects for exhibition. Lecturer: Thomas E. Norton, biographical data. Dates- 7/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Acquisition of Indian art collection. Dates- 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition of works by French artists commissioned by Claude Aveline to illustrate his poem \"L'Oiseau que n'existe pas\". Lecturer: Lawrence Alloway, biographical data. Members Bulletin vol.24 no.8 4.64. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Anne Marie Pope. Subject- VMFA display areas. Date- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt and P. Near. Subject- Art Nouveau Loan, list of Lewis gifts and purchases. Dates- 1971 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and C.S. Hathway. Subject- Lecture search. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Biographical data, agendas, timetables and invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Islamic rugs circulated by the Smithsonian Institute and lecture by McMullan. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J. Baskett and P. Mellon. Subject- List of paintings from Mellon Collection. Gallery preparation, storage, costs, opening festivities, interpretation of exhibition, letters to print media. Press release, newspaper clippings. Lecturers: W.G. Constable, John Baskett and Basil Taylor. Essay- \"Painting In England, 1700-1850\". Dates- 8/62 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Paul Mellon. Subject- Mellon English Painting Collection, early discussion concerning the scope and preparation of catalog and exhibition. \"Letter from Basil Taylor Dated-23 January 1963 re: Mellon Show\", letter of disgruntlement over the various stages of the Mellon catalog. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Basil Taylor. Subject- Mellon Collection of English painting, initial planning stages, lectures, installation, catalog, etc. Dates- 11/61 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Paul Mellon. Subject- Exhibition: \"Painting in England\", program of events, invitations, gallery plan, program, invitation, guest list, etc. Dates- 5/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon and Basil Taylor. Subject- Basil Taylor, advisor tot Mellon collection and author of exhibition catalog: \"Painting in England, 1700-1850\". Catalog foreword by L. Cheek. Dates- 12/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations and dinner programs. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Installation, catalog, security, lecture. List of slides, media coverage. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Remarks by Paul Mellon on exhibition opening, mock-ups of booklet form. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Full color photographic reproduction of the \"Sistine Chapel\", exhibition circulated by LIFE magazine. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Demonstration of mosaic technique using contemporary materials. Dates- 5/54 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Henry Moore. Subject- Aid of Helen Norman (neighbor to Moore) on establishing a dialogue with the VMFA concerning an exhibition and visit by the artist. Preliminary exhibition plans. Dates- 10/57 - 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Henry Moore. Subject- Preview and opening night arrangements, newspaper clippings and press releases. Dates- 5/65 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Neutra. Subject- Exhibition and speaking tour by the artist. Dates- 6/59 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Goya exhibition: request for loans of works by Goya, announcements, invitations, list of paintings, Dr. Priscilla Muller (curator and speaker for exhibition). Program agenda. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturer: John S. Szarkowski. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and James Rorimer. Subject- Exhibition of Contemporary photographs. Biographical data on Ivan Dimitri and A. Hyatt Mayor. Catalog: \"Phototgraphy in the Fine Arts\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- proposed exhibitions, information about traveling exhibitions, etc. Dates- 10/48-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Perry Rathbone. Subject- Pre-Columbian gold with lecture by Allen Wardwell. Dates- 4/67 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Vincent Price as Collector-of-the-Year. Date- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- African collection from the Olsen Foundation. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Una Johnson (Brooklyn Museum). Subject- Contemporary prints from the Brooklyn Museum, invitations and announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition of the American Institute of Graphic Arts 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Gaines, F. Brandt, Anne Marie Pope. Subject- Reinstallation of the permanent collection, estimated exhibition costs, Heeramaneck collection, list of exhibitions available form International Exhibitions foundation. Exhibition catalog: John Kelly Fitzpatrick\" , photographs. Dates- 9/68 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Quillian. Subject- Exhibition of Randolph-Macon Collection. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program agenda for reception, exhibition, gallery plan. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions of Chinese Textiles from Minneapolis Institute of the Arts. Lecture by Alan Priest. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposed gift of \"Gates of Hell\", from the Cantor Collection. Exhibition \"Study of a Woman's Torso\". Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Rosenwald as Collector-of-the-Year, 1965. \"Master Prints From The Rosenwald Collection\", introduction by Rosenwald for the exhibition checklist. Dates- 12/64 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Corrected draft by L. Cheek. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Rosenwald. Subject- Personal invitations from L. Cheek. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition announcements. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of events for the season. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Paul Tishman. Subject- Exhibition from the Tishman Collection, letter of invitation, installation, Council lecture/luncheon. Speaker: Dr. John Akar, Ambassador of Sierra Leone. Remarks by J.M. Brown and Tishman, announcements and biographical data, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing lists for colleges, museums, etc. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek tour of England to photograph Elizabethan Houses. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Presentation of various forms of Arts of England during Shakespeare's life in commemoration of the 4th Centenary of his birth. Requests for loans of Elizabethan objects, press release, installation, etc. Dates- 8/63 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Exhibition of 19th and 20th century paintings, reception and event announcements. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon (Exhibition Chair) and Wm. Constable. Subject- requests for loans, French and British sponsors of exhibition including Queen Elizabeth, Honorary Committee Members, Patrons, catalog, PR, object damage report. Basil Taylor as special advisor to exhibition. Dates- 7/58 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Consultation on exhibition proceedings, travel and lecture schedule, biographical data and text for introduction to the catalog. Dates- 4/60 - 7/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Basil Taylor, Paul Mellon and A. Eiseman. Subject- Catalog layout, printing, design, budget, cost estimates, contributions. Essay- \"Classic Horse Paintings\", foreword by L. Cheek. Dates- 1/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Recipients of free catalogs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- William George Constable and his lecture for exhibition, biographical data, Bulletin vol.20 no.8 4/60. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of British sponsors, loans, selection committee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Mailing list, opening event, program and list of lenders to exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and John G. Pollard. Subject- List of sponsors, reception: program, agenda, menus, etc. Newspaper clippings. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibition in commemoration of Stravinsky's 80th birthday with related settings and costumes created for his ballets. Dates- 4/61 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Exhibition of contemporary prints and multiples (3-dimensional objects of limited editions), Lewis contributions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Railey Collection of European and Asian seals, Fisher Collection of paintings and exhibition of Ruth Safford: \"Interiors of Famous Houses\". Dates- 8/61 - 2/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt. Subject- Problems with exhibition objects. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Damage report of exhibition objects. Dates- 11/63  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Loans of objects from Pierpoint Morgan Library. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Extension of Tutankhamen exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sample invitation and preview guest list. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- List of objects available for loan and prices. Exhibition announcements, gallery floor plan. Lecturers: Gerald Nordland and Hilton Kramer. Dates-1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibit from MOMA: \"Form In The Animated Cartoon\". Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to M. Christison. Subject- Unavailability of Van Gogh exhibition. Dates- 8/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Philip Johnson. Subject- Jurors: Carroll Meeks, Richard Di Natale and Hans Namuth. Official entry forms, exhibition announcements, biographical data. Dates- 10/61 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Gyorgy Kepes, Philip Johnson and Ivan Dimitri. Invitations, guest lists, biographical data and entry forms. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- 1st Biennial exhibition.  Juror: Romaldo Giurgola.  AIA reception and dinner, program agenda, biographical data, invitations, pamphlets and exhibition catalog. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Sherman Lee, Harry Bertoia, Bernard Perlin. Collectors reception, purchase of artist work by Trustees, invitations, entry forms, etc. Dates- 12/57 - 2/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Near. Subject- Reception for purchasers of art works from the exhibition, and catalog. Dates- 1957, 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters to Artist on their award by the jury. Exhibition catalog, juror search and entry forms. Dates- 1959, 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Carl Wienhardt Jr., Mary Callery and Robert Vickrey. Salon des Refuse's on view at Thalhimer's, events schedule and exhibition catalog. Dates- 6/64 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: William Seitz. Installation, list of purchases, invoices, PR, invitations, guest lists, etc. Acquisition from Lewis Fund. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Gordon Bunshaft and A. Bodine. Entry forms and recipients of certificates of Distinction. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Exhibition to travel to Charlottesville. Dates- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture by Dorothy Miner, announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and Mr. John G. Hays (Chairman of the Expansion and Development Committee). Subject- Trustee/Museum business, formation of the VMFA Expansion and Development Committee, report of the chairman, etc. Dates- 11/47-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and P. Crum (Curator) and College of William and Mary. Subject- W\u0026M students visit to VMFA, loan from W\u0026M for a VMFA traveling exhibition, arrangements for traveling exhibitions to W\u0026M, etc. Dates- 2/41-7/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Education and Exhibitions) and Longwood College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Farmville State Teachers College, etc., 3/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- information on VMFA traveling exhibitions and an organization membership, etc. Dates- 7/48/8/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Art Club. Subject- arrangements for VMFA slides and traveling exhibitions to LAC, etc. Dates- 3/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Lynchburg College, etc. Dates- 1/49-2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Teacher's Club. Subject- arrangements for traveling exhibitions and slides to LTC, etc. Dates- 3/46-2/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Madison College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Madison College, etc. Dates- 12/47-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.C. McGehee (Assistant in Education Dept.) and Martinsville City schools. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Martinsville City schools, etc. Dates- 9/51- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Mary Baldwin College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to M.B. College. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Mary Washington College. Subject- arrangements for traveling exhibitions to M.W. College, arrangements for lecture by Christison at M.W. College, etc. Dates- 3/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Middlesex County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to MCWC, arrangements for lecture by Christison for MCWC, etc. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Narrows Woman's Club. Subject- arrangements for traveling exhibitions to NWC, etc. Dates- 10/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Newport News Woman's Club. Subject- arrangements for traveling exhibitions to NNWC, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Education and Exhibitions) and Norfolk Museum of Art. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to NM of A, exchange publications, etc. Dates- 1/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H. Lloyd (VMFA State Services) and Richmond County Junior Woman's Club. Subject- arrangements for filmstrips to RCJWC, shipping instructions, etc. Dates- 10/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Roanoke County Woman's Club. Subject- VMFA traveling exhibition checklists, request for information about organization membership to the Museum, etc. Dates- 4/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H. Lloyd (VMFA State Services Dept.) and Rockingham County public schools. Subject- VMFA traveling exhibition and slides checklists, arrangements for traveling exhibitions to Rockingham Co. Public schools, shipping instructions, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between E.L. Kallop (VMFA State Services Dept.) and Scottsville High Scholl. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions and slide sets to Scottsville HS, shipping instructions, etc. Dates- 9/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Sedley Woman's Club. Subject- notification of installment of Mrs. N.B. Rollings as chairman of Fine Arts Dept. of SWC, Date- 12/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Smithfield P.T.A. Subject- art material for Smithfield schools, Date- 11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H.V. Rennie (Assistant in Education Dept.) and Southern Seminary and Junior College. Subject- schedule of VMFA traveling exhibitions to Southern Seminary and Jr. College ('46) and arrangements for traveling exhibitions to Southern Seminary and Jr. College, etc. Dates- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Hart (Extension Dept.) and St. Catherine's school. Subject- VMFA traveling exhibition checklists, schedule for traveling exhibitions to St. Catherine's, etc. Dates- 1/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and St. Christopher's school. Subject- schedule and arrangements for VMFA traveling exhibitions to St. Christopher's, etc. Dates- 9/48-11/48.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Staunton City School Board. Subject- arrangements for traveling exhibitions to Staunton City School Board, etc. Dates- 1/52-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various Education Dept. staff and Stony Creek Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SCWC, etc. Dates- 2/47-1/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various VMFA State Service Dept. and Education Dept. staff and Stratford College. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to Stratford College, shipping instructions, etc. Dates- 8/48-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition checklists, schedule and arrangements for traveling exhibitions to Stuart Hall, shipping instructions, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director of Collections and Education) and Suffolk Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SWC, etc. Dates- 8/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Surry Woman's Club. Subject- arrangements for tour of the Museum and traveling exhibitions to SWC, etc. Dates- 10/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Sweet Briar College. Subject- schedule and arrangements for traveling exhibitions to SBC, shipping instructions, etc. Dates- 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Service Dept. staff and Tazewell Parent-Teacher Association. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions, slide sets and filmstrips to Tazewell Parent-Teacher Association, shipping instructions, etc. Dates- 11/52-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Thomas Jefferson Junior Woman's Club. Subject- request and suggestions for speakers for TJJWC, etc. Dates- 7/47-9/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA and Thomas Jefferson Woman's Club. Subject- arrangements to visit, tour and hold a meeting at the Museum, etc. Dates- 11/40-1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Three Arts Club of Blackstone. Subject- arrangements for filmstrips for TAC of B, shipping instructions, etc. Dates- 12/52-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- address of Mrs. Woods, President. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Toano Woman's Club. Subject- arrangements for holding a meeting at the Museum. Dates- 1/50-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and University of Richmond and Westhampton. Subject- arrangements for traveling exhibitions to U of R, shipping instructions, etc. Dates- 3/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- catalogues from the UVA Extension Dept. including the following: Famous Italian Paintings, Famous Flemish Paintings (Reprints from Seventy Famous Paintings by Adelaide D. Simpson (1927), The Story of Venetian Painting by Mrs. Stringfellow Barr and Cecily B.D. Ryder (1928) and Catalogue of Art Prints and Books (1937), etc. Dates- 1927-1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to UVA, shipping instructions, etc. Dates- 10/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and University of Virginia Museum of Fine Arts. Subject- checklists for traveling exhibitions sponsored by VMFA and UVA, the following publications by UVA: \"Twenty-five Contemporary Artists of Cleveland, Ohio\", \"Hugh Breckenridge\", \"Contemporary Artists of Virginia\", \"Contemporary Artists of Albemarle County and The University\", \"Alexander B. Trowbridge and Olin Dows\" and \"Elinor F. Hopkins\". Dates- 4/34-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.Y. Casey (Assistant in Education Dept.) and Upper King William County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to UKWCWC, shipping instructions, etc. Dates- 3/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Valentine Museum. Subject- information about becoming organization members of VMFA, a loan to VMFA from the Valentine, listing of the Valentine's activities, etc. Dates- 10/35-9/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and VA Education Association. Subject- Virginia Education Association art section meetings, etc. Dates- 2/47-10/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and VA Federation of Woman's Clubs. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VA. Federation of Woman's Clubs, VA Federation of Woman's Clubs yearbook ('47/8) and Directory ('48/9), etc. Dates- 1/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA traveling exhibition checklist. Dates- 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Virginia Polytechnic Institute. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to V.P.I.'s Architectural Department, etc. Dates- 6/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Virginia State College (Norfolk Division). Subject- checklists for VMFA traveling exhibitions, arrangements for traveling exhibitions to VSC, shipping instructions, etc. Dates- 10/52-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and the Extension Dept. and VA State University. Subject- schedule of VMFA traveling exhibitions to VSU 1945-7, arrangements for traveling exhibitions to VSU, etc. Dates- 6/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Va. Teachers' Association. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VTA, arrangements for a lecture by Christison to VTA. Dates- 12/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Virginia Union University. Subject- VMFA loans to VUU's art festival, arrangements for traveling exhibitions to VUU, etc. Dates- 1946-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between E.L. Kallop (State Services Dept.) and Wakefield Woman's Club and P.T.A. Subject- checklists for VMFA traveling exhibition, arrangements for traveling exhibitions to WWC and P.T.A. Dates- 9/51-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Warren County High School. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Warren Co. HS, shipping instructions, etc. Dates- 10/46- 5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between O. Hart (Registrar) and Warwick County School Board. Subject- arrangements for traveling exhibitions to Warwick Co. Schools, etc. Dates- 1/49-4/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Warwick Woman's Club. Subject- arrangements for traveling exhibition to WWC, etc. Dates- 10/48- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Washington and Lee University. Subject- checklists of VMFA traveling exhibitions, arrangements for traveling exhibitions to W\u0026L, etc. Dates-1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Waverly Woman's Club. Subject- schedule of VMFA traveling exhibitions to WWC ('46), WWC visit (with lecture) to VMFA, etc. Dates- 3/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA staff and West Point Schools P.T.A. Subject- arrangements for traveling exhibitions to West Point Schools, etc. Dates- 12/50-6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various Education Dept. staff and Westmoreland Woman's Club. Subject- arrangements for traveling exhibitions to WWC, etc. Dates- 1/48-3/49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and William Campbell High School in Naruna, VA. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wm. Campbell HS, shipping instructions, etc. Dates- 12/52-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and various Education Dept. staff and Wilson-Jackson P.T.A. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wilson-Jackson P.T.A., etc. Dates- 1/47-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.T. Rhodes (Assistant in Education Dept.) and Wytheville County schools. Subject- arrangements for traveling exhibitions to Wytheville Co. schools. Dates- 4/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Wythe Woman's Club, Hampton. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC. Dates- 8/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education), various Education Dept. and State Services staff and Wytheville Woman's Club. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC, etc. Dates- 5/49-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Y.W.C.A.-Richmond. Subject- holding a meeting (with a visit and lecture) at VMFA. Dates- 4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Young Woman's Club of Williamsburg. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to YWCW, shipping instructions, etc. Dates- 12/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.Y. Casey (Assistant in Education Dept.) and VMFA State Services Dept. and Zuni Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to ZWC, etc. Dates- 8/50-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\". Dates- 12/54-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\", note-included in these files: slides from Williams College of Art. Dates- 1947-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Chairman of the art department Williams College. Correspondence and biography 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fashion Show in cooperation with Miller and Rhoads Dept. Store and Harpers Bazaar magazine to benefit the VMFA Council, Education Fund, Council dinner, event plans and program catalogue. Dates- 12/55 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- the Fashion Festival of Arts and Flowers presented by the VMFA Council in cooperation with Miller and Rhoads Department Store, attendance lists, newspaper clippings, etc. Dates- 3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between national director and Thomas Colt, who was the State Director of the Federal Arts Project, 1935. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Federal Emergency Administration of Public Works regarding a grant to construct an additional wing to the Museum. 1935-38. More applications from Museum for funds from the Federal Emergency Administration of Public Works to complete projects such as casting a bust of John B. Payne and landscaping grounds. 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Federal Emergency Administration of Public Works and Virginia Commission for the Arts material, mostly on landscaping the grounds of the Museum, 1936. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Federated Arts Council of Richmond dinner and agenda, invitations. Dates- 2/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- Committee reports, events schedules, annual meeting 5/29/74, \"Festival Of The Arts\", 18th annual report, Dogwood Dell June-Aug'74. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Awards Dinner agenda, letters of confirmation, thank-you's, etc. Dates- 12/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T.C. Colt, Jr. Subject- listing of and letters to prospective fellows (founding fellows), a copy of the constitution 4/55. Dates- 3/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospects for new membership program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Conservation Laboratory, Library Endowment, Fellows Weekend, orientation theatre, contributions and projects, statement of purpose, agendas, biographical data. Resolution in memory of Lewis Strauss. Dates- 1964-79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Fellowship Committee minutes 1942, 1948, 1949, 1950, Fellowship Committee agendas 1950, 1951, committee report 1949/50, Fellowship Committee announcements and replies, listing of fellowships given by the Virginia Museum of Fine Arts 1940-51, etc. Dates- 1942-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Aplicant interviews procedure. Date- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellowship Fund income account, application, letters to recipients: Primm Turner, Jenny- Lynn Franklin and John D. Norwood. Dates- 5/54 - 5/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Essay- \"Outline for a Proposed Film for the Virginia Museum of Fine Arts\" by Vavin, Inc. 3/60.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1947, 1948, 1950, Finance Committee meeting minutes 1948, 1949, 1950, letters soliciting opinions from Trustees about stock purchases and committee resolutions and replies, VMFA Pooled Endowment Account 1949, stockholder information , etc. Dates- 1947-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1950, 1951, Finance Committee meeting minutes 1952, committee report 1950, status of capital funds listing 1950, list of securities held and cash balances, financial transactions, etc. Dates- 1950-2. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1952, 1953, Finance Committee resolutions 1953/4, Capital Funds Investments and Cash listings 1952, 1953, stockholder information, financial transactions, etc. Dates- 1952-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1955, Finance Committee resolutions 1954, a listing of Finance Committee meetings and actions in writing 1948-56, financial transactions, stockholder information, statement of endowment investments 1955, pooled investment listing 1955, investment changes for the period 4/30/55-12/31/55, etc. Dates-1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Lawler Fund. Dates- 10/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- stockholder information (i.e. annual and quarterly reports of companies). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee resolutions 1948/9, excerpts from Finance Committee meeting minutes 1939, 1951, Date- 3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from A. Nicholas. Subject- Statements of income, balances, private income, special purchase funds, operating budget, etc. \"Virginia Museum Semi- Annual Financial Report Dec. 31, 1970\" , \"Summary of Financial Support\": 1935- March 31, 1971, 19l35- June 30, 1969, Art Purchase Funds, Capital Outlay Programs to purchase land and buildings, List of Art Purchases 1970-71. Dates- 6/70 - 10/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and G. Martin. Subject- Responses to questionnaire from various theatre directors, VMT regulations. Dates- 1965 -66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT Statement of Purpose, application for Samuel Tate Morgan and/or George Seay Memorial Trust Funds. Letter of grant award for the expansion of VMFA Library holdings and list of books purchased, newspaper clippings. Dates- 5/69 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Administrator, Richmond Area University Center. Correspondence with 1949-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Memorial for Col. Herbert Fitzroy, letters of receipt of contributors to purchase a sculpture to be placed on permanent exhibit in Artmobile II: \"Crowing Rooster II\", G. Marcks. Dates- 10/67 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- information about proper display of U.S., U.N. and VA flags. Dates-11/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns cultural development there. 1957-59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Agreement on the Importation of Educational, Scientific and Cultural Materials\", Bill signed on 6/24/59, press release. Unesco sponsored agreement to eliminate tariffs and special import taxes on educational, scientific and cultural materials. Dates- 9/59 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Horace S. Flournoy. Subject- repair of heating system at the Museum. Dates- 10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- plantings around the Waddy Fountains at the front of the building, lawn and plant care, listing of growing plants used, etc. Dates-6/54-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA staff and Harvard University's Fogg Art Museum, mostly regarding the loan of a Copley portrait for the Museum's inaugural exhibition, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, J. Coolidge (Dir., Fogg). Subject- General correspondence regarding conservation, authenticity of objects, employment referrals, research, etc. Dates- 4/52 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for Folktale Marionette Theatre to perform at VMFA in Dec.1953, etc. Dates- 3/53-1/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- visit of Mrs. Henry Ford II, to see VMFA operations. Dates- 3/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about a Virginia artists watercolor exhibition sponsored by the Ford Foundation Title \"Virginia by Virginians\", copy of an invitation to Mr.and Mrs. Ford to the opening, etc. Dates- 1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- newspaper clippings and statement of purpose of the Ford Foundation. Dates-12/48-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Ford Foundation. Subject- proposal of VMFA serving as regional center for Ford Foundation's creative artists selection program 1958, proposals for Foundation support, Foundation publications, etc. Dates- 10/50-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Ford Foundation. Subject- information about applying for Ford Foundation support, Foundation publications, etc. Dates- 10/59-10/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program for Painters, Sculptors and Related Artists. Letters to jury members, entertainment. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and the Ford Foundation. Subject- the Museum as a locale for the premiere art exhibition to be featured in the March issue of the Ford Times, an exhibition highlighting VA artists named \"Virginia for Virginians\", included are copies of the exhibitions' gallery guide, invitations to the preview and a copy of the Ford Times feature issue. Dates- 11/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and American Association of Museums (AAM). Subject- roster of foreign museum Directors visiting VMFA on a AAM sponsored tour (in cooperation with the State Department), biographical information on visitors, etc. Dates- 3/65-5/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to VMFA staff. Subject- memos about arrangements for luncheon held at Museum for international newspaper people. Dates- 6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal for VMFA travel program, tour estimates and brochures. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition preview speaker: Ariad Yafeh, biographical data, reviews and photographs. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Guest lists for opening event, sample letters for invitations and replies. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices, Cheek serving as honorary member of advisory committee of Directors and Curators, etc. Dates- 3/52-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Keith Fowler. Subject- theatre operations, policies, programming, newsletter to friends, volunteers and theatre subscribers, etc. Dates- 10/69-12/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between William Francis and L. Cheek, Jr. Subject- Museum publications business and arrangements, etc. Dates- 12/64-9/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Governor Peery, T.C. Colt, Jr. and Douglas S. Freeman, president of the Confederate Memorial Institute. Subject- Transfer of the John B. Payne collection from the Battle Abbey to the museum. Dates- 1935-39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. Subject- mostly professional matters, but some personal information is given. Dates- 1948-53.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and French and Company. Subject- French and Company, Inc. art dealers, loans, conservation work, proposed sales to Museum, photos and descriptions of objects, etc. Dates- 6/46-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject- photo requests from the Frick Art Reference Library, reference questions, exchange publications, etc. Dates- 2/46-9/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Friddell was columnist for the Richmond News Leader. Correspondence with Cheek, 1949-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- memo about calendar of Museum events, mailing to American Ballet Theatre Friends, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Preparation plans for \"George Stevens Makes a Film\", an exhibition based on the making of an epic film (The Greatest Story Ever Told), installation, cost estimates, etc. Dates- 1/64 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Search for Egyptian objects to purchase, exhibitions: Sport and Horse and American Folk Art, College Drama Festival, loan of P. Klee works, collectors circle, Biographical data, Fellows, donation, gifts, Segregation in VMT, background information on paintings for Wm. Henry Yates, Marshall Research Library, Poetry Society of Virginia, Glasgow Estate. Accessions and gifts: \"Tree\", H. Gray; E. Hopper; Rutherford Goodwin, Jr.(signature). Dates- 1/55 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General museum business, inter-museum memos. Richmond Sinfonia, special purpose gallery, exhibition policy. Museum television, funding sources, COVAO conference, sale of Artmobile I, Council, newspaper clippings, pamphlets and funds generated through programs division, letter from Robert Indiana.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Bill (William) Gaines (head of Programs Division). Subject- programming educational, exhibitions, films, affiliates, etc., Museum operations, etc. Dates- 3/70-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Acquisitions, objects for purchase consideration, various newsletters, exhibition catalog: \"Nature As Scene\". Dates- 4/76 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with other museums. Subject- exhibition announcements, information about loans to other museums, etc. Dates- 3/53-3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Dir. for Collections and Education) and Mr. Charles Seymour (Yale University). Subject-request to look at the Museum's collections. Dates- 2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Col. Edgar Garbisch and L. Cheek, Jr. Subject- gift to VMFA-Junius Brutus Stearns paintings of life of George Washington, photos and information about paintings, biographical information about Garbisch, etc. Dates- 1/50-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for the 50th anniversary dinner of Garden Club held at VMFA, etc. Dates- 9/68-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the Garden Clubs of Virginia and America 1958-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Mrs. T. Fleetwood. Subject- Mrs. T. Fleetwood as a Trustee, Trustee business, gift to Museum, etc. Dates- 5/64-7/75. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Landscape Architect for Museum. 1957-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by John Garland Pollard, Jr. Subject- invitation to members of General Assembly to use Museum facilities, announcement of a reception for General Assembly members spouses, VMFA Members' Bulletin vol.20, no.5 1/60. Dates- 1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters sent to members of the General Assembly 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Gibbes Art Gallery. Subject- Brown working on problems of the Gibbes Art Gallery, \"Report to the Board of the Charleston Art Association\" co-written by Brown, etc. Dates- 12/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee, Executive Committee. Dates- 1950-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mr. George D. Gibson as Trustee, Trustee and Local Building Committee business, copies and excerpts from minutes of the Executive Committee 1948-53 dealing with VMFA building, news release 6/57 about Gibson being elected VMFA President, etc. Dates- 12/52-11/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. George D. Gibson, a lawyer with Hunton, Williams, Gay., Moore and Powell. Subject- flooding at the Museum, building inspections, structural problems with the building, the shipment of a Watteau painting to VMFA, a Melchers gift, etc. Dates- 7/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- acknowledgments of receipt, thank you letters to donors for gifts of all kinds (money, books, equipment, etc.,). Dates-11/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Arthur G. Glasgow. Subject- gifts to Museum, Museum events, information pertaining to the Estates of Margaret Branch Glasgow and Arthur Graham Glasgow. Dates- 2/54-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., J.M. Brown and Walter S. Robertson (VMFA President). Subject- transcript of remarks by Governor Mills E. Godwin, Jr. at Southeastern Theatre Conference 1966, Museum events, Mrs. Godwin to serve as honorary chairman of Entertainment Committee, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- President of Princeton University. Request for him to lecture at Museum. Dates- 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Associated Artist Gallery, Washington, D.C. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for Theatre Director-Producer 1957.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Pollard was a member of the Goodwin Memorial Commission appointed by the state to erect a scroll honoring the Reverend William Archer Rutherfoord Goodwin, former rector of Bruton Parish Church and man who dedicated his life to the restoration of Colonial Williamsburg, 1950-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Mr. F.D. Gottwald. Subject- agreement and arrangements to establish Elisabeth Shelton Gottwald Fund. Dates- 4/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- copy of report on Museum, recommendations to Museum made by Governor's Management Study Group. Dates-7/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Mills Godwin and Peter Mooz. Subject- Budgets: cutbacks, executive order, appointments to VMFA Executive Board, creation of job positions, Museum organization charts, Melchers Estate, Arts Commission, Executive Mansion furnishings and lists of objects. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for unveiling (10/5/71) of new acquisition of Goya's painting- General Nicholas Guye guest lists, invitation, news releases, photo and information about painting, etc. Dates- 9/71-2/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- \"General Guye\", Goya. Special event, agenda, invitations, etc. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with John Graham (Curator, Colonial Williamsburg). Dates- 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Related to the death of Mr. Gray and his family. His bequest to the Museum and a memorial to him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Horace Gray, Trustee. Subject- Museum business, biographical information about Horace Gray, VMFA Members' Bulletin vol.19, no.6 (2/59), etc. Dates-5/51-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about hiring Mr. Paul Grigaut as head of Collections Division, Museum practices, information about Museum Collections catalogues, etc. Dates- 6/62-4/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Theft-general. Contains one newspaper clipping 5/28/62.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- correspondence with Senator Raymond R. Guest, announcement of gift to Museum of bronze gates, Museum events and business, etc. Dates- 11/48-5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and L. Cheek. Subject- List of sites for guidebook , roster of names for nominating committee, letters to publishers, price structure, biographical data, promotional information, outline for publication by the Trustees for \"An Official Guide To Four Centuries Of Building In The Old Dominion\". Dates- 4/66 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Finnish Society of Crafts and Design 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt, F. Haseltine. Subject- Installation of \"Symbol\" at Phillip Morris site, invitation mailing list, reception agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, F. Haseltine, P. Near. Subject- Exhibitions, VMT, loans, gifts, endowments, biographical data, invoice for work restored, acquisitions, installation of Heeramaneck Collection, Pastorale fund, Project Grant Application, Tax Status. Essay- \"A Brief Summary of Accomplishments of the Virginia Museum of Fine Arts\", 1962-64. Dates- 9/51 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mr. Haller was a public relations consultant hired under special circumstances and kept off of the state payroll. This letter pertains to this and circumventing the state system 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and S. Robertson. Subject- AAM meeting in Williamsburg, increase in security staff at VMFA, Artmobile, Executive order from the Governor's office to divide the Board of Trustees into five divisions. Request for authority to prepare Capital Outlay Plans for South Wing, invitations to serve on various committees, presentation of Webster S. Rhoads award to Gov. Harrison, newspaper clippings. Dates- 5/61 - 11/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Public Buildings Administration (Federal Works Agency). Subject- Harrisonburg post office mural competition (Colt served on the jury of selection and advisory committee) and contract with Public Buildings Administration. Dates- 2/41-10/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek's 25th college reunion and an art exhibition in conjunction with the reunion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Melissa Hayden and Andre Eglevsky. Dance performances at the VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. John G. Hayes, Sr. Subject- Trustee/Museum business, money to the John G. Hayes Endowment Fund, etc. Dates- 11/49-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. J.G. Pollard and W. Rhoads. Subject- John Green Hayes Memorial Fund. Dates- 5/48 - 11/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of appeal from VMFA to Hearst Foundation for financial assistance. Dates- 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Biographical data, press release and his presentation to the AAMD, newspaper clippings. Dates- 4/62 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lecturer for the Latin American Exhibition 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT: tour schedule, HEW grant proposal, \"A Cultural Program in the Dramatic Arts for Virginia High School Students\", newspaper clippings, postcards, reviews, project budget, financial support. Dates- 5/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Travel Itinerary, loans , VMT productions, collectors circle, LOAS (Loan-Own Art Service), search for prospective jurors, letter to Helen Hayes to address VMT, biographical data, gallery plans, invitations to preview Hogarth exhibition. Dates- 9/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for luncheon and agenda. Dates- 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Request for VHS to hold annual meeting. Dates- 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Col. Hodges (Membership Chair). Subject- Trustee/Museum business, Hodges served as the Chairman of the VMFA Membership Committee, etc. Dates- 11/35-3/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA Bulletins: vol.26 no.3 and vol.27 no.6. Hogarth lecture to VMFA, itinerary, biographical data, Wm. Blake exhibition. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for Theatre Director 1957. Contains resume and letters to, from, and about him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, P. Davidson, and P. Rathbone. Subject- Exhibition: \"Treasures of Alexander\", request for loans, list of objects in connection with exhibition, installation design, theft of Nike Earring. Dates- 9/63 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Term as a Trustee and Fellow at VMFA and as a Trustee at Norfolk Museum, Exhibition: Treasures from the Norfolk Museum. Gifts and donations. Dates- 9/61 - 4/3 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Collectors circle, Fellows, Trustee, gifts and donation. His service as a Trustee at the Chrysler Museum. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on state holidays. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Gov. Holton. Subject- Proposal for a Bill to organize a citizens advisory committee to improve furnishings and interpretation of the Gov. Mansion. Statewide Building Code, Administrative Amendments 1/29/73, Sec. 873.5. List of participants and Museum conference notes to determine how Va. Museums can assist one another, Inauguration arrangements committee, rosters: House of Delegates, Senate and legislature. Essay- \"The Holton Years: A Summing Up 1970-1974\". Dates- 9/61 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Reports from the Honors and Awards Committee and the Board of Trustees, 1948-56. Much of this concerns Mr. and Mrs. A.D. Williams, The Katherine Rhoads Fund and the Webster Rhoads Medal, and Arthur and Margaret Glasgow, letter regarding the Mary Samuel Davies Bright Memorial. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Arts and Humanities Commission, Pratt Estate, Cabell Foundation, Ford Foundation: VMT underwriting. Trustee interviews, gifts of appreciated property. Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings, photographs. Dates- 10/8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and J.M. Brown. Subject- Parsons Fashion Show, slides, pamphlets, newspaper clippings. Dates- 8/63 - 7/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Seating arrangement. Dates- 11/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J. Sweeney and Lee Malone. Subject- \"Design In Scandinavia\", Cheek's remarks. General correspondence concerning museum loans and policy. Dates- 4/63 - 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Miss Nora Houston and T.C. Colt, Jr. Subject- biographical information, information about exhibitions she participated in, proposed acquisition of her work, etc. Dates- 4/36-2/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- U.S. House of Representatives, New York State. Correspondence concerning government support of the arts. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copy of his speech given at the Architectural League Symposium 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Term as a Trustee, membership campaign, budget committee, newspaper clippings. Dates- 5/59 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellow, VMT, Exhibitions, Artmobile, long term loan of 18th C. Dec, Arts objects, Hogarth exhibition, contract bid for landscaping, North Wing. FILM: \"THE ART of THE CONSERVATOR\" Dates- 2/64 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Trustee, Fellow, gifts. Remarks concerning Fellows meeting, Draft of Executive Committee Meeting Minutes, 12/8/70. Official application form for AAM accreditation. Art Nouveau Collection, Council lecture and luncheon with draft of suggested remarks delivered by C. Humelsine. Dates- 1969 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Requests for catalogues, loans, exhibition announcement, proposal for an \"International Traveling Exhibition\", technical info on Ivisiglass. Dates- 4/45 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- RSVP's to auditorium inauguration, thank you notes to musicians used for the opening, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Innocenti and Webel (landscape architects) concerning VMFA grounds. Dates- 7/64 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek, T. Colt and Mrs. Pollard. Subject- Requests for publications, general information regarding VMFA collections, exhibitions and museum operations. Dates- 10/35 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General information on exhibition installations.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains one brochure, 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- insurance against air raids and other war damage, correspondence with other museums about war risk insurance. Dates- 6/42 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. and M.B. Christison (Assistant Dir. for Collections and Education). Subject- damage claims to art objects we lent and/or were on loan to the Museum. Dates- 11/49-11/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuels Collection [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Draft of the Constitution and By-Laws of the proposed Virginia History and Museums Federation. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- ICOM statement of mission, travel expense records, membership and financial statements, pamphlets, Minutes of Executive Committee 1/30/60, 5/25/65, Annual Report 1965, newsletter, pamphlets, etc. Dates- 1961 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual Reports, Statutes, guidelines for International Rules of National Committee, Museum Training Programs, Newsletters, Minutes of Annual Meetings, budget, membership, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Mrs. J. Pope (Pres. IEF) Subject- Invitation to become a member, statement of mission, list of officers, IEF Financial Report 12/31/72, Annual Report 12/1/72, NEA award, catalogue listings, list of traveling exhibitions 1966-72. Dates- 1966 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Anne Marie Pope. Subject- Lists of current and planned exhibitions, events schedules, minutes of annual meeting. Dates- 1973 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Article from \"Preservation News\", 1/71 vol., XI, no.1 and Sunday Supplement from New York Times. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, P. Near, Phillip Johnson. Subject- P. Johnson's advise of design of the New Wing and as possible juror for Va. Biennial. Rotunda Club, Jamestown Festival, Robinson House, Hogarth Exhibition, Jr. League activities, and restoration of downtown Richmond. Photocopy of text from letter between Wm. Fitzhugh to Charles Carter 11/30/1796, pamphlets, donations, gifts. Dates- 12/55 - 12/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Letter of appointment to Executive Board. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 350th Anniversary. 1955-57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on the Museum's contributions to the celebration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek to serve on advisory committee and certificate of award for his service, presentation of Pocahontas portrait for permanent display, \"Report From Sub-Committee, Jamestown Commission\", 10/30/57. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photos of the \"Japanese Architecture\" exhibition, printed material for the exhibition, arrangements for bringing the Japanese Charge d'Affaires to VMFA, transcript of remarks made by Mr. Shima (Japanese Charge d'Affaires) at the opening preview, etc. Dates- 4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Itinerary and agenda for East Meadow High School of East Meadow L.I., New York. Dates- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown. P. Near, A.P. Jenkins. Subject- A.P. Jenkins collection, gifts and contributions, loans, Fisher rug collection, B. Barenson, Ash Lawn, Caligula statue, invitations, agendas etc. \"Art Now: New York\" vol.2 #10, University Galleries, 1970 (contains large color plates). Conceptual statement for Cabrillo Marine Museum. Dates- 8/54 - 9/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Jay W. Johns. Subject- Trustee/Museum business, gifts to Museum, information about an Evelyn Byrd portrait by a disputed artist (Kneller or Bridges), etc. Dates- 6/35-9/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- J. Johns service as a Trustee and Fellow, gifts and donations. Dates- 4/50 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- B. Johnson's (Conservator of L.A. County Museum) observations concerning the authenticity of a Veronese painting and his personal collection of pre- Columbian sculpture and Asian ceramics. Dates- 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and T. Catesby Jones. Subject- Jones' collection of modern paintings and sculptures, gifts to the Museum art and books, letter from Jean Lurcat, etc. Dates- 3/41-12/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The loan of Mrs. Catesby's collection of French Modernists to the VMFA and gifts. Dates- 2/50 - 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from l. Cheek, R. Guest (Fellows, Chair) and W. Robertson. Subject- Her appointment as a Trustee and role as chair of the membership committee. Dates- 7/64 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- State Supervisor of Art, 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- purchase requests for photos. Dates- 3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown. Subject- Agenda and letters of confirmation. Dates- 6/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Volunteers at the Museum, 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of confirmation. Dates- 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Letters of recommendation, resumes, prospective jurors, exhibition: \"Ugliness in Virginia\", Robert E. Lee Memorial, Fellows, gifts, donations, pamphlets. Acquisitions: Artists, Duane Hanson and Stephen Posner. Dates- 4/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Karolik collection of American Painting, Artmobile and Collectors Circle. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Maxim Karolik. Subject- proposed lecture for exhibition \"The Karolik Collection\", printed material for exhibition, etc. Dates- 9/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Illumination exhibition for the American Federation of Arts: proposal, budget, exhibition news, advisory committee and Minutes of 1st Meeting 11/23/64. Dates- 1/65 - 2/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek as member of the Council for the Kennedy Center and Board of Trustees, bulletins, progress reports and newsletters and a letter from Jacqueline Kennedy dated 1/14/66. Dates- 2/59 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and H. Willett (Supt. of Rich. City Schools) Subject- Letter to F. Keppel (Asst. Sec. of HEW) concerning a Math and Science Center. Essay- \"Proposal For a Supplementary Mathematics and Science Center\". Dates- 11/65 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters of request and confirmation, menu and tour. Dates- 8/71 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets: \"The Library - Documentation Project spring 70\" , \"The Urgency of Our Mission\" and \"Statement of Purpose Fall 1969\". Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt, L. Cheek and Harry Brooks. Subject- Requests for publications, provenance of Italian Renaissance painting being considered for acquisition, loans, pamphlets and shipping invoices, etc. Dates- 2/46 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, T. Simmons (Knoll) and Florence Shu Knoll. Subject- Interior design and furnishings of the Members Suite, offices, restaurant and Library, Knoll Catalogue 1956, newspaper clippings. Dates- 2/49 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Portrait commission of L. and Mary Tyler Cheek and his exhibition at the Museum of the City of New York. Information about introduction to exhibition catalog. Dates- 1/63 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Parson's School of Design. Design consultant VMFA 1954-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The creation of layouts of loan exhibitions and permanent displays, agendas, job description, newspaper clippings, biographical data, postcard, etc. Dates- 2/58 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mr. Koenig was a guest promotion director at the VMFA 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to contributors of memorial fund. Subject- Memorial established by the Theatre Associates of VMFA, sample of bookplate in his memory. Dates- 4/62 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuel H. Kress Foundation 1958-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about bill and payments with Kuhn. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile project for the Arkansas Arts Center, \"Let's Go, Reflections on the Art of Administrative Leadership\". Dates- 8/62 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chapters/Affiliates, newsletters, Lectour broadcasts, newspaper clippings, invitations, Lawler Memorial Fund, Artmobile. Artists: Pietro Lazzari, Janice S. Lemen, John Gadsby Chapman, photograph. Dates- 5/58 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Publication requests, gifts, contributions, collectors circle, Fellows, suggested bequest wording, Artmobile, loans, exhibition announcements, NEA questionnaire: \"Conservation in Museums- August 1971\", restoration and condition report of \"Battle of Yorktown\", Lami. Artists: Mario Dubsky and Eugene Berman. Gift and donations: \"La Sympathie\", Pettijean. Date- 11/62 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Port Sunlight, Chesire England.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and the VMFA Board of Trustees. Subject- To prevent the construction of the Valentine Museum's Latrobe Theatre. Dates- 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lecture by Cheek to the College Art Association 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to E. Cless (program Consult., U. of Minn.) Subject- U. of Minnesota Institute on Administration and Services in the Small Art Museum, program agenda, travel schedule, list of registrants for the seminar, report on the panel on museum publications, pamphlets, map, etc. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek to G.H. Holmes (Dean of U. of Pa.). Subject- Urban Criticism, experiences in traveling exhibitions on city planning, resolutions and solutions on urban problems. Biographical data on participants of conference, travel expenditures, agenda. Dates- 7/58 - 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Priscilla Crum to Prentiss Taylor. Subject- lecture by Taylor, Wednesday evening programs schedule 1948, proposed schedule 1947-8, etc. Dates- 9/47-1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison. Subject- prospective speakers, films, etc. for programming. Dates- 10/48-12/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- schedules for Wednesday evening and musical programs. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given by L. Cheek, Jury duty lists, consultations, invoices, expense records, agendas, pamphlets, magazine excerpts, Essay- \"The Place Of The Arts In Our American Culture\", by L. Cheek. Dates- 1953 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given by various members of the VMFA staff. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from D. Nicholas. Subject- Procedure and policy concerning VMFA security.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Monthly newsletters on \"Reflections on the Art of Administrative Leadership\", L.H. Kurtz, publisher/editor. Dates- 9/62 - 11/64, 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, P. Near C. Humelsine, F. Brandt and Wm. Gaines. Subject- Art Nouveau Fund: list of purchases, legal document of fund establishment. Artmobile and contemporary Art Purchase Fund. Dates- 5/67 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Possible sources for the purchase and restoration of the Alexander-Withrow House, Lexington, Va. Dates- 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- D. Liebes (color consultant and textile designer) on proposed text for her essay to appear in AIV and her lecture to be given at the VMFA on crafts and the creation of VMFA Craftsperson - residence. Dates- 4/63 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and E. H. Bushbeck (Kress Found.). Subject- Drawings and description of Dr. Reinhardt's gallery in Switzerland. Dates- 2/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and V. Gaskins (asst. to L. Cheek). subject- Planning of VMFA lighting facilities, \"Art Museum Lighting\", 2/59, excerpt from a journal of Electrical construction and Maintenance. Dates- 2/59 - 9/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal of Library-Museum at Lincoln Center. Dates- 2/59 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ralph Linton Collection of African Sculpture. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for loans of furnishings to other state properties. Dates- 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of loans under consideration, loans to ambassador residences in England and Australia. Photographs. Dates- 2/61 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and director of Louvre. Subject- Poussin exhibition at Louvre and VMFA loan of \"Achilles on Skyros\" and Delacroix exhibition, loan of \"Deliverance of Princess Olga\". Dates- 10/59 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lighting Technician, VMFA, 1953-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and C.B. Lusk. Subject- Lighting instruments and technical drawings. Essays- \"Lusklite as developed and used at the VMFA\" and  \"The Installation and Lighting of Exhibitions at VMFA\" Dates- 8/56 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.R. Duncan and Gordon Huff. Subject- Expansion of Lynchburg Arts Center to become an affiliate, loans for opening gala, suggested text for print media, schedule of events, Artmobile, Lynchburg Arts Center Executive officers. Introductions for L. Cheek and W. Robertson, travel itinerary. VMFA lecture series: Building For The Arts 1965-66, pamphlets. Dates- 5/62 - 7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for \"The National Arts Center of New York University at Washington Square\", Exhibition: \"Tastemakers\", based on R. Lynes Book. Official guest list for opening reception. Dates- 10/54 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, L. Cheek, P. Near and F. Haseltine. Subject- Membership, gifts, personnel references, loans, Jamestown Foundation, proposal for commission of sculpture in F\u0026M Plaza. Acquisitions and gifts: Egyptian cups, Coptic sculpture, Bertoia drawing. Dates- 4/61 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Macbeth Galleries. Subject- loans for inaugural exhibition and general correspondence about proposed acquisitions from Macbeth galleries. Dates- 9/35-7/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Orders and correspondence for back issues of Bulletins and magazines, 1946-47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Alessandro Magnasco, Painting 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing and sign schedules, roster of names and institutions. Dates- 1960 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing and events schedules. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near, D. Isley (Norton Simon Collection). Subject- Press releases, shipping, installation, purchase invoice, info regarding owners of the other castings. Photographs and slides. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Paul Manship. Subject- designing the John Barton Payne medal. Dates- 9/36-10/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Robertson. Subject- His Service as a Trustee, Fellow, and chair of Trustee Budget Committee. Biographical info, Artmobile, 25th Anniversary of VMFA, museum business, financial statements, Education In The Arts. Dates- 12/56 - 5/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Long Island Historical Society. Subject- Provenance, purchase through Glasglow Fund. Dates- 12/55 - 1/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resume, photo, agenda, NEA grant request. Dates- 4/65 - 5/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- M. Baldwin Choir Program, Alumnae issue Bulletin concerning visit of Pres. Eisenhower. Invitations, Fine Arts Center, Woodrow Wilson Project. Dates- 2/56 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Julien Binford. Subject- Mary Washington Arts Center, invitations, VMT, loans of art works, newspaper clippings. Dates- 11/49 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gifts to VMFA. Dates- 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. William R. Massie. Subject- Trustee/Museum business, etc. Dates- 12/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture: John Goldsmith Phillips, biographical data, press release and catalog list. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturers: V. Isabelle Miller and Mrs. Yves Henry Buhler. Press release, publicity schedule and photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- floor plan, instructions for installation for exhibition \"Masterpieces of Chinese Art\", printed material for exhibition, thank you notes to lenders to the exhibition, etc. Dates-11/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for the Theatre Director Position. Contains resume and applications, letters of recommendation etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Director of Public Relations for 20th Century Fox. Speaker at the Museum 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Public Information Division VMFA. 1955-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Director of Vassar College Art Gallery, requests for publications, lecture. Term as curatorial research asst. at VMFA. Dates- 9/53 - 6/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dedication of new Library, loans, invitations, VMT, Farewell gift to Mr. and Mrs. Cheeks with poem. Gifts, contributions, G. Melchers memorial. Dates- 2/60 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- General membership information, loans, press release, invoices, newspaper clippings, etc. Art Nouveau Collection. Letter to L. Marden (residence designed by Frank Lloyd Wright). List of Artists editions: prints and objects from Multiples Inc., NYC, price list and description. Artist: Phillip Lindsay, signature. Acquisitions: Monet, van der Helst and Rodin. Dates- 12/69 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and French and Co., Inc. Subject- pieces sold to and installed in the Museum, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal to establish an Institute of Mediterranean Culture at U. of R. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Carroll L.V. Meeks. Subject- thank you notes for visit to New England personal friendly letters, etc. Dates- 4/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, Mrs. Pennell (Membership Secretary) and Mrs. Gari Melchers. Subject- VMFA members in Fredericksburg, postcards, gift to Museum , etc. Dates- 12/35-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Her service on the Executive Committee, Melchers Estate, budget, gift status of \"Dead Jockey\", E. Degas. Contributions, gifts, newspaper clippings, biographical data. Dates- 4/56 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt (Dayton Art Inst.) and Dr. Higgins (Chair of VMFA Board), J.M. Brown. Subject- \"Disposition of Mr. Gari Melcher's Estate Excerpted from Virginia Museum Minutes Books, No.4,5and6\" , prepared by A.W. Statnaker, Asst. Administrator 7/17/74. Resolution, re: \"Belmont As An Art Center And Museum\" and \"Opening Of The Belmont Facility To The Public\" , Executive committee Minutes. Dates- 5/74 - 11/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Melchers estate/bequest to the Museum, agenda and minutes of Gari Melchers Memorial Committee 5/56-10/56, report and proposals of that committee. Dates-5/56-10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- appointments to committee, general operation of Estate, suggested budget, list of Melcher paintings owned by VMFA, loans of art works, drawings/blueprints: G. Melchers Studio air conditioning system and proposed plaque for ashes of Mr. and Mrs. Melcher. \"Belmont Agency Agreement\", Bill to transfer Melchers Memorial from VMFA to Mary Washington college. Dates- 4/56 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- First Chairman of Fellows: 1st Annual Meeting and statement of purpose. Exhibitions: English Painting, French Portraits, Sport and Horse, Artmobile. Old Dominion Foundation and his membership on the Executive Committee, gifts, donations and contributions. Dates- 2/38 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His membership on the Board of Trustees, Fellows, Collectors Circle. Biographical info, loans of art works from his personal collection, donations and gifts to VMFA and the National Gallery, Artmobile, as a recipient of the Benjamin Franklin Award: statement of purpose, nomination form, list of contributions, newspaper clippings, photocopies of magazine articles, invitations , etc. Dates- 1965 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Robertson. Subject- Collectors Circle, Fellows, term as VMFA Vice President. Press releases, newspaper clippings, contributions and gifts. Dates- 4/60 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Members lecture series. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Higgins, Jr. (Pres.) and C. Humelsine (Pres.) Subject- Draft of letter to membership regarding schedule of events etc. Dates- 9/71 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program where paintings from contemporary Virginia artists would be loaned (rented) to members to have in their homes. Members could also purchase the paintings. \"Designed to bring the work of Virginia artists into the homes of Virginia citizens.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Wm. Higgins. Subject- Monthly membership report summary, Chapters/Affiliates reciprocal membership program, letters of general correspondence to the membership. Dates- 4/70 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of the Membership Committee 1/48, 2/49 and a letter supporting the proposed theatre wing from Mrs. Wm. Trigg, Jr.(Civic Theatre Committee, Div. of Recreation, City of Richmond). Dates- 9/47-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Membership report, promotion, agenda, roster of committee members, minutes of committee meeting. Dates-8/72 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes of membership committee, elements of campaign to attract new members and move members to higher categories. Dates- 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Guided tours for prospective members, agendas, schedules, newspaper clippings, excerpt from Minutes of Executive Committee 12/14/72. Dates- 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Webster Rhoads (Pres. of Museum Board) and R.A.Velz (Administrator). Subject- list of new museum members, request form for membership, Membership Reports 1954-5 and 1955-6, list of membership privileges, etc. Dates- 11/55-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. W.A. Nones (Chair, Trustees), J.M. Brown and C. Humelsine. Subject- General membership information, schedule of events, calendar, pamphlets, etc. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership rosters of local organizations, copies of a cover letter soliciting members, etc. Dates- 1/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey results, years of membership, exhibit preference, age, attendance, annual contribution. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- planning stages for corporate memberships, proposed fees, privileges, etc., counsel from other US art museums, list of corporations to be approached about the idea, etc. Dates- 1946- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Corporate membership drives, presentation to J.C.'s, excerpt from Newsweek. Dates- 6/60 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Members art studio classes and lecture series. Dates- 6/54 - 9/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 6/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 9/54-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Velz. Subject- memos regarding segregation and other policies at the Museum. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek and R. Velz. Subject- Miscellaneous information concerning collections in general: treatment/condition reports, insurance, loans, installations, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Miscellaneous museum operation: Artmobile, Art Lending Service, Virginia Artists, lists of objects on loan, exhibitions, damage reports of objects and gallery inspections, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- inter-office memorandums on various subjects. Dates- 12/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek and H. Glasser. Subject- Exhibitions, Pratt Collection, gallery inspections and all manner of museum operations and programs. List of lost objects on loan to the Bon Air School for Girls. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Inter-office memos concerning insurance valuations, loans, lectures, library, exhibitions and policy on filing acquisitions data and damage reports. Date- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets published by the state Department of Mental Hygiene and Hospitals and the Mental Hygiene Society of Virginia. Dates- 1951-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and various staff at the Metropolitan Museum. Subject- museum practices, long-term loans of Egyptian art and artifacts, securing speakers, etc. Dates- 1/55-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J. Rorimer (Dir., MET) and A. Priest (Curator, MET). Subject- Damage to MET's \"Bacchus\", objects to purchase, loan requests. Acquistions and gifts: Tibetan Scroll; Coat of Japanese Mail. Dates- 11/69 - and/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Michael Jacobs Gallery. Subject- loan of painting (George Washington by Gilbert Stuart) for inaugural exhibition. Dates- 6/35-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Midwestern book competition for which Cheek served as a juror, competition judged in Richmond, lists of criteria and books, printed material for the competition, etc. Dates- 4/56-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Jo Mielziner. Subject- friendly letters, mention of possible Mielziner exhibition, etc. Dates- 12/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, list of stage designs available for purchase, his lecture to VMFA, schedules and agenda's, etc. Dates- 10/54 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Miller and Rhoads department store staff. Subject- showing VA artist work in store windows, borrowing supplies from the display department for the Museum (folding chairs, textiles), etc. Dates- 2/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W.S. Rhoads. Subject- Nomination of Miller and Rhoads, Inc. for Esquire magazines 1st annual \"Business in the Arts\" award. Support of Artmobile II. Exhibition: \"Masterpieces in Millinery\", spring 1958. Preliminary outline of fashion costume requirements for VMT \"Lady In The Dark\". Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Speaker: Philip Adams. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. John M. Miller, Jr. Subject- Trustee/Museum business, Miller served as a member of the Membership Committee, etc. Dates- 6/35-7/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mr. J.G. Pollard, Jr. Subject- asking Mr. Milliken (Director of The Cleveland Museum of Art) for counseling on acquisitions, draft of an agreement where Milliken counsels the Museum staff about proposed acquisitions, etc. Dates- 3/58-3/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from B. Mills in his role as Asst. Administrator of Personnel. Subject- Records, applications, payroll, medical insurance, announcements of new employees and terminations. Dates- 9/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and L. Cheek, Jr. and The Mint Museum staff. Subject- museum practices, loans, etc. Dates- 8/46-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- obtaining the motion picture for which the drawings in the exhibition \"Gil Wilson 'Moby Dick'\" were made. Dates- 12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- printed material for exhibition \"Modern German Art\", invitation to Mr.and Mrs. Alfred P. Jenkins for dinner and exhibition preview, (Mr.and Mrs. Jenkins owned the modern German art collection shown). Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Creation of James Monroe Bicentennial Commission. Dates- 8/57 - 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown between MAC. subject- Section 21-2 of the Richmond City Code: designation of Monument Avenue as an Historic District.  Minutes of meeting of MAC, 4/24/71 and 5/19/71.  Program Planning Task Force, editorial broadcast, roster of members, Articles of Incorporation, By-Laws, agendas, proposals and pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and Mr. Charles Moore. Subject- Moore's application for the Director/Producer position in the Virginia Museum Theatre. Dates- 12/56-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data and his lecture tour to the VMFA. Dates- 4/53 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Georgia Watson Morgan. Dates- 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Search for candidates for public information supervisor, job requirements, resume, publicity agendas, public information schedules, Bulletin vol.20, no.3. Dates- 6/59 - 7/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Mulholland (magician), biographical data/pamphlet, his magic presentation to the Fellows and VMT. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, his address to VMFA membership concerning architectural history. Dates- 10/55 - 8/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Munn Last Will and Testament with list of objects bequeathed to VMFA. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and T. Colt. Subject- Mural competition for Virginia State Library entrance hall: selection process, general assembly commission of monument to Stonewall Jackson. Dates- 4/46 - 6/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Envelopes of photos and negatives of Pre-Columbian art objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Gallery attendance and educational groups. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Oct. Bulletin 1954, copies of the following Members' Bulletins-vol.15, no.2 (10/54) and vol.13, no.3 (11/52). Dates-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison. Subject- working papers for Members' Bulletin Oct. 1955, VMFA calendar 10/55, etc. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Oct. Bulletin 1955. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Design of annual Christmas cards by Virginia Artists: John Ballator, Charles Smith, John Canaday, Allan Jones, Ross Abrams, Julien Binford and Prentiss Taylor. Dates- 11/48 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns transportation for the Museum lecturers and guests 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Christison and Mrs. Pollard. Subject- Inquiries from other institutions regarding museum operations, budget, services, corporate membership, Trustees, etc. Lists of purchases, Fellowship recipients. Dates- 1937 - 53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Arrival of Hollins and VCU students to work on specific projects for one month. Dates- 12/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Proposal and tentative plans, prospective filmmakers. Minutes of Executive Committee of Southern Educational Film Production Service. \"Motion Picture Production\": Study by H. Jeff Forbes and Associates regarding promotion of VMFA. Dates- 11/46 - 2/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memos about various museum topics. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, V. D'Amico (Dir. MOMA), M. d' Haroncourt. Subject- Art education standards, exhibitions, loans, lectures, museum policy, juror search and Jamestown Commission. Dates- 11/55 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Head of Administrative Division), Mrs. J.G. Pollard and L. Cheek, Jr. Subject- suggested future organization of the institution, operating procedures throughout the building, etc. Dates-2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding the division of expenses between the theatre and the museum, 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Promotional literature on the VMFA. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Material deals with segregation policies at museum events. 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence pertaining to printing. Bulletin mock-ups and copies of the following bulletins: Vol.6, No.4,  Vol.7, No.'s 2and7. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and magazine articles. Photographs, press releases etc. 1955-57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed budget groupings for VMFA, according to departmental divisions and table of organization. Dates- 1948 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events, timetables, agendas, Robinson House, housekeeping, security, VMT. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of events, exhibitions, Robinson House. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Schedule of events, mailing schedules, spring agenda, Confederation Conference, Robinson House, VMT, gallery closings, Discovery Cruise: Land of Maya. Date- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Suggested talk by Pres. of Museum to guests at Safari Dinner in Medieval Hall. Dates- 1/22/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Travel package for travel to Asia, brochures, cultural travel tours. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Policy regarding loans of art works to other Museums, employment search, provenance of art objects, pamphlets, newspaper clippings, etc. Resolution: To order immediate safe return of German master works after Nazi occupation, signed by U.S. museum directors. Dates- 4/46 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Applicant search for various positions, invitations, announcements, exhibitions, etc. Press kit for the Milwaukee Art Center. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- General correspondence on exhibitions, loan requests, museum business, job placement, magazine and newspaper clippings. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions, loans, policy. Dates- 12/60 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of music series and members of committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- schedule of program of recorded music, announcement of 6th artist evening 1/46, Museum Bulletin Vol.5, No.2, etc. Dates- 2/46-5/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Jerome Myers. Subject- acquisition of his painting: Street Scene, N.Y., his acceptance to the National Exhibition of American Art, N.Y., etc. Dates- 4/36-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- General correspondence to Trustees and membership, letters to Robert Neutra, exhibitions: Henry Moore, Sport and Horse. Agendas, travel itinerary, events and invitations. \"Encouragement of the Nations Arts\", an appeal to congress, and \"Proposed Federal Advisory Council on the Arts\", Hon. H. Alexander Smith, U.S. Government Printing office, Washington D.C., 3/26/57. Requests for employment, postcards, pamphlets and photographs. Artists: Jean Nikolic. Accessions and Gifts: \"Disasters of War\", Goya; \"Lore Fuller\", Raoul Francois Lanke; \"Dancing Girl With Tambourine\", A. Leonard; \"La Revre Blanche\", Toulouse Lautrec; Revere and John Andrew spoons and vase possibly made by Johannes Loetz Witwe. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Namuth's exhibit of photographs at the Brussels World's Fair, as a juror VMFA. List of Seventeen painters photographed by Namuth: Wm. Baziotes, J. Boynton, L. Calgagno, N. Carone, R. Diebenkorn, J. Ernst, S. Gechtoff, G. Hartigan, E. Kelly, W. Kienbusch, G. Mueller, K. Morris, B. Perlin, C. Marca-Relli, R. Motherwell, A. Reinhardt, L. Siegriest, with original notes by Namuth. Letter from J. Ernst with signature. Date 4/61 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statement of purpose and future of NCA, Board of Directors, Members of Council, fellowships, program grant application. Essay- \"National Endowment For The Arts Before The House Appropriations Subcommittee On The Interior And Related Agencies Tuesday, March 14,1972\", statement by Nancy Hanks (Chair): \"New Dimensions For The Arts: 1971-1972\" Dates- 1970-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L Cheek. Subject- Bill: S. 2379, To provide for the establishment of National Council on the Arts and National Arts Foundation. \"Congressional Record: Proceedings and Debates of the 88th Congress\" Dates- 2/64 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Public-Law 85-874, S. 3335: charted by the 85th Congress to establish a bureau in the Smithsonian Institution devoted to the Performing Arts. \"Peaceful Use Of Creative Energy\": transcript of lecture given by Col. Corrin Strong at the Tri State Arts Conference 4/29/61; Report: \"The National Cultural Center Part Two: What Goes into the Center\" by Dr. Carelton Sprague Smith, 10/60. Minutes for the NCC Executive Board: 5/23/60 and 6/29/60 Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. cheek. Subject- VMFA Council sponsorship of a closed circuit telecast by NCC: \"An American Pageant Of The Arts\". Suggested text of publicity folder, invitations, Newsletter: \"Footlight\", vol.1 no.3.; \"For A Cultural Capital\", Eleanor Roosevelt, 1962, United Feature Syndicate, Inc. NCC, later to be named the \"Kennedy Center For Performing Arts\". Dates- 7/62 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exchange of ideas and experience with other institutions who use audiovisual tool to communicate with museum visitors. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of appeal to serve on Virginia NEFTA committee, roster of members. VMFA appointed as the state agency for the administration of Federal matching funds; to aid in expanding the cultural horizons of a states and territories. \"Guidelines\" 1/67, NEA, Washington D.C.; \"National Foundation On The Arts And The Humanities, Question and Answers\", U.S. Government, Washington D.C., 1965. Dates- 1965 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey of membership, officers of VMFA, according to race, gender, age, position and time served. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz. Subject- Grant proposals, application, letters of support, proposal for a Regional Conservation Center, Soldiers Home, American Marine Painting, NEA statement of purpose, Museums A.S.A. Study, Museum Program guidelines, Smithsonian Puppet Theatre, Young Peoples Theatre Safari, \"American Painting 1974\" and newsletter from the Arts Reporting Service. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Financial assistance to Chamber Music Societies, season brochures, project grant application form for Va. Chamber Music Society. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Grants received by Arts/Cultural organizations in Virginia: guidelines, program committee members, agendas and minutes from the program sub- committee 3/7/68. NEFTA project recommendations for a regional conservation center. Dates- 6/76 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT survey, McLean Arts Center, guidelines for program grants. Senate Joint Resolution No. 67: to create a Virginia development study commission, bill 1483: National Foundation on the Arts and Humanities Act of 1965 and a report with guidelines for VMFA as the sole administrator of NEFTA matching grants. Study for Virginia Artist and Craftsman in regard to education and support. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Grant applications from Virginia Dance Society, VMFA, Confederation of Virginia Art Organizations and Budget proposals. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- State guidelines and general information, terms and conditions, NEA matching grant to begin statewide professional operation of VMT. Addresses of applicants for state grants, roster of Virginia NEFTA committee members. Dates- 2/66 - 6/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Regarding J.M. Brown's service on committee to evaluate grant applications. Valentine Museum NEA application, pamphlets. Date- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for exhibition \"Designer-Craftsmen 1953\" presented in conjunction with the American Craftsmen's Educational Council, Inc., (ACEC), letters to jurors, etc. Dates- 9/52-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and National Gallery of Art. Subject- preview invitations, exchange publications, excerpts from Roosevelt Art Address (from dedication of National Gallery 3/41), loan request for VMFA inaugural exhibition, etc. Dates- 3/41-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets and information about \"National Park and Recreation Week\" sponsored in Richmond 5/21-5/30, 1949. Dates- 4/49-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Geographical directory, \"Historic Preservation\" journal, vol.11, no.3, 1959 and Melchers Memorial. Dates- 1959 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Organization membership information form, questionnaire. NTHP certificate of associate membership 1971-73, employment placement and service pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Travel itineraries, objects for prospective traveling exhibitions, list of slides, forgeries and thefts. Accession and acquisition proposals. Dates- 1/61 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Conservation of objects/paintings, loans. Accessions committee meeting agenda, 10/69. Report on Authenticity of \"Marble Head of a Horse\", Heermaneck Ancient Iranian Collection. Exhibitors: The child and his World. Condition reports and repair estimates for tapestries. Photographs Dates- 12/69 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Sydney Lewis and Peter Mooz. Subject- Authenticity of Cycladic Harpist and 18th century American secretary. Provenances of various objects, conservation and treatment reports. Catalog: \"Arshille Gorky\" Dates- 1/74 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Sydney and Frances Lewis and Peter Mooz. Subject- Conservation/treatment reports, Artnian Collection of self-portraits. Conservation/treatment reports, Kent Independence Portfolio. List of Art Nouveau objects, damage reports, African Collection. Report of authenticity regarding the Cycladic \"Harpist\". Letter from Arnaldo Pomodoro regarding a base for \"Rotating Sphere\". Dates- 5/75 - 8/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Hours of operation, VMFA and other museums, attendance records, VMT, security, UNESCO newsletters 4/58 - 8/59, newspapers and magazine clippings, press releases. Dates- 7/59 - 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cheek's annual N.Y. cocktail party: guest lists, arrangements, rosters of speakers to VMFA: 1951-52 and 1952-53. Dates- 1952 - 54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newsletter to Trustees concerning exhibitions and appointments to Executive Board, accessions, building, etc. Dates- 11/70 - 8/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Morrison (P.R. VMFA), F. Palmer (P.R. consultant), D. McCammond (P.R. Reynolds Metals). Subject- Public Relations of E. Newsom and Co. to conduct a study to determine the needs and potential of VMFA. Program organization, community relations, film, book press material, schedules of events, etc. Dates- 8/58 - 9/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- A survey targeting the needs, current and future of VMFA, with solutions/resolutions for every aspect of the museums' operation. Dates- 11/58 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. A. I. duPont and F. Palmer. Subject- Roster of members of Board of Trustees, letter of appeal for pledges, principal elements of Newsom Program. Dates- 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. A.I. duPont (chair, Ann. fund). Subject- Strategy to raise funds through the Trustees to finance the Newsom Public Relation Firm program for VMFA. Drafts of letters to Trustees, progress report, minutes of 25th Anniversary Committee, 9/8/59. Dates- 12/58 - 7/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- all manner of museum operation: security, policy and procedure, personnel policy. operating budget and VMT. Diagrams of electronic console panel. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Museum business, construction and installation project schedules, budget, Equal Opportunity regulations, design contract for the Council shop, salary scales. Dates- 10/73 - 1/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum business, Conservation Lab, Fine Arts insurance coverage, budgets, Cabell Foundation gift. \"Report on the Freedom of Information Act\". Depreciation of \"Death of Regulus\", Salvatore Rosa. Dates- 12/74 - 7/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum business and operations, budget, contractual agreement between VMFA and Harwicke Associates, Inc. for North Wing project. \"Organization of the Virginia State Government\". Dates- 10/75 - 11/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- UVA architect and his membership in the Collectors Circle. Dates- 1/63 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General assistant to VMT, employment recommendation. Dates- 6/55 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Possible acquisitions from his gallery. Dates- 10/62 - 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L Cheek and J.M. Brown. Subject- Loans, exhibitions, VMT, Rotunda Club, Fellows. Accessions and gifts: \"Metamorphosis\", Grillo. Dates- 4/57 - 6/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- correspondence with individuals, institutions and companies beginning with the letter \"O\". Dates- 4/43-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, photo and job description/responsibilities as program director for \"Art Column\". Dates- 3/61 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- As a scenic design consultant, his lecture to VMT in connection with the Exhibition: \"Design For The Theatre\". College Drama Festival, biographical data. Dates- 1/60 - 2/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Mellon, E. Brooks Jr., and M. Bush. Subject- Financial support: Artmobile II, building grant and museum survey to expand visitors use to VMFA. Photographs, newspaper clippings. \"A Study in Modern Giving: The Old Dominion Foundation\", reprinted from articles in Richmond News Leader. \"Bollenger Series\", catalogue of special edition books. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Bush (Asst. to Pres. of ODF) and P. Mellon (Pres. of ODF). Subject- Financial assistance to VMFA, Artmobile II, collectors circle, and Old Dominion Foundation statement of purpose. Dates- 9/58 11/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Dan Olney. Subject- receiving a Senior Fellowship 1941/2, outline for a lecture, etc. Dates- 10/40-6/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Governor Thomas B. Stanley. Subject- opening of the new wing. Dates- 8/54-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- opening and reception for Governor Stanley. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitations and replies to the opening of the Members' Suite, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opera Society's first season. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- miscellaneous printed materials for the Museum, etc. Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- tickets to the Museum for State Lions' Club convention, etc. Dates- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- ideas/proposals for \"Members' Room\", suggested operating procedures, menus, pricing, etc., cost estimates, \"Refreshment Room Statement\" 1955, etc. Dates- 1/55-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre operations proposals, list of staff, their duties and salaries, etc. Dates- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- lists of statewide business, civic, commercial and other organizations, invitation list for General Assembly/Governor's reception, etc. Dates- 1953-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Orloff's (Chief-interpreter of U.N.) lecture to VMFA concerning the Faberge Collection, Biographical data. Dates- 11/49 - 4/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of inquiry to firms specializing in plaster and wood ornament, catalogs. Dates- 5/54 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- museum practices especially concerning finances of other US art museums, etc. Dates- 4/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Near and J.M. Brown. Subject- Artmobile, VMT, Collector's Circle, Fellows, Chapters/Affiliates, biographical data, campaign to restore the Jefferson Hotel, list of exhibitions from 1942 - 45.  International Exhibition Foundation, the appointment of John A. Pope (Director of Freer Gallery) as advisor/consultant to VMFA for expansion of Far Eastern Collections.  Acquisitions and gifts. Artists: Nell Blaine, Howard Kanovitz, Otto Piene. Gifts: Masson lithograph, Irving Penn photo and 15 Russian 19th century paintings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Painter's lecture on \"Armor and Medieval Man\" to compliment the \"Arms and Armor\" exhibition, biographical data. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Nelson Parker. Subject- announcement of Board meetings, etc., Date- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Appeal to Virginia Senate and legislature regarding sufficient museum parking utilizing land belonging to the UDC (United Daughters of the Confederacy). Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gift of Egyptian Gallery and English Decorative Arts Gallery. VMT, and her membership as a Fellow and in collector's circle. Dates- 4/61 - 10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. J.G. Pollard and Executive Committee of the Board. Subject- proposal and planning stages of conferring an honorary degree of \"Patron of the Arts\". Dates- 6/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject-housing J.B. Payne books in library of the College of William and Mary in exchange for paintings from their collection of art for display at the Museum. Dates- 1/50-4/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek's service on the Board of Trustees and on the Advisory Board of the School of the Arts. Minutes of U. of P. Executive Board, 4/8/60, 4/29/63, 4/26/65 and Annual Report of Graduate School of Fine Arts, 3/64, 5/65. Dates- 10/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek as chair of Fine Arts Committee. Subject- Letter to P. Coombs on his appointment as Assistant Secretary of State for Educational and Cultural affairs, UNESCO newsletter, Nubian archeological sites. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and A. Frankfurter (editor, Art News). Subject- VMFA general collection, list of gifts and purchases, 1955-67, scope of exhibitions, dates, publications, colorplates. List of VMFA Board of Trustees, 1962, Gobelin Tapestries. Dates- 1953 -64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Articles based on exhibitions and general collection of VMFA, VMT, invoices, newspaper clippings, pamphlets, reviews, newsletters. NEA museum programs, research education grants. Dates- 1967 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Articles of VMFA: \"A Spring View of Virginia Museum\", 10/56, Wm. Lacey, Editor; \"Art isn't Caviar at this Museum\", Sidney Shalett, 7/57, The Diplomat. Dates- 10/56 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Articles and editorials pertaining to VMFA: Newsweek, Time, Art Gallery, Antiques, Museum News , etc. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Harper's Bazaar, New York Magazine, Apollo, reviews. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Editors V. Dabney (RTD) and J. Kilpatrik (RNL). Subject- Artmobile, reviews of VMT and media coverage by print journalists, newspaper clippings. Essay- \"The Arts In The Sixties\", by L. Cheek. Dates- 11/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and F. Stewart and C. Jones. Subject- Exhibitions: \"Form Givers\", Sport and Horse\" and Mellon Collection. Dates- 2/60 - 12/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information on candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Job descriptions. Dates- 1953 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, P. Near and L. Cheek. Subject- Fellowships: list of recipients from 1940 - 1955. Prospective employees and VMT. Dates- 12/54 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- personnel rules and procedures of VMFA and the Commonwealth of VA, mandates from the Governor's office, additional personnel and pay increase requests, Roster Cards (listings of all employees and pay rates), etc. Dates- 8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., and R.A.Velz (Administrator). Subject- listing of division duties, proposed salary ranges, information about hiring an artmobile driver-curator, etc. Dates- 2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of L. Cheek, Mrs. J.G. Pollard, theatre staff, Ariel Ballif, Vincent Bowditch, Arthur Ballet, R. Velz and P. Near. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Personnel matters. Dates- 4/66 - 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains general information about the system and ratings for museum employees. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about the candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about various candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Governor's personnel survey staff. Subject- employment questionnaire, job descriptions (buildings and grounds staff, watchman, registrar, secretary, etc.), etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Governor's personnel survey staff. Subject- employment questionnaire, VMFA tentative classification of positions (3/37). Dates- 10/36-4/37.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Fiske Kimball (Director of Penn. Museum of Art). Subject- loans for VMFA inaugural exhibition, exchange publications, counsel on museum practices, etc. Dates- 5/35-5/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R.L. Dickinson (Hanover Bank). Subject- The Library of Philanthropic Information at the Hanover Bank, New York City. Dates- 11/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- E. Turpin Phillips, a Virginia citizen and his request to see proposal plans for expanded museum parking onto UDC property. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Consultant for VMFA acquisitions. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Duncan Phillips (Director, Phillips Memorial Gallery). Subject- request for loans to VMFA inaugural exhibition, etc. Dates- 9/35-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Installation of VMFA photography department, list of equipment and supplies, employment of staff photographer: Gordon Burns. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of entries to the \"19th Photographic Salon\" exhibition, schedule for jurors, etc. Dates- 3/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) and L. Cheek, Jr. Subject- purchase requests for photographs. Dates- 10/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Ivan Dimitri as Director of Photography in the Fine Arts at the Brussels World's Fair, his service on the advisory committee, list of photographs given to VMFA from the PFA exhibition. Directors of America's Finest Museums: portraits, credo of on art and their personal selection of photographs from the PFA archives was the subject of the World's Fair exhibition. Etching by Levon West (Ivan Dimitri). Dates- 12/59 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Atillio Piccirilli. Subject- biographical information, loans of work to the Museum, etc. Dates- 7/35-1/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- viewing the feature film 'Pictura \"An Adventure in Art\"', invitations, contributions, listing of attendance, etc. Dates- 2/52-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Herman Starr (Pres. Pictura Corp). Subject- A group of films devoted to the fine arts. Presentation of \"Leonardo da Vinci\" at Richmond's Lee Art Theatre and film on Goya to accompany exhibition. Dates- 1/51 - 3/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Gallery dinner, menu, agenda, program for event. Dates- 8/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- policies on use of meeting rooms and studios, special food service, interpretative services, scheduling programs, etc. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence to and from him when he was President of the Board of Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- the VMFA inaugural exhibition, Museum events, finances, Museum Board business and bequests/gifts to the Museum, etc. Dates- 1/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- Museum operations, investments, finances and gifts to the Museum, etc. Dates- 1/37-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as President, Trustee and membership in the Collector's Circle. Biographical data, museum business: operating fund, Artmobile, Newsom Report, 25th Anniversary fund, Melchers Estate transfer, gifts, contributions, Fellowship Fund. Exhibitions: Sport and Horse. Dates- 9/53 - 2/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as a Trustee, VMFA Resident Craftsman Program. Dates- 2/64 - 2/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Design of members Bulletin, records retirement, museum business. Dates- 1949, 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum business, Pratt installation, museum courses and equipment. Dates- 9/54 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Gift of \"Rotating Sphere\" from Lloyd Noland. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- As founder and director of the Barter Theatre, proposed plans for Theatre Virginia and NEA funding. Dates- 4/67 - 5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and Mr. David Payne. Subject- correspondence with Payne about arranging the exhibition \"Portraits by David Payne\", biographical information, letter from Phillip Johnson, etc. Dates- 5/51-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, L. Cheek, Priscilla Crum (Curator, Asst. in Education). Subject- Gallery representing portrait artists, biographical data on various artists and portrait of Senator Byrd. Photographs. Dates- 6/45 - 11/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statewide tribute to John Powell (a native of Virginia) and the presentation of his \"Symphony in A\". Date- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Correspondence with Pratt as a trustee. Discuss first Easter egg exhibition in 1949 and Hammer visit. Letter from Schaffer (A La Vieille Russie) in 1949 about lending some pieces for an exhibition. Includes a few letters from Mrs. Pratt before she died, about a Faberge table donation in 1942 and donating \"Twice Seven\" to the Library. Establishment of the Fellowship fund, including letter from Twombly as early recipient. Pratt Collection: insurance estimates and installation. Gift of funds to purchase the first Artmobile from Pratt and Miller and Rhoads. Dates- 7/40 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, Fellowship committee, underwriting of Faberge booklet, terra-cotta statue of \"Diana\" from the Pratt Estate given to VMFA, newspaper clippings. \"A Plan For Fellowships For Virginia Artists\" as suggested by Mr. John Lee Pratt. Minutes from Fellowship Committee meeting, 6/12/42. Dates- 12/49 - 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. John Lee Pratt. Subject- Trustee/Museum business, VMFA fellowship updates, etc. Dates- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown. Subject- Biographical data, fellowship recipients: Cynthia Morehead Smith, Paul Steuke, June Chapman, Fred Bonds, Richard Kevorkian and Reginia Perry. Pratt Collection: catalogue, except from forward by L. Cheek, questionnaire regarding Mrs. Pratt's initial contact/purchase sources for Russian Jewels, list of objects bequeathed by Pratt Estate. Dates- 1/57 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposals and cost estimates for Healy's Sitters exhibition and Pratt collection catalogues. Dates- 4/50-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek, Armand Hammer (Hammer Gallery) and Alexander Schaffer (La Vielle Russie Gallery). Subject- Legal claim against the Romanoff Family assets via the Pratt Collection of Russian Jewels. Possible lawsuit by A.G. Sharkey, President and Trustee of Marine Transport Service Corporation in NY who had judgment against Czar Nicholas Romanoff since 1918. Hammer and Schaffer dismissed it. Details of Pratt bequest, provenance of objects, announcement of bequest with sample of text to be used in pamphlet. Excerpt from \"Twice Seven\", by H. C. Bainbridge, E. P. Dutton and Co. Inc., 1934 (reference to Faberge Jewels owned by Armand Hammer). Dates- 8/47 - 10/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. J. G. Pollard. Subject- Installation, list of items on exhibition, security and transportation. List of objects in the collection of Mrs. Joseph E. Davies and pamphlets. Correspondence regarding various showings around the state - Roanoke in 1950 and Norfolk in 1951. Dates- 1/49 - 4/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from C. Humelsine. Subject- General correspondence to the VMFA membership, calendar of events, museum news. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to the media from the Museum. Subject- news releases about Museum events. Dates- 10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News releases about Museum events. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- positions and duties for volunteers and guards during an undisclosed preview. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Gov. Price. Subject-proposed salary increases, Board meeting announcements, nomination of Colt to select work to go to the Annual Exhibition of American Art 1938. Dates- 1/38-11/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- On the occasion of his being collector of the Year 1964, his cookbook including photographs of VMFA and the menu from the Collectors Gala, newspaper clippings. Gifts: Lachaise drawing. Dates- 6/63 - 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Grigaut and P. Near. Subject- A. Priest as Metropolitan Curator of Far Eastern Art, his service as a consultant to VMFA (1963-69) in the formation of the Asian collections. Correspondence on examination and provenance of works in the VMFA. Minutes of Executive Committee, 9/9/63, 12/8/64, minutes of Accessions Committee Meeting, 9/9/63. \"A Buddhist Paradise\", A. Priest, AIV, 1963. Newspaper clippings, postcards, etc. Dates- 1963 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) and Mrs. J.G. Pollard. Subject- printing schedules for 1956, miscellaneous print job specs, etc. Dates- 11/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- asking local corporations to fund the printing of school guide sheets for the Museum. Dates- 8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence pertaining to bulletin layouts, copies of Members Bulletin Vol.9, No.'s 1and7 and copies of Christmas cards 1948-9, etc.. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum publications: Contemporary Paintings 1946, Program Season of 1947-8, The VMFA Annual Report 1947-8, Virginia Art 1947 and Museum Bulletins: Vol.3 No.'s 1,2,4,6and9,  Vol.4, No.'s 4and5,  Vol.7, No.'s1,2,3,4,5,6,7,8and9,  Vol.1, No.8,  Vol.8, No.'s 2,3,4,5,6,7,8and9,  Vol.9, No.'s 1,4,5,6and8. Dates-9/42-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- securing a speaker (Robert T. Paine) for the exhibition \"Prints by Hiroshige\", thank you note to Mr. Paine, etc. Dates- 11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed programming for the Museum. Dates- 2/49-9/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and lecturers. Subject- proposed program/events and exhibition schedule, biographical information on lecturers, etc. Dates- 10/50-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- Artmobile schedules, Three-Days-In-March, members travel, grants, pamphlets. \"Proposal For The Development Of American Writers And Resources With Special Emphasis On The Production Of New Forms Of Drama Created Especially For Television\"; The Mark Report\": A survey and evaluation of VMFA statewide programs. Dates- 1974 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safaris, Artist-in-Residence, lectures. Film series: \"The Romantic Rebellion\", exhibitions, COVA events, agendas, Professional Workshop. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Nancy Durett. Subject- violin recital 4/47. Dates- 4/46-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- memos to determine dates for the Trust Fund Orchestra to perform at the Museum. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- VMFA educational services, VMT and all manner of print and broadcast media promotion. Exhibitions, publicity schedules, press releases and newspaper clippings. Dates- 9/50 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General invitation to groups to participate in VMT. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Prospective givers: foundations and individuals. Date- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newsom Report: \"A Report To The Virginia Museum Of Fine Arts\", 11/19/58, Earl Newsom and Company, a study of VMFA public relations, information and communications responsibilities. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Various outside publications mentioning VMFA, 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Design and production of AIV: promotion, organization, printing schedules, contributors , etc. Catalogue \"Architectural Drawings in Virginia\" and \"\"Confessions of an Ex- Elitist\", M.W. Fishwick, Popular Culture Association, American Studies Institute, Lincoln University. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photo of the Museum and of the \"Brussels Tapestry Exhibition\" 1949, Museum publications: VMFA Catalog of Paintings 1938, The Collection of Catesby T. Jones, 1948, and the following VMFA Members' Bulletins: vol.10, no.'s 1-5, etc. Dates- 1938-1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- copies of the following publications: The VMFA Annual Report 1947-8, The T. Catesby Jones Collection, Contemporary American Paintings 1948, William James Hubbard, Three Virginians Behl, Hunter, Blaine, Portrait Panorama, Program Season of 1947-8 and Member's Bulletins: Vol.1, No.8, Vol.8, No.'s 2,3,4,5,6,7,8and9. Dates- 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release, jurors. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the Parsons gift of the Egyptian Gallery and 25th Anniversary Fund Committee. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations to the VMFA's 25th birthday celebration for the affiliates, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release announcing loan of Chinese wine vessel. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 25th Anniversary projects, press release: message from the President (Robertson). Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Appeal to Trustees for contributions to the Drama Festival.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: 28th Virginia Artists Rotating Exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing a network of local art centers and museums affiliated with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VMFA as regional jury center for the national exhibition \"Designer-Craftsmen-U.S.A.\", news releases, information on obtaining a jury and a speaker, etc. Dates-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Va. Architects, Photographers and Designers, seminar for Historical Administrators, VMT and Virginia Composers Concert. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release and photo for first issue of AIV. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release on Arts in Virginia. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains a cover letter for a mailing, no date. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing 25th anniversary events, exhibitions, VMT, etc. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing conclusion of 25th anniversary celebration with the presentation of awards to Colonial Williamsburg, The Old Dominion Foundation, sculptor: Carl Milles, architect: Eero Saarinen, collector\" Robert Lehman and Naval designer: William F. Gibbs for their outstanding contributions to the Arts in Virginia. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- obtaining the exhibition \"Built in the U.S.A.\", presenting programs related to the exhibition, biographical information on Phillip Johnson, etc. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photo of \"Little Triton\" fountain for the Bulletin, copy of Members' Bulletin vol.15, no.1(9/54), etc. Dates- 9/53-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Members' Bulletin. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Members' Bulletin, calendar of Museum events. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vol. 13 no.'s 1-9, 1952-5/53; vol. 17 no. 8, 2/57; vol. f19 no.'s 7 and 8, 3/59 - 4/59. Biographical data on Iren Marik, pianist, and reviews. Dates-1952 -53, 1957, 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vol. 20 no.'s 4-6, 12/59-2/60 Dates- 12/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases: Tours organized through Virginia Federation of Women's Clubs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases: season opening production and call for volunteers. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Extended performances of VMT's \"Carousel\". Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Bus trips to VMT. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of certificate winners and a gallery guide from the \"Virginia Artists\" exhibition 1955. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Portions of VMT concert to be broadcast with commentary and explanations of technique. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Programs and photographs. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Information regarding the Museum's chapters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photographs [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing festival with guest artists: Helen Tamris and Daniel Nagrin. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Critic, Stella Adler, Speaker: Alfred de Liagre. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- TV news film of highlights of the College Drama Festival, script, telegrams and surveys to Virginia TV stations concerning air time and usage. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Announcement of individual participants announcing their attendance in the festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loan of Cone collection from the Baltimore Museum of Art to VMFA for an exhibition, a catalogue of the Cone collection, news release about the  bequest of the collection to the Baltimore Museum of Art, etc. Dates- 10/49-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Public information schedule for exhibition: \"The Architecture of Skidmore, Owings and Merrill\", \"The Little International\". Artmobile public and information schedule and Bulletin, vol. 19, no.2 10/58. Essay- The Little International Exhibition\", Fred Olsen, 4/57. Dates- 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills, reviews and biographical data.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- list of designers proposed for inclusion in the exhibition \"Design for Theatre\", tentative list, etc. Dates- 8/52-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing loan of painting by Winslow Homer. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Evaluation of the Discovery Television Series sponsored by the San Francisco Museum of Art. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Statewide Press Release announcing fellowships 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press Releases regarding fellowships 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills and posters. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Buckminister Fuller. Subject- Exhibition of the work of 13 leading architects, opening lecture given by Buckminister Fuller, list of catalog content, gallery talk, press release, invitations and biographical data. Photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing formation of a fundraising committee for the 25th anniversary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions: \"Drawings From Five Centuries From The Cooper Union Museum\", \"Hans Moller\", \"Is Photography An Art\", \"Sport and the Horse\", \"25th Anniversary\". Parsons gift of the Egyptian Gallery, Chamber Music Society, Virginia Artists, evening hours, speakers/lecturers, Virginia Art Alliance, state services, Fellowships, Search for a female collector with a collection of Imperial robes. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases announcing exhibition of contemporary glass. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions: Skidmore, Owings and Merrill (AIA for Reynolds Building), publicity, progress report on exhibition arrangements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Ivan Dmitri. Subject- Symposium on photography conducted by Dmitri with a panel composed of: A. Hyatt Mayor (MET) and Hilton Kramer (Arts Magazine). List of paintings and photograph comparisons and press releases. Photographs. Dates- 10/59 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Status report of the Broadway production. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about the loan exhibition. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Speaker 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: History of Lynchburg Center published in the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Brief film on masterpieces of American silver, script and outline for the 25th anniversary program. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains press releases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains layout and planning for the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of the moving of art objects, installations, physical plant and behind-the-scene workshops and people.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Editorial Writers, agenda, and guest speakers, exhibitions, events, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Ms. Nemone Balfour. Subject- a ballad concert given by Balfour sponsored by the Museum, new release, printed material, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: R. Neutra lecture in coordinate with his VMFA exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitations to grand opening of the 10/54 VMFA addition. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the Norfolk Museum affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Bus tour and photograph. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of galleries. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing gift of marble statue \"Dawn of Young Womanhood\", Oronzio Maldrelli from Miller and Rhoads Department Store. Press releases from: Mariners Museum, National Gallery, Henry Ford Museum, Walker Art Center and the MOMA. Dates- 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: purchase of Patronship by Richmond businesses for season tickets to VMT.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- radio transcripts and publicity releases. Dates- 1948-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases, publicity schedule 6/26- 7/22. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 5/56-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 4/51-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 1952- 5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases for various museum events: theatre, exhibitions, films, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Affiliation announcement of the Roanoke Fine Arts Center 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the loan of \"The Ecstasy of St. Francis\" by Carravaggio. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release announcing the acquisition of a rare funeral monument from 2nd century B.C. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Advertising copy and selection of artist to draw a cartoon. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release for VMT promotion. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing special schedule to accommodate bus trip from out of town. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity schedule and advertising copy. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- scheduling a speaker (Bernard V. Bothmer) to coincide with the exhibition \"Smith's Egypt\", photo and biographical information about Bothmer, etc. Dates- 6/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition and Publication information regarding \"Sport and the Horse.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- News Releases regarding newspaper column 1960. The column was carried in 50 Virginia newspapers as 42 weekly articles by Cheek. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Syndicated column written by Cheek as part of a promotion for the Museum's 25th anniversary. Contains a mailing schedule for the column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Return forms from newspaper publishers regarding column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Promotional letter for newspaper column. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast script for performance promotion. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from G. Friddell (Public Information Director). Subject- controversial nature of the \"American Painting 1950\" exhibition, James Johnson Sweeney was the juror for this exhibition, Sweeney biographical information, News Releases, exchange/gift publications of the catalogue to this exhibition, etc. Dates- 1/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast script promoting 25th anniversary year. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 25th Anniversary, broadcast scripts, VMT and list of Virginia and Washington TV stations. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast promotion script. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release with performance information  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release for VMT promotion. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release concerning a 25th birthday year magazine, the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Tours arranged by Virginia Federation of Women's Club in 6 Virginia towns to see VMT production of \"Carousel\" Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews of show. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Introductory speeches. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"The Tempest\", \"The Mad Woman of Challiot\", \"Berkeley Square\", \"I Remember Moma\", \"Noah\", \"Blind Alley\", \"The Devils Disciple\", \"High Tor\", \"Oh Wilderness\", \"Private Lives\", \"The Petrified Forest\" and \"Victoria Regina\". Dates- 1955 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Assigned design projects and newspaper clippings. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- National broadcasts focusing on topics of national interest, VMFA requests for financial assistance to host a \"Meeting\", pamphlets and photograph. Dates- 1953 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Aubrey Bodine and Gordon Bunshaft, biographical data, Competition promotion, preliminary text for official entry forms, press release. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- list of pieces included in the \"Virginia Artists 1953\" exhibition, list of purchases made from the exhibition, information on the jury and on purchase prizes, letter from Jacques Lipchitz, etc. Dates- 12/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about the exhibitions and photographs of the artists and their works. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Jurors: Richard Lippold, Isabel Bishop and Perry Rathbone. Press release announcing event.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Eighteenth annual exhibition held at the Museum and sponsored by the Camera Club of Richmond. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- fountains that flank the Museum's front entrance. Dates- 9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photo of conservation lab, gift and exhibition of the Williams collection of art at VMFA, announcements to and articles in major art publications about the gift of the Williams collection. Dates- 3/52-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition \"The American Cartoon\", original American cartoons from the collection of Mr. Art Wood, invitations and R.S.V.P.'s to exhibition preview, photos of some of the pieces of cartoon art, etc. Dates- 5/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Wm. Quillan Jr. (President of Randolph Macon Women's College). Subject- Loan of Randolph-Macon's collection of paintings. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Isobel C. Lee (Steuben Glass). Subject- Loan from Queen Elizabeth, installation, lighting and press-release. Dates- 7/10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, AAM, Jamestown Foundation, loans, Accession, gifts, biographical data and resumes. Exhibition: Randolph Macon Collection. Letter from Richard Rogers to lecture to VMT, Reston Foundation: Minutes of the Executive Meeting, 9/12/60. Dates- 9/60, 5/62 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Loans, contributions, acquisitions, exhibitions and Africa Gallery. Dates- 1/68 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to W. C. Cottrell (Elec. Corp.). Subject- Proposal and technical information for Audio-Guide radio-lecture, pamphlets, blueprints/plans of galleries. Dates- 5/72 - 8/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Priscilla Crum and M. Christison. Subject- Broadcast of Biennial Jury, notes from WMBG broadcast, 12/6/46, \"What Is Your Art Museum\", participants: Priscilla Crum (Curator of Education), Edward Davis III (Curator of Decorative Arts) Mrs. J.G. Pollard and T. Colt. Notes from WLEE broadcast, \"Know Your Museum\": a weekly series with guests from the local arts community and \"For Parents Only\": a children's radio program. Dates- 2/46 - 11/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- radio talk shows and transcripts. Dates- 12/37-9/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr.and Mrs. Robert C. Randolph. Subject- the loan of a portrait of Wm. Henry Harrison by Rembrandt Peale to the Museum for the inaugural exhibition and an additional later loan. Dates- 9/35-11/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek and Mary F. Williams. Subject- The service of Beatrice Von Keller as VMFA Acting Director during Colt's military duty. Biographical data, Randolph-Macon Collection including the acquisition of the Bliss Collection. Dates- 7/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Hours of operation, policy, menu. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Frank Rehn Gallery. Subject- loan of paintings to inaugural exhibition of VMFA and later proposed acquisitions from the Frank Rehn Gallery, etc. Dates- 9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Artist from West Virginia: application and recommendation for a Rosenwald Fellowship by T. Colt. Dates- 6/49 - 10/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rennolds' service as a Trustee and entertainment committee. List of objects in the home of her mother, Mrs. John Kerr Branch, that may be of use to the VMFA. Dates- 1/53 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Policy and requests for rental of museum meeting rooms. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for state/federal funding for the creation of the \"Latrobe Theatre\" (never built), a professional theatre organization. The design of the Theatre was based on plans by the 19th century architect Latrobe. \"The Virginia Museum Theatre\", statement of facts in relation to charges appearing in the Richmond Times - Dispatch, 10/13/66. Subject- 8/65 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of requests and general correspondence. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, Edward Kallop and L. Cheek. Subject- Inquiries concerning specific artists, objects, valuations, conservation/restoration, etc. Dates- 6/56 - 6/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek served on the Board of the Reston Foundation Community Program, includes roster of board members. Dates- 11/10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to the Executive Director of the Reston Fund. Subject- L. Cheek's membership on the Board, and proposals for development of the Reston Community, low-cost housing, maps, agendas, Reston architects, Minutes of Annual Meeting- Reston Community Foundation,12/15/64, 4/25/65, 11/12/67, 4/8/68. Dates- 6/65 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMFA membership and letter of condolences to the Reynolds family. Dates-10/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. cheek. Subject- R. J. Reynolds service as Chair of VMFA promotion and development committee. suggested organization agenda for the meeting of the Public Relations Development Committee, to further the advancement of VMFA. Contributions, invitations and photographs. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"R.S. Reynolds Memorial Award\", awarded annually to the architect or group of architects who make the most significant contribution to the use of aluminum, aesthetically or structurally, in the building field. Theodore Rozak chosen to commission the first sculpture. Dates- 5/58 - 11/6 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Miss Katherine Rhoads. Subject- a bequest to the Museum. Dates- 5/35-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from G. Martin (Secretary of VMFA). Subject- Rhoads Medal awarded to persons who have made a notable contribution to Art in Virginia; list of recipient, excerpts from the Minutes of the Executive Board, 5/25/69/. Biographical data on Concetta Scaravaglione, designer of medal. Medal awarded to Walter Spencer Robertson. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence to and from Rhoads as Vice-president Board of Trustees. Dates- 1934-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contributions to a purchase fund in his memory. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek, Mrs. J.G. Pollard and P. Mellon. Subject- Museum business, exhibitions. Pratt Estate, John Barton Payne Endowment, Resolutions in memory of Judge Payne, resignation of Colt, Fellowships. List of employees and job descriptions. List of Benefactors, Patrons and Life members, Board of Trustees, Rockefeller Foundation, segregation, contributions, gifts and accessions, including Mellon. Dates- 11/40 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W. Robertson, Mrs. J.G. Pollard and W.S. Rhoads. Subject- General letter to membership from the President (W.S. Rhoads), Webster S. Rhoads Medal, Artmobile III and South Wing. Dates- 1951 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General Museum Business, VMT, policy regarding expense accounts and museum entertaining. Dates- 5/57 - 11/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitation list, invoice for cocktail party honoring W.S. Rhoads. Dates- 5/8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Westwood Winfree (Pres. RAA). Subject- Winfree's participation in the Virginia Rotating Exhibition and other events. Requests for restructuring of jurying procedure. \"Reasons For Suggesting A State-Wide Artists Study Committee To Be Sponsored By The Virginia Museum Of Fine Arts\". Dates- 2/56 - 9/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Richmond Chamber Music Society programming seasons: 1950-1, 1951-2, 1952-3, 1953-4 and 1954-5, membership rosters 1951-2 and 1954-5, etc. Dates- 10/50-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed policy for relations between VMFA and Richmond Chamber Music Society (conducting events there), listing of Society members, etc. Dates- 1/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- To increase Jaycees interest and support of VMFA. List of member organizations. Certificate to L. Cheek as a member of the \"Civil War Centennial Committee\", Minutes from the \"Society of Architectural Historians,1/30/58. The presentation of the \"Distinguished Service Award\" to L. Cheek. Dates- 11/60 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Disturbances in area of Westmoreland Place (Cheek residence), Cheek's Anniversary Party. Presentation of Canal Locks to Mayor M.M. Crowe. Dates- 2/64 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Field trips taken to the museum by schools throughout the state, 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Broadening cultural horizons in Richmond, proposal for Civic Center in downtown Richmond and the necessary steps for improvement of downtown, editorials, newspaper clippings. \"Plight Of Museums Is Very Real\", L.J. Ahlander, 11/25/65, Washington Post, \"Activities Center Study For The City Of Richmond\", Wm. A. Briggs A.I.A. and B.R. Johns A.I.A., Associated Architects, 8/1/64, \"Modern Living\", 11/6/64, Time and \"Are Most cities Too Ugly To Save\", 11/30/64, U.S. News and World Report, Inc. Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains financial statements for the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- proposed relationship of The Richmond Film Society with the Museum (use of Museum facilities), Film Society programs 1951-2, 1952-3, 1953-4, 1954-5 and 1955-6, etc. Dates- 6/50-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of compliment to editors and journalists of Virginia periodicals regarding VMFA. Dates- 7/58 - 19/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Priscilla Crum, T. Colt, L. Cheek and M. Christison, Theresa Pollack, H.H. Hibbs and Mrs. J.G. Pollard. Subject- Exhibitions and musical programs. Dates- 9/45 - 11/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, J. Schaeffer (General Manager, RSL) Subject- Opening performance and concert dates. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gala opening event of Artmobile. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Willock (Exec, Dir.). Subject- Renewal of Affiliate members. Dates- 1961 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Charter proposal for a Roanoke museum and minutes from the Roanoke Fine Arts Committee. Dates- 12/47 - 9/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Special building committee, draft of letters from Affiliates/Chapters in support of VMFA expansion to be sent to the House Appropriations Committee , members of the Senate and members of the State Finance Committee. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and E. Will (Pres.). Subject- Purchase of \"St. John the Baptist\", Rodin, in memory of W.S. Robertson. Dates-2/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile proposal, museum business, exhibitions: \"George Stevens Makes A Film\". Fellows organizing campaign, selected list of paintings in VMFA permanent collection. Rosters: Members of commission of State Capital and Outlays and Means of Financing; VMFA Executive Officers and committee's. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter from the President to the membership (W. Robertson), grant proposal for North Wing architectural plans.  List of objects needed for VMFA collections.  Rejection of the north facade by the Arts Commission.  Schedule of events, newspaper clippings.  \"Connoisseur's Comments\", guided VMFA tours narrated by world-famed collectors, critics and curators.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- letter of interest in erecting a monument to Bill Robinson. Dates- 12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rockefellers' membership in the Fellows and their subsequent donation to aid in the Drama Development program. Dates- 1955 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Charles Fahs (Dir. Rockefeller Foundation), W.S. Rhoads. Subject- Proposal for the formation of VMT with initial funding from the Foundation, \"Charter for the Rockefeller Foundation\": Statement of purpose and methods of operation. Dates- 1/50-12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Roman Bronze Works Inc. Subject- casting busts of Gov. Pollard and Judge Payne and casting other figurative groups. Dates- 9/35-1/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of authentication. Dates- 4/60 - 8/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Addresses made by F.D. Roosevelt upon the opening of the Museum of Modern Art. Dates- 6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Matilda McCord Roper (Mrs. George W. Roper). Subject- donations. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, expansion of VMFA print collection, The Alverthorpe Collection, loans of prints. Dates- 8/65 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA as recipient of a rose garden by the Garden of the Patriots. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- M. Ross as VMFA advisor, on retainer, for Byzantine and Medieval acquisitions. the Heeramanecks and Hunt Collections. Dates- 9/65 - 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data and brief history of Rothschild family. List of paintings in VMFA from Rothschild Collection. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Text and pamphlet for the opening of the Melchers Room. Photographs. Dates- 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Edward B. Rowan. Subject- mural competition for post offices in Petersburg, Hopewell and Richmond. Colt acted as chairman for a regional committee to carry out this competition for the Procurement Division, Public Works Branch of the Treasury Department, etc. Dates- 3/30. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- securing a speaker (Mr. Everett Parker Lesley, Jr.), obtaining a transparency from Time magazine of one of the Museum's eggs, etc. Dates- 3/53-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- General correspondence to Trustees regarding Museum business and events. Photographs and slides. Date- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- General correspondence regarding loans, acquisitions and invitations. Dates- 1/62 - 11/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Eero Saarinen. Subject- Aline Saarinen broadcast on the VMT Shakespeare Preview. Drawing. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition: \"Master Drawings\", with lecture by Paul Sachs. Theft of Degas drawing on loan to VMFA from the Fogg. List of London and Paris art dealers. Dates- 5/51 - 6/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- letters from other U.S. Art Museums about staff salaries and Curator's Report activities from the 1st season 1/16-5/24 1936. Dates- 1936- 7/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for purchase of cases from the Greek Gold exhibition. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Form letters: members, advertisements, donors, other institutions regarding loans, lectures and publication requests, etc. Dates- 1967 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuels gift of building for the Front Royal Library. Loan and cleaning of \"View Near Oxford\" by Richard Wilson. Dates- 4/52 - 9/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- 10th Miller and Rhoads Women's Forum; invitation to Philip Johnson to serve as a speaker. Biographical data on James Parton and Max Abromovitz. Dates- 8/51 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Hans van Weeren-Griek. and Concetta Scaravaglione. Subject- exhibition of her work and insurance of a piece that was damaged. Dates- 9/40-7/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events and mailing schedules. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events and mailing schedules, Paul Taylor Dance Tour, Safari-Dinner, agendas, etc. Dates- 7/70 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Appraisal of an agate cup belonging to Mrs. Paul Mellon as a work of art, for the Customs Commissioner. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- war-time high school art exhibition held at Miller and Rhoads department store, list of hostess for this event. Dates- 1943-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Invitations and general correspondence regarding the opening's of new art centers/buildings of various institutions, anniversary celebration, National Presentation Broadcast of Artmobile. Dates- 9/60 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.G. Pollard. Subject- Loan of items in his Collection to VMFA and his service as Vice-President. Exhibitions: American Contemporary Prints and Sport and Horse. Melcher Estate, accessions and acquisitions, list of gifts to VMFA. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Scott, Horner and Mason, Inc. Investment Securities in Lynchburg, VA. Subject- possible investments by VMFA, financing the new wing and the possibility of matching a Public Works Administration grant. Dates- 5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Seay collection of Decorative Objects, list of objects in Seay home. Dates- 1/39 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and letters to and from Leslie Cheek. Dates- 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Service reports on traveling exhibits. Dates- 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about slide loans. Dates- 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum Services. Correspondence regarding loans 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Houdon statue of Washington on loan to VMFA, insurance valuation. Seymour's lecture on \"Houdon in America\" and panel discussion on contemporary sculpture. Opinions on dating and provenance of VMFA objects. Dates- 5/50 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Shalett's articles on the VMFA for the \"Saturday Evening Post\" and \"The Diplomat\" Dates- 8/56 - 10/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, letters of invitation to VMFA events, College Drama Festival. Melchers Estate: \"The Last Supper\", newspaper clippings and postcards. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Virginia Film Society, Dance Tour, VMT: job descriptions, Table of Organization, staff hours, Theatre Associates and Annual Theatre Train. Date- 4/66 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Agenda and events for Entertainment Committee, loan of Col. Anderson bequest items. Dates- 1/59 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and E. Shiflet (Sec. of Education). Subject- budget, museum business, financial profile, role of office of Education and pamphlets. Executive Order #20 and #21: Reassignment of VMFA to the Office of Education. Dates- 8/72 - 12/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dealer in antique English silver and his gift to VMFA of a silver teapot. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT, juror search, biographical data, exhibition catalogues, loans of art work, accessions, gifts and general museum business. Dates- 1956 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- General correspondence, exhibitions, requests for publications, pamphlets, invitations, exhibition catalogues, A.D. and W.C. Williams Trust Fund. Photographs. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- paperwork authorizing R.A.Velz and W.J. Rhodes to sign vouchers and checks, list of Virginia Museum Theatre expenditures 1956-7. Dates- 2/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Blank stationary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- excerpts from Virginia Architecture exhibition catalogue, miscellaneous correspondence about catalogue,  etc. Dates- 11/58-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- compliments on exhibition \"Architecture in Virginia\", thank you notes to the Museum about exchange/gift publications of exhibition catalogue-Architecture in Virginia 1776-1958: The Old Dominion's Twelve Best Buildings, etc. Dates- 9/58-4/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- biographical information on various 20th century architects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- G. Smith (architect, writer and photographer), biographical data, and his collection of Travel Posters. Newspaper and magazine clippings, invitations. Application for Fulbright grant. Dates- 2/52 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Her membership on Executive Board, donation and contributions. Dates- 5/51 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Marrow Stuart Smith, Virginia artist, correspondence with museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of alumnae in Virginia. Dates- 9/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Christison, and Mrs. J.A. Pope (International Traveling Exhibition Service). Subject- Exhibition: \"Swedish Textiles Today\": catalogue, pamphlet. Brussels World's Fair, U.S. Pavilion. Catalogue of Traveling Exhibitions for 1961-62. Dates- 4/53 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- S.A.H Directors meeting in Richmond, formation and organization of a Virginia chapter: agendas, lists of prospective members, directors of S.A.H., minutes from S.A.H. meeting. Dates- 12/52 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Meeting agendas, Architects Virginia Tour, preservation of the National Capitol, Shirley Plantation, landmarks in danger. Proposal to coordinate the activities of the SAH with AIA and the National Trust for Historic Preservation in the field of Historic Buildings Preservation. SAH: Minutes of Executive Board, 10/26/57, 5/17/58, 10/18/58, Treasurers Report, 1/58-4/58, Newsletters. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lists: Fellows, Staff and Board of Trustees. Invoices, receipts and newspaper clippings. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Dinner schedule, agenda and pamphlet. Dates- 5/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Confirmation for Dinner event and agenda. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fall meeting to be held at VMFA, conference agenda, mailing list and pamphlets. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Meeting agendas, events schedules, attendance rosters, officers, newsletters, registration forms. Report of SEMC '72 meeting, \"SEMC Notes\", no. 1, 1974 and no.1, 1975. Dates- 1972 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- printed material for exhibition \"Southern Exposures\", the following essays: \"Coming of Age of Photography\", \"Down the First Century of Photography with George and Heutis Cook\", \"Concerning the Cook Collection and Its Recovery of the Epos of the Attic\", etc.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Williamsburg International Assembly Speakers, biographical data: Edward Downes, Charles Seymor, Harris Prior and Arthur Drexler. Dates- 1951 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Gaines. Subject- Biographical data of speakers: C.V. Donovan and Joseph Curtis Sloane. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- printed material for the opening for prospective members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safari Theatre Dinners, loan exhibition previews, maintenance. Dates- 1967 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Essay- \"The Art Museum As A Community Center\", by L. Cheek. Pamphlets, newspaper and magazine clippings of other museum programs. Date- 1961 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- early interest and planning of the exhibition \"Sport and the Horse\", etc. Dates- 5/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Frederick Robinson (Dir., SMFA). Subject- SMFA exhibition of Virginia Artists. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions, security, general operations and museum business. Employee policy, regulations, salaries, etc. Dates- 1962 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General Museum operation, exhibitions, publicity evaluation, landscaping of Confederate Chapel, loan exhibition previews. Dates- 1963 - 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Employee policy/regulations, programs division, collection divisions, staff information and table of organization for Theatre Arts Committee. Newspaper clippings and salaries. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Suggested structure of staff organization and salary scales. Dates- 2/54 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA By-Laws 1958 and 1959, income sources, proposed improved operations plan. Salary information from the Smithsonian Institution. Job description for Assistant Administrator. Date 1959 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Head of Collections Division and Education Supervisor, Program Division. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Business meeting and reception regarding architectural improvements, gifts and loans to the State Department reception rooms. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- reception for General Assembly Wives. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Service reports for loans of exhibits, films and slides. Dates- 1951-1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for information regarding circulating visual materials 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member requests for exhibitions 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member requests for exhibitions 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member Requests for gallery visits and lectures 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Out of state inquiries about Museum services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Out of state inquiries about Museum services 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of prospective organizations for using extension services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for circulating visual materials and exhibitions 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General Correspondence Traveling Exhibitions 1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains statement for addenda to the Governor's report concerning the VMFA.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Saul Steinberg. Subject- exhibition of Steinberg's work and lecture by Steinberg, etc. Dates- 8/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening of new auditorium, purchase of pianos and price lists. Program for the Chamber Music Society, newsletters from Steinway and Co. , 4/55-6/55. Dates- 4/55 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Philip N. Stern, Chairman of the Art Commission, Commonwealth of Virginia. Subject- Art Commission meetings, funds for museum equipment, funding from the Public Works Administration, architectural exhibition, etc. Dates- 7/35-10/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Steuben correspondence with the VMFA, 1938-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Ten Talents In the American Theatre\", Ed. David Stevens; \"Theatre For Art's Sake\" by L. Cheek. Proposal to the Rockefeller Foundation for financial support of VMT. Dates- 12/49 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Her gift of \"La Signora in Biege\", Lazzaro Donati. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, preliminary design program for South Wing Addition, letters to other museums regarding design, security and general building functions. Dates- 1948-49, 1962-63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Jas. N. Trevillian (Secretary). Subject- Conductor of the New York Philharmonic Orchestra, concert at the VMFA and program. Dates- 1947 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA and Gordon E. Strause, 1935-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Strause and various Museum staff. Subject- exhibition of his collection at the Museum, written complaints by Mr. Strause, Strause is named 1st honorary benefactor of the Museum by the Board of Trustees. Dates- 3/36-5/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J. G. Pollard, T. Colt and L. Cheek. Subject- Lewis S. Strauss, founder of the Albert Einstein Award (for achievement in Natural Sciences). Chairman of the Atomic Energy Commission, his service on the VMFA Finance and Membership committees. Letter of Henry Anderson regarding discussion with Paul Mellon and VMFA expansion potential. Newspaper and magazines clippings, Artmobile, gifts and contributions. Dates- 1945 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Fellows: theatre Orientation, general meetings, prospective Fellows, report of the Fellows 5/3/67. Date- 1965-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- As a Trustee and member of the development committee. Contributions. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Mr. William A. Stuart. Subject- Trustee/Museum business, etc. Dates- 7/51-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Julia Sully to the Museum. Subject- Virginia Art Index. Dates- 1935-48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and J. McGee (Sunrise, Pres.). Subject- \"Sunrise\", Charleston Cultural complex, budget analysis, roster of Executive Board, Annual Report, 1971, pamphlets. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt and L. Cheek. Subject- Early correspondence concerning museum services, statement of purpose, Pratt Bequest, exhibitions and requests for publications. Dates- 7/45 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General correspondence, request for publications, employment, Fellows, Russian Loan Bill, gifts, contributions, biographical data. Dates- 6/56 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Museum business, loans of art works, list of objects for long term loan, zoning ordinance. Paul Tishman Collection, Troubs Collection of Russian miniatures. Provenance of St. John the Baptist, Rodin. Pamphlets, brochures and press releases. Dates- 2/70 - 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. J.G. Pollard, M. Christison, John Canaday and Maurice Bonds. Subject- Informal discussion series on art, artists and technique. Topics: Lithography, sculpture, restoration, art history etc. Includes biographical data on lecturers and exhibitions. Excerpt from \"American Silversmiths and Their Marks II\", by Stephen G.C. Ensko. Dates- 9/48 - 3/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding Mrs. A.I. duPont's gift of tapestries to the VMFA and a subsequent exhibition, 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding taxes on honorariums, admissions and rental space, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA series of weekly TV programs, list of suggested topics, program guests, resource information from other Institutions, film rentals, television presentation of the 25th Anniversary and minutes of the Mayor's Committee on Educational Television, 11/11/53. Dates- 3/54 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- The development of a public television station to be shared by educational institutions. TV question and answer scripts and newspaper clippings. Dates- 1/49 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings. Dates- 1961-62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Salary scales, job openings at VMT, applicants, referrals, biographical data, financial statements, staff tors and guest speakers. Dates- 3/58 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Thalhimer. Subject- Biographical data, production, general theatre administration and Ford Foundation Fellowship Grant. Dates- 5/58 - 7/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Basil Langton. Subject- Langton's service as VMT guest director of \"The Tempest\", in celebration of the Jamestown Festival; program and procurement of professional actors. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Thalhimer Jr. Subject- Exhibit: \"Habiliments for Heroines\" underwritten by Thalhimers, VMT: \"Lady in the Dark\", Lorren Aldrich Collection. Catalogue: \"The Helena Rubenstein, Princess Gourelli Collection\", Deluca, Editore Roma, June 1953. Dates- 11/51 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as a Trustee and Chair of the Theatre Arts Committee on theatre and Television, museum business, salary scales, general operation of VMT, budget, income, newspaper clippings. Contributions and gifts. Dates- 6/52 - 3/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Underwriting of Mediterranean court, plants and flowers. Gift of Sandwich glass. Dates- 5/55 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Thayer's service as special assistant to the Secretary of State for Cultural Affairs. Biographical data, UNESCO, ICOM, International traveling Exhibitions, placement of American works of art in United States Embassies. Dates- 5/59 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committee Minutes 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committee minutes, agendas and programs, box office grosses etc. Letter from Paul Mellon. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Establishment of a theatre Collection by Louise Branch of drawings, scenery and costumes. Dates- 2/59 - 3/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Thalhimer. Subject- Proposal for costume ball. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Morale and general organization of the VMT Associates, proposed speakers, newsletter and roster of VMT Associates. Dates- 4/57 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and William Morrison. Subject- taped readings by Henry Fonda, Lee Remick and Olivia deHavilland on the anniversary celebration. Reviews and letters to other film stars. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safari-Dinner agenda and setup. Dates- 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reviews, gift of Dan River Mills fabrics for costumes. Programs: \"Streetcar Named Desire\", \"School For Wives\", \"Camelot\" and \"The Odd Couple\". Dates- 1967 - 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- reviews, letters of compliment. Program: \"the Royal Hunt of the Sun\" Dates- 1968 -69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and staff hours. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Report of Acoustical Analysis for Auditorium of Virginia Museum Theatre\" Dates- 9/1950 and 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Review, performance production. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Theatre-designer: salary and letters of recommendation. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMT, Dance, Film and Chamber Music Societies: financial statements, salaries, budgets, production costs, income records, purchase of stage equipment and suggested future of organization. Dates- 2/54 - 12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- bus tours from Virginia towns for Theatre evenings, sponsors by Virginia Federation of Women's Clubs, newspaper clippings. \"The Virginia Club Woman\", vol. XXXII no. I 8/55. Dates- 1/59 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chairman of Yale Drama Dept., his service as consultant to VMT, budget suggestions for proposed VMT, various drama activities, playbill, budgets from other University Drama departments. Dates- 1/56 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program, letters of disagreement between directors and actors. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The first annual event, critic and counselors: Virginia Freeman, Meriam Rosen, Dan Wagoner, Patricia Wityle. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Valerie Gettis as guest speaker/artist. Dates- 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Invitations to college Presidents. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Alan Schnieder, Speaker: Jo Mielziner. The 1st College Drama Festival, guest lists and exhibition of Jo Mielziner's theatre designs. Newsletter. Dates- 8/56 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Harold Clurman, Speaker: Norris Houghton. Events schedule and program. Dates- 4/57 - 2/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Norris Houghton, Speaker: John Gassner. Event agenda/program, brochures. Dates- 4/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Henry Hewes, Speaker: Marc Connelly, reception, production procedure, etc. Newsletter 2/60 Dates- 10/59 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Stella Adler and Speaker: Alfred de Ligre, Jr. Event schedule, festival speaker, program, biographical data, reviews. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Event agenda, scheduling, program and newspaper clippings. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Robert Lewis, Speaker: Edward Albee. Event agenda/program, brochure, pamphlet, etc. Dates- 10/56 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Original drama by John C. Collison, VMT Premiere. \"New Play in Virginia\", Wm. Morrison, Encore vol.6 ,no.5 Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and L. Cheek. Subject- Reorganization of Museum Theatre 1972-73, budget and summary of proposals. Additions to VMFA statutes and By-Laws. Theatre Committee annual Report 6/30/67. Dates- 5/67 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contributions, minutes of Theatre Patron Campaign Committee. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- theatre Arts Committee Executive Meeting minutes 6/30/70 and 7/6/70, Rosters for various Executive committee's of VMFA. Reviews and pamphlets. Dates- 9/69 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- HEW grant to produce and circulate throughout Virginia a play during 67-68 season, suggested dramas. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions: \"Gibson Collection of Contemporary Italian Art\", \"Contemporary Japanese Art\", \"Ten Reynolds Sculptures\". Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, A.H. Ballet and Robert Telford. Subject- General VMT business, schedule of events, scenic design, reviews, performance, staff policy/procedure, ticket prices, season subscriptions, etc. Dates- 1955 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- College Drama Festival, Dance Society and Chamber Music Society. Performance programs, events schedules, guest director contract, pamphlets and contributions. Dates- 1959 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- General Theatre Business, contractual agreements, events schedules, Richmond Film Society, College Drama Festival, financial statements, theatre reviews and job applicants. Dates- 5/61 - 9/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- theatre openings, job descriptions, applicants, hours. Dates- 12/62 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT, Vignettes tour, general estimate of costs, Drama, Dance and Music programs.  \"Virginia Report For State Arts Agency Individual Projects July 1, 1966- June 30,1967\" and \"Performing Arts in Virginia Education\" an introductory survey. Dates- 1966 -68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Budgets, financial summary, events schedules, newsletters, etc. Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Season events, programming, budget and revenue, newsletters, list of season subscribers and press kit for the Mummers Theatre, Oklahoma City, Oklahoma. \"Constitution of the Virginia Museum Theatre Associates\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Theatre business, budgets, salaries, production schedules, invitations, program design, contracts, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters to and from VMT subscribers, program for \"Purlie\". Proposals for summer season productions, opening night telegrams. Dates- 1974 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Operating expense appropriation, \"VMT Sound System Report\", and synopsis of No Title play of the life of Lord Byron by Romulus Linney (later titled \"Childe Byron\"). Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Reviews. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Keith Fowler. Subject- Reviews, production calendar and letters of compliments. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Event underwritten by the Weeden Foundation. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of invitation, remarks after preview. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Programs. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Payment for use of two geese. Program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Financial report and program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Program, reviews, letters of complaint from theatre patrons regarding play content. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program, search for guest director. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Review, program and editorials. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Letters of complaint and approval from theatre patrons. Dates- 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List of series underwriters, proposal for music lecture series conducted by Dr. John White. Dates- 10/58 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Patron financial support and proposal for a Sunday lecture series: \" The Eager Listener\". Dates- 9/59 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Harpist: Nicanor Zableta, brochures of concert series sponsored by other museums and galleries. Dates- 1/50 - 1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program Dates- 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Morton Thalhimer. Subject- General letters to theatre subscribers, brief outline of the five scheduled plays and descriptions of the major characters. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Playbills, magazine and newspaper clippings of performances in theatres other than VMT. Dates- 12/54 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews and programs for \"Separate Tables\", \"The Skin Of Your Teeth\", \"Ondine\", \"Kiss Me Kate\" and \"The Kids\". Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Rehearsal schedules, invitations, programs: \"Life With Mother\", \"The Limbo Kid\", \"Pygmalian\" and \"The Brothers Karamazov\". Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews, letter/telegrams of compliment. Programs: \"Teahouse of the August Moon\", \"The Woman from Colchis\", \"Hall of Mirrors\", \"Caesar and Cleopatra\" and \"The Most Happy Fella\". Dates- 1962 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reviews, letters and telegrams of compliment. Program: \"A Thousand Clowns\". Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Robert Telford. Subject- Reviews, letters/telegrams of compliment. Programs: \"The Admiral Crichton\", \"Hedda Gabler\". \"Tartuffe\" and \"No Time For Sergeants\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews, letters/telegrams of compliment. Programs: \"The Comedy of Errors\", \"The Visit\" and \"Fanny\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters/telegrams of compliment. Programs: \"Androcles and The Lion\", \"The Miracle Worker\". Contributions from Dan River Mills. Photographs. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Reviews, letters/telegrams of compliment, opening night gala, Safari Theatre/Dinners. Programs: \"The Glass Menagerie\", \"Once In A Lifetime\", \"Julius Caesar\", \"Blithe Spirit\" and \"Three Penny Opera\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Reviews and Letters/telegrams of compliment. Programs: \"Charley's Aunt\", \"The Sorrows of Frederick The Great\", \"Uncle Vanya\", \"Twelfth Night, On What You Will\" and \"the Man Who Lost the River\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Timetable, production schedules, Safari theatre Dinners, programs and reviews. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters to former subscribers seeking financial assistance for the upcoming season. Photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letter/telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- VMFA By- Laws 1972, Minutes of Theatre Arts Committee 10/21/71, agendas, budget and cost estimates. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Programming, policy for relations to the VMFA, contractual agreements, events schedules, promotion plans and financial statements, programs and brochures. Executive board meetings: 7/57, 11/57, 2/58, 4/58, 5/58. Dates- 4/56 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters and contributions from Chamber Music Society Patrons. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for the formation of the Dance Society, guest list, officers, policy regarding the Dance Society's relationship to the VMFA. Minutes of Executive Board, 5/11/56, 6/12/57, 7/57, 12/57. Receipt and attendance records, contributions, programs, pamphlets and guest performers. Dates- 5/56 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters and contributions from patrons of Dance Society. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Rockefeller grant to the museum to develop theatre and a program in drama, 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Kay Rockefeller. Subject- Traveling exhibition troupe for children's theatre: financial statement and invitations. Dates- 9/57 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program for \"Rossum's Universal Robots\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT designated seating area according to race, and letters of protest in support of Dr. Mary Elizabeth Johnson. Dates- 1/56 - 5/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letters/telegrams of compliment. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Robert Telford and Morton Thalhimer. Subject- Attendance records, publicity program and biographical data. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters and telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cost estimate, theatre needs and improvements. Date- 12/56 - 7/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sample survey, list of Chapter/Affiliate communities. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Morton Thalhimer and Robert Telford. Subject- Theatre Arts Committee agenda, VMT proposals for: director, administrator, production and apprentices. Date- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"The Gallows Man\", limited performance schedule, invitations. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Events program, list of composers represented. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cancelled, considered distasteful for VMT audience. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letters, telegrams of compliment. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- AAMD conference, theft of Roualt drawing from Toronto Gallery, requests for publications. Dates- 5/50 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains reports concerning slide sets and film strips distributed throughout the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fashion designer to lecture on fashion from 1752 to 1952 for the exhibition: \"Habiliments for Heroines\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- New York World's Fair, newspaper and magazine clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His election to VMFA Board, museum business. Dates- 5/51 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings of Governor Tuck. Dates- 12/49 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, Tunnard's expertise on city planning. Virginia Town Case Study Group: \"Problems of Planning in the Small Southern Town\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Severance of affiliation to the VMFA. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artist for VMFA Christmas card. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt and Wm. Gaines. Subject- Seminar to expose students and teachers to the function and operation of VMFA, agenda, program procedure, etc. Dates- 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Questionnaire from UCLA Graduate School of Management and the College of Fine Arts on the priorities related to the Arts, pamphlets. \"U.S. Information Agency-Its Task in World Affairs\". Date- 4/51 - 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Annual Meeting Minutes, travel authorization, organization news, pamphlets, general UNESCO business. Dates- 10/46 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Conference topic: Aid to South American Museums, project development, UNESCO Annual Report, Report of Program Committee. The Voice of America, Forum Lectures with transcript of by L. Cheek of \"The Art Museum As A Community Center\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for loans of slides from South American Museums for L. Cheek's presentation to Denver conference, list of South American Museums. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening of UDC new building. Resolution concerning accessibility to members of UDC, invitations. Dates- 6/57 - 12/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence, reports, minutes. Expansion of local service. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Charitable organizations that have received UGF monies and fund raising campaign. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The Air Force Memorial Center: statement of purpose, design, personnel requirements, building program, Minutes of U.S. Air Force Fine Art Committee 6/58 and 12/60, \"Proposal For The USAF Memorial Education Center\", travel vouchers and floor plan for the Academy Museum (Planetarium). Slides. Dates- 2/57-4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Edward R. Murrow as Director, merging of the People-to People Program (organization of museum professional) with the USIA. Newspaper clippings. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Forum Series\": International Broadcast, lecture series. Essay- \"the Art Museum As A Community Center\" by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- UNESCO Action to safeguard Nubian monuments due to the construction of the Aswan Dam. Roster of Honorary Committee, International Action Committee, United Arab Committee, Executive Board Minutes. Dates- 4/60 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Virginia State Employees U.S. Savings Bond campaign, handbook for canvassers, meeting agendas and progress reports. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Col. H.W. Fitzroy. Subject- Coordinating agency between institutions and other cultural, educational and scientific agencies in Virginia through a lecture series of visiting scholars. Dates- 9/54 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Bayly Art Museum and the McIntire School of Fine Arts at the University of Virginia. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Lecturers and AIV contributors, loans of objects, fellowships. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and T. Colt. Subject- UVA Museum loan of objects and lecture tours, fellowships. List of prints on loan to VMFA from Catesby estate and list of Lurcat Tapestries. Dates- 8/47 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Museum business, Artmobile, VMT, requests for loans, contributions and gifts. Reference to photos of ancient Greek sculpture, architecture and landscape views, invitations, pamphlets and postcards. Dates- 10/58 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains the schedules for staff vacations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Hans van Weeren-Griek, curator of Education at the VMFA. Dates- 1940-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Report regarding vandalism and misconduct: soaping of the fountains and damage to shrubs. Dates- 11/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Velz' service as VMFA Head of promotion, civilian and military experience record, newspaper clippings and Melchers Estate. Dates- 1949 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains general correspondence of Velz, Associate Director of VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Status of tax deduction, recommendations for event, invitations and dance card. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 9the Annual Viennese Ball sponsored by the Council: Ball Committee, agenda, decoration, invitations, etc. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- Virginia Art Alliance By-Laws, program and minutes of VAA meeting 1945, Report of the Trustees of Richmond Academy of Arts 1933, correspondence with other members of VAA, etc. Dates- 1933-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- program for annual meeting 1941, blank ballots labeled \"Board of Trustees Ballots\", statement of need for a state Supervisor of Fine Arts Education. Dates- 4/40-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- reports of activities of organization members 1942-3, correspondence with organization members-no annual meeting held this year due to World War II, etc. Dates- 3/43-5/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcement, agenda and program for annual meeting 1944, correspondence with organization members, election of officers/trustees, etc. Dates- 3/44-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting minutes ('49), listing and certification of delegates to VAA annual convention ('49), listing of the VAA Board of Trustees ('49), etc. Dates- 1948-49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes from meetings and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Miss Helen C. Rose (Virginia Art Alliance President). Subject- correspondence with member organizations, etc. Dates- 3/58-8/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- minutes of Trustees meeting and annual meeting 1959, roster of officers and Trustees, program for annual meeting 1960, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of Va. Art Alliance). Subject- announcement, replies agenda and program for annual meeting of (1936) the VAA Trustees, listing of organizational members to VAA, certification forms for delegates to the VAA annual convention (1936), etc. Dates- 5/35-5/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension VMFA, Secretary of VA. Art Alliance). Subject- announcements, program and report for VAA annual meeting 1937, resolution changing the organization of the VAA (consolidating its function with that of the VMFA), certification of delegates to VAA annual meeting 1937, etc. Dates- 4/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept., Secretary of VA, Art Alliance). Subject- VAA annual meeting announcement and program (1938), certification for delegates to VAA annual convention 1938, correspondence with member organizations about the reorganization of the VAA (consolidating its function with that of the VMFA), etc. Dates- 2/38-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance). Subject- announcements and program for VAA annual meeting 1939, certification of delegates to the VAA annual convention 1939, letter from Gayle to the State Board of Education supporting the appointment of a state supervisor of art, etc. Dates- 3/39-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1940, correspondence with member organizations, nomination of trustees, certification of delegates to annual convention 1940, etc. Dates- 3/39-5/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1941, report of the VAA 1940-1, listing of organization members, By-Laws of VAA 1934, correspondence with trustees, etc. Dates- 3/41-4/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- program for annual meeting 1942, roster of member organizations, reports from member organizations, Annual Report of the VAA 1941-2, listing of VAA lectures in 1941, Museum Bulletin (VMFA) vol.2, no.6, 1942etc. Dates- 3/42-4/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcements, program and minutes for annual meeting 1944, reports of member organizations 1944, certification of delegates to annual convention 1944, listing of Board resolutions during war time, roster of member organizations, etc. Dates- 4/44-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA Art Alliance). Subject- announcements, program and minutes for annual meeting 1945, roster of trustees and nominating committee, reports of member organizations, certification of delegates to annual convention 1945, etc. Dates- 3/45-2/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945, announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945,announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting program ('46 and'47) and minutes ('46), list of members ('47), certification of delegates to annual VAA convention ('47), Reports of art activities around the state, etc. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance)and M.B. Christison (Curator of Education). Subject- copies of 1947 resolution about art display areas in public buildings, minutes of annual meeting 1947, announcements and program for annual meeting 1948, roster of member organizations 1948, correspondence about securing guest speakers for VAA annual convention 1948, certification of delegates to annual convention 1949, etc. Dates- 7/45-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- membership roster ('48), list of trustees ('48), announcement, minutes and attendance to annual meeting ('48), summary of panel discussion about art education in Va. schools, statement of VAA purposes and objectives, etc. Dates- 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- minutes of the Virginia Art Alliance meeting ('47 and'48), Board meeting announcement and attendance, program of annual meeting ('48), list of suggested nominees to the VAA Board ('48), etc. Dates- 1947-8.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- annual reports of activities made by VAA members. Dates- 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual meeting 1955. Correspondence, resolutions and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence, minutes and agendas. Form letter announcing annual meeting 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes, agenda and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcement and minutes of Fall Meeting 1957, correspondence with member organizations, etc. Dates- 11/57-12/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Meeting held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1957, appointments to nominating committee, minutes of the Trustees meeting 1957, roster of organization members, The Annual Review of the Virginia Art Alliance 5/39,etc. Dates- 2/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and tentative reservation list for annual meeting 1958, etc. Dates- 9/58-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1958, reports of member organizations, Virginia Art Alliance By-Laws, proposed revisions to By-Laws, VAA procedures, appointments to committees and to board, etc. Dates- 1/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes from annual meeting 1959, member organization reports, roster of VA. Art Alliance officers and trustees, VAA By-Laws, etc. Dates- 5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison Assistant Director VMFA). Subject- announcement and schedule for annual meeting 1959, blank reservation forms for school artmobile visits, etc. Dates- 10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and program for annual meeting 1960, listing of nominating committee appointments, roster of officers and trustees, listing of delegates to annual meeting, etc. Dates- 3/60-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- reports from member organizations, etc. Dates- 1956-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of organizational members and their attendance, correspondence and form letters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of trustees and list of members 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of trustees' meeting 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of Trustees, 1952-55. Correspondence, minutes. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee correspondence, minutes and members. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard Subject- preliminary work for the VAA booklet: \"Facilities for Organization Members Comprising the Virginia Art Alliance\". Dates- 8/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Secretary Virginia Art Alliance). Subject- minutes of Virginia Art Alliance (VAA) annual meeting 1957, proposed revisions to By-Laws, etc. Dates- 8/56-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- outline of a state art federation, constitutions, by-laws, information on other art federations (i.e.: The American Federation of Art, The Kansas State Federation of Art, The Indiana Federation of Art Clubs, etc.), etc. Dates- 1/34. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Va. Art Alliance procedures and a short history, draft of proposed revisions to VAA By-Laws, Annual Review of the Virginia Art Alliance. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA/ Secretary of the VA Art Alliance). Subject- VAA By-Laws 1934, resolution (1936) to consolidate the functions of the VMFA and VAA, information about the development of a new type of VMFA annual membership- the organization membership, etc. Dates- 1934-10/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- listing of Trustees 1934- 39, Trustee meeting announcements, letters accepting election to the VAA Board of Trustees, etc. Dates- 11/34-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA representative on the Virginia Art Commission. Dates- 11/55 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- selecting and securing jurors for the exhibition \"Virginia Artists 1955\", listing of pieces and artist included in the exhibition, printed material for the exhibition, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Paul Smith, Rose Slivka and Frank Getlein. Salon des Refuse's, biographical data, exhibition catalog. Dates- 6/66 - 6/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Prospective jurors and exhibition announcement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Jurors: Thomas Hess. Exhibition statement, reception, guest list, members preview, program agenda, discontinuation of salon des refuse's, installation and exhibition catalog. Dates- 1967, 11/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding auditor's reports. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Audit Reports 1936-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Auditors Survey and Systems study of the VMFA. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Morrison. Subject- Filming of \"California Watercolors\" traveling exhibition with footage of Virginia Beach Sidewalk Show included in the 25th anniversary film. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospectus for the Virginia Center For the Performing Arts. Statement of purpose: Academy-Conservatoire of Dramatic Art with training center and professional theatre. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding objects and paintings in private collections throughout state of Virginia. Correspondence with artists and owners. 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Statement of mission, NEA grants, proposals, awards, potential applicants, recipients. Collectors' Circle: Arts and Humanities Challenge grants for Conservation projects. Degas exhibition. Dates- 2/74 - 6/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VCU and U of R Drama departments. VMFA/VCU Museum Methods Course. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Current/future cooperation between VCU and VMFA: theatre, Art Historical studies, education, museum training, music dept.'s, VCU Conservation Lab and Anderson Gallery. Dates- 1/73 - 2/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Paul Smith. Reception, guest list, program, agenda and exhibition catalog. Dates- 3/71 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Juror: Henry Wolf. Event program, invitations, guest list, statistics regarding entrants, certificate winners, etc. Exhibition catalogs for \"Virginia Designers\", 1970 and 1971; \"Virginia Photographers\", 1970 Date- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding state budget 1946-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VEA Centennial Event and retired teachers complex, theatre program and Executive Committee Minutes, 12/61. Dates- 10/63 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Retired teachers apartment complex proposed for the 2900 block of Grove Ave., later rejected by the City Council, newspaper clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Exhibition: \"American Rooms in Miniature\", sponsored by Va. Federation of Women's Clubs, sponsorship of statewide tour of Artmobile, newspaper clippings and pamphlets, \"Virginia Journal of Education\", 10/63, catalog of \"American Rooms in Miniature\" by Mrs. J.W. Thorne, Art Institute of Chicago, 1941. Dates- 6/53 - 2/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Virginia Federation of Women's Clubs Statewide Arts Festival. Dates- 5/67 - 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Thank you notes from newly elected/reelected members of the House of Delegates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. John. S. Battle. Dates- 1949-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. Colgate W. Darden. Dates- 1942-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. George C. Peery. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Bills vetoed and passed by Gov. Thomas B. Stanley [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. William M. Tuck. Dates-1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Multi-level Arts Festival held annually in Abingdon, Va., loans of art works, consultation on programming and pamphlets. Dates- 11/52 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, F. Numan (Wm. and Mary) Subject- Meeting to focus on Architecture and the Humanities. Dates- 11/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Catalog from Franklin Mint series of silver commemorative medals. Norton Simon summary of Annual report, 1970. Dates- 1970 -71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. J.G. Pollard was chairman of this agency; copies of: Fundamentals of a Growing Recreation Program by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agendas and minutes of meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns a Governor's commission to study juvenile delinquency and the Virginia Advisory Legislative Council. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report to the Committee on \"Recreation as a Function of Government in Virginia.\"   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- copies of the executive order creating the Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- planning a listing of recreation films available through state agencies and 16mm Recreation Films Available in Virginia published by the VA Inter-Agency Committee on Recreation, etc. Dates- 6/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- working papers and final copies of the \"1st Report to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 10/53-1/54; Correspondence Subject- copies of the \"First Report to the Governor by the Inter-Agency Committee on Recreation\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Selected legislation on recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership rosters for the VA Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- statewide recreation reports listing facilities, budgets, organizations and needs, pamphlets from the National Recreation Association, etc. Dates- 7/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sponsored by the National Recreation Association 1955-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains a listing of personnel and the purpose of the committee.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and pamphlets.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets, magazine articles etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of \"Fundamentals of a Growing Recreation Program\" by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- working papers for and final copies of the \"1st and 2nd Reports to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 11/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Sarah Tomerlin Lee, Biographical data, event program, pamphlets and catalog for exhibition. Dates- 9/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum events, rosters: Senate, House of Delegates. Letter to members of the general assembly. Essay- \"The Virginia Museum and the Arts in Virginia\". Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reception for organization composed of Mayors, City Managers and City Officials. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Faye Ambrose and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year. Dates- 5/56-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Charles E. Baker and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications and award letters (1950, 1951) for VMFA in-state fellowship, artist progress reports for 2 years, etc. Dates- 5/50-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Regina Bartley and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 4/51-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Wm. Thomas Bland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA fellowship, thank you notes made by Mr. Bland (mixed media including watercolors). Dates- 8/48-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Robert Brushwood and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations, award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Kuhn R. Caldwell and Mrs. J.G. Pollard, M.B. Christison (Assistant Director), and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, artist progress reports for 1 year . Dates- 12/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mary Frances Cheatham and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA junior fellowship, artist progress reports for 1 year. Dates- 1/49-3/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Janet Clausen and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Robert L. Davis and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA in-state fellowship, photos of artist's work, artist progress reports for 1 year, etc. Dates- 4/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Worden Day and Mrs. J.G. Pollard, M.B. Christison and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, etc. Dates-4/49-8/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. T.V. Downing, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 10/49-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Charles Flynn, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 4/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 2/54-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- award letter for VMFA in-state fellowship, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Barbara Harding and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications ('53 and '54), recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Catherine M. Hipp and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Jem W. Hom and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/56-7/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between W.B. Houghland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Caroline C. Huff and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. William W. Jackson and Mrs. J.G. Pollard and L. Cheek Jr. Subject- applications (1948,1949), recommendations and award letter for VMFA fellowship, etc. Dates- 5/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Knapp and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. James Leedy and Mrs. J.G. Pollard and M.B. Christison (Assistant Director). Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/57-6/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Brenda R. MacBaisey and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year (includes lithography proofs), etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. James P. Moyers and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Joe Ravenscroft and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, application and recommendations for VMFA fellowship, etc. Dates- 8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, recommendations for VMFA fellowship, etc. Dates-8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.F. Russell and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for out-of-state fellowship, artist progress report for 1 year, etc. Dates- 4/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between R.E. Spain and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Mary R. Tatum and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1year, etc. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Primm Turner and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress report for 1 year, application for Catherwood Foundation fellowship, etc. Dates- 3/56-9/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. E. Parker Twombly and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA out-of-state fellowship, recommendation letters written by: Ben Shahn and Robert Motherwell, artist progress report for 1 year, etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress report for 1 year, etc. Dates- 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Howard Woody and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for student fellowship, etc. Dates- 4/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Peter Wreden and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, etc. Dates- 4/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of fellowship applicants, requests for applications, rejection letters, etc. Dates- 3/49-6/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications, recommendations and rejection letters for those applicants not chosen to receive fellowships. Dates- 3/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship, fellowship announcement, minutes of the fellowship committee meeting (1954), etc. Dates- 12/40-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- listing of applicants 1942-44, listing of types of fellowships offered by the Museum, etc. Dates- 1942-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- various applications, recommendations, rejection letters, etc. Dates- 5/46-6/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- announcements of fellowships, blank fellowship applications, requests for applications, various completed applications, award and rejection letters for fellowships, artist reply letters, etc. Dates-4/46-12/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- various applications, recommendations, fellowship recipient progress reports, award and rejection letters, correspondence with Fellowship committee, etc. Dates- 4/47-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject-the organization of the Fellowship committee, requests for fellowship applications, etc. Dates- 9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. John L. Pratt. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship program, minutes of: annual board meeting (1941), executive committee meeting (1940), VA artists fellowship committee meeting (1940), announcement/application for VMFA fellowship, etc. Dates- 6/40-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence about the Museum. Dates- 1939-46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition- \"The Virginia Museum of Fine Arts in Roanoke\", 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Essays by Director Thomas Colt on the Principles and Work of the Virginia Museum of Fine arts and its history.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Timetable, agenda, invitation, guest list. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Henry Callahan, biographical data, entry form, letters to selected applicants, statistics: entrants vs. applicants etc., and jury procedure. Dates- 4/71-2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellowships, VPI Traveling Theatre. Letter to Josef Albers with biographical data, invitations and exhibitions. Dates- 3/59 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains pamphlets and correspondence between this association and Mrs. Pollard's Inter-agency committee on recreation 1949-54; Reports and Inventories of recreational activities of state agencies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- VMFA budget, state issue vehicles, Artmobile, salaries, Robinson House, etc. Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Complimentary memberships to members of the house of delegates, travel regulations, United Givers Fund campaign, management studies. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VSAA membership rosters, membership of confidential secretaries to directors of state agencies. Dates- 9/63 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- Memos to heads of state agencies regarding all manner of state operations, capital outlays. Annual Report of \"Virginia Department of Vocational Rehabilitation\", 1976. Dates- 1/73 - 10/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- Affirmative Action and Freedom of Information Act requests. \"Virginia Local and Regional Planning 1974\"; \"Virginia Commission Visually Handicapped Annual Report\", 1973-74; \"Virginia Highway Commission Annual Report\", 1973-74. Dates- 11/74 - 12/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- State governmental management, budget appropriation requests, Virginia calendar of events, newsletters, museum salaries and the Virginia Privacy Act of 1976. Dates- 4/75 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regards donating old exhibition materials 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Roster of VMFA Trustees, resume of progress in the Fine Arts of Virginia. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and E.M. Kates (VSIF). Subject- Planting of flower beds and maintenance of interior foliage, Elizabeth Kates Foundation. Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cleaning and treatment reports of portraits owned by the Virginia State Library and Archives. Also correspondence regarding the wartime protection of Virginia's cultural materials, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- outline of annual meeting. Dates- 11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- \"Planning Your Town\" traveling exhibition, photos and description of exhibition installation, copy of an essay written by Cheek for Art Digest (4/52) Dates- 2/52-10/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VA Union choir singing at the Museum during the Christmas season, pamphlets about Museum sponsored activities during the holidays, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statewide competition for the design of Memorial and jury selection. L. Cheek's service as advisor to the Memorial Commission. T.J. Collins and Son as winners of competition. \"Program Of Competition For The Virginia World War II Memorial\". Dates- 12/50 - 3/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Program Of Competition For The Virginia World War II Memorial\", firms invited to compete in the final selection, expenses incurred and resumes of applicants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, John J. Wicker Jr. (Chairman). Subject- Competition program, VWW II Memorial Commission meeting minutes, \"Preamble\", for the creation of the memorial, \"Architectural Competitions\", AIA Document no.213. Drawings/plans and photographs for site development. Dates- 5/50 - 12/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 1953 Official Report of the Virginia World War II Memorial Commission. Dates- 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Competition program and closing proceedings. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Applications from selected entrants, official report of the jury in their selection of J.T. Collins and Son, (A.I.A.). Dates- 3/51 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report of the Jury concerning the winning design. Jury members: Waldon Franklin, George Howe, Frederick C. Disque, Edward D. Stone, W. S. Robertson, biographical data included and list of competition entrants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Guest lecturers, membership. Dates- 12/63 - 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. von Keller. Subject- appointment of von Keller as Acting Director of VMFA in absence of Colt, biographical information, etc. Dates- 4/35-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. von Keller (Art Director, Randolph-Macon Woman's College). Subject- personal, Museum events, etc. Dates- 8/42-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Vose. Subject- Acquisitions and provenance of objects. Dates- 7/56 - 2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt. Priscilla Crum and L. Cheek. Subject- Segregation in children's art classes, Study of early 19th century architect and builder John Jordan. WRVA Radio weekly series of VMFA activities, Salon des Refuses' for artists eliminated from the Virginia Artists juried exhibition. World War II Memorial design competition, Artmobile, newspaper clippings, paintings from the Williams Collection and the Helena Woolworth McCann Collection of Export Collection. Exhibition catalog: \"Eugene Wiesz\". Photographs. Dates- 9/45 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Artmobile, AIV, sit-see chairs, collectors circle, Fellows, Wise Pre-Columbian Collection, requests for employment. Woodrow Wilson Birthplace Foundation: Annual Report 10/64. Gifts, loans, contributions and acquisitions. Dates- 3/60 -11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Exhibition announcements, invitations, newsletters, biographical data, requests for employment. Purchases, gifts and acquisitions. Damage report of art works. \"Profile\", re: Tishman Collection of African Objects. \"Hermes Wingraf Quarterly Catalog\", Summer 1971, re: 17th century Dutch still-lifes. Dates- 2/70 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Waddy bequest for fountain construction. Costs of construction and maintenance of fountains: National Gallery, Frick Collection and Isabella Stewart Gardner Museum, includes photographs. Blueprints/plans: VMFA Site Development, East Elevations. Excerpt from the will of Woodson P. Waddy. Dates- 1947, 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Bronze Waddy Memorial Fountains, architects: Eggers and Higgins, Sculptor: Ralph Menconi. Contractual agreement with architects, Blueprints/ plans, detail drawings for : Waddy Memorial Fountain, Triton Fountain, East elevation and site development plans. Dates- 8/53 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Mr. Clifford L. Walker. Subject- inscribed plates for paintings in Museum collection, bronze busts and tablets for founders. Dates- 11/35-8/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Walpole Society Dinner, membership roster and newspaper clippings. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA staff orders for conduct of Museum during an emergency, pamphlets from the U.S. Government, Association of Art Museum Directors and American and British museums about art preservation in case of a wartime emergency. Dates- 1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Warburg Collection on loan to VMFA and his address to collector's circle. Bulletin vol.18 no.9 5/58 Dates- 5/57 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT scenery design. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets from the U.S. Government, Association of Art Directors and American and British museums about art preservation in case of a wartime emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- prospective sale of George Washington portrait by Peale to the state of Virginia, history of the painting, may have been commissioned by the state in 1784 for use by Houdin (the sculptor of the George Washington statue in the capital). Dates- 10/37-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Marion Junkin. Subject- Metropolitan Collection on permanent loan to W\u0026L, letter from M. Junkin espousing the talents/commitments of the young artist Cy Twombly. Hans Gasman as restorer for VMFA lists of objects and exhibitions. Dates- 11/49 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Alexander W. Weddell. Subject- Weddell's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, gifts from Weddell, listing of Trustees 1942, listing of Trustees committee assignments 1945. Dates- 9/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and Mrs. J.G. Pollard. Subject- Founding member of VMFA, resolution from Executive Board in memoriam of Alexander Wilbourne and Virginia Chase Weddell. Award of the Webster S. Rhoads Medal for distinguished service. Minutes of Annual Meeting, descent and authenticity of a pair of copies of portraits of George Mason and his wife. Dates- 7/45 - 1/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Foundation financial support: VMT, library, contributions to Fellows fund, book purchases, VMFA services catalog. Dates- 7/66 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Director of Gallery of Modern Art, NYC, and his service as a juror. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Time\" article on George Catlin, artist of the American West. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Mellon. Subject- Ultimate destination of Mellon English Collection. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Tour request. Dates- 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Mrs. J. H. Parsons. Subject- Wheelchairs adapted for sit-see chairs and underwritten by Mrs. Parsons. Dates- 10/65 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture/recital to VMFA council and Fellows. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitation to L. Cheek by President Johnson to attend luncheon for President-elect Barrentos of Bolivia. Dates- 7/20/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Objects on loan to White House. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Theo B. White. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Diorama's made by Whitelaw in the collection of the L.A. County Museum and George Washington Masonic National Memorial Association. Photographs Dates- 7/62 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- general correspondence with a Trustee on Museum programs and operating activities (esp. Accessions Committee). Dates- 6/35-3/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Beatrice von Keller, T. Colt and L. Cheek. Subject- Organization of an exhibition of pre-Columbian sculpture, Catesby-Jones collection, Whitman Collection of Mayan Sculpture, Chrysler Collection accessions and exhibitions. Date- 8/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. Thelma Cudlipp Whitman. Subject- Trustee/Museum business, etc. Dates- 5/51-2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Ambassador to Great Britain, invitation to become Collector-of-the- Year. Dates- 5/61 - 7/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and various Whitney Museum staff. Subject- loans to the Museum for the inaugural exhibition, loan to the Whitney from VMFA, museum practices, etc. Dates- 5/35-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Summer state service projects, VMFA projects list. Dates- 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Playwright, invitation to address VMT, Time Cover 11/12/53. Dates- 1/53 - 3/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA appointment to Board of Trustees, service as President and on the Entertainment Committee. Museum business, South Wing, Fellows, NEFTA. Gift of Mellon French painting collection, gifts, contributions. Dates- 6/65 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions: \"Jean Outland Chrysler Collection\" and \"30 Years of Virginia Art\". List of objects, Charter Day ceremonies: invitation list and dedication of the new Fine Arts building. Essays- \"Thomas Jefferson and the Fine Arts\" and \"The Arts in Virginia\", by L. Cheek 2/67. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT and loans of objects to VMFA. Dates- 1/50 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. J.G. Pollard. Subject- Williams Collection inventory, Williams purchase fund, statement concerning the informal agreement between L. Cheek and Mrs. A. D. Williams concerning installation of collection in the new wing. Selected inventory of furnishings in the Williams home. A.D. Williams as recipient of the Rhoads Medal, financial contributions, gifts and loans. Dates- 6/48 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Berkley Williams Jr., Virginia artist. Dates- 1936-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., and Mr. E. Rand Williams. Subject- Trustee/Museum business, Rand served as Buildings and Grounds Committee Chairman 1937-8 and as first Vice-President in 1941, etc. Dates- 6/35-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. E. Randolph Williams. Subject- Trustee/ Museum business, etc. Dates- 5/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Glasglow bequest, Melchers Estate, Pratt Jewels, Portrait of \"James Patton Preston\", Gilbert Stuart, general legal questions. Dates- 10/58 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Election to board of Trustees; Dance Society. Dates- 6/54 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Advisory committee on the new Reception Center, L. Cheek as a member and a map with the proposed location. \"Summary of Reception Center Objectives and Experience\". Dates- 11/53-1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List of objects accepted as loans and pending gift status. Dates- 10/49 - 3/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Preliminary plans for a foundation to house objects related to W. Wilson's life. Portrait exhibition of the 8 Virginia born Presidents, portrait of Mrs. Wilson, artist unknown. \"Woodrow Wilson's Heritage of Faith\", Frank Bell Lewis, Woodrow Wilson Birthplace Foundation, 1956. Dates- 9/55 - 6/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of request and approval for event, agendas and timetable. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letter of confirmation. Dates- 7/11 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Woodlawn Plantation event, guest list and map. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. to Worcester Art Museum staff. Subject- loans for VMFA inaugural exhibition, loan to Worcester Art Museum, etc. Dates-8/35-7/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- exhibition held at the Museum \"Southern States Preview\" a regional exhibition connected to the World's Fair. Dates-10/38-12/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by applicants to exhibition. Subject- listings of artists accepted to the show (listed state by state). Dates- 12/38-1/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Arthur Drexler (MOMA) to lecture on Wright exhibition, reception, guest list. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Transcript of radio broadcast 2/26/54, exhibition: \"American Painting\", Artmobile and magazine excerpt. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Betsy Wyeth and Harry Brooks (Knoedlers). Subject- \"Country\": Working drawings, Artmobile layout and tour and reviews. Dates- 2/67 - 11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Exhibitions, loans, acquisitions, AIV, gifts, contributions. Correspondence with William Zorach, sculptor. Dates- 9/49 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- museum practices, loans for the VMFA inaugural exhibition, etc. Dates-9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General correspondence from Alumni, possible lecturers, newspaper clippings. Correspondence between Cheek and Alfred Stiegletz. Minutes of Alumni and Friends of the School of Art and Architecture, 5/58, pamphlets. Dates- 6/58 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Third Report Of The Committee On Architecture, Painting and Sculpture\", 4/50. Committee membership roster, issues facing various Yale departments. \"Bulletin Of Yale University\", series 44, 4/48 #5 and \"Official Register Of Harvard University\", vol. XLV, no.15 7/15/48. Dates- 1949 - 50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. Pollard and M. Christison. Subject- Yale school of the arts general operation, appointment of Joseph Albers, list of University Council Committees. Dates- 9/48 - 9/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Draft of the committee report and responses from other Yale committee members regarding departmental personnel, curriculum, problems and resolutions. \"Report Of The Committee Of The Division Of The Arts (Architecture and Planning And Design)\",prepared by L. Cheek, 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Report Of The Chairman Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 4/48, prepared by L. Cheek. Issues concerning Yale departments of the arts. Minutes of Yale Executive Committee Meetings, various reports on Yale departments. Dates- 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cheek draft of, \"Report Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 1952. Yale policy review, new appointments, letters to other committee members, roster of membership. Dates- 5/51 - 4/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Evolving challenges of the various Yale departments. \"Report Of The Committee On The Division Of The Arts (Architecture, Planning and Design)\", 4/53. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA performance of Yale Glee Club, agenda, program, roster, etc. Dates- 10/60 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","R. Peter Mooz was Director of the museum from 1976-1981.","Charles L. Reed was Interim Director of the museum from 1981-1984.","Paul N. Perrot was Director of the museum from 1984-1991.","Katherine R. Lee was Director of the museum from 1991-2000.","Richard B. Woodward was Interim Director of the museum in 2000.","Michael Brand was Director of the museum from 2000-2005.","Thomas N. Allen was Interim Director of the museum in 2006.","This series contains correspondence and subject files from staff members in the Director's Office.","Carolyn Weekley was the Assistant to the Director from 1978-1979. She later became Curator of Decorative Arts, so there is some overlap in the files with her curatorial work.","Margaret (Peggy) Burke was Assistant to the Director from 1980-1981, then Deputy Director in 1982, Deputy Director. She originally served as Assistant Director for Collections and Interpretation, so there is some overlap in the files with her other work.","Lulan Yu was Assistant to the Director from 2002-2007. Her files are mostly related to the North Wing expansion and the museum identity project.","Lee Anne Hurt Chesterfield was Assistant to the Director from 2004-2009, then became Director of Board Relations and Museum Planning. Her files are mostly related to special projects, exhibitions, and AAM reaccreditation.","This series consists of building files that were maintained separately in the Director's Office. There are often additional building files found in each Director's Correspondence files.","The West Wing was completed in 1985.","The North Wing expansion was completed in 2010.","This series consists of corespondence with internal and external groups, the affiliations or creations of which often often overlap different Directors.","This series consists of minutes and planning documents for meetings convened by the Director.","This series consists of program files that were maintained separately in the Director's Office. There are often additional program and exhibition files found in each Director's Correspondence files.","Medal awarded to Walter Spencer Robertson housed separately.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","Virginia Museum of Fine Arts Archives","English \n.    "],"unitid_tesim":["RG-01","/repositories/2/resources/44"],"normalized_title_ssm":["Director's Correspondence (RG-01)"],"collection_title_tesim":["Director's Correspondence (RG-01)"],"collection_ssim":["Director's Correspondence (RG-01)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["248.5 Linear Feet 204 boxes; 7,156 folders"],"extent_tesim":["248.5 Linear Feet 204 boxes; 7,156 folders"],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. \u003c/p\u003e\n","\u003cp\u003eAs custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809).\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"altformavail_html_tesm":["\u003cp\u003e\"Museum in Action\" was reformatted and is available on YouTube: \u003ca href=\"https://www.youtube.com/watch?v=03tQlnoFx0A\u0026amp;t=1s\"\u003ehttps://www.youtube.com/watch?v=03tQlnoFx0A\u0026amp;t=1s\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["\"Museum in Action\" was reformatted and is available on YouTube:  https://www.youtube.com/watch?v=03tQlnoFx0A\u0026t=1s"],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are generally arranged alphabetically within series 1-2. Series 3-6 are generally arranged chronologically.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eDirector's Correspondence, 1927-2006\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eDirector's Office Staff, 1977-2008\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eBuilding Files, 1979-2004\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eOrganization Files, 1991-2006\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eMeeting Files, 1998-2009\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003eProgram Files, 1992-2007\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are generally arranged alphabetically within series 1-2. Series 3-6 are generally arranged chronologically.","Series 1 Director's Correspondence, 1927-2006 Series 2 Director's Office Staff, 1977-2008 Series 3 Building Files, 1979-2004 Series 4 Organization Files, 1991-2006 Series 5 Meeting Files, 1998-2009 Series 6 Program Files, 1992-2007"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Director's Office through periodic deposits since 1989. The bulk of the Early Director's Correspondence (Series 1.1) was deposited at to the Library of Virginia in 1982, where it remained until November 2022 when it was returned to VMFA.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred from the Director's Office through periodic deposits since 1989. The bulk of the Early Director's Correspondence (Series 1.1) was deposited at to the Library of Virginia in 1982, where it remained until November 2022 when it was returned to VMFA."],"originalsloc_html_tesm":["\u003cp\u003eBetween June 17-September 10, 2023, the Fellowship Application and associated photograph of Wigfall were placed in the exhibition \"Benjamin Wigfall \u0026amp; Communications Village.\"\u003c/p\u003e","\u003cp\u003eBetween June 17-September 10, 2023, the recommendation letter from Leo Katz was placed in the exhibition \"Benjamin Wigfall \u0026amp; Communications Village.\"\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["Between June 17-September 10, 2023, the Fellowship Application and associated photograph of Wigfall were placed in the exhibition \"Benjamin Wigfall \u0026 Communications Village.\"","Between June 17-September 10, 2023, the recommendation letter from Leo Katz was placed in the exhibition \"Benjamin Wigfall \u0026 Communications Village.\""],"prefercite_html_tesm":["\u003cp\u003eDirector's Correspondence (RG-01). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Director's Correspondence (RG-01). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.\u003c/p\u003e","\u003cp\u003eSeries 1.1 was processed by State Records Archivist Laura Drake Davis from 2006-2008 while it was still deposited at the Library of Virginia. In 2023, Senior Archivist Courtney Tkacz integrated VMFA's holdings into that series and in the process, RG-01 Boxes 1-4 and LVA 33863 Boxes 60, 67, 74, and 89 were removed.  \u003c/p\u003e","\u003cp\u003eSelect application materials were digitized with the identifier: RG01.01.1.33863.001\u003c/p\u003e","\u003cp\u003eSelect application materials were digitized with the identifier: RG01.01.1.33863.007\u003c/p\u003e","\u003cp\u003eSelect application materials were digitized with the identifier: RG01.01.1.33863.008\u003c/p\u003e","\u003cp\u003eSelect application materials were digitized with the identifier: RG01.01.1.33863.009\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","Series 1.1 was processed by State Records Archivist Laura Drake Davis from 2006-2008 while it was still deposited at the Library of Virginia. In 2023, Senior Archivist Courtney Tkacz integrated VMFA's holdings into that series and in the process, RG-01 Boxes 1-4 and LVA 33863 Boxes 60, 67, 74, and 89 were removed.  ","Select application materials were digitized with the identifier: RG01.01.1.33863.001","Select application materials were digitized with the identifier: RG01.01.1.33863.007","Select application materials were digitized with the identifier: RG01.01.1.33863.008","Select application materials were digitized with the identifier: RG01.01.1.33863.009"],"scopecontent_html_tesm":["\u003cp\u003eThis series is comprised of correspondence of all of the various Directors of the museum. Files were arranged alphabetically by subject, and there is a lot of overlap between different Director's as the files often contained pertinent items from a predecessor. In the case of the first sub-series (1.1), until 1976, the entire museum's files were maintained centrally as one unit in the Director's Office.\u003c/p\u003e","\u003cp\u003eThis series includes the records of the first three Directors - Thomas C. Colt (1935-1948), Leslie Cheek, Jr. (1948-1968), and James M. Brown (1969-1976) - as well as the two Interim Co-Directors Beatrice von Keller and Violet McDougall Pollard (1942-1945). The bulk of this series was deposited at the Library of Virginia, therefore most of the items held at VMFA are copies that LVA returned to the museum.\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with individuals, institutions and corporations beginning with the letter 'A', note- two letters written to Josef Albers (no replies). Dates- 2/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding a copy of Gainsborough's \"Blue Boy\" in the collection of Van Clief of Esmont, Virginia.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters from private donors and dealers offering objects for sale and as gifts to the Museum when it was first started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence, minutes and information about gifts and purchases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information about items being considered for purchase and members of the committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence, minutes, and information on bequests and purchases. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- minutes of accessions committee meeting 1972, announcements and attendance for meetings 1973, acquisitions policy for bidding on works of art at auction, etc. Dates- 9/72-1/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- painted decorations of St. James church, putting this church on the Virginia section of the National Register. Dates- 4/68-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- departmental inventories of non-expandable assets of the Commonwealth of VA 1940-3, worksheets on individual art objects and Museum equipment, state regulations, etc. Dates- 6/43-11/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown and P. Near (Curator). Subject- correspondence about possible acquisitions, considerations of gifts, notes on possible acquisitions, etc., 10/70-4/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding the gift of Mrs. Charles Adams (Ann Fowlkes) of music albums 1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek's appointment by the Governor to an advisory committee assisting the Dept. of Conservation and Economic Development in a study for a proposed museum of science, archaeology and natural history (to be located in Richmond), copy of Senate joint resolution no.26-to study the encouragement or establishment of a museum of science and natural history, list of committee members, Report of the Department of Conservation and Economic Development to the Governor and the General Assembly of Virginia Relative to the Establishment of a Museum of Science, Archaeology and Natural History in Richmond, 1965, etc. Dates- 5/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Excerpt from the Report of the Committee on Recreation to the Advisory Council on the VA Economy and A Summary of Major Recommendations that Involve Questions of State Policy by the Advisory Council on the VA Economy. Dates- 8/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- possible Museum acquisitions from the dealer. Dates- 4/53-5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Airfiltering System 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- correspondence and announcement for lecture by Ambassador Akar about Africa's unique cultural heritage, etc. Dates- 10/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cheek was a judge for their annual show. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence with Albemarle Art Association President about discontinued affiliation with VMFA, biographical information on Cheek, introduction about Cheek for lecture at AAA, Cheek's remarks in honor of Horace Burr 1966, etc. Dates- 8/57-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with and biographical information about Josef Albers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- a letter to Albers (no reply). Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown Subject- correspondence with Director about appointment to board of Hon. George S. Aldhizer II, Education in the Arts and Honors and Awards Committee appointments, etc. Dates- 6/67-2/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Donor of several paintings to the Museum, 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek as speaker for \"The Alexandria Forum: Southern Decorative Arts 1750-1850\", exhibition loans to Alexandria Assoc., etc. Dates- 9/55-1/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Printed materials. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence regarding annual meetings and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- AAM (American Association of Museums)annual meeting pamphlets 1955,'57,'58,'59'60,'61,'62,'65 and'68, proposed constitution and By-Laws 1961, roster of member institutions 1959, correspondence about AAM meeting in Williamsburg, etc. Dates- 10/60-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from AAM Directors. Subject- Minutes annual meeting 1969, membership reports 1969-70, Financial Statements 1969-70, agenda for AAM council meeting 1970, memos, etc. Dates- 8/69-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- info about AAM (American Association of Museums) seminar held in Richmond 1972, financial and membership reports 1972, minutes of exec. committee meeting 1972, news releases, letter from Richard Nixon to Mr. Brown as President of the AAM, mailings sent out by AAM, etc. Dates- 7/72-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about Cheek as Program Chairman for AAM (American Association of Museums) annual meeting in Williamsburg 1962, tentative agenda, schedule of events, attendance list, committee reports, program, etc. Dates- 5/59-1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- correspondence to American Art Association (AAM) section chairmen about annual meeting, program, schedule of events, etc. Dates- 9/60-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about arranging program for American Association of Museums (AAM) meeting, roster of section chairmen 1962, agenda for exec. committee meeting 1961, invitations sent to VMFA trustees for a reception (held at VMFA) to meet the delegates to AAM meeting, etc. Dates- 7/59-6/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- roster of AAM (American Association of Museums) section chairmen 1962, attendance and schedule for section meetings, etc. Dates- 1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lloyd Goodrich Lecturer. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek on advisory committee for the study of design and craftsmanship in today's products, roster of advisory committee, proposed exhibition, conference series, documentary and publication about design and craftsmanship, National Exhibition Project Committee meeting minutes 1950, etc. Dates- 3/49-4/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cheek on Board of organization. Contains memos, pamphlets, exhibition literature etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns L. Cheek's membership in the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- minutes of exec. committee meetings 1961, '62 and '65, roster of trustees, memos to trustees, correspondence about convention in Chicago, etc. Dates- 1/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. (trustee of AFA). Subject- information about circulating exhibitions, minutes of Exec. committee meetings 1966 and '67, minutes of trustee meetings 1966, '67 and '68, memos to trustees, etc. Dates- 1/60-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- American Federation of Arts (AFA) exec. committee meeting minutes 1967 and '68, correspondence about AFA delegates visit to VMFA 1969, roster of members and committee appointments, news releases 1968, President's annual report to AFA, etc. Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about Cheek as Convention Committee Chairman 1959, correspondence about potential committee members, program for convention, minutes of preliminary joint meeting of the AFA trustees 1958, minutes of trustees meeting 1959, Golden Anniversary Convention, The American Federation of Arts 1909-1959, congratulatory and appreciation letters to Cheek, etc. Dates- 3/58-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown Subject- AFA (American Federation of Arts) exec. committee meeting minutes 1959,'60,'61,'62 and'65, roster of board of trustees, trustee meeting minutes 1961 and '62, AFA constitution, National Council on the Arts and Government Annual Report 1960, etc. Dates- 3/61-1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence with the American Institute of Architects. Dates- 4/47-1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cheek served as a juror for the Annual Homefurnishings Design Competition and was an honorary member, 1949-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- A.I.D. (American Institute of Designers) VA chapter yearbook 1961-2, listing of suggested museums for A.I.D. exhibition, etc. Dates-5/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to J.M. Brown. Subject- dinner meeting for the AID (American Institute of Designers) (interior designers). Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Peter Mooz and Wm. Wilkinson (Mariners Museum). Subject- Loan requests, cost estimates, pamphlets and photographs. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Peter Mooz and Wm. Wilkinson\u0026gt; Subject- First major survey of American Marine Painting in observance of the Bicentennial. Lists of paintings, installation, budget, etc. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains copies of lecture invitation and catalog. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to J.M. Brown from ASA (American Society of Appraisers). Subject- Brown's membership in ASA, ASA news 1971-2, announcement of meeting 1971, etc. Dates- 10/70-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- arrangements for gallery dinner at VMFA for American Society of Appraisers. Dates- 1/72-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- Brown as Chairman of a committee on collections at Amherst College and member of Exec. Committee of the Association of Fine Arts, constitution and minutes of Association of Fine Arts meetings 1970 and '71, roster of members of the Association of Fine Arts, membership solicitation letter, catalogue: The Amherst Sesquicentennial Exhibition 1972, etc. Dates- 10/69-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mrs. J.G. Pollard and Mr. Henry W. Anderson. Subject- meetings of the Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, a portrait of Anderson by VA artist, Julian Binford, etc. Dates- 6/35-11/44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Henry W. Anderson. Subject- Anderson's presidency of the Board of Trustees 1947, trustee and Museum business, Annual Board meeting minutes 1947-8, Museum events and daily operations, Museum investments and gifts to the Museum, a general study of the Museum's collections and suggested plan of development (1947), information about the land occupied by the Museum and its estimated future needs, etc. Dates- 6/47-6/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- President of the Board of Trustees. 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and L. Cheek, Jr. and Col. Henry W. Anderson. Subject- Anderson's presidency of the VMFA Board of Trustees, Museum events and daily operations, gifts to the Museum, investment of the Museum's A.D. Williams fund, listing of financial condition of endowment and special funds 1952-3, etc. Dates- 5/51-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- arrangements for dinner honoring Mr.and Mrs. Walter P. Chrysler, guest lists, invitations, R.S.V.P.'s, etc. Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- final copies: VMFA 2nd Annual Report of the Director 7/1/36-6/15/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA 7th Annual Report of the Director 7/1/41-5/1/42 and VMFA staff orders 1/42 elaborating the orders of 6/41 conduct of the Museum during an emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers, preliminary and final copies of The Report of the Acting Directors for the Year 1944-5, agenda for Executive committee meeting 6/44, breakdown of membership 1943-4, 1944-5 and working papers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- final copy VMFA Annual Report. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- preliminary and final copies VMFA Annual Report 1946-7 7/1/47-4/30/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- preliminary and final copy: VMFA Annual Report 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for the 1948-9 Annual Report, Report of the Executive Committee of the VMFA to the Board of Trustees (5/22/49) also a listing and attendance record of the Board of Trustees (5/27/49).  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for the 14th Annual Report, including operations budget, salaries and membership count, also a copy of VMFA Organic Laws (10/36). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- The 14th Annual Report of the Director (5/27/49) and its working papers, also correspondence about VMFA role in selecting and displaying portraits in the Governor's Mansion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- working papers for the annual report, listing of Cheek's activities (lectures, consultations, committee and jury duties). Dates- 1960-1. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Annual Reports for Collections and Gallery Divisions 1951-54, and for State Extension Services 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA 1st Annual Financial Report of the Curator (4/13/35-6/15/36), VMFA 2nd Annual Report of the Director (7/1/36-6/15/37), VMFA 3rd Annual Report of the Director (7/1/37-6/1/38), VMFA 4th Annual Report of the Director (7/1/38-6/1/39), VMFA 5th Annual Report of the Director (7/1/39-5/1/40), VMFA 6th Annual Report of the Director (7/1/40-5/1/41). Dates- 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA 7th Annual Report of the Director (7/1/41-5/1/42), VMFA 8th Annual Report by the Acting Directors (7/1/42-5/31/43), also, VMFA 9th Annual Report by the Acting Directors (7/1/43-5/31/44).  Dates- 1941-1944. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- the following reports: \"Remarks by Robert Marsh, Jr. before the Appropriations Committee of the General Assembly\" and \"Resume of the Request of the Trustees of the Virginia Museum of Fine Arts before the Appropriations Committee 2/64\" Dates- 2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Annual meeting of its Richmond Chapter at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., Mrs. J.G. Pollard and Ms. B. von Keller. Subject- biographical info, purchase of his painting Maggie, letters of introduction, personal references, loaning work to Museum, Va. artists exhibitions, counsel on museum operations, etc. Dates- 10/35-10/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposed paperback guide to architecture in Virginia, roster of Editorial Advisory Board for guidebook, list of sites by counties and cities, etc., final list of buildings and sites, announcements and minutes of Nominating Committee meeting, etc. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- biographical information on H. Harvard Arnason, speaker on Henry Moore sculpture at VMFA, VMFA Members' Bulletin vol.26, no.2 10/65. Dates- 9/65-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- confirmation of meeting with State Art Commission to present plans to enlarge VMFA. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- membership roster, pamphlet of Art Dealers of America, Inc., etc. Dates- 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lectures given at the VMFA by members of the staff of the Museum of Modern Art 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about museum practices, the following publication: Let's Make the Lions Roar: A Marketing Study of the Art Institute of Chicago by Edward J. Teply (Northwestern University 1959) Dates- 6/48-1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Potential jurors for biennial exhibitions 1970. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence and a listing of members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence and art nouveau purchase plan. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Artificial flowers for decoration in galleries, 1964. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Museum program where artist-members participated in a life drawing class.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program sponsored by museum for artist members, included life drawing classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and memorandums. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence and minutes from meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Project to try and send artmobiles overseas as suggested by the State Department. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence as to whether or not they would like to have the artmobile visit their school. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains plans, blueprints, and correspondence that occurred during its development.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Manufacturer of custom van bodies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Presidential Inauguration. Artmobile was State of Virginia's entry in President Johnson's inaugural parade, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposed exhibition for the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Magic City Bank had an exhibit trailer, which was a prototype for artmobile.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitations, programs and correspondence.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Reprints of A.I.V. article \"Galleries on Wheels\", 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VFWC was instrumental in getting the artmobile started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, newspaper and magazine clippings and schedule 1961-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Schedules, Plans, correspondence and photographs, 1960-63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Drawings and plans for 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Opening, Middleburg, Virginia, 1962.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Dinner and Invitation List. Artmobile II Opening. Middleburg, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Facts sheets, invitations and photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Dedication. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- correspondence re. funding, construction, photographs, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Plans for Collegiate Artmobile to visit Virginia Colleges. 1964-65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposal to ask the Carnegie Foundation for funding for a collegiate artmobile, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Opening, Ashland, Virginia. Correspondence and programs, Sept. 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from W.S. Robertson. Subject- Meeting of Virginia college Presidents regarding the Artmobile project to service college and University campuses. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, David Pittman, Peter Mooz. Subject- Artmobile workshop: program agenda, exhibition schedules, etc. \"Artmobile Chairman Handbook\". Dates- 7/74 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Fruehauf Trailer Co., artmobile manufacturer, 1965-66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposed by Lt. Governor Mills Godwin, attempted to establish a Virginia Arts and Crafts Museum. Newspaper clippings, correspondence, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Pamphlets, prints, minutes and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Arts and Humanities Summer Institute. Sponsored by the Va. Commission of Arts and Humanities at the Museum in 1971. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Informational pamphlet from the President's advisory Council on the Arts, 1963. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Art Council of America and Governor's office. Subject- invitation from the Art Council of America to be represented in this council, etc. Dates- 10/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from George Cruger (Editor, AIV), J.M. Brown and Wm. Gaines. Subject- Microfilming of AIV and checklist of Articles to date, Spring 1974. Catalog: \"Image\", George Eastman House, 1973. Dates- 11/73 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Memos and Correspondence. Dates- 1960 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Search for a designer for the magazine. Letters to and from possible candidates. Dates- 1964.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Various issues of the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- A.P. News clips regarding Museum, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns the portrait bust of John Marshall.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- A.P.V.A. Pamphlets and Correspondence, 1972. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- agenda for the APVA (Association for the Preservation of VA. Antiquities) meeting held at VMFA, roster of exec. committee and trustees, etc. Dates- 3/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of members and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and reports from annual meeting 1964-68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- General correspondence to Directors of various museums regarding membership, loans of art works, invitations, etc.  Fact sheet on Artist housing in Soho. Dates- 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence and minutes from annual meeting 1970-71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Annual meeting: reports, minutes, events schedules, officers, membership. Code of Ethics for ilicit traffic in works of art. \"Reproductions and Reproduction Rights For Museum-Owned Objects\", 1962, American Federation of Arts. Dates- 1972, 1979 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes from meeting. Dates- 5/59 - 6/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposals for membership. L. Cheek was membership chairman. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes of meeting. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Report on dangers of lending objects to institutions for special exhibitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Questionnaires, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Dinner held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Lady Nancy Astor. Subject- Donation of her portrait by John Singer Sargent and china. Dates- 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"B\". Subject- varied. Dates- 9/50-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with institutions, individuals or corporations beginning with the letter \"B\" and the VMFA loan-own art service policy statement. Dates- 6/62-10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Transcript of remarks by Frank Stanton on his award of the Michael Friedman Medal of the Architectural league, magazine clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Ballet and L. Cheek concerning the beginning and future of a theatre at the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, A. Ballet and trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Baltimore Museum of Art calendars of events, correspondence about museum practices, etc. Dates- 9/48-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Miss Iris Barry. Subject- giving a film lecture, newspaper clipping, etc. Dates- 8/49-5/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, T.C. Colt, Jr. and L. Cheek, Jr. Subject- general information about Barter Theatre (announcements, VA Highlands Festival schedule, etc.) and correspondence about the Museum sponsoring drama productions as a state extension service. Dates- 12/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Barzansky Galleries. Subject- invitation to a Harriet Fitzgerald exhibition at the Charles Barzansky Galleries, N.Y.C. Dates- 1/58-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Governor Battle. Subject- thank you notes, etc. Dates- 11/50-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- pamphlet of the Museum's 1945-6 season. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Mrs. Bellows. Subject- the proposed acquisition of one of two of Bellows' paintings (Kids, The Teamster) which the museum didn't purchase. Dates-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Fitzgerald Bemiss as a Trustee, correspondence about Board of Trustees and Membership Committee business, gifts to VMFA, etc. Dates- 6/54-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- visit to Florence, Italy and to see Bernhard Berenson. Dates- 1/56-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition: Eugene Berman's sketches for the Metropolitan Opera's Barber of Seville. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- Brown was a chairman of the panel of judges for the Franklin Mint Bicentennial Medal competition in the state of Virginia, official rules and entry form for competition, etc. Dates- 4/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- House Bill no.131 to keep Va. interstates free of billboards, response letters from Va. politicians, etc. Dates- 2/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Mr. Paul Bird as a lecturer on contemporary painting, a transcript of the lecture, etc. Dates- 1/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek and J.M. Brown. Subject- Accessions: Chinese objects. Requests for loan of A. Wyeth paintings from Wyeth Estate, invitation to Clare Boothe Luce to address 17th Annual Va. Public Relations Conference, letter of inquiry regarding the artist Lucille Sinclair Douglas. Accessions: Dubuffet prints, period chairs, pedestals, chest, Aphrodite Torso, female draped figure, Claude Hirst painting, Roger Barr painting. Eric Christmas and Festival Theatre, Ontario, Canada, proposal around building of Bristol Chapter House, furnishing of Agecroft Hall, expansion of University curriculum to include Art Historical Studies in surrounding colleges, Hogarth exhibition, World Museum Fund with description of event and agenda.  Text from \"Country Beautiful, America's Finest Small Museums\", with description of VMFA. Accession and gifts: \"The Little School Girl\", Degas; Amphipolis Gold. Dates- 1959-70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek. Jr. Subject- By-Laws revised and adopted 1951, Organic Laws, announcements, replies, agenda and minutes of annual Board meeting 1950, committee reports, listing of Trustees, etc. Dates- 5/50-5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Col. H.W. Anderson. Subject- annual Board meeting, listing of Trustees 1952-3, announcement of annual meeting, VMFA Annual Report of the Director 1952, etc. Dates- 5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- announcement, replies, agenda and minutes of annual meeting 1953, notice of amendments to the By-Laws, a VMFA report/essay \"The Need for Completing Its Addition\", etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- annual Board meeting minutes 1953, 54, VMFA Annual Report of the Director 1954, notice of amendments to the By-Laws 1954, announcement, replies and agenda for meeting, etc. Dates- 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- minutes of Trustees annual meeting 1955, working papers for the meeting, committee reports, By-Laws revised and adopted 6/54, listing of insurance coverage, Museum events, etc. Dates- 5/55-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mid-year meeting and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- announcement of annual meeting and luncheon for the Trustees, R.S.V.P.'s, attendance list, etc. Dates- 4/56-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Index cards with names and addresses of current and former Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by VMFA staff and Board Presidents. Subject- Board of Trustees committee appointments, appointment letters and reply letters for the following years: '45/6, '46/7, '47/8, '48/9 and '49/50. Dates- 1945-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- letters of appointment to serve on Trustee committees and reply letters, listing of committee appointments 1949-50, etc. Dates- 7/49-7/50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mr. Henry W. Anderson (President of the Board). Subject- appointment to committee letters and reply letters, etc. Dates- 8/51-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence By L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of committee appointments. Dates- 1954-5. Correspondence- Subject- listing of committee appointments. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- listing of Trustees committee appointments (1956-7), reply letters to committee appointments, etc. Dates- 8/56-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- notes on planning, cost estimates, invitations, replies to preview of A.D. Williams collection and dinner honoring Governor and Mrs. Battle, etc. Dates- 10/52-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Museum events, working papers for the annual Board meetings and agendas, nominations to the Board, excerpts from the Board minutes, committee reports, etc. Dates- 2/37-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains miscellaneous correspondence, memos and minutes from meetings. 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Board annual meeting minutes 1955, By-Laws revised and adopted 1954, By-Laws and suggested revisions 1956, listing of Trustees 1955, Committee appointments 1954-57, etc. Dates- 1954-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Roster of the VMFA Board of Trustees. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- announcement, replies for Board meeting, listing of Trustees 1952, 53, notice of meeting cancellation because of inability to secure a quorum, etc. Dates- 1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- announcements, replies, agenda and minutes of Trustees special meeting and Executive Committee meeting, etc., 1/54-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- minutes of the Board of Trustees annual meetings. Dates- 1934-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- suggested plan for developing VMFA collections by Colt (1945), announcements and replies for Board annual meeting , prepared budget 1947-8, listings of Trustees, officers and committees, etc. Dates- 10/45-6/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- sightseeing boat tour on the James River. Dates- 2/57-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mrs. John H. Bocock as a Trustee, Board of Trustees, Entertainment and Accessions Committee business, art lending service information, gifts to VMFA, etc. Dates- 5/51-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek writing introduction for A. Aubrey Bodine's photography book: The Face of Virginia, draft of the foreword/introduction, biographical information on Bodine, etc. Dates- 3/62-1/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- letter to Hon. Armstead L. Boothe about appointment to Board. Dates- 6/64-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Jr. primarily with the Sheraton Hotel. Subject- a cocktail party held on Cheek's Boston trip, guest lists, invitations, etc. Dates- 10/58-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. with various Boston Museum staff. Subject- museum practices, loans, speaking engagements, exchange publications, etc. Dates- 11/47-10/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- loaning objects to VMFA, correspondence about museum practices, lecture given by Cheek in Boston about art in Virginia, etc. Dates- 3/55-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and V.Y. Bowditch. Subject- Bowditch biographical information, drama schedule 1955-6 season, evaluations, theatre operations, etc. Dates- 7/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Theatre director of Pasadena Playhouse 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. with E.G. Bowles and the Public Works Administration (PWA). Subject- landscaping the Museum and bids complying with PWA, construction contract 4/36, classifications of labor/workmen and wage rates 12/34 and Form Of Bond-VA 4/36. Dates-3/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's membership to the VMFA Board of Trustees, Museum events and daily operations, the following Museum publications: Virginia Museum of Fine Arts By-Laws, 1st Annual Financial Report of the Curator (4/13/35-6/15/36) and Virginia Museum of Fine Arts 1st Quarterly Financial Report of the Curator (5/1/36), listing of suggested prospective Trustees, listing of Trustee committee appointments 1937, sketches of Museum floor plan, etc. Dates- 12/34-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, Museum publication: Prospectus of Program Season of 1937-38, radio talk show transcript 3/38, etc. Dates- 6/37-6/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, PWA grant offer 1938 to the Museum, letter from VMFA rejecting the offer of a PWA grant, copy of the resolution that Henry P. Strause, Esq. be named first Honorary Benefactor of the Virginia Museum of Fine Arts, etc. Dates- 7/38-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Trustee committee appointments 1939-40, essays by Branch about WWII, financial situation of the Museum 1939, creation of a \"Ways and Means\" committee, etc. Dates- 8/39-6/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe Branch. Subject- Branch's presidency of the VMFA Board of Trustees, staff organization (1940), plan for VA artist fellowships, \"Art in Virginia\" an article written by Colt, Museum events and daily operations, Museum investments and gifts to the Museum, biographical information on Branch, Trustee committee appointments 1940-1, etc. Dates- 6/40-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, biographical information on Branch, Museum events and daily operations, Museum investments and gifts to the Museum, winner of the first Webster S. Rhoads medal, etc. Dates- 5/41-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Thalhimer Brothers, Inc. Subject- use of VMFA's Medieval Gallery for British Embassy reception. Dates- 6/1/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- brochures for the VA Dance Society, VA Film Society and VA Chamber Music Society. Dates- 1963-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- loaning objects to Brooklyn Museum, correspondence about museum practices, exchange publications, etc. Dates- 2/48-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- essay written by J. Carter Brown for New York University. Dates- 5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- news releases about James M. Brown becoming VMFA Director, newspaper clippings, photos of Brown, Report of the Director 1972-3, etc. Dates- 6/69-11/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by VMFA staff and Trustees. Subject- plans for receiving the new Director. Dates- 6/69-7/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Fred Haseltine (Assistant to Director). Subject- list of objects being offered to the Museum including: antique gold boxes, ornaments, clocks, etc., letters to the executors of the Ailsa Mellon Bruce estate, correspondence with Paul Mellon, news releases and news paper clippings about gift, photos of the galleries, etc. Dates- 8/70-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Mr. David K.E. Bruce as a Trustee, Board of Trustees business, gifts to VMFA, etc. Dates- 5/48-3/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposed acquisition of the Brummer collection of Medieval art, report on collection, list of objects, correspondence to Paul Mellon, etc., later sold to Duke University. Dates- 12/65-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and the Smithsonian Traveling Exhibition Service. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Exhibition 1958, includes layouts and photos, etc. Dates- 3/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek's membership on the Fine Arts Advisory Committee to U.S. Commission for the Brussels Universal and International Exhibition of 1958, committee meeting minutes 1957, committee roster, etc. Dates- 2/57-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Fair 1958, Cheek was an advisory committee member, loan, catalogue and installation lists, information on slide presentation- \"Art in American Museums\", etc. Dates- 3/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- sketches, plans of the U.S. pavilion for the Brussels International Fair 1958, information and listing of objects in the \"American Folk Art\" exhibition, etc. Dates- 1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Harry Bertoia (Sculptor). Subject- the acquisition of a Bertoia piece (Tree) shown at the Brussels Fair. Dates- 8/57-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr. Subject- D. Tennant Bryan as a Trustee, Board of Trustee and Membership Committee business, etc. Dates- 10/47-6/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. D. Tennant Bryan. Subject- Trustee/Museum business, membership to the Museum, etc. Dates- 5/51-9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. J. Stewart Bryan. Subject- Trustee/Museum business, loan of paintings for inaugural exhibition, gift to Museum, etc. Dates- 6/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Thomas P. Bryan as a Trustee, Board of Trustee business, etc. Dates- 9/58-11/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- congratulatory letter to Mr. Thomas P. Bryan on election as Mayor, Date- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. to Buchholz Gallery. Subject- proposed purchases, loans, exchange publications, etc. Dates- 4/47-8/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- VMFA budget exhibit 1959 and 1966-8, resume of the VMFA Trustees before the Appropriations Committee 1964, budget requests 1960-1 and 1962-4, etc. Dates- 9/61-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of Governor's Budget Advisory Board 1965, outline for capital outlay funds dinner, invitation letter to Trustees, etc. Dates- 5/65-6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed 25th anniversary budget, correspondence about obtaining a Budget Committee for the 25th anniversary program, anniversary publications, etc. Dates- 1/60-3/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about Capital Outlay Commission dinner and theatre, etc. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- suggested order of events for Budget Advisory Committee meeting, invitation letters to the Presidents of VMFA affiliate chapters, draft of end of dinner announcement, etc. Dates- 7/61-9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- list of Governor's Budget Advisory Committee 1969, review of Museum's request for capital outlay funds to construct North Wing and theatre, etc. Dates- 4/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- roster of Governor's Budget Advisory Board 1967, outline for Cheek's remarks to Budget Advisory Committee, etc. Dates- 1/67-5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- roster of Governor's Budget Advisory Committee members 1972-4, request for hearing, dinner invitations for Advisory Committee, etc. Dates- 5/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers and news releases about the addition to the Museum. Dates- 6/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to other U.S. art museums. Subject- installation and advice on purchasing an air conditioning system. Dates- 5/53-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Wm. Rhodes. Subject- correspondence about air condition system failure. Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- addition and renovation to the Museum, proposals and preliminary studies by Mr. Merrill Lee, Architect, copy of a Architects and Consulting Architects Contract, etc. Dates- 12/49-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard primarily with Architects M.C. Lee and Eggers and Higgins. Subject- schedule of interior installation, list of architects bills, building inspection, review work/progress, photographs of progress of additions to the Museum 1953, etc. Dates-12/48-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns the proposed addition the VMFA 1949-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Baskervill and Sons (architects and engineers) preliminary drawings, schedule for construction project, etc. Dates- 7/64-12/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Attempt by the United Daughters of the Confederacy to expand their facility on the block. The Museum's and the Virginia Historical Society's attempts to stop them and acquire the land for their own use. Dates- 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about equipment needed to supply music to members' quarters, lobby area and galleries. Dates- 7/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- information about sound equipment. Dates- 6/54-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information on purchasing folding and stackable chairs. Dates- 8/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- extending the rise of freight elevator. Dates- 8/53-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- proposals and layout for a film production unit to be located in the new wing (to make interpretative sound films). Dates- 7/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information, blueprints on changes to and installation of kitchen equipment. Dates- 6/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- the proposed purchase and installation of photographic equipment, correspondence with other art museums about creating and maintaining a darkroom and staff photographer. Dates- 8/53-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- blueprints of check room, information about coat, overshoe and umbrella racks for the Museum check room. Dates- 9/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information about seating for the theatre and auditorium, blueprints of the auditorium. Dates- 8/53-8/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of machinery and equipment needed for the new shop. Dates- 8/17/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about chandelier for front entrance of Museum. Dates- 9/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M.C. Lee, Architect. Subject- alterations and additions to the Museum, color samples and specs for painting and finishing, etc. Dates- 8/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains amounts of pledges and names of donors giving money for new galleries.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Gallery floor plans: VMFA, Brooklyn Museum, Victoria and Albert, British Museum, Art Institute of Chicago, Walters. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Merrill C. Lee, Architect. Subject- progress photographs and negatives (north wing). Dates- 5/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Architects: contractual agreements, VMFA design program, Capital Outlay Appropriation, alteration, additions, cost estimates, expenditures, contracts for Doyle and Russell and Merrill C. Lee (AIA). Dates- 12/48 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- blueprints of a darkroom and information about and catalogs of photographic equipment. Dates- 8/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns securing restricted material such as steel for post-wartime construction. 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to Mrs. J.G. Pollard. Subject- Economic Stabilization Committee (ESA) search for qualified women employees, ESA headquarters to be located in Richmond, federal government regulations that established ceiling prices for all commodities and services (except those specifically exempt) upon the basis of prices in effect between 12/19/50-1/25/51. Dates- 2/51-12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"Final Statement Museum Of Fine Arts Richmond, Virginia\", contract dated June 9th, 1952. Financial statement/contract from Doyle and Russell Construction. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Terra cotta statues at the North entrance to the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Original Building: \"Manual On The Planning And Execution Of State Capital Outlays\", 9/1/44, contracts: Doyle and Russell (Building Contractors) and Merrill C. Lee (AIA). Detail for additions and deletion from original building. Design contracts and inspection reports. Dates- 1952 - 55, 1966, 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Brochures, drawings, correspondence 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- information on red carpet and padding for the front entrance. Dates- 8/51-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Meeting with Interior designers 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding plants around the Waddy fountain. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- the Richmond Junior League's proposed campaign to raise money for construction of South wing for the Museum, working papers for and final copy of the pamphlet: \"The Virginia Museum Needs Wings\", etc. Dates-12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- renovations and construction of a new wing to the Museum, Cheek's comments on preliminary and revised drawings, and construction progress, Architects and Consulting Architects Contract (Merrill C. Lee, Architect, Eggers and Higgins, Consulting Architects), an essay \"The Virginia Museum of Fine Arts Need for Completing Its Addition\", etc. Dates- 1/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information relating to addition to Museum, several reports including: Building Program 1950-1, Addition to Building 1949-50, The Virginia Museum of Fine Arts The Need For Completing its Addition, History of Appropriation for Construction (1948-53) ,also, notes for Sen. Gray about Museum addition (1952). Dates- 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- miscellaneous daily and general building maintenance. Dates- 2/60-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Governors Stanley and Battle. Subject- improvements on Museum building and completion of new wing (1954). Dates- 12/50- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject-construction/installation of American and English galleries, alterations to Medieval hall, blueprints, etc. Dates- 7/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- information on purchase of steel lockers, blueprints, etc. Dates- 4/54-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about ordering office furniture designed by Eero Saarinen. Dates- 8/64-1/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Alfred Geiffert, landscape architect. 1949-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- analysis of situation concerning the parking lot and planting, etc. Dates- 8/66-10/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Budget Estimates for landscaping the grounds of the Museum around addition, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information and bids on purchasing lighting and steel storage equipment. Dates- 11/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- info on purchase of supplies for dining room/cafeteria: placemats, traymats, doilies, napkins, matches. Dates- 1/55-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains plans for the Waddy Fountain, and furnishing brochures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Carl Milles, donor of the Little Triton Fountain 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- marble chips for garden court fountain request for information about installation of mosaics in garden court. Dates- 8/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed purchase of wall coverings for new galleries (movable partitions and door headers). Dates- 2/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- commission to decorate behind refreshment counter in the new building, commission switches from Julien Binford to Richard Q. Yardley. Dates- 6/54-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Richard Q. Yardley Mural in the refreshment room. Also contains information on Julien Binford who was originally retained to do the mural before Yardley. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Public Works Administration Grant for Museum addition, application to National Production Authority (N.P.A.) for assistance in obtaining materials for proposed Museum construction. Dates- 10/35-9/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- staff requests for facilities and equipment, list of private funds for Museum addition, Board resolution about the construction on the building, etc. Dates- 7/48-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- drawings of proposed Museum addition, Special Building Committee procedure in dealing with Appropriations Committee of the House of Delegates, etc. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and New York City Museums: Metropolitan, Guggenheim, MOMA, and Whitney. Subject- Extended loans of paintings and sculpture for the VMFA's new wing of Contemporary Art, scheduled for Jan. 1970. Correspondence from L. Cheek to John Walker to address the Collectors Circle. Dates- 7/69 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- report on budget dinners 6/65, Cheek's itinerary for talks 1965, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and Joseph Whitehead (Interior Designer). Subject- Interiors of the New South Wing, Fabric sample enclosed. Correspondence between L. Cheek and Bernard Bothner of the Brooklyn Museum. Subject- Resources for slides to accompany the reinstallation of the Egyptian Gallery. Dates- 6/66- 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposals for gallery orientation theatre systems. Memo To VMFA staff regarding upcoming Fellows meeting. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to other museum directors. Subject- Request for slides of recent building additions to their respective museums, to prepare for a presentation to the Virginia Legislature. Dates- 4/65 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Survey conducted by L. Cheek to determine the necessity of a sprinkler system in galleries. Letters, cards of response and survey results. Dates- 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains brochures and catalogs 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- photos of preliminary architect's drawings, preliminary cost estimates, etc. Dates- 7/62-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Information concerning the MOMA 30th Anniversary, building funds drive with text of building/expansion plans, \"Toward The New Museum Of Modern Art\" , 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- review of presentations to the Art Commission, photos of other art museum additions, statements about addition (Mr. Wallace K. Harrison and Mr. Frederick D. Nichols), etc. Dates- 9/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Sculpture garden fountain and the renovation of the theatre lobby. Dates- 7/76 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Wm. Higgins. Subject- Membership drive/ New Wing opening, progress reports to members of the Board, financial statements: cost estimates, design fees, operating fund, construction timetables. Fact sheet relating to history of VMFA. Signficant dates for the Virginia Museum, \"History of North Wing Construction\". Dates- 4/71 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, D. Nicholas and C. Chamberlayne (Hardwick). Subject- Progress timetable, architectural engineering/ landscape/ interior design. Revisions/ alterations to construction, cost estimates, instructions to bidding contractors. Review by building committee of the Board of Trustees. Minutes of the building committee, 2/25/72, drawing/plans. Dates- 1971 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, D. Nichols and C. Humelsine. Subject- North Wing plans, justification and description, funding, appeal to legislature to win support for North Wing funding. Rosters: Appropriations committee, finance committee, Governor's budget advisory committee. Essay- \"The Unique, Pioneering Virginia Museum\" and \"Facts on the Virginia Museum of Fine Arts\". Dates- 1967, 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from W.S. Robertson and L. Cheek. Subject- Original design of North Wing per L. Cheek and Baskerville (AIA), later rejected by the Arts Commission. List of significant dates with regard to North and South Wing additions. Minutes of Special building Fund committee, 3/11/65, original building proposal, photographs. Bulletin vol.26, no.2 10/65. Dates- 9/65 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Photographs/Plans/Drawings from Baskerville and Son (AIA) for:entrance hall, basement/sub-basement, site plan elevations/cross section, gallery floor plans and views of entire block.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, D. Nicholas and L. Noland (building committee). Subject- Construction, architectural engineering, capital outlay, construction bids, plans and contract documents. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- blank order forms labeled VMFA NPA Regulation No. 4. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Mrs. J.G. Pollard. Subject- National Production Authority (NPA) regulations, order listings for maintenance, repair and operating (MRO) supplies, regulations about using the DO-97 rating (Form used to obtain MRO supplies), quota for the 4th quarter 1951, etc. Dates- 3/51-7/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence about construction and funding (some PWA) of a wing to the Museum, publication: Working Relationships Between Private Architects and Engineers and the Commonwealth of VA (2/44, Governors' office, Division of the Budget) and The General Conditions of the Contract for the Construction of Buildings (standard form of the American Institute of Architects). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Doyle and Russell, Building and Industrial Construction. Subject- Bronze founders tablets, frames, building inspections and taking over and operating the building 10/35. Dates- 8/35-10/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Peebles and Ferguson, Architects, Norfolk. Subject-blueprints (including detail of the Portuguese Room dated 9/18/35), maintenance and furnishings (benches, plaques, interior painting, etc.) for the Museum. Dates- 4/35- 6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Ferguson, Meakin and Moore, Architects, Norfolk. Subject- reproductions of drawings of proposed south wing, drawings, bids, etc. Dates- 10/37-5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Plans and Correspondence 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- photos of drawings showing the proposed additions and alterations to Museum. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Plans and correspondence regarding the memorial plaques around the building: R.E. Lee Camp, Waddy and the Old Dominion Foundation fountains. 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- construction/installation for the Pratt collection, blueprints, progress reports to Mr. John Lee Pratt, etc. Correspondence with Milton Samuels of French and Company who designed the installation, including quotes for fabric, carpet, cases, carpentry, lighting (including the chandelier). Cheek asked Pratt to fund it and he agreed. Lots of invoices. Dates- 6/54-5/55.   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Baskerville and Sons, Architects, 3/11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about building models, preliminary drawings, furnishing and equipment catalogues, etc. Dates- 4/65-12/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence and statements from Marcellus Wright and Son. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and Merill Lee (architect) and Chairman of the Building and grounds committee, concerning construction of the service area. Dates- 1/59 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Eggers and Higgins, Architects. Sketches and drawings 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr., J.M. Brown and Erwin H. Will (VMFA President of the Board). Subject- all aspects of construction of the South Wing, additions and alterations to Museum, landscaping, fountain, parking lot, etc. Dates- 12/66-3/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- minutes of South Wing construction conferences 1969-72, outline of construction to South Wing, etc. Dates- 1969-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Governors Dinner/Event in celebration of the South Wing: program agenda, menu, dedication plans, News Media reception, Rosters: House of Delegates, Senate, Trustees. Key presented to Governor Linwood Holton donated to the archives by Anne Holton November 3, 2022. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Capital Outlay requests, individual project descriptions, preliminary plans, tabulations of construction bids, estimated income sources, floor plans, budgets, invoices, Executive Committee Minutes and Building Committee Minutes. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Erwin Will. Subject- New duct layout for the South Wing attic space: revisions necessary due to mistakes in original drawings and improper work. Financial statements. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA Charter, Act of March 27, 1934. Design program (2/18/49) Phase II, museum enlargement, boiler replacement, contract cost estimates, committee no.279-A, addendum no.7 to the drawings and alterations to VMFA. Theatre light control system, weekly project inspections. \"General Conditions Of The Contract For Capital Outlay Projects\". Dates- 2/52 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and members of the building committee. Subject- Proposed additions, rejection of north facade by Arts Commission. Excerpts from Minutes of Art Commission Meeting, 6/4/65, 7/9/65, 7/29/66. \"The Virginia Museum Opens The New South Wing\", Press package, Brief History and Signficant Dates of VMFA, photographs. Dates- 1965 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Supplemental Agreement #2: Additions and alteration to various aspects of structural design contracts. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Interior construction and design. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment purchasing list, blueprints of theatre, installation of theatre and projection equipment and an orchestra lift, local building committee meeting minutes, etc. Dates- 7/53-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment: bronze stands and velvet ropes. Dates- 1/55-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Construction blueprints and plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letter of invitation to Trustees, former and current, to celebrate the construction of the North Wing, seating arrangement and timetable for event. Letter to Gov. Holton concerning ground breaking ceremonies and gala dinner. Dates - 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to Col. Anderson. Subject- proposal for theatre for Museum, possible recreation center for armed forces stationed in Richmond. Dates- 2/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Waddy Memorial and Triton Fountains 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- B.F. Ruskin and Associates 1953-55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- committee reports on funding for construction of addition to the Museum, schedule of payments to date (12/4/50 and 12/20/50). Dates- 10/50-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- additions and alterations to VMFA 1955, list of Museum alterations and additions to date 6/15/55 by Merrill C. Lee, Architect, VMFA Noise Survey CA 9687 (1955), blueprints, etc. Dates- 1/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains architectural plans for the first addition to the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- cost estimates/proposed funding for Museum addition, copy of the resolution to establish a Local Building Committee, announcements, replies and minutes of Local Building Committee meetings 1950-2, etc. Dates- 1/46-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Local Building Committee, 1951-54. Information regarding the local contractor. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- minutes and outlines of VMFA Building Committee meetings 1952-3. Dates- 6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, L. Cheek, Jr., and G.D. Gibson (Chairman of the VMFA Building Committee). Subject- addition to Museum building, listing of additions and alterations to the building, agenda and minutes of Building Committee meetings 1953-4, etc. Dates- 9/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- addition to Museum building, minutes, announcement and agenda for VMFA Building Committee meetings 1954-5, list of contributors to Museum Building Fund, etc. Dates- 7/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by G.D. Gibson (Trustee). Subject- installation of Museum equipment, minutes of the Buildings and Grounds Committee meetings 1955-6, etc. Dates- 9/56-12/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains lists of expenditures, list of private donors with amounts donated for the addition to the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA Local Buildings and Grounds Committee meeting minutes 1948-56, listing of committee meeting dates 1948-56. Dates- 1948-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard to Senator Garland Gray. Subject- information about planning costs for addition to Museum building, Museum business and events, etc. Dates- 5/51-7/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Copies of the Museum's members bulletin. Vol.1, No.8, Vol.7, No.'s 1,4and6, Vol.8, No.'s 5and8, Vol.9, No.'s 1,2and4, Vol.10, No.'s 1,2,7and8, Vol.11, No.'s 1,2,3,4,5,6,7and9, Vol.12, No.'s 8and9, Vol.13, No.'s 6and9, Vol.14, No.'s 1,3,6,7,8and9, Vol.15, No.'s 3,4,5,6,7,8and9, Vol.16, No.'s 1,2,3,4,5and6. Dates- 9/46-2/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Bulletins with general information and a survey of sources of income, private and public, from various museums. Dates-1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 1962-1966 Donations, Trustee File. Dates- 7/55 - 12/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and members of Board of Trustees. Subject- Revision of By-laws and Memorial Fund Policy, revisions and recommendations, minutes from sub- committee on By-laws. Dates- 1958 and 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA By-Laws (revised and adopted 5/51, 5/53, 6/54), Notice of Amendments to By-Laws (6/50, 5/53, 6/54), VMFA Organic Laws, etc.. Dates- 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to Senator Byrd. Subject- amendment of IRS code Sec. 863, exempting works of art loaned for exhibition in this country from federal estate taxes. Dates- 7/51-10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., Mrs. J.G. Pollard, and L. Cheek, Jr. to individuals, institutions and companies beginning with the letters Ca-Cn. Subject- varied, including four letters from Alexander Calder about Museum purchase of one of his pieces. Dates- 8/45-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek. Subject- Loans of artwork, Trustees, Fellows, Mary Callery (juror, 1963 Va. Artists Exhibition). Accessions and gifts: Tree, Callery; Han Dynasty pottery; Nanny, T. Sully. Dates- 2/59 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and P. Near to J. Brun and H. Jucker. Subject- Acquisition and provenance of Caligula, Newspaper clippings. Dates- 1971-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, his term as Treasurer of the Fellows. Dates- 1/60-6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mr. John Canaday (from University of VA). Subject- Christmas card design by Canaday, loan of a sculpture show, jobs, etc. Dates- 5/49-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Capital outlay requests for parking area, South Wing, Entrance Improvements, Expenditures and revenues for the year ending 6/1960. \"Instructions for Form c-54-A (individual project report)\" from Commission on State Capital Outlays and Means of Financing. General Endowment Income 1960-61; Capital Outlay for Galleries, landscaping, Egyptian gallery and North Wing, 1935-60. Collections for which there is inadequate exhibition space, list of cultures that are not represented or under-represented, roster of members serving on the \"Commission on State Capital Outlays and Means of Financing. Dates- 1960-61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eIncludes Frances Benjamin Johnston acquisition.\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- officers from the Carnegie Corporation visiting Richmond and the Museum. Dates- 8/55-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to F. Anderson (Carnegie Corporation). Subject- Experimental use of Carnegie Collection of Materials for the Instruction of American Culture and funding of Collegiate Artmobile IV. Proposal, '\" An Artmobile for Virginia Colleges\", March 1965, Supplement, A Statewide Stimulus for Education in the Humanities, Statement of purpose, photocopy of partial grant payment. Dates- 1/58-7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Carnegie Corporation of New York and Carnegie Institute, Department of Fine Arts. Subject- Frances Benjamin Johnston acquisition, requesting a grant, requesting loans for inaugural exhibition, counsel on museum practices. Dates-8/35- 12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Carnegie Trust. Subject- a visit to Richmond by officers of three British Carnegie Foundations, information on Carnegie Trust 1954, etc. Dates- 8/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Secretary of Carnegie Dunfermline Trust. Subject- Roster of Carnegie Delegation visiting VMFA; Annual Report- Carnegie Dunfermline Trustees, 1960. Dates- 7/59-60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- job of Technical Director of the Theatre Division, etc. Dates- 6/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lists of 25th Anniversary donors; VMFA presidents and terms of office 1935-60. Essay- \" The Arts In Virginia\", Walter S. Robertson (Pres. VMFA). Essay- \"Collecting In America\", Alfred Frankfurter (editor and Pres., Art News) Dates- 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of orders for and purchasers of the Healy's Sitters Catalogues, thank you notes for exchange publications, list of relatives of Judge John Barton Payne, etc. Dates- 4/51-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Jaquelin-Ambler Portrait catalogs, listing of the members of the Jaquelin, Ambler and Broadnax families. Dates- 11/48-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- a fellowship set up by the Catherwood Foundation (previous owners of the Dali jewels) to be used for travel/education in Europe, information about transporting Dali jewels from the Museum. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Fellowship for artists provided by the Catherwood Foundation and awarded and administered by the VMFA that year. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. William Gaines and L. Cheek, Jr. and M.B. Christison (Assistant Director). Subject- Gaines biographical information, Catherwood Foundation fellowship recipient, application, recommendations and award letter for fellowship, list and some photos of work submitted, etc. Dates- 3/56-11/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Annual luncheon and tour. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to Century Lighting Co. Subject- lighting for the artmobile and theatre, etc. Dates- 6/53-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- pamphlets from the Convention and Tourist Bureau (Richmond). Dates- 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- pamphlets from the Virginia Chamber of Commerce. Dates- 5/49-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Restoration of Old Botetourt Hotel, Gloucester, Va.; Programming instructions for \"Civilization\" Film Series; proposal and budget for statewide broadcast of Affiliate promotionals. Rosters of Affiliates, Chapters and Confederation Officers; Minutes of \"Executive Committee Meeting\", 10/72; maps, postcards, press release, newspaper clipping, photographs. Dates- 2/67-7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Winter Conference agenda, participants, newspaper clippings. Dates- 12/71-3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposal and budget. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Affiliate/Chapter offices Museum Lecture/Tour; roster of Officers, speaking schedule, events, remarks for each engagement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Prototype for letter to be sent from all VMFA Chapter Presidents to convince Legislature of the need for new building. Dates- 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Dali Jewels. Date- 7/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. primarily to realtors and lawyers. Subject- sale of Cheek's property \"Faraway Farms\", information on sale of Chebry Co. property, etc. Dates- 6/50-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to T.C. Colt, Jr. from L. Cheek (when he was Chairman of the Fine Arts Department at The College of William and Mary and when he was Director at the Baltimore Museum of Fine Arts). Subject- art in Virginia, counsel on museum practices, etc. Dates- 12/36-1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- The retirement of L. Cheek, Trustee dinner honoring the occasion, presentation of \"Thomas Jefferson Public Service Award\", with remarks by Lt. Gov. F.G. Pollard; South Wing construction; invitations and newspaper interview with L. Cheek. Dates- 1/65-3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, W.S. Robertson and Morton Thalhimer. Subject- Letters of moral support, press releases and newspaper clippings announcing the resignation of L. Cheek (decision later recanted). Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding L. Cheek's reconsideration of his resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Resolution from VMFA Council regarding the outstanding contributions of L. Cheek. Includes letters from and too supporters. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Replies to his reconsideration of resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Text from interview of 11/2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- PR, decorations, lecture, etc. Dates- 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Memo to VMFA staff, PR, agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Thank you letter from by a class participant.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence regarding classes at the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Registration information and class lists.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison. Subject- installation of collections and exhibitions, Museum programming, biographical information, etc. Dates- 10/54-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. Christison. Subject- scripts and working papers for children's radio program (\"Treasure Trails\" on WRVA), listing of slides for Season Survey and information on a Life magazine photo exhibition entitled \"Egypt\". Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Vouchers and receipts for travel expenses, 1948-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Christmas cards received by the Museum, a copy of the Museum Christmas card (1956), Information about a Christmas tree in the Members' suite, etc. Dates- 11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Commission of Virginia Artists to design Christmas Cards; rosters: Board of Trustees, A.A.M.D., newspaper clippings, cards, photographs. Dates- 1966-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- ordering Christmas decorations. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Peter Mooz, Sydney and Frances Lewis. Subject- Remarks by J.M. Brown on the dedication of the North Wing and on his resignation. Andrew W. Mellon Foundation, Lewis gift of funds for Art Nouveau purchases, Noland gift of \"Rotating Sphere\", reattribution of the Jewel casket. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Controversy concerning gift of Walter P. Chrysler, newspaper clippings, and Chrysler newsletters, 1973-75. Dates- 1969 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Henry Clay Hofheimer and J.M. Brown. Subject- New wing, correspondence between the Executive Board, the closing of the Chrysler Museum School, operating budget, accessions, list of objects. Minutes of Executive Board, 2/8/72. Transcript of William L. Parkers, et al complaints vs. Walter P. Chrysler Jr. et as Defendants. Dates- 1972 - 33 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Chrysler collection exhibition at the Museum and possible Artmobile tour, listing of pieces in collection, etc. Dates- 9/49-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Loan Exhibition for Church Silver of Colonial Williamsburg, outline for proposed exhibition, budget, letter drafts to Church Wardens, lists of Episcopal Churches owning Church Sliver, Format for catalogue. Dates- 7/68-4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about proposed reproduction in miniature of a Cigar Store figure from the Museum collection. Dates- 7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposed reproduction in miniature of American cigar store figures from the Museum collection. Dates- 5/56-12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek Subject- Civil War Centennial Exhibition, agenda, maps, newsletters, VMT copy of \"Certificate of Award\", conferred on the Virginia Civil War Commission. \"Virginia Joins The Confederacy, Chronology of Events November 1860 through 1861\", Civil War Centennial, 1961-1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek's membership on advisory council of the Civil War Centennial Commission, site development study for proposed Confederate Memorial Park in the Museum area, \"Report of the Preliminary Plans of the Virginia Civil War Commission to the General Assembly\" 12/59, etc. Dates- 5/59- 12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- Programming, Ticket Stubs, newspaper reviews, news releases, photographs. Dates- 7/70 - 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and Joseph Lucas (pres. Civitan Club) [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Resume of Cleveland Museum President, Sherman Emery Lee with photo, Cleveland Plain Dealer Interview \"Sherman Lee's Double Life\". Dates- 12/55-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mrs. Clopton complaint about film tickets. Dates- 2/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- membership in The Poetry Society of Virginia. Dates- 2/53-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr., to individuals, institutions and companies beginning with the letters Co-Cz. Subject- varied. Dates- 8/45-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., L. Cheek and J.M. Brown. Subject- Geri Melchers Memorial; Minutes of Annual Meeting 1962; Minutes of Executive Committee Annual Meeting 1962; restaurant feasibility. Dates- 1957-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- arranging a lecture by Mr. Alexander S. Cochran, Architect in conjunction with the exhibition \"Domestic Architecture of the San Francisco bay Region\", biographical information, etc. Dates- 10/49-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artmobile, gifts. Dates- 6/54 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from the American Association of Museums (AAM). Subject- copies of the Code of Ethics for Museum Workers 1925 AAM report. Dates- 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Remarks on \"The Relation of Trustees and Professional Staff of General Art Museums\", delivered by Charles Nagel 5/17/69,  \"Code of Ethics for Museum Workers\" 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Rhodes Rathskellar, proposals for lunchroom: use by staff, volunteer personnel, policy on break schedule and lunch periods. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from P. Near and Peter Mooz. Subject- Checklist of the status, strength, weaknesses and needs of the VMFA. Damage report, gifts of artworks and accessions, Art Purchase Fund, press releases. Letters to Christo and Robert Rauschenberg. Dates- 1976-77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains photographs, letters, newspaper clippings and information from dealers, prices regarding possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains photographs, prices and other information relating to possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and M.B. Christison (assistant Director for Collections and Education). Subject- listing of possible additions to Museum's collections 1953, information and some photos of objects considered for acquisition, correspondence with art dealers, etc. Dates- 12/51- 11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- listing of possible additions to the Museum's collections, information and some photos about objects considered for Museum acquisition, correspondence with art dealers, etc. Dates- 1/53-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, P. Near, F. Brandt and P. Mooz. Subject- Reorganization of the Collector-of-the-year. 1975- Mrs. Lummont du Pont Copeland Collection on Export Porcelain. 1977- David Lloyd Kruger Collection of Contemporary Art. 1978- Hugo Weisgall Collection, list of objects, copies of scores for the Weisgall Concert catalog. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from P. Near to members. Subject- Collectors circle event with lecture by Caroline Keck. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Cultural exchange, Minutes of Executive Committee of C.A.A., 1/62, 4/62, Minutes of Annual Meeting, 1971; Minutes of C.A.A. Business Meeting, 1/62; revised draft of \"Policies and Purposes\", roster of officers, Directors and committee members; Essay- \"The Visual Arts in Higher Education\". Dates- 1/62 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- List for reception/cocktail party, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. Preston L. Collins (Lt. Governor). Subject- announcements of Trustee meetings, invitations to Museum events, replies, etc. Dates- 5/51-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and L. Cheek, Jr. to staff of Colonial Williamsburg. Subject- museum methods. Dates- 7/46-12/54.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- general correspondence with staff of Colonial Williamsburg, information on Cheek's speaking engagement with Williamsburg Rotary Club, etc. Dates- 2/54-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and the President of Colonial Williamsburg. Subject- loan of display units to Colonial Williamsburg, museum practices, etc. Dates- 3/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., J.M. Brown and Colonial Williamsburg. Subject- correspondence about the Williamsburg Antiques Forum, publications/mailings about Antiques Forum 1964,'66,'67,'73, etc. Dates- 5/66-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- detailed letters about the goings-on at the Museum while Colt was serving in WWII, also letter from Mrs. Alfred DuPont about art education. Dates-8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Mrs. J.G. Pollard and others. Subject- record of Colt's military service, his resignation to serve in WWII. Dates- 11/42-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Columbia Records presented 55 recordings of the New York Philharmonic Orchestra to the VMFA in 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Copies of \"On Fine Arts in Modern Society: A Research Proposal Prepared for the Virginia Museum of Fine Arts by the Columbia University Bureau of Applied Social Research\". Dates- 5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about museum practices with The Columbus Gallery of Fine Arts (Columbus, OH) and Columbus Museum of Arts and Crafts, Inc. (Columbus, GA). Dates- 3/51-8/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to the Board, list of appointments, etc. Dates- 1959-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of committee appointments 1963-4, invitations to Trustee committee appointments, etc. Dates- 8/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to Board and replies, list of appointments, etc. Dates- 1958-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and W.S. Robertson (VMFA President of the Board). Subject- VMFA roster of Trustees 1964-5 and 1965-6, Board committee appointments 1965-6, invitations and responses to Trustee committee appointments, letter about Board term limitations (proposed limitation 2 successive terms of 5 years each), etc. Dates- 6/64-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek correspondence as a member of Committee for International Cultural Exchange (CICE), etc. Dates- 6/61-2/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- suggested projects for Public Relations and Development committees, proposal for the Museum by the P.R. counseling firm Earl Newsom and Co., etc.. Dates- 3/54-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from State Department of Purchases and Supply. Subject- information about choosing stationary, samples for new state letterhead. Dates- 9/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"A Report to the Virginia Museum of Fine Arts 11/19/58\" from the viewpoint of its public relations information and communications responsibilities and program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- information and memos about arrangements for community college presidents to meet at the Museum. Dates- 12/70- 1/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- cooperative arrangements between VMFA and Va. community colleges, Virginia Community College System Annual Reports 1969/70 and 1970/71, proposed programs for community colleges, etc. Dates- 10/70-8/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- complaints from Museum visitors about exhibitions, entrance fees, membership rates, guards, etc. Dates- 12/63-7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Museum operations: food service, VMT, membership, discontinuation of dinners in the galleries and newspaper clippings. Dates- 1974 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- guest list for complimentary cocktails in honor of officers and Museum volunteers from the Council, Jr. League and Theatre Affiliates, roster of Jr. League officers 1970-1, etc. Dates- 9/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Erwin H. Will (VMFA President of the Board). Subject- arrangements for a luncheon held in honor of officers and Museum volunteers from the Council, Junior League and Theatre Affiliates, guest list, suggested remarks for Mr. Will at luncheon. Dates- 9/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- miscellaneous Thank you's and compliments about gift and exchange publications, exhibitions, programs, the Museum in general and Cheek's responses. Dates- 2/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence from the public complimenting the museum in some way. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. and W.S. Robertson (President of the Board of Trustees). Subject- Complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 7/60-12/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 1/64-11/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on programs, theatre productions, museum in general and his responses. Dates- 7/66-10/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Various museum operations. Dates- 1972 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- compliments about 25th anniversary exhibitions, events and catalogue: Treasures in America, \"A Tribute to Virginia's Unique Museum\"-a Sunday newspaper supplement, etc. Dates- 1/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for VMFA European catalogue, an exchange publication. Dates- 5/66-9/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for Faberge catalogue: Russian Imperial Jewels, a VMFA exchange publication. Dates- 12/60-2/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- compliments and thank you's for gifts/exchange publications of Russian Imperial Jewels, the catalogue of the Museum's Faberge collection. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for Architecture in Virginia, a VMFA exchange publication. Dates- 2/68-5/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for William Hogarth, A Loan Exhibition of Paintings, Drawings and Prints, a VMFA exchange publication. Dates- 1/67-3/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for Painting in England 1700-1850, Collection of Mr. and Mrs. Paul Mellon, a VMFA exchange publication. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on \"Painting in England\" exhibition (Mellon Collection) and his responses. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for The World of Shakespeare, a VMFA exchange publication. Dates- 1/64-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Form letter from the President to potential members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J. G. Pollard. subject- Letters to Trustees regarding 25th anniversary fund and letters to new members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- performance at Mosque of \"The Confederacy\" as a benefit for the Artmobile, project later abandoned, Date- 11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- drawings of the site of the Confederate Memorial Chapel, landscaping plans, etc. Dates- 7/66-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Richmond Times-Dispatch article \"The Old Soldiers Faded Away Home Here is Vacant\". Dates- 1/16/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- invitation to Director of the Norfolk Museum to Confederation workshop. Dates- 5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- congratulation and reply letters on the installation of Mr. James M. Brown as VMFA Director. Dates- 6/69-6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- listing of objects from the Glasgow bequest and purchase fund currently exhibited in Museum galleries. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and Mrs. Anthony Congreve. Subject- biographical information on Arthur and Margaret Glasgow, correspondence about Glasgow fund for purchasing works of art, listings of purchases made with Glasgow Endowment Fund 1966-72. Dates- 11/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz. Subject- Physical plant restoration project: cleaning of VMFA interior and extensive improvement of motor park, project data summary, Conservation Laboratory: construction and equipment, supply expenditures, budget. Grant application: \"Proposal for Virginia Museum Conservation Laboratory\", employment contract, job descriptions, resumes of prospective applicants. Dates- 1975 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- biographical information arrangements for giving lectures/seminars at the Museum, VMFA Members' Bulletin vol.23, no.9 5/63, etc., Date- 11/50-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- arrangements for securing speakers for the \"Fireside Series\" proposed art talks held in the library, Thank you's to speakers, etc. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- loans of objects between VMFA and Corcoran Gallery of Art, correspondence about museum practices. Dates- 3/51-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Katharine Cornwell. Subject- biographical information on this actress, invitation to come to Richmond to see a show and promote TheatreVirginia. Dates- 5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- pamphlets and post cards from the Corning Glass Center. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information on obtaining assistance from philanthropic organizations and corporations, etc. Dates- 2/55-12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by E.H. Will (VMFA President of the Board). Subject- solicitation letter for corporate patrons, information on corporate patrons program, roster of Richmond corporate patrons 1970, invitations to corporate patrons gala, etc. Dates- 12/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by E.H. Will (VMFA President of the Board). Subject- solicitation of corporate patrons, pamphlets about corporate patrons program, publications for the corporate patrons gala, etc. Dates- 7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- roster of Richmond and of state corporate patrons 1971, planning for \"Fete Aux Galleries\" the corporate patrons event 1972, invitations and guest list for event, etc. Dates- 6/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- Exhibitions, condition reports, insurance, gifts and purchases. Essay- \"Successful Adult Museum Programs\", M. Christison. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and R. Velz.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator) primarily, also L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- varied. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- General correspondence regarding publications, museum practices, exhibitions, pamphlets. Letter from Alexander Calder. Dates- 7/56 - 12/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- Ford Foundation grant-in-aid program, Fogg Conservation Symposium and the Chrysler Collection. Photographs, cesolution recognizing the outstanding contribution of L. Cheek by the VMFA Council. Draft of \"Standards For Museum Practices\", SEMC, 1958. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition of American Silver, jurors for 1965 ADP exhibition, biographical data, 25th Anniversary exhibition and list of objects for loan. VMFA film series, press releases for \"The Little International\" from the Olsen Foundation and the Artmobile. Dates- 1958 -1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and VMFA Council officers. Subject- Council roster 1957-8 and 1958-9, listing of charter members, council-sponsored events and programs, lecture series schedule 1957-8 and 1959-60, statement of purpose of the Council, minutes of general meetings 1962 and'65, Executive Committee meeting minutes 1962 and '63, acknowledgments of gifts to the Museum, etc. Dates- 7/56-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown with the VMFA Council. Subject- Council gifts, Council -sponsored events and programs, preliminary drawings for Council shop office, breakdown of Council Contribution Fund 10/70 and 11/70, etc. Dates- 2/66-4/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- arrangements for corporate patrons ball, roster of Richmond and of state corporate patrons, roster of Council committee for the ball, invitations and guest lists for ball, etc. Dates- 10/70-3/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- outline of the organization of the VMFA Council, Council Program 1955-6, Council of the VMFA Charter Meeting and Articles of Association, \"Friends of the Museum Constitution\", etc. Dates- 5/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- VMFA Council Contribution Fund analysis 1971 and'72, various Council sponsored events and programs, agreement between VMFA and the Council 10/20/70, A Short History of Council Gifts to Museum 1955-71, The Council of the Virginia Museum Directory 1971-2, general correspondence between Council officers and VMFA staff, etc. Dates- 1/71-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Council Trustee Contribution Fund, conservation laboratory, library, state services, fellowships and internships. Profit and loss statements, general ledger trail balance, Art Purchase Fund, staff expenses, VMT financial statements, matching funds for NEA Grant. New Council Shop, furnishings, installation, etc. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposal to establish fellowships for professional craftsmen (resident Craftsman Program), letters from interested craftsmen, etc. Dates- 2/63-2/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator). Subject- proposal of a story about the Museum for Time-Life magazines, reference made about a reproduction of a Watteau from the Museum's collection appearing in Time. Dates- 11/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Monica Hamm and P. Mooz. Subject- Head of publications, editor of AIV and advisor for photography exhibitions. \"Focus On The Arts\", Pat Becker. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- fact sheet about VMFA, House bill no.862 was about establishing a Virginia Commission of the Arts and Humanities, transcript of the VMFA presentation by E.H. Will (VMFA President of the Board) to the Virginia Assembly, Rules Committee asking to kill or amend the bill, etc. Dates- 1/68-2/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- roster of Virginia Cultural Development Study Commission and of the State Arts Committee, information about the creation of the Va. Cultural Development Study Commission by Senate joint resolution no.67, essay- \"The Virginia Museum and the Arts in Virginia\", correspondence about meeting with the Cultural Development Commission, \"Dissenting Opinion Report of the Cultural Development Commission\" by Dr. William H. Higgins, Jr., member of the Commission, etc. Dates- 3/66-1/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"D\". Subject- varied. Dates- 3/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- VMT, exhibition schedules, Byzantine Architectural exhibition, College Drama Festival, loans of art works, Artmobile, Horace Day, NEA proposal, pamphlets, magazine excerpts, cards, biographical data, etc. Accessions and gifts: \"The Meeting of Joachim and Anna Under the Golden Gate\", A. Duer. Dates- 10/58 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Conference for teachers and students of Dance at VMFA, master classes, lecture and performance by Alwin Dance Theatre, agenda, list of dance teachers. Date- 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, AIV. Dates- 1/61 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Virginia Architects, Designers and photographers\", Collectors Circle, Va. Artists Biennial, donations, gifts, memorial fund. Dates- 6/59 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, acting director of the Museum and Governor Darden, regarding the Museum director and the Curator of Decorative Arts, who were both on leave to the armed forces during World War II, 1942-44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with and biographical information about Carson Davenport, Virginia artist. Dates- 1936-1944.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to Ms. Davis. Subject- visits to \"Faraway Farms\" (Cheek's property) Davis was apparently a housekeeper/caretaker of some kind. Dates- 2/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and donors Mrs. Lincoln Davis, and George Cole Scott and Hildreth Dunn Scott, 1937-43.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., E.M. Davis, III (Curator) and L. Cheek, Jr. Subject-restoration of Mrs. Davis' Flemish painting, gifts from Mrs. Davis, information on Museum Board accessions committee (Mrs. Davis member), etc. Dates- 10/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mrs. Lincoln Davis. Subject- Trustee/Museum business, letter of resignation from Board, etc., 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Elizabeth Nottingham Day and Horace Day, patrons and donors, 1934-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Day's exhibition at the VMFA. Dates- 1/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and Mrs. J.G. Pollard to Mr. and Mrs. Horace Day. Subject- Horace Day biographical information, exhibition record, job recommendation, newspaper editorial written by Mr. Day on American Painting, etc. Dates- 1950- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to Mr. Howard Dearstyne. Subject- proposed exhibition of Dearstyne's work and speaking engagement, etc. Dates- 11/50-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Chamber Music Society, Building grounds committee, gifts, donation. Dates- 1954-65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to the Earl de la Warr. Subject- a visit to Richmond by the Earl, loan of a painting to the Museum exhibition \"England's World of 1607\", etc. Dates- 4/57-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mrs. Marie de Mare. Subject- catalogues of \"Healy's Sitters\" exhibition ( Mrs. de Mare was Healy's grand-daughter), proposed film and biography of Healy by Mrs. de Mare, etc. Dates- 5/49-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His position as Art Director of AIV, music and dance folders. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from D. Nichols (administrator), F. Haseltine (PR). Subject- VMT subscription, Executive Committee Report, Collections Activities, Public Information Report. Dates- 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- information about an exhibition scheduled From Nov.22-Dec.31, 1955 featuring merchandise available for purchase in time for Christmas. Dates- 9/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Traveling exhibition. Dates- 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- International Traveling exhibition. VMFA and Leslie Cheek were the American coordinators from 1951-1954. Lists of attendees at the opening dinner 1/15/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"Design in Scandinavia\" exhibition checklist, description of the exhibition, official record of receipt and list of items received but not included in exhibition, etc. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- RSVP's to dinner held on the opening night of the exhibition \"Design in Scandinavia\". Dates- 12/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr., Mrs. J.G. Pollard and M.B. Christison. Subject- exhibition catalogue information for \"Design in Scandinavia\" and RSVP's for dinner held on the opening night of the exhibition. Dates- 12/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- American Tour 1954-57. Correspondence and publicity regarding. AFA took over the circulation of the exhibition.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Committees in the United States. Lists of members and minutes from meetings 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Favorable reviews of the exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Copy of a New York Times article written by Cheek concerning the upcoming exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Opening of the exhibition at the Museum, January 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- dinner guest lists, menu, planning for opening night dinner for \"Design in Scandinavia\" exhibition, list of Board of Trustee committee appointments 1953-4, registration for Southeastern Museums conference 1953, etc. Dates- 12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- RSVP's for the dinner and other opening events for the exhibition \"Design in Scandinavia\", exhibition catalogue, information used in planning printed material for the exhibition, etc. Dates- 4/53-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject-job description of a designer for the Design and Construction division of the Museum, proposed hiring of a designer, etc. Dates- 2/54-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- floor plan and printed matter for \"Designer-Craftsmen USA\" exhibition, photos of the exhibition, VMFA Member's Bulletin vol.15, no.5 (1/55), etc. Dates-11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and L. Strauss. Subject- 25th Anniversary, draft of appeal to enlarge endowment fund, pamphlet. Dated- 6/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposal for a diorama in connection with \"Orientations of Virginia's Cultural Background\", photographs. Dates- 7/61 - 6/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Resolution by the Executive Committee to authorize excess travel cost by VMFA staff. Dates- 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trip itinerary, pamphlets. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, F. Fowler, D. Nichols, B. Ryan. Subject- All manner of VMFA operation: photography budgets, payroll dispersal, VMT renovation, Artmobile, damage and security of Art works, gallery installation, loans, art purchase invoices, Theatre contract, repairs and modification invoices, grievance procedure, pamphlets, Interpol investigation of Indian sculptures, requests for establishing new positions: Vice Director for Public Affairs and Artmobile curator. \"Partnership Agreement of Artco and Company\", \"Operation Countdown\", analysis of responsibilities and time required for completion of the North Wing. Photographs, pamphlets, announcements. Accessions and gifts: 17th C. Eng. Embroidered Casket, Byzantine Bronze Plaque, Tomato Soup Can (A. Warhol), Bolt of Lightening (R. Lichtenstein), Portrait of a Lady, Payne Collection. Dates- 1/68 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, F. Haseltine, D. Nicholas, J.M. Brown, P. Near, A.W. Stalnaker, B. Ryan, Mrs. Pollard. Subject- All manner of inter-museum operations: Public information schedules, membership campaign, promotion deadlines, travel itineraries, budget proposals, etc. P. Nears observations on possible acquisitions. Dates- 7/64 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letters of request, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Secretary to the museum, biographical data, job description. Museum files and the law regarding public information, records management, records to be retired, list of file classification: deletions and additions. Events schedules, agendas and exhibitions. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown, A. Dohn. Subject- Letter of recognition of donations, list of donors and their gifts of art works. Dates- 1964-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Chenery Estate and Gottwald endowment Fund. Art Nouveau gift of Sydney and Frances Lewis. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- VMT, Fellowship Fund, Museum Classes, Chenery Estate, Art Nouveau Fund, Artmobile and Gottwald Endowment Fund. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Buyers guides, pamphlets, magazine excerpts, specifications, blueprints, lists of chapters and affiliates, photographs. Dates- 9/61 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J.G. Pollard, and L. Cheek. Subject- Gift of Dunsten Memorial, Payment record, gallery proposals, \"The Virginia Museum Needs New Wings\": appeal to membership and Trustees for building funds. Dates- 12/46 - 4/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Mrs. Alfred I. (Jessie Ball) Dupont. Subject- Donations. Contains a letter regarding her feelings in favor of segregation at the museum and in the arts. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jessie Ball duPont's membership on the Executive Board, gifts and donations. Dates- 5/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Jessie Ball duPont. Subject- Membership as a Trustee, Fellow, Chair of 25th Anniversary Fund drive, contributions and gifts, magazine excerpts, biographical information, contributions and gifts, progress report from Anniversary Fund Drive. Dates- 2/59 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and D. Hudson (state coordinator of Arts System). Subject- Salary scales for VMT, NEA grant proposals. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Exhibitions, Artmobile, VMT, Va. Fellowships, search for potential jurors, work schedules invitations, newspapers, postcards, etc. Accessions and gifts: \"Autumn Leaves\", A. Palmer. Dates- 5/46-5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Agenda and letters to K. Fowler of VMT. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Wm. Heartwell and Gov. Holton. Subject- \"Minutes of Economic Resource Task Force Meeting\": 7/23/71, 9/2/71, 10/8/71, 1/13/72, 4/20/72, purpose of task force was to improve communication between various agencies and the governors office. Draft of Executive order: relationship of state agency organizations to Commonwealth planning districts, budget estimates, agendas, Bills held in House Committee for the 1973 General Assembly. Dates- 1971 -72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- C. Guinnan request for a meeting room. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from A. Stalnaker and H. Dohn. Subject- Events for Governors School for Gifted Students: schedule, housing, food service, etc. Dated- 7/73- 8/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between A. Dohn and Mr. Albertia. Subject- Student application, agendas and statement of purpose. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Event to expose students to the function, organization and operation of VMFA, timetable and agendas. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and B. Bothmer (Egyptologist, BMFA). Subject- Invitations, list of Egyptian art objects available for purchase. Dates- 9/54 - 11/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and M. Christison. Subject- Requests for films and slides, Artmobile, loans for Egyptian Gallery, statement/remarks for opening exhibition, newspaper clippings, blueprints. Dates- 2/55 - 12/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Suggested remarks related to \"Installation of a Gallery of Egyptian Art\", loans from other museums, agendas, letters to other curators and directors. Gift of Egyptian Gallery from Mrs. James Parsons. Dates-2/61 - 4/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- early planning stages of the exhibition \"England 1607\", list of pieces in, list of lenders to the exhibition, installation schedule and exhibition description, printed materials, \"Status Report on the Museum's Jamestown Festival Program\", etc. Dates- 6/54-8/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Gallery opening made possible through gifts of china from Lady Nancy Astor, invitations and loan requests. Dates- 4/61 - 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- invitations to these exhibitions: \"Masterpieces of Chinese Art\" and \"Russian Imperial Jewels\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedules 1946, 1946/7, 1949, 1950, Entertainment Committee announcements and replies, committee report 1946, committee roster 1949/50, biographical information on the following Museum guests: Yasuo Kuniyoshi, John W. Taylor, Charles W. Smith, Reginald Marsh and Lamar Dodd, etc. Dates- 1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedule 1946/7, 1950, 1951, 1952, 1953, 1954, Entertainment Committee rosters 1950/1, 1951/2, 1952/3, proposed Friday evening events 1950/1, committee meeting minutes 1952, biographical information about George T. Hamilton, etc. Dates- 1946-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trustee/Museum business, VMFA Entertainment Committee schedule 1954, 1955, 1956, announcements and minutes of Entertainment Committee meetings 1951, 1953, 1954, 1955, 1956, etc. Dates- 1951-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee roster, Entertainment Committee schedule 1955, meeting announcements, biographical information about the artist Donald Oenslager, etc. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trustee/Museum business, announcements and replies for VMFA Entertainment Committee meetings, roster of Entertainment Committee, committee schedule 1955, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mrs. Arthur Kelly Evans. Subject- a bequest to the Museum from Mrs. Evans, etc. Dates- 11/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- proposal for fundraising project for VMFA Council in fall 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- 60the Anniversary of the AFA meeting and symposium in Williamsburg, registration forms. Dates- 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Agenda, timetable and luncheon for behind the scenes tours by the Council. Date-1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Benefit for the Council Service Fund, program, menu. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Museum in Action\": documentary of VMFA galleries and statewide activities, preview agenda, press dinner, invitations. Producer: Richard Rochement Narrator: Alistair Cooke Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Request for VMFA banquet services. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from W.S. Robertson. Subject- Exhibition: \"Treasures from the Norfolk Museum\", Governor's reception, program agenda. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Gallery plan, staff assignments and program. Dates- 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Reinstallation of the permanent galleries. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Members dinner dance event, invitations, guest list. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Glasgow Estate, Jamestown Tablet. Reception for Committee on Law Celebration. Dates- 12/58 - 4/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Members preview and reception: timetable, program, invitations, gallery plan, etc. Jack Larsen: lecture and biographical data. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter of invitation to members of Virginia Chamber Music Society to attend a Theatre-Dinner. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Inauguration of a monthly series of theatre Dinners, guest list, letters of invitation for event and menu. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition: \"Designs for the Theatre\" Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Reception for British group of scholars and collectors and travel itinerary. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- A British organization on American Tour. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Meeting at VMFA for NCEW: an organization to stimulate the conscience and quality of the American Editorial page. VMFA Executive committee minutes, biographical data, program agenda. Dates- 7/58 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letter of request for use of VMFA Gallery for Dinner, agenda, timetable. Dates- 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Tour routes, agenda and schedule of events for reception and letter to new members. Dates- 9/68 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letter of invitation to reception, tour of museum, agenda, timetable, etc. Dates- 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. Breeden (Membership Chair). Subject- Procedure and agenda for members reception and tour schedule, press release, invitations, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from F. Haseltine. Subject- VMT Premiere performance and promotion. Dates- 5/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- exhibition: \"Treasures of the Norfolk Museum\", program/dinner agenda, invitation, etc. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Arthur Houghton. Subject- Preliminary event outline, layout, program agenda, procedure, invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Annual event to honor corporate patrons: entertainment, decorations, invitation list and suggested remarks to be delivered by President, E. Will. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Private advanced performance of \"School For Wives\", biographical data on Peggy Wood. Dates- 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and W. Rhoads. Subject- Agenda and sample of invitation. Dates- 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Gregory Peck. Subject- Grand opening of Virginia Theatre Arts System, events schedule for preview, Letter from Gregory Peck. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Library reception and banquet for college Presidents attending the Drama Festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Dinner and Theatre Party: agenda, invitations. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letters of request and agenda for Theatre Dinner Party. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Wm. Rhodes and E.M. Last (Chair, RLS) Subject- Performance of RLS at VMT, ticket sales and cost estimates. Dates- 1/65 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letter of request for VMFA services. Dates- 4/31/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Robinson House formerly the Scientific Research Organization, VMFA headquarters for LOAS, adult classes and resident craftsperson, Invitation, Historical background, Bulletin vol.24 no.7 4/64 Dates- 8/62 - 3/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Helen Dohn. Subject- Smith College dinner with lecture by Charles Chetham, Director of Smith College Art Museum, agenda, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- The VMFA Council, Theatre Affiliates, President's Dinner. Music, Dance and Film Societies. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- The Hospitality and Information Service for diplomatic residents and families. Dates- 1968. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- three day seminar program of multi-level experience in the Arts For exceptional Virginia Youths, agendas, etc. Dates- 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- VMFA luncheon and tour. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Paintings and drawings by E. Vedder, speaker. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Requests for contributions. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Juror: Hugh Newell Johnson. Reception, guest list and agenda. Exhibition catalog. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Harry Bertoia, Sherman Lee. Subject- General correspondence regarding juror service. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Sherman Lee. Subject- Jury Chair: Sherman Lee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Juror: William Pahlmann. Event program agenda, invitation, guest list, etc. Catalog: \"Virginia Interior Designers 1973\". Dates- 10/72 - 3/73 \"Virginia Interior Designers Reception Fri. 16 Mar.,  1973, 5-7 p.m.\" Subject- Invitation. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, W. Gaines and H. Dohn. Subject- Schedule of events, exhibitions, Bicentennial Celebration. loans, gallery tours, calendar news, Invitation for the \"India In Virginia\" exhibition. Dates- 8/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains minutes, agendas and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas, 1954-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, announcements, agendas and minutes of VMFA Exec. Committee meetings 1955, 1956, etc. Dates- 9/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trustee/Museum business, VMFA Exec. Committee minutes 1956, list of Exec, Committee members 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and William J. Rhodes, Jr. (President). Subject- Trustee/Museum business Exec. Committee meeting agendas 1954, 1955, 1956, Museum finances (pay scale, Director's allowable expenses, approvals for purchases) VMFA Committee appointments 1956-7, etc. Dates- 6/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, L. Cheek, Jr. and Col. Henry W. Anderson (President). Subject- Trustee/Museum business, VMFA Exec. Committee meeting minutes 1950, 1951, 1952, 1953, listing of members of the Exec. Committee 1950, 1951, Exec. Committee resolutions 1950, 1951, 1953, By-Laws revised and adopted 1951, etc. Dates- 1950-3. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- Executive Committee minutes, copies of Exec. Committee minutes 1953, 1954, 1955. Dates- 12/53-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Gari Melchers Memorial Committee, VMFA Exec. Committee minutes 1956, list of Exec. Committee members 1956, etc. Dates- 4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Trustee/Museum business, VA Art Alliance, Williams Fund purchase, VMFA Exec. Committee agenda 1952, 1953, 1954. Dates- 5/51-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, W. Gaines, R. Velz, M. Christison. Subject- Roster of large Richmond firms and number of employees, invitation cover letter, remarks to be delivered after luncheon. Dates- 9/63 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- lists of proposed exhibitions, events schedule for 1955-6 season, roster of members and schedule of the entertainment committee, drama schedule for Virginia Museum Theatre, etc. Dates- 7/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Notable lecturers and AIV contributors, biographical data. Jurors: Charles Eames, Morris Ketchum and Bert Stern. Dates- 1967 – 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Budgets, loan requests. \"Picasso: A Selected View\", \"12 American Painters\", List of Art Works, biographical notes test for the catalog: \"The Flowering of American Folk Art\". Catalog: \"American Painting 1970 including correspondence with Richard Diebenkorn. Dates- 1970-1974. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, P. Near and F. Brandt. Subject- Bernard Martins' \"Portrait of Edward Hopper\", \"Walter Gropius - 1883 - 1969\", \"Jose Puig\", projected budget, attendance records, requests for loans, receptions events schedules, etc. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Engineering projects around the world, assembled to illustrate the aesthetic impact of technology. Cost estimates for exhibition, speakers and invitations. Dates- 7/64 - 1/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Outstanding objects in American Museum collections that are gifts or have been purchased with contributions from patrons. Event arrangements/planning. Requests of loans and press releases. \"A Brief History of the Virginia Museum of Fine Arts\", by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition \"Homage to the Square\", signed letter from Elaine de Kooning. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Opening festivities of the Aldrich Collection of Impressionist and Post-Impressionist paintings and sculpture. Catalogue: \"The Aldrich Collection\", foreword by L. Cheek. Dates- 11/58 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Juror: Bartlett Hayes. VMFA purchases from exhibition. Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Juror: C.V. Donovan. Request for loans from other galleries. Dates- 1962 , 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Al Held. Subject- Juror: Peter Selz. The removal of artwork from the wall of the VMFA for a period of one week in demonstration of racism, war and repression in America. List of paintings to be shipped and installation instructions. Dates- 9/69 - 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Search for a disposable cardboard shelter for use in a traveling sculpture exhibition to the Chapters and Affiliates. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Juried exhibition of Virginia Architects, Designers and Photographers. American Painting exhibition. Dates- 1964, 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, F. Brandt, Sydney and Frances Lewis. Subject- Art Nouveau exhibition: request for loans, lists of objects, opening event agenda, timetable, invitations, etc. Lecturer: Robert Koch. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. H. Bache and P. Near. Subject- Collector-of-the Year: Pre-Columbian gold collection, list of objects, letters to members of Collectors Circle. Dates- 196 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Request for flags from Embassy of the Federal Republic of Germany. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, P. Near and F. Brandt. Subject- Kent Bicentennial Portfolio: \"Spirit of Independence\", prints by 12 Contemporary American Artists. Rockefeller Collection of Picasso Tapestries. Dates- 11/74 - 11/75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Phillip Hofer. Subject- Philip Hofer: biographical data and lecture on Blake. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and P. Near. Subject- Block as Collector-of-the Year (1967): Collection of 19th and 20th century watercolors and drawings, reviews and agendas. Dates- 10/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Museum of Modern Art exhibition \"Art Lending Service Retrospective\", lecture by MOMA Junior Council President Lily Auchincloss, lending services, expenses and pamphlet. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Traveling exhibit on ancient Chinese treasures. Date- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press releases for Virginia's Civil War centennial Exhibition and celebration at the VMFA, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- C. Conger (White House Curator) and his collection of interior furnishings. Heeramaneck Collection. Dates- 1967, 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Blumka Medieval Collection: Preview, program agenda, invitations, etc. Damage report to Gothic Cut Velvet Cloth, Conservators report and insurance claims. Dates- 1/73 - 5/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, P. Near and F. Brandt. Subject- Exhibition of Tapestries from the House of Edgeworth and paintings, prints and drawings. Lecture, list of objects, PR, gallery plan, invitations, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek's service as a juror for \"International Glass\", gallery plan, photographs, list of jurors choice objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition \"Robes from the Forbidden City\": lecture by Alan Priest on Chinese Textiles. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, F. Brandt and P. Near. Subject- Virginia Photographer 1971, juror: Harry Callahan. Mourot Collection of porcelain. Exhibition schedules, lectures, gifts, loans of art objects, roster of Trustees. Catalog: \"Virginia Artists 1971\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Davies exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and H. Gummerus (Finnish Society of Crafts and Design). Subject- Gummerus lecture on Finnish design. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Traveling exhibition of Tutankhamun. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Bernard Von Bothmer (Brooklyn Museum). Subject- Von Bothmer account of his discovery fo the missing portion of VMFA fragment of Sema-Tawy-Tefnakht. Conservation and restoration of scribe, magazine clippings. Slides and photographs. Dates- 12/64 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Mrs. L.J. Dee (Cooper- Hewitt) Subject- Her Lecture to VMFA. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecture by Buckminister Fuller, biographical data, catalog, installation, invitations, etc. Dates- 1/59 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Contemporary Art forms of Israel. Lecturer: Avid Yafeh. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecturer: John Walker. Invitations, entertainment. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Wm. Gaines. Subject- Documentation of the making of George Steven's film. Installation, design, floor plans and cooperating agencies. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Herbert Hoffman, Perry Rathbone and Patricia Davidson. Subject- Bill S.2273: to enable works of art and other materials imported for temporary exhibition in non-profit activities to be immune from judicial process. Description of objects for possible acquisition. Exhibition design, installation, VMFA and BMFA gallery plans, invitations, etc. Dates- 9/63 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, P. Rathbone and H. Hoffman. Subject- Loans of Greek gold from the Hermitage and other institutions. Appeals to the State Department regarding Bill S.2773. Dates- 3/64 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Christine Alexander. Subject- Alexander's service to VMFA consultant on Greek and roman acquisitions. Exhibition lecture by Dorothy Kent Hill. Dates- 12/61 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Western art in Virginia collections, loan requests, film series, invitations, program agenda, etc. Lecturer: Larry Curry. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Perry Rathbone and Nasli Heeramaneck. Subject- Installation and acquisitions from the Heeramaneck collection. Lecturer: John Alexander Pope (Freer Gallery), newspaper clippings. Dates- 12/66 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Paul Mellon and Lessing Roswald. Subject- Request for loans, receiving and storage of objects. Event invitations, agenda, etc. Lecturer: Philip Hofer. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and John Koenig. Subject- Proposals for the filming and documentation of an epic film: research, selection, documentation, etc. Proposals were originally made to Samuel Goldwyn and Cecil B. de Mille. Dates- 7/55 - 2/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and L. Goodrich. Subject- Requests for loans from various collections. Text for catalog forward by L. Cheek, and essay by Lloyd Goodrich. Biographical data and newspaper clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Events schedule, agenda, invitations, pamphlets. Lecturer: Robert Doty. \"Portrait of Edward Hopper\" and drawing studies by Virginia painter, Bernard Martin. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Exhibition of art from Virginia Collections to commemorate the 10th anniversary of AIV. Request for loans, invitations, members preview, agenda, list of objects for exhibition. Lecturer: Thomas E. Norton, biographical data. Dates- 7/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Acquisition of Indian art collection. Dates- 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition of works by French artists commissioned by Claude Aveline to illustrate his poem \"L'Oiseau que n'existe pas\". Lecturer: Lawrence Alloway, biographical data. Members Bulletin vol.24 no.8 4.64. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Anne Marie Pope. Subject- VMFA display areas. Date- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from F. Brandt and P. Near. Subject- Art Nouveau Loan, list of Lewis gifts and purchases. Dates- 1971 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and C.S. Hathway. Subject- Lecture search. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Biographical data, agendas, timetables and invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Islamic rugs circulated by the Smithsonian Institute and lecture by McMullan. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J. Baskett and P. Mellon. Subject- List of paintings from Mellon Collection. Gallery preparation, storage, costs, opening festivities, interpretation of exhibition, letters to print media. Press release, newspaper clippings. Lecturers: W.G. Constable, John Baskett and Basil Taylor. Essay- \"Painting In England, 1700-1850\". Dates- 8/62 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Paul Mellon. Subject- Mellon English Painting Collection, early discussion concerning the scope and preparation of catalog and exhibition. \"Letter from Basil Taylor Dated-23 January 1963 re: Mellon Show\", letter of disgruntlement over the various stages of the Mellon catalog. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Basil Taylor. Subject- Mellon Collection of English painting, initial planning stages, lectures, installation, catalog, etc. Dates- 11/61 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Paul Mellon. Subject- Exhibition: \"Painting in England\", program of events, invitations, gallery plan, program, invitation, guest list, etc. Dates- 5/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Paul Mellon and Basil Taylor. Subject- Basil Taylor, advisor tot Mellon collection and author of exhibition catalog: \"Painting in England, 1700-1850\". Catalog foreword by L. Cheek. Dates- 12/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitations and dinner programs. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Installation, catalog, security, lecture. List of slides, media coverage. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Remarks by Paul Mellon on exhibition opening, mock-ups of booklet form. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Full color photographic reproduction of the \"Sistine Chapel\", exhibition circulated by LIFE magazine. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Demonstration of mosaic technique using contemporary materials. Dates- 5/54 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Henry Moore. Subject- Aid of Helen Norman (neighbor to Moore) on establishing a dialogue with the VMFA concerning an exhibition and visit by the artist. Preliminary exhibition plans. Dates- 10/57 - 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Henry Moore. Subject- Preview and opening night arrangements, newspaper clippings and press releases. Dates- 5/65 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and R. Neutra. Subject- Exhibition and speaking tour by the artist. Dates- 6/59 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Goya exhibition: request for loans of works by Goya, announcements, invitations, list of paintings, Dr. Priscilla Muller (curator and speaker for exhibition). Program agenda. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecturer: John S. Szarkowski. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and James Rorimer. Subject- Exhibition of Contemporary photographs. Biographical data on Ivan Dimitri and A. Hyatt Mayor. Catalog: \"Phototgraphy in the Fine Arts\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- proposed exhibitions, information about traveling exhibitions, etc. Dates- 10/48-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Perry Rathbone. Subject- Pre-Columbian gold with lecture by Allen Wardwell. Dates- 4/67 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Vincent Price as Collector-of-the-Year. Date- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- African collection from the Olsen Foundation. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Una Johnson (Brooklyn Museum). Subject- Contemporary prints from the Brooklyn Museum, invitations and announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition of the American Institute of Graphic Arts 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Wm. Gaines, F. Brandt, Anne Marie Pope. Subject- Reinstallation of the permanent collection, estimated exhibition costs, Heeramaneck collection, list of exhibitions available form International Exhibitions foundation. Exhibition catalog: John Kelly Fitzpatrick\" , photographs. Dates- 9/68 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Wm. Quillian. Subject- Exhibition of Randolph-Macon Collection. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program agenda for reception, exhibition, gallery plan. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibitions of Chinese Textiles from Minneapolis Institute of the Arts. Lecture by Alan Priest. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposed gift of \"Gates of Hell\", from the Cantor Collection. Exhibition \"Study of a Woman's Torso\". Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Rosenwald as Collector-of-the-Year, 1965. \"Master Prints From The Rosenwald Collection\", introduction by Rosenwald for the exhibition checklist. Dates- 12/64 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Corrected draft by L. Cheek. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and L. Rosenwald. Subject- Personal invitations from L. Cheek. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition announcements. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Schedule of events for the season. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Paul Tishman. Subject- Exhibition from the Tishman Collection, letter of invitation, installation, Council lecture/luncheon. Speaker: Dr. John Akar, Ambassador of Sierra Leone. Remarks by J.M. Brown and Tishman, announcements and biographical data, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mailing lists for colleges, museums, etc. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek tour of England to photograph Elizabethan Houses. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Presentation of various forms of Arts of England during Shakespeare's life in commemoration of the 4th Centenary of his birth. Requests for loans of Elizabethan objects, press release, installation, etc. Dates- 8/63 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Exhibition of 19th and 20th century paintings, reception and event announcements. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Paul Mellon (Exhibition Chair) and Wm. Constable. Subject- requests for loans, French and British sponsors of exhibition including Queen Elizabeth, Honorary Committee Members, Patrons, catalog, PR, object damage report. Basil Taylor as special advisor to exhibition. Dates- 7/58 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Consultation on exhibition proceedings, travel and lecture schedule, biographical data and text for introduction to the catalog. Dates- 4/60 - 7/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Basil Taylor, Paul Mellon and A. Eiseman. Subject- Catalog layout, printing, design, budget, cost estimates, contributions. Essay- \"Classic Horse Paintings\", foreword by L. Cheek. Dates- 1/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Recipients of free catalogs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- William George Constable and his lecture for exhibition, biographical data, Bulletin vol.20 no.8 4/60. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of British sponsors, loans, selection committee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Mailing list, opening event, program and list of lenders to exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and John G. Pollard. Subject- List of sponsors, reception: program, agenda, menus, etc. Newspaper clippings. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Traveling exhibition in commemoration of Stravinsky's 80th birthday with related settings and costumes created for his ballets. Dates- 4/61 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Exhibition of contemporary prints and multiples (3-dimensional objects of limited editions), Lewis contributions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Railey Collection of European and Asian seals, Fisher Collection of paintings and exhibition of Ruth Safford: \"Interiors of Famous Houses\". Dates- 8/61 - 2/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from F. Brandt. Subject- Problems with exhibition objects. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Damage report of exhibition objects. Dates- 11/63  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Loans of objects from Pierpoint Morgan Library. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Extension of Tutankhamen exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Sample invitation and preview guest list. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- List of objects available for loan and prices. Exhibition announcements, gallery floor plan. Lecturers: Gerald Nordland and Hilton Kramer. Dates-1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Traveling exhibit from MOMA: \"Form In The Animated Cartoon\". Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to M. Christison. Subject- Unavailability of Van Gogh exhibition. Dates- 8/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Philip Johnson. Subject- Jurors: Carroll Meeks, Richard Di Natale and Hans Namuth. Official entry forms, exhibition announcements, biographical data. Dates- 10/61 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: Gyorgy Kepes, Philip Johnson and Ivan Dimitri. Invitations, guest lists, biographical data and entry forms. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- 1st Biennial exhibition.  Juror: Romaldo Giurgola.  AIA reception and dinner, program agenda, biographical data, invitations, pamphlets and exhibition catalog. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: Sherman Lee, Harry Bertoia, Bernard Perlin. Collectors reception, purchase of artist work by Trustees, invitations, entry forms, etc. Dates- 12/57 - 2/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, P. Near. Subject- Reception for purchasers of art works from the exhibition, and catalog. Dates- 1957, 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters to Artist on their award by the jury. Exhibition catalog, juror search and entry forms. Dates- 1959, 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: Carl Wienhardt Jr., Mary Callery and Robert Vickrey. Salon des Refuse's on view at Thalhimer's, events schedule and exhibition catalog. Dates- 6/64 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Juror: William Seitz. Installation, list of purchases, invoices, PR, invitations, guest lists, etc. Acquisition from Lewis Fund. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Gordon Bunshaft and A. Bodine. Entry forms and recipients of certificates of Distinction. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and P. Near. Subject- Exhibition to travel to Charlottesville. Dates- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecture by Dorothy Miner, announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and Mr. John G. Hays (Chairman of the Expansion and Development Committee). Subject- Trustee/Museum business, formation of the VMFA Expansion and Development Committee, report of the chairman, etc. Dates- 11/47-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and P. Crum (Curator) and College of William and Mary. Subject- W\u0026amp;M students visit to VMFA, loan from W\u0026amp;M for a VMFA traveling exhibition, arrangements for traveling exhibitions to W\u0026amp;M, etc. Dates- 2/41-7/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Education and Exhibitions) and Longwood College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Farmville State Teachers College, etc., 3/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- information on VMFA traveling exhibitions and an organization membership, etc. Dates- 7/48/8/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Art Club. Subject- arrangements for VMFA slides and traveling exhibitions to LAC, etc. Dates- 3/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Lynchburg College, etc. Dates- 1/49-2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Teacher's Club. Subject- arrangements for traveling exhibitions and slides to LTC, etc. Dates- 3/46-2/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Madison College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Madison College, etc. Dates- 12/47-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between C.C. McGehee (Assistant in Education Dept.) and Martinsville City schools. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Martinsville City schools, etc. Dates- 9/51- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA Education Dept. staff and Mary Baldwin College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to M.B. College. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Mary Washington College. Subject- arrangements for traveling exhibitions to M.W. College, arrangements for lecture by Christison at M.W. College, etc. Dates- 3/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Middlesex County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to MCWC, arrangements for lecture by Christison for MCWC, etc. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Narrows Woman's Club. Subject- arrangements for traveling exhibitions to NWC, etc. Dates- 10/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Newport News Woman's Club. Subject- arrangements for traveling exhibitions to NNWC, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Education and Exhibitions) and Norfolk Museum of Art. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to NM of A, exchange publications, etc. Dates- 1/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between H. Lloyd (VMFA State Services) and Richmond County Junior Woman's Club. Subject- arrangements for filmstrips to RCJWC, shipping instructions, etc. Dates- 10/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Roanoke County Woman's Club. Subject- VMFA traveling exhibition checklists, request for information about organization membership to the Museum, etc. Dates- 4/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between H. Lloyd (VMFA State Services Dept.) and Rockingham County public schools. Subject- VMFA traveling exhibition and slides checklists, arrangements for traveling exhibitions to Rockingham Co. Public schools, shipping instructions, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between E.L. Kallop (VMFA State Services Dept.) and Scottsville High Scholl. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions and slide sets to Scottsville HS, shipping instructions, etc. Dates- 9/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Sedley Woman's Club. Subject- notification of installment of Mrs. N.B. Rollings as chairman of Fine Arts Dept. of SWC, Date- 12/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Smithfield P.T.A. Subject- art material for Smithfield schools, Date- 11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between H.V. Rennie (Assistant in Education Dept.) and Southern Seminary and Junior College. Subject- schedule of VMFA traveling exhibitions to Southern Seminary and Jr. College ('46) and arrangements for traveling exhibitions to Southern Seminary and Jr. College, etc. Dates- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Hart (Extension Dept.) and St. Catherine's school. Subject- VMFA traveling exhibition checklists, schedule for traveling exhibitions to St. Catherine's, etc. Dates- 1/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and St. Christopher's school. Subject- schedule and arrangements for VMFA traveling exhibitions to St. Christopher's, etc. Dates- 9/48-11/48.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Staunton City School Board. Subject- arrangements for traveling exhibitions to Staunton City School Board, etc. Dates- 1/52-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, various Education Dept. staff and Stony Creek Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SCWC, etc. Dates- 2/47-1/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, various VMFA State Service Dept. and Education Dept. staff and Stratford College. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to Stratford College, shipping instructions, etc. Dates- 8/48-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition checklists, schedule and arrangements for traveling exhibitions to Stuart Hall, shipping instructions, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director of Collections and Education) and Suffolk Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SWC, etc. Dates- 8/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Surry Woman's Club. Subject- arrangements for tour of the Museum and traveling exhibitions to SWC, etc. Dates- 10/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Sweet Briar College. Subject- schedule and arrangements for traveling exhibitions to SBC, shipping instructions, etc. Dates- 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA State Service Dept. staff and Tazewell Parent-Teacher Association. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions, slide sets and filmstrips to Tazewell Parent-Teacher Association, shipping instructions, etc. Dates- 11/52-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Thomas Jefferson Junior Woman's Club. Subject- request and suggestions for speakers for TJJWC, etc. Dates- 7/47-9/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA and Thomas Jefferson Woman's Club. Subject- arrangements to visit, tour and hold a meeting at the Museum, etc. Dates- 11/40-1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA State Services Dept. and Three Arts Club of Blackstone. Subject- arrangements for filmstrips for TAC of B, shipping instructions, etc. Dates- 12/52-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- address of Mrs. Woods, President. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA Education Dept. staff and Toano Woman's Club. Subject- arrangements for holding a meeting at the Museum. Dates- 1/50-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and University of Richmond and Westhampton. Subject- arrangements for traveling exhibitions to U of R, shipping instructions, etc. Dates- 3/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- catalogues from the UVA Extension Dept. including the following: Famous Italian Paintings, Famous Flemish Paintings (Reprints from Seventy Famous Paintings by Adelaide D. Simpson (1927), The Story of Venetian Painting by Mrs. Stringfellow Barr and Cecily B.D. Ryder (1928) and Catalogue of Art Prints and Books (1937), etc. Dates- 1927-1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to UVA, shipping instructions, etc. Dates- 10/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and University of Virginia Museum of Fine Arts. Subject- checklists for traveling exhibitions sponsored by VMFA and UVA, the following publications by UVA: \"Twenty-five Contemporary Artists of Cleveland, Ohio\", \"Hugh Breckenridge\", \"Contemporary Artists of Virginia\", \"Contemporary Artists of Albemarle County and The University\", \"Alexander B. Trowbridge and Olin Dows\" and \"Elinor F. Hopkins\". Dates- 4/34-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between C.Y. Casey (Assistant in Education Dept.) and Upper King William County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to UKWCWC, shipping instructions, etc. Dates- 3/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Valentine Museum. Subject- information about becoming organization members of VMFA, a loan to VMFA from the Valentine, listing of the Valentine's activities, etc. Dates- 10/35-9/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and VA Education Association. Subject- Virginia Education Association art section meetings, etc. Dates- 2/47-10/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and VA Federation of Woman's Clubs. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VA. Federation of Woman's Clubs, VA Federation of Woman's Clubs yearbook ('47/8) and Directory ('48/9), etc. Dates- 1/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA traveling exhibition checklist. Dates- 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Virginia Polytechnic Institute. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to V.P.I.'s Architectural Department, etc. Dates- 6/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA State Services Dept. and Virginia State College (Norfolk Division). Subject- checklists for VMFA traveling exhibitions, arrangements for traveling exhibitions to VSC, shipping instructions, etc. Dates- 10/52-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and the Extension Dept. and VA State University. Subject- schedule of VMFA traveling exhibitions to VSU 1945-7, arrangements for traveling exhibitions to VSU, etc. Dates- 6/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Va. Teachers' Association. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VTA, arrangements for a lecture by Christison to VTA. Dates- 12/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA Education Dept. staff and Virginia Union University. Subject- VMFA loans to VUU's art festival, arrangements for traveling exhibitions to VUU, etc. Dates- 1946-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between E.L. Kallop (State Services Dept.) and Wakefield Woman's Club and P.T.A. Subject- checklists for VMFA traveling exhibition, arrangements for traveling exhibitions to WWC and P.T.A. Dates- 9/51-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Warren County High School. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Warren Co. HS, shipping instructions, etc. Dates- 10/46- 5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between O. Hart (Registrar) and Warwick County School Board. Subject- arrangements for traveling exhibitions to Warwick Co. Schools, etc. Dates- 1/49-4/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Warwick Woman's Club. Subject- arrangements for traveling exhibition to WWC, etc. Dates- 10/48- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Washington and Lee University. Subject- checklists of VMFA traveling exhibitions, arrangements for traveling exhibitions to W\u0026amp;L, etc. Dates-1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Waverly Woman's Club. Subject- schedule of VMFA traveling exhibitions to WWC ('46), WWC visit (with lecture) to VMFA, etc. Dates- 3/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA staff and West Point Schools P.T.A. Subject- arrangements for traveling exhibitions to West Point Schools, etc. Dates- 12/50-6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, various Education Dept. staff and Westmoreland Woman's Club. Subject- arrangements for traveling exhibitions to WWC, etc. Dates- 1/48-3/49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA State Services Dept. and William Campbell High School in Naruna, VA. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wm. Campbell HS, shipping instructions, etc. Dates- 12/52-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and various Education Dept. staff and Wilson-Jackson P.T.A. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wilson-Jackson P.T.A., etc. Dates- 1/47-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.T. Rhodes (Assistant in Education Dept.) and Wytheville County schools. Subject- arrangements for traveling exhibitions to Wytheville Co. schools. Dates- 4/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Wythe Woman's Club, Hampton. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC. Dates- 8/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education), various Education Dept. and State Services staff and Wytheville Woman's Club. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC, etc. Dates- 5/49-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Y.W.C.A.-Richmond. Subject- holding a meeting (with a visit and lecture) at VMFA. Dates- 4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA State Services Dept. and Young Woman's Club of Williamsburg. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to YWCW, shipping instructions, etc. Dates- 12/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between C.Y. Casey (Assistant in Education Dept.) and VMFA State Services Dept. and Zuni Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to ZWC, etc. Dates- 8/50-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\". Dates- 12/54-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\", note-included in these files: slides from Williams College of Art. Dates- 1947-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Chairman of the art department Williams College. Correspondence and biography 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Fashion Show in cooperation with Miller and Rhoads Dept. Store and Harpers Bazaar magazine to benefit the VMFA Council, Education Fund, Council dinner, event plans and program catalogue. Dates- 12/55 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator). Subject- the Fashion Festival of Arts and Flowers presented by the VMFA Council in cooperation with Miller and Rhoads Department Store, attendance lists, newspaper clippings, etc. Dates- 3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between national director and Thomas Colt, who was the State Director of the Federal Arts Project, 1935. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and the Federal Emergency Administration of Public Works regarding a grant to construct an additional wing to the Museum. 1935-38. More applications from Museum for funds from the Federal Emergency Administration of Public Works to complete projects such as casting a bust of John B. Payne and landscaping grounds. 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Federal Emergency Administration of Public Works and Virginia Commission for the Arts material, mostly on landscaping the grounds of the Museum, 1936. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Federated Arts Council of Richmond dinner and agenda, invitations. Dates- 2/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Peter Mooz. Subject- Committee reports, events schedules, annual meeting 5/29/74, \"Festival Of The Arts\", 18th annual report, Dogwood Dell June-Aug'74. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Awards Dinner agenda, letters of confirmation, thank-you's, etc. Dates- 12/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T.C. Colt, Jr. Subject- listing of and letters to prospective fellows (founding fellows), a copy of the constitution 4/55. Dates- 3/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Prospects for new membership program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Conservation Laboratory, Library Endowment, Fellows Weekend, orientation theatre, contributions and projects, statement of purpose, agendas, biographical data. Resolution in memory of Lewis Strauss. Dates- 1964-79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Fellowship Committee minutes 1942, 1948, 1949, 1950, Fellowship Committee agendas 1950, 1951, committee report 1949/50, Fellowship Committee announcements and replies, listing of fellowships given by the Virginia Museum of Fine Arts 1940-51, etc. Dates- 1942-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison. Subject- Aplicant interviews procedure. Date- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Fellowship Fund income account, application, letters to recipients: Primm Turner, Jenny- Lynn Franklin and John D. Norwood. Dates- 5/54 - 5/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Essay- \"Outline for a Proposed Film for the Virginia Museum of Fine Arts\" by Vavin, Inc. 3/60.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1947, 1948, 1950, Finance Committee meeting minutes 1948, 1949, 1950, letters soliciting opinions from Trustees about stock purchases and committee resolutions and replies, VMFA Pooled Endowment Account 1949, stockholder information , etc. Dates- 1947-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1950, 1951, Finance Committee meeting minutes 1952, committee report 1950, status of capital funds listing 1950, list of securities held and cash balances, financial transactions, etc. Dates- 1950-2. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1952, 1953, Finance Committee resolutions 1953/4, Capital Funds Investments and Cash listings 1952, 1953, stockholder information, financial transactions, etc. Dates- 1952-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1955, Finance Committee resolutions 1954, a listing of Finance Committee meetings and actions in writing 1948-56, financial transactions, stockholder information, statement of endowment investments 1955, pooled investment listing 1955, investment changes for the period 4/30/55-12/31/55, etc. Dates-1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Lawler Fund. Dates- 10/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- stockholder information (i.e. annual and quarterly reports of companies). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee resolutions 1948/9, excerpts from Finance Committee meeting minutes 1939, 1951, Date- 3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from A. Nicholas. Subject- Statements of income, balances, private income, special purchase funds, operating budget, etc. \"Virginia Museum Semi- Annual Financial Report Dec. 31, 1970\" , \"Summary of Financial Support\": 1935- March 31, 1971, 19l35- June 30, 1969, Art Purchase Funds, Capital Outlay Programs to purchase land and buildings, List of Art Purchases 1970-71. Dates- 6/70 - 10/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and G. Martin. Subject- Responses to questionnaire from various theatre directors, VMT regulations. Dates- 1965 -66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT Statement of Purpose, application for Samuel Tate Morgan and/or George Seay Memorial Trust Funds. Letter of grant award for the expansion of VMFA Library holdings and list of books purchased, newspaper clippings. Dates- 5/69 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Administrator, Richmond Area University Center. Correspondence with 1949-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Memorial for Col. Herbert Fitzroy, letters of receipt of contributors to purchase a sculpture to be placed on permanent exhibit in Artmobile II: \"Crowing Rooster II\", G. Marcks. Dates- 10/67 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- information about proper display of U.S., U.N. and VA flags. Dates-11/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns cultural development there. 1957-59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Agreement on the Importation of Educational, Scientific and Cultural Materials\", Bill signed on 6/24/59, press release. Unesco sponsored agreement to eliminate tariffs and special import taxes on educational, scientific and cultural materials. Dates- 9/59 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Horace S. Flournoy. Subject- repair of heating system at the Museum. Dates- 10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- plantings around the Waddy Fountains at the front of the building, lawn and plant care, listing of growing plants used, etc. Dates-6/54-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA staff and Harvard University's Fogg Art Museum, mostly regarding the loan of a Copley portrait for the Museum's inaugural exhibition, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, J. Coolidge (Dir., Fogg). Subject- General correspondence regarding conservation, authenticity of objects, employment referrals, research, etc. Dates- 4/52 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- arrangements for Folktale Marionette Theatre to perform at VMFA in Dec.1953, etc. Dates- 3/53-1/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- visit of Mrs. Henry Ford II, to see VMFA operations. Dates- 3/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about a Virginia artists watercolor exhibition sponsored by the Ford Foundation Title \"Virginia by Virginians\", copy of an invitation to Mr.and Mrs. Ford to the opening, etc. Dates- 1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- newspaper clippings and statement of purpose of the Ford Foundation. Dates-12/48-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Ford Foundation. Subject- proposal of VMFA serving as regional center for Ford Foundation's creative artists selection program 1958, proposals for Foundation support, Foundation publications, etc. Dates- 10/50-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., J.M. Brown and Ford Foundation. Subject- information about applying for Ford Foundation support, Foundation publications, etc. Dates- 10/59-10/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Program for Painters, Sculptors and Related Artists. Letters to jury members, entertainment. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., and the Ford Foundation. Subject- the Museum as a locale for the premiere art exhibition to be featured in the March issue of the Ford Times, an exhibition highlighting VA artists named \"Virginia for Virginians\", included are copies of the exhibitions' gallery guide, invitations to the preview and a copy of the Ford Times feature issue. Dates- 11/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and American Association of Museums (AAM). Subject- roster of foreign museum Directors visiting VMFA on a AAM sponsored tour (in cooperation with the State Department), biographical information on visitors, etc. Dates- 3/65-5/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to VMFA staff. Subject- memos about arrangements for luncheon held at Museum for international newspaper people. Dates- 6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposal for VMFA travel program, tour estimates and brochures. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition preview speaker: Ariad Yafeh, biographical data, reviews and photographs. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Guest lists for opening event, sample letters for invitations and replies. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about museum practices, Cheek serving as honorary member of advisory committee of Directors and Curators, etc. Dates- 3/52-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Keith Fowler. Subject- theatre operations, policies, programming, newsletter to friends, volunteers and theatre subscribers, etc. Dates- 10/69-12/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between William Francis and L. Cheek, Jr. Subject- Museum publications business and arrangements, etc. Dates- 12/64-9/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Governor Peery, T.C. Colt, Jr. and Douglas S. Freeman, president of the Confederate Memorial Institute. Subject- Transfer of the John B. Payne collection from the Battle Abbey to the museum. Dates- 1935-39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with L. Cheek, Jr. Subject- mostly professional matters, but some personal information is given. Dates- 1948-53.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and French and Company. Subject- French and Company, Inc. art dealers, loans, conservation work, proposed sales to Museum, photos and descriptions of objects, etc. Dates- 6/46-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject- photo requests from the Frick Art Reference Library, reference questions, exchange publications, etc. Dates- 2/46-9/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Friddell was columnist for the Richmond News Leader. Correspondence with Cheek, 1949-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- memo about calendar of Museum events, mailing to American Ballet Theatre Friends, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Preparation plans for \"George Stevens Makes a Film\", an exhibition based on the making of an epic film (The Greatest Story Ever Told), installation, cost estimates, etc. Dates- 1/64 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Search for Egyptian objects to purchase, exhibitions: Sport and Horse and American Folk Art, College Drama Festival, loan of P. Klee works, collectors circle, Biographical data, Fellows, donation, gifts, Segregation in VMT, background information on paintings for Wm. Henry Yates, Marshall Research Library, Poetry Society of Virginia, Glasgow Estate. Accessions and gifts: \"Tree\", H. Gray; E. Hopper; Rutherford Goodwin, Jr.(signature). Dates- 1/55 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General museum business, inter-museum memos. Richmond Sinfonia, special purpose gallery, exhibition policy. Museum television, funding sources, COVAO conference, sale of Artmobile I, Council, newspaper clippings, pamphlets and funds generated through programs division, letter from Robert Indiana.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Bill (William) Gaines (head of Programs Division). Subject- programming educational, exhibitions, films, affiliates, etc., Museum operations, etc. Dates- 3/70-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Acquisitions, objects for purchase consideration, various newsletters, exhibition catalog: \"Nature As Scene\". Dates- 4/76 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with other museums. Subject- exhibition announcements, information about loans to other museums, etc. Dates- 3/53-3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Dir. for Collections and Education) and Mr. Charles Seymour (Yale University). Subject-request to look at the Museum's collections. Dates- 2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Col. Edgar Garbisch and L. Cheek, Jr. Subject- gift to VMFA-Junius Brutus Stearns paintings of life of George Washington, photos and information about paintings, biographical information about Garbisch, etc. Dates- 1/50-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- arrangements for the 50th anniversary dinner of Garden Club held at VMFA, etc. Dates- 9/68-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns the Garden Clubs of Virginia and America 1958-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., J.M. Brown and Mrs. T. Fleetwood. Subject- Mrs. T. Fleetwood as a Trustee, Trustee business, gift to Museum, etc. Dates- 5/64-7/75. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Landscape Architect for Museum. 1957-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by John Garland Pollard, Jr. Subject- invitation to members of General Assembly to use Museum facilities, announcement of a reception for General Assembly members spouses, VMFA Members' Bulletin vol.20, no.5 1/60. Dates- 1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters sent to members of the General Assembly 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and Gibbes Art Gallery. Subject- Brown working on problems of the Gibbes Art Gallery, \"Report to the Board of the Charleston Art Association\" co-written by Brown, etc. Dates- 12/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trustee, Executive Committee. Dates- 1950-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mr. George D. Gibson as Trustee, Trustee and Local Building Committee business, copies and excerpts from minutes of the Executive Committee 1948-53 dealing with VMFA building, news release 6/57 about Gibson being elected VMFA President, etc. Dates- 12/52-11/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mr. George D. Gibson, a lawyer with Hunton, Williams, Gay., Moore and Powell. Subject- flooding at the Museum, building inspections, structural problems with the building, the shipment of a Watteau painting to VMFA, a Melchers gift, etc. Dates- 7/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown. Subject- acknowledgments of receipt, thank you letters to donors for gifts of all kinds (money, books, equipment, etc.,). Dates-11/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mr. Arthur G. Glasgow. Subject- gifts to Museum, Museum events, information pertaining to the Estates of Margaret Branch Glasgow and Arthur Graham Glasgow. Dates- 2/54-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr., J.M. Brown and Walter S. Robertson (VMFA President). Subject- transcript of remarks by Governor Mills E. Godwin, Jr. at Southeastern Theatre Conference 1966, Museum events, Mrs. Godwin to serve as honorary chairman of Entertainment Committee, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- President of Princeton University. Request for him to lecture at Museum. Dates- 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Associated Artist Gallery, Washington, D.C. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Candidate for Theatre Director-Producer 1957.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mrs. Pollard was a member of the Goodwin Memorial Commission appointed by the state to erect a scroll honoring the Reverend William Archer Rutherfoord Goodwin, former rector of Bruton Parish Church and man who dedicated his life to the restoration of Colonial Williamsburg, 1950-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and Mr. F.D. Gottwald. Subject- agreement and arrangements to establish Elisabeth Shelton Gottwald Fund. Dates- 4/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- copy of report on Museum, recommendations to Museum made by Governor's Management Study Group. Dates-7/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Mills Godwin and Peter Mooz. Subject- Budgets: cutbacks, executive order, appointments to VMFA Executive Board, creation of job positions, Museum organization charts, Melchers Estate, Arts Commission, Executive Mansion furnishings and lists of objects. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- arrangements for unveiling (10/5/71) of new acquisition of Goya's painting- General Nicholas Guye guest lists, invitation, news releases, photo and information about painting, etc. Dates- 9/71-2/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- \"General Guye\", Goya. Special event, agenda, invitations, etc. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with John Graham (Curator, Colonial Williamsburg). Dates- 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Related to the death of Mr. Gray and his family. His bequest to the Museum and a memorial to him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. Horace Gray, Trustee. Subject- Museum business, biographical information about Horace Gray, VMFA Members' Bulletin vol.19, no.6 (2/59), etc. Dates-5/51-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about hiring Mr. Paul Grigaut as head of Collections Division, Museum practices, information about Museum Collections catalogues, etc. Dates- 6/62-4/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Theft-general. Contains one newspaper clipping 5/28/62.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- correspondence with Senator Raymond R. Guest, announcement of gift to Museum of bronze gates, Museum events and business, etc. Dates- 11/48-5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and L. Cheek. Subject- List of sites for guidebook , roster of names for nominating committee, letters to publishers, price structure, biographical data, promotional information, outline for publication by the Trustees for \"An Official Guide To Four Centuries Of Building In The Old Dominion\". Dates- 4/66 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Finnish Society of Crafts and Design 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, F. Brandt, F. Haseltine. Subject- Installation of \"Symbol\" at Phillip Morris site, invitation mailing list, reception agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown, F. Haseltine, P. Near. Subject- Exhibitions, VMT, loans, gifts, endowments, biographical data, invoice for work restored, acquisitions, installation of Heeramaneck Collection, Pastorale fund, Project Grant Application, Tax Status. Essay- \"A Brief Summary of Accomplishments of the Virginia Museum of Fine Arts\", 1962-64. Dates- 9/51 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mr. Haller was a public relations consultant hired under special circumstances and kept off of the state payroll. This letter pertains to this and circumventing the state system 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and S. Robertson. Subject- AAM meeting in Williamsburg, increase in security staff at VMFA, Artmobile, Executive order from the Governor's office to divide the Board of Trustees into five divisions. Request for authority to prepare Capital Outlay Plans for South Wing, invitations to serve on various committees, presentation of Webster S. Rhoads award to Gov. Harrison, newspaper clippings. Dates- 5/61 - 11/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and Public Buildings Administration (Federal Works Agency). Subject- Harrisonburg post office mural competition (Colt served on the jury of selection and advisory committee) and contract with Public Buildings Administration. Dates- 2/41-10/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cheek's 25th college reunion and an art exhibition in conjunction with the reunion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Melissa Hayden and Andre Eglevsky. Dance performances at the VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mrs. John G. Hayes, Sr. Subject- Trustee/Museum business, money to the John G. Hayes Endowment Fund, etc. Dates- 11/49-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. J.G. Pollard and W. Rhoads. Subject- John Green Hayes Memorial Fund. Dates- 5/48 - 11/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter of appeal from VMFA to Hearst Foundation for financial assistance. Dates- 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Biographical data, press release and his presentation to the AAMD, newspaper clippings. Dates- 4/62 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lecturer for the Latin American Exhibition 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT: tour schedule, HEW grant proposal, \"A Cultural Program in the Dramatic Arts for Virginia High School Students\", newspaper clippings, postcards, reviews, project budget, financial support. Dates- 5/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Travel Itinerary, loans , VMT productions, collectors circle, LOAS (Loan-Own Art Service), search for prospective jurors, letter to Helen Hayes to address VMT, biographical data, gallery plans, invitations to preview Hogarth exhibition. Dates- 9/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Request for luncheon and agenda. Dates- 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison. Subject- Request for VHS to hold annual meeting. Dates- 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to Col. Hodges (Membership Chair). Subject- Trustee/Museum business, Hodges served as the Chairman of the VMFA Membership Committee, etc. Dates- 11/35-3/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA Bulletins: vol.26 no.3 and vol.27 no.6. Hogarth lecture to VMFA, itinerary, biographical data, Wm. Blake exhibition. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Candidate for Theatre Director 1957. Contains resume and letters to, from, and about him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, P. Davidson, and P. Rathbone. Subject- Exhibition: \"Treasures of Alexander\", request for loans, list of objects in connection with exhibition, installation design, theft of Nike Earring. Dates- 9/63 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Term as a Trustee and Fellow at VMFA and as a Trustee at Norfolk Museum, Exhibition: Treasures from the Norfolk Museum. Gifts and donations. Dates- 9/61 - 4/3 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Collectors circle, Fellows, Trustee, gifts and donation. His service as a Trustee at the Chrysler Museum. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information on state holidays. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and Gov. Holton. Subject- Proposal for a Bill to organize a citizens advisory committee to improve furnishings and interpretation of the Gov. Mansion. Statewide Building Code, Administrative Amendments 1/29/73, Sec. 873.5. List of participants and Museum conference notes to determine how Va. Museums can assist one another, Inauguration arrangements committee, rosters: House of Delegates, Senate and legislature. Essay- \"The Holton Years: A Summing Up 1970-1974\". Dates- 9/61 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and Reports from the Honors and Awards Committee and the Board of Trustees, 1948-56. Much of this concerns Mr. and Mrs. A.D. Williams, The Katherine Rhoads Fund and the Webster Rhoads Medal, and Arthur and Margaret Glasgow, letter regarding the Mary Samuel Davies Bright Memorial. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Arts and Humanities Commission, Pratt Estate, Cabell Foundation, Ford Foundation: VMT underwriting. Trustee interviews, gifts of appreciated property. Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper clippings, photographs. Dates- 10/8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and J.M. Brown. Subject- Parsons Fashion Show, slides, pamphlets, newspaper clippings. Dates- 8/63 - 7/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Seating arrangement. Dates- 11/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J. Sweeney and Lee Malone. Subject- \"Design In Scandinavia\", Cheek's remarks. General correspondence concerning museum loans and policy. Dates- 4/63 - 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Miss Nora Houston and T.C. Colt, Jr. Subject- biographical information, information about exhibitions she participated in, proposed acquisition of her work, etc. Dates- 4/36-2/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- U.S. House of Representatives, New York State. Correspondence concerning government support of the arts. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Copy of his speech given at the Architectural League Symposium 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Term as a Trustee, membership campaign, budget committee, newspaper clippings. Dates- 5/59 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Fellow, VMT, Exhibitions, Artmobile, long term loan of 18th C. Dec, Arts objects, Hogarth exhibition, contract bid for landscaping, North Wing. FILM: \"THE ART of THE CONSERVATOR\" Dates- 2/64 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Trustee, Fellow, gifts. Remarks concerning Fellows meeting, Draft of Executive Committee Meeting Minutes, 12/8/70. Official application form for AAM accreditation. Art Nouveau Collection, Council lecture and luncheon with draft of suggested remarks delivered by C. Humelsine. Dates- 1969 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Requests for catalogues, loans, exhibition announcement, proposal for an \"International Traveling Exhibition\", technical info on Ivisiglass. Dates- 4/45 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- RSVP's to auditorium inauguration, thank you notes to musicians used for the opening, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Innocenti and Webel (landscape architects) concerning VMFA grounds. Dates- 7/64 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison, L. Cheek, T. Colt and Mrs. Pollard. Subject- Requests for publications, general information regarding VMFA collections, exhibitions and museum operations. Dates- 10/35 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General information on exhibition installations.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains one brochure, 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- insurance against air raids and other war damage, correspondence with other museums about war risk insurance. Dates- 6/42 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, L. Cheek, Jr. and M.B. Christison (Assistant Dir. for Collections and Education). Subject- damage claims to art objects we lent and/or were on loan to the Museum. Dates- 11/49-11/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Samuels Collection [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Draft of the Constitution and By-Laws of the proposed Virginia History and Museums Federation. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- ICOM statement of mission, travel expense records, membership and financial statements, pamphlets, Minutes of Executive Committee 1/30/60, 5/25/65, Annual Report 1965, newsletter, pamphlets, etc. Dates- 1961 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Annual Reports, Statutes, guidelines for International Rules of National Committee, Museum Training Programs, Newsletters, Minutes of Annual Meetings, budget, membership, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Mrs. J. Pope (Pres. IEF) Subject- Invitation to become a member, statement of mission, list of officers, IEF Financial Report 12/31/72, Annual Report 12/1/72, NEA award, catalogue listings, list of traveling exhibitions 1966-72. Dates- 1966 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Anne Marie Pope. Subject- Lists of current and planned exhibitions, events schedules, minutes of annual meeting. Dates- 1973 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Article from \"Preservation News\", 1/71 vol., XI, no.1 and Sunday Supplement from New York Times. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown, P. Near, Phillip Johnson. Subject- P. Johnson's advise of design of the New Wing and as possible juror for Va. Biennial. Rotunda Club, Jamestown Festival, Robinson House, Hogarth Exhibition, Jr. League activities, and restoration of downtown Richmond. Photocopy of text from letter between Wm. Fitzhugh to Charles Carter 11/30/1796, pamphlets, donations, gifts. Dates- 12/55 - 12/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from W.S. Robertson. Subject- Letter of appointment to Executive Board. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 350th Anniversary. 1955-57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information on the Museum's contributions to the celebration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek to serve on advisory committee and certificate of award for his service, presentation of Pocahontas portrait for permanent display, \"Report From Sub-Committee, Jamestown Commission\", 10/30/57. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- photos of the \"Japanese Architecture\" exhibition, printed material for the exhibition, arrangements for bringing the Japanese Charge d'Affaires to VMFA, transcript of remarks made by Mr. Shima (Japanese Charge d'Affaires) at the opening preview, etc. Dates- 4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Itinerary and agenda for East Meadow High School of East Meadow L.I., New York. Dates- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown. P. Near, A.P. Jenkins. Subject- A.P. Jenkins collection, gifts and contributions, loans, Fisher rug collection, B. Barenson, Ash Lawn, Caligula statue, invitations, agendas etc. \"Art Now: New York\" vol.2 #10, University Galleries, 1970 (contains large color plates). Conceptual statement for Cabrillo Marine Museum. Dates- 8/54 - 9/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Jay W. Johns. Subject- Trustee/Museum business, gifts to Museum, information about an Evelyn Byrd portrait by a disputed artist (Kneller or Bridges), etc. Dates- 6/35-9/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- J. Johns service as a Trustee and Fellow, gifts and donations. Dates- 4/50 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- B. Johnson's (Conservator of L.A. County Museum) observations concerning the authenticity of a Veronese painting and his personal collection of pre- Columbian sculpture and Asian ceramics. Dates- 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and T. Catesby Jones. Subject- Jones' collection of modern paintings and sculptures, gifts to the Museum art and books, letter from Jean Lurcat, etc. Dates- 3/41-12/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- The loan of Mrs. Catesby's collection of French Modernists to the VMFA and gifts. Dates- 2/50 - 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from l. Cheek, R. Guest (Fellows, Chair) and W. Robertson. Subject- Her appointment as a Trustee and role as chair of the membership committee. Dates- 7/64 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- State Supervisor of Art, 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- purchase requests for photos. Dates- 3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to J.M. Brown. Subject- Agenda and letters of confirmation. Dates- 6/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Volunteers at the Museum, 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter of confirmation. Dates- 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Letters of recommendation, resumes, prospective jurors, exhibition: \"Ugliness in Virginia\", Robert E. Lee Memorial, Fellows, gifts, donations, pamphlets. Acquisitions: Artists, Duane Hanson and Stephen Posner. Dates- 4/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Karolik collection of American Painting, Artmobile and Collectors Circle. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Maxim Karolik. Subject- proposed lecture for exhibition \"The Karolik Collection\", printed material for exhibition, etc. Dates- 9/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Illumination exhibition for the American Federation of Arts: proposal, budget, exhibition news, advisory committee and Minutes of 1st Meeting 11/23/64. Dates- 1/65 - 2/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek as member of the Council for the Kennedy Center and Board of Trustees, bulletins, progress reports and newsletters and a letter from Jacqueline Kennedy dated 1/14/66. Dates- 2/59 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and H. Willett (Supt. of Rich. City Schools) Subject- Letter to F. Keppel (Asst. Sec. of HEW) concerning a Math and Science Center. Essay- \"Proposal For a Supplementary Mathematics and Science Center\". Dates- 11/65 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters of request and confirmation, menu and tour. Dates- 8/71 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Pamphlets: \"The Library - Documentation Project spring 70\" , \"The Urgency of Our Mission\" and \"Statement of Purpose Fall 1969\". Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J.G. Pollard, T. Colt, L. Cheek and Harry Brooks. Subject- Requests for publications, provenance of Italian Renaissance painting being considered for acquisition, loans, pamphlets and shipping invoices, etc. Dates- 2/46 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, T. Simmons (Knoll) and Florence Shu Knoll. Subject- Interior design and furnishings of the Members Suite, offices, restaurant and Library, Knoll Catalogue 1956, newspaper clippings. Dates- 2/49 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Portrait commission of L. and Mary Tyler Cheek and his exhibition at the Museum of the City of New York. Information about introduction to exhibition catalog. Dates- 1/63 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Parson's School of Design. Design consultant VMFA 1954-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- The creation of layouts of loan exhibitions and permanent displays, agendas, job description, newspaper clippings, biographical data, postcard, etc. Dates- 2/58 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mr. Koenig was a guest promotion director at the VMFA 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to contributors of memorial fund. Subject- Memorial established by the Theatre Associates of VMFA, sample of bookplate in his memory. Dates- 4/62 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Samuel H. Kress Foundation 1958-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence about bill and payments with Kuhn. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artmobile project for the Arkansas Arts Center, \"Let's Go, Reflections on the Art of Administrative Leadership\". Dates- 8/62 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Chapters/Affiliates, newsletters, Lectour broadcasts, newspaper clippings, invitations, Lawler Memorial Fund, Artmobile. Artists: Pietro Lazzari, Janice S. Lemen, John Gadsby Chapman, photograph. Dates- 5/58 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown and P. Near. Subject- Publication requests, gifts, contributions, collectors circle, Fellows, suggested bequest wording, Artmobile, loans, exhibition announcements, NEA questionnaire: \"Conservation in Museums- August 1971\", restoration and condition report of \"Battle of Yorktown\", Lami. Artists: Mario Dubsky and Eugene Berman. Gift and donations: \"La Sympathie\", Pettijean. Date- 11/62 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Port Sunlight, Chesire England.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and the VMFA Board of Trustees. Subject- To prevent the construction of the Valentine Museum's Latrobe Theatre. Dates- 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lecture by Cheek to the College Art Association 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to E. Cless (program Consult., U. of Minn.) Subject- U. of Minnesota Institute on Administration and Services in the Small Art Museum, program agenda, travel schedule, list of registrants for the seminar, report on the panel on museum publications, pamphlets, map, etc. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek to G.H. Holmes (Dean of U. of Pa.). Subject- Urban Criticism, experiences in traveling exhibitions on city planning, resolutions and solutions on urban problems. Biographical data on participants of conference, travel expenditures, agenda. Dates- 7/58 - 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Priscilla Crum to Prentiss Taylor. Subject- lecture by Taylor, Wednesday evening programs schedule 1948, proposed schedule 1947-8, etc. Dates- 9/47-1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and M.B. Christison. Subject- prospective speakers, films, etc. for programming. Dates- 10/48-12/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- schedules for Wednesday evening and musical programs. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lectures given by L. Cheek, Jury duty lists, consultations, invoices, expense records, agendas, pamphlets, magazine excerpts, Essay- \"The Place Of The Arts In Our American Culture\", by L. Cheek. Dates- 1953 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lectures given by various members of the VMFA staff. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from D. Nicholas. Subject- Procedure and policy concerning VMFA security.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Monthly newsletters on \"Reflections on the Art of Administrative Leadership\", L.H. Kurtz, publisher/editor. Dates- 9/62 - 11/64, 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown, P. Near C. Humelsine, F. Brandt and Wm. Gaines. Subject- Art Nouveau Fund: list of purchases, legal document of fund establishment. Artmobile and contemporary Art Purchase Fund. Dates- 5/67 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Possible sources for the purchase and restoration of the Alexander-Withrow House, Lexington, Va. Dates- 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- D. Liebes (color consultant and textile designer) on proposed text for her essay to appear in AIV and her lecture to be given at the VMFA on crafts and the creation of VMFA Craftsperson - residence. Dates- 4/63 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and E. H. Bushbeck (Kress Found.). Subject- Drawings and description of Dr. Reinhardt's gallery in Switzerland. Dates- 2/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and V. Gaskins (asst. to L. Cheek). subject- Planning of VMFA lighting facilities, \"Art Museum Lighting\", 2/59, excerpt from a journal of Electrical construction and Maintenance. Dates- 2/59 - 9/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposal of Library-Museum at Lincoln Center. Dates- 2/59 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ralph Linton Collection of African Sculpture. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Requests for loans of furnishings to other state properties. Dates- 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of loans under consideration, loans to ambassador residences in England and Australia. Photographs. Dates- 2/61 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and director of Louvre. Subject- Poussin exhibition at Louvre and VMFA loan of \"Achilles on Skyros\" and Delacroix exhibition, loan of \"Deliverance of Princess Olga\". Dates- 10/59 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lighting Technician, VMFA, 1953-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and C.B. Lusk. Subject- Lighting instruments and technical drawings. Essays- \"Lusklite as developed and used at the VMFA\" and  \"The Installation and Lighting of Exhibitions at VMFA\" Dates- 8/56 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.R. Duncan and Gordon Huff. Subject- Expansion of Lynchburg Arts Center to become an affiliate, loans for opening gala, suggested text for print media, schedule of events, Artmobile, Lynchburg Arts Center Executive officers. Introductions for L. Cheek and W. Robertson, travel itinerary. VMFA lecture series: Building For The Arts 1965-66, pamphlets. Dates- 5/62 - 7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposal for \"The National Arts Center of New York University at Washington Square\", Exhibition: \"Tastemakers\", based on R. Lynes Book. Official guest list for opening reception. Dates- 10/54 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, L. Cheek, P. Near and F. Haseltine. Subject- Membership, gifts, personnel references, loans, Jamestown Foundation, proposal for commission of sculpture in F\u0026amp;M Plaza. Acquisitions and gifts: Egyptian cups, Coptic sculpture, Bertoia drawing. Dates- 4/61 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Macbeth Galleries. Subject- loans for inaugural exhibition and general correspondence about proposed acquisitions from Macbeth galleries. Dates- 9/35-7/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Orders and correspondence for back issues of Bulletins and magazines, 1946-47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Alessandro Magnasco, Painting 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mailing and sign schedules, roster of names and institutions. Dates- 1960 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mailing and events schedules. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, P. Near, D. Isley (Norton Simon Collection). Subject- Press releases, shipping, installation, purchase invoice, info regarding owners of the other castings. Photographs and slides. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Paul Manship. Subject- designing the John Barton Payne medal. Dates- 9/36-10/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and W. Robertson. Subject- His Service as a Trustee, Fellow, and chair of Trustee Budget Committee. Biographical info, Artmobile, 25th Anniversary of VMFA, museum business, financial statements, Education In The Arts. Dates- 12/56 - 5/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Long Island Historical Society. Subject- Provenance, purchase through Glasglow Fund. Dates- 12/55 - 1/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Resume, photo, agenda, NEA grant request. Dates- 4/65 - 5/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- M. Baldwin Choir Program, Alumnae issue Bulletin concerning visit of Pres. Eisenhower. Invitations, Fine Arts Center, Woodrow Wilson Project. Dates- 2/56 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Julien Binford. Subject- Mary Washington Arts Center, invitations, VMT, loans of art works, newspaper clippings. Dates- 11/49 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Gifts to VMFA. Dates- 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mrs. William R. Massie. Subject- Trustee/Museum business, etc. Dates- 12/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecture: John Goldsmith Phillips, biographical data, press release and catalog list. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecturers: V. Isabelle Miller and Mrs. Yves Henry Buhler. Press release, publicity schedule and photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- floor plan, instructions for installation for exhibition \"Masterpieces of Chinese Art\", printed material for exhibition, thank you notes to lenders to the exhibition, etc. Dates-11/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Candidate for the Theatre Director Position. Contains resume and applications, letters of recommendation etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Director of Public Relations for 20th Century Fox. Speaker at the Museum 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Public Information Division VMFA. 1955-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Director of Vassar College Art Gallery, requests for publications, lecture. Term as curatorial research asst. at VMFA. Dates- 9/53 - 6/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Dedication of new Library, loans, invitations, VMT, Farewell gift to Mr. and Mrs. Cheeks with poem. Gifts, contributions, G. Melchers memorial. Dates- 2/60 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- General membership information, loans, press release, invoices, newspaper clippings, etc. Art Nouveau Collection. Letter to L. Marden (residence designed by Frank Lloyd Wright). List of Artists editions: prints and objects from Multiples Inc., NYC, price list and description. Artist: Phillip Lindsay, signature. Acquisitions: Monet, van der Helst and Rodin. Dates- 12/69 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and French and Co., Inc. Subject- pieces sold to and installed in the Museum, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposal to establish an Institute of Mediterranean Culture at U. of R. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Carroll L.V. Meeks. Subject- thank you notes for visit to New England personal friendly letters, etc. Dates- 4/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, Mrs. Pennell (Membership Secretary) and Mrs. Gari Melchers. Subject- VMFA members in Fredericksburg, postcards, gift to Museum , etc. Dates- 12/35-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Her service on the Executive Committee, Melchers Estate, budget, gift status of \"Dead Jockey\", E. Degas. Contributions, gifts, newspaper clippings, biographical data. Dates- 4/56 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt (Dayton Art Inst.) and Dr. Higgins (Chair of VMFA Board), J.M. Brown. Subject- \"Disposition of Mr. Gari Melcher's Estate Excerpted from Virginia Museum Minutes Books, No.4,5and6\" , prepared by A.W. Statnaker, Asst. Administrator 7/17/74. Resolution, re: \"Belmont As An Art Center And Museum\" and \"Opening Of The Belmont Facility To The Public\" , Executive committee Minutes. Dates- 5/74 - 11/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Melchers estate/bequest to the Museum, agenda and minutes of Gari Melchers Memorial Committee 5/56-10/56, report and proposals of that committee. Dates-5/56-10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- appointments to committee, general operation of Estate, suggested budget, list of Melcher paintings owned by VMFA, loans of art works, drawings/blueprints: G. Melchers Studio air conditioning system and proposed plaque for ashes of Mr. and Mrs. Melcher. \"Belmont Agency Agreement\", Bill to transfer Melchers Memorial from VMFA to Mary Washington college. Dates- 4/56 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- First Chairman of Fellows: 1st Annual Meeting and statement of purpose. Exhibitions: English Painting, French Portraits, Sport and Horse, Artmobile. Old Dominion Foundation and his membership on the Executive Committee, gifts, donations and contributions. Dates- 2/38 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His membership on the Board of Trustees, Fellows, Collectors Circle. Biographical info, loans of art works from his personal collection, donations and gifts to VMFA and the National Gallery, Artmobile, as a recipient of the Benjamin Franklin Award: statement of purpose, nomination form, list of contributions, newspaper clippings, photocopies of magazine articles, invitations , etc. Dates- 1965 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and W. Robertson. Subject- Collectors Circle, Fellows, term as VMFA Vice President. Press releases, newspaper clippings, contributions and gifts. Dates- 4/60 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison. Subject- Members lecture series. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Wm. Higgins, Jr. (Pres.) and C. Humelsine (Pres.) Subject- Draft of letter to membership regarding schedule of events etc. Dates- 9/71 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program where paintings from contemporary Virginia artists would be loaned (rented) to members to have in their homes. Members could also purchase the paintings. \"Designed to bring the work of Virginia artists into the homes of Virginia citizens.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Wm. Higgins. Subject- Monthly membership report summary, Chapters/Affiliates reciprocal membership program, letters of general correspondence to the membership. Dates- 4/70 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- minutes of the Membership Committee 1/48, 2/49 and a letter supporting the proposed theatre wing from Mrs. Wm. Trigg, Jr.(Civic Theatre Committee, Div. of Recreation, City of Richmond). Dates- 9/47-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Membership report, promotion, agenda, roster of committee members, minutes of committee meeting. Dates-8/72 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes of membership committee, elements of campaign to attract new members and move members to higher categories. Dates- 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Guided tours for prospective members, agendas, schedules, newspaper clippings, excerpt from Minutes of Executive Committee 12/14/72. Dates- 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Webster Rhoads (Pres. of Museum Board) and R.A.Velz (Administrator). Subject- list of new museum members, request form for membership, Membership Reports 1954-5 and 1955-6, list of membership privileges, etc. Dates- 11/55-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. W.A. Nones (Chair, Trustees), J.M. Brown and C. Humelsine. Subject- General membership information, schedule of events, calendar, pamphlets, etc. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- membership rosters of local organizations, copies of a cover letter soliciting members, etc. Dates- 1/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Survey results, years of membership, exhibit preference, age, attendance, annual contribution. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- planning stages for corporate memberships, proposed fees, privileges, etc., counsel from other US art museums, list of corporations to be approached about the idea, etc. Dates- 1946- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Corporate membership drives, presentation to J.C.'s, excerpt from Newsweek. Dates- 6/60 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison. Subject- Members art studio classes and lecture series. Dates- 6/54 - 9/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 6/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 9/54-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and R. Velz. Subject- memos regarding segregation and other policies at the Museum. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison, L. Cheek and R. Velz. Subject- Miscellaneous information concerning collections in general: treatment/condition reports, insurance, loans, installations, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- Miscellaneous museum operation: Artmobile, Art Lending Service, Virginia Artists, lists of objects on loan, exhibitions, damage reports of objects and gallery inspections, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- inter-office memorandums on various subjects. Dates- 12/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison, L. Cheek and H. Glasser. Subject- Exhibitions, Pratt Collection, gallery inspections and all manner of museum operations and programs. List of lost objects on loan to the Bon Air School for Girls. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- Inter-office memos concerning insurance valuations, loans, lectures, library, exhibitions and policy on filing acquisitions data and damage reports. Date- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Pamphlets published by the state Department of Mental Hygiene and Hospitals and the Mental Hygiene Society of Virginia. Dates- 1951-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and various staff at the Metropolitan Museum. Subject- museum practices, long-term loans of Egyptian art and artifacts, securing speakers, etc. Dates- 1/55-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J. Rorimer (Dir., MET) and A. Priest (Curator, MET). Subject- Damage to MET's \"Bacchus\", objects to purchase, loan requests. Acquistions and gifts: Tibetan Scroll; Coat of Japanese Mail. Dates- 11/69 - and/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Michael Jacobs Gallery. Subject- loan of painting (George Washington by Gilbert Stuart) for inaugural exhibition. Dates- 6/35-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Midwestern book competition for which Cheek served as a juror, competition judged in Richmond, lists of criteria and books, printed material for the competition, etc. Dates- 4/56-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Jo Mielziner. Subject- friendly letters, mention of possible Mielziner exhibition, etc. Dates- 12/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, list of stage designs available for purchase, his lecture to VMFA, schedules and agenda's, etc. Dates- 10/54 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Miller and Rhoads department store staff. Subject- showing VA artist work in store windows, borrowing supplies from the display department for the Museum (folding chairs, textiles), etc. Dates- 2/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and W.S. Rhoads. Subject- Nomination of Miller and Rhoads, Inc. for Esquire magazines 1st annual \"Business in the Arts\" award. Support of Artmobile II. Exhibition: \"Masterpieces in Millinery\", spring 1958. Preliminary outline of fashion costume requirements for VMT \"Lady In The Dark\". Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Speaker: Philip Adams. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. John M. Miller, Jr. Subject- Trustee/Museum business, Miller served as a member of the Membership Committee, etc. Dates- 6/35-7/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mr. J.G. Pollard, Jr. Subject- asking Mr. Milliken (Director of The Cleveland Museum of Art) for counseling on acquisitions, draft of an agreement where Milliken counsels the Museum staff about proposed acquisitions, etc. Dates- 3/58-3/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from B. Mills in his role as Asst. Administrator of Personnel. Subject- Records, applications, payroll, medical insurance, announcements of new employees and terminations. Dates- 9/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt and L. Cheek, Jr. and The Mint Museum staff. Subject- museum practices, loans, etc. Dates- 8/46-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- obtaining the motion picture for which the drawings in the exhibition \"Gil Wilson 'Moby Dick'\" were made. Dates- 12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- printed material for exhibition \"Modern German Art\", invitation to Mr.and Mrs. Alfred P. Jenkins for dinner and exhibition preview, (Mr.and Mrs. Jenkins owned the modern German art collection shown). Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Creation of James Monroe Bicentennial Commission. Dates- 8/57 - 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown between MAC. subject- Section 21-2 of the Richmond City Code: designation of Monument Avenue as an Historic District.  Minutes of meeting of MAC, 4/24/71 and 5/19/71.  Program Planning Task Force, editorial broadcast, roster of members, Articles of Incorporation, By-Laws, agendas, proposals and pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., and Mr. Charles Moore. Subject- Moore's application for the Director/Producer position in the Virginia Museum Theatre. Dates- 12/56-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data and his lecture tour to the VMFA. Dates- 4/53 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Georgia Watson Morgan. Dates- 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Search for candidates for public information supervisor, job requirements, resume, publicity agendas, public information schedules, Bulletin vol.20, no.3. Dates- 6/59 - 7/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Mulholland (magician), biographical data/pamphlet, his magic presentation to the Fellows and VMT. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, his address to VMFA membership concerning architectural history. Dates- 10/55 - 8/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Munn Last Will and Testament with list of objects bequeathed to VMFA. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and T. Colt. Subject- Mural competition for Virginia State Library entrance hall: selection process, general assembly commission of monument to Stonewall Jackson. Dates- 4/46 - 6/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Envelopes of photos and negatives of Pre-Columbian art objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Gallery attendance and educational groups. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for Oct. Bulletin 1954, copies of the following Members' Bulletins-vol.15, no.2 (10/54) and vol.13, no.3 (11/52). Dates-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison. Subject- working papers for Members' Bulletin Oct. 1955, VMFA calendar 10/55, etc. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for Oct. Bulletin 1955. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Design of annual Christmas cards by Virginia Artists: John Ballator, Charles Smith, John Canaday, Allan Jones, Ross Abrams, Julien Binford and Prentiss Taylor. Dates- 11/48 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns transportation for the Museum lecturers and guests 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, M. Christison and Mrs. Pollard. Subject- Inquiries from other institutions regarding museum operations, budget, services, corporate membership, Trustees, etc. Lists of purchases, Fellowship recipients. Dates- 1937 - 53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Arrival of Hollins and VCU students to work on specific projects for one month. Dates- 12/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt. Subject- Proposal and tentative plans, prospective filmmakers. Minutes of Executive Committee of Southern Educational Film Production Service. \"Motion Picture Production\": Study by H. Jeff Forbes and Associates regarding promotion of VMFA. Dates- 11/46 - 2/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Memos about various museum topics. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, V. D'Amico (Dir. MOMA), M. d' Haroncourt. Subject- Art education standards, exhibitions, loans, lectures, museum policy, juror search and Jamestown Commission. Dates- 11/55 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Head of Administrative Division), Mrs. J.G. Pollard and L. Cheek, Jr. Subject- suggested future organization of the institution, operating procedures throughout the building, etc. Dates-2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding the division of expenses between the theatre and the museum, 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Promotional literature on the VMFA. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Material deals with segregation policies at museum events. 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence pertaining to printing. Bulletin mock-ups and copies of the following bulletins: Vol.6, No.4,  Vol.7, No.'s 2and7. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper clippings and magazine articles. Photographs, press releases etc. 1955-57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposed budget groupings for VMFA, according to departmental divisions and table of organization. Dates- 1948 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Events, timetables, agendas, Robinson House, housekeeping, security, VMT. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Schedule of events, exhibitions, Robinson House. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Schedule of events, mailing schedules, spring agenda, Confederation Conference, Robinson House, VMT, gallery closings, Discovery Cruise: Land of Maya. Date- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Suggested talk by Pres. of Museum to guests at Safari Dinner in Medieval Hall. Dates- 1/22/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Travel package for travel to Asia, brochures, cultural travel tours. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Policy regarding loans of art works to other Museums, employment search, provenance of art objects, pamphlets, newspaper clippings, etc. Resolution: To order immediate safe return of German master works after Nazi occupation, signed by U.S. museum directors. Dates- 4/46 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Applicant search for various positions, invitations, announcements, exhibitions, etc. Press kit for the Milwaukee Art Center. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Peter Mooz. Subject- General correspondence on exhibitions, loan requests, museum business, job placement, magazine and newspaper clippings. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibitions, loans, policy. Dates- 12/60 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Schedule of music series and members of committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- schedule of program of recorded music, announcement of 6th artist evening 1/46, Museum Bulletin Vol.5, No.2, etc. Dates- 2/46-5/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Jerome Myers. Subject- acquisition of his painting: Street Scene, N.Y., his acceptance to the National Exhibition of American Art, N.Y., etc. Dates- 4/36-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown and P. Near. Subject- General correspondence to Trustees and membership, letters to Robert Neutra, exhibitions: Henry Moore, Sport and Horse. Agendas, travel itinerary, events and invitations. \"Encouragement of the Nations Arts\", an appeal to congress, and \"Proposed Federal Advisory Council on the Arts\", Hon. H. Alexander Smith, U.S. Government Printing office, Washington D.C., 3/26/57. Requests for employment, postcards, pamphlets and photographs. Artists: Jean Nikolic. Accessions and Gifts: \"Disasters of War\", Goya; \"Lore Fuller\", Raoul Francois Lanke; \"Dancing Girl With Tambourine\", A. Leonard; \"La Revre Blanche\", Toulouse Lautrec; Revere and John Andrew spoons and vase possibly made by Johannes Loetz Witwe. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Namuth's exhibit of photographs at the Brussels World's Fair, as a juror VMFA. List of Seventeen painters photographed by Namuth: Wm. Baziotes, J. Boynton, L. Calgagno, N. Carone, R. Diebenkorn, J. Ernst, S. Gechtoff, G. Hartigan, E. Kelly, W. Kienbusch, G. Mueller, K. Morris, B. Perlin, C. Marca-Relli, R. Motherwell, A. Reinhardt, L. Siegriest, with original notes by Namuth. Letter from J. Ernst with signature. Date 4/61 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Statement of purpose and future of NCA, Board of Directors, Members of Council, fellowships, program grant application. Essay- \"National Endowment For The Arts Before The House Appropriations Subcommittee On The Interior And Related Agencies Tuesday, March 14,1972\", statement by Nancy Hanks (Chair): \"New Dimensions For The Arts: 1971-1972\" Dates- 1970-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L Cheek. Subject- Bill: S. 2379, To provide for the establishment of National Council on the Arts and National Arts Foundation. \"Congressional Record: Proceedings and Debates of the 88th Congress\" Dates- 2/64 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Public-Law 85-874, S. 3335: charted by the 85th Congress to establish a bureau in the Smithsonian Institution devoted to the Performing Arts. \"Peaceful Use Of Creative Energy\": transcript of lecture given by Col. Corrin Strong at the Tri State Arts Conference 4/29/61; Report: \"The National Cultural Center Part Two: What Goes into the Center\" by Dr. Carelton Sprague Smith, 10/60. Minutes for the NCC Executive Board: 5/23/60 and 6/29/60 Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. cheek. Subject- VMFA Council sponsorship of a closed circuit telecast by NCC: \"An American Pageant Of The Arts\". Suggested text of publicity folder, invitations, Newsletter: \"Footlight\", vol.1 no.3.; \"For A Cultural Capital\", Eleanor Roosevelt, 1962, United Feature Syndicate, Inc. NCC, later to be named the \"Kennedy Center For Performing Arts\". Dates- 7/62 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exchange of ideas and experience with other institutions who use audiovisual tool to communicate with museum visitors. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters of appeal to serve on Virginia NEFTA committee, roster of members. VMFA appointed as the state agency for the administration of Federal matching funds; to aid in expanding the cultural horizons of a states and territories. \"Guidelines\" 1/67, NEA, Washington D.C.; \"National Foundation On The Arts And The Humanities, Question and Answers\", U.S. Government, Washington D.C., 1965. Dates- 1965 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Survey of membership, officers of VMFA, according to race, gender, age, position and time served. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz. Subject- Grant proposals, application, letters of support, proposal for a Regional Conservation Center, Soldiers Home, American Marine Painting, NEA statement of purpose, Museums A.S.A. Study, Museum Program guidelines, Smithsonian Puppet Theatre, Young Peoples Theatre Safari, \"American Painting 1974\" and newsletter from the Arts Reporting Service. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Financial assistance to Chamber Music Societies, season brochures, project grant application form for Va. Chamber Music Society. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Grants received by Arts/Cultural organizations in Virginia: guidelines, program committee members, agendas and minutes from the program sub- committee 3/7/68. NEFTA project recommendations for a regional conservation center. Dates- 6/76 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT survey, McLean Arts Center, guidelines for program grants. Senate Joint Resolution No. 67: to create a Virginia development study commission, bill 1483: National Foundation on the Arts and Humanities Act of 1965 and a report with guidelines for VMFA as the sole administrator of NEFTA matching grants. Study for Virginia Artist and Craftsman in regard to education and support. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Grant applications from Virginia Dance Society, VMFA, Confederation of Virginia Art Organizations and Budget proposals. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- State guidelines and general information, terms and conditions, NEA matching grant to begin statewide professional operation of VMT. Addresses of applicants for state grants, roster of Virginia NEFTA committee members. Dates- 2/66 - 6/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Regarding J.M. Brown's service on committee to evaluate grant applications. Valentine Museum NEA application, pamphlets. Date- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- arrangements for exhibition \"Designer-Craftsmen 1953\" presented in conjunction with the American Craftsmen's Educational Council, Inc., (ACEC), letters to jurors, etc. Dates- 9/52-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and National Gallery of Art. Subject- preview invitations, exchange publications, excerpts from Roosevelt Art Address (from dedication of National Gallery 3/41), loan request for VMFA inaugural exhibition, etc. Dates- 3/41-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- pamphlets and information about \"National Park and Recreation Week\" sponsored in Richmond 5/21-5/30, 1949. Dates- 4/49-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Geographical directory, \"Historic Preservation\" journal, vol.11, no.3, 1959 and Melchers Memorial. Dates- 1959 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Organization membership information form, questionnaire. NTHP certificate of associate membership 1971-73, employment placement and service pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Travel itineraries, objects for prospective traveling exhibitions, list of slides, forgeries and thefts. Accession and acquisition proposals. Dates- 1/61 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Conservation of objects/paintings, loans. Accessions committee meeting agenda, 10/69. Report on Authenticity of \"Marble Head of a Horse\", Heermaneck Ancient Iranian Collection. Exhibitors: The child and his World. Condition reports and repair estimates for tapestries. Photographs Dates- 12/69 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Sydney Lewis and Peter Mooz. Subject- Authenticity of Cycladic Harpist and 18th century American secretary. Provenances of various objects, conservation and treatment reports. Catalog: \"Arshille Gorky\" Dates- 1/74 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Sydney and Frances Lewis and Peter Mooz. Subject- Conservation/treatment reports, Artnian Collection of self-portraits. Conservation/treatment reports, Kent Independence Portfolio. List of Art Nouveau objects, damage reports, African Collection. Report of authenticity regarding the Cycladic \"Harpist\". Letter from Arnaldo Pomodoro regarding a base for \"Rotating Sphere\". Dates- 5/75 - 8/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Hours of operation, VMFA and other museums, attendance records, VMT, security, UNESCO newsletters 4/58 - 8/59, newspapers and magazine clippings, press releases. Dates- 7/59 - 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Cheek's annual N.Y. cocktail party: guest lists, arrangements, rosters of speakers to VMFA: 1951-52 and 1952-53. Dates- 1952 - 54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newsletter to Trustees concerning exhibitions and appointments to Executive Board, accessions, building, etc. Dates- 11/70 - 8/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Wm. Morrison (P.R. VMFA), F. Palmer (P.R. consultant), D. McCammond (P.R. Reynolds Metals). Subject- Public Relations of E. Newsom and Co. to conduct a study to determine the needs and potential of VMFA. Program organization, community relations, film, book press material, schedules of events, etc. Dates- 8/58 - 9/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- A survey targeting the needs, current and future of VMFA, with solutions/resolutions for every aspect of the museums' operation. Dates- 11/58 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. A. I. duPont and F. Palmer. Subject- Roster of members of Board of Trustees, letter of appeal for pledges, principal elements of Newsom Program. Dates- 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. A.I. duPont (chair, Ann. fund). Subject- Strategy to raise funds through the Trustees to finance the Newsom Public Relation Firm program for VMFA. Drafts of letters to Trustees, progress report, minutes of 25th Anniversary Committee, 9/8/59. Dates- 12/58 - 7/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- all manner of museum operation: security, policy and procedure, personnel policy. operating budget and VMT. Diagrams of electronic console panel. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Museum business, construction and installation project schedules, budget, Equal Opportunity regulations, design contract for the Council shop, salary scales. Dates- 10/73 - 1/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Museum business, Conservation Lab, Fine Arts insurance coverage, budgets, Cabell Foundation gift. \"Report on the Freedom of Information Act\". Depreciation of \"Death of Regulus\", Salvatore Rosa. Dates- 12/74 - 7/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Museum business and operations, budget, contractual agreement between VMFA and Harwicke Associates, Inc. for North Wing project. \"Organization of the Virginia State Government\". Dates- 10/75 - 11/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- UVA architect and his membership in the Collectors Circle. Dates- 1/63 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- General assistant to VMT, employment recommendation. Dates- 6/55 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Possible acquisitions from his gallery. Dates- 10/62 - 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L Cheek and J.M. Brown. Subject- Loans, exhibitions, VMT, Rotunda Club, Fellows. Accessions and gifts: \"Metamorphosis\", Grillo. Dates- 4/57 - 6/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- correspondence with individuals, institutions and companies beginning with the letter \"O\". Dates- 4/43-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, photo and job description/responsibilities as program director for \"Art Column\". Dates- 3/61 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- As a scenic design consultant, his lecture to VMT in connection with the Exhibition: \"Design For The Theatre\". College Drama Festival, biographical data. Dates- 1/60 - 2/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, P. Mellon, E. Brooks Jr., and M. Bush. Subject- Financial support: Artmobile II, building grant and museum survey to expand visitors use to VMFA. Photographs, newspaper clippings. \"A Study in Modern Giving: The Old Dominion Foundation\", reprinted from articles in Richmond News Leader. \"Bollenger Series\", catalogue of special edition books. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, M. Bush (Asst. to Pres. of ODF) and P. Mellon (Pres. of ODF). Subject- Financial assistance to VMFA, Artmobile II, collectors circle, and Old Dominion Foundation statement of purpose. Dates- 9/58 11/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Dan Olney. Subject- receiving a Senior Fellowship 1941/2, outline for a lecture, etc. Dates- 10/40-6/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Governor Thomas B. Stanley. Subject- opening of the new wing. Dates- 8/54-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- opening and reception for Governor Stanley. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- invitations and replies to the opening of the Members' Suite, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Opera Society's first season. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- miscellaneous printed materials for the Museum, etc. Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- tickets to the Museum for State Lions' Club convention, etc. Dates- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- ideas/proposals for \"Members' Room\", suggested operating procedures, menus, pricing, etc., cost estimates, \"Refreshment Room Statement\" 1955, etc. Dates- 1/55-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre operations proposals, list of staff, their duties and salaries, etc. Dates- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- lists of statewide business, civic, commercial and other organizations, invitation list for General Assembly/Governor's reception, etc. Dates- 1953-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Orloff's (Chief-interpreter of U.N.) lecture to VMFA concerning the Faberge Collection, Biographical data. Dates- 11/49 - 4/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters of inquiry to firms specializing in plaster and wood ornament, catalogs. Dates- 5/54 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator). Subject- museum practices especially concerning finances of other US art museums, etc. Dates- 4/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, P. Near and J.M. Brown. Subject- Artmobile, VMT, Collector's Circle, Fellows, Chapters/Affiliates, biographical data, campaign to restore the Jefferson Hotel, list of exhibitions from 1942 - 45.  International Exhibition Foundation, the appointment of John A. Pope (Director of Freer Gallery) as advisor/consultant to VMFA for expansion of Far Eastern Collections.  Acquisitions and gifts. Artists: Nell Blaine, Howard Kanovitz, Otto Piene. Gifts: Masson lithograph, Irving Penn photo and 15 Russian 19th century paintings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Painter's lecture on \"Armor and Medieval Man\" to compliment the \"Arms and Armor\" exhibition, biographical data. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. Nelson Parker. Subject- announcement of Board meetings, etc., Date- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Appeal to Virginia Senate and legislature regarding sufficient museum parking utilizing land belonging to the UDC (United Daughters of the Confederacy). Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Gift of Egyptian Gallery and English Decorative Arts Gallery. VMT, and her membership as a Fellow and in collector's circle. Dates- 4/61 - 10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. J.G. Pollard and Executive Committee of the Board. Subject- proposal and planning stages of conferring an honorary degree of \"Patron of the Arts\". Dates- 6/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject-housing J.B. Payne books in library of the College of William and Mary in exchange for paintings from their collection of art for display at the Museum. Dates- 1/50-4/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek's service on the Board of Trustees and on the Advisory Board of the School of the Arts. Minutes of U. of P. Executive Board, 4/8/60, 4/29/63, 4/26/65 and Annual Report of Graduate School of Fine Arts, 3/64, 5/65. Dates- 10/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek as chair of Fine Arts Committee. Subject- Letter to P. Coombs on his appointment as Assistant Secretary of State for Educational and Cultural affairs, UNESCO newsletter, Nubian archeological sites. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and A. Frankfurter (editor, Art News). Subject- VMFA general collection, list of gifts and purchases, 1955-67, scope of exhibitions, dates, publications, colorplates. List of VMFA Board of Trustees, 1962, Gobelin Tapestries. Dates- 1953 -64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Articles based on exhibitions and general collection of VMFA, VMT, invoices, newspaper clippings, pamphlets, reviews, newsletters. NEA museum programs, research education grants. Dates- 1967 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Articles of VMFA: \"A Spring View of Virginia Museum\", 10/56, Wm. Lacey, Editor; \"Art isn't Caviar at this Museum\", Sidney Shalett, 7/57, The Diplomat. Dates- 10/56 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Articles and editorials pertaining to VMFA: Newsweek, Time, Art Gallery, Antiques, Museum News , etc. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Harper's Bazaar, New York Magazine, Apollo, reviews. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Editors V. Dabney (RTD) and J. Kilpatrik (RNL). Subject- Artmobile, reviews of VMT and media coverage by print journalists, newspaper clippings. Essay- \"The Arts In The Sixties\", by L. Cheek. Dates- 11/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and F. Stewart and C. Jones. Subject- Exhibitions: \"Form Givers\", Sport and Horse\" and Mellon Collection. Dates- 2/60 - 12/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains applications, resumes and information on candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and M. Christison. Subject- Job descriptions. Dates- 1953 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison, P. Near and L. Cheek. Subject- Fellowships: list of recipients from 1940 - 1955. Prospective employees and VMT. Dates- 12/54 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- personnel rules and procedures of VMFA and the Commonwealth of VA, mandates from the Governor's office, additional personnel and pay increase requests, Roster Cards (listings of all employees and pay rates), etc. Dates- 8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr., and R.A.Velz (Administrator). Subject- listing of division duties, proposed salary ranges, information about hiring an artmobile driver-curator, etc. Dates- 2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Photographs of L. Cheek, Mrs. J.G. Pollard, theatre staff, Ariel Ballif, Vincent Bowditch, Arthur Ballet, R. Velz and P. Near. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Personnel matters. Dates- 4/66 - 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains general information about the system and ratings for museum employees. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains applications, resumes and information about candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains applications, resumes and information about the candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains applications, resumes and information about various candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from the Governor's personnel survey staff. Subject- employment questionnaire, job descriptions (buildings and grounds staff, watchman, registrar, secretary, etc.), etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and the Governor's personnel survey staff. Subject- employment questionnaire, VMFA tentative classification of positions (3/37). Dates- 10/36-4/37.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Fiske Kimball (Director of Penn. Museum of Art). Subject- loans for VMFA inaugural exhibition, exchange publications, counsel on museum practices, etc. Dates- 5/35-5/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and R.L. Dickinson (Hanover Bank). Subject- The Library of Philanthropic Information at the Hanover Bank, New York City. Dates- 11/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- E. Turpin Phillips, a Virginia citizen and his request to see proposal plans for expanded museum parking onto UDC property. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Consultant for VMFA acquisitions. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Duncan Phillips (Director, Phillips Memorial Gallery). Subject- request for loans to VMFA inaugural exhibition, etc. Dates- 9/35-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Installation of VMFA photography department, list of equipment and supplies, employment of staff photographer: Gordon Burns. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- listing of entries to the \"19th Photographic Salon\" exhibition, schedule for jurors, etc. Dates- 3/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator) and L. Cheek, Jr. Subject- purchase requests for photographs. Dates- 10/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Ivan Dimitri as Director of Photography in the Fine Arts at the Brussels World's Fair, his service on the advisory committee, list of photographs given to VMFA from the PFA exhibition. Directors of America's Finest Museums: portraits, credo of on art and their personal selection of photographs from the PFA archives was the subject of the World's Fair exhibition. Etching by Levon West (Ivan Dimitri). Dates- 12/59 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Atillio Piccirilli. Subject- biographical information, loans of work to the Museum, etc. Dates- 7/35-1/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- viewing the feature film 'Pictura \"An Adventure in Art\"', invitations, contributions, listing of attendance, etc. Dates- 2/52-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Herman Starr (Pres. Pictura Corp). Subject- A group of films devoted to the fine arts. Presentation of \"Leonardo da Vinci\" at Richmond's Lee Art Theatre and film on Goya to accompany exhibition. Dates- 1/51 - 3/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Gallery dinner, menu, agenda, program for event. Dates- 8/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- policies on use of meeting rooms and studios, special food service, interpretative services, scheduling programs, etc. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence to and from him when he was President of the Board of Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- the VMFA inaugural exhibition, Museum events, finances, Museum Board business and bequests/gifts to the Museum, etc. Dates- 1/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- Museum operations, investments, finances and gifts to the Museum, etc. Dates- 1/37-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His service as President, Trustee and membership in the Collector's Circle. Biographical data, museum business: operating fund, Artmobile, Newsom Report, 25th Anniversary fund, Melchers Estate transfer, gifts, contributions, Fellowship Fund. Exhibitions: Sport and Horse. Dates- 9/53 - 2/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His service as a Trustee, VMFA Resident Craftsman Program. Dates- 2/64 - 2/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Design of members Bulletin, records retirement, museum business. Dates- 1949, 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Museum business, Pratt installation, museum courses and equipment. Dates- 9/54 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Gift of \"Rotating Sphere\" from Lloyd Noland. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- As founder and director of the Barter Theatre, proposed plans for Theatre Virginia and NEA funding. Dates- 4/67 - 5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., and Mr. David Payne. Subject- correspondence with Payne about arranging the exhibition \"Portraits by David Payne\", biographical information, letter from Phillip Johnson, etc. Dates- 5/51-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J.G. Pollard, L. Cheek, Priscilla Crum (Curator, Asst. in Education). Subject- Gallery representing portrait artists, biographical data on various artists and portrait of Senator Byrd. Photographs. Dates- 6/45 - 11/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Statewide tribute to John Powell (a native of Virginia) and the presentation of his \"Symphony in A\". Date- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Correspondence with Pratt as a trustee. Discuss first Easter egg exhibition in 1949 and Hammer visit. Letter from Schaffer (A La Vieille Russie) in 1949 about lending some pieces for an exhibition. Includes a few letters from Mrs. Pratt before she died, about a Faberge table donation in 1942 and donating \"Twice Seven\" to the Library. Establishment of the Fellowship fund, including letter from Twombly as early recipient. Pratt Collection: insurance estimates and installation. Gift of funds to purchase the first Artmobile from Pratt and Miller and Rhoads. Dates- 7/40 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artmobile, Fellowship committee, underwriting of Faberge booklet, terra-cotta statue of \"Diana\" from the Pratt Estate given to VMFA, newspaper clippings. \"A Plan For Fellowships For Virginia Artists\" as suggested by Mr. John Lee Pratt. Minutes from Fellowship Committee meeting, 6/12/42. Dates- 12/49 - 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. John Lee Pratt. Subject- Trustee/Museum business, VMFA fellowship updates, etc. Dates- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown. Subject- Biographical data, fellowship recipients: Cynthia Morehead Smith, Paul Steuke, June Chapman, Fred Bonds, Richard Kevorkian and Reginia Perry. Pratt Collection: catalogue, except from forward by L. Cheek, questionnaire regarding Mrs. Pratt's initial contact/purchase sources for Russian Jewels, list of objects bequeathed by Pratt Estate. Dates- 1/57 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposals and cost estimates for Healy's Sitters exhibition and Pratt collection catalogues. Dates- 4/50-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, L. Cheek, Armand Hammer (Hammer Gallery) and Alexander Schaffer (La Vielle Russie Gallery). Subject- Legal claim against the Romanoff Family assets via the Pratt Collection of Russian Jewels. Possible lawsuit by A.G. Sharkey, President and Trustee of Marine Transport Service Corporation in NY who had judgment against Czar Nicholas Romanoff since 1918. Hammer and Schaffer dismissed it. Details of Pratt bequest, provenance of objects, announcement of bequest with sample of text to be used in pamphlet. Excerpt from \"Twice Seven\", by H. C. Bainbridge, E. P. Dutton and Co. Inc., 1934 (reference to Faberge Jewels owned by Armand Hammer). Dates- 8/47 - 10/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Mrs. J. G. Pollard. Subject- Installation, list of items on exhibition, security and transportation. List of objects in the collection of Mrs. Joseph E. Davies and pamphlets. Correspondence regarding various showings around the state - Roanoke in 1950 and Norfolk in 1951. Dates- 1/49 - 4/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from C. Humelsine. Subject- General correspondence to the VMFA membership, calendar of events, museum news. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to the media from the Museum. Subject- news releases about Museum events. Dates- 10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News releases about Museum events. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- positions and duties for volunteers and guards during an undisclosed preview. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Gov. Price. Subject-proposed salary increases, Board meeting announcements, nomination of Colt to select work to go to the Annual Exhibition of American Art 1938. Dates- 1/38-11/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- On the occasion of his being collector of the Year 1964, his cookbook including photographs of VMFA and the menu from the Collectors Gala, newspaper clippings. Gifts: Lachaise drawing. Dates- 6/63 - 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, P. Grigaut and P. Near. Subject- A. Priest as Metropolitan Curator of Far Eastern Art, his service as a consultant to VMFA (1963-69) in the formation of the Asian collections. Correspondence on examination and provenance of works in the VMFA. Minutes of Executive Committee, 9/9/63, 12/8/64, minutes of Accessions Committee Meeting, 9/9/63. \"A Buddhist Paradise\", A. Priest, AIV, 1963. Newspaper clippings, postcards, etc. Dates- 1963 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator) and Mrs. J.G. Pollard. Subject- printing schedules for 1956, miscellaneous print job specs, etc. Dates- 11/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- asking local corporations to fund the printing of school guide sheets for the Museum. Dates- 8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence pertaining to bulletin layouts, copies of Members Bulletin Vol.9, No.'s 1and7 and copies of Christmas cards 1948-9, etc.. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Museum publications: Contemporary Paintings 1946, Program Season of 1947-8, The VMFA Annual Report 1947-8, Virginia Art 1947 and Museum Bulletins: Vol.3 No.'s 1,2,4,6and9,  Vol.4, No.'s 4and5,  Vol.7, No.'s1,2,3,4,5,6,7,8and9,  Vol.1, No.8,  Vol.8, No.'s 2,3,4,5,6,7,8and9,  Vol.9, No.'s 1,4,5,6and8. Dates-9/42-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- securing a speaker (Robert T. Paine) for the exhibition \"Prints by Hiroshige\", thank you note to Mr. Paine, etc. Dates- 11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposed programming for the Museum. Dates- 2/49-9/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and lecturers. Subject- proposed program/events and exhibition schedule, biographical information on lecturers, etc. Dates- 10/50-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Peter Mooz. Subject- Artmobile schedules, Three-Days-In-March, members travel, grants, pamphlets. \"Proposal For The Development Of American Writers And Resources With Special Emphasis On The Production Of New Forms Of Drama Created Especially For Television\"; The Mark Report\": A survey and evaluation of VMFA statewide programs. Dates- 1974 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Safaris, Artist-in-Residence, lectures. Film series: \"The Romantic Rebellion\", exhibitions, COVA events, agendas, Professional Workshop. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt and Nancy Durett. Subject- violin recital 4/47. Dates- 4/46-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- memos to determine dates for the Trust Fund Orchestra to perform at the Museum. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- VMFA educational services, VMT and all manner of print and broadcast media promotion. Exhibitions, publicity schedules, press releases and newspaper clippings. Dates- 9/50 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General invitation to groups to participate in VMT. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Prospective givers: foundations and individuals. Date- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newsom Report: \"A Report To The Virginia Museum Of Fine Arts\", 11/19/58, Earl Newsom and Company, a study of VMFA public relations, information and communications responsibilities. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Various outside publications mentioning VMFA, 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Design and production of AIV: promotion, organization, printing schedules, contributors , etc. Catalogue \"Architectural Drawings in Virginia\" and \"\"Confessions of an Ex- Elitist\", M.W. Fishwick, Popular Culture Association, American Studies Institute, Lincoln University. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- photo of the Museum and of the \"Brussels Tapestry Exhibition\" 1949, Museum publications: VMFA Catalog of Paintings 1938, The Collection of Catesby T. Jones, 1948, and the following VMFA Members' Bulletins: vol.10, no.'s 1-5, etc. Dates- 1938-1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- copies of the following publications: The VMFA Annual Report 1947-8, The T. Catesby Jones Collection, Contemporary American Paintings 1948, William James Hubbard, Three Virginians Behl, Hunter, Blaine, Portrait Panorama, Program Season of 1947-8 and Member's Bulletins: Vol.1, No.8, Vol.8, No.'s 2,3,4,5,6,7,8and9. Dates- 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release, jurors. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing the Parsons gift of the Egyptian Gallery and 25th Anniversary Fund Committee. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitations to the VMFA's 25th birthday celebration for the affiliates, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- press release announcing loan of Chinese wine vessel. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 25th Anniversary projects, press release: message from the President (Robertson). Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Appeal to Trustees for contributions to the Drama Festival.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: 28th Virginia Artists Rotating Exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing a network of local art centers and museums affiliated with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- VMFA as regional jury center for the national exhibition \"Designer-Craftsmen-U.S.A.\", news releases, information on obtaining a jury and a speaker, etc. Dates-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Va. Architects, Photographers and Designers, seminar for Historical Administrators, VMT and Virginia Composers Concert. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release and photo for first issue of AIV. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release on Arts in Virginia. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains a cover letter for a mailing, no date. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing 25th anniversary events, exhibitions, VMT, etc. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing conclusion of 25th anniversary celebration with the presentation of awards to Colonial Williamsburg, The Old Dominion Foundation, sculptor: Carl Milles, architect: Eero Saarinen, collector\" Robert Lehman and Naval designer: William F. Gibbs for their outstanding contributions to the Arts in Virginia. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- obtaining the exhibition \"Built in the U.S.A.\", presenting programs related to the exhibition, biographical information on Phillip Johnson, etc. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- photo of \"Little Triton\" fountain for the Bulletin, copy of Members' Bulletin vol.15, no.1(9/54), etc. Dates- 9/53-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for Members' Bulletin. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for Members' Bulletin, calendar of Museum events. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Vol. 13 no.'s 1-9, 1952-5/53; vol. 17 no. 8, 2/57; vol. f19 no.'s 7 and 8, 3/59 - 4/59. Biographical data on Iren Marik, pianist, and reviews. Dates-1952 -53, 1957, 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Vol. 20 no.'s 4-6, 12/59-2/60 Dates- 12/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press releases: Tours organized through Virginia Federation of Women's Clubs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press releases: season opening production and call for volunteers. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Extended performances of VMT's \"Carousel\". Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Bus trips to VMT. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- listing of certificate winners and a gallery guide from the \"Virginia Artists\" exhibition 1955. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Portions of VMT concert to be broadcast with commentary and explanations of technique. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Programs and photographs. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Information regarding the Museum's chapters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- photographs [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing festival with guest artists: Helen Tamris and Daniel Nagrin. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Critic, Stella Adler, Speaker: Alfred de Liagre. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- TV news film of highlights of the College Drama Festival, script, telegrams and surveys to Virginia TV stations concerning air time and usage. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Announcement of individual participants announcing their attendance in the festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- loan of Cone collection from the Baltimore Museum of Art to VMFA for an exhibition, a catalogue of the Cone collection, news release about the  bequest of the collection to the Baltimore Museum of Art, etc. Dates- 10/49-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Public information schedule for exhibition: \"The Architecture of Skidmore, Owings and Merrill\", \"The Little International\". Artmobile public and information schedule and Bulletin, vol. 19, no.2 10/58. Essay- The Little International Exhibition\", Fred Olsen, 4/57. Dates- 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Publicity stills, reviews and biographical data.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- list of designers proposed for inclusion in the exhibition \"Design for Theatre\", tentative list, etc. Dates- 8/52-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing loan of painting by Winslow Homer. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Evaluation of the Discovery Television Series sponsored by the San Francisco Museum of Art. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Statewide Press Release announcing fellowships 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press Releases regarding fellowships 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Publicity stills and posters. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Buckminister Fuller. Subject- Exhibition of the work of 13 leading architects, opening lecture given by Buckminister Fuller, list of catalog content, gallery talk, press release, invitations and biographical data. Photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing formation of a fundraising committee for the 25th anniversary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibitions: \"Drawings From Five Centuries From The Cooper Union Museum\", \"Hans Moller\", \"Is Photography An Art\", \"Sport and the Horse\", \"25th Anniversary\". Parsons gift of the Egyptian Gallery, Chamber Music Society, Virginia Artists, evening hours, speakers/lecturers, Virginia Art Alliance, state services, Fellowships, Search for a female collector with a collection of Imperial robes. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press releases announcing exhibition of contemporary glass. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibitions: Skidmore, Owings and Merrill (AIA for Reynolds Building), publicity, progress report on exhibition arrangements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Ivan Dmitri. Subject- Symposium on photography conducted by Dmitri with a panel composed of: A. Hyatt Mayor (MET) and Hilton Kramer (Arts Magazine). List of paintings and photograph comparisons and press releases. Photographs. Dates- 10/59 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Status report of the Broadway production. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information about the loan exhibition. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Speaker 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: History of Lynchburg Center published in the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Brief film on masterpieces of American silver, script and outline for the 25th anniversary program. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains press releases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains layout and planning for the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Photographs of the moving of art objects, installations, physical plant and behind-the-scene workshops and people.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Editorial Writers, agenda, and guest speakers, exhibitions, events, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Ms. Nemone Balfour. Subject- a ballad concert given by Balfour sponsored by the Museum, new release, printed material, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: R. Neutra lecture in coordinate with his VMFA exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- invitations to grand opening of the 10/54 VMFA addition. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing the Norfolk Museum affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Bus tour and photograph. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Photographs of galleries. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing gift of marble statue \"Dawn of Young Womanhood\", Oronzio Maldrelli from Miller and Rhoads Department Store. Press releases from: Mariners Museum, National Gallery, Henry Ford Museum, Walker Art Center and the MOMA. Dates- 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: purchase of Patronship by Richmond businesses for season tickets to VMT.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- radio transcripts and publicity releases. Dates- 1948-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases. Dates- 8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases, publicity schedule 6/26- 7/22. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases. Dates- 5/56-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases. Dates- 4/51-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases. Dates- 1952- 5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press releases for various museum events: theatre, exhibitions, films, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Affiliation announcement of the Roanoke Fine Arts Center 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing the loan of \"The Ecstasy of St. Francis\" by Carravaggio. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- press release announcing the acquisition of a rare funeral monument from 2nd century B.C. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Advertising copy and selection of artist to draw a cartoon. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- press release for VMT promotion. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing special schedule to accommodate bus trip from out of town. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Publicity schedule and advertising copy. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- scheduling a speaker (Bernard V. Bothmer) to coincide with the exhibition \"Smith's Egypt\", photo and biographical information about Bothmer, etc. Dates- 6/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition and Publication information regarding \"Sport and the Horse.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- News Releases regarding newspaper column 1960. The column was carried in 50 Virginia newspapers as 42 weekly articles by Cheek. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Syndicated column written by Cheek as part of a promotion for the Museum's 25th anniversary. Contains a mailing schedule for the column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Return forms from newspaper publishers regarding column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Promotional letter for newspaper column. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Broadcast script for performance promotion. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from G. Friddell (Public Information Director). Subject- controversial nature of the \"American Painting 1950\" exhibition, James Johnson Sweeney was the juror for this exhibition, Sweeney biographical information, News Releases, exchange/gift publications of the catalogue to this exhibition, etc. Dates- 1/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Broadcast script promoting 25th anniversary year. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 25th Anniversary, broadcast scripts, VMT and list of Virginia and Washington TV stations. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Broadcast promotion script. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- press release with performance information  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release for VMT promotion. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release concerning a 25th birthday year magazine, the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Tours arranged by Virginia Federation of Women's Club in 6 Virginia towns to see VMT production of \"Carousel\" Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Reviews of show. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Introductory speeches. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"The Tempest\", \"The Mad Woman of Challiot\", \"Berkeley Square\", \"I Remember Moma\", \"Noah\", \"Blind Alley\", \"The Devils Disciple\", \"High Tor\", \"Oh Wilderness\", \"Private Lives\", \"The Petrified Forest\" and \"Victoria Regina\". Dates- 1955 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Assigned design projects and newspaper clippings. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- National broadcasts focusing on topics of national interest, VMFA requests for financial assistance to host a \"Meeting\", pamphlets and photograph. Dates- 1953 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Aubrey Bodine and Gordon Bunshaft, biographical data, Competition promotion, preliminary text for official entry forms, press release. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- list of pieces included in the \"Virginia Artists 1953\" exhibition, list of purchases made from the exhibition, information on the jury and on purchase prizes, letter from Jacques Lipchitz, etc. Dates- 12/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information about the exhibitions and photographs of the artists and their works. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Jurors: Richard Lippold, Isabel Bishop and Perry Rathbone. Press release announcing event.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Eighteenth annual exhibition held at the Museum and sponsored by the Camera Club of Richmond. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- fountains that flank the Museum's front entrance. Dates- 9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- photo of conservation lab, gift and exhibition of the Williams collection of art at VMFA, announcements to and articles in major art publications about the gift of the Williams collection. Dates- 3/52-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition \"The American Cartoon\", original American cartoons from the collection of Mr. Art Wood, invitations and R.S.V.P.'s to exhibition preview, photos of some of the pieces of cartoon art, etc. Dates- 5/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Wm. Quillan Jr. (President of Randolph Macon Women's College). Subject- Loan of Randolph-Macon's collection of paintings. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Isobel C. Lee (Steuben Glass). Subject- Loan from Queen Elizabeth, installation, lighting and press-release. Dates- 7/10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artmobile, AAM, Jamestown Foundation, loans, Accession, gifts, biographical data and resumes. Exhibition: Randolph Macon Collection. Letter from Richard Rogers to lecture to VMT, Reston Foundation: Minutes of the Executive Meeting, 9/12/60. Dates- 9/60, 5/62 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown and P. Near. Subject- Loans, contributions, acquisitions, exhibitions and Africa Gallery. Dates- 1/68 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to W. C. Cottrell (Elec. Corp.). Subject- Proposal and technical information for Audio-Guide radio-lecture, pamphlets, blueprints/plans of galleries. Dates- 5/72 - 8/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, Priscilla Crum and M. Christison. Subject- Broadcast of Biennial Jury, notes from WMBG broadcast, 12/6/46, \"What Is Your Art Museum\", participants: Priscilla Crum (Curator of Education), Edward Davis III (Curator of Decorative Arts) Mrs. J.G. Pollard and T. Colt. Notes from WLEE broadcast, \"Know Your Museum\": a weekly series with guests from the local arts community and \"For Parents Only\": a children's radio program. Dates- 2/46 - 11/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- radio talk shows and transcripts. Dates- 12/37-9/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr.and Mrs. Robert C. Randolph. Subject- the loan of a portrait of Wm. Henry Harrison by Rembrandt Peale to the Museum for the inaugural exhibition and an additional later loan. Dates- 9/35-11/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, L. Cheek and Mary F. Williams. Subject- The service of Beatrice Von Keller as VMFA Acting Director during Colt's military duty. Biographical data, Randolph-Macon Collection including the acquisition of the Bliss Collection. Dates- 7/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Hours of operation, policy, menu. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and the Frank Rehn Gallery. Subject- loan of paintings to inaugural exhibition of VMFA and later proposed acquisitions from the Frank Rehn Gallery, etc. Dates- 9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt. Subject- Artist from West Virginia: application and recommendation for a Rosenwald Fellowship by T. Colt. Dates- 6/49 - 10/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Rennolds' service as a Trustee and entertainment committee. List of objects in the home of her mother, Mrs. John Kerr Branch, that may be of use to the VMFA. Dates- 1/53 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Policy and requests for rental of museum meeting rooms. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposal for state/federal funding for the creation of the \"Latrobe Theatre\" (never built), a professional theatre organization. The design of the Theatre was based on plans by the 19th century architect Latrobe. \"The Virginia Museum Theatre\", statement of facts in relation to charges appearing in the Richmond Times - Dispatch, 10/13/66. Subject- 8/65 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of requests and general correspondence. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison, Edward Kallop and L. Cheek. Subject- Inquiries concerning specific artists, objects, valuations, conservation/restoration, etc. Dates- 6/56 - 6/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek served on the Board of the Reston Foundation Community Program, includes roster of board members. Dates- 11/10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to the Executive Director of the Reston Fund. Subject- L. Cheek's membership on the Board, and proposals for development of the Reston Community, low-cost housing, maps, agendas, Reston architects, Minutes of Annual Meeting- Reston Community Foundation,12/15/64, 4/25/65, 11/12/67, 4/8/68. Dates- 6/65 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- VMFA membership and letter of condolences to the Reynolds family. Dates-10/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. cheek. Subject- R. J. Reynolds service as Chair of VMFA promotion and development committee. suggested organization agenda for the meeting of the Public Relations Development Committee, to further the advancement of VMFA. Contributions, invitations and photographs. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"R.S. Reynolds Memorial Award\", awarded annually to the architect or group of architects who make the most significant contribution to the use of aluminum, aesthetically or structurally, in the building field. Theodore Rozak chosen to commission the first sculpture. Dates- 5/58 - 11/6 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Miss Katherine Rhoads. Subject- a bequest to the Museum. Dates- 5/35-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from G. Martin (Secretary of VMFA). Subject- Rhoads Medal awarded to persons who have made a notable contribution to Art in Virginia; list of recipient, excerpts from the Minutes of the Executive Board, 5/25/69/. Biographical data on Concetta Scaravaglione, designer of medal. Medal awarded to Walter Spencer Robertson. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence to and from Rhoads as Vice-president Board of Trustees. Dates- 1934-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Contributions to a purchase fund in his memory. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, L. Cheek, Mrs. J.G. Pollard and P. Mellon. Subject- Museum business, exhibitions. Pratt Estate, John Barton Payne Endowment, Resolutions in memory of Judge Payne, resignation of Colt, Fellowships. List of employees and job descriptions. List of Benefactors, Patrons and Life members, Board of Trustees, Rockefeller Foundation, segregation, contributions, gifts and accessions, including Mellon. Dates- 11/40 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, W. Robertson, Mrs. J.G. Pollard and W.S. Rhoads. Subject- General letter to membership from the President (W.S. Rhoads), Webster S. Rhoads Medal, Artmobile III and South Wing. Dates- 1951 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- General Museum Business, VMT, policy regarding expense accounts and museum entertaining. Dates- 5/57 - 11/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitation list, invoice for cocktail party honoring W.S. Rhoads. Dates- 5/8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Westwood Winfree (Pres. RAA). Subject- Winfree's participation in the Virginia Rotating Exhibition and other events. Requests for restructuring of jurying procedure. \"Reasons For Suggesting A State-Wide Artists Study Committee To Be Sponsored By The Virginia Museum Of Fine Arts\". Dates- 2/56 - 9/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Richmond Chamber Music Society programming seasons: 1950-1, 1951-2, 1952-3, 1953-4 and 1954-5, membership rosters 1951-2 and 1954-5, etc. Dates- 10/50-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed policy for relations between VMFA and Richmond Chamber Music Society (conducting events there), listing of Society members, etc. Dates- 1/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- To increase Jaycees interest and support of VMFA. List of member organizations. Certificate to L. Cheek as a member of the \"Civil War Centennial Committee\", Minutes from the \"Society of Architectural Historians,1/30/58. The presentation of the \"Distinguished Service Award\" to L. Cheek. Dates- 11/60 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Disturbances in area of Westmoreland Place (Cheek residence), Cheek's Anniversary Party. Presentation of Canal Locks to Mayor M.M. Crowe. Dates- 2/64 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Field trips taken to the museum by schools throughout the state, 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Broadening cultural horizons in Richmond, proposal for Civic Center in downtown Richmond and the necessary steps for improvement of downtown, editorials, newspaper clippings. \"Plight Of Museums Is Very Real\", L.J. Ahlander, 11/25/65, Washington Post, \"Activities Center Study For The City Of Richmond\", Wm. A. Briggs A.I.A. and B.R. Johns A.I.A., Associated Architects, 8/1/64, \"Modern Living\", 11/6/64, Time and \"Are Most cities Too Ugly To Save\", 11/30/64, U.S. News and World Report, Inc. Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains financial statements for the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- proposed relationship of The Richmond Film Society with the Museum (use of Museum facilities), Film Society programs 1951-2, 1952-3, 1953-4, 1954-5 and 1955-6, etc. Dates- 6/50-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters of compliment to editors and journalists of Virginia periodicals regarding VMFA. Dates- 7/58 - 19/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Priscilla Crum, T. Colt, L. Cheek and M. Christison, Theresa Pollack, H.H. Hibbs and Mrs. J.G. Pollard. Subject- Exhibitions and musical programs. Dates- 9/45 - 11/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, J. Schaeffer (General Manager, RSL) Subject- Opening performance and concert dates. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Gala opening event of Artmobile. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and L. Willock (Exec, Dir.). Subject- Renewal of Affiliate members. Dates- 1961 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Charter proposal for a Roanoke museum and minutes from the Roanoke Fine Arts Committee. Dates- 12/47 - 9/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Special building committee, draft of letters from Affiliates/Chapters in support of VMFA expansion to be sent to the House Appropriations Committee , members of the Senate and members of the State Finance Committee. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and E. Will (Pres.). Subject- Purchase of \"St. John the Baptist\", Rodin, in memory of W.S. Robertson. Dates-2/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artmobile proposal, museum business, exhibitions: \"George Stevens Makes A Film\". Fellows organizing campaign, selected list of paintings in VMFA permanent collection. Rosters: Members of commission of State Capital and Outlays and Means of Financing; VMFA Executive Officers and committee's. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter from the President to the membership (W. Robertson), grant proposal for North Wing architectural plans.  List of objects needed for VMFA collections.  Rejection of the north facade by the Arts Commission.  Schedule of events, newspaper clippings.  \"Connoisseur's Comments\", guided VMFA tours narrated by world-famed collectors, critics and curators.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- letter of interest in erecting a monument to Bill Robinson. Dates- 12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Rockefellers' membership in the Fellows and their subsequent donation to aid in the Drama Development program. Dates- 1955 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Charles Fahs (Dir. Rockefeller Foundation), W.S. Rhoads. Subject- Proposal for the formation of VMT with initial funding from the Foundation, \"Charter for the Rockefeller Foundation\": Statement of purpose and methods of operation. Dates- 1/50-12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt and Roman Bronze Works Inc. Subject- casting busts of Gov. Pollard and Judge Payne and casting other figurative groups. Dates- 9/35-1/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter of authentication. Dates- 4/60 - 8/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Addresses made by F.D. Roosevelt upon the opening of the Museum of Modern Art. Dates- 6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Matilda McCord Roper (Mrs. George W. Roper). Subject- donations. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, expansion of VMFA print collection, The Alverthorpe Collection, loans of prints. Dates- 8/65 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA as recipient of a rose garden by the Garden of the Patriots. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- M. Ross as VMFA advisor, on retainer, for Byzantine and Medieval acquisitions. the Heeramanecks and Hunt Collections. Dates- 9/65 - 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data and brief history of Rothschild family. List of paintings in VMFA from Rothschild Collection. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Text and pamphlet for the opening of the Melchers Room. Photographs. Dates- 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Edward B. Rowan. Subject- mural competition for post offices in Petersburg, Hopewell and Richmond. Colt acted as chairman for a regional committee to carry out this competition for the Procurement Division, Public Works Branch of the Treasury Department, etc. Dates- 3/30. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- securing a speaker (Mr. Everett Parker Lesley, Jr.), obtaining a transparency from Time magazine of one of the Museum's eggs, etc. Dates- 3/53-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- General correspondence to Trustees regarding Museum business and events. Photographs and slides. Date- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- General correspondence regarding loans, acquisitions and invitations. Dates- 1/62 - 11/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Eero Saarinen. Subject- Aline Saarinen broadcast on the VMT Shakespeare Preview. Drawing. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition: \"Master Drawings\", with lecture by Paul Sachs. Theft of Degas drawing on loan to VMFA from the Fogg. List of London and Paris art dealers. Dates- 5/51 - 6/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- letters from other U.S. Art Museums about staff salaries and Curator's Report activities from the 1st season 1/16-5/24 1936. Dates- 1936- 7/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Requests for purchase of cases from the Greek Gold exhibition. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Form letters: members, advertisements, donors, other institutions regarding loans, lectures and publication requests, etc. Dates- 1967 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Samuels gift of building for the Front Royal Library. Loan and cleaning of \"View Near Oxford\" by Richard Wilson. Dates- 4/52 - 9/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- 10th Miller and Rhoads Women's Forum; invitation to Philip Johnson to serve as a speaker. Biographical data on James Parton and Max Abromovitz. Dates- 8/51 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Hans van Weeren-Griek. and Concetta Scaravaglione. Subject- exhibition of her work and insurance of a piece that was damaged. Dates- 9/40-7/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Events and mailing schedules. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Events and mailing schedules, Paul Taylor Dance Tour, Safari-Dinner, agendas, etc. Dates- 7/70 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Appraisal of an agate cup belonging to Mrs. Paul Mellon as a work of art, for the Customs Commissioner. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- war-time high school art exhibition held at Miller and Rhoads department store, list of hostess for this event. Dates- 1943-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Invitations and general correspondence regarding the opening's of new art centers/buildings of various institutions, anniversary celebration, National Presentation Broadcast of Artmobile. Dates- 9/60 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.G. Pollard. Subject- Loan of items in his Collection to VMFA and his service as Vice-President. Exhibitions: American Contemporary Prints and Sport and Horse. Melcher Estate, accessions and acquisitions, list of gifts to VMFA. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Scott, Horner and Mason, Inc. Investment Securities in Lynchburg, VA. Subject- possible investments by VMFA, financing the new wing and the possibility of matching a Public Works Administration grant. Dates- 5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Seay collection of Decorative Objects, list of objects in Seay home. Dates- 1/39 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper clippings and letters to and from Leslie Cheek. Dates- 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Service reports on traveling exhibits. Dates- 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence about slide loans. Dates- 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Museum Services. Correspondence regarding loans 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Houdon statue of Washington on loan to VMFA, insurance valuation. Seymour's lecture on \"Houdon in America\" and panel discussion on contemporary sculpture. Opinions on dating and provenance of VMFA objects. Dates- 5/50 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Shalett's articles on the VMFA for the \"Saturday Evening Post\" and \"The Diplomat\" Dates- 8/56 - 10/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, letters of invitation to VMFA events, College Drama Festival. Melchers Estate: \"The Last Supper\", newspaper clippings and postcards. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Virginia Film Society, Dance Tour, VMT: job descriptions, Table of Organization, staff hours, Theatre Associates and Annual Theatre Train. Date- 4/66 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Agenda and events for Entertainment Committee, loan of Col. Anderson bequest items. Dates- 1/59 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and E. Shiflet (Sec. of Education). Subject- budget, museum business, financial profile, role of office of Education and pamphlets. Executive Order #20 and #21: Reassignment of VMFA to the Office of Education. Dates- 8/72 - 12/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Dealer in antique English silver and his gift to VMFA of a silver teapot. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT, juror search, biographical data, exhibition catalogues, loans of art work, accessions, gifts and general museum business. Dates- 1956 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- General correspondence, exhibitions, requests for publications, pamphlets, invitations, exhibition catalogues, A.D. and W.C. Williams Trust Fund. Photographs. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- paperwork authorizing R.A.Velz and W.J. Rhodes to sign vouchers and checks, list of Virginia Museum Theatre expenditures 1956-7. Dates- 2/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Blank stationary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- excerpts from Virginia Architecture exhibition catalogue, miscellaneous correspondence about catalogue,  etc. Dates- 11/58-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- compliments on exhibition \"Architecture in Virginia\", thank you notes to the Museum about exchange/gift publications of exhibition catalogue-Architecture in Virginia 1776-1958: The Old Dominion's Twelve Best Buildings, etc. Dates- 9/58-4/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- biographical information on various 20th century architects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- G. Smith (architect, writer and photographer), biographical data, and his collection of Travel Posters. Newspaper and magazine clippings, invitations. Application for Fulbright grant. Dates- 2/52 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Her membership on Executive Board, donation and contributions. Dates- 5/51 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mrs. Marrow Stuart Smith, Virginia artist, correspondence with museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of alumnae in Virginia. Dates- 9/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, M. Christison, and Mrs. J.A. Pope (International Traveling Exhibition Service). Subject- Exhibition: \"Swedish Textiles Today\": catalogue, pamphlet. Brussels World's Fair, U.S. Pavilion. Catalogue of Traveling Exhibitions for 1961-62. Dates- 4/53 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- S.A.H Directors meeting in Richmond, formation and organization of a Virginia chapter: agendas, lists of prospective members, directors of S.A.H., minutes from S.A.H. meeting. Dates- 12/52 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Meeting agendas, Architects Virginia Tour, preservation of the National Capitol, Shirley Plantation, landmarks in danger. Proposal to coordinate the activities of the SAH with AIA and the National Trust for Historic Preservation in the field of Historic Buildings Preservation. SAH: Minutes of Executive Board, 10/26/57, 5/17/58, 10/18/58, Treasurers Report, 1/58-4/58, Newsletters. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lists: Fellows, Staff and Board of Trustees. Invoices, receipts and newspaper clippings. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Dinner schedule, agenda and pamphlet. Dates- 5/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Confirmation for Dinner event and agenda. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Fall meeting to be held at VMFA, conference agenda, mailing list and pamphlets. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Meeting agendas, events schedules, attendance rosters, officers, newsletters, registration forms. Report of SEMC '72 meeting, \"SEMC Notes\", no. 1, 1974 and no.1, 1975. Dates- 1972 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- printed material for exhibition \"Southern Exposures\", the following essays: \"Coming of Age of Photography\", \"Down the First Century of Photography with George and Heutis Cook\", \"Concerning the Cook Collection and Its Recovery of the Epos of the Attic\", etc.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Williamsburg International Assembly Speakers, biographical data: Edward Downes, Charles Seymor, Harris Prior and Arthur Drexler. Dates- 1951 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Wm. Gaines. Subject- Biographical data of speakers: C.V. Donovan and Joseph Curtis Sloane. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- printed material for the opening for prospective members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Safari Theatre Dinners, loan exhibition previews, maintenance. Dates- 1967 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Essay- \"The Art Museum As A Community Center\", by L. Cheek. Pamphlets, newspaper and magazine clippings of other museum programs. Date- 1961 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- early interest and planning of the exhibition \"Sport and the Horse\", etc. Dates- 5/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Frederick Robinson (Dir., SMFA). Subject- SMFA exhibition of Virginia Artists. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibitions, security, general operations and museum business. Employee policy, regulations, salaries, etc. Dates- 1962 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- General Museum operation, exhibitions, publicity evaluation, landscaping of Confederate Chapel, loan exhibition previews. Dates- 1963 - 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Employee policy/regulations, programs division, collection divisions, staff information and table of organization for Theatre Arts Committee. Newspaper clippings and salaries. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Suggested structure of staff organization and salary scales. Dates- 2/54 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA By-Laws 1958 and 1959, income sources, proposed improved operations plan. Salary information from the Smithsonian Institution. Job description for Assistant Administrator. Date 1959 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Head of Collections Division and Education Supervisor, Program Division. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Business meeting and reception regarding architectural improvements, gifts and loans to the State Department reception rooms. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- reception for General Assembly Wives. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Service reports for loans of exhibits, films and slides. Dates- 1951-1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for information regarding circulating visual materials 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Non-member requests for exhibitions 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Non-member requests for exhibitions 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Non-member Requests for gallery visits and lectures 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Out of state inquiries about Museum services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Out of state inquiries about Museum services 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of prospective organizations for using extension services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for circulating visual materials and exhibitions 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General Correspondence Traveling Exhibitions 1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information on the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains statement for addenda to the Governor's report concerning the VMFA.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mr. Saul Steinberg. Subject- exhibition of Steinberg's work and lecture by Steinberg, etc. Dates- 8/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Opening of new auditorium, purchase of pianos and price lists. Program for the Chamber Music Society, newsletters from Steinway and Co. , 4/55-6/55. Dates- 4/55 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Philip N. Stern, Chairman of the Art Commission, Commonwealth of Virginia. Subject- Art Commission meetings, funds for museum equipment, funding from the Public Works Administration, architectural exhibition, etc. Dates- 7/35-10/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Steuben correspondence with the VMFA, 1938-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Ten Talents In the American Theatre\", Ed. David Stevens; \"Theatre For Art's Sake\" by L. Cheek. Proposal to the Rockefeller Foundation for financial support of VMT. Dates- 12/49 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and P. Near. Subject- Her gift of \"La Signora in Biege\", Lazzaro Donati. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, preliminary design program for South Wing Addition, letters to other museums regarding design, security and general building functions. Dates- 1948-49, 1962-63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Jas. N. Trevillian (Secretary). Subject- Conductor of the New York Philharmonic Orchestra, concert at the VMFA and program. Dates- 1947 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA and Gordon E. Strause, 1935-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Strause and various Museum staff. Subject- exhibition of his collection at the Museum, written complaints by Mr. Strause, Strause is named 1st honorary benefactor of the Museum by the Board of Trustees. Dates- 3/36-5/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J. G. Pollard, T. Colt and L. Cheek. Subject- Lewis S. Strauss, founder of the Albert Einstein Award (for achievement in Natural Sciences). Chairman of the Atomic Energy Commission, his service on the VMFA Finance and Membership committees. Letter of Henry Anderson regarding discussion with Paul Mellon and VMFA expansion potential. Newspaper and magazines clippings, Artmobile, gifts and contributions. Dates- 1945 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Fellows: theatre Orientation, general meetings, prospective Fellows, report of the Fellows 5/3/67. Date- 1965-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- As a Trustee and member of the development committee. Contributions. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Mr. William A. Stuart. Subject- Trustee/Museum business, etc. Dates- 7/51-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Julia Sully to the Museum. Subject- Virginia Art Index. Dates- 1935-48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and J. McGee (Sunrise, Pres.). Subject- \"Sunrise\", Charleston Cultural complex, budget analysis, roster of Executive Board, Annual Report, 1971, pamphlets. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J.G. Pollard, T. Colt and L. Cheek. Subject- Early correspondence concerning museum services, statement of purpose, Pratt Bequest, exhibitions and requests for publications. Dates- 7/45 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- General correspondence, request for publications, employment, Fellows, Russian Loan Bill, gifts, contributions, biographical data. Dates- 6/56 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Museum business, loans of art works, list of objects for long term loan, zoning ordinance. Paul Tishman Collection, Troubs Collection of Russian miniatures. Provenance of St. John the Baptist, Rodin. Pamphlets, brochures and press releases. Dates- 2/70 - 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. J.G. Pollard, M. Christison, John Canaday and Maurice Bonds. Subject- Informal discussion series on art, artists and technique. Topics: Lithography, sculpture, restoration, art history etc. Includes biographical data on lecturers and exhibitions. Excerpt from \"American Silversmiths and Their Marks II\", by Stephen G.C. Ensko. Dates- 9/48 - 3/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding Mrs. A.I. duPont's gift of tapestries to the VMFA and a subsequent exhibition, 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding taxes on honorariums, admissions and rental space, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA series of weekly TV programs, list of suggested topics, program guests, resource information from other Institutions, film rentals, television presentation of the 25th Anniversary and minutes of the Mayor's Committee on Educational Television, 11/11/53. Dates- 3/54 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison. Subject- The development of a public television station to be shared by educational institutions. TV question and answer scripts and newspaper clippings. Dates- 1/49 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper and magazine clippings. Dates- 1961-62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Salary scales, job openings at VMT, applicants, referrals, biographical data, financial statements, staff tors and guest speakers. Dates- 3/58 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Morton Thalhimer. Subject- Biographical data, production, general theatre administration and Ford Foundation Fellowship Grant. Dates- 5/58 - 7/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Basil Langton. Subject- Langton's service as VMT guest director of \"The Tempest\", in celebration of the Jamestown Festival; program and procurement of professional actors. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Wm. Thalhimer Jr. Subject- Exhibit: \"Habiliments for Heroines\" underwritten by Thalhimers, VMT: \"Lady in the Dark\", Lorren Aldrich Collection. Catalogue: \"The Helena Rubenstein, Princess Gourelli Collection\", Deluca, Editore Roma, June 1953. Dates- 11/51 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His service as a Trustee and Chair of the Theatre Arts Committee on theatre and Television, museum business, salary scales, general operation of VMT, budget, income, newspaper clippings. Contributions and gifts. Dates- 6/52 - 3/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Underwriting of Mediterranean court, plants and flowers. Gift of Sandwich glass. Dates- 5/55 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Thayer's service as special assistant to the Secretary of State for Cultural Affairs. Biographical data, UNESCO, ICOM, International traveling Exhibitions, placement of American works of art in United States Embassies. Dates- 5/59 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Committee Minutes 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Committee minutes, agendas and programs, box office grosses etc. Letter from Paul Mellon. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- Establishment of a theatre Collection by Louise Branch of drawings, scenery and costumes. Dates- 2/59 - 3/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Morton Thalhimer. Subject- Proposal for costume ball. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- Morale and general organization of the VMT Associates, proposed speakers, newsletter and roster of VMT Associates. Dates- 4/57 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and William Morrison. Subject- taped readings by Henry Fonda, Lee Remick and Olivia deHavilland on the anniversary celebration. Reviews and letters to other film stars. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Safari-Dinner agenda and setup. Dates- 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Reviews, gift of Dan River Mills fabrics for costumes. Programs: \"Streetcar Named Desire\", \"School For Wives\", \"Camelot\" and \"The Odd Couple\". Dates- 1967 - 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- reviews, letters of compliment. Program: \"the Royal Hunt of the Sun\" Dates- 1968 -69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program and staff hours. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Report of Acoustical Analysis for Auditorium of Virginia Museum Theatre\" Dates- 9/1950 and 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Review, performance production. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Theatre-designer: salary and letters of recommendation. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMT, Dance, Film and Chamber Music Societies: financial statements, salaries, budgets, production costs, income records, purchase of stage equipment and suggested future of organization. Dates- 2/54 - 12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- bus tours from Virginia towns for Theatre evenings, sponsors by Virginia Federation of Women's Clubs, newspaper clippings. \"The Virginia Club Woman\", vol. XXXII no. I 8/55. Dates- 1/59 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Chairman of Yale Drama Dept., his service as consultant to VMT, budget suggestions for proposed VMT, various drama activities, playbill, budgets from other University Drama departments. Dates- 1/56 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Program, letters of disagreement between directors and actors. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- The first annual event, critic and counselors: Virginia Freeman, Meriam Rosen, Dan Wagoner, Patricia Wityle. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Valerie Gettis as guest speaker/artist. Dates- 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Invitations to college Presidents. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Alan Schnieder, Speaker: Jo Mielziner. The 1st College Drama Festival, guest lists and exhibition of Jo Mielziner's theatre designs. Newsletter. Dates- 8/56 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Harold Clurman, Speaker: Norris Houghton. Events schedule and program. Dates- 4/57 - 2/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Norris Houghton, Speaker: John Gassner. Event agenda/program, brochures. Dates- 4/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Henry Hewes, Speaker: Marc Connelly, reception, production procedure, etc. Newsletter 2/60 Dates- 10/59 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Stella Adler and Speaker: Alfred de Ligre, Jr. Event schedule, festival speaker, program, biographical data, reviews. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Event agenda, scheduling, program and newspaper clippings. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Robert Lewis, Speaker: Edward Albee. Event agenda/program, brochure, pamphlet, etc. Dates- 10/56 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Original drama by John C. Collison, VMT Premiere. \"New Play in Virginia\", Wm. Morrison, Encore vol.6 ,no.5 Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and L. Cheek. Subject- Reorganization of Museum Theatre 1972-73, budget and summary of proposals. Additions to VMFA statutes and By-Laws. Theatre Committee annual Report 6/30/67. Dates- 5/67 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Contributions, minutes of Theatre Patron Campaign Committee. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- theatre Arts Committee Executive Meeting minutes 6/30/70 and 7/6/70, Rosters for various Executive committee's of VMFA. Reviews and pamphlets. Dates- 9/69 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- HEW grant to produce and circulate throughout Virginia a play during 67-68 season, suggested dramas. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibitions: \"Gibson Collection of Contemporary Italian Art\", \"Contemporary Japanese Art\", \"Ten Reynolds Sculptures\". Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, A.H. Ballet and Robert Telford. Subject- General VMT business, schedule of events, scenic design, reviews, performance, staff policy/procedure, ticket prices, season subscriptions, etc. Dates- 1955 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- College Drama Festival, Dance Society and Chamber Music Society. Performance programs, events schedules, guest director contract, pamphlets and contributions. Dates- 1959 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- General Theatre Business, contractual agreements, events schedules, Richmond Film Society, College Drama Festival, financial statements, theatre reviews and job applicants. Dates- 5/61 - 9/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- theatre openings, job descriptions, applicants, hours. Dates- 12/62 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT, Vignettes tour, general estimate of costs, Drama, Dance and Music programs.  \"Virginia Report For State Arts Agency Individual Projects July 1, 1966- June 30,1967\" and \"Performing Arts in Virginia Education\" an introductory survey. Dates- 1966 -68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Budgets, financial summary, events schedules, newsletters, etc. Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Season events, programming, budget and revenue, newsletters, list of season subscribers and press kit for the Mummers Theatre, Oklahoma City, Oklahoma. \"Constitution of the Virginia Museum Theatre Associates\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Theatre business, budgets, salaries, production schedules, invitations, program design, contracts, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letters to and from VMT subscribers, program for \"Purlie\". Proposals for summer season productions, opening night telegrams. Dates- 1974 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Operating expense appropriation, \"VMT Sound System Report\", and synopsis of No Title play of the life of Lord Byron by Romulus Linney (later titled \"Childe Byron\"). Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Reviews. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Keith Fowler. Subject- Reviews, production calendar and letters of compliments. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Event underwritten by the Weeden Foundation. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter of invitation, remarks after preview. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Programs. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Payment for use of two geese. Program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Financial report and program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Program, reviews, letters of complaint from theatre patrons regarding play content. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Program, search for guest director. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Review, program and editorials. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Letters of complaint and approval from theatre patrons. Dates- 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- List of series underwriters, proposal for music lecture series conducted by Dr. John White. Dates- 10/58 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Patron financial support and proposal for a Sunday lecture series: \" The Eager Listener\". Dates- 9/59 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Harpist: Nicanor Zableta, brochures of concert series sponsored by other museums and galleries. Dates- 1/50 - 1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Program Dates- 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Morton Thalhimer. Subject- General letters to theatre subscribers, brief outline of the five scheduled plays and descriptions of the major characters. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Playbills, magazine and newspaper clippings of performances in theatres other than VMT. Dates- 12/54 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Reviews and programs for \"Separate Tables\", \"The Skin Of Your Teeth\", \"Ondine\", \"Kiss Me Kate\" and \"The Kids\". Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- Rehearsal schedules, invitations, programs: \"Life With Mother\", \"The Limbo Kid\", \"Pygmalian\" and \"The Brothers Karamazov\". Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Reviews, letter/telegrams of compliment. Programs: \"Teahouse of the August Moon\", \"The Woman from Colchis\", \"Hall of Mirrors\", \"Caesar and Cleopatra\" and \"The Most Happy Fella\". Dates- 1962 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Reviews, letters and telegrams of compliment. Program: \"A Thousand Clowns\". Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Robert Telford. Subject- Reviews, letters/telegrams of compliment. Programs: \"The Admiral Crichton\", \"Hedda Gabler\". \"Tartuffe\" and \"No Time For Sergeants\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Reviews, letters/telegrams of compliment. Programs: \"The Comedy of Errors\", \"The Visit\" and \"Fanny\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters/telegrams of compliment. Programs: \"Androcles and The Lion\", \"The Miracle Worker\". Contributions from Dan River Mills. Photographs. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Reviews, letters/telegrams of compliment, opening night gala, Safari Theatre/Dinners. Programs: \"The Glass Menagerie\", \"Once In A Lifetime\", \"Julius Caesar\", \"Blithe Spirit\" and \"Three Penny Opera\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Reviews and Letters/telegrams of compliment. Programs: \"Charley's Aunt\", \"The Sorrows of Frederick The Great\", \"Uncle Vanya\", \"Twelfth Night, On What You Will\" and \"the Man Who Lost the River\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Timetable, production schedules, Safari theatre Dinners, programs and reviews. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters to former subscribers seeking financial assistance for the upcoming season. Photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program and letter/telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- VMFA By- Laws 1972, Minutes of Theatre Arts Committee 10/21/71, agendas, budget and cost estimates. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Programming, policy for relations to the VMFA, contractual agreements, events schedules, promotion plans and financial statements, programs and brochures. Executive board meetings: 7/57, 11/57, 2/58, 4/58, 5/58. Dates- 4/56 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters and contributions from Chamber Music Society Patrons. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposal for the formation of the Dance Society, guest list, officers, policy regarding the Dance Society's relationship to the VMFA. Minutes of Executive Board, 5/11/56, 6/12/57, 7/57, 12/57. Receipt and attendance records, contributions, programs, pamphlets and guest performers. Dates- 5/56 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters and contributions from patrons of Dance Society. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Rockefeller grant to the museum to develop theatre and a program in drama, 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Kay Rockefeller. Subject- Traveling exhibition troupe for children's theatre: financial statement and invitations. Dates- 9/57 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program for \"Rossum's Universal Robots\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT designated seating area according to race, and letters of protest in support of Dr. Mary Elizabeth Johnson. Dates- 1/56 - 5/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program and letters/telegrams of compliment. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Robert Telford and Morton Thalhimer. Subject- Attendance records, publicity program and biographical data. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters and telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Cost estimate, theatre needs and improvements. Date- 12/56 - 7/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Sample survey, list of Chapter/Affiliate communities. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Morton Thalhimer and Robert Telford. Subject- Theatre Arts Committee agenda, VMT proposals for: director, administrator, production and apprentices. Date- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"The Gallows Man\", limited performance schedule, invitations. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Events program, list of composers represented. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cancelled, considered distasteful for VMT audience. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program and letters, telegrams of compliment. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- AAMD conference, theft of Roualt drawing from Toronto Gallery, requests for publications. Dates- 5/50 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains reports concerning slide sets and film strips distributed throughout the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Fashion designer to lecture on fashion from 1752 to 1952 for the exhibition: \"Habiliments for Heroines\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- New York World's Fair, newspaper and magazine clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His election to VMFA Board, museum business. Dates- 5/51 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper and magazine clippings of Governor Tuck. Dates- 12/49 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, Tunnard's expertise on city planning. Virginia Town Case Study Group: \"Problems of Planning in the Small Southern Town\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Severance of affiliation to the VMFA. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artist for VMFA Christmas card. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from F. Brandt and Wm. Gaines. Subject- Seminar to expose students and teachers to the function and operation of VMFA, agenda, program procedure, etc. Dates- 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Questionnaire from UCLA Graduate School of Management and the College of Fine Arts on the priorities related to the Arts, pamphlets. \"U.S. Information Agency-Its Task in World Affairs\". Date- 4/51 - 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Annual Meeting Minutes, travel authorization, organization news, pamphlets, general UNESCO business. Dates- 10/46 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Conference topic: Aid to South American Museums, project development, UNESCO Annual Report, Report of Program Committee. The Voice of America, Forum Lectures with transcript of by L. Cheek of \"The Art Museum As A Community Center\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Requests for loans of slides from South American Museums for L. Cheek's presentation to Denver conference, list of South American Museums. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Opening of UDC new building. Resolution concerning accessibility to members of UDC, invitations. Dates- 6/57 - 12/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence, reports, minutes. Expansion of local service. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Charitable organizations that have received UGF monies and fund raising campaign. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- The Air Force Memorial Center: statement of purpose, design, personnel requirements, building program, Minutes of U.S. Air Force Fine Art Committee 6/58 and 12/60, \"Proposal For The USAF Memorial Education Center\", travel vouchers and floor plan for the Academy Museum (Planetarium). Slides. Dates- 2/57-4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Edward R. Murrow as Director, merging of the People-to People Program (organization of museum professional) with the USIA. Newspaper clippings. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Forum Series\": International Broadcast, lecture series. Essay- \"the Art Museum As A Community Center\" by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- UNESCO Action to safeguard Nubian monuments due to the construction of the Aswan Dam. Roster of Honorary Committee, International Action Committee, United Arab Committee, Executive Board Minutes. Dates- 4/60 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Virginia State Employees U.S. Savings Bond campaign, handbook for canvassers, meeting agendas and progress reports. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Col. H.W. Fitzroy. Subject- Coordinating agency between institutions and other cultural, educational and scientific agencies in Virginia through a lecture series of visiting scholars. Dates- 9/54 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Bayly Art Museum and the McIntire School of Fine Arts at the University of Virginia. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Lecturers and AIV contributors, loans of objects, fellowships. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and T. Colt. Subject- UVA Museum loan of objects and lecture tours, fellowships. List of prints on loan to VMFA from Catesby estate and list of Lurcat Tapestries. Dates- 8/47 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Museum business, Artmobile, VMT, requests for loans, contributions and gifts. Reference to photos of ancient Greek sculpture, architecture and landscape views, invitations, pamphlets and postcards. Dates- 10/58 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains the schedules for staff vacations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence of Hans van Weeren-Griek, curator of Education at the VMFA. Dates- 1940-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Report regarding vandalism and misconduct: soaping of the fountains and damage to shrubs. Dates- 11/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Velz' service as VMFA Head of promotion, civilian and military experience record, newspaper clippings and Melchers Estate. Dates- 1949 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains general correspondence of Velz, Associate Director of VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Status of tax deduction, recommendations for event, invitations and dance card. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 9the Annual Viennese Ball sponsored by the Council: Ball Committee, agenda, decoration, invitations, etc. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- Virginia Art Alliance By-Laws, program and minutes of VAA meeting 1945, Report of the Trustees of Richmond Academy of Arts 1933, correspondence with other members of VAA, etc. Dates- 1933-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- program for annual meeting 1941, blank ballots labeled \"Board of Trustees Ballots\", statement of need for a state Supervisor of Fine Arts Education. Dates- 4/40-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- reports of activities of organization members 1942-3, correspondence with organization members-no annual meeting held this year due to World War II, etc. Dates- 3/43-5/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcement, agenda and program for annual meeting 1944, correspondence with organization members, election of officers/trustees, etc. Dates- 3/44-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting minutes ('49), listing and certification of delegates to VAA annual convention ('49), listing of the VAA Board of Trustees ('49), etc. Dates- 1948-49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes from meetings and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to Miss Helen C. Rose (Virginia Art Alliance President). Subject- correspondence with member organizations, etc. Dates- 3/58-8/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- minutes of Trustees meeting and annual meeting 1959, roster of officers and Trustees, program for annual meeting 1960, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of Va. Art Alliance). Subject- announcement, replies agenda and program for annual meeting of (1936) the VAA Trustees, listing of organizational members to VAA, certification forms for delegates to the VAA annual convention (1936), etc. Dates- 5/35-5/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension VMFA, Secretary of VA. Art Alliance). Subject- announcements, program and report for VAA annual meeting 1937, resolution changing the organization of the VAA (consolidating its function with that of the VMFA), certification of delegates to VAA annual meeting 1937, etc. Dates- 4/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept., Secretary of VA, Art Alliance). Subject- VAA annual meeting announcement and program (1938), certification for delegates to VAA annual convention 1938, correspondence with member organizations about the reorganization of the VAA (consolidating its function with that of the VMFA), etc. Dates- 2/38-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance). Subject- announcements and program for VAA annual meeting 1939, certification of delegates to the VAA annual convention 1939, letter from Gayle to the State Board of Education supporting the appointment of a state supervisor of art, etc. Dates- 3/39-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1940, correspondence with member organizations, nomination of trustees, certification of delegates to annual convention 1940, etc. Dates- 3/39-5/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1941, report of the VAA 1940-1, listing of organization members, By-Laws of VAA 1934, correspondence with trustees, etc. Dates- 3/41-4/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- program for annual meeting 1942, roster of member organizations, reports from member organizations, Annual Report of the VAA 1941-2, listing of VAA lectures in 1941, Museum Bulletin (VMFA) vol.2, no.6, 1942etc. Dates- 3/42-4/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcements, program and minutes for annual meeting 1944, reports of member organizations 1944, certification of delegates to annual convention 1944, listing of Board resolutions during war time, roster of member organizations, etc. Dates- 4/44-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. T.C. Colt (Secretary of VA Art Alliance). Subject- announcements, program and minutes for annual meeting 1945, roster of trustees and nominating committee, reports of member organizations, certification of delegates to annual convention 1945, etc. Dates- 3/45-2/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945, announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945,announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting program ('46 and'47) and minutes ('46), list of members ('47), certification of delegates to annual VAA convention ('47), Reports of art activities around the state, etc. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance)and M.B. Christison (Curator of Education). Subject- copies of 1947 resolution about art display areas in public buildings, minutes of annual meeting 1947, announcements and program for annual meeting 1948, roster of member organizations 1948, correspondence about securing guest speakers for VAA annual convention 1948, certification of delegates to annual convention 1949, etc. Dates- 7/45-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- membership roster ('48), list of trustees ('48), announcement, minutes and attendance to annual meeting ('48), summary of panel discussion about art education in Va. schools, statement of VAA purposes and objectives, etc. Dates- 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- minutes of the Virginia Art Alliance meeting ('47 and'48), Board meeting announcement and attendance, program of annual meeting ('48), list of suggested nominees to the VAA Board ('48), etc. Dates- 1947-8.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- annual reports of activities made by VAA members. Dates- 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Annual meeting 1955. Correspondence, resolutions and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence, minutes and agendas. Form letter announcing annual meeting 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes, agenda and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcement and minutes of Fall Meeting 1957, correspondence with member organizations, etc. Dates- 11/57-12/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Meeting held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1957, appointments to nominating committee, minutes of the Trustees meeting 1957, roster of organization members, The Annual Review of the Virginia Art Alliance 5/39,etc. Dates- 2/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and tentative reservation list for annual meeting 1958, etc. Dates- 9/58-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1958, reports of member organizations, Virginia Art Alliance By-Laws, proposed revisions to By-Laws, VAA procedures, appointments to committees and to board, etc. Dates- 1/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes from annual meeting 1959, member organization reports, roster of VA. Art Alliance officers and trustees, VAA By-Laws, etc. Dates- 5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison Assistant Director VMFA). Subject- announcement and schedule for annual meeting 1959, blank reservation forms for school artmobile visits, etc. Dates- 10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and program for annual meeting 1960, listing of nominating committee appointments, roster of officers and trustees, listing of delegates to annual meeting, etc. Dates- 3/60-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- reports from member organizations, etc. Dates- 1956-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of organizational members and their attendance, correspondence and form letters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Board of trustees and list of members 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Board of trustees' meeting 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Board of Trustees, 1952-55. Correspondence, minutes. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trustee correspondence, minutes and members. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard Subject- preliminary work for the VAA booklet: \"Facilities for Organization Members Comprising the Virginia Art Alliance\". Dates- 8/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Secretary Virginia Art Alliance). Subject- minutes of Virginia Art Alliance (VAA) annual meeting 1957, proposed revisions to By-Laws, etc. Dates- 8/56-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- outline of a state art federation, constitutions, by-laws, information on other art federations (i.e.: The American Federation of Art, The Kansas State Federation of Art, The Indiana Federation of Art Clubs, etc.), etc. Dates- 1/34. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Va. Art Alliance procedures and a short history, draft of proposed revisions to VAA By-Laws, Annual Review of the Virginia Art Alliance. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA/ Secretary of the VA Art Alliance). Subject- VAA By-Laws 1934, resolution (1936) to consolidate the functions of the VMFA and VAA, information about the development of a new type of VMFA annual membership- the organization membership, etc. Dates- 1934-10/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- listing of Trustees 1934- 39, Trustee meeting announcements, letters accepting election to the VAA Board of Trustees, etc. Dates- 11/34-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA representative on the Virginia Art Commission. Dates- 11/55 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- selecting and securing jurors for the exhibition \"Virginia Artists 1955\", listing of pieces and artist included in the exhibition, printed material for the exhibition, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: Paul Smith, Rose Slivka and Frank Getlein. Salon des Refuse's, biographical data, exhibition catalog. Dates- 6/66 - 6/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Prospective jurors and exhibition announcement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Jurors: Thomas Hess. Exhibition statement, reception, guest list, members preview, program agenda, discontinuation of salon des refuse's, installation and exhibition catalog. Dates- 1967, 11/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper and magazine clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence regarding auditor's reports. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Audit Reports 1936-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Auditors Survey and Systems study of the VMFA. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Wm. Morrison. Subject- Filming of \"California Watercolors\" traveling exhibition with footage of Virginia Beach Sidewalk Show included in the 25th anniversary film. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Prospectus for the Virginia Center For the Performing Arts. Statement of purpose: Academy-Conservatoire of Dramatic Art with training center and professional theatre. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding objects and paintings in private collections throughout state of Virginia. Correspondence with artists and owners. 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Statement of mission, NEA grants, proposals, awards, potential applicants, recipients. Collectors' Circle: Arts and Humanities Challenge grants for Conservation projects. Degas exhibition. Dates- 2/74 - 6/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- VCU and U of R Drama departments. VMFA/VCU Museum Methods Course. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Current/future cooperation between VCU and VMFA: theatre, Art Historical studies, education, museum training, music dept.'s, VCU Conservation Lab and Anderson Gallery. Dates- 1/73 - 2/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Juror: Paul Smith. Reception, guest list, program, agenda and exhibition catalog. Dates- 3/71 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Juror: Henry Wolf. Event program, invitations, guest list, statistics regarding entrants, certificate winners, etc. Exhibition catalogs for \"Virginia Designers\", 1970 and 1971; \"Virginia Photographers\", 1970 Date- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding state budget 1946-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VEA Centennial Event and retired teachers complex, theatre program and Executive Committee Minutes, 12/61. Dates- 10/63 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Retired teachers apartment complex proposed for the 2900 block of Grove Ave., later rejected by the City Council, newspaper clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Exhibition: \"American Rooms in Miniature\", sponsored by Va. Federation of Women's Clubs, sponsorship of statewide tour of Artmobile, newspaper clippings and pamphlets, \"Virginia Journal of Education\", 10/63, catalog of \"American Rooms in Miniature\" by Mrs. J.W. Thorne, Art Institute of Chicago, 1941. Dates- 6/53 - 2/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Virginia Federation of Women's Clubs Statewide Arts Festival. Dates- 5/67 - 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Thank you notes from newly elected/reelected members of the House of Delegates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Gov. John. S. Battle. Dates- 1949-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Gov. Colgate W. Darden. Dates- 1942-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Gov. George C. Peery. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Bills vetoed and passed by Gov. Thomas B. Stanley [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Gov. William M. Tuck. Dates-1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Multi-level Arts Festival held annually in Abingdon, Va., loans of art works, consultation on programming and pamphlets. Dates- 11/52 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, F. Numan (Wm. and Mary) Subject- Meeting to focus on Architecture and the Humanities. Dates- 11/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Catalog from Franklin Mint series of silver commemorative medals. Norton Simon summary of Annual report, 1970. Dates- 1970 -71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mrs. J.G. Pollard was chairman of this agency; copies of: Fundamentals of a Growing Recreation Program by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Agendas and minutes of meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns a Governor's commission to study juvenile delinquency and the Virginia Advisory Legislative Council. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Report to the Committee on \"Recreation as a Function of Government in Virginia.\"   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- copies of the executive order creating the Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- planning a listing of recreation films available through state agencies and 16mm Recreation Films Available in Virginia published by the VA Inter-Agency Committee on Recreation, etc. Dates- 6/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- working papers and final copies of the \"1st Report to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 10/53-1/54; Correspondence Subject- copies of the \"First Report to the Governor by the Inter-Agency Committee on Recreation\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Selected legislation on recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- membership rosters for the VA Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- statewide recreation reports listing facilities, budgets, organizations and needs, pamphlets from the National Recreation Association, etc. Dates- 7/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Sponsored by the National Recreation Association 1955-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains a listing of personnel and the purpose of the committee.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper clippings and pamphlets.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Pamphlets, magazine articles etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Copies of \"Fundamentals of a Growing Recreation Program\" by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- working papers for and final copies of the \"1st and 2nd Reports to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 11/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Juror: Sarah Tomerlin Lee, Biographical data, event program, pamphlets and catalog for exhibition. Dates- 9/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Museum events, rosters: Senate, House of Delegates. Letter to members of the general assembly. Essay- \"The Virginia Museum and the Arts in Virginia\". Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Reception for organization composed of Mayors, City Managers and City Officials. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Faye Ambrose and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year. Dates- 5/56-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Charles E. Baker and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications and award letters (1950, 1951) for VMFA in-state fellowship, artist progress reports for 2 years, etc. Dates- 5/50-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Regina Bartley and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 4/51-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Wm. Thomas Bland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA fellowship, thank you notes made by Mr. Bland (mixed media including watercolors). Dates- 8/48-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Robert Brushwood and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations, award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Kuhn R. Caldwell and Mrs. J.G. Pollard, M.B. Christison (Assistant Director), and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, artist progress reports for 1 year . Dates- 12/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mary Frances Cheatham and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA junior fellowship, artist progress reports for 1 year. Dates- 1/49-3/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Janet Clausen and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Robert L. Davis and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA in-state fellowship, photos of artist's work, artist progress reports for 1 year, etc. Dates- 4/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Worden Day and Mrs. J.G. Pollard, M.B. Christison and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, etc. Dates-4/49-8/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. T.V. Downing, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 10/49-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Charles Flynn, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 4/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 2/54-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- award letter for VMFA in-state fellowship, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Barbara Harding and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications ('53 and '54), recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Catherine M. Hipp and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Jem W. Hom and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/56-7/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between W.B. Houghland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Caroline C. Huff and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. William W. Jackson and Mrs. J.G. Pollard and L. Cheek Jr. Subject- applications (1948,1949), recommendations and award letter for VMFA fellowship, etc. Dates- 5/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Benjamin Knapp and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. James Leedy and Mrs. J.G. Pollard and M.B. Christison (Assistant Director). Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/57-6/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Brenda R. MacBaisey and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year (includes lithography proofs), etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. James P. Moyers and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Joe Ravenscroft and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, application and recommendations for VMFA fellowship, etc. Dates- 8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, recommendations for VMFA fellowship, etc. Dates-8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.F. Russell and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for out-of-state fellowship, artist progress report for 1 year, etc. Dates- 4/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between R.E. Spain and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Mary R. Tatum and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1year, etc. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Primm Turner and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress report for 1 year, application for Catherwood Foundation fellowship, etc. Dates- 3/56-9/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. E. Parker Twombly and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA out-of-state fellowship, recommendation letters written by: Ben Shahn and Robert Motherwell, artist progress report for 1 year, etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress report for 1 year, etc. Dates- 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Howard Woody and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for student fellowship, etc. Dates- 4/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Peter Wreden and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, etc. Dates- 4/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of fellowship applicants, requests for applications, rejection letters, etc. Dates- 3/49-6/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications, recommendations and rejection letters for those applicants not chosen to receive fellowships. Dates- 3/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship, fellowship announcement, minutes of the fellowship committee meeting (1954), etc. Dates- 12/40-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- listing of applicants 1942-44, listing of types of fellowships offered by the Museum, etc. Dates- 1942-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- various applications, recommendations, rejection letters, etc. Dates- 5/46-6/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- announcements of fellowships, blank fellowship applications, requests for applications, various completed applications, award and rejection letters for fellowships, artist reply letters, etc. Dates-4/46-12/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- various applications, recommendations, fellowship recipient progress reports, award and rejection letters, correspondence with Fellowship committee, etc. Dates- 4/47-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject-the organization of the Fellowship committee, requests for fellowship applications, etc. Dates- 9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. John L. Pratt. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship program, minutes of: annual board meeting (1941), executive committee meeting (1940), VA artists fellowship committee meeting (1940), announcement/application for VMFA fellowship, etc. Dates- 6/40-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence about the Museum. Dates- 1939-46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition- \"The Virginia Museum of Fine Arts in Roanoke\", 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Essays by Director Thomas Colt on the Principles and Work of the Virginia Museum of Fine arts and its history.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Timetable, agenda, invitation, guest list. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Juror: Henry Callahan, biographical data, entry form, letters to selected applicants, statistics: entrants vs. applicants etc., and jury procedure. Dates- 4/71-2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Fellowships, VPI Traveling Theatre. Letter to Josef Albers with biographical data, invitations and exhibitions. Dates- 3/59 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains pamphlets and correspondence between this association and Mrs. Pollard's Inter-agency committee on recreation 1949-54; Reports and Inventories of recreational activities of state agencies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- VMFA budget, state issue vehicles, Artmobile, salaries, Robinson House, etc. Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Complimentary memberships to members of the house of delegates, travel regulations, United Givers Fund campaign, management studies. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VSAA membership rosters, membership of confidential secretaries to directors of state agencies. Dates- 9/63 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from the Office of the Governor. Subject- Memos to heads of state agencies regarding all manner of state operations, capital outlays. Annual Report of \"Virginia Department of Vocational Rehabilitation\", 1976. Dates- 1/73 - 10/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from the Office of the Governor. Subject- Affirmative Action and Freedom of Information Act requests. \"Virginia Local and Regional Planning 1974\"; \"Virginia Commission Visually Handicapped Annual Report\", 1973-74; \"Virginia Highway Commission Annual Report\", 1973-74. Dates- 11/74 - 12/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from the Office of the Governor. Subject- State governmental management, budget appropriation requests, Virginia calendar of events, newsletters, museum salaries and the Virginia Privacy Act of 1976. Dates- 4/75 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regards donating old exhibition materials 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt. Subject- Roster of VMFA Trustees, resume of progress in the Fine Arts of Virginia. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and E.M. Kates (VSIF). Subject- Planting of flower beds and maintenance of interior foliage, Elizabeth Kates Foundation. Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cleaning and treatment reports of portraits owned by the Virginia State Library and Archives. Also correspondence regarding the wartime protection of Virginia's cultural materials, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- outline of annual meeting. Dates- 11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- \"Planning Your Town\" traveling exhibition, photos and description of exhibition installation, copy of an essay written by Cheek for Art Digest (4/52) Dates- 2/52-10/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- VA Union choir singing at the Museum during the Christmas season, pamphlets about Museum sponsored activities during the holidays, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Statewide competition for the design of Memorial and jury selection. L. Cheek's service as advisor to the Memorial Commission. T.J. Collins and Son as winners of competition. \"Program Of Competition For The Virginia World War II Memorial\". Dates- 12/50 - 3/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Program Of Competition For The Virginia World War II Memorial\", firms invited to compete in the final selection, expenses incurred and resumes of applicants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, John J. Wicker Jr. (Chairman). Subject- Competition program, VWW II Memorial Commission meeting minutes, \"Preamble\", for the creation of the memorial, \"Architectural Competitions\", AIA Document no.213. Drawings/plans and photographs for site development. Dates- 5/50 - 12/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 1953 Official Report of the Virginia World War II Memorial Commission. Dates- 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Competition program and closing proceedings. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Applications from selected entrants, official report of the jury in their selection of J.T. Collins and Son, (A.I.A.). Dates- 3/51 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Report of the Jury concerning the winning design. Jury members: Waldon Franklin, George Howe, Frederick C. Disque, Edward D. Stone, W. S. Robertson, biographical data included and list of competition entrants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Guest lecturers, membership. Dates- 12/63 - 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mrs. von Keller. Subject- appointment of von Keller as Acting Director of VMFA in absence of Colt, biographical information, etc. Dates- 4/35-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mrs. von Keller (Art Director, Randolph-Macon Woman's College). Subject- personal, Museum events, etc. Dates- 8/42-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Morton Vose. Subject- Acquisitions and provenance of objects. Dates- 7/56 - 2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J.G. Pollard, T. Colt. Priscilla Crum and L. Cheek. Subject- Segregation in children's art classes, Study of early 19th century architect and builder John Jordan. WRVA Radio weekly series of VMFA activities, Salon des Refuses' for artists eliminated from the Virginia Artists juried exhibition. World War II Memorial design competition, Artmobile, newspaper clippings, paintings from the Williams Collection and the Helena Woolworth McCann Collection of Export Collection. Exhibition catalog: \"Eugene Wiesz\". Photographs. Dates- 9/45 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and M. Christison. Subject- Artmobile, AIV, sit-see chairs, collectors circle, Fellows, Wise Pre-Columbian Collection, requests for employment. Woodrow Wilson Birthplace Foundation: Annual Report 10/64. Gifts, loans, contributions and acquisitions. Dates- 3/60 -11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Exhibition announcements, invitations, newsletters, biographical data, requests for employment. Purchases, gifts and acquisitions. Damage report of art works. \"Profile\", re: Tishman Collection of African Objects. \"Hermes Wingraf Quarterly Catalog\", Summer 1971, re: 17th century Dutch still-lifes. Dates- 2/70 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Waddy bequest for fountain construction. Costs of construction and maintenance of fountains: National Gallery, Frick Collection and Isabella Stewart Gardner Museum, includes photographs. Blueprints/plans: VMFA Site Development, East Elevations. Excerpt from the will of Woodson P. Waddy. Dates- 1947, 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Bronze Waddy Memorial Fountains, architects: Eggers and Higgins, Sculptor: Ralph Menconi. Contractual agreement with architects, Blueprints/ plans, detail drawings for : Waddy Memorial Fountain, Triton Fountain, East elevation and site development plans. Dates- 8/53 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt and Mr. Clifford L. Walker. Subject- inscribed plates for paintings in Museum collection, bronze busts and tablets for founders. Dates- 11/35-8/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Walpole Society Dinner, membership roster and newspaper clippings. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA staff orders for conduct of Museum during an emergency, pamphlets from the U.S. Government, Association of Art Museum Directors and American and British museums about art preservation in case of a wartime emergency. Dates- 1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Warburg Collection on loan to VMFA and his address to collector's circle. Bulletin vol.18 no.9 5/58 Dates- 5/57 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT scenery design. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- pamphlets from the U.S. Government, Association of Art Directors and American and British museums about art preservation in case of a wartime emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- prospective sale of George Washington portrait by Peale to the state of Virginia, history of the painting, may have been commissioned by the state in 1784 for use by Houdin (the sculptor of the George Washington statue in the capital). Dates- 10/37-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Marion Junkin. Subject- Metropolitan Collection on permanent loan to W\u0026amp;L, letter from M. Junkin espousing the talents/commitments of the young artist Cy Twombly. Hans Gasman as restorer for VMFA lists of objects and exhibitions. Dates- 11/49 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Alexander W. Weddell. Subject- Weddell's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, gifts from Weddell, listing of Trustees 1942, listing of Trustees committee assignments 1945. Dates- 9/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and Mrs. J.G. Pollard. Subject- Founding member of VMFA, resolution from Executive Board in memoriam of Alexander Wilbourne and Virginia Chase Weddell. Award of the Webster S. Rhoads Medal for distinguished service. Minutes of Annual Meeting, descent and authenticity of a pair of copies of portraits of George Mason and his wife. Dates- 7/45 - 1/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Foundation financial support: VMT, library, contributions to Fellows fund, book purchases, VMFA services catalog. Dates- 7/66 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Director of Gallery of Modern Art, NYC, and his service as a juror. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"Time\" article on George Catlin, artist of the American West. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and P. Mellon. Subject- Ultimate destination of Mellon English Collection. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Tour request. Dates- 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Mrs. J. H. Parsons. Subject- Wheelchairs adapted for sit-see chairs and underwritten by Mrs. Parsons. Dates- 10/65 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecture/recital to VMFA council and Fellows. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitation to L. Cheek by President Johnson to attend luncheon for President-elect Barrentos of Bolivia. Dates- 7/20/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Objects on loan to White House. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Theo B. White. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Diorama's made by Whitelaw in the collection of the L.A. County Museum and George Washington Masonic National Memorial Association. Photographs Dates- 7/62 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- general correspondence with a Trustee on Museum programs and operating activities (esp. Accessions Committee). Dates- 6/35-3/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Beatrice von Keller, T. Colt and L. Cheek. Subject- Organization of an exhibition of pre-Columbian sculpture, Catesby-Jones collection, Whitman Collection of Mayan Sculpture, Chrysler Collection accessions and exhibitions. Date- 8/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mrs. Thelma Cudlipp Whitman. Subject- Trustee/Museum business, etc. Dates- 5/51-2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Ambassador to Great Britain, invitation to become Collector-of-the- Year. Dates- 5/61 - 7/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and various Whitney Museum staff. Subject- loans to the Museum for the inaugural exhibition, loan to the Whitney from VMFA, museum practices, etc. Dates- 5/35-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Summer state service projects, VMFA projects list. Dates- 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Playwright, invitation to address VMT, Time Cover 11/12/53. Dates- 1/53 - 3/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA appointment to Board of Trustees, service as President and on the Entertainment Committee. Museum business, South Wing, Fellows, NEFTA. Gift of Mellon French painting collection, gifts, contributions. Dates- 6/65 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibitions: \"Jean Outland Chrysler Collection\" and \"30 Years of Virginia Art\". List of objects, Charter Day ceremonies: invitation list and dedication of the new Fine Arts building. Essays- \"Thomas Jefferson and the Fine Arts\" and \"The Arts in Virginia\", by L. Cheek 2/67. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT and loans of objects to VMFA. Dates- 1/50 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Mrs. J.G. Pollard. Subject- Williams Collection inventory, Williams purchase fund, statement concerning the informal agreement between L. Cheek and Mrs. A. D. Williams concerning installation of collection in the new wing. Selected inventory of furnishings in the Williams home. A.D. Williams as recipient of the Rhoads Medal, financial contributions, gifts and loans. Dates- 6/48 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Berkley Williams Jr., Virginia artist. Dates- 1936-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., and Mr. E. Rand Williams. Subject- Trustee/Museum business, Rand served as Buildings and Grounds Committee Chairman 1937-8 and as first Vice-President in 1941, etc. Dates- 6/35-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. E. Randolph Williams. Subject- Trustee/ Museum business, etc. Dates- 5/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Glasglow bequest, Melchers Estate, Pratt Jewels, Portrait of \"James Patton Preston\", Gilbert Stuart, general legal questions. Dates- 10/58 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Election to board of Trustees; Dance Society. Dates- 6/54 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Advisory committee on the new Reception Center, L. Cheek as a member and a map with the proposed location. \"Summary of Reception Center Objectives and Experience\". Dates- 11/53-1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- List of objects accepted as loans and pending gift status. Dates- 10/49 - 3/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Preliminary plans for a foundation to house objects related to W. Wilson's life. Portrait exhibition of the 8 Virginia born Presidents, portrait of Mrs. Wilson, artist unknown. \"Woodrow Wilson's Heritage of Faith\", Frank Bell Lewis, Woodrow Wilson Birthplace Foundation, 1956. Dates- 9/55 - 6/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters of request and approval for event, agendas and timetable. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letter of confirmation. Dates- 7/11 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Woodlawn Plantation event, guest list and map. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. to Worcester Art Museum staff. Subject- loans for VMFA inaugural exhibition, loan to Worcester Art Museum, etc. Dates-8/35-7/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- exhibition held at the Museum \"Southern States Preview\" a regional exhibition connected to the World's Fair. Dates-10/38-12/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by applicants to exhibition. Subject- listings of artists accepted to the show (listed state by state). Dates- 12/38-1/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Arthur Drexler (MOMA) to lecture on Wright exhibition, reception, guest list. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Transcript of radio broadcast 2/26/54, exhibition: \"American Painting\", Artmobile and magazine excerpt. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Betsy Wyeth and Harry Brooks (Knoedlers). Subject- \"Country\": Working drawings, Artmobile layout and tour and reviews. Dates- 2/67 - 11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown and P. Near. Subject- Exhibitions, loans, acquisitions, AIV, gifts, contributions. Correspondence with William Zorach, sculptor. Dates- 9/49 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- museum practices, loans for the VMFA inaugural exhibition, etc. Dates-9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- General correspondence from Alumni, possible lecturers, newspaper clippings. Correspondence between Cheek and Alfred Stiegletz. Minutes of Alumni and Friends of the School of Art and Architecture, 5/58, pamphlets. Dates- 6/58 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Third Report Of The Committee On Architecture, Painting and Sculpture\", 4/50. Committee membership roster, issues facing various Yale departments. \"Bulletin Of Yale University\", series 44, 4/48 #5 and \"Official Register Of Harvard University\", vol. XLV, no.15 7/15/48. Dates- 1949 - 50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. Pollard and M. Christison. Subject- Yale school of the arts general operation, appointment of Joseph Albers, list of University Council Committees. Dates- 9/48 - 9/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Draft of the committee report and responses from other Yale committee members regarding departmental personnel, curriculum, problems and resolutions. \"Report Of The Committee Of The Division Of The Arts (Architecture and Planning And Design)\",prepared by L. Cheek, 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Report Of The Chairman Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 4/48, prepared by L. Cheek. Issues concerning Yale departments of the arts. Minutes of Yale Executive Committee Meetings, various reports on Yale departments. Dates- 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Cheek draft of, \"Report Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 1952. Yale policy review, new appointments, letters to other committee members, roster of membership. Dates- 5/51 - 4/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Evolving challenges of the various Yale departments. \"Report Of The Committee On The Division Of The Arts (Architecture, Planning and Design)\", 4/53. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA performance of Yale Glee Club, agenda, program, roster, etc. Dates- 10/60 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eR. Peter Mooz was Director of the museum from 1976-1981.\u003c/p\u003e","\u003cp\u003eCharles L. Reed was Interim Director of the museum from 1981-1984.\u003c/p\u003e","\u003cp\u003ePaul N. Perrot was Director of the museum from 1984-1991.\u003c/p\u003e","\u003cp\u003eKatherine R. Lee was Director of the museum from 1991-2000.\u003c/p\u003e","\u003cp\u003eRichard B. Woodward was Interim Director of the museum in 2000.\u003c/p\u003e","\u003cp\u003eMichael Brand was Director of the museum from 2000-2005.\u003c/p\u003e","\u003cp\u003eThomas N. Allen was Interim Director of the museum in 2006.\u003c/p\u003e","\u003cp\u003eThis series contains correspondence and subject files from staff members in the Director's Office.\u003c/p\u003e","\u003cp\u003eCarolyn Weekley was the Assistant to the Director from 1978-1979. She later became Curator of Decorative Arts, so there is some overlap in the files with her curatorial work.\u003c/p\u003e","\u003cp\u003eMargaret (Peggy) Burke was Assistant to the Director from 1980-1981, then Deputy Director in 1982, Deputy Director. She originally served as Assistant Director for Collections and Interpretation, so there is some overlap in the files with her other work.\u003c/p\u003e","\u003cp\u003eLulan Yu was Assistant to the Director from 2002-2007. Her files are mostly related to the North Wing expansion and the museum identity project.\u003c/p\u003e","\u003cp\u003eLee Anne Hurt Chesterfield was Assistant to the Director from 2004-2009, then became Director of Board Relations and Museum Planning. Her files are mostly related to special projects, exhibitions, and AAM reaccreditation.\u003c/p\u003e","\u003cp\u003eThis series consists of building files that were maintained separately in the Director's Office. There are often additional building files found in each Director's Correspondence files.\u003c/p\u003e","\u003cp\u003eThe West Wing was completed in 1985.\u003c/p\u003e","\u003cp\u003eThe North Wing expansion was completed in 2010.\u003c/p\u003e","\u003cp\u003eThis series consists of corespondence with internal and external groups, the affiliations or creations of which often often overlap different Directors.\u003c/p\u003e","\u003cp\u003eThis series consists of minutes and planning documents for meetings convened by the Director.\u003c/p\u003e","\u003cp\u003eThis series consists of program files that were maintained separately in the Director's Office. 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Sub-Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Series Description","Sub-Series Description","Sub-Series Description","Series Description","Series Description","Series Description"],"scopecontent_tesim":["This series is comprised of correspondence of all of the various Directors of the museum. Files were arranged alphabetically by subject, and there is a lot of overlap between different Director's as the files often contained pertinent items from a predecessor. In the case of the first sub-series (1.1), until 1976, the entire museum's files were maintained centrally as one unit in the Director's Office.","This series includes the records of the first three Directors - Thomas C. Colt (1935-1948), Leslie Cheek, Jr. (1948-1968), and James M. Brown (1969-1976) - as well as the two Interim Co-Directors Beatrice von Keller and Violet McDougall Pollard (1942-1945). The bulk of this series was deposited at the Library of Virginia, therefore most of the items held at VMFA are copies that LVA returned to the museum.","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with individuals, institutions and corporations beginning with the letter 'A', note- two letters written to Josef Albers (no replies). Dates- 2/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding a copy of Gainsborough's \"Blue Boy\" in the collection of Van Clief of Esmont, Virginia.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters from private donors and dealers offering objects for sale and as gifts to the Museum when it was first started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and information about gifts and purchases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about items being considered for purchase and members of the committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes, and information on bequests and purchases. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- minutes of accessions committee meeting 1972, announcements and attendance for meetings 1973, acquisitions policy for bidding on works of art at auction, etc. Dates- 9/72-1/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- painted decorations of St. James church, putting this church on the Virginia section of the National Register. Dates- 4/68-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- departmental inventories of non-expandable assets of the Commonwealth of VA 1940-3, worksheets on individual art objects and Museum equipment, state regulations, etc. Dates- 6/43-11/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown and P. Near (Curator). Subject- correspondence about possible acquisitions, considerations of gifts, notes on possible acquisitions, etc., 10/70-4/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding the gift of Mrs. Charles Adams (Ann Fowlkes) of music albums 1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's appointment by the Governor to an advisory committee assisting the Dept. of Conservation and Economic Development in a study for a proposed museum of science, archaeology and natural history (to be located in Richmond), copy of Senate joint resolution no.26-to study the encouragement or establishment of a museum of science and natural history, list of committee members, Report of the Department of Conservation and Economic Development to the Governor and the General Assembly of Virginia Relative to the Establishment of a Museum of Science, Archaeology and Natural History in Richmond, 1965, etc. Dates- 5/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Excerpt from the Report of the Committee on Recreation to the Advisory Council on the VA Economy and A Summary of Major Recommendations that Involve Questions of State Policy by the Advisory Council on the VA Economy. Dates- 8/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- possible Museum acquisitions from the dealer. Dates- 4/53-5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Airfiltering System 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- correspondence and announcement for lecture by Ambassador Akar about Africa's unique cultural heritage, etc. Dates- 10/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek was a judge for their annual show. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with Albemarle Art Association President about discontinued affiliation with VMFA, biographical information on Cheek, introduction about Cheek for lecture at AAA, Cheek's remarks in honor of Horace Burr 1966, etc. Dates- 8/57-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with and biographical information about Josef Albers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- a letter to Albers (no reply). Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown Subject- correspondence with Director about appointment to board of Hon. George S. Aldhizer II, Education in the Arts and Honors and Awards Committee appointments, etc. Dates- 6/67-2/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Donor of several paintings to the Museum, 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek as speaker for \"The Alexandria Forum: Southern Decorative Arts 1750-1850\", exhibition loans to Alexandria Assoc., etc. Dates- 9/55-1/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Printed materials. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding annual meetings and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- AAM (American Association of Museums)annual meeting pamphlets 1955,'57,'58,'59'60,'61,'62,'65 and'68, proposed constitution and By-Laws 1961, roster of member institutions 1959, correspondence about AAM meeting in Williamsburg, etc. Dates- 10/60-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from AAM Directors. Subject- Minutes annual meeting 1969, membership reports 1969-70, Financial Statements 1969-70, agenda for AAM council meeting 1970, memos, etc. Dates- 8/69-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- info about AAM (American Association of Museums) seminar held in Richmond 1972, financial and membership reports 1972, minutes of exec. committee meeting 1972, news releases, letter from Richard Nixon to Mr. Brown as President of the AAM, mailings sent out by AAM, etc. Dates- 7/72-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about Cheek as Program Chairman for AAM (American Association of Museums) annual meeting in Williamsburg 1962, tentative agenda, schedule of events, attendance list, committee reports, program, etc. Dates- 5/59-1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- correspondence to American Art Association (AAM) section chairmen about annual meeting, program, schedule of events, etc. Dates- 9/60-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about arranging program for American Association of Museums (AAM) meeting, roster of section chairmen 1962, agenda for exec. committee meeting 1961, invitations sent to VMFA trustees for a reception (held at VMFA) to meet the delegates to AAM meeting, etc. Dates- 7/59-6/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- roster of AAM (American Association of Museums) section chairmen 1962, attendance and schedule for section meetings, etc. Dates- 1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lloyd Goodrich Lecturer. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek on advisory committee for the study of design and craftsmanship in today's products, roster of advisory committee, proposed exhibition, conference series, documentary and publication about design and craftsmanship, National Exhibition Project Committee meeting minutes 1950, etc. Dates- 3/49-4/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek on Board of organization. Contains memos, pamphlets, exhibition literature etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns L. Cheek's membership in the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- minutes of exec. committee meetings 1961, '62 and '65, roster of trustees, memos to trustees, correspondence about convention in Chicago, etc. Dates- 1/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. (trustee of AFA). Subject- information about circulating exhibitions, minutes of Exec. committee meetings 1966 and '67, minutes of trustee meetings 1966, '67 and '68, memos to trustees, etc. Dates- 1/60-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- American Federation of Arts (AFA) exec. committee meeting minutes 1967 and '68, correspondence about AFA delegates visit to VMFA 1969, roster of members and committee appointments, news releases 1968, President's annual report to AFA, etc. Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about Cheek as Convention Committee Chairman 1959, correspondence about potential committee members, program for convention, minutes of preliminary joint meeting of the AFA trustees 1958, minutes of trustees meeting 1959, Golden Anniversary Convention, The American Federation of Arts 1909-1959, congratulatory and appreciation letters to Cheek, etc. Dates- 3/58-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown Subject- AFA (American Federation of Arts) exec. committee meeting minutes 1959,'60,'61,'62 and'65, roster of board of trustees, trustee meeting minutes 1961 and '62, AFA constitution, National Council on the Arts and Government Annual Report 1960, etc. Dates- 3/61-1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with the American Institute of Architects. Dates- 4/47-1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek served as a juror for the Annual Homefurnishings Design Competition and was an honorary member, 1949-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- A.I.D. (American Institute of Designers) VA chapter yearbook 1961-2, listing of suggested museums for A.I.D. exhibition, etc. Dates-5/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown. Subject- dinner meeting for the AID (American Institute of Designers) (interior designers). Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz and Wm. Wilkinson (Mariners Museum). Subject- Loan requests, cost estimates, pamphlets and photographs. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz and Wm. Wilkinson\u003e Subject- First major survey of American Marine Painting in observance of the Bicentennial. Lists of paintings, installation, budget, etc. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains copies of lecture invitation and catalog. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown from ASA (American Society of Appraisers). Subject- Brown's membership in ASA, ASA news 1971-2, announcement of meeting 1971, etc. Dates- 10/70-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for gallery dinner at VMFA for American Society of Appraisers. Dates- 1/72-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Brown as Chairman of a committee on collections at Amherst College and member of Exec. Committee of the Association of Fine Arts, constitution and minutes of Association of Fine Arts meetings 1970 and '71, roster of members of the Association of Fine Arts, membership solicitation letter, catalogue: The Amherst Sesquicentennial Exhibition 1972, etc. Dates- 10/69-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. J.G. Pollard and Mr. Henry W. Anderson. Subject- meetings of the Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, a portrait of Anderson by VA artist, Julian Binford, etc. Dates- 6/35-11/44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Henry W. Anderson. Subject- Anderson's presidency of the Board of Trustees 1947, trustee and Museum business, Annual Board meeting minutes 1947-8, Museum events and daily operations, Museum investments and gifts to the Museum, a general study of the Museum's collections and suggested plan of development (1947), information about the land occupied by the Museum and its estimated future needs, etc. Dates- 6/47-6/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- President of the Board of Trustees. 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and L. Cheek, Jr. and Col. Henry W. Anderson. Subject- Anderson's presidency of the VMFA Board of Trustees, Museum events and daily operations, gifts to the Museum, investment of the Museum's A.D. Williams fund, listing of financial condition of endowment and special funds 1952-3, etc. Dates- 5/51-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for dinner honoring Mr.and Mrs. Walter P. Chrysler, guest lists, invitations, R.S.V.P.'s, etc. Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- final copies: VMFA 2nd Annual Report of the Director 7/1/36-6/15/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 7th Annual Report of the Director 7/1/41-5/1/42 and VMFA staff orders 1/42 elaborating the orders of 6/41 conduct of the Museum during an emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers, preliminary and final copies of The Report of the Acting Directors for the Year 1944-5, agenda for Executive committee meeting 6/44, breakdown of membership 1943-4, 1944-5 and working papers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- final copy VMFA Annual Report. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- preliminary and final copies VMFA Annual Report 1946-7 7/1/47-4/30/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- preliminary and final copy: VMFA Annual Report 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for the 1948-9 Annual Report, Report of the Executive Committee of the VMFA to the Board of Trustees (5/22/49) also a listing and attendance record of the Board of Trustees (5/27/49).  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for the 14th Annual Report, including operations budget, salaries and membership count, also a copy of VMFA Organic Laws (10/36). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- The 14th Annual Report of the Director (5/27/49) and its working papers, also correspondence about VMFA role in selecting and displaying portraits in the Governor's Mansion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- working papers for the annual report, listing of Cheek's activities (lectures, consultations, committee and jury duties). Dates- 1960-1. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual Reports for Collections and Gallery Divisions 1951-54, and for State Extension Services 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 1st Annual Financial Report of the Curator (4/13/35-6/15/36), VMFA 2nd Annual Report of the Director (7/1/36-6/15/37), VMFA 3rd Annual Report of the Director (7/1/37-6/1/38), VMFA 4th Annual Report of the Director (7/1/38-6/1/39), VMFA 5th Annual Report of the Director (7/1/39-5/1/40), VMFA 6th Annual Report of the Director (7/1/40-5/1/41). Dates- 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 7th Annual Report of the Director (7/1/41-5/1/42), VMFA 8th Annual Report by the Acting Directors (7/1/42-5/31/43), also, VMFA 9th Annual Report by the Acting Directors (7/1/43-5/31/44).  Dates- 1941-1944. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- the following reports: \"Remarks by Robert Marsh, Jr. before the Appropriations Committee of the General Assembly\" and \"Resume of the Request of the Trustees of the Virginia Museum of Fine Arts before the Appropriations Committee 2/64\" Dates- 2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual meeting of its Richmond Chapter at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and Ms. B. von Keller. Subject- biographical info, purchase of his painting Maggie, letters of introduction, personal references, loaning work to Museum, Va. artists exhibitions, counsel on museum operations, etc. Dates- 10/35-10/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed paperback guide to architecture in Virginia, roster of Editorial Advisory Board for guidebook, list of sites by counties and cities, etc., final list of buildings and sites, announcements and minutes of Nominating Committee meeting, etc. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- biographical information on H. Harvard Arnason, speaker on Henry Moore sculpture at VMFA, VMFA Members' Bulletin vol.26, no.2 10/65. Dates- 9/65-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- confirmation of meeting with State Art Commission to present plans to enlarge VMFA. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership roster, pamphlet of Art Dealers of America, Inc., etc. Dates- 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given at the VMFA by members of the staff of the Museum of Modern Art 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices, the following publication: Let's Make the Lions Roar: A Marketing Study of the Art Institute of Chicago by Edward J. Teply (Northwestern University 1959) Dates- 6/48-1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Potential jurors for biennial exhibitions 1970. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence and a listing of members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and art nouveau purchase plan. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Artificial flowers for decoration in galleries, 1964. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum program where artist-members participated in a life drawing class.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program sponsored by museum for artist members, included life drawing classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and memorandums. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and minutes from meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Project to try and send artmobiles overseas as suggested by the State Department. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence as to whether or not they would like to have the artmobile visit their school. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains plans, blueprints, and correspondence that occurred during its development.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Manufacturer of custom van bodies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Presidential Inauguration. Artmobile was State of Virginia's entry in President Johnson's inaugural parade, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed exhibition for the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Magic City Bank had an exhibit trailer, which was a prototype for artmobile.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations, programs and correspondence.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reprints of A.I.V. article \"Galleries on Wheels\", 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VFWC was instrumental in getting the artmobile started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, newspaper and magazine clippings and schedule 1961-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedules, Plans, correspondence and photographs, 1960-63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and plans for 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening, Middleburg, Virginia, 1962.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner and Invitation List. Artmobile II Opening. Middleburg, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Facts sheets, invitations and photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dedication. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- correspondence re. funding, construction, photographs, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans for Collegiate Artmobile to visit Virginia Colleges. 1964-65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal to ask the Carnegie Foundation for funding for a collegiate artmobile, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening, Ashland, Virginia. Correspondence and programs, Sept. 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Meeting of Virginia college Presidents regarding the Artmobile project to service college and University campuses. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, David Pittman, Peter Mooz. Subject- Artmobile workshop: program agenda, exhibition schedules, etc. \"Artmobile Chairman Handbook\". Dates- 7/74 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fruehauf Trailer Co., artmobile manufacturer, 1965-66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed by Lt. Governor Mills Godwin, attempted to establish a Virginia Arts and Crafts Museum. Newspaper clippings, correspondence, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets, prints, minutes and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Arts and Humanities Summer Institute. Sponsored by the Va. Commission of Arts and Humanities at the Museum in 1971. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Informational pamphlet from the President's advisory Council on the Arts, 1963. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Art Council of America and Governor's office. Subject- invitation from the Art Council of America to be represented in this council, etc. Dates- 10/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from George Cruger (Editor, AIV), J.M. Brown and Wm. Gaines. Subject- Microfilming of AIV and checklist of Articles to date, Spring 1974. Catalog: \"Image\", George Eastman House, 1973. Dates- 11/73 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memos and Correspondence. Dates- 1960 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Search for a designer for the magazine. Letters to and from possible candidates. Dates- 1964.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Various issues of the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- A.P. News clips regarding Museum, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the portrait bust of John Marshall.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- A.P.V.A. Pamphlets and Correspondence, 1972. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- agenda for the APVA (Association for the Preservation of VA. Antiquities) meeting held at VMFA, roster of exec. committee and trustees, etc. Dates- 3/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of members and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and reports from annual meeting 1964-68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- General correspondence to Directors of various museums regarding membership, loans of art works, invitations, etc.  Fact sheet on Artist housing in Soho. Dates- 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and minutes from annual meeting 1970-71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Annual meeting: reports, minutes, events schedules, officers, membership. Code of Ethics for ilicit traffic in works of art. \"Reproductions and Reproduction Rights For Museum-Owned Objects\", 1962, American Federation of Arts. Dates- 1972, 1979 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes from meeting. Dates- 5/59 - 6/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposals for membership. L. Cheek was membership chairman. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes of meeting. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report on dangers of lending objects to institutions for special exhibitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Questionnaires, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Lady Nancy Astor. Subject- Donation of her portrait by John Singer Sargent and china. Dates- 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"B\". Subject- varied. Dates- 9/50-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with institutions, individuals or corporations beginning with the letter \"B\" and the VMFA loan-own art service policy statement. Dates- 6/62-10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Transcript of remarks by Frank Stanton on his award of the Michael Friedman Medal of the Architectural league, magazine clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Ballet and L. Cheek concerning the beginning and future of a theatre at the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, A. Ballet and trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Baltimore Museum of Art calendars of events, correspondence about museum practices, etc. Dates- 9/48-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Miss Iris Barry. Subject- giving a film lecture, newspaper clipping, etc. Dates- 8/49-5/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, T.C. Colt, Jr. and L. Cheek, Jr. Subject- general information about Barter Theatre (announcements, VA Highlands Festival schedule, etc.) and correspondence about the Museum sponsoring drama productions as a state extension service. Dates- 12/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Barzansky Galleries. Subject- invitation to a Harriet Fitzgerald exhibition at the Charles Barzansky Galleries, N.Y.C. Dates- 1/58-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Governor Battle. Subject- thank you notes, etc. Dates- 11/50-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlet of the Museum's 1945-6 season. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. Bellows. Subject- the proposed acquisition of one of two of Bellows' paintings (Kids, The Teamster) which the museum didn't purchase. Dates-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Fitzgerald Bemiss as a Trustee, correspondence about Board of Trustees and Membership Committee business, gifts to VMFA, etc. Dates- 6/54-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- visit to Florence, Italy and to see Bernhard Berenson. Dates- 1/56-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition: Eugene Berman's sketches for the Metropolitan Opera's Barber of Seville. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Brown was a chairman of the panel of judges for the Franklin Mint Bicentennial Medal competition in the state of Virginia, official rules and entry form for competition, etc. Dates- 4/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- House Bill no.131 to keep Va. interstates free of billboards, response letters from Va. politicians, etc. Dates- 2/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Mr. Paul Bird as a lecturer on contemporary painting, a transcript of the lecture, etc. Dates- 1/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek and J.M. Brown. Subject- Accessions: Chinese objects. Requests for loan of A. Wyeth paintings from Wyeth Estate, invitation to Clare Boothe Luce to address 17th Annual Va. Public Relations Conference, letter of inquiry regarding the artist Lucille Sinclair Douglas. Accessions: Dubuffet prints, period chairs, pedestals, chest, Aphrodite Torso, female draped figure, Claude Hirst painting, Roger Barr painting. Eric Christmas and Festival Theatre, Ontario, Canada, proposal around building of Bristol Chapter House, furnishing of Agecroft Hall, expansion of University curriculum to include Art Historical Studies in surrounding colleges, Hogarth exhibition, World Museum Fund with description of event and agenda.  Text from \"Country Beautiful, America's Finest Small Museums\", with description of VMFA. Accession and gifts: \"The Little School Girl\", Degas; Amphipolis Gold. Dates- 1959-70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek. Jr. Subject- By-Laws revised and adopted 1951, Organic Laws, announcements, replies, agenda and minutes of annual Board meeting 1950, committee reports, listing of Trustees, etc. Dates- 5/50-5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Col. H.W. Anderson. Subject- annual Board meeting, listing of Trustees 1952-3, announcement of annual meeting, VMFA Annual Report of the Director 1952, etc. Dates- 5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement, replies, agenda and minutes of annual meeting 1953, notice of amendments to the By-Laws, a VMFA report/essay \"The Need for Completing Its Addition\", etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- annual Board meeting minutes 1953, 54, VMFA Annual Report of the Director 1954, notice of amendments to the By-Laws 1954, announcement, replies and agenda for meeting, etc. Dates- 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- minutes of Trustees annual meeting 1955, working papers for the meeting, committee reports, By-Laws revised and adopted 6/54, listing of insurance coverage, Museum events, etc. Dates- 5/55-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mid-year meeting and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement of annual meeting and luncheon for the Trustees, R.S.V.P.'s, attendance list, etc. Dates- 4/56-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Index cards with names and addresses of current and former Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff and Board Presidents. Subject- Board of Trustees committee appointments, appointment letters and reply letters for the following years: '45/6, '46/7, '47/8, '48/9 and '49/50. Dates- 1945-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- letters of appointment to serve on Trustee committees and reply letters, listing of committee appointments 1949-50, etc. Dates- 7/49-7/50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Henry W. Anderson (President of the Board). Subject- appointment to committee letters and reply letters, etc. Dates- 8/51-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence By L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of committee appointments. Dates- 1954-5. Correspondence- Subject- listing of committee appointments. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of Trustees committee appointments (1956-7), reply letters to committee appointments, etc. Dates- 8/56-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- notes on planning, cost estimates, invitations, replies to preview of A.D. Williams collection and dinner honoring Governor and Mrs. Battle, etc. Dates- 10/52-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Museum events, working papers for the annual Board meetings and agendas, nominations to the Board, excerpts from the Board minutes, committee reports, etc. Dates- 2/37-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains miscellaneous correspondence, memos and minutes from meetings. 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board annual meeting minutes 1955, By-Laws revised and adopted 1954, By-Laws and suggested revisions 1956, listing of Trustees 1955, Committee appointments 1954-57, etc. Dates- 1954-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Roster of the VMFA Board of Trustees. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement, replies for Board meeting, listing of Trustees 1952, 53, notice of meeting cancellation because of inability to secure a quorum, etc. Dates- 1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- announcements, replies, agenda and minutes of Trustees special meeting and Executive Committee meeting, etc., 1/54-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of the Board of Trustees annual meetings. Dates- 1934-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- suggested plan for developing VMFA collections by Colt (1945), announcements and replies for Board annual meeting , prepared budget 1947-8, listings of Trustees, officers and committees, etc. Dates- 10/45-6/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- sightseeing boat tour on the James River. Dates- 2/57-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mrs. John H. Bocock as a Trustee, Board of Trustees, Entertainment and Accessions Committee business, art lending service information, gifts to VMFA, etc. Dates- 5/51-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek writing introduction for A. Aubrey Bodine's photography book: The Face of Virginia, draft of the foreword/introduction, biographical information on Bodine, etc. Dates- 3/62-1/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- letter to Hon. Armstead L. Boothe about appointment to Board. Dates- 6/64-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Jr. primarily with the Sheraton Hotel. Subject- a cocktail party held on Cheek's Boston trip, guest lists, invitations, etc. Dates- 10/58-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. with various Boston Museum staff. Subject- museum practices, loans, speaking engagements, exchange publications, etc. Dates- 11/47-10/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loaning objects to VMFA, correspondence about museum practices, lecture given by Cheek in Boston about art in Virginia, etc. Dates- 3/55-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and V.Y. Bowditch. Subject- Bowditch biographical information, drama schedule 1955-6 season, evaluations, theatre operations, etc. Dates- 7/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Theatre director of Pasadena Playhouse 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. with E.G. Bowles and the Public Works Administration (PWA). Subject- landscaping the Museum and bids complying with PWA, construction contract 4/36, classifications of labor/workmen and wage rates 12/34 and Form Of Bond-VA 4/36. Dates-3/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's membership to the VMFA Board of Trustees, Museum events and daily operations, the following Museum publications: Virginia Museum of Fine Arts By-Laws, 1st Annual Financial Report of the Curator (4/13/35-6/15/36) and Virginia Museum of Fine Arts 1st Quarterly Financial Report of the Curator (5/1/36), listing of suggested prospective Trustees, listing of Trustee committee appointments 1937, sketches of Museum floor plan, etc. Dates- 12/34-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, Museum publication: Prospectus of Program Season of 1937-38, radio talk show transcript 3/38, etc. Dates- 6/37-6/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, PWA grant offer 1938 to the Museum, letter from VMFA rejecting the offer of a PWA grant, copy of the resolution that Henry P. Strause, Esq. be named first Honorary Benefactor of the Virginia Museum of Fine Arts, etc. Dates- 7/38-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Trustee committee appointments 1939-40, essays by Branch about WWII, financial situation of the Museum 1939, creation of a \"Ways and Means\" committee, etc. Dates- 8/39-6/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe Branch. Subject- Branch's presidency of the VMFA Board of Trustees, staff organization (1940), plan for VA artist fellowships, \"Art in Virginia\" an article written by Colt, Museum events and daily operations, Museum investments and gifts to the Museum, biographical information on Branch, Trustee committee appointments 1940-1, etc. Dates- 6/40-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, biographical information on Branch, Museum events and daily operations, Museum investments and gifts to the Museum, winner of the first Webster S. Rhoads medal, etc. Dates- 5/41-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Thalhimer Brothers, Inc. Subject- use of VMFA's Medieval Gallery for British Embassy reception. Dates- 6/1/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- brochures for the VA Dance Society, VA Film Society and VA Chamber Music Society. Dates- 1963-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loaning objects to Brooklyn Museum, correspondence about museum practices, exchange publications, etc. Dates- 2/48-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- essay written by J. Carter Brown for New York University. Dates- 5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- news releases about James M. Brown becoming VMFA Director, newspaper clippings, photos of Brown, Report of the Director 1972-3, etc. Dates- 6/69-11/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff and Trustees. Subject- plans for receiving the new Director. Dates- 6/69-7/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Fred Haseltine (Assistant to Director). Subject- list of objects being offered to the Museum including: antique gold boxes, ornaments, clocks, etc., letters to the executors of the Ailsa Mellon Bruce estate, correspondence with Paul Mellon, news releases and news paper clippings about gift, photos of the galleries, etc. Dates- 8/70-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Mr. David K.E. Bruce as a Trustee, Board of Trustees business, gifts to VMFA, etc. Dates- 5/48-3/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed acquisition of the Brummer collection of Medieval art, report on collection, list of objects, correspondence to Paul Mellon, etc., later sold to Duke University. Dates- 12/65-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and the Smithsonian Traveling Exhibition Service. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Exhibition 1958, includes layouts and photos, etc. Dates- 3/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's membership on the Fine Arts Advisory Committee to U.S. Commission for the Brussels Universal and International Exhibition of 1958, committee meeting minutes 1957, committee roster, etc. Dates- 2/57-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Fair 1958, Cheek was an advisory committee member, loan, catalogue and installation lists, information on slide presentation- \"Art in American Museums\", etc. Dates- 3/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- sketches, plans of the U.S. pavilion for the Brussels International Fair 1958, information and listing of objects in the \"American Folk Art\" exhibition, etc. Dates- 1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Harry Bertoia (Sculptor). Subject- the acquisition of a Bertoia piece (Tree) shown at the Brussels Fair. Dates- 8/57-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr. Subject- D. Tennant Bryan as a Trustee, Board of Trustee and Membership Committee business, etc. Dates- 10/47-6/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. D. Tennant Bryan. Subject- Trustee/Museum business, membership to the Museum, etc. Dates- 5/51-9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. J. Stewart Bryan. Subject- Trustee/Museum business, loan of paintings for inaugural exhibition, gift to Museum, etc. Dates- 6/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Thomas P. Bryan as a Trustee, Board of Trustee business, etc. Dates- 9/58-11/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- congratulatory letter to Mr. Thomas P. Bryan on election as Mayor, Date- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. to Buchholz Gallery. Subject- proposed purchases, loans, exchange publications, etc. Dates- 4/47-8/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VMFA budget exhibit 1959 and 1966-8, resume of the VMFA Trustees before the Appropriations Committee 1964, budget requests 1960-1 and 1962-4, etc. Dates- 9/61-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of Governor's Budget Advisory Board 1965, outline for capital outlay funds dinner, invitation letter to Trustees, etc. Dates- 5/65-6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed 25th anniversary budget, correspondence about obtaining a Budget Committee for the 25th anniversary program, anniversary publications, etc. Dates- 1/60-3/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about Capital Outlay Commission dinner and theatre, etc. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- suggested order of events for Budget Advisory Committee meeting, invitation letters to the Presidents of VMFA affiliate chapters, draft of end of dinner announcement, etc. Dates- 7/61-9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- list of Governor's Budget Advisory Committee 1969, review of Museum's request for capital outlay funds to construct North Wing and theatre, etc. Dates- 4/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- roster of Governor's Budget Advisory Board 1967, outline for Cheek's remarks to Budget Advisory Committee, etc. Dates- 1/67-5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- roster of Governor's Budget Advisory Committee members 1972-4, request for hearing, dinner invitations for Advisory Committee, etc. Dates- 5/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers and news releases about the addition to the Museum. Dates- 6/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to other U.S. art museums. Subject- installation and advice on purchasing an air conditioning system. Dates- 5/53-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Wm. Rhodes. Subject- correspondence about air condition system failure. Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- addition and renovation to the Museum, proposals and preliminary studies by Mr. Merrill Lee, Architect, copy of a Architects and Consulting Architects Contract, etc. Dates- 12/49-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard primarily with Architects M.C. Lee and Eggers and Higgins. Subject- schedule of interior installation, list of architects bills, building inspection, review work/progress, photographs of progress of additions to the Museum 1953, etc. Dates-12/48-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the proposed addition the VMFA 1949-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Baskervill and Sons (architects and engineers) preliminary drawings, schedule for construction project, etc. Dates- 7/64-12/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Attempt by the United Daughters of the Confederacy to expand their facility on the block. The Museum's and the Virginia Historical Society's attempts to stop them and acquire the land for their own use. Dates- 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about equipment needed to supply music to members' quarters, lobby area and galleries. Dates- 7/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- information about sound equipment. Dates- 6/54-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information on purchasing folding and stackable chairs. Dates- 8/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- extending the rise of freight elevator. Dates- 8/53-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- proposals and layout for a film production unit to be located in the new wing (to make interpretative sound films). Dates- 7/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information, blueprints on changes to and installation of kitchen equipment. Dates- 6/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- the proposed purchase and installation of photographic equipment, correspondence with other art museums about creating and maintaining a darkroom and staff photographer. Dates- 8/53-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- blueprints of check room, information about coat, overshoe and umbrella racks for the Museum check room. Dates- 9/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information about seating for the theatre and auditorium, blueprints of the auditorium. Dates- 8/53-8/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of machinery and equipment needed for the new shop. Dates- 8/17/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about chandelier for front entrance of Museum. Dates- 9/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M.C. Lee, Architect. Subject- alterations and additions to the Museum, color samples and specs for painting and finishing, etc. Dates- 8/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains amounts of pledges and names of donors giving money for new galleries.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Gallery floor plans: VMFA, Brooklyn Museum, Victoria and Albert, British Museum, Art Institute of Chicago, Walters. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Merrill C. Lee, Architect. Subject- progress photographs and negatives (north wing). Dates- 5/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Architects: contractual agreements, VMFA design program, Capital Outlay Appropriation, alteration, additions, cost estimates, expenditures, contracts for Doyle and Russell and Merrill C. Lee (AIA). Dates- 12/48 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- blueprints of a darkroom and information about and catalogs of photographic equipment. Dates- 8/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns securing restricted material such as steel for post-wartime construction. 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Mrs. J.G. Pollard. Subject- Economic Stabilization Committee (ESA) search for qualified women employees, ESA headquarters to be located in Richmond, federal government regulations that established ceiling prices for all commodities and services (except those specifically exempt) upon the basis of prices in effect between 12/19/50-1/25/51. Dates- 2/51-12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Final Statement Museum Of Fine Arts Richmond, Virginia\", contract dated June 9th, 1952. Financial statement/contract from Doyle and Russell Construction. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Terra cotta statues at the North entrance to the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Original Building: \"Manual On The Planning And Execution Of State Capital Outlays\", 9/1/44, contracts: Doyle and Russell (Building Contractors) and Merrill C. Lee (AIA). Detail for additions and deletion from original building. Design contracts and inspection reports. Dates- 1952 - 55, 1966, 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Brochures, drawings, correspondence 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- information on red carpet and padding for the front entrance. Dates- 8/51-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Meeting with Interior designers 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding plants around the Waddy fountain. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- the Richmond Junior League's proposed campaign to raise money for construction of South wing for the Museum, working papers for and final copy of the pamphlet: \"The Virginia Museum Needs Wings\", etc. Dates-12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- renovations and construction of a new wing to the Museum, Cheek's comments on preliminary and revised drawings, and construction progress, Architects and Consulting Architects Contract (Merrill C. Lee, Architect, Eggers and Higgins, Consulting Architects), an essay \"The Virginia Museum of Fine Arts Need for Completing Its Addition\", etc. Dates- 1/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information relating to addition to Museum, several reports including: Building Program 1950-1, Addition to Building 1949-50, The Virginia Museum of Fine Arts The Need For Completing its Addition, History of Appropriation for Construction (1948-53) ,also, notes for Sen. Gray about Museum addition (1952). Dates- 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- miscellaneous daily and general building maintenance. Dates- 2/60-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Governors Stanley and Battle. Subject- improvements on Museum building and completion of new wing (1954). Dates- 12/50- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject-construction/installation of American and English galleries, alterations to Medieval hall, blueprints, etc. Dates- 7/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- information on purchase of steel lockers, blueprints, etc. Dates- 4/54-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about ordering office furniture designed by Eero Saarinen. Dates- 8/64-1/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Alfred Geiffert, landscape architect. 1949-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- analysis of situation concerning the parking lot and planting, etc. Dates- 8/66-10/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Budget Estimates for landscaping the grounds of the Museum around addition, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information and bids on purchasing lighting and steel storage equipment. Dates- 11/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- info on purchase of supplies for dining room/cafeteria: placemats, traymats, doilies, napkins, matches. Dates- 1/55-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains plans for the Waddy Fountain, and furnishing brochures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Carl Milles, donor of the Little Triton Fountain 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- marble chips for garden court fountain request for information about installation of mosaics in garden court. Dates- 8/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed purchase of wall coverings for new galleries (movable partitions and door headers). Dates- 2/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- commission to decorate behind refreshment counter in the new building, commission switches from Julien Binford to Richard Q. Yardley. Dates- 6/54-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Richard Q. Yardley Mural in the refreshment room. Also contains information on Julien Binford who was originally retained to do the mural before Yardley. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Public Works Administration Grant for Museum addition, application to National Production Authority (N.P.A.) for assistance in obtaining materials for proposed Museum construction. Dates- 10/35-9/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- staff requests for facilities and equipment, list of private funds for Museum addition, Board resolution about the construction on the building, etc. Dates- 7/48-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- drawings of proposed Museum addition, Special Building Committee procedure in dealing with Appropriations Committee of the House of Delegates, etc. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and New York City Museums: Metropolitan, Guggenheim, MOMA, and Whitney. Subject- Extended loans of paintings and sculpture for the VMFA's new wing of Contemporary Art, scheduled for Jan. 1970. Correspondence from L. Cheek to John Walker to address the Collectors Circle. Dates- 7/69 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- report on budget dinners 6/65, Cheek's itinerary for talks 1965, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and Joseph Whitehead (Interior Designer). Subject- Interiors of the New South Wing, Fabric sample enclosed. Correspondence between L. Cheek and Bernard Bothner of the Brooklyn Museum. Subject- Resources for slides to accompany the reinstallation of the Egyptian Gallery. Dates- 6/66- 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposals for gallery orientation theatre systems. Memo To VMFA staff regarding upcoming Fellows meeting. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to other museum directors. Subject- Request for slides of recent building additions to their respective museums, to prepare for a presentation to the Virginia Legislature. Dates- 4/65 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey conducted by L. Cheek to determine the necessity of a sprinkler system in galleries. Letters, cards of response and survey results. Dates- 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains brochures and catalogs 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photos of preliminary architect's drawings, preliminary cost estimates, etc. Dates- 7/62-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Information concerning the MOMA 30th Anniversary, building funds drive with text of building/expansion plans, \"Toward The New Museum Of Modern Art\" , 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- review of presentations to the Art Commission, photos of other art museum additions, statements about addition (Mr. Wallace K. Harrison and Mr. Frederick D. Nichols), etc. Dates- 9/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sculpture garden fountain and the renovation of the theatre lobby. Dates- 7/76 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Wm. Higgins. Subject- Membership drive/ New Wing opening, progress reports to members of the Board, financial statements: cost estimates, design fees, operating fund, construction timetables. Fact sheet relating to history of VMFA. Signficant dates for the Virginia Museum, \"History of North Wing Construction\". Dates- 4/71 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nicholas and C. Chamberlayne (Hardwick). Subject- Progress timetable, architectural engineering/ landscape/ interior design. Revisions/ alterations to construction, cost estimates, instructions to bidding contractors. Review by building committee of the Board of Trustees. Minutes of the building committee, 2/25/72, drawing/plans. Dates- 1971 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nichols and C. Humelsine. Subject- North Wing plans, justification and description, funding, appeal to legislature to win support for North Wing funding. Rosters: Appropriations committee, finance committee, Governor's budget advisory committee. Essay- \"The Unique, Pioneering Virginia Museum\" and \"Facts on the Virginia Museum of Fine Arts\". Dates- 1967, 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson and L. Cheek. Subject- Original design of North Wing per L. Cheek and Baskerville (AIA), later rejected by the Arts Commission. List of significant dates with regard to North and South Wing additions. Minutes of Special building Fund committee, 3/11/65, original building proposal, photographs. Bulletin vol.26, no.2 10/65. Dates- 9/65 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs/Plans/Drawings from Baskerville and Son (AIA) for:entrance hall, basement/sub-basement, site plan elevations/cross section, gallery floor plans and views of entire block.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nicholas and L. Noland (building committee). Subject- Construction, architectural engineering, capital outlay, construction bids, plans and contract documents. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- blank order forms labeled VMFA NPA Regulation No. 4. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. J.G. Pollard. Subject- National Production Authority (NPA) regulations, order listings for maintenance, repair and operating (MRO) supplies, regulations about using the DO-97 rating (Form used to obtain MRO supplies), quota for the 4th quarter 1951, etc. Dates- 3/51-7/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about construction and funding (some PWA) of a wing to the Museum, publication: Working Relationships Between Private Architects and Engineers and the Commonwealth of VA (2/44, Governors' office, Division of the Budget) and The General Conditions of the Contract for the Construction of Buildings (standard form of the American Institute of Architects). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Doyle and Russell, Building and Industrial Construction. Subject- Bronze founders tablets, frames, building inspections and taking over and operating the building 10/35. Dates- 8/35-10/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Peebles and Ferguson, Architects, Norfolk. Subject-blueprints (including detail of the Portuguese Room dated 9/18/35), maintenance and furnishings (benches, plaques, interior painting, etc.) for the Museum. Dates- 4/35- 6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Ferguson, Meakin and Moore, Architects, Norfolk. Subject- reproductions of drawings of proposed south wing, drawings, bids, etc. Dates- 10/37-5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans and Correspondence 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photos of drawings showing the proposed additions and alterations to Museum. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans and correspondence regarding the memorial plaques around the building: R.E. Lee Camp, Waddy and the Old Dominion Foundation fountains. 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- construction/installation for the Pratt collection, blueprints, progress reports to Mr. John Lee Pratt, etc. Correspondence with Milton Samuels of French and Company who designed the installation, including quotes for fabric, carpet, cases, carpentry, lighting (including the chandelier). Cheek asked Pratt to fund it and he agreed. Lots of invoices. Dates- 6/54-5/55.   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Baskerville and Sons, Architects, 3/11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about building models, preliminary drawings, furnishing and equipment catalogues, etc. Dates- 4/65-12/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence and statements from Marcellus Wright and Son. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and Merill Lee (architect) and Chairman of the Building and grounds committee, concerning construction of the service area. Dates- 1/59 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Eggers and Higgins, Architects. Sketches and drawings 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., J.M. Brown and Erwin H. Will (VMFA President of the Board). Subject- all aspects of construction of the South Wing, additions and alterations to Museum, landscaping, fountain, parking lot, etc. Dates- 12/66-3/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of South Wing construction conferences 1969-72, outline of construction to South Wing, etc. Dates- 1969-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Governors Dinner/Event in celebration of the South Wing: program agenda, menu, dedication plans, News Media reception, Rosters: House of Delegates, Senate, Trustees. Key presented to Governor Linwood Holton donated to the archives by Anne Holton November 3, 2022. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Capital Outlay requests, individual project descriptions, preliminary plans, tabulations of construction bids, estimated income sources, floor plans, budgets, invoices, Executive Committee Minutes and Building Committee Minutes. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Erwin Will. Subject- New duct layout for the South Wing attic space: revisions necessary due to mistakes in original drawings and improper work. Financial statements. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA Charter, Act of March 27, 1934. Design program (2/18/49) Phase II, museum enlargement, boiler replacement, contract cost estimates, committee no.279-A, addendum no.7 to the drawings and alterations to VMFA. Theatre light control system, weekly project inspections. \"General Conditions Of The Contract For Capital Outlay Projects\". Dates- 2/52 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and members of the building committee. Subject- Proposed additions, rejection of north facade by Arts Commission. Excerpts from Minutes of Art Commission Meeting, 6/4/65, 7/9/65, 7/29/66. \"The Virginia Museum Opens The New South Wing\", Press package, Brief History and Signficant Dates of VMFA, photographs. Dates- 1965 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Supplemental Agreement #2: Additions and alteration to various aspects of structural design contracts. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Interior construction and design. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment purchasing list, blueprints of theatre, installation of theatre and projection equipment and an orchestra lift, local building committee meeting minutes, etc. Dates- 7/53-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment: bronze stands and velvet ropes. Dates- 1/55-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Construction blueprints and plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letter of invitation to Trustees, former and current, to celebrate the construction of the North Wing, seating arrangement and timetable for event. Letter to Gov. Holton concerning ground breaking ceremonies and gala dinner. Dates - 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Col. Anderson. Subject- proposal for theatre for Museum, possible recreation center for armed forces stationed in Richmond. Dates- 2/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Waddy Memorial and Triton Fountains 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- B.F. Ruskin and Associates 1953-55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- committee reports on funding for construction of addition to the Museum, schedule of payments to date (12/4/50 and 12/20/50). Dates- 10/50-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- additions and alterations to VMFA 1955, list of Museum alterations and additions to date 6/15/55 by Merrill C. Lee, Architect, VMFA Noise Survey CA 9687 (1955), blueprints, etc. Dates- 1/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains architectural plans for the first addition to the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- cost estimates/proposed funding for Museum addition, copy of the resolution to establish a Local Building Committee, announcements, replies and minutes of Local Building Committee meetings 1950-2, etc. Dates- 1/46-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Local Building Committee, 1951-54. Information regarding the local contractor. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- minutes and outlines of VMFA Building Committee meetings 1952-3. Dates- 6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr., and G.D. Gibson (Chairman of the VMFA Building Committee). Subject- addition to Museum building, listing of additions and alterations to the building, agenda and minutes of Building Committee meetings 1953-4, etc. Dates- 9/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- addition to Museum building, minutes, announcement and agenda for VMFA Building Committee meetings 1954-5, list of contributors to Museum Building Fund, etc. Dates- 7/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by G.D. Gibson (Trustee). Subject- installation of Museum equipment, minutes of the Buildings and Grounds Committee meetings 1955-6, etc. Dates- 9/56-12/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains lists of expenditures, list of private donors with amounts donated for the addition to the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA Local Buildings and Grounds Committee meeting minutes 1948-56, listing of committee meeting dates 1948-56. Dates- 1948-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard to Senator Garland Gray. Subject- information about planning costs for addition to Museum building, Museum business and events, etc. Dates- 5/51-7/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of the Museum's members bulletin. Vol.1, No.8, Vol.7, No.'s 1,4and6, Vol.8, No.'s 5and8, Vol.9, No.'s 1,2and4, Vol.10, No.'s 1,2,7and8, Vol.11, No.'s 1,2,3,4,5,6,7and9, Vol.12, No.'s 8and9, Vol.13, No.'s 6and9, Vol.14, No.'s 1,3,6,7,8and9, Vol.15, No.'s 3,4,5,6,7,8and9, Vol.16, No.'s 1,2,3,4,5and6. Dates- 9/46-2/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Bulletins with general information and a survey of sources of income, private and public, from various museums. Dates-1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 1962-1966 Donations, Trustee File. Dates- 7/55 - 12/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and members of Board of Trustees. Subject- Revision of By-laws and Memorial Fund Policy, revisions and recommendations, minutes from sub- committee on By-laws. Dates- 1958 and 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA By-Laws (revised and adopted 5/51, 5/53, 6/54), Notice of Amendments to By-Laws (6/50, 5/53, 6/54), VMFA Organic Laws, etc.. Dates- 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Senator Byrd. Subject- amendment of IRS code Sec. 863, exempting works of art loaned for exhibition in this country from federal estate taxes. Dates- 7/51-10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard, and L. Cheek, Jr. to individuals, institutions and companies beginning with the letters Ca-Cn. Subject- varied, including four letters from Alexander Calder about Museum purchase of one of his pieces. Dates- 8/45-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek. Subject- Loans of artwork, Trustees, Fellows, Mary Callery (juror, 1963 Va. Artists Exhibition). Accessions and gifts: Tree, Callery; Han Dynasty pottery; Nanny, T. Sully. Dates- 2/59 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and P. Near to J. Brun and H. Jucker. Subject- Acquisition and provenance of Caligula, Newspaper clippings. Dates- 1971-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, his term as Treasurer of the Fellows. Dates- 1/60-6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. John Canaday (from University of VA). Subject- Christmas card design by Canaday, loan of a sculpture show, jobs, etc. Dates- 5/49-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Capital outlay requests for parking area, South Wing, Entrance Improvements, Expenditures and revenues for the year ending 6/1960. \"Instructions for Form c-54-A (individual project report)\" from Commission on State Capital Outlays and Means of Financing. General Endowment Income 1960-61; Capital Outlay for Galleries, landscaping, Egyptian gallery and North Wing, 1935-60. Collections for which there is inadequate exhibition space, list of cultures that are not represented or under-represented, roster of members serving on the \"Commission on State Capital Outlays and Means of Financing. Dates- 1960-61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Includes Frances Benjamin Johnston acquisition.","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- officers from the Carnegie Corporation visiting Richmond and the Museum. Dates- 8/55-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to F. Anderson (Carnegie Corporation). Subject- Experimental use of Carnegie Collection of Materials for the Instruction of American Culture and funding of Collegiate Artmobile IV. Proposal, '\" An Artmobile for Virginia Colleges\", March 1965, Supplement, A Statewide Stimulus for Education in the Humanities, Statement of purpose, photocopy of partial grant payment. Dates- 1/58-7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Carnegie Corporation of New York and Carnegie Institute, Department of Fine Arts. Subject- Frances Benjamin Johnston acquisition, requesting a grant, requesting loans for inaugural exhibition, counsel on museum practices. Dates-8/35- 12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Carnegie Trust. Subject- a visit to Richmond by officers of three British Carnegie Foundations, information on Carnegie Trust 1954, etc. Dates- 8/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Secretary of Carnegie Dunfermline Trust. Subject- Roster of Carnegie Delegation visiting VMFA; Annual Report- Carnegie Dunfermline Trustees, 1960. Dates- 7/59-60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- job of Technical Director of the Theatre Division, etc. Dates- 6/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lists of 25th Anniversary donors; VMFA presidents and terms of office 1935-60. Essay- \" The Arts In Virginia\", Walter S. Robertson (Pres. VMFA). Essay- \"Collecting In America\", Alfred Frankfurter (editor and Pres., Art News) Dates- 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of orders for and purchasers of the Healy's Sitters Catalogues, thank you notes for exchange publications, list of relatives of Judge John Barton Payne, etc. Dates- 4/51-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Jaquelin-Ambler Portrait catalogs, listing of the members of the Jaquelin, Ambler and Broadnax families. Dates- 11/48-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- a fellowship set up by the Catherwood Foundation (previous owners of the Dali jewels) to be used for travel/education in Europe, information about transporting Dali jewels from the Museum. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fellowship for artists provided by the Catherwood Foundation and awarded and administered by the VMFA that year. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. William Gaines and L. Cheek, Jr. and M.B. Christison (Assistant Director). Subject- Gaines biographical information, Catherwood Foundation fellowship recipient, application, recommendations and award letter for fellowship, list and some photos of work submitted, etc. Dates- 3/56-11/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual luncheon and tour. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Century Lighting Co. Subject- lighting for the artmobile and theatre, etc. Dates- 6/53-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets from the Convention and Tourist Bureau (Richmond). Dates- 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- pamphlets from the Virginia Chamber of Commerce. Dates- 5/49-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Restoration of Old Botetourt Hotel, Gloucester, Va.; Programming instructions for \"Civilization\" Film Series; proposal and budget for statewide broadcast of Affiliate promotionals. Rosters of Affiliates, Chapters and Confederation Officers; Minutes of \"Executive Committee Meeting\", 10/72; maps, postcards, press release, newspaper clipping, photographs. Dates- 2/67-7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Winter Conference agenda, participants, newspaper clippings. Dates- 12/71-3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal and budget. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Affiliate/Chapter offices Museum Lecture/Tour; roster of Officers, speaking schedule, events, remarks for each engagement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prototype for letter to be sent from all VMFA Chapter Presidents to convince Legislature of the need for new building. Dates- 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dali Jewels. Date- 7/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. primarily to realtors and lawyers. Subject- sale of Cheek's property \"Faraway Farms\", information on sale of Chebry Co. property, etc. Dates- 6/50-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to T.C. Colt, Jr. from L. Cheek (when he was Chairman of the Fine Arts Department at The College of William and Mary and when he was Director at the Baltimore Museum of Fine Arts). Subject- art in Virginia, counsel on museum practices, etc. Dates- 12/36-1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- The retirement of L. Cheek, Trustee dinner honoring the occasion, presentation of \"Thomas Jefferson Public Service Award\", with remarks by Lt. Gov. F.G. Pollard; South Wing construction; invitations and newspaper interview with L. Cheek. Dates- 1/65-3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W.S. Robertson and Morton Thalhimer. Subject- Letters of moral support, press releases and newspaper clippings announcing the resignation of L. Cheek (decision later recanted). Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding L. Cheek's reconsideration of his resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resolution from VMFA Council regarding the outstanding contributions of L. Cheek. Includes letters from and too supporters. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Replies to his reconsideration of resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Text from interview of 11/2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- PR, decorations, lecture, etc. Dates- 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memo to VMFA staff, PR, agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Thank you letter from by a class participant.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding classes at the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Registration information and class lists.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison. Subject- installation of collections and exhibitions, Museum programming, biographical information, etc. Dates- 10/54-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. Christison. Subject- scripts and working papers for children's radio program (\"Treasure Trails\" on WRVA), listing of slides for Season Survey and information on a Life magazine photo exhibition entitled \"Egypt\". Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vouchers and receipts for travel expenses, 1948-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Christmas cards received by the Museum, a copy of the Museum Christmas card (1956), Information about a Christmas tree in the Members' suite, etc. Dates- 11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Commission of Virginia Artists to design Christmas Cards; rosters: Board of Trustees, A.A.M.D., newspaper clippings, cards, photographs. Dates- 1966-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- ordering Christmas decorations. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz, Sydney and Frances Lewis. Subject- Remarks by J.M. Brown on the dedication of the North Wing and on his resignation. Andrew W. Mellon Foundation, Lewis gift of funds for Art Nouveau purchases, Noland gift of \"Rotating Sphere\", reattribution of the Jewel casket. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Controversy concerning gift of Walter P. Chrysler, newspaper clippings, and Chrysler newsletters, 1973-75. Dates- 1969 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Henry Clay Hofheimer and J.M. Brown. Subject- New wing, correspondence between the Executive Board, the closing of the Chrysler Museum School, operating budget, accessions, list of objects. Minutes of Executive Board, 2/8/72. Transcript of William L. Parkers, et al complaints vs. Walter P. Chrysler Jr. et as Defendants. Dates- 1972 - 33 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Chrysler collection exhibition at the Museum and possible Artmobile tour, listing of pieces in collection, etc. Dates- 9/49-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Loan Exhibition for Church Silver of Colonial Williamsburg, outline for proposed exhibition, budget, letter drafts to Church Wardens, lists of Episcopal Churches owning Church Sliver, Format for catalogue. Dates- 7/68-4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about proposed reproduction in miniature of a Cigar Store figure from the Museum collection. Dates- 7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed reproduction in miniature of American cigar store figures from the Museum collection. Dates- 5/56-12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek Subject- Civil War Centennial Exhibition, agenda, maps, newsletters, VMT copy of \"Certificate of Award\", conferred on the Virginia Civil War Commission. \"Virginia Joins The Confederacy, Chronology of Events November 1860 through 1861\", Civil War Centennial, 1961-1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's membership on advisory council of the Civil War Centennial Commission, site development study for proposed Confederate Memorial Park in the Museum area, \"Report of the Preliminary Plans of the Virginia Civil War Commission to the General Assembly\" 12/59, etc. Dates- 5/59- 12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Programming, Ticket Stubs, newspaper reviews, news releases, photographs. Dates- 7/70 - 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Joseph Lucas (pres. Civitan Club) [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Resume of Cleveland Museum President, Sherman Emery Lee with photo, Cleveland Plain Dealer Interview \"Sherman Lee's Double Life\". Dates- 12/55-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Clopton complaint about film tickets. Dates- 2/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- membership in The Poetry Society of Virginia. Dates- 2/53-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr., to individuals, institutions and companies beginning with the letters Co-Cz. Subject- varied. Dates- 8/45-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., L. Cheek and J.M. Brown. Subject- Geri Melchers Memorial; Minutes of Annual Meeting 1962; Minutes of Executive Committee Annual Meeting 1962; restaurant feasibility. Dates- 1957-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arranging a lecture by Mr. Alexander S. Cochran, Architect in conjunction with the exhibition \"Domestic Architecture of the San Francisco bay Region\", biographical information, etc. Dates- 10/49-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, gifts. Dates- 6/54 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the American Association of Museums (AAM). Subject- copies of the Code of Ethics for Museum Workers 1925 AAM report. Dates- 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Remarks on \"The Relation of Trustees and Professional Staff of General Art Museums\", delivered by Charles Nagel 5/17/69,  \"Code of Ethics for Museum Workers\" 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rhodes Rathskellar, proposals for lunchroom: use by staff, volunteer personnel, policy on break schedule and lunch periods. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from P. Near and Peter Mooz. Subject- Checklist of the status, strength, weaknesses and needs of the VMFA. Damage report, gifts of artworks and accessions, Art Purchase Fund, press releases. Letters to Christo and Robert Rauschenberg. Dates- 1976-77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, letters, newspaper clippings and information from dealers, prices regarding possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, prices and other information relating to possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (assistant Director for Collections and Education). Subject- listing of possible additions to Museum's collections 1953, information and some photos of objects considered for acquisition, correspondence with art dealers, etc. Dates- 12/51- 11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- listing of possible additions to the Museum's collections, information and some photos about objects considered for Museum acquisition, correspondence with art dealers, etc. Dates- 1/53-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near, F. Brandt and P. Mooz. Subject- Reorganization of the Collector-of-the-year. 1975- Mrs. Lummont du Pont Copeland Collection on Export Porcelain. 1977- David Lloyd Kruger Collection of Contemporary Art. 1978- Hugo Weisgall Collection, list of objects, copies of scores for the Weisgall Concert catalog. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from P. Near to members. Subject- Collectors circle event with lecture by Caroline Keck. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Cultural exchange, Minutes of Executive Committee of C.A.A., 1/62, 4/62, Minutes of Annual Meeting, 1971; Minutes of C.A.A. Business Meeting, 1/62; revised draft of \"Policies and Purposes\", roster of officers, Directors and committee members; Essay- \"The Visual Arts in Higher Education\". Dates- 1/62 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List for reception/cocktail party, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Preston L. Collins (Lt. Governor). Subject- announcements of Trustee meetings, invitations to Museum events, replies, etc. Dates- 5/51-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. to staff of Colonial Williamsburg. Subject- museum methods. Dates- 7/46-12/54.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- general correspondence with staff of Colonial Williamsburg, information on Cheek's speaking engagement with Williamsburg Rotary Club, etc. Dates- 2/54-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and the President of Colonial Williamsburg. Subject- loan of display units to Colonial Williamsburg, museum practices, etc. Dates- 3/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Colonial Williamsburg. Subject- correspondence about the Williamsburg Antiques Forum, publications/mailings about Antiques Forum 1964,'66,'67,'73, etc. Dates- 5/66-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- detailed letters about the goings-on at the Museum while Colt was serving in WWII, also letter from Mrs. Alfred DuPont about art education. Dates-8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. J.G. Pollard and others. Subject- record of Colt's military service, his resignation to serve in WWII. Dates- 11/42-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Columbia Records presented 55 recordings of the New York Philharmonic Orchestra to the VMFA in 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of \"On Fine Arts in Modern Society: A Research Proposal Prepared for the Virginia Museum of Fine Arts by the Columbia University Bureau of Applied Social Research\". Dates- 5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices with The Columbus Gallery of Fine Arts (Columbus, OH) and Columbus Museum of Arts and Crafts, Inc. (Columbus, GA). Dates- 3/51-8/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to the Board, list of appointments, etc. Dates- 1959-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of committee appointments 1963-4, invitations to Trustee committee appointments, etc. Dates- 8/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to Board and replies, list of appointments, etc. Dates- 1958-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and W.S. Robertson (VMFA President of the Board). Subject- VMFA roster of Trustees 1964-5 and 1965-6, Board committee appointments 1965-6, invitations and responses to Trustee committee appointments, letter about Board term limitations (proposed limitation 2 successive terms of 5 years each), etc. Dates- 6/64-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek correspondence as a member of Committee for International Cultural Exchange (CICE), etc. Dates- 6/61-2/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- suggested projects for Public Relations and Development committees, proposal for the Museum by the P.R. counseling firm Earl Newsom and Co., etc.. Dates- 3/54-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from State Department of Purchases and Supply. Subject- information about choosing stationary, samples for new state letterhead. Dates- 9/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"A Report to the Virginia Museum of Fine Arts 11/19/58\" from the viewpoint of its public relations information and communications responsibilities and program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- information and memos about arrangements for community college presidents to meet at the Museum. Dates- 12/70- 1/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- cooperative arrangements between VMFA and Va. community colleges, Virginia Community College System Annual Reports 1969/70 and 1970/71, proposed programs for community colleges, etc. Dates- 10/70-8/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complaints from Museum visitors about exhibitions, entrance fees, membership rates, guards, etc. Dates- 12/63-7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Museum operations: food service, VMT, membership, discontinuation of dinners in the galleries and newspaper clippings. Dates- 1974 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- guest list for complimentary cocktails in honor of officers and Museum volunteers from the Council, Jr. League and Theatre Affiliates, roster of Jr. League officers 1970-1, etc. Dates- 9/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Erwin H. Will (VMFA President of the Board). Subject- arrangements for a luncheon held in honor of officers and Museum volunteers from the Council, Junior League and Theatre Affiliates, guest list, suggested remarks for Mr. Will at luncheon. Dates- 9/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- miscellaneous Thank you's and compliments about gift and exchange publications, exhibitions, programs, the Museum in general and Cheek's responses. Dates- 2/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence from the public complimenting the museum in some way. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. and W.S. Robertson (President of the Board of Trustees). Subject- Complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 7/60-12/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 1/64-11/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on programs, theatre productions, museum in general and his responses. Dates- 7/66-10/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Various museum operations. Dates- 1972 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- compliments about 25th anniversary exhibitions, events and catalogue: Treasures in America, \"A Tribute to Virginia's Unique Museum\"-a Sunday newspaper supplement, etc. Dates- 1/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for VMFA European catalogue, an exchange publication. Dates- 5/66-9/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Faberge catalogue: Russian Imperial Jewels, a VMFA exchange publication. Dates- 12/60-2/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- compliments and thank you's for gifts/exchange publications of Russian Imperial Jewels, the catalogue of the Museum's Faberge collection. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Architecture in Virginia, a VMFA exchange publication. Dates- 2/68-5/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for William Hogarth, A Loan Exhibition of Paintings, Drawings and Prints, a VMFA exchange publication. Dates- 1/67-3/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Painting in England 1700-1850, Collection of Mr. and Mrs. Paul Mellon, a VMFA exchange publication. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on \"Painting in England\" exhibition (Mellon Collection) and his responses. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for The World of Shakespeare, a VMFA exchange publication. Dates- 1/64-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Form letter from the President to potential members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J. G. Pollard. subject- Letters to Trustees regarding 25th anniversary fund and letters to new members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- performance at Mosque of \"The Confederacy\" as a benefit for the Artmobile, project later abandoned, Date- 11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- drawings of the site of the Confederate Memorial Chapel, landscaping plans, etc. Dates- 7/66-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Richmond Times-Dispatch article \"The Old Soldiers Faded Away Home Here is Vacant\". Dates- 1/16/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitation to Director of the Norfolk Museum to Confederation workshop. Dates- 5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- congratulation and reply letters on the installation of Mr. James M. Brown as VMFA Director. Dates- 6/69-6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of objects from the Glasgow bequest and purchase fund currently exhibited in Museum galleries. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Mrs. Anthony Congreve. Subject- biographical information on Arthur and Margaret Glasgow, correspondence about Glasgow fund for purchasing works of art, listings of purchases made with Glasgow Endowment Fund 1966-72. Dates- 11/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz. Subject- Physical plant restoration project: cleaning of VMFA interior and extensive improvement of motor park, project data summary, Conservation Laboratory: construction and equipment, supply expenditures, budget. Grant application: \"Proposal for Virginia Museum Conservation Laboratory\", employment contract, job descriptions, resumes of prospective applicants. Dates- 1975 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- biographical information arrangements for giving lectures/seminars at the Museum, VMFA Members' Bulletin vol.23, no.9 5/63, etc., Date- 11/50-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for securing speakers for the \"Fireside Series\" proposed art talks held in the library, Thank you's to speakers, etc. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loans of objects between VMFA and Corcoran Gallery of Art, correspondence about museum practices. Dates- 3/51-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Katharine Cornwell. Subject- biographical information on this actress, invitation to come to Richmond to see a show and promote TheatreVirginia. Dates- 5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets and post cards from the Corning Glass Center. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information on obtaining assistance from philanthropic organizations and corporations, etc. Dates- 2/55-12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by E.H. Will (VMFA President of the Board). Subject- solicitation letter for corporate patrons, information on corporate patrons program, roster of Richmond corporate patrons 1970, invitations to corporate patrons gala, etc. Dates- 12/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by E.H. Will (VMFA President of the Board). Subject- solicitation of corporate patrons, pamphlets about corporate patrons program, publications for the corporate patrons gala, etc. Dates- 7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- roster of Richmond and of state corporate patrons 1971, planning for \"Fete Aux Galleries\" the corporate patrons event 1972, invitations and guest list for event, etc. Dates- 6/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Exhibitions, condition reports, insurance, gifts and purchases. Essay- \"Successful Adult Museum Programs\", M. Christison. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Velz.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) primarily, also L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- varied. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- General correspondence regarding publications, museum practices, exhibitions, pamphlets. Letter from Alexander Calder. Dates- 7/56 - 12/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Ford Foundation grant-in-aid program, Fogg Conservation Symposium and the Chrysler Collection. Photographs, cesolution recognizing the outstanding contribution of L. Cheek by the VMFA Council. Draft of \"Standards For Museum Practices\", SEMC, 1958. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition of American Silver, jurors for 1965 ADP exhibition, biographical data, 25th Anniversary exhibition and list of objects for loan. VMFA film series, press releases for \"The Little International\" from the Olsen Foundation and the Artmobile. Dates- 1958 -1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and VMFA Council officers. Subject- Council roster 1957-8 and 1958-9, listing of charter members, council-sponsored events and programs, lecture series schedule 1957-8 and 1959-60, statement of purpose of the Council, minutes of general meetings 1962 and'65, Executive Committee meeting minutes 1962 and '63, acknowledgments of gifts to the Museum, etc. Dates- 7/56-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown with the VMFA Council. Subject- Council gifts, Council -sponsored events and programs, preliminary drawings for Council shop office, breakdown of Council Contribution Fund 10/70 and 11/70, etc. Dates- 2/66-4/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for corporate patrons ball, roster of Richmond and of state corporate patrons, roster of Council committee for the ball, invitations and guest lists for ball, etc. Dates- 10/70-3/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- outline of the organization of the VMFA Council, Council Program 1955-6, Council of the VMFA Charter Meeting and Articles of Association, \"Friends of the Museum Constitution\", etc. Dates- 5/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- VMFA Council Contribution Fund analysis 1971 and'72, various Council sponsored events and programs, agreement between VMFA and the Council 10/20/70, A Short History of Council Gifts to Museum 1955-71, The Council of the Virginia Museum Directory 1971-2, general correspondence between Council officers and VMFA staff, etc. Dates- 1/71-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Council Trustee Contribution Fund, conservation laboratory, library, state services, fellowships and internships. Profit and loss statements, general ledger trail balance, Art Purchase Fund, staff expenses, VMT financial statements, matching funds for NEA Grant. New Council Shop, furnishings, installation, etc. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposal to establish fellowships for professional craftsmen (resident Craftsman Program), letters from interested craftsmen, etc. Dates- 2/63-2/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- proposal of a story about the Museum for Time-Life magazines, reference made about a reproduction of a Watteau from the Museum's collection appearing in Time. Dates- 11/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Monica Hamm and P. Mooz. Subject- Head of publications, editor of AIV and advisor for photography exhibitions. \"Focus On The Arts\", Pat Becker. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- fact sheet about VMFA, House bill no.862 was about establishing a Virginia Commission of the Arts and Humanities, transcript of the VMFA presentation by E.H. Will (VMFA President of the Board) to the Virginia Assembly, Rules Committee asking to kill or amend the bill, etc. Dates- 1/68-2/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- roster of Virginia Cultural Development Study Commission and of the State Arts Committee, information about the creation of the Va. Cultural Development Study Commission by Senate joint resolution no.67, essay- \"The Virginia Museum and the Arts in Virginia\", correspondence about meeting with the Cultural Development Commission, \"Dissenting Opinion Report of the Cultural Development Commission\" by Dr. William H. Higgins, Jr., member of the Commission, etc. Dates- 3/66-1/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"D\". Subject- varied. Dates- 3/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- VMT, exhibition schedules, Byzantine Architectural exhibition, College Drama Festival, loans of art works, Artmobile, Horace Day, NEA proposal, pamphlets, magazine excerpts, cards, biographical data, etc. Accessions and gifts: \"The Meeting of Joachim and Anna Under the Golden Gate\", A. Duer. Dates- 10/58 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Conference for teachers and students of Dance at VMFA, master classes, lecture and performance by Alwin Dance Theatre, agenda, list of dance teachers. Date- 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, AIV. Dates- 1/61 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Virginia Architects, Designers and photographers\", Collectors Circle, Va. Artists Biennial, donations, gifts, memorial fund. Dates- 6/59 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, acting director of the Museum and Governor Darden, regarding the Museum director and the Curator of Decorative Arts, who were both on leave to the armed forces during World War II, 1942-44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with and biographical information about Carson Davenport, Virginia artist. Dates- 1936-1944.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Ms. Davis. Subject- visits to \"Faraway Farms\" (Cheek's property) Davis was apparently a housekeeper/caretaker of some kind. Dates- 2/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and donors Mrs. Lincoln Davis, and George Cole Scott and Hildreth Dunn Scott, 1937-43.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., E.M. Davis, III (Curator) and L. Cheek, Jr. Subject-restoration of Mrs. Davis' Flemish painting, gifts from Mrs. Davis, information on Museum Board accessions committee (Mrs. Davis member), etc. Dates- 10/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. Lincoln Davis. Subject- Trustee/Museum business, letter of resignation from Board, etc., 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Elizabeth Nottingham Day and Horace Day, patrons and donors, 1934-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Day's exhibition at the VMFA. Dates- 1/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard to Mr. and Mrs. Horace Day. Subject- Horace Day biographical information, exhibition record, job recommendation, newspaper editorial written by Mr. Day on American Painting, etc. Dates- 1950- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Mr. Howard Dearstyne. Subject- proposed exhibition of Dearstyne's work and speaking engagement, etc. Dates- 11/50-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chamber Music Society, Building grounds committee, gifts, donation. Dates- 1954-65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to the Earl de la Warr. Subject- a visit to Richmond by the Earl, loan of a painting to the Museum exhibition \"England's World of 1607\", etc. Dates- 4/57-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. Marie de Mare. Subject- catalogues of \"Healy's Sitters\" exhibition ( Mrs. de Mare was Healy's grand-daughter), proposed film and biography of Healy by Mrs. de Mare, etc. Dates- 5/49-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His position as Art Director of AIV, music and dance folders. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from D. Nichols (administrator), F. Haseltine (PR). Subject- VMT subscription, Executive Committee Report, Collections Activities, Public Information Report. Dates- 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- information about an exhibition scheduled From Nov.22-Dec.31, 1955 featuring merchandise available for purchase in time for Christmas. Dates- 9/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Traveling exhibition. Dates- 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- International Traveling exhibition. VMFA and Leslie Cheek were the American coordinators from 1951-1954. Lists of attendees at the opening dinner 1/15/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Design in Scandinavia\" exhibition checklist, description of the exhibition, official record of receipt and list of items received but not included in exhibition, etc. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- RSVP's to dinner held on the opening night of the exhibition \"Design in Scandinavia\". Dates- 12/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., Mrs. J.G. Pollard and M.B. Christison. Subject- exhibition catalogue information for \"Design in Scandinavia\" and RSVP's for dinner held on the opening night of the exhibition. Dates- 12/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- American Tour 1954-57. Correspondence and publicity regarding. AFA took over the circulation of the exhibition.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committees in the United States. Lists of members and minutes from meetings 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Favorable reviews of the exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copy of a New York Times article written by Cheek concerning the upcoming exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening of the exhibition at the Museum, January 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- dinner guest lists, menu, planning for opening night dinner for \"Design in Scandinavia\" exhibition, list of Board of Trustee committee appointments 1953-4, registration for Southeastern Museums conference 1953, etc. Dates- 12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- RSVP's for the dinner and other opening events for the exhibition \"Design in Scandinavia\", exhibition catalogue, information used in planning printed material for the exhibition, etc. Dates- 4/53-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject-job description of a designer for the Design and Construction division of the Museum, proposed hiring of a designer, etc. Dates- 2/54-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- floor plan and printed matter for \"Designer-Craftsmen USA\" exhibition, photos of the exhibition, VMFA Member's Bulletin vol.15, no.5 (1/55), etc. Dates-11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Strauss. Subject- 25th Anniversary, draft of appeal to enlarge endowment fund, pamphlet. Dated- 6/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for a diorama in connection with \"Orientations of Virginia's Cultural Background\", photographs. Dates- 7/61 - 6/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resolution by the Executive Committee to authorize excess travel cost by VMFA staff. Dates- 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trip itinerary, pamphlets. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Fowler, D. Nichols, B. Ryan. Subject- All manner of VMFA operation: photography budgets, payroll dispersal, VMT renovation, Artmobile, damage and security of Art works, gallery installation, loans, art purchase invoices, Theatre contract, repairs and modification invoices, grievance procedure, pamphlets, Interpol investigation of Indian sculptures, requests for establishing new positions: Vice Director for Public Affairs and Artmobile curator. \"Partnership Agreement of Artco and Company\", \"Operation Countdown\", analysis of responsibilities and time required for completion of the North Wing. Photographs, pamphlets, announcements. Accessions and gifts: 17th C. Eng. Embroidered Casket, Byzantine Bronze Plaque, Tomato Soup Can (A. Warhol), Bolt of Lightening (R. Lichtenstein), Portrait of a Lady, Payne Collection. Dates- 1/68 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, F. Haseltine, D. Nicholas, J.M. Brown, P. Near, A.W. Stalnaker, B. Ryan, Mrs. Pollard. Subject- All manner of inter-museum operations: Public information schedules, membership campaign, promotion deadlines, travel itineraries, budget proposals, etc. P. Nears observations on possible acquisitions. Dates- 7/64 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters of request, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Secretary to the museum, biographical data, job description. Museum files and the law regarding public information, records management, records to be retired, list of file classification: deletions and additions. Events schedules, agendas and exhibitions. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, A. Dohn. Subject- Letter of recognition of donations, list of donors and their gifts of art works. Dates- 1964-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Chenery Estate and Gottwald endowment Fund. Art Nouveau gift of Sydney and Frances Lewis. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMT, Fellowship Fund, Museum Classes, Chenery Estate, Art Nouveau Fund, Artmobile and Gottwald Endowment Fund. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Buyers guides, pamphlets, magazine excerpts, specifications, blueprints, lists of chapters and affiliates, photographs. Dates- 9/61 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, and L. Cheek. Subject- Gift of Dunsten Memorial, Payment record, gallery proposals, \"The Virginia Museum Needs New Wings\": appeal to membership and Trustees for building funds. Dates- 12/46 - 4/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. Alfred I. (Jessie Ball) Dupont. Subject- Donations. Contains a letter regarding her feelings in favor of segregation at the museum and in the arts. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jessie Ball duPont's membership on the Executive Board, gifts and donations. Dates- 5/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Jessie Ball duPont. Subject- Membership as a Trustee, Fellow, Chair of 25th Anniversary Fund drive, contributions and gifts, magazine excerpts, biographical information, contributions and gifts, progress report from Anniversary Fund Drive. Dates- 2/59 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and D. Hudson (state coordinator of Arts System). Subject- Salary scales for VMT, NEA grant proposals. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Exhibitions, Artmobile, VMT, Va. Fellowships, search for potential jurors, work schedules invitations, newspapers, postcards, etc. Accessions and gifts: \"Autumn Leaves\", A. Palmer. Dates- 5/46-5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agenda and letters to K. Fowler of VMT. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Wm. Heartwell and Gov. Holton. Subject- \"Minutes of Economic Resource Task Force Meeting\": 7/23/71, 9/2/71, 10/8/71, 1/13/72, 4/20/72, purpose of task force was to improve communication between various agencies and the governors office. Draft of Executive order: relationship of state agency organizations to Commonwealth planning districts, budget estimates, agendas, Bills held in House Committee for the 1973 General Assembly. Dates- 1971 -72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- C. Guinnan request for a meeting room. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from A. Stalnaker and H. Dohn. Subject- Events for Governors School for Gifted Students: schedule, housing, food service, etc. Dated- 7/73- 8/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between A. Dohn and Mr. Albertia. Subject- Student application, agendas and statement of purpose. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Event to expose students to the function, organization and operation of VMFA, timetable and agendas. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and B. Bothmer (Egyptologist, BMFA). Subject- Invitations, list of Egyptian art objects available for purchase. Dates- 9/54 - 11/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Requests for films and slides, Artmobile, loans for Egyptian Gallery, statement/remarks for opening exhibition, newspaper clippings, blueprints. Dates- 2/55 - 12/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Suggested remarks related to \"Installation of a Gallery of Egyptian Art\", loans from other museums, agendas, letters to other curators and directors. Gift of Egyptian Gallery from Mrs. James Parsons. Dates-2/61 - 4/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- early planning stages of the exhibition \"England 1607\", list of pieces in, list of lenders to the exhibition, installation schedule and exhibition description, printed materials, \"Status Report on the Museum's Jamestown Festival Program\", etc. Dates- 6/54-8/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gallery opening made possible through gifts of china from Lady Nancy Astor, invitations and loan requests. Dates- 4/61 - 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- invitations to these exhibitions: \"Masterpieces of Chinese Art\" and \"Russian Imperial Jewels\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedules 1946, 1946/7, 1949, 1950, Entertainment Committee announcements and replies, committee report 1946, committee roster 1949/50, biographical information on the following Museum guests: Yasuo Kuniyoshi, John W. Taylor, Charles W. Smith, Reginald Marsh and Lamar Dodd, etc. Dates- 1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedule 1946/7, 1950, 1951, 1952, 1953, 1954, Entertainment Committee rosters 1950/1, 1951/2, 1952/3, proposed Friday evening events 1950/1, committee meeting minutes 1952, biographical information about George T. Hamilton, etc. Dates- 1946-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, VMFA Entertainment Committee schedule 1954, 1955, 1956, announcements and minutes of Entertainment Committee meetings 1951, 1953, 1954, 1955, 1956, etc. Dates- 1951-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee roster, Entertainment Committee schedule 1955, meeting announcements, biographical information about the artist Donald Oenslager, etc. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, announcements and replies for VMFA Entertainment Committee meetings, roster of Entertainment Committee, committee schedule 1955, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. Arthur Kelly Evans. Subject- a bequest to the Museum from Mrs. Evans, etc. Dates- 11/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- proposal for fundraising project for VMFA Council in fall 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- 60the Anniversary of the AFA meeting and symposium in Williamsburg, registration forms. Dates- 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agenda, timetable and luncheon for behind the scenes tours by the Council. Date-1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Benefit for the Council Service Fund, program, menu. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Museum in Action\": documentary of VMFA galleries and statewide activities, preview agenda, press dinner, invitations. Producer: Richard Rochement Narrator: Alistair Cooke Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for VMFA banquet services. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Exhibition: \"Treasures from the Norfolk Museum\", Governor's reception, program agenda. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gallery plan, staff assignments and program. Dates- 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reinstallation of the permanent galleries. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Members dinner dance event, invitations, guest list. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Glasgow Estate, Jamestown Tablet. Reception for Committee on Law Celebration. Dates- 12/58 - 4/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Members preview and reception: timetable, program, invitations, gallery plan, etc. Jack Larsen: lecture and biographical data. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of invitation to members of Virginia Chamber Music Society to attend a Theatre-Dinner. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Inauguration of a monthly series of theatre Dinners, guest list, letters of invitation for event and menu. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition: \"Designs for the Theatre\" Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reception for British group of scholars and collectors and travel itinerary. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- A British organization on American Tour. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Meeting at VMFA for NCEW: an organization to stimulate the conscience and quality of the American Editorial page. VMFA Executive committee minutes, biographical data, program agenda. Dates- 7/58 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of request for use of VMFA Gallery for Dinner, agenda, timetable. Dates- 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Tour routes, agenda and schedule of events for reception and letter to new members. Dates- 9/68 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of invitation to reception, tour of museum, agenda, timetable, etc. Dates- 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. Breeden (Membership Chair). Subject- Procedure and agenda for members reception and tour schedule, press release, invitations, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Haseltine. Subject- VMT Premiere performance and promotion. Dates- 5/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- exhibition: \"Treasures of the Norfolk Museum\", program/dinner agenda, invitation, etc. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Arthur Houghton. Subject- Preliminary event outline, layout, program agenda, procedure, invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Annual event to honor corporate patrons: entertainment, decorations, invitation list and suggested remarks to be delivered by President, E. Will. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Private advanced performance of \"School For Wives\", biographical data on Peggy Wood. Dates- 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Rhoads. Subject- Agenda and sample of invitation. Dates- 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Gregory Peck. Subject- Grand opening of Virginia Theatre Arts System, events schedule for preview, Letter from Gregory Peck. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Library reception and banquet for college Presidents attending the Drama Festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner and Theatre Party: agenda, invitations. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters of request and agenda for Theatre Dinner Party. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Rhodes and E.M. Last (Chair, RLS) Subject- Performance of RLS at VMT, ticket sales and cost estimates. Dates- 1/65 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of request for VMFA services. Dates- 4/31/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Robinson House formerly the Scientific Research Organization, VMFA headquarters for LOAS, adult classes and resident craftsperson, Invitation, Historical background, Bulletin vol.24 no.7 4/64 Dates- 8/62 - 3/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Helen Dohn. Subject- Smith College dinner with lecture by Charles Chetham, Director of Smith College Art Museum, agenda, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- The VMFA Council, Theatre Affiliates, President's Dinner. Music, Dance and Film Societies. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The Hospitality and Information Service for diplomatic residents and families. Dates- 1968. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- three day seminar program of multi-level experience in the Arts For exceptional Virginia Youths, agendas, etc. Dates- 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMFA luncheon and tour. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Paintings and drawings by E. Vedder, speaker. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for contributions. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: Hugh Newell Johnson. Reception, guest list and agenda. Exhibition catalog. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Harry Bertoia, Sherman Lee. Subject- General correspondence regarding juror service. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Sherman Lee. Subject- Jury Chair: Sherman Lee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Juror: William Pahlmann. Event program agenda, invitation, guest list, etc. Catalog: \"Virginia Interior Designers 1973\". Dates- 10/72 - 3/73 \"Virginia Interior Designers Reception Fri. 16 Mar.,  1973, 5-7 p.m.\" Subject- Invitation. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, W. Gaines and H. Dohn. Subject- Schedule of events, exhibitions, Bicentennial Celebration. loans, gallery tours, calendar news, Invitation for the \"India In Virginia\" exhibition. Dates- 8/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains minutes, agendas and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas, 1954-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, announcements, agendas and minutes of VMFA Exec. Committee meetings 1955, 1956, etc. Dates- 9/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, VMFA Exec. Committee minutes 1956, list of Exec, Committee members 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and William J. Rhodes, Jr. (President). Subject- Trustee/Museum business Exec. Committee meeting agendas 1954, 1955, 1956, Museum finances (pay scale, Director's allowable expenses, approvals for purchases) VMFA Committee appointments 1956-7, etc. Dates- 6/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. and Col. Henry W. Anderson (President). Subject- Trustee/Museum business, VMFA Exec. Committee meeting minutes 1950, 1951, 1952, 1953, listing of members of the Exec. Committee 1950, 1951, Exec. Committee resolutions 1950, 1951, 1953, By-Laws revised and adopted 1951, etc. Dates- 1950-3. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- Executive Committee minutes, copies of Exec. Committee minutes 1953, 1954, 1955. Dates- 12/53-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Gari Melchers Memorial Committee, VMFA Exec. Committee minutes 1956, list of Exec. Committee members 1956, etc. Dates- 4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Trustee/Museum business, VA Art Alliance, Williams Fund purchase, VMFA Exec. Committee agenda 1952, 1953, 1954. Dates- 5/51-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W. Gaines, R. Velz, M. Christison. Subject- Roster of large Richmond firms and number of employees, invitation cover letter, remarks to be delivered after luncheon. Dates- 9/63 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- lists of proposed exhibitions, events schedule for 1955-6 season, roster of members and schedule of the entertainment committee, drama schedule for Virginia Museum Theatre, etc. Dates- 7/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Notable lecturers and AIV contributors, biographical data. Jurors: Charles Eames, Morris Ketchum and Bert Stern. Dates- 1967 – 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Budgets, loan requests. \"Picasso: A Selected View\", \"12 American Painters\", List of Art Works, biographical notes test for the catalog: \"The Flowering of American Folk Art\". Catalog: \"American Painting 1970 including correspondence with Richard Diebenkorn. Dates- 1970-1974. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Bernard Martins' \"Portrait of Edward Hopper\", \"Walter Gropius - 1883 - 1969\", \"Jose Puig\", projected budget, attendance records, requests for loans, receptions events schedules, etc. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Engineering projects around the world, assembled to illustrate the aesthetic impact of technology. Cost estimates for exhibition, speakers and invitations. Dates- 7/64 - 1/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Outstanding objects in American Museum collections that are gifts or have been purchased with contributions from patrons. Event arrangements/planning. Requests of loans and press releases. \"A Brief History of the Virginia Museum of Fine Arts\", by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition \"Homage to the Square\", signed letter from Elaine de Kooning. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening festivities of the Aldrich Collection of Impressionist and Post-Impressionist paintings and sculpture. Catalogue: \"The Aldrich Collection\", foreword by L. Cheek. Dates- 11/58 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: Bartlett Hayes. VMFA purchases from exhibition. Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: C.V. Donovan. Request for loans from other galleries. Dates- 1962 , 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Al Held. Subject- Juror: Peter Selz. The removal of artwork from the wall of the VMFA for a period of one week in demonstration of racism, war and repression in America. List of paintings to be shipped and installation instructions. Dates- 9/69 - 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Search for a disposable cardboard shelter for use in a traveling sculpture exhibition to the Chapters and Affiliates. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Juried exhibition of Virginia Architects, Designers and Photographers. American Painting exhibition. Dates- 1964, 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt, Sydney and Frances Lewis. Subject- Art Nouveau exhibition: request for loans, lists of objects, opening event agenda, timetable, invitations, etc. Lecturer: Robert Koch. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. H. Bache and P. Near. Subject- Collector-of-the Year: Pre-Columbian gold collection, list of objects, letters to members of Collectors Circle. Dates- 196 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for flags from Embassy of the Federal Republic of Germany. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Kent Bicentennial Portfolio: \"Spirit of Independence\", prints by 12 Contemporary American Artists. Rockefeller Collection of Picasso Tapestries. Dates- 11/74 - 11/75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Phillip Hofer. Subject- Philip Hofer: biographical data and lecture on Blake. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Block as Collector-of-the Year (1967): Collection of 19th and 20th century watercolors and drawings, reviews and agendas. Dates- 10/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum of Modern Art exhibition \"Art Lending Service Retrospective\", lecture by MOMA Junior Council President Lily Auchincloss, lending services, expenses and pamphlet. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibit on ancient Chinese treasures. Date- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases for Virginia's Civil War centennial Exhibition and celebration at the VMFA, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- C. Conger (White House Curator) and his collection of interior furnishings. Heeramaneck Collection. Dates- 1967, 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Blumka Medieval Collection: Preview, program agenda, invitations, etc. Damage report to Gothic Cut Velvet Cloth, Conservators report and insurance claims. Dates- 1/73 - 5/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Exhibition of Tapestries from the House of Edgeworth and paintings, prints and drawings. Lecture, list of objects, PR, gallery plan, invitations, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek's service as a juror for \"International Glass\", gallery plan, photographs, list of jurors choice objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition \"Robes from the Forbidden City\": lecture by Alan Priest on Chinese Textiles. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt and P. Near. Subject- Virginia Photographer 1971, juror: Harry Callahan. Mourot Collection of porcelain. Exhibition schedules, lectures, gifts, loans of art objects, roster of Trustees. Catalog: \"Virginia Artists 1971\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Davies exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and H. Gummerus (Finnish Society of Crafts and Design). Subject- Gummerus lecture on Finnish design. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibition of Tutankhamun. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Bernard Von Bothmer (Brooklyn Museum). Subject- Von Bothmer account of his discovery fo the missing portion of VMFA fragment of Sema-Tawy-Tefnakht. Conservation and restoration of scribe, magazine clippings. Slides and photographs. Dates- 12/64 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. L.J. Dee (Cooper- Hewitt) Subject- Her Lecture to VMFA. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture by Buckminister Fuller, biographical data, catalog, installation, invitations, etc. Dates- 1/59 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contemporary Art forms of Israel. Lecturer: Avid Yafeh. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturer: John Walker. Invitations, entertainment. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Gaines. Subject- Documentation of the making of George Steven's film. Installation, design, floor plans and cooperating agencies. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Herbert Hoffman, Perry Rathbone and Patricia Davidson. Subject- Bill S.2273: to enable works of art and other materials imported for temporary exhibition in non-profit activities to be immune from judicial process. Description of objects for possible acquisition. Exhibition design, installation, VMFA and BMFA gallery plans, invitations, etc. Dates- 9/63 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Rathbone and H. Hoffman. Subject- Loans of Greek gold from the Hermitage and other institutions. Appeals to the State Department regarding Bill S.2773. Dates- 3/64 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Christine Alexander. Subject- Alexander's service to VMFA consultant on Greek and roman acquisitions. Exhibition lecture by Dorothy Kent Hill. Dates- 12/61 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Western art in Virginia collections, loan requests, film series, invitations, program agenda, etc. Lecturer: Larry Curry. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Perry Rathbone and Nasli Heeramaneck. Subject- Installation and acquisitions from the Heeramaneck collection. Lecturer: John Alexander Pope (Freer Gallery), newspaper clippings. Dates- 12/66 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon and Lessing Roswald. Subject- Request for loans, receiving and storage of objects. Event invitations, agenda, etc. Lecturer: Philip Hofer. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and John Koenig. Subject- Proposals for the filming and documentation of an epic film: research, selection, documentation, etc. Proposals were originally made to Samuel Goldwyn and Cecil B. de Mille. Dates- 7/55 - 2/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Goodrich. Subject- Requests for loans from various collections. Text for catalog forward by L. Cheek, and essay by Lloyd Goodrich. Biographical data and newspaper clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Events schedule, agenda, invitations, pamphlets. Lecturer: Robert Doty. \"Portrait of Edward Hopper\" and drawing studies by Virginia painter, Bernard Martin. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Exhibition of art from Virginia Collections to commemorate the 10th anniversary of AIV. Request for loans, invitations, members preview, agenda, list of objects for exhibition. Lecturer: Thomas E. Norton, biographical data. Dates- 7/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Acquisition of Indian art collection. Dates- 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition of works by French artists commissioned by Claude Aveline to illustrate his poem \"L'Oiseau que n'existe pas\". Lecturer: Lawrence Alloway, biographical data. Members Bulletin vol.24 no.8 4.64. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Anne Marie Pope. Subject- VMFA display areas. Date- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt and P. Near. Subject- Art Nouveau Loan, list of Lewis gifts and purchases. Dates- 1971 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and C.S. Hathway. Subject- Lecture search. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Biographical data, agendas, timetables and invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Islamic rugs circulated by the Smithsonian Institute and lecture by McMullan. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J. Baskett and P. Mellon. Subject- List of paintings from Mellon Collection. Gallery preparation, storage, costs, opening festivities, interpretation of exhibition, letters to print media. Press release, newspaper clippings. Lecturers: W.G. Constable, John Baskett and Basil Taylor. Essay- \"Painting In England, 1700-1850\". Dates- 8/62 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Paul Mellon. Subject- Mellon English Painting Collection, early discussion concerning the scope and preparation of catalog and exhibition. \"Letter from Basil Taylor Dated-23 January 1963 re: Mellon Show\", letter of disgruntlement over the various stages of the Mellon catalog. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Basil Taylor. Subject- Mellon Collection of English painting, initial planning stages, lectures, installation, catalog, etc. Dates- 11/61 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Paul Mellon. Subject- Exhibition: \"Painting in England\", program of events, invitations, gallery plan, program, invitation, guest list, etc. Dates- 5/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon and Basil Taylor. Subject- Basil Taylor, advisor tot Mellon collection and author of exhibition catalog: \"Painting in England, 1700-1850\". Catalog foreword by L. Cheek. Dates- 12/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations and dinner programs. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Installation, catalog, security, lecture. List of slides, media coverage. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Remarks by Paul Mellon on exhibition opening, mock-ups of booklet form. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Full color photographic reproduction of the \"Sistine Chapel\", exhibition circulated by LIFE magazine. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Demonstration of mosaic technique using contemporary materials. Dates- 5/54 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Henry Moore. Subject- Aid of Helen Norman (neighbor to Moore) on establishing a dialogue with the VMFA concerning an exhibition and visit by the artist. Preliminary exhibition plans. Dates- 10/57 - 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Henry Moore. Subject- Preview and opening night arrangements, newspaper clippings and press releases. Dates- 5/65 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Neutra. Subject- Exhibition and speaking tour by the artist. Dates- 6/59 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Goya exhibition: request for loans of works by Goya, announcements, invitations, list of paintings, Dr. Priscilla Muller (curator and speaker for exhibition). Program agenda. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturer: John S. Szarkowski. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and James Rorimer. Subject- Exhibition of Contemporary photographs. Biographical data on Ivan Dimitri and A. Hyatt Mayor. Catalog: \"Phototgraphy in the Fine Arts\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- proposed exhibitions, information about traveling exhibitions, etc. Dates- 10/48-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Perry Rathbone. Subject- Pre-Columbian gold with lecture by Allen Wardwell. Dates- 4/67 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Vincent Price as Collector-of-the-Year. Date- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- African collection from the Olsen Foundation. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Una Johnson (Brooklyn Museum). Subject- Contemporary prints from the Brooklyn Museum, invitations and announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition of the American Institute of Graphic Arts 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Gaines, F. Brandt, Anne Marie Pope. Subject- Reinstallation of the permanent collection, estimated exhibition costs, Heeramaneck collection, list of exhibitions available form International Exhibitions foundation. Exhibition catalog: John Kelly Fitzpatrick\" , photographs. Dates- 9/68 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Quillian. Subject- Exhibition of Randolph-Macon Collection. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program agenda for reception, exhibition, gallery plan. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions of Chinese Textiles from Minneapolis Institute of the Arts. Lecture by Alan Priest. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposed gift of \"Gates of Hell\", from the Cantor Collection. Exhibition \"Study of a Woman's Torso\". Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Rosenwald as Collector-of-the-Year, 1965. \"Master Prints From The Rosenwald Collection\", introduction by Rosenwald for the exhibition checklist. Dates- 12/64 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Corrected draft by L. Cheek. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Rosenwald. Subject- Personal invitations from L. Cheek. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition announcements. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of events for the season. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Paul Tishman. Subject- Exhibition from the Tishman Collection, letter of invitation, installation, Council lecture/luncheon. Speaker: Dr. John Akar, Ambassador of Sierra Leone. Remarks by J.M. Brown and Tishman, announcements and biographical data, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing lists for colleges, museums, etc. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek tour of England to photograph Elizabethan Houses. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Presentation of various forms of Arts of England during Shakespeare's life in commemoration of the 4th Centenary of his birth. Requests for loans of Elizabethan objects, press release, installation, etc. Dates- 8/63 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Exhibition of 19th and 20th century paintings, reception and event announcements. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon (Exhibition Chair) and Wm. Constable. Subject- requests for loans, French and British sponsors of exhibition including Queen Elizabeth, Honorary Committee Members, Patrons, catalog, PR, object damage report. Basil Taylor as special advisor to exhibition. Dates- 7/58 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Consultation on exhibition proceedings, travel and lecture schedule, biographical data and text for introduction to the catalog. Dates- 4/60 - 7/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Basil Taylor, Paul Mellon and A. Eiseman. Subject- Catalog layout, printing, design, budget, cost estimates, contributions. Essay- \"Classic Horse Paintings\", foreword by L. Cheek. Dates- 1/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Recipients of free catalogs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- William George Constable and his lecture for exhibition, biographical data, Bulletin vol.20 no.8 4/60. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of British sponsors, loans, selection committee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Mailing list, opening event, program and list of lenders to exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and John G. Pollard. Subject- List of sponsors, reception: program, agenda, menus, etc. Newspaper clippings. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibition in commemoration of Stravinsky's 80th birthday with related settings and costumes created for his ballets. Dates- 4/61 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Exhibition of contemporary prints and multiples (3-dimensional objects of limited editions), Lewis contributions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Railey Collection of European and Asian seals, Fisher Collection of paintings and exhibition of Ruth Safford: \"Interiors of Famous Houses\". Dates- 8/61 - 2/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt. Subject- Problems with exhibition objects. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Damage report of exhibition objects. Dates- 11/63  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Loans of objects from Pierpoint Morgan Library. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Extension of Tutankhamen exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sample invitation and preview guest list. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- List of objects available for loan and prices. Exhibition announcements, gallery floor plan. Lecturers: Gerald Nordland and Hilton Kramer. Dates-1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibit from MOMA: \"Form In The Animated Cartoon\". Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to M. Christison. Subject- Unavailability of Van Gogh exhibition. Dates- 8/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Philip Johnson. Subject- Jurors: Carroll Meeks, Richard Di Natale and Hans Namuth. Official entry forms, exhibition announcements, biographical data. Dates- 10/61 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Gyorgy Kepes, Philip Johnson and Ivan Dimitri. Invitations, guest lists, biographical data and entry forms. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- 1st Biennial exhibition.  Juror: Romaldo Giurgola.  AIA reception and dinner, program agenda, biographical data, invitations, pamphlets and exhibition catalog. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Sherman Lee, Harry Bertoia, Bernard Perlin. Collectors reception, purchase of artist work by Trustees, invitations, entry forms, etc. Dates- 12/57 - 2/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Near. Subject- Reception for purchasers of art works from the exhibition, and catalog. Dates- 1957, 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters to Artist on their award by the jury. Exhibition catalog, juror search and entry forms. Dates- 1959, 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Carl Wienhardt Jr., Mary Callery and Robert Vickrey. Salon des Refuse's on view at Thalhimer's, events schedule and exhibition catalog. Dates- 6/64 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: William Seitz. Installation, list of purchases, invoices, PR, invitations, guest lists, etc. Acquisition from Lewis Fund. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Gordon Bunshaft and A. Bodine. Entry forms and recipients of certificates of Distinction. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Exhibition to travel to Charlottesville. Dates- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture by Dorothy Miner, announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and Mr. John G. Hays (Chairman of the Expansion and Development Committee). Subject- Trustee/Museum business, formation of the VMFA Expansion and Development Committee, report of the chairman, etc. Dates- 11/47-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and P. Crum (Curator) and College of William and Mary. Subject- W\u0026M students visit to VMFA, loan from W\u0026M for a VMFA traveling exhibition, arrangements for traveling exhibitions to W\u0026M, etc. Dates- 2/41-7/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Education and Exhibitions) and Longwood College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Farmville State Teachers College, etc., 3/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- information on VMFA traveling exhibitions and an organization membership, etc. Dates- 7/48/8/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Art Club. Subject- arrangements for VMFA slides and traveling exhibitions to LAC, etc. Dates- 3/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Lynchburg College, etc. Dates- 1/49-2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Teacher's Club. Subject- arrangements for traveling exhibitions and slides to LTC, etc. Dates- 3/46-2/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Madison College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Madison College, etc. Dates- 12/47-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.C. McGehee (Assistant in Education Dept.) and Martinsville City schools. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Martinsville City schools, etc. Dates- 9/51- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Mary Baldwin College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to M.B. College. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Mary Washington College. Subject- arrangements for traveling exhibitions to M.W. College, arrangements for lecture by Christison at M.W. College, etc. Dates- 3/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Middlesex County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to MCWC, arrangements for lecture by Christison for MCWC, etc. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Narrows Woman's Club. Subject- arrangements for traveling exhibitions to NWC, etc. Dates- 10/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Newport News Woman's Club. Subject- arrangements for traveling exhibitions to NNWC, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Education and Exhibitions) and Norfolk Museum of Art. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to NM of A, exchange publications, etc. Dates- 1/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H. Lloyd (VMFA State Services) and Richmond County Junior Woman's Club. Subject- arrangements for filmstrips to RCJWC, shipping instructions, etc. Dates- 10/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Roanoke County Woman's Club. Subject- VMFA traveling exhibition checklists, request for information about organization membership to the Museum, etc. Dates- 4/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H. Lloyd (VMFA State Services Dept.) and Rockingham County public schools. Subject- VMFA traveling exhibition and slides checklists, arrangements for traveling exhibitions to Rockingham Co. Public schools, shipping instructions, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between E.L. Kallop (VMFA State Services Dept.) and Scottsville High Scholl. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions and slide sets to Scottsville HS, shipping instructions, etc. Dates- 9/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Sedley Woman's Club. Subject- notification of installment of Mrs. N.B. Rollings as chairman of Fine Arts Dept. of SWC, Date- 12/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Smithfield P.T.A. Subject- art material for Smithfield schools, Date- 11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H.V. Rennie (Assistant in Education Dept.) and Southern Seminary and Junior College. Subject- schedule of VMFA traveling exhibitions to Southern Seminary and Jr. College ('46) and arrangements for traveling exhibitions to Southern Seminary and Jr. College, etc. Dates- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Hart (Extension Dept.) and St. Catherine's school. Subject- VMFA traveling exhibition checklists, schedule for traveling exhibitions to St. Catherine's, etc. Dates- 1/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and St. Christopher's school. Subject- schedule and arrangements for VMFA traveling exhibitions to St. Christopher's, etc. Dates- 9/48-11/48.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Staunton City School Board. Subject- arrangements for traveling exhibitions to Staunton City School Board, etc. Dates- 1/52-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various Education Dept. staff and Stony Creek Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SCWC, etc. Dates- 2/47-1/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various VMFA State Service Dept. and Education Dept. staff and Stratford College. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to Stratford College, shipping instructions, etc. Dates- 8/48-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition checklists, schedule and arrangements for traveling exhibitions to Stuart Hall, shipping instructions, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director of Collections and Education) and Suffolk Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SWC, etc. Dates- 8/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Surry Woman's Club. Subject- arrangements for tour of the Museum and traveling exhibitions to SWC, etc. Dates- 10/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Sweet Briar College. Subject- schedule and arrangements for traveling exhibitions to SBC, shipping instructions, etc. Dates- 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Service Dept. staff and Tazewell Parent-Teacher Association. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions, slide sets and filmstrips to Tazewell Parent-Teacher Association, shipping instructions, etc. Dates- 11/52-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Thomas Jefferson Junior Woman's Club. Subject- request and suggestions for speakers for TJJWC, etc. Dates- 7/47-9/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA and Thomas Jefferson Woman's Club. Subject- arrangements to visit, tour and hold a meeting at the Museum, etc. Dates- 11/40-1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Three Arts Club of Blackstone. Subject- arrangements for filmstrips for TAC of B, shipping instructions, etc. Dates- 12/52-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- address of Mrs. Woods, President. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Toano Woman's Club. Subject- arrangements for holding a meeting at the Museum. Dates- 1/50-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and University of Richmond and Westhampton. Subject- arrangements for traveling exhibitions to U of R, shipping instructions, etc. Dates- 3/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- catalogues from the UVA Extension Dept. including the following: Famous Italian Paintings, Famous Flemish Paintings (Reprints from Seventy Famous Paintings by Adelaide D. Simpson (1927), The Story of Venetian Painting by Mrs. Stringfellow Barr and Cecily B.D. Ryder (1928) and Catalogue of Art Prints and Books (1937), etc. Dates- 1927-1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to UVA, shipping instructions, etc. Dates- 10/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and University of Virginia Museum of Fine Arts. Subject- checklists for traveling exhibitions sponsored by VMFA and UVA, the following publications by UVA: \"Twenty-five Contemporary Artists of Cleveland, Ohio\", \"Hugh Breckenridge\", \"Contemporary Artists of Virginia\", \"Contemporary Artists of Albemarle County and The University\", \"Alexander B. Trowbridge and Olin Dows\" and \"Elinor F. Hopkins\". Dates- 4/34-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.Y. Casey (Assistant in Education Dept.) and Upper King William County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to UKWCWC, shipping instructions, etc. Dates- 3/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Valentine Museum. Subject- information about becoming organization members of VMFA, a loan to VMFA from the Valentine, listing of the Valentine's activities, etc. Dates- 10/35-9/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and VA Education Association. Subject- Virginia Education Association art section meetings, etc. Dates- 2/47-10/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and VA Federation of Woman's Clubs. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VA. Federation of Woman's Clubs, VA Federation of Woman's Clubs yearbook ('47/8) and Directory ('48/9), etc. Dates- 1/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA traveling exhibition checklist. Dates- 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Virginia Polytechnic Institute. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to V.P.I.'s Architectural Department, etc. Dates- 6/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Virginia State College (Norfolk Division). Subject- checklists for VMFA traveling exhibitions, arrangements for traveling exhibitions to VSC, shipping instructions, etc. Dates- 10/52-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and the Extension Dept. and VA State University. Subject- schedule of VMFA traveling exhibitions to VSU 1945-7, arrangements for traveling exhibitions to VSU, etc. Dates- 6/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Va. Teachers' Association. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VTA, arrangements for a lecture by Christison to VTA. Dates- 12/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Virginia Union University. Subject- VMFA loans to VUU's art festival, arrangements for traveling exhibitions to VUU, etc. Dates- 1946-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between E.L. Kallop (State Services Dept.) and Wakefield Woman's Club and P.T.A. Subject- checklists for VMFA traveling exhibition, arrangements for traveling exhibitions to WWC and P.T.A. Dates- 9/51-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Warren County High School. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Warren Co. HS, shipping instructions, etc. Dates- 10/46- 5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between O. Hart (Registrar) and Warwick County School Board. Subject- arrangements for traveling exhibitions to Warwick Co. Schools, etc. Dates- 1/49-4/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Warwick Woman's Club. Subject- arrangements for traveling exhibition to WWC, etc. Dates- 10/48- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Washington and Lee University. Subject- checklists of VMFA traveling exhibitions, arrangements for traveling exhibitions to W\u0026L, etc. Dates-1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Waverly Woman's Club. Subject- schedule of VMFA traveling exhibitions to WWC ('46), WWC visit (with lecture) to VMFA, etc. Dates- 3/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA staff and West Point Schools P.T.A. Subject- arrangements for traveling exhibitions to West Point Schools, etc. Dates- 12/50-6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various Education Dept. staff and Westmoreland Woman's Club. Subject- arrangements for traveling exhibitions to WWC, etc. Dates- 1/48-3/49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and William Campbell High School in Naruna, VA. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wm. Campbell HS, shipping instructions, etc. Dates- 12/52-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and various Education Dept. staff and Wilson-Jackson P.T.A. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wilson-Jackson P.T.A., etc. Dates- 1/47-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.T. Rhodes (Assistant in Education Dept.) and Wytheville County schools. Subject- arrangements for traveling exhibitions to Wytheville Co. schools. Dates- 4/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Wythe Woman's Club, Hampton. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC. Dates- 8/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education), various Education Dept. and State Services staff and Wytheville Woman's Club. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC, etc. Dates- 5/49-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Y.W.C.A.-Richmond. Subject- holding a meeting (with a visit and lecture) at VMFA. Dates- 4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Young Woman's Club of Williamsburg. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to YWCW, shipping instructions, etc. Dates- 12/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.Y. Casey (Assistant in Education Dept.) and VMFA State Services Dept. and Zuni Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to ZWC, etc. Dates- 8/50-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\". Dates- 12/54-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\", note-included in these files: slides from Williams College of Art. Dates- 1947-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Chairman of the art department Williams College. Correspondence and biography 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fashion Show in cooperation with Miller and Rhoads Dept. Store and Harpers Bazaar magazine to benefit the VMFA Council, Education Fund, Council dinner, event plans and program catalogue. Dates- 12/55 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- the Fashion Festival of Arts and Flowers presented by the VMFA Council in cooperation with Miller and Rhoads Department Store, attendance lists, newspaper clippings, etc. Dates- 3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between national director and Thomas Colt, who was the State Director of the Federal Arts Project, 1935. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Federal Emergency Administration of Public Works regarding a grant to construct an additional wing to the Museum. 1935-38. More applications from Museum for funds from the Federal Emergency Administration of Public Works to complete projects such as casting a bust of John B. Payne and landscaping grounds. 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Federal Emergency Administration of Public Works and Virginia Commission for the Arts material, mostly on landscaping the grounds of the Museum, 1936. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Federated Arts Council of Richmond dinner and agenda, invitations. Dates- 2/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- Committee reports, events schedules, annual meeting 5/29/74, \"Festival Of The Arts\", 18th annual report, Dogwood Dell June-Aug'74. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Awards Dinner agenda, letters of confirmation, thank-you's, etc. Dates- 12/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T.C. Colt, Jr. Subject- listing of and letters to prospective fellows (founding fellows), a copy of the constitution 4/55. Dates- 3/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospects for new membership program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Conservation Laboratory, Library Endowment, Fellows Weekend, orientation theatre, contributions and projects, statement of purpose, agendas, biographical data. Resolution in memory of Lewis Strauss. Dates- 1964-79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Fellowship Committee minutes 1942, 1948, 1949, 1950, Fellowship Committee agendas 1950, 1951, committee report 1949/50, Fellowship Committee announcements and replies, listing of fellowships given by the Virginia Museum of Fine Arts 1940-51, etc. Dates- 1942-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Aplicant interviews procedure. Date- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellowship Fund income account, application, letters to recipients: Primm Turner, Jenny- Lynn Franklin and John D. Norwood. Dates- 5/54 - 5/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Essay- \"Outline for a Proposed Film for the Virginia Museum of Fine Arts\" by Vavin, Inc. 3/60.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1947, 1948, 1950, Finance Committee meeting minutes 1948, 1949, 1950, letters soliciting opinions from Trustees about stock purchases and committee resolutions and replies, VMFA Pooled Endowment Account 1949, stockholder information , etc. Dates- 1947-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1950, 1951, Finance Committee meeting minutes 1952, committee report 1950, status of capital funds listing 1950, list of securities held and cash balances, financial transactions, etc. Dates- 1950-2. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1952, 1953, Finance Committee resolutions 1953/4, Capital Funds Investments and Cash listings 1952, 1953, stockholder information, financial transactions, etc. Dates- 1952-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1955, Finance Committee resolutions 1954, a listing of Finance Committee meetings and actions in writing 1948-56, financial transactions, stockholder information, statement of endowment investments 1955, pooled investment listing 1955, investment changes for the period 4/30/55-12/31/55, etc. Dates-1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Lawler Fund. Dates- 10/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- stockholder information (i.e. annual and quarterly reports of companies). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee resolutions 1948/9, excerpts from Finance Committee meeting minutes 1939, 1951, Date- 3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from A. Nicholas. Subject- Statements of income, balances, private income, special purchase funds, operating budget, etc. \"Virginia Museum Semi- Annual Financial Report Dec. 31, 1970\" , \"Summary of Financial Support\": 1935- March 31, 1971, 19l35- June 30, 1969, Art Purchase Funds, Capital Outlay Programs to purchase land and buildings, List of Art Purchases 1970-71. Dates- 6/70 - 10/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and G. Martin. Subject- Responses to questionnaire from various theatre directors, VMT regulations. Dates- 1965 -66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT Statement of Purpose, application for Samuel Tate Morgan and/or George Seay Memorial Trust Funds. Letter of grant award for the expansion of VMFA Library holdings and list of books purchased, newspaper clippings. Dates- 5/69 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Administrator, Richmond Area University Center. Correspondence with 1949-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Memorial for Col. Herbert Fitzroy, letters of receipt of contributors to purchase a sculpture to be placed on permanent exhibit in Artmobile II: \"Crowing Rooster II\", G. Marcks. Dates- 10/67 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- information about proper display of U.S., U.N. and VA flags. Dates-11/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns cultural development there. 1957-59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Agreement on the Importation of Educational, Scientific and Cultural Materials\", Bill signed on 6/24/59, press release. Unesco sponsored agreement to eliminate tariffs and special import taxes on educational, scientific and cultural materials. Dates- 9/59 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Horace S. Flournoy. Subject- repair of heating system at the Museum. Dates- 10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- plantings around the Waddy Fountains at the front of the building, lawn and plant care, listing of growing plants used, etc. Dates-6/54-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA staff and Harvard University's Fogg Art Museum, mostly regarding the loan of a Copley portrait for the Museum's inaugural exhibition, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, J. Coolidge (Dir., Fogg). Subject- General correspondence regarding conservation, authenticity of objects, employment referrals, research, etc. Dates- 4/52 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for Folktale Marionette Theatre to perform at VMFA in Dec.1953, etc. Dates- 3/53-1/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- visit of Mrs. Henry Ford II, to see VMFA operations. Dates- 3/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about a Virginia artists watercolor exhibition sponsored by the Ford Foundation Title \"Virginia by Virginians\", copy of an invitation to Mr.and Mrs. Ford to the opening, etc. Dates- 1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- newspaper clippings and statement of purpose of the Ford Foundation. Dates-12/48-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Ford Foundation. Subject- proposal of VMFA serving as regional center for Ford Foundation's creative artists selection program 1958, proposals for Foundation support, Foundation publications, etc. Dates- 10/50-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Ford Foundation. Subject- information about applying for Ford Foundation support, Foundation publications, etc. Dates- 10/59-10/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program for Painters, Sculptors and Related Artists. Letters to jury members, entertainment. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and the Ford Foundation. Subject- the Museum as a locale for the premiere art exhibition to be featured in the March issue of the Ford Times, an exhibition highlighting VA artists named \"Virginia for Virginians\", included are copies of the exhibitions' gallery guide, invitations to the preview and a copy of the Ford Times feature issue. Dates- 11/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and American Association of Museums (AAM). Subject- roster of foreign museum Directors visiting VMFA on a AAM sponsored tour (in cooperation with the State Department), biographical information on visitors, etc. Dates- 3/65-5/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to VMFA staff. Subject- memos about arrangements for luncheon held at Museum for international newspaper people. Dates- 6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal for VMFA travel program, tour estimates and brochures. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition preview speaker: Ariad Yafeh, biographical data, reviews and photographs. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Guest lists for opening event, sample letters for invitations and replies. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices, Cheek serving as honorary member of advisory committee of Directors and Curators, etc. Dates- 3/52-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Keith Fowler. Subject- theatre operations, policies, programming, newsletter to friends, volunteers and theatre subscribers, etc. Dates- 10/69-12/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between William Francis and L. Cheek, Jr. Subject- Museum publications business and arrangements, etc. Dates- 12/64-9/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Governor Peery, T.C. Colt, Jr. and Douglas S. Freeman, president of the Confederate Memorial Institute. Subject- Transfer of the John B. Payne collection from the Battle Abbey to the museum. Dates- 1935-39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. Subject- mostly professional matters, but some personal information is given. Dates- 1948-53.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and French and Company. Subject- French and Company, Inc. art dealers, loans, conservation work, proposed sales to Museum, photos and descriptions of objects, etc. Dates- 6/46-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject- photo requests from the Frick Art Reference Library, reference questions, exchange publications, etc. Dates- 2/46-9/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Friddell was columnist for the Richmond News Leader. Correspondence with Cheek, 1949-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- memo about calendar of Museum events, mailing to American Ballet Theatre Friends, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Preparation plans for \"George Stevens Makes a Film\", an exhibition based on the making of an epic film (The Greatest Story Ever Told), installation, cost estimates, etc. Dates- 1/64 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Search for Egyptian objects to purchase, exhibitions: Sport and Horse and American Folk Art, College Drama Festival, loan of P. Klee works, collectors circle, Biographical data, Fellows, donation, gifts, Segregation in VMT, background information on paintings for Wm. Henry Yates, Marshall Research Library, Poetry Society of Virginia, Glasgow Estate. Accessions and gifts: \"Tree\", H. Gray; E. Hopper; Rutherford Goodwin, Jr.(signature). Dates- 1/55 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General museum business, inter-museum memos. Richmond Sinfonia, special purpose gallery, exhibition policy. Museum television, funding sources, COVAO conference, sale of Artmobile I, Council, newspaper clippings, pamphlets and funds generated through programs division, letter from Robert Indiana.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Bill (William) Gaines (head of Programs Division). Subject- programming educational, exhibitions, films, affiliates, etc., Museum operations, etc. Dates- 3/70-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Acquisitions, objects for purchase consideration, various newsletters, exhibition catalog: \"Nature As Scene\". Dates- 4/76 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with other museums. Subject- exhibition announcements, information about loans to other museums, etc. Dates- 3/53-3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Dir. for Collections and Education) and Mr. Charles Seymour (Yale University). Subject-request to look at the Museum's collections. Dates- 2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Col. Edgar Garbisch and L. Cheek, Jr. Subject- gift to VMFA-Junius Brutus Stearns paintings of life of George Washington, photos and information about paintings, biographical information about Garbisch, etc. Dates- 1/50-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for the 50th anniversary dinner of Garden Club held at VMFA, etc. Dates- 9/68-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the Garden Clubs of Virginia and America 1958-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Mrs. T. Fleetwood. Subject- Mrs. T. Fleetwood as a Trustee, Trustee business, gift to Museum, etc. Dates- 5/64-7/75. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Landscape Architect for Museum. 1957-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by John Garland Pollard, Jr. Subject- invitation to members of General Assembly to use Museum facilities, announcement of a reception for General Assembly members spouses, VMFA Members' Bulletin vol.20, no.5 1/60. Dates- 1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters sent to members of the General Assembly 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Gibbes Art Gallery. Subject- Brown working on problems of the Gibbes Art Gallery, \"Report to the Board of the Charleston Art Association\" co-written by Brown, etc. Dates- 12/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee, Executive Committee. Dates- 1950-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mr. George D. Gibson as Trustee, Trustee and Local Building Committee business, copies and excerpts from minutes of the Executive Committee 1948-53 dealing with VMFA building, news release 6/57 about Gibson being elected VMFA President, etc. Dates- 12/52-11/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. George D. Gibson, a lawyer with Hunton, Williams, Gay., Moore and Powell. Subject- flooding at the Museum, building inspections, structural problems with the building, the shipment of a Watteau painting to VMFA, a Melchers gift, etc. Dates- 7/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- acknowledgments of receipt, thank you letters to donors for gifts of all kinds (money, books, equipment, etc.,). Dates-11/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Arthur G. Glasgow. Subject- gifts to Museum, Museum events, information pertaining to the Estates of Margaret Branch Glasgow and Arthur Graham Glasgow. Dates- 2/54-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., J.M. Brown and Walter S. Robertson (VMFA President). Subject- transcript of remarks by Governor Mills E. Godwin, Jr. at Southeastern Theatre Conference 1966, Museum events, Mrs. Godwin to serve as honorary chairman of Entertainment Committee, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- President of Princeton University. Request for him to lecture at Museum. Dates- 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Associated Artist Gallery, Washington, D.C. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for Theatre Director-Producer 1957.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Pollard was a member of the Goodwin Memorial Commission appointed by the state to erect a scroll honoring the Reverend William Archer Rutherfoord Goodwin, former rector of Bruton Parish Church and man who dedicated his life to the restoration of Colonial Williamsburg, 1950-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Mr. F.D. Gottwald. Subject- agreement and arrangements to establish Elisabeth Shelton Gottwald Fund. Dates- 4/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- copy of report on Museum, recommendations to Museum made by Governor's Management Study Group. Dates-7/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Mills Godwin and Peter Mooz. Subject- Budgets: cutbacks, executive order, appointments to VMFA Executive Board, creation of job positions, Museum organization charts, Melchers Estate, Arts Commission, Executive Mansion furnishings and lists of objects. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for unveiling (10/5/71) of new acquisition of Goya's painting- General Nicholas Guye guest lists, invitation, news releases, photo and information about painting, etc. Dates- 9/71-2/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- \"General Guye\", Goya. Special event, agenda, invitations, etc. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with John Graham (Curator, Colonial Williamsburg). Dates- 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Related to the death of Mr. Gray and his family. His bequest to the Museum and a memorial to him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Horace Gray, Trustee. Subject- Museum business, biographical information about Horace Gray, VMFA Members' Bulletin vol.19, no.6 (2/59), etc. Dates-5/51-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about hiring Mr. Paul Grigaut as head of Collections Division, Museum practices, information about Museum Collections catalogues, etc. Dates- 6/62-4/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Theft-general. Contains one newspaper clipping 5/28/62.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- correspondence with Senator Raymond R. Guest, announcement of gift to Museum of bronze gates, Museum events and business, etc. Dates- 11/48-5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and L. Cheek. Subject- List of sites for guidebook , roster of names for nominating committee, letters to publishers, price structure, biographical data, promotional information, outline for publication by the Trustees for \"An Official Guide To Four Centuries Of Building In The Old Dominion\". Dates- 4/66 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Finnish Society of Crafts and Design 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt, F. Haseltine. Subject- Installation of \"Symbol\" at Phillip Morris site, invitation mailing list, reception agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, F. Haseltine, P. Near. Subject- Exhibitions, VMT, loans, gifts, endowments, biographical data, invoice for work restored, acquisitions, installation of Heeramaneck Collection, Pastorale fund, Project Grant Application, Tax Status. Essay- \"A Brief Summary of Accomplishments of the Virginia Museum of Fine Arts\", 1962-64. Dates- 9/51 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mr. Haller was a public relations consultant hired under special circumstances and kept off of the state payroll. This letter pertains to this and circumventing the state system 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and S. Robertson. Subject- AAM meeting in Williamsburg, increase in security staff at VMFA, Artmobile, Executive order from the Governor's office to divide the Board of Trustees into five divisions. Request for authority to prepare Capital Outlay Plans for South Wing, invitations to serve on various committees, presentation of Webster S. Rhoads award to Gov. Harrison, newspaper clippings. Dates- 5/61 - 11/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Public Buildings Administration (Federal Works Agency). Subject- Harrisonburg post office mural competition (Colt served on the jury of selection and advisory committee) and contract with Public Buildings Administration. Dates- 2/41-10/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek's 25th college reunion and an art exhibition in conjunction with the reunion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Melissa Hayden and Andre Eglevsky. Dance performances at the VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. John G. Hayes, Sr. Subject- Trustee/Museum business, money to the John G. Hayes Endowment Fund, etc. Dates- 11/49-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. J.G. Pollard and W. Rhoads. Subject- John Green Hayes Memorial Fund. Dates- 5/48 - 11/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of appeal from VMFA to Hearst Foundation for financial assistance. Dates- 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Biographical data, press release and his presentation to the AAMD, newspaper clippings. Dates- 4/62 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lecturer for the Latin American Exhibition 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT: tour schedule, HEW grant proposal, \"A Cultural Program in the Dramatic Arts for Virginia High School Students\", newspaper clippings, postcards, reviews, project budget, financial support. Dates- 5/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Travel Itinerary, loans , VMT productions, collectors circle, LOAS (Loan-Own Art Service), search for prospective jurors, letter to Helen Hayes to address VMT, biographical data, gallery plans, invitations to preview Hogarth exhibition. Dates- 9/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for luncheon and agenda. Dates- 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Request for VHS to hold annual meeting. Dates- 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Col. Hodges (Membership Chair). Subject- Trustee/Museum business, Hodges served as the Chairman of the VMFA Membership Committee, etc. Dates- 11/35-3/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA Bulletins: vol.26 no.3 and vol.27 no.6. Hogarth lecture to VMFA, itinerary, biographical data, Wm. Blake exhibition. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for Theatre Director 1957. Contains resume and letters to, from, and about him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, P. Davidson, and P. Rathbone. Subject- Exhibition: \"Treasures of Alexander\", request for loans, list of objects in connection with exhibition, installation design, theft of Nike Earring. Dates- 9/63 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Term as a Trustee and Fellow at VMFA and as a Trustee at Norfolk Museum, Exhibition: Treasures from the Norfolk Museum. Gifts and donations. Dates- 9/61 - 4/3 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Collectors circle, Fellows, Trustee, gifts and donation. His service as a Trustee at the Chrysler Museum. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on state holidays. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Gov. Holton. Subject- Proposal for a Bill to organize a citizens advisory committee to improve furnishings and interpretation of the Gov. Mansion. Statewide Building Code, Administrative Amendments 1/29/73, Sec. 873.5. List of participants and Museum conference notes to determine how Va. Museums can assist one another, Inauguration arrangements committee, rosters: House of Delegates, Senate and legislature. Essay- \"The Holton Years: A Summing Up 1970-1974\". Dates- 9/61 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Reports from the Honors and Awards Committee and the Board of Trustees, 1948-56. Much of this concerns Mr. and Mrs. A.D. Williams, The Katherine Rhoads Fund and the Webster Rhoads Medal, and Arthur and Margaret Glasgow, letter regarding the Mary Samuel Davies Bright Memorial. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Arts and Humanities Commission, Pratt Estate, Cabell Foundation, Ford Foundation: VMT underwriting. Trustee interviews, gifts of appreciated property. Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings, photographs. Dates- 10/8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and J.M. Brown. Subject- Parsons Fashion Show, slides, pamphlets, newspaper clippings. Dates- 8/63 - 7/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Seating arrangement. Dates- 11/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J. Sweeney and Lee Malone. Subject- \"Design In Scandinavia\", Cheek's remarks. General correspondence concerning museum loans and policy. Dates- 4/63 - 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Miss Nora Houston and T.C. Colt, Jr. Subject- biographical information, information about exhibitions she participated in, proposed acquisition of her work, etc. Dates- 4/36-2/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- U.S. House of Representatives, New York State. Correspondence concerning government support of the arts. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copy of his speech given at the Architectural League Symposium 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Term as a Trustee, membership campaign, budget committee, newspaper clippings. Dates- 5/59 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellow, VMT, Exhibitions, Artmobile, long term loan of 18th C. Dec, Arts objects, Hogarth exhibition, contract bid for landscaping, North Wing. FILM: \"THE ART of THE CONSERVATOR\" Dates- 2/64 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Trustee, Fellow, gifts. Remarks concerning Fellows meeting, Draft of Executive Committee Meeting Minutes, 12/8/70. Official application form for AAM accreditation. Art Nouveau Collection, Council lecture and luncheon with draft of suggested remarks delivered by C. Humelsine. Dates- 1969 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Requests for catalogues, loans, exhibition announcement, proposal for an \"International Traveling Exhibition\", technical info on Ivisiglass. Dates- 4/45 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- RSVP's to auditorium inauguration, thank you notes to musicians used for the opening, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Innocenti and Webel (landscape architects) concerning VMFA grounds. Dates- 7/64 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek, T. Colt and Mrs. Pollard. Subject- Requests for publications, general information regarding VMFA collections, exhibitions and museum operations. Dates- 10/35 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General information on exhibition installations.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains one brochure, 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- insurance against air raids and other war damage, correspondence with other museums about war risk insurance. Dates- 6/42 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. and M.B. Christison (Assistant Dir. for Collections and Education). Subject- damage claims to art objects we lent and/or were on loan to the Museum. Dates- 11/49-11/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuels Collection [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Draft of the Constitution and By-Laws of the proposed Virginia History and Museums Federation. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- ICOM statement of mission, travel expense records, membership and financial statements, pamphlets, Minutes of Executive Committee 1/30/60, 5/25/65, Annual Report 1965, newsletter, pamphlets, etc. Dates- 1961 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual Reports, Statutes, guidelines for International Rules of National Committee, Museum Training Programs, Newsletters, Minutes of Annual Meetings, budget, membership, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Mrs. J. Pope (Pres. IEF) Subject- Invitation to become a member, statement of mission, list of officers, IEF Financial Report 12/31/72, Annual Report 12/1/72, NEA award, catalogue listings, list of traveling exhibitions 1966-72. Dates- 1966 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Anne Marie Pope. Subject- Lists of current and planned exhibitions, events schedules, minutes of annual meeting. Dates- 1973 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Article from \"Preservation News\", 1/71 vol., XI, no.1 and Sunday Supplement from New York Times. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, P. Near, Phillip Johnson. Subject- P. Johnson's advise of design of the New Wing and as possible juror for Va. Biennial. Rotunda Club, Jamestown Festival, Robinson House, Hogarth Exhibition, Jr. League activities, and restoration of downtown Richmond. Photocopy of text from letter between Wm. Fitzhugh to Charles Carter 11/30/1796, pamphlets, donations, gifts. Dates- 12/55 - 12/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Letter of appointment to Executive Board. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 350th Anniversary. 1955-57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on the Museum's contributions to the celebration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek to serve on advisory committee and certificate of award for his service, presentation of Pocahontas portrait for permanent display, \"Report From Sub-Committee, Jamestown Commission\", 10/30/57. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photos of the \"Japanese Architecture\" exhibition, printed material for the exhibition, arrangements for bringing the Japanese Charge d'Affaires to VMFA, transcript of remarks made by Mr. Shima (Japanese Charge d'Affaires) at the opening preview, etc. Dates- 4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Itinerary and agenda for East Meadow High School of East Meadow L.I., New York. Dates- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown. P. Near, A.P. Jenkins. Subject- A.P. Jenkins collection, gifts and contributions, loans, Fisher rug collection, B. Barenson, Ash Lawn, Caligula statue, invitations, agendas etc. \"Art Now: New York\" vol.2 #10, University Galleries, 1970 (contains large color plates). Conceptual statement for Cabrillo Marine Museum. Dates- 8/54 - 9/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Jay W. Johns. Subject- Trustee/Museum business, gifts to Museum, information about an Evelyn Byrd portrait by a disputed artist (Kneller or Bridges), etc. Dates- 6/35-9/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- J. Johns service as a Trustee and Fellow, gifts and donations. Dates- 4/50 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- B. Johnson's (Conservator of L.A. County Museum) observations concerning the authenticity of a Veronese painting and his personal collection of pre- Columbian sculpture and Asian ceramics. Dates- 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and T. Catesby Jones. Subject- Jones' collection of modern paintings and sculptures, gifts to the Museum art and books, letter from Jean Lurcat, etc. Dates- 3/41-12/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The loan of Mrs. Catesby's collection of French Modernists to the VMFA and gifts. Dates- 2/50 - 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from l. Cheek, R. Guest (Fellows, Chair) and W. Robertson. Subject- Her appointment as a Trustee and role as chair of the membership committee. Dates- 7/64 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- State Supervisor of Art, 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- purchase requests for photos. Dates- 3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown. Subject- Agenda and letters of confirmation. Dates- 6/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Volunteers at the Museum, 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of confirmation. Dates- 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Letters of recommendation, resumes, prospective jurors, exhibition: \"Ugliness in Virginia\", Robert E. Lee Memorial, Fellows, gifts, donations, pamphlets. Acquisitions: Artists, Duane Hanson and Stephen Posner. Dates- 4/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Karolik collection of American Painting, Artmobile and Collectors Circle. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Maxim Karolik. Subject- proposed lecture for exhibition \"The Karolik Collection\", printed material for exhibition, etc. Dates- 9/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Illumination exhibition for the American Federation of Arts: proposal, budget, exhibition news, advisory committee and Minutes of 1st Meeting 11/23/64. Dates- 1/65 - 2/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek as member of the Council for the Kennedy Center and Board of Trustees, bulletins, progress reports and newsletters and a letter from Jacqueline Kennedy dated 1/14/66. Dates- 2/59 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and H. Willett (Supt. of Rich. City Schools) Subject- Letter to F. Keppel (Asst. Sec. of HEW) concerning a Math and Science Center. Essay- \"Proposal For a Supplementary Mathematics and Science Center\". Dates- 11/65 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters of request and confirmation, menu and tour. Dates- 8/71 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets: \"The Library - Documentation Project spring 70\" , \"The Urgency of Our Mission\" and \"Statement of Purpose Fall 1969\". Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt, L. Cheek and Harry Brooks. Subject- Requests for publications, provenance of Italian Renaissance painting being considered for acquisition, loans, pamphlets and shipping invoices, etc. Dates- 2/46 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, T. Simmons (Knoll) and Florence Shu Knoll. Subject- Interior design and furnishings of the Members Suite, offices, restaurant and Library, Knoll Catalogue 1956, newspaper clippings. Dates- 2/49 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Portrait commission of L. and Mary Tyler Cheek and his exhibition at the Museum of the City of New York. Information about introduction to exhibition catalog. Dates- 1/63 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Parson's School of Design. Design consultant VMFA 1954-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The creation of layouts of loan exhibitions and permanent displays, agendas, job description, newspaper clippings, biographical data, postcard, etc. Dates- 2/58 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mr. Koenig was a guest promotion director at the VMFA 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to contributors of memorial fund. Subject- Memorial established by the Theatre Associates of VMFA, sample of bookplate in his memory. Dates- 4/62 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuel H. Kress Foundation 1958-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about bill and payments with Kuhn. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile project for the Arkansas Arts Center, \"Let's Go, Reflections on the Art of Administrative Leadership\". Dates- 8/62 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chapters/Affiliates, newsletters, Lectour broadcasts, newspaper clippings, invitations, Lawler Memorial Fund, Artmobile. Artists: Pietro Lazzari, Janice S. Lemen, John Gadsby Chapman, photograph. Dates- 5/58 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Publication requests, gifts, contributions, collectors circle, Fellows, suggested bequest wording, Artmobile, loans, exhibition announcements, NEA questionnaire: \"Conservation in Museums- August 1971\", restoration and condition report of \"Battle of Yorktown\", Lami. Artists: Mario Dubsky and Eugene Berman. Gift and donations: \"La Sympathie\", Pettijean. Date- 11/62 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Port Sunlight, Chesire England.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and the VMFA Board of Trustees. Subject- To prevent the construction of the Valentine Museum's Latrobe Theatre. Dates- 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lecture by Cheek to the College Art Association 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to E. Cless (program Consult., U. of Minn.) Subject- U. of Minnesota Institute on Administration and Services in the Small Art Museum, program agenda, travel schedule, list of registrants for the seminar, report on the panel on museum publications, pamphlets, map, etc. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek to G.H. Holmes (Dean of U. of Pa.). Subject- Urban Criticism, experiences in traveling exhibitions on city planning, resolutions and solutions on urban problems. Biographical data on participants of conference, travel expenditures, agenda. Dates- 7/58 - 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Priscilla Crum to Prentiss Taylor. Subject- lecture by Taylor, Wednesday evening programs schedule 1948, proposed schedule 1947-8, etc. Dates- 9/47-1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison. Subject- prospective speakers, films, etc. for programming. Dates- 10/48-12/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- schedules for Wednesday evening and musical programs. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given by L. Cheek, Jury duty lists, consultations, invoices, expense records, agendas, pamphlets, magazine excerpts, Essay- \"The Place Of The Arts In Our American Culture\", by L. Cheek. Dates- 1953 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given by various members of the VMFA staff. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from D. Nicholas. Subject- Procedure and policy concerning VMFA security.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Monthly newsletters on \"Reflections on the Art of Administrative Leadership\", L.H. Kurtz, publisher/editor. Dates- 9/62 - 11/64, 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, P. Near C. Humelsine, F. Brandt and Wm. Gaines. Subject- Art Nouveau Fund: list of purchases, legal document of fund establishment. Artmobile and contemporary Art Purchase Fund. Dates- 5/67 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Possible sources for the purchase and restoration of the Alexander-Withrow House, Lexington, Va. Dates- 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- D. Liebes (color consultant and textile designer) on proposed text for her essay to appear in AIV and her lecture to be given at the VMFA on crafts and the creation of VMFA Craftsperson - residence. Dates- 4/63 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and E. H. Bushbeck (Kress Found.). Subject- Drawings and description of Dr. Reinhardt's gallery in Switzerland. Dates- 2/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and V. Gaskins (asst. to L. Cheek). subject- Planning of VMFA lighting facilities, \"Art Museum Lighting\", 2/59, excerpt from a journal of Electrical construction and Maintenance. Dates- 2/59 - 9/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal of Library-Museum at Lincoln Center. Dates- 2/59 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ralph Linton Collection of African Sculpture. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for loans of furnishings to other state properties. Dates- 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of loans under consideration, loans to ambassador residences in England and Australia. Photographs. Dates- 2/61 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and director of Louvre. Subject- Poussin exhibition at Louvre and VMFA loan of \"Achilles on Skyros\" and Delacroix exhibition, loan of \"Deliverance of Princess Olga\". Dates- 10/59 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lighting Technician, VMFA, 1953-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and C.B. Lusk. Subject- Lighting instruments and technical drawings. Essays- \"Lusklite as developed and used at the VMFA\" and  \"The Installation and Lighting of Exhibitions at VMFA\" Dates- 8/56 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.R. Duncan and Gordon Huff. Subject- Expansion of Lynchburg Arts Center to become an affiliate, loans for opening gala, suggested text for print media, schedule of events, Artmobile, Lynchburg Arts Center Executive officers. Introductions for L. Cheek and W. Robertson, travel itinerary. VMFA lecture series: Building For The Arts 1965-66, pamphlets. Dates- 5/62 - 7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for \"The National Arts Center of New York University at Washington Square\", Exhibition: \"Tastemakers\", based on R. Lynes Book. Official guest list for opening reception. Dates- 10/54 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, L. Cheek, P. Near and F. Haseltine. Subject- Membership, gifts, personnel references, loans, Jamestown Foundation, proposal for commission of sculpture in F\u0026M Plaza. Acquisitions and gifts: Egyptian cups, Coptic sculpture, Bertoia drawing. Dates- 4/61 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Macbeth Galleries. Subject- loans for inaugural exhibition and general correspondence about proposed acquisitions from Macbeth galleries. Dates- 9/35-7/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Orders and correspondence for back issues of Bulletins and magazines, 1946-47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Alessandro Magnasco, Painting 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing and sign schedules, roster of names and institutions. Dates- 1960 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing and events schedules. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near, D. Isley (Norton Simon Collection). Subject- Press releases, shipping, installation, purchase invoice, info regarding owners of the other castings. Photographs and slides. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Paul Manship. Subject- designing the John Barton Payne medal. Dates- 9/36-10/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Robertson. Subject- His Service as a Trustee, Fellow, and chair of Trustee Budget Committee. Biographical info, Artmobile, 25th Anniversary of VMFA, museum business, financial statements, Education In The Arts. Dates- 12/56 - 5/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Long Island Historical Society. Subject- Provenance, purchase through Glasglow Fund. Dates- 12/55 - 1/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resume, photo, agenda, NEA grant request. Dates- 4/65 - 5/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- M. Baldwin Choir Program, Alumnae issue Bulletin concerning visit of Pres. Eisenhower. Invitations, Fine Arts Center, Woodrow Wilson Project. Dates- 2/56 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Julien Binford. Subject- Mary Washington Arts Center, invitations, VMT, loans of art works, newspaper clippings. Dates- 11/49 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gifts to VMFA. Dates- 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. William R. Massie. Subject- Trustee/Museum business, etc. Dates- 12/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture: John Goldsmith Phillips, biographical data, press release and catalog list. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturers: V. Isabelle Miller and Mrs. Yves Henry Buhler. Press release, publicity schedule and photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- floor plan, instructions for installation for exhibition \"Masterpieces of Chinese Art\", printed material for exhibition, thank you notes to lenders to the exhibition, etc. Dates-11/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for the Theatre Director Position. Contains resume and applications, letters of recommendation etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Director of Public Relations for 20th Century Fox. Speaker at the Museum 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Public Information Division VMFA. 1955-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Director of Vassar College Art Gallery, requests for publications, lecture. Term as curatorial research asst. at VMFA. Dates- 9/53 - 6/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dedication of new Library, loans, invitations, VMT, Farewell gift to Mr. and Mrs. Cheeks with poem. Gifts, contributions, G. Melchers memorial. Dates- 2/60 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- General membership information, loans, press release, invoices, newspaper clippings, etc. Art Nouveau Collection. Letter to L. Marden (residence designed by Frank Lloyd Wright). List of Artists editions: prints and objects from Multiples Inc., NYC, price list and description. Artist: Phillip Lindsay, signature. Acquisitions: Monet, van der Helst and Rodin. Dates- 12/69 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and French and Co., Inc. Subject- pieces sold to and installed in the Museum, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal to establish an Institute of Mediterranean Culture at U. of R. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Carroll L.V. Meeks. Subject- thank you notes for visit to New England personal friendly letters, etc. Dates- 4/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, Mrs. Pennell (Membership Secretary) and Mrs. Gari Melchers. Subject- VMFA members in Fredericksburg, postcards, gift to Museum , etc. Dates- 12/35-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Her service on the Executive Committee, Melchers Estate, budget, gift status of \"Dead Jockey\", E. Degas. Contributions, gifts, newspaper clippings, biographical data. Dates- 4/56 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt (Dayton Art Inst.) and Dr. Higgins (Chair of VMFA Board), J.M. Brown. Subject- \"Disposition of Mr. Gari Melcher's Estate Excerpted from Virginia Museum Minutes Books, No.4,5and6\" , prepared by A.W. Statnaker, Asst. Administrator 7/17/74. Resolution, re: \"Belmont As An Art Center And Museum\" and \"Opening Of The Belmont Facility To The Public\" , Executive committee Minutes. Dates- 5/74 - 11/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Melchers estate/bequest to the Museum, agenda and minutes of Gari Melchers Memorial Committee 5/56-10/56, report and proposals of that committee. Dates-5/56-10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- appointments to committee, general operation of Estate, suggested budget, list of Melcher paintings owned by VMFA, loans of art works, drawings/blueprints: G. Melchers Studio air conditioning system and proposed plaque for ashes of Mr. and Mrs. Melcher. \"Belmont Agency Agreement\", Bill to transfer Melchers Memorial from VMFA to Mary Washington college. Dates- 4/56 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- First Chairman of Fellows: 1st Annual Meeting and statement of purpose. Exhibitions: English Painting, French Portraits, Sport and Horse, Artmobile. Old Dominion Foundation and his membership on the Executive Committee, gifts, donations and contributions. Dates- 2/38 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His membership on the Board of Trustees, Fellows, Collectors Circle. Biographical info, loans of art works from his personal collection, donations and gifts to VMFA and the National Gallery, Artmobile, as a recipient of the Benjamin Franklin Award: statement of purpose, nomination form, list of contributions, newspaper clippings, photocopies of magazine articles, invitations , etc. Dates- 1965 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Robertson. Subject- Collectors Circle, Fellows, term as VMFA Vice President. Press releases, newspaper clippings, contributions and gifts. Dates- 4/60 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Members lecture series. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Higgins, Jr. (Pres.) and C. Humelsine (Pres.) Subject- Draft of letter to membership regarding schedule of events etc. Dates- 9/71 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program where paintings from contemporary Virginia artists would be loaned (rented) to members to have in their homes. Members could also purchase the paintings. \"Designed to bring the work of Virginia artists into the homes of Virginia citizens.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Wm. Higgins. Subject- Monthly membership report summary, Chapters/Affiliates reciprocal membership program, letters of general correspondence to the membership. Dates- 4/70 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of the Membership Committee 1/48, 2/49 and a letter supporting the proposed theatre wing from Mrs. Wm. Trigg, Jr.(Civic Theatre Committee, Div. of Recreation, City of Richmond). Dates- 9/47-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Membership report, promotion, agenda, roster of committee members, minutes of committee meeting. Dates-8/72 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes of membership committee, elements of campaign to attract new members and move members to higher categories. Dates- 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Guided tours for prospective members, agendas, schedules, newspaper clippings, excerpt from Minutes of Executive Committee 12/14/72. Dates- 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Webster Rhoads (Pres. of Museum Board) and R.A.Velz (Administrator). Subject- list of new museum members, request form for membership, Membership Reports 1954-5 and 1955-6, list of membership privileges, etc. Dates- 11/55-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. W.A. Nones (Chair, Trustees), J.M. Brown and C. Humelsine. Subject- General membership information, schedule of events, calendar, pamphlets, etc. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership rosters of local organizations, copies of a cover letter soliciting members, etc. Dates- 1/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey results, years of membership, exhibit preference, age, attendance, annual contribution. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- planning stages for corporate memberships, proposed fees, privileges, etc., counsel from other US art museums, list of corporations to be approached about the idea, etc. Dates- 1946- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Corporate membership drives, presentation to J.C.'s, excerpt from Newsweek. Dates- 6/60 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Members art studio classes and lecture series. Dates- 6/54 - 9/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 6/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 9/54-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Velz. Subject- memos regarding segregation and other policies at the Museum. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek and R. Velz. Subject- Miscellaneous information concerning collections in general: treatment/condition reports, insurance, loans, installations, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Miscellaneous museum operation: Artmobile, Art Lending Service, Virginia Artists, lists of objects on loan, exhibitions, damage reports of objects and gallery inspections, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- inter-office memorandums on various subjects. Dates- 12/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek and H. Glasser. Subject- Exhibitions, Pratt Collection, gallery inspections and all manner of museum operations and programs. List of lost objects on loan to the Bon Air School for Girls. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Inter-office memos concerning insurance valuations, loans, lectures, library, exhibitions and policy on filing acquisitions data and damage reports. Date- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets published by the state Department of Mental Hygiene and Hospitals and the Mental Hygiene Society of Virginia. Dates- 1951-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and various staff at the Metropolitan Museum. Subject- museum practices, long-term loans of Egyptian art and artifacts, securing speakers, etc. Dates- 1/55-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J. Rorimer (Dir., MET) and A. Priest (Curator, MET). Subject- Damage to MET's \"Bacchus\", objects to purchase, loan requests. Acquistions and gifts: Tibetan Scroll; Coat of Japanese Mail. Dates- 11/69 - and/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Michael Jacobs Gallery. Subject- loan of painting (George Washington by Gilbert Stuart) for inaugural exhibition. Dates- 6/35-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Midwestern book competition for which Cheek served as a juror, competition judged in Richmond, lists of criteria and books, printed material for the competition, etc. Dates- 4/56-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Jo Mielziner. Subject- friendly letters, mention of possible Mielziner exhibition, etc. Dates- 12/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, list of stage designs available for purchase, his lecture to VMFA, schedules and agenda's, etc. Dates- 10/54 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Miller and Rhoads department store staff. Subject- showing VA artist work in store windows, borrowing supplies from the display department for the Museum (folding chairs, textiles), etc. Dates- 2/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W.S. Rhoads. Subject- Nomination of Miller and Rhoads, Inc. for Esquire magazines 1st annual \"Business in the Arts\" award. Support of Artmobile II. Exhibition: \"Masterpieces in Millinery\", spring 1958. Preliminary outline of fashion costume requirements for VMT \"Lady In The Dark\". Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Speaker: Philip Adams. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. John M. Miller, Jr. Subject- Trustee/Museum business, Miller served as a member of the Membership Committee, etc. Dates- 6/35-7/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mr. J.G. Pollard, Jr. Subject- asking Mr. Milliken (Director of The Cleveland Museum of Art) for counseling on acquisitions, draft of an agreement where Milliken counsels the Museum staff about proposed acquisitions, etc. Dates- 3/58-3/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from B. Mills in his role as Asst. Administrator of Personnel. Subject- Records, applications, payroll, medical insurance, announcements of new employees and terminations. Dates- 9/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and L. Cheek, Jr. and The Mint Museum staff. Subject- museum practices, loans, etc. Dates- 8/46-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- obtaining the motion picture for which the drawings in the exhibition \"Gil Wilson 'Moby Dick'\" were made. Dates- 12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- printed material for exhibition \"Modern German Art\", invitation to Mr.and Mrs. Alfred P. Jenkins for dinner and exhibition preview, (Mr.and Mrs. Jenkins owned the modern German art collection shown). Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Creation of James Monroe Bicentennial Commission. Dates- 8/57 - 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown between MAC. subject- Section 21-2 of the Richmond City Code: designation of Monument Avenue as an Historic District.  Minutes of meeting of MAC, 4/24/71 and 5/19/71.  Program Planning Task Force, editorial broadcast, roster of members, Articles of Incorporation, By-Laws, agendas, proposals and pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and Mr. Charles Moore. Subject- Moore's application for the Director/Producer position in the Virginia Museum Theatre. Dates- 12/56-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data and his lecture tour to the VMFA. Dates- 4/53 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Georgia Watson Morgan. Dates- 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Search for candidates for public information supervisor, job requirements, resume, publicity agendas, public information schedules, Bulletin vol.20, no.3. Dates- 6/59 - 7/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Mulholland (magician), biographical data/pamphlet, his magic presentation to the Fellows and VMT. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, his address to VMFA membership concerning architectural history. Dates- 10/55 - 8/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Munn Last Will and Testament with list of objects bequeathed to VMFA. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and T. Colt. Subject- Mural competition for Virginia State Library entrance hall: selection process, general assembly commission of monument to Stonewall Jackson. Dates- 4/46 - 6/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Envelopes of photos and negatives of Pre-Columbian art objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Gallery attendance and educational groups. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Oct. Bulletin 1954, copies of the following Members' Bulletins-vol.15, no.2 (10/54) and vol.13, no.3 (11/52). Dates-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison. Subject- working papers for Members' Bulletin Oct. 1955, VMFA calendar 10/55, etc. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Oct. Bulletin 1955. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Design of annual Christmas cards by Virginia Artists: John Ballator, Charles Smith, John Canaday, Allan Jones, Ross Abrams, Julien Binford and Prentiss Taylor. Dates- 11/48 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns transportation for the Museum lecturers and guests 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Christison and Mrs. Pollard. Subject- Inquiries from other institutions regarding museum operations, budget, services, corporate membership, Trustees, etc. Lists of purchases, Fellowship recipients. Dates- 1937 - 53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Arrival of Hollins and VCU students to work on specific projects for one month. Dates- 12/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Proposal and tentative plans, prospective filmmakers. Minutes of Executive Committee of Southern Educational Film Production Service. \"Motion Picture Production\": Study by H. Jeff Forbes and Associates regarding promotion of VMFA. Dates- 11/46 - 2/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memos about various museum topics. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, V. D'Amico (Dir. MOMA), M. d' Haroncourt. Subject- Art education standards, exhibitions, loans, lectures, museum policy, juror search and Jamestown Commission. Dates- 11/55 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Head of Administrative Division), Mrs. J.G. Pollard and L. Cheek, Jr. Subject- suggested future organization of the institution, operating procedures throughout the building, etc. Dates-2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding the division of expenses between the theatre and the museum, 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Promotional literature on the VMFA. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Material deals with segregation policies at museum events. 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence pertaining to printing. Bulletin mock-ups and copies of the following bulletins: Vol.6, No.4,  Vol.7, No.'s 2and7. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and magazine articles. Photographs, press releases etc. 1955-57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed budget groupings for VMFA, according to departmental divisions and table of organization. Dates- 1948 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events, timetables, agendas, Robinson House, housekeeping, security, VMT. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of events, exhibitions, Robinson House. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Schedule of events, mailing schedules, spring agenda, Confederation Conference, Robinson House, VMT, gallery closings, Discovery Cruise: Land of Maya. Date- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Suggested talk by Pres. of Museum to guests at Safari Dinner in Medieval Hall. Dates- 1/22/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Travel package for travel to Asia, brochures, cultural travel tours. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Policy regarding loans of art works to other Museums, employment search, provenance of art objects, pamphlets, newspaper clippings, etc. Resolution: To order immediate safe return of German master works after Nazi occupation, signed by U.S. museum directors. Dates- 4/46 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Applicant search for various positions, invitations, announcements, exhibitions, etc. Press kit for the Milwaukee Art Center. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- General correspondence on exhibitions, loan requests, museum business, job placement, magazine and newspaper clippings. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions, loans, policy. Dates- 12/60 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of music series and members of committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- schedule of program of recorded music, announcement of 6th artist evening 1/46, Museum Bulletin Vol.5, No.2, etc. Dates- 2/46-5/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Jerome Myers. Subject- acquisition of his painting: Street Scene, N.Y., his acceptance to the National Exhibition of American Art, N.Y., etc. Dates- 4/36-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- General correspondence to Trustees and membership, letters to Robert Neutra, exhibitions: Henry Moore, Sport and Horse. Agendas, travel itinerary, events and invitations. \"Encouragement of the Nations Arts\", an appeal to congress, and \"Proposed Federal Advisory Council on the Arts\", Hon. H. Alexander Smith, U.S. Government Printing office, Washington D.C., 3/26/57. Requests for employment, postcards, pamphlets and photographs. Artists: Jean Nikolic. Accessions and Gifts: \"Disasters of War\", Goya; \"Lore Fuller\", Raoul Francois Lanke; \"Dancing Girl With Tambourine\", A. Leonard; \"La Revre Blanche\", Toulouse Lautrec; Revere and John Andrew spoons and vase possibly made by Johannes Loetz Witwe. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Namuth's exhibit of photographs at the Brussels World's Fair, as a juror VMFA. List of Seventeen painters photographed by Namuth: Wm. Baziotes, J. Boynton, L. Calgagno, N. Carone, R. Diebenkorn, J. Ernst, S. Gechtoff, G. Hartigan, E. Kelly, W. Kienbusch, G. Mueller, K. Morris, B. Perlin, C. Marca-Relli, R. Motherwell, A. Reinhardt, L. Siegriest, with original notes by Namuth. Letter from J. Ernst with signature. Date 4/61 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statement of purpose and future of NCA, Board of Directors, Members of Council, fellowships, program grant application. Essay- \"National Endowment For The Arts Before The House Appropriations Subcommittee On The Interior And Related Agencies Tuesday, March 14,1972\", statement by Nancy Hanks (Chair): \"New Dimensions For The Arts: 1971-1972\" Dates- 1970-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L Cheek. Subject- Bill: S. 2379, To provide for the establishment of National Council on the Arts and National Arts Foundation. \"Congressional Record: Proceedings and Debates of the 88th Congress\" Dates- 2/64 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Public-Law 85-874, S. 3335: charted by the 85th Congress to establish a bureau in the Smithsonian Institution devoted to the Performing Arts. \"Peaceful Use Of Creative Energy\": transcript of lecture given by Col. Corrin Strong at the Tri State Arts Conference 4/29/61; Report: \"The National Cultural Center Part Two: What Goes into the Center\" by Dr. Carelton Sprague Smith, 10/60. Minutes for the NCC Executive Board: 5/23/60 and 6/29/60 Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. cheek. Subject- VMFA Council sponsorship of a closed circuit telecast by NCC: \"An American Pageant Of The Arts\". Suggested text of publicity folder, invitations, Newsletter: \"Footlight\", vol.1 no.3.; \"For A Cultural Capital\", Eleanor Roosevelt, 1962, United Feature Syndicate, Inc. NCC, later to be named the \"Kennedy Center For Performing Arts\". Dates- 7/62 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exchange of ideas and experience with other institutions who use audiovisual tool to communicate with museum visitors. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of appeal to serve on Virginia NEFTA committee, roster of members. VMFA appointed as the state agency for the administration of Federal matching funds; to aid in expanding the cultural horizons of a states and territories. \"Guidelines\" 1/67, NEA, Washington D.C.; \"National Foundation On The Arts And The Humanities, Question and Answers\", U.S. Government, Washington D.C., 1965. Dates- 1965 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey of membership, officers of VMFA, according to race, gender, age, position and time served. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz. Subject- Grant proposals, application, letters of support, proposal for a Regional Conservation Center, Soldiers Home, American Marine Painting, NEA statement of purpose, Museums A.S.A. Study, Museum Program guidelines, Smithsonian Puppet Theatre, Young Peoples Theatre Safari, \"American Painting 1974\" and newsletter from the Arts Reporting Service. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Financial assistance to Chamber Music Societies, season brochures, project grant application form for Va. Chamber Music Society. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Grants received by Arts/Cultural organizations in Virginia: guidelines, program committee members, agendas and minutes from the program sub- committee 3/7/68. NEFTA project recommendations for a regional conservation center. Dates- 6/76 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT survey, McLean Arts Center, guidelines for program grants. Senate Joint Resolution No. 67: to create a Virginia development study commission, bill 1483: National Foundation on the Arts and Humanities Act of 1965 and a report with guidelines for VMFA as the sole administrator of NEFTA matching grants. Study for Virginia Artist and Craftsman in regard to education and support. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Grant applications from Virginia Dance Society, VMFA, Confederation of Virginia Art Organizations and Budget proposals. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- State guidelines and general information, terms and conditions, NEA matching grant to begin statewide professional operation of VMT. Addresses of applicants for state grants, roster of Virginia NEFTA committee members. Dates- 2/66 - 6/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Regarding J.M. Brown's service on committee to evaluate grant applications. Valentine Museum NEA application, pamphlets. Date- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for exhibition \"Designer-Craftsmen 1953\" presented in conjunction with the American Craftsmen's Educational Council, Inc., (ACEC), letters to jurors, etc. Dates- 9/52-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and National Gallery of Art. Subject- preview invitations, exchange publications, excerpts from Roosevelt Art Address (from dedication of National Gallery 3/41), loan request for VMFA inaugural exhibition, etc. Dates- 3/41-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets and information about \"National Park and Recreation Week\" sponsored in Richmond 5/21-5/30, 1949. Dates- 4/49-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Geographical directory, \"Historic Preservation\" journal, vol.11, no.3, 1959 and Melchers Memorial. Dates- 1959 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Organization membership information form, questionnaire. NTHP certificate of associate membership 1971-73, employment placement and service pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Travel itineraries, objects for prospective traveling exhibitions, list of slides, forgeries and thefts. Accession and acquisition proposals. Dates- 1/61 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Conservation of objects/paintings, loans. Accessions committee meeting agenda, 10/69. Report on Authenticity of \"Marble Head of a Horse\", Heermaneck Ancient Iranian Collection. Exhibitors: The child and his World. Condition reports and repair estimates for tapestries. Photographs Dates- 12/69 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Sydney Lewis and Peter Mooz. Subject- Authenticity of Cycladic Harpist and 18th century American secretary. Provenances of various objects, conservation and treatment reports. Catalog: \"Arshille Gorky\" Dates- 1/74 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Sydney and Frances Lewis and Peter Mooz. Subject- Conservation/treatment reports, Artnian Collection of self-portraits. Conservation/treatment reports, Kent Independence Portfolio. List of Art Nouveau objects, damage reports, African Collection. Report of authenticity regarding the Cycladic \"Harpist\". Letter from Arnaldo Pomodoro regarding a base for \"Rotating Sphere\". Dates- 5/75 - 8/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Hours of operation, VMFA and other museums, attendance records, VMT, security, UNESCO newsletters 4/58 - 8/59, newspapers and magazine clippings, press releases. Dates- 7/59 - 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cheek's annual N.Y. cocktail party: guest lists, arrangements, rosters of speakers to VMFA: 1951-52 and 1952-53. Dates- 1952 - 54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newsletter to Trustees concerning exhibitions and appointments to Executive Board, accessions, building, etc. Dates- 11/70 - 8/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Morrison (P.R. VMFA), F. Palmer (P.R. consultant), D. McCammond (P.R. Reynolds Metals). Subject- Public Relations of E. Newsom and Co. to conduct a study to determine the needs and potential of VMFA. Program organization, community relations, film, book press material, schedules of events, etc. Dates- 8/58 - 9/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- A survey targeting the needs, current and future of VMFA, with solutions/resolutions for every aspect of the museums' operation. Dates- 11/58 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. A. I. duPont and F. Palmer. Subject- Roster of members of Board of Trustees, letter of appeal for pledges, principal elements of Newsom Program. Dates- 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. A.I. duPont (chair, Ann. fund). Subject- Strategy to raise funds through the Trustees to finance the Newsom Public Relation Firm program for VMFA. Drafts of letters to Trustees, progress report, minutes of 25th Anniversary Committee, 9/8/59. Dates- 12/58 - 7/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- all manner of museum operation: security, policy and procedure, personnel policy. operating budget and VMT. Diagrams of electronic console panel. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Museum business, construction and installation project schedules, budget, Equal Opportunity regulations, design contract for the Council shop, salary scales. Dates- 10/73 - 1/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum business, Conservation Lab, Fine Arts insurance coverage, budgets, Cabell Foundation gift. \"Report on the Freedom of Information Act\". Depreciation of \"Death of Regulus\", Salvatore Rosa. Dates- 12/74 - 7/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum business and operations, budget, contractual agreement between VMFA and Harwicke Associates, Inc. for North Wing project. \"Organization of the Virginia State Government\". Dates- 10/75 - 11/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- UVA architect and his membership in the Collectors Circle. Dates- 1/63 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General assistant to VMT, employment recommendation. Dates- 6/55 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Possible acquisitions from his gallery. Dates- 10/62 - 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L Cheek and J.M. Brown. Subject- Loans, exhibitions, VMT, Rotunda Club, Fellows. Accessions and gifts: \"Metamorphosis\", Grillo. Dates- 4/57 - 6/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- correspondence with individuals, institutions and companies beginning with the letter \"O\". Dates- 4/43-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, photo and job description/responsibilities as program director for \"Art Column\". Dates- 3/61 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- As a scenic design consultant, his lecture to VMT in connection with the Exhibition: \"Design For The Theatre\". College Drama Festival, biographical data. Dates- 1/60 - 2/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Mellon, E. Brooks Jr., and M. Bush. Subject- Financial support: Artmobile II, building grant and museum survey to expand visitors use to VMFA. Photographs, newspaper clippings. \"A Study in Modern Giving: The Old Dominion Foundation\", reprinted from articles in Richmond News Leader. \"Bollenger Series\", catalogue of special edition books. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Bush (Asst. to Pres. of ODF) and P. Mellon (Pres. of ODF). Subject- Financial assistance to VMFA, Artmobile II, collectors circle, and Old Dominion Foundation statement of purpose. Dates- 9/58 11/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Dan Olney. Subject- receiving a Senior Fellowship 1941/2, outline for a lecture, etc. Dates- 10/40-6/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Governor Thomas B. Stanley. Subject- opening of the new wing. Dates- 8/54-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- opening and reception for Governor Stanley. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitations and replies to the opening of the Members' Suite, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opera Society's first season. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- miscellaneous printed materials for the Museum, etc. Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- tickets to the Museum for State Lions' Club convention, etc. Dates- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- ideas/proposals for \"Members' Room\", suggested operating procedures, menus, pricing, etc., cost estimates, \"Refreshment Room Statement\" 1955, etc. Dates- 1/55-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre operations proposals, list of staff, their duties and salaries, etc. Dates- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- lists of statewide business, civic, commercial and other organizations, invitation list for General Assembly/Governor's reception, etc. Dates- 1953-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Orloff's (Chief-interpreter of U.N.) lecture to VMFA concerning the Faberge Collection, Biographical data. Dates- 11/49 - 4/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of inquiry to firms specializing in plaster and wood ornament, catalogs. Dates- 5/54 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- museum practices especially concerning finances of other US art museums, etc. Dates- 4/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Near and J.M. Brown. Subject- Artmobile, VMT, Collector's Circle, Fellows, Chapters/Affiliates, biographical data, campaign to restore the Jefferson Hotel, list of exhibitions from 1942 - 45.  International Exhibition Foundation, the appointment of John A. Pope (Director of Freer Gallery) as advisor/consultant to VMFA for expansion of Far Eastern Collections.  Acquisitions and gifts. Artists: Nell Blaine, Howard Kanovitz, Otto Piene. Gifts: Masson lithograph, Irving Penn photo and 15 Russian 19th century paintings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Painter's lecture on \"Armor and Medieval Man\" to compliment the \"Arms and Armor\" exhibition, biographical data. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Nelson Parker. Subject- announcement of Board meetings, etc., Date- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Appeal to Virginia Senate and legislature regarding sufficient museum parking utilizing land belonging to the UDC (United Daughters of the Confederacy). Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gift of Egyptian Gallery and English Decorative Arts Gallery. VMT, and her membership as a Fellow and in collector's circle. Dates- 4/61 - 10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. J.G. Pollard and Executive Committee of the Board. Subject- proposal and planning stages of conferring an honorary degree of \"Patron of the Arts\". Dates- 6/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject-housing J.B. Payne books in library of the College of William and Mary in exchange for paintings from their collection of art for display at the Museum. Dates- 1/50-4/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek's service on the Board of Trustees and on the Advisory Board of the School of the Arts. Minutes of U. of P. Executive Board, 4/8/60, 4/29/63, 4/26/65 and Annual Report of Graduate School of Fine Arts, 3/64, 5/65. Dates- 10/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek as chair of Fine Arts Committee. Subject- Letter to P. Coombs on his appointment as Assistant Secretary of State for Educational and Cultural affairs, UNESCO newsletter, Nubian archeological sites. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and A. Frankfurter (editor, Art News). Subject- VMFA general collection, list of gifts and purchases, 1955-67, scope of exhibitions, dates, publications, colorplates. List of VMFA Board of Trustees, 1962, Gobelin Tapestries. Dates- 1953 -64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Articles based on exhibitions and general collection of VMFA, VMT, invoices, newspaper clippings, pamphlets, reviews, newsletters. NEA museum programs, research education grants. Dates- 1967 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Articles of VMFA: \"A Spring View of Virginia Museum\", 10/56, Wm. Lacey, Editor; \"Art isn't Caviar at this Museum\", Sidney Shalett, 7/57, The Diplomat. Dates- 10/56 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Articles and editorials pertaining to VMFA: Newsweek, Time, Art Gallery, Antiques, Museum News , etc. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Harper's Bazaar, New York Magazine, Apollo, reviews. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Editors V. Dabney (RTD) and J. Kilpatrik (RNL). Subject- Artmobile, reviews of VMT and media coverage by print journalists, newspaper clippings. Essay- \"The Arts In The Sixties\", by L. Cheek. Dates- 11/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and F. Stewart and C. Jones. Subject- Exhibitions: \"Form Givers\", Sport and Horse\" and Mellon Collection. Dates- 2/60 - 12/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information on candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Job descriptions. Dates- 1953 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, P. Near and L. Cheek. Subject- Fellowships: list of recipients from 1940 - 1955. Prospective employees and VMT. Dates- 12/54 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- personnel rules and procedures of VMFA and the Commonwealth of VA, mandates from the Governor's office, additional personnel and pay increase requests, Roster Cards (listings of all employees and pay rates), etc. Dates- 8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., and R.A.Velz (Administrator). Subject- listing of division duties, proposed salary ranges, information about hiring an artmobile driver-curator, etc. Dates- 2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of L. Cheek, Mrs. J.G. Pollard, theatre staff, Ariel Ballif, Vincent Bowditch, Arthur Ballet, R. Velz and P. Near. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Personnel matters. Dates- 4/66 - 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains general information about the system and ratings for museum employees. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about the candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about various candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Governor's personnel survey staff. Subject- employment questionnaire, job descriptions (buildings and grounds staff, watchman, registrar, secretary, etc.), etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Governor's personnel survey staff. Subject- employment questionnaire, VMFA tentative classification of positions (3/37). Dates- 10/36-4/37.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Fiske Kimball (Director of Penn. Museum of Art). Subject- loans for VMFA inaugural exhibition, exchange publications, counsel on museum practices, etc. Dates- 5/35-5/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R.L. Dickinson (Hanover Bank). Subject- The Library of Philanthropic Information at the Hanover Bank, New York City. Dates- 11/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- E. Turpin Phillips, a Virginia citizen and his request to see proposal plans for expanded museum parking onto UDC property. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Consultant for VMFA acquisitions. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Duncan Phillips (Director, Phillips Memorial Gallery). Subject- request for loans to VMFA inaugural exhibition, etc. Dates- 9/35-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Installation of VMFA photography department, list of equipment and supplies, employment of staff photographer: Gordon Burns. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of entries to the \"19th Photographic Salon\" exhibition, schedule for jurors, etc. Dates- 3/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) and L. Cheek, Jr. Subject- purchase requests for photographs. Dates- 10/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Ivan Dimitri as Director of Photography in the Fine Arts at the Brussels World's Fair, his service on the advisory committee, list of photographs given to VMFA from the PFA exhibition. Directors of America's Finest Museums: portraits, credo of on art and their personal selection of photographs from the PFA archives was the subject of the World's Fair exhibition. Etching by Levon West (Ivan Dimitri). Dates- 12/59 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Atillio Piccirilli. Subject- biographical information, loans of work to the Museum, etc. Dates- 7/35-1/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- viewing the feature film 'Pictura \"An Adventure in Art\"', invitations, contributions, listing of attendance, etc. Dates- 2/52-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Herman Starr (Pres. Pictura Corp). Subject- A group of films devoted to the fine arts. Presentation of \"Leonardo da Vinci\" at Richmond's Lee Art Theatre and film on Goya to accompany exhibition. Dates- 1/51 - 3/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Gallery dinner, menu, agenda, program for event. Dates- 8/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- policies on use of meeting rooms and studios, special food service, interpretative services, scheduling programs, etc. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence to and from him when he was President of the Board of Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- the VMFA inaugural exhibition, Museum events, finances, Museum Board business and bequests/gifts to the Museum, etc. Dates- 1/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- Museum operations, investments, finances and gifts to the Museum, etc. Dates- 1/37-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as President, Trustee and membership in the Collector's Circle. Biographical data, museum business: operating fund, Artmobile, Newsom Report, 25th Anniversary fund, Melchers Estate transfer, gifts, contributions, Fellowship Fund. Exhibitions: Sport and Horse. Dates- 9/53 - 2/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as a Trustee, VMFA Resident Craftsman Program. Dates- 2/64 - 2/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Design of members Bulletin, records retirement, museum business. Dates- 1949, 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum business, Pratt installation, museum courses and equipment. Dates- 9/54 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Gift of \"Rotating Sphere\" from Lloyd Noland. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- As founder and director of the Barter Theatre, proposed plans for Theatre Virginia and NEA funding. Dates- 4/67 - 5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and Mr. David Payne. Subject- correspondence with Payne about arranging the exhibition \"Portraits by David Payne\", biographical information, letter from Phillip Johnson, etc. Dates- 5/51-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, L. Cheek, Priscilla Crum (Curator, Asst. in Education). Subject- Gallery representing portrait artists, biographical data on various artists and portrait of Senator Byrd. Photographs. Dates- 6/45 - 11/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statewide tribute to John Powell (a native of Virginia) and the presentation of his \"Symphony in A\". Date- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Correspondence with Pratt as a trustee. Discuss first Easter egg exhibition in 1949 and Hammer visit. Letter from Schaffer (A La Vieille Russie) in 1949 about lending some pieces for an exhibition. Includes a few letters from Mrs. Pratt before she died, about a Faberge table donation in 1942 and donating \"Twice Seven\" to the Library. Establishment of the Fellowship fund, including letter from Twombly as early recipient. Pratt Collection: insurance estimates and installation. Gift of funds to purchase the first Artmobile from Pratt and Miller and Rhoads. Dates- 7/40 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, Fellowship committee, underwriting of Faberge booklet, terra-cotta statue of \"Diana\" from the Pratt Estate given to VMFA, newspaper clippings. \"A Plan For Fellowships For Virginia Artists\" as suggested by Mr. John Lee Pratt. Minutes from Fellowship Committee meeting, 6/12/42. Dates- 12/49 - 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. John Lee Pratt. Subject- Trustee/Museum business, VMFA fellowship updates, etc. Dates- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown. Subject- Biographical data, fellowship recipients: Cynthia Morehead Smith, Paul Steuke, June Chapman, Fred Bonds, Richard Kevorkian and Reginia Perry. Pratt Collection: catalogue, except from forward by L. Cheek, questionnaire regarding Mrs. Pratt's initial contact/purchase sources for Russian Jewels, list of objects bequeathed by Pratt Estate. Dates- 1/57 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposals and cost estimates for Healy's Sitters exhibition and Pratt collection catalogues. Dates- 4/50-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek, Armand Hammer (Hammer Gallery) and Alexander Schaffer (La Vielle Russie Gallery). Subject- Legal claim against the Romanoff Family assets via the Pratt Collection of Russian Jewels. Possible lawsuit by A.G. Sharkey, President and Trustee of Marine Transport Service Corporation in NY who had judgment against Czar Nicholas Romanoff since 1918. Hammer and Schaffer dismissed it. Details of Pratt bequest, provenance of objects, announcement of bequest with sample of text to be used in pamphlet. Excerpt from \"Twice Seven\", by H. C. Bainbridge, E. P. Dutton and Co. Inc., 1934 (reference to Faberge Jewels owned by Armand Hammer). Dates- 8/47 - 10/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. J. G. Pollard. Subject- Installation, list of items on exhibition, security and transportation. List of objects in the collection of Mrs. Joseph E. Davies and pamphlets. Correspondence regarding various showings around the state - Roanoke in 1950 and Norfolk in 1951. Dates- 1/49 - 4/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from C. Humelsine. Subject- General correspondence to the VMFA membership, calendar of events, museum news. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to the media from the Museum. Subject- news releases about Museum events. Dates- 10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News releases about Museum events. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- positions and duties for volunteers and guards during an undisclosed preview. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Gov. Price. Subject-proposed salary increases, Board meeting announcements, nomination of Colt to select work to go to the Annual Exhibition of American Art 1938. Dates- 1/38-11/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- On the occasion of his being collector of the Year 1964, his cookbook including photographs of VMFA and the menu from the Collectors Gala, newspaper clippings. Gifts: Lachaise drawing. Dates- 6/63 - 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Grigaut and P. Near. Subject- A. Priest as Metropolitan Curator of Far Eastern Art, his service as a consultant to VMFA (1963-69) in the formation of the Asian collections. Correspondence on examination and provenance of works in the VMFA. Minutes of Executive Committee, 9/9/63, 12/8/64, minutes of Accessions Committee Meeting, 9/9/63. \"A Buddhist Paradise\", A. Priest, AIV, 1963. Newspaper clippings, postcards, etc. Dates- 1963 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) and Mrs. J.G. Pollard. Subject- printing schedules for 1956, miscellaneous print job specs, etc. Dates- 11/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- asking local corporations to fund the printing of school guide sheets for the Museum. Dates- 8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence pertaining to bulletin layouts, copies of Members Bulletin Vol.9, No.'s 1and7 and copies of Christmas cards 1948-9, etc.. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum publications: Contemporary Paintings 1946, Program Season of 1947-8, The VMFA Annual Report 1947-8, Virginia Art 1947 and Museum Bulletins: Vol.3 No.'s 1,2,4,6and9,  Vol.4, No.'s 4and5,  Vol.7, No.'s1,2,3,4,5,6,7,8and9,  Vol.1, No.8,  Vol.8, No.'s 2,3,4,5,6,7,8and9,  Vol.9, No.'s 1,4,5,6and8. Dates-9/42-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- securing a speaker (Robert T. Paine) for the exhibition \"Prints by Hiroshige\", thank you note to Mr. Paine, etc. Dates- 11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed programming for the Museum. Dates- 2/49-9/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and lecturers. Subject- proposed program/events and exhibition schedule, biographical information on lecturers, etc. Dates- 10/50-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- Artmobile schedules, Three-Days-In-March, members travel, grants, pamphlets. \"Proposal For The Development Of American Writers And Resources With Special Emphasis On The Production Of New Forms Of Drama Created Especially For Television\"; The Mark Report\": A survey and evaluation of VMFA statewide programs. Dates- 1974 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safaris, Artist-in-Residence, lectures. Film series: \"The Romantic Rebellion\", exhibitions, COVA events, agendas, Professional Workshop. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Nancy Durett. Subject- violin recital 4/47. Dates- 4/46-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- memos to determine dates for the Trust Fund Orchestra to perform at the Museum. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- VMFA educational services, VMT and all manner of print and broadcast media promotion. Exhibitions, publicity schedules, press releases and newspaper clippings. Dates- 9/50 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General invitation to groups to participate in VMT. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Prospective givers: foundations and individuals. Date- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newsom Report: \"A Report To The Virginia Museum Of Fine Arts\", 11/19/58, Earl Newsom and Company, a study of VMFA public relations, information and communications responsibilities. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Various outside publications mentioning VMFA, 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Design and production of AIV: promotion, organization, printing schedules, contributors , etc. Catalogue \"Architectural Drawings in Virginia\" and \"\"Confessions of an Ex- Elitist\", M.W. Fishwick, Popular Culture Association, American Studies Institute, Lincoln University. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photo of the Museum and of the \"Brussels Tapestry Exhibition\" 1949, Museum publications: VMFA Catalog of Paintings 1938, The Collection of Catesby T. Jones, 1948, and the following VMFA Members' Bulletins: vol.10, no.'s 1-5, etc. Dates- 1938-1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- copies of the following publications: The VMFA Annual Report 1947-8, The T. Catesby Jones Collection, Contemporary American Paintings 1948, William James Hubbard, Three Virginians Behl, Hunter, Blaine, Portrait Panorama, Program Season of 1947-8 and Member's Bulletins: Vol.1, No.8, Vol.8, No.'s 2,3,4,5,6,7,8and9. Dates- 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release, jurors. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the Parsons gift of the Egyptian Gallery and 25th Anniversary Fund Committee. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations to the VMFA's 25th birthday celebration for the affiliates, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release announcing loan of Chinese wine vessel. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 25th Anniversary projects, press release: message from the President (Robertson). Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Appeal to Trustees for contributions to the Drama Festival.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: 28th Virginia Artists Rotating Exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing a network of local art centers and museums affiliated with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VMFA as regional jury center for the national exhibition \"Designer-Craftsmen-U.S.A.\", news releases, information on obtaining a jury and a speaker, etc. Dates-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Va. Architects, Photographers and Designers, seminar for Historical Administrators, VMT and Virginia Composers Concert. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release and photo for first issue of AIV. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release on Arts in Virginia. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains a cover letter for a mailing, no date. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing 25th anniversary events, exhibitions, VMT, etc. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing conclusion of 25th anniversary celebration with the presentation of awards to Colonial Williamsburg, The Old Dominion Foundation, sculptor: Carl Milles, architect: Eero Saarinen, collector\" Robert Lehman and Naval designer: William F. Gibbs for their outstanding contributions to the Arts in Virginia. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- obtaining the exhibition \"Built in the U.S.A.\", presenting programs related to the exhibition, biographical information on Phillip Johnson, etc. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photo of \"Little Triton\" fountain for the Bulletin, copy of Members' Bulletin vol.15, no.1(9/54), etc. Dates- 9/53-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Members' Bulletin. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Members' Bulletin, calendar of Museum events. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vol. 13 no.'s 1-9, 1952-5/53; vol. 17 no. 8, 2/57; vol. f19 no.'s 7 and 8, 3/59 - 4/59. Biographical data on Iren Marik, pianist, and reviews. Dates-1952 -53, 1957, 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vol. 20 no.'s 4-6, 12/59-2/60 Dates- 12/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases: Tours organized through Virginia Federation of Women's Clubs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases: season opening production and call for volunteers. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Extended performances of VMT's \"Carousel\". Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Bus trips to VMT. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of certificate winners and a gallery guide from the \"Virginia Artists\" exhibition 1955. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Portions of VMT concert to be broadcast with commentary and explanations of technique. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Programs and photographs. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Information regarding the Museum's chapters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photographs [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing festival with guest artists: Helen Tamris and Daniel Nagrin. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Critic, Stella Adler, Speaker: Alfred de Liagre. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- TV news film of highlights of the College Drama Festival, script, telegrams and surveys to Virginia TV stations concerning air time and usage. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Announcement of individual participants announcing their attendance in the festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loan of Cone collection from the Baltimore Museum of Art to VMFA for an exhibition, a catalogue of the Cone collection, news release about the  bequest of the collection to the Baltimore Museum of Art, etc. Dates- 10/49-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Public information schedule for exhibition: \"The Architecture of Skidmore, Owings and Merrill\", \"The Little International\". Artmobile public and information schedule and Bulletin, vol. 19, no.2 10/58. Essay- The Little International Exhibition\", Fred Olsen, 4/57. Dates- 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills, reviews and biographical data.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- list of designers proposed for inclusion in the exhibition \"Design for Theatre\", tentative list, etc. Dates- 8/52-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing loan of painting by Winslow Homer. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Evaluation of the Discovery Television Series sponsored by the San Francisco Museum of Art. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Statewide Press Release announcing fellowships 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press Releases regarding fellowships 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills and posters. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Buckminister Fuller. Subject- Exhibition of the work of 13 leading architects, opening lecture given by Buckminister Fuller, list of catalog content, gallery talk, press release, invitations and biographical data. Photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing formation of a fundraising committee for the 25th anniversary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions: \"Drawings From Five Centuries From The Cooper Union Museum\", \"Hans Moller\", \"Is Photography An Art\", \"Sport and the Horse\", \"25th Anniversary\". Parsons gift of the Egyptian Gallery, Chamber Music Society, Virginia Artists, evening hours, speakers/lecturers, Virginia Art Alliance, state services, Fellowships, Search for a female collector with a collection of Imperial robes. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases announcing exhibition of contemporary glass. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions: Skidmore, Owings and Merrill (AIA for Reynolds Building), publicity, progress report on exhibition arrangements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Ivan Dmitri. Subject- Symposium on photography conducted by Dmitri with a panel composed of: A. Hyatt Mayor (MET) and Hilton Kramer (Arts Magazine). List of paintings and photograph comparisons and press releases. Photographs. Dates- 10/59 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Status report of the Broadway production. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about the loan exhibition. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Speaker 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: History of Lynchburg Center published in the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Brief film on masterpieces of American silver, script and outline for the 25th anniversary program. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains press releases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains layout and planning for the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of the moving of art objects, installations, physical plant and behind-the-scene workshops and people.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Editorial Writers, agenda, and guest speakers, exhibitions, events, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Ms. Nemone Balfour. Subject- a ballad concert given by Balfour sponsored by the Museum, new release, printed material, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: R. Neutra lecture in coordinate with his VMFA exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitations to grand opening of the 10/54 VMFA addition. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the Norfolk Museum affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Bus tour and photograph. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of galleries. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing gift of marble statue \"Dawn of Young Womanhood\", Oronzio Maldrelli from Miller and Rhoads Department Store. Press releases from: Mariners Museum, National Gallery, Henry Ford Museum, Walker Art Center and the MOMA. Dates- 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: purchase of Patronship by Richmond businesses for season tickets to VMT.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- radio transcripts and publicity releases. Dates- 1948-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases, publicity schedule 6/26- 7/22. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 5/56-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 4/51-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 1952- 5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases for various museum events: theatre, exhibitions, films, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Affiliation announcement of the Roanoke Fine Arts Center 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the loan of \"The Ecstasy of St. Francis\" by Carravaggio. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release announcing the acquisition of a rare funeral monument from 2nd century B.C. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Advertising copy and selection of artist to draw a cartoon. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release for VMT promotion. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing special schedule to accommodate bus trip from out of town. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity schedule and advertising copy. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- scheduling a speaker (Bernard V. Bothmer) to coincide with the exhibition \"Smith's Egypt\", photo and biographical information about Bothmer, etc. Dates- 6/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition and Publication information regarding \"Sport and the Horse.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- News Releases regarding newspaper column 1960. The column was carried in 50 Virginia newspapers as 42 weekly articles by Cheek. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Syndicated column written by Cheek as part of a promotion for the Museum's 25th anniversary. Contains a mailing schedule for the column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Return forms from newspaper publishers regarding column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Promotional letter for newspaper column. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast script for performance promotion. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from G. Friddell (Public Information Director). Subject- controversial nature of the \"American Painting 1950\" exhibition, James Johnson Sweeney was the juror for this exhibition, Sweeney biographical information, News Releases, exchange/gift publications of the catalogue to this exhibition, etc. Dates- 1/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast script promoting 25th anniversary year. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 25th Anniversary, broadcast scripts, VMT and list of Virginia and Washington TV stations. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast promotion script. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release with performance information  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release for VMT promotion. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release concerning a 25th birthday year magazine, the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Tours arranged by Virginia Federation of Women's Club in 6 Virginia towns to see VMT production of \"Carousel\" Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews of show. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Introductory speeches. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"The Tempest\", \"The Mad Woman of Challiot\", \"Berkeley Square\", \"I Remember Moma\", \"Noah\", \"Blind Alley\", \"The Devils Disciple\", \"High Tor\", \"Oh Wilderness\", \"Private Lives\", \"The Petrified Forest\" and \"Victoria Regina\". Dates- 1955 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Assigned design projects and newspaper clippings. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- National broadcasts focusing on topics of national interest, VMFA requests for financial assistance to host a \"Meeting\", pamphlets and photograph. Dates- 1953 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Aubrey Bodine and Gordon Bunshaft, biographical data, Competition promotion, preliminary text for official entry forms, press release. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- list of pieces included in the \"Virginia Artists 1953\" exhibition, list of purchases made from the exhibition, information on the jury and on purchase prizes, letter from Jacques Lipchitz, etc. Dates- 12/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about the exhibitions and photographs of the artists and their works. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Jurors: Richard Lippold, Isabel Bishop and Perry Rathbone. Press release announcing event.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Eighteenth annual exhibition held at the Museum and sponsored by the Camera Club of Richmond. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- fountains that flank the Museum's front entrance. Dates- 9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photo of conservation lab, gift and exhibition of the Williams collection of art at VMFA, announcements to and articles in major art publications about the gift of the Williams collection. Dates- 3/52-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition \"The American Cartoon\", original American cartoons from the collection of Mr. Art Wood, invitations and R.S.V.P.'s to exhibition preview, photos of some of the pieces of cartoon art, etc. Dates- 5/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Wm. Quillan Jr. (President of Randolph Macon Women's College). Subject- Loan of Randolph-Macon's collection of paintings. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Isobel C. Lee (Steuben Glass). Subject- Loan from Queen Elizabeth, installation, lighting and press-release. Dates- 7/10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, AAM, Jamestown Foundation, loans, Accession, gifts, biographical data and resumes. Exhibition: Randolph Macon Collection. Letter from Richard Rogers to lecture to VMT, Reston Foundation: Minutes of the Executive Meeting, 9/12/60. Dates- 9/60, 5/62 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Loans, contributions, acquisitions, exhibitions and Africa Gallery. Dates- 1/68 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to W. C. Cottrell (Elec. Corp.). Subject- Proposal and technical information for Audio-Guide radio-lecture, pamphlets, blueprints/plans of galleries. Dates- 5/72 - 8/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Priscilla Crum and M. Christison. Subject- Broadcast of Biennial Jury, notes from WMBG broadcast, 12/6/46, \"What Is Your Art Museum\", participants: Priscilla Crum (Curator of Education), Edward Davis III (Curator of Decorative Arts) Mrs. J.G. Pollard and T. Colt. Notes from WLEE broadcast, \"Know Your Museum\": a weekly series with guests from the local arts community and \"For Parents Only\": a children's radio program. Dates- 2/46 - 11/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- radio talk shows and transcripts. Dates- 12/37-9/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr.and Mrs. Robert C. Randolph. Subject- the loan of a portrait of Wm. Henry Harrison by Rembrandt Peale to the Museum for the inaugural exhibition and an additional later loan. Dates- 9/35-11/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek and Mary F. Williams. Subject- The service of Beatrice Von Keller as VMFA Acting Director during Colt's military duty. Biographical data, Randolph-Macon Collection including the acquisition of the Bliss Collection. Dates- 7/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Hours of operation, policy, menu. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Frank Rehn Gallery. Subject- loan of paintings to inaugural exhibition of VMFA and later proposed acquisitions from the Frank Rehn Gallery, etc. Dates- 9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Artist from West Virginia: application and recommendation for a Rosenwald Fellowship by T. Colt. Dates- 6/49 - 10/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rennolds' service as a Trustee and entertainment committee. List of objects in the home of her mother, Mrs. John Kerr Branch, that may be of use to the VMFA. Dates- 1/53 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Policy and requests for rental of museum meeting rooms. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for state/federal funding for the creation of the \"Latrobe Theatre\" (never built), a professional theatre organization. The design of the Theatre was based on plans by the 19th century architect Latrobe. \"The Virginia Museum Theatre\", statement of facts in relation to charges appearing in the Richmond Times - Dispatch, 10/13/66. Subject- 8/65 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of requests and general correspondence. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, Edward Kallop and L. Cheek. Subject- Inquiries concerning specific artists, objects, valuations, conservation/restoration, etc. Dates- 6/56 - 6/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek served on the Board of the Reston Foundation Community Program, includes roster of board members. Dates- 11/10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to the Executive Director of the Reston Fund. Subject- L. Cheek's membership on the Board, and proposals for development of the Reston Community, low-cost housing, maps, agendas, Reston architects, Minutes of Annual Meeting- Reston Community Foundation,12/15/64, 4/25/65, 11/12/67, 4/8/68. Dates- 6/65 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMFA membership and letter of condolences to the Reynolds family. Dates-10/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. cheek. Subject- R. J. Reynolds service as Chair of VMFA promotion and development committee. suggested organization agenda for the meeting of the Public Relations Development Committee, to further the advancement of VMFA. Contributions, invitations and photographs. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"R.S. Reynolds Memorial Award\", awarded annually to the architect or group of architects who make the most significant contribution to the use of aluminum, aesthetically or structurally, in the building field. Theodore Rozak chosen to commission the first sculpture. Dates- 5/58 - 11/6 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Miss Katherine Rhoads. Subject- a bequest to the Museum. Dates- 5/35-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from G. Martin (Secretary of VMFA). Subject- Rhoads Medal awarded to persons who have made a notable contribution to Art in Virginia; list of recipient, excerpts from the Minutes of the Executive Board, 5/25/69/. Biographical data on Concetta Scaravaglione, designer of medal. Medal awarded to Walter Spencer Robertson. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence to and from Rhoads as Vice-president Board of Trustees. Dates- 1934-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contributions to a purchase fund in his memory. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek, Mrs. J.G. Pollard and P. Mellon. Subject- Museum business, exhibitions. Pratt Estate, John Barton Payne Endowment, Resolutions in memory of Judge Payne, resignation of Colt, Fellowships. List of employees and job descriptions. List of Benefactors, Patrons and Life members, Board of Trustees, Rockefeller Foundation, segregation, contributions, gifts and accessions, including Mellon. Dates- 11/40 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W. Robertson, Mrs. J.G. Pollard and W.S. Rhoads. Subject- General letter to membership from the President (W.S. Rhoads), Webster S. Rhoads Medal, Artmobile III and South Wing. Dates- 1951 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General Museum Business, VMT, policy regarding expense accounts and museum entertaining. Dates- 5/57 - 11/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitation list, invoice for cocktail party honoring W.S. Rhoads. Dates- 5/8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Westwood Winfree (Pres. RAA). Subject- Winfree's participation in the Virginia Rotating Exhibition and other events. Requests for restructuring of jurying procedure. \"Reasons For Suggesting A State-Wide Artists Study Committee To Be Sponsored By The Virginia Museum Of Fine Arts\". Dates- 2/56 - 9/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Richmond Chamber Music Society programming seasons: 1950-1, 1951-2, 1952-3, 1953-4 and 1954-5, membership rosters 1951-2 and 1954-5, etc. Dates- 10/50-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed policy for relations between VMFA and Richmond Chamber Music Society (conducting events there), listing of Society members, etc. Dates- 1/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- To increase Jaycees interest and support of VMFA. List of member organizations. Certificate to L. Cheek as a member of the \"Civil War Centennial Committee\", Minutes from the \"Society of Architectural Historians,1/30/58. The presentation of the \"Distinguished Service Award\" to L. Cheek. Dates- 11/60 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Disturbances in area of Westmoreland Place (Cheek residence), Cheek's Anniversary Party. Presentation of Canal Locks to Mayor M.M. Crowe. Dates- 2/64 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Field trips taken to the museum by schools throughout the state, 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Broadening cultural horizons in Richmond, proposal for Civic Center in downtown Richmond and the necessary steps for improvement of downtown, editorials, newspaper clippings. \"Plight Of Museums Is Very Real\", L.J. Ahlander, 11/25/65, Washington Post, \"Activities Center Study For The City Of Richmond\", Wm. A. Briggs A.I.A. and B.R. Johns A.I.A., Associated Architects, 8/1/64, \"Modern Living\", 11/6/64, Time and \"Are Most cities Too Ugly To Save\", 11/30/64, U.S. News and World Report, Inc. Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains financial statements for the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- proposed relationship of The Richmond Film Society with the Museum (use of Museum facilities), Film Society programs 1951-2, 1952-3, 1953-4, 1954-5 and 1955-6, etc. Dates- 6/50-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of compliment to editors and journalists of Virginia periodicals regarding VMFA. Dates- 7/58 - 19/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Priscilla Crum, T. Colt, L. Cheek and M. Christison, Theresa Pollack, H.H. Hibbs and Mrs. J.G. Pollard. Subject- Exhibitions and musical programs. Dates- 9/45 - 11/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, J. Schaeffer (General Manager, RSL) Subject- Opening performance and concert dates. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gala opening event of Artmobile. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Willock (Exec, Dir.). Subject- Renewal of Affiliate members. Dates- 1961 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Charter proposal for a Roanoke museum and minutes from the Roanoke Fine Arts Committee. Dates- 12/47 - 9/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Special building committee, draft of letters from Affiliates/Chapters in support of VMFA expansion to be sent to the House Appropriations Committee , members of the Senate and members of the State Finance Committee. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and E. Will (Pres.). Subject- Purchase of \"St. John the Baptist\", Rodin, in memory of W.S. Robertson. Dates-2/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile proposal, museum business, exhibitions: \"George Stevens Makes A Film\". Fellows organizing campaign, selected list of paintings in VMFA permanent collection. Rosters: Members of commission of State Capital and Outlays and Means of Financing; VMFA Executive Officers and committee's. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter from the President to the membership (W. Robertson), grant proposal for North Wing architectural plans.  List of objects needed for VMFA collections.  Rejection of the north facade by the Arts Commission.  Schedule of events, newspaper clippings.  \"Connoisseur's Comments\", guided VMFA tours narrated by world-famed collectors, critics and curators.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- letter of interest in erecting a monument to Bill Robinson. Dates- 12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rockefellers' membership in the Fellows and their subsequent donation to aid in the Drama Development program. Dates- 1955 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Charles Fahs (Dir. Rockefeller Foundation), W.S. Rhoads. Subject- Proposal for the formation of VMT with initial funding from the Foundation, \"Charter for the Rockefeller Foundation\": Statement of purpose and methods of operation. Dates- 1/50-12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Roman Bronze Works Inc. Subject- casting busts of Gov. Pollard and Judge Payne and casting other figurative groups. Dates- 9/35-1/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of authentication. Dates- 4/60 - 8/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Addresses made by F.D. Roosevelt upon the opening of the Museum of Modern Art. Dates- 6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Matilda McCord Roper (Mrs. George W. Roper). Subject- donations. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, expansion of VMFA print collection, The Alverthorpe Collection, loans of prints. Dates- 8/65 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA as recipient of a rose garden by the Garden of the Patriots. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- M. Ross as VMFA advisor, on retainer, for Byzantine and Medieval acquisitions. the Heeramanecks and Hunt Collections. Dates- 9/65 - 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data and brief history of Rothschild family. List of paintings in VMFA from Rothschild Collection. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Text and pamphlet for the opening of the Melchers Room. Photographs. Dates- 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Edward B. Rowan. Subject- mural competition for post offices in Petersburg, Hopewell and Richmond. Colt acted as chairman for a regional committee to carry out this competition for the Procurement Division, Public Works Branch of the Treasury Department, etc. Dates- 3/30. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- securing a speaker (Mr. Everett Parker Lesley, Jr.), obtaining a transparency from Time magazine of one of the Museum's eggs, etc. Dates- 3/53-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- General correspondence to Trustees regarding Museum business and events. Photographs and slides. Date- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- General correspondence regarding loans, acquisitions and invitations. Dates- 1/62 - 11/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Eero Saarinen. Subject- Aline Saarinen broadcast on the VMT Shakespeare Preview. Drawing. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition: \"Master Drawings\", with lecture by Paul Sachs. Theft of Degas drawing on loan to VMFA from the Fogg. List of London and Paris art dealers. Dates- 5/51 - 6/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- letters from other U.S. Art Museums about staff salaries and Curator's Report activities from the 1st season 1/16-5/24 1936. Dates- 1936- 7/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for purchase of cases from the Greek Gold exhibition. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Form letters: members, advertisements, donors, other institutions regarding loans, lectures and publication requests, etc. Dates- 1967 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuels gift of building for the Front Royal Library. Loan and cleaning of \"View Near Oxford\" by Richard Wilson. Dates- 4/52 - 9/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- 10th Miller and Rhoads Women's Forum; invitation to Philip Johnson to serve as a speaker. Biographical data on James Parton and Max Abromovitz. Dates- 8/51 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Hans van Weeren-Griek. and Concetta Scaravaglione. Subject- exhibition of her work and insurance of a piece that was damaged. Dates- 9/40-7/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events and mailing schedules. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events and mailing schedules, Paul Taylor Dance Tour, Safari-Dinner, agendas, etc. Dates- 7/70 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Appraisal of an agate cup belonging to Mrs. Paul Mellon as a work of art, for the Customs Commissioner. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- war-time high school art exhibition held at Miller and Rhoads department store, list of hostess for this event. Dates- 1943-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Invitations and general correspondence regarding the opening's of new art centers/buildings of various institutions, anniversary celebration, National Presentation Broadcast of Artmobile. Dates- 9/60 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.G. Pollard. Subject- Loan of items in his Collection to VMFA and his service as Vice-President. Exhibitions: American Contemporary Prints and Sport and Horse. Melcher Estate, accessions and acquisitions, list of gifts to VMFA. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Scott, Horner and Mason, Inc. Investment Securities in Lynchburg, VA. Subject- possible investments by VMFA, financing the new wing and the possibility of matching a Public Works Administration grant. Dates- 5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Seay collection of Decorative Objects, list of objects in Seay home. Dates- 1/39 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and letters to and from Leslie Cheek. Dates- 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Service reports on traveling exhibits. Dates- 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about slide loans. Dates- 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum Services. Correspondence regarding loans 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Houdon statue of Washington on loan to VMFA, insurance valuation. Seymour's lecture on \"Houdon in America\" and panel discussion on contemporary sculpture. Opinions on dating and provenance of VMFA objects. Dates- 5/50 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Shalett's articles on the VMFA for the \"Saturday Evening Post\" and \"The Diplomat\" Dates- 8/56 - 10/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, letters of invitation to VMFA events, College Drama Festival. Melchers Estate: \"The Last Supper\", newspaper clippings and postcards. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Virginia Film Society, Dance Tour, VMT: job descriptions, Table of Organization, staff hours, Theatre Associates and Annual Theatre Train. Date- 4/66 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Agenda and events for Entertainment Committee, loan of Col. Anderson bequest items. Dates- 1/59 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and E. Shiflet (Sec. of Education). Subject- budget, museum business, financial profile, role of office of Education and pamphlets. Executive Order #20 and #21: Reassignment of VMFA to the Office of Education. Dates- 8/72 - 12/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dealer in antique English silver and his gift to VMFA of a silver teapot. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT, juror search, biographical data, exhibition catalogues, loans of art work, accessions, gifts and general museum business. Dates- 1956 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- General correspondence, exhibitions, requests for publications, pamphlets, invitations, exhibition catalogues, A.D. and W.C. Williams Trust Fund. Photographs. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- paperwork authorizing R.A.Velz and W.J. Rhodes to sign vouchers and checks, list of Virginia Museum Theatre expenditures 1956-7. Dates- 2/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Blank stationary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- excerpts from Virginia Architecture exhibition catalogue, miscellaneous correspondence about catalogue,  etc. Dates- 11/58-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- compliments on exhibition \"Architecture in Virginia\", thank you notes to the Museum about exchange/gift publications of exhibition catalogue-Architecture in Virginia 1776-1958: The Old Dominion's Twelve Best Buildings, etc. Dates- 9/58-4/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- biographical information on various 20th century architects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- G. Smith (architect, writer and photographer), biographical data, and his collection of Travel Posters. Newspaper and magazine clippings, invitations. Application for Fulbright grant. Dates- 2/52 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Her membership on Executive Board, donation and contributions. Dates- 5/51 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Marrow Stuart Smith, Virginia artist, correspondence with museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of alumnae in Virginia. Dates- 9/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Christison, and Mrs. J.A. Pope (International Traveling Exhibition Service). Subject- Exhibition: \"Swedish Textiles Today\": catalogue, pamphlet. Brussels World's Fair, U.S. Pavilion. Catalogue of Traveling Exhibitions for 1961-62. Dates- 4/53 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- S.A.H Directors meeting in Richmond, formation and organization of a Virginia chapter: agendas, lists of prospective members, directors of S.A.H., minutes from S.A.H. meeting. Dates- 12/52 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Meeting agendas, Architects Virginia Tour, preservation of the National Capitol, Shirley Plantation, landmarks in danger. Proposal to coordinate the activities of the SAH with AIA and the National Trust for Historic Preservation in the field of Historic Buildings Preservation. SAH: Minutes of Executive Board, 10/26/57, 5/17/58, 10/18/58, Treasurers Report, 1/58-4/58, Newsletters. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lists: Fellows, Staff and Board of Trustees. Invoices, receipts and newspaper clippings. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Dinner schedule, agenda and pamphlet. Dates- 5/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Confirmation for Dinner event and agenda. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fall meeting to be held at VMFA, conference agenda, mailing list and pamphlets. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Meeting agendas, events schedules, attendance rosters, officers, newsletters, registration forms. Report of SEMC '72 meeting, \"SEMC Notes\", no. 1, 1974 and no.1, 1975. Dates- 1972 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- printed material for exhibition \"Southern Exposures\", the following essays: \"Coming of Age of Photography\", \"Down the First Century of Photography with George and Heutis Cook\", \"Concerning the Cook Collection and Its Recovery of the Epos of the Attic\", etc.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Williamsburg International Assembly Speakers, biographical data: Edward Downes, Charles Seymor, Harris Prior and Arthur Drexler. Dates- 1951 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Gaines. Subject- Biographical data of speakers: C.V. Donovan and Joseph Curtis Sloane. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- printed material for the opening for prospective members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safari Theatre Dinners, loan exhibition previews, maintenance. Dates- 1967 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Essay- \"The Art Museum As A Community Center\", by L. Cheek. Pamphlets, newspaper and magazine clippings of other museum programs. Date- 1961 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- early interest and planning of the exhibition \"Sport and the Horse\", etc. Dates- 5/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Frederick Robinson (Dir., SMFA). Subject- SMFA exhibition of Virginia Artists. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions, security, general operations and museum business. Employee policy, regulations, salaries, etc. Dates- 1962 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General Museum operation, exhibitions, publicity evaluation, landscaping of Confederate Chapel, loan exhibition previews. Dates- 1963 - 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Employee policy/regulations, programs division, collection divisions, staff information and table of organization for Theatre Arts Committee. Newspaper clippings and salaries. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Suggested structure of staff organization and salary scales. Dates- 2/54 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA By-Laws 1958 and 1959, income sources, proposed improved operations plan. Salary information from the Smithsonian Institution. Job description for Assistant Administrator. Date 1959 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Head of Collections Division and Education Supervisor, Program Division. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Business meeting and reception regarding architectural improvements, gifts and loans to the State Department reception rooms. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- reception for General Assembly Wives. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Service reports for loans of exhibits, films and slides. Dates- 1951-1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for information regarding circulating visual materials 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member requests for exhibitions 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member requests for exhibitions 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member Requests for gallery visits and lectures 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Out of state inquiries about Museum services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Out of state inquiries about Museum services 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of prospective organizations for using extension services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for circulating visual materials and exhibitions 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General Correspondence Traveling Exhibitions 1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains statement for addenda to the Governor's report concerning the VMFA.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Saul Steinberg. Subject- exhibition of Steinberg's work and lecture by Steinberg, etc. Dates- 8/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening of new auditorium, purchase of pianos and price lists. Program for the Chamber Music Society, newsletters from Steinway and Co. , 4/55-6/55. Dates- 4/55 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Philip N. Stern, Chairman of the Art Commission, Commonwealth of Virginia. Subject- Art Commission meetings, funds for museum equipment, funding from the Public Works Administration, architectural exhibition, etc. Dates- 7/35-10/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Steuben correspondence with the VMFA, 1938-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Ten Talents In the American Theatre\", Ed. David Stevens; \"Theatre For Art's Sake\" by L. Cheek. Proposal to the Rockefeller Foundation for financial support of VMT. Dates- 12/49 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Her gift of \"La Signora in Biege\", Lazzaro Donati. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, preliminary design program for South Wing Addition, letters to other museums regarding design, security and general building functions. Dates- 1948-49, 1962-63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Jas. N. Trevillian (Secretary). Subject- Conductor of the New York Philharmonic Orchestra, concert at the VMFA and program. Dates- 1947 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA and Gordon E. Strause, 1935-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Strause and various Museum staff. Subject- exhibition of his collection at the Museum, written complaints by Mr. Strause, Strause is named 1st honorary benefactor of the Museum by the Board of Trustees. Dates- 3/36-5/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J. G. Pollard, T. Colt and L. Cheek. Subject- Lewis S. Strauss, founder of the Albert Einstein Award (for achievement in Natural Sciences). Chairman of the Atomic Energy Commission, his service on the VMFA Finance and Membership committees. Letter of Henry Anderson regarding discussion with Paul Mellon and VMFA expansion potential. Newspaper and magazines clippings, Artmobile, gifts and contributions. Dates- 1945 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Fellows: theatre Orientation, general meetings, prospective Fellows, report of the Fellows 5/3/67. Date- 1965-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- As a Trustee and member of the development committee. Contributions. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Mr. William A. Stuart. Subject- Trustee/Museum business, etc. Dates- 7/51-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Julia Sully to the Museum. Subject- Virginia Art Index. Dates- 1935-48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and J. McGee (Sunrise, Pres.). Subject- \"Sunrise\", Charleston Cultural complex, budget analysis, roster of Executive Board, Annual Report, 1971, pamphlets. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt and L. Cheek. Subject- Early correspondence concerning museum services, statement of purpose, Pratt Bequest, exhibitions and requests for publications. Dates- 7/45 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General correspondence, request for publications, employment, Fellows, Russian Loan Bill, gifts, contributions, biographical data. Dates- 6/56 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Museum business, loans of art works, list of objects for long term loan, zoning ordinance. Paul Tishman Collection, Troubs Collection of Russian miniatures. Provenance of St. John the Baptist, Rodin. Pamphlets, brochures and press releases. Dates- 2/70 - 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. J.G. Pollard, M. Christison, John Canaday and Maurice Bonds. Subject- Informal discussion series on art, artists and technique. Topics: Lithography, sculpture, restoration, art history etc. Includes biographical data on lecturers and exhibitions. Excerpt from \"American Silversmiths and Their Marks II\", by Stephen G.C. Ensko. Dates- 9/48 - 3/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding Mrs. A.I. duPont's gift of tapestries to the VMFA and a subsequent exhibition, 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding taxes on honorariums, admissions and rental space, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA series of weekly TV programs, list of suggested topics, program guests, resource information from other Institutions, film rentals, television presentation of the 25th Anniversary and minutes of the Mayor's Committee on Educational Television, 11/11/53. Dates- 3/54 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- The development of a public television station to be shared by educational institutions. TV question and answer scripts and newspaper clippings. Dates- 1/49 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings. Dates- 1961-62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Salary scales, job openings at VMT, applicants, referrals, biographical data, financial statements, staff tors and guest speakers. Dates- 3/58 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Thalhimer. Subject- Biographical data, production, general theatre administration and Ford Foundation Fellowship Grant. Dates- 5/58 - 7/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Basil Langton. Subject- Langton's service as VMT guest director of \"The Tempest\", in celebration of the Jamestown Festival; program and procurement of professional actors. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Thalhimer Jr. Subject- Exhibit: \"Habiliments for Heroines\" underwritten by Thalhimers, VMT: \"Lady in the Dark\", Lorren Aldrich Collection. Catalogue: \"The Helena Rubenstein, Princess Gourelli Collection\", Deluca, Editore Roma, June 1953. Dates- 11/51 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as a Trustee and Chair of the Theatre Arts Committee on theatre and Television, museum business, salary scales, general operation of VMT, budget, income, newspaper clippings. Contributions and gifts. Dates- 6/52 - 3/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Underwriting of Mediterranean court, plants and flowers. Gift of Sandwich glass. Dates- 5/55 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Thayer's service as special assistant to the Secretary of State for Cultural Affairs. Biographical data, UNESCO, ICOM, International traveling Exhibitions, placement of American works of art in United States Embassies. Dates- 5/59 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committee Minutes 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committee minutes, agendas and programs, box office grosses etc. Letter from Paul Mellon. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Establishment of a theatre Collection by Louise Branch of drawings, scenery and costumes. Dates- 2/59 - 3/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Thalhimer. Subject- Proposal for costume ball. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Morale and general organization of the VMT Associates, proposed speakers, newsletter and roster of VMT Associates. Dates- 4/57 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and William Morrison. Subject- taped readings by Henry Fonda, Lee Remick and Olivia deHavilland on the anniversary celebration. Reviews and letters to other film stars. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safari-Dinner agenda and setup. Dates- 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reviews, gift of Dan River Mills fabrics for costumes. Programs: \"Streetcar Named Desire\", \"School For Wives\", \"Camelot\" and \"The Odd Couple\". Dates- 1967 - 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- reviews, letters of compliment. Program: \"the Royal Hunt of the Sun\" Dates- 1968 -69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and staff hours. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Report of Acoustical Analysis for Auditorium of Virginia Museum Theatre\" Dates- 9/1950 and 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Review, performance production. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Theatre-designer: salary and letters of recommendation. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMT, Dance, Film and Chamber Music Societies: financial statements, salaries, budgets, production costs, income records, purchase of stage equipment and suggested future of organization. Dates- 2/54 - 12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- bus tours from Virginia towns for Theatre evenings, sponsors by Virginia Federation of Women's Clubs, newspaper clippings. \"The Virginia Club Woman\", vol. XXXII no. I 8/55. Dates- 1/59 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chairman of Yale Drama Dept., his service as consultant to VMT, budget suggestions for proposed VMT, various drama activities, playbill, budgets from other University Drama departments. Dates- 1/56 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program, letters of disagreement between directors and actors. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The first annual event, critic and counselors: Virginia Freeman, Meriam Rosen, Dan Wagoner, Patricia Wityle. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Valerie Gettis as guest speaker/artist. Dates- 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Invitations to college Presidents. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Alan Schnieder, Speaker: Jo Mielziner. The 1st College Drama Festival, guest lists and exhibition of Jo Mielziner's theatre designs. Newsletter. Dates- 8/56 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Harold Clurman, Speaker: Norris Houghton. Events schedule and program. Dates- 4/57 - 2/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Norris Houghton, Speaker: John Gassner. Event agenda/program, brochures. Dates- 4/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Henry Hewes, Speaker: Marc Connelly, reception, production procedure, etc. Newsletter 2/60 Dates- 10/59 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Stella Adler and Speaker: Alfred de Ligre, Jr. Event schedule, festival speaker, program, biographical data, reviews. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Event agenda, scheduling, program and newspaper clippings. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Robert Lewis, Speaker: Edward Albee. Event agenda/program, brochure, pamphlet, etc. Dates- 10/56 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Original drama by John C. Collison, VMT Premiere. \"New Play in Virginia\", Wm. Morrison, Encore vol.6 ,no.5 Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and L. Cheek. Subject- Reorganization of Museum Theatre 1972-73, budget and summary of proposals. Additions to VMFA statutes and By-Laws. Theatre Committee annual Report 6/30/67. Dates- 5/67 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contributions, minutes of Theatre Patron Campaign Committee. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- theatre Arts Committee Executive Meeting minutes 6/30/70 and 7/6/70, Rosters for various Executive committee's of VMFA. Reviews and pamphlets. Dates- 9/69 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- HEW grant to produce and circulate throughout Virginia a play during 67-68 season, suggested dramas. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions: \"Gibson Collection of Contemporary Italian Art\", \"Contemporary Japanese Art\", \"Ten Reynolds Sculptures\". Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, A.H. Ballet and Robert Telford. Subject- General VMT business, schedule of events, scenic design, reviews, performance, staff policy/procedure, ticket prices, season subscriptions, etc. Dates- 1955 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- College Drama Festival, Dance Society and Chamber Music Society. Performance programs, events schedules, guest director contract, pamphlets and contributions. Dates- 1959 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- General Theatre Business, contractual agreements, events schedules, Richmond Film Society, College Drama Festival, financial statements, theatre reviews and job applicants. Dates- 5/61 - 9/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- theatre openings, job descriptions, applicants, hours. Dates- 12/62 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT, Vignettes tour, general estimate of costs, Drama, Dance and Music programs.  \"Virginia Report For State Arts Agency Individual Projects July 1, 1966- June 30,1967\" and \"Performing Arts in Virginia Education\" an introductory survey. Dates- 1966 -68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Budgets, financial summary, events schedules, newsletters, etc. Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Season events, programming, budget and revenue, newsletters, list of season subscribers and press kit for the Mummers Theatre, Oklahoma City, Oklahoma. \"Constitution of the Virginia Museum Theatre Associates\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Theatre business, budgets, salaries, production schedules, invitations, program design, contracts, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters to and from VMT subscribers, program for \"Purlie\". Proposals for summer season productions, opening night telegrams. Dates- 1974 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Operating expense appropriation, \"VMT Sound System Report\", and synopsis of No Title play of the life of Lord Byron by Romulus Linney (later titled \"Childe Byron\"). Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Reviews. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Keith Fowler. Subject- Reviews, production calendar and letters of compliments. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Event underwritten by the Weeden Foundation. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of invitation, remarks after preview. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Programs. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Payment for use of two geese. Program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Financial report and program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Program, reviews, letters of complaint from theatre patrons regarding play content. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program, search for guest director. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Review, program and editorials. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Letters of complaint and approval from theatre patrons. Dates- 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List of series underwriters, proposal for music lecture series conducted by Dr. John White. Dates- 10/58 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Patron financial support and proposal for a Sunday lecture series: \" The Eager Listener\". Dates- 9/59 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Harpist: Nicanor Zableta, brochures of concert series sponsored by other museums and galleries. Dates- 1/50 - 1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program Dates- 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Morton Thalhimer. Subject- General letters to theatre subscribers, brief outline of the five scheduled plays and descriptions of the major characters. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Playbills, magazine and newspaper clippings of performances in theatres other than VMT. Dates- 12/54 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews and programs for \"Separate Tables\", \"The Skin Of Your Teeth\", \"Ondine\", \"Kiss Me Kate\" and \"The Kids\". Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Rehearsal schedules, invitations, programs: \"Life With Mother\", \"The Limbo Kid\", \"Pygmalian\" and \"The Brothers Karamazov\". Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews, letter/telegrams of compliment. Programs: \"Teahouse of the August Moon\", \"The Woman from Colchis\", \"Hall of Mirrors\", \"Caesar and Cleopatra\" and \"The Most Happy Fella\". Dates- 1962 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reviews, letters and telegrams of compliment. Program: \"A Thousand Clowns\". Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Robert Telford. Subject- Reviews, letters/telegrams of compliment. Programs: \"The Admiral Crichton\", \"Hedda Gabler\". \"Tartuffe\" and \"No Time For Sergeants\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews, letters/telegrams of compliment. Programs: \"The Comedy of Errors\", \"The Visit\" and \"Fanny\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters/telegrams of compliment. Programs: \"Androcles and The Lion\", \"The Miracle Worker\". Contributions from Dan River Mills. Photographs. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Reviews, letters/telegrams of compliment, opening night gala, Safari Theatre/Dinners. Programs: \"The Glass Menagerie\", \"Once In A Lifetime\", \"Julius Caesar\", \"Blithe Spirit\" and \"Three Penny Opera\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Reviews and Letters/telegrams of compliment. Programs: \"Charley's Aunt\", \"The Sorrows of Frederick The Great\", \"Uncle Vanya\", \"Twelfth Night, On What You Will\" and \"the Man Who Lost the River\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Timetable, production schedules, Safari theatre Dinners, programs and reviews. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters to former subscribers seeking financial assistance for the upcoming season. Photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letter/telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- VMFA By- Laws 1972, Minutes of Theatre Arts Committee 10/21/71, agendas, budget and cost estimates. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Programming, policy for relations to the VMFA, contractual agreements, events schedules, promotion plans and financial statements, programs and brochures. Executive board meetings: 7/57, 11/57, 2/58, 4/58, 5/58. Dates- 4/56 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters and contributions from Chamber Music Society Patrons. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for the formation of the Dance Society, guest list, officers, policy regarding the Dance Society's relationship to the VMFA. Minutes of Executive Board, 5/11/56, 6/12/57, 7/57, 12/57. Receipt and attendance records, contributions, programs, pamphlets and guest performers. Dates- 5/56 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters and contributions from patrons of Dance Society. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Rockefeller grant to the museum to develop theatre and a program in drama, 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Kay Rockefeller. Subject- Traveling exhibition troupe for children's theatre: financial statement and invitations. Dates- 9/57 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program for \"Rossum's Universal Robots\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT designated seating area according to race, and letters of protest in support of Dr. Mary Elizabeth Johnson. Dates- 1/56 - 5/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letters/telegrams of compliment. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Robert Telford and Morton Thalhimer. Subject- Attendance records, publicity program and biographical data. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters and telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cost estimate, theatre needs and improvements. Date- 12/56 - 7/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sample survey, list of Chapter/Affiliate communities. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Morton Thalhimer and Robert Telford. Subject- Theatre Arts Committee agenda, VMT proposals for: director, administrator, production and apprentices. Date- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"The Gallows Man\", limited performance schedule, invitations. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Events program, list of composers represented. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cancelled, considered distasteful for VMT audience. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letters, telegrams of compliment. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- AAMD conference, theft of Roualt drawing from Toronto Gallery, requests for publications. Dates- 5/50 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains reports concerning slide sets and film strips distributed throughout the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fashion designer to lecture on fashion from 1752 to 1952 for the exhibition: \"Habiliments for Heroines\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- New York World's Fair, newspaper and magazine clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His election to VMFA Board, museum business. Dates- 5/51 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings of Governor Tuck. Dates- 12/49 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, Tunnard's expertise on city planning. Virginia Town Case Study Group: \"Problems of Planning in the Small Southern Town\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Severance of affiliation to the VMFA. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artist for VMFA Christmas card. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt and Wm. Gaines. Subject- Seminar to expose students and teachers to the function and operation of VMFA, agenda, program procedure, etc. Dates- 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Questionnaire from UCLA Graduate School of Management and the College of Fine Arts on the priorities related to the Arts, pamphlets. \"U.S. Information Agency-Its Task in World Affairs\". Date- 4/51 - 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Annual Meeting Minutes, travel authorization, organization news, pamphlets, general UNESCO business. Dates- 10/46 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Conference topic: Aid to South American Museums, project development, UNESCO Annual Report, Report of Program Committee. The Voice of America, Forum Lectures with transcript of by L. Cheek of \"The Art Museum As A Community Center\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for loans of slides from South American Museums for L. Cheek's presentation to Denver conference, list of South American Museums. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening of UDC new building. Resolution concerning accessibility to members of UDC, invitations. Dates- 6/57 - 12/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence, reports, minutes. Expansion of local service. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Charitable organizations that have received UGF monies and fund raising campaign. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The Air Force Memorial Center: statement of purpose, design, personnel requirements, building program, Minutes of U.S. Air Force Fine Art Committee 6/58 and 12/60, \"Proposal For The USAF Memorial Education Center\", travel vouchers and floor plan for the Academy Museum (Planetarium). Slides. Dates- 2/57-4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Edward R. Murrow as Director, merging of the People-to People Program (organization of museum professional) with the USIA. Newspaper clippings. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Forum Series\": International Broadcast, lecture series. Essay- \"the Art Museum As A Community Center\" by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- UNESCO Action to safeguard Nubian monuments due to the construction of the Aswan Dam. Roster of Honorary Committee, International Action Committee, United Arab Committee, Executive Board Minutes. Dates- 4/60 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Virginia State Employees U.S. Savings Bond campaign, handbook for canvassers, meeting agendas and progress reports. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Col. H.W. Fitzroy. Subject- Coordinating agency between institutions and other cultural, educational and scientific agencies in Virginia through a lecture series of visiting scholars. Dates- 9/54 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Bayly Art Museum and the McIntire School of Fine Arts at the University of Virginia. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Lecturers and AIV contributors, loans of objects, fellowships. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and T. Colt. Subject- UVA Museum loan of objects and lecture tours, fellowships. List of prints on loan to VMFA from Catesby estate and list of Lurcat Tapestries. Dates- 8/47 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Museum business, Artmobile, VMT, requests for loans, contributions and gifts. Reference to photos of ancient Greek sculpture, architecture and landscape views, invitations, pamphlets and postcards. Dates- 10/58 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains the schedules for staff vacations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Hans van Weeren-Griek, curator of Education at the VMFA. Dates- 1940-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Report regarding vandalism and misconduct: soaping of the fountains and damage to shrubs. Dates- 11/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Velz' service as VMFA Head of promotion, civilian and military experience record, newspaper clippings and Melchers Estate. Dates- 1949 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains general correspondence of Velz, Associate Director of VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Status of tax deduction, recommendations for event, invitations and dance card. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 9the Annual Viennese Ball sponsored by the Council: Ball Committee, agenda, decoration, invitations, etc. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- Virginia Art Alliance By-Laws, program and minutes of VAA meeting 1945, Report of the Trustees of Richmond Academy of Arts 1933, correspondence with other members of VAA, etc. Dates- 1933-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- program for annual meeting 1941, blank ballots labeled \"Board of Trustees Ballots\", statement of need for a state Supervisor of Fine Arts Education. Dates- 4/40-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- reports of activities of organization members 1942-3, correspondence with organization members-no annual meeting held this year due to World War II, etc. Dates- 3/43-5/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcement, agenda and program for annual meeting 1944, correspondence with organization members, election of officers/trustees, etc. Dates- 3/44-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting minutes ('49), listing and certification of delegates to VAA annual convention ('49), listing of the VAA Board of Trustees ('49), etc. Dates- 1948-49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes from meetings and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Miss Helen C. Rose (Virginia Art Alliance President). Subject- correspondence with member organizations, etc. Dates- 3/58-8/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- minutes of Trustees meeting and annual meeting 1959, roster of officers and Trustees, program for annual meeting 1960, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of Va. Art Alliance). Subject- announcement, replies agenda and program for annual meeting of (1936) the VAA Trustees, listing of organizational members to VAA, certification forms for delegates to the VAA annual convention (1936), etc. Dates- 5/35-5/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension VMFA, Secretary of VA. Art Alliance). Subject- announcements, program and report for VAA annual meeting 1937, resolution changing the organization of the VAA (consolidating its function with that of the VMFA), certification of delegates to VAA annual meeting 1937, etc. Dates- 4/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept., Secretary of VA, Art Alliance). Subject- VAA annual meeting announcement and program (1938), certification for delegates to VAA annual convention 1938, correspondence with member organizations about the reorganization of the VAA (consolidating its function with that of the VMFA), etc. Dates- 2/38-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance). Subject- announcements and program for VAA annual meeting 1939, certification of delegates to the VAA annual convention 1939, letter from Gayle to the State Board of Education supporting the appointment of a state supervisor of art, etc. Dates- 3/39-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1940, correspondence with member organizations, nomination of trustees, certification of delegates to annual convention 1940, etc. Dates- 3/39-5/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1941, report of the VAA 1940-1, listing of organization members, By-Laws of VAA 1934, correspondence with trustees, etc. Dates- 3/41-4/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- program for annual meeting 1942, roster of member organizations, reports from member organizations, Annual Report of the VAA 1941-2, listing of VAA lectures in 1941, Museum Bulletin (VMFA) vol.2, no.6, 1942etc. Dates- 3/42-4/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcements, program and minutes for annual meeting 1944, reports of member organizations 1944, certification of delegates to annual convention 1944, listing of Board resolutions during war time, roster of member organizations, etc. Dates- 4/44-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA Art Alliance). Subject- announcements, program and minutes for annual meeting 1945, roster of trustees and nominating committee, reports of member organizations, certification of delegates to annual convention 1945, etc. Dates- 3/45-2/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945, announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945,announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting program ('46 and'47) and minutes ('46), list of members ('47), certification of delegates to annual VAA convention ('47), Reports of art activities around the state, etc. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance)and M.B. Christison (Curator of Education). Subject- copies of 1947 resolution about art display areas in public buildings, minutes of annual meeting 1947, announcements and program for annual meeting 1948, roster of member organizations 1948, correspondence about securing guest speakers for VAA annual convention 1948, certification of delegates to annual convention 1949, etc. Dates- 7/45-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- membership roster ('48), list of trustees ('48), announcement, minutes and attendance to annual meeting ('48), summary of panel discussion about art education in Va. schools, statement of VAA purposes and objectives, etc. Dates- 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- minutes of the Virginia Art Alliance meeting ('47 and'48), Board meeting announcement and attendance, program of annual meeting ('48), list of suggested nominees to the VAA Board ('48), etc. Dates- 1947-8.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- annual reports of activities made by VAA members. Dates- 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual meeting 1955. Correspondence, resolutions and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence, minutes and agendas. Form letter announcing annual meeting 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes, agenda and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcement and minutes of Fall Meeting 1957, correspondence with member organizations, etc. Dates- 11/57-12/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Meeting held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1957, appointments to nominating committee, minutes of the Trustees meeting 1957, roster of organization members, The Annual Review of the Virginia Art Alliance 5/39,etc. Dates- 2/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and tentative reservation list for annual meeting 1958, etc. Dates- 9/58-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1958, reports of member organizations, Virginia Art Alliance By-Laws, proposed revisions to By-Laws, VAA procedures, appointments to committees and to board, etc. Dates- 1/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes from annual meeting 1959, member organization reports, roster of VA. Art Alliance officers and trustees, VAA By-Laws, etc. Dates- 5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison Assistant Director VMFA). Subject- announcement and schedule for annual meeting 1959, blank reservation forms for school artmobile visits, etc. Dates- 10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and program for annual meeting 1960, listing of nominating committee appointments, roster of officers and trustees, listing of delegates to annual meeting, etc. Dates- 3/60-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- reports from member organizations, etc. Dates- 1956-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of organizational members and their attendance, correspondence and form letters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of trustees and list of members 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of trustees' meeting 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of Trustees, 1952-55. Correspondence, minutes. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee correspondence, minutes and members. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard Subject- preliminary work for the VAA booklet: \"Facilities for Organization Members Comprising the Virginia Art Alliance\". Dates- 8/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Secretary Virginia Art Alliance). Subject- minutes of Virginia Art Alliance (VAA) annual meeting 1957, proposed revisions to By-Laws, etc. Dates- 8/56-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- outline of a state art federation, constitutions, by-laws, information on other art federations (i.e.: The American Federation of Art, The Kansas State Federation of Art, The Indiana Federation of Art Clubs, etc.), etc. Dates- 1/34. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Va. Art Alliance procedures and a short history, draft of proposed revisions to VAA By-Laws, Annual Review of the Virginia Art Alliance. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA/ Secretary of the VA Art Alliance). Subject- VAA By-Laws 1934, resolution (1936) to consolidate the functions of the VMFA and VAA, information about the development of a new type of VMFA annual membership- the organization membership, etc. Dates- 1934-10/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- listing of Trustees 1934- 39, Trustee meeting announcements, letters accepting election to the VAA Board of Trustees, etc. Dates- 11/34-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA representative on the Virginia Art Commission. Dates- 11/55 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- selecting and securing jurors for the exhibition \"Virginia Artists 1955\", listing of pieces and artist included in the exhibition, printed material for the exhibition, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Paul Smith, Rose Slivka and Frank Getlein. Salon des Refuse's, biographical data, exhibition catalog. Dates- 6/66 - 6/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Prospective jurors and exhibition announcement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Jurors: Thomas Hess. Exhibition statement, reception, guest list, members preview, program agenda, discontinuation of salon des refuse's, installation and exhibition catalog. Dates- 1967, 11/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding auditor's reports. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Audit Reports 1936-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Auditors Survey and Systems study of the VMFA. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Morrison. Subject- Filming of \"California Watercolors\" traveling exhibition with footage of Virginia Beach Sidewalk Show included in the 25th anniversary film. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospectus for the Virginia Center For the Performing Arts. Statement of purpose: Academy-Conservatoire of Dramatic Art with training center and professional theatre. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding objects and paintings in private collections throughout state of Virginia. Correspondence with artists and owners. 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Statement of mission, NEA grants, proposals, awards, potential applicants, recipients. Collectors' Circle: Arts and Humanities Challenge grants for Conservation projects. Degas exhibition. Dates- 2/74 - 6/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VCU and U of R Drama departments. VMFA/VCU Museum Methods Course. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Current/future cooperation between VCU and VMFA: theatre, Art Historical studies, education, museum training, music dept.'s, VCU Conservation Lab and Anderson Gallery. Dates- 1/73 - 2/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Paul Smith. Reception, guest list, program, agenda and exhibition catalog. Dates- 3/71 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Juror: Henry Wolf. Event program, invitations, guest list, statistics regarding entrants, certificate winners, etc. Exhibition catalogs for \"Virginia Designers\", 1970 and 1971; \"Virginia Photographers\", 1970 Date- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding state budget 1946-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VEA Centennial Event and retired teachers complex, theatre program and Executive Committee Minutes, 12/61. Dates- 10/63 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Retired teachers apartment complex proposed for the 2900 block of Grove Ave., later rejected by the City Council, newspaper clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Exhibition: \"American Rooms in Miniature\", sponsored by Va. Federation of Women's Clubs, sponsorship of statewide tour of Artmobile, newspaper clippings and pamphlets, \"Virginia Journal of Education\", 10/63, catalog of \"American Rooms in Miniature\" by Mrs. J.W. Thorne, Art Institute of Chicago, 1941. Dates- 6/53 - 2/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Virginia Federation of Women's Clubs Statewide Arts Festival. Dates- 5/67 - 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Thank you notes from newly elected/reelected members of the House of Delegates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. John. S. Battle. Dates- 1949-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. Colgate W. Darden. Dates- 1942-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. George C. Peery. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Bills vetoed and passed by Gov. Thomas B. Stanley [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. William M. Tuck. Dates-1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Multi-level Arts Festival held annually in Abingdon, Va., loans of art works, consultation on programming and pamphlets. Dates- 11/52 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, F. Numan (Wm. and Mary) Subject- Meeting to focus on Architecture and the Humanities. Dates- 11/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Catalog from Franklin Mint series of silver commemorative medals. Norton Simon summary of Annual report, 1970. Dates- 1970 -71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. J.G. Pollard was chairman of this agency; copies of: Fundamentals of a Growing Recreation Program by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agendas and minutes of meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns a Governor's commission to study juvenile delinquency and the Virginia Advisory Legislative Council. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report to the Committee on \"Recreation as a Function of Government in Virginia.\"   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- copies of the executive order creating the Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- planning a listing of recreation films available through state agencies and 16mm Recreation Films Available in Virginia published by the VA Inter-Agency Committee on Recreation, etc. Dates- 6/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- working papers and final copies of the \"1st Report to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 10/53-1/54; Correspondence Subject- copies of the \"First Report to the Governor by the Inter-Agency Committee on Recreation\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Selected legislation on recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership rosters for the VA Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- statewide recreation reports listing facilities, budgets, organizations and needs, pamphlets from the National Recreation Association, etc. Dates- 7/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sponsored by the National Recreation Association 1955-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains a listing of personnel and the purpose of the committee.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and pamphlets.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets, magazine articles etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of \"Fundamentals of a Growing Recreation Program\" by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- working papers for and final copies of the \"1st and 2nd Reports to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 11/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Sarah Tomerlin Lee, Biographical data, event program, pamphlets and catalog for exhibition. Dates- 9/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum events, rosters: Senate, House of Delegates. Letter to members of the general assembly. Essay- \"The Virginia Museum and the Arts in Virginia\". Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reception for organization composed of Mayors, City Managers and City Officials. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Faye Ambrose and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year. Dates- 5/56-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Charles E. Baker and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications and award letters (1950, 1951) for VMFA in-state fellowship, artist progress reports for 2 years, etc. Dates- 5/50-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Regina Bartley and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 4/51-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Wm. Thomas Bland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA fellowship, thank you notes made by Mr. Bland (mixed media including watercolors). Dates- 8/48-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Robert Brushwood and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations, award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Kuhn R. Caldwell and Mrs. J.G. Pollard, M.B. Christison (Assistant Director), and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, artist progress reports for 1 year . Dates- 12/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mary Frances Cheatham and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA junior fellowship, artist progress reports for 1 year. Dates- 1/49-3/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Janet Clausen and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Robert L. Davis and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA in-state fellowship, photos of artist's work, artist progress reports for 1 year, etc. Dates- 4/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Worden Day and Mrs. J.G. Pollard, M.B. Christison and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, etc. Dates-4/49-8/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. T.V. Downing, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 10/49-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Charles Flynn, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 4/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 2/54-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- award letter for VMFA in-state fellowship, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Barbara Harding and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications ('53 and '54), recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Catherine M. Hipp and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Jem W. Hom and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/56-7/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between W.B. Houghland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Caroline C. Huff and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. William W. Jackson and Mrs. J.G. Pollard and L. Cheek Jr. Subject- applications (1948,1949), recommendations and award letter for VMFA fellowship, etc. Dates- 5/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Knapp and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. James Leedy and Mrs. J.G. Pollard and M.B. Christison (Assistant Director). Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/57-6/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Brenda R. MacBaisey and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year (includes lithography proofs), etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. James P. Moyers and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Joe Ravenscroft and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, application and recommendations for VMFA fellowship, etc. Dates- 8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, recommendations for VMFA fellowship, etc. Dates-8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.F. Russell and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for out-of-state fellowship, artist progress report for 1 year, etc. Dates- 4/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between R.E. Spain and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Mary R. Tatum and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1year, etc. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Primm Turner and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress report for 1 year, application for Catherwood Foundation fellowship, etc. Dates- 3/56-9/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. E. Parker Twombly and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA out-of-state fellowship, recommendation letters written by: Ben Shahn and Robert Motherwell, artist progress report for 1 year, etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress report for 1 year, etc. Dates- 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Howard Woody and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for student fellowship, etc. Dates- 4/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Peter Wreden and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, etc. Dates- 4/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of fellowship applicants, requests for applications, rejection letters, etc. Dates- 3/49-6/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications, recommendations and rejection letters for those applicants not chosen to receive fellowships. Dates- 3/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship, fellowship announcement, minutes of the fellowship committee meeting (1954), etc. Dates- 12/40-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- listing of applicants 1942-44, listing of types of fellowships offered by the Museum, etc. Dates- 1942-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- various applications, recommendations, rejection letters, etc. Dates- 5/46-6/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- announcements of fellowships, blank fellowship applications, requests for applications, various completed applications, award and rejection letters for fellowships, artist reply letters, etc. Dates-4/46-12/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- various applications, recommendations, fellowship recipient progress reports, award and rejection letters, correspondence with Fellowship committee, etc. Dates- 4/47-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject-the organization of the Fellowship committee, requests for fellowship applications, etc. Dates- 9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. John L. Pratt. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship program, minutes of: annual board meeting (1941), executive committee meeting (1940), VA artists fellowship committee meeting (1940), announcement/application for VMFA fellowship, etc. Dates- 6/40-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence about the Museum. Dates- 1939-46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition- \"The Virginia Museum of Fine Arts in Roanoke\", 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Essays by Director Thomas Colt on the Principles and Work of the Virginia Museum of Fine arts and its history.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Timetable, agenda, invitation, guest list. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Henry Callahan, biographical data, entry form, letters to selected applicants, statistics: entrants vs. applicants etc., and jury procedure. Dates- 4/71-2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellowships, VPI Traveling Theatre. Letter to Josef Albers with biographical data, invitations and exhibitions. Dates- 3/59 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains pamphlets and correspondence between this association and Mrs. Pollard's Inter-agency committee on recreation 1949-54; Reports and Inventories of recreational activities of state agencies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- VMFA budget, state issue vehicles, Artmobile, salaries, Robinson House, etc. Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Complimentary memberships to members of the house of delegates, travel regulations, United Givers Fund campaign, management studies. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VSAA membership rosters, membership of confidential secretaries to directors of state agencies. Dates- 9/63 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- Memos to heads of state agencies regarding all manner of state operations, capital outlays. Annual Report of \"Virginia Department of Vocational Rehabilitation\", 1976. Dates- 1/73 - 10/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- Affirmative Action and Freedom of Information Act requests. \"Virginia Local and Regional Planning 1974\"; \"Virginia Commission Visually Handicapped Annual Report\", 1973-74; \"Virginia Highway Commission Annual Report\", 1973-74. Dates- 11/74 - 12/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- State governmental management, budget appropriation requests, Virginia calendar of events, newsletters, museum salaries and the Virginia Privacy Act of 1976. Dates- 4/75 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regards donating old exhibition materials 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Roster of VMFA Trustees, resume of progress in the Fine Arts of Virginia. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and E.M. Kates (VSIF). Subject- Planting of flower beds and maintenance of interior foliage, Elizabeth Kates Foundation. Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cleaning and treatment reports of portraits owned by the Virginia State Library and Archives. Also correspondence regarding the wartime protection of Virginia's cultural materials, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- outline of annual meeting. Dates- 11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- \"Planning Your Town\" traveling exhibition, photos and description of exhibition installation, copy of an essay written by Cheek for Art Digest (4/52) Dates- 2/52-10/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VA Union choir singing at the Museum during the Christmas season, pamphlets about Museum sponsored activities during the holidays, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statewide competition for the design of Memorial and jury selection. L. Cheek's service as advisor to the Memorial Commission. T.J. Collins and Son as winners of competition. \"Program Of Competition For The Virginia World War II Memorial\". Dates- 12/50 - 3/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Program Of Competition For The Virginia World War II Memorial\", firms invited to compete in the final selection, expenses incurred and resumes of applicants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, John J. Wicker Jr. (Chairman). Subject- Competition program, VWW II Memorial Commission meeting minutes, \"Preamble\", for the creation of the memorial, \"Architectural Competitions\", AIA Document no.213. Drawings/plans and photographs for site development. Dates- 5/50 - 12/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 1953 Official Report of the Virginia World War II Memorial Commission. Dates- 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Competition program and closing proceedings. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Applications from selected entrants, official report of the jury in their selection of J.T. Collins and Son, (A.I.A.). Dates- 3/51 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report of the Jury concerning the winning design. Jury members: Waldon Franklin, George Howe, Frederick C. Disque, Edward D. Stone, W. S. Robertson, biographical data included and list of competition entrants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Guest lecturers, membership. Dates- 12/63 - 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. von Keller. Subject- appointment of von Keller as Acting Director of VMFA in absence of Colt, biographical information, etc. Dates- 4/35-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. von Keller (Art Director, Randolph-Macon Woman's College). Subject- personal, Museum events, etc. Dates- 8/42-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Vose. Subject- Acquisitions and provenance of objects. Dates- 7/56 - 2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt. Priscilla Crum and L. Cheek. Subject- Segregation in children's art classes, Study of early 19th century architect and builder John Jordan. WRVA Radio weekly series of VMFA activities, Salon des Refuses' for artists eliminated from the Virginia Artists juried exhibition. World War II Memorial design competition, Artmobile, newspaper clippings, paintings from the Williams Collection and the Helena Woolworth McCann Collection of Export Collection. Exhibition catalog: \"Eugene Wiesz\". Photographs. Dates- 9/45 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Artmobile, AIV, sit-see chairs, collectors circle, Fellows, Wise Pre-Columbian Collection, requests for employment. Woodrow Wilson Birthplace Foundation: Annual Report 10/64. Gifts, loans, contributions and acquisitions. Dates- 3/60 -11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Exhibition announcements, invitations, newsletters, biographical data, requests for employment. Purchases, gifts and acquisitions. Damage report of art works. \"Profile\", re: Tishman Collection of African Objects. \"Hermes Wingraf Quarterly Catalog\", Summer 1971, re: 17th century Dutch still-lifes. Dates- 2/70 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Waddy bequest for fountain construction. Costs of construction and maintenance of fountains: National Gallery, Frick Collection and Isabella Stewart Gardner Museum, includes photographs. Blueprints/plans: VMFA Site Development, East Elevations. Excerpt from the will of Woodson P. Waddy. Dates- 1947, 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Bronze Waddy Memorial Fountains, architects: Eggers and Higgins, Sculptor: Ralph Menconi. Contractual agreement with architects, Blueprints/ plans, detail drawings for : Waddy Memorial Fountain, Triton Fountain, East elevation and site development plans. Dates- 8/53 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Mr. Clifford L. Walker. Subject- inscribed plates for paintings in Museum collection, bronze busts and tablets for founders. Dates- 11/35-8/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Walpole Society Dinner, membership roster and newspaper clippings. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA staff orders for conduct of Museum during an emergency, pamphlets from the U.S. Government, Association of Art Museum Directors and American and British museums about art preservation in case of a wartime emergency. Dates- 1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Warburg Collection on loan to VMFA and his address to collector's circle. Bulletin vol.18 no.9 5/58 Dates- 5/57 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT scenery design. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets from the U.S. Government, Association of Art Directors and American and British museums about art preservation in case of a wartime emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- prospective sale of George Washington portrait by Peale to the state of Virginia, history of the painting, may have been commissioned by the state in 1784 for use by Houdin (the sculptor of the George Washington statue in the capital). Dates- 10/37-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Marion Junkin. Subject- Metropolitan Collection on permanent loan to W\u0026L, letter from M. Junkin espousing the talents/commitments of the young artist Cy Twombly. Hans Gasman as restorer for VMFA lists of objects and exhibitions. Dates- 11/49 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Alexander W. Weddell. Subject- Weddell's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, gifts from Weddell, listing of Trustees 1942, listing of Trustees committee assignments 1945. Dates- 9/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and Mrs. J.G. Pollard. Subject- Founding member of VMFA, resolution from Executive Board in memoriam of Alexander Wilbourne and Virginia Chase Weddell. Award of the Webster S. Rhoads Medal for distinguished service. Minutes of Annual Meeting, descent and authenticity of a pair of copies of portraits of George Mason and his wife. Dates- 7/45 - 1/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Foundation financial support: VMT, library, contributions to Fellows fund, book purchases, VMFA services catalog. Dates- 7/66 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Director of Gallery of Modern Art, NYC, and his service as a juror. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Time\" article on George Catlin, artist of the American West. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Mellon. Subject- Ultimate destination of Mellon English Collection. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Tour request. Dates- 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Mrs. J. H. Parsons. Subject- Wheelchairs adapted for sit-see chairs and underwritten by Mrs. Parsons. Dates- 10/65 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture/recital to VMFA council and Fellows. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitation to L. Cheek by President Johnson to attend luncheon for President-elect Barrentos of Bolivia. Dates- 7/20/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Objects on loan to White House. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Theo B. White. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Diorama's made by Whitelaw in the collection of the L.A. County Museum and George Washington Masonic National Memorial Association. Photographs Dates- 7/62 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- general correspondence with a Trustee on Museum programs and operating activities (esp. Accessions Committee). Dates- 6/35-3/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Beatrice von Keller, T. Colt and L. Cheek. Subject- Organization of an exhibition of pre-Columbian sculpture, Catesby-Jones collection, Whitman Collection of Mayan Sculpture, Chrysler Collection accessions and exhibitions. Date- 8/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. Thelma Cudlipp Whitman. Subject- Trustee/Museum business, etc. Dates- 5/51-2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Ambassador to Great Britain, invitation to become Collector-of-the- Year. Dates- 5/61 - 7/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and various Whitney Museum staff. Subject- loans to the Museum for the inaugural exhibition, loan to the Whitney from VMFA, museum practices, etc. Dates- 5/35-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Summer state service projects, VMFA projects list. Dates- 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Playwright, invitation to address VMT, Time Cover 11/12/53. Dates- 1/53 - 3/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA appointment to Board of Trustees, service as President and on the Entertainment Committee. Museum business, South Wing, Fellows, NEFTA. Gift of Mellon French painting collection, gifts, contributions. Dates- 6/65 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions: \"Jean Outland Chrysler Collection\" and \"30 Years of Virginia Art\". List of objects, Charter Day ceremonies: invitation list and dedication of the new Fine Arts building. Essays- \"Thomas Jefferson and the Fine Arts\" and \"The Arts in Virginia\", by L. Cheek 2/67. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT and loans of objects to VMFA. Dates- 1/50 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. J.G. Pollard. Subject- Williams Collection inventory, Williams purchase fund, statement concerning the informal agreement between L. Cheek and Mrs. A. D. Williams concerning installation of collection in the new wing. Selected inventory of furnishings in the Williams home. A.D. Williams as recipient of the Rhoads Medal, financial contributions, gifts and loans. Dates- 6/48 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Berkley Williams Jr., Virginia artist. Dates- 1936-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., and Mr. E. Rand Williams. Subject- Trustee/Museum business, Rand served as Buildings and Grounds Committee Chairman 1937-8 and as first Vice-President in 1941, etc. Dates- 6/35-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. E. Randolph Williams. Subject- Trustee/ Museum business, etc. Dates- 5/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Glasglow bequest, Melchers Estate, Pratt Jewels, Portrait of \"James Patton Preston\", Gilbert Stuart, general legal questions. Dates- 10/58 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Election to board of Trustees; Dance Society. Dates- 6/54 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Advisory committee on the new Reception Center, L. Cheek as a member and a map with the proposed location. \"Summary of Reception Center Objectives and Experience\". Dates- 11/53-1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List of objects accepted as loans and pending gift status. Dates- 10/49 - 3/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Preliminary plans for a foundation to house objects related to W. Wilson's life. Portrait exhibition of the 8 Virginia born Presidents, portrait of Mrs. Wilson, artist unknown. \"Woodrow Wilson's Heritage of Faith\", Frank Bell Lewis, Woodrow Wilson Birthplace Foundation, 1956. Dates- 9/55 - 6/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of request and approval for event, agendas and timetable. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letter of confirmation. Dates- 7/11 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Woodlawn Plantation event, guest list and map. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. to Worcester Art Museum staff. Subject- loans for VMFA inaugural exhibition, loan to Worcester Art Museum, etc. Dates-8/35-7/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- exhibition held at the Museum \"Southern States Preview\" a regional exhibition connected to the World's Fair. Dates-10/38-12/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by applicants to exhibition. Subject- listings of artists accepted to the show (listed state by state). Dates- 12/38-1/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Arthur Drexler (MOMA) to lecture on Wright exhibition, reception, guest list. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Transcript of radio broadcast 2/26/54, exhibition: \"American Painting\", Artmobile and magazine excerpt. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Betsy Wyeth and Harry Brooks (Knoedlers). Subject- \"Country\": Working drawings, Artmobile layout and tour and reviews. Dates- 2/67 - 11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Exhibitions, loans, acquisitions, AIV, gifts, contributions. Correspondence with William Zorach, sculptor. Dates- 9/49 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- museum practices, loans for the VMFA inaugural exhibition, etc. Dates-9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General correspondence from Alumni, possible lecturers, newspaper clippings. Correspondence between Cheek and Alfred Stiegletz. Minutes of Alumni and Friends of the School of Art and Architecture, 5/58, pamphlets. Dates- 6/58 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Third Report Of The Committee On Architecture, Painting and Sculpture\", 4/50. Committee membership roster, issues facing various Yale departments. \"Bulletin Of Yale University\", series 44, 4/48 #5 and \"Official Register Of Harvard University\", vol. XLV, no.15 7/15/48. Dates- 1949 - 50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. Pollard and M. Christison. Subject- Yale school of the arts general operation, appointment of Joseph Albers, list of University Council Committees. Dates- 9/48 - 9/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Draft of the committee report and responses from other Yale committee members regarding departmental personnel, curriculum, problems and resolutions. \"Report Of The Committee Of The Division Of The Arts (Architecture and Planning And Design)\",prepared by L. Cheek, 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Report Of The Chairman Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 4/48, prepared by L. Cheek. Issues concerning Yale departments of the arts. Minutes of Yale Executive Committee Meetings, various reports on Yale departments. Dates- 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cheek draft of, \"Report Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 1952. Yale policy review, new appointments, letters to other committee members, roster of membership. Dates- 5/51 - 4/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Evolving challenges of the various Yale departments. \"Report Of The Committee On The Division Of The Arts (Architecture, Planning and Design)\", 4/53. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA performance of Yale Glee Club, agenda, program, roster, etc. Dates- 10/60 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","R. Peter Mooz was Director of the museum from 1976-1981.","Charles L. Reed was Interim Director of the museum from 1981-1984.","Paul N. Perrot was Director of the museum from 1984-1991.","Katherine R. Lee was Director of the museum from 1991-2000.","Richard B. Woodward was Interim Director of the museum in 2000.","Michael Brand was Director of the museum from 2000-2005.","Thomas N. Allen was Interim Director of the museum in 2006.","This series contains correspondence and subject files from staff members in the Director's Office.","Carolyn Weekley was the Assistant to the Director from 1978-1979. She later became Curator of Decorative Arts, so there is some overlap in the files with her curatorial work.","Margaret (Peggy) Burke was Assistant to the Director from 1980-1981, then Deputy Director in 1982, Deputy Director. She originally served as Assistant Director for Collections and Interpretation, so there is some overlap in the files with her other work.","Lulan Yu was Assistant to the Director from 2002-2007. Her files are mostly related to the North Wing expansion and the museum identity project.","Lee Anne Hurt Chesterfield was Assistant to the Director from 2004-2009, then became Director of Board Relations and Museum Planning. Her files are mostly related to special projects, exhibitions, and AAM reaccreditation.","This series consists of building files that were maintained separately in the Director's Office. There are often additional building files found in each Director's Correspondence files.","The West Wing was completed in 1985.","The North Wing expansion was completed in 2010.","This series consists of corespondence with internal and external groups, the affiliations or creations of which often often overlap different Directors.","This series consists of minutes and planning documents for meetings convened by the Director.","This series consists of program files that were maintained separately in the Director's Office. There are often additional program and exhibition files found in each Director's Correspondence files."],"separatedmaterial_html_tesm":["\u003cp\u003eMedal awarded to Walter Spencer Robertson housed separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Medal awarded to Walter Spencer Robertson housed separately."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"names_ssim":["Virginia Museum of Fine Arts Archives"],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"language_ssim":["English \n.    "],"total_component_count_is":7183,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:29:10.278Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_44_c01_c01_c03"}},{"id":"virmu_repositories_2_resources_44_c01_c01_c04","type":"File","attributes":{"title":"25th Anniversary: Fund","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_44_c01_c01_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_44_c01_c01_c04","ref_ssm":["virmu_repositories_2_resources_44_c01_c01_c04"],"id":"virmu_repositories_2_resources_44_c01_c01_c04","ead_ssi":"virmu_repositories_2_resources_44","_root_":"virmu_repositories_2_resources_44","_nest_parent_":"virmu_repositories_2_resources_44_c01_c01","parent_ssi":"virmu_repositories_2_resources_44_c01_c01","parent_ssim":["virmu_repositories_2_resources_44","virmu_repositories_2_resources_44_c01","virmu_repositories_2_resources_44_c01_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_44","virmu_repositories_2_resources_44_c01","virmu_repositories_2_resources_44_c01_c01"],"parent_unittitles_ssm":["Director's Correspondence (RG-01)","Series 1: Director's Correspondence","Series 1.1: Early Directors"],"parent_unittitles_tesim":["Director's Correspondence (RG-01)","Series 1: Director's Correspondence","Series 1.1: Early Directors"],"text":["Director's Correspondence (RG-01)","Series 1: Director's Correspondence","Series 1.1: Early Directors","25th Anniversary: Fund","box 33863 Box 92","folder 4","Item RG01.01.1.0004"],"title_filing_ssi":"25th Anniversary: Fund","title_ssm":["25th Anniversary: Fund"],"title_tesim":["25th Anniversary: Fund"],"unitdate_other_ssim":["1959-1961"],"normalized_date_ssm":["1959/1961"],"normalized_title_ssm":["25th Anniversary: Fund"],"component_level_isim":[3],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Director's Correspondence (RG-01)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":6,"parent_access_restrict_tesm":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1959,1960,1961],"containers_ssim":["box 33863 Box 92","folder 4","Item RG01.01.1.0004"],"_nest_path_":"/components#0/components#0/components#3","timestamp":"2026-05-21T03:29:10.278Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_44","ead_ssi":"virmu_repositories_2_resources_44","_root_":"virmu_repositories_2_resources_44","_nest_parent_":"virmu_repositories_2_resources_44","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_44.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/44","title_filing_ssi":"Director's Correspondence (RG-01)","title_ssm":["Director's Correspondence (RG-01)"],"title_tesim":["Director's Correspondence (RG-01)"],"unitdate_ssm":["1927-2009"],"unitdate_inclusive_ssm":["1927-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-01","/repositories/2/resources/44"],"text":["RG-01","/repositories/2/resources/44","Director's Correspondence (RG-01)","The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809).","\"Museum in Action\" was reformatted and is available on YouTube:  https://www.youtube.com/watch?v=03tQlnoFx0A\u0026t=1s","The collection is organized into six series, and items are generally arranged alphabetically within series 1-2. Series 3-6 are generally arranged chronologically.","Series 1 Director's Correspondence, 1927-2006 Series 2 Director's Office Staff, 1977-2008 Series 3 Building Files, 1979-2004 Series 4 Organization Files, 1991-2006 Series 5 Meeting Files, 1998-2009 Series 6 Program Files, 1992-2007","The collection was transferred from the Director's Office through periodic deposits since 1989. The bulk of the Early Director's Correspondence (Series 1.1) was deposited at to the Library of Virginia in 1982, where it remained until November 2022 when it was returned to VMFA.","Between June 17-September 10, 2023, the Fellowship Application and associated photograph of Wigfall were placed in the exhibition \"Benjamin Wigfall \u0026 Communications Village.\"","Between June 17-September 10, 2023, the recommendation letter from Leo Katz was placed in the exhibition \"Benjamin Wigfall \u0026 Communications Village.\"","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","Series 1.1 was processed by State Records Archivist Laura Drake Davis from 2006-2008 while it was still deposited at the Library of Virginia. In 2023, Senior Archivist Courtney Tkacz integrated VMFA's holdings into that series and in the process, RG-01 Boxes 1-4 and LVA 33863 Boxes 60, 67, 74, and 89 were removed.  ","Select application materials were digitized with the identifier: RG01.01.1.33863.001","Select application materials were digitized with the identifier: RG01.01.1.33863.007","Select application materials were digitized with the identifier: RG01.01.1.33863.008","Select application materials were digitized with the identifier: RG01.01.1.33863.009","This series is comprised of correspondence of all of the various Directors of the museum. Files were arranged alphabetically by subject, and there is a lot of overlap between different Director's as the files often contained pertinent items from a predecessor. In the case of the first sub-series (1.1), until 1976, the entire museum's files were maintained centrally as one unit in the Director's Office.","This series includes the records of the first three Directors - Thomas C. Colt (1935-1948), Leslie Cheek, Jr. (1948-1968), and James M. Brown (1969-1976) - as well as the two Interim Co-Directors Beatrice von Keller and Violet McDougall Pollard (1942-1945). The bulk of this series was deposited at the Library of Virginia, therefore most of the items held at VMFA are copies that LVA returned to the museum.","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with individuals, institutions and corporations beginning with the letter 'A', note- two letters written to Josef Albers (no replies). Dates- 2/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding a copy of Gainsborough's \"Blue Boy\" in the collection of Van Clief of Esmont, Virginia.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters from private donors and dealers offering objects for sale and as gifts to the Museum when it was first started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and information about gifts and purchases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about items being considered for purchase and members of the committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes, and information on bequests and purchases. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- minutes of accessions committee meeting 1972, announcements and attendance for meetings 1973, acquisitions policy for bidding on works of art at auction, etc. Dates- 9/72-1/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- painted decorations of St. James church, putting this church on the Virginia section of the National Register. Dates- 4/68-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- departmental inventories of non-expandable assets of the Commonwealth of VA 1940-3, worksheets on individual art objects and Museum equipment, state regulations, etc. Dates- 6/43-11/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown and P. Near (Curator). Subject- correspondence about possible acquisitions, considerations of gifts, notes on possible acquisitions, etc., 10/70-4/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding the gift of Mrs. Charles Adams (Ann Fowlkes) of music albums 1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's appointment by the Governor to an advisory committee assisting the Dept. of Conservation and Economic Development in a study for a proposed museum of science, archaeology and natural history (to be located in Richmond), copy of Senate joint resolution no.26-to study the encouragement or establishment of a museum of science and natural history, list of committee members, Report of the Department of Conservation and Economic Development to the Governor and the General Assembly of Virginia Relative to the Establishment of a Museum of Science, Archaeology and Natural History in Richmond, 1965, etc. Dates- 5/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Excerpt from the Report of the Committee on Recreation to the Advisory Council on the VA Economy and A Summary of Major Recommendations that Involve Questions of State Policy by the Advisory Council on the VA Economy. Dates- 8/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- possible Museum acquisitions from the dealer. Dates- 4/53-5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Airfiltering System 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- correspondence and announcement for lecture by Ambassador Akar about Africa's unique cultural heritage, etc. Dates- 10/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek was a judge for their annual show. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with Albemarle Art Association President about discontinued affiliation with VMFA, biographical information on Cheek, introduction about Cheek for lecture at AAA, Cheek's remarks in honor of Horace Burr 1966, etc. Dates- 8/57-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with and biographical information about Josef Albers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- a letter to Albers (no reply). Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown Subject- correspondence with Director about appointment to board of Hon. George S. Aldhizer II, Education in the Arts and Honors and Awards Committee appointments, etc. Dates- 6/67-2/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Donor of several paintings to the Museum, 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek as speaker for \"The Alexandria Forum: Southern Decorative Arts 1750-1850\", exhibition loans to Alexandria Assoc., etc. Dates- 9/55-1/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Printed materials. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding annual meetings and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- AAM (American Association of Museums)annual meeting pamphlets 1955,'57,'58,'59'60,'61,'62,'65 and'68, proposed constitution and By-Laws 1961, roster of member institutions 1959, correspondence about AAM meeting in Williamsburg, etc. Dates- 10/60-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from AAM Directors. Subject- Minutes annual meeting 1969, membership reports 1969-70, Financial Statements 1969-70, agenda for AAM council meeting 1970, memos, etc. Dates- 8/69-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- info about AAM (American Association of Museums) seminar held in Richmond 1972, financial and membership reports 1972, minutes of exec. committee meeting 1972, news releases, letter from Richard Nixon to Mr. Brown as President of the AAM, mailings sent out by AAM, etc. Dates- 7/72-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about Cheek as Program Chairman for AAM (American Association of Museums) annual meeting in Williamsburg 1962, tentative agenda, schedule of events, attendance list, committee reports, program, etc. Dates- 5/59-1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- correspondence to American Art Association (AAM) section chairmen about annual meeting, program, schedule of events, etc. Dates- 9/60-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about arranging program for American Association of Museums (AAM) meeting, roster of section chairmen 1962, agenda for exec. committee meeting 1961, invitations sent to VMFA trustees for a reception (held at VMFA) to meet the delegates to AAM meeting, etc. Dates- 7/59-6/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- roster of AAM (American Association of Museums) section chairmen 1962, attendance and schedule for section meetings, etc. Dates- 1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lloyd Goodrich Lecturer. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek on advisory committee for the study of design and craftsmanship in today's products, roster of advisory committee, proposed exhibition, conference series, documentary and publication about design and craftsmanship, National Exhibition Project Committee meeting minutes 1950, etc. Dates- 3/49-4/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek on Board of organization. Contains memos, pamphlets, exhibition literature etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns L. Cheek's membership in the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- minutes of exec. committee meetings 1961, '62 and '65, roster of trustees, memos to trustees, correspondence about convention in Chicago, etc. Dates- 1/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. (trustee of AFA). Subject- information about circulating exhibitions, minutes of Exec. committee meetings 1966 and '67, minutes of trustee meetings 1966, '67 and '68, memos to trustees, etc. Dates- 1/60-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- American Federation of Arts (AFA) exec. committee meeting minutes 1967 and '68, correspondence about AFA delegates visit to VMFA 1969, roster of members and committee appointments, news releases 1968, President's annual report to AFA, etc. Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about Cheek as Convention Committee Chairman 1959, correspondence about potential committee members, program for convention, minutes of preliminary joint meeting of the AFA trustees 1958, minutes of trustees meeting 1959, Golden Anniversary Convention, The American Federation of Arts 1909-1959, congratulatory and appreciation letters to Cheek, etc. Dates- 3/58-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown Subject- AFA (American Federation of Arts) exec. committee meeting minutes 1959,'60,'61,'62 and'65, roster of board of trustees, trustee meeting minutes 1961 and '62, AFA constitution, National Council on the Arts and Government Annual Report 1960, etc. Dates- 3/61-1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with the American Institute of Architects. Dates- 4/47-1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek served as a juror for the Annual Homefurnishings Design Competition and was an honorary member, 1949-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- A.I.D. (American Institute of Designers) VA chapter yearbook 1961-2, listing of suggested museums for A.I.D. exhibition, etc. Dates-5/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown. Subject- dinner meeting for the AID (American Institute of Designers) (interior designers). Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz and Wm. Wilkinson (Mariners Museum). Subject- Loan requests, cost estimates, pamphlets and photographs. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz and Wm. Wilkinson\u003e Subject- First major survey of American Marine Painting in observance of the Bicentennial. Lists of paintings, installation, budget, etc. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains copies of lecture invitation and catalog. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown from ASA (American Society of Appraisers). Subject- Brown's membership in ASA, ASA news 1971-2, announcement of meeting 1971, etc. Dates- 10/70-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for gallery dinner at VMFA for American Society of Appraisers. Dates- 1/72-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Brown as Chairman of a committee on collections at Amherst College and member of Exec. Committee of the Association of Fine Arts, constitution and minutes of Association of Fine Arts meetings 1970 and '71, roster of members of the Association of Fine Arts, membership solicitation letter, catalogue: The Amherst Sesquicentennial Exhibition 1972, etc. Dates- 10/69-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. J.G. Pollard and Mr. Henry W. Anderson. Subject- meetings of the Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, a portrait of Anderson by VA artist, Julian Binford, etc. Dates- 6/35-11/44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Henry W. Anderson. Subject- Anderson's presidency of the Board of Trustees 1947, trustee and Museum business, Annual Board meeting minutes 1947-8, Museum events and daily operations, Museum investments and gifts to the Museum, a general study of the Museum's collections and suggested plan of development (1947), information about the land occupied by the Museum and its estimated future needs, etc. Dates- 6/47-6/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- President of the Board of Trustees. 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and L. Cheek, Jr. and Col. Henry W. Anderson. Subject- Anderson's presidency of the VMFA Board of Trustees, Museum events and daily operations, gifts to the Museum, investment of the Museum's A.D. Williams fund, listing of financial condition of endowment and special funds 1952-3, etc. Dates- 5/51-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for dinner honoring Mr.and Mrs. Walter P. Chrysler, guest lists, invitations, R.S.V.P.'s, etc. Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- final copies: VMFA 2nd Annual Report of the Director 7/1/36-6/15/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 7th Annual Report of the Director 7/1/41-5/1/42 and VMFA staff orders 1/42 elaborating the orders of 6/41 conduct of the Museum during an emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers, preliminary and final copies of The Report of the Acting Directors for the Year 1944-5, agenda for Executive committee meeting 6/44, breakdown of membership 1943-4, 1944-5 and working papers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- final copy VMFA Annual Report. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- preliminary and final copies VMFA Annual Report 1946-7 7/1/47-4/30/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- preliminary and final copy: VMFA Annual Report 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for the 1948-9 Annual Report, Report of the Executive Committee of the VMFA to the Board of Trustees (5/22/49) also a listing and attendance record of the Board of Trustees (5/27/49).  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for the 14th Annual Report, including operations budget, salaries and membership count, also a copy of VMFA Organic Laws (10/36). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- The 14th Annual Report of the Director (5/27/49) and its working papers, also correspondence about VMFA role in selecting and displaying portraits in the Governor's Mansion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- working papers for the annual report, listing of Cheek's activities (lectures, consultations, committee and jury duties). Dates- 1960-1. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual Reports for Collections and Gallery Divisions 1951-54, and for State Extension Services 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 1st Annual Financial Report of the Curator (4/13/35-6/15/36), VMFA 2nd Annual Report of the Director (7/1/36-6/15/37), VMFA 3rd Annual Report of the Director (7/1/37-6/1/38), VMFA 4th Annual Report of the Director (7/1/38-6/1/39), VMFA 5th Annual Report of the Director (7/1/39-5/1/40), VMFA 6th Annual Report of the Director (7/1/40-5/1/41). Dates- 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 7th Annual Report of the Director (7/1/41-5/1/42), VMFA 8th Annual Report by the Acting Directors (7/1/42-5/31/43), also, VMFA 9th Annual Report by the Acting Directors (7/1/43-5/31/44).  Dates- 1941-1944. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- the following reports: \"Remarks by Robert Marsh, Jr. before the Appropriations Committee of the General Assembly\" and \"Resume of the Request of the Trustees of the Virginia Museum of Fine Arts before the Appropriations Committee 2/64\" Dates- 2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual meeting of its Richmond Chapter at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and Ms. B. von Keller. Subject- biographical info, purchase of his painting Maggie, letters of introduction, personal references, loaning work to Museum, Va. artists exhibitions, counsel on museum operations, etc. Dates- 10/35-10/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed paperback guide to architecture in Virginia, roster of Editorial Advisory Board for guidebook, list of sites by counties and cities, etc., final list of buildings and sites, announcements and minutes of Nominating Committee meeting, etc. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- biographical information on H. Harvard Arnason, speaker on Henry Moore sculpture at VMFA, VMFA Members' Bulletin vol.26, no.2 10/65. Dates- 9/65-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- confirmation of meeting with State Art Commission to present plans to enlarge VMFA. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership roster, pamphlet of Art Dealers of America, Inc., etc. Dates- 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given at the VMFA by members of the staff of the Museum of Modern Art 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices, the following publication: Let's Make the Lions Roar: A Marketing Study of the Art Institute of Chicago by Edward J. Teply (Northwestern University 1959) Dates- 6/48-1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Potential jurors for biennial exhibitions 1970. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence and a listing of members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and art nouveau purchase plan. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Artificial flowers for decoration in galleries, 1964. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum program where artist-members participated in a life drawing class.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program sponsored by museum for artist members, included life drawing classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and memorandums. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and minutes from meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Project to try and send artmobiles overseas as suggested by the State Department. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence as to whether or not they would like to have the artmobile visit their school. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains plans, blueprints, and correspondence that occurred during its development.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Manufacturer of custom van bodies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Presidential Inauguration. Artmobile was State of Virginia's entry in President Johnson's inaugural parade, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed exhibition for the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Magic City Bank had an exhibit trailer, which was a prototype for artmobile.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations, programs and correspondence.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reprints of A.I.V. article \"Galleries on Wheels\", 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VFWC was instrumental in getting the artmobile started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, newspaper and magazine clippings and schedule 1961-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedules, Plans, correspondence and photographs, 1960-63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and plans for 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening, Middleburg, Virginia, 1962.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner and Invitation List. Artmobile II Opening. Middleburg, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Facts sheets, invitations and photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dedication. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- correspondence re. funding, construction, photographs, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans for Collegiate Artmobile to visit Virginia Colleges. 1964-65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal to ask the Carnegie Foundation for funding for a collegiate artmobile, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening, Ashland, Virginia. Correspondence and programs, Sept. 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Meeting of Virginia college Presidents regarding the Artmobile project to service college and University campuses. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, David Pittman, Peter Mooz. Subject- Artmobile workshop: program agenda, exhibition schedules, etc. \"Artmobile Chairman Handbook\". Dates- 7/74 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fruehauf Trailer Co., artmobile manufacturer, 1965-66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed by Lt. Governor Mills Godwin, attempted to establish a Virginia Arts and Crafts Museum. Newspaper clippings, correspondence, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets, prints, minutes and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Arts and Humanities Summer Institute. Sponsored by the Va. Commission of Arts and Humanities at the Museum in 1971. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Informational pamphlet from the President's advisory Council on the Arts, 1963. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Art Council of America and Governor's office. Subject- invitation from the Art Council of America to be represented in this council, etc. Dates- 10/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from George Cruger (Editor, AIV), J.M. Brown and Wm. Gaines. Subject- Microfilming of AIV and checklist of Articles to date, Spring 1974. Catalog: \"Image\", George Eastman House, 1973. Dates- 11/73 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memos and Correspondence. Dates- 1960 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Search for a designer for the magazine. Letters to and from possible candidates. Dates- 1964.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Various issues of the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- A.P. News clips regarding Museum, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the portrait bust of John Marshall.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- A.P.V.A. Pamphlets and Correspondence, 1972. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- agenda for the APVA (Association for the Preservation of VA. Antiquities) meeting held at VMFA, roster of exec. committee and trustees, etc. Dates- 3/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of members and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and reports from annual meeting 1964-68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- General correspondence to Directors of various museums regarding membership, loans of art works, invitations, etc.  Fact sheet on Artist housing in Soho. Dates- 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and minutes from annual meeting 1970-71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Annual meeting: reports, minutes, events schedules, officers, membership. Code of Ethics for ilicit traffic in works of art. \"Reproductions and Reproduction Rights For Museum-Owned Objects\", 1962, American Federation of Arts. Dates- 1972, 1979 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes from meeting. Dates- 5/59 - 6/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposals for membership. L. Cheek was membership chairman. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes of meeting. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report on dangers of lending objects to institutions for special exhibitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Questionnaires, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Lady Nancy Astor. Subject- Donation of her portrait by John Singer Sargent and china. Dates- 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"B\". Subject- varied. Dates- 9/50-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with institutions, individuals or corporations beginning with the letter \"B\" and the VMFA loan-own art service policy statement. Dates- 6/62-10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Transcript of remarks by Frank Stanton on his award of the Michael Friedman Medal of the Architectural league, magazine clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Ballet and L. Cheek concerning the beginning and future of a theatre at the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, A. Ballet and trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Baltimore Museum of Art calendars of events, correspondence about museum practices, etc. Dates- 9/48-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Miss Iris Barry. Subject- giving a film lecture, newspaper clipping, etc. Dates- 8/49-5/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, T.C. Colt, Jr. and L. Cheek, Jr. Subject- general information about Barter Theatre (announcements, VA Highlands Festival schedule, etc.) and correspondence about the Museum sponsoring drama productions as a state extension service. Dates- 12/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Barzansky Galleries. Subject- invitation to a Harriet Fitzgerald exhibition at the Charles Barzansky Galleries, N.Y.C. Dates- 1/58-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Governor Battle. Subject- thank you notes, etc. Dates- 11/50-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlet of the Museum's 1945-6 season. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. Bellows. Subject- the proposed acquisition of one of two of Bellows' paintings (Kids, The Teamster) which the museum didn't purchase. Dates-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Fitzgerald Bemiss as a Trustee, correspondence about Board of Trustees and Membership Committee business, gifts to VMFA, etc. Dates- 6/54-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- visit to Florence, Italy and to see Bernhard Berenson. Dates- 1/56-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition: Eugene Berman's sketches for the Metropolitan Opera's Barber of Seville. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Brown was a chairman of the panel of judges for the Franklin Mint Bicentennial Medal competition in the state of Virginia, official rules and entry form for competition, etc. Dates- 4/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- House Bill no.131 to keep Va. interstates free of billboards, response letters from Va. politicians, etc. Dates- 2/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Mr. Paul Bird as a lecturer on contemporary painting, a transcript of the lecture, etc. Dates- 1/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek and J.M. Brown. Subject- Accessions: Chinese objects. Requests for loan of A. Wyeth paintings from Wyeth Estate, invitation to Clare Boothe Luce to address 17th Annual Va. Public Relations Conference, letter of inquiry regarding the artist Lucille Sinclair Douglas. Accessions: Dubuffet prints, period chairs, pedestals, chest, Aphrodite Torso, female draped figure, Claude Hirst painting, Roger Barr painting. Eric Christmas and Festival Theatre, Ontario, Canada, proposal around building of Bristol Chapter House, furnishing of Agecroft Hall, expansion of University curriculum to include Art Historical Studies in surrounding colleges, Hogarth exhibition, World Museum Fund with description of event and agenda.  Text from \"Country Beautiful, America's Finest Small Museums\", with description of VMFA. Accession and gifts: \"The Little School Girl\", Degas; Amphipolis Gold. Dates- 1959-70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek. Jr. Subject- By-Laws revised and adopted 1951, Organic Laws, announcements, replies, agenda and minutes of annual Board meeting 1950, committee reports, listing of Trustees, etc. Dates- 5/50-5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Col. H.W. Anderson. Subject- annual Board meeting, listing of Trustees 1952-3, announcement of annual meeting, VMFA Annual Report of the Director 1952, etc. Dates- 5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement, replies, agenda and minutes of annual meeting 1953, notice of amendments to the By-Laws, a VMFA report/essay \"The Need for Completing Its Addition\", etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- annual Board meeting minutes 1953, 54, VMFA Annual Report of the Director 1954, notice of amendments to the By-Laws 1954, announcement, replies and agenda for meeting, etc. Dates- 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- minutes of Trustees annual meeting 1955, working papers for the meeting, committee reports, By-Laws revised and adopted 6/54, listing of insurance coverage, Museum events, etc. Dates- 5/55-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mid-year meeting and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement of annual meeting and luncheon for the Trustees, R.S.V.P.'s, attendance list, etc. Dates- 4/56-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Index cards with names and addresses of current and former Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff and Board Presidents. Subject- Board of Trustees committee appointments, appointment letters and reply letters for the following years: '45/6, '46/7, '47/8, '48/9 and '49/50. Dates- 1945-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- letters of appointment to serve on Trustee committees and reply letters, listing of committee appointments 1949-50, etc. Dates- 7/49-7/50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Henry W. Anderson (President of the Board). Subject- appointment to committee letters and reply letters, etc. Dates- 8/51-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence By L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of committee appointments. Dates- 1954-5. Correspondence- Subject- listing of committee appointments. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of Trustees committee appointments (1956-7), reply letters to committee appointments, etc. Dates- 8/56-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- notes on planning, cost estimates, invitations, replies to preview of A.D. Williams collection and dinner honoring Governor and Mrs. Battle, etc. Dates- 10/52-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Museum events, working papers for the annual Board meetings and agendas, nominations to the Board, excerpts from the Board minutes, committee reports, etc. Dates- 2/37-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains miscellaneous correspondence, memos and minutes from meetings. 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board annual meeting minutes 1955, By-Laws revised and adopted 1954, By-Laws and suggested revisions 1956, listing of Trustees 1955, Committee appointments 1954-57, etc. Dates- 1954-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Roster of the VMFA Board of Trustees. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement, replies for Board meeting, listing of Trustees 1952, 53, notice of meeting cancellation because of inability to secure a quorum, etc. Dates- 1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- announcements, replies, agenda and minutes of Trustees special meeting and Executive Committee meeting, etc., 1/54-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of the Board of Trustees annual meetings. Dates- 1934-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- suggested plan for developing VMFA collections by Colt (1945), announcements and replies for Board annual meeting , prepared budget 1947-8, listings of Trustees, officers and committees, etc. Dates- 10/45-6/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- sightseeing boat tour on the James River. Dates- 2/57-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mrs. John H. Bocock as a Trustee, Board of Trustees, Entertainment and Accessions Committee business, art lending service information, gifts to VMFA, etc. Dates- 5/51-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek writing introduction for A. Aubrey Bodine's photography book: The Face of Virginia, draft of the foreword/introduction, biographical information on Bodine, etc. Dates- 3/62-1/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- letter to Hon. Armstead L. Boothe about appointment to Board. Dates- 6/64-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Jr. primarily with the Sheraton Hotel. Subject- a cocktail party held on Cheek's Boston trip, guest lists, invitations, etc. Dates- 10/58-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. with various Boston Museum staff. Subject- museum practices, loans, speaking engagements, exchange publications, etc. Dates- 11/47-10/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loaning objects to VMFA, correspondence about museum practices, lecture given by Cheek in Boston about art in Virginia, etc. Dates- 3/55-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and V.Y. Bowditch. Subject- Bowditch biographical information, drama schedule 1955-6 season, evaluations, theatre operations, etc. Dates- 7/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Theatre director of Pasadena Playhouse 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. with E.G. Bowles and the Public Works Administration (PWA). Subject- landscaping the Museum and bids complying with PWA, construction contract 4/36, classifications of labor/workmen and wage rates 12/34 and Form Of Bond-VA 4/36. Dates-3/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's membership to the VMFA Board of Trustees, Museum events and daily operations, the following Museum publications: Virginia Museum of Fine Arts By-Laws, 1st Annual Financial Report of the Curator (4/13/35-6/15/36) and Virginia Museum of Fine Arts 1st Quarterly Financial Report of the Curator (5/1/36), listing of suggested prospective Trustees, listing of Trustee committee appointments 1937, sketches of Museum floor plan, etc. Dates- 12/34-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, Museum publication: Prospectus of Program Season of 1937-38, radio talk show transcript 3/38, etc. Dates- 6/37-6/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, PWA grant offer 1938 to the Museum, letter from VMFA rejecting the offer of a PWA grant, copy of the resolution that Henry P. Strause, Esq. be named first Honorary Benefactor of the Virginia Museum of Fine Arts, etc. Dates- 7/38-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Trustee committee appointments 1939-40, essays by Branch about WWII, financial situation of the Museum 1939, creation of a \"Ways and Means\" committee, etc. Dates- 8/39-6/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe Branch. Subject- Branch's presidency of the VMFA Board of Trustees, staff organization (1940), plan for VA artist fellowships, \"Art in Virginia\" an article written by Colt, Museum events and daily operations, Museum investments and gifts to the Museum, biographical information on Branch, Trustee committee appointments 1940-1, etc. Dates- 6/40-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, biographical information on Branch, Museum events and daily operations, Museum investments and gifts to the Museum, winner of the first Webster S. Rhoads medal, etc. Dates- 5/41-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Thalhimer Brothers, Inc. Subject- use of VMFA's Medieval Gallery for British Embassy reception. Dates- 6/1/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- brochures for the VA Dance Society, VA Film Society and VA Chamber Music Society. Dates- 1963-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loaning objects to Brooklyn Museum, correspondence about museum practices, exchange publications, etc. Dates- 2/48-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- essay written by J. Carter Brown for New York University. Dates- 5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- news releases about James M. Brown becoming VMFA Director, newspaper clippings, photos of Brown, Report of the Director 1972-3, etc. Dates- 6/69-11/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff and Trustees. Subject- plans for receiving the new Director. Dates- 6/69-7/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Fred Haseltine (Assistant to Director). Subject- list of objects being offered to the Museum including: antique gold boxes, ornaments, clocks, etc., letters to the executors of the Ailsa Mellon Bruce estate, correspondence with Paul Mellon, news releases and news paper clippings about gift, photos of the galleries, etc. Dates- 8/70-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Mr. David K.E. Bruce as a Trustee, Board of Trustees business, gifts to VMFA, etc. Dates- 5/48-3/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed acquisition of the Brummer collection of Medieval art, report on collection, list of objects, correspondence to Paul Mellon, etc., later sold to Duke University. Dates- 12/65-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and the Smithsonian Traveling Exhibition Service. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Exhibition 1958, includes layouts and photos, etc. Dates- 3/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's membership on the Fine Arts Advisory Committee to U.S. Commission for the Brussels Universal and International Exhibition of 1958, committee meeting minutes 1957, committee roster, etc. Dates- 2/57-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Fair 1958, Cheek was an advisory committee member, loan, catalogue and installation lists, information on slide presentation- \"Art in American Museums\", etc. Dates- 3/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- sketches, plans of the U.S. pavilion for the Brussels International Fair 1958, information and listing of objects in the \"American Folk Art\" exhibition, etc. Dates- 1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Harry Bertoia (Sculptor). Subject- the acquisition of a Bertoia piece (Tree) shown at the Brussels Fair. Dates- 8/57-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr. Subject- D. Tennant Bryan as a Trustee, Board of Trustee and Membership Committee business, etc. Dates- 10/47-6/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. D. Tennant Bryan. Subject- Trustee/Museum business, membership to the Museum, etc. Dates- 5/51-9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. J. Stewart Bryan. Subject- Trustee/Museum business, loan of paintings for inaugural exhibition, gift to Museum, etc. Dates- 6/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Thomas P. Bryan as a Trustee, Board of Trustee business, etc. Dates- 9/58-11/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- congratulatory letter to Mr. Thomas P. Bryan on election as Mayor, Date- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. to Buchholz Gallery. Subject- proposed purchases, loans, exchange publications, etc. Dates- 4/47-8/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VMFA budget exhibit 1959 and 1966-8, resume of the VMFA Trustees before the Appropriations Committee 1964, budget requests 1960-1 and 1962-4, etc. Dates- 9/61-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of Governor's Budget Advisory Board 1965, outline for capital outlay funds dinner, invitation letter to Trustees, etc. Dates- 5/65-6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed 25th anniversary budget, correspondence about obtaining a Budget Committee for the 25th anniversary program, anniversary publications, etc. Dates- 1/60-3/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about Capital Outlay Commission dinner and theatre, etc. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- suggested order of events for Budget Advisory Committee meeting, invitation letters to the Presidents of VMFA affiliate chapters, draft of end of dinner announcement, etc. Dates- 7/61-9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- list of Governor's Budget Advisory Committee 1969, review of Museum's request for capital outlay funds to construct North Wing and theatre, etc. Dates- 4/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- roster of Governor's Budget Advisory Board 1967, outline for Cheek's remarks to Budget Advisory Committee, etc. Dates- 1/67-5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- roster of Governor's Budget Advisory Committee members 1972-4, request for hearing, dinner invitations for Advisory Committee, etc. Dates- 5/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers and news releases about the addition to the Museum. Dates- 6/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to other U.S. art museums. Subject- installation and advice on purchasing an air conditioning system. Dates- 5/53-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Wm. Rhodes. Subject- correspondence about air condition system failure. Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- addition and renovation to the Museum, proposals and preliminary studies by Mr. Merrill Lee, Architect, copy of a Architects and Consulting Architects Contract, etc. Dates- 12/49-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard primarily with Architects M.C. Lee and Eggers and Higgins. Subject- schedule of interior installation, list of architects bills, building inspection, review work/progress, photographs of progress of additions to the Museum 1953, etc. Dates-12/48-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the proposed addition the VMFA 1949-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Baskervill and Sons (architects and engineers) preliminary drawings, schedule for construction project, etc. Dates- 7/64-12/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Attempt by the United Daughters of the Confederacy to expand their facility on the block. The Museum's and the Virginia Historical Society's attempts to stop them and acquire the land for their own use. Dates- 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about equipment needed to supply music to members' quarters, lobby area and galleries. Dates- 7/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- information about sound equipment. Dates- 6/54-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information on purchasing folding and stackable chairs. Dates- 8/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- extending the rise of freight elevator. Dates- 8/53-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- proposals and layout for a film production unit to be located in the new wing (to make interpretative sound films). Dates- 7/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information, blueprints on changes to and installation of kitchen equipment. Dates- 6/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- the proposed purchase and installation of photographic equipment, correspondence with other art museums about creating and maintaining a darkroom and staff photographer. Dates- 8/53-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- blueprints of check room, information about coat, overshoe and umbrella racks for the Museum check room. Dates- 9/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information about seating for the theatre and auditorium, blueprints of the auditorium. Dates- 8/53-8/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of machinery and equipment needed for the new shop. Dates- 8/17/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about chandelier for front entrance of Museum. Dates- 9/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M.C. Lee, Architect. Subject- alterations and additions to the Museum, color samples and specs for painting and finishing, etc. Dates- 8/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains amounts of pledges and names of donors giving money for new galleries.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Gallery floor plans: VMFA, Brooklyn Museum, Victoria and Albert, British Museum, Art Institute of Chicago, Walters. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Merrill C. Lee, Architect. Subject- progress photographs and negatives (north wing). Dates- 5/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Architects: contractual agreements, VMFA design program, Capital Outlay Appropriation, alteration, additions, cost estimates, expenditures, contracts for Doyle and Russell and Merrill C. Lee (AIA). Dates- 12/48 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- blueprints of a darkroom and information about and catalogs of photographic equipment. Dates- 8/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns securing restricted material such as steel for post-wartime construction. 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Mrs. J.G. Pollard. Subject- Economic Stabilization Committee (ESA) search for qualified women employees, ESA headquarters to be located in Richmond, federal government regulations that established ceiling prices for all commodities and services (except those specifically exempt) upon the basis of prices in effect between 12/19/50-1/25/51. Dates- 2/51-12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Final Statement Museum Of Fine Arts Richmond, Virginia\", contract dated June 9th, 1952. Financial statement/contract from Doyle and Russell Construction. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Terra cotta statues at the North entrance to the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Original Building: \"Manual On The Planning And Execution Of State Capital Outlays\", 9/1/44, contracts: Doyle and Russell (Building Contractors) and Merrill C. Lee (AIA). Detail for additions and deletion from original building. Design contracts and inspection reports. Dates- 1952 - 55, 1966, 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Brochures, drawings, correspondence 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- information on red carpet and padding for the front entrance. Dates- 8/51-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Meeting with Interior designers 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding plants around the Waddy fountain. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- the Richmond Junior League's proposed campaign to raise money for construction of South wing for the Museum, working papers for and final copy of the pamphlet: \"The Virginia Museum Needs Wings\", etc. Dates-12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- renovations and construction of a new wing to the Museum, Cheek's comments on preliminary and revised drawings, and construction progress, Architects and Consulting Architects Contract (Merrill C. Lee, Architect, Eggers and Higgins, Consulting Architects), an essay \"The Virginia Museum of Fine Arts Need for Completing Its Addition\", etc. Dates- 1/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information relating to addition to Museum, several reports including: Building Program 1950-1, Addition to Building 1949-50, The Virginia Museum of Fine Arts The Need For Completing its Addition, History of Appropriation for Construction (1948-53) ,also, notes for Sen. Gray about Museum addition (1952). Dates- 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- miscellaneous daily and general building maintenance. Dates- 2/60-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Governors Stanley and Battle. Subject- improvements on Museum building and completion of new wing (1954). Dates- 12/50- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject-construction/installation of American and English galleries, alterations to Medieval hall, blueprints, etc. Dates- 7/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- information on purchase of steel lockers, blueprints, etc. Dates- 4/54-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about ordering office furniture designed by Eero Saarinen. Dates- 8/64-1/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Alfred Geiffert, landscape architect. 1949-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- analysis of situation concerning the parking lot and planting, etc. Dates- 8/66-10/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Budget Estimates for landscaping the grounds of the Museum around addition, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information and bids on purchasing lighting and steel storage equipment. Dates- 11/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- info on purchase of supplies for dining room/cafeteria: placemats, traymats, doilies, napkins, matches. Dates- 1/55-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains plans for the Waddy Fountain, and furnishing brochures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Carl Milles, donor of the Little Triton Fountain 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- marble chips for garden court fountain request for information about installation of mosaics in garden court. Dates- 8/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed purchase of wall coverings for new galleries (movable partitions and door headers). Dates- 2/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- commission to decorate behind refreshment counter in the new building, commission switches from Julien Binford to Richard Q. Yardley. Dates- 6/54-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Richard Q. Yardley Mural in the refreshment room. Also contains information on Julien Binford who was originally retained to do the mural before Yardley. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Public Works Administration Grant for Museum addition, application to National Production Authority (N.P.A.) for assistance in obtaining materials for proposed Museum construction. Dates- 10/35-9/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- staff requests for facilities and equipment, list of private funds for Museum addition, Board resolution about the construction on the building, etc. Dates- 7/48-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- drawings of proposed Museum addition, Special Building Committee procedure in dealing with Appropriations Committee of the House of Delegates, etc. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and New York City Museums: Metropolitan, Guggenheim, MOMA, and Whitney. Subject- Extended loans of paintings and sculpture for the VMFA's new wing of Contemporary Art, scheduled for Jan. 1970. Correspondence from L. Cheek to John Walker to address the Collectors Circle. Dates- 7/69 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- report on budget dinners 6/65, Cheek's itinerary for talks 1965, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and Joseph Whitehead (Interior Designer). Subject- Interiors of the New South Wing, Fabric sample enclosed. Correspondence between L. Cheek and Bernard Bothner of the Brooklyn Museum. Subject- Resources for slides to accompany the reinstallation of the Egyptian Gallery. Dates- 6/66- 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposals for gallery orientation theatre systems. Memo To VMFA staff regarding upcoming Fellows meeting. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to other museum directors. Subject- Request for slides of recent building additions to their respective museums, to prepare for a presentation to the Virginia Legislature. Dates- 4/65 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey conducted by L. Cheek to determine the necessity of a sprinkler system in galleries. Letters, cards of response and survey results. Dates- 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains brochures and catalogs 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photos of preliminary architect's drawings, preliminary cost estimates, etc. Dates- 7/62-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Information concerning the MOMA 30th Anniversary, building funds drive with text of building/expansion plans, \"Toward The New Museum Of Modern Art\" , 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- review of presentations to the Art Commission, photos of other art museum additions, statements about addition (Mr. Wallace K. Harrison and Mr. Frederick D. Nichols), etc. Dates- 9/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sculpture garden fountain and the renovation of the theatre lobby. Dates- 7/76 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Wm. Higgins. Subject- Membership drive/ New Wing opening, progress reports to members of the Board, financial statements: cost estimates, design fees, operating fund, construction timetables. Fact sheet relating to history of VMFA. Signficant dates for the Virginia Museum, \"History of North Wing Construction\". Dates- 4/71 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nicholas and C. Chamberlayne (Hardwick). Subject- Progress timetable, architectural engineering/ landscape/ interior design. Revisions/ alterations to construction, cost estimates, instructions to bidding contractors. Review by building committee of the Board of Trustees. Minutes of the building committee, 2/25/72, drawing/plans. Dates- 1971 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nichols and C. Humelsine. Subject- North Wing plans, justification and description, funding, appeal to legislature to win support for North Wing funding. Rosters: Appropriations committee, finance committee, Governor's budget advisory committee. Essay- \"The Unique, Pioneering Virginia Museum\" and \"Facts on the Virginia Museum of Fine Arts\". Dates- 1967, 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson and L. Cheek. Subject- Original design of North Wing per L. Cheek and Baskerville (AIA), later rejected by the Arts Commission. List of significant dates with regard to North and South Wing additions. Minutes of Special building Fund committee, 3/11/65, original building proposal, photographs. Bulletin vol.26, no.2 10/65. Dates- 9/65 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs/Plans/Drawings from Baskerville and Son (AIA) for:entrance hall, basement/sub-basement, site plan elevations/cross section, gallery floor plans and views of entire block.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nicholas and L. Noland (building committee). Subject- Construction, architectural engineering, capital outlay, construction bids, plans and contract documents. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- blank order forms labeled VMFA NPA Regulation No. 4. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. J.G. Pollard. Subject- National Production Authority (NPA) regulations, order listings for maintenance, repair and operating (MRO) supplies, regulations about using the DO-97 rating (Form used to obtain MRO supplies), quota for the 4th quarter 1951, etc. Dates- 3/51-7/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about construction and funding (some PWA) of a wing to the Museum, publication: Working Relationships Between Private Architects and Engineers and the Commonwealth of VA (2/44, Governors' office, Division of the Budget) and The General Conditions of the Contract for the Construction of Buildings (standard form of the American Institute of Architects). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Doyle and Russell, Building and Industrial Construction. Subject- Bronze founders tablets, frames, building inspections and taking over and operating the building 10/35. Dates- 8/35-10/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Peebles and Ferguson, Architects, Norfolk. Subject-blueprints (including detail of the Portuguese Room dated 9/18/35), maintenance and furnishings (benches, plaques, interior painting, etc.) for the Museum. Dates- 4/35- 6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Ferguson, Meakin and Moore, Architects, Norfolk. Subject- reproductions of drawings of proposed south wing, drawings, bids, etc. Dates- 10/37-5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans and Correspondence 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photos of drawings showing the proposed additions and alterations to Museum. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans and correspondence regarding the memorial plaques around the building: R.E. Lee Camp, Waddy and the Old Dominion Foundation fountains. 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- construction/installation for the Pratt collection, blueprints, progress reports to Mr. John Lee Pratt, etc. Correspondence with Milton Samuels of French and Company who designed the installation, including quotes for fabric, carpet, cases, carpentry, lighting (including the chandelier). Cheek asked Pratt to fund it and he agreed. Lots of invoices. Dates- 6/54-5/55.   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Baskerville and Sons, Architects, 3/11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about building models, preliminary drawings, furnishing and equipment catalogues, etc. Dates- 4/65-12/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence and statements from Marcellus Wright and Son. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and Merill Lee (architect) and Chairman of the Building and grounds committee, concerning construction of the service area. Dates- 1/59 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Eggers and Higgins, Architects. Sketches and drawings 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., J.M. Brown and Erwin H. Will (VMFA President of the Board). Subject- all aspects of construction of the South Wing, additions and alterations to Museum, landscaping, fountain, parking lot, etc. Dates- 12/66-3/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of South Wing construction conferences 1969-72, outline of construction to South Wing, etc. Dates- 1969-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Governors Dinner/Event in celebration of the South Wing: program agenda, menu, dedication plans, News Media reception, Rosters: House of Delegates, Senate, Trustees. Key presented to Governor Linwood Holton donated to the archives by Anne Holton November 3, 2022. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Capital Outlay requests, individual project descriptions, preliminary plans, tabulations of construction bids, estimated income sources, floor plans, budgets, invoices, Executive Committee Minutes and Building Committee Minutes. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Erwin Will. Subject- New duct layout for the South Wing attic space: revisions necessary due to mistakes in original drawings and improper work. Financial statements. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA Charter, Act of March 27, 1934. Design program (2/18/49) Phase II, museum enlargement, boiler replacement, contract cost estimates, committee no.279-A, addendum no.7 to the drawings and alterations to VMFA. Theatre light control system, weekly project inspections. \"General Conditions Of The Contract For Capital Outlay Projects\". Dates- 2/52 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and members of the building committee. Subject- Proposed additions, rejection of north facade by Arts Commission. Excerpts from Minutes of Art Commission Meeting, 6/4/65, 7/9/65, 7/29/66. \"The Virginia Museum Opens The New South Wing\", Press package, Brief History and Signficant Dates of VMFA, photographs. Dates- 1965 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Supplemental Agreement #2: Additions and alteration to various aspects of structural design contracts. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Interior construction and design. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment purchasing list, blueprints of theatre, installation of theatre and projection equipment and an orchestra lift, local building committee meeting minutes, etc. Dates- 7/53-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment: bronze stands and velvet ropes. Dates- 1/55-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Construction blueprints and plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letter of invitation to Trustees, former and current, to celebrate the construction of the North Wing, seating arrangement and timetable for event. Letter to Gov. Holton concerning ground breaking ceremonies and gala dinner. Dates - 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Col. Anderson. Subject- proposal for theatre for Museum, possible recreation center for armed forces stationed in Richmond. Dates- 2/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Waddy Memorial and Triton Fountains 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- B.F. Ruskin and Associates 1953-55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- committee reports on funding for construction of addition to the Museum, schedule of payments to date (12/4/50 and 12/20/50). Dates- 10/50-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- additions and alterations to VMFA 1955, list of Museum alterations and additions to date 6/15/55 by Merrill C. Lee, Architect, VMFA Noise Survey CA 9687 (1955), blueprints, etc. Dates- 1/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains architectural plans for the first addition to the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- cost estimates/proposed funding for Museum addition, copy of the resolution to establish a Local Building Committee, announcements, replies and minutes of Local Building Committee meetings 1950-2, etc. Dates- 1/46-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Local Building Committee, 1951-54. Information regarding the local contractor. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- minutes and outlines of VMFA Building Committee meetings 1952-3. Dates- 6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr., and G.D. Gibson (Chairman of the VMFA Building Committee). Subject- addition to Museum building, listing of additions and alterations to the building, agenda and minutes of Building Committee meetings 1953-4, etc. Dates- 9/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- addition to Museum building, minutes, announcement and agenda for VMFA Building Committee meetings 1954-5, list of contributors to Museum Building Fund, etc. Dates- 7/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by G.D. Gibson (Trustee). Subject- installation of Museum equipment, minutes of the Buildings and Grounds Committee meetings 1955-6, etc. Dates- 9/56-12/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains lists of expenditures, list of private donors with amounts donated for the addition to the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA Local Buildings and Grounds Committee meeting minutes 1948-56, listing of committee meeting dates 1948-56. Dates- 1948-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard to Senator Garland Gray. Subject- information about planning costs for addition to Museum building, Museum business and events, etc. Dates- 5/51-7/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of the Museum's members bulletin. Vol.1, No.8, Vol.7, No.'s 1,4and6, Vol.8, No.'s 5and8, Vol.9, No.'s 1,2and4, Vol.10, No.'s 1,2,7and8, Vol.11, No.'s 1,2,3,4,5,6,7and9, Vol.12, No.'s 8and9, Vol.13, No.'s 6and9, Vol.14, No.'s 1,3,6,7,8and9, Vol.15, No.'s 3,4,5,6,7,8and9, Vol.16, No.'s 1,2,3,4,5and6. Dates- 9/46-2/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Bulletins with general information and a survey of sources of income, private and public, from various museums. Dates-1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 1962-1966 Donations, Trustee File. Dates- 7/55 - 12/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and members of Board of Trustees. Subject- Revision of By-laws and Memorial Fund Policy, revisions and recommendations, minutes from sub- committee on By-laws. Dates- 1958 and 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA By-Laws (revised and adopted 5/51, 5/53, 6/54), Notice of Amendments to By-Laws (6/50, 5/53, 6/54), VMFA Organic Laws, etc.. Dates- 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Senator Byrd. Subject- amendment of IRS code Sec. 863, exempting works of art loaned for exhibition in this country from federal estate taxes. Dates- 7/51-10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard, and L. Cheek, Jr. to individuals, institutions and companies beginning with the letters Ca-Cn. Subject- varied, including four letters from Alexander Calder about Museum purchase of one of his pieces. Dates- 8/45-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek. Subject- Loans of artwork, Trustees, Fellows, Mary Callery (juror, 1963 Va. Artists Exhibition). Accessions and gifts: Tree, Callery; Han Dynasty pottery; Nanny, T. Sully. Dates- 2/59 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and P. Near to J. Brun and H. Jucker. Subject- Acquisition and provenance of Caligula, Newspaper clippings. Dates- 1971-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, his term as Treasurer of the Fellows. Dates- 1/60-6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. John Canaday (from University of VA). Subject- Christmas card design by Canaday, loan of a sculpture show, jobs, etc. Dates- 5/49-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Capital outlay requests for parking area, South Wing, Entrance Improvements, Expenditures and revenues for the year ending 6/1960. \"Instructions for Form c-54-A (individual project report)\" from Commission on State Capital Outlays and Means of Financing. General Endowment Income 1960-61; Capital Outlay for Galleries, landscaping, Egyptian gallery and North Wing, 1935-60. Collections for which there is inadequate exhibition space, list of cultures that are not represented or under-represented, roster of members serving on the \"Commission on State Capital Outlays and Means of Financing. Dates- 1960-61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Includes Frances Benjamin Johnston acquisition.","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- officers from the Carnegie Corporation visiting Richmond and the Museum. Dates- 8/55-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to F. Anderson (Carnegie Corporation). Subject- Experimental use of Carnegie Collection of Materials for the Instruction of American Culture and funding of Collegiate Artmobile IV. Proposal, '\" An Artmobile for Virginia Colleges\", March 1965, Supplement, A Statewide Stimulus for Education in the Humanities, Statement of purpose, photocopy of partial grant payment. Dates- 1/58-7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Carnegie Corporation of New York and Carnegie Institute, Department of Fine Arts. Subject- Frances Benjamin Johnston acquisition, requesting a grant, requesting loans for inaugural exhibition, counsel on museum practices. Dates-8/35- 12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Carnegie Trust. Subject- a visit to Richmond by officers of three British Carnegie Foundations, information on Carnegie Trust 1954, etc. Dates- 8/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Secretary of Carnegie Dunfermline Trust. Subject- Roster of Carnegie Delegation visiting VMFA; Annual Report- Carnegie Dunfermline Trustees, 1960. Dates- 7/59-60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- job of Technical Director of the Theatre Division, etc. Dates- 6/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lists of 25th Anniversary donors; VMFA presidents and terms of office 1935-60. Essay- \" The Arts In Virginia\", Walter S. Robertson (Pres. VMFA). Essay- \"Collecting In America\", Alfred Frankfurter (editor and Pres., Art News) Dates- 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of orders for and purchasers of the Healy's Sitters Catalogues, thank you notes for exchange publications, list of relatives of Judge John Barton Payne, etc. Dates- 4/51-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Jaquelin-Ambler Portrait catalogs, listing of the members of the Jaquelin, Ambler and Broadnax families. Dates- 11/48-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- a fellowship set up by the Catherwood Foundation (previous owners of the Dali jewels) to be used for travel/education in Europe, information about transporting Dali jewels from the Museum. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fellowship for artists provided by the Catherwood Foundation and awarded and administered by the VMFA that year. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. William Gaines and L. Cheek, Jr. and M.B. Christison (Assistant Director). Subject- Gaines biographical information, Catherwood Foundation fellowship recipient, application, recommendations and award letter for fellowship, list and some photos of work submitted, etc. Dates- 3/56-11/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual luncheon and tour. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Century Lighting Co. Subject- lighting for the artmobile and theatre, etc. Dates- 6/53-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets from the Convention and Tourist Bureau (Richmond). Dates- 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- pamphlets from the Virginia Chamber of Commerce. Dates- 5/49-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Restoration of Old Botetourt Hotel, Gloucester, Va.; Programming instructions for \"Civilization\" Film Series; proposal and budget for statewide broadcast of Affiliate promotionals. Rosters of Affiliates, Chapters and Confederation Officers; Minutes of \"Executive Committee Meeting\", 10/72; maps, postcards, press release, newspaper clipping, photographs. Dates- 2/67-7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Winter Conference agenda, participants, newspaper clippings. Dates- 12/71-3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal and budget. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Affiliate/Chapter offices Museum Lecture/Tour; roster of Officers, speaking schedule, events, remarks for each engagement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prototype for letter to be sent from all VMFA Chapter Presidents to convince Legislature of the need for new building. Dates- 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dali Jewels. Date- 7/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. primarily to realtors and lawyers. Subject- sale of Cheek's property \"Faraway Farms\", information on sale of Chebry Co. property, etc. Dates- 6/50-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to T.C. Colt, Jr. from L. Cheek (when he was Chairman of the Fine Arts Department at The College of William and Mary and when he was Director at the Baltimore Museum of Fine Arts). Subject- art in Virginia, counsel on museum practices, etc. Dates- 12/36-1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- The retirement of L. Cheek, Trustee dinner honoring the occasion, presentation of \"Thomas Jefferson Public Service Award\", with remarks by Lt. Gov. F.G. Pollard; South Wing construction; invitations and newspaper interview with L. Cheek. Dates- 1/65-3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W.S. Robertson and Morton Thalhimer. Subject- Letters of moral support, press releases and newspaper clippings announcing the resignation of L. Cheek (decision later recanted). Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding L. Cheek's reconsideration of his resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resolution from VMFA Council regarding the outstanding contributions of L. Cheek. Includes letters from and too supporters. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Replies to his reconsideration of resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Text from interview of 11/2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- PR, decorations, lecture, etc. Dates- 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memo to VMFA staff, PR, agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Thank you letter from by a class participant.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding classes at the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Registration information and class lists.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison. Subject- installation of collections and exhibitions, Museum programming, biographical information, etc. Dates- 10/54-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. Christison. Subject- scripts and working papers for children's radio program (\"Treasure Trails\" on WRVA), listing of slides for Season Survey and information on a Life magazine photo exhibition entitled \"Egypt\". Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vouchers and receipts for travel expenses, 1948-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Christmas cards received by the Museum, a copy of the Museum Christmas card (1956), Information about a Christmas tree in the Members' suite, etc. Dates- 11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Commission of Virginia Artists to design Christmas Cards; rosters: Board of Trustees, A.A.M.D., newspaper clippings, cards, photographs. Dates- 1966-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- ordering Christmas decorations. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz, Sydney and Frances Lewis. Subject- Remarks by J.M. Brown on the dedication of the North Wing and on his resignation. Andrew W. Mellon Foundation, Lewis gift of funds for Art Nouveau purchases, Noland gift of \"Rotating Sphere\", reattribution of the Jewel casket. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Controversy concerning gift of Walter P. Chrysler, newspaper clippings, and Chrysler newsletters, 1973-75. Dates- 1969 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Henry Clay Hofheimer and J.M. Brown. Subject- New wing, correspondence between the Executive Board, the closing of the Chrysler Museum School, operating budget, accessions, list of objects. Minutes of Executive Board, 2/8/72. Transcript of William L. Parkers, et al complaints vs. Walter P. Chrysler Jr. et as Defendants. Dates- 1972 - 33 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Chrysler collection exhibition at the Museum and possible Artmobile tour, listing of pieces in collection, etc. Dates- 9/49-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Loan Exhibition for Church Silver of Colonial Williamsburg, outline for proposed exhibition, budget, letter drafts to Church Wardens, lists of Episcopal Churches owning Church Sliver, Format for catalogue. Dates- 7/68-4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about proposed reproduction in miniature of a Cigar Store figure from the Museum collection. Dates- 7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed reproduction in miniature of American cigar store figures from the Museum collection. Dates- 5/56-12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek Subject- Civil War Centennial Exhibition, agenda, maps, newsletters, VMT copy of \"Certificate of Award\", conferred on the Virginia Civil War Commission. \"Virginia Joins The Confederacy, Chronology of Events November 1860 through 1861\", Civil War Centennial, 1961-1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's membership on advisory council of the Civil War Centennial Commission, site development study for proposed Confederate Memorial Park in the Museum area, \"Report of the Preliminary Plans of the Virginia Civil War Commission to the General Assembly\" 12/59, etc. Dates- 5/59- 12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Programming, Ticket Stubs, newspaper reviews, news releases, photographs. Dates- 7/70 - 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Joseph Lucas (pres. Civitan Club) [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Resume of Cleveland Museum President, Sherman Emery Lee with photo, Cleveland Plain Dealer Interview \"Sherman Lee's Double Life\". Dates- 12/55-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Clopton complaint about film tickets. Dates- 2/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- membership in The Poetry Society of Virginia. Dates- 2/53-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr., to individuals, institutions and companies beginning with the letters Co-Cz. Subject- varied. Dates- 8/45-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., L. Cheek and J.M. Brown. Subject- Geri Melchers Memorial; Minutes of Annual Meeting 1962; Minutes of Executive Committee Annual Meeting 1962; restaurant feasibility. Dates- 1957-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arranging a lecture by Mr. Alexander S. Cochran, Architect in conjunction with the exhibition \"Domestic Architecture of the San Francisco bay Region\", biographical information, etc. Dates- 10/49-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, gifts. Dates- 6/54 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the American Association of Museums (AAM). Subject- copies of the Code of Ethics for Museum Workers 1925 AAM report. Dates- 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Remarks on \"The Relation of Trustees and Professional Staff of General Art Museums\", delivered by Charles Nagel 5/17/69,  \"Code of Ethics for Museum Workers\" 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rhodes Rathskellar, proposals for lunchroom: use by staff, volunteer personnel, policy on break schedule and lunch periods. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from P. Near and Peter Mooz. Subject- Checklist of the status, strength, weaknesses and needs of the VMFA. Damage report, gifts of artworks and accessions, Art Purchase Fund, press releases. Letters to Christo and Robert Rauschenberg. Dates- 1976-77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, letters, newspaper clippings and information from dealers, prices regarding possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, prices and other information relating to possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (assistant Director for Collections and Education). Subject- listing of possible additions to Museum's collections 1953, information and some photos of objects considered for acquisition, correspondence with art dealers, etc. Dates- 12/51- 11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- listing of possible additions to the Museum's collections, information and some photos about objects considered for Museum acquisition, correspondence with art dealers, etc. Dates- 1/53-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near, F. Brandt and P. Mooz. Subject- Reorganization of the Collector-of-the-year. 1975- Mrs. Lummont du Pont Copeland Collection on Export Porcelain. 1977- David Lloyd Kruger Collection of Contemporary Art. 1978- Hugo Weisgall Collection, list of objects, copies of scores for the Weisgall Concert catalog. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from P. Near to members. Subject- Collectors circle event with lecture by Caroline Keck. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Cultural exchange, Minutes of Executive Committee of C.A.A., 1/62, 4/62, Minutes of Annual Meeting, 1971; Minutes of C.A.A. Business Meeting, 1/62; revised draft of \"Policies and Purposes\", roster of officers, Directors and committee members; Essay- \"The Visual Arts in Higher Education\". Dates- 1/62 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List for reception/cocktail party, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Preston L. Collins (Lt. Governor). Subject- announcements of Trustee meetings, invitations to Museum events, replies, etc. Dates- 5/51-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. to staff of Colonial Williamsburg. Subject- museum methods. Dates- 7/46-12/54.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- general correspondence with staff of Colonial Williamsburg, information on Cheek's speaking engagement with Williamsburg Rotary Club, etc. Dates- 2/54-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and the President of Colonial Williamsburg. Subject- loan of display units to Colonial Williamsburg, museum practices, etc. Dates- 3/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Colonial Williamsburg. Subject- correspondence about the Williamsburg Antiques Forum, publications/mailings about Antiques Forum 1964,'66,'67,'73, etc. Dates- 5/66-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- detailed letters about the goings-on at the Museum while Colt was serving in WWII, also letter from Mrs. Alfred DuPont about art education. Dates-8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. J.G. Pollard and others. Subject- record of Colt's military service, his resignation to serve in WWII. Dates- 11/42-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Columbia Records presented 55 recordings of the New York Philharmonic Orchestra to the VMFA in 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of \"On Fine Arts in Modern Society: A Research Proposal Prepared for the Virginia Museum of Fine Arts by the Columbia University Bureau of Applied Social Research\". Dates- 5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices with The Columbus Gallery of Fine Arts (Columbus, OH) and Columbus Museum of Arts and Crafts, Inc. (Columbus, GA). Dates- 3/51-8/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to the Board, list of appointments, etc. Dates- 1959-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of committee appointments 1963-4, invitations to Trustee committee appointments, etc. Dates- 8/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to Board and replies, list of appointments, etc. Dates- 1958-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and W.S. Robertson (VMFA President of the Board). Subject- VMFA roster of Trustees 1964-5 and 1965-6, Board committee appointments 1965-6, invitations and responses to Trustee committee appointments, letter about Board term limitations (proposed limitation 2 successive terms of 5 years each), etc. Dates- 6/64-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek correspondence as a member of Committee for International Cultural Exchange (CICE), etc. Dates- 6/61-2/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- suggested projects for Public Relations and Development committees, proposal for the Museum by the P.R. counseling firm Earl Newsom and Co., etc.. Dates- 3/54-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from State Department of Purchases and Supply. Subject- information about choosing stationary, samples for new state letterhead. Dates- 9/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"A Report to the Virginia Museum of Fine Arts 11/19/58\" from the viewpoint of its public relations information and communications responsibilities and program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- information and memos about arrangements for community college presidents to meet at the Museum. Dates- 12/70- 1/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- cooperative arrangements between VMFA and Va. community colleges, Virginia Community College System Annual Reports 1969/70 and 1970/71, proposed programs for community colleges, etc. Dates- 10/70-8/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complaints from Museum visitors about exhibitions, entrance fees, membership rates, guards, etc. Dates- 12/63-7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Museum operations: food service, VMT, membership, discontinuation of dinners in the galleries and newspaper clippings. Dates- 1974 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- guest list for complimentary cocktails in honor of officers and Museum volunteers from the Council, Jr. League and Theatre Affiliates, roster of Jr. League officers 1970-1, etc. Dates- 9/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Erwin H. Will (VMFA President of the Board). Subject- arrangements for a luncheon held in honor of officers and Museum volunteers from the Council, Junior League and Theatre Affiliates, guest list, suggested remarks for Mr. Will at luncheon. Dates- 9/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- miscellaneous Thank you's and compliments about gift and exchange publications, exhibitions, programs, the Museum in general and Cheek's responses. Dates- 2/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence from the public complimenting the museum in some way. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. and W.S. Robertson (President of the Board of Trustees). Subject- Complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 7/60-12/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 1/64-11/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on programs, theatre productions, museum in general and his responses. Dates- 7/66-10/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Various museum operations. Dates- 1972 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- compliments about 25th anniversary exhibitions, events and catalogue: Treasures in America, \"A Tribute to Virginia's Unique Museum\"-a Sunday newspaper supplement, etc. Dates- 1/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for VMFA European catalogue, an exchange publication. Dates- 5/66-9/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Faberge catalogue: Russian Imperial Jewels, a VMFA exchange publication. Dates- 12/60-2/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- compliments and thank you's for gifts/exchange publications of Russian Imperial Jewels, the catalogue of the Museum's Faberge collection. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Architecture in Virginia, a VMFA exchange publication. Dates- 2/68-5/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for William Hogarth, A Loan Exhibition of Paintings, Drawings and Prints, a VMFA exchange publication. Dates- 1/67-3/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Painting in England 1700-1850, Collection of Mr. and Mrs. Paul Mellon, a VMFA exchange publication. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on \"Painting in England\" exhibition (Mellon Collection) and his responses. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for The World of Shakespeare, a VMFA exchange publication. Dates- 1/64-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Form letter from the President to potential members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J. G. Pollard. subject- Letters to Trustees regarding 25th anniversary fund and letters to new members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- performance at Mosque of \"The Confederacy\" as a benefit for the Artmobile, project later abandoned, Date- 11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- drawings of the site of the Confederate Memorial Chapel, landscaping plans, etc. Dates- 7/66-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Richmond Times-Dispatch article \"The Old Soldiers Faded Away Home Here is Vacant\". Dates- 1/16/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitation to Director of the Norfolk Museum to Confederation workshop. Dates- 5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- congratulation and reply letters on the installation of Mr. James M. Brown as VMFA Director. Dates- 6/69-6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of objects from the Glasgow bequest and purchase fund currently exhibited in Museum galleries. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Mrs. Anthony Congreve. Subject- biographical information on Arthur and Margaret Glasgow, correspondence about Glasgow fund for purchasing works of art, listings of purchases made with Glasgow Endowment Fund 1966-72. Dates- 11/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz. Subject- Physical plant restoration project: cleaning of VMFA interior and extensive improvement of motor park, project data summary, Conservation Laboratory: construction and equipment, supply expenditures, budget. Grant application: \"Proposal for Virginia Museum Conservation Laboratory\", employment contract, job descriptions, resumes of prospective applicants. Dates- 1975 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- biographical information arrangements for giving lectures/seminars at the Museum, VMFA Members' Bulletin vol.23, no.9 5/63, etc., Date- 11/50-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for securing speakers for the \"Fireside Series\" proposed art talks held in the library, Thank you's to speakers, etc. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loans of objects between VMFA and Corcoran Gallery of Art, correspondence about museum practices. Dates- 3/51-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Katharine Cornwell. Subject- biographical information on this actress, invitation to come to Richmond to see a show and promote TheatreVirginia. Dates- 5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets and post cards from the Corning Glass Center. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information on obtaining assistance from philanthropic organizations and corporations, etc. Dates- 2/55-12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by E.H. Will (VMFA President of the Board). Subject- solicitation letter for corporate patrons, information on corporate patrons program, roster of Richmond corporate patrons 1970, invitations to corporate patrons gala, etc. Dates- 12/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by E.H. Will (VMFA President of the Board). Subject- solicitation of corporate patrons, pamphlets about corporate patrons program, publications for the corporate patrons gala, etc. Dates- 7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- roster of Richmond and of state corporate patrons 1971, planning for \"Fete Aux Galleries\" the corporate patrons event 1972, invitations and guest list for event, etc. Dates- 6/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Exhibitions, condition reports, insurance, gifts and purchases. Essay- \"Successful Adult Museum Programs\", M. Christison. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Velz.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) primarily, also L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- varied. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- General correspondence regarding publications, museum practices, exhibitions, pamphlets. Letter from Alexander Calder. Dates- 7/56 - 12/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Ford Foundation grant-in-aid program, Fogg Conservation Symposium and the Chrysler Collection. Photographs, cesolution recognizing the outstanding contribution of L. Cheek by the VMFA Council. Draft of \"Standards For Museum Practices\", SEMC, 1958. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition of American Silver, jurors for 1965 ADP exhibition, biographical data, 25th Anniversary exhibition and list of objects for loan. VMFA film series, press releases for \"The Little International\" from the Olsen Foundation and the Artmobile. Dates- 1958 -1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and VMFA Council officers. Subject- Council roster 1957-8 and 1958-9, listing of charter members, council-sponsored events and programs, lecture series schedule 1957-8 and 1959-60, statement of purpose of the Council, minutes of general meetings 1962 and'65, Executive Committee meeting minutes 1962 and '63, acknowledgments of gifts to the Museum, etc. Dates- 7/56-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown with the VMFA Council. Subject- Council gifts, Council -sponsored events and programs, preliminary drawings for Council shop office, breakdown of Council Contribution Fund 10/70 and 11/70, etc. Dates- 2/66-4/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for corporate patrons ball, roster of Richmond and of state corporate patrons, roster of Council committee for the ball, invitations and guest lists for ball, etc. Dates- 10/70-3/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- outline of the organization of the VMFA Council, Council Program 1955-6, Council of the VMFA Charter Meeting and Articles of Association, \"Friends of the Museum Constitution\", etc. Dates- 5/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- VMFA Council Contribution Fund analysis 1971 and'72, various Council sponsored events and programs, agreement between VMFA and the Council 10/20/70, A Short History of Council Gifts to Museum 1955-71, The Council of the Virginia Museum Directory 1971-2, general correspondence between Council officers and VMFA staff, etc. Dates- 1/71-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Council Trustee Contribution Fund, conservation laboratory, library, state services, fellowships and internships. Profit and loss statements, general ledger trail balance, Art Purchase Fund, staff expenses, VMT financial statements, matching funds for NEA Grant. New Council Shop, furnishings, installation, etc. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposal to establish fellowships for professional craftsmen (resident Craftsman Program), letters from interested craftsmen, etc. Dates- 2/63-2/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- proposal of a story about the Museum for Time-Life magazines, reference made about a reproduction of a Watteau from the Museum's collection appearing in Time. Dates- 11/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Monica Hamm and P. Mooz. Subject- Head of publications, editor of AIV and advisor for photography exhibitions. \"Focus On The Arts\", Pat Becker. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- fact sheet about VMFA, House bill no.862 was about establishing a Virginia Commission of the Arts and Humanities, transcript of the VMFA presentation by E.H. Will (VMFA President of the Board) to the Virginia Assembly, Rules Committee asking to kill or amend the bill, etc. Dates- 1/68-2/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- roster of Virginia Cultural Development Study Commission and of the State Arts Committee, information about the creation of the Va. Cultural Development Study Commission by Senate joint resolution no.67, essay- \"The Virginia Museum and the Arts in Virginia\", correspondence about meeting with the Cultural Development Commission, \"Dissenting Opinion Report of the Cultural Development Commission\" by Dr. William H. Higgins, Jr., member of the Commission, etc. Dates- 3/66-1/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"D\". Subject- varied. Dates- 3/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- VMT, exhibition schedules, Byzantine Architectural exhibition, College Drama Festival, loans of art works, Artmobile, Horace Day, NEA proposal, pamphlets, magazine excerpts, cards, biographical data, etc. Accessions and gifts: \"The Meeting of Joachim and Anna Under the Golden Gate\", A. Duer. Dates- 10/58 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Conference for teachers and students of Dance at VMFA, master classes, lecture and performance by Alwin Dance Theatre, agenda, list of dance teachers. Date- 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, AIV. Dates- 1/61 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Virginia Architects, Designers and photographers\", Collectors Circle, Va. Artists Biennial, donations, gifts, memorial fund. Dates- 6/59 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, acting director of the Museum and Governor Darden, regarding the Museum director and the Curator of Decorative Arts, who were both on leave to the armed forces during World War II, 1942-44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with and biographical information about Carson Davenport, Virginia artist. Dates- 1936-1944.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Ms. Davis. Subject- visits to \"Faraway Farms\" (Cheek's property) Davis was apparently a housekeeper/caretaker of some kind. Dates- 2/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and donors Mrs. Lincoln Davis, and George Cole Scott and Hildreth Dunn Scott, 1937-43.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., E.M. Davis, III (Curator) and L. Cheek, Jr. Subject-restoration of Mrs. Davis' Flemish painting, gifts from Mrs. Davis, information on Museum Board accessions committee (Mrs. Davis member), etc. Dates- 10/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. Lincoln Davis. Subject- Trustee/Museum business, letter of resignation from Board, etc., 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Elizabeth Nottingham Day and Horace Day, patrons and donors, 1934-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Day's exhibition at the VMFA. Dates- 1/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard to Mr. and Mrs. Horace Day. Subject- Horace Day biographical information, exhibition record, job recommendation, newspaper editorial written by Mr. Day on American Painting, etc. Dates- 1950- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Mr. Howard Dearstyne. Subject- proposed exhibition of Dearstyne's work and speaking engagement, etc. Dates- 11/50-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chamber Music Society, Building grounds committee, gifts, donation. Dates- 1954-65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to the Earl de la Warr. Subject- a visit to Richmond by the Earl, loan of a painting to the Museum exhibition \"England's World of 1607\", etc. Dates- 4/57-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. Marie de Mare. Subject- catalogues of \"Healy's Sitters\" exhibition ( Mrs. de Mare was Healy's grand-daughter), proposed film and biography of Healy by Mrs. de Mare, etc. Dates- 5/49-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His position as Art Director of AIV, music and dance folders. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from D. Nichols (administrator), F. Haseltine (PR). Subject- VMT subscription, Executive Committee Report, Collections Activities, Public Information Report. Dates- 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- information about an exhibition scheduled From Nov.22-Dec.31, 1955 featuring merchandise available for purchase in time for Christmas. Dates- 9/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Traveling exhibition. Dates- 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- International Traveling exhibition. VMFA and Leslie Cheek were the American coordinators from 1951-1954. Lists of attendees at the opening dinner 1/15/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Design in Scandinavia\" exhibition checklist, description of the exhibition, official record of receipt and list of items received but not included in exhibition, etc. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- RSVP's to dinner held on the opening night of the exhibition \"Design in Scandinavia\". Dates- 12/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., Mrs. J.G. Pollard and M.B. Christison. Subject- exhibition catalogue information for \"Design in Scandinavia\" and RSVP's for dinner held on the opening night of the exhibition. Dates- 12/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- American Tour 1954-57. Correspondence and publicity regarding. AFA took over the circulation of the exhibition.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committees in the United States. Lists of members and minutes from meetings 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Favorable reviews of the exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copy of a New York Times article written by Cheek concerning the upcoming exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening of the exhibition at the Museum, January 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- dinner guest lists, menu, planning for opening night dinner for \"Design in Scandinavia\" exhibition, list of Board of Trustee committee appointments 1953-4, registration for Southeastern Museums conference 1953, etc. Dates- 12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- RSVP's for the dinner and other opening events for the exhibition \"Design in Scandinavia\", exhibition catalogue, information used in planning printed material for the exhibition, etc. Dates- 4/53-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject-job description of a designer for the Design and Construction division of the Museum, proposed hiring of a designer, etc. Dates- 2/54-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- floor plan and printed matter for \"Designer-Craftsmen USA\" exhibition, photos of the exhibition, VMFA Member's Bulletin vol.15, no.5 (1/55), etc. Dates-11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Strauss. Subject- 25th Anniversary, draft of appeal to enlarge endowment fund, pamphlet. Dated- 6/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for a diorama in connection with \"Orientations of Virginia's Cultural Background\", photographs. Dates- 7/61 - 6/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resolution by the Executive Committee to authorize excess travel cost by VMFA staff. Dates- 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trip itinerary, pamphlets. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Fowler, D. Nichols, B. Ryan. Subject- All manner of VMFA operation: photography budgets, payroll dispersal, VMT renovation, Artmobile, damage and security of Art works, gallery installation, loans, art purchase invoices, Theatre contract, repairs and modification invoices, grievance procedure, pamphlets, Interpol investigation of Indian sculptures, requests for establishing new positions: Vice Director for Public Affairs and Artmobile curator. \"Partnership Agreement of Artco and Company\", \"Operation Countdown\", analysis of responsibilities and time required for completion of the North Wing. Photographs, pamphlets, announcements. Accessions and gifts: 17th C. Eng. Embroidered Casket, Byzantine Bronze Plaque, Tomato Soup Can (A. Warhol), Bolt of Lightening (R. Lichtenstein), Portrait of a Lady, Payne Collection. Dates- 1/68 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, F. Haseltine, D. Nicholas, J.M. Brown, P. Near, A.W. Stalnaker, B. Ryan, Mrs. Pollard. Subject- All manner of inter-museum operations: Public information schedules, membership campaign, promotion deadlines, travel itineraries, budget proposals, etc. P. Nears observations on possible acquisitions. Dates- 7/64 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters of request, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Secretary to the museum, biographical data, job description. Museum files and the law regarding public information, records management, records to be retired, list of file classification: deletions and additions. Events schedules, agendas and exhibitions. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, A. Dohn. Subject- Letter of recognition of donations, list of donors and their gifts of art works. Dates- 1964-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Chenery Estate and Gottwald endowment Fund. Art Nouveau gift of Sydney and Frances Lewis. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMT, Fellowship Fund, Museum Classes, Chenery Estate, Art Nouveau Fund, Artmobile and Gottwald Endowment Fund. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Buyers guides, pamphlets, magazine excerpts, specifications, blueprints, lists of chapters and affiliates, photographs. Dates- 9/61 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, and L. Cheek. Subject- Gift of Dunsten Memorial, Payment record, gallery proposals, \"The Virginia Museum Needs New Wings\": appeal to membership and Trustees for building funds. Dates- 12/46 - 4/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. Alfred I. (Jessie Ball) Dupont. Subject- Donations. Contains a letter regarding her feelings in favor of segregation at the museum and in the arts. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jessie Ball duPont's membership on the Executive Board, gifts and donations. Dates- 5/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Jessie Ball duPont. Subject- Membership as a Trustee, Fellow, Chair of 25th Anniversary Fund drive, contributions and gifts, magazine excerpts, biographical information, contributions and gifts, progress report from Anniversary Fund Drive. Dates- 2/59 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and D. Hudson (state coordinator of Arts System). Subject- Salary scales for VMT, NEA grant proposals. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Exhibitions, Artmobile, VMT, Va. Fellowships, search for potential jurors, work schedules invitations, newspapers, postcards, etc. Accessions and gifts: \"Autumn Leaves\", A. Palmer. Dates- 5/46-5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agenda and letters to K. Fowler of VMT. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Wm. Heartwell and Gov. Holton. Subject- \"Minutes of Economic Resource Task Force Meeting\": 7/23/71, 9/2/71, 10/8/71, 1/13/72, 4/20/72, purpose of task force was to improve communication between various agencies and the governors office. Draft of Executive order: relationship of state agency organizations to Commonwealth planning districts, budget estimates, agendas, Bills held in House Committee for the 1973 General Assembly. Dates- 1971 -72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- C. Guinnan request for a meeting room. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from A. Stalnaker and H. Dohn. Subject- Events for Governors School for Gifted Students: schedule, housing, food service, etc. Dated- 7/73- 8/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between A. Dohn and Mr. Albertia. Subject- Student application, agendas and statement of purpose. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Event to expose students to the function, organization and operation of VMFA, timetable and agendas. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and B. Bothmer (Egyptologist, BMFA). Subject- Invitations, list of Egyptian art objects available for purchase. Dates- 9/54 - 11/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Requests for films and slides, Artmobile, loans for Egyptian Gallery, statement/remarks for opening exhibition, newspaper clippings, blueprints. Dates- 2/55 - 12/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Suggested remarks related to \"Installation of a Gallery of Egyptian Art\", loans from other museums, agendas, letters to other curators and directors. Gift of Egyptian Gallery from Mrs. James Parsons. Dates-2/61 - 4/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- early planning stages of the exhibition \"England 1607\", list of pieces in, list of lenders to the exhibition, installation schedule and exhibition description, printed materials, \"Status Report on the Museum's Jamestown Festival Program\", etc. Dates- 6/54-8/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gallery opening made possible through gifts of china from Lady Nancy Astor, invitations and loan requests. Dates- 4/61 - 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- invitations to these exhibitions: \"Masterpieces of Chinese Art\" and \"Russian Imperial Jewels\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedules 1946, 1946/7, 1949, 1950, Entertainment Committee announcements and replies, committee report 1946, committee roster 1949/50, biographical information on the following Museum guests: Yasuo Kuniyoshi, John W. Taylor, Charles W. Smith, Reginald Marsh and Lamar Dodd, etc. Dates- 1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedule 1946/7, 1950, 1951, 1952, 1953, 1954, Entertainment Committee rosters 1950/1, 1951/2, 1952/3, proposed Friday evening events 1950/1, committee meeting minutes 1952, biographical information about George T. Hamilton, etc. Dates- 1946-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, VMFA Entertainment Committee schedule 1954, 1955, 1956, announcements and minutes of Entertainment Committee meetings 1951, 1953, 1954, 1955, 1956, etc. Dates- 1951-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee roster, Entertainment Committee schedule 1955, meeting announcements, biographical information about the artist Donald Oenslager, etc. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, announcements and replies for VMFA Entertainment Committee meetings, roster of Entertainment Committee, committee schedule 1955, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. Arthur Kelly Evans. Subject- a bequest to the Museum from Mrs. Evans, etc. Dates- 11/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- proposal for fundraising project for VMFA Council in fall 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- 60the Anniversary of the AFA meeting and symposium in Williamsburg, registration forms. Dates- 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agenda, timetable and luncheon for behind the scenes tours by the Council. Date-1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Benefit for the Council Service Fund, program, menu. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Museum in Action\": documentary of VMFA galleries and statewide activities, preview agenda, press dinner, invitations. Producer: Richard Rochement Narrator: Alistair Cooke Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for VMFA banquet services. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Exhibition: \"Treasures from the Norfolk Museum\", Governor's reception, program agenda. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gallery plan, staff assignments and program. Dates- 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reinstallation of the permanent galleries. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Members dinner dance event, invitations, guest list. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Glasgow Estate, Jamestown Tablet. Reception for Committee on Law Celebration. Dates- 12/58 - 4/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Members preview and reception: timetable, program, invitations, gallery plan, etc. Jack Larsen: lecture and biographical data. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of invitation to members of Virginia Chamber Music Society to attend a Theatre-Dinner. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Inauguration of a monthly series of theatre Dinners, guest list, letters of invitation for event and menu. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition: \"Designs for the Theatre\" Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reception for British group of scholars and collectors and travel itinerary. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- A British organization on American Tour. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Meeting at VMFA for NCEW: an organization to stimulate the conscience and quality of the American Editorial page. VMFA Executive committee minutes, biographical data, program agenda. Dates- 7/58 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of request for use of VMFA Gallery for Dinner, agenda, timetable. Dates- 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Tour routes, agenda and schedule of events for reception and letter to new members. Dates- 9/68 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of invitation to reception, tour of museum, agenda, timetable, etc. Dates- 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. Breeden (Membership Chair). Subject- Procedure and agenda for members reception and tour schedule, press release, invitations, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Haseltine. Subject- VMT Premiere performance and promotion. Dates- 5/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- exhibition: \"Treasures of the Norfolk Museum\", program/dinner agenda, invitation, etc. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Arthur Houghton. Subject- Preliminary event outline, layout, program agenda, procedure, invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Annual event to honor corporate patrons: entertainment, decorations, invitation list and suggested remarks to be delivered by President, E. Will. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Private advanced performance of \"School For Wives\", biographical data on Peggy Wood. Dates- 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Rhoads. Subject- Agenda and sample of invitation. Dates- 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Gregory Peck. Subject- Grand opening of Virginia Theatre Arts System, events schedule for preview, Letter from Gregory Peck. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Library reception and banquet for college Presidents attending the Drama Festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner and Theatre Party: agenda, invitations. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters of request and agenda for Theatre Dinner Party. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Rhodes and E.M. Last (Chair, RLS) Subject- Performance of RLS at VMT, ticket sales and cost estimates. Dates- 1/65 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of request for VMFA services. Dates- 4/31/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Robinson House formerly the Scientific Research Organization, VMFA headquarters for LOAS, adult classes and resident craftsperson, Invitation, Historical background, Bulletin vol.24 no.7 4/64 Dates- 8/62 - 3/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Helen Dohn. Subject- Smith College dinner with lecture by Charles Chetham, Director of Smith College Art Museum, agenda, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- The VMFA Council, Theatre Affiliates, President's Dinner. Music, Dance and Film Societies. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The Hospitality and Information Service for diplomatic residents and families. Dates- 1968. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- three day seminar program of multi-level experience in the Arts For exceptional Virginia Youths, agendas, etc. Dates- 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMFA luncheon and tour. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Paintings and drawings by E. Vedder, speaker. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for contributions. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: Hugh Newell Johnson. Reception, guest list and agenda. Exhibition catalog. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Harry Bertoia, Sherman Lee. Subject- General correspondence regarding juror service. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Sherman Lee. Subject- Jury Chair: Sherman Lee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Juror: William Pahlmann. Event program agenda, invitation, guest list, etc. Catalog: \"Virginia Interior Designers 1973\". Dates- 10/72 - 3/73 \"Virginia Interior Designers Reception Fri. 16 Mar.,  1973, 5-7 p.m.\" Subject- Invitation. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, W. Gaines and H. Dohn. Subject- Schedule of events, exhibitions, Bicentennial Celebration. loans, gallery tours, calendar news, Invitation for the \"India In Virginia\" exhibition. Dates- 8/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains minutes, agendas and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas, 1954-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, announcements, agendas and minutes of VMFA Exec. Committee meetings 1955, 1956, etc. Dates- 9/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, VMFA Exec. Committee minutes 1956, list of Exec, Committee members 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and William J. Rhodes, Jr. (President). Subject- Trustee/Museum business Exec. Committee meeting agendas 1954, 1955, 1956, Museum finances (pay scale, Director's allowable expenses, approvals for purchases) VMFA Committee appointments 1956-7, etc. Dates- 6/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. and Col. Henry W. Anderson (President). Subject- Trustee/Museum business, VMFA Exec. Committee meeting minutes 1950, 1951, 1952, 1953, listing of members of the Exec. Committee 1950, 1951, Exec. Committee resolutions 1950, 1951, 1953, By-Laws revised and adopted 1951, etc. Dates- 1950-3. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- Executive Committee minutes, copies of Exec. Committee minutes 1953, 1954, 1955. Dates- 12/53-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Gari Melchers Memorial Committee, VMFA Exec. Committee minutes 1956, list of Exec. Committee members 1956, etc. Dates- 4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Trustee/Museum business, VA Art Alliance, Williams Fund purchase, VMFA Exec. Committee agenda 1952, 1953, 1954. Dates- 5/51-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W. Gaines, R. Velz, M. Christison. Subject- Roster of large Richmond firms and number of employees, invitation cover letter, remarks to be delivered after luncheon. Dates- 9/63 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- lists of proposed exhibitions, events schedule for 1955-6 season, roster of members and schedule of the entertainment committee, drama schedule for Virginia Museum Theatre, etc. Dates- 7/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Notable lecturers and AIV contributors, biographical data. Jurors: Charles Eames, Morris Ketchum and Bert Stern. Dates- 1967 – 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Budgets, loan requests. \"Picasso: A Selected View\", \"12 American Painters\", List of Art Works, biographical notes test for the catalog: \"The Flowering of American Folk Art\". Catalog: \"American Painting 1970 including correspondence with Richard Diebenkorn. Dates- 1970-1974. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Bernard Martins' \"Portrait of Edward Hopper\", \"Walter Gropius - 1883 - 1969\", \"Jose Puig\", projected budget, attendance records, requests for loans, receptions events schedules, etc. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Engineering projects around the world, assembled to illustrate the aesthetic impact of technology. Cost estimates for exhibition, speakers and invitations. Dates- 7/64 - 1/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Outstanding objects in American Museum collections that are gifts or have been purchased with contributions from patrons. Event arrangements/planning. Requests of loans and press releases. \"A Brief History of the Virginia Museum of Fine Arts\", by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition \"Homage to the Square\", signed letter from Elaine de Kooning. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening festivities of the Aldrich Collection of Impressionist and Post-Impressionist paintings and sculpture. Catalogue: \"The Aldrich Collection\", foreword by L. Cheek. Dates- 11/58 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: Bartlett Hayes. VMFA purchases from exhibition. Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: C.V. Donovan. Request for loans from other galleries. Dates- 1962 , 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Al Held. Subject- Juror: Peter Selz. The removal of artwork from the wall of the VMFA for a period of one week in demonstration of racism, war and repression in America. List of paintings to be shipped and installation instructions. Dates- 9/69 - 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Search for a disposable cardboard shelter for use in a traveling sculpture exhibition to the Chapters and Affiliates. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Juried exhibition of Virginia Architects, Designers and Photographers. American Painting exhibition. Dates- 1964, 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt, Sydney and Frances Lewis. Subject- Art Nouveau exhibition: request for loans, lists of objects, opening event agenda, timetable, invitations, etc. Lecturer: Robert Koch. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. H. Bache and P. Near. Subject- Collector-of-the Year: Pre-Columbian gold collection, list of objects, letters to members of Collectors Circle. Dates- 196 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for flags from Embassy of the Federal Republic of Germany. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Kent Bicentennial Portfolio: \"Spirit of Independence\", prints by 12 Contemporary American Artists. Rockefeller Collection of Picasso Tapestries. Dates- 11/74 - 11/75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Phillip Hofer. Subject- Philip Hofer: biographical data and lecture on Blake. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Block as Collector-of-the Year (1967): Collection of 19th and 20th century watercolors and drawings, reviews and agendas. Dates- 10/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum of Modern Art exhibition \"Art Lending Service Retrospective\", lecture by MOMA Junior Council President Lily Auchincloss, lending services, expenses and pamphlet. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibit on ancient Chinese treasures. Date- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases for Virginia's Civil War centennial Exhibition and celebration at the VMFA, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- C. Conger (White House Curator) and his collection of interior furnishings. Heeramaneck Collection. Dates- 1967, 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Blumka Medieval Collection: Preview, program agenda, invitations, etc. Damage report to Gothic Cut Velvet Cloth, Conservators report and insurance claims. Dates- 1/73 - 5/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Exhibition of Tapestries from the House of Edgeworth and paintings, prints and drawings. Lecture, list of objects, PR, gallery plan, invitations, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek's service as a juror for \"International Glass\", gallery plan, photographs, list of jurors choice objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition \"Robes from the Forbidden City\": lecture by Alan Priest on Chinese Textiles. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt and P. Near. Subject- Virginia Photographer 1971, juror: Harry Callahan. Mourot Collection of porcelain. Exhibition schedules, lectures, gifts, loans of art objects, roster of Trustees. Catalog: \"Virginia Artists 1971\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Davies exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and H. Gummerus (Finnish Society of Crafts and Design). Subject- Gummerus lecture on Finnish design. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibition of Tutankhamun. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Bernard Von Bothmer (Brooklyn Museum). Subject- Von Bothmer account of his discovery fo the missing portion of VMFA fragment of Sema-Tawy-Tefnakht. Conservation and restoration of scribe, magazine clippings. Slides and photographs. Dates- 12/64 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. L.J. Dee (Cooper- Hewitt) Subject- Her Lecture to VMFA. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture by Buckminister Fuller, biographical data, catalog, installation, invitations, etc. Dates- 1/59 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contemporary Art forms of Israel. Lecturer: Avid Yafeh. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturer: John Walker. Invitations, entertainment. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Gaines. Subject- Documentation of the making of George Steven's film. Installation, design, floor plans and cooperating agencies. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Herbert Hoffman, Perry Rathbone and Patricia Davidson. Subject- Bill S.2273: to enable works of art and other materials imported for temporary exhibition in non-profit activities to be immune from judicial process. Description of objects for possible acquisition. Exhibition design, installation, VMFA and BMFA gallery plans, invitations, etc. Dates- 9/63 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Rathbone and H. Hoffman. Subject- Loans of Greek gold from the Hermitage and other institutions. Appeals to the State Department regarding Bill S.2773. Dates- 3/64 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Christine Alexander. Subject- Alexander's service to VMFA consultant on Greek and roman acquisitions. Exhibition lecture by Dorothy Kent Hill. Dates- 12/61 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Western art in Virginia collections, loan requests, film series, invitations, program agenda, etc. Lecturer: Larry Curry. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Perry Rathbone and Nasli Heeramaneck. Subject- Installation and acquisitions from the Heeramaneck collection. Lecturer: John Alexander Pope (Freer Gallery), newspaper clippings. Dates- 12/66 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon and Lessing Roswald. Subject- Request for loans, receiving and storage of objects. Event invitations, agenda, etc. Lecturer: Philip Hofer. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and John Koenig. Subject- Proposals for the filming and documentation of an epic film: research, selection, documentation, etc. Proposals were originally made to Samuel Goldwyn and Cecil B. de Mille. Dates- 7/55 - 2/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Goodrich. Subject- Requests for loans from various collections. Text for catalog forward by L. Cheek, and essay by Lloyd Goodrich. Biographical data and newspaper clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Events schedule, agenda, invitations, pamphlets. Lecturer: Robert Doty. \"Portrait of Edward Hopper\" and drawing studies by Virginia painter, Bernard Martin. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Exhibition of art from Virginia Collections to commemorate the 10th anniversary of AIV. Request for loans, invitations, members preview, agenda, list of objects for exhibition. Lecturer: Thomas E. Norton, biographical data. Dates- 7/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Acquisition of Indian art collection. Dates- 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition of works by French artists commissioned by Claude Aveline to illustrate his poem \"L'Oiseau que n'existe pas\". Lecturer: Lawrence Alloway, biographical data. Members Bulletin vol.24 no.8 4.64. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Anne Marie Pope. Subject- VMFA display areas. Date- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt and P. Near. Subject- Art Nouveau Loan, list of Lewis gifts and purchases. Dates- 1971 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and C.S. Hathway. Subject- Lecture search. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Biographical data, agendas, timetables and invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Islamic rugs circulated by the Smithsonian Institute and lecture by McMullan. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J. Baskett and P. Mellon. Subject- List of paintings from Mellon Collection. Gallery preparation, storage, costs, opening festivities, interpretation of exhibition, letters to print media. Press release, newspaper clippings. Lecturers: W.G. Constable, John Baskett and Basil Taylor. Essay- \"Painting In England, 1700-1850\". Dates- 8/62 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Paul Mellon. Subject- Mellon English Painting Collection, early discussion concerning the scope and preparation of catalog and exhibition. \"Letter from Basil Taylor Dated-23 January 1963 re: Mellon Show\", letter of disgruntlement over the various stages of the Mellon catalog. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Basil Taylor. Subject- Mellon Collection of English painting, initial planning stages, lectures, installation, catalog, etc. Dates- 11/61 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Paul Mellon. Subject- Exhibition: \"Painting in England\", program of events, invitations, gallery plan, program, invitation, guest list, etc. Dates- 5/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon and Basil Taylor. Subject- Basil Taylor, advisor tot Mellon collection and author of exhibition catalog: \"Painting in England, 1700-1850\". Catalog foreword by L. Cheek. Dates- 12/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations and dinner programs. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Installation, catalog, security, lecture. List of slides, media coverage. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Remarks by Paul Mellon on exhibition opening, mock-ups of booklet form. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Full color photographic reproduction of the \"Sistine Chapel\", exhibition circulated by LIFE magazine. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Demonstration of mosaic technique using contemporary materials. Dates- 5/54 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Henry Moore. Subject- Aid of Helen Norman (neighbor to Moore) on establishing a dialogue with the VMFA concerning an exhibition and visit by the artist. Preliminary exhibition plans. Dates- 10/57 - 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Henry Moore. Subject- Preview and opening night arrangements, newspaper clippings and press releases. Dates- 5/65 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Neutra. Subject- Exhibition and speaking tour by the artist. Dates- 6/59 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Goya exhibition: request for loans of works by Goya, announcements, invitations, list of paintings, Dr. Priscilla Muller (curator and speaker for exhibition). Program agenda. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturer: John S. Szarkowski. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and James Rorimer. Subject- Exhibition of Contemporary photographs. Biographical data on Ivan Dimitri and A. Hyatt Mayor. Catalog: \"Phototgraphy in the Fine Arts\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- proposed exhibitions, information about traveling exhibitions, etc. Dates- 10/48-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Perry Rathbone. Subject- Pre-Columbian gold with lecture by Allen Wardwell. Dates- 4/67 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Vincent Price as Collector-of-the-Year. Date- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- African collection from the Olsen Foundation. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Una Johnson (Brooklyn Museum). Subject- Contemporary prints from the Brooklyn Museum, invitations and announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition of the American Institute of Graphic Arts 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Gaines, F. Brandt, Anne Marie Pope. Subject- Reinstallation of the permanent collection, estimated exhibition costs, Heeramaneck collection, list of exhibitions available form International Exhibitions foundation. Exhibition catalog: John Kelly Fitzpatrick\" , photographs. Dates- 9/68 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Quillian. Subject- Exhibition of Randolph-Macon Collection. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program agenda for reception, exhibition, gallery plan. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions of Chinese Textiles from Minneapolis Institute of the Arts. Lecture by Alan Priest. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposed gift of \"Gates of Hell\", from the Cantor Collection. Exhibition \"Study of a Woman's Torso\". Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Rosenwald as Collector-of-the-Year, 1965. \"Master Prints From The Rosenwald Collection\", introduction by Rosenwald for the exhibition checklist. Dates- 12/64 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Corrected draft by L. Cheek. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Rosenwald. Subject- Personal invitations from L. Cheek. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition announcements. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of events for the season. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Paul Tishman. Subject- Exhibition from the Tishman Collection, letter of invitation, installation, Council lecture/luncheon. Speaker: Dr. John Akar, Ambassador of Sierra Leone. Remarks by J.M. Brown and Tishman, announcements and biographical data, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing lists for colleges, museums, etc. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek tour of England to photograph Elizabethan Houses. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Presentation of various forms of Arts of England during Shakespeare's life in commemoration of the 4th Centenary of his birth. Requests for loans of Elizabethan objects, press release, installation, etc. Dates- 8/63 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Exhibition of 19th and 20th century paintings, reception and event announcements. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon (Exhibition Chair) and Wm. Constable. Subject- requests for loans, French and British sponsors of exhibition including Queen Elizabeth, Honorary Committee Members, Patrons, catalog, PR, object damage report. Basil Taylor as special advisor to exhibition. Dates- 7/58 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Consultation on exhibition proceedings, travel and lecture schedule, biographical data and text for introduction to the catalog. Dates- 4/60 - 7/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Basil Taylor, Paul Mellon and A. Eiseman. Subject- Catalog layout, printing, design, budget, cost estimates, contributions. Essay- \"Classic Horse Paintings\", foreword by L. Cheek. Dates- 1/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Recipients of free catalogs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- William George Constable and his lecture for exhibition, biographical data, Bulletin vol.20 no.8 4/60. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of British sponsors, loans, selection committee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Mailing list, opening event, program and list of lenders to exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and John G. Pollard. Subject- List of sponsors, reception: program, agenda, menus, etc. Newspaper clippings. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibition in commemoration of Stravinsky's 80th birthday with related settings and costumes created for his ballets. Dates- 4/61 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Exhibition of contemporary prints and multiples (3-dimensional objects of limited editions), Lewis contributions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Railey Collection of European and Asian seals, Fisher Collection of paintings and exhibition of Ruth Safford: \"Interiors of Famous Houses\". Dates- 8/61 - 2/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt. Subject- Problems with exhibition objects. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Damage report of exhibition objects. Dates- 11/63  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Loans of objects from Pierpoint Morgan Library. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Extension of Tutankhamen exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sample invitation and preview guest list. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- List of objects available for loan and prices. Exhibition announcements, gallery floor plan. Lecturers: Gerald Nordland and Hilton Kramer. Dates-1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibit from MOMA: \"Form In The Animated Cartoon\". Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to M. Christison. Subject- Unavailability of Van Gogh exhibition. Dates- 8/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Philip Johnson. Subject- Jurors: Carroll Meeks, Richard Di Natale and Hans Namuth. Official entry forms, exhibition announcements, biographical data. Dates- 10/61 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Gyorgy Kepes, Philip Johnson and Ivan Dimitri. Invitations, guest lists, biographical data and entry forms. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- 1st Biennial exhibition.  Juror: Romaldo Giurgola.  AIA reception and dinner, program agenda, biographical data, invitations, pamphlets and exhibition catalog. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Sherman Lee, Harry Bertoia, Bernard Perlin. Collectors reception, purchase of artist work by Trustees, invitations, entry forms, etc. Dates- 12/57 - 2/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Near. Subject- Reception for purchasers of art works from the exhibition, and catalog. Dates- 1957, 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters to Artist on their award by the jury. Exhibition catalog, juror search and entry forms. Dates- 1959, 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Carl Wienhardt Jr., Mary Callery and Robert Vickrey. Salon des Refuse's on view at Thalhimer's, events schedule and exhibition catalog. Dates- 6/64 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: William Seitz. Installation, list of purchases, invoices, PR, invitations, guest lists, etc. Acquisition from Lewis Fund. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Gordon Bunshaft and A. Bodine. Entry forms and recipients of certificates of Distinction. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Exhibition to travel to Charlottesville. Dates- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture by Dorothy Miner, announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and Mr. John G. Hays (Chairman of the Expansion and Development Committee). Subject- Trustee/Museum business, formation of the VMFA Expansion and Development Committee, report of the chairman, etc. Dates- 11/47-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and P. Crum (Curator) and College of William and Mary. Subject- W\u0026M students visit to VMFA, loan from W\u0026M for a VMFA traveling exhibition, arrangements for traveling exhibitions to W\u0026M, etc. Dates- 2/41-7/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Education and Exhibitions) and Longwood College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Farmville State Teachers College, etc., 3/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- information on VMFA traveling exhibitions and an organization membership, etc. Dates- 7/48/8/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Art Club. Subject- arrangements for VMFA slides and traveling exhibitions to LAC, etc. Dates- 3/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Lynchburg College, etc. Dates- 1/49-2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Teacher's Club. Subject- arrangements for traveling exhibitions and slides to LTC, etc. Dates- 3/46-2/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Madison College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Madison College, etc. Dates- 12/47-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.C. McGehee (Assistant in Education Dept.) and Martinsville City schools. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Martinsville City schools, etc. Dates- 9/51- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Mary Baldwin College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to M.B. College. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Mary Washington College. Subject- arrangements for traveling exhibitions to M.W. College, arrangements for lecture by Christison at M.W. College, etc. Dates- 3/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Middlesex County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to MCWC, arrangements for lecture by Christison for MCWC, etc. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Narrows Woman's Club. Subject- arrangements for traveling exhibitions to NWC, etc. Dates- 10/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Newport News Woman's Club. Subject- arrangements for traveling exhibitions to NNWC, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Education and Exhibitions) and Norfolk Museum of Art. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to NM of A, exchange publications, etc. Dates- 1/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H. Lloyd (VMFA State Services) and Richmond County Junior Woman's Club. Subject- arrangements for filmstrips to RCJWC, shipping instructions, etc. Dates- 10/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Roanoke County Woman's Club. Subject- VMFA traveling exhibition checklists, request for information about organization membership to the Museum, etc. Dates- 4/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H. Lloyd (VMFA State Services Dept.) and Rockingham County public schools. Subject- VMFA traveling exhibition and slides checklists, arrangements for traveling exhibitions to Rockingham Co. Public schools, shipping instructions, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between E.L. Kallop (VMFA State Services Dept.) and Scottsville High Scholl. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions and slide sets to Scottsville HS, shipping instructions, etc. Dates- 9/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Sedley Woman's Club. Subject- notification of installment of Mrs. N.B. Rollings as chairman of Fine Arts Dept. of SWC, Date- 12/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Smithfield P.T.A. Subject- art material for Smithfield schools, Date- 11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H.V. Rennie (Assistant in Education Dept.) and Southern Seminary and Junior College. Subject- schedule of VMFA traveling exhibitions to Southern Seminary and Jr. College ('46) and arrangements for traveling exhibitions to Southern Seminary and Jr. College, etc. Dates- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Hart (Extension Dept.) and St. Catherine's school. Subject- VMFA traveling exhibition checklists, schedule for traveling exhibitions to St. Catherine's, etc. Dates- 1/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and St. Christopher's school. Subject- schedule and arrangements for VMFA traveling exhibitions to St. Christopher's, etc. Dates- 9/48-11/48.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Staunton City School Board. Subject- arrangements for traveling exhibitions to Staunton City School Board, etc. Dates- 1/52-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various Education Dept. staff and Stony Creek Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SCWC, etc. Dates- 2/47-1/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various VMFA State Service Dept. and Education Dept. staff and Stratford College. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to Stratford College, shipping instructions, etc. Dates- 8/48-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition checklists, schedule and arrangements for traveling exhibitions to Stuart Hall, shipping instructions, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director of Collections and Education) and Suffolk Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SWC, etc. Dates- 8/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Surry Woman's Club. Subject- arrangements for tour of the Museum and traveling exhibitions to SWC, etc. Dates- 10/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Sweet Briar College. Subject- schedule and arrangements for traveling exhibitions to SBC, shipping instructions, etc. Dates- 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Service Dept. staff and Tazewell Parent-Teacher Association. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions, slide sets and filmstrips to Tazewell Parent-Teacher Association, shipping instructions, etc. Dates- 11/52-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Thomas Jefferson Junior Woman's Club. Subject- request and suggestions for speakers for TJJWC, etc. Dates- 7/47-9/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA and Thomas Jefferson Woman's Club. Subject- arrangements to visit, tour and hold a meeting at the Museum, etc. Dates- 11/40-1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Three Arts Club of Blackstone. Subject- arrangements for filmstrips for TAC of B, shipping instructions, etc. Dates- 12/52-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- address of Mrs. Woods, President. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Toano Woman's Club. Subject- arrangements for holding a meeting at the Museum. Dates- 1/50-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and University of Richmond and Westhampton. Subject- arrangements for traveling exhibitions to U of R, shipping instructions, etc. Dates- 3/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- catalogues from the UVA Extension Dept. including the following: Famous Italian Paintings, Famous Flemish Paintings (Reprints from Seventy Famous Paintings by Adelaide D. Simpson (1927), The Story of Venetian Painting by Mrs. Stringfellow Barr and Cecily B.D. Ryder (1928) and Catalogue of Art Prints and Books (1937), etc. Dates- 1927-1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to UVA, shipping instructions, etc. Dates- 10/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and University of Virginia Museum of Fine Arts. Subject- checklists for traveling exhibitions sponsored by VMFA and UVA, the following publications by UVA: \"Twenty-five Contemporary Artists of Cleveland, Ohio\", \"Hugh Breckenridge\", \"Contemporary Artists of Virginia\", \"Contemporary Artists of Albemarle County and The University\", \"Alexander B. Trowbridge and Olin Dows\" and \"Elinor F. Hopkins\". Dates- 4/34-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.Y. Casey (Assistant in Education Dept.) and Upper King William County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to UKWCWC, shipping instructions, etc. Dates- 3/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Valentine Museum. Subject- information about becoming organization members of VMFA, a loan to VMFA from the Valentine, listing of the Valentine's activities, etc. Dates- 10/35-9/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and VA Education Association. Subject- Virginia Education Association art section meetings, etc. Dates- 2/47-10/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and VA Federation of Woman's Clubs. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VA. Federation of Woman's Clubs, VA Federation of Woman's Clubs yearbook ('47/8) and Directory ('48/9), etc. Dates- 1/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA traveling exhibition checklist. Dates- 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Virginia Polytechnic Institute. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to V.P.I.'s Architectural Department, etc. Dates- 6/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Virginia State College (Norfolk Division). Subject- checklists for VMFA traveling exhibitions, arrangements for traveling exhibitions to VSC, shipping instructions, etc. Dates- 10/52-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and the Extension Dept. and VA State University. Subject- schedule of VMFA traveling exhibitions to VSU 1945-7, arrangements for traveling exhibitions to VSU, etc. Dates- 6/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Va. Teachers' Association. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VTA, arrangements for a lecture by Christison to VTA. Dates- 12/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Virginia Union University. Subject- VMFA loans to VUU's art festival, arrangements for traveling exhibitions to VUU, etc. Dates- 1946-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between E.L. Kallop (State Services Dept.) and Wakefield Woman's Club and P.T.A. Subject- checklists for VMFA traveling exhibition, arrangements for traveling exhibitions to WWC and P.T.A. Dates- 9/51-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Warren County High School. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Warren Co. HS, shipping instructions, etc. Dates- 10/46- 5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between O. Hart (Registrar) and Warwick County School Board. Subject- arrangements for traveling exhibitions to Warwick Co. Schools, etc. Dates- 1/49-4/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Warwick Woman's Club. Subject- arrangements for traveling exhibition to WWC, etc. Dates- 10/48- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Washington and Lee University. Subject- checklists of VMFA traveling exhibitions, arrangements for traveling exhibitions to W\u0026L, etc. Dates-1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Waverly Woman's Club. Subject- schedule of VMFA traveling exhibitions to WWC ('46), WWC visit (with lecture) to VMFA, etc. Dates- 3/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA staff and West Point Schools P.T.A. Subject- arrangements for traveling exhibitions to West Point Schools, etc. Dates- 12/50-6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various Education Dept. staff and Westmoreland Woman's Club. Subject- arrangements for traveling exhibitions to WWC, etc. Dates- 1/48-3/49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and William Campbell High School in Naruna, VA. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wm. Campbell HS, shipping instructions, etc. Dates- 12/52-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and various Education Dept. staff and Wilson-Jackson P.T.A. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wilson-Jackson P.T.A., etc. Dates- 1/47-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.T. Rhodes (Assistant in Education Dept.) and Wytheville County schools. Subject- arrangements for traveling exhibitions to Wytheville Co. schools. Dates- 4/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Wythe Woman's Club, Hampton. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC. Dates- 8/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education), various Education Dept. and State Services staff and Wytheville Woman's Club. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC, etc. Dates- 5/49-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Y.W.C.A.-Richmond. Subject- holding a meeting (with a visit and lecture) at VMFA. Dates- 4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Young Woman's Club of Williamsburg. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to YWCW, shipping instructions, etc. Dates- 12/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.Y. Casey (Assistant in Education Dept.) and VMFA State Services Dept. and Zuni Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to ZWC, etc. Dates- 8/50-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\". Dates- 12/54-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\", note-included in these files: slides from Williams College of Art. Dates- 1947-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Chairman of the art department Williams College. Correspondence and biography 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fashion Show in cooperation with Miller and Rhoads Dept. Store and Harpers Bazaar magazine to benefit the VMFA Council, Education Fund, Council dinner, event plans and program catalogue. Dates- 12/55 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- the Fashion Festival of Arts and Flowers presented by the VMFA Council in cooperation with Miller and Rhoads Department Store, attendance lists, newspaper clippings, etc. Dates- 3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between national director and Thomas Colt, who was the State Director of the Federal Arts Project, 1935. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Federal Emergency Administration of Public Works regarding a grant to construct an additional wing to the Museum. 1935-38. More applications from Museum for funds from the Federal Emergency Administration of Public Works to complete projects such as casting a bust of John B. Payne and landscaping grounds. 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Federal Emergency Administration of Public Works and Virginia Commission for the Arts material, mostly on landscaping the grounds of the Museum, 1936. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Federated Arts Council of Richmond dinner and agenda, invitations. Dates- 2/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- Committee reports, events schedules, annual meeting 5/29/74, \"Festival Of The Arts\", 18th annual report, Dogwood Dell June-Aug'74. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Awards Dinner agenda, letters of confirmation, thank-you's, etc. Dates- 12/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T.C. Colt, Jr. Subject- listing of and letters to prospective fellows (founding fellows), a copy of the constitution 4/55. Dates- 3/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospects for new membership program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Conservation Laboratory, Library Endowment, Fellows Weekend, orientation theatre, contributions and projects, statement of purpose, agendas, biographical data. Resolution in memory of Lewis Strauss. Dates- 1964-79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Fellowship Committee minutes 1942, 1948, 1949, 1950, Fellowship Committee agendas 1950, 1951, committee report 1949/50, Fellowship Committee announcements and replies, listing of fellowships given by the Virginia Museum of Fine Arts 1940-51, etc. Dates- 1942-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Aplicant interviews procedure. Date- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellowship Fund income account, application, letters to recipients: Primm Turner, Jenny- Lynn Franklin and John D. Norwood. Dates- 5/54 - 5/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Essay- \"Outline for a Proposed Film for the Virginia Museum of Fine Arts\" by Vavin, Inc. 3/60.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1947, 1948, 1950, Finance Committee meeting minutes 1948, 1949, 1950, letters soliciting opinions from Trustees about stock purchases and committee resolutions and replies, VMFA Pooled Endowment Account 1949, stockholder information , etc. Dates- 1947-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1950, 1951, Finance Committee meeting minutes 1952, committee report 1950, status of capital funds listing 1950, list of securities held and cash balances, financial transactions, etc. Dates- 1950-2. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1952, 1953, Finance Committee resolutions 1953/4, Capital Funds Investments and Cash listings 1952, 1953, stockholder information, financial transactions, etc. Dates- 1952-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1955, Finance Committee resolutions 1954, a listing of Finance Committee meetings and actions in writing 1948-56, financial transactions, stockholder information, statement of endowment investments 1955, pooled investment listing 1955, investment changes for the period 4/30/55-12/31/55, etc. Dates-1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Lawler Fund. Dates- 10/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- stockholder information (i.e. annual and quarterly reports of companies). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee resolutions 1948/9, excerpts from Finance Committee meeting minutes 1939, 1951, Date- 3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from A. Nicholas. Subject- Statements of income, balances, private income, special purchase funds, operating budget, etc. \"Virginia Museum Semi- Annual Financial Report Dec. 31, 1970\" , \"Summary of Financial Support\": 1935- March 31, 1971, 19l35- June 30, 1969, Art Purchase Funds, Capital Outlay Programs to purchase land and buildings, List of Art Purchases 1970-71. Dates- 6/70 - 10/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and G. Martin. Subject- Responses to questionnaire from various theatre directors, VMT regulations. Dates- 1965 -66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT Statement of Purpose, application for Samuel Tate Morgan and/or George Seay Memorial Trust Funds. Letter of grant award for the expansion of VMFA Library holdings and list of books purchased, newspaper clippings. Dates- 5/69 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Administrator, Richmond Area University Center. Correspondence with 1949-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Memorial for Col. Herbert Fitzroy, letters of receipt of contributors to purchase a sculpture to be placed on permanent exhibit in Artmobile II: \"Crowing Rooster II\", G. Marcks. Dates- 10/67 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- information about proper display of U.S., U.N. and VA flags. Dates-11/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns cultural development there. 1957-59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Agreement on the Importation of Educational, Scientific and Cultural Materials\", Bill signed on 6/24/59, press release. Unesco sponsored agreement to eliminate tariffs and special import taxes on educational, scientific and cultural materials. Dates- 9/59 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Horace S. Flournoy. Subject- repair of heating system at the Museum. Dates- 10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- plantings around the Waddy Fountains at the front of the building, lawn and plant care, listing of growing plants used, etc. Dates-6/54-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA staff and Harvard University's Fogg Art Museum, mostly regarding the loan of a Copley portrait for the Museum's inaugural exhibition, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, J. Coolidge (Dir., Fogg). Subject- General correspondence regarding conservation, authenticity of objects, employment referrals, research, etc. Dates- 4/52 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for Folktale Marionette Theatre to perform at VMFA in Dec.1953, etc. Dates- 3/53-1/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- visit of Mrs. Henry Ford II, to see VMFA operations. Dates- 3/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about a Virginia artists watercolor exhibition sponsored by the Ford Foundation Title \"Virginia by Virginians\", copy of an invitation to Mr.and Mrs. Ford to the opening, etc. Dates- 1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- newspaper clippings and statement of purpose of the Ford Foundation. Dates-12/48-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Ford Foundation. Subject- proposal of VMFA serving as regional center for Ford Foundation's creative artists selection program 1958, proposals for Foundation support, Foundation publications, etc. Dates- 10/50-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Ford Foundation. Subject- information about applying for Ford Foundation support, Foundation publications, etc. Dates- 10/59-10/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program for Painters, Sculptors and Related Artists. Letters to jury members, entertainment. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and the Ford Foundation. Subject- the Museum as a locale for the premiere art exhibition to be featured in the March issue of the Ford Times, an exhibition highlighting VA artists named \"Virginia for Virginians\", included are copies of the exhibitions' gallery guide, invitations to the preview and a copy of the Ford Times feature issue. Dates- 11/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and American Association of Museums (AAM). Subject- roster of foreign museum Directors visiting VMFA on a AAM sponsored tour (in cooperation with the State Department), biographical information on visitors, etc. Dates- 3/65-5/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to VMFA staff. Subject- memos about arrangements for luncheon held at Museum for international newspaper people. Dates- 6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal for VMFA travel program, tour estimates and brochures. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition preview speaker: Ariad Yafeh, biographical data, reviews and photographs. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Guest lists for opening event, sample letters for invitations and replies. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices, Cheek serving as honorary member of advisory committee of Directors and Curators, etc. Dates- 3/52-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Keith Fowler. Subject- theatre operations, policies, programming, newsletter to friends, volunteers and theatre subscribers, etc. Dates- 10/69-12/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between William Francis and L. Cheek, Jr. Subject- Museum publications business and arrangements, etc. Dates- 12/64-9/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Governor Peery, T.C. Colt, Jr. and Douglas S. Freeman, president of the Confederate Memorial Institute. Subject- Transfer of the John B. Payne collection from the Battle Abbey to the museum. Dates- 1935-39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. Subject- mostly professional matters, but some personal information is given. Dates- 1948-53.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and French and Company. Subject- French and Company, Inc. art dealers, loans, conservation work, proposed sales to Museum, photos and descriptions of objects, etc. Dates- 6/46-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject- photo requests from the Frick Art Reference Library, reference questions, exchange publications, etc. Dates- 2/46-9/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Friddell was columnist for the Richmond News Leader. Correspondence with Cheek, 1949-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- memo about calendar of Museum events, mailing to American Ballet Theatre Friends, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Preparation plans for \"George Stevens Makes a Film\", an exhibition based on the making of an epic film (The Greatest Story Ever Told), installation, cost estimates, etc. Dates- 1/64 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Search for Egyptian objects to purchase, exhibitions: Sport and Horse and American Folk Art, College Drama Festival, loan of P. Klee works, collectors circle, Biographical data, Fellows, donation, gifts, Segregation in VMT, background information on paintings for Wm. Henry Yates, Marshall Research Library, Poetry Society of Virginia, Glasgow Estate. Accessions and gifts: \"Tree\", H. Gray; E. Hopper; Rutherford Goodwin, Jr.(signature). Dates- 1/55 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General museum business, inter-museum memos. Richmond Sinfonia, special purpose gallery, exhibition policy. Museum television, funding sources, COVAO conference, sale of Artmobile I, Council, newspaper clippings, pamphlets and funds generated through programs division, letter from Robert Indiana.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Bill (William) Gaines (head of Programs Division). Subject- programming educational, exhibitions, films, affiliates, etc., Museum operations, etc. Dates- 3/70-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Acquisitions, objects for purchase consideration, various newsletters, exhibition catalog: \"Nature As Scene\". Dates- 4/76 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with other museums. Subject- exhibition announcements, information about loans to other museums, etc. Dates- 3/53-3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Dir. for Collections and Education) and Mr. Charles Seymour (Yale University). Subject-request to look at the Museum's collections. Dates- 2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Col. Edgar Garbisch and L. Cheek, Jr. Subject- gift to VMFA-Junius Brutus Stearns paintings of life of George Washington, photos and information about paintings, biographical information about Garbisch, etc. Dates- 1/50-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for the 50th anniversary dinner of Garden Club held at VMFA, etc. Dates- 9/68-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the Garden Clubs of Virginia and America 1958-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Mrs. T. Fleetwood. Subject- Mrs. T. Fleetwood as a Trustee, Trustee business, gift to Museum, etc. Dates- 5/64-7/75. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Landscape Architect for Museum. 1957-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by John Garland Pollard, Jr. Subject- invitation to members of General Assembly to use Museum facilities, announcement of a reception for General Assembly members spouses, VMFA Members' Bulletin vol.20, no.5 1/60. Dates- 1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters sent to members of the General Assembly 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Gibbes Art Gallery. Subject- Brown working on problems of the Gibbes Art Gallery, \"Report to the Board of the Charleston Art Association\" co-written by Brown, etc. Dates- 12/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee, Executive Committee. Dates- 1950-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mr. George D. Gibson as Trustee, Trustee and Local Building Committee business, copies and excerpts from minutes of the Executive Committee 1948-53 dealing with VMFA building, news release 6/57 about Gibson being elected VMFA President, etc. Dates- 12/52-11/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. George D. Gibson, a lawyer with Hunton, Williams, Gay., Moore and Powell. Subject- flooding at the Museum, building inspections, structural problems with the building, the shipment of a Watteau painting to VMFA, a Melchers gift, etc. Dates- 7/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- acknowledgments of receipt, thank you letters to donors for gifts of all kinds (money, books, equipment, etc.,). Dates-11/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Arthur G. Glasgow. Subject- gifts to Museum, Museum events, information pertaining to the Estates of Margaret Branch Glasgow and Arthur Graham Glasgow. Dates- 2/54-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., J.M. Brown and Walter S. Robertson (VMFA President). Subject- transcript of remarks by Governor Mills E. Godwin, Jr. at Southeastern Theatre Conference 1966, Museum events, Mrs. Godwin to serve as honorary chairman of Entertainment Committee, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- President of Princeton University. Request for him to lecture at Museum. Dates- 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Associated Artist Gallery, Washington, D.C. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for Theatre Director-Producer 1957.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Pollard was a member of the Goodwin Memorial Commission appointed by the state to erect a scroll honoring the Reverend William Archer Rutherfoord Goodwin, former rector of Bruton Parish Church and man who dedicated his life to the restoration of Colonial Williamsburg, 1950-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Mr. F.D. Gottwald. Subject- agreement and arrangements to establish Elisabeth Shelton Gottwald Fund. Dates- 4/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- copy of report on Museum, recommendations to Museum made by Governor's Management Study Group. Dates-7/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Mills Godwin and Peter Mooz. Subject- Budgets: cutbacks, executive order, appointments to VMFA Executive Board, creation of job positions, Museum organization charts, Melchers Estate, Arts Commission, Executive Mansion furnishings and lists of objects. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for unveiling (10/5/71) of new acquisition of Goya's painting- General Nicholas Guye guest lists, invitation, news releases, photo and information about painting, etc. Dates- 9/71-2/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- \"General Guye\", Goya. Special event, agenda, invitations, etc. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with John Graham (Curator, Colonial Williamsburg). Dates- 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Related to the death of Mr. Gray and his family. His bequest to the Museum and a memorial to him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Horace Gray, Trustee. Subject- Museum business, biographical information about Horace Gray, VMFA Members' Bulletin vol.19, no.6 (2/59), etc. Dates-5/51-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about hiring Mr. Paul Grigaut as head of Collections Division, Museum practices, information about Museum Collections catalogues, etc. Dates- 6/62-4/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Theft-general. Contains one newspaper clipping 5/28/62.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- correspondence with Senator Raymond R. Guest, announcement of gift to Museum of bronze gates, Museum events and business, etc. Dates- 11/48-5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and L. Cheek. Subject- List of sites for guidebook , roster of names for nominating committee, letters to publishers, price structure, biographical data, promotional information, outline for publication by the Trustees for \"An Official Guide To Four Centuries Of Building In The Old Dominion\". Dates- 4/66 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Finnish Society of Crafts and Design 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt, F. Haseltine. Subject- Installation of \"Symbol\" at Phillip Morris site, invitation mailing list, reception agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, F. Haseltine, P. Near. Subject- Exhibitions, VMT, loans, gifts, endowments, biographical data, invoice for work restored, acquisitions, installation of Heeramaneck Collection, Pastorale fund, Project Grant Application, Tax Status. Essay- \"A Brief Summary of Accomplishments of the Virginia Museum of Fine Arts\", 1962-64. Dates- 9/51 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mr. Haller was a public relations consultant hired under special circumstances and kept off of the state payroll. This letter pertains to this and circumventing the state system 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and S. Robertson. Subject- AAM meeting in Williamsburg, increase in security staff at VMFA, Artmobile, Executive order from the Governor's office to divide the Board of Trustees into five divisions. Request for authority to prepare Capital Outlay Plans for South Wing, invitations to serve on various committees, presentation of Webster S. Rhoads award to Gov. Harrison, newspaper clippings. Dates- 5/61 - 11/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Public Buildings Administration (Federal Works Agency). Subject- Harrisonburg post office mural competition (Colt served on the jury of selection and advisory committee) and contract with Public Buildings Administration. Dates- 2/41-10/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek's 25th college reunion and an art exhibition in conjunction with the reunion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Melissa Hayden and Andre Eglevsky. Dance performances at the VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. John G. Hayes, Sr. Subject- Trustee/Museum business, money to the John G. Hayes Endowment Fund, etc. Dates- 11/49-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. J.G. Pollard and W. Rhoads. Subject- John Green Hayes Memorial Fund. Dates- 5/48 - 11/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of appeal from VMFA to Hearst Foundation for financial assistance. Dates- 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Biographical data, press release and his presentation to the AAMD, newspaper clippings. Dates- 4/62 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lecturer for the Latin American Exhibition 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT: tour schedule, HEW grant proposal, \"A Cultural Program in the Dramatic Arts for Virginia High School Students\", newspaper clippings, postcards, reviews, project budget, financial support. Dates- 5/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Travel Itinerary, loans , VMT productions, collectors circle, LOAS (Loan-Own Art Service), search for prospective jurors, letter to Helen Hayes to address VMT, biographical data, gallery plans, invitations to preview Hogarth exhibition. Dates- 9/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for luncheon and agenda. Dates- 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Request for VHS to hold annual meeting. Dates- 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Col. Hodges (Membership Chair). Subject- Trustee/Museum business, Hodges served as the Chairman of the VMFA Membership Committee, etc. Dates- 11/35-3/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA Bulletins: vol.26 no.3 and vol.27 no.6. Hogarth lecture to VMFA, itinerary, biographical data, Wm. Blake exhibition. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for Theatre Director 1957. Contains resume and letters to, from, and about him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, P. Davidson, and P. Rathbone. Subject- Exhibition: \"Treasures of Alexander\", request for loans, list of objects in connection with exhibition, installation design, theft of Nike Earring. Dates- 9/63 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Term as a Trustee and Fellow at VMFA and as a Trustee at Norfolk Museum, Exhibition: Treasures from the Norfolk Museum. Gifts and donations. Dates- 9/61 - 4/3 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Collectors circle, Fellows, Trustee, gifts and donation. His service as a Trustee at the Chrysler Museum. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on state holidays. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Gov. Holton. Subject- Proposal for a Bill to organize a citizens advisory committee to improve furnishings and interpretation of the Gov. Mansion. Statewide Building Code, Administrative Amendments 1/29/73, Sec. 873.5. List of participants and Museum conference notes to determine how Va. Museums can assist one another, Inauguration arrangements committee, rosters: House of Delegates, Senate and legislature. Essay- \"The Holton Years: A Summing Up 1970-1974\". Dates- 9/61 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Reports from the Honors and Awards Committee and the Board of Trustees, 1948-56. Much of this concerns Mr. and Mrs. A.D. Williams, The Katherine Rhoads Fund and the Webster Rhoads Medal, and Arthur and Margaret Glasgow, letter regarding the Mary Samuel Davies Bright Memorial. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Arts and Humanities Commission, Pratt Estate, Cabell Foundation, Ford Foundation: VMT underwriting. Trustee interviews, gifts of appreciated property. Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings, photographs. Dates- 10/8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and J.M. Brown. Subject- Parsons Fashion Show, slides, pamphlets, newspaper clippings. Dates- 8/63 - 7/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Seating arrangement. Dates- 11/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J. Sweeney and Lee Malone. Subject- \"Design In Scandinavia\", Cheek's remarks. General correspondence concerning museum loans and policy. Dates- 4/63 - 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Miss Nora Houston and T.C. Colt, Jr. Subject- biographical information, information about exhibitions she participated in, proposed acquisition of her work, etc. Dates- 4/36-2/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- U.S. House of Representatives, New York State. Correspondence concerning government support of the arts. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copy of his speech given at the Architectural League Symposium 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Term as a Trustee, membership campaign, budget committee, newspaper clippings. Dates- 5/59 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellow, VMT, Exhibitions, Artmobile, long term loan of 18th C. Dec, Arts objects, Hogarth exhibition, contract bid for landscaping, North Wing. FILM: \"THE ART of THE CONSERVATOR\" Dates- 2/64 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Trustee, Fellow, gifts. Remarks concerning Fellows meeting, Draft of Executive Committee Meeting Minutes, 12/8/70. Official application form for AAM accreditation. Art Nouveau Collection, Council lecture and luncheon with draft of suggested remarks delivered by C. Humelsine. Dates- 1969 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Requests for catalogues, loans, exhibition announcement, proposal for an \"International Traveling Exhibition\", technical info on Ivisiglass. Dates- 4/45 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- RSVP's to auditorium inauguration, thank you notes to musicians used for the opening, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Innocenti and Webel (landscape architects) concerning VMFA grounds. Dates- 7/64 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek, T. Colt and Mrs. Pollard. Subject- Requests for publications, general information regarding VMFA collections, exhibitions and museum operations. Dates- 10/35 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General information on exhibition installations.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains one brochure, 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- insurance against air raids and other war damage, correspondence with other museums about war risk insurance. Dates- 6/42 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. and M.B. Christison (Assistant Dir. for Collections and Education). Subject- damage claims to art objects we lent and/or were on loan to the Museum. Dates- 11/49-11/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuels Collection [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Draft of the Constitution and By-Laws of the proposed Virginia History and Museums Federation. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- ICOM statement of mission, travel expense records, membership and financial statements, pamphlets, Minutes of Executive Committee 1/30/60, 5/25/65, Annual Report 1965, newsletter, pamphlets, etc. Dates- 1961 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual Reports, Statutes, guidelines for International Rules of National Committee, Museum Training Programs, Newsletters, Minutes of Annual Meetings, budget, membership, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Mrs. J. Pope (Pres. IEF) Subject- Invitation to become a member, statement of mission, list of officers, IEF Financial Report 12/31/72, Annual Report 12/1/72, NEA award, catalogue listings, list of traveling exhibitions 1966-72. Dates- 1966 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Anne Marie Pope. Subject- Lists of current and planned exhibitions, events schedules, minutes of annual meeting. Dates- 1973 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Article from \"Preservation News\", 1/71 vol., XI, no.1 and Sunday Supplement from New York Times. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, P. Near, Phillip Johnson. Subject- P. Johnson's advise of design of the New Wing and as possible juror for Va. Biennial. Rotunda Club, Jamestown Festival, Robinson House, Hogarth Exhibition, Jr. League activities, and restoration of downtown Richmond. Photocopy of text from letter between Wm. Fitzhugh to Charles Carter 11/30/1796, pamphlets, donations, gifts. Dates- 12/55 - 12/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Letter of appointment to Executive Board. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 350th Anniversary. 1955-57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on the Museum's contributions to the celebration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek to serve on advisory committee and certificate of award for his service, presentation of Pocahontas portrait for permanent display, \"Report From Sub-Committee, Jamestown Commission\", 10/30/57. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photos of the \"Japanese Architecture\" exhibition, printed material for the exhibition, arrangements for bringing the Japanese Charge d'Affaires to VMFA, transcript of remarks made by Mr. Shima (Japanese Charge d'Affaires) at the opening preview, etc. Dates- 4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Itinerary and agenda for East Meadow High School of East Meadow L.I., New York. Dates- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown. P. Near, A.P. Jenkins. Subject- A.P. Jenkins collection, gifts and contributions, loans, Fisher rug collection, B. Barenson, Ash Lawn, Caligula statue, invitations, agendas etc. \"Art Now: New York\" vol.2 #10, University Galleries, 1970 (contains large color plates). Conceptual statement for Cabrillo Marine Museum. Dates- 8/54 - 9/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Jay W. Johns. Subject- Trustee/Museum business, gifts to Museum, information about an Evelyn Byrd portrait by a disputed artist (Kneller or Bridges), etc. Dates- 6/35-9/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- J. Johns service as a Trustee and Fellow, gifts and donations. Dates- 4/50 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- B. Johnson's (Conservator of L.A. County Museum) observations concerning the authenticity of a Veronese painting and his personal collection of pre- Columbian sculpture and Asian ceramics. Dates- 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and T. Catesby Jones. Subject- Jones' collection of modern paintings and sculptures, gifts to the Museum art and books, letter from Jean Lurcat, etc. Dates- 3/41-12/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The loan of Mrs. Catesby's collection of French Modernists to the VMFA and gifts. Dates- 2/50 - 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from l. Cheek, R. Guest (Fellows, Chair) and W. Robertson. Subject- Her appointment as a Trustee and role as chair of the membership committee. Dates- 7/64 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- State Supervisor of Art, 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- purchase requests for photos. Dates- 3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown. Subject- Agenda and letters of confirmation. Dates- 6/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Volunteers at the Museum, 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of confirmation. Dates- 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Letters of recommendation, resumes, prospective jurors, exhibition: \"Ugliness in Virginia\", Robert E. Lee Memorial, Fellows, gifts, donations, pamphlets. Acquisitions: Artists, Duane Hanson and Stephen Posner. Dates- 4/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Karolik collection of American Painting, Artmobile and Collectors Circle. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Maxim Karolik. Subject- proposed lecture for exhibition \"The Karolik Collection\", printed material for exhibition, etc. Dates- 9/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Illumination exhibition for the American Federation of Arts: proposal, budget, exhibition news, advisory committee and Minutes of 1st Meeting 11/23/64. Dates- 1/65 - 2/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek as member of the Council for the Kennedy Center and Board of Trustees, bulletins, progress reports and newsletters and a letter from Jacqueline Kennedy dated 1/14/66. Dates- 2/59 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and H. Willett (Supt. of Rich. City Schools) Subject- Letter to F. Keppel (Asst. Sec. of HEW) concerning a Math and Science Center. Essay- \"Proposal For a Supplementary Mathematics and Science Center\". Dates- 11/65 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters of request and confirmation, menu and tour. Dates- 8/71 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets: \"The Library - Documentation Project spring 70\" , \"The Urgency of Our Mission\" and \"Statement of Purpose Fall 1969\". Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt, L. Cheek and Harry Brooks. Subject- Requests for publications, provenance of Italian Renaissance painting being considered for acquisition, loans, pamphlets and shipping invoices, etc. Dates- 2/46 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, T. Simmons (Knoll) and Florence Shu Knoll. Subject- Interior design and furnishings of the Members Suite, offices, restaurant and Library, Knoll Catalogue 1956, newspaper clippings. Dates- 2/49 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Portrait commission of L. and Mary Tyler Cheek and his exhibition at the Museum of the City of New York. Information about introduction to exhibition catalog. Dates- 1/63 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Parson's School of Design. Design consultant VMFA 1954-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The creation of layouts of loan exhibitions and permanent displays, agendas, job description, newspaper clippings, biographical data, postcard, etc. Dates- 2/58 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mr. Koenig was a guest promotion director at the VMFA 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to contributors of memorial fund. Subject- Memorial established by the Theatre Associates of VMFA, sample of bookplate in his memory. Dates- 4/62 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuel H. Kress Foundation 1958-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about bill and payments with Kuhn. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile project for the Arkansas Arts Center, \"Let's Go, Reflections on the Art of Administrative Leadership\". Dates- 8/62 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chapters/Affiliates, newsletters, Lectour broadcasts, newspaper clippings, invitations, Lawler Memorial Fund, Artmobile. Artists: Pietro Lazzari, Janice S. Lemen, John Gadsby Chapman, photograph. Dates- 5/58 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Publication requests, gifts, contributions, collectors circle, Fellows, suggested bequest wording, Artmobile, loans, exhibition announcements, NEA questionnaire: \"Conservation in Museums- August 1971\", restoration and condition report of \"Battle of Yorktown\", Lami. Artists: Mario Dubsky and Eugene Berman. Gift and donations: \"La Sympathie\", Pettijean. Date- 11/62 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Port Sunlight, Chesire England.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and the VMFA Board of Trustees. Subject- To prevent the construction of the Valentine Museum's Latrobe Theatre. Dates- 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lecture by Cheek to the College Art Association 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to E. Cless (program Consult., U. of Minn.) Subject- U. of Minnesota Institute on Administration and Services in the Small Art Museum, program agenda, travel schedule, list of registrants for the seminar, report on the panel on museum publications, pamphlets, map, etc. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek to G.H. Holmes (Dean of U. of Pa.). Subject- Urban Criticism, experiences in traveling exhibitions on city planning, resolutions and solutions on urban problems. Biographical data on participants of conference, travel expenditures, agenda. Dates- 7/58 - 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Priscilla Crum to Prentiss Taylor. Subject- lecture by Taylor, Wednesday evening programs schedule 1948, proposed schedule 1947-8, etc. Dates- 9/47-1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison. Subject- prospective speakers, films, etc. for programming. Dates- 10/48-12/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- schedules for Wednesday evening and musical programs. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given by L. Cheek, Jury duty lists, consultations, invoices, expense records, agendas, pamphlets, magazine excerpts, Essay- \"The Place Of The Arts In Our American Culture\", by L. Cheek. Dates- 1953 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given by various members of the VMFA staff. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from D. Nicholas. Subject- Procedure and policy concerning VMFA security.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Monthly newsletters on \"Reflections on the Art of Administrative Leadership\", L.H. Kurtz, publisher/editor. Dates- 9/62 - 11/64, 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, P. Near C. Humelsine, F. Brandt and Wm. Gaines. Subject- Art Nouveau Fund: list of purchases, legal document of fund establishment. Artmobile and contemporary Art Purchase Fund. Dates- 5/67 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Possible sources for the purchase and restoration of the Alexander-Withrow House, Lexington, Va. Dates- 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- D. Liebes (color consultant and textile designer) on proposed text for her essay to appear in AIV and her lecture to be given at the VMFA on crafts and the creation of VMFA Craftsperson - residence. Dates- 4/63 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and E. H. Bushbeck (Kress Found.). Subject- Drawings and description of Dr. Reinhardt's gallery in Switzerland. Dates- 2/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and V. Gaskins (asst. to L. Cheek). subject- Planning of VMFA lighting facilities, \"Art Museum Lighting\", 2/59, excerpt from a journal of Electrical construction and Maintenance. Dates- 2/59 - 9/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal of Library-Museum at Lincoln Center. Dates- 2/59 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ralph Linton Collection of African Sculpture. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for loans of furnishings to other state properties. Dates- 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of loans under consideration, loans to ambassador residences in England and Australia. Photographs. Dates- 2/61 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and director of Louvre. Subject- Poussin exhibition at Louvre and VMFA loan of \"Achilles on Skyros\" and Delacroix exhibition, loan of \"Deliverance of Princess Olga\". Dates- 10/59 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lighting Technician, VMFA, 1953-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and C.B. Lusk. Subject- Lighting instruments and technical drawings. Essays- \"Lusklite as developed and used at the VMFA\" and  \"The Installation and Lighting of Exhibitions at VMFA\" Dates- 8/56 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.R. Duncan and Gordon Huff. Subject- Expansion of Lynchburg Arts Center to become an affiliate, loans for opening gala, suggested text for print media, schedule of events, Artmobile, Lynchburg Arts Center Executive officers. Introductions for L. Cheek and W. Robertson, travel itinerary. VMFA lecture series: Building For The Arts 1965-66, pamphlets. Dates- 5/62 - 7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for \"The National Arts Center of New York University at Washington Square\", Exhibition: \"Tastemakers\", based on R. Lynes Book. Official guest list for opening reception. Dates- 10/54 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, L. Cheek, P. Near and F. Haseltine. Subject- Membership, gifts, personnel references, loans, Jamestown Foundation, proposal for commission of sculpture in F\u0026M Plaza. Acquisitions and gifts: Egyptian cups, Coptic sculpture, Bertoia drawing. Dates- 4/61 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Macbeth Galleries. Subject- loans for inaugural exhibition and general correspondence about proposed acquisitions from Macbeth galleries. Dates- 9/35-7/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Orders and correspondence for back issues of Bulletins and magazines, 1946-47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Alessandro Magnasco, Painting 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing and sign schedules, roster of names and institutions. Dates- 1960 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing and events schedules. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near, D. Isley (Norton Simon Collection). Subject- Press releases, shipping, installation, purchase invoice, info regarding owners of the other castings. Photographs and slides. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Paul Manship. Subject- designing the John Barton Payne medal. Dates- 9/36-10/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Robertson. Subject- His Service as a Trustee, Fellow, and chair of Trustee Budget Committee. Biographical info, Artmobile, 25th Anniversary of VMFA, museum business, financial statements, Education In The Arts. Dates- 12/56 - 5/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Long Island Historical Society. Subject- Provenance, purchase through Glasglow Fund. Dates- 12/55 - 1/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resume, photo, agenda, NEA grant request. Dates- 4/65 - 5/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- M. Baldwin Choir Program, Alumnae issue Bulletin concerning visit of Pres. Eisenhower. Invitations, Fine Arts Center, Woodrow Wilson Project. Dates- 2/56 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Julien Binford. Subject- Mary Washington Arts Center, invitations, VMT, loans of art works, newspaper clippings. Dates- 11/49 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gifts to VMFA. Dates- 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. William R. Massie. Subject- Trustee/Museum business, etc. Dates- 12/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture: John Goldsmith Phillips, biographical data, press release and catalog list. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturers: V. Isabelle Miller and Mrs. Yves Henry Buhler. Press release, publicity schedule and photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- floor plan, instructions for installation for exhibition \"Masterpieces of Chinese Art\", printed material for exhibition, thank you notes to lenders to the exhibition, etc. Dates-11/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for the Theatre Director Position. Contains resume and applications, letters of recommendation etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Director of Public Relations for 20th Century Fox. Speaker at the Museum 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Public Information Division VMFA. 1955-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Director of Vassar College Art Gallery, requests for publications, lecture. Term as curatorial research asst. at VMFA. Dates- 9/53 - 6/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dedication of new Library, loans, invitations, VMT, Farewell gift to Mr. and Mrs. Cheeks with poem. Gifts, contributions, G. Melchers memorial. Dates- 2/60 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- General membership information, loans, press release, invoices, newspaper clippings, etc. Art Nouveau Collection. Letter to L. Marden (residence designed by Frank Lloyd Wright). List of Artists editions: prints and objects from Multiples Inc., NYC, price list and description. Artist: Phillip Lindsay, signature. Acquisitions: Monet, van der Helst and Rodin. Dates- 12/69 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and French and Co., Inc. Subject- pieces sold to and installed in the Museum, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal to establish an Institute of Mediterranean Culture at U. of R. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Carroll L.V. Meeks. Subject- thank you notes for visit to New England personal friendly letters, etc. Dates- 4/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, Mrs. Pennell (Membership Secretary) and Mrs. Gari Melchers. Subject- VMFA members in Fredericksburg, postcards, gift to Museum , etc. Dates- 12/35-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Her service on the Executive Committee, Melchers Estate, budget, gift status of \"Dead Jockey\", E. Degas. Contributions, gifts, newspaper clippings, biographical data. Dates- 4/56 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt (Dayton Art Inst.) and Dr. Higgins (Chair of VMFA Board), J.M. Brown. Subject- \"Disposition of Mr. Gari Melcher's Estate Excerpted from Virginia Museum Minutes Books, No.4,5and6\" , prepared by A.W. Statnaker, Asst. Administrator 7/17/74. Resolution, re: \"Belmont As An Art Center And Museum\" and \"Opening Of The Belmont Facility To The Public\" , Executive committee Minutes. Dates- 5/74 - 11/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Melchers estate/bequest to the Museum, agenda and minutes of Gari Melchers Memorial Committee 5/56-10/56, report and proposals of that committee. Dates-5/56-10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- appointments to committee, general operation of Estate, suggested budget, list of Melcher paintings owned by VMFA, loans of art works, drawings/blueprints: G. Melchers Studio air conditioning system and proposed plaque for ashes of Mr. and Mrs. Melcher. \"Belmont Agency Agreement\", Bill to transfer Melchers Memorial from VMFA to Mary Washington college. Dates- 4/56 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- First Chairman of Fellows: 1st Annual Meeting and statement of purpose. Exhibitions: English Painting, French Portraits, Sport and Horse, Artmobile. Old Dominion Foundation and his membership on the Executive Committee, gifts, donations and contributions. Dates- 2/38 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His membership on the Board of Trustees, Fellows, Collectors Circle. Biographical info, loans of art works from his personal collection, donations and gifts to VMFA and the National Gallery, Artmobile, as a recipient of the Benjamin Franklin Award: statement of purpose, nomination form, list of contributions, newspaper clippings, photocopies of magazine articles, invitations , etc. Dates- 1965 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Robertson. Subject- Collectors Circle, Fellows, term as VMFA Vice President. Press releases, newspaper clippings, contributions and gifts. Dates- 4/60 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Members lecture series. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Higgins, Jr. (Pres.) and C. Humelsine (Pres.) Subject- Draft of letter to membership regarding schedule of events etc. Dates- 9/71 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program where paintings from contemporary Virginia artists would be loaned (rented) to members to have in their homes. Members could also purchase the paintings. \"Designed to bring the work of Virginia artists into the homes of Virginia citizens.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Wm. Higgins. Subject- Monthly membership report summary, Chapters/Affiliates reciprocal membership program, letters of general correspondence to the membership. Dates- 4/70 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of the Membership Committee 1/48, 2/49 and a letter supporting the proposed theatre wing from Mrs. Wm. Trigg, Jr.(Civic Theatre Committee, Div. of Recreation, City of Richmond). Dates- 9/47-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Membership report, promotion, agenda, roster of committee members, minutes of committee meeting. Dates-8/72 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes of membership committee, elements of campaign to attract new members and move members to higher categories. Dates- 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Guided tours for prospective members, agendas, schedules, newspaper clippings, excerpt from Minutes of Executive Committee 12/14/72. Dates- 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Webster Rhoads (Pres. of Museum Board) and R.A.Velz (Administrator). Subject- list of new museum members, request form for membership, Membership Reports 1954-5 and 1955-6, list of membership privileges, etc. Dates- 11/55-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. W.A. Nones (Chair, Trustees), J.M. Brown and C. Humelsine. Subject- General membership information, schedule of events, calendar, pamphlets, etc. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership rosters of local organizations, copies of a cover letter soliciting members, etc. Dates- 1/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey results, years of membership, exhibit preference, age, attendance, annual contribution. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- planning stages for corporate memberships, proposed fees, privileges, etc., counsel from other US art museums, list of corporations to be approached about the idea, etc. Dates- 1946- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Corporate membership drives, presentation to J.C.'s, excerpt from Newsweek. Dates- 6/60 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Members art studio classes and lecture series. Dates- 6/54 - 9/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 6/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 9/54-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Velz. Subject- memos regarding segregation and other policies at the Museum. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek and R. Velz. Subject- Miscellaneous information concerning collections in general: treatment/condition reports, insurance, loans, installations, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Miscellaneous museum operation: Artmobile, Art Lending Service, Virginia Artists, lists of objects on loan, exhibitions, damage reports of objects and gallery inspections, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- inter-office memorandums on various subjects. Dates- 12/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek and H. Glasser. Subject- Exhibitions, Pratt Collection, gallery inspections and all manner of museum operations and programs. List of lost objects on loan to the Bon Air School for Girls. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Inter-office memos concerning insurance valuations, loans, lectures, library, exhibitions and policy on filing acquisitions data and damage reports. Date- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets published by the state Department of Mental Hygiene and Hospitals and the Mental Hygiene Society of Virginia. Dates- 1951-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and various staff at the Metropolitan Museum. Subject- museum practices, long-term loans of Egyptian art and artifacts, securing speakers, etc. Dates- 1/55-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J. Rorimer (Dir., MET) and A. Priest (Curator, MET). Subject- Damage to MET's \"Bacchus\", objects to purchase, loan requests. Acquistions and gifts: Tibetan Scroll; Coat of Japanese Mail. Dates- 11/69 - and/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Michael Jacobs Gallery. Subject- loan of painting (George Washington by Gilbert Stuart) for inaugural exhibition. Dates- 6/35-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Midwestern book competition for which Cheek served as a juror, competition judged in Richmond, lists of criteria and books, printed material for the competition, etc. Dates- 4/56-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Jo Mielziner. Subject- friendly letters, mention of possible Mielziner exhibition, etc. Dates- 12/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, list of stage designs available for purchase, his lecture to VMFA, schedules and agenda's, etc. Dates- 10/54 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Miller and Rhoads department store staff. Subject- showing VA artist work in store windows, borrowing supplies from the display department for the Museum (folding chairs, textiles), etc. Dates- 2/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W.S. Rhoads. Subject- Nomination of Miller and Rhoads, Inc. for Esquire magazines 1st annual \"Business in the Arts\" award. Support of Artmobile II. Exhibition: \"Masterpieces in Millinery\", spring 1958. Preliminary outline of fashion costume requirements for VMT \"Lady In The Dark\". Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Speaker: Philip Adams. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. John M. Miller, Jr. Subject- Trustee/Museum business, Miller served as a member of the Membership Committee, etc. Dates- 6/35-7/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mr. J.G. Pollard, Jr. Subject- asking Mr. Milliken (Director of The Cleveland Museum of Art) for counseling on acquisitions, draft of an agreement where Milliken counsels the Museum staff about proposed acquisitions, etc. Dates- 3/58-3/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from B. Mills in his role as Asst. Administrator of Personnel. Subject- Records, applications, payroll, medical insurance, announcements of new employees and terminations. Dates- 9/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and L. Cheek, Jr. and The Mint Museum staff. Subject- museum practices, loans, etc. Dates- 8/46-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- obtaining the motion picture for which the drawings in the exhibition \"Gil Wilson 'Moby Dick'\" were made. Dates- 12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- printed material for exhibition \"Modern German Art\", invitation to Mr.and Mrs. Alfred P. Jenkins for dinner and exhibition preview, (Mr.and Mrs. Jenkins owned the modern German art collection shown). Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Creation of James Monroe Bicentennial Commission. Dates- 8/57 - 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown between MAC. subject- Section 21-2 of the Richmond City Code: designation of Monument Avenue as an Historic District.  Minutes of meeting of MAC, 4/24/71 and 5/19/71.  Program Planning Task Force, editorial broadcast, roster of members, Articles of Incorporation, By-Laws, agendas, proposals and pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and Mr. Charles Moore. Subject- Moore's application for the Director/Producer position in the Virginia Museum Theatre. Dates- 12/56-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data and his lecture tour to the VMFA. Dates- 4/53 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Georgia Watson Morgan. Dates- 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Search for candidates for public information supervisor, job requirements, resume, publicity agendas, public information schedules, Bulletin vol.20, no.3. Dates- 6/59 - 7/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Mulholland (magician), biographical data/pamphlet, his magic presentation to the Fellows and VMT. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, his address to VMFA membership concerning architectural history. Dates- 10/55 - 8/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Munn Last Will and Testament with list of objects bequeathed to VMFA. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and T. Colt. Subject- Mural competition for Virginia State Library entrance hall: selection process, general assembly commission of monument to Stonewall Jackson. Dates- 4/46 - 6/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Envelopes of photos and negatives of Pre-Columbian art objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Gallery attendance and educational groups. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Oct. Bulletin 1954, copies of the following Members' Bulletins-vol.15, no.2 (10/54) and vol.13, no.3 (11/52). Dates-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison. Subject- working papers for Members' Bulletin Oct. 1955, VMFA calendar 10/55, etc. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Oct. Bulletin 1955. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Design of annual Christmas cards by Virginia Artists: John Ballator, Charles Smith, John Canaday, Allan Jones, Ross Abrams, Julien Binford and Prentiss Taylor. Dates- 11/48 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns transportation for the Museum lecturers and guests 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Christison and Mrs. Pollard. Subject- Inquiries from other institutions regarding museum operations, budget, services, corporate membership, Trustees, etc. Lists of purchases, Fellowship recipients. Dates- 1937 - 53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Arrival of Hollins and VCU students to work on specific projects for one month. Dates- 12/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Proposal and tentative plans, prospective filmmakers. Minutes of Executive Committee of Southern Educational Film Production Service. \"Motion Picture Production\": Study by H. Jeff Forbes and Associates regarding promotion of VMFA. Dates- 11/46 - 2/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memos about various museum topics. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, V. D'Amico (Dir. MOMA), M. d' Haroncourt. Subject- Art education standards, exhibitions, loans, lectures, museum policy, juror search and Jamestown Commission. Dates- 11/55 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Head of Administrative Division), Mrs. J.G. Pollard and L. Cheek, Jr. Subject- suggested future organization of the institution, operating procedures throughout the building, etc. Dates-2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding the division of expenses between the theatre and the museum, 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Promotional literature on the VMFA. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Material deals with segregation policies at museum events. 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence pertaining to printing. Bulletin mock-ups and copies of the following bulletins: Vol.6, No.4,  Vol.7, No.'s 2and7. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and magazine articles. Photographs, press releases etc. 1955-57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed budget groupings for VMFA, according to departmental divisions and table of organization. Dates- 1948 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events, timetables, agendas, Robinson House, housekeeping, security, VMT. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of events, exhibitions, Robinson House. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Schedule of events, mailing schedules, spring agenda, Confederation Conference, Robinson House, VMT, gallery closings, Discovery Cruise: Land of Maya. Date- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Suggested talk by Pres. of Museum to guests at Safari Dinner in Medieval Hall. Dates- 1/22/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Travel package for travel to Asia, brochures, cultural travel tours. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Policy regarding loans of art works to other Museums, employment search, provenance of art objects, pamphlets, newspaper clippings, etc. Resolution: To order immediate safe return of German master works after Nazi occupation, signed by U.S. museum directors. Dates- 4/46 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Applicant search for various positions, invitations, announcements, exhibitions, etc. Press kit for the Milwaukee Art Center. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- General correspondence on exhibitions, loan requests, museum business, job placement, magazine and newspaper clippings. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions, loans, policy. Dates- 12/60 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of music series and members of committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- schedule of program of recorded music, announcement of 6th artist evening 1/46, Museum Bulletin Vol.5, No.2, etc. Dates- 2/46-5/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Jerome Myers. Subject- acquisition of his painting: Street Scene, N.Y., his acceptance to the National Exhibition of American Art, N.Y., etc. Dates- 4/36-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- General correspondence to Trustees and membership, letters to Robert Neutra, exhibitions: Henry Moore, Sport and Horse. Agendas, travel itinerary, events and invitations. \"Encouragement of the Nations Arts\", an appeal to congress, and \"Proposed Federal Advisory Council on the Arts\", Hon. H. Alexander Smith, U.S. Government Printing office, Washington D.C., 3/26/57. Requests for employment, postcards, pamphlets and photographs. Artists: Jean Nikolic. Accessions and Gifts: \"Disasters of War\", Goya; \"Lore Fuller\", Raoul Francois Lanke; \"Dancing Girl With Tambourine\", A. Leonard; \"La Revre Blanche\", Toulouse Lautrec; Revere and John Andrew spoons and vase possibly made by Johannes Loetz Witwe. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Namuth's exhibit of photographs at the Brussels World's Fair, as a juror VMFA. List of Seventeen painters photographed by Namuth: Wm. Baziotes, J. Boynton, L. Calgagno, N. Carone, R. Diebenkorn, J. Ernst, S. Gechtoff, G. Hartigan, E. Kelly, W. Kienbusch, G. Mueller, K. Morris, B. Perlin, C. Marca-Relli, R. Motherwell, A. Reinhardt, L. Siegriest, with original notes by Namuth. Letter from J. Ernst with signature. Date 4/61 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statement of purpose and future of NCA, Board of Directors, Members of Council, fellowships, program grant application. Essay- \"National Endowment For The Arts Before The House Appropriations Subcommittee On The Interior And Related Agencies Tuesday, March 14,1972\", statement by Nancy Hanks (Chair): \"New Dimensions For The Arts: 1971-1972\" Dates- 1970-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L Cheek. Subject- Bill: S. 2379, To provide for the establishment of National Council on the Arts and National Arts Foundation. \"Congressional Record: Proceedings and Debates of the 88th Congress\" Dates- 2/64 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Public-Law 85-874, S. 3335: charted by the 85th Congress to establish a bureau in the Smithsonian Institution devoted to the Performing Arts. \"Peaceful Use Of Creative Energy\": transcript of lecture given by Col. Corrin Strong at the Tri State Arts Conference 4/29/61; Report: \"The National Cultural Center Part Two: What Goes into the Center\" by Dr. Carelton Sprague Smith, 10/60. Minutes for the NCC Executive Board: 5/23/60 and 6/29/60 Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. cheek. Subject- VMFA Council sponsorship of a closed circuit telecast by NCC: \"An American Pageant Of The Arts\". Suggested text of publicity folder, invitations, Newsletter: \"Footlight\", vol.1 no.3.; \"For A Cultural Capital\", Eleanor Roosevelt, 1962, United Feature Syndicate, Inc. NCC, later to be named the \"Kennedy Center For Performing Arts\". Dates- 7/62 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exchange of ideas and experience with other institutions who use audiovisual tool to communicate with museum visitors. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of appeal to serve on Virginia NEFTA committee, roster of members. VMFA appointed as the state agency for the administration of Federal matching funds; to aid in expanding the cultural horizons of a states and territories. \"Guidelines\" 1/67, NEA, Washington D.C.; \"National Foundation On The Arts And The Humanities, Question and Answers\", U.S. Government, Washington D.C., 1965. Dates- 1965 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey of membership, officers of VMFA, according to race, gender, age, position and time served. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz. Subject- Grant proposals, application, letters of support, proposal for a Regional Conservation Center, Soldiers Home, American Marine Painting, NEA statement of purpose, Museums A.S.A. Study, Museum Program guidelines, Smithsonian Puppet Theatre, Young Peoples Theatre Safari, \"American Painting 1974\" and newsletter from the Arts Reporting Service. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Financial assistance to Chamber Music Societies, season brochures, project grant application form for Va. Chamber Music Society. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Grants received by Arts/Cultural organizations in Virginia: guidelines, program committee members, agendas and minutes from the program sub- committee 3/7/68. NEFTA project recommendations for a regional conservation center. Dates- 6/76 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT survey, McLean Arts Center, guidelines for program grants. Senate Joint Resolution No. 67: to create a Virginia development study commission, bill 1483: National Foundation on the Arts and Humanities Act of 1965 and a report with guidelines for VMFA as the sole administrator of NEFTA matching grants. Study for Virginia Artist and Craftsman in regard to education and support. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Grant applications from Virginia Dance Society, VMFA, Confederation of Virginia Art Organizations and Budget proposals. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- State guidelines and general information, terms and conditions, NEA matching grant to begin statewide professional operation of VMT. Addresses of applicants for state grants, roster of Virginia NEFTA committee members. Dates- 2/66 - 6/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Regarding J.M. Brown's service on committee to evaluate grant applications. Valentine Museum NEA application, pamphlets. Date- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for exhibition \"Designer-Craftsmen 1953\" presented in conjunction with the American Craftsmen's Educational Council, Inc., (ACEC), letters to jurors, etc. Dates- 9/52-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and National Gallery of Art. Subject- preview invitations, exchange publications, excerpts from Roosevelt Art Address (from dedication of National Gallery 3/41), loan request for VMFA inaugural exhibition, etc. Dates- 3/41-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets and information about \"National Park and Recreation Week\" sponsored in Richmond 5/21-5/30, 1949. Dates- 4/49-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Geographical directory, \"Historic Preservation\" journal, vol.11, no.3, 1959 and Melchers Memorial. Dates- 1959 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Organization membership information form, questionnaire. NTHP certificate of associate membership 1971-73, employment placement and service pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Travel itineraries, objects for prospective traveling exhibitions, list of slides, forgeries and thefts. Accession and acquisition proposals. Dates- 1/61 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Conservation of objects/paintings, loans. Accessions committee meeting agenda, 10/69. Report on Authenticity of \"Marble Head of a Horse\", Heermaneck Ancient Iranian Collection. Exhibitors: The child and his World. Condition reports and repair estimates for tapestries. Photographs Dates- 12/69 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Sydney Lewis and Peter Mooz. Subject- Authenticity of Cycladic Harpist and 18th century American secretary. Provenances of various objects, conservation and treatment reports. Catalog: \"Arshille Gorky\" Dates- 1/74 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Sydney and Frances Lewis and Peter Mooz. Subject- Conservation/treatment reports, Artnian Collection of self-portraits. Conservation/treatment reports, Kent Independence Portfolio. List of Art Nouveau objects, damage reports, African Collection. Report of authenticity regarding the Cycladic \"Harpist\". Letter from Arnaldo Pomodoro regarding a base for \"Rotating Sphere\". Dates- 5/75 - 8/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Hours of operation, VMFA and other museums, attendance records, VMT, security, UNESCO newsletters 4/58 - 8/59, newspapers and magazine clippings, press releases. Dates- 7/59 - 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cheek's annual N.Y. cocktail party: guest lists, arrangements, rosters of speakers to VMFA: 1951-52 and 1952-53. Dates- 1952 - 54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newsletter to Trustees concerning exhibitions and appointments to Executive Board, accessions, building, etc. Dates- 11/70 - 8/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Morrison (P.R. VMFA), F. Palmer (P.R. consultant), D. McCammond (P.R. Reynolds Metals). Subject- Public Relations of E. Newsom and Co. to conduct a study to determine the needs and potential of VMFA. Program organization, community relations, film, book press material, schedules of events, etc. Dates- 8/58 - 9/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- A survey targeting the needs, current and future of VMFA, with solutions/resolutions for every aspect of the museums' operation. Dates- 11/58 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. A. I. duPont and F. Palmer. Subject- Roster of members of Board of Trustees, letter of appeal for pledges, principal elements of Newsom Program. Dates- 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. A.I. duPont (chair, Ann. fund). Subject- Strategy to raise funds through the Trustees to finance the Newsom Public Relation Firm program for VMFA. Drafts of letters to Trustees, progress report, minutes of 25th Anniversary Committee, 9/8/59. Dates- 12/58 - 7/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- all manner of museum operation: security, policy and procedure, personnel policy. operating budget and VMT. Diagrams of electronic console panel. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Museum business, construction and installation project schedules, budget, Equal Opportunity regulations, design contract for the Council shop, salary scales. Dates- 10/73 - 1/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum business, Conservation Lab, Fine Arts insurance coverage, budgets, Cabell Foundation gift. \"Report on the Freedom of Information Act\". Depreciation of \"Death of Regulus\", Salvatore Rosa. Dates- 12/74 - 7/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum business and operations, budget, contractual agreement between VMFA and Harwicke Associates, Inc. for North Wing project. \"Organization of the Virginia State Government\". Dates- 10/75 - 11/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- UVA architect and his membership in the Collectors Circle. Dates- 1/63 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General assistant to VMT, employment recommendation. Dates- 6/55 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Possible acquisitions from his gallery. Dates- 10/62 - 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L Cheek and J.M. Brown. Subject- Loans, exhibitions, VMT, Rotunda Club, Fellows. Accessions and gifts: \"Metamorphosis\", Grillo. Dates- 4/57 - 6/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- correspondence with individuals, institutions and companies beginning with the letter \"O\". Dates- 4/43-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, photo and job description/responsibilities as program director for \"Art Column\". Dates- 3/61 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- As a scenic design consultant, his lecture to VMT in connection with the Exhibition: \"Design For The Theatre\". College Drama Festival, biographical data. Dates- 1/60 - 2/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Mellon, E. Brooks Jr., and M. Bush. Subject- Financial support: Artmobile II, building grant and museum survey to expand visitors use to VMFA. Photographs, newspaper clippings. \"A Study in Modern Giving: The Old Dominion Foundation\", reprinted from articles in Richmond News Leader. \"Bollenger Series\", catalogue of special edition books. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Bush (Asst. to Pres. of ODF) and P. Mellon (Pres. of ODF). Subject- Financial assistance to VMFA, Artmobile II, collectors circle, and Old Dominion Foundation statement of purpose. Dates- 9/58 11/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Dan Olney. Subject- receiving a Senior Fellowship 1941/2, outline for a lecture, etc. Dates- 10/40-6/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Governor Thomas B. Stanley. Subject- opening of the new wing. Dates- 8/54-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- opening and reception for Governor Stanley. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitations and replies to the opening of the Members' Suite, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opera Society's first season. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- miscellaneous printed materials for the Museum, etc. Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- tickets to the Museum for State Lions' Club convention, etc. Dates- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- ideas/proposals for \"Members' Room\", suggested operating procedures, menus, pricing, etc., cost estimates, \"Refreshment Room Statement\" 1955, etc. Dates- 1/55-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre operations proposals, list of staff, their duties and salaries, etc. Dates- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- lists of statewide business, civic, commercial and other organizations, invitation list for General Assembly/Governor's reception, etc. Dates- 1953-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Orloff's (Chief-interpreter of U.N.) lecture to VMFA concerning the Faberge Collection, Biographical data. Dates- 11/49 - 4/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of inquiry to firms specializing in plaster and wood ornament, catalogs. Dates- 5/54 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- museum practices especially concerning finances of other US art museums, etc. Dates- 4/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Near and J.M. Brown. Subject- Artmobile, VMT, Collector's Circle, Fellows, Chapters/Affiliates, biographical data, campaign to restore the Jefferson Hotel, list of exhibitions from 1942 - 45.  International Exhibition Foundation, the appointment of John A. Pope (Director of Freer Gallery) as advisor/consultant to VMFA for expansion of Far Eastern Collections.  Acquisitions and gifts. Artists: Nell Blaine, Howard Kanovitz, Otto Piene. Gifts: Masson lithograph, Irving Penn photo and 15 Russian 19th century paintings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Painter's lecture on \"Armor and Medieval Man\" to compliment the \"Arms and Armor\" exhibition, biographical data. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Nelson Parker. Subject- announcement of Board meetings, etc., Date- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Appeal to Virginia Senate and legislature regarding sufficient museum parking utilizing land belonging to the UDC (United Daughters of the Confederacy). Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gift of Egyptian Gallery and English Decorative Arts Gallery. VMT, and her membership as a Fellow and in collector's circle. Dates- 4/61 - 10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. J.G. Pollard and Executive Committee of the Board. Subject- proposal and planning stages of conferring an honorary degree of \"Patron of the Arts\". Dates- 6/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject-housing J.B. Payne books in library of the College of William and Mary in exchange for paintings from their collection of art for display at the Museum. Dates- 1/50-4/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek's service on the Board of Trustees and on the Advisory Board of the School of the Arts. Minutes of U. of P. Executive Board, 4/8/60, 4/29/63, 4/26/65 and Annual Report of Graduate School of Fine Arts, 3/64, 5/65. Dates- 10/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek as chair of Fine Arts Committee. Subject- Letter to P. Coombs on his appointment as Assistant Secretary of State for Educational and Cultural affairs, UNESCO newsletter, Nubian archeological sites. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and A. Frankfurter (editor, Art News). Subject- VMFA general collection, list of gifts and purchases, 1955-67, scope of exhibitions, dates, publications, colorplates. List of VMFA Board of Trustees, 1962, Gobelin Tapestries. Dates- 1953 -64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Articles based on exhibitions and general collection of VMFA, VMT, invoices, newspaper clippings, pamphlets, reviews, newsletters. NEA museum programs, research education grants. Dates- 1967 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Articles of VMFA: \"A Spring View of Virginia Museum\", 10/56, Wm. Lacey, Editor; \"Art isn't Caviar at this Museum\", Sidney Shalett, 7/57, The Diplomat. Dates- 10/56 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Articles and editorials pertaining to VMFA: Newsweek, Time, Art Gallery, Antiques, Museum News , etc. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Harper's Bazaar, New York Magazine, Apollo, reviews. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Editors V. Dabney (RTD) and J. Kilpatrik (RNL). Subject- Artmobile, reviews of VMT and media coverage by print journalists, newspaper clippings. Essay- \"The Arts In The Sixties\", by L. Cheek. Dates- 11/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and F. Stewart and C. Jones. Subject- Exhibitions: \"Form Givers\", Sport and Horse\" and Mellon Collection. Dates- 2/60 - 12/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information on candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Job descriptions. Dates- 1953 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, P. Near and L. Cheek. Subject- Fellowships: list of recipients from 1940 - 1955. Prospective employees and VMT. Dates- 12/54 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- personnel rules and procedures of VMFA and the Commonwealth of VA, mandates from the Governor's office, additional personnel and pay increase requests, Roster Cards (listings of all employees and pay rates), etc. Dates- 8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., and R.A.Velz (Administrator). Subject- listing of division duties, proposed salary ranges, information about hiring an artmobile driver-curator, etc. Dates- 2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of L. Cheek, Mrs. J.G. Pollard, theatre staff, Ariel Ballif, Vincent Bowditch, Arthur Ballet, R. Velz and P. Near. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Personnel matters. Dates- 4/66 - 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains general information about the system and ratings for museum employees. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about the candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about various candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Governor's personnel survey staff. Subject- employment questionnaire, job descriptions (buildings and grounds staff, watchman, registrar, secretary, etc.), etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Governor's personnel survey staff. Subject- employment questionnaire, VMFA tentative classification of positions (3/37). Dates- 10/36-4/37.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Fiske Kimball (Director of Penn. Museum of Art). Subject- loans for VMFA inaugural exhibition, exchange publications, counsel on museum practices, etc. Dates- 5/35-5/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R.L. Dickinson (Hanover Bank). Subject- The Library of Philanthropic Information at the Hanover Bank, New York City. Dates- 11/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- E. Turpin Phillips, a Virginia citizen and his request to see proposal plans for expanded museum parking onto UDC property. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Consultant for VMFA acquisitions. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Duncan Phillips (Director, Phillips Memorial Gallery). Subject- request for loans to VMFA inaugural exhibition, etc. Dates- 9/35-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Installation of VMFA photography department, list of equipment and supplies, employment of staff photographer: Gordon Burns. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of entries to the \"19th Photographic Salon\" exhibition, schedule for jurors, etc. Dates- 3/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) and L. Cheek, Jr. Subject- purchase requests for photographs. Dates- 10/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Ivan Dimitri as Director of Photography in the Fine Arts at the Brussels World's Fair, his service on the advisory committee, list of photographs given to VMFA from the PFA exhibition. Directors of America's Finest Museums: portraits, credo of on art and their personal selection of photographs from the PFA archives was the subject of the World's Fair exhibition. Etching by Levon West (Ivan Dimitri). Dates- 12/59 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Atillio Piccirilli. Subject- biographical information, loans of work to the Museum, etc. Dates- 7/35-1/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- viewing the feature film 'Pictura \"An Adventure in Art\"', invitations, contributions, listing of attendance, etc. Dates- 2/52-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Herman Starr (Pres. Pictura Corp). Subject- A group of films devoted to the fine arts. Presentation of \"Leonardo da Vinci\" at Richmond's Lee Art Theatre and film on Goya to accompany exhibition. Dates- 1/51 - 3/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Gallery dinner, menu, agenda, program for event. Dates- 8/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- policies on use of meeting rooms and studios, special food service, interpretative services, scheduling programs, etc. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence to and from him when he was President of the Board of Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- the VMFA inaugural exhibition, Museum events, finances, Museum Board business and bequests/gifts to the Museum, etc. Dates- 1/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- Museum operations, investments, finances and gifts to the Museum, etc. Dates- 1/37-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as President, Trustee and membership in the Collector's Circle. Biographical data, museum business: operating fund, Artmobile, Newsom Report, 25th Anniversary fund, Melchers Estate transfer, gifts, contributions, Fellowship Fund. Exhibitions: Sport and Horse. Dates- 9/53 - 2/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as a Trustee, VMFA Resident Craftsman Program. Dates- 2/64 - 2/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Design of members Bulletin, records retirement, museum business. Dates- 1949, 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum business, Pratt installation, museum courses and equipment. Dates- 9/54 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Gift of \"Rotating Sphere\" from Lloyd Noland. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- As founder and director of the Barter Theatre, proposed plans for Theatre Virginia and NEA funding. Dates- 4/67 - 5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and Mr. David Payne. Subject- correspondence with Payne about arranging the exhibition \"Portraits by David Payne\", biographical information, letter from Phillip Johnson, etc. Dates- 5/51-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, L. Cheek, Priscilla Crum (Curator, Asst. in Education). Subject- Gallery representing portrait artists, biographical data on various artists and portrait of Senator Byrd. Photographs. Dates- 6/45 - 11/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statewide tribute to John Powell (a native of Virginia) and the presentation of his \"Symphony in A\". Date- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Correspondence with Pratt as a trustee. Discuss first Easter egg exhibition in 1949 and Hammer visit. Letter from Schaffer (A La Vieille Russie) in 1949 about lending some pieces for an exhibition. Includes a few letters from Mrs. Pratt before she died, about a Faberge table donation in 1942 and donating \"Twice Seven\" to the Library. Establishment of the Fellowship fund, including letter from Twombly as early recipient. Pratt Collection: insurance estimates and installation. Gift of funds to purchase the first Artmobile from Pratt and Miller and Rhoads. Dates- 7/40 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, Fellowship committee, underwriting of Faberge booklet, terra-cotta statue of \"Diana\" from the Pratt Estate given to VMFA, newspaper clippings. \"A Plan For Fellowships For Virginia Artists\" as suggested by Mr. John Lee Pratt. Minutes from Fellowship Committee meeting, 6/12/42. Dates- 12/49 - 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. John Lee Pratt. Subject- Trustee/Museum business, VMFA fellowship updates, etc. Dates- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown. Subject- Biographical data, fellowship recipients: Cynthia Morehead Smith, Paul Steuke, June Chapman, Fred Bonds, Richard Kevorkian and Reginia Perry. Pratt Collection: catalogue, except from forward by L. Cheek, questionnaire regarding Mrs. Pratt's initial contact/purchase sources for Russian Jewels, list of objects bequeathed by Pratt Estate. Dates- 1/57 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposals and cost estimates for Healy's Sitters exhibition and Pratt collection catalogues. Dates- 4/50-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek, Armand Hammer (Hammer Gallery) and Alexander Schaffer (La Vielle Russie Gallery). Subject- Legal claim against the Romanoff Family assets via the Pratt Collection of Russian Jewels. Possible lawsuit by A.G. Sharkey, President and Trustee of Marine Transport Service Corporation in NY who had judgment against Czar Nicholas Romanoff since 1918. Hammer and Schaffer dismissed it. Details of Pratt bequest, provenance of objects, announcement of bequest with sample of text to be used in pamphlet. Excerpt from \"Twice Seven\", by H. C. Bainbridge, E. P. Dutton and Co. Inc., 1934 (reference to Faberge Jewels owned by Armand Hammer). Dates- 8/47 - 10/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. J. G. Pollard. Subject- Installation, list of items on exhibition, security and transportation. List of objects in the collection of Mrs. Joseph E. Davies and pamphlets. Correspondence regarding various showings around the state - Roanoke in 1950 and Norfolk in 1951. Dates- 1/49 - 4/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from C. Humelsine. Subject- General correspondence to the VMFA membership, calendar of events, museum news. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to the media from the Museum. Subject- news releases about Museum events. Dates- 10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News releases about Museum events. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- positions and duties for volunteers and guards during an undisclosed preview. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Gov. Price. Subject-proposed salary increases, Board meeting announcements, nomination of Colt to select work to go to the Annual Exhibition of American Art 1938. Dates- 1/38-11/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- On the occasion of his being collector of the Year 1964, his cookbook including photographs of VMFA and the menu from the Collectors Gala, newspaper clippings. Gifts: Lachaise drawing. Dates- 6/63 - 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Grigaut and P. Near. Subject- A. Priest as Metropolitan Curator of Far Eastern Art, his service as a consultant to VMFA (1963-69) in the formation of the Asian collections. Correspondence on examination and provenance of works in the VMFA. Minutes of Executive Committee, 9/9/63, 12/8/64, minutes of Accessions Committee Meeting, 9/9/63. \"A Buddhist Paradise\", A. Priest, AIV, 1963. Newspaper clippings, postcards, etc. Dates- 1963 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) and Mrs. J.G. Pollard. Subject- printing schedules for 1956, miscellaneous print job specs, etc. Dates- 11/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- asking local corporations to fund the printing of school guide sheets for the Museum. Dates- 8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence pertaining to bulletin layouts, copies of Members Bulletin Vol.9, No.'s 1and7 and copies of Christmas cards 1948-9, etc.. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum publications: Contemporary Paintings 1946, Program Season of 1947-8, The VMFA Annual Report 1947-8, Virginia Art 1947 and Museum Bulletins: Vol.3 No.'s 1,2,4,6and9,  Vol.4, No.'s 4and5,  Vol.7, No.'s1,2,3,4,5,6,7,8and9,  Vol.1, No.8,  Vol.8, No.'s 2,3,4,5,6,7,8and9,  Vol.9, No.'s 1,4,5,6and8. Dates-9/42-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- securing a speaker (Robert T. Paine) for the exhibition \"Prints by Hiroshige\", thank you note to Mr. Paine, etc. Dates- 11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed programming for the Museum. Dates- 2/49-9/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and lecturers. Subject- proposed program/events and exhibition schedule, biographical information on lecturers, etc. Dates- 10/50-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- Artmobile schedules, Three-Days-In-March, members travel, grants, pamphlets. \"Proposal For The Development Of American Writers And Resources With Special Emphasis On The Production Of New Forms Of Drama Created Especially For Television\"; The Mark Report\": A survey and evaluation of VMFA statewide programs. Dates- 1974 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safaris, Artist-in-Residence, lectures. Film series: \"The Romantic Rebellion\", exhibitions, COVA events, agendas, Professional Workshop. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Nancy Durett. Subject- violin recital 4/47. Dates- 4/46-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- memos to determine dates for the Trust Fund Orchestra to perform at the Museum. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- VMFA educational services, VMT and all manner of print and broadcast media promotion. Exhibitions, publicity schedules, press releases and newspaper clippings. Dates- 9/50 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General invitation to groups to participate in VMT. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Prospective givers: foundations and individuals. Date- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newsom Report: \"A Report To The Virginia Museum Of Fine Arts\", 11/19/58, Earl Newsom and Company, a study of VMFA public relations, information and communications responsibilities. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Various outside publications mentioning VMFA, 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Design and production of AIV: promotion, organization, printing schedules, contributors , etc. Catalogue \"Architectural Drawings in Virginia\" and \"\"Confessions of an Ex- Elitist\", M.W. Fishwick, Popular Culture Association, American Studies Institute, Lincoln University. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photo of the Museum and of the \"Brussels Tapestry Exhibition\" 1949, Museum publications: VMFA Catalog of Paintings 1938, The Collection of Catesby T. Jones, 1948, and the following VMFA Members' Bulletins: vol.10, no.'s 1-5, etc. Dates- 1938-1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- copies of the following publications: The VMFA Annual Report 1947-8, The T. Catesby Jones Collection, Contemporary American Paintings 1948, William James Hubbard, Three Virginians Behl, Hunter, Blaine, Portrait Panorama, Program Season of 1947-8 and Member's Bulletins: Vol.1, No.8, Vol.8, No.'s 2,3,4,5,6,7,8and9. Dates- 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release, jurors. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the Parsons gift of the Egyptian Gallery and 25th Anniversary Fund Committee. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations to the VMFA's 25th birthday celebration for the affiliates, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release announcing loan of Chinese wine vessel. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 25th Anniversary projects, press release: message from the President (Robertson). Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Appeal to Trustees for contributions to the Drama Festival.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: 28th Virginia Artists Rotating Exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing a network of local art centers and museums affiliated with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VMFA as regional jury center for the national exhibition \"Designer-Craftsmen-U.S.A.\", news releases, information on obtaining a jury and a speaker, etc. Dates-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Va. Architects, Photographers and Designers, seminar for Historical Administrators, VMT and Virginia Composers Concert. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release and photo for first issue of AIV. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release on Arts in Virginia. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains a cover letter for a mailing, no date. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing 25th anniversary events, exhibitions, VMT, etc. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing conclusion of 25th anniversary celebration with the presentation of awards to Colonial Williamsburg, The Old Dominion Foundation, sculptor: Carl Milles, architect: Eero Saarinen, collector\" Robert Lehman and Naval designer: William F. Gibbs for their outstanding contributions to the Arts in Virginia. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- obtaining the exhibition \"Built in the U.S.A.\", presenting programs related to the exhibition, biographical information on Phillip Johnson, etc. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photo of \"Little Triton\" fountain for the Bulletin, copy of Members' Bulletin vol.15, no.1(9/54), etc. Dates- 9/53-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Members' Bulletin. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Members' Bulletin, calendar of Museum events. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vol. 13 no.'s 1-9, 1952-5/53; vol. 17 no. 8, 2/57; vol. f19 no.'s 7 and 8, 3/59 - 4/59. Biographical data on Iren Marik, pianist, and reviews. Dates-1952 -53, 1957, 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vol. 20 no.'s 4-6, 12/59-2/60 Dates- 12/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases: Tours organized through Virginia Federation of Women's Clubs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases: season opening production and call for volunteers. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Extended performances of VMT's \"Carousel\". Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Bus trips to VMT. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of certificate winners and a gallery guide from the \"Virginia Artists\" exhibition 1955. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Portions of VMT concert to be broadcast with commentary and explanations of technique. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Programs and photographs. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Information regarding the Museum's chapters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photographs [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing festival with guest artists: Helen Tamris and Daniel Nagrin. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Critic, Stella Adler, Speaker: Alfred de Liagre. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- TV news film of highlights of the College Drama Festival, script, telegrams and surveys to Virginia TV stations concerning air time and usage. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Announcement of individual participants announcing their attendance in the festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loan of Cone collection from the Baltimore Museum of Art to VMFA for an exhibition, a catalogue of the Cone collection, news release about the  bequest of the collection to the Baltimore Museum of Art, etc. Dates- 10/49-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Public information schedule for exhibition: \"The Architecture of Skidmore, Owings and Merrill\", \"The Little International\". Artmobile public and information schedule and Bulletin, vol. 19, no.2 10/58. Essay- The Little International Exhibition\", Fred Olsen, 4/57. Dates- 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills, reviews and biographical data.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- list of designers proposed for inclusion in the exhibition \"Design for Theatre\", tentative list, etc. Dates- 8/52-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing loan of painting by Winslow Homer. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Evaluation of the Discovery Television Series sponsored by the San Francisco Museum of Art. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Statewide Press Release announcing fellowships 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press Releases regarding fellowships 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills and posters. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Buckminister Fuller. Subject- Exhibition of the work of 13 leading architects, opening lecture given by Buckminister Fuller, list of catalog content, gallery talk, press release, invitations and biographical data. Photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing formation of a fundraising committee for the 25th anniversary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions: \"Drawings From Five Centuries From The Cooper Union Museum\", \"Hans Moller\", \"Is Photography An Art\", \"Sport and the Horse\", \"25th Anniversary\". Parsons gift of the Egyptian Gallery, Chamber Music Society, Virginia Artists, evening hours, speakers/lecturers, Virginia Art Alliance, state services, Fellowships, Search for a female collector with a collection of Imperial robes. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases announcing exhibition of contemporary glass. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions: Skidmore, Owings and Merrill (AIA for Reynolds Building), publicity, progress report on exhibition arrangements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Ivan Dmitri. Subject- Symposium on photography conducted by Dmitri with a panel composed of: A. Hyatt Mayor (MET) and Hilton Kramer (Arts Magazine). List of paintings and photograph comparisons and press releases. Photographs. Dates- 10/59 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Status report of the Broadway production. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about the loan exhibition. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Speaker 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: History of Lynchburg Center published in the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Brief film on masterpieces of American silver, script and outline for the 25th anniversary program. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains press releases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains layout and planning for the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of the moving of art objects, installations, physical plant and behind-the-scene workshops and people.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Editorial Writers, agenda, and guest speakers, exhibitions, events, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Ms. Nemone Balfour. Subject- a ballad concert given by Balfour sponsored by the Museum, new release, printed material, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: R. Neutra lecture in coordinate with his VMFA exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitations to grand opening of the 10/54 VMFA addition. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the Norfolk Museum affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Bus tour and photograph. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of galleries. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing gift of marble statue \"Dawn of Young Womanhood\", Oronzio Maldrelli from Miller and Rhoads Department Store. Press releases from: Mariners Museum, National Gallery, Henry Ford Museum, Walker Art Center and the MOMA. Dates- 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: purchase of Patronship by Richmond businesses for season tickets to VMT.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- radio transcripts and publicity releases. Dates- 1948-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases, publicity schedule 6/26- 7/22. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 5/56-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 4/51-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 1952- 5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases for various museum events: theatre, exhibitions, films, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Affiliation announcement of the Roanoke Fine Arts Center 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the loan of \"The Ecstasy of St. Francis\" by Carravaggio. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release announcing the acquisition of a rare funeral monument from 2nd century B.C. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Advertising copy and selection of artist to draw a cartoon. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release for VMT promotion. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing special schedule to accommodate bus trip from out of town. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity schedule and advertising copy. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- scheduling a speaker (Bernard V. Bothmer) to coincide with the exhibition \"Smith's Egypt\", photo and biographical information about Bothmer, etc. Dates- 6/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition and Publication information regarding \"Sport and the Horse.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- News Releases regarding newspaper column 1960. The column was carried in 50 Virginia newspapers as 42 weekly articles by Cheek. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Syndicated column written by Cheek as part of a promotion for the Museum's 25th anniversary. Contains a mailing schedule for the column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Return forms from newspaper publishers regarding column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Promotional letter for newspaper column. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast script for performance promotion. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from G. Friddell (Public Information Director). Subject- controversial nature of the \"American Painting 1950\" exhibition, James Johnson Sweeney was the juror for this exhibition, Sweeney biographical information, News Releases, exchange/gift publications of the catalogue to this exhibition, etc. Dates- 1/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast script promoting 25th anniversary year. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 25th Anniversary, broadcast scripts, VMT and list of Virginia and Washington TV stations. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast promotion script. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release with performance information  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release for VMT promotion. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release concerning a 25th birthday year magazine, the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Tours arranged by Virginia Federation of Women's Club in 6 Virginia towns to see VMT production of \"Carousel\" Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews of show. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Introductory speeches. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"The Tempest\", \"The Mad Woman of Challiot\", \"Berkeley Square\", \"I Remember Moma\", \"Noah\", \"Blind Alley\", \"The Devils Disciple\", \"High Tor\", \"Oh Wilderness\", \"Private Lives\", \"The Petrified Forest\" and \"Victoria Regina\". Dates- 1955 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Assigned design projects and newspaper clippings. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- National broadcasts focusing on topics of national interest, VMFA requests for financial assistance to host a \"Meeting\", pamphlets and photograph. Dates- 1953 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Aubrey Bodine and Gordon Bunshaft, biographical data, Competition promotion, preliminary text for official entry forms, press release. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- list of pieces included in the \"Virginia Artists 1953\" exhibition, list of purchases made from the exhibition, information on the jury and on purchase prizes, letter from Jacques Lipchitz, etc. Dates- 12/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about the exhibitions and photographs of the artists and their works. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Jurors: Richard Lippold, Isabel Bishop and Perry Rathbone. Press release announcing event.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Eighteenth annual exhibition held at the Museum and sponsored by the Camera Club of Richmond. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- fountains that flank the Museum's front entrance. Dates- 9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photo of conservation lab, gift and exhibition of the Williams collection of art at VMFA, announcements to and articles in major art publications about the gift of the Williams collection. Dates- 3/52-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition \"The American Cartoon\", original American cartoons from the collection of Mr. Art Wood, invitations and R.S.V.P.'s to exhibition preview, photos of some of the pieces of cartoon art, etc. Dates- 5/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Wm. Quillan Jr. (President of Randolph Macon Women's College). Subject- Loan of Randolph-Macon's collection of paintings. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Isobel C. Lee (Steuben Glass). Subject- Loan from Queen Elizabeth, installation, lighting and press-release. Dates- 7/10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, AAM, Jamestown Foundation, loans, Accession, gifts, biographical data and resumes. Exhibition: Randolph Macon Collection. Letter from Richard Rogers to lecture to VMT, Reston Foundation: Minutes of the Executive Meeting, 9/12/60. Dates- 9/60, 5/62 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Loans, contributions, acquisitions, exhibitions and Africa Gallery. Dates- 1/68 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to W. C. Cottrell (Elec. Corp.). Subject- Proposal and technical information for Audio-Guide radio-lecture, pamphlets, blueprints/plans of galleries. Dates- 5/72 - 8/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Priscilla Crum and M. Christison. Subject- Broadcast of Biennial Jury, notes from WMBG broadcast, 12/6/46, \"What Is Your Art Museum\", participants: Priscilla Crum (Curator of Education), Edward Davis III (Curator of Decorative Arts) Mrs. J.G. Pollard and T. Colt. Notes from WLEE broadcast, \"Know Your Museum\": a weekly series with guests from the local arts community and \"For Parents Only\": a children's radio program. Dates- 2/46 - 11/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- radio talk shows and transcripts. Dates- 12/37-9/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr.and Mrs. Robert C. Randolph. Subject- the loan of a portrait of Wm. Henry Harrison by Rembrandt Peale to the Museum for the inaugural exhibition and an additional later loan. Dates- 9/35-11/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek and Mary F. Williams. Subject- The service of Beatrice Von Keller as VMFA Acting Director during Colt's military duty. Biographical data, Randolph-Macon Collection including the acquisition of the Bliss Collection. Dates- 7/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Hours of operation, policy, menu. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Frank Rehn Gallery. Subject- loan of paintings to inaugural exhibition of VMFA and later proposed acquisitions from the Frank Rehn Gallery, etc. Dates- 9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Artist from West Virginia: application and recommendation for a Rosenwald Fellowship by T. Colt. Dates- 6/49 - 10/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rennolds' service as a Trustee and entertainment committee. List of objects in the home of her mother, Mrs. John Kerr Branch, that may be of use to the VMFA. Dates- 1/53 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Policy and requests for rental of museum meeting rooms. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for state/federal funding for the creation of the \"Latrobe Theatre\" (never built), a professional theatre organization. The design of the Theatre was based on plans by the 19th century architect Latrobe. \"The Virginia Museum Theatre\", statement of facts in relation to charges appearing in the Richmond Times - Dispatch, 10/13/66. Subject- 8/65 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of requests and general correspondence. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, Edward Kallop and L. Cheek. Subject- Inquiries concerning specific artists, objects, valuations, conservation/restoration, etc. Dates- 6/56 - 6/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek served on the Board of the Reston Foundation Community Program, includes roster of board members. Dates- 11/10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to the Executive Director of the Reston Fund. Subject- L. Cheek's membership on the Board, and proposals for development of the Reston Community, low-cost housing, maps, agendas, Reston architects, Minutes of Annual Meeting- Reston Community Foundation,12/15/64, 4/25/65, 11/12/67, 4/8/68. Dates- 6/65 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMFA membership and letter of condolences to the Reynolds family. Dates-10/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. cheek. Subject- R. J. Reynolds service as Chair of VMFA promotion and development committee. suggested organization agenda for the meeting of the Public Relations Development Committee, to further the advancement of VMFA. Contributions, invitations and photographs. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"R.S. Reynolds Memorial Award\", awarded annually to the architect or group of architects who make the most significant contribution to the use of aluminum, aesthetically or structurally, in the building field. Theodore Rozak chosen to commission the first sculpture. Dates- 5/58 - 11/6 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Miss Katherine Rhoads. Subject- a bequest to the Museum. Dates- 5/35-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from G. Martin (Secretary of VMFA). Subject- Rhoads Medal awarded to persons who have made a notable contribution to Art in Virginia; list of recipient, excerpts from the Minutes of the Executive Board, 5/25/69/. Biographical data on Concetta Scaravaglione, designer of medal. Medal awarded to Walter Spencer Robertson. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence to and from Rhoads as Vice-president Board of Trustees. Dates- 1934-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contributions to a purchase fund in his memory. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek, Mrs. J.G. Pollard and P. Mellon. Subject- Museum business, exhibitions. Pratt Estate, John Barton Payne Endowment, Resolutions in memory of Judge Payne, resignation of Colt, Fellowships. List of employees and job descriptions. List of Benefactors, Patrons and Life members, Board of Trustees, Rockefeller Foundation, segregation, contributions, gifts and accessions, including Mellon. Dates- 11/40 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W. Robertson, Mrs. J.G. Pollard and W.S. Rhoads. Subject- General letter to membership from the President (W.S. Rhoads), Webster S. Rhoads Medal, Artmobile III and South Wing. Dates- 1951 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General Museum Business, VMT, policy regarding expense accounts and museum entertaining. Dates- 5/57 - 11/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitation list, invoice for cocktail party honoring W.S. Rhoads. Dates- 5/8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Westwood Winfree (Pres. RAA). Subject- Winfree's participation in the Virginia Rotating Exhibition and other events. Requests for restructuring of jurying procedure. \"Reasons For Suggesting A State-Wide Artists Study Committee To Be Sponsored By The Virginia Museum Of Fine Arts\". Dates- 2/56 - 9/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Richmond Chamber Music Society programming seasons: 1950-1, 1951-2, 1952-3, 1953-4 and 1954-5, membership rosters 1951-2 and 1954-5, etc. Dates- 10/50-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed policy for relations between VMFA and Richmond Chamber Music Society (conducting events there), listing of Society members, etc. Dates- 1/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- To increase Jaycees interest and support of VMFA. List of member organizations. Certificate to L. Cheek as a member of the \"Civil War Centennial Committee\", Minutes from the \"Society of Architectural Historians,1/30/58. The presentation of the \"Distinguished Service Award\" to L. Cheek. Dates- 11/60 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Disturbances in area of Westmoreland Place (Cheek residence), Cheek's Anniversary Party. Presentation of Canal Locks to Mayor M.M. Crowe. Dates- 2/64 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Field trips taken to the museum by schools throughout the state, 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Broadening cultural horizons in Richmond, proposal for Civic Center in downtown Richmond and the necessary steps for improvement of downtown, editorials, newspaper clippings. \"Plight Of Museums Is Very Real\", L.J. Ahlander, 11/25/65, Washington Post, \"Activities Center Study For The City Of Richmond\", Wm. A. Briggs A.I.A. and B.R. Johns A.I.A., Associated Architects, 8/1/64, \"Modern Living\", 11/6/64, Time and \"Are Most cities Too Ugly To Save\", 11/30/64, U.S. News and World Report, Inc. Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains financial statements for the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- proposed relationship of The Richmond Film Society with the Museum (use of Museum facilities), Film Society programs 1951-2, 1952-3, 1953-4, 1954-5 and 1955-6, etc. Dates- 6/50-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of compliment to editors and journalists of Virginia periodicals regarding VMFA. Dates- 7/58 - 19/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Priscilla Crum, T. Colt, L. Cheek and M. Christison, Theresa Pollack, H.H. Hibbs and Mrs. J.G. Pollard. Subject- Exhibitions and musical programs. Dates- 9/45 - 11/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, J. Schaeffer (General Manager, RSL) Subject- Opening performance and concert dates. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gala opening event of Artmobile. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Willock (Exec, Dir.). Subject- Renewal of Affiliate members. Dates- 1961 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Charter proposal for a Roanoke museum and minutes from the Roanoke Fine Arts Committee. Dates- 12/47 - 9/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Special building committee, draft of letters from Affiliates/Chapters in support of VMFA expansion to be sent to the House Appropriations Committee , members of the Senate and members of the State Finance Committee. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and E. Will (Pres.). Subject- Purchase of \"St. John the Baptist\", Rodin, in memory of W.S. Robertson. Dates-2/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile proposal, museum business, exhibitions: \"George Stevens Makes A Film\". Fellows organizing campaign, selected list of paintings in VMFA permanent collection. Rosters: Members of commission of State Capital and Outlays and Means of Financing; VMFA Executive Officers and committee's. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter from the President to the membership (W. Robertson), grant proposal for North Wing architectural plans.  List of objects needed for VMFA collections.  Rejection of the north facade by the Arts Commission.  Schedule of events, newspaper clippings.  \"Connoisseur's Comments\", guided VMFA tours narrated by world-famed collectors, critics and curators.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- letter of interest in erecting a monument to Bill Robinson. Dates- 12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rockefellers' membership in the Fellows and their subsequent donation to aid in the Drama Development program. Dates- 1955 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Charles Fahs (Dir. Rockefeller Foundation), W.S. Rhoads. Subject- Proposal for the formation of VMT with initial funding from the Foundation, \"Charter for the Rockefeller Foundation\": Statement of purpose and methods of operation. Dates- 1/50-12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Roman Bronze Works Inc. Subject- casting busts of Gov. Pollard and Judge Payne and casting other figurative groups. Dates- 9/35-1/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of authentication. Dates- 4/60 - 8/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Addresses made by F.D. Roosevelt upon the opening of the Museum of Modern Art. Dates- 6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Matilda McCord Roper (Mrs. George W. Roper). Subject- donations. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, expansion of VMFA print collection, The Alverthorpe Collection, loans of prints. Dates- 8/65 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA as recipient of a rose garden by the Garden of the Patriots. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- M. Ross as VMFA advisor, on retainer, for Byzantine and Medieval acquisitions. the Heeramanecks and Hunt Collections. Dates- 9/65 - 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data and brief history of Rothschild family. List of paintings in VMFA from Rothschild Collection. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Text and pamphlet for the opening of the Melchers Room. Photographs. Dates- 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Edward B. Rowan. Subject- mural competition for post offices in Petersburg, Hopewell and Richmond. Colt acted as chairman for a regional committee to carry out this competition for the Procurement Division, Public Works Branch of the Treasury Department, etc. Dates- 3/30. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- securing a speaker (Mr. Everett Parker Lesley, Jr.), obtaining a transparency from Time magazine of one of the Museum's eggs, etc. Dates- 3/53-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- General correspondence to Trustees regarding Museum business and events. Photographs and slides. Date- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- General correspondence regarding loans, acquisitions and invitations. Dates- 1/62 - 11/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Eero Saarinen. Subject- Aline Saarinen broadcast on the VMT Shakespeare Preview. Drawing. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition: \"Master Drawings\", with lecture by Paul Sachs. Theft of Degas drawing on loan to VMFA from the Fogg. List of London and Paris art dealers. Dates- 5/51 - 6/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- letters from other U.S. Art Museums about staff salaries and Curator's Report activities from the 1st season 1/16-5/24 1936. Dates- 1936- 7/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for purchase of cases from the Greek Gold exhibition. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Form letters: members, advertisements, donors, other institutions regarding loans, lectures and publication requests, etc. Dates- 1967 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuels gift of building for the Front Royal Library. Loan and cleaning of \"View Near Oxford\" by Richard Wilson. Dates- 4/52 - 9/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- 10th Miller and Rhoads Women's Forum; invitation to Philip Johnson to serve as a speaker. Biographical data on James Parton and Max Abromovitz. Dates- 8/51 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Hans van Weeren-Griek. and Concetta Scaravaglione. Subject- exhibition of her work and insurance of a piece that was damaged. Dates- 9/40-7/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events and mailing schedules. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events and mailing schedules, Paul Taylor Dance Tour, Safari-Dinner, agendas, etc. Dates- 7/70 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Appraisal of an agate cup belonging to Mrs. Paul Mellon as a work of art, for the Customs Commissioner. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- war-time high school art exhibition held at Miller and Rhoads department store, list of hostess for this event. Dates- 1943-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Invitations and general correspondence regarding the opening's of new art centers/buildings of various institutions, anniversary celebration, National Presentation Broadcast of Artmobile. Dates- 9/60 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.G. Pollard. Subject- Loan of items in his Collection to VMFA and his service as Vice-President. Exhibitions: American Contemporary Prints and Sport and Horse. Melcher Estate, accessions and acquisitions, list of gifts to VMFA. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Scott, Horner and Mason, Inc. Investment Securities in Lynchburg, VA. Subject- possible investments by VMFA, financing the new wing and the possibility of matching a Public Works Administration grant. Dates- 5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Seay collection of Decorative Objects, list of objects in Seay home. Dates- 1/39 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and letters to and from Leslie Cheek. Dates- 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Service reports on traveling exhibits. Dates- 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about slide loans. Dates- 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum Services. Correspondence regarding loans 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Houdon statue of Washington on loan to VMFA, insurance valuation. Seymour's lecture on \"Houdon in America\" and panel discussion on contemporary sculpture. Opinions on dating and provenance of VMFA objects. Dates- 5/50 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Shalett's articles on the VMFA for the \"Saturday Evening Post\" and \"The Diplomat\" Dates- 8/56 - 10/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, letters of invitation to VMFA events, College Drama Festival. Melchers Estate: \"The Last Supper\", newspaper clippings and postcards. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Virginia Film Society, Dance Tour, VMT: job descriptions, Table of Organization, staff hours, Theatre Associates and Annual Theatre Train. Date- 4/66 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Agenda and events for Entertainment Committee, loan of Col. Anderson bequest items. Dates- 1/59 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and E. Shiflet (Sec. of Education). Subject- budget, museum business, financial profile, role of office of Education and pamphlets. Executive Order #20 and #21: Reassignment of VMFA to the Office of Education. Dates- 8/72 - 12/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dealer in antique English silver and his gift to VMFA of a silver teapot. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT, juror search, biographical data, exhibition catalogues, loans of art work, accessions, gifts and general museum business. Dates- 1956 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- General correspondence, exhibitions, requests for publications, pamphlets, invitations, exhibition catalogues, A.D. and W.C. Williams Trust Fund. Photographs. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- paperwork authorizing R.A.Velz and W.J. Rhodes to sign vouchers and checks, list of Virginia Museum Theatre expenditures 1956-7. Dates- 2/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Blank stationary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- excerpts from Virginia Architecture exhibition catalogue, miscellaneous correspondence about catalogue,  etc. Dates- 11/58-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- compliments on exhibition \"Architecture in Virginia\", thank you notes to the Museum about exchange/gift publications of exhibition catalogue-Architecture in Virginia 1776-1958: The Old Dominion's Twelve Best Buildings, etc. Dates- 9/58-4/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- biographical information on various 20th century architects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- G. Smith (architect, writer and photographer), biographical data, and his collection of Travel Posters. Newspaper and magazine clippings, invitations. Application for Fulbright grant. Dates- 2/52 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Her membership on Executive Board, donation and contributions. Dates- 5/51 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Marrow Stuart Smith, Virginia artist, correspondence with museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of alumnae in Virginia. Dates- 9/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Christison, and Mrs. J.A. Pope (International Traveling Exhibition Service). Subject- Exhibition: \"Swedish Textiles Today\": catalogue, pamphlet. Brussels World's Fair, U.S. Pavilion. Catalogue of Traveling Exhibitions for 1961-62. Dates- 4/53 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- S.A.H Directors meeting in Richmond, formation and organization of a Virginia chapter: agendas, lists of prospective members, directors of S.A.H., minutes from S.A.H. meeting. Dates- 12/52 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Meeting agendas, Architects Virginia Tour, preservation of the National Capitol, Shirley Plantation, landmarks in danger. Proposal to coordinate the activities of the SAH with AIA and the National Trust for Historic Preservation in the field of Historic Buildings Preservation. SAH: Minutes of Executive Board, 10/26/57, 5/17/58, 10/18/58, Treasurers Report, 1/58-4/58, Newsletters. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lists: Fellows, Staff and Board of Trustees. Invoices, receipts and newspaper clippings. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Dinner schedule, agenda and pamphlet. Dates- 5/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Confirmation for Dinner event and agenda. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fall meeting to be held at VMFA, conference agenda, mailing list and pamphlets. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Meeting agendas, events schedules, attendance rosters, officers, newsletters, registration forms. Report of SEMC '72 meeting, \"SEMC Notes\", no. 1, 1974 and no.1, 1975. Dates- 1972 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- printed material for exhibition \"Southern Exposures\", the following essays: \"Coming of Age of Photography\", \"Down the First Century of Photography with George and Heutis Cook\", \"Concerning the Cook Collection and Its Recovery of the Epos of the Attic\", etc.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Williamsburg International Assembly Speakers, biographical data: Edward Downes, Charles Seymor, Harris Prior and Arthur Drexler. Dates- 1951 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Gaines. Subject- Biographical data of speakers: C.V. Donovan and Joseph Curtis Sloane. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- printed material for the opening for prospective members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safari Theatre Dinners, loan exhibition previews, maintenance. Dates- 1967 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Essay- \"The Art Museum As A Community Center\", by L. Cheek. Pamphlets, newspaper and magazine clippings of other museum programs. Date- 1961 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- early interest and planning of the exhibition \"Sport and the Horse\", etc. Dates- 5/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Frederick Robinson (Dir., SMFA). Subject- SMFA exhibition of Virginia Artists. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions, security, general operations and museum business. Employee policy, regulations, salaries, etc. Dates- 1962 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General Museum operation, exhibitions, publicity evaluation, landscaping of Confederate Chapel, loan exhibition previews. Dates- 1963 - 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Employee policy/regulations, programs division, collection divisions, staff information and table of organization for Theatre Arts Committee. Newspaper clippings and salaries. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Suggested structure of staff organization and salary scales. Dates- 2/54 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA By-Laws 1958 and 1959, income sources, proposed improved operations plan. Salary information from the Smithsonian Institution. Job description for Assistant Administrator. Date 1959 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Head of Collections Division and Education Supervisor, Program Division. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Business meeting and reception regarding architectural improvements, gifts and loans to the State Department reception rooms. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- reception for General Assembly Wives. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Service reports for loans of exhibits, films and slides. Dates- 1951-1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for information regarding circulating visual materials 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member requests for exhibitions 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member requests for exhibitions 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member Requests for gallery visits and lectures 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Out of state inquiries about Museum services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Out of state inquiries about Museum services 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of prospective organizations for using extension services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for circulating visual materials and exhibitions 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General Correspondence Traveling Exhibitions 1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains statement for addenda to the Governor's report concerning the VMFA.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Saul Steinberg. Subject- exhibition of Steinberg's work and lecture by Steinberg, etc. Dates- 8/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening of new auditorium, purchase of pianos and price lists. Program for the Chamber Music Society, newsletters from Steinway and Co. , 4/55-6/55. Dates- 4/55 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Philip N. Stern, Chairman of the Art Commission, Commonwealth of Virginia. Subject- Art Commission meetings, funds for museum equipment, funding from the Public Works Administration, architectural exhibition, etc. Dates- 7/35-10/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Steuben correspondence with the VMFA, 1938-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Ten Talents In the American Theatre\", Ed. David Stevens; \"Theatre For Art's Sake\" by L. Cheek. Proposal to the Rockefeller Foundation for financial support of VMT. Dates- 12/49 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Her gift of \"La Signora in Biege\", Lazzaro Donati. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, preliminary design program for South Wing Addition, letters to other museums regarding design, security and general building functions. Dates- 1948-49, 1962-63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Jas. N. Trevillian (Secretary). Subject- Conductor of the New York Philharmonic Orchestra, concert at the VMFA and program. Dates- 1947 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA and Gordon E. Strause, 1935-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Strause and various Museum staff. Subject- exhibition of his collection at the Museum, written complaints by Mr. Strause, Strause is named 1st honorary benefactor of the Museum by the Board of Trustees. Dates- 3/36-5/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J. G. Pollard, T. Colt and L. Cheek. Subject- Lewis S. Strauss, founder of the Albert Einstein Award (for achievement in Natural Sciences). Chairman of the Atomic Energy Commission, his service on the VMFA Finance and Membership committees. Letter of Henry Anderson regarding discussion with Paul Mellon and VMFA expansion potential. Newspaper and magazines clippings, Artmobile, gifts and contributions. Dates- 1945 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Fellows: theatre Orientation, general meetings, prospective Fellows, report of the Fellows 5/3/67. Date- 1965-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- As a Trustee and member of the development committee. Contributions. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Mr. William A. Stuart. Subject- Trustee/Museum business, etc. Dates- 7/51-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Julia Sully to the Museum. Subject- Virginia Art Index. Dates- 1935-48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and J. McGee (Sunrise, Pres.). Subject- \"Sunrise\", Charleston Cultural complex, budget analysis, roster of Executive Board, Annual Report, 1971, pamphlets. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt and L. Cheek. Subject- Early correspondence concerning museum services, statement of purpose, Pratt Bequest, exhibitions and requests for publications. Dates- 7/45 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General correspondence, request for publications, employment, Fellows, Russian Loan Bill, gifts, contributions, biographical data. Dates- 6/56 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Museum business, loans of art works, list of objects for long term loan, zoning ordinance. Paul Tishman Collection, Troubs Collection of Russian miniatures. Provenance of St. John the Baptist, Rodin. Pamphlets, brochures and press releases. Dates- 2/70 - 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. J.G. Pollard, M. Christison, John Canaday and Maurice Bonds. Subject- Informal discussion series on art, artists and technique. Topics: Lithography, sculpture, restoration, art history etc. Includes biographical data on lecturers and exhibitions. Excerpt from \"American Silversmiths and Their Marks II\", by Stephen G.C. Ensko. Dates- 9/48 - 3/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding Mrs. A.I. duPont's gift of tapestries to the VMFA and a subsequent exhibition, 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding taxes on honorariums, admissions and rental space, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA series of weekly TV programs, list of suggested topics, program guests, resource information from other Institutions, film rentals, television presentation of the 25th Anniversary and minutes of the Mayor's Committee on Educational Television, 11/11/53. Dates- 3/54 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- The development of a public television station to be shared by educational institutions. TV question and answer scripts and newspaper clippings. Dates- 1/49 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings. Dates- 1961-62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Salary scales, job openings at VMT, applicants, referrals, biographical data, financial statements, staff tors and guest speakers. Dates- 3/58 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Thalhimer. Subject- Biographical data, production, general theatre administration and Ford Foundation Fellowship Grant. Dates- 5/58 - 7/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Basil Langton. Subject- Langton's service as VMT guest director of \"The Tempest\", in celebration of the Jamestown Festival; program and procurement of professional actors. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Thalhimer Jr. Subject- Exhibit: \"Habiliments for Heroines\" underwritten by Thalhimers, VMT: \"Lady in the Dark\", Lorren Aldrich Collection. Catalogue: \"The Helena Rubenstein, Princess Gourelli Collection\", Deluca, Editore Roma, June 1953. Dates- 11/51 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as a Trustee and Chair of the Theatre Arts Committee on theatre and Television, museum business, salary scales, general operation of VMT, budget, income, newspaper clippings. Contributions and gifts. Dates- 6/52 - 3/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Underwriting of Mediterranean court, plants and flowers. Gift of Sandwich glass. Dates- 5/55 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Thayer's service as special assistant to the Secretary of State for Cultural Affairs. Biographical data, UNESCO, ICOM, International traveling Exhibitions, placement of American works of art in United States Embassies. Dates- 5/59 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committee Minutes 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committee minutes, agendas and programs, box office grosses etc. Letter from Paul Mellon. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Establishment of a theatre Collection by Louise Branch of drawings, scenery and costumes. Dates- 2/59 - 3/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Thalhimer. Subject- Proposal for costume ball. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Morale and general organization of the VMT Associates, proposed speakers, newsletter and roster of VMT Associates. Dates- 4/57 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and William Morrison. Subject- taped readings by Henry Fonda, Lee Remick and Olivia deHavilland on the anniversary celebration. Reviews and letters to other film stars. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safari-Dinner agenda and setup. Dates- 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reviews, gift of Dan River Mills fabrics for costumes. Programs: \"Streetcar Named Desire\", \"School For Wives\", \"Camelot\" and \"The Odd Couple\". Dates- 1967 - 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- reviews, letters of compliment. Program: \"the Royal Hunt of the Sun\" Dates- 1968 -69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and staff hours. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Report of Acoustical Analysis for Auditorium of Virginia Museum Theatre\" Dates- 9/1950 and 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Review, performance production. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Theatre-designer: salary and letters of recommendation. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMT, Dance, Film and Chamber Music Societies: financial statements, salaries, budgets, production costs, income records, purchase of stage equipment and suggested future of organization. Dates- 2/54 - 12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- bus tours from Virginia towns for Theatre evenings, sponsors by Virginia Federation of Women's Clubs, newspaper clippings. \"The Virginia Club Woman\", vol. XXXII no. I 8/55. Dates- 1/59 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chairman of Yale Drama Dept., his service as consultant to VMT, budget suggestions for proposed VMT, various drama activities, playbill, budgets from other University Drama departments. Dates- 1/56 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program, letters of disagreement between directors and actors. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The first annual event, critic and counselors: Virginia Freeman, Meriam Rosen, Dan Wagoner, Patricia Wityle. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Valerie Gettis as guest speaker/artist. Dates- 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Invitations to college Presidents. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Alan Schnieder, Speaker: Jo Mielziner. The 1st College Drama Festival, guest lists and exhibition of Jo Mielziner's theatre designs. Newsletter. Dates- 8/56 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Harold Clurman, Speaker: Norris Houghton. Events schedule and program. Dates- 4/57 - 2/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Norris Houghton, Speaker: John Gassner. Event agenda/program, brochures. Dates- 4/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Henry Hewes, Speaker: Marc Connelly, reception, production procedure, etc. Newsletter 2/60 Dates- 10/59 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Stella Adler and Speaker: Alfred de Ligre, Jr. Event schedule, festival speaker, program, biographical data, reviews. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Event agenda, scheduling, program and newspaper clippings. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Robert Lewis, Speaker: Edward Albee. Event agenda/program, brochure, pamphlet, etc. Dates- 10/56 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Original drama by John C. Collison, VMT Premiere. \"New Play in Virginia\", Wm. Morrison, Encore vol.6 ,no.5 Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and L. Cheek. Subject- Reorganization of Museum Theatre 1972-73, budget and summary of proposals. Additions to VMFA statutes and By-Laws. Theatre Committee annual Report 6/30/67. Dates- 5/67 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contributions, minutes of Theatre Patron Campaign Committee. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- theatre Arts Committee Executive Meeting minutes 6/30/70 and 7/6/70, Rosters for various Executive committee's of VMFA. Reviews and pamphlets. Dates- 9/69 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- HEW grant to produce and circulate throughout Virginia a play during 67-68 season, suggested dramas. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions: \"Gibson Collection of Contemporary Italian Art\", \"Contemporary Japanese Art\", \"Ten Reynolds Sculptures\". Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, A.H. Ballet and Robert Telford. Subject- General VMT business, schedule of events, scenic design, reviews, performance, staff policy/procedure, ticket prices, season subscriptions, etc. Dates- 1955 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- College Drama Festival, Dance Society and Chamber Music Society. Performance programs, events schedules, guest director contract, pamphlets and contributions. Dates- 1959 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- General Theatre Business, contractual agreements, events schedules, Richmond Film Society, College Drama Festival, financial statements, theatre reviews and job applicants. Dates- 5/61 - 9/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- theatre openings, job descriptions, applicants, hours. Dates- 12/62 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT, Vignettes tour, general estimate of costs, Drama, Dance and Music programs.  \"Virginia Report For State Arts Agency Individual Projects July 1, 1966- June 30,1967\" and \"Performing Arts in Virginia Education\" an introductory survey. Dates- 1966 -68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Budgets, financial summary, events schedules, newsletters, etc. Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Season events, programming, budget and revenue, newsletters, list of season subscribers and press kit for the Mummers Theatre, Oklahoma City, Oklahoma. \"Constitution of the Virginia Museum Theatre Associates\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Theatre business, budgets, salaries, production schedules, invitations, program design, contracts, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters to and from VMT subscribers, program for \"Purlie\". Proposals for summer season productions, opening night telegrams. Dates- 1974 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Operating expense appropriation, \"VMT Sound System Report\", and synopsis of No Title play of the life of Lord Byron by Romulus Linney (later titled \"Childe Byron\"). Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Reviews. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Keith Fowler. Subject- Reviews, production calendar and letters of compliments. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Event underwritten by the Weeden Foundation. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of invitation, remarks after preview. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Programs. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Payment for use of two geese. Program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Financial report and program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Program, reviews, letters of complaint from theatre patrons regarding play content. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program, search for guest director. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Review, program and editorials. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Letters of complaint and approval from theatre patrons. Dates- 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List of series underwriters, proposal for music lecture series conducted by Dr. John White. Dates- 10/58 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Patron financial support and proposal for a Sunday lecture series: \" The Eager Listener\". Dates- 9/59 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Harpist: Nicanor Zableta, brochures of concert series sponsored by other museums and galleries. Dates- 1/50 - 1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program Dates- 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Morton Thalhimer. Subject- General letters to theatre subscribers, brief outline of the five scheduled plays and descriptions of the major characters. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Playbills, magazine and newspaper clippings of performances in theatres other than VMT. Dates- 12/54 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews and programs for \"Separate Tables\", \"The Skin Of Your Teeth\", \"Ondine\", \"Kiss Me Kate\" and \"The Kids\". Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Rehearsal schedules, invitations, programs: \"Life With Mother\", \"The Limbo Kid\", \"Pygmalian\" and \"The Brothers Karamazov\". Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews, letter/telegrams of compliment. Programs: \"Teahouse of the August Moon\", \"The Woman from Colchis\", \"Hall of Mirrors\", \"Caesar and Cleopatra\" and \"The Most Happy Fella\". Dates- 1962 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reviews, letters and telegrams of compliment. Program: \"A Thousand Clowns\". Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Robert Telford. Subject- Reviews, letters/telegrams of compliment. Programs: \"The Admiral Crichton\", \"Hedda Gabler\". \"Tartuffe\" and \"No Time For Sergeants\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews, letters/telegrams of compliment. Programs: \"The Comedy of Errors\", \"The Visit\" and \"Fanny\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters/telegrams of compliment. Programs: \"Androcles and The Lion\", \"The Miracle Worker\". Contributions from Dan River Mills. Photographs. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Reviews, letters/telegrams of compliment, opening night gala, Safari Theatre/Dinners. Programs: \"The Glass Menagerie\", \"Once In A Lifetime\", \"Julius Caesar\", \"Blithe Spirit\" and \"Three Penny Opera\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Reviews and Letters/telegrams of compliment. Programs: \"Charley's Aunt\", \"The Sorrows of Frederick The Great\", \"Uncle Vanya\", \"Twelfth Night, On What You Will\" and \"the Man Who Lost the River\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Timetable, production schedules, Safari theatre Dinners, programs and reviews. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters to former subscribers seeking financial assistance for the upcoming season. Photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letter/telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- VMFA By- Laws 1972, Minutes of Theatre Arts Committee 10/21/71, agendas, budget and cost estimates. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Programming, policy for relations to the VMFA, contractual agreements, events schedules, promotion plans and financial statements, programs and brochures. Executive board meetings: 7/57, 11/57, 2/58, 4/58, 5/58. Dates- 4/56 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters and contributions from Chamber Music Society Patrons. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for the formation of the Dance Society, guest list, officers, policy regarding the Dance Society's relationship to the VMFA. Minutes of Executive Board, 5/11/56, 6/12/57, 7/57, 12/57. Receipt and attendance records, contributions, programs, pamphlets and guest performers. Dates- 5/56 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters and contributions from patrons of Dance Society. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Rockefeller grant to the museum to develop theatre and a program in drama, 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Kay Rockefeller. Subject- Traveling exhibition troupe for children's theatre: financial statement and invitations. Dates- 9/57 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program for \"Rossum's Universal Robots\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT designated seating area according to race, and letters of protest in support of Dr. Mary Elizabeth Johnson. Dates- 1/56 - 5/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letters/telegrams of compliment. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Robert Telford and Morton Thalhimer. Subject- Attendance records, publicity program and biographical data. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters and telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cost estimate, theatre needs and improvements. Date- 12/56 - 7/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sample survey, list of Chapter/Affiliate communities. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Morton Thalhimer and Robert Telford. Subject- Theatre Arts Committee agenda, VMT proposals for: director, administrator, production and apprentices. Date- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"The Gallows Man\", limited performance schedule, invitations. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Events program, list of composers represented. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cancelled, considered distasteful for VMT audience. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letters, telegrams of compliment. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- AAMD conference, theft of Roualt drawing from Toronto Gallery, requests for publications. Dates- 5/50 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains reports concerning slide sets and film strips distributed throughout the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fashion designer to lecture on fashion from 1752 to 1952 for the exhibition: \"Habiliments for Heroines\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- New York World's Fair, newspaper and magazine clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His election to VMFA Board, museum business. Dates- 5/51 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings of Governor Tuck. Dates- 12/49 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, Tunnard's expertise on city planning. Virginia Town Case Study Group: \"Problems of Planning in the Small Southern Town\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Severance of affiliation to the VMFA. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artist for VMFA Christmas card. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt and Wm. Gaines. Subject- Seminar to expose students and teachers to the function and operation of VMFA, agenda, program procedure, etc. Dates- 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Questionnaire from UCLA Graduate School of Management and the College of Fine Arts on the priorities related to the Arts, pamphlets. \"U.S. Information Agency-Its Task in World Affairs\". Date- 4/51 - 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Annual Meeting Minutes, travel authorization, organization news, pamphlets, general UNESCO business. Dates- 10/46 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Conference topic: Aid to South American Museums, project development, UNESCO Annual Report, Report of Program Committee. The Voice of America, Forum Lectures with transcript of by L. Cheek of \"The Art Museum As A Community Center\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for loans of slides from South American Museums for L. Cheek's presentation to Denver conference, list of South American Museums. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening of UDC new building. Resolution concerning accessibility to members of UDC, invitations. Dates- 6/57 - 12/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence, reports, minutes. Expansion of local service. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Charitable organizations that have received UGF monies and fund raising campaign. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The Air Force Memorial Center: statement of purpose, design, personnel requirements, building program, Minutes of U.S. Air Force Fine Art Committee 6/58 and 12/60, \"Proposal For The USAF Memorial Education Center\", travel vouchers and floor plan for the Academy Museum (Planetarium). Slides. Dates- 2/57-4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Edward R. Murrow as Director, merging of the People-to People Program (organization of museum professional) with the USIA. Newspaper clippings. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Forum Series\": International Broadcast, lecture series. Essay- \"the Art Museum As A Community Center\" by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- UNESCO Action to safeguard Nubian monuments due to the construction of the Aswan Dam. Roster of Honorary Committee, International Action Committee, United Arab Committee, Executive Board Minutes. Dates- 4/60 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Virginia State Employees U.S. Savings Bond campaign, handbook for canvassers, meeting agendas and progress reports. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Col. H.W. Fitzroy. Subject- Coordinating agency between institutions and other cultural, educational and scientific agencies in Virginia through a lecture series of visiting scholars. Dates- 9/54 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Bayly Art Museum and the McIntire School of Fine Arts at the University of Virginia. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Lecturers and AIV contributors, loans of objects, fellowships. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and T. Colt. Subject- UVA Museum loan of objects and lecture tours, fellowships. List of prints on loan to VMFA from Catesby estate and list of Lurcat Tapestries. Dates- 8/47 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Museum business, Artmobile, VMT, requests for loans, contributions and gifts. Reference to photos of ancient Greek sculpture, architecture and landscape views, invitations, pamphlets and postcards. Dates- 10/58 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains the schedules for staff vacations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Hans van Weeren-Griek, curator of Education at the VMFA. Dates- 1940-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Report regarding vandalism and misconduct: soaping of the fountains and damage to shrubs. Dates- 11/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Velz' service as VMFA Head of promotion, civilian and military experience record, newspaper clippings and Melchers Estate. Dates- 1949 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains general correspondence of Velz, Associate Director of VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Status of tax deduction, recommendations for event, invitations and dance card. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 9the Annual Viennese Ball sponsored by the Council: Ball Committee, agenda, decoration, invitations, etc. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- Virginia Art Alliance By-Laws, program and minutes of VAA meeting 1945, Report of the Trustees of Richmond Academy of Arts 1933, correspondence with other members of VAA, etc. Dates- 1933-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- program for annual meeting 1941, blank ballots labeled \"Board of Trustees Ballots\", statement of need for a state Supervisor of Fine Arts Education. Dates- 4/40-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- reports of activities of organization members 1942-3, correspondence with organization members-no annual meeting held this year due to World War II, etc. Dates- 3/43-5/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcement, agenda and program for annual meeting 1944, correspondence with organization members, election of officers/trustees, etc. Dates- 3/44-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting minutes ('49), listing and certification of delegates to VAA annual convention ('49), listing of the VAA Board of Trustees ('49), etc. Dates- 1948-49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes from meetings and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Miss Helen C. Rose (Virginia Art Alliance President). Subject- correspondence with member organizations, etc. Dates- 3/58-8/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- minutes of Trustees meeting and annual meeting 1959, roster of officers and Trustees, program for annual meeting 1960, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of Va. Art Alliance). Subject- announcement, replies agenda and program for annual meeting of (1936) the VAA Trustees, listing of organizational members to VAA, certification forms for delegates to the VAA annual convention (1936), etc. Dates- 5/35-5/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension VMFA, Secretary of VA. Art Alliance). Subject- announcements, program and report for VAA annual meeting 1937, resolution changing the organization of the VAA (consolidating its function with that of the VMFA), certification of delegates to VAA annual meeting 1937, etc. Dates- 4/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept., Secretary of VA, Art Alliance). Subject- VAA annual meeting announcement and program (1938), certification for delegates to VAA annual convention 1938, correspondence with member organizations about the reorganization of the VAA (consolidating its function with that of the VMFA), etc. Dates- 2/38-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance). Subject- announcements and program for VAA annual meeting 1939, certification of delegates to the VAA annual convention 1939, letter from Gayle to the State Board of Education supporting the appointment of a state supervisor of art, etc. Dates- 3/39-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1940, correspondence with member organizations, nomination of trustees, certification of delegates to annual convention 1940, etc. Dates- 3/39-5/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1941, report of the VAA 1940-1, listing of organization members, By-Laws of VAA 1934, correspondence with trustees, etc. Dates- 3/41-4/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- program for annual meeting 1942, roster of member organizations, reports from member organizations, Annual Report of the VAA 1941-2, listing of VAA lectures in 1941, Museum Bulletin (VMFA) vol.2, no.6, 1942etc. Dates- 3/42-4/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcements, program and minutes for annual meeting 1944, reports of member organizations 1944, certification of delegates to annual convention 1944, listing of Board resolutions during war time, roster of member organizations, etc. Dates- 4/44-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA Art Alliance). Subject- announcements, program and minutes for annual meeting 1945, roster of trustees and nominating committee, reports of member organizations, certification of delegates to annual convention 1945, etc. Dates- 3/45-2/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945, announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945,announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting program ('46 and'47) and minutes ('46), list of members ('47), certification of delegates to annual VAA convention ('47), Reports of art activities around the state, etc. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance)and M.B. Christison (Curator of Education). Subject- copies of 1947 resolution about art display areas in public buildings, minutes of annual meeting 1947, announcements and program for annual meeting 1948, roster of member organizations 1948, correspondence about securing guest speakers for VAA annual convention 1948, certification of delegates to annual convention 1949, etc. Dates- 7/45-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- membership roster ('48), list of trustees ('48), announcement, minutes and attendance to annual meeting ('48), summary of panel discussion about art education in Va. schools, statement of VAA purposes and objectives, etc. Dates- 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- minutes of the Virginia Art Alliance meeting ('47 and'48), Board meeting announcement and attendance, program of annual meeting ('48), list of suggested nominees to the VAA Board ('48), etc. Dates- 1947-8.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- annual reports of activities made by VAA members. Dates- 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual meeting 1955. Correspondence, resolutions and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence, minutes and agendas. Form letter announcing annual meeting 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes, agenda and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcement and minutes of Fall Meeting 1957, correspondence with member organizations, etc. Dates- 11/57-12/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Meeting held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1957, appointments to nominating committee, minutes of the Trustees meeting 1957, roster of organization members, The Annual Review of the Virginia Art Alliance 5/39,etc. Dates- 2/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and tentative reservation list for annual meeting 1958, etc. Dates- 9/58-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1958, reports of member organizations, Virginia Art Alliance By-Laws, proposed revisions to By-Laws, VAA procedures, appointments to committees and to board, etc. Dates- 1/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes from annual meeting 1959, member organization reports, roster of VA. Art Alliance officers and trustees, VAA By-Laws, etc. Dates- 5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison Assistant Director VMFA). Subject- announcement and schedule for annual meeting 1959, blank reservation forms for school artmobile visits, etc. Dates- 10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and program for annual meeting 1960, listing of nominating committee appointments, roster of officers and trustees, listing of delegates to annual meeting, etc. Dates- 3/60-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- reports from member organizations, etc. Dates- 1956-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of organizational members and their attendance, correspondence and form letters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of trustees and list of members 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of trustees' meeting 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of Trustees, 1952-55. Correspondence, minutes. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee correspondence, minutes and members. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard Subject- preliminary work for the VAA booklet: \"Facilities for Organization Members Comprising the Virginia Art Alliance\". Dates- 8/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Secretary Virginia Art Alliance). Subject- minutes of Virginia Art Alliance (VAA) annual meeting 1957, proposed revisions to By-Laws, etc. Dates- 8/56-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- outline of a state art federation, constitutions, by-laws, information on other art federations (i.e.: The American Federation of Art, The Kansas State Federation of Art, The Indiana Federation of Art Clubs, etc.), etc. Dates- 1/34. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Va. Art Alliance procedures and a short history, draft of proposed revisions to VAA By-Laws, Annual Review of the Virginia Art Alliance. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA/ Secretary of the VA Art Alliance). Subject- VAA By-Laws 1934, resolution (1936) to consolidate the functions of the VMFA and VAA, information about the development of a new type of VMFA annual membership- the organization membership, etc. Dates- 1934-10/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- listing of Trustees 1934- 39, Trustee meeting announcements, letters accepting election to the VAA Board of Trustees, etc. Dates- 11/34-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA representative on the Virginia Art Commission. Dates- 11/55 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- selecting and securing jurors for the exhibition \"Virginia Artists 1955\", listing of pieces and artist included in the exhibition, printed material for the exhibition, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Paul Smith, Rose Slivka and Frank Getlein. Salon des Refuse's, biographical data, exhibition catalog. Dates- 6/66 - 6/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Prospective jurors and exhibition announcement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Jurors: Thomas Hess. Exhibition statement, reception, guest list, members preview, program agenda, discontinuation of salon des refuse's, installation and exhibition catalog. Dates- 1967, 11/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding auditor's reports. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Audit Reports 1936-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Auditors Survey and Systems study of the VMFA. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Morrison. Subject- Filming of \"California Watercolors\" traveling exhibition with footage of Virginia Beach Sidewalk Show included in the 25th anniversary film. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospectus for the Virginia Center For the Performing Arts. Statement of purpose: Academy-Conservatoire of Dramatic Art with training center and professional theatre. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding objects and paintings in private collections throughout state of Virginia. Correspondence with artists and owners. 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Statement of mission, NEA grants, proposals, awards, potential applicants, recipients. Collectors' Circle: Arts and Humanities Challenge grants for Conservation projects. Degas exhibition. Dates- 2/74 - 6/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VCU and U of R Drama departments. VMFA/VCU Museum Methods Course. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Current/future cooperation between VCU and VMFA: theatre, Art Historical studies, education, museum training, music dept.'s, VCU Conservation Lab and Anderson Gallery. Dates- 1/73 - 2/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Paul Smith. Reception, guest list, program, agenda and exhibition catalog. Dates- 3/71 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Juror: Henry Wolf. Event program, invitations, guest list, statistics regarding entrants, certificate winners, etc. Exhibition catalogs for \"Virginia Designers\", 1970 and 1971; \"Virginia Photographers\", 1970 Date- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding state budget 1946-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VEA Centennial Event and retired teachers complex, theatre program and Executive Committee Minutes, 12/61. Dates- 10/63 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Retired teachers apartment complex proposed for the 2900 block of Grove Ave., later rejected by the City Council, newspaper clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Exhibition: \"American Rooms in Miniature\", sponsored by Va. Federation of Women's Clubs, sponsorship of statewide tour of Artmobile, newspaper clippings and pamphlets, \"Virginia Journal of Education\", 10/63, catalog of \"American Rooms in Miniature\" by Mrs. J.W. Thorne, Art Institute of Chicago, 1941. Dates- 6/53 - 2/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Virginia Federation of Women's Clubs Statewide Arts Festival. Dates- 5/67 - 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Thank you notes from newly elected/reelected members of the House of Delegates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. John. S. Battle. Dates- 1949-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. Colgate W. Darden. Dates- 1942-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. George C. Peery. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Bills vetoed and passed by Gov. Thomas B. Stanley [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. William M. Tuck. Dates-1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Multi-level Arts Festival held annually in Abingdon, Va., loans of art works, consultation on programming and pamphlets. Dates- 11/52 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, F. Numan (Wm. and Mary) Subject- Meeting to focus on Architecture and the Humanities. Dates- 11/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Catalog from Franklin Mint series of silver commemorative medals. Norton Simon summary of Annual report, 1970. Dates- 1970 -71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. J.G. Pollard was chairman of this agency; copies of: Fundamentals of a Growing Recreation Program by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agendas and minutes of meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns a Governor's commission to study juvenile delinquency and the Virginia Advisory Legislative Council. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report to the Committee on \"Recreation as a Function of Government in Virginia.\"   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- copies of the executive order creating the Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- planning a listing of recreation films available through state agencies and 16mm Recreation Films Available in Virginia published by the VA Inter-Agency Committee on Recreation, etc. Dates- 6/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- working papers and final copies of the \"1st Report to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 10/53-1/54; Correspondence Subject- copies of the \"First Report to the Governor by the Inter-Agency Committee on Recreation\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Selected legislation on recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership rosters for the VA Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- statewide recreation reports listing facilities, budgets, organizations and needs, pamphlets from the National Recreation Association, etc. Dates- 7/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sponsored by the National Recreation Association 1955-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains a listing of personnel and the purpose of the committee.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and pamphlets.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets, magazine articles etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of \"Fundamentals of a Growing Recreation Program\" by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- working papers for and final copies of the \"1st and 2nd Reports to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 11/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Sarah Tomerlin Lee, Biographical data, event program, pamphlets and catalog for exhibition. Dates- 9/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum events, rosters: Senate, House of Delegates. Letter to members of the general assembly. Essay- \"The Virginia Museum and the Arts in Virginia\". Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reception for organization composed of Mayors, City Managers and City Officials. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Faye Ambrose and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year. Dates- 5/56-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Charles E. Baker and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications and award letters (1950, 1951) for VMFA in-state fellowship, artist progress reports for 2 years, etc. Dates- 5/50-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Regina Bartley and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 4/51-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Wm. Thomas Bland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA fellowship, thank you notes made by Mr. Bland (mixed media including watercolors). Dates- 8/48-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Robert Brushwood and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations, award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Kuhn R. Caldwell and Mrs. J.G. Pollard, M.B. Christison (Assistant Director), and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, artist progress reports for 1 year . Dates- 12/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mary Frances Cheatham and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA junior fellowship, artist progress reports for 1 year. Dates- 1/49-3/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Janet Clausen and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Robert L. Davis and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA in-state fellowship, photos of artist's work, artist progress reports for 1 year, etc. Dates- 4/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Worden Day and Mrs. J.G. Pollard, M.B. Christison and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, etc. Dates-4/49-8/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. T.V. Downing, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 10/49-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Charles Flynn, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 4/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 2/54-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- award letter for VMFA in-state fellowship, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Barbara Harding and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications ('53 and '54), recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Catherine M. Hipp and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Jem W. Hom and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/56-7/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between W.B. Houghland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Caroline C. Huff and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. William W. Jackson and Mrs. J.G. Pollard and L. Cheek Jr. Subject- applications (1948,1949), recommendations and award letter for VMFA fellowship, etc. Dates- 5/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Knapp and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. James Leedy and Mrs. J.G. Pollard and M.B. Christison (Assistant Director). Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/57-6/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Brenda R. MacBaisey and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year (includes lithography proofs), etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. James P. Moyers and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Joe Ravenscroft and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, application and recommendations for VMFA fellowship, etc. Dates- 8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, recommendations for VMFA fellowship, etc. Dates-8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.F. Russell and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for out-of-state fellowship, artist progress report for 1 year, etc. Dates- 4/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between R.E. Spain and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Mary R. Tatum and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1year, etc. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Primm Turner and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress report for 1 year, application for Catherwood Foundation fellowship, etc. Dates- 3/56-9/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. E. Parker Twombly and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA out-of-state fellowship, recommendation letters written by: Ben Shahn and Robert Motherwell, artist progress report for 1 year, etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress report for 1 year, etc. Dates- 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Howard Woody and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for student fellowship, etc. Dates- 4/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Peter Wreden and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, etc. Dates- 4/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of fellowship applicants, requests for applications, rejection letters, etc. Dates- 3/49-6/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications, recommendations and rejection letters for those applicants not chosen to receive fellowships. Dates- 3/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship, fellowship announcement, minutes of the fellowship committee meeting (1954), etc. Dates- 12/40-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- listing of applicants 1942-44, listing of types of fellowships offered by the Museum, etc. Dates- 1942-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- various applications, recommendations, rejection letters, etc. Dates- 5/46-6/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- announcements of fellowships, blank fellowship applications, requests for applications, various completed applications, award and rejection letters for fellowships, artist reply letters, etc. Dates-4/46-12/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- various applications, recommendations, fellowship recipient progress reports, award and rejection letters, correspondence with Fellowship committee, etc. Dates- 4/47-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject-the organization of the Fellowship committee, requests for fellowship applications, etc. Dates- 9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. John L. Pratt. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship program, minutes of: annual board meeting (1941), executive committee meeting (1940), VA artists fellowship committee meeting (1940), announcement/application for VMFA fellowship, etc. Dates- 6/40-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence about the Museum. Dates- 1939-46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition- \"The Virginia Museum of Fine Arts in Roanoke\", 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Essays by Director Thomas Colt on the Principles and Work of the Virginia Museum of Fine arts and its history.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Timetable, agenda, invitation, guest list. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Henry Callahan, biographical data, entry form, letters to selected applicants, statistics: entrants vs. applicants etc., and jury procedure. Dates- 4/71-2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellowships, VPI Traveling Theatre. Letter to Josef Albers with biographical data, invitations and exhibitions. Dates- 3/59 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains pamphlets and correspondence between this association and Mrs. Pollard's Inter-agency committee on recreation 1949-54; Reports and Inventories of recreational activities of state agencies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- VMFA budget, state issue vehicles, Artmobile, salaries, Robinson House, etc. Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Complimentary memberships to members of the house of delegates, travel regulations, United Givers Fund campaign, management studies. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VSAA membership rosters, membership of confidential secretaries to directors of state agencies. Dates- 9/63 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- Memos to heads of state agencies regarding all manner of state operations, capital outlays. Annual Report of \"Virginia Department of Vocational Rehabilitation\", 1976. Dates- 1/73 - 10/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- Affirmative Action and Freedom of Information Act requests. \"Virginia Local and Regional Planning 1974\"; \"Virginia Commission Visually Handicapped Annual Report\", 1973-74; \"Virginia Highway Commission Annual Report\", 1973-74. Dates- 11/74 - 12/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- State governmental management, budget appropriation requests, Virginia calendar of events, newsletters, museum salaries and the Virginia Privacy Act of 1976. Dates- 4/75 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regards donating old exhibition materials 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Roster of VMFA Trustees, resume of progress in the Fine Arts of Virginia. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and E.M. Kates (VSIF). Subject- Planting of flower beds and maintenance of interior foliage, Elizabeth Kates Foundation. Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cleaning and treatment reports of portraits owned by the Virginia State Library and Archives. Also correspondence regarding the wartime protection of Virginia's cultural materials, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- outline of annual meeting. Dates- 11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- \"Planning Your Town\" traveling exhibition, photos and description of exhibition installation, copy of an essay written by Cheek for Art Digest (4/52) Dates- 2/52-10/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VA Union choir singing at the Museum during the Christmas season, pamphlets about Museum sponsored activities during the holidays, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statewide competition for the design of Memorial and jury selection. L. Cheek's service as advisor to the Memorial Commission. T.J. Collins and Son as winners of competition. \"Program Of Competition For The Virginia World War II Memorial\". Dates- 12/50 - 3/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Program Of Competition For The Virginia World War II Memorial\", firms invited to compete in the final selection, expenses incurred and resumes of applicants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, John J. Wicker Jr. (Chairman). Subject- Competition program, VWW II Memorial Commission meeting minutes, \"Preamble\", for the creation of the memorial, \"Architectural Competitions\", AIA Document no.213. Drawings/plans and photographs for site development. Dates- 5/50 - 12/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 1953 Official Report of the Virginia World War II Memorial Commission. Dates- 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Competition program and closing proceedings. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Applications from selected entrants, official report of the jury in their selection of J.T. Collins and Son, (A.I.A.). Dates- 3/51 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report of the Jury concerning the winning design. Jury members: Waldon Franklin, George Howe, Frederick C. Disque, Edward D. Stone, W. S. Robertson, biographical data included and list of competition entrants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Guest lecturers, membership. Dates- 12/63 - 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. von Keller. Subject- appointment of von Keller as Acting Director of VMFA in absence of Colt, biographical information, etc. Dates- 4/35-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. von Keller (Art Director, Randolph-Macon Woman's College). Subject- personal, Museum events, etc. Dates- 8/42-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Vose. Subject- Acquisitions and provenance of objects. Dates- 7/56 - 2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt. Priscilla Crum and L. Cheek. Subject- Segregation in children's art classes, Study of early 19th century architect and builder John Jordan. WRVA Radio weekly series of VMFA activities, Salon des Refuses' for artists eliminated from the Virginia Artists juried exhibition. World War II Memorial design competition, Artmobile, newspaper clippings, paintings from the Williams Collection and the Helena Woolworth McCann Collection of Export Collection. Exhibition catalog: \"Eugene Wiesz\". Photographs. Dates- 9/45 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Artmobile, AIV, sit-see chairs, collectors circle, Fellows, Wise Pre-Columbian Collection, requests for employment. Woodrow Wilson Birthplace Foundation: Annual Report 10/64. Gifts, loans, contributions and acquisitions. Dates- 3/60 -11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Exhibition announcements, invitations, newsletters, biographical data, requests for employment. Purchases, gifts and acquisitions. Damage report of art works. \"Profile\", re: Tishman Collection of African Objects. \"Hermes Wingraf Quarterly Catalog\", Summer 1971, re: 17th century Dutch still-lifes. Dates- 2/70 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Waddy bequest for fountain construction. Costs of construction and maintenance of fountains: National Gallery, Frick Collection and Isabella Stewart Gardner Museum, includes photographs. Blueprints/plans: VMFA Site Development, East Elevations. Excerpt from the will of Woodson P. Waddy. Dates- 1947, 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Bronze Waddy Memorial Fountains, architects: Eggers and Higgins, Sculptor: Ralph Menconi. Contractual agreement with architects, Blueprints/ plans, detail drawings for : Waddy Memorial Fountain, Triton Fountain, East elevation and site development plans. Dates- 8/53 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Mr. Clifford L. Walker. Subject- inscribed plates for paintings in Museum collection, bronze busts and tablets for founders. Dates- 11/35-8/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Walpole Society Dinner, membership roster and newspaper clippings. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA staff orders for conduct of Museum during an emergency, pamphlets from the U.S. Government, Association of Art Museum Directors and American and British museums about art preservation in case of a wartime emergency. Dates- 1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Warburg Collection on loan to VMFA and his address to collector's circle. Bulletin vol.18 no.9 5/58 Dates- 5/57 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT scenery design. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets from the U.S. Government, Association of Art Directors and American and British museums about art preservation in case of a wartime emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- prospective sale of George Washington portrait by Peale to the state of Virginia, history of the painting, may have been commissioned by the state in 1784 for use by Houdin (the sculptor of the George Washington statue in the capital). Dates- 10/37-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Marion Junkin. Subject- Metropolitan Collection on permanent loan to W\u0026L, letter from M. Junkin espousing the talents/commitments of the young artist Cy Twombly. Hans Gasman as restorer for VMFA lists of objects and exhibitions. Dates- 11/49 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Alexander W. Weddell. Subject- Weddell's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, gifts from Weddell, listing of Trustees 1942, listing of Trustees committee assignments 1945. Dates- 9/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and Mrs. J.G. Pollard. Subject- Founding member of VMFA, resolution from Executive Board in memoriam of Alexander Wilbourne and Virginia Chase Weddell. Award of the Webster S. Rhoads Medal for distinguished service. Minutes of Annual Meeting, descent and authenticity of a pair of copies of portraits of George Mason and his wife. Dates- 7/45 - 1/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Foundation financial support: VMT, library, contributions to Fellows fund, book purchases, VMFA services catalog. Dates- 7/66 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Director of Gallery of Modern Art, NYC, and his service as a juror. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Time\" article on George Catlin, artist of the American West. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Mellon. Subject- Ultimate destination of Mellon English Collection. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Tour request. Dates- 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Mrs. J. H. Parsons. Subject- Wheelchairs adapted for sit-see chairs and underwritten by Mrs. Parsons. Dates- 10/65 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture/recital to VMFA council and Fellows. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitation to L. Cheek by President Johnson to attend luncheon for President-elect Barrentos of Bolivia. Dates- 7/20/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Objects on loan to White House. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Theo B. White. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Diorama's made by Whitelaw in the collection of the L.A. County Museum and George Washington Masonic National Memorial Association. Photographs Dates- 7/62 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- general correspondence with a Trustee on Museum programs and operating activities (esp. Accessions Committee). Dates- 6/35-3/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Beatrice von Keller, T. Colt and L. Cheek. Subject- Organization of an exhibition of pre-Columbian sculpture, Catesby-Jones collection, Whitman Collection of Mayan Sculpture, Chrysler Collection accessions and exhibitions. Date- 8/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. Thelma Cudlipp Whitman. Subject- Trustee/Museum business, etc. Dates- 5/51-2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Ambassador to Great Britain, invitation to become Collector-of-the- Year. Dates- 5/61 - 7/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and various Whitney Museum staff. Subject- loans to the Museum for the inaugural exhibition, loan to the Whitney from VMFA, museum practices, etc. Dates- 5/35-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Summer state service projects, VMFA projects list. Dates- 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Playwright, invitation to address VMT, Time Cover 11/12/53. Dates- 1/53 - 3/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA appointment to Board of Trustees, service as President and on the Entertainment Committee. Museum business, South Wing, Fellows, NEFTA. Gift of Mellon French painting collection, gifts, contributions. Dates- 6/65 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions: \"Jean Outland Chrysler Collection\" and \"30 Years of Virginia Art\". List of objects, Charter Day ceremonies: invitation list and dedication of the new Fine Arts building. Essays- \"Thomas Jefferson and the Fine Arts\" and \"The Arts in Virginia\", by L. Cheek 2/67. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT and loans of objects to VMFA. Dates- 1/50 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. J.G. Pollard. Subject- Williams Collection inventory, Williams purchase fund, statement concerning the informal agreement between L. Cheek and Mrs. A. D. Williams concerning installation of collection in the new wing. Selected inventory of furnishings in the Williams home. A.D. Williams as recipient of the Rhoads Medal, financial contributions, gifts and loans. Dates- 6/48 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Berkley Williams Jr., Virginia artist. Dates- 1936-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., and Mr. E. Rand Williams. Subject- Trustee/Museum business, Rand served as Buildings and Grounds Committee Chairman 1937-8 and as first Vice-President in 1941, etc. Dates- 6/35-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. E. Randolph Williams. Subject- Trustee/ Museum business, etc. Dates- 5/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Glasglow bequest, Melchers Estate, Pratt Jewels, Portrait of \"James Patton Preston\", Gilbert Stuart, general legal questions. Dates- 10/58 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Election to board of Trustees; Dance Society. Dates- 6/54 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Advisory committee on the new Reception Center, L. Cheek as a member and a map with the proposed location. \"Summary of Reception Center Objectives and Experience\". Dates- 11/53-1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List of objects accepted as loans and pending gift status. Dates- 10/49 - 3/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Preliminary plans for a foundation to house objects related to W. Wilson's life. Portrait exhibition of the 8 Virginia born Presidents, portrait of Mrs. Wilson, artist unknown. \"Woodrow Wilson's Heritage of Faith\", Frank Bell Lewis, Woodrow Wilson Birthplace Foundation, 1956. Dates- 9/55 - 6/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of request and approval for event, agendas and timetable. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letter of confirmation. Dates- 7/11 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Woodlawn Plantation event, guest list and map. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. to Worcester Art Museum staff. Subject- loans for VMFA inaugural exhibition, loan to Worcester Art Museum, etc. Dates-8/35-7/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- exhibition held at the Museum \"Southern States Preview\" a regional exhibition connected to the World's Fair. Dates-10/38-12/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by applicants to exhibition. Subject- listings of artists accepted to the show (listed state by state). Dates- 12/38-1/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Arthur Drexler (MOMA) to lecture on Wright exhibition, reception, guest list. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Transcript of radio broadcast 2/26/54, exhibition: \"American Painting\", Artmobile and magazine excerpt. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Betsy Wyeth and Harry Brooks (Knoedlers). Subject- \"Country\": Working drawings, Artmobile layout and tour and reviews. Dates- 2/67 - 11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Exhibitions, loans, acquisitions, AIV, gifts, contributions. Correspondence with William Zorach, sculptor. Dates- 9/49 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- museum practices, loans for the VMFA inaugural exhibition, etc. Dates-9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General correspondence from Alumni, possible lecturers, newspaper clippings. Correspondence between Cheek and Alfred Stiegletz. Minutes of Alumni and Friends of the School of Art and Architecture, 5/58, pamphlets. Dates- 6/58 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Third Report Of The Committee On Architecture, Painting and Sculpture\", 4/50. Committee membership roster, issues facing various Yale departments. \"Bulletin Of Yale University\", series 44, 4/48 #5 and \"Official Register Of Harvard University\", vol. XLV, no.15 7/15/48. Dates- 1949 - 50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. Pollard and M. Christison. Subject- Yale school of the arts general operation, appointment of Joseph Albers, list of University Council Committees. Dates- 9/48 - 9/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Draft of the committee report and responses from other Yale committee members regarding departmental personnel, curriculum, problems and resolutions. \"Report Of The Committee Of The Division Of The Arts (Architecture and Planning And Design)\",prepared by L. Cheek, 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Report Of The Chairman Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 4/48, prepared by L. Cheek. Issues concerning Yale departments of the arts. Minutes of Yale Executive Committee Meetings, various reports on Yale departments. Dates- 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cheek draft of, \"Report Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 1952. Yale policy review, new appointments, letters to other committee members, roster of membership. Dates- 5/51 - 4/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Evolving challenges of the various Yale departments. \"Report Of The Committee On The Division Of The Arts (Architecture, Planning and Design)\", 4/53. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA performance of Yale Glee Club, agenda, program, roster, etc. Dates- 10/60 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","R. Peter Mooz was Director of the museum from 1976-1981.","Charles L. Reed was Interim Director of the museum from 1981-1984.","Paul N. Perrot was Director of the museum from 1984-1991.","Katherine R. Lee was Director of the museum from 1991-2000.","Richard B. Woodward was Interim Director of the museum in 2000.","Michael Brand was Director of the museum from 2000-2005.","Thomas N. Allen was Interim Director of the museum in 2006.","This series contains correspondence and subject files from staff members in the Director's Office.","Carolyn Weekley was the Assistant to the Director from 1978-1979. She later became Curator of Decorative Arts, so there is some overlap in the files with her curatorial work.","Margaret (Peggy) Burke was Assistant to the Director from 1980-1981, then Deputy Director in 1982, Deputy Director. She originally served as Assistant Director for Collections and Interpretation, so there is some overlap in the files with her other work.","Lulan Yu was Assistant to the Director from 2002-2007. Her files are mostly related to the North Wing expansion and the museum identity project.","Lee Anne Hurt Chesterfield was Assistant to the Director from 2004-2009, then became Director of Board Relations and Museum Planning. Her files are mostly related to special projects, exhibitions, and AAM reaccreditation.","This series consists of building files that were maintained separately in the Director's Office. There are often additional building files found in each Director's Correspondence files.","The West Wing was completed in 1985.","The North Wing expansion was completed in 2010.","This series consists of corespondence with internal and external groups, the affiliations or creations of which often often overlap different Directors.","This series consists of minutes and planning documents for meetings convened by the Director.","This series consists of program files that were maintained separately in the Director's Office. There are often additional program and exhibition files found in each Director's Correspondence files.","Medal awarded to Walter Spencer Robertson housed separately.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","Virginia Museum of Fine Arts Archives","English \n.    "],"unitid_tesim":["RG-01","/repositories/2/resources/44"],"normalized_title_ssm":["Director's Correspondence (RG-01)"],"collection_title_tesim":["Director's Correspondence (RG-01)"],"collection_ssim":["Director's Correspondence (RG-01)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["248.5 Linear Feet 204 boxes; 7,156 folders"],"extent_tesim":["248.5 Linear Feet 204 boxes; 7,156 folders"],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. \u003c/p\u003e\n","\u003cp\u003eAs custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809).\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"altformavail_html_tesm":["\u003cp\u003e\"Museum in Action\" was reformatted and is available on YouTube: \u003ca href=\"https://www.youtube.com/watch?v=03tQlnoFx0A\u0026amp;t=1s\"\u003ehttps://www.youtube.com/watch?v=03tQlnoFx0A\u0026amp;t=1s\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["\"Museum in Action\" was reformatted and is available on YouTube:  https://www.youtube.com/watch?v=03tQlnoFx0A\u0026t=1s"],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are generally arranged alphabetically within series 1-2. Series 3-6 are generally arranged chronologically.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eDirector's Correspondence, 1927-2006\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eDirector's Office Staff, 1977-2008\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eBuilding Files, 1979-2004\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eOrganization Files, 1991-2006\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eMeeting Files, 1998-2009\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003eProgram Files, 1992-2007\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are generally arranged alphabetically within series 1-2. Series 3-6 are generally arranged chronologically.","Series 1 Director's Correspondence, 1927-2006 Series 2 Director's Office Staff, 1977-2008 Series 3 Building Files, 1979-2004 Series 4 Organization Files, 1991-2006 Series 5 Meeting Files, 1998-2009 Series 6 Program Files, 1992-2007"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Director's Office through periodic deposits since 1989. The bulk of the Early Director's Correspondence (Series 1.1) was deposited at to the Library of Virginia in 1982, where it remained until November 2022 when it was returned to VMFA.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred from the Director's Office through periodic deposits since 1989. The bulk of the Early Director's Correspondence (Series 1.1) was deposited at to the Library of Virginia in 1982, where it remained until November 2022 when it was returned to VMFA."],"originalsloc_html_tesm":["\u003cp\u003eBetween June 17-September 10, 2023, the Fellowship Application and associated photograph of Wigfall were placed in the exhibition \"Benjamin Wigfall \u0026amp; Communications Village.\"\u003c/p\u003e","\u003cp\u003eBetween June 17-September 10, 2023, the recommendation letter from Leo Katz was placed in the exhibition \"Benjamin Wigfall \u0026amp; Communications Village.\"\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["Between June 17-September 10, 2023, the Fellowship Application and associated photograph of Wigfall were placed in the exhibition \"Benjamin Wigfall \u0026 Communications Village.\"","Between June 17-September 10, 2023, the recommendation letter from Leo Katz was placed in the exhibition \"Benjamin Wigfall \u0026 Communications Village.\""],"prefercite_html_tesm":["\u003cp\u003eDirector's Correspondence (RG-01). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Director's Correspondence (RG-01). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.\u003c/p\u003e","\u003cp\u003eSeries 1.1 was processed by State Records Archivist Laura Drake Davis from 2006-2008 while it was still deposited at the Library of Virginia. In 2023, Senior Archivist Courtney Tkacz integrated VMFA's holdings into that series and in the process, RG-01 Boxes 1-4 and LVA 33863 Boxes 60, 67, 74, and 89 were removed.  \u003c/p\u003e","\u003cp\u003eSelect application materials were digitized with the identifier: RG01.01.1.33863.001\u003c/p\u003e","\u003cp\u003eSelect application materials were digitized with the identifier: RG01.01.1.33863.007\u003c/p\u003e","\u003cp\u003eSelect application materials were digitized with the identifier: RG01.01.1.33863.008\u003c/p\u003e","\u003cp\u003eSelect application materials were digitized with the identifier: RG01.01.1.33863.009\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","Series 1.1 was processed by State Records Archivist Laura Drake Davis from 2006-2008 while it was still deposited at the Library of Virginia. In 2023, Senior Archivist Courtney Tkacz integrated VMFA's holdings into that series and in the process, RG-01 Boxes 1-4 and LVA 33863 Boxes 60, 67, 74, and 89 were removed.  ","Select application materials were digitized with the identifier: RG01.01.1.33863.001","Select application materials were digitized with the identifier: RG01.01.1.33863.007","Select application materials were digitized with the identifier: RG01.01.1.33863.008","Select application materials were digitized with the identifier: RG01.01.1.33863.009"],"scopecontent_html_tesm":["\u003cp\u003eThis series is comprised of correspondence of all of the various Directors of the museum. Files were arranged alphabetically by subject, and there is a lot of overlap between different Director's as the files often contained pertinent items from a predecessor. In the case of the first sub-series (1.1), until 1976, the entire museum's files were maintained centrally as one unit in the Director's Office.\u003c/p\u003e","\u003cp\u003eThis series includes the records of the first three Directors - Thomas C. Colt (1935-1948), Leslie Cheek, Jr. (1948-1968), and James M. Brown (1969-1976) - as well as the two Interim Co-Directors Beatrice von Keller and Violet McDougall Pollard (1942-1945). The bulk of this series was deposited at the Library of Virginia, therefore most of the items held at VMFA are copies that LVA returned to the museum.\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with individuals, institutions and corporations beginning with the letter 'A', note- two letters written to Josef Albers (no replies). Dates- 2/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding a copy of Gainsborough's \"Blue Boy\" in the collection of Van Clief of Esmont, Virginia.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters from private donors and dealers offering objects for sale and as gifts to the Museum when it was first started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence, minutes and information about gifts and purchases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information about items being considered for purchase and members of the committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence, minutes, and information on bequests and purchases. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- minutes of accessions committee meeting 1972, announcements and attendance for meetings 1973, acquisitions policy for bidding on works of art at auction, etc. Dates- 9/72-1/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- painted decorations of St. James church, putting this church on the Virginia section of the National Register. Dates- 4/68-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- departmental inventories of non-expandable assets of the Commonwealth of VA 1940-3, worksheets on individual art objects and Museum equipment, state regulations, etc. Dates- 6/43-11/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown and P. Near (Curator). Subject- correspondence about possible acquisitions, considerations of gifts, notes on possible acquisitions, etc., 10/70-4/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding the gift of Mrs. Charles Adams (Ann Fowlkes) of music albums 1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek's appointment by the Governor to an advisory committee assisting the Dept. of Conservation and Economic Development in a study for a proposed museum of science, archaeology and natural history (to be located in Richmond), copy of Senate joint resolution no.26-to study the encouragement or establishment of a museum of science and natural history, list of committee members, Report of the Department of Conservation and Economic Development to the Governor and the General Assembly of Virginia Relative to the Establishment of a Museum of Science, Archaeology and Natural History in Richmond, 1965, etc. Dates- 5/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Excerpt from the Report of the Committee on Recreation to the Advisory Council on the VA Economy and A Summary of Major Recommendations that Involve Questions of State Policy by the Advisory Council on the VA Economy. Dates- 8/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- possible Museum acquisitions from the dealer. Dates- 4/53-5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Airfiltering System 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- correspondence and announcement for lecture by Ambassador Akar about Africa's unique cultural heritage, etc. Dates- 10/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cheek was a judge for their annual show. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence with Albemarle Art Association President about discontinued affiliation with VMFA, biographical information on Cheek, introduction about Cheek for lecture at AAA, Cheek's remarks in honor of Horace Burr 1966, etc. Dates- 8/57-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with and biographical information about Josef Albers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- a letter to Albers (no reply). Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown Subject- correspondence with Director about appointment to board of Hon. George S. Aldhizer II, Education in the Arts and Honors and Awards Committee appointments, etc. Dates- 6/67-2/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Donor of several paintings to the Museum, 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek as speaker for \"The Alexandria Forum: Southern Decorative Arts 1750-1850\", exhibition loans to Alexandria Assoc., etc. Dates- 9/55-1/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Printed materials. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence regarding annual meetings and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- AAM (American Association of Museums)annual meeting pamphlets 1955,'57,'58,'59'60,'61,'62,'65 and'68, proposed constitution and By-Laws 1961, roster of member institutions 1959, correspondence about AAM meeting in Williamsburg, etc. Dates- 10/60-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from AAM Directors. Subject- Minutes annual meeting 1969, membership reports 1969-70, Financial Statements 1969-70, agenda for AAM council meeting 1970, memos, etc. Dates- 8/69-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- info about AAM (American Association of Museums) seminar held in Richmond 1972, financial and membership reports 1972, minutes of exec. committee meeting 1972, news releases, letter from Richard Nixon to Mr. Brown as President of the AAM, mailings sent out by AAM, etc. Dates- 7/72-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about Cheek as Program Chairman for AAM (American Association of Museums) annual meeting in Williamsburg 1962, tentative agenda, schedule of events, attendance list, committee reports, program, etc. Dates- 5/59-1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- correspondence to American Art Association (AAM) section chairmen about annual meeting, program, schedule of events, etc. Dates- 9/60-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about arranging program for American Association of Museums (AAM) meeting, roster of section chairmen 1962, agenda for exec. committee meeting 1961, invitations sent to VMFA trustees for a reception (held at VMFA) to meet the delegates to AAM meeting, etc. Dates- 7/59-6/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- roster of AAM (American Association of Museums) section chairmen 1962, attendance and schedule for section meetings, etc. Dates- 1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lloyd Goodrich Lecturer. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek on advisory committee for the study of design and craftsmanship in today's products, roster of advisory committee, proposed exhibition, conference series, documentary and publication about design and craftsmanship, National Exhibition Project Committee meeting minutes 1950, etc. Dates- 3/49-4/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cheek on Board of organization. Contains memos, pamphlets, exhibition literature etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns L. Cheek's membership in the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- minutes of exec. committee meetings 1961, '62 and '65, roster of trustees, memos to trustees, correspondence about convention in Chicago, etc. Dates- 1/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. (trustee of AFA). Subject- information about circulating exhibitions, minutes of Exec. committee meetings 1966 and '67, minutes of trustee meetings 1966, '67 and '68, memos to trustees, etc. Dates- 1/60-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- American Federation of Arts (AFA) exec. committee meeting minutes 1967 and '68, correspondence about AFA delegates visit to VMFA 1969, roster of members and committee appointments, news releases 1968, President's annual report to AFA, etc. Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about Cheek as Convention Committee Chairman 1959, correspondence about potential committee members, program for convention, minutes of preliminary joint meeting of the AFA trustees 1958, minutes of trustees meeting 1959, Golden Anniversary Convention, The American Federation of Arts 1909-1959, congratulatory and appreciation letters to Cheek, etc. Dates- 3/58-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown Subject- AFA (American Federation of Arts) exec. committee meeting minutes 1959,'60,'61,'62 and'65, roster of board of trustees, trustee meeting minutes 1961 and '62, AFA constitution, National Council on the Arts and Government Annual Report 1960, etc. Dates- 3/61-1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence with the American Institute of Architects. Dates- 4/47-1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cheek served as a juror for the Annual Homefurnishings Design Competition and was an honorary member, 1949-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- A.I.D. (American Institute of Designers) VA chapter yearbook 1961-2, listing of suggested museums for A.I.D. exhibition, etc. Dates-5/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to J.M. Brown. Subject- dinner meeting for the AID (American Institute of Designers) (interior designers). Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Peter Mooz and Wm. Wilkinson (Mariners Museum). Subject- Loan requests, cost estimates, pamphlets and photographs. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Peter Mooz and Wm. Wilkinson\u0026gt; Subject- First major survey of American Marine Painting in observance of the Bicentennial. Lists of paintings, installation, budget, etc. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains copies of lecture invitation and catalog. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to J.M. Brown from ASA (American Society of Appraisers). Subject- Brown's membership in ASA, ASA news 1971-2, announcement of meeting 1971, etc. Dates- 10/70-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- arrangements for gallery dinner at VMFA for American Society of Appraisers. Dates- 1/72-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- Brown as Chairman of a committee on collections at Amherst College and member of Exec. Committee of the Association of Fine Arts, constitution and minutes of Association of Fine Arts meetings 1970 and '71, roster of members of the Association of Fine Arts, membership solicitation letter, catalogue: The Amherst Sesquicentennial Exhibition 1972, etc. Dates- 10/69-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mrs. J.G. Pollard and Mr. Henry W. Anderson. Subject- meetings of the Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, a portrait of Anderson by VA artist, Julian Binford, etc. Dates- 6/35-11/44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Henry W. Anderson. Subject- Anderson's presidency of the Board of Trustees 1947, trustee and Museum business, Annual Board meeting minutes 1947-8, Museum events and daily operations, Museum investments and gifts to the Museum, a general study of the Museum's collections and suggested plan of development (1947), information about the land occupied by the Museum and its estimated future needs, etc. Dates- 6/47-6/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- President of the Board of Trustees. 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and L. Cheek, Jr. and Col. Henry W. Anderson. Subject- Anderson's presidency of the VMFA Board of Trustees, Museum events and daily operations, gifts to the Museum, investment of the Museum's A.D. Williams fund, listing of financial condition of endowment and special funds 1952-3, etc. Dates- 5/51-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- arrangements for dinner honoring Mr.and Mrs. Walter P. Chrysler, guest lists, invitations, R.S.V.P.'s, etc. Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- final copies: VMFA 2nd Annual Report of the Director 7/1/36-6/15/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA 7th Annual Report of the Director 7/1/41-5/1/42 and VMFA staff orders 1/42 elaborating the orders of 6/41 conduct of the Museum during an emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers, preliminary and final copies of The Report of the Acting Directors for the Year 1944-5, agenda for Executive committee meeting 6/44, breakdown of membership 1943-4, 1944-5 and working papers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- final copy VMFA Annual Report. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- preliminary and final copies VMFA Annual Report 1946-7 7/1/47-4/30/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- preliminary and final copy: VMFA Annual Report 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for the 1948-9 Annual Report, Report of the Executive Committee of the VMFA to the Board of Trustees (5/22/49) also a listing and attendance record of the Board of Trustees (5/27/49).  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for the 14th Annual Report, including operations budget, salaries and membership count, also a copy of VMFA Organic Laws (10/36). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- The 14th Annual Report of the Director (5/27/49) and its working papers, also correspondence about VMFA role in selecting and displaying portraits in the Governor's Mansion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- working papers for the annual report, listing of Cheek's activities (lectures, consultations, committee and jury duties). Dates- 1960-1. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Annual Reports for Collections and Gallery Divisions 1951-54, and for State Extension Services 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA 1st Annual Financial Report of the Curator (4/13/35-6/15/36), VMFA 2nd Annual Report of the Director (7/1/36-6/15/37), VMFA 3rd Annual Report of the Director (7/1/37-6/1/38), VMFA 4th Annual Report of the Director (7/1/38-6/1/39), VMFA 5th Annual Report of the Director (7/1/39-5/1/40), VMFA 6th Annual Report of the Director (7/1/40-5/1/41). Dates- 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA 7th Annual Report of the Director (7/1/41-5/1/42), VMFA 8th Annual Report by the Acting Directors (7/1/42-5/31/43), also, VMFA 9th Annual Report by the Acting Directors (7/1/43-5/31/44).  Dates- 1941-1944. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- the following reports: \"Remarks by Robert Marsh, Jr. before the Appropriations Committee of the General Assembly\" and \"Resume of the Request of the Trustees of the Virginia Museum of Fine Arts before the Appropriations Committee 2/64\" Dates- 2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Annual meeting of its Richmond Chapter at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., Mrs. J.G. Pollard and Ms. B. von Keller. Subject- biographical info, purchase of his painting Maggie, letters of introduction, personal references, loaning work to Museum, Va. artists exhibitions, counsel on museum operations, etc. Dates- 10/35-10/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposed paperback guide to architecture in Virginia, roster of Editorial Advisory Board for guidebook, list of sites by counties and cities, etc., final list of buildings and sites, announcements and minutes of Nominating Committee meeting, etc. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- biographical information on H. Harvard Arnason, speaker on Henry Moore sculpture at VMFA, VMFA Members' Bulletin vol.26, no.2 10/65. Dates- 9/65-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- confirmation of meeting with State Art Commission to present plans to enlarge VMFA. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- membership roster, pamphlet of Art Dealers of America, Inc., etc. Dates- 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lectures given at the VMFA by members of the staff of the Museum of Modern Art 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about museum practices, the following publication: Let's Make the Lions Roar: A Marketing Study of the Art Institute of Chicago by Edward J. Teply (Northwestern University 1959) Dates- 6/48-1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Potential jurors for biennial exhibitions 1970. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence and a listing of members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence and art nouveau purchase plan. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Artificial flowers for decoration in galleries, 1964. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Museum program where artist-members participated in a life drawing class.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program sponsored by museum for artist members, included life drawing classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and memorandums. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence and minutes from meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Project to try and send artmobiles overseas as suggested by the State Department. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence as to whether or not they would like to have the artmobile visit their school. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains plans, blueprints, and correspondence that occurred during its development.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Manufacturer of custom van bodies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Presidential Inauguration. Artmobile was State of Virginia's entry in President Johnson's inaugural parade, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposed exhibition for the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Magic City Bank had an exhibit trailer, which was a prototype for artmobile.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitations, programs and correspondence.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Reprints of A.I.V. article \"Galleries on Wheels\", 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VFWC was instrumental in getting the artmobile started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, newspaper and magazine clippings and schedule 1961-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Schedules, Plans, correspondence and photographs, 1960-63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Drawings and plans for 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Opening, Middleburg, Virginia, 1962.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Dinner and Invitation List. Artmobile II Opening. Middleburg, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Facts sheets, invitations and photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Dedication. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- correspondence re. funding, construction, photographs, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Plans for Collegiate Artmobile to visit Virginia Colleges. 1964-65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposal to ask the Carnegie Foundation for funding for a collegiate artmobile, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Opening, Ashland, Virginia. Correspondence and programs, Sept. 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from W.S. Robertson. Subject- Meeting of Virginia college Presidents regarding the Artmobile project to service college and University campuses. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, David Pittman, Peter Mooz. Subject- Artmobile workshop: program agenda, exhibition schedules, etc. \"Artmobile Chairman Handbook\". Dates- 7/74 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Fruehauf Trailer Co., artmobile manufacturer, 1965-66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposed by Lt. Governor Mills Godwin, attempted to establish a Virginia Arts and Crafts Museum. Newspaper clippings, correspondence, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Pamphlets, prints, minutes and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Arts and Humanities Summer Institute. Sponsored by the Va. Commission of Arts and Humanities at the Museum in 1971. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Informational pamphlet from the President's advisory Council on the Arts, 1963. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Art Council of America and Governor's office. Subject- invitation from the Art Council of America to be represented in this council, etc. Dates- 10/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from George Cruger (Editor, AIV), J.M. Brown and Wm. Gaines. Subject- Microfilming of AIV and checklist of Articles to date, Spring 1974. Catalog: \"Image\", George Eastman House, 1973. Dates- 11/73 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Memos and Correspondence. Dates- 1960 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Search for a designer for the magazine. Letters to and from possible candidates. Dates- 1964.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Various issues of the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- A.P. News clips regarding Museum, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns the portrait bust of John Marshall.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- A.P.V.A. Pamphlets and Correspondence, 1972. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- agenda for the APVA (Association for the Preservation of VA. Antiquities) meeting held at VMFA, roster of exec. committee and trustees, etc. Dates- 3/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of members and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and reports from annual meeting 1964-68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- General correspondence to Directors of various museums regarding membership, loans of art works, invitations, etc.  Fact sheet on Artist housing in Soho. Dates- 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence and minutes from annual meeting 1970-71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Annual meeting: reports, minutes, events schedules, officers, membership. Code of Ethics for ilicit traffic in works of art. \"Reproductions and Reproduction Rights For Museum-Owned Objects\", 1962, American Federation of Arts. Dates- 1972, 1979 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes from meeting. Dates- 5/59 - 6/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposals for membership. L. Cheek was membership chairman. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes of meeting. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Report on dangers of lending objects to institutions for special exhibitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Questionnaires, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Dinner held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Lady Nancy Astor. Subject- Donation of her portrait by John Singer Sargent and china. Dates- 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"B\". Subject- varied. Dates- 9/50-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with institutions, individuals or corporations beginning with the letter \"B\" and the VMFA loan-own art service policy statement. Dates- 6/62-10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Transcript of remarks by Frank Stanton on his award of the Michael Friedman Medal of the Architectural league, magazine clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Ballet and L. Cheek concerning the beginning and future of a theatre at the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, A. Ballet and trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Baltimore Museum of Art calendars of events, correspondence about museum practices, etc. Dates- 9/48-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Miss Iris Barry. Subject- giving a film lecture, newspaper clipping, etc. Dates- 8/49-5/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, T.C. Colt, Jr. and L. Cheek, Jr. Subject- general information about Barter Theatre (announcements, VA Highlands Festival schedule, etc.) and correspondence about the Museum sponsoring drama productions as a state extension service. Dates- 12/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Barzansky Galleries. Subject- invitation to a Harriet Fitzgerald exhibition at the Charles Barzansky Galleries, N.Y.C. Dates- 1/58-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Governor Battle. Subject- thank you notes, etc. Dates- 11/50-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- pamphlet of the Museum's 1945-6 season. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Mrs. Bellows. Subject- the proposed acquisition of one of two of Bellows' paintings (Kids, The Teamster) which the museum didn't purchase. Dates-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Fitzgerald Bemiss as a Trustee, correspondence about Board of Trustees and Membership Committee business, gifts to VMFA, etc. Dates- 6/54-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- visit to Florence, Italy and to see Bernhard Berenson. Dates- 1/56-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition: Eugene Berman's sketches for the Metropolitan Opera's Barber of Seville. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- Brown was a chairman of the panel of judges for the Franklin Mint Bicentennial Medal competition in the state of Virginia, official rules and entry form for competition, etc. Dates- 4/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- House Bill no.131 to keep Va. interstates free of billboards, response letters from Va. politicians, etc. Dates- 2/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Mr. Paul Bird as a lecturer on contemporary painting, a transcript of the lecture, etc. Dates- 1/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek and J.M. Brown. Subject- Accessions: Chinese objects. Requests for loan of A. Wyeth paintings from Wyeth Estate, invitation to Clare Boothe Luce to address 17th Annual Va. Public Relations Conference, letter of inquiry regarding the artist Lucille Sinclair Douglas. Accessions: Dubuffet prints, period chairs, pedestals, chest, Aphrodite Torso, female draped figure, Claude Hirst painting, Roger Barr painting. Eric Christmas and Festival Theatre, Ontario, Canada, proposal around building of Bristol Chapter House, furnishing of Agecroft Hall, expansion of University curriculum to include Art Historical Studies in surrounding colleges, Hogarth exhibition, World Museum Fund with description of event and agenda.  Text from \"Country Beautiful, America's Finest Small Museums\", with description of VMFA. Accession and gifts: \"The Little School Girl\", Degas; Amphipolis Gold. Dates- 1959-70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek. Jr. Subject- By-Laws revised and adopted 1951, Organic Laws, announcements, replies, agenda and minutes of annual Board meeting 1950, committee reports, listing of Trustees, etc. Dates- 5/50-5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Col. H.W. Anderson. Subject- annual Board meeting, listing of Trustees 1952-3, announcement of annual meeting, VMFA Annual Report of the Director 1952, etc. Dates- 5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- announcement, replies, agenda and minutes of annual meeting 1953, notice of amendments to the By-Laws, a VMFA report/essay \"The Need for Completing Its Addition\", etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- annual Board meeting minutes 1953, 54, VMFA Annual Report of the Director 1954, notice of amendments to the By-Laws 1954, announcement, replies and agenda for meeting, etc. Dates- 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- minutes of Trustees annual meeting 1955, working papers for the meeting, committee reports, By-Laws revised and adopted 6/54, listing of insurance coverage, Museum events, etc. Dates- 5/55-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mid-year meeting and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- announcement of annual meeting and luncheon for the Trustees, R.S.V.P.'s, attendance list, etc. Dates- 4/56-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Index cards with names and addresses of current and former Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by VMFA staff and Board Presidents. Subject- Board of Trustees committee appointments, appointment letters and reply letters for the following years: '45/6, '46/7, '47/8, '48/9 and '49/50. Dates- 1945-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- letters of appointment to serve on Trustee committees and reply letters, listing of committee appointments 1949-50, etc. Dates- 7/49-7/50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mr. Henry W. Anderson (President of the Board). Subject- appointment to committee letters and reply letters, etc. Dates- 8/51-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence By L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of committee appointments. Dates- 1954-5. Correspondence- Subject- listing of committee appointments. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- listing of Trustees committee appointments (1956-7), reply letters to committee appointments, etc. Dates- 8/56-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- notes on planning, cost estimates, invitations, replies to preview of A.D. Williams collection and dinner honoring Governor and Mrs. Battle, etc. Dates- 10/52-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Museum events, working papers for the annual Board meetings and agendas, nominations to the Board, excerpts from the Board minutes, committee reports, etc. Dates- 2/37-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains miscellaneous correspondence, memos and minutes from meetings. 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Board annual meeting minutes 1955, By-Laws revised and adopted 1954, By-Laws and suggested revisions 1956, listing of Trustees 1955, Committee appointments 1954-57, etc. Dates- 1954-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Roster of the VMFA Board of Trustees. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- announcement, replies for Board meeting, listing of Trustees 1952, 53, notice of meeting cancellation because of inability to secure a quorum, etc. Dates- 1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- announcements, replies, agenda and minutes of Trustees special meeting and Executive Committee meeting, etc., 1/54-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- minutes of the Board of Trustees annual meetings. Dates- 1934-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- suggested plan for developing VMFA collections by Colt (1945), announcements and replies for Board annual meeting , prepared budget 1947-8, listings of Trustees, officers and committees, etc. Dates- 10/45-6/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- sightseeing boat tour on the James River. Dates- 2/57-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mrs. John H. Bocock as a Trustee, Board of Trustees, Entertainment and Accessions Committee business, art lending service information, gifts to VMFA, etc. Dates- 5/51-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek writing introduction for A. Aubrey Bodine's photography book: The Face of Virginia, draft of the foreword/introduction, biographical information on Bodine, etc. Dates- 3/62-1/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- letter to Hon. Armstead L. Boothe about appointment to Board. Dates- 6/64-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Jr. primarily with the Sheraton Hotel. Subject- a cocktail party held on Cheek's Boston trip, guest lists, invitations, etc. Dates- 10/58-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. with various Boston Museum staff. Subject- museum practices, loans, speaking engagements, exchange publications, etc. Dates- 11/47-10/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- loaning objects to VMFA, correspondence about museum practices, lecture given by Cheek in Boston about art in Virginia, etc. Dates- 3/55-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and V.Y. Bowditch. Subject- Bowditch biographical information, drama schedule 1955-6 season, evaluations, theatre operations, etc. Dates- 7/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Theatre director of Pasadena Playhouse 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. with E.G. Bowles and the Public Works Administration (PWA). Subject- landscaping the Museum and bids complying with PWA, construction contract 4/36, classifications of labor/workmen and wage rates 12/34 and Form Of Bond-VA 4/36. Dates-3/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's membership to the VMFA Board of Trustees, Museum events and daily operations, the following Museum publications: Virginia Museum of Fine Arts By-Laws, 1st Annual Financial Report of the Curator (4/13/35-6/15/36) and Virginia Museum of Fine Arts 1st Quarterly Financial Report of the Curator (5/1/36), listing of suggested prospective Trustees, listing of Trustee committee appointments 1937, sketches of Museum floor plan, etc. Dates- 12/34-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, Museum publication: Prospectus of Program Season of 1937-38, radio talk show transcript 3/38, etc. Dates- 6/37-6/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, PWA grant offer 1938 to the Museum, letter from VMFA rejecting the offer of a PWA grant, copy of the resolution that Henry P. Strause, Esq. be named first Honorary Benefactor of the Virginia Museum of Fine Arts, etc. Dates- 7/38-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Trustee committee appointments 1939-40, essays by Branch about WWII, financial situation of the Museum 1939, creation of a \"Ways and Means\" committee, etc. Dates- 8/39-6/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe Branch. Subject- Branch's presidency of the VMFA Board of Trustees, staff organization (1940), plan for VA artist fellowships, \"Art in Virginia\" an article written by Colt, Museum events and daily operations, Museum investments and gifts to the Museum, biographical information on Branch, Trustee committee appointments 1940-1, etc. Dates- 6/40-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, biographical information on Branch, Museum events and daily operations, Museum investments and gifts to the Museum, winner of the first Webster S. Rhoads medal, etc. Dates- 5/41-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Thalhimer Brothers, Inc. Subject- use of VMFA's Medieval Gallery for British Embassy reception. Dates- 6/1/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- brochures for the VA Dance Society, VA Film Society and VA Chamber Music Society. Dates- 1963-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- loaning objects to Brooklyn Museum, correspondence about museum practices, exchange publications, etc. Dates- 2/48-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- essay written by J. Carter Brown for New York University. Dates- 5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- news releases about James M. Brown becoming VMFA Director, newspaper clippings, photos of Brown, Report of the Director 1972-3, etc. Dates- 6/69-11/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by VMFA staff and Trustees. Subject- plans for receiving the new Director. Dates- 6/69-7/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Fred Haseltine (Assistant to Director). Subject- list of objects being offered to the Museum including: antique gold boxes, ornaments, clocks, etc., letters to the executors of the Ailsa Mellon Bruce estate, correspondence with Paul Mellon, news releases and news paper clippings about gift, photos of the galleries, etc. Dates- 8/70-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Mr. David K.E. Bruce as a Trustee, Board of Trustees business, gifts to VMFA, etc. Dates- 5/48-3/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposed acquisition of the Brummer collection of Medieval art, report on collection, list of objects, correspondence to Paul Mellon, etc., later sold to Duke University. Dates- 12/65-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and the Smithsonian Traveling Exhibition Service. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Exhibition 1958, includes layouts and photos, etc. Dates- 3/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek's membership on the Fine Arts Advisory Committee to U.S. Commission for the Brussels Universal and International Exhibition of 1958, committee meeting minutes 1957, committee roster, etc. Dates- 2/57-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Fair 1958, Cheek was an advisory committee member, loan, catalogue and installation lists, information on slide presentation- \"Art in American Museums\", etc. Dates- 3/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- sketches, plans of the U.S. pavilion for the Brussels International Fair 1958, information and listing of objects in the \"American Folk Art\" exhibition, etc. Dates- 1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Harry Bertoia (Sculptor). Subject- the acquisition of a Bertoia piece (Tree) shown at the Brussels Fair. Dates- 8/57-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr. Subject- D. Tennant Bryan as a Trustee, Board of Trustee and Membership Committee business, etc. Dates- 10/47-6/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. D. Tennant Bryan. Subject- Trustee/Museum business, membership to the Museum, etc. Dates- 5/51-9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. J. Stewart Bryan. Subject- Trustee/Museum business, loan of paintings for inaugural exhibition, gift to Museum, etc. Dates- 6/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Thomas P. Bryan as a Trustee, Board of Trustee business, etc. Dates- 9/58-11/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- congratulatory letter to Mr. Thomas P. Bryan on election as Mayor, Date- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. to Buchholz Gallery. Subject- proposed purchases, loans, exchange publications, etc. Dates- 4/47-8/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- VMFA budget exhibit 1959 and 1966-8, resume of the VMFA Trustees before the Appropriations Committee 1964, budget requests 1960-1 and 1962-4, etc. Dates- 9/61-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of Governor's Budget Advisory Board 1965, outline for capital outlay funds dinner, invitation letter to Trustees, etc. Dates- 5/65-6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed 25th anniversary budget, correspondence about obtaining a Budget Committee for the 25th anniversary program, anniversary publications, etc. Dates- 1/60-3/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about Capital Outlay Commission dinner and theatre, etc. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- suggested order of events for Budget Advisory Committee meeting, invitation letters to the Presidents of VMFA affiliate chapters, draft of end of dinner announcement, etc. Dates- 7/61-9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- list of Governor's Budget Advisory Committee 1969, review of Museum's request for capital outlay funds to construct North Wing and theatre, etc. Dates- 4/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- roster of Governor's Budget Advisory Board 1967, outline for Cheek's remarks to Budget Advisory Committee, etc. Dates- 1/67-5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- roster of Governor's Budget Advisory Committee members 1972-4, request for hearing, dinner invitations for Advisory Committee, etc. Dates- 5/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers and news releases about the addition to the Museum. Dates- 6/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to other U.S. art museums. Subject- installation and advice on purchasing an air conditioning system. Dates- 5/53-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Wm. Rhodes. Subject- correspondence about air condition system failure. Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- addition and renovation to the Museum, proposals and preliminary studies by Mr. Merrill Lee, Architect, copy of a Architects and Consulting Architects Contract, etc. Dates- 12/49-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard primarily with Architects M.C. Lee and Eggers and Higgins. Subject- schedule of interior installation, list of architects bills, building inspection, review work/progress, photographs of progress of additions to the Museum 1953, etc. Dates-12/48-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns the proposed addition the VMFA 1949-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Baskervill and Sons (architects and engineers) preliminary drawings, schedule for construction project, etc. Dates- 7/64-12/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Attempt by the United Daughters of the Confederacy to expand their facility on the block. The Museum's and the Virginia Historical Society's attempts to stop them and acquire the land for their own use. Dates- 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about equipment needed to supply music to members' quarters, lobby area and galleries. Dates- 7/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- information about sound equipment. Dates- 6/54-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information on purchasing folding and stackable chairs. Dates- 8/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- extending the rise of freight elevator. Dates- 8/53-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- proposals and layout for a film production unit to be located in the new wing (to make interpretative sound films). Dates- 7/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information, blueprints on changes to and installation of kitchen equipment. Dates- 6/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- the proposed purchase and installation of photographic equipment, correspondence with other art museums about creating and maintaining a darkroom and staff photographer. Dates- 8/53-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- blueprints of check room, information about coat, overshoe and umbrella racks for the Museum check room. Dates- 9/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information about seating for the theatre and auditorium, blueprints of the auditorium. Dates- 8/53-8/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of machinery and equipment needed for the new shop. Dates- 8/17/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about chandelier for front entrance of Museum. Dates- 9/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M.C. Lee, Architect. Subject- alterations and additions to the Museum, color samples and specs for painting and finishing, etc. Dates- 8/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains amounts of pledges and names of donors giving money for new galleries.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Gallery floor plans: VMFA, Brooklyn Museum, Victoria and Albert, British Museum, Art Institute of Chicago, Walters. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Merrill C. Lee, Architect. Subject- progress photographs and negatives (north wing). Dates- 5/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Architects: contractual agreements, VMFA design program, Capital Outlay Appropriation, alteration, additions, cost estimates, expenditures, contracts for Doyle and Russell and Merrill C. Lee (AIA). Dates- 12/48 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- blueprints of a darkroom and information about and catalogs of photographic equipment. Dates- 8/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns securing restricted material such as steel for post-wartime construction. 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to Mrs. J.G. Pollard. Subject- Economic Stabilization Committee (ESA) search for qualified women employees, ESA headquarters to be located in Richmond, federal government regulations that established ceiling prices for all commodities and services (except those specifically exempt) upon the basis of prices in effect between 12/19/50-1/25/51. Dates- 2/51-12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"Final Statement Museum Of Fine Arts Richmond, Virginia\", contract dated June 9th, 1952. Financial statement/contract from Doyle and Russell Construction. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Terra cotta statues at the North entrance to the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Original Building: \"Manual On The Planning And Execution Of State Capital Outlays\", 9/1/44, contracts: Doyle and Russell (Building Contractors) and Merrill C. Lee (AIA). Detail for additions and deletion from original building. Design contracts and inspection reports. Dates- 1952 - 55, 1966, 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Brochures, drawings, correspondence 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- information on red carpet and padding for the front entrance. Dates- 8/51-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Meeting with Interior designers 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding plants around the Waddy fountain. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- the Richmond Junior League's proposed campaign to raise money for construction of South wing for the Museum, working papers for and final copy of the pamphlet: \"The Virginia Museum Needs Wings\", etc. Dates-12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- renovations and construction of a new wing to the Museum, Cheek's comments on preliminary and revised drawings, and construction progress, Architects and Consulting Architects Contract (Merrill C. Lee, Architect, Eggers and Higgins, Consulting Architects), an essay \"The Virginia Museum of Fine Arts Need for Completing Its Addition\", etc. Dates- 1/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information relating to addition to Museum, several reports including: Building Program 1950-1, Addition to Building 1949-50, The Virginia Museum of Fine Arts The Need For Completing its Addition, History of Appropriation for Construction (1948-53) ,also, notes for Sen. Gray about Museum addition (1952). Dates- 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- miscellaneous daily and general building maintenance. Dates- 2/60-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Governors Stanley and Battle. Subject- improvements on Museum building and completion of new wing (1954). Dates- 12/50- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject-construction/installation of American and English galleries, alterations to Medieval hall, blueprints, etc. Dates- 7/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- information on purchase of steel lockers, blueprints, etc. Dates- 4/54-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about ordering office furniture designed by Eero Saarinen. Dates- 8/64-1/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Alfred Geiffert, landscape architect. 1949-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- analysis of situation concerning the parking lot and planting, etc. Dates- 8/66-10/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Budget Estimates for landscaping the grounds of the Museum around addition, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information and bids on purchasing lighting and steel storage equipment. Dates- 11/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- info on purchase of supplies for dining room/cafeteria: placemats, traymats, doilies, napkins, matches. Dates- 1/55-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains plans for the Waddy Fountain, and furnishing brochures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Carl Milles, donor of the Little Triton Fountain 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- marble chips for garden court fountain request for information about installation of mosaics in garden court. Dates- 8/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed purchase of wall coverings for new galleries (movable partitions and door headers). Dates- 2/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- commission to decorate behind refreshment counter in the new building, commission switches from Julien Binford to Richard Q. Yardley. Dates- 6/54-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Richard Q. Yardley Mural in the refreshment room. Also contains information on Julien Binford who was originally retained to do the mural before Yardley. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Public Works Administration Grant for Museum addition, application to National Production Authority (N.P.A.) for assistance in obtaining materials for proposed Museum construction. Dates- 10/35-9/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- staff requests for facilities and equipment, list of private funds for Museum addition, Board resolution about the construction on the building, etc. Dates- 7/48-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- drawings of proposed Museum addition, Special Building Committee procedure in dealing with Appropriations Committee of the House of Delegates, etc. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and New York City Museums: Metropolitan, Guggenheim, MOMA, and Whitney. Subject- Extended loans of paintings and sculpture for the VMFA's new wing of Contemporary Art, scheduled for Jan. 1970. Correspondence from L. Cheek to John Walker to address the Collectors Circle. Dates- 7/69 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- report on budget dinners 6/65, Cheek's itinerary for talks 1965, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and Joseph Whitehead (Interior Designer). Subject- Interiors of the New South Wing, Fabric sample enclosed. Correspondence between L. Cheek and Bernard Bothner of the Brooklyn Museum. Subject- Resources for slides to accompany the reinstallation of the Egyptian Gallery. Dates- 6/66- 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposals for gallery orientation theatre systems. Memo To VMFA staff regarding upcoming Fellows meeting. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to other museum directors. Subject- Request for slides of recent building additions to their respective museums, to prepare for a presentation to the Virginia Legislature. Dates- 4/65 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Survey conducted by L. Cheek to determine the necessity of a sprinkler system in galleries. Letters, cards of response and survey results. Dates- 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains brochures and catalogs 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- photos of preliminary architect's drawings, preliminary cost estimates, etc. Dates- 7/62-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Information concerning the MOMA 30th Anniversary, building funds drive with text of building/expansion plans, \"Toward The New Museum Of Modern Art\" , 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- review of presentations to the Art Commission, photos of other art museum additions, statements about addition (Mr. Wallace K. Harrison and Mr. Frederick D. Nichols), etc. Dates- 9/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Sculpture garden fountain and the renovation of the theatre lobby. Dates- 7/76 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Wm. Higgins. Subject- Membership drive/ New Wing opening, progress reports to members of the Board, financial statements: cost estimates, design fees, operating fund, construction timetables. Fact sheet relating to history of VMFA. Signficant dates for the Virginia Museum, \"History of North Wing Construction\". Dates- 4/71 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, D. Nicholas and C. Chamberlayne (Hardwick). Subject- Progress timetable, architectural engineering/ landscape/ interior design. Revisions/ alterations to construction, cost estimates, instructions to bidding contractors. Review by building committee of the Board of Trustees. Minutes of the building committee, 2/25/72, drawing/plans. Dates- 1971 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, D. Nichols and C. Humelsine. Subject- North Wing plans, justification and description, funding, appeal to legislature to win support for North Wing funding. Rosters: Appropriations committee, finance committee, Governor's budget advisory committee. Essay- \"The Unique, Pioneering Virginia Museum\" and \"Facts on the Virginia Museum of Fine Arts\". Dates- 1967, 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from W.S. Robertson and L. Cheek. Subject- Original design of North Wing per L. Cheek and Baskerville (AIA), later rejected by the Arts Commission. List of significant dates with regard to North and South Wing additions. Minutes of Special building Fund committee, 3/11/65, original building proposal, photographs. Bulletin vol.26, no.2 10/65. Dates- 9/65 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Photographs/Plans/Drawings from Baskerville and Son (AIA) for:entrance hall, basement/sub-basement, site plan elevations/cross section, gallery floor plans and views of entire block.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, D. Nicholas and L. Noland (building committee). Subject- Construction, architectural engineering, capital outlay, construction bids, plans and contract documents. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- blank order forms labeled VMFA NPA Regulation No. 4. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Mrs. J.G. Pollard. Subject- National Production Authority (NPA) regulations, order listings for maintenance, repair and operating (MRO) supplies, regulations about using the DO-97 rating (Form used to obtain MRO supplies), quota for the 4th quarter 1951, etc. Dates- 3/51-7/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence about construction and funding (some PWA) of a wing to the Museum, publication: Working Relationships Between Private Architects and Engineers and the Commonwealth of VA (2/44, Governors' office, Division of the Budget) and The General Conditions of the Contract for the Construction of Buildings (standard form of the American Institute of Architects). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Doyle and Russell, Building and Industrial Construction. Subject- Bronze founders tablets, frames, building inspections and taking over and operating the building 10/35. Dates- 8/35-10/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Peebles and Ferguson, Architects, Norfolk. Subject-blueprints (including detail of the Portuguese Room dated 9/18/35), maintenance and furnishings (benches, plaques, interior painting, etc.) for the Museum. Dates- 4/35- 6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Ferguson, Meakin and Moore, Architects, Norfolk. Subject- reproductions of drawings of proposed south wing, drawings, bids, etc. Dates- 10/37-5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Plans and Correspondence 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- photos of drawings showing the proposed additions and alterations to Museum. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Plans and correspondence regarding the memorial plaques around the building: R.E. Lee Camp, Waddy and the Old Dominion Foundation fountains. 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- construction/installation for the Pratt collection, blueprints, progress reports to Mr. John Lee Pratt, etc. Correspondence with Milton Samuels of French and Company who designed the installation, including quotes for fabric, carpet, cases, carpentry, lighting (including the chandelier). Cheek asked Pratt to fund it and he agreed. Lots of invoices. Dates- 6/54-5/55.   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Baskerville and Sons, Architects, 3/11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about building models, preliminary drawings, furnishing and equipment catalogues, etc. Dates- 4/65-12/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence and statements from Marcellus Wright and Son. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and Merill Lee (architect) and Chairman of the Building and grounds committee, concerning construction of the service area. Dates- 1/59 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Eggers and Higgins, Architects. Sketches and drawings 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr., J.M. Brown and Erwin H. Will (VMFA President of the Board). Subject- all aspects of construction of the South Wing, additions and alterations to Museum, landscaping, fountain, parking lot, etc. Dates- 12/66-3/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- minutes of South Wing construction conferences 1969-72, outline of construction to South Wing, etc. Dates- 1969-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Governors Dinner/Event in celebration of the South Wing: program agenda, menu, dedication plans, News Media reception, Rosters: House of Delegates, Senate, Trustees. Key presented to Governor Linwood Holton donated to the archives by Anne Holton November 3, 2022. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Capital Outlay requests, individual project descriptions, preliminary plans, tabulations of construction bids, estimated income sources, floor plans, budgets, invoices, Executive Committee Minutes and Building Committee Minutes. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Erwin Will. Subject- New duct layout for the South Wing attic space: revisions necessary due to mistakes in original drawings and improper work. Financial statements. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA Charter, Act of March 27, 1934. Design program (2/18/49) Phase II, museum enlargement, boiler replacement, contract cost estimates, committee no.279-A, addendum no.7 to the drawings and alterations to VMFA. Theatre light control system, weekly project inspections. \"General Conditions Of The Contract For Capital Outlay Projects\". Dates- 2/52 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and members of the building committee. Subject- Proposed additions, rejection of north facade by Arts Commission. Excerpts from Minutes of Art Commission Meeting, 6/4/65, 7/9/65, 7/29/66. \"The Virginia Museum Opens The New South Wing\", Press package, Brief History and Signficant Dates of VMFA, photographs. Dates- 1965 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Supplemental Agreement #2: Additions and alteration to various aspects of structural design contracts. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Interior construction and design. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment purchasing list, blueprints of theatre, installation of theatre and projection equipment and an orchestra lift, local building committee meeting minutes, etc. Dates- 7/53-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment: bronze stands and velvet ropes. Dates- 1/55-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Construction blueprints and plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letter of invitation to Trustees, former and current, to celebrate the construction of the North Wing, seating arrangement and timetable for event. Letter to Gov. Holton concerning ground breaking ceremonies and gala dinner. Dates - 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to Col. Anderson. Subject- proposal for theatre for Museum, possible recreation center for armed forces stationed in Richmond. Dates- 2/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Waddy Memorial and Triton Fountains 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- B.F. Ruskin and Associates 1953-55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- committee reports on funding for construction of addition to the Museum, schedule of payments to date (12/4/50 and 12/20/50). Dates- 10/50-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- additions and alterations to VMFA 1955, list of Museum alterations and additions to date 6/15/55 by Merrill C. Lee, Architect, VMFA Noise Survey CA 9687 (1955), blueprints, etc. Dates- 1/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains architectural plans for the first addition to the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- cost estimates/proposed funding for Museum addition, copy of the resolution to establish a Local Building Committee, announcements, replies and minutes of Local Building Committee meetings 1950-2, etc. Dates- 1/46-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Local Building Committee, 1951-54. Information regarding the local contractor. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- minutes and outlines of VMFA Building Committee meetings 1952-3. Dates- 6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, L. Cheek, Jr., and G.D. Gibson (Chairman of the VMFA Building Committee). Subject- addition to Museum building, listing of additions and alterations to the building, agenda and minutes of Building Committee meetings 1953-4, etc. Dates- 9/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- addition to Museum building, minutes, announcement and agenda for VMFA Building Committee meetings 1954-5, list of contributors to Museum Building Fund, etc. Dates- 7/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by G.D. Gibson (Trustee). Subject- installation of Museum equipment, minutes of the Buildings and Grounds Committee meetings 1955-6, etc. Dates- 9/56-12/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains lists of expenditures, list of private donors with amounts donated for the addition to the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA Local Buildings and Grounds Committee meeting minutes 1948-56, listing of committee meeting dates 1948-56. Dates- 1948-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard to Senator Garland Gray. Subject- information about planning costs for addition to Museum building, Museum business and events, etc. Dates- 5/51-7/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Copies of the Museum's members bulletin. Vol.1, No.8, Vol.7, No.'s 1,4and6, Vol.8, No.'s 5and8, Vol.9, No.'s 1,2and4, Vol.10, No.'s 1,2,7and8, Vol.11, No.'s 1,2,3,4,5,6,7and9, Vol.12, No.'s 8and9, Vol.13, No.'s 6and9, Vol.14, No.'s 1,3,6,7,8and9, Vol.15, No.'s 3,4,5,6,7,8and9, Vol.16, No.'s 1,2,3,4,5and6. Dates- 9/46-2/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Bulletins with general information and a survey of sources of income, private and public, from various museums. Dates-1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 1962-1966 Donations, Trustee File. Dates- 7/55 - 12/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and members of Board of Trustees. Subject- Revision of By-laws and Memorial Fund Policy, revisions and recommendations, minutes from sub- committee on By-laws. Dates- 1958 and 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA By-Laws (revised and adopted 5/51, 5/53, 6/54), Notice of Amendments to By-Laws (6/50, 5/53, 6/54), VMFA Organic Laws, etc.. Dates- 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to Senator Byrd. Subject- amendment of IRS code Sec. 863, exempting works of art loaned for exhibition in this country from federal estate taxes. Dates- 7/51-10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., Mrs. J.G. Pollard, and L. Cheek, Jr. to individuals, institutions and companies beginning with the letters Ca-Cn. Subject- varied, including four letters from Alexander Calder about Museum purchase of one of his pieces. Dates- 8/45-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek. Subject- Loans of artwork, Trustees, Fellows, Mary Callery (juror, 1963 Va. Artists Exhibition). Accessions and gifts: Tree, Callery; Han Dynasty pottery; Nanny, T. Sully. Dates- 2/59 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and P. Near to J. Brun and H. Jucker. Subject- Acquisition and provenance of Caligula, Newspaper clippings. Dates- 1971-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, his term as Treasurer of the Fellows. Dates- 1/60-6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mr. John Canaday (from University of VA). Subject- Christmas card design by Canaday, loan of a sculpture show, jobs, etc. Dates- 5/49-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Capital outlay requests for parking area, South Wing, Entrance Improvements, Expenditures and revenues for the year ending 6/1960. \"Instructions for Form c-54-A (individual project report)\" from Commission on State Capital Outlays and Means of Financing. General Endowment Income 1960-61; Capital Outlay for Galleries, landscaping, Egyptian gallery and North Wing, 1935-60. Collections for which there is inadequate exhibition space, list of cultures that are not represented or under-represented, roster of members serving on the \"Commission on State Capital Outlays and Means of Financing. Dates- 1960-61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eIncludes Frances Benjamin Johnston acquisition.\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- officers from the Carnegie Corporation visiting Richmond and the Museum. Dates- 8/55-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to F. Anderson (Carnegie Corporation). Subject- Experimental use of Carnegie Collection of Materials for the Instruction of American Culture and funding of Collegiate Artmobile IV. Proposal, '\" An Artmobile for Virginia Colleges\", March 1965, Supplement, A Statewide Stimulus for Education in the Humanities, Statement of purpose, photocopy of partial grant payment. Dates- 1/58-7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Carnegie Corporation of New York and Carnegie Institute, Department of Fine Arts. Subject- Frances Benjamin Johnston acquisition, requesting a grant, requesting loans for inaugural exhibition, counsel on museum practices. Dates-8/35- 12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Carnegie Trust. Subject- a visit to Richmond by officers of three British Carnegie Foundations, information on Carnegie Trust 1954, etc. Dates- 8/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Secretary of Carnegie Dunfermline Trust. Subject- Roster of Carnegie Delegation visiting VMFA; Annual Report- Carnegie Dunfermline Trustees, 1960. Dates- 7/59-60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- job of Technical Director of the Theatre Division, etc. Dates- 6/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lists of 25th Anniversary donors; VMFA presidents and terms of office 1935-60. Essay- \" The Arts In Virginia\", Walter S. Robertson (Pres. VMFA). Essay- \"Collecting In America\", Alfred Frankfurter (editor and Pres., Art News) Dates- 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of orders for and purchasers of the Healy's Sitters Catalogues, thank you notes for exchange publications, list of relatives of Judge John Barton Payne, etc. Dates- 4/51-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Jaquelin-Ambler Portrait catalogs, listing of the members of the Jaquelin, Ambler and Broadnax families. Dates- 11/48-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- a fellowship set up by the Catherwood Foundation (previous owners of the Dali jewels) to be used for travel/education in Europe, information about transporting Dali jewels from the Museum. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Fellowship for artists provided by the Catherwood Foundation and awarded and administered by the VMFA that year. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. William Gaines and L. Cheek, Jr. and M.B. Christison (Assistant Director). Subject- Gaines biographical information, Catherwood Foundation fellowship recipient, application, recommendations and award letter for fellowship, list and some photos of work submitted, etc. Dates- 3/56-11/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Annual luncheon and tour. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to Century Lighting Co. Subject- lighting for the artmobile and theatre, etc. Dates- 6/53-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- pamphlets from the Convention and Tourist Bureau (Richmond). Dates- 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- pamphlets from the Virginia Chamber of Commerce. Dates- 5/49-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Restoration of Old Botetourt Hotel, Gloucester, Va.; Programming instructions for \"Civilization\" Film Series; proposal and budget for statewide broadcast of Affiliate promotionals. Rosters of Affiliates, Chapters and Confederation Officers; Minutes of \"Executive Committee Meeting\", 10/72; maps, postcards, press release, newspaper clipping, photographs. Dates- 2/67-7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Winter Conference agenda, participants, newspaper clippings. Dates- 12/71-3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposal and budget. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Affiliate/Chapter offices Museum Lecture/Tour; roster of Officers, speaking schedule, events, remarks for each engagement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Prototype for letter to be sent from all VMFA Chapter Presidents to convince Legislature of the need for new building. Dates- 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Dali Jewels. Date- 7/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. primarily to realtors and lawyers. Subject- sale of Cheek's property \"Faraway Farms\", information on sale of Chebry Co. property, etc. Dates- 6/50-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to T.C. Colt, Jr. from L. Cheek (when he was Chairman of the Fine Arts Department at The College of William and Mary and when he was Director at the Baltimore Museum of Fine Arts). Subject- art in Virginia, counsel on museum practices, etc. Dates- 12/36-1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- The retirement of L. Cheek, Trustee dinner honoring the occasion, presentation of \"Thomas Jefferson Public Service Award\", with remarks by Lt. Gov. F.G. Pollard; South Wing construction; invitations and newspaper interview with L. Cheek. Dates- 1/65-3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, W.S. Robertson and Morton Thalhimer. Subject- Letters of moral support, press releases and newspaper clippings announcing the resignation of L. Cheek (decision later recanted). Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding L. Cheek's reconsideration of his resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Resolution from VMFA Council regarding the outstanding contributions of L. Cheek. Includes letters from and too supporters. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Replies to his reconsideration of resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Text from interview of 11/2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- PR, decorations, lecture, etc. Dates- 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Memo to VMFA staff, PR, agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Thank you letter from by a class participant.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence regarding classes at the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Registration information and class lists.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison. Subject- installation of collections and exhibitions, Museum programming, biographical information, etc. Dates- 10/54-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. Christison. Subject- scripts and working papers for children's radio program (\"Treasure Trails\" on WRVA), listing of slides for Season Survey and information on a Life magazine photo exhibition entitled \"Egypt\". Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Vouchers and receipts for travel expenses, 1948-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Christmas cards received by the Museum, a copy of the Museum Christmas card (1956), Information about a Christmas tree in the Members' suite, etc. Dates- 11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Commission of Virginia Artists to design Christmas Cards; rosters: Board of Trustees, A.A.M.D., newspaper clippings, cards, photographs. Dates- 1966-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- ordering Christmas decorations. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Peter Mooz, Sydney and Frances Lewis. Subject- Remarks by J.M. Brown on the dedication of the North Wing and on his resignation. Andrew W. Mellon Foundation, Lewis gift of funds for Art Nouveau purchases, Noland gift of \"Rotating Sphere\", reattribution of the Jewel casket. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Controversy concerning gift of Walter P. Chrysler, newspaper clippings, and Chrysler newsletters, 1973-75. Dates- 1969 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Henry Clay Hofheimer and J.M. Brown. Subject- New wing, correspondence between the Executive Board, the closing of the Chrysler Museum School, operating budget, accessions, list of objects. Minutes of Executive Board, 2/8/72. Transcript of William L. Parkers, et al complaints vs. Walter P. Chrysler Jr. et as Defendants. Dates- 1972 - 33 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Chrysler collection exhibition at the Museum and possible Artmobile tour, listing of pieces in collection, etc. Dates- 9/49-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Loan Exhibition for Church Silver of Colonial Williamsburg, outline for proposed exhibition, budget, letter drafts to Church Wardens, lists of Episcopal Churches owning Church Sliver, Format for catalogue. Dates- 7/68-4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about proposed reproduction in miniature of a Cigar Store figure from the Museum collection. Dates- 7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposed reproduction in miniature of American cigar store figures from the Museum collection. Dates- 5/56-12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek Subject- Civil War Centennial Exhibition, agenda, maps, newsletters, VMT copy of \"Certificate of Award\", conferred on the Virginia Civil War Commission. \"Virginia Joins The Confederacy, Chronology of Events November 1860 through 1861\", Civil War Centennial, 1961-1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek's membership on advisory council of the Civil War Centennial Commission, site development study for proposed Confederate Memorial Park in the Museum area, \"Report of the Preliminary Plans of the Virginia Civil War Commission to the General Assembly\" 12/59, etc. Dates- 5/59- 12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- Programming, Ticket Stubs, newspaper reviews, news releases, photographs. Dates- 7/70 - 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and Joseph Lucas (pres. Civitan Club) [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Resume of Cleveland Museum President, Sherman Emery Lee with photo, Cleveland Plain Dealer Interview \"Sherman Lee's Double Life\". Dates- 12/55-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mrs. Clopton complaint about film tickets. Dates- 2/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- membership in The Poetry Society of Virginia. Dates- 2/53-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr., to individuals, institutions and companies beginning with the letters Co-Cz. Subject- varied. Dates- 8/45-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., L. Cheek and J.M. Brown. Subject- Geri Melchers Memorial; Minutes of Annual Meeting 1962; Minutes of Executive Committee Annual Meeting 1962; restaurant feasibility. Dates- 1957-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- arranging a lecture by Mr. Alexander S. Cochran, Architect in conjunction with the exhibition \"Domestic Architecture of the San Francisco bay Region\", biographical information, etc. Dates- 10/49-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artmobile, gifts. Dates- 6/54 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from the American Association of Museums (AAM). Subject- copies of the Code of Ethics for Museum Workers 1925 AAM report. Dates- 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Remarks on \"The Relation of Trustees and Professional Staff of General Art Museums\", delivered by Charles Nagel 5/17/69,  \"Code of Ethics for Museum Workers\" 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Rhodes Rathskellar, proposals for lunchroom: use by staff, volunteer personnel, policy on break schedule and lunch periods. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from P. Near and Peter Mooz. Subject- Checklist of the status, strength, weaknesses and needs of the VMFA. Damage report, gifts of artworks and accessions, Art Purchase Fund, press releases. Letters to Christo and Robert Rauschenberg. Dates- 1976-77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains photographs, letters, newspaper clippings and information from dealers, prices regarding possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains photographs, prices and other information relating to possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and M.B. Christison (assistant Director for Collections and Education). Subject- listing of possible additions to Museum's collections 1953, information and some photos of objects considered for acquisition, correspondence with art dealers, etc. Dates- 12/51- 11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- listing of possible additions to the Museum's collections, information and some photos about objects considered for Museum acquisition, correspondence with art dealers, etc. Dates- 1/53-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, P. Near, F. Brandt and P. Mooz. Subject- Reorganization of the Collector-of-the-year. 1975- Mrs. Lummont du Pont Copeland Collection on Export Porcelain. 1977- David Lloyd Kruger Collection of Contemporary Art. 1978- Hugo Weisgall Collection, list of objects, copies of scores for the Weisgall Concert catalog. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from P. Near to members. Subject- Collectors circle event with lecture by Caroline Keck. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Cultural exchange, Minutes of Executive Committee of C.A.A., 1/62, 4/62, Minutes of Annual Meeting, 1971; Minutes of C.A.A. Business Meeting, 1/62; revised draft of \"Policies and Purposes\", roster of officers, Directors and committee members; Essay- \"The Visual Arts in Higher Education\". Dates- 1/62 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- List for reception/cocktail party, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. Preston L. Collins (Lt. Governor). Subject- announcements of Trustee meetings, invitations to Museum events, replies, etc. Dates- 5/51-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and L. Cheek, Jr. to staff of Colonial Williamsburg. Subject- museum methods. Dates- 7/46-12/54.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- general correspondence with staff of Colonial Williamsburg, information on Cheek's speaking engagement with Williamsburg Rotary Club, etc. Dates- 2/54-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and the President of Colonial Williamsburg. Subject- loan of display units to Colonial Williamsburg, museum practices, etc. Dates- 3/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., J.M. Brown and Colonial Williamsburg. Subject- correspondence about the Williamsburg Antiques Forum, publications/mailings about Antiques Forum 1964,'66,'67,'73, etc. Dates- 5/66-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- detailed letters about the goings-on at the Museum while Colt was serving in WWII, also letter from Mrs. Alfred DuPont about art education. Dates-8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Mrs. J.G. Pollard and others. Subject- record of Colt's military service, his resignation to serve in WWII. Dates- 11/42-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Columbia Records presented 55 recordings of the New York Philharmonic Orchestra to the VMFA in 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Copies of \"On Fine Arts in Modern Society: A Research Proposal Prepared for the Virginia Museum of Fine Arts by the Columbia University Bureau of Applied Social Research\". Dates- 5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about museum practices with The Columbus Gallery of Fine Arts (Columbus, OH) and Columbus Museum of Arts and Crafts, Inc. (Columbus, GA). Dates- 3/51-8/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to the Board, list of appointments, etc. Dates- 1959-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of committee appointments 1963-4, invitations to Trustee committee appointments, etc. Dates- 8/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to Board and replies, list of appointments, etc. Dates- 1958-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and W.S. Robertson (VMFA President of the Board). Subject- VMFA roster of Trustees 1964-5 and 1965-6, Board committee appointments 1965-6, invitations and responses to Trustee committee appointments, letter about Board term limitations (proposed limitation 2 successive terms of 5 years each), etc. Dates- 6/64-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Cheek correspondence as a member of Committee for International Cultural Exchange (CICE), etc. Dates- 6/61-2/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- suggested projects for Public Relations and Development committees, proposal for the Museum by the P.R. counseling firm Earl Newsom and Co., etc.. Dates- 3/54-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from State Department of Purchases and Supply. Subject- information about choosing stationary, samples for new state letterhead. Dates- 9/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"A Report to the Virginia Museum of Fine Arts 11/19/58\" from the viewpoint of its public relations information and communications responsibilities and program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- information and memos about arrangements for community college presidents to meet at the Museum. Dates- 12/70- 1/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- cooperative arrangements between VMFA and Va. community colleges, Virginia Community College System Annual Reports 1969/70 and 1970/71, proposed programs for community colleges, etc. Dates- 10/70-8/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- complaints from Museum visitors about exhibitions, entrance fees, membership rates, guards, etc. Dates- 12/63-7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Museum operations: food service, VMT, membership, discontinuation of dinners in the galleries and newspaper clippings. Dates- 1974 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- guest list for complimentary cocktails in honor of officers and Museum volunteers from the Council, Jr. League and Theatre Affiliates, roster of Jr. League officers 1970-1, etc. Dates- 9/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Erwin H. Will (VMFA President of the Board). Subject- arrangements for a luncheon held in honor of officers and Museum volunteers from the Council, Junior League and Theatre Affiliates, guest list, suggested remarks for Mr. Will at luncheon. Dates- 9/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- miscellaneous Thank you's and compliments about gift and exchange publications, exhibitions, programs, the Museum in general and Cheek's responses. Dates- 2/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence from the public complimenting the museum in some way. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. and W.S. Robertson (President of the Board of Trustees). Subject- Complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 7/60-12/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 1/64-11/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on programs, theatre productions, museum in general and his responses. Dates- 7/66-10/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Various museum operations. Dates- 1972 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- compliments about 25th anniversary exhibitions, events and catalogue: Treasures in America, \"A Tribute to Virginia's Unique Museum\"-a Sunday newspaper supplement, etc. Dates- 1/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for VMFA European catalogue, an exchange publication. Dates- 5/66-9/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for Faberge catalogue: Russian Imperial Jewels, a VMFA exchange publication. Dates- 12/60-2/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- compliments and thank you's for gifts/exchange publications of Russian Imperial Jewels, the catalogue of the Museum's Faberge collection. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for Architecture in Virginia, a VMFA exchange publication. Dates- 2/68-5/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for William Hogarth, A Loan Exhibition of Paintings, Drawings and Prints, a VMFA exchange publication. Dates- 1/67-3/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for Painting in England 1700-1850, Collection of Mr. and Mrs. Paul Mellon, a VMFA exchange publication. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on \"Painting in England\" exhibition (Mellon Collection) and his responses. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Thank you letters for The World of Shakespeare, a VMFA exchange publication. Dates- 1/64-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Form letter from the President to potential members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J. G. Pollard. subject- Letters to Trustees regarding 25th anniversary fund and letters to new members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- performance at Mosque of \"The Confederacy\" as a benefit for the Artmobile, project later abandoned, Date- 11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- drawings of the site of the Confederate Memorial Chapel, landscaping plans, etc. Dates- 7/66-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Richmond Times-Dispatch article \"The Old Soldiers Faded Away Home Here is Vacant\". Dates- 1/16/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- invitation to Director of the Norfolk Museum to Confederation workshop. Dates- 5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- congratulation and reply letters on the installation of Mr. James M. Brown as VMFA Director. Dates- 6/69-6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- listing of objects from the Glasgow bequest and purchase fund currently exhibited in Museum galleries. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and Mrs. Anthony Congreve. Subject- biographical information on Arthur and Margaret Glasgow, correspondence about Glasgow fund for purchasing works of art, listings of purchases made with Glasgow Endowment Fund 1966-72. Dates- 11/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz. Subject- Physical plant restoration project: cleaning of VMFA interior and extensive improvement of motor park, project data summary, Conservation Laboratory: construction and equipment, supply expenditures, budget. Grant application: \"Proposal for Virginia Museum Conservation Laboratory\", employment contract, job descriptions, resumes of prospective applicants. Dates- 1975 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- biographical information arrangements for giving lectures/seminars at the Museum, VMFA Members' Bulletin vol.23, no.9 5/63, etc., Date- 11/50-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- arrangements for securing speakers for the \"Fireside Series\" proposed art talks held in the library, Thank you's to speakers, etc. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- loans of objects between VMFA and Corcoran Gallery of Art, correspondence about museum practices. Dates- 3/51-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Katharine Cornwell. Subject- biographical information on this actress, invitation to come to Richmond to see a show and promote TheatreVirginia. Dates- 5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- pamphlets and post cards from the Corning Glass Center. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information on obtaining assistance from philanthropic organizations and corporations, etc. Dates- 2/55-12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by E.H. Will (VMFA President of the Board). Subject- solicitation letter for corporate patrons, information on corporate patrons program, roster of Richmond corporate patrons 1970, invitations to corporate patrons gala, etc. Dates- 12/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by E.H. Will (VMFA President of the Board). Subject- solicitation of corporate patrons, pamphlets about corporate patrons program, publications for the corporate patrons gala, etc. Dates- 7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- roster of Richmond and of state corporate patrons 1971, planning for \"Fete Aux Galleries\" the corporate patrons event 1972, invitations and guest list for event, etc. Dates- 6/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- Exhibitions, condition reports, insurance, gifts and purchases. Essay- \"Successful Adult Museum Programs\", M. Christison. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and R. Velz.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator) primarily, also L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- varied. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- General correspondence regarding publications, museum practices, exhibitions, pamphlets. Letter from Alexander Calder. Dates- 7/56 - 12/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- Ford Foundation grant-in-aid program, Fogg Conservation Symposium and the Chrysler Collection. Photographs, cesolution recognizing the outstanding contribution of L. Cheek by the VMFA Council. Draft of \"Standards For Museum Practices\", SEMC, 1958. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition of American Silver, jurors for 1965 ADP exhibition, biographical data, 25th Anniversary exhibition and list of objects for loan. VMFA film series, press releases for \"The Little International\" from the Olsen Foundation and the Artmobile. Dates- 1958 -1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and VMFA Council officers. Subject- Council roster 1957-8 and 1958-9, listing of charter members, council-sponsored events and programs, lecture series schedule 1957-8 and 1959-60, statement of purpose of the Council, minutes of general meetings 1962 and'65, Executive Committee meeting minutes 1962 and '63, acknowledgments of gifts to the Museum, etc. Dates- 7/56-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown with the VMFA Council. Subject- Council gifts, Council -sponsored events and programs, preliminary drawings for Council shop office, breakdown of Council Contribution Fund 10/70 and 11/70, etc. Dates- 2/66-4/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- arrangements for corporate patrons ball, roster of Richmond and of state corporate patrons, roster of Council committee for the ball, invitations and guest lists for ball, etc. Dates- 10/70-3/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- outline of the organization of the VMFA Council, Council Program 1955-6, Council of the VMFA Charter Meeting and Articles of Association, \"Friends of the Museum Constitution\", etc. Dates- 5/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- VMFA Council Contribution Fund analysis 1971 and'72, various Council sponsored events and programs, agreement between VMFA and the Council 10/20/70, A Short History of Council Gifts to Museum 1955-71, The Council of the Virginia Museum Directory 1971-2, general correspondence between Council officers and VMFA staff, etc. Dates- 1/71-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Council Trustee Contribution Fund, conservation laboratory, library, state services, fellowships and internships. Profit and loss statements, general ledger trail balance, Art Purchase Fund, staff expenses, VMT financial statements, matching funds for NEA Grant. New Council Shop, furnishings, installation, etc. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposal to establish fellowships for professional craftsmen (resident Craftsman Program), letters from interested craftsmen, etc. Dates- 2/63-2/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator). Subject- proposal of a story about the Museum for Time-Life magazines, reference made about a reproduction of a Watteau from the Museum's collection appearing in Time. Dates- 11/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Monica Hamm and P. Mooz. Subject- Head of publications, editor of AIV and advisor for photography exhibitions. \"Focus On The Arts\", Pat Becker. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- fact sheet about VMFA, House bill no.862 was about establishing a Virginia Commission of the Arts and Humanities, transcript of the VMFA presentation by E.H. Will (VMFA President of the Board) to the Virginia Assembly, Rules Committee asking to kill or amend the bill, etc. Dates- 1/68-2/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- roster of Virginia Cultural Development Study Commission and of the State Arts Committee, information about the creation of the Va. Cultural Development Study Commission by Senate joint resolution no.67, essay- \"The Virginia Museum and the Arts in Virginia\", correspondence about meeting with the Cultural Development Commission, \"Dissenting Opinion Report of the Cultural Development Commission\" by Dr. William H. Higgins, Jr., member of the Commission, etc. Dates- 3/66-1/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"D\". Subject- varied. Dates- 3/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- VMT, exhibition schedules, Byzantine Architectural exhibition, College Drama Festival, loans of art works, Artmobile, Horace Day, NEA proposal, pamphlets, magazine excerpts, cards, biographical data, etc. Accessions and gifts: \"The Meeting of Joachim and Anna Under the Golden Gate\", A. Duer. Dates- 10/58 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Conference for teachers and students of Dance at VMFA, master classes, lecture and performance by Alwin Dance Theatre, agenda, list of dance teachers. Date- 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, AIV. Dates- 1/61 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Virginia Architects, Designers and photographers\", Collectors Circle, Va. Artists Biennial, donations, gifts, memorial fund. Dates- 6/59 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, acting director of the Museum and Governor Darden, regarding the Museum director and the Curator of Decorative Arts, who were both on leave to the armed forces during World War II, 1942-44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with and biographical information about Carson Davenport, Virginia artist. Dates- 1936-1944.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to Ms. Davis. Subject- visits to \"Faraway Farms\" (Cheek's property) Davis was apparently a housekeeper/caretaker of some kind. Dates- 2/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and donors Mrs. Lincoln Davis, and George Cole Scott and Hildreth Dunn Scott, 1937-43.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., E.M. Davis, III (Curator) and L. Cheek, Jr. Subject-restoration of Mrs. Davis' Flemish painting, gifts from Mrs. Davis, information on Museum Board accessions committee (Mrs. Davis member), etc. Dates- 10/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mrs. Lincoln Davis. Subject- Trustee/Museum business, letter of resignation from Board, etc., 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Elizabeth Nottingham Day and Horace Day, patrons and donors, 1934-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Day's exhibition at the VMFA. Dates- 1/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and Mrs. J.G. Pollard to Mr. and Mrs. Horace Day. Subject- Horace Day biographical information, exhibition record, job recommendation, newspaper editorial written by Mr. Day on American Painting, etc. Dates- 1950- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to Mr. Howard Dearstyne. Subject- proposed exhibition of Dearstyne's work and speaking engagement, etc. Dates- 11/50-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Chamber Music Society, Building grounds committee, gifts, donation. Dates- 1954-65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. to the Earl de la Warr. Subject- a visit to Richmond by the Earl, loan of a painting to the Museum exhibition \"England's World of 1607\", etc. Dates- 4/57-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mrs. Marie de Mare. Subject- catalogues of \"Healy's Sitters\" exhibition ( Mrs. de Mare was Healy's grand-daughter), proposed film and biography of Healy by Mrs. de Mare, etc. Dates- 5/49-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His position as Art Director of AIV, music and dance folders. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from D. Nichols (administrator), F. Haseltine (PR). Subject- VMT subscription, Executive Committee Report, Collections Activities, Public Information Report. Dates- 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- information about an exhibition scheduled From Nov.22-Dec.31, 1955 featuring merchandise available for purchase in time for Christmas. Dates- 9/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Traveling exhibition. Dates- 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- International Traveling exhibition. VMFA and Leslie Cheek were the American coordinators from 1951-1954. Lists of attendees at the opening dinner 1/15/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"Design in Scandinavia\" exhibition checklist, description of the exhibition, official record of receipt and list of items received but not included in exhibition, etc. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- RSVP's to dinner held on the opening night of the exhibition \"Design in Scandinavia\". Dates- 12/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr., Mrs. J.G. Pollard and M.B. Christison. Subject- exhibition catalogue information for \"Design in Scandinavia\" and RSVP's for dinner held on the opening night of the exhibition. Dates- 12/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- American Tour 1954-57. Correspondence and publicity regarding. AFA took over the circulation of the exhibition.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Committees in the United States. Lists of members and minutes from meetings 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Favorable reviews of the exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Copy of a New York Times article written by Cheek concerning the upcoming exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Opening of the exhibition at the Museum, January 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- dinner guest lists, menu, planning for opening night dinner for \"Design in Scandinavia\" exhibition, list of Board of Trustee committee appointments 1953-4, registration for Southeastern Museums conference 1953, etc. Dates- 12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- RSVP's for the dinner and other opening events for the exhibition \"Design in Scandinavia\", exhibition catalogue, information used in planning printed material for the exhibition, etc. Dates- 4/53-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject-job description of a designer for the Design and Construction division of the Museum, proposed hiring of a designer, etc. Dates- 2/54-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- floor plan and printed matter for \"Designer-Craftsmen USA\" exhibition, photos of the exhibition, VMFA Member's Bulletin vol.15, no.5 (1/55), etc. Dates-11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and L. Strauss. Subject- 25th Anniversary, draft of appeal to enlarge endowment fund, pamphlet. Dated- 6/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposal for a diorama in connection with \"Orientations of Virginia's Cultural Background\", photographs. Dates- 7/61 - 6/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Resolution by the Executive Committee to authorize excess travel cost by VMFA staff. Dates- 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trip itinerary, pamphlets. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, F. Fowler, D. Nichols, B. Ryan. Subject- All manner of VMFA operation: photography budgets, payroll dispersal, VMT renovation, Artmobile, damage and security of Art works, gallery installation, loans, art purchase invoices, Theatre contract, repairs and modification invoices, grievance procedure, pamphlets, Interpol investigation of Indian sculptures, requests for establishing new positions: Vice Director for Public Affairs and Artmobile curator. \"Partnership Agreement of Artco and Company\", \"Operation Countdown\", analysis of responsibilities and time required for completion of the North Wing. Photographs, pamphlets, announcements. Accessions and gifts: 17th C. Eng. Embroidered Casket, Byzantine Bronze Plaque, Tomato Soup Can (A. Warhol), Bolt of Lightening (R. Lichtenstein), Portrait of a Lady, Payne Collection. Dates- 1/68 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, F. Haseltine, D. Nicholas, J.M. Brown, P. Near, A.W. Stalnaker, B. Ryan, Mrs. Pollard. Subject- All manner of inter-museum operations: Public information schedules, membership campaign, promotion deadlines, travel itineraries, budget proposals, etc. P. Nears observations on possible acquisitions. Dates- 7/64 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letters of request, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Secretary to the museum, biographical data, job description. Museum files and the law regarding public information, records management, records to be retired, list of file classification: deletions and additions. Events schedules, agendas and exhibitions. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown, A. Dohn. Subject- Letter of recognition of donations, list of donors and their gifts of art works. Dates- 1964-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Chenery Estate and Gottwald endowment Fund. Art Nouveau gift of Sydney and Frances Lewis. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- VMT, Fellowship Fund, Museum Classes, Chenery Estate, Art Nouveau Fund, Artmobile and Gottwald Endowment Fund. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Buyers guides, pamphlets, magazine excerpts, specifications, blueprints, lists of chapters and affiliates, photographs. Dates- 9/61 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J.G. Pollard, and L. Cheek. Subject- Gift of Dunsten Memorial, Payment record, gallery proposals, \"The Virginia Museum Needs New Wings\": appeal to membership and Trustees for building funds. Dates- 12/46 - 4/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Mrs. Alfred I. (Jessie Ball) Dupont. Subject- Donations. Contains a letter regarding her feelings in favor of segregation at the museum and in the arts. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jessie Ball duPont's membership on the Executive Board, gifts and donations. Dates- 5/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Jessie Ball duPont. Subject- Membership as a Trustee, Fellow, Chair of 25th Anniversary Fund drive, contributions and gifts, magazine excerpts, biographical information, contributions and gifts, progress report from Anniversary Fund Drive. Dates- 2/59 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and D. Hudson (state coordinator of Arts System). Subject- Salary scales for VMT, NEA grant proposals. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Exhibitions, Artmobile, VMT, Va. Fellowships, search for potential jurors, work schedules invitations, newspapers, postcards, etc. Accessions and gifts: \"Autumn Leaves\", A. Palmer. Dates- 5/46-5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Agenda and letters to K. Fowler of VMT. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Wm. Heartwell and Gov. Holton. Subject- \"Minutes of Economic Resource Task Force Meeting\": 7/23/71, 9/2/71, 10/8/71, 1/13/72, 4/20/72, purpose of task force was to improve communication between various agencies and the governors office. Draft of Executive order: relationship of state agency organizations to Commonwealth planning districts, budget estimates, agendas, Bills held in House Committee for the 1973 General Assembly. Dates- 1971 -72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- C. Guinnan request for a meeting room. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from A. Stalnaker and H. Dohn. Subject- Events for Governors School for Gifted Students: schedule, housing, food service, etc. Dated- 7/73- 8/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between A. Dohn and Mr. Albertia. Subject- Student application, agendas and statement of purpose. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Event to expose students to the function, organization and operation of VMFA, timetable and agendas. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and B. Bothmer (Egyptologist, BMFA). Subject- Invitations, list of Egyptian art objects available for purchase. Dates- 9/54 - 11/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and M. Christison. Subject- Requests for films and slides, Artmobile, loans for Egyptian Gallery, statement/remarks for opening exhibition, newspaper clippings, blueprints. Dates- 2/55 - 12/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Suggested remarks related to \"Installation of a Gallery of Egyptian Art\", loans from other museums, agendas, letters to other curators and directors. Gift of Egyptian Gallery from Mrs. James Parsons. Dates-2/61 - 4/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- early planning stages of the exhibition \"England 1607\", list of pieces in, list of lenders to the exhibition, installation schedule and exhibition description, printed materials, \"Status Report on the Museum's Jamestown Festival Program\", etc. Dates- 6/54-8/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Gallery opening made possible through gifts of china from Lady Nancy Astor, invitations and loan requests. Dates- 4/61 - 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- invitations to these exhibitions: \"Masterpieces of Chinese Art\" and \"Russian Imperial Jewels\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedules 1946, 1946/7, 1949, 1950, Entertainment Committee announcements and replies, committee report 1946, committee roster 1949/50, biographical information on the following Museum guests: Yasuo Kuniyoshi, John W. Taylor, Charles W. Smith, Reginald Marsh and Lamar Dodd, etc. Dates- 1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedule 1946/7, 1950, 1951, 1952, 1953, 1954, Entertainment Committee rosters 1950/1, 1951/2, 1952/3, proposed Friday evening events 1950/1, committee meeting minutes 1952, biographical information about George T. Hamilton, etc. Dates- 1946-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trustee/Museum business, VMFA Entertainment Committee schedule 1954, 1955, 1956, announcements and minutes of Entertainment Committee meetings 1951, 1953, 1954, 1955, 1956, etc. Dates- 1951-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee roster, Entertainment Committee schedule 1955, meeting announcements, biographical information about the artist Donald Oenslager, etc. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trustee/Museum business, announcements and replies for VMFA Entertainment Committee meetings, roster of Entertainment Committee, committee schedule 1955, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mrs. Arthur Kelly Evans. Subject- a bequest to the Museum from Mrs. Evans, etc. Dates- 11/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- proposal for fundraising project for VMFA Council in fall 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- 60the Anniversary of the AFA meeting and symposium in Williamsburg, registration forms. Dates- 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Agenda, timetable and luncheon for behind the scenes tours by the Council. Date-1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Benefit for the Council Service Fund, program, menu. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Museum in Action\": documentary of VMFA galleries and statewide activities, preview agenda, press dinner, invitations. Producer: Richard Rochement Narrator: Alistair Cooke Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Request for VMFA banquet services. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from W.S. Robertson. Subject- Exhibition: \"Treasures from the Norfolk Museum\", Governor's reception, program agenda. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Gallery plan, staff assignments and program. Dates- 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Reinstallation of the permanent galleries. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Members dinner dance event, invitations, guest list. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Glasgow Estate, Jamestown Tablet. Reception for Committee on Law Celebration. Dates- 12/58 - 4/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Members preview and reception: timetable, program, invitations, gallery plan, etc. Jack Larsen: lecture and biographical data. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter of invitation to members of Virginia Chamber Music Society to attend a Theatre-Dinner. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Inauguration of a monthly series of theatre Dinners, guest list, letters of invitation for event and menu. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition: \"Designs for the Theatre\" Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Reception for British group of scholars and collectors and travel itinerary. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- A British organization on American Tour. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Meeting at VMFA for NCEW: an organization to stimulate the conscience and quality of the American Editorial page. VMFA Executive committee minutes, biographical data, program agenda. Dates- 7/58 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letter of request for use of VMFA Gallery for Dinner, agenda, timetable. Dates- 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Tour routes, agenda and schedule of events for reception and letter to new members. Dates- 9/68 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letter of invitation to reception, tour of museum, agenda, timetable, etc. Dates- 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. Breeden (Membership Chair). Subject- Procedure and agenda for members reception and tour schedule, press release, invitations, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from F. Haseltine. Subject- VMT Premiere performance and promotion. Dates- 5/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- exhibition: \"Treasures of the Norfolk Museum\", program/dinner agenda, invitation, etc. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Arthur Houghton. Subject- Preliminary event outline, layout, program agenda, procedure, invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Annual event to honor corporate patrons: entertainment, decorations, invitation list and suggested remarks to be delivered by President, E. Will. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Private advanced performance of \"School For Wives\", biographical data on Peggy Wood. Dates- 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and W. Rhoads. Subject- Agenda and sample of invitation. Dates- 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Gregory Peck. Subject- Grand opening of Virginia Theatre Arts System, events schedule for preview, Letter from Gregory Peck. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Library reception and banquet for college Presidents attending the Drama Festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Dinner and Theatre Party: agenda, invitations. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letters of request and agenda for Theatre Dinner Party. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Wm. Rhodes and E.M. Last (Chair, RLS) Subject- Performance of RLS at VMT, ticket sales and cost estimates. Dates- 1/65 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letter of request for VMFA services. Dates- 4/31/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Robinson House formerly the Scientific Research Organization, VMFA headquarters for LOAS, adult classes and resident craftsperson, Invitation, Historical background, Bulletin vol.24 no.7 4/64 Dates- 8/62 - 3/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Helen Dohn. Subject- Smith College dinner with lecture by Charles Chetham, Director of Smith College Art Museum, agenda, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- The VMFA Council, Theatre Affiliates, President's Dinner. Music, Dance and Film Societies. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- The Hospitality and Information Service for diplomatic residents and families. Dates- 1968. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- three day seminar program of multi-level experience in the Arts For exceptional Virginia Youths, agendas, etc. Dates- 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- VMFA luncheon and tour. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Paintings and drawings by E. Vedder, speaker. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Requests for contributions. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Juror: Hugh Newell Johnson. Reception, guest list and agenda. Exhibition catalog. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Harry Bertoia, Sherman Lee. Subject- General correspondence regarding juror service. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Sherman Lee. Subject- Jury Chair: Sherman Lee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Juror: William Pahlmann. Event program agenda, invitation, guest list, etc. Catalog: \"Virginia Interior Designers 1973\". Dates- 10/72 - 3/73 \"Virginia Interior Designers Reception Fri. 16 Mar.,  1973, 5-7 p.m.\" Subject- Invitation. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, W. Gaines and H. Dohn. Subject- Schedule of events, exhibitions, Bicentennial Celebration. loans, gallery tours, calendar news, Invitation for the \"India In Virginia\" exhibition. Dates- 8/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains minutes, agendas and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas, 1954-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, announcements, agendas and minutes of VMFA Exec. Committee meetings 1955, 1956, etc. Dates- 9/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trustee/Museum business, VMFA Exec. Committee minutes 1956, list of Exec, Committee members 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and William J. Rhodes, Jr. (President). Subject- Trustee/Museum business Exec. Committee meeting agendas 1954, 1955, 1956, Museum finances (pay scale, Director's allowable expenses, approvals for purchases) VMFA Committee appointments 1956-7, etc. Dates- 6/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, L. Cheek, Jr. and Col. Henry W. Anderson (President). Subject- Trustee/Museum business, VMFA Exec. Committee meeting minutes 1950, 1951, 1952, 1953, listing of members of the Exec. Committee 1950, 1951, Exec. Committee resolutions 1950, 1951, 1953, By-Laws revised and adopted 1951, etc. Dates- 1950-3. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- Executive Committee minutes, copies of Exec. Committee minutes 1953, 1954, 1955. Dates- 12/53-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Gari Melchers Memorial Committee, VMFA Exec. Committee minutes 1956, list of Exec. Committee members 1956, etc. Dates- 4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Trustee/Museum business, VA Art Alliance, Williams Fund purchase, VMFA Exec. Committee agenda 1952, 1953, 1954. Dates- 5/51-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, W. Gaines, R. Velz, M. Christison. Subject- Roster of large Richmond firms and number of employees, invitation cover letter, remarks to be delivered after luncheon. Dates- 9/63 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- lists of proposed exhibitions, events schedule for 1955-6 season, roster of members and schedule of the entertainment committee, drama schedule for Virginia Museum Theatre, etc. Dates- 7/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Notable lecturers and AIV contributors, biographical data. Jurors: Charles Eames, Morris Ketchum and Bert Stern. Dates- 1967 – 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Budgets, loan requests. \"Picasso: A Selected View\", \"12 American Painters\", List of Art Works, biographical notes test for the catalog: \"The Flowering of American Folk Art\". Catalog: \"American Painting 1970 including correspondence with Richard Diebenkorn. Dates- 1970-1974. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, P. Near and F. Brandt. Subject- Bernard Martins' \"Portrait of Edward Hopper\", \"Walter Gropius - 1883 - 1969\", \"Jose Puig\", projected budget, attendance records, requests for loans, receptions events schedules, etc. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Engineering projects around the world, assembled to illustrate the aesthetic impact of technology. Cost estimates for exhibition, speakers and invitations. Dates- 7/64 - 1/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Outstanding objects in American Museum collections that are gifts or have been purchased with contributions from patrons. Event arrangements/planning. Requests of loans and press releases. \"A Brief History of the Virginia Museum of Fine Arts\", by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition \"Homage to the Square\", signed letter from Elaine de Kooning. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Opening festivities of the Aldrich Collection of Impressionist and Post-Impressionist paintings and sculpture. Catalogue: \"The Aldrich Collection\", foreword by L. Cheek. Dates- 11/58 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Juror: Bartlett Hayes. VMFA purchases from exhibition. Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Juror: C.V. Donovan. Request for loans from other galleries. Dates- 1962 , 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Al Held. Subject- Juror: Peter Selz. The removal of artwork from the wall of the VMFA for a period of one week in demonstration of racism, war and repression in America. List of paintings to be shipped and installation instructions. Dates- 9/69 - 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Search for a disposable cardboard shelter for use in a traveling sculpture exhibition to the Chapters and Affiliates. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Juried exhibition of Virginia Architects, Designers and Photographers. American Painting exhibition. Dates- 1964, 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, F. Brandt, Sydney and Frances Lewis. Subject- Art Nouveau exhibition: request for loans, lists of objects, opening event agenda, timetable, invitations, etc. Lecturer: Robert Koch. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. H. Bache and P. Near. Subject- Collector-of-the Year: Pre-Columbian gold collection, list of objects, letters to members of Collectors Circle. Dates- 196 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Request for flags from Embassy of the Federal Republic of Germany. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, P. Near and F. Brandt. Subject- Kent Bicentennial Portfolio: \"Spirit of Independence\", prints by 12 Contemporary American Artists. Rockefeller Collection of Picasso Tapestries. Dates- 11/74 - 11/75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Phillip Hofer. Subject- Philip Hofer: biographical data and lecture on Blake. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and P. Near. Subject- Block as Collector-of-the Year (1967): Collection of 19th and 20th century watercolors and drawings, reviews and agendas. Dates- 10/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Museum of Modern Art exhibition \"Art Lending Service Retrospective\", lecture by MOMA Junior Council President Lily Auchincloss, lending services, expenses and pamphlet. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Traveling exhibit on ancient Chinese treasures. Date- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press releases for Virginia's Civil War centennial Exhibition and celebration at the VMFA, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- C. Conger (White House Curator) and his collection of interior furnishings. Heeramaneck Collection. Dates- 1967, 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Blumka Medieval Collection: Preview, program agenda, invitations, etc. Damage report to Gothic Cut Velvet Cloth, Conservators report and insurance claims. Dates- 1/73 - 5/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, P. Near and F. Brandt. Subject- Exhibition of Tapestries from the House of Edgeworth and paintings, prints and drawings. Lecture, list of objects, PR, gallery plan, invitations, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek's service as a juror for \"International Glass\", gallery plan, photographs, list of jurors choice objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition \"Robes from the Forbidden City\": lecture by Alan Priest on Chinese Textiles. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, F. Brandt and P. Near. Subject- Virginia Photographer 1971, juror: Harry Callahan. Mourot Collection of porcelain. Exhibition schedules, lectures, gifts, loans of art objects, roster of Trustees. Catalog: \"Virginia Artists 1971\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Davies exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and H. Gummerus (Finnish Society of Crafts and Design). Subject- Gummerus lecture on Finnish design. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Traveling exhibition of Tutankhamun. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Bernard Von Bothmer (Brooklyn Museum). Subject- Von Bothmer account of his discovery fo the missing portion of VMFA fragment of Sema-Tawy-Tefnakht. Conservation and restoration of scribe, magazine clippings. Slides and photographs. Dates- 12/64 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Mrs. L.J. Dee (Cooper- Hewitt) Subject- Her Lecture to VMFA. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecture by Buckminister Fuller, biographical data, catalog, installation, invitations, etc. Dates- 1/59 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Contemporary Art forms of Israel. Lecturer: Avid Yafeh. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecturer: John Walker. Invitations, entertainment. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Wm. Gaines. Subject- Documentation of the making of George Steven's film. Installation, design, floor plans and cooperating agencies. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Herbert Hoffman, Perry Rathbone and Patricia Davidson. Subject- Bill S.2273: to enable works of art and other materials imported for temporary exhibition in non-profit activities to be immune from judicial process. Description of objects for possible acquisition. Exhibition design, installation, VMFA and BMFA gallery plans, invitations, etc. Dates- 9/63 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, P. Rathbone and H. Hoffman. Subject- Loans of Greek gold from the Hermitage and other institutions. Appeals to the State Department regarding Bill S.2773. Dates- 3/64 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Christine Alexander. Subject- Alexander's service to VMFA consultant on Greek and roman acquisitions. Exhibition lecture by Dorothy Kent Hill. Dates- 12/61 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Western art in Virginia collections, loan requests, film series, invitations, program agenda, etc. Lecturer: Larry Curry. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Perry Rathbone and Nasli Heeramaneck. Subject- Installation and acquisitions from the Heeramaneck collection. Lecturer: John Alexander Pope (Freer Gallery), newspaper clippings. Dates- 12/66 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Paul Mellon and Lessing Roswald. Subject- Request for loans, receiving and storage of objects. Event invitations, agenda, etc. Lecturer: Philip Hofer. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and John Koenig. Subject- Proposals for the filming and documentation of an epic film: research, selection, documentation, etc. Proposals were originally made to Samuel Goldwyn and Cecil B. de Mille. Dates- 7/55 - 2/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and L. Goodrich. Subject- Requests for loans from various collections. Text for catalog forward by L. Cheek, and essay by Lloyd Goodrich. Biographical data and newspaper clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Events schedule, agenda, invitations, pamphlets. Lecturer: Robert Doty. \"Portrait of Edward Hopper\" and drawing studies by Virginia painter, Bernard Martin. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Exhibition of art from Virginia Collections to commemorate the 10th anniversary of AIV. Request for loans, invitations, members preview, agenda, list of objects for exhibition. Lecturer: Thomas E. Norton, biographical data. Dates- 7/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Acquisition of Indian art collection. Dates- 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition of works by French artists commissioned by Claude Aveline to illustrate his poem \"L'Oiseau que n'existe pas\". Lecturer: Lawrence Alloway, biographical data. Members Bulletin vol.24 no.8 4.64. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Anne Marie Pope. Subject- VMFA display areas. Date- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from F. Brandt and P. Near. Subject- Art Nouveau Loan, list of Lewis gifts and purchases. Dates- 1971 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and C.S. Hathway. Subject- Lecture search. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Biographical data, agendas, timetables and invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Islamic rugs circulated by the Smithsonian Institute and lecture by McMullan. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J. Baskett and P. Mellon. Subject- List of paintings from Mellon Collection. Gallery preparation, storage, costs, opening festivities, interpretation of exhibition, letters to print media. Press release, newspaper clippings. Lecturers: W.G. Constable, John Baskett and Basil Taylor. Essay- \"Painting In England, 1700-1850\". Dates- 8/62 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Paul Mellon. Subject- Mellon English Painting Collection, early discussion concerning the scope and preparation of catalog and exhibition. \"Letter from Basil Taylor Dated-23 January 1963 re: Mellon Show\", letter of disgruntlement over the various stages of the Mellon catalog. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Basil Taylor. Subject- Mellon Collection of English painting, initial planning stages, lectures, installation, catalog, etc. Dates- 11/61 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Paul Mellon. Subject- Exhibition: \"Painting in England\", program of events, invitations, gallery plan, program, invitation, guest list, etc. Dates- 5/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Paul Mellon and Basil Taylor. Subject- Basil Taylor, advisor tot Mellon collection and author of exhibition catalog: \"Painting in England, 1700-1850\". Catalog foreword by L. Cheek. Dates- 12/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitations and dinner programs. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Installation, catalog, security, lecture. List of slides, media coverage. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Remarks by Paul Mellon on exhibition opening, mock-ups of booklet form. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Full color photographic reproduction of the \"Sistine Chapel\", exhibition circulated by LIFE magazine. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Demonstration of mosaic technique using contemporary materials. Dates- 5/54 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Henry Moore. Subject- Aid of Helen Norman (neighbor to Moore) on establishing a dialogue with the VMFA concerning an exhibition and visit by the artist. Preliminary exhibition plans. Dates- 10/57 - 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Henry Moore. Subject- Preview and opening night arrangements, newspaper clippings and press releases. Dates- 5/65 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and R. Neutra. Subject- Exhibition and speaking tour by the artist. Dates- 6/59 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Goya exhibition: request for loans of works by Goya, announcements, invitations, list of paintings, Dr. Priscilla Muller (curator and speaker for exhibition). Program agenda. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecturer: John S. Szarkowski. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and James Rorimer. Subject- Exhibition of Contemporary photographs. Biographical data on Ivan Dimitri and A. Hyatt Mayor. Catalog: \"Phototgraphy in the Fine Arts\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- proposed exhibitions, information about traveling exhibitions, etc. Dates- 10/48-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Perry Rathbone. Subject- Pre-Columbian gold with lecture by Allen Wardwell. Dates- 4/67 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Vincent Price as Collector-of-the-Year. Date- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- African collection from the Olsen Foundation. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Una Johnson (Brooklyn Museum). Subject- Contemporary prints from the Brooklyn Museum, invitations and announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition of the American Institute of Graphic Arts 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Wm. Gaines, F. Brandt, Anne Marie Pope. Subject- Reinstallation of the permanent collection, estimated exhibition costs, Heeramaneck collection, list of exhibitions available form International Exhibitions foundation. Exhibition catalog: John Kelly Fitzpatrick\" , photographs. Dates- 9/68 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Wm. Quillian. Subject- Exhibition of Randolph-Macon Collection. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program agenda for reception, exhibition, gallery plan. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibitions of Chinese Textiles from Minneapolis Institute of the Arts. Lecture by Alan Priest. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposed gift of \"Gates of Hell\", from the Cantor Collection. Exhibition \"Study of a Woman's Torso\". Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Rosenwald as Collector-of-the-Year, 1965. \"Master Prints From The Rosenwald Collection\", introduction by Rosenwald for the exhibition checklist. Dates- 12/64 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Corrected draft by L. Cheek. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and L. Rosenwald. Subject- Personal invitations from L. Cheek. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition announcements. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Schedule of events for the season. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Paul Tishman. Subject- Exhibition from the Tishman Collection, letter of invitation, installation, Council lecture/luncheon. Speaker: Dr. John Akar, Ambassador of Sierra Leone. Remarks by J.M. Brown and Tishman, announcements and biographical data, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mailing lists for colleges, museums, etc. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek tour of England to photograph Elizabethan Houses. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Presentation of various forms of Arts of England during Shakespeare's life in commemoration of the 4th Centenary of his birth. Requests for loans of Elizabethan objects, press release, installation, etc. Dates- 8/63 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Exhibition of 19th and 20th century paintings, reception and event announcements. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Paul Mellon (Exhibition Chair) and Wm. Constable. Subject- requests for loans, French and British sponsors of exhibition including Queen Elizabeth, Honorary Committee Members, Patrons, catalog, PR, object damage report. Basil Taylor as special advisor to exhibition. Dates- 7/58 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Consultation on exhibition proceedings, travel and lecture schedule, biographical data and text for introduction to the catalog. Dates- 4/60 - 7/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Basil Taylor, Paul Mellon and A. Eiseman. Subject- Catalog layout, printing, design, budget, cost estimates, contributions. Essay- \"Classic Horse Paintings\", foreword by L. Cheek. Dates- 1/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Recipients of free catalogs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- William George Constable and his lecture for exhibition, biographical data, Bulletin vol.20 no.8 4/60. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of British sponsors, loans, selection committee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Mailing list, opening event, program and list of lenders to exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and John G. Pollard. Subject- List of sponsors, reception: program, agenda, menus, etc. Newspaper clippings. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Traveling exhibition in commemoration of Stravinsky's 80th birthday with related settings and costumes created for his ballets. Dates- 4/61 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Exhibition of contemporary prints and multiples (3-dimensional objects of limited editions), Lewis contributions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Railey Collection of European and Asian seals, Fisher Collection of paintings and exhibition of Ruth Safford: \"Interiors of Famous Houses\". Dates- 8/61 - 2/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from F. Brandt. Subject- Problems with exhibition objects. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Damage report of exhibition objects. Dates- 11/63  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Loans of objects from Pierpoint Morgan Library. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Extension of Tutankhamen exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Sample invitation and preview guest list. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- List of objects available for loan and prices. Exhibition announcements, gallery floor plan. Lecturers: Gerald Nordland and Hilton Kramer. Dates-1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Traveling exhibit from MOMA: \"Form In The Animated Cartoon\". Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to M. Christison. Subject- Unavailability of Van Gogh exhibition. Dates- 8/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Philip Johnson. Subject- Jurors: Carroll Meeks, Richard Di Natale and Hans Namuth. Official entry forms, exhibition announcements, biographical data. Dates- 10/61 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: Gyorgy Kepes, Philip Johnson and Ivan Dimitri. Invitations, guest lists, biographical data and entry forms. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- 1st Biennial exhibition.  Juror: Romaldo Giurgola.  AIA reception and dinner, program agenda, biographical data, invitations, pamphlets and exhibition catalog. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: Sherman Lee, Harry Bertoia, Bernard Perlin. Collectors reception, purchase of artist work by Trustees, invitations, entry forms, etc. Dates- 12/57 - 2/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, P. Near. Subject- Reception for purchasers of art works from the exhibition, and catalog. Dates- 1957, 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters to Artist on their award by the jury. Exhibition catalog, juror search and entry forms. Dates- 1959, 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: Carl Wienhardt Jr., Mary Callery and Robert Vickrey. Salon des Refuse's on view at Thalhimer's, events schedule and exhibition catalog. Dates- 6/64 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Juror: William Seitz. Installation, list of purchases, invoices, PR, invitations, guest lists, etc. Acquisition from Lewis Fund. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Gordon Bunshaft and A. Bodine. Entry forms and recipients of certificates of Distinction. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and P. Near. Subject- Exhibition to travel to Charlottesville. Dates- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecture by Dorothy Miner, announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and Mr. John G. Hays (Chairman of the Expansion and Development Committee). Subject- Trustee/Museum business, formation of the VMFA Expansion and Development Committee, report of the chairman, etc. Dates- 11/47-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and P. Crum (Curator) and College of William and Mary. Subject- W\u0026amp;M students visit to VMFA, loan from W\u0026amp;M for a VMFA traveling exhibition, arrangements for traveling exhibitions to W\u0026amp;M, etc. Dates- 2/41-7/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Education and Exhibitions) and Longwood College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Farmville State Teachers College, etc., 3/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- information on VMFA traveling exhibitions and an organization membership, etc. Dates- 7/48/8/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Art Club. Subject- arrangements for VMFA slides and traveling exhibitions to LAC, etc. Dates- 3/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Lynchburg College, etc. Dates- 1/49-2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Teacher's Club. Subject- arrangements for traveling exhibitions and slides to LTC, etc. Dates- 3/46-2/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Madison College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Madison College, etc. Dates- 12/47-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between C.C. McGehee (Assistant in Education Dept.) and Martinsville City schools. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Martinsville City schools, etc. Dates- 9/51- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA Education Dept. staff and Mary Baldwin College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to M.B. College. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Mary Washington College. Subject- arrangements for traveling exhibitions to M.W. College, arrangements for lecture by Christison at M.W. College, etc. Dates- 3/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Middlesex County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to MCWC, arrangements for lecture by Christison for MCWC, etc. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Narrows Woman's Club. Subject- arrangements for traveling exhibitions to NWC, etc. Dates- 10/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Newport News Woman's Club. Subject- arrangements for traveling exhibitions to NNWC, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Education and Exhibitions) and Norfolk Museum of Art. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to NM of A, exchange publications, etc. Dates- 1/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between H. Lloyd (VMFA State Services) and Richmond County Junior Woman's Club. Subject- arrangements for filmstrips to RCJWC, shipping instructions, etc. Dates- 10/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Roanoke County Woman's Club. Subject- VMFA traveling exhibition checklists, request for information about organization membership to the Museum, etc. Dates- 4/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between H. Lloyd (VMFA State Services Dept.) and Rockingham County public schools. Subject- VMFA traveling exhibition and slides checklists, arrangements for traveling exhibitions to Rockingham Co. Public schools, shipping instructions, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between E.L. Kallop (VMFA State Services Dept.) and Scottsville High Scholl. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions and slide sets to Scottsville HS, shipping instructions, etc. Dates- 9/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Sedley Woman's Club. Subject- notification of installment of Mrs. N.B. Rollings as chairman of Fine Arts Dept. of SWC, Date- 12/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Smithfield P.T.A. Subject- art material for Smithfield schools, Date- 11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between H.V. Rennie (Assistant in Education Dept.) and Southern Seminary and Junior College. Subject- schedule of VMFA traveling exhibitions to Southern Seminary and Jr. College ('46) and arrangements for traveling exhibitions to Southern Seminary and Jr. College, etc. Dates- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Hart (Extension Dept.) and St. Catherine's school. Subject- VMFA traveling exhibition checklists, schedule for traveling exhibitions to St. Catherine's, etc. Dates- 1/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and St. Christopher's school. Subject- schedule and arrangements for VMFA traveling exhibitions to St. Christopher's, etc. Dates- 9/48-11/48.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Staunton City School Board. Subject- arrangements for traveling exhibitions to Staunton City School Board, etc. Dates- 1/52-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, various Education Dept. staff and Stony Creek Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SCWC, etc. Dates- 2/47-1/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, various VMFA State Service Dept. and Education Dept. staff and Stratford College. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to Stratford College, shipping instructions, etc. Dates- 8/48-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition checklists, schedule and arrangements for traveling exhibitions to Stuart Hall, shipping instructions, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director of Collections and Education) and Suffolk Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SWC, etc. Dates- 8/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Surry Woman's Club. Subject- arrangements for tour of the Museum and traveling exhibitions to SWC, etc. Dates- 10/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Sweet Briar College. Subject- schedule and arrangements for traveling exhibitions to SBC, shipping instructions, etc. Dates- 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA State Service Dept. staff and Tazewell Parent-Teacher Association. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions, slide sets and filmstrips to Tazewell Parent-Teacher Association, shipping instructions, etc. Dates- 11/52-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Thomas Jefferson Junior Woman's Club. Subject- request and suggestions for speakers for TJJWC, etc. Dates- 7/47-9/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA and Thomas Jefferson Woman's Club. Subject- arrangements to visit, tour and hold a meeting at the Museum, etc. Dates- 11/40-1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA State Services Dept. and Three Arts Club of Blackstone. Subject- arrangements for filmstrips for TAC of B, shipping instructions, etc. Dates- 12/52-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- address of Mrs. Woods, President. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA Education Dept. staff and Toano Woman's Club. Subject- arrangements for holding a meeting at the Museum. Dates- 1/50-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and University of Richmond and Westhampton. Subject- arrangements for traveling exhibitions to U of R, shipping instructions, etc. Dates- 3/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- catalogues from the UVA Extension Dept. including the following: Famous Italian Paintings, Famous Flemish Paintings (Reprints from Seventy Famous Paintings by Adelaide D. Simpson (1927), The Story of Venetian Painting by Mrs. Stringfellow Barr and Cecily B.D. Ryder (1928) and Catalogue of Art Prints and Books (1937), etc. Dates- 1927-1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to UVA, shipping instructions, etc. Dates- 10/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and University of Virginia Museum of Fine Arts. Subject- checklists for traveling exhibitions sponsored by VMFA and UVA, the following publications by UVA: \"Twenty-five Contemporary Artists of Cleveland, Ohio\", \"Hugh Breckenridge\", \"Contemporary Artists of Virginia\", \"Contemporary Artists of Albemarle County and The University\", \"Alexander B. Trowbridge and Olin Dows\" and \"Elinor F. Hopkins\". Dates- 4/34-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between C.Y. Casey (Assistant in Education Dept.) and Upper King William County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to UKWCWC, shipping instructions, etc. Dates- 3/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Valentine Museum. Subject- information about becoming organization members of VMFA, a loan to VMFA from the Valentine, listing of the Valentine's activities, etc. Dates- 10/35-9/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and VA Education Association. Subject- Virginia Education Association art section meetings, etc. Dates- 2/47-10/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and VA Federation of Woman's Clubs. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VA. Federation of Woman's Clubs, VA Federation of Woman's Clubs yearbook ('47/8) and Directory ('48/9), etc. Dates- 1/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA traveling exhibition checklist. Dates- 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Virginia Polytechnic Institute. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to V.P.I.'s Architectural Department, etc. Dates- 6/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA State Services Dept. and Virginia State College (Norfolk Division). Subject- checklists for VMFA traveling exhibitions, arrangements for traveling exhibitions to VSC, shipping instructions, etc. Dates- 10/52-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and the Extension Dept. and VA State University. Subject- schedule of VMFA traveling exhibitions to VSU 1945-7, arrangements for traveling exhibitions to VSU, etc. Dates- 6/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Va. Teachers' Association. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VTA, arrangements for a lecture by Christison to VTA. Dates- 12/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA Education Dept. staff and Virginia Union University. Subject- VMFA loans to VUU's art festival, arrangements for traveling exhibitions to VUU, etc. Dates- 1946-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between E.L. Kallop (State Services Dept.) and Wakefield Woman's Club and P.T.A. Subject- checklists for VMFA traveling exhibition, arrangements for traveling exhibitions to WWC and P.T.A. Dates- 9/51-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Warren County High School. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Warren Co. HS, shipping instructions, etc. Dates- 10/46- 5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between O. Hart (Registrar) and Warwick County School Board. Subject- arrangements for traveling exhibitions to Warwick Co. Schools, etc. Dates- 1/49-4/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Warwick Woman's Club. Subject- arrangements for traveling exhibition to WWC, etc. Dates- 10/48- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Washington and Lee University. Subject- checklists of VMFA traveling exhibitions, arrangements for traveling exhibitions to W\u0026amp;L, etc. Dates-1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Waverly Woman's Club. Subject- schedule of VMFA traveling exhibitions to WWC ('46), WWC visit (with lecture) to VMFA, etc. Dates- 3/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA staff and West Point Schools P.T.A. Subject- arrangements for traveling exhibitions to West Point Schools, etc. Dates- 12/50-6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, various Education Dept. staff and Westmoreland Woman's Club. Subject- arrangements for traveling exhibitions to WWC, etc. Dates- 1/48-3/49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA State Services Dept. and William Campbell High School in Naruna, VA. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wm. Campbell HS, shipping instructions, etc. Dates- 12/52-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and various Education Dept. staff and Wilson-Jackson P.T.A. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wilson-Jackson P.T.A., etc. Dates- 1/47-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.T. Rhodes (Assistant in Education Dept.) and Wytheville County schools. Subject- arrangements for traveling exhibitions to Wytheville Co. schools. Dates- 4/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Wythe Woman's Club, Hampton. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC. Dates- 8/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education), various Education Dept. and State Services staff and Wytheville Woman's Club. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC, etc. Dates- 5/49-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.B. Christison (Assistant Director for Collections and Education) and Y.W.C.A.-Richmond. Subject- holding a meeting (with a visit and lecture) at VMFA. Dates- 4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA State Services Dept. and Young Woman's Club of Williamsburg. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to YWCW, shipping instructions, etc. Dates- 12/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between C.Y. Casey (Assistant in Education Dept.) and VMFA State Services Dept. and Zuni Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to ZWC, etc. Dates- 8/50-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\". Dates- 12/54-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\", note-included in these files: slides from Williams College of Art. Dates- 1947-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Chairman of the art department Williams College. Correspondence and biography 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Fashion Show in cooperation with Miller and Rhoads Dept. Store and Harpers Bazaar magazine to benefit the VMFA Council, Education Fund, Council dinner, event plans and program catalogue. Dates- 12/55 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator). Subject- the Fashion Festival of Arts and Flowers presented by the VMFA Council in cooperation with Miller and Rhoads Department Store, attendance lists, newspaper clippings, etc. Dates- 3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between national director and Thomas Colt, who was the State Director of the Federal Arts Project, 1935. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and the Federal Emergency Administration of Public Works regarding a grant to construct an additional wing to the Museum. 1935-38. More applications from Museum for funds from the Federal Emergency Administration of Public Works to complete projects such as casting a bust of John B. Payne and landscaping grounds. 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Federal Emergency Administration of Public Works and Virginia Commission for the Arts material, mostly on landscaping the grounds of the Museum, 1936. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Federated Arts Council of Richmond dinner and agenda, invitations. Dates- 2/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Peter Mooz. Subject- Committee reports, events schedules, annual meeting 5/29/74, \"Festival Of The Arts\", 18th annual report, Dogwood Dell June-Aug'74. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Awards Dinner agenda, letters of confirmation, thank-you's, etc. Dates- 12/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T.C. Colt, Jr. Subject- listing of and letters to prospective fellows (founding fellows), a copy of the constitution 4/55. Dates- 3/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Prospects for new membership program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Conservation Laboratory, Library Endowment, Fellows Weekend, orientation theatre, contributions and projects, statement of purpose, agendas, biographical data. Resolution in memory of Lewis Strauss. Dates- 1964-79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Fellowship Committee minutes 1942, 1948, 1949, 1950, Fellowship Committee agendas 1950, 1951, committee report 1949/50, Fellowship Committee announcements and replies, listing of fellowships given by the Virginia Museum of Fine Arts 1940-51, etc. Dates- 1942-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison. Subject- Aplicant interviews procedure. Date- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Fellowship Fund income account, application, letters to recipients: Primm Turner, Jenny- Lynn Franklin and John D. Norwood. Dates- 5/54 - 5/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Essay- \"Outline for a Proposed Film for the Virginia Museum of Fine Arts\" by Vavin, Inc. 3/60.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1947, 1948, 1950, Finance Committee meeting minutes 1948, 1949, 1950, letters soliciting opinions from Trustees about stock purchases and committee resolutions and replies, VMFA Pooled Endowment Account 1949, stockholder information , etc. Dates- 1947-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1950, 1951, Finance Committee meeting minutes 1952, committee report 1950, status of capital funds listing 1950, list of securities held and cash balances, financial transactions, etc. Dates- 1950-2. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1952, 1953, Finance Committee resolutions 1953/4, Capital Funds Investments and Cash listings 1952, 1953, stockholder information, financial transactions, etc. Dates- 1952-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1955, Finance Committee resolutions 1954, a listing of Finance Committee meetings and actions in writing 1948-56, financial transactions, stockholder information, statement of endowment investments 1955, pooled investment listing 1955, investment changes for the period 4/30/55-12/31/55, etc. Dates-1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Lawler Fund. Dates- 10/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- stockholder information (i.e. annual and quarterly reports of companies). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee resolutions 1948/9, excerpts from Finance Committee meeting minutes 1939, 1951, Date- 3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from A. Nicholas. Subject- Statements of income, balances, private income, special purchase funds, operating budget, etc. \"Virginia Museum Semi- Annual Financial Report Dec. 31, 1970\" , \"Summary of Financial Support\": 1935- March 31, 1971, 19l35- June 30, 1969, Art Purchase Funds, Capital Outlay Programs to purchase land and buildings, List of Art Purchases 1970-71. Dates- 6/70 - 10/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and G. Martin. Subject- Responses to questionnaire from various theatre directors, VMT regulations. Dates- 1965 -66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT Statement of Purpose, application for Samuel Tate Morgan and/or George Seay Memorial Trust Funds. Letter of grant award for the expansion of VMFA Library holdings and list of books purchased, newspaper clippings. Dates- 5/69 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Administrator, Richmond Area University Center. Correspondence with 1949-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Memorial for Col. Herbert Fitzroy, letters of receipt of contributors to purchase a sculpture to be placed on permanent exhibit in Artmobile II: \"Crowing Rooster II\", G. Marcks. Dates- 10/67 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- information about proper display of U.S., U.N. and VA flags. Dates-11/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns cultural development there. 1957-59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Agreement on the Importation of Educational, Scientific and Cultural Materials\", Bill signed on 6/24/59, press release. Unesco sponsored agreement to eliminate tariffs and special import taxes on educational, scientific and cultural materials. Dates- 9/59 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Horace S. Flournoy. Subject- repair of heating system at the Museum. Dates- 10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- plantings around the Waddy Fountains at the front of the building, lawn and plant care, listing of growing plants used, etc. Dates-6/54-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA staff and Harvard University's Fogg Art Museum, mostly regarding the loan of a Copley portrait for the Museum's inaugural exhibition, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, J. Coolidge (Dir., Fogg). Subject- General correspondence regarding conservation, authenticity of objects, employment referrals, research, etc. Dates- 4/52 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- arrangements for Folktale Marionette Theatre to perform at VMFA in Dec.1953, etc. Dates- 3/53-1/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- visit of Mrs. Henry Ford II, to see VMFA operations. Dates- 3/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- information about a Virginia artists watercolor exhibition sponsored by the Ford Foundation Title \"Virginia by Virginians\", copy of an invitation to Mr.and Mrs. Ford to the opening, etc. Dates- 1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- newspaper clippings and statement of purpose of the Ford Foundation. Dates-12/48-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Ford Foundation. Subject- proposal of VMFA serving as regional center for Ford Foundation's creative artists selection program 1958, proposals for Foundation support, Foundation publications, etc. Dates- 10/50-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., J.M. Brown and Ford Foundation. Subject- information about applying for Ford Foundation support, Foundation publications, etc. Dates- 10/59-10/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Program for Painters, Sculptors and Related Artists. Letters to jury members, entertainment. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., and the Ford Foundation. Subject- the Museum as a locale for the premiere art exhibition to be featured in the March issue of the Ford Times, an exhibition highlighting VA artists named \"Virginia for Virginians\", included are copies of the exhibitions' gallery guide, invitations to the preview and a copy of the Ford Times feature issue. Dates- 11/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and American Association of Museums (AAM). Subject- roster of foreign museum Directors visiting VMFA on a AAM sponsored tour (in cooperation with the State Department), biographical information on visitors, etc. Dates- 3/65-5/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to VMFA staff. Subject- memos about arrangements for luncheon held at Museum for international newspaper people. Dates- 6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposal for VMFA travel program, tour estimates and brochures. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition preview speaker: Ariad Yafeh, biographical data, reviews and photographs. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Guest lists for opening event, sample letters for invitations and replies. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about museum practices, Cheek serving as honorary member of advisory committee of Directors and Curators, etc. Dates- 3/52-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Keith Fowler. Subject- theatre operations, policies, programming, newsletter to friends, volunteers and theatre subscribers, etc. Dates- 10/69-12/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between William Francis and L. Cheek, Jr. Subject- Museum publications business and arrangements, etc. Dates- 12/64-9/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Governor Peery, T.C. Colt, Jr. and Douglas S. Freeman, president of the Confederate Memorial Institute. Subject- Transfer of the John B. Payne collection from the Battle Abbey to the museum. Dates- 1935-39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with L. Cheek, Jr. Subject- mostly professional matters, but some personal information is given. Dates- 1948-53.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and French and Company. Subject- French and Company, Inc. art dealers, loans, conservation work, proposed sales to Museum, photos and descriptions of objects, etc. Dates- 6/46-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject- photo requests from the Frick Art Reference Library, reference questions, exchange publications, etc. Dates- 2/46-9/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Friddell was columnist for the Richmond News Leader. Correspondence with Cheek, 1949-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- memo about calendar of Museum events, mailing to American Ballet Theatre Friends, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Preparation plans for \"George Stevens Makes a Film\", an exhibition based on the making of an epic film (The Greatest Story Ever Told), installation, cost estimates, etc. Dates- 1/64 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Search for Egyptian objects to purchase, exhibitions: Sport and Horse and American Folk Art, College Drama Festival, loan of P. Klee works, collectors circle, Biographical data, Fellows, donation, gifts, Segregation in VMT, background information on paintings for Wm. Henry Yates, Marshall Research Library, Poetry Society of Virginia, Glasgow Estate. Accessions and gifts: \"Tree\", H. Gray; E. Hopper; Rutherford Goodwin, Jr.(signature). Dates- 1/55 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General museum business, inter-museum memos. Richmond Sinfonia, special purpose gallery, exhibition policy. Museum television, funding sources, COVAO conference, sale of Artmobile I, Council, newspaper clippings, pamphlets and funds generated through programs division, letter from Robert Indiana.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Bill (William) Gaines (head of Programs Division). Subject- programming educational, exhibitions, films, affiliates, etc., Museum operations, etc. Dates- 3/70-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Acquisitions, objects for purchase consideration, various newsletters, exhibition catalog: \"Nature As Scene\". Dates- 4/76 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with other museums. Subject- exhibition announcements, information about loans to other museums, etc. Dates- 3/53-3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Dir. for Collections and Education) and Mr. Charles Seymour (Yale University). Subject-request to look at the Museum's collections. Dates- 2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Col. Edgar Garbisch and L. Cheek, Jr. Subject- gift to VMFA-Junius Brutus Stearns paintings of life of George Washington, photos and information about paintings, biographical information about Garbisch, etc. Dates- 1/50-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- arrangements for the 50th anniversary dinner of Garden Club held at VMFA, etc. Dates- 9/68-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns the Garden Clubs of Virginia and America 1958-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., J.M. Brown and Mrs. T. Fleetwood. Subject- Mrs. T. Fleetwood as a Trustee, Trustee business, gift to Museum, etc. Dates- 5/64-7/75. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Landscape Architect for Museum. 1957-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by John Garland Pollard, Jr. Subject- invitation to members of General Assembly to use Museum facilities, announcement of a reception for General Assembly members spouses, VMFA Members' Bulletin vol.20, no.5 1/60. Dates- 1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters sent to members of the General Assembly 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and Gibbes Art Gallery. Subject- Brown working on problems of the Gibbes Art Gallery, \"Report to the Board of the Charleston Art Association\" co-written by Brown, etc. Dates- 12/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trustee, Executive Committee. Dates- 1950-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mr. George D. Gibson as Trustee, Trustee and Local Building Committee business, copies and excerpts from minutes of the Executive Committee 1948-53 dealing with VMFA building, news release 6/57 about Gibson being elected VMFA President, etc. Dates- 12/52-11/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mr. George D. Gibson, a lawyer with Hunton, Williams, Gay., Moore and Powell. Subject- flooding at the Museum, building inspections, structural problems with the building, the shipment of a Watteau painting to VMFA, a Melchers gift, etc. Dates- 7/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and J.M. Brown. Subject- acknowledgments of receipt, thank you letters to donors for gifts of all kinds (money, books, equipment, etc.,). Dates-11/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mr. Arthur G. Glasgow. Subject- gifts to Museum, Museum events, information pertaining to the Estates of Margaret Branch Glasgow and Arthur Graham Glasgow. Dates- 2/54-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr., J.M. Brown and Walter S. Robertson (VMFA President). Subject- transcript of remarks by Governor Mills E. Godwin, Jr. at Southeastern Theatre Conference 1966, Museum events, Mrs. Godwin to serve as honorary chairman of Entertainment Committee, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- President of Princeton University. Request for him to lecture at Museum. Dates- 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Associated Artist Gallery, Washington, D.C. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Candidate for Theatre Director-Producer 1957.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mrs. Pollard was a member of the Goodwin Memorial Commission appointed by the state to erect a scroll honoring the Reverend William Archer Rutherfoord Goodwin, former rector of Bruton Parish Church and man who dedicated his life to the restoration of Colonial Williamsburg, 1950-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and Mr. F.D. Gottwald. Subject- agreement and arrangements to establish Elisabeth Shelton Gottwald Fund. Dates- 4/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- copy of report on Museum, recommendations to Museum made by Governor's Management Study Group. Dates-7/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Mills Godwin and Peter Mooz. Subject- Budgets: cutbacks, executive order, appointments to VMFA Executive Board, creation of job positions, Museum organization charts, Melchers Estate, Arts Commission, Executive Mansion furnishings and lists of objects. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by J.M. Brown. Subject- arrangements for unveiling (10/5/71) of new acquisition of Goya's painting- General Nicholas Guye guest lists, invitation, news releases, photo and information about painting, etc. Dates- 9/71-2/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- \"General Guye\", Goya. Special event, agenda, invitations, etc. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with John Graham (Curator, Colonial Williamsburg). Dates- 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Related to the death of Mr. Gray and his family. His bequest to the Museum and a memorial to him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. Horace Gray, Trustee. Subject- Museum business, biographical information about Horace Gray, VMFA Members' Bulletin vol.19, no.6 (2/59), etc. Dates-5/51-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- correspondence about hiring Mr. Paul Grigaut as head of Collections Division, Museum practices, information about Museum Collections catalogues, etc. Dates- 6/62-4/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Theft-general. Contains one newspaper clipping 5/28/62.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- correspondence with Senator Raymond R. Guest, announcement of gift to Museum of bronze gates, Museum events and business, etc. Dates- 11/48-5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and L. Cheek. Subject- List of sites for guidebook , roster of names for nominating committee, letters to publishers, price structure, biographical data, promotional information, outline for publication by the Trustees for \"An Official Guide To Four Centuries Of Building In The Old Dominion\". Dates- 4/66 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Finnish Society of Crafts and Design 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, F. Brandt, F. Haseltine. Subject- Installation of \"Symbol\" at Phillip Morris site, invitation mailing list, reception agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown, F. Haseltine, P. Near. Subject- Exhibitions, VMT, loans, gifts, endowments, biographical data, invoice for work restored, acquisitions, installation of Heeramaneck Collection, Pastorale fund, Project Grant Application, Tax Status. Essay- \"A Brief Summary of Accomplishments of the Virginia Museum of Fine Arts\", 1962-64. Dates- 9/51 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mr. Haller was a public relations consultant hired under special circumstances and kept off of the state payroll. This letter pertains to this and circumventing the state system 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and S. Robertson. Subject- AAM meeting in Williamsburg, increase in security staff at VMFA, Artmobile, Executive order from the Governor's office to divide the Board of Trustees into five divisions. Request for authority to prepare Capital Outlay Plans for South Wing, invitations to serve on various committees, presentation of Webster S. Rhoads award to Gov. Harrison, newspaper clippings. Dates- 5/61 - 11/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and Public Buildings Administration (Federal Works Agency). Subject- Harrisonburg post office mural competition (Colt served on the jury of selection and advisory committee) and contract with Public Buildings Administration. Dates- 2/41-10/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cheek's 25th college reunion and an art exhibition in conjunction with the reunion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Melissa Hayden and Andre Eglevsky. Dance performances at the VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mrs. John G. Hayes, Sr. Subject- Trustee/Museum business, money to the John G. Hayes Endowment Fund, etc. Dates- 11/49-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. J.G. Pollard and W. Rhoads. Subject- John Green Hayes Memorial Fund. Dates- 5/48 - 11/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter of appeal from VMFA to Hearst Foundation for financial assistance. Dates- 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Biographical data, press release and his presentation to the AAMD, newspaper clippings. Dates- 4/62 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lecturer for the Latin American Exhibition 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT: tour schedule, HEW grant proposal, \"A Cultural Program in the Dramatic Arts for Virginia High School Students\", newspaper clippings, postcards, reviews, project budget, financial support. Dates- 5/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Travel Itinerary, loans , VMT productions, collectors circle, LOAS (Loan-Own Art Service), search for prospective jurors, letter to Helen Hayes to address VMT, biographical data, gallery plans, invitations to preview Hogarth exhibition. Dates- 9/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Request for luncheon and agenda. Dates- 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison. Subject- Request for VHS to hold annual meeting. Dates- 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to Col. Hodges (Membership Chair). Subject- Trustee/Museum business, Hodges served as the Chairman of the VMFA Membership Committee, etc. Dates- 11/35-3/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA Bulletins: vol.26 no.3 and vol.27 no.6. Hogarth lecture to VMFA, itinerary, biographical data, Wm. Blake exhibition. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Candidate for Theatre Director 1957. Contains resume and letters to, from, and about him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, P. Davidson, and P. Rathbone. Subject- Exhibition: \"Treasures of Alexander\", request for loans, list of objects in connection with exhibition, installation design, theft of Nike Earring. Dates- 9/63 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Term as a Trustee and Fellow at VMFA and as a Trustee at Norfolk Museum, Exhibition: Treasures from the Norfolk Museum. Gifts and donations. Dates- 9/61 - 4/3 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Collectors circle, Fellows, Trustee, gifts and donation. His service as a Trustee at the Chrysler Museum. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information on state holidays. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between J.M. Brown and Gov. Holton. Subject- Proposal for a Bill to organize a citizens advisory committee to improve furnishings and interpretation of the Gov. Mansion. Statewide Building Code, Administrative Amendments 1/29/73, Sec. 873.5. List of participants and Museum conference notes to determine how Va. Museums can assist one another, Inauguration arrangements committee, rosters: House of Delegates, Senate and legislature. Essay- \"The Holton Years: A Summing Up 1970-1974\". Dates- 9/61 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes and Reports from the Honors and Awards Committee and the Board of Trustees, 1948-56. Much of this concerns Mr. and Mrs. A.D. Williams, The Katherine Rhoads Fund and the Webster Rhoads Medal, and Arthur and Margaret Glasgow, letter regarding the Mary Samuel Davies Bright Memorial. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Arts and Humanities Commission, Pratt Estate, Cabell Foundation, Ford Foundation: VMT underwriting. Trustee interviews, gifts of appreciated property. Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper clippings, photographs. Dates- 10/8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and J.M. Brown. Subject- Parsons Fashion Show, slides, pamphlets, newspaper clippings. Dates- 8/63 - 7/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Seating arrangement. Dates- 11/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J. Sweeney and Lee Malone. Subject- \"Design In Scandinavia\", Cheek's remarks. General correspondence concerning museum loans and policy. Dates- 4/63 - 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Miss Nora Houston and T.C. Colt, Jr. Subject- biographical information, information about exhibitions she participated in, proposed acquisition of her work, etc. Dates- 4/36-2/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- U.S. House of Representatives, New York State. Correspondence concerning government support of the arts. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Copy of his speech given at the Architectural League Symposium 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Term as a Trustee, membership campaign, budget committee, newspaper clippings. Dates- 5/59 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Fellow, VMT, Exhibitions, Artmobile, long term loan of 18th C. Dec, Arts objects, Hogarth exhibition, contract bid for landscaping, North Wing. FILM: \"THE ART of THE CONSERVATOR\" Dates- 2/64 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Trustee, Fellow, gifts. Remarks concerning Fellows meeting, Draft of Executive Committee Meeting Minutes, 12/8/70. Official application form for AAM accreditation. Art Nouveau Collection, Council lecture and luncheon with draft of suggested remarks delivered by C. Humelsine. Dates- 1969 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Requests for catalogues, loans, exhibition announcement, proposal for an \"International Traveling Exhibition\", technical info on Ivisiglass. Dates- 4/45 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- RSVP's to auditorium inauguration, thank you notes to musicians used for the opening, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Innocenti and Webel (landscape architects) concerning VMFA grounds. Dates- 7/64 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison, L. Cheek, T. Colt and Mrs. Pollard. Subject- Requests for publications, general information regarding VMFA collections, exhibitions and museum operations. Dates- 10/35 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General information on exhibition installations.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains one brochure, 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- insurance against air raids and other war damage, correspondence with other museums about war risk insurance. Dates- 6/42 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard, L. Cheek, Jr. and M.B. Christison (Assistant Dir. for Collections and Education). Subject- damage claims to art objects we lent and/or were on loan to the Museum. Dates- 11/49-11/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Samuels Collection [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Draft of the Constitution and By-Laws of the proposed Virginia History and Museums Federation. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- ICOM statement of mission, travel expense records, membership and financial statements, pamphlets, Minutes of Executive Committee 1/30/60, 5/25/65, Annual Report 1965, newsletter, pamphlets, etc. Dates- 1961 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Annual Reports, Statutes, guidelines for International Rules of National Committee, Museum Training Programs, Newsletters, Minutes of Annual Meetings, budget, membership, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Mrs. J. Pope (Pres. IEF) Subject- Invitation to become a member, statement of mission, list of officers, IEF Financial Report 12/31/72, Annual Report 12/1/72, NEA award, catalogue listings, list of traveling exhibitions 1966-72. Dates- 1966 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Anne Marie Pope. Subject- Lists of current and planned exhibitions, events schedules, minutes of annual meeting. Dates- 1973 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Article from \"Preservation News\", 1/71 vol., XI, no.1 and Sunday Supplement from New York Times. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown, P. Near, Phillip Johnson. Subject- P. Johnson's advise of design of the New Wing and as possible juror for Va. Biennial. Rotunda Club, Jamestown Festival, Robinson House, Hogarth Exhibition, Jr. League activities, and restoration of downtown Richmond. Photocopy of text from letter between Wm. Fitzhugh to Charles Carter 11/30/1796, pamphlets, donations, gifts. Dates- 12/55 - 12/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from W.S. Robertson. Subject- Letter of appointment to Executive Board. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 350th Anniversary. 1955-57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information on the Museum's contributions to the celebration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek to serve on advisory committee and certificate of award for his service, presentation of Pocahontas portrait for permanent display, \"Report From Sub-Committee, Jamestown Commission\", 10/30/57. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- photos of the \"Japanese Architecture\" exhibition, printed material for the exhibition, arrangements for bringing the Japanese Charge d'Affaires to VMFA, transcript of remarks made by Mr. Shima (Japanese Charge d'Affaires) at the opening preview, etc. Dates- 4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Itinerary and agenda for East Meadow High School of East Meadow L.I., New York. Dates- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown. P. Near, A.P. Jenkins. Subject- A.P. Jenkins collection, gifts and contributions, loans, Fisher rug collection, B. Barenson, Ash Lawn, Caligula statue, invitations, agendas etc. \"Art Now: New York\" vol.2 #10, University Galleries, 1970 (contains large color plates). Conceptual statement for Cabrillo Marine Museum. Dates- 8/54 - 9/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Jay W. Johns. Subject- Trustee/Museum business, gifts to Museum, information about an Evelyn Byrd portrait by a disputed artist (Kneller or Bridges), etc. Dates- 6/35-9/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- J. Johns service as a Trustee and Fellow, gifts and donations. Dates- 4/50 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- B. Johnson's (Conservator of L.A. County Museum) observations concerning the authenticity of a Veronese painting and his personal collection of pre- Columbian sculpture and Asian ceramics. Dates- 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and T. Catesby Jones. Subject- Jones' collection of modern paintings and sculptures, gifts to the Museum art and books, letter from Jean Lurcat, etc. Dates- 3/41-12/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- The loan of Mrs. Catesby's collection of French Modernists to the VMFA and gifts. Dates- 2/50 - 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from l. Cheek, R. Guest (Fellows, Chair) and W. Robertson. Subject- Her appointment as a Trustee and role as chair of the membership committee. Dates- 7/64 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- State Supervisor of Art, 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- purchase requests for photos. Dates- 3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to J.M. Brown. Subject- Agenda and letters of confirmation. Dates- 6/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Volunteers at the Museum, 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter of confirmation. Dates- 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Letters of recommendation, resumes, prospective jurors, exhibition: \"Ugliness in Virginia\", Robert E. Lee Memorial, Fellows, gifts, donations, pamphlets. Acquisitions: Artists, Duane Hanson and Stephen Posner. Dates- 4/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Karolik collection of American Painting, Artmobile and Collectors Circle. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Maxim Karolik. Subject- proposed lecture for exhibition \"The Karolik Collection\", printed material for exhibition, etc. Dates- 9/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Illumination exhibition for the American Federation of Arts: proposal, budget, exhibition news, advisory committee and Minutes of 1st Meeting 11/23/64. Dates- 1/65 - 2/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek as member of the Council for the Kennedy Center and Board of Trustees, bulletins, progress reports and newsletters and a letter from Jacqueline Kennedy dated 1/14/66. Dates- 2/59 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and H. Willett (Supt. of Rich. City Schools) Subject- Letter to F. Keppel (Asst. Sec. of HEW) concerning a Math and Science Center. Essay- \"Proposal For a Supplementary Mathematics and Science Center\". Dates- 11/65 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters of request and confirmation, menu and tour. Dates- 8/71 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Pamphlets: \"The Library - Documentation Project spring 70\" , \"The Urgency of Our Mission\" and \"Statement of Purpose Fall 1969\". Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J.G. Pollard, T. Colt, L. Cheek and Harry Brooks. Subject- Requests for publications, provenance of Italian Renaissance painting being considered for acquisition, loans, pamphlets and shipping invoices, etc. Dates- 2/46 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, T. Simmons (Knoll) and Florence Shu Knoll. Subject- Interior design and furnishings of the Members Suite, offices, restaurant and Library, Knoll Catalogue 1956, newspaper clippings. Dates- 2/49 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Portrait commission of L. and Mary Tyler Cheek and his exhibition at the Museum of the City of New York. Information about introduction to exhibition catalog. Dates- 1/63 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Parson's School of Design. Design consultant VMFA 1954-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- The creation of layouts of loan exhibitions and permanent displays, agendas, job description, newspaper clippings, biographical data, postcard, etc. Dates- 2/58 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mr. Koenig was a guest promotion director at the VMFA 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to contributors of memorial fund. Subject- Memorial established by the Theatre Associates of VMFA, sample of bookplate in his memory. Dates- 4/62 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Samuel H. Kress Foundation 1958-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence about bill and payments with Kuhn. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artmobile project for the Arkansas Arts Center, \"Let's Go, Reflections on the Art of Administrative Leadership\". Dates- 8/62 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Chapters/Affiliates, newsletters, Lectour broadcasts, newspaper clippings, invitations, Lawler Memorial Fund, Artmobile. Artists: Pietro Lazzari, Janice S. Lemen, John Gadsby Chapman, photograph. Dates- 5/58 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown and P. Near. Subject- Publication requests, gifts, contributions, collectors circle, Fellows, suggested bequest wording, Artmobile, loans, exhibition announcements, NEA questionnaire: \"Conservation in Museums- August 1971\", restoration and condition report of \"Battle of Yorktown\", Lami. Artists: Mario Dubsky and Eugene Berman. Gift and donations: \"La Sympathie\", Pettijean. Date- 11/62 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Port Sunlight, Chesire England.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and the VMFA Board of Trustees. Subject- To prevent the construction of the Valentine Museum's Latrobe Theatre. Dates- 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lecture by Cheek to the College Art Association 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to E. Cless (program Consult., U. of Minn.) Subject- U. of Minnesota Institute on Administration and Services in the Small Art Museum, program agenda, travel schedule, list of registrants for the seminar, report on the panel on museum publications, pamphlets, map, etc. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek to G.H. Holmes (Dean of U. of Pa.). Subject- Urban Criticism, experiences in traveling exhibitions on city planning, resolutions and solutions on urban problems. Biographical data on participants of conference, travel expenditures, agenda. Dates- 7/58 - 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Priscilla Crum to Prentiss Taylor. Subject- lecture by Taylor, Wednesday evening programs schedule 1948, proposed schedule 1947-8, etc. Dates- 9/47-1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and M.B. Christison. Subject- prospective speakers, films, etc. for programming. Dates- 10/48-12/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- schedules for Wednesday evening and musical programs. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lectures given by L. Cheek, Jury duty lists, consultations, invoices, expense records, agendas, pamphlets, magazine excerpts, Essay- \"The Place Of The Arts In Our American Culture\", by L. Cheek. Dates- 1953 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lectures given by various members of the VMFA staff. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from D. Nicholas. Subject- Procedure and policy concerning VMFA security.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Monthly newsletters on \"Reflections on the Art of Administrative Leadership\", L.H. Kurtz, publisher/editor. Dates- 9/62 - 11/64, 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown, P. Near C. Humelsine, F. Brandt and Wm. Gaines. Subject- Art Nouveau Fund: list of purchases, legal document of fund establishment. Artmobile and contemporary Art Purchase Fund. Dates- 5/67 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Possible sources for the purchase and restoration of the Alexander-Withrow House, Lexington, Va. Dates- 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- D. Liebes (color consultant and textile designer) on proposed text for her essay to appear in AIV and her lecture to be given at the VMFA on crafts and the creation of VMFA Craftsperson - residence. Dates- 4/63 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and E. H. Bushbeck (Kress Found.). Subject- Drawings and description of Dr. Reinhardt's gallery in Switzerland. Dates- 2/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and V. Gaskins (asst. to L. Cheek). subject- Planning of VMFA lighting facilities, \"Art Museum Lighting\", 2/59, excerpt from a journal of Electrical construction and Maintenance. Dates- 2/59 - 9/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposal of Library-Museum at Lincoln Center. Dates- 2/59 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Ralph Linton Collection of African Sculpture. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Requests for loans of furnishings to other state properties. Dates- 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of loans under consideration, loans to ambassador residences in England and Australia. Photographs. Dates- 2/61 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and director of Louvre. Subject- Poussin exhibition at Louvre and VMFA loan of \"Achilles on Skyros\" and Delacroix exhibition, loan of \"Deliverance of Princess Olga\". Dates- 10/59 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lighting Technician, VMFA, 1953-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek and C.B. Lusk. Subject- Lighting instruments and technical drawings. Essays- \"Lusklite as developed and used at the VMFA\" and  \"The Installation and Lighting of Exhibitions at VMFA\" Dates- 8/56 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.R. Duncan and Gordon Huff. Subject- Expansion of Lynchburg Arts Center to become an affiliate, loans for opening gala, suggested text for print media, schedule of events, Artmobile, Lynchburg Arts Center Executive officers. Introductions for L. Cheek and W. Robertson, travel itinerary. VMFA lecture series: Building For The Arts 1965-66, pamphlets. Dates- 5/62 - 7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposal for \"The National Arts Center of New York University at Washington Square\", Exhibition: \"Tastemakers\", based on R. Lynes Book. Official guest list for opening reception. Dates- 10/54 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, L. Cheek, P. Near and F. Haseltine. Subject- Membership, gifts, personnel references, loans, Jamestown Foundation, proposal for commission of sculpture in F\u0026amp;M Plaza. Acquisitions and gifts: Egyptian cups, Coptic sculpture, Bertoia drawing. Dates- 4/61 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Macbeth Galleries. Subject- loans for inaugural exhibition and general correspondence about proposed acquisitions from Macbeth galleries. Dates- 9/35-7/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Orders and correspondence for back issues of Bulletins and magazines, 1946-47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Alessandro Magnasco, Painting 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mailing and sign schedules, roster of names and institutions. Dates- 1960 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mailing and events schedules. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, P. Near, D. Isley (Norton Simon Collection). Subject- Press releases, shipping, installation, purchase invoice, info regarding owners of the other castings. Photographs and slides. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Paul Manship. Subject- designing the John Barton Payne medal. Dates- 9/36-10/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and W. Robertson. Subject- His Service as a Trustee, Fellow, and chair of Trustee Budget Committee. Biographical info, Artmobile, 25th Anniversary of VMFA, museum business, financial statements, Education In The Arts. Dates- 12/56 - 5/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Long Island Historical Society. Subject- Provenance, purchase through Glasglow Fund. Dates- 12/55 - 1/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Resume, photo, agenda, NEA grant request. Dates- 4/65 - 5/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- M. Baldwin Choir Program, Alumnae issue Bulletin concerning visit of Pres. Eisenhower. Invitations, Fine Arts Center, Woodrow Wilson Project. Dates- 2/56 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Julien Binford. Subject- Mary Washington Arts Center, invitations, VMT, loans of art works, newspaper clippings. Dates- 11/49 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Gifts to VMFA. Dates- 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mrs. William R. Massie. Subject- Trustee/Museum business, etc. Dates- 12/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecture: John Goldsmith Phillips, biographical data, press release and catalog list. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecturers: V. Isabelle Miller and Mrs. Yves Henry Buhler. Press release, publicity schedule and photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- floor plan, instructions for installation for exhibition \"Masterpieces of Chinese Art\", printed material for exhibition, thank you notes to lenders to the exhibition, etc. Dates-11/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Candidate for the Theatre Director Position. Contains resume and applications, letters of recommendation etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Director of Public Relations for 20th Century Fox. Speaker at the Museum 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Public Information Division VMFA. 1955-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Director of Vassar College Art Gallery, requests for publications, lecture. Term as curatorial research asst. at VMFA. Dates- 9/53 - 6/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Dedication of new Library, loans, invitations, VMT, Farewell gift to Mr. and Mrs. Cheeks with poem. Gifts, contributions, G. Melchers memorial. Dates- 2/60 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- General membership information, loans, press release, invoices, newspaper clippings, etc. Art Nouveau Collection. Letter to L. Marden (residence designed by Frank Lloyd Wright). List of Artists editions: prints and objects from Multiples Inc., NYC, price list and description. Artist: Phillip Lindsay, signature. Acquisitions: Monet, van der Helst and Rodin. Dates- 12/69 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and French and Co., Inc. Subject- pieces sold to and installed in the Museum, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposal to establish an Institute of Mediterranean Culture at U. of R. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Carroll L.V. Meeks. Subject- thank you notes for visit to New England personal friendly letters, etc. Dates- 4/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, Mrs. Pennell (Membership Secretary) and Mrs. Gari Melchers. Subject- VMFA members in Fredericksburg, postcards, gift to Museum , etc. Dates- 12/35-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Her service on the Executive Committee, Melchers Estate, budget, gift status of \"Dead Jockey\", E. Degas. Contributions, gifts, newspaper clippings, biographical data. Dates- 4/56 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt (Dayton Art Inst.) and Dr. Higgins (Chair of VMFA Board), J.M. Brown. Subject- \"Disposition of Mr. Gari Melcher's Estate Excerpted from Virginia Museum Minutes Books, No.4,5and6\" , prepared by A.W. Statnaker, Asst. Administrator 7/17/74. Resolution, re: \"Belmont As An Art Center And Museum\" and \"Opening Of The Belmont Facility To The Public\" , Executive committee Minutes. Dates- 5/74 - 11/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Melchers estate/bequest to the Museum, agenda and minutes of Gari Melchers Memorial Committee 5/56-10/56, report and proposals of that committee. Dates-5/56-10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- appointments to committee, general operation of Estate, suggested budget, list of Melcher paintings owned by VMFA, loans of art works, drawings/blueprints: G. Melchers Studio air conditioning system and proposed plaque for ashes of Mr. and Mrs. Melcher. \"Belmont Agency Agreement\", Bill to transfer Melchers Memorial from VMFA to Mary Washington college. Dates- 4/56 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- First Chairman of Fellows: 1st Annual Meeting and statement of purpose. Exhibitions: English Painting, French Portraits, Sport and Horse, Artmobile. Old Dominion Foundation and his membership on the Executive Committee, gifts, donations and contributions. Dates- 2/38 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His membership on the Board of Trustees, Fellows, Collectors Circle. Biographical info, loans of art works from his personal collection, donations and gifts to VMFA and the National Gallery, Artmobile, as a recipient of the Benjamin Franklin Award: statement of purpose, nomination form, list of contributions, newspaper clippings, photocopies of magazine articles, invitations , etc. Dates- 1965 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and W. Robertson. Subject- Collectors Circle, Fellows, term as VMFA Vice President. Press releases, newspaper clippings, contributions and gifts. Dates- 4/60 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison. Subject- Members lecture series. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Wm. Higgins, Jr. (Pres.) and C. Humelsine (Pres.) Subject- Draft of letter to membership regarding schedule of events etc. Dates- 9/71 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program where paintings from contemporary Virginia artists would be loaned (rented) to members to have in their homes. Members could also purchase the paintings. \"Designed to bring the work of Virginia artists into the homes of Virginia citizens.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Wm. Higgins. Subject- Monthly membership report summary, Chapters/Affiliates reciprocal membership program, letters of general correspondence to the membership. Dates- 4/70 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- minutes of the Membership Committee 1/48, 2/49 and a letter supporting the proposed theatre wing from Mrs. Wm. Trigg, Jr.(Civic Theatre Committee, Div. of Recreation, City of Richmond). Dates- 9/47-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Membership report, promotion, agenda, roster of committee members, minutes of committee meeting. Dates-8/72 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes of membership committee, elements of campaign to attract new members and move members to higher categories. Dates- 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Guided tours for prospective members, agendas, schedules, newspaper clippings, excerpt from Minutes of Executive Committee 12/14/72. Dates- 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Webster Rhoads (Pres. of Museum Board) and R.A.Velz (Administrator). Subject- list of new museum members, request form for membership, Membership Reports 1954-5 and 1955-6, list of membership privileges, etc. Dates- 11/55-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. W.A. Nones (Chair, Trustees), J.M. Brown and C. Humelsine. Subject- General membership information, schedule of events, calendar, pamphlets, etc. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- membership rosters of local organizations, copies of a cover letter soliciting members, etc. Dates- 1/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Survey results, years of membership, exhibit preference, age, attendance, annual contribution. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- planning stages for corporate memberships, proposed fees, privileges, etc., counsel from other US art museums, list of corporations to be approached about the idea, etc. Dates- 1946- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Corporate membership drives, presentation to J.C.'s, excerpt from Newsweek. Dates- 6/60 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison. Subject- Members art studio classes and lecture series. Dates- 6/54 - 9/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 6/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 9/54-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and R. Velz. Subject- memos regarding segregation and other policies at the Museum. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison, L. Cheek and R. Velz. Subject- Miscellaneous information concerning collections in general: treatment/condition reports, insurance, loans, installations, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- Miscellaneous museum operation: Artmobile, Art Lending Service, Virginia Artists, lists of objects on loan, exhibitions, damage reports of objects and gallery inspections, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- inter-office memorandums on various subjects. Dates- 12/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison, L. Cheek and H. Glasser. Subject- Exhibitions, Pratt Collection, gallery inspections and all manner of museum operations and programs. List of lost objects on loan to the Bon Air School for Girls. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- Inter-office memos concerning insurance valuations, loans, lectures, library, exhibitions and policy on filing acquisitions data and damage reports. Date- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Pamphlets published by the state Department of Mental Hygiene and Hospitals and the Mental Hygiene Society of Virginia. Dates- 1951-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and various staff at the Metropolitan Museum. Subject- museum practices, long-term loans of Egyptian art and artifacts, securing speakers, etc. Dates- 1/55-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J. Rorimer (Dir., MET) and A. Priest (Curator, MET). Subject- Damage to MET's \"Bacchus\", objects to purchase, loan requests. Acquistions and gifts: Tibetan Scroll; Coat of Japanese Mail. Dates- 11/69 - and/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Michael Jacobs Gallery. Subject- loan of painting (George Washington by Gilbert Stuart) for inaugural exhibition. Dates- 6/35-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- Midwestern book competition for which Cheek served as a juror, competition judged in Richmond, lists of criteria and books, printed material for the competition, etc. Dates- 4/56-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Jo Mielziner. Subject- friendly letters, mention of possible Mielziner exhibition, etc. Dates- 12/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, list of stage designs available for purchase, his lecture to VMFA, schedules and agenda's, etc. Dates- 10/54 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Miller and Rhoads department store staff. Subject- showing VA artist work in store windows, borrowing supplies from the display department for the Museum (folding chairs, textiles), etc. Dates- 2/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and W.S. Rhoads. Subject- Nomination of Miller and Rhoads, Inc. for Esquire magazines 1st annual \"Business in the Arts\" award. Support of Artmobile II. Exhibition: \"Masterpieces in Millinery\", spring 1958. Preliminary outline of fashion costume requirements for VMT \"Lady In The Dark\". Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Speaker: Philip Adams. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. John M. Miller, Jr. Subject- Trustee/Museum business, Miller served as a member of the Membership Committee, etc. Dates- 6/35-7/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mr. J.G. Pollard, Jr. Subject- asking Mr. Milliken (Director of The Cleveland Museum of Art) for counseling on acquisitions, draft of an agreement where Milliken counsels the Museum staff about proposed acquisitions, etc. Dates- 3/58-3/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from B. Mills in his role as Asst. Administrator of Personnel. Subject- Records, applications, payroll, medical insurance, announcements of new employees and terminations. Dates- 9/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt and L. Cheek, Jr. and The Mint Museum staff. Subject- museum practices, loans, etc. Dates- 8/46-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- obtaining the motion picture for which the drawings in the exhibition \"Gil Wilson 'Moby Dick'\" were made. Dates- 12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- printed material for exhibition \"Modern German Art\", invitation to Mr.and Mrs. Alfred P. Jenkins for dinner and exhibition preview, (Mr.and Mrs. Jenkins owned the modern German art collection shown). Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Creation of James Monroe Bicentennial Commission. Dates- 8/57 - 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown between MAC. subject- Section 21-2 of the Richmond City Code: designation of Monument Avenue as an Historic District.  Minutes of meeting of MAC, 4/24/71 and 5/19/71.  Program Planning Task Force, editorial broadcast, roster of members, Articles of Incorporation, By-Laws, agendas, proposals and pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., and Mr. Charles Moore. Subject- Moore's application for the Director/Producer position in the Virginia Museum Theatre. Dates- 12/56-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data and his lecture tour to the VMFA. Dates- 4/53 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Georgia Watson Morgan. Dates- 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Search for candidates for public information supervisor, job requirements, resume, publicity agendas, public information schedules, Bulletin vol.20, no.3. Dates- 6/59 - 7/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Mulholland (magician), biographical data/pamphlet, his magic presentation to the Fellows and VMT. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, his address to VMFA membership concerning architectural history. Dates- 10/55 - 8/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Munn Last Will and Testament with list of objects bequeathed to VMFA. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and T. Colt. Subject- Mural competition for Virginia State Library entrance hall: selection process, general assembly commission of monument to Stonewall Jackson. Dates- 4/46 - 6/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Envelopes of photos and negatives of Pre-Columbian art objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Gallery attendance and educational groups. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for Oct. Bulletin 1954, copies of the following Members' Bulletins-vol.15, no.2 (10/54) and vol.13, no.3 (11/52). Dates-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison. Subject- working papers for Members' Bulletin Oct. 1955, VMFA calendar 10/55, etc. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for Oct. Bulletin 1955. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Design of annual Christmas cards by Virginia Artists: John Ballator, Charles Smith, John Canaday, Allan Jones, Ross Abrams, Julien Binford and Prentiss Taylor. Dates- 11/48 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns transportation for the Museum lecturers and guests 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, M. Christison and Mrs. Pollard. Subject- Inquiries from other institutions regarding museum operations, budget, services, corporate membership, Trustees, etc. Lists of purchases, Fellowship recipients. Dates- 1937 - 53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Arrival of Hollins and VCU students to work on specific projects for one month. Dates- 12/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt. Subject- Proposal and tentative plans, prospective filmmakers. Minutes of Executive Committee of Southern Educational Film Production Service. \"Motion Picture Production\": Study by H. Jeff Forbes and Associates regarding promotion of VMFA. Dates- 11/46 - 2/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Memos about various museum topics. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, V. D'Amico (Dir. MOMA), M. d' Haroncourt. Subject- Art education standards, exhibitions, loans, lectures, museum policy, juror search and Jamestown Commission. Dates- 11/55 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Head of Administrative Division), Mrs. J.G. Pollard and L. Cheek, Jr. Subject- suggested future organization of the institution, operating procedures throughout the building, etc. Dates-2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding the division of expenses between the theatre and the museum, 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Promotional literature on the VMFA. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Material deals with segregation policies at museum events. 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence pertaining to printing. Bulletin mock-ups and copies of the following bulletins: Vol.6, No.4,  Vol.7, No.'s 2and7. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper clippings and magazine articles. Photographs, press releases etc. 1955-57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Proposed budget groupings for VMFA, according to departmental divisions and table of organization. Dates- 1948 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Events, timetables, agendas, Robinson House, housekeeping, security, VMT. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Schedule of events, exhibitions, Robinson House. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Schedule of events, mailing schedules, spring agenda, Confederation Conference, Robinson House, VMT, gallery closings, Discovery Cruise: Land of Maya. Date- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Suggested talk by Pres. of Museum to guests at Safari Dinner in Medieval Hall. Dates- 1/22/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Travel package for travel to Asia, brochures, cultural travel tours. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Policy regarding loans of art works to other Museums, employment search, provenance of art objects, pamphlets, newspaper clippings, etc. Resolution: To order immediate safe return of German master works after Nazi occupation, signed by U.S. museum directors. Dates- 4/46 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Applicant search for various positions, invitations, announcements, exhibitions, etc. Press kit for the Milwaukee Art Center. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Peter Mooz. Subject- General correspondence on exhibitions, loan requests, museum business, job placement, magazine and newspaper clippings. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibitions, loans, policy. Dates- 12/60 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Schedule of music series and members of committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- schedule of program of recorded music, announcement of 6th artist evening 1/46, Museum Bulletin Vol.5, No.2, etc. Dates- 2/46-5/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Jerome Myers. Subject- acquisition of his painting: Street Scene, N.Y., his acceptance to the National Exhibition of American Art, N.Y., etc. Dates- 4/36-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown and P. Near. Subject- General correspondence to Trustees and membership, letters to Robert Neutra, exhibitions: Henry Moore, Sport and Horse. Agendas, travel itinerary, events and invitations. \"Encouragement of the Nations Arts\", an appeal to congress, and \"Proposed Federal Advisory Council on the Arts\", Hon. H. Alexander Smith, U.S. Government Printing office, Washington D.C., 3/26/57. Requests for employment, postcards, pamphlets and photographs. Artists: Jean Nikolic. Accessions and Gifts: \"Disasters of War\", Goya; \"Lore Fuller\", Raoul Francois Lanke; \"Dancing Girl With Tambourine\", A. Leonard; \"La Revre Blanche\", Toulouse Lautrec; Revere and John Andrew spoons and vase possibly made by Johannes Loetz Witwe. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Namuth's exhibit of photographs at the Brussels World's Fair, as a juror VMFA. List of Seventeen painters photographed by Namuth: Wm. Baziotes, J. Boynton, L. Calgagno, N. Carone, R. Diebenkorn, J. Ernst, S. Gechtoff, G. Hartigan, E. Kelly, W. Kienbusch, G. Mueller, K. Morris, B. Perlin, C. Marca-Relli, R. Motherwell, A. Reinhardt, L. Siegriest, with original notes by Namuth. Letter from J. Ernst with signature. Date 4/61 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Statement of purpose and future of NCA, Board of Directors, Members of Council, fellowships, program grant application. Essay- \"National Endowment For The Arts Before The House Appropriations Subcommittee On The Interior And Related Agencies Tuesday, March 14,1972\", statement by Nancy Hanks (Chair): \"New Dimensions For The Arts: 1971-1972\" Dates- 1970-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L Cheek. Subject- Bill: S. 2379, To provide for the establishment of National Council on the Arts and National Arts Foundation. \"Congressional Record: Proceedings and Debates of the 88th Congress\" Dates- 2/64 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Public-Law 85-874, S. 3335: charted by the 85th Congress to establish a bureau in the Smithsonian Institution devoted to the Performing Arts. \"Peaceful Use Of Creative Energy\": transcript of lecture given by Col. Corrin Strong at the Tri State Arts Conference 4/29/61; Report: \"The National Cultural Center Part Two: What Goes into the Center\" by Dr. Carelton Sprague Smith, 10/60. Minutes for the NCC Executive Board: 5/23/60 and 6/29/60 Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. cheek. Subject- VMFA Council sponsorship of a closed circuit telecast by NCC: \"An American Pageant Of The Arts\". Suggested text of publicity folder, invitations, Newsletter: \"Footlight\", vol.1 no.3.; \"For A Cultural Capital\", Eleanor Roosevelt, 1962, United Feature Syndicate, Inc. NCC, later to be named the \"Kennedy Center For Performing Arts\". Dates- 7/62 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exchange of ideas and experience with other institutions who use audiovisual tool to communicate with museum visitors. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters of appeal to serve on Virginia NEFTA committee, roster of members. VMFA appointed as the state agency for the administration of Federal matching funds; to aid in expanding the cultural horizons of a states and territories. \"Guidelines\" 1/67, NEA, Washington D.C.; \"National Foundation On The Arts And The Humanities, Question and Answers\", U.S. Government, Washington D.C., 1965. Dates- 1965 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Survey of membership, officers of VMFA, according to race, gender, age, position and time served. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz. Subject- Grant proposals, application, letters of support, proposal for a Regional Conservation Center, Soldiers Home, American Marine Painting, NEA statement of purpose, Museums A.S.A. Study, Museum Program guidelines, Smithsonian Puppet Theatre, Young Peoples Theatre Safari, \"American Painting 1974\" and newsletter from the Arts Reporting Service. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Financial assistance to Chamber Music Societies, season brochures, project grant application form for Va. Chamber Music Society. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Grants received by Arts/Cultural organizations in Virginia: guidelines, program committee members, agendas and minutes from the program sub- committee 3/7/68. NEFTA project recommendations for a regional conservation center. Dates- 6/76 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT survey, McLean Arts Center, guidelines for program grants. Senate Joint Resolution No. 67: to create a Virginia development study commission, bill 1483: National Foundation on the Arts and Humanities Act of 1965 and a report with guidelines for VMFA as the sole administrator of NEFTA matching grants. Study for Virginia Artist and Craftsman in regard to education and support. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Grant applications from Virginia Dance Society, VMFA, Confederation of Virginia Art Organizations and Budget proposals. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- State guidelines and general information, terms and conditions, NEA matching grant to begin statewide professional operation of VMT. Addresses of applicants for state grants, roster of Virginia NEFTA committee members. Dates- 2/66 - 6/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Regarding J.M. Brown's service on committee to evaluate grant applications. Valentine Museum NEA application, pamphlets. Date- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- arrangements for exhibition \"Designer-Craftsmen 1953\" presented in conjunction with the American Craftsmen's Educational Council, Inc., (ACEC), letters to jurors, etc. Dates- 9/52-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and National Gallery of Art. Subject- preview invitations, exchange publications, excerpts from Roosevelt Art Address (from dedication of National Gallery 3/41), loan request for VMFA inaugural exhibition, etc. Dates- 3/41-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- pamphlets and information about \"National Park and Recreation Week\" sponsored in Richmond 5/21-5/30, 1949. Dates- 4/49-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Geographical directory, \"Historic Preservation\" journal, vol.11, no.3, 1959 and Melchers Memorial. Dates- 1959 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Organization membership information form, questionnaire. NTHP certificate of associate membership 1971-73, employment placement and service pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Travel itineraries, objects for prospective traveling exhibitions, list of slides, forgeries and thefts. Accession and acquisition proposals. Dates- 1/61 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Conservation of objects/paintings, loans. Accessions committee meeting agenda, 10/69. Report on Authenticity of \"Marble Head of a Horse\", Heermaneck Ancient Iranian Collection. Exhibitors: The child and his World. Condition reports and repair estimates for tapestries. Photographs Dates- 12/69 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Sydney Lewis and Peter Mooz. Subject- Authenticity of Cycladic Harpist and 18th century American secretary. Provenances of various objects, conservation and treatment reports. Catalog: \"Arshille Gorky\" Dates- 1/74 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Sydney and Frances Lewis and Peter Mooz. Subject- Conservation/treatment reports, Artnian Collection of self-portraits. Conservation/treatment reports, Kent Independence Portfolio. List of Art Nouveau objects, damage reports, African Collection. Report of authenticity regarding the Cycladic \"Harpist\". Letter from Arnaldo Pomodoro regarding a base for \"Rotating Sphere\". Dates- 5/75 - 8/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Hours of operation, VMFA and other museums, attendance records, VMT, security, UNESCO newsletters 4/58 - 8/59, newspapers and magazine clippings, press releases. Dates- 7/59 - 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Cheek's annual N.Y. cocktail party: guest lists, arrangements, rosters of speakers to VMFA: 1951-52 and 1952-53. Dates- 1952 - 54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newsletter to Trustees concerning exhibitions and appointments to Executive Board, accessions, building, etc. Dates- 11/70 - 8/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Wm. Morrison (P.R. VMFA), F. Palmer (P.R. consultant), D. McCammond (P.R. Reynolds Metals). Subject- Public Relations of E. Newsom and Co. to conduct a study to determine the needs and potential of VMFA. Program organization, community relations, film, book press material, schedules of events, etc. Dates- 8/58 - 9/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- A survey targeting the needs, current and future of VMFA, with solutions/resolutions for every aspect of the museums' operation. Dates- 11/58 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. A. I. duPont and F. Palmer. Subject- Roster of members of Board of Trustees, letter of appeal for pledges, principal elements of Newsom Program. Dates- 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. A.I. duPont (chair, Ann. fund). Subject- Strategy to raise funds through the Trustees to finance the Newsom Public Relation Firm program for VMFA. Drafts of letters to Trustees, progress report, minutes of 25th Anniversary Committee, 9/8/59. Dates- 12/58 - 7/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- all manner of museum operation: security, policy and procedure, personnel policy. operating budget and VMT. Diagrams of electronic console panel. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Museum business, construction and installation project schedules, budget, Equal Opportunity regulations, design contract for the Council shop, salary scales. Dates- 10/73 - 1/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Museum business, Conservation Lab, Fine Arts insurance coverage, budgets, Cabell Foundation gift. \"Report on the Freedom of Information Act\". Depreciation of \"Death of Regulus\", Salvatore Rosa. Dates- 12/74 - 7/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Museum business and operations, budget, contractual agreement between VMFA and Harwicke Associates, Inc. for North Wing project. \"Organization of the Virginia State Government\". Dates- 10/75 - 11/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- UVA architect and his membership in the Collectors Circle. Dates- 1/63 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- General assistant to VMT, employment recommendation. Dates- 6/55 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Possible acquisitions from his gallery. Dates- 10/62 - 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L Cheek and J.M. Brown. Subject- Loans, exhibitions, VMT, Rotunda Club, Fellows. Accessions and gifts: \"Metamorphosis\", Grillo. Dates- 4/57 - 6/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- correspondence with individuals, institutions and companies beginning with the letter \"O\". Dates- 4/43-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, photo and job description/responsibilities as program director for \"Art Column\". Dates- 3/61 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- As a scenic design consultant, his lecture to VMT in connection with the Exhibition: \"Design For The Theatre\". College Drama Festival, biographical data. Dates- 1/60 - 2/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, P. Mellon, E. Brooks Jr., and M. Bush. Subject- Financial support: Artmobile II, building grant and museum survey to expand visitors use to VMFA. Photographs, newspaper clippings. \"A Study in Modern Giving: The Old Dominion Foundation\", reprinted from articles in Richmond News Leader. \"Bollenger Series\", catalogue of special edition books. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, M. Bush (Asst. to Pres. of ODF) and P. Mellon (Pres. of ODF). Subject- Financial assistance to VMFA, Artmobile II, collectors circle, and Old Dominion Foundation statement of purpose. Dates- 9/58 11/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Dan Olney. Subject- receiving a Senior Fellowship 1941/2, outline for a lecture, etc. Dates- 10/40-6/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Governor Thomas B. Stanley. Subject- opening of the new wing. Dates- 8/54-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- opening and reception for Governor Stanley. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- invitations and replies to the opening of the Members' Suite, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Opera Society's first season. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- miscellaneous printed materials for the Museum, etc. Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- tickets to the Museum for State Lions' Club convention, etc. Dates- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- ideas/proposals for \"Members' Room\", suggested operating procedures, menus, pricing, etc., cost estimates, \"Refreshment Room Statement\" 1955, etc. Dates- 1/55-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre operations proposals, list of staff, their duties and salaries, etc. Dates- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- lists of statewide business, civic, commercial and other organizations, invitation list for General Assembly/Governor's reception, etc. Dates- 1953-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Orloff's (Chief-interpreter of U.N.) lecture to VMFA concerning the Faberge Collection, Biographical data. Dates- 11/49 - 4/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters of inquiry to firms specializing in plaster and wood ornament, catalogs. Dates- 5/54 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator). Subject- museum practices especially concerning finances of other US art museums, etc. Dates- 4/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, P. Near and J.M. Brown. Subject- Artmobile, VMT, Collector's Circle, Fellows, Chapters/Affiliates, biographical data, campaign to restore the Jefferson Hotel, list of exhibitions from 1942 - 45.  International Exhibition Foundation, the appointment of John A. Pope (Director of Freer Gallery) as advisor/consultant to VMFA for expansion of Far Eastern Collections.  Acquisitions and gifts. Artists: Nell Blaine, Howard Kanovitz, Otto Piene. Gifts: Masson lithograph, Irving Penn photo and 15 Russian 19th century paintings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Painter's lecture on \"Armor and Medieval Man\" to compliment the \"Arms and Armor\" exhibition, biographical data. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. Nelson Parker. Subject- announcement of Board meetings, etc., Date- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Appeal to Virginia Senate and legislature regarding sufficient museum parking utilizing land belonging to the UDC (United Daughters of the Confederacy). Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Gift of Egyptian Gallery and English Decorative Arts Gallery. VMT, and her membership as a Fellow and in collector's circle. Dates- 4/61 - 10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. J.G. Pollard and Executive Committee of the Board. Subject- proposal and planning stages of conferring an honorary degree of \"Patron of the Arts\". Dates- 6/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject-housing J.B. Payne books in library of the College of William and Mary in exchange for paintings from their collection of art for display at the Museum. Dates- 1/50-4/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek's service on the Board of Trustees and on the Advisory Board of the School of the Arts. Minutes of U. of P. Executive Board, 4/8/60, 4/29/63, 4/26/65 and Annual Report of Graduate School of Fine Arts, 3/64, 5/65. Dates- 10/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek as chair of Fine Arts Committee. Subject- Letter to P. Coombs on his appointment as Assistant Secretary of State for Educational and Cultural affairs, UNESCO newsletter, Nubian archeological sites. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and A. Frankfurter (editor, Art News). Subject- VMFA general collection, list of gifts and purchases, 1955-67, scope of exhibitions, dates, publications, colorplates. List of VMFA Board of Trustees, 1962, Gobelin Tapestries. Dates- 1953 -64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Articles based on exhibitions and general collection of VMFA, VMT, invoices, newspaper clippings, pamphlets, reviews, newsletters. NEA museum programs, research education grants. Dates- 1967 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Articles of VMFA: \"A Spring View of Virginia Museum\", 10/56, Wm. Lacey, Editor; \"Art isn't Caviar at this Museum\", Sidney Shalett, 7/57, The Diplomat. Dates- 10/56 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Articles and editorials pertaining to VMFA: Newsweek, Time, Art Gallery, Antiques, Museum News , etc. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Harper's Bazaar, New York Magazine, Apollo, reviews. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Editors V. Dabney (RTD) and J. Kilpatrik (RNL). Subject- Artmobile, reviews of VMT and media coverage by print journalists, newspaper clippings. Essay- \"The Arts In The Sixties\", by L. Cheek. Dates- 11/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and F. Stewart and C. Jones. Subject- Exhibitions: \"Form Givers\", Sport and Horse\" and Mellon Collection. Dates- 2/60 - 12/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains applications, resumes and information on candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and M. Christison. Subject- Job descriptions. Dates- 1953 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison, P. Near and L. Cheek. Subject- Fellowships: list of recipients from 1940 - 1955. Prospective employees and VMT. Dates- 12/54 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- personnel rules and procedures of VMFA and the Commonwealth of VA, mandates from the Governor's office, additional personnel and pay increase requests, Roster Cards (listings of all employees and pay rates), etc. Dates- 8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr., and R.A.Velz (Administrator). Subject- listing of division duties, proposed salary ranges, information about hiring an artmobile driver-curator, etc. Dates- 2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Photographs of L. Cheek, Mrs. J.G. Pollard, theatre staff, Ariel Ballif, Vincent Bowditch, Arthur Ballet, R. Velz and P. Near. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Personnel matters. Dates- 4/66 - 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains general information about the system and ratings for museum employees. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains applications, resumes and information about candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains applications, resumes and information about the candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains applications, resumes and information about various candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from the Governor's personnel survey staff. Subject- employment questionnaire, job descriptions (buildings and grounds staff, watchman, registrar, secretary, etc.), etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and the Governor's personnel survey staff. Subject- employment questionnaire, VMFA tentative classification of positions (3/37). Dates- 10/36-4/37.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. Fiske Kimball (Director of Penn. Museum of Art). Subject- loans for VMFA inaugural exhibition, exchange publications, counsel on museum practices, etc. Dates- 5/35-5/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and R.L. Dickinson (Hanover Bank). Subject- The Library of Philanthropic Information at the Hanover Bank, New York City. Dates- 11/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- E. Turpin Phillips, a Virginia citizen and his request to see proposal plans for expanded museum parking onto UDC property. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Consultant for VMFA acquisitions. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Duncan Phillips (Director, Phillips Memorial Gallery). Subject- request for loans to VMFA inaugural exhibition, etc. Dates- 9/35-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Installation of VMFA photography department, list of equipment and supplies, employment of staff photographer: Gordon Burns. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- listing of entries to the \"19th Photographic Salon\" exhibition, schedule for jurors, etc. Dates- 3/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator) and L. Cheek, Jr. Subject- purchase requests for photographs. Dates- 10/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Ivan Dimitri as Director of Photography in the Fine Arts at the Brussels World's Fair, his service on the advisory committee, list of photographs given to VMFA from the PFA exhibition. Directors of America's Finest Museums: portraits, credo of on art and their personal selection of photographs from the PFA archives was the subject of the World's Fair exhibition. Etching by Levon West (Ivan Dimitri). Dates- 12/59 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Atillio Piccirilli. Subject- biographical information, loans of work to the Museum, etc. Dates- 7/35-1/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- viewing the feature film 'Pictura \"An Adventure in Art\"', invitations, contributions, listing of attendance, etc. Dates- 2/52-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Herman Starr (Pres. Pictura Corp). Subject- A group of films devoted to the fine arts. Presentation of \"Leonardo da Vinci\" at Richmond's Lee Art Theatre and film on Goya to accompany exhibition. Dates- 1/51 - 3/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Gallery dinner, menu, agenda, program for event. Dates- 8/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- policies on use of meeting rooms and studios, special food service, interpretative services, scheduling programs, etc. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains correspondence to and from him when he was President of the Board of Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- the VMFA inaugural exhibition, Museum events, finances, Museum Board business and bequests/gifts to the Museum, etc. Dates- 1/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- Museum operations, investments, finances and gifts to the Museum, etc. Dates- 1/37-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His service as President, Trustee and membership in the Collector's Circle. Biographical data, museum business: operating fund, Artmobile, Newsom Report, 25th Anniversary fund, Melchers Estate transfer, gifts, contributions, Fellowship Fund. Exhibitions: Sport and Horse. Dates- 9/53 - 2/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His service as a Trustee, VMFA Resident Craftsman Program. Dates- 2/64 - 2/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Design of members Bulletin, records retirement, museum business. Dates- 1949, 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Museum business, Pratt installation, museum courses and equipment. Dates- 9/54 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Gift of \"Rotating Sphere\" from Lloyd Noland. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- As founder and director of the Barter Theatre, proposed plans for Theatre Virginia and NEA funding. Dates- 4/67 - 5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr., and Mr. David Payne. Subject- correspondence with Payne about arranging the exhibition \"Portraits by David Payne\", biographical information, letter from Phillip Johnson, etc. Dates- 5/51-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J.G. Pollard, L. Cheek, Priscilla Crum (Curator, Asst. in Education). Subject- Gallery representing portrait artists, biographical data on various artists and portrait of Senator Byrd. Photographs. Dates- 6/45 - 11/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Statewide tribute to John Powell (a native of Virginia) and the presentation of his \"Symphony in A\". Date- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Correspondence with Pratt as a trustee. Discuss first Easter egg exhibition in 1949 and Hammer visit. Letter from Schaffer (A La Vieille Russie) in 1949 about lending some pieces for an exhibition. Includes a few letters from Mrs. Pratt before she died, about a Faberge table donation in 1942 and donating \"Twice Seven\" to the Library. Establishment of the Fellowship fund, including letter from Twombly as early recipient. Pratt Collection: insurance estimates and installation. Gift of funds to purchase the first Artmobile from Pratt and Miller and Rhoads. Dates- 7/40 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artmobile, Fellowship committee, underwriting of Faberge booklet, terra-cotta statue of \"Diana\" from the Pratt Estate given to VMFA, newspaper clippings. \"A Plan For Fellowships For Virginia Artists\" as suggested by Mr. John Lee Pratt. Minutes from Fellowship Committee meeting, 6/12/42. Dates- 12/49 - 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. John Lee Pratt. Subject- Trustee/Museum business, VMFA fellowship updates, etc. Dates- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown. Subject- Biographical data, fellowship recipients: Cynthia Morehead Smith, Paul Steuke, June Chapman, Fred Bonds, Richard Kevorkian and Reginia Perry. Pratt Collection: catalogue, except from forward by L. Cheek, questionnaire regarding Mrs. Pratt's initial contact/purchase sources for Russian Jewels, list of objects bequeathed by Pratt Estate. Dates- 1/57 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposals and cost estimates for Healy's Sitters exhibition and Pratt collection catalogues. Dates- 4/50-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, L. Cheek, Armand Hammer (Hammer Gallery) and Alexander Schaffer (La Vielle Russie Gallery). Subject- Legal claim against the Romanoff Family assets via the Pratt Collection of Russian Jewels. Possible lawsuit by A.G. Sharkey, President and Trustee of Marine Transport Service Corporation in NY who had judgment against Czar Nicholas Romanoff since 1918. Hammer and Schaffer dismissed it. Details of Pratt bequest, provenance of objects, announcement of bequest with sample of text to be used in pamphlet. Excerpt from \"Twice Seven\", by H. C. Bainbridge, E. P. Dutton and Co. Inc., 1934 (reference to Faberge Jewels owned by Armand Hammer). Dates- 8/47 - 10/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Mrs. J. G. Pollard. Subject- Installation, list of items on exhibition, security and transportation. List of objects in the collection of Mrs. Joseph E. Davies and pamphlets. Correspondence regarding various showings around the state - Roanoke in 1950 and Norfolk in 1951. Dates- 1/49 - 4/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from C. Humelsine. Subject- General correspondence to the VMFA membership, calendar of events, museum news. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to the media from the Museum. Subject- news releases about Museum events. Dates- 10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News releases about Museum events. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- positions and duties for volunteers and guards during an undisclosed preview. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Gov. Price. Subject-proposed salary increases, Board meeting announcements, nomination of Colt to select work to go to the Annual Exhibition of American Art 1938. Dates- 1/38-11/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- On the occasion of his being collector of the Year 1964, his cookbook including photographs of VMFA and the menu from the Collectors Gala, newspaper clippings. Gifts: Lachaise drawing. Dates- 6/63 - 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, P. Grigaut and P. Near. Subject- A. Priest as Metropolitan Curator of Far Eastern Art, his service as a consultant to VMFA (1963-69) in the formation of the Asian collections. Correspondence on examination and provenance of works in the VMFA. Minutes of Executive Committee, 9/9/63, 12/8/64, minutes of Accessions Committee Meeting, 9/9/63. \"A Buddhist Paradise\", A. Priest, AIV, 1963. Newspaper clippings, postcards, etc. Dates- 1963 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by R.A. Velz (Administrator) and Mrs. J.G. Pollard. Subject- printing schedules for 1956, miscellaneous print job specs, etc. Dates- 11/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- asking local corporations to fund the printing of school guide sheets for the Museum. Dates- 8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence pertaining to bulletin layouts, copies of Members Bulletin Vol.9, No.'s 1and7 and copies of Christmas cards 1948-9, etc.. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Museum publications: Contemporary Paintings 1946, Program Season of 1947-8, The VMFA Annual Report 1947-8, Virginia Art 1947 and Museum Bulletins: Vol.3 No.'s 1,2,4,6and9,  Vol.4, No.'s 4and5,  Vol.7, No.'s1,2,3,4,5,6,7,8and9,  Vol.1, No.8,  Vol.8, No.'s 2,3,4,5,6,7,8and9,  Vol.9, No.'s 1,4,5,6and8. Dates-9/42-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- securing a speaker (Robert T. Paine) for the exhibition \"Prints by Hiroshige\", thank you note to Mr. Paine, etc. Dates- 11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- proposed programming for the Museum. Dates- 2/49-9/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and lecturers. Subject- proposed program/events and exhibition schedule, biographical information on lecturers, etc. Dates- 10/50-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Peter Mooz. Subject- Artmobile schedules, Three-Days-In-March, members travel, grants, pamphlets. \"Proposal For The Development Of American Writers And Resources With Special Emphasis On The Production Of New Forms Of Drama Created Especially For Television\"; The Mark Report\": A survey and evaluation of VMFA statewide programs. Dates- 1974 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Safaris, Artist-in-Residence, lectures. Film series: \"The Romantic Rebellion\", exhibitions, COVA events, agendas, Professional Workshop. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt and Nancy Durett. Subject- violin recital 4/47. Dates- 4/46-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- memos to determine dates for the Trust Fund Orchestra to perform at the Museum. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison and L. Cheek. Subject- VMFA educational services, VMT and all manner of print and broadcast media promotion. Exhibitions, publicity schedules, press releases and newspaper clippings. Dates- 9/50 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General invitation to groups to participate in VMT. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Prospective givers: foundations and individuals. Date- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newsom Report: \"A Report To The Virginia Museum Of Fine Arts\", 11/19/58, Earl Newsom and Company, a study of VMFA public relations, information and communications responsibilities. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Various outside publications mentioning VMFA, 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Design and production of AIV: promotion, organization, printing schedules, contributors , etc. Catalogue \"Architectural Drawings in Virginia\" and \"\"Confessions of an Ex- Elitist\", M.W. Fishwick, Popular Culture Association, American Studies Institute, Lincoln University. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- photo of the Museum and of the \"Brussels Tapestry Exhibition\" 1949, Museum publications: VMFA Catalog of Paintings 1938, The Collection of Catesby T. Jones, 1948, and the following VMFA Members' Bulletins: vol.10, no.'s 1-5, etc. Dates- 1938-1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- copies of the following publications: The VMFA Annual Report 1947-8, The T. Catesby Jones Collection, Contemporary American Paintings 1948, William James Hubbard, Three Virginians Behl, Hunter, Blaine, Portrait Panorama, Program Season of 1947-8 and Member's Bulletins: Vol.1, No.8, Vol.8, No.'s 2,3,4,5,6,7,8and9. Dates- 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release, jurors. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing the Parsons gift of the Egyptian Gallery and 25th Anniversary Fund Committee. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitations to the VMFA's 25th birthday celebration for the affiliates, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- press release announcing loan of Chinese wine vessel. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 25th Anniversary projects, press release: message from the President (Robertson). Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Appeal to Trustees for contributions to the Drama Festival.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: 28th Virginia Artists Rotating Exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing a network of local art centers and museums affiliated with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- VMFA as regional jury center for the national exhibition \"Designer-Craftsmen-U.S.A.\", news releases, information on obtaining a jury and a speaker, etc. Dates-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Va. Architects, Photographers and Designers, seminar for Historical Administrators, VMT and Virginia Composers Concert. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release and photo for first issue of AIV. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release on Arts in Virginia. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains a cover letter for a mailing, no date. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing 25th anniversary events, exhibitions, VMT, etc. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing conclusion of 25th anniversary celebration with the presentation of awards to Colonial Williamsburg, The Old Dominion Foundation, sculptor: Carl Milles, architect: Eero Saarinen, collector\" Robert Lehman and Naval designer: William F. Gibbs for their outstanding contributions to the Arts in Virginia. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- obtaining the exhibition \"Built in the U.S.A.\", presenting programs related to the exhibition, biographical information on Phillip Johnson, etc. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- photo of \"Little Triton\" fountain for the Bulletin, copy of Members' Bulletin vol.15, no.1(9/54), etc. Dates- 9/53-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for Members' Bulletin. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- working papers for Members' Bulletin, calendar of Museum events. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Vol. 13 no.'s 1-9, 1952-5/53; vol. 17 no. 8, 2/57; vol. f19 no.'s 7 and 8, 3/59 - 4/59. Biographical data on Iren Marik, pianist, and reviews. Dates-1952 -53, 1957, 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Vol. 20 no.'s 4-6, 12/59-2/60 Dates- 12/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press releases: Tours organized through Virginia Federation of Women's Clubs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press releases: season opening production and call for volunteers. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Extended performances of VMT's \"Carousel\". Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Bus trips to VMT. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- listing of certificate winners and a gallery guide from the \"Virginia Artists\" exhibition 1955. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Portions of VMT concert to be broadcast with commentary and explanations of technique. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Programs and photographs. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Information regarding the Museum's chapters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- photographs [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing festival with guest artists: Helen Tamris and Daniel Nagrin. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Critic, Stella Adler, Speaker: Alfred de Liagre. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- TV news film of highlights of the College Drama Festival, script, telegrams and surveys to Virginia TV stations concerning air time and usage. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Announcement of individual participants announcing their attendance in the festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- loan of Cone collection from the Baltimore Museum of Art to VMFA for an exhibition, a catalogue of the Cone collection, news release about the  bequest of the collection to the Baltimore Museum of Art, etc. Dates- 10/49-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Public information schedule for exhibition: \"The Architecture of Skidmore, Owings and Merrill\", \"The Little International\". Artmobile public and information schedule and Bulletin, vol. 19, no.2 10/58. Essay- The Little International Exhibition\", Fred Olsen, 4/57. Dates- 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Publicity stills, reviews and biographical data.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- list of designers proposed for inclusion in the exhibition \"Design for Theatre\", tentative list, etc. Dates- 8/52-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing loan of painting by Winslow Homer. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Evaluation of the Discovery Television Series sponsored by the San Francisco Museum of Art. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Statewide Press Release announcing fellowships 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press Releases regarding fellowships 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Publicity stills and posters. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Buckminister Fuller. Subject- Exhibition of the work of 13 leading architects, opening lecture given by Buckminister Fuller, list of catalog content, gallery talk, press release, invitations and biographical data. Photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing formation of a fundraising committee for the 25th anniversary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibitions: \"Drawings From Five Centuries From The Cooper Union Museum\", \"Hans Moller\", \"Is Photography An Art\", \"Sport and the Horse\", \"25th Anniversary\". Parsons gift of the Egyptian Gallery, Chamber Music Society, Virginia Artists, evening hours, speakers/lecturers, Virginia Art Alliance, state services, Fellowships, Search for a female collector with a collection of Imperial robes. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press releases announcing exhibition of contemporary glass. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibitions: Skidmore, Owings and Merrill (AIA for Reynolds Building), publicity, progress report on exhibition arrangements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Ivan Dmitri. Subject- Symposium on photography conducted by Dmitri with a panel composed of: A. Hyatt Mayor (MET) and Hilton Kramer (Arts Magazine). List of paintings and photograph comparisons and press releases. Photographs. Dates- 10/59 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Status report of the Broadway production. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information about the loan exhibition. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Speaker 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: History of Lynchburg Center published in the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Brief film on masterpieces of American silver, script and outline for the 25th anniversary program. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains press releases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains layout and planning for the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Photographs of the moving of art objects, installations, physical plant and behind-the-scene workshops and people.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Editorial Writers, agenda, and guest speakers, exhibitions, events, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Ms. Nemone Balfour. Subject- a ballad concert given by Balfour sponsored by the Museum, new release, printed material, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: R. Neutra lecture in coordinate with his VMFA exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- invitations to grand opening of the 10/54 VMFA addition. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing the Norfolk Museum affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Bus tour and photograph. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Photographs of galleries. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing gift of marble statue \"Dawn of Young Womanhood\", Oronzio Maldrelli from Miller and Rhoads Department Store. Press releases from: Mariners Museum, National Gallery, Henry Ford Museum, Walker Art Center and the MOMA. Dates- 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: purchase of Patronship by Richmond businesses for season tickets to VMT.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- radio transcripts and publicity releases. Dates- 1948-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases. Dates- 8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases, publicity schedule 6/26- 7/22. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases. Dates- 5/56-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases. Dates- 4/51-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to media from the Museum. Subject- News Releases. Dates- 1952- 5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press releases for various museum events: theatre, exhibitions, films, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Affiliation announcement of the Roanoke Fine Arts Center 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing the loan of \"The Ecstasy of St. Francis\" by Carravaggio. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- press release announcing the acquisition of a rare funeral monument from 2nd century B.C. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Advertising copy and selection of artist to draw a cartoon. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- press release for VMT promotion. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release announcing special schedule to accommodate bus trip from out of town. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Publicity schedule and advertising copy. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- scheduling a speaker (Bernard V. Bothmer) to coincide with the exhibition \"Smith's Egypt\", photo and biographical information about Bothmer, etc. Dates- 6/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition and Publication information regarding \"Sport and the Horse.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- News Releases regarding newspaper column 1960. The column was carried in 50 Virginia newspapers as 42 weekly articles by Cheek. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Syndicated column written by Cheek as part of a promotion for the Museum's 25th anniversary. Contains a mailing schedule for the column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Return forms from newspaper publishers regarding column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Promotional letter for newspaper column. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Broadcast script for performance promotion. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from G. Friddell (Public Information Director). Subject- controversial nature of the \"American Painting 1950\" exhibition, James Johnson Sweeney was the juror for this exhibition, Sweeney biographical information, News Releases, exchange/gift publications of the catalogue to this exhibition, etc. Dates- 1/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Broadcast script promoting 25th anniversary year. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 25th Anniversary, broadcast scripts, VMT and list of Virginia and Washington TV stations. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Broadcast promotion script. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- press release with performance information  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release for VMT promotion. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release concerning a 25th birthday year magazine, the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Press release: Tours arranged by Virginia Federation of Women's Club in 6 Virginia towns to see VMT production of \"Carousel\" Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Reviews of show. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Introductory speeches. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"The Tempest\", \"The Mad Woman of Challiot\", \"Berkeley Square\", \"I Remember Moma\", \"Noah\", \"Blind Alley\", \"The Devils Disciple\", \"High Tor\", \"Oh Wilderness\", \"Private Lives\", \"The Petrified Forest\" and \"Victoria Regina\". Dates- 1955 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Assigned design projects and newspaper clippings. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- National broadcasts focusing on topics of national interest, VMFA requests for financial assistance to host a \"Meeting\", pamphlets and photograph. Dates- 1953 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Aubrey Bodine and Gordon Bunshaft, biographical data, Competition promotion, preliminary text for official entry forms, press release. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- list of pieces included in the \"Virginia Artists 1953\" exhibition, list of purchases made from the exhibition, information on the jury and on purchase prizes, letter from Jacques Lipchitz, etc. Dates- 12/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information about the exhibitions and photographs of the artists and their works. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Jurors: Richard Lippold, Isabel Bishop and Perry Rathbone. Press release announcing event.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Eighteenth annual exhibition held at the Museum and sponsored by the Camera Club of Richmond. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- fountains that flank the Museum's front entrance. Dates- 9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- photo of conservation lab, gift and exhibition of the Williams collection of art at VMFA, announcements to and articles in major art publications about the gift of the Williams collection. Dates- 3/52-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition \"The American Cartoon\", original American cartoons from the collection of Mr. Art Wood, invitations and R.S.V.P.'s to exhibition preview, photos of some of the pieces of cartoon art, etc. Dates- 5/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Wm. Quillan Jr. (President of Randolph Macon Women's College). Subject- Loan of Randolph-Macon's collection of paintings. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Isobel C. Lee (Steuben Glass). Subject- Loan from Queen Elizabeth, installation, lighting and press-release. Dates- 7/10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artmobile, AAM, Jamestown Foundation, loans, Accession, gifts, biographical data and resumes. Exhibition: Randolph Macon Collection. Letter from Richard Rogers to lecture to VMT, Reston Foundation: Minutes of the Executive Meeting, 9/12/60. Dates- 9/60, 5/62 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown and P. Near. Subject- Loans, contributions, acquisitions, exhibitions and Africa Gallery. Dates- 1/68 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to W. C. Cottrell (Elec. Corp.). Subject- Proposal and technical information for Audio-Guide radio-lecture, pamphlets, blueprints/plans of galleries. Dates- 5/72 - 8/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, Priscilla Crum and M. Christison. Subject- Broadcast of Biennial Jury, notes from WMBG broadcast, 12/6/46, \"What Is Your Art Museum\", participants: Priscilla Crum (Curator of Education), Edward Davis III (Curator of Decorative Arts) Mrs. J.G. Pollard and T. Colt. Notes from WLEE broadcast, \"Know Your Museum\": a weekly series with guests from the local arts community and \"For Parents Only\": a children's radio program. Dates- 2/46 - 11/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- radio talk shows and transcripts. Dates- 12/37-9/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mr.and Mrs. Robert C. Randolph. Subject- the loan of a portrait of Wm. Henry Harrison by Rembrandt Peale to the Museum for the inaugural exhibition and an additional later loan. Dates- 9/35-11/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, L. Cheek and Mary F. Williams. Subject- The service of Beatrice Von Keller as VMFA Acting Director during Colt's military duty. Biographical data, Randolph-Macon Collection including the acquisition of the Bliss Collection. Dates- 7/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Hours of operation, policy, menu. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and the Frank Rehn Gallery. Subject- loan of paintings to inaugural exhibition of VMFA and later proposed acquisitions from the Frank Rehn Gallery, etc. Dates- 9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt. Subject- Artist from West Virginia: application and recommendation for a Rosenwald Fellowship by T. Colt. Dates- 6/49 - 10/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Rennolds' service as a Trustee and entertainment committee. List of objects in the home of her mother, Mrs. John Kerr Branch, that may be of use to the VMFA. Dates- 1/53 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Policy and requests for rental of museum meeting rooms. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposal for state/federal funding for the creation of the \"Latrobe Theatre\" (never built), a professional theatre organization. The design of the Theatre was based on plans by the 19th century architect Latrobe. \"The Virginia Museum Theatre\", statement of facts in relation to charges appearing in the Richmond Times - Dispatch, 10/13/66. Subject- 8/65 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of requests and general correspondence. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison, Edward Kallop and L. Cheek. Subject- Inquiries concerning specific artists, objects, valuations, conservation/restoration, etc. Dates- 6/56 - 6/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- L. Cheek served on the Board of the Reston Foundation Community Program, includes roster of board members. Dates- 11/10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to the Executive Director of the Reston Fund. Subject- L. Cheek's membership on the Board, and proposals for development of the Reston Community, low-cost housing, maps, agendas, Reston architects, Minutes of Annual Meeting- Reston Community Foundation,12/15/64, 4/25/65, 11/12/67, 4/8/68. Dates- 6/65 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- VMFA membership and letter of condolences to the Reynolds family. Dates-10/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. cheek. Subject- R. J. Reynolds service as Chair of VMFA promotion and development committee. suggested organization agenda for the meeting of the Public Relations Development Committee, to further the advancement of VMFA. Contributions, invitations and photographs. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"R.S. Reynolds Memorial Award\", awarded annually to the architect or group of architects who make the most significant contribution to the use of aluminum, aesthetically or structurally, in the building field. Theodore Rozak chosen to commission the first sculpture. Dates- 5/58 - 11/6 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Miss Katherine Rhoads. Subject- a bequest to the Museum. Dates- 5/35-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from G. Martin (Secretary of VMFA). Subject- Rhoads Medal awarded to persons who have made a notable contribution to Art in Virginia; list of recipient, excerpts from the Minutes of the Executive Board, 5/25/69/. Biographical data on Concetta Scaravaglione, designer of medal. Medal awarded to Walter Spencer Robertson. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence to and from Rhoads as Vice-president Board of Trustees. Dates- 1934-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Contributions to a purchase fund in his memory. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt, L. Cheek, Mrs. J.G. Pollard and P. Mellon. Subject- Museum business, exhibitions. Pratt Estate, John Barton Payne Endowment, Resolutions in memory of Judge Payne, resignation of Colt, Fellowships. List of employees and job descriptions. List of Benefactors, Patrons and Life members, Board of Trustees, Rockefeller Foundation, segregation, contributions, gifts and accessions, including Mellon. Dates- 11/40 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, W. Robertson, Mrs. J.G. Pollard and W.S. Rhoads. Subject- General letter to membership from the President (W.S. Rhoads), Webster S. Rhoads Medal, Artmobile III and South Wing. Dates- 1951 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- General Museum Business, VMT, policy regarding expense accounts and museum entertaining. Dates- 5/57 - 11/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitation list, invoice for cocktail party honoring W.S. Rhoads. Dates- 5/8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Westwood Winfree (Pres. RAA). Subject- Winfree's participation in the Virginia Rotating Exhibition and other events. Requests for restructuring of jurying procedure. \"Reasons For Suggesting A State-Wide Artists Study Committee To Be Sponsored By The Virginia Museum Of Fine Arts\". Dates- 2/56 - 9/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- Richmond Chamber Music Society programming seasons: 1950-1, 1951-2, 1952-3, 1953-4 and 1954-5, membership rosters 1951-2 and 1954-5, etc. Dates- 10/50-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed policy for relations between VMFA and Richmond Chamber Music Society (conducting events there), listing of Society members, etc. Dates- 1/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- To increase Jaycees interest and support of VMFA. List of member organizations. Certificate to L. Cheek as a member of the \"Civil War Centennial Committee\", Minutes from the \"Society of Architectural Historians,1/30/58. The presentation of the \"Distinguished Service Award\" to L. Cheek. Dates- 11/60 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Disturbances in area of Westmoreland Place (Cheek residence), Cheek's Anniversary Party. Presentation of Canal Locks to Mayor M.M. Crowe. Dates- 2/64 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Field trips taken to the museum by schools throughout the state, 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Broadening cultural horizons in Richmond, proposal for Civic Center in downtown Richmond and the necessary steps for improvement of downtown, editorials, newspaper clippings. \"Plight Of Museums Is Very Real\", L.J. Ahlander, 11/25/65, Washington Post, \"Activities Center Study For The City Of Richmond\", Wm. A. Briggs A.I.A. and B.R. Johns A.I.A., Associated Architects, 8/1/64, \"Modern Living\", 11/6/64, Time and \"Are Most cities Too Ugly To Save\", 11/30/64, U.S. News and World Report, Inc. Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains financial statements for the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- proposed relationship of The Richmond Film Society with the Museum (use of Museum facilities), Film Society programs 1951-2, 1952-3, 1953-4, 1954-5 and 1955-6, etc. Dates- 6/50-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters of compliment to editors and journalists of Virginia periodicals regarding VMFA. Dates- 7/58 - 19/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Priscilla Crum, T. Colt, L. Cheek and M. Christison, Theresa Pollack, H.H. Hibbs and Mrs. J.G. Pollard. Subject- Exhibitions and musical programs. Dates- 9/45 - 11/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, J. Schaeffer (General Manager, RSL) Subject- Opening performance and concert dates. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Gala opening event of Artmobile. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and L. Willock (Exec, Dir.). Subject- Renewal of Affiliate members. Dates- 1961 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Charter proposal for a Roanoke museum and minutes from the Roanoke Fine Arts Committee. Dates- 12/47 - 9/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Special building committee, draft of letters from Affiliates/Chapters in support of VMFA expansion to be sent to the House Appropriations Committee , members of the Senate and members of the State Finance Committee. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and E. Will (Pres.). Subject- Purchase of \"St. John the Baptist\", Rodin, in memory of W.S. Robertson. Dates-2/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artmobile proposal, museum business, exhibitions: \"George Stevens Makes A Film\". Fellows organizing campaign, selected list of paintings in VMFA permanent collection. Rosters: Members of commission of State Capital and Outlays and Means of Financing; VMFA Executive Officers and committee's. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter from the President to the membership (W. Robertson), grant proposal for North Wing architectural plans.  List of objects needed for VMFA collections.  Rejection of the north facade by the Arts Commission.  Schedule of events, newspaper clippings.  \"Connoisseur's Comments\", guided VMFA tours narrated by world-famed collectors, critics and curators.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- letter of interest in erecting a monument to Bill Robinson. Dates- 12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Rockefellers' membership in the Fellows and their subsequent donation to aid in the Drama Development program. Dates- 1955 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Charles Fahs (Dir. Rockefeller Foundation), W.S. Rhoads. Subject- Proposal for the formation of VMT with initial funding from the Foundation, \"Charter for the Rockefeller Foundation\": Statement of purpose and methods of operation. Dates- 1/50-12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt and Roman Bronze Works Inc. Subject- casting busts of Gov. Pollard and Judge Payne and casting other figurative groups. Dates- 9/35-1/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter of authentication. Dates- 4/60 - 8/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Addresses made by F.D. Roosevelt upon the opening of the Museum of Modern Art. Dates- 6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Matilda McCord Roper (Mrs. George W. Roper). Subject- donations. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, expansion of VMFA print collection, The Alverthorpe Collection, loans of prints. Dates- 8/65 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA as recipient of a rose garden by the Garden of the Patriots. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- M. Ross as VMFA advisor, on retainer, for Byzantine and Medieval acquisitions. the Heeramanecks and Hunt Collections. Dates- 9/65 - 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data and brief history of Rothschild family. List of paintings in VMFA from Rothschild Collection. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Text and pamphlet for the opening of the Melchers Room. Photographs. Dates- 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Edward B. Rowan. Subject- mural competition for post offices in Petersburg, Hopewell and Richmond. Colt acted as chairman for a regional committee to carry out this competition for the Procurement Division, Public Works Branch of the Treasury Department, etc. Dates- 3/30. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- securing a speaker (Mr. Everett Parker Lesley, Jr.), obtaining a transparency from Time magazine of one of the Museum's eggs, etc. Dates- 3/53-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- General correspondence to Trustees regarding Museum business and events. Photographs and slides. Date- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- General correspondence regarding loans, acquisitions and invitations. Dates- 1/62 - 11/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Eero Saarinen. Subject- Aline Saarinen broadcast on the VMT Shakespeare Preview. Drawing. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibition: \"Master Drawings\", with lecture by Paul Sachs. Theft of Degas drawing on loan to VMFA from the Fogg. List of London and Paris art dealers. Dates- 5/51 - 6/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- letters from other U.S. Art Museums about staff salaries and Curator's Report activities from the 1st season 1/16-5/24 1936. Dates- 1936- 7/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Requests for purchase of cases from the Greek Gold exhibition. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Form letters: members, advertisements, donors, other institutions regarding loans, lectures and publication requests, etc. Dates- 1967 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Samuels gift of building for the Front Royal Library. Loan and cleaning of \"View Near Oxford\" by Richard Wilson. Dates- 4/52 - 9/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- 10th Miller and Rhoads Women's Forum; invitation to Philip Johnson to serve as a speaker. Biographical data on James Parton and Max Abromovitz. Dates- 8/51 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Hans van Weeren-Griek. and Concetta Scaravaglione. Subject- exhibition of her work and insurance of a piece that was damaged. Dates- 9/40-7/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Events and mailing schedules. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Events and mailing schedules, Paul Taylor Dance Tour, Safari-Dinner, agendas, etc. Dates- 7/70 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Appraisal of an agate cup belonging to Mrs. Paul Mellon as a work of art, for the Customs Commissioner. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- war-time high school art exhibition held at Miller and Rhoads department store, list of hostess for this event. Dates- 1943-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Invitations and general correspondence regarding the opening's of new art centers/buildings of various institutions, anniversary celebration, National Presentation Broadcast of Artmobile. Dates- 9/60 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.G. Pollard. Subject- Loan of items in his Collection to VMFA and his service as Vice-President. Exhibitions: American Contemporary Prints and Sport and Horse. Melcher Estate, accessions and acquisitions, list of gifts to VMFA. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Scott, Horner and Mason, Inc. Investment Securities in Lynchburg, VA. Subject- possible investments by VMFA, financing the new wing and the possibility of matching a Public Works Administration grant. Dates- 5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Seay collection of Decorative Objects, list of objects in Seay home. Dates- 1/39 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper clippings and letters to and from Leslie Cheek. Dates- 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Service reports on traveling exhibits. Dates- 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence about slide loans. Dates- 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Museum Services. Correspondence regarding loans 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Houdon statue of Washington on loan to VMFA, insurance valuation. Seymour's lecture on \"Houdon in America\" and panel discussion on contemporary sculpture. Opinions on dating and provenance of VMFA objects. Dates- 5/50 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Shalett's articles on the VMFA for the \"Saturday Evening Post\" and \"The Diplomat\" Dates- 8/56 - 10/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, letters of invitation to VMFA events, College Drama Festival. Melchers Estate: \"The Last Supper\", newspaper clippings and postcards. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Virginia Film Society, Dance Tour, VMT: job descriptions, Table of Organization, staff hours, Theatre Associates and Annual Theatre Train. Date- 4/66 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Agenda and events for Entertainment Committee, loan of Col. Anderson bequest items. Dates- 1/59 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and E. Shiflet (Sec. of Education). Subject- budget, museum business, financial profile, role of office of Education and pamphlets. Executive Order #20 and #21: Reassignment of VMFA to the Office of Education. Dates- 8/72 - 12/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Dealer in antique English silver and his gift to VMFA of a silver teapot. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT, juror search, biographical data, exhibition catalogues, loans of art work, accessions, gifts and general museum business. Dates- 1956 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- General correspondence, exhibitions, requests for publications, pamphlets, invitations, exhibition catalogues, A.D. and W.C. Williams Trust Fund. Photographs. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- paperwork authorizing R.A.Velz and W.J. Rhodes to sign vouchers and checks, list of Virginia Museum Theatre expenditures 1956-7. Dates- 2/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Blank stationary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- excerpts from Virginia Architecture exhibition catalogue, miscellaneous correspondence about catalogue,  etc. Dates- 11/58-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- compliments on exhibition \"Architecture in Virginia\", thank you notes to the Museum about exchange/gift publications of exhibition catalogue-Architecture in Virginia 1776-1958: The Old Dominion's Twelve Best Buildings, etc. Dates- 9/58-4/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- biographical information on various 20th century architects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- G. Smith (architect, writer and photographer), biographical data, and his collection of Travel Posters. Newspaper and magazine clippings, invitations. Application for Fulbright grant. Dates- 2/52 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Her membership on Executive Board, donation and contributions. Dates- 5/51 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mrs. Marrow Stuart Smith, Virginia artist, correspondence with museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of alumnae in Virginia. Dates- 9/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, M. Christison, and Mrs. J.A. Pope (International Traveling Exhibition Service). Subject- Exhibition: \"Swedish Textiles Today\": catalogue, pamphlet. Brussels World's Fair, U.S. Pavilion. Catalogue of Traveling Exhibitions for 1961-62. Dates- 4/53 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- S.A.H Directors meeting in Richmond, formation and organization of a Virginia chapter: agendas, lists of prospective members, directors of S.A.H., minutes from S.A.H. meeting. Dates- 12/52 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Meeting agendas, Architects Virginia Tour, preservation of the National Capitol, Shirley Plantation, landmarks in danger. Proposal to coordinate the activities of the SAH with AIA and the National Trust for Historic Preservation in the field of Historic Buildings Preservation. SAH: Minutes of Executive Board, 10/26/57, 5/17/58, 10/18/58, Treasurers Report, 1/58-4/58, Newsletters. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Lists: Fellows, Staff and Board of Trustees. Invoices, receipts and newspaper clippings. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Dinner schedule, agenda and pamphlet. Dates- 5/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Confirmation for Dinner event and agenda. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Fall meeting to be held at VMFA, conference agenda, mailing list and pamphlets. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Meeting agendas, events schedules, attendance rosters, officers, newsletters, registration forms. Report of SEMC '72 meeting, \"SEMC Notes\", no. 1, 1974 and no.1, 1975. Dates- 1972 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- printed material for exhibition \"Southern Exposures\", the following essays: \"Coming of Age of Photography\", \"Down the First Century of Photography with George and Heutis Cook\", \"Concerning the Cook Collection and Its Recovery of the Epos of the Attic\", etc.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Williamsburg International Assembly Speakers, biographical data: Edward Downes, Charles Seymor, Harris Prior and Arthur Drexler. Dates- 1951 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Wm. Gaines. Subject- Biographical data of speakers: C.V. Donovan and Joseph Curtis Sloane. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- printed material for the opening for prospective members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Safari Theatre Dinners, loan exhibition previews, maintenance. Dates- 1967 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Essay- \"The Art Museum As A Community Center\", by L. Cheek. Pamphlets, newspaper and magazine clippings of other museum programs. Date- 1961 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- early interest and planning of the exhibition \"Sport and the Horse\", etc. Dates- 5/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Frederick Robinson (Dir., SMFA). Subject- SMFA exhibition of Virginia Artists. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibitions, security, general operations and museum business. Employee policy, regulations, salaries, etc. Dates- 1962 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- General Museum operation, exhibitions, publicity evaluation, landscaping of Confederate Chapel, loan exhibition previews. Dates- 1963 - 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Employee policy/regulations, programs division, collection divisions, staff information and table of organization for Theatre Arts Committee. Newspaper clippings and salaries. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Suggested structure of staff organization and salary scales. Dates- 2/54 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA By-Laws 1958 and 1959, income sources, proposed improved operations plan. Salary information from the Smithsonian Institution. Job description for Assistant Administrator. Date 1959 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Head of Collections Division and Education Supervisor, Program Division. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Business meeting and reception regarding architectural improvements, gifts and loans to the State Department reception rooms. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- reception for General Assembly Wives. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Service reports for loans of exhibits, films and slides. Dates- 1951-1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for information regarding circulating visual materials 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Non-member requests for exhibitions 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Non-member requests for exhibitions 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Non-member Requests for gallery visits and lectures 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Out of state inquiries about Museum services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Out of state inquiries about Museum services 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of prospective organizations for using extension services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Requests for circulating visual materials and exhibitions 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General Correspondence Traveling Exhibitions 1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains information on the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains statement for addenda to the Governor's report concerning the VMFA.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between L. Cheek, Jr. and Mr. Saul Steinberg. Subject- exhibition of Steinberg's work and lecture by Steinberg, etc. Dates- 8/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Opening of new auditorium, purchase of pianos and price lists. Program for the Chamber Music Society, newsletters from Steinway and Co. , 4/55-6/55. Dates- 4/55 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Philip N. Stern, Chairman of the Art Commission, Commonwealth of Virginia. Subject- Art Commission meetings, funds for museum equipment, funding from the Public Works Administration, architectural exhibition, etc. Dates- 7/35-10/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Steuben correspondence with the VMFA, 1938-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Ten Talents In the American Theatre\", Ed. David Stevens; \"Theatre For Art's Sake\" by L. Cheek. Proposal to the Rockefeller Foundation for financial support of VMT. Dates- 12/49 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and P. Near. Subject- Her gift of \"La Signora in Biege\", Lazzaro Donati. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, preliminary design program for South Wing Addition, letters to other museums regarding design, security and general building functions. Dates- 1948-49, 1962-63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Jas. N. Trevillian (Secretary). Subject- Conductor of the New York Philharmonic Orchestra, concert at the VMFA and program. Dates- 1947 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between VMFA and Gordon E. Strause, 1935-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Strause and various Museum staff. Subject- exhibition of his collection at the Museum, written complaints by Mr. Strause, Strause is named 1st honorary benefactor of the Museum by the Board of Trustees. Dates- 3/36-5/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J. G. Pollard, T. Colt and L. Cheek. Subject- Lewis S. Strauss, founder of the Albert Einstein Award (for achievement in Natural Sciences). Chairman of the Atomic Energy Commission, his service on the VMFA Finance and Membership committees. Letter of Henry Anderson regarding discussion with Paul Mellon and VMFA expansion potential. Newspaper and magazines clippings, Artmobile, gifts and contributions. Dates- 1945 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Fellows: theatre Orientation, general meetings, prospective Fellows, report of the Fellows 5/3/67. Date- 1965-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- As a Trustee and member of the development committee. Contributions. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Mr. William A. Stuart. Subject- Trustee/Museum business, etc. Dates- 7/51-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Julia Sully to the Museum. Subject- Virginia Art Index. Dates- 1935-48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and J. McGee (Sunrise, Pres.). Subject- \"Sunrise\", Charleston Cultural complex, budget analysis, roster of Executive Board, Annual Report, 1971, pamphlets. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J.G. Pollard, T. Colt and L. Cheek. Subject- Early correspondence concerning museum services, statement of purpose, Pratt Bequest, exhibitions and requests for publications. Dates- 7/45 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- General correspondence, request for publications, employment, Fellows, Russian Loan Bill, gifts, contributions, biographical data. Dates- 6/56 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Museum business, loans of art works, list of objects for long term loan, zoning ordinance. Paul Tishman Collection, Troubs Collection of Russian miniatures. Provenance of St. John the Baptist, Rodin. Pamphlets, brochures and press releases. Dates- 2/70 - 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. J.G. Pollard, M. Christison, John Canaday and Maurice Bonds. Subject- Informal discussion series on art, artists and technique. Topics: Lithography, sculpture, restoration, art history etc. Includes biographical data on lecturers and exhibitions. Excerpt from \"American Silversmiths and Their Marks II\", by Stephen G.C. Ensko. Dates- 9/48 - 3/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding Mrs. A.I. duPont's gift of tapestries to the VMFA and a subsequent exhibition, 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding taxes on honorariums, admissions and rental space, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA series of weekly TV programs, list of suggested topics, program guests, resource information from other Institutions, film rentals, television presentation of the 25th Anniversary and minutes of the Mayor's Committee on Educational Television, 11/11/53. Dates- 3/54 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from M. Christison. Subject- The development of a public television station to be shared by educational institutions. TV question and answer scripts and newspaper clippings. Dates- 1/49 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper and magazine clippings. Dates- 1961-62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Salary scales, job openings at VMT, applicants, referrals, biographical data, financial statements, staff tors and guest speakers. Dates- 3/58 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Morton Thalhimer. Subject- Biographical data, production, general theatre administration and Ford Foundation Fellowship Grant. Dates- 5/58 - 7/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Basil Langton. Subject- Langton's service as VMT guest director of \"The Tempest\", in celebration of the Jamestown Festival; program and procurement of professional actors. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Wm. Thalhimer Jr. Subject- Exhibit: \"Habiliments for Heroines\" underwritten by Thalhimers, VMT: \"Lady in the Dark\", Lorren Aldrich Collection. Catalogue: \"The Helena Rubenstein, Princess Gourelli Collection\", Deluca, Editore Roma, June 1953. Dates- 11/51 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His service as a Trustee and Chair of the Theatre Arts Committee on theatre and Television, museum business, salary scales, general operation of VMT, budget, income, newspaper clippings. Contributions and gifts. Dates- 6/52 - 3/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Underwriting of Mediterranean court, plants and flowers. Gift of Sandwich glass. Dates- 5/55 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Thayer's service as special assistant to the Secretary of State for Cultural Affairs. Biographical data, UNESCO, ICOM, International traveling Exhibitions, placement of American works of art in United States Embassies. Dates- 5/59 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Committee Minutes 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Committee minutes, agendas and programs, box office grosses etc. Letter from Paul Mellon. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- Establishment of a theatre Collection by Louise Branch of drawings, scenery and costumes. Dates- 2/59 - 3/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Morton Thalhimer. Subject- Proposal for costume ball. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- Morale and general organization of the VMT Associates, proposed speakers, newsletter and roster of VMT Associates. Dates- 4/57 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and William Morrison. Subject- taped readings by Henry Fonda, Lee Remick and Olivia deHavilland on the anniversary celebration. Reviews and letters to other film stars. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Safari-Dinner agenda and setup. Dates- 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Reviews, gift of Dan River Mills fabrics for costumes. Programs: \"Streetcar Named Desire\", \"School For Wives\", \"Camelot\" and \"The Odd Couple\". Dates- 1967 - 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- reviews, letters of compliment. Program: \"the Royal Hunt of the Sun\" Dates- 1968 -69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program and staff hours. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Report of Acoustical Analysis for Auditorium of Virginia Museum Theatre\" Dates- 9/1950 and 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Review, performance production. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Theatre-designer: salary and letters of recommendation. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMT, Dance, Film and Chamber Music Societies: financial statements, salaries, budgets, production costs, income records, purchase of stage equipment and suggested future of organization. Dates- 2/54 - 12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- bus tours from Virginia towns for Theatre evenings, sponsors by Virginia Federation of Women's Clubs, newspaper clippings. \"The Virginia Club Woman\", vol. XXXII no. I 8/55. Dates- 1/59 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Chairman of Yale Drama Dept., his service as consultant to VMT, budget suggestions for proposed VMT, various drama activities, playbill, budgets from other University Drama departments. Dates- 1/56 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Program, letters of disagreement between directors and actors. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- The first annual event, critic and counselors: Virginia Freeman, Meriam Rosen, Dan Wagoner, Patricia Wityle. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Valerie Gettis as guest speaker/artist. Dates- 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Invitations to college Presidents. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Alan Schnieder, Speaker: Jo Mielziner. The 1st College Drama Festival, guest lists and exhibition of Jo Mielziner's theatre designs. Newsletter. Dates- 8/56 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Harold Clurman, Speaker: Norris Houghton. Events schedule and program. Dates- 4/57 - 2/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Norris Houghton, Speaker: John Gassner. Event agenda/program, brochures. Dates- 4/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Henry Hewes, Speaker: Marc Connelly, reception, production procedure, etc. Newsletter 2/60 Dates- 10/59 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Stella Adler and Speaker: Alfred de Ligre, Jr. Event schedule, festival speaker, program, biographical data, reviews. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Event agenda, scheduling, program and newspaper clippings. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Critic: Robert Lewis, Speaker: Edward Albee. Event agenda/program, brochure, pamphlet, etc. Dates- 10/56 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Original drama by John C. Collison, VMT Premiere. \"New Play in Virginia\", Wm. Morrison, Encore vol.6 ,no.5 Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and L. Cheek. Subject- Reorganization of Museum Theatre 1972-73, budget and summary of proposals. Additions to VMFA statutes and By-Laws. Theatre Committee annual Report 6/30/67. Dates- 5/67 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Contributions, minutes of Theatre Patron Campaign Committee. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- theatre Arts Committee Executive Meeting minutes 6/30/70 and 7/6/70, Rosters for various Executive committee's of VMFA. Reviews and pamphlets. Dates- 9/69 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- HEW grant to produce and circulate throughout Virginia a play during 67-68 season, suggested dramas. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibitions: \"Gibson Collection of Contemporary Italian Art\", \"Contemporary Japanese Art\", \"Ten Reynolds Sculptures\". Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, A.H. Ballet and Robert Telford. Subject- General VMT business, schedule of events, scenic design, reviews, performance, staff policy/procedure, ticket prices, season subscriptions, etc. Dates- 1955 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- College Drama Festival, Dance Society and Chamber Music Society. Performance programs, events schedules, guest director contract, pamphlets and contributions. Dates- 1959 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- General Theatre Business, contractual agreements, events schedules, Richmond Film Society, College Drama Festival, financial statements, theatre reviews and job applicants. Dates- 5/61 - 9/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- theatre openings, job descriptions, applicants, hours. Dates- 12/62 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT, Vignettes tour, general estimate of costs, Drama, Dance and Music programs.  \"Virginia Report For State Arts Agency Individual Projects July 1, 1966- June 30,1967\" and \"Performing Arts in Virginia Education\" an introductory survey. Dates- 1966 -68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Budgets, financial summary, events schedules, newsletters, etc. Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Season events, programming, budget and revenue, newsletters, list of season subscribers and press kit for the Mummers Theatre, Oklahoma City, Oklahoma. \"Constitution of the Virginia Museum Theatre Associates\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Theatre business, budgets, salaries, production schedules, invitations, program design, contracts, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Letters to and from VMT subscribers, program for \"Purlie\". Proposals for summer season productions, opening night telegrams. Dates- 1974 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Operating expense appropriation, \"VMT Sound System Report\", and synopsis of No Title play of the life of Lord Byron by Romulus Linney (later titled \"Childe Byron\"). Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Reviews. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Keith Fowler. Subject- Reviews, production calendar and letters of compliments. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Event underwritten by the Weeden Foundation. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letter of invitation, remarks after preview. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Programs. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Payment for use of two geese. Program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Financial report and program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Program, reviews, letters of complaint from theatre patrons regarding play content. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Program, search for guest director. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Review, program and editorials. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Letters of complaint and approval from theatre patrons. Dates- 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- List of series underwriters, proposal for music lecture series conducted by Dr. John White. Dates- 10/58 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Patron financial support and proposal for a Sunday lecture series: \" The Eager Listener\". Dates- 9/59 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Harpist: Nicanor Zableta, brochures of concert series sponsored by other museums and galleries. Dates- 1/50 - 1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Program Dates- 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Morton Thalhimer. Subject- General letters to theatre subscribers, brief outline of the five scheduled plays and descriptions of the major characters. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Playbills, magazine and newspaper clippings of performances in theatres other than VMT. Dates- 12/54 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Reviews and programs for \"Separate Tables\", \"The Skin Of Your Teeth\", \"Ondine\", \"Kiss Me Kate\" and \"The Kids\". Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Robert Telford. Subject- Rehearsal schedules, invitations, programs: \"Life With Mother\", \"The Limbo Kid\", \"Pygmalian\" and \"The Brothers Karamazov\". Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Reviews, letter/telegrams of compliment. Programs: \"Teahouse of the August Moon\", \"The Woman from Colchis\", \"Hall of Mirrors\", \"Caesar and Cleopatra\" and \"The Most Happy Fella\". Dates- 1962 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Reviews, letters and telegrams of compliment. Program: \"A Thousand Clowns\". Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Robert Telford. Subject- Reviews, letters/telegrams of compliment. Programs: \"The Admiral Crichton\", \"Hedda Gabler\". \"Tartuffe\" and \"No Time For Sergeants\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Reviews, letters/telegrams of compliment. Programs: \"The Comedy of Errors\", \"The Visit\" and \"Fanny\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters/telegrams of compliment. Programs: \"Androcles and The Lion\", \"The Miracle Worker\". Contributions from Dan River Mills. Photographs. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Reviews, letters/telegrams of compliment, opening night gala, Safari Theatre/Dinners. Programs: \"The Glass Menagerie\", \"Once In A Lifetime\", \"Julius Caesar\", \"Blithe Spirit\" and \"Three Penny Opera\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Reviews and Letters/telegrams of compliment. Programs: \"Charley's Aunt\", \"The Sorrows of Frederick The Great\", \"Uncle Vanya\", \"Twelfth Night, On What You Will\" and \"the Man Who Lost the River\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- Timetable, production schedules, Safari theatre Dinners, programs and reviews. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters to former subscribers seeking financial assistance for the upcoming season. Photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program and letter/telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and Keith Fowler. Subject- VMFA By- Laws 1972, Minutes of Theatre Arts Committee 10/21/71, agendas, budget and cost estimates. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Programming, policy for relations to the VMFA, contractual agreements, events schedules, promotion plans and financial statements, programs and brochures. Executive board meetings: 7/57, 11/57, 2/58, 4/58, 5/58. Dates- 4/56 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters and contributions from Chamber Music Society Patrons. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Proposal for the formation of the Dance Society, guest list, officers, policy regarding the Dance Society's relationship to the VMFA. Minutes of Executive Board, 5/11/56, 6/12/57, 7/57, 12/57. Receipt and attendance records, contributions, programs, pamphlets and guest performers. Dates- 5/56 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letters and contributions from patrons of Dance Society. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Rockefeller grant to the museum to develop theatre and a program in drama, 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Kay Rockefeller. Subject- Traveling exhibition troupe for children's theatre: financial statement and invitations. Dates- 9/57 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program for \"Rossum's Universal Robots\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT designated seating area according to race, and letters of protest in support of Dr. Mary Elizabeth Johnson. Dates- 1/56 - 5/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program and letters/telegrams of compliment. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Robert Telford and Morton Thalhimer. Subject- Attendance records, publicity program and biographical data. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters and telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Cost estimate, theatre needs and improvements. Date- 12/56 - 7/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Sample survey, list of Chapter/Affiliate communities. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Morton Thalhimer and Robert Telford. Subject- Theatre Arts Committee agenda, VMT proposals for: director, administrator, production and apprentices. Date- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"The Gallows Man\", limited performance schedule, invitations. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Events program, list of composers represented. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cancelled, considered distasteful for VMT audience. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Program and letters, telegrams of compliment. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- AAMD conference, theft of Roualt drawing from Toronto Gallery, requests for publications. Dates- 5/50 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains reports concerning slide sets and film strips distributed throughout the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Fashion designer to lecture on fashion from 1752 to 1952 for the exhibition: \"Habiliments for Heroines\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- New York World's Fair, newspaper and magazine clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- His election to VMFA Board, museum business. Dates- 5/51 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper and magazine clippings of Governor Tuck. Dates- 12/49 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Biographical data, Tunnard's expertise on city planning. Virginia Town Case Study Group: \"Problems of Planning in the Small Southern Town\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Severance of affiliation to the VMFA. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Artist for VMFA Christmas card. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from F. Brandt and Wm. Gaines. Subject- Seminar to expose students and teachers to the function and operation of VMFA, agenda, program procedure, etc. Dates- 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Questionnaire from UCLA Graduate School of Management and the College of Fine Arts on the priorities related to the Arts, pamphlets. \"U.S. Information Agency-Its Task in World Affairs\". Date- 4/51 - 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and L. Cheek. Subject- Annual Meeting Minutes, travel authorization, organization news, pamphlets, general UNESCO business. Dates- 10/46 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Conference topic: Aid to South American Museums, project development, UNESCO Annual Report, Report of Program Committee. The Voice of America, Forum Lectures with transcript of by L. Cheek of \"The Art Museum As A Community Center\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Requests for loans of slides from South American Museums for L. Cheek's presentation to Denver conference, list of South American Museums. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Opening of UDC new building. Resolution concerning accessibility to members of UDC, invitations. Dates- 6/57 - 12/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence, reports, minutes. Expansion of local service. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Charitable organizations that have received UGF monies and fund raising campaign. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- The Air Force Memorial Center: statement of purpose, design, personnel requirements, building program, Minutes of U.S. Air Force Fine Art Committee 6/58 and 12/60, \"Proposal For The USAF Memorial Education Center\", travel vouchers and floor plan for the Academy Museum (Planetarium). Slides. Dates- 2/57-4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Edward R. Murrow as Director, merging of the People-to People Program (organization of museum professional) with the USIA. Newspaper clippings. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Forum Series\": International Broadcast, lecture series. Essay- \"the Art Museum As A Community Center\" by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- UNESCO Action to safeguard Nubian monuments due to the construction of the Aswan Dam. Roster of Honorary Committee, International Action Committee, United Arab Committee, Executive Board Minutes. Dates- 4/60 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Virginia State Employees U.S. Savings Bond campaign, handbook for canvassers, meeting agendas and progress reports. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Col. H.W. Fitzroy. Subject- Coordinating agency between institutions and other cultural, educational and scientific agencies in Virginia through a lecture series of visiting scholars. Dates- 9/54 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Bayly Art Museum and the McIntire School of Fine Arts at the University of Virginia. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Lecturers and AIV contributors, loans of objects, fellowships. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and T. Colt. Subject- UVA Museum loan of objects and lecture tours, fellowships. List of prints on loan to VMFA from Catesby estate and list of Lurcat Tapestries. Dates- 8/47 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Museum business, Artmobile, VMT, requests for loans, contributions and gifts. Reference to photos of ancient Greek sculpture, architecture and landscape views, invitations, pamphlets and postcards. Dates- 10/58 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains the schedules for staff vacations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence of Hans van Weeren-Griek, curator of Education at the VMFA. Dates- 1940-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Report regarding vandalism and misconduct: soaping of the fountains and damage to shrubs. Dates- 11/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Velz' service as VMFA Head of promotion, civilian and military experience record, newspaper clippings and Melchers Estate. Dates- 1949 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains general correspondence of Velz, Associate Director of VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Status of tax deduction, recommendations for event, invitations and dance card. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 9the Annual Viennese Ball sponsored by the Council: Ball Committee, agenda, decoration, invitations, etc. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- Virginia Art Alliance By-Laws, program and minutes of VAA meeting 1945, Report of the Trustees of Richmond Academy of Arts 1933, correspondence with other members of VAA, etc. Dates- 1933-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- program for annual meeting 1941, blank ballots labeled \"Board of Trustees Ballots\", statement of need for a state Supervisor of Fine Arts Education. Dates- 4/40-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- reports of activities of organization members 1942-3, correspondence with organization members-no annual meeting held this year due to World War II, etc. Dates- 3/43-5/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcement, agenda and program for annual meeting 1944, correspondence with organization members, election of officers/trustees, etc. Dates- 3/44-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting minutes ('49), listing and certification of delegates to VAA annual convention ('49), listing of the VAA Board of Trustees ('49), etc. Dates- 1948-49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes from meetings and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence to Miss Helen C. Rose (Virginia Art Alliance President). Subject- correspondence with member organizations, etc. Dates- 3/58-8/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- minutes of Trustees meeting and annual meeting 1959, roster of officers and Trustees, program for annual meeting 1960, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of Va. Art Alliance). Subject- announcement, replies agenda and program for annual meeting of (1936) the VAA Trustees, listing of organizational members to VAA, certification forms for delegates to the VAA annual convention (1936), etc. Dates- 5/35-5/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension VMFA, Secretary of VA. Art Alliance). Subject- announcements, program and report for VAA annual meeting 1937, resolution changing the organization of the VAA (consolidating its function with that of the VMFA), certification of delegates to VAA annual meeting 1937, etc. Dates- 4/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept., Secretary of VA, Art Alliance). Subject- VAA annual meeting announcement and program (1938), certification for delegates to VAA annual convention 1938, correspondence with member organizations about the reorganization of the VAA (consolidating its function with that of the VMFA), etc. Dates- 2/38-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance). Subject- announcements and program for VAA annual meeting 1939, certification of delegates to the VAA annual convention 1939, letter from Gayle to the State Board of Education supporting the appointment of a state supervisor of art, etc. Dates- 3/39-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1940, correspondence with member organizations, nomination of trustees, certification of delegates to annual convention 1940, etc. Dates- 3/39-5/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1941, report of the VAA 1940-1, listing of organization members, By-Laws of VAA 1934, correspondence with trustees, etc. Dates- 3/41-4/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- program for annual meeting 1942, roster of member organizations, reports from member organizations, Annual Report of the VAA 1941-2, listing of VAA lectures in 1941, Museum Bulletin (VMFA) vol.2, no.6, 1942etc. Dates- 3/42-4/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcements, program and minutes for annual meeting 1944, reports of member organizations 1944, certification of delegates to annual convention 1944, listing of Board resolutions during war time, roster of member organizations, etc. Dates- 4/44-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. T.C. Colt (Secretary of VA Art Alliance). Subject- announcements, program and minutes for annual meeting 1945, roster of trustees and nominating committee, reports of member organizations, certification of delegates to annual convention 1945, etc. Dates- 3/45-2/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945, announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945,announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting program ('46 and'47) and minutes ('46), list of members ('47), certification of delegates to annual VAA convention ('47), Reports of art activities around the state, etc. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance)and M.B. Christison (Curator of Education). Subject- copies of 1947 resolution about art display areas in public buildings, minutes of annual meeting 1947, announcements and program for annual meeting 1948, roster of member organizations 1948, correspondence about securing guest speakers for VAA annual convention 1948, certification of delegates to annual convention 1949, etc. Dates- 7/45-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- membership roster ('48), list of trustees ('48), announcement, minutes and attendance to annual meeting ('48), summary of panel discussion about art education in Va. schools, statement of VAA purposes and objectives, etc. Dates- 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- minutes of the Virginia Art Alliance meeting ('47 and'48), Board meeting announcement and attendance, program of annual meeting ('48), list of suggested nominees to the VAA Board ('48), etc. Dates- 1947-8.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- annual reports of activities made by VAA members. Dates- 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Annual meeting 1955. Correspondence, resolutions and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence, minutes and agendas. Form letter announcing annual meeting 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Minutes, agenda and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcement and minutes of Fall Meeting 1957, correspondence with member organizations, etc. Dates- 11/57-12/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Meeting held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1957, appointments to nominating committee, minutes of the Trustees meeting 1957, roster of organization members, The Annual Review of the Virginia Art Alliance 5/39,etc. Dates- 2/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and tentative reservation list for annual meeting 1958, etc. Dates- 9/58-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1958, reports of member organizations, Virginia Art Alliance By-Laws, proposed revisions to By-Laws, VAA procedures, appointments to committees and to board, etc. Dates- 1/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes from annual meeting 1959, member organization reports, roster of VA. Art Alliance officers and trustees, VAA By-Laws, etc. Dates- 5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison Assistant Director VMFA). Subject- announcement and schedule for annual meeting 1959, blank reservation forms for school artmobile visits, etc. Dates- 10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and program for annual meeting 1960, listing of nominating committee appointments, roster of officers and trustees, listing of delegates to annual meeting, etc. Dates- 3/60-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- reports from member organizations, etc. Dates- 1956-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- List of organizational members and their attendance, correspondence and form letters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Board of trustees and list of members 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Board of trustees' meeting 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Board of Trustees, 1952-55. Correspondence, minutes. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Trustee correspondence, minutes and members. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard Subject- preliminary work for the VAA booklet: \"Facilities for Organization Members Comprising the Virginia Art Alliance\". Dates- 8/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by M.B. Christison (Secretary Virginia Art Alliance). Subject- minutes of Virginia Art Alliance (VAA) annual meeting 1957, proposed revisions to By-Laws, etc. Dates- 8/56-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- outline of a state art federation, constitutions, by-laws, information on other art federations (i.e.: The American Federation of Art, The Kansas State Federation of Art, The Indiana Federation of Art Clubs, etc.), etc. Dates- 1/34. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Va. Art Alliance procedures and a short history, draft of proposed revisions to VAA By-Laws, Annual Review of the Virginia Art Alliance. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA/ Secretary of the VA Art Alliance). Subject- VAA By-Laws 1934, resolution (1936) to consolidate the functions of the VMFA and VAA, information about the development of a new type of VMFA annual membership- the organization membership, etc. Dates- 1934-10/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- listing of Trustees 1934- 39, Trustee meeting announcements, letters accepting election to the VAA Board of Trustees, etc. Dates- 11/34-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA representative on the Virginia Art Commission. Dates- 11/55 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- selecting and securing jurors for the exhibition \"Virginia Artists 1955\", listing of pieces and artist included in the exhibition, printed material for the exhibition, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Jurors: Paul Smith, Rose Slivka and Frank Getlein. Salon des Refuse's, biographical data, exhibition catalog. Dates- 6/66 - 6/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Prospective jurors and exhibition announcement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Jurors: Thomas Hess. Exhibition statement, reception, guest list, members preview, program agenda, discontinuation of salon des refuse's, installation and exhibition catalog. Dates- 1967, 11/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper and magazine clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Correspondence regarding auditor's reports. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Audit Reports 1936-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Auditors Survey and Systems study of the VMFA. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Wm. Morrison. Subject- Filming of \"California Watercolors\" traveling exhibition with footage of Virginia Beach Sidewalk Show included in the 25th anniversary film. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Prospectus for the Virginia Center For the Performing Arts. Statement of purpose: Academy-Conservatoire of Dramatic Art with training center and professional theatre. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding objects and paintings in private collections throughout state of Virginia. Correspondence with artists and owners. 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Statement of mission, NEA grants, proposals, awards, potential applicants, recipients. Collectors' Circle: Arts and Humanities Challenge grants for Conservation projects. Degas exhibition. Dates- 2/74 - 6/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- VCU and U of R Drama departments. VMFA/VCU Museum Methods Course. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Peter Mooz and J.M. Brown. Subject- Current/future cooperation between VCU and VMFA: theatre, Art Historical studies, education, museum training, music dept.'s, VCU Conservation Lab and Anderson Gallery. Dates- 1/73 - 2/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Juror: Paul Smith. Reception, guest list, program, agenda and exhibition catalog. Dates- 3/71 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Juror: Henry Wolf. Event program, invitations, guest list, statistics regarding entrants, certificate winners, etc. Exhibition catalogs for \"Virginia Designers\", 1970 and 1971; \"Virginia Photographers\", 1970 Date- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regarding state budget 1946-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VEA Centennial Event and retired teachers complex, theatre program and Executive Committee Minutes, 12/61. Dates- 10/63 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Retired teachers apartment complex proposed for the 2900 block of Grove Ave., later rejected by the City Council, newspaper clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Exhibition: \"American Rooms in Miniature\", sponsored by Va. Federation of Women's Clubs, sponsorship of statewide tour of Artmobile, newspaper clippings and pamphlets, \"Virginia Journal of Education\", 10/63, catalog of \"American Rooms in Miniature\" by Mrs. J.W. Thorne, Art Institute of Chicago, 1941. Dates- 6/53 - 2/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Virginia Federation of Women's Clubs Statewide Arts Festival. Dates- 5/67 - 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Thank you notes from newly elected/reelected members of the House of Delegates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Gov. John. S. Battle. Dates- 1949-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Gov. Colgate W. Darden. Dates- 1942-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Gov. George C. Peery. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Bills vetoed and passed by Gov. Thomas B. Stanley [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Gov. William M. Tuck. Dates-1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Multi-level Arts Festival held annually in Abingdon, Va., loans of art works, consultation on programming and pamphlets. Dates- 11/52 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, F. Numan (Wm. and Mary) Subject- Meeting to focus on Architecture and the Humanities. Dates- 11/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Catalog from Franklin Mint series of silver commemorative medals. Norton Simon summary of Annual report, 1970. Dates- 1970 -71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Mrs. J.G. Pollard was chairman of this agency; copies of: Fundamentals of a Growing Recreation Program by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Agendas and minutes of meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Concerns a Governor's commission to study juvenile delinquency and the Virginia Advisory Legislative Council. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Report to the Committee on \"Recreation as a Function of Government in Virginia.\"   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- copies of the executive order creating the Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- planning a listing of recreation films available through state agencies and 16mm Recreation Films Available in Virginia published by the VA Inter-Agency Committee on Recreation, etc. Dates- 6/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- working papers and final copies of the \"1st Report to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 10/53-1/54; Correspondence Subject- copies of the \"First Report to the Governor by the Inter-Agency Committee on Recreation\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Selected legislation on recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- membership rosters for the VA Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- statewide recreation reports listing facilities, budgets, organizations and needs, pamphlets from the National Recreation Association, etc. Dates- 7/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Sponsored by the National Recreation Association 1955-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains a listing of personnel and the purpose of the committee.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Newspaper clippings and pamphlets.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Pamphlets, magazine articles etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Copies of \"Fundamentals of a Growing Recreation Program\" by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- working papers for and final copies of the \"1st and 2nd Reports to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 11/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Juror: Sarah Tomerlin Lee, Biographical data, event program, pamphlets and catalog for exhibition. Dates- 9/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Museum events, rosters: Senate, House of Delegates. Letter to members of the general assembly. Essay- \"The Virginia Museum and the Arts in Virginia\". Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Reception for organization composed of Mayors, City Managers and City Officials. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Faye Ambrose and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year. Dates- 5/56-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Charles E. Baker and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications and award letters (1950, 1951) for VMFA in-state fellowship, artist progress reports for 2 years, etc. Dates- 5/50-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Regina Bartley and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 4/51-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Wm. Thomas Bland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA fellowship, thank you notes made by Mr. Bland (mixed media including watercolors). Dates- 8/48-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Robert Brushwood and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations, award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Kuhn R. Caldwell and Mrs. J.G. Pollard, M.B. Christison (Assistant Director), and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, artist progress reports for 1 year . Dates- 12/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mary Frances Cheatham and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA junior fellowship, artist progress reports for 1 year. Dates- 1/49-3/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Janet Clausen and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Robert L. Davis and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA in-state fellowship, photos of artist's work, artist progress reports for 1 year, etc. Dates- 4/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Worden Day and Mrs. J.G. Pollard, M.B. Christison and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, etc. Dates-4/49-8/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. T.V. Downing, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 10/49-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Charles Flynn, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 4/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 2/54-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- award letter for VMFA in-state fellowship, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Barbara Harding and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications ('53 and '54), recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Catherine M. Hipp and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Jem W. Hom and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/56-7/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between W.B. Houghland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Caroline C. Huff and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. William W. Jackson and Mrs. J.G. Pollard and L. Cheek Jr. Subject- applications (1948,1949), recommendations and award letter for VMFA fellowship, etc. Dates- 5/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Benjamin Knapp and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. James Leedy and Mrs. J.G. Pollard and M.B. Christison (Assistant Director). Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/57-6/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Brenda R. MacBaisey and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year (includes lithography proofs), etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. James P. Moyers and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Joe Ravenscroft and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, application and recommendations for VMFA fellowship, etc. Dates- 8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, recommendations for VMFA fellowship, etc. Dates-8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between M.F. Russell and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for out-of-state fellowship, artist progress report for 1 year, etc. Dates- 4/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between R.E. Spain and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Ms. Mary R. Tatum and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1year, etc. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Primm Turner and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress report for 1 year, application for Catherwood Foundation fellowship, etc. Dates- 3/56-9/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. E. Parker Twombly and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA out-of-state fellowship, recommendation letters written by: Ben Shahn and Robert Motherwell, artist progress report for 1 year, etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress report for 1 year, etc. Dates- 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Howard Woody and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for student fellowship, etc. Dates- 4/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mr. Peter Wreden and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, etc. Dates- 4/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of fellowship applicants, requests for applications, rejection letters, etc. Dates- 3/49-6/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications, recommendations and rejection letters for those applicants not chosen to receive fellowships. Dates- 3/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship, fellowship announcement, minutes of the fellowship committee meeting (1954), etc. Dates- 12/40-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard. Subject- listing of applicants 1942-44, listing of types of fellowships offered by the Museum, etc. Dates- 1942-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- various applications, recommendations, rejection letters, etc. Dates- 5/46-6/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- announcements of fellowships, blank fellowship applications, requests for applications, various completed applications, award and rejection letters for fellowships, artist reply letters, etc. Dates-4/46-12/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- various applications, recommendations, fellowship recipient progress reports, award and rejection letters, correspondence with Fellowship committee, etc. Dates- 4/47-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject-the organization of the Fellowship committee, requests for fellowship applications, etc. Dates- 9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. John L. Pratt. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship program, minutes of: annual board meeting (1941), executive committee meeting (1940), VA artists fellowship committee meeting (1940), announcement/application for VMFA fellowship, etc. Dates- 6/40-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- General correspondence about the Museum. Dates- 1939-46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Exhibition- \"The Virginia Museum of Fine Arts in Roanoke\", 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Essays by Director Thomas Colt on the Principles and Work of the Virginia Museum of Fine arts and its history.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Timetable, agenda, invitation, guest list. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and F. Brandt. Subject- Juror: Henry Callahan, biographical data, entry form, letters to selected applicants, statistics: entrants vs. applicants etc., and jury procedure. Dates- 4/71-2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Fellowships, VPI Traveling Theatre. Letter to Josef Albers with biographical data, invitations and exhibitions. Dates- 3/59 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Contains pamphlets and correspondence between this association and Mrs. Pollard's Inter-agency committee on recreation 1949-54; Reports and Inventories of recreational activities of state agencies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- VMFA budget, state issue vehicles, Artmobile, salaries, Robinson House, etc. Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown. Subject- Complimentary memberships to members of the house of delegates, travel regulations, United Givers Fund campaign, management studies. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VSAA membership rosters, membership of confidential secretaries to directors of state agencies. Dates- 9/63 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from the Office of the Governor. Subject- Memos to heads of state agencies regarding all manner of state operations, capital outlays. Annual Report of \"Virginia Department of Vocational Rehabilitation\", 1976. Dates- 1/73 - 10/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from the Office of the Governor. Subject- Affirmative Action and Freedom of Information Act requests. \"Virginia Local and Regional Planning 1974\"; \"Virginia Commission Visually Handicapped Annual Report\", 1973-74; \"Virginia Highway Commission Annual Report\", 1973-74. Dates- 11/74 - 12/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from the Office of the Governor. Subject- State governmental management, budget appropriation requests, Virginia calendar of events, newsletters, museum salaries and the Virginia Privacy Act of 1976. Dates- 4/75 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Regards donating old exhibition materials 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt. Subject- Roster of VMFA Trustees, resume of progress in the Fine Arts of Virginia. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and E.M. Kates (VSIF). Subject- Planting of flower beds and maintenance of interior foliage, Elizabeth Kates Foundation. Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Cleaning and treatment reports of portraits owned by the Virginia State Library and Archives. Also correspondence regarding the wartime protection of Virginia's cultural materials, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- outline of annual meeting. Dates- 11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- \"Planning Your Town\" traveling exhibition, photos and description of exhibition installation, copy of an essay written by Cheek for Art Digest (4/52) Dates- 2/52-10/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by L. Cheek, Jr. Subject- VA Union choir singing at the Museum during the Christmas season, pamphlets about Museum sponsored activities during the holidays, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Statewide competition for the design of Memorial and jury selection. L. Cheek's service as advisor to the Memorial Commission. T.J. Collins and Son as winners of competition. \"Program Of Competition For The Virginia World War II Memorial\". Dates- 12/50 - 3/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Program Of Competition For The Virginia World War II Memorial\", firms invited to compete in the final selection, expenses incurred and resumes of applicants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, John J. Wicker Jr. (Chairman). Subject- Competition program, VWW II Memorial Commission meeting minutes, \"Preamble\", for the creation of the memorial, \"Architectural Competitions\", AIA Document no.213. Drawings/plans and photographs for site development. Dates- 5/50 - 12/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- 1953 Official Report of the Virginia World War II Memorial Commission. Dates- 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Competition program and closing proceedings. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Applications from selected entrants, official report of the jury in their selection of J.T. Collins and Son, (A.I.A.). Dates- 3/51 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Report of the Jury concerning the winning design. Jury members: Waldon Franklin, George Howe, Frederick C. Disque, Edward D. Stone, W. S. Robertson, biographical data included and list of competition entrants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Guest lecturers, membership. Dates- 12/63 - 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and Mrs. von Keller. Subject- appointment of von Keller as Acting Director of VMFA in absence of Colt, biographical information, etc. Dates- 4/35-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mrs. von Keller (Art Director, Randolph-Macon Woman's College). Subject- personal, Museum events, etc. Dates- 8/42-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Morton Vose. Subject- Acquisitions and provenance of objects. Dates- 7/56 - 2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Mrs. J.G. Pollard, T. Colt. Priscilla Crum and L. Cheek. Subject- Segregation in children's art classes, Study of early 19th century architect and builder John Jordan. WRVA Radio weekly series of VMFA activities, Salon des Refuses' for artists eliminated from the Virginia Artists juried exhibition. World War II Memorial design competition, Artmobile, newspaper clippings, paintings from the Williams Collection and the Helena Woolworth McCann Collection of Export Collection. Exhibition catalog: \"Eugene Wiesz\". Photographs. Dates- 9/45 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and M. Christison. Subject- Artmobile, AIV, sit-see chairs, collectors circle, Fellows, Wise Pre-Columbian Collection, requests for employment. Woodrow Wilson Birthplace Foundation: Annual Report 10/64. Gifts, loans, contributions and acquisitions. Dates- 3/60 -11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from J.M. Brown and P. Near. Subject- Exhibition announcements, invitations, newsletters, biographical data, requests for employment. Purchases, gifts and acquisitions. Damage report of art works. \"Profile\", re: Tishman Collection of African Objects. \"Hermes Wingraf Quarterly Catalog\", Summer 1971, re: 17th century Dutch still-lifes. Dates- 2/70 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Waddy bequest for fountain construction. Costs of construction and maintenance of fountains: National Gallery, Frick Collection and Isabella Stewart Gardner Museum, includes photographs. Blueprints/plans: VMFA Site Development, East Elevations. Excerpt from the will of Woodson P. Waddy. Dates- 1947, 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Bronze Waddy Memorial Fountains, architects: Eggers and Higgins, Sculptor: Ralph Menconi. Contractual agreement with architects, Blueprints/ plans, detail drawings for : Waddy Memorial Fountain, Triton Fountain, East elevation and site development plans. Dates- 8/53 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt and Mr. Clifford L. Walker. Subject- inscribed plates for paintings in Museum collection, bronze busts and tablets for founders. Dates- 11/35-8/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Walpole Society Dinner, membership roster and newspaper clippings. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- VMFA staff orders for conduct of Museum during an emergency, pamphlets from the U.S. Government, Association of Art Museum Directors and American and British museums about art preservation in case of a wartime emergency. Dates- 1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Warburg Collection on loan to VMFA and his address to collector's circle. Bulletin vol.18 no.9 5/58 Dates- 5/57 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT scenery design. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- pamphlets from the U.S. Government, Association of Art Directors and American and British museums about art preservation in case of a wartime emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- prospective sale of George Washington portrait by Peale to the state of Virginia, history of the painting, may have been commissioned by the state in 1784 for use by Houdin (the sculptor of the George Washington statue in the capital). Dates- 10/37-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Marion Junkin. Subject- Metropolitan Collection on permanent loan to W\u0026amp;L, letter from M. Junkin espousing the talents/commitments of the young artist Cy Twombly. Hans Gasman as restorer for VMFA lists of objects and exhibitions. Dates- 11/49 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Alexander W. Weddell. Subject- Weddell's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, gifts from Weddell, listing of Trustees 1942, listing of Trustees committee assignments 1945. Dates- 9/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from T. Colt and Mrs. J.G. Pollard. Subject- Founding member of VMFA, resolution from Executive Board in memoriam of Alexander Wilbourne and Virginia Chase Weddell. Award of the Webster S. Rhoads Medal for distinguished service. Minutes of Annual Meeting, descent and authenticity of a pair of copies of portraits of George Mason and his wife. Dates- 7/45 - 1/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and J.M. Brown. Subject- Foundation financial support: VMT, library, contributions to Fellows fund, book purchases, VMFA services catalog. Dates- 7/66 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Director of Gallery of Modern Art, NYC, and his service as a juror. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- \"Time\" article on George Catlin, artist of the American West. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and P. Mellon. Subject- Ultimate destination of Mellon English Collection. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Tour request. Dates- 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek to Mrs. J. H. Parsons. Subject- Wheelchairs adapted for sit-see chairs and underwritten by Mrs. Parsons. Dates- 10/65 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Lecture/recital to VMFA council and Fellows. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Invitation to L. Cheek by President Johnson to attend luncheon for President-elect Barrentos of Bolivia. Dates- 7/20/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Objects on loan to White House. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Theo B. White. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Diorama's made by Whitelaw in the collection of the L.A. County Museum and George Washington Masonic National Memorial Association. Photographs Dates- 7/62 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- general correspondence with a Trustee on Museum programs and operating activities (esp. Accessions Committee). Dates- 6/35-3/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from Beatrice von Keller, T. Colt and L. Cheek. Subject- Organization of an exhibition of pre-Columbian sculpture, Catesby-Jones collection, Whitman Collection of Mayan Sculpture, Chrysler Collection accessions and exhibitions. Date- 8/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mrs. Thelma Cudlipp Whitman. Subject- Trustee/Museum business, etc. Dates- 5/51-2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Ambassador to Great Britain, invitation to become Collector-of-the- Year. Dates- 5/61 - 7/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr. and various Whitney Museum staff. Subject- loans to the Museum for the inaugural exhibition, loan to the Whitney from VMFA, museum practices, etc. Dates- 5/35-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Summer state service projects, VMFA projects list. Dates- 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Playwright, invitation to address VMT, Time Cover 11/12/53. Dates- 1/53 - 3/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA appointment to Board of Trustees, service as President and on the Entertainment Committee. Museum business, South Wing, Fellows, NEFTA. Gift of Mellon French painting collection, gifts, contributions. Dates- 6/65 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Exhibitions: \"Jean Outland Chrysler Collection\" and \"30 Years of Virginia Art\". List of objects, Charter Day ceremonies: invitation list and dedication of the new Fine Arts building. Essays- \"Thomas Jefferson and the Fine Arts\" and \"The Arts in Virginia\", by L. Cheek 2/67. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMT and loans of objects to VMFA. Dates- 1/50 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek and Mrs. J.G. Pollard. Subject- Williams Collection inventory, Williams purchase fund, statement concerning the informal agreement between L. Cheek and Mrs. A. D. Williams concerning installation of collection in the new wing. Selected inventory of furnishings in the Williams home. A.D. Williams as recipient of the Rhoads Medal, financial contributions, gifts and loans. Dates- 6/48 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence with Berkley Williams Jr., Virginia artist. Dates- 1936-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between T.C. Colt, Jr., and Mr. E. Rand Williams. Subject- Trustee/Museum business, Rand served as Buildings and Grounds Committee Chairman 1937-8 and as first Vice-President in 1941, etc. Dates- 6/35-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence between Mrs. J.G. Pollard and Mr. E. Randolph Williams. Subject- Trustee/ Museum business, etc. Dates- 5/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Glasglow bequest, Melchers Estate, Pratt Jewels, Portrait of \"James Patton Preston\", Gilbert Stuart, general legal questions. Dates- 10/58 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Election to board of Trustees; Dance Society. Dates- 6/54 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Advisory committee on the new Reception Center, L. Cheek as a member and a map with the proposed location. \"Summary of Reception Center Objectives and Experience\". Dates- 11/53-1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- List of objects accepted as loans and pending gift status. Dates- 10/49 - 3/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Preliminary plans for a foundation to house objects related to W. Wilson's life. Portrait exhibition of the 8 Virginia born Presidents, portrait of Mrs. Wilson, artist unknown. \"Woodrow Wilson's Heritage of Faith\", Frank Bell Lewis, Woodrow Wilson Birthplace Foundation, 1956. Dates- 9/55 - 6/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Letters of request and approval for event, agendas and timetable. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Letter of confirmation. Dates- 7/11 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eSubject- Woodlawn Plantation event, guest list and map. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. to Worcester Art Museum staff. Subject- loans for VMFA inaugural exhibition, loan to Worcester Art Museum, etc. Dates-8/35-7/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- exhibition held at the Museum \"Southern States Preview\" a regional exhibition connected to the World's Fair. Dates-10/38-12/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by applicants to exhibition. Subject- listings of artists accepted to the show (listed state by state). Dates- 12/38-1/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Arthur Drexler (MOMA) to lecture on Wright exhibition, reception, guest list. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Transcript of radio broadcast 2/26/54, exhibition: \"American Painting\", Artmobile and magazine excerpt. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Betsy Wyeth and Harry Brooks (Knoedlers). Subject- \"Country\": Working drawings, Artmobile layout and tour and reviews. Dates- 2/67 - 11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, J.M. Brown and P. Near. Subject- Exhibitions, loans, acquisitions, AIV, gifts, contributions. Correspondence with William Zorach, sculptor. Dates- 9/49 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence by T.C. Colt, Jr. Subject- museum practices, loans for the VMFA inaugural exhibition, etc. Dates-9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- General correspondence from Alumni, possible lecturers, newspaper clippings. Correspondence between Cheek and Alfred Stiegletz. Minutes of Alumni and Friends of the School of Art and Architecture, 5/58, pamphlets. Dates- 6/58 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Third Report Of The Committee On Architecture, Painting and Sculpture\", 4/50. Committee membership roster, issues facing various Yale departments. \"Bulletin Of Yale University\", series 44, 4/48 #5 and \"Official Register Of Harvard University\", vol. XLV, no.15 7/15/48. Dates- 1949 - 50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek, Mrs. Pollard and M. Christison. Subject- Yale school of the arts general operation, appointment of Joseph Albers, list of University Council Committees. Dates- 9/48 - 9/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Draft of the committee report and responses from other Yale committee members regarding departmental personnel, curriculum, problems and resolutions. \"Report Of The Committee Of The Division Of The Arts (Architecture and Planning And Design)\",prepared by L. Cheek, 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- \"Report Of The Chairman Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 4/48, prepared by L. Cheek. Issues concerning Yale departments of the arts. Minutes of Yale Executive Committee Meetings, various reports on Yale departments. Dates- 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Cheek draft of, \"Report Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 1952. Yale policy review, new appointments, letters to other committee members, roster of membership. Dates- 5/51 - 4/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- Evolving challenges of the various Yale departments. \"Report Of The Committee On The Division Of The Arts (Architecture, Planning and Design)\", 4/53. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eCorrespondence from L. Cheek. Subject- VMFA performance of Yale Glee Club, agenda, program, roster, etc. Dates- 10/60 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]\u003c/p\u003e","\u003cp\u003eR. Peter Mooz was Director of the museum from 1976-1981.\u003c/p\u003e","\u003cp\u003eCharles L. Reed was Interim Director of the museum from 1981-1984.\u003c/p\u003e","\u003cp\u003ePaul N. Perrot was Director of the museum from 1984-1991.\u003c/p\u003e","\u003cp\u003eKatherine R. Lee was Director of the museum from 1991-2000.\u003c/p\u003e","\u003cp\u003eRichard B. Woodward was Interim Director of the museum in 2000.\u003c/p\u003e","\u003cp\u003eMichael Brand was Director of the museum from 2000-2005.\u003c/p\u003e","\u003cp\u003eThomas N. Allen was Interim Director of the museum in 2006.\u003c/p\u003e","\u003cp\u003eThis series contains correspondence and subject files from staff members in the Director's Office.\u003c/p\u003e","\u003cp\u003eCarolyn Weekley was the Assistant to the Director from 1978-1979. She later became Curator of Decorative Arts, so there is some overlap in the files with her curatorial work.\u003c/p\u003e","\u003cp\u003eMargaret (Peggy) Burke was Assistant to the Director from 1980-1981, then Deputy Director in 1982, Deputy Director. She originally served as Assistant Director for Collections and Interpretation, so there is some overlap in the files with her other work.\u003c/p\u003e","\u003cp\u003eLulan Yu was Assistant to the Director from 2002-2007. Her files are mostly related to the North Wing expansion and the museum identity project.\u003c/p\u003e","\u003cp\u003eLee Anne Hurt Chesterfield was Assistant to the Director from 2004-2009, then became Director of Board Relations and Museum Planning. Her files are mostly related to special projects, exhibitions, and AAM reaccreditation.\u003c/p\u003e","\u003cp\u003eThis series consists of building files that were maintained separately in the Director's Office. There are often additional building files found in each Director's Correspondence files.\u003c/p\u003e","\u003cp\u003eThe West Wing was completed in 1985.\u003c/p\u003e","\u003cp\u003eThe North Wing expansion was completed in 2010.\u003c/p\u003e","\u003cp\u003eThis series consists of corespondence with internal and external groups, the affiliations or creations of which often often overlap different Directors.\u003c/p\u003e","\u003cp\u003eThis series consists of minutes and planning documents for meetings convened by the Director.\u003c/p\u003e","\u003cp\u003eThis series consists of program files that were maintained separately in the Director's Office. 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Sub-Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Sub-Series Description","Series Description","Sub-Series Description","Sub-Series Description","Series Description","Series Description","Series Description"],"scopecontent_tesim":["This series is comprised of correspondence of all of the various Directors of the museum. Files were arranged alphabetically by subject, and there is a lot of overlap between different Director's as the files often contained pertinent items from a predecessor. In the case of the first sub-series (1.1), until 1976, the entire museum's files were maintained centrally as one unit in the Director's Office.","This series includes the records of the first three Directors - Thomas C. Colt (1935-1948), Leslie Cheek, Jr. (1948-1968), and James M. Brown (1969-1976) - as well as the two Interim Co-Directors Beatrice von Keller and Violet McDougall Pollard (1942-1945). The bulk of this series was deposited at the Library of Virginia, therefore most of the items held at VMFA are copies that LVA returned to the museum.","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with individuals, institutions and corporations beginning with the letter 'A', note- two letters written to Josef Albers (no replies). Dates- 2/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding a copy of Gainsborough's \"Blue Boy\" in the collection of Van Clief of Esmont, Virginia.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters from private donors and dealers offering objects for sale and as gifts to the Museum when it was first started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and information about gifts and purchases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about items being considered for purchase and members of the committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes, and information on bequests and purchases. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence, minutes and lists of members and information about objects for consideration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- minutes of accessions committee meeting 1972, announcements and attendance for meetings 1973, acquisitions policy for bidding on works of art at auction, etc. Dates- 9/72-1/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- painted decorations of St. James church, putting this church on the Virginia section of the National Register. Dates- 4/68-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- departmental inventories of non-expandable assets of the Commonwealth of VA 1940-3, worksheets on individual art objects and Museum equipment, state regulations, etc. Dates- 6/43-11/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown and P. Near (Curator). Subject- correspondence about possible acquisitions, considerations of gifts, notes on possible acquisitions, etc., 10/70-4/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding the gift of Mrs. Charles Adams (Ann Fowlkes) of music albums 1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's appointment by the Governor to an advisory committee assisting the Dept. of Conservation and Economic Development in a study for a proposed museum of science, archaeology and natural history (to be located in Richmond), copy of Senate joint resolution no.26-to study the encouragement or establishment of a museum of science and natural history, list of committee members, Report of the Department of Conservation and Economic Development to the Governor and the General Assembly of Virginia Relative to the Establishment of a Museum of Science, Archaeology and Natural History in Richmond, 1965, etc. Dates- 5/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Excerpt from the Report of the Committee on Recreation to the Advisory Council on the VA Economy and A Summary of Major Recommendations that Involve Questions of State Policy by the Advisory Council on the VA Economy. Dates- 8/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- possible Museum acquisitions from the dealer. Dates- 4/53-5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Airfiltering System 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- correspondence and announcement for lecture by Ambassador Akar about Africa's unique cultural heritage, etc. Dates- 10/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek was a judge for their annual show. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with Albemarle Art Association President about discontinued affiliation with VMFA, biographical information on Cheek, introduction about Cheek for lecture at AAA, Cheek's remarks in honor of Horace Burr 1966, etc. Dates- 8/57-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with and biographical information about Josef Albers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- a letter to Albers (no reply). Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown Subject- correspondence with Director about appointment to board of Hon. George S. Aldhizer II, Education in the Arts and Honors and Awards Committee appointments, etc. Dates- 6/67-2/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Donor of several paintings to the Museum, 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek as speaker for \"The Alexandria Forum: Southern Decorative Arts 1750-1850\", exhibition loans to Alexandria Assoc., etc. Dates- 9/55-1/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Printed materials. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding annual meetings and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- AAM (American Association of Museums)annual meeting pamphlets 1955,'57,'58,'59'60,'61,'62,'65 and'68, proposed constitution and By-Laws 1961, roster of member institutions 1959, correspondence about AAM meeting in Williamsburg, etc. Dates- 10/60-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from AAM Directors. Subject- Minutes annual meeting 1969, membership reports 1969-70, Financial Statements 1969-70, agenda for AAM council meeting 1970, memos, etc. Dates- 8/69-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- info about AAM (American Association of Museums) seminar held in Richmond 1972, financial and membership reports 1972, minutes of exec. committee meeting 1972, news releases, letter from Richard Nixon to Mr. Brown as President of the AAM, mailings sent out by AAM, etc. Dates- 7/72-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about Cheek as Program Chairman for AAM (American Association of Museums) annual meeting in Williamsburg 1962, tentative agenda, schedule of events, attendance list, committee reports, program, etc. Dates- 5/59-1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- correspondence to American Art Association (AAM) section chairmen about annual meeting, program, schedule of events, etc. Dates- 9/60-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about arranging program for American Association of Museums (AAM) meeting, roster of section chairmen 1962, agenda for exec. committee meeting 1961, invitations sent to VMFA trustees for a reception (held at VMFA) to meet the delegates to AAM meeting, etc. Dates- 7/59-6/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- roster of AAM (American Association of Museums) section chairmen 1962, attendance and schedule for section meetings, etc. Dates- 1/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lloyd Goodrich Lecturer. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek on advisory committee for the study of design and craftsmanship in today's products, roster of advisory committee, proposed exhibition, conference series, documentary and publication about design and craftsmanship, National Exhibition Project Committee meeting minutes 1950, etc. Dates- 3/49-4/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek on Board of organization. Contains memos, pamphlets, exhibition literature etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns L. Cheek's membership in the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- minutes of exec. committee meetings 1961, '62 and '65, roster of trustees, memos to trustees, correspondence about convention in Chicago, etc. Dates- 1/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. (trustee of AFA). Subject- information about circulating exhibitions, minutes of Exec. committee meetings 1966 and '67, minutes of trustee meetings 1966, '67 and '68, memos to trustees, etc. Dates- 1/60-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- American Federation of Arts (AFA) exec. committee meeting minutes 1967 and '68, correspondence about AFA delegates visit to VMFA 1969, roster of members and committee appointments, news releases 1968, President's annual report to AFA, etc. Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about Cheek as Convention Committee Chairman 1959, correspondence about potential committee members, program for convention, minutes of preliminary joint meeting of the AFA trustees 1958, minutes of trustees meeting 1959, Golden Anniversary Convention, The American Federation of Arts 1909-1959, congratulatory and appreciation letters to Cheek, etc. Dates- 3/58-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown Subject- AFA (American Federation of Arts) exec. committee meeting minutes 1959,'60,'61,'62 and'65, roster of board of trustees, trustee meeting minutes 1961 and '62, AFA constitution, National Council on the Arts and Government Annual Report 1960, etc. Dates- 3/61-1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with the American Institute of Architects. Dates- 4/47-1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek served as a juror for the Annual Homefurnishings Design Competition and was an honorary member, 1949-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- A.I.D. (American Institute of Designers) VA chapter yearbook 1961-2, listing of suggested museums for A.I.D. exhibition, etc. Dates-5/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown. Subject- dinner meeting for the AID (American Institute of Designers) (interior designers). Dates- 10/69-11/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz and Wm. Wilkinson (Mariners Museum). Subject- Loan requests, cost estimates, pamphlets and photographs. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz and Wm. Wilkinson\u003e Subject- First major survey of American Marine Painting in observance of the Bicentennial. Lists of paintings, installation, budget, etc. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains copies of lecture invitation and catalog. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown from ASA (American Society of Appraisers). Subject- Brown's membership in ASA, ASA news 1971-2, announcement of meeting 1971, etc. Dates- 10/70-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for gallery dinner at VMFA for American Society of Appraisers. Dates- 1/72-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Brown as Chairman of a committee on collections at Amherst College and member of Exec. Committee of the Association of Fine Arts, constitution and minutes of Association of Fine Arts meetings 1970 and '71, roster of members of the Association of Fine Arts, membership solicitation letter, catalogue: The Amherst Sesquicentennial Exhibition 1972, etc. Dates- 10/69-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. J.G. Pollard and Mr. Henry W. Anderson. Subject- meetings of the Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, a portrait of Anderson by VA artist, Julian Binford, etc. Dates- 6/35-11/44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Henry W. Anderson. Subject- Anderson's presidency of the Board of Trustees 1947, trustee and Museum business, Annual Board meeting minutes 1947-8, Museum events and daily operations, Museum investments and gifts to the Museum, a general study of the Museum's collections and suggested plan of development (1947), information about the land occupied by the Museum and its estimated future needs, etc. Dates- 6/47-6/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- President of the Board of Trustees. 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and L. Cheek, Jr. and Col. Henry W. Anderson. Subject- Anderson's presidency of the VMFA Board of Trustees, Museum events and daily operations, gifts to the Museum, investment of the Museum's A.D. Williams fund, listing of financial condition of endowment and special funds 1952-3, etc. Dates- 5/51-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for dinner honoring Mr.and Mrs. Walter P. Chrysler, guest lists, invitations, R.S.V.P.'s, etc. Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- final copies: VMFA 2nd Annual Report of the Director 7/1/36-6/15/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 7th Annual Report of the Director 7/1/41-5/1/42 and VMFA staff orders 1/42 elaborating the orders of 6/41 conduct of the Museum during an emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers, preliminary and final copies of The Report of the Acting Directors for the Year 1944-5, agenda for Executive committee meeting 6/44, breakdown of membership 1943-4, 1944-5 and working papers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- final copy VMFA Annual Report. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- preliminary and final copies VMFA Annual Report 1946-7 7/1/47-4/30/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- preliminary and final copy: VMFA Annual Report 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for the 1948-9 Annual Report, Report of the Executive Committee of the VMFA to the Board of Trustees (5/22/49) also a listing and attendance record of the Board of Trustees (5/27/49).  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for the 14th Annual Report, including operations budget, salaries and membership count, also a copy of VMFA Organic Laws (10/36). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- The 14th Annual Report of the Director (5/27/49) and its working papers, also correspondence about VMFA role in selecting and displaying portraits in the Governor's Mansion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- working papers for the annual report, listing of Cheek's activities (lectures, consultations, committee and jury duties). Dates- 1960-1. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual Reports for Collections and Gallery Divisions 1951-54, and for State Extension Services 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 1st Annual Financial Report of the Curator (4/13/35-6/15/36), VMFA 2nd Annual Report of the Director (7/1/36-6/15/37), VMFA 3rd Annual Report of the Director (7/1/37-6/1/38), VMFA 4th Annual Report of the Director (7/1/38-6/1/39), VMFA 5th Annual Report of the Director (7/1/39-5/1/40), VMFA 6th Annual Report of the Director (7/1/40-5/1/41). Dates- 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA 7th Annual Report of the Director (7/1/41-5/1/42), VMFA 8th Annual Report by the Acting Directors (7/1/42-5/31/43), also, VMFA 9th Annual Report by the Acting Directors (7/1/43-5/31/44).  Dates- 1941-1944. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- the following reports: \"Remarks by Robert Marsh, Jr. before the Appropriations Committee of the General Assembly\" and \"Resume of the Request of the Trustees of the Virginia Museum of Fine Arts before the Appropriations Committee 2/64\" Dates- 2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual meeting of its Richmond Chapter at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and Ms. B. von Keller. Subject- biographical info, purchase of his painting Maggie, letters of introduction, personal references, loaning work to Museum, Va. artists exhibitions, counsel on museum operations, etc. Dates- 10/35-10/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed paperback guide to architecture in Virginia, roster of Editorial Advisory Board for guidebook, list of sites by counties and cities, etc., final list of buildings and sites, announcements and minutes of Nominating Committee meeting, etc. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- biographical information on H. Harvard Arnason, speaker on Henry Moore sculpture at VMFA, VMFA Members' Bulletin vol.26, no.2 10/65. Dates- 9/65-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- confirmation of meeting with State Art Commission to present plans to enlarge VMFA. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership roster, pamphlet of Art Dealers of America, Inc., etc. Dates- 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given at the VMFA by members of the staff of the Museum of Modern Art 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices, the following publication: Let's Make the Lions Roar: A Marketing Study of the Art Institute of Chicago by Edward J. Teply (Northwestern University 1959) Dates- 6/48-1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Potential jurors for biennial exhibitions 1970. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence and a listing of members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and art nouveau purchase plan. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Artificial flowers for decoration in galleries, 1964. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum program where artist-members participated in a life drawing class.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program sponsored by museum for artist members, included life drawing classes and lectures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and memorandums. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and minutes from meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ballots for the election of the artist's advisory committee. The artist's advisory committee of the Museum promoted artist's evenings at the museum and interaction between artists around the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Project to try and send artmobiles overseas as suggested by the State Department. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence as to whether or not they would like to have the artmobile visit their school. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains plans, blueprints, and correspondence that occurred during its development.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Manufacturer of custom van bodies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Presidential Inauguration. Artmobile was State of Virginia's entry in President Johnson's inaugural parade, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed exhibition for the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Magic City Bank had an exhibit trailer, which was a prototype for artmobile.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations, programs and correspondence.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reprints of A.I.V. article \"Galleries on Wheels\", 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VFWC was instrumental in getting the artmobile started. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, newspaper and magazine clippings and schedule 1961-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedules, Plans, correspondence and photographs, 1960-63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and plans for 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening, Middleburg, Virginia, 1962.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner and Invitation List. Artmobile II Opening. Middleburg, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Facts sheets, invitations and photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dedication. Dates- 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- correspondence re. funding, construction, photographs, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans for Collegiate Artmobile to visit Virginia Colleges. 1964-65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal to ask the Carnegie Foundation for funding for a collegiate artmobile, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening, Ashland, Virginia. Correspondence and programs, Sept. 1966. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Meeting of Virginia college Presidents regarding the Artmobile project to service college and University campuses. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, David Pittman, Peter Mooz. Subject- Artmobile workshop: program agenda, exhibition schedules, etc. \"Artmobile Chairman Handbook\". Dates- 7/74 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fruehauf Trailer Co., artmobile manufacturer, 1965-66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed by Lt. Governor Mills Godwin, attempted to establish a Virginia Arts and Crafts Museum. Newspaper clippings, correspondence, 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets, prints, minutes and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Arts and Humanities Summer Institute. Sponsored by the Va. Commission of Arts and Humanities at the Museum in 1971. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Informational pamphlet from the President's advisory Council on the Arts, 1963. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Art Council of America and Governor's office. Subject- invitation from the Art Council of America to be represented in this council, etc. Dates- 10/65-11/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from George Cruger (Editor, AIV), J.M. Brown and Wm. Gaines. Subject- Microfilming of AIV and checklist of Articles to date, Spring 1974. Catalog: \"Image\", George Eastman House, 1973. Dates- 11/73 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memos and Correspondence. Dates- 1960 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Search for a designer for the magazine. Letters to and from possible candidates. Dates- 1964.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Various issues of the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- A.P. News clips regarding Museum, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the portrait bust of John Marshall.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- A.P.V.A. Pamphlets and Correspondence, 1972. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- agenda for the APVA (Association for the Preservation of VA. Antiquities) meeting held at VMFA, roster of exec. committee and trustees, etc. Dates- 3/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of members and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and reports from annual meeting 1964-68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- General correspondence to Directors of various museums regarding membership, loans of art works, invitations, etc.  Fact sheet on Artist housing in Soho. Dates- 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence and minutes from annual meeting 1970-71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Annual meeting: reports, minutes, events schedules, officers, membership. Code of Ethics for ilicit traffic in works of art. \"Reproductions and Reproduction Rights For Museum-Owned Objects\", 1962, American Federation of Arts. Dates- 1972, 1979 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes from meeting. Dates- 5/59 - 6/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposals for membership. L. Cheek was membership chairman. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes of meeting. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report on dangers of lending objects to institutions for special exhibitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Questionnaires, 1962. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Lady Nancy Astor. Subject- Donation of her portrait by John Singer Sargent and china. Dates- 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"B\". Subject- varied. Dates- 9/50-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with institutions, individuals or corporations beginning with the letter \"B\" and the VMFA loan-own art service policy statement. Dates- 6/62-10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Transcript of remarks by Frank Stanton on his award of the Michael Friedman Medal of the Architectural league, magazine clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Ballet and L. Cheek concerning the beginning and future of a theatre at the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, A. Ballet and trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Baltimore Museum of Art calendars of events, correspondence about museum practices, etc. Dates- 9/48-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Miss Iris Barry. Subject- giving a film lecture, newspaper clipping, etc. Dates- 8/49-5/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, T.C. Colt, Jr. and L. Cheek, Jr. Subject- general information about Barter Theatre (announcements, VA Highlands Festival schedule, etc.) and correspondence about the Museum sponsoring drama productions as a state extension service. Dates- 12/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Barzansky Galleries. Subject- invitation to a Harriet Fitzgerald exhibition at the Charles Barzansky Galleries, N.Y.C. Dates- 1/58-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Governor Battle. Subject- thank you notes, etc. Dates- 11/50-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlet of the Museum's 1945-6 season. Dates- 1945-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. Bellows. Subject- the proposed acquisition of one of two of Bellows' paintings (Kids, The Teamster) which the museum didn't purchase. Dates-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Fitzgerald Bemiss as a Trustee, correspondence about Board of Trustees and Membership Committee business, gifts to VMFA, etc. Dates- 6/54-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- visit to Florence, Italy and to see Bernhard Berenson. Dates- 1/56-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition: Eugene Berman's sketches for the Metropolitan Opera's Barber of Seville. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Brown was a chairman of the panel of judges for the Franklin Mint Bicentennial Medal competition in the state of Virginia, official rules and entry form for competition, etc. Dates- 4/72-5/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- House Bill no.131 to keep Va. interstates free of billboards, response letters from Va. politicians, etc. Dates- 2/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Mr. Paul Bird as a lecturer on contemporary painting, a transcript of the lecture, etc. Dates- 1/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek and J.M. Brown. Subject- Accessions: Chinese objects. Requests for loan of A. Wyeth paintings from Wyeth Estate, invitation to Clare Boothe Luce to address 17th Annual Va. Public Relations Conference, letter of inquiry regarding the artist Lucille Sinclair Douglas. Accessions: Dubuffet prints, period chairs, pedestals, chest, Aphrodite Torso, female draped figure, Claude Hirst painting, Roger Barr painting. Eric Christmas and Festival Theatre, Ontario, Canada, proposal around building of Bristol Chapter House, furnishing of Agecroft Hall, expansion of University curriculum to include Art Historical Studies in surrounding colleges, Hogarth exhibition, World Museum Fund with description of event and agenda.  Text from \"Country Beautiful, America's Finest Small Museums\", with description of VMFA. Accession and gifts: \"The Little School Girl\", Degas; Amphipolis Gold. Dates- 1959-70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek. Jr. Subject- By-Laws revised and adopted 1951, Organic Laws, announcements, replies, agenda and minutes of annual Board meeting 1950, committee reports, listing of Trustees, etc. Dates- 5/50-5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Col. H.W. Anderson. Subject- annual Board meeting, listing of Trustees 1952-3, announcement of annual meeting, VMFA Annual Report of the Director 1952, etc. Dates- 5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement, replies, agenda and minutes of annual meeting 1953, notice of amendments to the By-Laws, a VMFA report/essay \"The Need for Completing Its Addition\", etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- annual Board meeting minutes 1953, 54, VMFA Annual Report of the Director 1954, notice of amendments to the By-Laws 1954, announcement, replies and agenda for meeting, etc. Dates- 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- minutes of Trustees annual meeting 1955, working papers for the meeting, committee reports, By-Laws revised and adopted 6/54, listing of insurance coverage, Museum events, etc. Dates- 5/55-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mid-year meeting and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement of annual meeting and luncheon for the Trustees, R.S.V.P.'s, attendance list, etc. Dates- 4/56-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Index cards with names and addresses of current and former Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff and Board Presidents. Subject- Board of Trustees committee appointments, appointment letters and reply letters for the following years: '45/6, '46/7, '47/8, '48/9 and '49/50. Dates- 1945-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- letters of appointment to serve on Trustee committees and reply letters, listing of committee appointments 1949-50, etc. Dates- 7/49-7/50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Henry W. Anderson (President of the Board). Subject- appointment to committee letters and reply letters, etc. Dates- 8/51-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence By L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of committee appointments. Dates- 1954-5. Correspondence- Subject- listing of committee appointments. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of Trustees committee appointments (1956-7), reply letters to committee appointments, etc. Dates- 8/56-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- notes on planning, cost estimates, invitations, replies to preview of A.D. Williams collection and dinner honoring Governor and Mrs. Battle, etc. Dates- 10/52-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Museum events, working papers for the annual Board meetings and agendas, nominations to the Board, excerpts from the Board minutes, committee reports, etc. Dates- 2/37-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains miscellaneous correspondence, memos and minutes from meetings. 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board annual meeting minutes 1955, By-Laws revised and adopted 1954, By-Laws and suggested revisions 1956, listing of Trustees 1955, Committee appointments 1954-57, etc. Dates- 1954-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Roster of the VMFA Board of Trustees. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- announcement, replies for Board meeting, listing of Trustees 1952, 53, notice of meeting cancellation because of inability to secure a quorum, etc. Dates- 1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- announcements, replies, agenda and minutes of Trustees special meeting and Executive Committee meeting, etc., 1/54-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of the Board of Trustees annual meetings. Dates- 1934-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- suggested plan for developing VMFA collections by Colt (1945), announcements and replies for Board annual meeting , prepared budget 1947-8, listings of Trustees, officers and committees, etc. Dates- 10/45-6/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- sightseeing boat tour on the James River. Dates- 2/57-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mrs. John H. Bocock as a Trustee, Board of Trustees, Entertainment and Accessions Committee business, art lending service information, gifts to VMFA, etc. Dates- 5/51-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek writing introduction for A. Aubrey Bodine's photography book: The Face of Virginia, draft of the foreword/introduction, biographical information on Bodine, etc. Dates- 3/62-1/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- letter to Hon. Armstead L. Boothe about appointment to Board. Dates- 6/64-6/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Jr. primarily with the Sheraton Hotel. Subject- a cocktail party held on Cheek's Boston trip, guest lists, invitations, etc. Dates- 10/58-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. with various Boston Museum staff. Subject- museum practices, loans, speaking engagements, exchange publications, etc. Dates- 11/47-10/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loaning objects to VMFA, correspondence about museum practices, lecture given by Cheek in Boston about art in Virginia, etc. Dates- 3/55-4/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and V.Y. Bowditch. Subject- Bowditch biographical information, drama schedule 1955-6 season, evaluations, theatre operations, etc. Dates- 7/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Theatre director of Pasadena Playhouse 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. with E.G. Bowles and the Public Works Administration (PWA). Subject- landscaping the Museum and bids complying with PWA, construction contract 4/36, classifications of labor/workmen and wage rates 12/34 and Form Of Bond-VA 4/36. Dates-3/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's membership to the VMFA Board of Trustees, Museum events and daily operations, the following Museum publications: Virginia Museum of Fine Arts By-Laws, 1st Annual Financial Report of the Curator (4/13/35-6/15/36) and Virginia Museum of Fine Arts 1st Quarterly Financial Report of the Curator (5/1/36), listing of suggested prospective Trustees, listing of Trustee committee appointments 1937, sketches of Museum floor plan, etc. Dates- 12/34-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, Museum publication: Prospectus of Program Season of 1937-38, radio talk show transcript 3/38, etc. Dates- 6/37-6/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, PWA grant offer 1938 to the Museum, letter from VMFA rejecting the offer of a PWA grant, copy of the resolution that Henry P. Strause, Esq. be named first Honorary Benefactor of the Virginia Museum of Fine Arts, etc. Dates- 7/38-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, Museum events and daily operations, Trustee committee appointments 1939-40, essays by Branch about WWII, financial situation of the Museum 1939, creation of a \"Ways and Means\" committee, etc. Dates- 8/39-6/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe Branch. Subject- Branch's presidency of the VMFA Board of Trustees, staff organization (1940), plan for VA artist fellowships, \"Art in Virginia\" an article written by Colt, Museum events and daily operations, Museum investments and gifts to the Museum, biographical information on Branch, Trustee committee appointments 1940-1, etc. Dates- 6/40-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Blythe W. Branch. Subject- Branch's presidency of the VMFA Board of Trustees, biographical information on Branch, Museum events and daily operations, Museum investments and gifts to the Museum, winner of the first Webster S. Rhoads medal, etc. Dates- 5/41-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Thalhimer Brothers, Inc. Subject- use of VMFA's Medieval Gallery for British Embassy reception. Dates- 6/1/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- brochures for the VA Dance Society, VA Film Society and VA Chamber Music Society. Dates- 1963-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loaning objects to Brooklyn Museum, correspondence about museum practices, exchange publications, etc. Dates- 2/48-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- essay written by J. Carter Brown for New York University. Dates- 5/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- news releases about James M. Brown becoming VMFA Director, newspaper clippings, photos of Brown, Report of the Director 1972-3, etc. Dates- 6/69-11/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff and Trustees. Subject- plans for receiving the new Director. Dates- 6/69-7/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Fred Haseltine (Assistant to Director). Subject- list of objects being offered to the Museum including: antique gold boxes, ornaments, clocks, etc., letters to the executors of the Ailsa Mellon Bruce estate, correspondence with Paul Mellon, news releases and news paper clippings about gift, photos of the galleries, etc. Dates- 8/70-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Mr. David K.E. Bruce as a Trustee, Board of Trustees business, gifts to VMFA, etc. Dates- 5/48-3/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed acquisition of the Brummer collection of Medieval art, report on collection, list of objects, correspondence to Paul Mellon, etc., later sold to Duke University. Dates- 12/65-4/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and the Smithsonian Traveling Exhibition Service. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Exhibition 1958, includes layouts and photos, etc. Dates- 3/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's membership on the Fine Arts Advisory Committee to U.S. Commission for the Brussels Universal and International Exhibition of 1958, committee meeting minutes 1957, committee roster, etc. Dates- 2/57-2/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- American folk art exhibition organized by the Smithsonian for the Brussels International Fair 1958, Cheek was an advisory committee member, loan, catalogue and installation lists, information on slide presentation- \"Art in American Museums\", etc. Dates- 3/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- sketches, plans of the U.S. pavilion for the Brussels International Fair 1958, information and listing of objects in the \"American Folk Art\" exhibition, etc. Dates- 1/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Harry Bertoia (Sculptor). Subject- the acquisition of a Bertoia piece (Tree) shown at the Brussels Fair. Dates- 8/57-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr. Subject- D. Tennant Bryan as a Trustee, Board of Trustee and Membership Committee business, etc. Dates- 10/47-6/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. D. Tennant Bryan. Subject- Trustee/Museum business, membership to the Museum, etc. Dates- 5/51-9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. J. Stewart Bryan. Subject- Trustee/Museum business, loan of paintings for inaugural exhibition, gift to Museum, etc. Dates- 6/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Thomas P. Bryan as a Trustee, Board of Trustee business, etc. Dates- 9/58-11/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- congratulatory letter to Mr. Thomas P. Bryan on election as Mayor, Date- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. to Buchholz Gallery. Subject- proposed purchases, loans, exchange publications, etc. Dates- 4/47-8/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VMFA budget exhibit 1959 and 1966-8, resume of the VMFA Trustees before the Appropriations Committee 1964, budget requests 1960-1 and 1962-4, etc. Dates- 9/61-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of Governor's Budget Advisory Board 1965, outline for capital outlay funds dinner, invitation letter to Trustees, etc. Dates- 5/65-6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed 25th anniversary budget, correspondence about obtaining a Budget Committee for the 25th anniversary program, anniversary publications, etc. Dates- 1/60-3/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about Capital Outlay Commission dinner and theatre, etc. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- suggested order of events for Budget Advisory Committee meeting, invitation letters to the Presidents of VMFA affiliate chapters, draft of end of dinner announcement, etc. Dates- 7/61-9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- list of Governor's Budget Advisory Committee 1969, review of Museum's request for capital outlay funds to construct North Wing and theatre, etc. Dates- 4/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- roster of Governor's Budget Advisory Board 1967, outline for Cheek's remarks to Budget Advisory Committee, etc. Dates- 1/67-5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- roster of Governor's Budget Advisory Committee members 1972-4, request for hearing, dinner invitations for Advisory Committee, etc. Dates- 5/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers and news releases about the addition to the Museum. Dates- 6/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to other U.S. art museums. Subject- installation and advice on purchasing an air conditioning system. Dates- 5/53-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Wm. Rhodes. Subject- correspondence about air condition system failure. Dates- 9/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- addition and renovation to the Museum, proposals and preliminary studies by Mr. Merrill Lee, Architect, copy of a Architects and Consulting Architects Contract, etc. Dates- 12/49-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard primarily with Architects M.C. Lee and Eggers and Higgins. Subject- schedule of interior installation, list of architects bills, building inspection, review work/progress, photographs of progress of additions to the Museum 1953, etc. Dates-12/48-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the proposed addition the VMFA 1949-50.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Baskervill and Sons (architects and engineers) preliminary drawings, schedule for construction project, etc. Dates- 7/64-12/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Attempt by the United Daughters of the Confederacy to expand their facility on the block. The Museum's and the Virginia Historical Society's attempts to stop them and acquire the land for their own use. Dates- 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about equipment needed to supply music to members' quarters, lobby area and galleries. Dates- 7/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- information about sound equipment. Dates- 6/54-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information on purchasing folding and stackable chairs. Dates- 8/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- extending the rise of freight elevator. Dates- 8/53-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- proposals and layout for a film production unit to be located in the new wing (to make interpretative sound films). Dates- 7/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information, blueprints on changes to and installation of kitchen equipment. Dates- 6/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- the proposed purchase and installation of photographic equipment, correspondence with other art museums about creating and maintaining a darkroom and staff photographer. Dates- 8/53-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- blueprints of check room, information about coat, overshoe and umbrella racks for the Museum check room. Dates- 9/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information about seating for the theatre and auditorium, blueprints of the auditorium. Dates- 8/53-8/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of machinery and equipment needed for the new shop. Dates- 8/17/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about chandelier for front entrance of Museum. Dates- 9/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M.C. Lee, Architect. Subject- alterations and additions to the Museum, color samples and specs for painting and finishing, etc. Dates- 8/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains amounts of pledges and names of donors giving money for new galleries.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Gallery floor plans: VMFA, Brooklyn Museum, Victoria and Albert, British Museum, Art Institute of Chicago, Walters. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Merrill C. Lee, Architect. Subject- progress photographs and negatives (north wing). Dates- 5/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Architects: contractual agreements, VMFA design program, Capital Outlay Appropriation, alteration, additions, cost estimates, expenditures, contracts for Doyle and Russell and Merrill C. Lee (AIA). Dates- 12/48 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- blueprints of a darkroom and information about and catalogs of photographic equipment. Dates- 8/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns securing restricted material such as steel for post-wartime construction. 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Mrs. J.G. Pollard. Subject- Economic Stabilization Committee (ESA) search for qualified women employees, ESA headquarters to be located in Richmond, federal government regulations that established ceiling prices for all commodities and services (except those specifically exempt) upon the basis of prices in effect between 12/19/50-1/25/51. Dates- 2/51-12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Final Statement Museum Of Fine Arts Richmond, Virginia\", contract dated June 9th, 1952. Financial statement/contract from Doyle and Russell Construction. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Terra cotta statues at the North entrance to the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Original Building: \"Manual On The Planning And Execution Of State Capital Outlays\", 9/1/44, contracts: Doyle and Russell (Building Contractors) and Merrill C. Lee (AIA). Detail for additions and deletion from original building. Design contracts and inspection reports. Dates- 1952 - 55, 1966, 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Brochures, drawings, correspondence 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- information on red carpet and padding for the front entrance. Dates- 8/51-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Meeting with Interior designers 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding plants around the Waddy fountain. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- the Richmond Junior League's proposed campaign to raise money for construction of South wing for the Museum, working papers for and final copy of the pamphlet: \"The Virginia Museum Needs Wings\", etc. Dates-12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- renovations and construction of a new wing to the Museum, Cheek's comments on preliminary and revised drawings, and construction progress, Architects and Consulting Architects Contract (Merrill C. Lee, Architect, Eggers and Higgins, Consulting Architects), an essay \"The Virginia Museum of Fine Arts Need for Completing Its Addition\", etc. Dates- 1/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information relating to addition to Museum, several reports including: Building Program 1950-1, Addition to Building 1949-50, The Virginia Museum of Fine Arts The Need For Completing its Addition, History of Appropriation for Construction (1948-53) ,also, notes for Sen. Gray about Museum addition (1952). Dates- 1948-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- miscellaneous daily and general building maintenance. Dates- 2/60-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Governors Stanley and Battle. Subject- improvements on Museum building and completion of new wing (1954). Dates- 12/50- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Drawings and Correspondence 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject-construction/installation of American and English galleries, alterations to Medieval hall, blueprints, etc. Dates- 7/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- information on purchase of steel lockers, blueprints, etc. Dates- 4/54-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about ordering office furniture designed by Eero Saarinen. Dates- 8/64-1/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Alfred Geiffert, landscape architect. 1949-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- analysis of situation concerning the parking lot and planting, etc. Dates- 8/66-10/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Budget Estimates for landscaping the grounds of the Museum around addition, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- information and bids on purchasing lighting and steel storage equipment. Dates- 11/53-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- info on purchase of supplies for dining room/cafeteria: placemats, traymats, doilies, napkins, matches. Dates- 1/55-7/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains plans for the Waddy Fountain, and furnishing brochures. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Carl Milles, donor of the Little Triton Fountain 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- marble chips for garden court fountain request for information about installation of mosaics in garden court. Dates- 8/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed purchase of wall coverings for new galleries (movable partitions and door headers). Dates- 2/54-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- commission to decorate behind refreshment counter in the new building, commission switches from Julien Binford to Richard Q. Yardley. Dates- 6/54-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Richard Q. Yardley Mural in the refreshment room. Also contains information on Julien Binford who was originally retained to do the mural before Yardley. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., Mrs. J.G. Pollard. Subject- Public Works Administration Grant for Museum addition, application to National Production Authority (N.P.A.) for assistance in obtaining materials for proposed Museum construction. Dates- 10/35-9/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- staff requests for facilities and equipment, list of private funds for Museum addition, Board resolution about the construction on the building, etc. Dates- 7/48-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- drawings of proposed Museum addition, Special Building Committee procedure in dealing with Appropriations Committee of the House of Delegates, etc. Dates- 6/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and New York City Museums: Metropolitan, Guggenheim, MOMA, and Whitney. Subject- Extended loans of paintings and sculpture for the VMFA's new wing of Contemporary Art, scheduled for Jan. 1970. Correspondence from L. Cheek to John Walker to address the Collectors Circle. Dates- 7/69 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- report on budget dinners 6/65, Cheek's itinerary for talks 1965, etc. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and Joseph Whitehead (Interior Designer). Subject- Interiors of the New South Wing, Fabric sample enclosed. Correspondence between L. Cheek and Bernard Bothner of the Brooklyn Museum. Subject- Resources for slides to accompany the reinstallation of the Egyptian Gallery. Dates- 6/66- 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposals for gallery orientation theatre systems. Memo To VMFA staff regarding upcoming Fellows meeting. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to other museum directors. Subject- Request for slides of recent building additions to their respective museums, to prepare for a presentation to the Virginia Legislature. Dates- 4/65 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey conducted by L. Cheek to determine the necessity of a sprinkler system in galleries. Letters, cards of response and survey results. Dates- 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains brochures and catalogs 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photos of preliminary architect's drawings, preliminary cost estimates, etc. Dates- 7/62-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Information concerning the MOMA 30th Anniversary, building funds drive with text of building/expansion plans, \"Toward The New Museum Of Modern Art\" , 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- review of presentations to the Art Commission, photos of other art museum additions, statements about addition (Mr. Wallace K. Harrison and Mr. Frederick D. Nichols), etc. Dates- 9/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sculpture garden fountain and the renovation of the theatre lobby. Dates- 7/76 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Wm. Higgins. Subject- Membership drive/ New Wing opening, progress reports to members of the Board, financial statements: cost estimates, design fees, operating fund, construction timetables. Fact sheet relating to history of VMFA. Signficant dates for the Virginia Museum, \"History of North Wing Construction\". Dates- 4/71 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nicholas and C. Chamberlayne (Hardwick). Subject- Progress timetable, architectural engineering/ landscape/ interior design. Revisions/ alterations to construction, cost estimates, instructions to bidding contractors. Review by building committee of the Board of Trustees. Minutes of the building committee, 2/25/72, drawing/plans. Dates- 1971 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nichols and C. Humelsine. Subject- North Wing plans, justification and description, funding, appeal to legislature to win support for North Wing funding. Rosters: Appropriations committee, finance committee, Governor's budget advisory committee. Essay- \"The Unique, Pioneering Virginia Museum\" and \"Facts on the Virginia Museum of Fine Arts\". Dates- 1967, 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson and L. Cheek. Subject- Original design of North Wing per L. Cheek and Baskerville (AIA), later rejected by the Arts Commission. List of significant dates with regard to North and South Wing additions. Minutes of Special building Fund committee, 3/11/65, original building proposal, photographs. Bulletin vol.26, no.2 10/65. Dates- 9/65 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs/Plans/Drawings from Baskerville and Son (AIA) for:entrance hall, basement/sub-basement, site plan elevations/cross section, gallery floor plans and views of entire block.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, D. Nicholas and L. Noland (building committee). Subject- Construction, architectural engineering, capital outlay, construction bids, plans and contract documents. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- blank order forms labeled VMFA NPA Regulation No. 4. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. J.G. Pollard. Subject- National Production Authority (NPA) regulations, order listings for maintenance, repair and operating (MRO) supplies, regulations about using the DO-97 rating (Form used to obtain MRO supplies), quota for the 4th quarter 1951, etc. Dates- 3/51-7/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about construction and funding (some PWA) of a wing to the Museum, publication: Working Relationships Between Private Architects and Engineers and the Commonwealth of VA (2/44, Governors' office, Division of the Budget) and The General Conditions of the Contract for the Construction of Buildings (standard form of the American Institute of Architects). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Doyle and Russell, Building and Industrial Construction. Subject- Bronze founders tablets, frames, building inspections and taking over and operating the building 10/35. Dates- 8/35-10/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Peebles and Ferguson, Architects, Norfolk. Subject-blueprints (including detail of the Portuguese Room dated 9/18/35), maintenance and furnishings (benches, plaques, interior painting, etc.) for the Museum. Dates- 4/35- 6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Ferguson, Meakin and Moore, Architects, Norfolk. Subject- reproductions of drawings of proposed south wing, drawings, bids, etc. Dates- 10/37-5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans and Correspondence 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photos of drawings showing the proposed additions and alterations to Museum. Dates- 1965. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Plans and correspondence regarding the memorial plaques around the building: R.E. Lee Camp, Waddy and the Old Dominion Foundation fountains. 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- construction/installation for the Pratt collection, blueprints, progress reports to Mr. John Lee Pratt, etc. Correspondence with Milton Samuels of French and Company who designed the installation, including quotes for fabric, carpet, cases, carpentry, lighting (including the chandelier). Cheek asked Pratt to fund it and he agreed. Lots of invoices. Dates- 6/54-5/55.   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Baskerville and Sons, Architects, 3/11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about building models, preliminary drawings, furnishing and equipment catalogues, etc. Dates- 4/65-12/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence and statements from Marcellus Wright and Son. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and Merill Lee (architect) and Chairman of the Building and grounds committee, concerning construction of the service area. Dates- 1/59 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Eggers and Higgins, Architects. Sketches and drawings 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., J.M. Brown and Erwin H. Will (VMFA President of the Board). Subject- all aspects of construction of the South Wing, additions and alterations to Museum, landscaping, fountain, parking lot, etc. Dates- 12/66-3/73. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of South Wing construction conferences 1969-72, outline of construction to South Wing, etc. Dates- 1969-72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Governors Dinner/Event in celebration of the South Wing: program agenda, menu, dedication plans, News Media reception, Rosters: House of Delegates, Senate, Trustees. Key presented to Governor Linwood Holton donated to the archives by Anne Holton November 3, 2022. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Capital Outlay requests, individual project descriptions, preliminary plans, tabulations of construction bids, estimated income sources, floor plans, budgets, invoices, Executive Committee Minutes and Building Committee Minutes. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Erwin Will. Subject- New duct layout for the South Wing attic space: revisions necessary due to mistakes in original drawings and improper work. Financial statements. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA Charter, Act of March 27, 1934. Design program (2/18/49) Phase II, museum enlargement, boiler replacement, contract cost estimates, committee no.279-A, addendum no.7 to the drawings and alterations to VMFA. Theatre light control system, weekly project inspections. \"General Conditions Of The Contract For Capital Outlay Projects\". Dates- 2/52 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and members of the building committee. Subject- Proposed additions, rejection of north facade by Arts Commission. Excerpts from Minutes of Art Commission Meeting, 6/4/65, 7/9/65, 7/29/66. \"The Virginia Museum Opens The New South Wing\", Press package, Brief History and Signficant Dates of VMFA, photographs. Dates- 1965 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Supplemental Agreement #2: Additions and alteration to various aspects of structural design contracts. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Interior construction and design. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment purchasing list, blueprints of theatre, installation of theatre and projection equipment and an orchestra lift, local building committee meeting minutes, etc. Dates- 7/53-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre equipment: bronze stands and velvet ropes. Dates- 1/55-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Construction blueprints and plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letter of invitation to Trustees, former and current, to celebrate the construction of the North Wing, seating arrangement and timetable for event. Letter to Gov. Holton concerning ground breaking ceremonies and gala dinner. Dates - 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Col. Anderson. Subject- proposal for theatre for Museum, possible recreation center for armed forces stationed in Richmond. Dates- 2/51-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Waddy Memorial and Triton Fountains 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- B.F. Ruskin and Associates 1953-55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- committee reports on funding for construction of addition to the Museum, schedule of payments to date (12/4/50 and 12/20/50). Dates- 10/50-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- additions and alterations to VMFA 1955, list of Museum alterations and additions to date 6/15/55 by Merrill C. Lee, Architect, VMFA Noise Survey CA 9687 (1955), blueprints, etc. Dates- 1/54-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains architectural plans for the first addition to the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- cost estimates/proposed funding for Museum addition, copy of the resolution to establish a Local Building Committee, announcements, replies and minutes of Local Building Committee meetings 1950-2, etc. Dates- 1/46-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Local Building Committee, 1951-54. Information regarding the local contractor. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- minutes and outlines of VMFA Building Committee meetings 1952-3. Dates- 6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr., and G.D. Gibson (Chairman of the VMFA Building Committee). Subject- addition to Museum building, listing of additions and alterations to the building, agenda and minutes of Building Committee meetings 1953-4, etc. Dates- 9/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- addition to Museum building, minutes, announcement and agenda for VMFA Building Committee meetings 1954-5, list of contributors to Museum Building Fund, etc. Dates- 7/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by G.D. Gibson (Trustee). Subject- installation of Museum equipment, minutes of the Buildings and Grounds Committee meetings 1955-6, etc. Dates- 9/56-12/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains lists of expenditures, list of private donors with amounts donated for the addition to the Museum.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA Local Buildings and Grounds Committee meeting minutes 1948-56, listing of committee meeting dates 1948-56. Dates- 1948-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard to Senator Garland Gray. Subject- information about planning costs for addition to Museum building, Museum business and events, etc. Dates- 5/51-7/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of the Museum's members bulletin. Vol.1, No.8, Vol.7, No.'s 1,4and6, Vol.8, No.'s 5and8, Vol.9, No.'s 1,2and4, Vol.10, No.'s 1,2,7and8, Vol.11, No.'s 1,2,3,4,5,6,7and9, Vol.12, No.'s 8and9, Vol.13, No.'s 6and9, Vol.14, No.'s 1,3,6,7,8and9, Vol.15, No.'s 3,4,5,6,7,8and9, Vol.16, No.'s 1,2,3,4,5and6. Dates- 9/46-2/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Bulletins with general information and a survey of sources of income, private and public, from various museums. Dates-1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 1962-1966 Donations, Trustee File. Dates- 7/55 - 12/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and members of Board of Trustees. Subject- Revision of By-laws and Memorial Fund Policy, revisions and recommendations, minutes from sub- committee on By-laws. Dates- 1958 and 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA By-Laws (revised and adopted 5/51, 5/53, 6/54), Notice of Amendments to By-Laws (6/50, 5/53, 6/54), VMFA Organic Laws, etc.. Dates- 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Senator Byrd. Subject- amendment of IRS code Sec. 863, exempting works of art loaned for exhibition in this country from federal estate taxes. Dates- 7/51-10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard, and L. Cheek, Jr. to individuals, institutions and companies beginning with the letters Ca-Cn. Subject- varied, including four letters from Alexander Calder about Museum purchase of one of his pieces. Dates- 8/45-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek. Subject- Loans of artwork, Trustees, Fellows, Mary Callery (juror, 1963 Va. Artists Exhibition). Accessions and gifts: Tree, Callery; Han Dynasty pottery; Nanny, T. Sully. Dates- 2/59 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and P. Near to J. Brun and H. Jucker. Subject- Acquisition and provenance of Caligula, Newspaper clippings. Dates- 1971-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, his term as Treasurer of the Fellows. Dates- 1/60-6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. John Canaday (from University of VA). Subject- Christmas card design by Canaday, loan of a sculpture show, jobs, etc. Dates- 5/49-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Capital outlay requests for parking area, South Wing, Entrance Improvements, Expenditures and revenues for the year ending 6/1960. \"Instructions for Form c-54-A (individual project report)\" from Commission on State Capital Outlays and Means of Financing. General Endowment Income 1960-61; Capital Outlay for Galleries, landscaping, Egyptian gallery and North Wing, 1935-60. Collections for which there is inadequate exhibition space, list of cultures that are not represented or under-represented, roster of members serving on the \"Commission on State Capital Outlays and Means of Financing. Dates- 1960-61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Includes Frances Benjamin Johnston acquisition.","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- officers from the Carnegie Corporation visiting Richmond and the Museum. Dates- 8/55-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to F. Anderson (Carnegie Corporation). Subject- Experimental use of Carnegie Collection of Materials for the Instruction of American Culture and funding of Collegiate Artmobile IV. Proposal, '\" An Artmobile for Virginia Colleges\", March 1965, Supplement, A Statewide Stimulus for Education in the Humanities, Statement of purpose, photocopy of partial grant payment. Dates- 1/58-7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Carnegie Corporation of New York and Carnegie Institute, Department of Fine Arts. Subject- Frances Benjamin Johnston acquisition, requesting a grant, requesting loans for inaugural exhibition, counsel on museum practices. Dates-8/35- 12/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Carnegie Trust. Subject- a visit to Richmond by officers of three British Carnegie Foundations, information on Carnegie Trust 1954, etc. Dates- 8/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Secretary of Carnegie Dunfermline Trust. Subject- Roster of Carnegie Delegation visiting VMFA; Annual Report- Carnegie Dunfermline Trustees, 1960. Dates- 7/59-60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- job of Technical Director of the Theatre Division, etc. Dates- 6/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lists of 25th Anniversary donors; VMFA presidents and terms of office 1935-60. Essay- \" The Arts In Virginia\", Walter S. Robertson (Pres. VMFA). Essay- \"Collecting In America\", Alfred Frankfurter (editor and Pres., Art News) Dates- 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of orders for and purchasers of the Healy's Sitters Catalogues, thank you notes for exchange publications, list of relatives of Judge John Barton Payne, etc. Dates- 4/51-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Jaquelin-Ambler Portrait catalogs, listing of the members of the Jaquelin, Ambler and Broadnax families. Dates- 11/48-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- a fellowship set up by the Catherwood Foundation (previous owners of the Dali jewels) to be used for travel/education in Europe, information about transporting Dali jewels from the Museum. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fellowship for artists provided by the Catherwood Foundation and awarded and administered by the VMFA that year. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. William Gaines and L. Cheek, Jr. and M.B. Christison (Assistant Director). Subject- Gaines biographical information, Catherwood Foundation fellowship recipient, application, recommendations and award letter for fellowship, list and some photos of work submitted, etc. Dates- 3/56-11/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual luncheon and tour. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Century Lighting Co. Subject- lighting for the artmobile and theatre, etc. Dates- 6/53-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets from the Convention and Tourist Bureau (Richmond). Dates- 1949-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- pamphlets from the Virginia Chamber of Commerce. Dates- 5/49-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Restoration of Old Botetourt Hotel, Gloucester, Va.; Programming instructions for \"Civilization\" Film Series; proposal and budget for statewide broadcast of Affiliate promotionals. Rosters of Affiliates, Chapters and Confederation Officers; Minutes of \"Executive Committee Meeting\", 10/72; maps, postcards, press release, newspaper clipping, photographs. Dates- 2/67-7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Winter Conference agenda, participants, newspaper clippings. Dates- 12/71-3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal and budget. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Affiliate/Chapter offices Museum Lecture/Tour; roster of Officers, speaking schedule, events, remarks for each engagement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prototype for letter to be sent from all VMFA Chapter Presidents to convince Legislature of the need for new building. Dates- 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dali Jewels. Date- 7/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. primarily to realtors and lawyers. Subject- sale of Cheek's property \"Faraway Farms\", information on sale of Chebry Co. property, etc. Dates- 6/50-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to T.C. Colt, Jr. from L. Cheek (when he was Chairman of the Fine Arts Department at The College of William and Mary and when he was Director at the Baltimore Museum of Fine Arts). Subject- art in Virginia, counsel on museum practices, etc. Dates- 12/36-1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- The retirement of L. Cheek, Trustee dinner honoring the occasion, presentation of \"Thomas Jefferson Public Service Award\", with remarks by Lt. Gov. F.G. Pollard; South Wing construction; invitations and newspaper interview with L. Cheek. Dates- 1/65-3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W.S. Robertson and Morton Thalhimer. Subject- Letters of moral support, press releases and newspaper clippings announcing the resignation of L. Cheek (decision later recanted). Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding L. Cheek's reconsideration of his resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resolution from VMFA Council regarding the outstanding contributions of L. Cheek. Includes letters from and too supporters. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Replies to his reconsideration of resignation. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Text from interview of 11/2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- PR, decorations, lecture, etc. Dates- 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memo to VMFA staff, PR, agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Thank you letter from by a class participant.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding classes at the museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Registration information and class lists.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison. Subject- installation of collections and exhibitions, Museum programming, biographical information, etc. Dates- 10/54-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Muriel B. Christison, Associate Director for Collections and Education.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. Christison. Subject- scripts and working papers for children's radio program (\"Treasure Trails\" on WRVA), listing of slides for Season Survey and information on a Life magazine photo exhibition entitled \"Egypt\". Dates- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vouchers and receipts for travel expenses, 1948-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Christmas cards received by the Museum, a copy of the Museum Christmas card (1956), Information about a Christmas tree in the Members' suite, etc. Dates- 11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Commission of Virginia Artists to design Christmas Cards; rosters: Board of Trustees, A.A.M.D., newspaper clippings, cards, photographs. Dates- 1966-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- ordering Christmas decorations. Dates- 11/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Peter Mooz, Sydney and Frances Lewis. Subject- Remarks by J.M. Brown on the dedication of the North Wing and on his resignation. Andrew W. Mellon Foundation, Lewis gift of funds for Art Nouveau purchases, Noland gift of \"Rotating Sphere\", reattribution of the Jewel casket. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Controversy concerning gift of Walter P. Chrysler, newspaper clippings, and Chrysler newsletters, 1973-75. Dates- 1969 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Henry Clay Hofheimer and J.M. Brown. Subject- New wing, correspondence between the Executive Board, the closing of the Chrysler Museum School, operating budget, accessions, list of objects. Minutes of Executive Board, 2/8/72. Transcript of William L. Parkers, et al complaints vs. Walter P. Chrysler Jr. et as Defendants. Dates- 1972 - 33 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Chrysler collection exhibition at the Museum and possible Artmobile tour, listing of pieces in collection, etc. Dates- 9/49-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Loan Exhibition for Church Silver of Colonial Williamsburg, outline for proposed exhibition, budget, letter drafts to Church Wardens, lists of Episcopal Churches owning Church Sliver, Format for catalogue. Dates- 7/68-4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about proposed reproduction in miniature of a Cigar Store figure from the Museum collection. Dates- 7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed reproduction in miniature of American cigar store figures from the Museum collection. Dates- 5/56-12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek Subject- Civil War Centennial Exhibition, agenda, maps, newsletters, VMT copy of \"Certificate of Award\", conferred on the Virginia Civil War Commission. \"Virginia Joins The Confederacy, Chronology of Events November 1860 through 1861\", Civil War Centennial, 1961-1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek's membership on advisory council of the Civil War Centennial Commission, site development study for proposed Confederate Memorial Park in the Museum area, \"Report of the Preliminary Plans of the Virginia Civil War Commission to the General Assembly\" 12/59, etc. Dates- 5/59- 12/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- Programming, Ticket Stubs, newspaper reviews, news releases, photographs. Dates- 7/70 - 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Joseph Lucas (pres. Civitan Club) [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Resume of Cleveland Museum President, Sherman Emery Lee with photo, Cleveland Plain Dealer Interview \"Sherman Lee's Double Life\". Dates- 12/55-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Clopton complaint about film tickets. Dates- 2/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- membership in The Poetry Society of Virginia. Dates- 2/53-10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., Mrs. J.G. Pollard and L. Cheek, Jr., to individuals, institutions and companies beginning with the letters Co-Cz. Subject- varied. Dates- 8/45-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., L. Cheek and J.M. Brown. Subject- Geri Melchers Memorial; Minutes of Annual Meeting 1962; Minutes of Executive Committee Annual Meeting 1962; restaurant feasibility. Dates- 1957-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arranging a lecture by Mr. Alexander S. Cochran, Architect in conjunction with the exhibition \"Domestic Architecture of the San Francisco bay Region\", biographical information, etc. Dates- 10/49-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, gifts. Dates- 6/54 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the American Association of Museums (AAM). Subject- copies of the Code of Ethics for Museum Workers 1925 AAM report. Dates- 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Remarks on \"The Relation of Trustees and Professional Staff of General Art Museums\", delivered by Charles Nagel 5/17/69,  \"Code of Ethics for Museum Workers\" 1925. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rhodes Rathskellar, proposals for lunchroom: use by staff, volunteer personnel, policy on break schedule and lunch periods. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from P. Near and Peter Mooz. Subject- Checklist of the status, strength, weaknesses and needs of the VMFA. Damage report, gifts of artworks and accessions, Art Purchase Fund, press releases. Letters to Christo and Robert Rauschenberg. Dates- 1976-77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, letters, newspaper clippings and information from dealers, prices regarding possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, prices and other information relating to possible acquisitions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains photographs, and information regarding possible additions to the collection. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (assistant Director for Collections and Education). Subject- listing of possible additions to Museum's collections 1953, information and some photos of objects considered for acquisition, correspondence with art dealers, etc. Dates- 12/51- 11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- listing of possible additions to the Museum's collections, information and some photos about objects considered for Museum acquisition, correspondence with art dealers, etc. Dates- 1/53-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near, F. Brandt and P. Mooz. Subject- Reorganization of the Collector-of-the-year. 1975- Mrs. Lummont du Pont Copeland Collection on Export Porcelain. 1977- David Lloyd Kruger Collection of Contemporary Art. 1978- Hugo Weisgall Collection, list of objects, copies of scores for the Weisgall Concert catalog. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from P. Near to members. Subject- Collectors circle event with lecture by Caroline Keck. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Cultural exchange, Minutes of Executive Committee of C.A.A., 1/62, 4/62, Minutes of Annual Meeting, 1971; Minutes of C.A.A. Business Meeting, 1/62; revised draft of \"Policies and Purposes\", roster of officers, Directors and committee members; Essay- \"The Visual Arts in Higher Education\". Dates- 1/62 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List for reception/cocktail party, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Preston L. Collins (Lt. Governor). Subject- announcements of Trustee meetings, invitations to Museum events, replies, etc. Dates- 5/51-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. to staff of Colonial Williamsburg. Subject- museum methods. Dates- 7/46-12/54.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- general correspondence with staff of Colonial Williamsburg, information on Cheek's speaking engagement with Williamsburg Rotary Club, etc. Dates- 2/54-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and the President of Colonial Williamsburg. Subject- loan of display units to Colonial Williamsburg, museum practices, etc. Dates- 3/59-12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Colonial Williamsburg. Subject- correspondence about the Williamsburg Antiques Forum, publications/mailings about Antiques Forum 1964,'66,'67,'73, etc. Dates- 5/66-1/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- detailed letters about the goings-on at the Museum while Colt was serving in WWII, also letter from Mrs. Alfred DuPont about art education. Dates-8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. J.G. Pollard and others. Subject- record of Colt's military service, his resignation to serve in WWII. Dates- 11/42-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Columbia Records presented 55 recordings of the New York Philharmonic Orchestra to the VMFA in 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of \"On Fine Arts in Modern Society: A Research Proposal Prepared for the Virginia Museum of Fine Arts by the Columbia University Bureau of Applied Social Research\". Dates- 5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices with The Columbus Gallery of Fine Arts (Columbus, OH) and Columbus Museum of Arts and Crafts, Inc. (Columbus, GA). Dates- 3/51-8/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to the Board, list of appointments, etc. Dates- 1959-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Walter S. Robertson (VMFA President of the Board). Subject- roster of committee appointments 1963-4, invitations to Trustee committee appointments, etc. Dates- 8/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.G. Pollard, Jr. (President of the Board). Subject- letters of appointment to Board and replies, list of appointments, etc. Dates- 1958-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and W.S. Robertson (VMFA President of the Board). Subject- VMFA roster of Trustees 1964-5 and 1965-6, Board committee appointments 1965-6, invitations and responses to Trustee committee appointments, letter about Board term limitations (proposed limitation 2 successive terms of 5 years each), etc. Dates- 6/64-7/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Cheek correspondence as a member of Committee for International Cultural Exchange (CICE), etc. Dates- 6/61-2/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- suggested projects for Public Relations and Development committees, proposal for the Museum by the P.R. counseling firm Earl Newsom and Co., etc.. Dates- 3/54-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from State Department of Purchases and Supply. Subject- information about choosing stationary, samples for new state letterhead. Dates- 9/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"A Report to the Virginia Museum of Fine Arts 11/19/58\" from the viewpoint of its public relations information and communications responsibilities and program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- information and memos about arrangements for community college presidents to meet at the Museum. Dates- 12/70- 1/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- cooperative arrangements between VMFA and Va. community colleges, Virginia Community College System Annual Reports 1969/70 and 1970/71, proposed programs for community colleges, etc. Dates- 10/70-8/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complaints from Museum visitors about exhibitions, entrance fees, membership rates, guards, etc. Dates- 12/63-7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Museum operations: food service, VMT, membership, discontinuation of dinners in the galleries and newspaper clippings. Dates- 1974 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- guest list for complimentary cocktails in honor of officers and Museum volunteers from the Council, Jr. League and Theatre Affiliates, roster of Jr. League officers 1970-1, etc. Dates- 9/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Erwin H. Will (VMFA President of the Board). Subject- arrangements for a luncheon held in honor of officers and Museum volunteers from the Council, Junior League and Theatre Affiliates, guest list, suggested remarks for Mr. Will at luncheon. Dates- 9/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- miscellaneous Thank you's and compliments about gift and exchange publications, exhibitions, programs, the Museum in general and Cheek's responses. Dates- 2/49-2/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence from the public complimenting the museum in some way. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. and W.S. Robertson (President of the Board of Trustees). Subject- Complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 7/60-12/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters about Museum exhibitions, theatre productions, exchange publications, etc. Dates- 1/64-11/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on programs, theatre productions, museum in general and his responses. Dates- 7/66-10/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Various museum operations. Dates- 1972 - 79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- compliments about 25th anniversary exhibitions, events and catalogue: Treasures in America, \"A Tribute to Virginia's Unique Museum\"-a Sunday newspaper supplement, etc. Dates- 1/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for VMFA European catalogue, an exchange publication. Dates- 5/66-9/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Faberge catalogue: Russian Imperial Jewels, a VMFA exchange publication. Dates- 12/60-2/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- compliments and thank you's for gifts/exchange publications of Russian Imperial Jewels, the catalogue of the Museum's Faberge collection. Dates- 11/60-12/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Architecture in Virginia, a VMFA exchange publication. Dates- 2/68-5/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for William Hogarth, A Loan Exhibition of Paintings, Drawings and Prints, a VMFA exchange publication. Dates- 1/67-3/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for Painting in England 1700-1850, Collection of Mr. and Mrs. Paul Mellon, a VMFA exchange publication. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- complimentary letters to Cheek on \"Painting in England\" exhibition (Mellon Collection) and his responses. Dates- 4/63-10/63. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Thank you letters for The World of Shakespeare, a VMFA exchange publication. Dates- 1/64-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Form letter from the President to potential members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J. G. Pollard. subject- Letters to Trustees regarding 25th anniversary fund and letters to new members. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- performance at Mosque of \"The Confederacy\" as a benefit for the Artmobile, project later abandoned, Date- 11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- drawings of the site of the Confederate Memorial Chapel, landscaping plans, etc. Dates- 7/66-8/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Richmond Times-Dispatch article \"The Old Soldiers Faded Away Home Here is Vacant\". Dates- 1/16/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitation to Director of the Norfolk Museum to Confederation workshop. Dates- 5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- congratulation and reply letters on the installation of Mr. James M. Brown as VMFA Director. Dates- 6/69-6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of objects from the Glasgow bequest and purchase fund currently exhibited in Museum galleries. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Mrs. Anthony Congreve. Subject- biographical information on Arthur and Margaret Glasgow, correspondence about Glasgow fund for purchasing works of art, listings of purchases made with Glasgow Endowment Fund 1966-72. Dates- 11/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz. Subject- Physical plant restoration project: cleaning of VMFA interior and extensive improvement of motor park, project data summary, Conservation Laboratory: construction and equipment, supply expenditures, budget. Grant application: \"Proposal for Virginia Museum Conservation Laboratory\", employment contract, job descriptions, resumes of prospective applicants. Dates- 1975 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- biographical information arrangements for giving lectures/seminars at the Museum, VMFA Members' Bulletin vol.23, no.9 5/63, etc., Date- 11/50-2/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for securing speakers for the \"Fireside Series\" proposed art talks held in the library, Thank you's to speakers, etc. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loans of objects between VMFA and Corcoran Gallery of Art, correspondence about museum practices. Dates- 3/51-10/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Katharine Cornwell. Subject- biographical information on this actress, invitation to come to Richmond to see a show and promote TheatreVirginia. Dates- 5/67. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets and post cards from the Corning Glass Center. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information on obtaining assistance from philanthropic organizations and corporations, etc. Dates- 2/55-12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by E.H. Will (VMFA President of the Board). Subject- solicitation letter for corporate patrons, information on corporate patrons program, roster of Richmond corporate patrons 1970, invitations to corporate patrons gala, etc. Dates- 12/69. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by E.H. Will (VMFA President of the Board). Subject- solicitation of corporate patrons, pamphlets about corporate patrons program, publications for the corporate patrons gala, etc. Dates- 7/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- roster of Richmond and of state corporate patrons 1971, planning for \"Fete Aux Galleries\" the corporate patrons event 1972, invitations and guest list for event, etc. Dates- 6/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Exhibitions, condition reports, insurance, gifts and purchases. Essay- \"Successful Adult Museum Programs\", M. Christison. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Velz.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) primarily, also L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- varied. Dates- 7/56-1/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- General correspondence regarding publications, museum practices, exhibitions, pamphlets. Letter from Alexander Calder. Dates- 7/56 - 12/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Ford Foundation grant-in-aid program, Fogg Conservation Symposium and the Chrysler Collection. Photographs, cesolution recognizing the outstanding contribution of L. Cheek by the VMFA Council. Draft of \"Standards For Museum Practices\", SEMC, 1958. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition of American Silver, jurors for 1965 ADP exhibition, biographical data, 25th Anniversary exhibition and list of objects for loan. VMFA film series, press releases for \"The Little International\" from the Olsen Foundation and the Artmobile. Dates- 1958 -1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and VMFA Council officers. Subject- Council roster 1957-8 and 1958-9, listing of charter members, council-sponsored events and programs, lecture series schedule 1957-8 and 1959-60, statement of purpose of the Council, minutes of general meetings 1962 and'65, Executive Committee meeting minutes 1962 and '63, acknowledgments of gifts to the Museum, etc. Dates- 7/56-10/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown with the VMFA Council. Subject- Council gifts, Council -sponsored events and programs, preliminary drawings for Council shop office, breakdown of Council Contribution Fund 10/70 and 11/70, etc. Dates- 2/66-4/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for corporate patrons ball, roster of Richmond and of state corporate patrons, roster of Council committee for the ball, invitations and guest lists for ball, etc. Dates- 10/70-3/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- outline of the organization of the VMFA Council, Council Program 1955-6, Council of the VMFA Charter Meeting and Articles of Association, \"Friends of the Museum Constitution\", etc. Dates- 5/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- VMFA Council Contribution Fund analysis 1971 and'72, various Council sponsored events and programs, agreement between VMFA and the Council 10/20/70, A Short History of Council Gifts to Museum 1955-71, The Council of the Virginia Museum Directory 1971-2, general correspondence between Council officers and VMFA staff, etc. Dates- 1/71-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Council Trustee Contribution Fund, conservation laboratory, library, state services, fellowships and internships. Profit and loss statements, general ledger trail balance, Art Purchase Fund, staff expenses, VMT financial statements, matching funds for NEA Grant. New Council Shop, furnishings, installation, etc. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposal to establish fellowships for professional craftsmen (resident Craftsman Program), letters from interested craftsmen, etc. Dates- 2/63-2/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- proposal of a story about the Museum for Time-Life magazines, reference made about a reproduction of a Watteau from the Museum's collection appearing in Time. Dates- 11/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Monica Hamm and P. Mooz. Subject- Head of publications, editor of AIV and advisor for photography exhibitions. \"Focus On The Arts\", Pat Becker. Dates- 1974 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- fact sheet about VMFA, House bill no.862 was about establishing a Virginia Commission of the Arts and Humanities, transcript of the VMFA presentation by E.H. Will (VMFA President of the Board) to the Virginia Assembly, Rules Committee asking to kill or amend the bill, etc. Dates- 1/68-2/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- roster of Virginia Cultural Development Study Commission and of the State Arts Committee, information about the creation of the Va. Cultural Development Study Commission by Senate joint resolution no.67, essay- \"The Virginia Museum and the Arts in Virginia\", correspondence about meeting with the Cultural Development Commission, \"Dissenting Opinion Report of the Cultural Development Commission\" by Dr. William H. Higgins, Jr., member of the Commission, etc. Dates- 3/66-1/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to individuals, institutions and companies beginning with the letter \"D\". Subject- varied. Dates- 3/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- VMT, exhibition schedules, Byzantine Architectural exhibition, College Drama Festival, loans of art works, Artmobile, Horace Day, NEA proposal, pamphlets, magazine excerpts, cards, biographical data, etc. Accessions and gifts: \"The Meeting of Joachim and Anna Under the Golden Gate\", A. Duer. Dates- 10/58 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Conference for teachers and students of Dance at VMFA, master classes, lecture and performance by Alwin Dance Theatre, agenda, list of dance teachers. Date- 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, AIV. Dates- 1/61 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Virginia Architects, Designers and photographers\", Collectors Circle, Va. Artists Biennial, donations, gifts, memorial fund. Dates- 6/59 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, acting director of the Museum and Governor Darden, regarding the Museum director and the Curator of Decorative Arts, who were both on leave to the armed forces during World War II, 1942-44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with and biographical information about Carson Davenport, Virginia artist. Dates- 1936-1944.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Ms. Davis. Subject- visits to \"Faraway Farms\" (Cheek's property) Davis was apparently a housekeeper/caretaker of some kind. Dates- 2/49-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and donors Mrs. Lincoln Davis, and George Cole Scott and Hildreth Dunn Scott, 1937-43.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., E.M. Davis, III (Curator) and L. Cheek, Jr. Subject-restoration of Mrs. Davis' Flemish painting, gifts from Mrs. Davis, information on Museum Board accessions committee (Mrs. Davis member), etc. Dates- 10/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. Lincoln Davis. Subject- Trustee/Museum business, letter of resignation from Board, etc., 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Elizabeth Nottingham Day and Horace Day, patrons and donors, 1934-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Day's exhibition at the VMFA. Dates- 1/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard to Mr. and Mrs. Horace Day. Subject- Horace Day biographical information, exhibition record, job recommendation, newspaper editorial written by Mr. Day on American Painting, etc. Dates- 1950- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to Mr. Howard Dearstyne. Subject- proposed exhibition of Dearstyne's work and speaking engagement, etc. Dates- 11/50-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chamber Music Society, Building grounds committee, gifts, donation. Dates- 1954-65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. to the Earl de la Warr. Subject- a visit to Richmond by the Earl, loan of a painting to the Museum exhibition \"England's World of 1607\", etc. Dates- 4/57-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. Marie de Mare. Subject- catalogues of \"Healy's Sitters\" exhibition ( Mrs. de Mare was Healy's grand-daughter), proposed film and biography of Healy by Mrs. de Mare, etc. Dates- 5/49-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His position as Art Director of AIV, music and dance folders. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from D. Nichols (administrator), F. Haseltine (PR). Subject- VMT subscription, Executive Committee Report, Collections Activities, Public Information Report. Dates- 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and R.A. Velz (Administrator). Subject- information about an exhibition scheduled From Nov.22-Dec.31, 1955 featuring merchandise available for purchase in time for Christmas. Dates- 9/55-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Traveling exhibition. Dates- 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- International Traveling exhibition. VMFA and Leslie Cheek were the American coordinators from 1951-1954. Lists of attendees at the opening dinner 1/15/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Design in Scandinavia\" exhibition checklist, description of the exhibition, official record of receipt and list of items received but not included in exhibition, etc. Dates- [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- RSVP's to dinner held on the opening night of the exhibition \"Design in Scandinavia\". Dates- 12/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., Mrs. J.G. Pollard and M.B. Christison. Subject- exhibition catalogue information for \"Design in Scandinavia\" and RSVP's for dinner held on the opening night of the exhibition. Dates- 12/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- American Tour 1954-57. Correspondence and publicity regarding. AFA took over the circulation of the exhibition.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committees in the United States. Lists of members and minutes from meetings 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Favorable reviews of the exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copy of a New York Times article written by Cheek concerning the upcoming exhibition 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Opening of the exhibition at the Museum, January 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- dinner guest lists, menu, planning for opening night dinner for \"Design in Scandinavia\" exhibition, list of Board of Trustee committee appointments 1953-4, registration for Southeastern Museums conference 1953, etc. Dates- 12/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- RSVP's for the dinner and other opening events for the exhibition \"Design in Scandinavia\", exhibition catalogue, information used in planning printed material for the exhibition, etc. Dates- 4/53-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Cheek, Scandinavians and Thomas Messer of AFA. Correspondence with Elizabeth Gordon, Editor of House Beautiful. Subject- Design in Scandinavia exhibition. Dates- 1951 through 1953.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject-job description of a designer for the Design and Construction division of the Museum, proposed hiring of a designer, etc. Dates- 2/54-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- floor plan and printed matter for \"Designer-Craftsmen USA\" exhibition, photos of the exhibition, VMFA Member's Bulletin vol.15, no.5 (1/55), etc. Dates-11/54-2/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Strauss. Subject- 25th Anniversary, draft of appeal to enlarge endowment fund, pamphlet. Dated- 6/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for a diorama in connection with \"Orientations of Virginia's Cultural Background\", photographs. Dates- 7/61 - 6/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resolution by the Executive Committee to authorize excess travel cost by VMFA staff. Dates- 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trip itinerary, pamphlets. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Fowler, D. Nichols, B. Ryan. Subject- All manner of VMFA operation: photography budgets, payroll dispersal, VMT renovation, Artmobile, damage and security of Art works, gallery installation, loans, art purchase invoices, Theatre contract, repairs and modification invoices, grievance procedure, pamphlets, Interpol investigation of Indian sculptures, requests for establishing new positions: Vice Director for Public Affairs and Artmobile curator. \"Partnership Agreement of Artco and Company\", \"Operation Countdown\", analysis of responsibilities and time required for completion of the North Wing. Photographs, pamphlets, announcements. Accessions and gifts: 17th C. Eng. Embroidered Casket, Byzantine Bronze Plaque, Tomato Soup Can (A. Warhol), Bolt of Lightening (R. Lichtenstein), Portrait of a Lady, Payne Collection. Dates- 1/68 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, F. Haseltine, D. Nicholas, J.M. Brown, P. Near, A.W. Stalnaker, B. Ryan, Mrs. Pollard. Subject- All manner of inter-museum operations: Public information schedules, membership campaign, promotion deadlines, travel itineraries, budget proposals, etc. P. Nears observations on possible acquisitions. Dates- 7/64 - 8/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters of request, agenda. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Secretary to the museum, biographical data, job description. Museum files and the law regarding public information, records management, records to be retired, list of file classification: deletions and additions. Events schedules, agendas and exhibitions. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, A. Dohn. Subject- Letter of recognition of donations, list of donors and their gifts of art works. Dates- 1964-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Chenery Estate and Gottwald endowment Fund. Art Nouveau gift of Sydney and Frances Lewis. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMT, Fellowship Fund, Museum Classes, Chenery Estate, Art Nouveau Fund, Artmobile and Gottwald Endowment Fund. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Buyers guides, pamphlets, magazine excerpts, specifications, blueprints, lists of chapters and affiliates, photographs. Dates- 9/61 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, and L. Cheek. Subject- Gift of Dunsten Memorial, Payment record, gallery proposals, \"The Virginia Museum Needs New Wings\": appeal to membership and Trustees for building funds. Dates- 12/46 - 4/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Mrs. Alfred I. (Jessie Ball) Dupont. Subject- Donations. Contains a letter regarding her feelings in favor of segregation at the museum and in the arts. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jessie Ball duPont's membership on the Executive Board, gifts and donations. Dates- 5/55 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Jessie Ball duPont. Subject- Membership as a Trustee, Fellow, Chair of 25th Anniversary Fund drive, contributions and gifts, magazine excerpts, biographical information, contributions and gifts, progress report from Anniversary Fund Drive. Dates- 2/59 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and D. Hudson (state coordinator of Arts System). Subject- Salary scales for VMT, NEA grant proposals. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Exhibitions, Artmobile, VMT, Va. Fellowships, search for potential jurors, work schedules invitations, newspapers, postcards, etc. Accessions and gifts: \"Autumn Leaves\", A. Palmer. Dates- 5/46-5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agenda and letters to K. Fowler of VMT. Dates- 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Wm. Heartwell and Gov. Holton. Subject- \"Minutes of Economic Resource Task Force Meeting\": 7/23/71, 9/2/71, 10/8/71, 1/13/72, 4/20/72, purpose of task force was to improve communication between various agencies and the governors office. Draft of Executive order: relationship of state agency organizations to Commonwealth planning districts, budget estimates, agendas, Bills held in House Committee for the 1973 General Assembly. Dates- 1971 -72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- C. Guinnan request for a meeting room. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from A. Stalnaker and H. Dohn. Subject- Events for Governors School for Gifted Students: schedule, housing, food service, etc. Dated- 7/73- 8/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between A. Dohn and Mr. Albertia. Subject- Student application, agendas and statement of purpose. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Event to expose students to the function, organization and operation of VMFA, timetable and agendas. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and B. Bothmer (Egyptologist, BMFA). Subject- Invitations, list of Egyptian art objects available for purchase. Dates- 9/54 - 11/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Requests for films and slides, Artmobile, loans for Egyptian Gallery, statement/remarks for opening exhibition, newspaper clippings, blueprints. Dates- 2/55 - 12/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Suggested remarks related to \"Installation of a Gallery of Egyptian Art\", loans from other museums, agendas, letters to other curators and directors. Gift of Egyptian Gallery from Mrs. James Parsons. Dates-2/61 - 4/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- early planning stages of the exhibition \"England 1607\", list of pieces in, list of lenders to the exhibition, installation schedule and exhibition description, printed materials, \"Status Report on the Museum's Jamestown Festival Program\", etc. Dates- 6/54-8/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gallery opening made possible through gifts of china from Lady Nancy Astor, invitations and loan requests. Dates- 4/61 - 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- invitations to these exhibitions: \"Masterpieces of Chinese Art\" and \"Russian Imperial Jewels\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedules 1946, 1946/7, 1949, 1950, Entertainment Committee announcements and replies, committee report 1946, committee roster 1949/50, biographical information on the following Museum guests: Yasuo Kuniyoshi, John W. Taylor, Charles W. Smith, Reginald Marsh and Lamar Dodd, etc. Dates- 1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee schedule 1946/7, 1950, 1951, 1952, 1953, 1954, Entertainment Committee rosters 1950/1, 1951/2, 1952/3, proposed Friday evening events 1950/1, committee meeting minutes 1952, biographical information about George T. Hamilton, etc. Dates- 1946-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, VMFA Entertainment Committee schedule 1954, 1955, 1956, announcements and minutes of Entertainment Committee meetings 1951, 1953, 1954, 1955, 1956, etc. Dates- 1951-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Entertainment Committee roster, Entertainment Committee schedule 1955, meeting announcements, biographical information about the artist Donald Oenslager, etc. Dates- 1954-5. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, announcements and replies for VMFA Entertainment Committee meetings, roster of Entertainment Committee, committee schedule 1955, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. Arthur Kelly Evans. Subject- a bequest to the Museum from Mrs. Evans, etc. Dates- 11/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- proposal for fundraising project for VMFA Council in fall 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- 60the Anniversary of the AFA meeting and symposium in Williamsburg, registration forms. Dates- 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agenda, timetable and luncheon for behind the scenes tours by the Council. Date-1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Benefit for the Council Service Fund, program, menu. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Museum in Action\": documentary of VMFA galleries and statewide activities, preview agenda, press dinner, invitations. Producer: Richard Rochement Narrator: Alistair Cooke Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for VMFA banquet services. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Exhibition: \"Treasures from the Norfolk Museum\", Governor's reception, program agenda. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gallery plan, staff assignments and program. Dates- 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reinstallation of the permanent galleries. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Members dinner dance event, invitations, guest list. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Glasgow Estate, Jamestown Tablet. Reception for Committee on Law Celebration. Dates- 12/58 - 4/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Members preview and reception: timetable, program, invitations, gallery plan, etc. Jack Larsen: lecture and biographical data. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of invitation to members of Virginia Chamber Music Society to attend a Theatre-Dinner. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Inauguration of a monthly series of theatre Dinners, guest list, letters of invitation for event and menu. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition: \"Designs for the Theatre\" Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reception for British group of scholars and collectors and travel itinerary. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- A British organization on American Tour. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Meeting at VMFA for NCEW: an organization to stimulate the conscience and quality of the American Editorial page. VMFA Executive committee minutes, biographical data, program agenda. Dates- 7/58 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of request for use of VMFA Gallery for Dinner, agenda, timetable. Dates- 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Tour routes, agenda and schedule of events for reception and letter to new members. Dates- 9/68 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of invitation to reception, tour of museum, agenda, timetable, etc. Dates- 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. Breeden (Membership Chair). Subject- Procedure and agenda for members reception and tour schedule, press release, invitations, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Haseltine. Subject- VMT Premiere performance and promotion. Dates- 5/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- exhibition: \"Treasures of the Norfolk Museum\", program/dinner agenda, invitation, etc. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Arthur Houghton. Subject- Preliminary event outline, layout, program agenda, procedure, invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Annual event to honor corporate patrons: entertainment, decorations, invitation list and suggested remarks to be delivered by President, E. Will. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Private advanced performance of \"School For Wives\", biographical data on Peggy Wood. Dates- 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Rhoads. Subject- Agenda and sample of invitation. Dates- 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Gregory Peck. Subject- Grand opening of Virginia Theatre Arts System, events schedule for preview, Letter from Gregory Peck. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Library reception and banquet for college Presidents attending the Drama Festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Dinner and Theatre Party: agenda, invitations. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters of request and agenda for Theatre Dinner Party. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Rhodes and E.M. Last (Chair, RLS) Subject- Performance of RLS at VMT, ticket sales and cost estimates. Dates- 1/65 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letter of request for VMFA services. Dates- 4/31/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Robinson House formerly the Scientific Research Organization, VMFA headquarters for LOAS, adult classes and resident craftsperson, Invitation, Historical background, Bulletin vol.24 no.7 4/64 Dates- 8/62 - 3/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Helen Dohn. Subject- Smith College dinner with lecture by Charles Chetham, Director of Smith College Art Museum, agenda, etc. Dates- 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- The VMFA Council, Theatre Affiliates, President's Dinner. Music, Dance and Film Societies. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The Hospitality and Information Service for diplomatic residents and families. Dates- 1968. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- three day seminar program of multi-level experience in the Arts For exceptional Virginia Youths, agendas, etc. Dates- 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMFA luncheon and tour. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Paintings and drawings by E. Vedder, speaker. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for contributions. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: Hugh Newell Johnson. Reception, guest list and agenda. Exhibition catalog. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Harry Bertoia, Sherman Lee. Subject- General correspondence regarding juror service. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Sherman Lee. Subject- Jury Chair: Sherman Lee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Juror: William Pahlmann. Event program agenda, invitation, guest list, etc. Catalog: \"Virginia Interior Designers 1973\". Dates- 10/72 - 3/73 \"Virginia Interior Designers Reception Fri. 16 Mar.,  1973, 5-7 p.m.\" Subject- Invitation. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, W. Gaines and H. Dohn. Subject- Schedule of events, exhibitions, Bicentennial Celebration. loans, gallery tours, calendar news, Invitation for the \"India In Virginia\" exhibition. Dates- 8/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains minutes, agendas and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas, 1954-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, announcements, agendas and minutes of VMFA Exec. Committee meetings 1955, 1956, etc. Dates- 9/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee/Museum business, VMFA Exec. Committee minutes 1956, list of Exec, Committee members 1956. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and William J. Rhodes, Jr. (President). Subject- Trustee/Museum business Exec. Committee meeting agendas 1954, 1955, 1956, Museum finances (pay scale, Director's allowable expenses, approvals for purchases) VMFA Committee appointments 1956-7, etc. Dates- 6/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence, minutes and agendas. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. and Col. Henry W. Anderson (President). Subject- Trustee/Museum business, VMFA Exec. Committee meeting minutes 1950, 1951, 1952, 1953, listing of members of the Exec. Committee 1950, 1951, Exec. Committee resolutions 1950, 1951, 1953, By-Laws revised and adopted 1951, etc. Dates- 1950-3. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- Executive Committee minutes, copies of Exec. Committee minutes 1953, 1954, 1955. Dates- 12/53-9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Gari Melchers Memorial Committee, VMFA Exec. Committee minutes 1956, list of Exec. Committee members 1956, etc. Dates- 4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Trustee/Museum business, VA Art Alliance, Williams Fund purchase, VMFA Exec. Committee agenda 1952, 1953, 1954. Dates- 5/51-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W. Gaines, R. Velz, M. Christison. Subject- Roster of large Richmond firms and number of employees, invitation cover letter, remarks to be delivered after luncheon. Dates- 9/63 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- lists of proposed exhibitions, events schedule for 1955-6 season, roster of members and schedule of the entertainment committee, drama schedule for Virginia Museum Theatre, etc. Dates- 7/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Notable lecturers and AIV contributors, biographical data. Jurors: Charles Eames, Morris Ketchum and Bert Stern. Dates- 1967 – 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Budgets, loan requests. \"Picasso: A Selected View\", \"12 American Painters\", List of Art Works, biographical notes test for the catalog: \"The Flowering of American Folk Art\". Catalog: \"American Painting 1970 including correspondence with Richard Diebenkorn. Dates- 1970-1974. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Bernard Martins' \"Portrait of Edward Hopper\", \"Walter Gropius - 1883 - 1969\", \"Jose Puig\", projected budget, attendance records, requests for loans, receptions events schedules, etc. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Engineering projects around the world, assembled to illustrate the aesthetic impact of technology. Cost estimates for exhibition, speakers and invitations. Dates- 7/64 - 1/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Outstanding objects in American Museum collections that are gifts or have been purchased with contributions from patrons. Event arrangements/planning. Requests of loans and press releases. \"A Brief History of the Virginia Museum of Fine Arts\", by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition \"Homage to the Square\", signed letter from Elaine de Kooning. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening festivities of the Aldrich Collection of Impressionist and Post-Impressionist paintings and sculpture. Catalogue: \"The Aldrich Collection\", foreword by L. Cheek. Dates- 11/58 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: Bartlett Hayes. VMFA purchases from exhibition. Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Juror: C.V. Donovan. Request for loans from other galleries. Dates- 1962 , 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Al Held. Subject- Juror: Peter Selz. The removal of artwork from the wall of the VMFA for a period of one week in demonstration of racism, war and repression in America. List of paintings to be shipped and installation instructions. Dates- 9/69 - 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Search for a disposable cardboard shelter for use in a traveling sculpture exhibition to the Chapters and Affiliates. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Juried exhibition of Virginia Architects, Designers and Photographers. American Painting exhibition. Dates- 1964, 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt, Sydney and Frances Lewis. Subject- Art Nouveau exhibition: request for loans, lists of objects, opening event agenda, timetable, invitations, etc. Lecturer: Robert Koch. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. H. Bache and P. Near. Subject- Collector-of-the Year: Pre-Columbian gold collection, list of objects, letters to members of Collectors Circle. Dates- 196 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for flags from Embassy of the Federal Republic of Germany. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Kent Bicentennial Portfolio: \"Spirit of Independence\", prints by 12 Contemporary American Artists. Rockefeller Collection of Picasso Tapestries. Dates- 11/74 - 11/75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Phillip Hofer. Subject- Philip Hofer: biographical data and lecture on Blake. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Block as Collector-of-the Year (1967): Collection of 19th and 20th century watercolors and drawings, reviews and agendas. Dates- 10/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum of Modern Art exhibition \"Art Lending Service Retrospective\", lecture by MOMA Junior Council President Lily Auchincloss, lending services, expenses and pamphlet. Dates- 11/60 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibit on ancient Chinese treasures. Date- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases for Virginia's Civil War centennial Exhibition and celebration at the VMFA, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- C. Conger (White House Curator) and his collection of interior furnishings. Heeramaneck Collection. Dates- 1967, 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Blumka Medieval Collection: Preview, program agenda, invitations, etc. Damage report to Gothic Cut Velvet Cloth, Conservators report and insurance claims. Dates- 1/73 - 5/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near and F. Brandt. Subject- Exhibition of Tapestries from the House of Edgeworth and paintings, prints and drawings. Lecture, list of objects, PR, gallery plan, invitations, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek's service as a juror for \"International Glass\", gallery plan, photographs, list of jurors choice objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition \"Robes from the Forbidden City\": lecture by Alan Priest on Chinese Textiles. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt and P. Near. Subject- Virginia Photographer 1971, juror: Harry Callahan. Mourot Collection of porcelain. Exhibition schedules, lectures, gifts, loans of art objects, roster of Trustees. Catalog: \"Virginia Artists 1971\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Davies exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and H. Gummerus (Finnish Society of Crafts and Design). Subject- Gummerus lecture on Finnish design. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibition of Tutankhamun. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Bernard Von Bothmer (Brooklyn Museum). Subject- Von Bothmer account of his discovery fo the missing portion of VMFA fragment of Sema-Tawy-Tefnakht. Conservation and restoration of scribe, magazine clippings. Slides and photographs. Dates- 12/64 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. L.J. Dee (Cooper- Hewitt) Subject- Her Lecture to VMFA. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture by Buckminister Fuller, biographical data, catalog, installation, invitations, etc. Dates- 1/59 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contemporary Art forms of Israel. Lecturer: Avid Yafeh. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturer: John Walker. Invitations, entertainment. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Gaines. Subject- Documentation of the making of George Steven's film. Installation, design, floor plans and cooperating agencies. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Herbert Hoffman, Perry Rathbone and Patricia Davidson. Subject- Bill S.2273: to enable works of art and other materials imported for temporary exhibition in non-profit activities to be immune from judicial process. Description of objects for possible acquisition. Exhibition design, installation, VMFA and BMFA gallery plans, invitations, etc. Dates- 9/63 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Rathbone and H. Hoffman. Subject- Loans of Greek gold from the Hermitage and other institutions. Appeals to the State Department regarding Bill S.2773. Dates- 3/64 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Christine Alexander. Subject- Alexander's service to VMFA consultant on Greek and roman acquisitions. Exhibition lecture by Dorothy Kent Hill. Dates- 12/61 - 4/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Western art in Virginia collections, loan requests, film series, invitations, program agenda, etc. Lecturer: Larry Curry. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Perry Rathbone and Nasli Heeramaneck. Subject- Installation and acquisitions from the Heeramaneck collection. Lecturer: John Alexander Pope (Freer Gallery), newspaper clippings. Dates- 12/66 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon and Lessing Roswald. Subject- Request for loans, receiving and storage of objects. Event invitations, agenda, etc. Lecturer: Philip Hofer. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and John Koenig. Subject- Proposals for the filming and documentation of an epic film: research, selection, documentation, etc. Proposals were originally made to Samuel Goldwyn and Cecil B. de Mille. Dates- 7/55 - 2/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Goodrich. Subject- Requests for loans from various collections. Text for catalog forward by L. Cheek, and essay by Lloyd Goodrich. Biographical data and newspaper clippings. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Events schedule, agenda, invitations, pamphlets. Lecturer: Robert Doty. \"Portrait of Edward Hopper\" and drawing studies by Virginia painter, Bernard Martin. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Exhibition of art from Virginia Collections to commemorate the 10th anniversary of AIV. Request for loans, invitations, members preview, agenda, list of objects for exhibition. Lecturer: Thomas E. Norton, biographical data. Dates- 7/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Acquisition of Indian art collection. Dates- 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition of works by French artists commissioned by Claude Aveline to illustrate his poem \"L'Oiseau que n'existe pas\". Lecturer: Lawrence Alloway, biographical data. Members Bulletin vol.24 no.8 4.64. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Anne Marie Pope. Subject- VMFA display areas. Date- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt and P. Near. Subject- Art Nouveau Loan, list of Lewis gifts and purchases. Dates- 1971 - 78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and C.S. Hathway. Subject- Lecture search. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Biographical data, agendas, timetables and invitations. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Islamic rugs circulated by the Smithsonian Institute and lecture by McMullan. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J. Baskett and P. Mellon. Subject- List of paintings from Mellon Collection. Gallery preparation, storage, costs, opening festivities, interpretation of exhibition, letters to print media. Press release, newspaper clippings. Lecturers: W.G. Constable, John Baskett and Basil Taylor. Essay- \"Painting In England, 1700-1850\". Dates- 8/62 - 9/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Paul Mellon. Subject- Mellon English Painting Collection, early discussion concerning the scope and preparation of catalog and exhibition. \"Letter from Basil Taylor Dated-23 January 1963 re: Mellon Show\", letter of disgruntlement over the various stages of the Mellon catalog. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Basil Taylor. Subject- Mellon Collection of English painting, initial planning stages, lectures, installation, catalog, etc. Dates- 11/61 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Paul Mellon. Subject- Exhibition: \"Painting in England\", program of events, invitations, gallery plan, program, invitation, guest list, etc. Dates- 5/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon and Basil Taylor. Subject- Basil Taylor, advisor tot Mellon collection and author of exhibition catalog: \"Painting in England, 1700-1850\". Catalog foreword by L. Cheek. Dates- 12/62 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations and dinner programs. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Installation, catalog, security, lecture. List of slides, media coverage. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Remarks by Paul Mellon on exhibition opening, mock-ups of booklet form. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Full color photographic reproduction of the \"Sistine Chapel\", exhibition circulated by LIFE magazine. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Demonstration of mosaic technique using contemporary materials. Dates- 5/54 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Henry Moore. Subject- Aid of Helen Norman (neighbor to Moore) on establishing a dialogue with the VMFA concerning an exhibition and visit by the artist. Preliminary exhibition plans. Dates- 10/57 - 10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Henry Moore. Subject- Preview and opening night arrangements, newspaper clippings and press releases. Dates- 5/65 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Neutra. Subject- Exhibition and speaking tour by the artist. Dates- 6/59 - 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Goya exhibition: request for loans of works by Goya, announcements, invitations, list of paintings, Dr. Priscilla Muller (curator and speaker for exhibition). Program agenda. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturer: John S. Szarkowski. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and James Rorimer. Subject- Exhibition of Contemporary photographs. Biographical data on Ivan Dimitri and A. Hyatt Mayor. Catalog: \"Phototgraphy in the Fine Arts\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- proposed exhibitions, information about traveling exhibitions, etc. Dates- 10/48-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Perry Rathbone. Subject- Pre-Columbian gold with lecture by Allen Wardwell. Dates- 4/67 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Vincent Price as Collector-of-the-Year. Date- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- African collection from the Olsen Foundation. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Una Johnson (Brooklyn Museum). Subject- Contemporary prints from the Brooklyn Museum, invitations and announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition of the American Institute of Graphic Arts 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Gaines, F. Brandt, Anne Marie Pope. Subject- Reinstallation of the permanent collection, estimated exhibition costs, Heeramaneck collection, list of exhibitions available form International Exhibitions foundation. Exhibition catalog: John Kelly Fitzpatrick\" , photographs. Dates- 9/68 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Quillian. Subject- Exhibition of Randolph-Macon Collection. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program agenda for reception, exhibition, gallery plan. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions of Chinese Textiles from Minneapolis Institute of the Arts. Lecture by Alan Priest. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposed gift of \"Gates of Hell\", from the Cantor Collection. Exhibition \"Study of a Woman's Torso\". Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Rosenwald as Collector-of-the-Year, 1965. \"Master Prints From The Rosenwald Collection\", introduction by Rosenwald for the exhibition checklist. Dates- 12/64 - 3/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Corrected draft by L. Cheek. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Rosenwald. Subject- Personal invitations from L. Cheek. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition announcements. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of events for the season. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Paul Tishman. Subject- Exhibition from the Tishman Collection, letter of invitation, installation, Council lecture/luncheon. Speaker: Dr. John Akar, Ambassador of Sierra Leone. Remarks by J.M. Brown and Tishman, announcements and biographical data, etc. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing lists for colleges, museums, etc. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek tour of England to photograph Elizabethan Houses. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Presentation of various forms of Arts of England during Shakespeare's life in commemoration of the 4th Centenary of his birth. Requests for loans of Elizabethan objects, press release, installation, etc. Dates- 8/63 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Exhibition of 19th and 20th century paintings, reception and event announcements. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Paul Mellon (Exhibition Chair) and Wm. Constable. Subject- requests for loans, French and British sponsors of exhibition including Queen Elizabeth, Honorary Committee Members, Patrons, catalog, PR, object damage report. Basil Taylor as special advisor to exhibition. Dates- 7/58 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Consultation on exhibition proceedings, travel and lecture schedule, biographical data and text for introduction to the catalog. Dates- 4/60 - 7/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Basil Taylor, Paul Mellon and A. Eiseman. Subject- Catalog layout, printing, design, budget, cost estimates, contributions. Essay- \"Classic Horse Paintings\", foreword by L. Cheek. Dates- 1/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Recipients of free catalogs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- William George Constable and his lecture for exhibition, biographical data, Bulletin vol.20 no.8 4/60. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of British sponsors, loans, selection committee. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Mailing list, opening event, program and list of lenders to exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospective members attending the Sport and Horse Dinner event. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and John G. Pollard. Subject- List of sponsors, reception: program, agenda, menus, etc. Newspaper clippings. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibition in commemoration of Stravinsky's 80th birthday with related settings and costumes created for his ballets. Dates- 4/61 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Exhibition of contemporary prints and multiples (3-dimensional objects of limited editions), Lewis contributions. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Railey Collection of European and Asian seals, Fisher Collection of paintings and exhibition of Ruth Safford: \"Interiors of Famous Houses\". Dates- 8/61 - 2/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt. Subject- Problems with exhibition objects. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Damage report of exhibition objects. Dates- 11/63  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Loans of objects from Pierpoint Morgan Library. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Extension of Tutankhamen exhibition. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sample invitation and preview guest list. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- List of objects available for loan and prices. Exhibition announcements, gallery floor plan. Lecturers: Gerald Nordland and Hilton Kramer. Dates-1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Traveling exhibit from MOMA: \"Form In The Animated Cartoon\". Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to M. Christison. Subject- Unavailability of Van Gogh exhibition. Dates- 8/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Philip Johnson. Subject- Jurors: Carroll Meeks, Richard Di Natale and Hans Namuth. Official entry forms, exhibition announcements, biographical data. Dates- 10/61 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Gyorgy Kepes, Philip Johnson and Ivan Dimitri. Invitations, guest lists, biographical data and entry forms. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- 1st Biennial exhibition.  Juror: Romaldo Giurgola.  AIA reception and dinner, program agenda, biographical data, invitations, pamphlets and exhibition catalog. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Sherman Lee, Harry Bertoia, Bernard Perlin. Collectors reception, purchase of artist work by Trustees, invitations, entry forms, etc. Dates- 12/57 - 2/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Near. Subject- Reception for purchasers of art works from the exhibition, and catalog. Dates- 1957, 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters to Artist on their award by the jury. Exhibition catalog, juror search and entry forms. Dates- 1959, 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Carl Wienhardt Jr., Mary Callery and Robert Vickrey. Salon des Refuse's on view at Thalhimer's, events schedule and exhibition catalog. Dates- 6/64 - 6/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: William Seitz. Installation, list of purchases, invoices, PR, invitations, guest lists, etc. Acquisition from Lewis Fund. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Gordon Bunshaft and A. Bodine. Entry forms and recipients of certificates of Distinction. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Exhibition to travel to Charlottesville. Dates- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture by Dorothy Miner, announcements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and Mr. John G. Hays (Chairman of the Expansion and Development Committee). Subject- Trustee/Museum business, formation of the VMFA Expansion and Development Committee, report of the chairman, etc. Dates- 11/47-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and P. Crum (Curator) and College of William and Mary. Subject- W\u0026M students visit to VMFA, loan from W\u0026M for a VMFA traveling exhibition, arrangements for traveling exhibitions to W\u0026M, etc. Dates- 2/41-7/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Education and Exhibitions) and Longwood College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Farmville State Teachers College, etc., 3/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- information on VMFA traveling exhibitions and an organization membership, etc. Dates- 7/48/8/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Art Club. Subject- arrangements for VMFA slides and traveling exhibitions to LAC, etc. Dates- 3/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Lynchburg College, etc. Dates- 1/49-2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Lynchburg Teacher's Club. Subject- arrangements for traveling exhibitions and slides to LTC, etc. Dates- 3/46-2/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Madison College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Madison College, etc. Dates- 12/47-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.C. McGehee (Assistant in Education Dept.) and Martinsville City schools. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Martinsville City schools, etc. Dates- 9/51- 10/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Mary Baldwin College. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to M.B. College. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Mary Washington College. Subject- arrangements for traveling exhibitions to M.W. College, arrangements for lecture by Christison at M.W. College, etc. Dates- 3/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Middlesex County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to MCWC, arrangements for lecture by Christison for MCWC, etc. Dates- 1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Narrows Woman's Club. Subject- arrangements for traveling exhibitions to NWC, etc. Dates- 10/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Newport News Woman's Club. Subject- arrangements for traveling exhibitions to NNWC, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Education and Exhibitions) and Norfolk Museum of Art. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to NM of A, exchange publications, etc. Dates- 1/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H. Lloyd (VMFA State Services) and Richmond County Junior Woman's Club. Subject- arrangements for filmstrips to RCJWC, shipping instructions, etc. Dates- 10/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and Roanoke County Woman's Club. Subject- VMFA traveling exhibition checklists, request for information about organization membership to the Museum, etc. Dates- 4/48-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for slides and lectures as part of the Museum's extension services program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H. Lloyd (VMFA State Services Dept.) and Rockingham County public schools. Subject- VMFA traveling exhibition and slides checklists, arrangements for traveling exhibitions to Rockingham Co. Public schools, shipping instructions, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between E.L. Kallop (VMFA State Services Dept.) and Scottsville High Scholl. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions and slide sets to Scottsville HS, shipping instructions, etc. Dates- 9/53-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Sedley Woman's Club. Subject- notification of installment of Mrs. N.B. Rollings as chairman of Fine Arts Dept. of SWC, Date- 12/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Smithfield P.T.A. Subject- art material for Smithfield schools, Date- 11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between H.V. Rennie (Assistant in Education Dept.) and Southern Seminary and Junior College. Subject- schedule of VMFA traveling exhibitions to Southern Seminary and Jr. College ('46) and arrangements for traveling exhibitions to Southern Seminary and Jr. College, etc. Dates- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Hart (Extension Dept.) and St. Catherine's school. Subject- VMFA traveling exhibition checklists, schedule for traveling exhibitions to St. Catherine's, etc. Dates- 1/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and St. Christopher's school. Subject- schedule and arrangements for VMFA traveling exhibitions to St. Christopher's, etc. Dates- 9/48-11/48.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Staunton City School Board. Subject- arrangements for traveling exhibitions to Staunton City School Board, etc. Dates- 1/52-2/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various Education Dept. staff and Stony Creek Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SCWC, etc. Dates- 2/47-1/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various VMFA State Service Dept. and Education Dept. staff and Stratford College. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to Stratford College, shipping instructions, etc. Dates- 8/48-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition checklists, schedule and arrangements for traveling exhibitions to Stuart Hall, shipping instructions, etc. Dates- 1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director of Collections and Education) and Suffolk Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to SWC, etc. Dates- 8/49-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Surry Woman's Club. Subject- arrangements for tour of the Museum and traveling exhibitions to SWC, etc. Dates- 10/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Sweet Briar College. Subject- schedule and arrangements for traveling exhibitions to SBC, shipping instructions, etc. Dates- 1946. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Service Dept. staff and Tazewell Parent-Teacher Association. Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions, slide sets and filmstrips to Tazewell Parent-Teacher Association, shipping instructions, etc. Dates- 11/52-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Thomas Jefferson Junior Woman's Club. Subject- request and suggestions for speakers for TJJWC, etc. Dates- 7/47-9/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA and Thomas Jefferson Woman's Club. Subject- arrangements to visit, tour and hold a meeting at the Museum, etc. Dates- 11/40-1/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Three Arts Club of Blackstone. Subject- arrangements for filmstrips for TAC of B, shipping instructions, etc. Dates- 12/52-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- address of Mrs. Woods, President. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Toano Woman's Club. Subject- arrangements for holding a meeting at the Museum. Dates- 1/50-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and University of Richmond and Westhampton. Subject- arrangements for traveling exhibitions to U of R, shipping instructions, etc. Dates- 3/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- catalogues from the UVA Extension Dept. including the following: Famous Italian Paintings, Famous Flemish Paintings (Reprints from Seventy Famous Paintings by Adelaide D. Simpson (1927), The Story of Venetian Painting by Mrs. Stringfellow Barr and Cecily B.D. Ryder (1928) and Catalogue of Art Prints and Books (1937), etc. Dates- 1927-1947. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education). Subject- VMFA traveling exhibition and slide set checklists, arrangements for traveling exhibitions and slide sets to UVA, shipping instructions, etc. Dates- 10/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and University of Virginia Museum of Fine Arts. Subject- checklists for traveling exhibitions sponsored by VMFA and UVA, the following publications by UVA: \"Twenty-five Contemporary Artists of Cleveland, Ohio\", \"Hugh Breckenridge\", \"Contemporary Artists of Virginia\", \"Contemporary Artists of Albemarle County and The University\", \"Alexander B. Trowbridge and Olin Dows\" and \"Elinor F. Hopkins\". Dates- 4/34-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.Y. Casey (Assistant in Education Dept.) and Upper King William County Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to UKWCWC, shipping instructions, etc. Dates- 3/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Valentine Museum. Subject- information about becoming organization members of VMFA, a loan to VMFA from the Valentine, listing of the Valentine's activities, etc. Dates- 10/35-9/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and VA Education Association. Subject- Virginia Education Association art section meetings, etc. Dates- 2/47-10/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and VA Federation of Woman's Clubs. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VA. Federation of Woman's Clubs, VA Federation of Woman's Clubs yearbook ('47/8) and Directory ('48/9), etc. Dates- 1/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA traveling exhibition checklist. Dates- 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Virginia Polytechnic Institute. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to V.P.I.'s Architectural Department, etc. Dates- 6/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Virginia State College (Norfolk Division). Subject- checklists for VMFA traveling exhibitions, arrangements for traveling exhibitions to VSC, shipping instructions, etc. Dates- 10/52-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and the Extension Dept. and VA State University. Subject- schedule of VMFA traveling exhibitions to VSU 1945-7, arrangements for traveling exhibitions to VSU, etc. Dates- 6/48-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Va. Teachers' Association. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to VTA, arrangements for a lecture by Christison to VTA. Dates- 12/50-11/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA Education Dept. staff and Virginia Union University. Subject- VMFA loans to VUU's art festival, arrangements for traveling exhibitions to VUU, etc. Dates- 1946-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between E.L. Kallop (State Services Dept.) and Wakefield Woman's Club and P.T.A. Subject- checklists for VMFA traveling exhibition, arrangements for traveling exhibitions to WWC and P.T.A. Dates- 9/51-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Warren County High School. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Warren Co. HS, shipping instructions, etc. Dates- 10/46- 5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between O. Hart (Registrar) and Warwick County School Board. Subject- arrangements for traveling exhibitions to Warwick Co. Schools, etc. Dates- 1/49-4/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Warwick Woman's Club. Subject- arrangements for traveling exhibition to WWC, etc. Dates- 10/48- 2/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Washington and Lee University. Subject- checklists of VMFA traveling exhibitions, arrangements for traveling exhibitions to W\u0026L, etc. Dates-1/49-12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Waverly Woman's Club. Subject- schedule of VMFA traveling exhibitions to WWC ('46), WWC visit (with lecture) to VMFA, etc. Dates- 3/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA staff and West Point Schools P.T.A. Subject- arrangements for traveling exhibitions to West Point Schools, etc. Dates- 12/50-6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, various Education Dept. staff and Westmoreland Woman's Club. Subject- arrangements for traveling exhibitions to WWC, etc. Dates- 1/48-3/49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and William Campbell High School in Naruna, VA. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wm. Campbell HS, shipping instructions, etc. Dates- 12/52-3/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, M.B. Christison (Assistant Director for Collections and Education) and various Education Dept. staff and Wilson-Jackson P.T.A. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to Wilson-Jackson P.T.A., etc. Dates- 1/47-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.T. Rhodes (Assistant in Education Dept.) and Wytheville County schools. Subject- arrangements for traveling exhibitions to Wytheville Co. schools. Dates- 4/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Wythe Woman's Club, Hampton. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC. Dates- 8/48-9/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education), various Education Dept. and State Services staff and Wytheville Woman's Club. Subject- VMFA traveling exhibition checklist, arrangements for traveling exhibitions to WWC, etc. Dates- 5/49-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.B. Christison (Assistant Director for Collections and Education) and Y.W.C.A.-Richmond. Subject- holding a meeting (with a visit and lecture) at VMFA. Dates- 4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA State Services Dept. and Young Woman's Club of Williamsburg. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to YWCW, shipping instructions, etc. Dates- 12/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between C.Y. Casey (Assistant in Education Dept.) and VMFA State Services Dept. and Zuni Woman's Club. Subject- VMFA traveling exhibition checklists, arrangements for traveling exhibitions to ZWC, etc. Dates- 8/50-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\". Dates- 12/54-10/64. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- correspondence with organizations, individuals, institutions and corporations beginning with the letter \"F\", note-included in these files: slides from Williams College of Art. Dates- 1947-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. and Victor Hammer. Subject- Design of gallery. Cheek spent a day in Slavonic Division at NYPL studying rare books of Russian palaces and made sketches. Final design based on adaptation of Russian throne canopy. Hammer originally tried to help arrange the designers for the chandelier and the curtains. Correspondence with Milton Samuels of French and Company, final designers, including samples of gray velvet. French and Company designer Paul Gengoult was at VMFA in 11/54 to install. Samuels came down for opening. Also paint samples for wall and trim colors. Original copy of \"The Hammer Collection of Russian Imperial Art Treasures. Lord and Taylor\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Chairman of the art department Williams College. Correspondence and biography 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fashion Show in cooperation with Miller and Rhoads Dept. Store and Harpers Bazaar magazine to benefit the VMFA Council, Education Fund, Council dinner, event plans and program catalogue. Dates- 12/55 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- the Fashion Festival of Arts and Flowers presented by the VMFA Council in cooperation with Miller and Rhoads Department Store, attendance lists, newspaper clippings, etc. Dates- 3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between national director and Thomas Colt, who was the State Director of the Federal Arts Project, 1935. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Federal Emergency Administration of Public Works regarding a grant to construct an additional wing to the Museum. 1935-38. More applications from Museum for funds from the Federal Emergency Administration of Public Works to complete projects such as casting a bust of John B. Payne and landscaping grounds. 1935-1941. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Federal Emergency Administration of Public Works and Virginia Commission for the Arts material, mostly on landscaping the grounds of the Museum, 1936. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Federated Arts Council of Richmond dinner and agenda, invitations. Dates- 2/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- Committee reports, events schedules, annual meeting 5/29/74, \"Festival Of The Arts\", 18th annual report, Dogwood Dell June-Aug'74. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Awards Dinner agenda, letters of confirmation, thank-you's, etc. Dates- 12/70 - 2/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T.C. Colt, Jr. Subject- listing of and letters to prospective fellows (founding fellows), a copy of the constitution 4/55. Dates- 3/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospects for new membership program. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Conservation Laboratory, Library Endowment, Fellows Weekend, orientation theatre, contributions and projects, statement of purpose, agendas, biographical data. Resolution in memory of Lewis Strauss. Dates- 1964-79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Fellowship Committee minutes 1942, 1948, 1949, 1950, Fellowship Committee agendas 1950, 1951, committee report 1949/50, Fellowship Committee announcements and replies, listing of fellowships given by the Virginia Museum of Fine Arts 1940-51, etc. Dates- 1942-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Aplicant interviews procedure. Date- 5/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellowship Fund income account, application, letters to recipients: Primm Turner, Jenny- Lynn Franklin and John D. Norwood. Dates- 5/54 - 5/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Essay- \"Outline for a Proposed Film for the Virginia Museum of Fine Arts\" by Vavin, Inc. 3/60.    [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1947, 1948, 1950, Finance Committee meeting minutes 1948, 1949, 1950, letters soliciting opinions from Trustees about stock purchases and committee resolutions and replies, VMFA Pooled Endowment Account 1949, stockholder information , etc. Dates- 1947-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting announcements and replies, Finance Committee resolutions 1950, 1951, Finance Committee meeting minutes 1952, committee report 1950, status of capital funds listing 1950, list of securities held and cash balances, financial transactions, etc. Dates- 1950-2. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1952, 1953, Finance Committee resolutions 1953/4, Capital Funds Investments and Cash listings 1952, 1953, stockholder information, financial transactions, etc. Dates- 1952-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee meeting minutes 1955, Finance Committee resolutions 1954, a listing of Finance Committee meetings and actions in writing 1948-56, financial transactions, stockholder information, statement of endowment investments 1955, pooled investment listing 1955, investment changes for the period 4/30/55-12/31/55, etc. Dates-1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Lawler Fund. Dates- 10/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- stockholder information (i.e. annual and quarterly reports of companies). [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Trustee/Museum business, VMFA Finance Committee resolutions 1948/9, excerpts from Finance Committee meeting minutes 1939, 1951, Date- 3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from A. Nicholas. Subject- Statements of income, balances, private income, special purchase funds, operating budget, etc. \"Virginia Museum Semi- Annual Financial Report Dec. 31, 1970\" , \"Summary of Financial Support\": 1935- March 31, 1971, 19l35- June 30, 1969, Art Purchase Funds, Capital Outlay Programs to purchase land and buildings, List of Art Purchases 1970-71. Dates- 6/70 - 10/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and G. Martin. Subject- Responses to questionnaire from various theatre directors, VMT regulations. Dates- 1965 -66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT Statement of Purpose, application for Samuel Tate Morgan and/or George Seay Memorial Trust Funds. Letter of grant award for the expansion of VMFA Library holdings and list of books purchased, newspaper clippings. Dates- 5/69 - 4/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Administrator, Richmond Area University Center. Correspondence with 1949-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Memorial for Col. Herbert Fitzroy, letters of receipt of contributors to purchase a sculpture to be placed on permanent exhibit in Artmobile II: \"Crowing Rooster II\", G. Marcks. Dates- 10/67 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- information about proper display of U.S., U.N. and VA flags. Dates-11/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns cultural development there. 1957-59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Agreement on the Importation of Educational, Scientific and Cultural Materials\", Bill signed on 6/24/59, press release. Unesco sponsored agreement to eliminate tariffs and special import taxes on educational, scientific and cultural materials. Dates- 9/59 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Horace S. Flournoy. Subject- repair of heating system at the Museum. Dates- 10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- plantings around the Waddy Fountains at the front of the building, lawn and plant care, listing of growing plants used, etc. Dates-6/54-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA staff and Harvard University's Fogg Art Museum, mostly regarding the loan of a Copley portrait for the Museum's inaugural exhibition, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, J. Coolidge (Dir., Fogg). Subject- General correspondence regarding conservation, authenticity of objects, employment referrals, research, etc. Dates- 4/52 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for Folktale Marionette Theatre to perform at VMFA in Dec.1953, etc. Dates- 3/53-1/54.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- visit of Mrs. Henry Ford II, to see VMFA operations. Dates- 3/61-6/61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- information about a Virginia artists watercolor exhibition sponsored by the Ford Foundation Title \"Virginia by Virginians\", copy of an invitation to Mr.and Mrs. Ford to the opening, etc. Dates- 1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- newspaper clippings and statement of purpose of the Ford Foundation. Dates-12/48-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Ford Foundation. Subject- proposal of VMFA serving as regional center for Ford Foundation's creative artists selection program 1958, proposals for Foundation support, Foundation publications, etc. Dates- 10/50-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Ford Foundation. Subject- information about applying for Ford Foundation support, Foundation publications, etc. Dates- 10/59-10/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program for Painters, Sculptors and Related Artists. Letters to jury members, entertainment. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and the Ford Foundation. Subject- the Museum as a locale for the premiere art exhibition to be featured in the March issue of the Ford Times, an exhibition highlighting VA artists named \"Virginia for Virginians\", included are copies of the exhibitions' gallery guide, invitations to the preview and a copy of the Ford Times feature issue. Dates- 11/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and American Association of Museums (AAM). Subject- roster of foreign museum Directors visiting VMFA on a AAM sponsored tour (in cooperation with the State Department), biographical information on visitors, etc. Dates- 3/65-5/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to VMFA staff. Subject- memos about arrangements for luncheon held at Museum for international newspaper people. Dates- 6/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal for VMFA travel program, tour estimates and brochures. Dates- 1973 - 74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition preview speaker: Ariad Yafeh, biographical data, reviews and photographs. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Guest lists for opening event, sample letters for invitations and replies. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about museum practices, Cheek serving as honorary member of advisory committee of Directors and Curators, etc. Dates- 3/52-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Keith Fowler. Subject- theatre operations, policies, programming, newsletter to friends, volunteers and theatre subscribers, etc. Dates- 10/69-12/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between William Francis and L. Cheek, Jr. Subject- Museum publications business and arrangements, etc. Dates- 12/64-9/68. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Governor Peery, T.C. Colt, Jr. and Douglas S. Freeman, president of the Confederate Memorial Institute. Subject- Transfer of the John B. Payne collection from the Battle Abbey to the museum. Dates- 1935-39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with L. Cheek, Jr. Subject- mostly professional matters, but some personal information is given. Dates- 1948-53.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and French and Company. Subject- French and Company, Inc. art dealers, loans, conservation work, proposed sales to Museum, photos and descriptions of objects, etc. Dates- 6/46-5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject- photo requests from the Frick Art Reference Library, reference questions, exchange publications, etc. Dates- 2/46-9/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Friddell was columnist for the Richmond News Leader. Correspondence with Cheek, 1949-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- memo about calendar of Museum events, mailing to American Ballet Theatre Friends, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Preparation plans for \"George Stevens Makes a Film\", an exhibition based on the making of an epic film (The Greatest Story Ever Told), installation, cost estimates, etc. Dates- 1/64 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Search for Egyptian objects to purchase, exhibitions: Sport and Horse and American Folk Art, College Drama Festival, loan of P. Klee works, collectors circle, Biographical data, Fellows, donation, gifts, Segregation in VMT, background information on paintings for Wm. Henry Yates, Marshall Research Library, Poetry Society of Virginia, Glasgow Estate. Accessions and gifts: \"Tree\", H. Gray; E. Hopper; Rutherford Goodwin, Jr.(signature). Dates- 1/55 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General museum business, inter-museum memos. Richmond Sinfonia, special purpose gallery, exhibition policy. Museum television, funding sources, COVAO conference, sale of Artmobile I, Council, newspaper clippings, pamphlets and funds generated through programs division, letter from Robert Indiana.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Bill (William) Gaines (head of Programs Division). Subject- programming educational, exhibitions, films, affiliates, etc., Museum operations, etc. Dates- 3/70-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Acquisitions, objects for purchase consideration, various newsletters, exhibition catalog: \"Nature As Scene\". Dates- 4/76 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with other museums. Subject- exhibition announcements, information about loans to other museums, etc. Dates- 3/53-3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Dir. for Collections and Education) and Mr. Charles Seymour (Yale University). Subject-request to look at the Museum's collections. Dates- 2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Col. Edgar Garbisch and L. Cheek, Jr. Subject- gift to VMFA-Junius Brutus Stearns paintings of life of George Washington, photos and information about paintings, biographical information about Garbisch, etc. Dates- 1/50-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for the 50th anniversary dinner of Garden Club held at VMFA, etc. Dates- 9/68-5/70. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns the Garden Clubs of Virginia and America 1958-62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., J.M. Brown and Mrs. T. Fleetwood. Subject- Mrs. T. Fleetwood as a Trustee, Trustee business, gift to Museum, etc. Dates- 5/64-7/75. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Landscape Architect for Museum. 1957-60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by John Garland Pollard, Jr. Subject- invitation to members of General Assembly to use Museum facilities, announcement of a reception for General Assembly members spouses, VMFA Members' Bulletin vol.20, no.5 1/60. Dates- 1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters sent to members of the General Assembly 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Gibbes Art Gallery. Subject- Brown working on problems of the Gibbes Art Gallery, \"Report to the Board of the Charleston Art Association\" co-written by Brown, etc. Dates- 12/71-3/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee, Executive Committee. Dates- 1950-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- Mr. George D. Gibson as Trustee, Trustee and Local Building Committee business, copies and excerpts from minutes of the Executive Committee 1948-53 dealing with VMFA building, news release 6/57 about Gibson being elected VMFA President, etc. Dates- 12/52-11/62. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. George D. Gibson, a lawyer with Hunton, Williams, Gay., Moore and Powell. Subject- flooding at the Museum, building inspections, structural problems with the building, the shipment of a Watteau painting to VMFA, a Melchers gift, etc. Dates- 7/55-5/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and J.M. Brown. Subject- acknowledgments of receipt, thank you letters to donors for gifts of all kinds (money, books, equipment, etc.,). Dates-11/65-12/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Arthur G. Glasgow. Subject- gifts to Museum, Museum events, information pertaining to the Estates of Margaret Branch Glasgow and Arthur Graham Glasgow. Dates- 2/54-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., J.M. Brown and Walter S. Robertson (VMFA President). Subject- transcript of remarks by Governor Mills E. Godwin, Jr. at Southeastern Theatre Conference 1966, Museum events, Mrs. Godwin to serve as honorary chairman of Entertainment Committee, etc. Dates- 12/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- President of Princeton University. Request for him to lecture at Museum. Dates- 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Associated Artist Gallery, Washington, D.C. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for Theatre Director-Producer 1957.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Pollard was a member of the Goodwin Memorial Commission appointed by the state to erect a scroll honoring the Reverend William Archer Rutherfoord Goodwin, former rector of Bruton Parish Church and man who dedicated his life to the restoration of Colonial Williamsburg, 1950-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Mr. F.D. Gottwald. Subject- agreement and arrangements to establish Elisabeth Shelton Gottwald Fund. Dates- 4/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- copy of report on Museum, recommendations to Museum made by Governor's Management Study Group. Dates-7/70-11/71. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Mills Godwin and Peter Mooz. Subject- Budgets: cutbacks, executive order, appointments to VMFA Executive Board, creation of job positions, Museum organization charts, Melchers Estate, Arts Commission, Executive Mansion furnishings and lists of objects. Dates- 1974 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by J.M. Brown. Subject- arrangements for unveiling (10/5/71) of new acquisition of Goya's painting- General Nicholas Guye guest lists, invitation, news releases, photo and information about painting, etc. Dates- 9/71-2/72. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- \"General Guye\", Goya. Special event, agenda, invitations, etc. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with John Graham (Curator, Colonial Williamsburg). Dates- 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Related to the death of Mr. Gray and his family. His bequest to the Museum and a memorial to him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Horace Gray, Trustee. Subject- Museum business, biographical information about Horace Gray, VMFA Members' Bulletin vol.19, no.6 (2/59), etc. Dates-5/51-11/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- correspondence about hiring Mr. Paul Grigaut as head of Collections Division, Museum practices, information about Museum Collections catalogues, etc. Dates- 6/62-4/65. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Theft-general. Contains one newspaper clipping 5/28/62.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. Subject- correspondence with Senator Raymond R. Guest, announcement of gift to Museum of bronze gates, Museum events and business, etc. Dates- 11/48-5/66. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and L. Cheek. Subject- List of sites for guidebook , roster of names for nominating committee, letters to publishers, price structure, biographical data, promotional information, outline for publication by the Trustees for \"An Official Guide To Four Centuries Of Building In The Old Dominion\". Dates- 4/66 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Finnish Society of Crafts and Design 1959-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, F. Brandt, F. Haseltine. Subject- Installation of \"Symbol\" at Phillip Morris site, invitation mailing list, reception agenda, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, F. Haseltine, P. Near. Subject- Exhibitions, VMT, loans, gifts, endowments, biographical data, invoice for work restored, acquisitions, installation of Heeramaneck Collection, Pastorale fund, Project Grant Application, Tax Status. Essay- \"A Brief Summary of Accomplishments of the Virginia Museum of Fine Arts\", 1962-64. Dates- 9/51 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mr. Haller was a public relations consultant hired under special circumstances and kept off of the state payroll. This letter pertains to this and circumventing the state system 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and S. Robertson. Subject- AAM meeting in Williamsburg, increase in security staff at VMFA, Artmobile, Executive order from the Governor's office to divide the Board of Trustees into five divisions. Request for authority to prepare Capital Outlay Plans for South Wing, invitations to serve on various committees, presentation of Webster S. Rhoads award to Gov. Harrison, newspaper clippings. Dates- 5/61 - 11/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Public Buildings Administration (Federal Works Agency). Subject- Harrisonburg post office mural competition (Colt served on the jury of selection and advisory committee) and contract with Public Buildings Administration. Dates- 2/41-10/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cheek's 25th college reunion and an art exhibition in conjunction with the reunion. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Melissa Hayden and Andre Eglevsky. Dance performances at the VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mrs. John G. Hayes, Sr. Subject- Trustee/Museum business, money to the John G. Hayes Endowment Fund, etc. Dates- 11/49-12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. J.G. Pollard and W. Rhoads. Subject- John Green Hayes Memorial Fund. Dates- 5/48 - 11/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of appeal from VMFA to Hearst Foundation for financial assistance. Dates- 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Biographical data, press release and his presentation to the AAMD, newspaper clippings. Dates- 4/62 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lecturer for the Latin American Exhibition 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT: tour schedule, HEW grant proposal, \"A Cultural Program in the Dramatic Arts for Virginia High School Students\", newspaper clippings, postcards, reviews, project budget, financial support. Dates- 5/66 - 2/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Travel Itinerary, loans , VMT productions, collectors circle, LOAS (Loan-Own Art Service), search for prospective jurors, letter to Helen Hayes to address VMT, biographical data, gallery plans, invitations to preview Hogarth exhibition. Dates- 9/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Request for luncheon and agenda. Dates- 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Request for VHS to hold annual meeting. Dates- 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Col. Hodges (Membership Chair). Subject- Trustee/Museum business, Hodges served as the Chairman of the VMFA Membership Committee, etc. Dates- 11/35-3/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA Bulletins: vol.26 no.3 and vol.27 no.6. Hogarth lecture to VMFA, itinerary, biographical data, Wm. Blake exhibition. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for Theatre Director 1957. Contains resume and letters to, from, and about him. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, P. Davidson, and P. Rathbone. Subject- Exhibition: \"Treasures of Alexander\", request for loans, list of objects in connection with exhibition, installation design, theft of Nike Earring. Dates- 9/63 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Term as a Trustee and Fellow at VMFA and as a Trustee at Norfolk Museum, Exhibition: Treasures from the Norfolk Museum. Gifts and donations. Dates- 9/61 - 4/3 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Collectors circle, Fellows, Trustee, gifts and donation. His service as a Trustee at the Chrysler Museum. Dates- 12/64 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on state holidays. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between J.M. Brown and Gov. Holton. Subject- Proposal for a Bill to organize a citizens advisory committee to improve furnishings and interpretation of the Gov. Mansion. Statewide Building Code, Administrative Amendments 1/29/73, Sec. 873.5. List of participants and Museum conference notes to determine how Va. Museums can assist one another, Inauguration arrangements committee, rosters: House of Delegates, Senate and legislature. Essay- \"The Holton Years: A Summing Up 1970-1974\". Dates- 9/61 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes and Reports from the Honors and Awards Committee and the Board of Trustees, 1948-56. Much of this concerns Mr. and Mrs. A.D. Williams, The Katherine Rhoads Fund and the Webster Rhoads Medal, and Arthur and Margaret Glasgow, letter regarding the Mary Samuel Davies Bright Memorial. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Arts and Humanities Commission, Pratt Estate, Cabell Foundation, Ford Foundation: VMT underwriting. Trustee interviews, gifts of appreciated property. Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings, photographs. Dates- 10/8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and J.M. Brown. Subject- Parsons Fashion Show, slides, pamphlets, newspaper clippings. Dates- 8/63 - 7/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Seating arrangement. Dates- 11/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J. Sweeney and Lee Malone. Subject- \"Design In Scandinavia\", Cheek's remarks. General correspondence concerning museum loans and policy. Dates- 4/63 - 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Miss Nora Houston and T.C. Colt, Jr. Subject- biographical information, information about exhibitions she participated in, proposed acquisition of her work, etc. Dates- 4/36-2/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- U.S. House of Representatives, New York State. Correspondence concerning government support of the arts. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copy of his speech given at the Architectural League Symposium 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Term as a Trustee, membership campaign, budget committee, newspaper clippings. Dates- 5/59 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellow, VMT, Exhibitions, Artmobile, long term loan of 18th C. Dec, Arts objects, Hogarth exhibition, contract bid for landscaping, North Wing. FILM: \"THE ART of THE CONSERVATOR\" Dates- 2/64 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Trustee, Fellow, gifts. Remarks concerning Fellows meeting, Draft of Executive Committee Meeting Minutes, 12/8/70. Official application form for AAM accreditation. Art Nouveau Collection, Council lecture and luncheon with draft of suggested remarks delivered by C. Humelsine. Dates- 1969 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Requests for catalogues, loans, exhibition announcement, proposal for an \"International Traveling Exhibition\", technical info on Ivisiglass. Dates- 4/45 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- RSVP's to auditorium inauguration, thank you notes to musicians used for the opening, etc. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Innocenti and Webel (landscape architects) concerning VMFA grounds. Dates- 7/64 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek, T. Colt and Mrs. Pollard. Subject- Requests for publications, general information regarding VMFA collections, exhibitions and museum operations. Dates- 10/35 - 4/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General information on exhibition installations.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains one brochure, 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- insurance against air raids and other war damage, correspondence with other museums about war risk insurance. Dates- 6/42 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard, L. Cheek, Jr. and M.B. Christison (Assistant Dir. for Collections and Education). Subject- damage claims to art objects we lent and/or were on loan to the Museum. Dates- 11/49-11/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuels Collection [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Draft of the Constitution and By-Laws of the proposed Virginia History and Museums Federation. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- ICOM statement of mission, travel expense records, membership and financial statements, pamphlets, Minutes of Executive Committee 1/30/60, 5/25/65, Annual Report 1965, newsletter, pamphlets, etc. Dates- 1961 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual Reports, Statutes, guidelines for International Rules of National Committee, Museum Training Programs, Newsletters, Minutes of Annual Meetings, budget, membership, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Mrs. J. Pope (Pres. IEF) Subject- Invitation to become a member, statement of mission, list of officers, IEF Financial Report 12/31/72, Annual Report 12/1/72, NEA award, catalogue listings, list of traveling exhibitions 1966-72. Dates- 1966 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Anne Marie Pope. Subject- Lists of current and planned exhibitions, events schedules, minutes of annual meeting. Dates- 1973 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Article from \"Preservation News\", 1/71 vol., XI, no.1 and Sunday Supplement from New York Times. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, P. Near, Phillip Johnson. Subject- P. Johnson's advise of design of the New Wing and as possible juror for Va. Biennial. Rotunda Club, Jamestown Festival, Robinson House, Hogarth Exhibition, Jr. League activities, and restoration of downtown Richmond. Photocopy of text from letter between Wm. Fitzhugh to Charles Carter 11/30/1796, pamphlets, donations, gifts. Dates- 12/55 - 12/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from W.S. Robertson. Subject- Letter of appointment to Executive Board. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 350th Anniversary. 1955-57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on the Museum's contributions to the celebration. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek to serve on advisory committee and certificate of award for his service, presentation of Pocahontas portrait for permanent display, \"Report From Sub-Committee, Jamestown Commission\", 10/30/57. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photos of the \"Japanese Architecture\" exhibition, printed material for the exhibition, arrangements for bringing the Japanese Charge d'Affaires to VMFA, transcript of remarks made by Mr. Shima (Japanese Charge d'Affaires) at the opening preview, etc. Dates- 4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Itinerary and agenda for East Meadow High School of East Meadow L.I., New York. Dates- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown. P. Near, A.P. Jenkins. Subject- A.P. Jenkins collection, gifts and contributions, loans, Fisher rug collection, B. Barenson, Ash Lawn, Caligula statue, invitations, agendas etc. \"Art Now: New York\" vol.2 #10, University Galleries, 1970 (contains large color plates). Conceptual statement for Cabrillo Marine Museum. Dates- 8/54 - 9/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Jay W. Johns. Subject- Trustee/Museum business, gifts to Museum, information about an Evelyn Byrd portrait by a disputed artist (Kneller or Bridges), etc. Dates- 6/35-9/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- J. Johns service as a Trustee and Fellow, gifts and donations. Dates- 4/50 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- B. Johnson's (Conservator of L.A. County Museum) observations concerning the authenticity of a Veronese painting and his personal collection of pre- Columbian sculpture and Asian ceramics. Dates- 8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and T. Catesby Jones. Subject- Jones' collection of modern paintings and sculptures, gifts to the Museum art and books, letter from Jean Lurcat, etc. Dates- 3/41-12/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The loan of Mrs. Catesby's collection of French Modernists to the VMFA and gifts. Dates- 2/50 - 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from l. Cheek, R. Guest (Fellows, Chair) and W. Robertson. Subject- Her appointment as a Trustee and role as chair of the membership committee. Dates- 7/64 - 6/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- State Supervisor of Art, 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- purchase requests for photos. Dates- 3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to J.M. Brown. Subject- Agenda and letters of confirmation. Dates- 6/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Volunteers at the Museum, 1950-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of confirmation. Dates- 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Letters of recommendation, resumes, prospective jurors, exhibition: \"Ugliness in Virginia\", Robert E. Lee Memorial, Fellows, gifts, donations, pamphlets. Acquisitions: Artists, Duane Hanson and Stephen Posner. Dates- 4/55 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Karolik collection of American Painting, Artmobile and Collectors Circle. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Maxim Karolik. Subject- proposed lecture for exhibition \"The Karolik Collection\", printed material for exhibition, etc. Dates- 9/54-3/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Illumination exhibition for the American Federation of Arts: proposal, budget, exhibition news, advisory committee and Minutes of 1st Meeting 11/23/64. Dates- 1/65 - 2/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek as member of the Council for the Kennedy Center and Board of Trustees, bulletins, progress reports and newsletters and a letter from Jacqueline Kennedy dated 1/14/66. Dates- 2/59 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and H. Willett (Supt. of Rich. City Schools) Subject- Letter to F. Keppel (Asst. Sec. of HEW) concerning a Math and Science Center. Essay- \"Proposal For a Supplementary Mathematics and Science Center\". Dates- 11/65 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters of request and confirmation, menu and tour. Dates- 8/71 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets: \"The Library - Documentation Project spring 70\" , \"The Urgency of Our Mission\" and \"Statement of Purpose Fall 1969\". Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt, L. Cheek and Harry Brooks. Subject- Requests for publications, provenance of Italian Renaissance painting being considered for acquisition, loans, pamphlets and shipping invoices, etc. Dates- 2/46 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, T. Simmons (Knoll) and Florence Shu Knoll. Subject- Interior design and furnishings of the Members Suite, offices, restaurant and Library, Knoll Catalogue 1956, newspaper clippings. Dates- 2/49 - 4/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Portrait commission of L. and Mary Tyler Cheek and his exhibition at the Museum of the City of New York. Information about introduction to exhibition catalog. Dates- 1/63 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Parson's School of Design. Design consultant VMFA 1954-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The creation of layouts of loan exhibitions and permanent displays, agendas, job description, newspaper clippings, biographical data, postcard, etc. Dates- 2/58 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mr. Koenig was a guest promotion director at the VMFA 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to contributors of memorial fund. Subject- Memorial established by the Theatre Associates of VMFA, sample of bookplate in his memory. Dates- 4/62 - 11/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuel H. Kress Foundation 1958-61. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about bill and payments with Kuhn. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile project for the Arkansas Arts Center, \"Let's Go, Reflections on the Art of Administrative Leadership\". Dates- 8/62 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chapters/Affiliates, newsletters, Lectour broadcasts, newspaper clippings, invitations, Lawler Memorial Fund, Artmobile. Artists: Pietro Lazzari, Janice S. Lemen, John Gadsby Chapman, photograph. Dates- 5/58 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Publication requests, gifts, contributions, collectors circle, Fellows, suggested bequest wording, Artmobile, loans, exhibition announcements, NEA questionnaire: \"Conservation in Museums- August 1971\", restoration and condition report of \"Battle of Yorktown\", Lami. Artists: Mario Dubsky and Eugene Berman. Gift and donations: \"La Sympathie\", Pettijean. Date- 11/62 - 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Port Sunlight, Chesire England.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and the VMFA Board of Trustees. Subject- To prevent the construction of the Valentine Museum's Latrobe Theatre. Dates- 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lecture by Cheek to the College Art Association 1951. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to E. Cless (program Consult., U. of Minn.) Subject- U. of Minnesota Institute on Administration and Services in the Small Art Museum, program agenda, travel schedule, list of registrants for the seminar, report on the panel on museum publications, pamphlets, map, etc. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek to G.H. Holmes (Dean of U. of Pa.). Subject- Urban Criticism, experiences in traveling exhibitions on city planning, resolutions and solutions on urban problems. Biographical data on participants of conference, travel expenditures, agenda. Dates- 7/58 - 12/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Priscilla Crum to Prentiss Taylor. Subject- lecture by Taylor, Wednesday evening programs schedule 1948, proposed schedule 1947-8, etc. Dates- 9/47-1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison. Subject- prospective speakers, films, etc. for programming. Dates- 10/48-12/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- schedules for Wednesday evening and musical programs. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given by L. Cheek, Jury duty lists, consultations, invoices, expense records, agendas, pamphlets, magazine excerpts, Essay- \"The Place Of The Arts In Our American Culture\", by L. Cheek. Dates- 1953 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lectures given by various members of the VMFA staff. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from D. Nicholas. Subject- Procedure and policy concerning VMFA security.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Monthly newsletters on \"Reflections on the Art of Administrative Leadership\", L.H. Kurtz, publisher/editor. Dates- 9/62 - 11/64, 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown, P. Near C. Humelsine, F. Brandt and Wm. Gaines. Subject- Art Nouveau Fund: list of purchases, legal document of fund establishment. Artmobile and contemporary Art Purchase Fund. Dates- 5/67 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Possible sources for the purchase and restoration of the Alexander-Withrow House, Lexington, Va. Dates- 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- D. Liebes (color consultant and textile designer) on proposed text for her essay to appear in AIV and her lecture to be given at the VMFA on crafts and the creation of VMFA Craftsperson - residence. Dates- 4/63 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and E. H. Bushbeck (Kress Found.). Subject- Drawings and description of Dr. Reinhardt's gallery in Switzerland. Dates- 2/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and V. Gaskins (asst. to L. Cheek). subject- Planning of VMFA lighting facilities, \"Art Museum Lighting\", 2/59, excerpt from a journal of Electrical construction and Maintenance. Dates- 2/59 - 9/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal of Library-Museum at Lincoln Center. Dates- 2/59 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Ralph Linton Collection of African Sculpture. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for loans of furnishings to other state properties. Dates- 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of loans under consideration, loans to ambassador residences in England and Australia. Photographs. Dates- 2/61 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and director of Louvre. Subject- Poussin exhibition at Louvre and VMFA loan of \"Achilles on Skyros\" and Delacroix exhibition, loan of \"Deliverance of Princess Olga\". Dates- 10/59 - 1/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lighting Technician, VMFA, 1953-55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek and C.B. Lusk. Subject- Lighting instruments and technical drawings. Essays- \"Lusklite as developed and used at the VMFA\" and  \"The Installation and Lighting of Exhibitions at VMFA\" Dates- 8/56 - 1/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.R. Duncan and Gordon Huff. Subject- Expansion of Lynchburg Arts Center to become an affiliate, loans for opening gala, suggested text for print media, schedule of events, Artmobile, Lynchburg Arts Center Executive officers. Introductions for L. Cheek and W. Robertson, travel itinerary. VMFA lecture series: Building For The Arts 1965-66, pamphlets. Dates- 5/62 - 7/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for \"The National Arts Center of New York University at Washington Square\", Exhibition: \"Tastemakers\", based on R. Lynes Book. Official guest list for opening reception. Dates- 10/54 - 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, L. Cheek, P. Near and F. Haseltine. Subject- Membership, gifts, personnel references, loans, Jamestown Foundation, proposal for commission of sculpture in F\u0026M Plaza. Acquisitions and gifts: Egyptian cups, Coptic sculpture, Bertoia drawing. Dates- 4/61 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Macbeth Galleries. Subject- loans for inaugural exhibition and general correspondence about proposed acquisitions from Macbeth galleries. Dates- 9/35-7/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Orders and correspondence for back issues of Bulletins and magazines, 1946-47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Alessandro Magnasco, Painting 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing and sign schedules, roster of names and institutions. Dates- 1960 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mailing and events schedules. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, P. Near, D. Isley (Norton Simon Collection). Subject- Press releases, shipping, installation, purchase invoice, info regarding owners of the other castings. Photographs and slides. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Paul Manship. Subject- designing the John Barton Payne medal. Dates- 9/36-10/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Robertson. Subject- His Service as a Trustee, Fellow, and chair of Trustee Budget Committee. Biographical info, Artmobile, 25th Anniversary of VMFA, museum business, financial statements, Education In The Arts. Dates- 12/56 - 5/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Long Island Historical Society. Subject- Provenance, purchase through Glasglow Fund. Dates- 12/55 - 1/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Resume, photo, agenda, NEA grant request. Dates- 4/65 - 5/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- M. Baldwin Choir Program, Alumnae issue Bulletin concerning visit of Pres. Eisenhower. Invitations, Fine Arts Center, Woodrow Wilson Project. Dates- 2/56 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Julien Binford. Subject- Mary Washington Arts Center, invitations, VMT, loans of art works, newspaper clippings. Dates- 11/49 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gifts to VMFA. Dates- 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. William R. Massie. Subject- Trustee/Museum business, etc. Dates- 12/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture: John Goldsmith Phillips, biographical data, press release and catalog list. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecturers: V. Isabelle Miller and Mrs. Yves Henry Buhler. Press release, publicity schedule and photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- floor plan, instructions for installation for exhibition \"Masterpieces of Chinese Art\", printed material for exhibition, thank you notes to lenders to the exhibition, etc. Dates-11/54-1/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Candidate for the Theatre Director Position. Contains resume and applications, letters of recommendation etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Director of Public Relations for 20th Century Fox. Speaker at the Museum 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Public Information Division VMFA. 1955-58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Director of Vassar College Art Gallery, requests for publications, lecture. Term as curatorial research asst. at VMFA. Dates- 9/53 - 6/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dedication of new Library, loans, invitations, VMT, Farewell gift to Mr. and Mrs. Cheeks with poem. Gifts, contributions, G. Melchers memorial. Dates- 2/60 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- General membership information, loans, press release, invoices, newspaper clippings, etc. Art Nouveau Collection. Letter to L. Marden (residence designed by Frank Lloyd Wright). List of Artists editions: prints and objects from Multiples Inc., NYC, price list and description. Artist: Phillip Lindsay, signature. Acquisitions: Monet, van der Helst and Rodin. Dates- 12/69 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and French and Co., Inc. Subject- pieces sold to and installed in the Museum, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposal to establish an Institute of Mediterranean Culture at U. of R. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Carroll L.V. Meeks. Subject- thank you notes for visit to New England personal friendly letters, etc. Dates- 4/50-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, Mrs. Pennell (Membership Secretary) and Mrs. Gari Melchers. Subject- VMFA members in Fredericksburg, postcards, gift to Museum , etc. Dates- 12/35-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Her service on the Executive Committee, Melchers Estate, budget, gift status of \"Dead Jockey\", E. Degas. Contributions, gifts, newspaper clippings, biographical data. Dates- 4/56 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt (Dayton Art Inst.) and Dr. Higgins (Chair of VMFA Board), J.M. Brown. Subject- \"Disposition of Mr. Gari Melcher's Estate Excerpted from Virginia Museum Minutes Books, No.4,5and6\" , prepared by A.W. Statnaker, Asst. Administrator 7/17/74. Resolution, re: \"Belmont As An Art Center And Museum\" and \"Opening Of The Belmont Facility To The Public\" , Executive committee Minutes. Dates- 5/74 - 11/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Melchers estate/bequest to the Museum, agenda and minutes of Gari Melchers Memorial Committee 5/56-10/56, report and proposals of that committee. Dates-5/56-10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- appointments to committee, general operation of Estate, suggested budget, list of Melcher paintings owned by VMFA, loans of art works, drawings/blueprints: G. Melchers Studio air conditioning system and proposed plaque for ashes of Mr. and Mrs. Melcher. \"Belmont Agency Agreement\", Bill to transfer Melchers Memorial from VMFA to Mary Washington college. Dates- 4/56 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- First Chairman of Fellows: 1st Annual Meeting and statement of purpose. Exhibitions: English Painting, French Portraits, Sport and Horse, Artmobile. Old Dominion Foundation and his membership on the Executive Committee, gifts, donations and contributions. Dates- 2/38 - 11/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His membership on the Board of Trustees, Fellows, Collectors Circle. Biographical info, loans of art works from his personal collection, donations and gifts to VMFA and the National Gallery, Artmobile, as a recipient of the Benjamin Franklin Award: statement of purpose, nomination form, list of contributions, newspaper clippings, photocopies of magazine articles, invitations , etc. Dates- 1965 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W. Robertson. Subject- Collectors Circle, Fellows, term as VMFA Vice President. Press releases, newspaper clippings, contributions and gifts. Dates- 4/60 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Members lecture series. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Higgins, Jr. (Pres.) and C. Humelsine (Pres.) Subject- Draft of letter to membership regarding schedule of events etc. Dates- 9/71 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program where paintings from contemporary Virginia artists would be loaned (rented) to members to have in their homes. Members could also purchase the paintings. \"Designed to bring the work of Virginia artists into the homes of Virginia citizens.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Wm. Higgins. Subject- Monthly membership report summary, Chapters/Affiliates reciprocal membership program, letters of general correspondence to the membership. Dates- 4/70 - 7/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- minutes of the Membership Committee 1/48, 2/49 and a letter supporting the proposed theatre wing from Mrs. Wm. Trigg, Jr.(Civic Theatre Committee, Div. of Recreation, City of Richmond). Dates- 9/47-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Membership report, promotion, agenda, roster of committee members, minutes of committee meeting. Dates-8/72 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes of membership committee, elements of campaign to attract new members and move members to higher categories. Dates- 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Guided tours for prospective members, agendas, schedules, newspaper clippings, excerpt from Minutes of Executive Committee 12/14/72. Dates- 1/73 - 2/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Webster Rhoads (Pres. of Museum Board) and R.A.Velz (Administrator). Subject- list of new museum members, request form for membership, Membership Reports 1954-5 and 1955-6, list of membership privileges, etc. Dates- 11/55-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. W.A. Nones (Chair, Trustees), J.M. Brown and C. Humelsine. Subject- General membership information, schedule of events, calendar, pamphlets, etc. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership rosters of local organizations, copies of a cover letter soliciting members, etc. Dates- 1/55-10/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey results, years of membership, exhibit preference, age, attendance, annual contribution. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- planning stages for corporate memberships, proposed fees, privileges, etc., counsel from other US art museums, list of corporations to be approached about the idea, etc. Dates- 1946- 12/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Corporate membership drives, presentation to J.C.'s, excerpt from Newsweek. Dates- 6/60 - 1/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- Members art studio classes and lecture series. Dates- 6/54 - 9/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 6/53-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by VMFA staff. Subject- inter-office memorandums on varied subjects. Dates- 9/54-12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R. Velz. Subject- memos regarding segregation and other policies at the Museum. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek and R. Velz. Subject- Miscellaneous information concerning collections in general: treatment/condition reports, insurance, loans, installations, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Miscellaneous museum operation: Artmobile, Art Lending Service, Virginia Artists, lists of objects on loan, exhibitions, damage reports of objects and gallery inspections, etc. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- inter-office memorandums on various subjects. Dates- 12/54-9/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, L. Cheek and H. Glasser. Subject- Exhibitions, Pratt Collection, gallery inspections and all manner of museum operations and programs. List of lost objects on loan to the Bon Air School for Girls. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- Inter-office memos concerning insurance valuations, loans, lectures, library, exhibitions and policy on filing acquisitions data and damage reports. Date- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets published by the state Department of Mental Hygiene and Hospitals and the Mental Hygiene Society of Virginia. Dates- 1951-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and various staff at the Metropolitan Museum. Subject- museum practices, long-term loans of Egyptian art and artifacts, securing speakers, etc. Dates- 1/55-11/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J. Rorimer (Dir., MET) and A. Priest (Curator, MET). Subject- Damage to MET's \"Bacchus\", objects to purchase, loan requests. Acquistions and gifts: Tibetan Scroll; Coat of Japanese Mail. Dates- 11/69 - and/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Michael Jacobs Gallery. Subject- loan of painting (George Washington by Gilbert Stuart) for inaugural exhibition. Dates- 6/35-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- Midwestern book competition for which Cheek served as a juror, competition judged in Richmond, lists of criteria and books, printed material for the competition, etc. Dates- 4/56-4/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Jo Mielziner. Subject- friendly letters, mention of possible Mielziner exhibition, etc. Dates- 12/50-3/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, list of stage designs available for purchase, his lecture to VMFA, schedules and agenda's, etc. Dates- 10/54 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Miller and Rhoads department store staff. Subject- showing VA artist work in store windows, borrowing supplies from the display department for the Museum (folding chairs, textiles), etc. Dates- 2/49-11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and W.S. Rhoads. Subject- Nomination of Miller and Rhoads, Inc. for Esquire magazines 1st annual \"Business in the Arts\" award. Support of Artmobile II. Exhibition: \"Masterpieces in Millinery\", spring 1958. Preliminary outline of fashion costume requirements for VMT \"Lady In The Dark\". Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Speaker: Philip Adams. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. John M. Miller, Jr. Subject- Trustee/Museum business, Miller served as a member of the Membership Committee, etc. Dates- 6/35-7/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mr. J.G. Pollard, Jr. Subject- asking Mr. Milliken (Director of The Cleveland Museum of Art) for counseling on acquisitions, draft of an agreement where Milliken counsels the Museum staff about proposed acquisitions, etc. Dates- 3/58-3/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from B. Mills in his role as Asst. Administrator of Personnel. Subject- Records, applications, payroll, medical insurance, announcements of new employees and terminations. Dates- 9/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and L. Cheek, Jr. and The Mint Museum staff. Subject- museum practices, loans, etc. Dates- 8/46-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- obtaining the motion picture for which the drawings in the exhibition \"Gil Wilson 'Moby Dick'\" were made. Dates- 12/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- printed material for exhibition \"Modern German Art\", invitation to Mr.and Mrs. Alfred P. Jenkins for dinner and exhibition preview, (Mr.and Mrs. Jenkins owned the modern German art collection shown). Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Creation of James Monroe Bicentennial Commission. Dates- 8/57 - 11/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown between MAC. subject- Section 21-2 of the Richmond City Code: designation of Monument Avenue as an Historic District.  Minutes of meeting of MAC, 4/24/71 and 5/19/71.  Program Planning Task Force, editorial broadcast, roster of members, Articles of Incorporation, By-Laws, agendas, proposals and pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and Mr. Charles Moore. Subject- Moore's application for the Director/Producer position in the Virginia Museum Theatre. Dates- 12/56-10/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data and his lecture tour to the VMFA. Dates- 4/53 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Georgia Watson Morgan. Dates- 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Search for candidates for public information supervisor, job requirements, resume, publicity agendas, public information schedules, Bulletin vol.20, no.3. Dates- 6/59 - 7/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Mulholland (magician), biographical data/pamphlet, his magic presentation to the Fellows and VMT. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, his address to VMFA membership concerning architectural history. Dates- 10/55 - 8/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Munn Last Will and Testament with list of objects bequeathed to VMFA. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and T. Colt. Subject- Mural competition for Virginia State Library entrance hall: selection process, general assembly commission of monument to Stonewall Jackson. Dates- 4/46 - 6/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Envelopes of photos and negatives of Pre-Columbian art objects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Gallery attendance and educational groups. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Oct. Bulletin 1954, copies of the following Members' Bulletins-vol.15, no.2 (10/54) and vol.13, no.3 (11/52). Dates-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison. Subject- working papers for Members' Bulletin Oct. 1955, VMFA calendar 10/55, etc. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Oct. Bulletin 1955. Dates- 9/55-10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Design of annual Christmas cards by Virginia Artists: John Ballator, Charles Smith, John Canaday, Allan Jones, Ross Abrams, Julien Binford and Prentiss Taylor. Dates- 11/48 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns transportation for the Museum lecturers and guests 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Christison and Mrs. Pollard. Subject- Inquiries from other institutions regarding museum operations, budget, services, corporate membership, Trustees, etc. Lists of purchases, Fellowship recipients. Dates- 1937 - 53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Arrival of Hollins and VCU students to work on specific projects for one month. Dates- 12/71 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Proposal and tentative plans, prospective filmmakers. Minutes of Executive Committee of Southern Educational Film Production Service. \"Motion Picture Production\": Study by H. Jeff Forbes and Associates regarding promotion of VMFA. Dates- 11/46 - 2/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Memos about various museum topics. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, V. D'Amico (Dir. MOMA), M. d' Haroncourt. Subject- Art education standards, exhibitions, loans, lectures, museum policy, juror search and Jamestown Commission. Dates- 11/55 - 10/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Head of Administrative Division), Mrs. J.G. Pollard and L. Cheek, Jr. Subject- suggested future organization of the institution, operating procedures throughout the building, etc. Dates-2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding the division of expenses between the theatre and the museum, 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Promotional literature on the VMFA. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Material deals with segregation policies at museum events. 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence pertaining to printing. Bulletin mock-ups and copies of the following bulletins: Vol.6, No.4,  Vol.7, No.'s 2and7. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and magazine articles. Photographs, press releases etc. 1955-57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Proposed budget groupings for VMFA, according to departmental divisions and table of organization. Dates- 1948 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events, timetables, agendas, Robinson House, housekeeping, security, VMT. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of events, exhibitions, Robinson House. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Schedule of events, mailing schedules, spring agenda, Confederation Conference, Robinson House, VMT, gallery closings, Discovery Cruise: Land of Maya. Date- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Suggested talk by Pres. of Museum to guests at Safari Dinner in Medieval Hall. Dates- 1/22/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Travel package for travel to Asia, brochures, cultural travel tours. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Policy regarding loans of art works to other Museums, employment search, provenance of art objects, pamphlets, newspaper clippings, etc. Resolution: To order immediate safe return of German master works after Nazi occupation, signed by U.S. museum directors. Dates- 4/46 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Applicant search for various positions, invitations, announcements, exhibitions, etc. Press kit for the Milwaukee Art Center. Dates- 1974 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- General correspondence on exhibitions, loan requests, museum business, job placement, magazine and newspaper clippings. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions, loans, policy. Dates- 12/60 - 1/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Schedule of music series and members of committee. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- schedule of program of recorded music, announcement of 6th artist evening 1/46, Museum Bulletin Vol.5, No.2, etc. Dates- 2/46-5/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Jerome Myers. Subject- acquisition of his painting: Street Scene, N.Y., his acceptance to the National Exhibition of American Art, N.Y., etc. Dates- 4/36-3/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- General correspondence to Trustees and membership, letters to Robert Neutra, exhibitions: Henry Moore, Sport and Horse. Agendas, travel itinerary, events and invitations. \"Encouragement of the Nations Arts\", an appeal to congress, and \"Proposed Federal Advisory Council on the Arts\", Hon. H. Alexander Smith, U.S. Government Printing office, Washington D.C., 3/26/57. Requests for employment, postcards, pamphlets and photographs. Artists: Jean Nikolic. Accessions and Gifts: \"Disasters of War\", Goya; \"Lore Fuller\", Raoul Francois Lanke; \"Dancing Girl With Tambourine\", A. Leonard; \"La Revre Blanche\", Toulouse Lautrec; Revere and John Andrew spoons and vase possibly made by Johannes Loetz Witwe. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Namuth's exhibit of photographs at the Brussels World's Fair, as a juror VMFA. List of Seventeen painters photographed by Namuth: Wm. Baziotes, J. Boynton, L. Calgagno, N. Carone, R. Diebenkorn, J. Ernst, S. Gechtoff, G. Hartigan, E. Kelly, W. Kienbusch, G. Mueller, K. Morris, B. Perlin, C. Marca-Relli, R. Motherwell, A. Reinhardt, L. Siegriest, with original notes by Namuth. Letter from J. Ernst with signature. Date 4/61 - 4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statement of purpose and future of NCA, Board of Directors, Members of Council, fellowships, program grant application. Essay- \"National Endowment For The Arts Before The House Appropriations Subcommittee On The Interior And Related Agencies Tuesday, March 14,1972\", statement by Nancy Hanks (Chair): \"New Dimensions For The Arts: 1971-1972\" Dates- 1970-72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L Cheek. Subject- Bill: S. 2379, To provide for the establishment of National Council on the Arts and National Arts Foundation. \"Congressional Record: Proceedings and Debates of the 88th Congress\" Dates- 2/64 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Public-Law 85-874, S. 3335: charted by the 85th Congress to establish a bureau in the Smithsonian Institution devoted to the Performing Arts. \"Peaceful Use Of Creative Energy\": transcript of lecture given by Col. Corrin Strong at the Tri State Arts Conference 4/29/61; Report: \"The National Cultural Center Part Two: What Goes into the Center\" by Dr. Carelton Sprague Smith, 10/60. Minutes for the NCC Executive Board: 5/23/60 and 6/29/60 Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. cheek. Subject- VMFA Council sponsorship of a closed circuit telecast by NCC: \"An American Pageant Of The Arts\". Suggested text of publicity folder, invitations, Newsletter: \"Footlight\", vol.1 no.3.; \"For A Cultural Capital\", Eleanor Roosevelt, 1962, United Feature Syndicate, Inc. NCC, later to be named the \"Kennedy Center For Performing Arts\". Dates- 7/62 - 6/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exchange of ideas and experience with other institutions who use audiovisual tool to communicate with museum visitors. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of appeal to serve on Virginia NEFTA committee, roster of members. VMFA appointed as the state agency for the administration of Federal matching funds; to aid in expanding the cultural horizons of a states and territories. \"Guidelines\" 1/67, NEA, Washington D.C.; \"National Foundation On The Arts And The Humanities, Question and Answers\", U.S. Government, Washington D.C., 1965. Dates- 1965 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Survey of membership, officers of VMFA, according to race, gender, age, position and time served. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz. Subject- Grant proposals, application, letters of support, proposal for a Regional Conservation Center, Soldiers Home, American Marine Painting, NEA statement of purpose, Museums A.S.A. Study, Museum Program guidelines, Smithsonian Puppet Theatre, Young Peoples Theatre Safari, \"American Painting 1974\" and newsletter from the Arts Reporting Service. Dates- 1973 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Financial assistance to Chamber Music Societies, season brochures, project grant application form for Va. Chamber Music Society. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Grants received by Arts/Cultural organizations in Virginia: guidelines, program committee members, agendas and minutes from the program sub- committee 3/7/68. NEFTA project recommendations for a regional conservation center. Dates- 6/76 - 10/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT survey, McLean Arts Center, guidelines for program grants. Senate Joint Resolution No. 67: to create a Virginia development study commission, bill 1483: National Foundation on the Arts and Humanities Act of 1965 and a report with guidelines for VMFA as the sole administrator of NEFTA matching grants. Study for Virginia Artist and Craftsman in regard to education and support. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Grant applications from Virginia Dance Society, VMFA, Confederation of Virginia Art Organizations and Budget proposals. Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- State guidelines and general information, terms and conditions, NEA matching grant to begin statewide professional operation of VMT. Addresses of applicants for state grants, roster of Virginia NEFTA committee members. Dates- 2/66 - 6/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Regarding J.M. Brown's service on committee to evaluate grant applications. Valentine Museum NEA application, pamphlets. Date- 4/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- arrangements for exhibition \"Designer-Craftsmen 1953\" presented in conjunction with the American Craftsmen's Educational Council, Inc., (ACEC), letters to jurors, etc. Dates- 9/52-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and National Gallery of Art. Subject- preview invitations, exchange publications, excerpts from Roosevelt Art Address (from dedication of National Gallery 3/41), loan request for VMFA inaugural exhibition, etc. Dates- 3/41-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets and information about \"National Park and Recreation Week\" sponsored in Richmond 5/21-5/30, 1949. Dates- 4/49-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Geographical directory, \"Historic Preservation\" journal, vol.11, no.3, 1959 and Melchers Memorial. Dates- 1959 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Organization membership information form, questionnaire. NTHP certificate of associate membership 1971-73, employment placement and service pamphlets. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Travel itineraries, objects for prospective traveling exhibitions, list of slides, forgeries and thefts. Accession and acquisition proposals. Dates- 1/61 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Conservation of objects/paintings, loans. Accessions committee meeting agenda, 10/69. Report on Authenticity of \"Marble Head of a Horse\", Heermaneck Ancient Iranian Collection. Exhibitors: The child and his World. Condition reports and repair estimates for tapestries. Photographs Dates- 12/69 - 12/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Sydney Lewis and Peter Mooz. Subject- Authenticity of Cycladic Harpist and 18th century American secretary. Provenances of various objects, conservation and treatment reports. Catalog: \"Arshille Gorky\" Dates- 1/74 - 2/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Sydney and Frances Lewis and Peter Mooz. Subject- Conservation/treatment reports, Artnian Collection of self-portraits. Conservation/treatment reports, Kent Independence Portfolio. List of Art Nouveau objects, damage reports, African Collection. Report of authenticity regarding the Cycladic \"Harpist\". Letter from Arnaldo Pomodoro regarding a base for \"Rotating Sphere\". Dates- 5/75 - 8/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Hours of operation, VMFA and other museums, attendance records, VMT, security, UNESCO newsletters 4/58 - 8/59, newspapers and magazine clippings, press releases. Dates- 7/59 - 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cheek's annual N.Y. cocktail party: guest lists, arrangements, rosters of speakers to VMFA: 1951-52 and 1952-53. Dates- 1952 - 54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newsletter to Trustees concerning exhibitions and appointments to Executive Board, accessions, building, etc. Dates- 11/70 - 8/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Wm. Morrison (P.R. VMFA), F. Palmer (P.R. consultant), D. McCammond (P.R. Reynolds Metals). Subject- Public Relations of E. Newsom and Co. to conduct a study to determine the needs and potential of VMFA. Program organization, community relations, film, book press material, schedules of events, etc. Dates- 8/58 - 9/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- A survey targeting the needs, current and future of VMFA, with solutions/resolutions for every aspect of the museums' operation. Dates- 11/58 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. A. I. duPont and F. Palmer. Subject- Roster of members of Board of Trustees, letter of appeal for pledges, principal elements of Newsom Program. Dates- 10/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. A.I. duPont (chair, Ann. fund). Subject- Strategy to raise funds through the Trustees to finance the Newsom Public Relation Firm program for VMFA. Drafts of letters to Trustees, progress report, minutes of 25th Anniversary Committee, 9/8/59. Dates- 12/58 - 7/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- all manner of museum operation: security, policy and procedure, personnel policy. operating budget and VMT. Diagrams of electronic console panel. Dates- 1969 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Museum business, construction and installation project schedules, budget, Equal Opportunity regulations, design contract for the Council shop, salary scales. Dates- 10/73 - 1/79 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum business, Conservation Lab, Fine Arts insurance coverage, budgets, Cabell Foundation gift. \"Report on the Freedom of Information Act\". Depreciation of \"Death of Regulus\", Salvatore Rosa. Dates- 12/74 - 7/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum business and operations, budget, contractual agreement between VMFA and Harwicke Associates, Inc. for North Wing project. \"Organization of the Virginia State Government\". Dates- 10/75 - 11/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- UVA architect and his membership in the Collectors Circle. Dates- 1/63 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General assistant to VMT, employment recommendation. Dates- 6/55 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Possible acquisitions from his gallery. Dates- 10/62 - 1/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L Cheek and J.M. Brown. Subject- Loans, exhibitions, VMT, Rotunda Club, Fellows. Accessions and gifts: \"Metamorphosis\", Grillo. Dates- 4/57 - 6/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- correspondence with individuals, institutions and companies beginning with the letter \"O\". Dates- 4/43-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, photo and job description/responsibilities as program director for \"Art Column\". Dates- 3/61 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- As a scenic design consultant, his lecture to VMT in connection with the Exhibition: \"Design For The Theatre\". College Drama Festival, biographical data. Dates- 1/60 - 2/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Mellon, E. Brooks Jr., and M. Bush. Subject- Financial support: Artmobile II, building grant and museum survey to expand visitors use to VMFA. Photographs, newspaper clippings. \"A Study in Modern Giving: The Old Dominion Foundation\", reprinted from articles in Richmond News Leader. \"Bollenger Series\", catalogue of special edition books. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Bush (Asst. to Pres. of ODF) and P. Mellon (Pres. of ODF). Subject- Financial assistance to VMFA, Artmobile II, collectors circle, and Old Dominion Foundation statement of purpose. Dates- 9/58 11/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Dan Olney. Subject- receiving a Senior Fellowship 1941/2, outline for a lecture, etc. Dates- 10/40-6/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Governor Thomas B. Stanley. Subject- opening of the new wing. Dates- 8/54-11/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- opening and reception for Governor Stanley. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitations and replies to the opening of the Members' Suite, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opera Society's first season. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- miscellaneous printed materials for the Museum, etc. Dates- 3/55-4/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- tickets to the Museum for State Lions' Club convention, etc. Dates- 6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- ideas/proposals for \"Members' Room\", suggested operating procedures, menus, pricing, etc., cost estimates, \"Refreshment Room Statement\" 1955, etc. Dates- 1/55-3/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- theatre operations proposals, list of staff, their duties and salaries, etc. Dates- 5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- lists of statewide business, civic, commercial and other organizations, invitation list for General Assembly/Governor's reception, etc. Dates- 1953-6. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Orloff's (Chief-interpreter of U.N.) lecture to VMFA concerning the Faberge Collection, Biographical data. Dates- 11/49 - 4/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of inquiry to firms specializing in plaster and wood ornament, catalogs. Dates- 5/54 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator). Subject- museum practices especially concerning finances of other US art museums, etc. Dates- 4/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Near and J.M. Brown. Subject- Artmobile, VMT, Collector's Circle, Fellows, Chapters/Affiliates, biographical data, campaign to restore the Jefferson Hotel, list of exhibitions from 1942 - 45.  International Exhibition Foundation, the appointment of John A. Pope (Director of Freer Gallery) as advisor/consultant to VMFA for expansion of Far Eastern Collections.  Acquisitions and gifts. Artists: Nell Blaine, Howard Kanovitz, Otto Piene. Gifts: Masson lithograph, Irving Penn photo and 15 Russian 19th century paintings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Painter's lecture on \"Armor and Medieval Man\" to compliment the \"Arms and Armor\" exhibition, biographical data. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. Nelson Parker. Subject- announcement of Board meetings, etc., Date- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Appeal to Virginia Senate and legislature regarding sufficient museum parking utilizing land belonging to the UDC (United Daughters of the Confederacy). Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gift of Egyptian Gallery and English Decorative Arts Gallery. VMT, and her membership as a Fellow and in collector's circle. Dates- 4/61 - 10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. J.G. Pollard and Executive Committee of the Board. Subject- proposal and planning stages of conferring an honorary degree of \"Patron of the Arts\". Dates- 6/36-6/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and L. Cheek, Jr. Subject-housing J.B. Payne books in library of the College of William and Mary in exchange for paintings from their collection of art for display at the Museum. Dates- 1/50-4/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek's service on the Board of Trustees and on the Advisory Board of the School of the Arts. Minutes of U. of P. Executive Board, 4/8/60, 4/29/63, 4/26/65 and Annual Report of Graduate School of Fine Arts, 3/64, 5/65. Dates- 10/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek as chair of Fine Arts Committee. Subject- Letter to P. Coombs on his appointment as Assistant Secretary of State for Educational and Cultural affairs, UNESCO newsletter, Nubian archeological sites. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and A. Frankfurter (editor, Art News). Subject- VMFA general collection, list of gifts and purchases, 1955-67, scope of exhibitions, dates, publications, colorplates. List of VMFA Board of Trustees, 1962, Gobelin Tapestries. Dates- 1953 -64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Articles based on exhibitions and general collection of VMFA, VMT, invoices, newspaper clippings, pamphlets, reviews, newsletters. NEA museum programs, research education grants. Dates- 1967 – 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Articles of VMFA: \"A Spring View of Virginia Museum\", 10/56, Wm. Lacey, Editor; \"Art isn't Caviar at this Museum\", Sidney Shalett, 7/57, The Diplomat. Dates- 10/56 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Articles and editorials pertaining to VMFA: Newsweek, Time, Art Gallery, Antiques, Museum News , etc. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Harper's Bazaar, New York Magazine, Apollo, reviews. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Editors V. Dabney (RTD) and J. Kilpatrik (RNL). Subject- Artmobile, reviews of VMT and media coverage by print journalists, newspaper clippings. Essay- \"The Arts In The Sixties\", by L. Cheek. Dates- 11/59 - 12/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and F. Stewart and C. Jones. Subject- Exhibitions: \"Form Givers\", Sport and Horse\" and Mellon Collection. Dates- 2/60 - 12/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information on candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Job descriptions. Dates- 1953 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, P. Near and L. Cheek. Subject- Fellowships: list of recipients from 1940 - 1955. Prospective employees and VMT. Dates- 12/54 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr., L. Cheek, Jr., and Mrs. J.G. Pollard. Subject- personnel rules and procedures of VMFA and the Commonwealth of VA, mandates from the Governor's office, additional personnel and pay increase requests, Roster Cards (listings of all employees and pay rates), etc. Dates- 8/37-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr., and R.A.Velz (Administrator). Subject- listing of division duties, proposed salary ranges, information about hiring an artmobile driver-curator, etc. Dates- 2/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of L. Cheek, Mrs. J.G. Pollard, theatre staff, Ariel Ballif, Vincent Bowditch, Arthur Ballet, R. Velz and P. Near. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Personnel matters. Dates- 4/66 - 11/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains general information about the system and ratings for museum employees. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about the candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains applications, resumes and information about various candidates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Governor's personnel survey staff. Subject- employment questionnaire, job descriptions (buildings and grounds staff, watchman, registrar, secretary, etc.), etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Governor's personnel survey staff. Subject- employment questionnaire, VMFA tentative classification of positions (3/37). Dates- 10/36-4/37.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. Fiske Kimball (Director of Penn. Museum of Art). Subject- loans for VMFA inaugural exhibition, exchange publications, counsel on museum practices, etc. Dates- 5/35-5/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and R.L. Dickinson (Hanover Bank). Subject- The Library of Philanthropic Information at the Hanover Bank, New York City. Dates- 11/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- E. Turpin Phillips, a Virginia citizen and his request to see proposal plans for expanded museum parking onto UDC property. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Consultant for VMFA acquisitions. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Duncan Phillips (Director, Phillips Memorial Gallery). Subject- request for loans to VMFA inaugural exhibition, etc. Dates- 9/35-5/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Installation of VMFA photography department, list of equipment and supplies, employment of staff photographer: Gordon Burns. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of entries to the \"19th Photographic Salon\" exhibition, schedule for jurors, etc. Dates- 3/56-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) and L. Cheek, Jr. Subject- purchase requests for photographs. Dates- 10/54-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Ivan Dimitri as Director of Photography in the Fine Arts at the Brussels World's Fair, his service on the advisory committee, list of photographs given to VMFA from the PFA exhibition. Directors of America's Finest Museums: portraits, credo of on art and their personal selection of photographs from the PFA archives was the subject of the World's Fair exhibition. Etching by Levon West (Ivan Dimitri). Dates- 12/59 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Atillio Piccirilli. Subject- biographical information, loans of work to the Museum, etc. Dates- 7/35-1/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- viewing the feature film 'Pictura \"An Adventure in Art\"', invitations, contributions, listing of attendance, etc. Dates- 2/52-10/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Herman Starr (Pres. Pictura Corp). Subject- A group of films devoted to the fine arts. Presentation of \"Leonardo da Vinci\" at Richmond's Lee Art Theatre and film on Goya to accompany exhibition. Dates- 1/51 - 3/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Gallery dinner, menu, agenda, program for event. Dates- 8/70 - 5/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- policies on use of meeting rooms and studios, special food service, interpretative services, scheduling programs, etc. Dates- 8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains correspondence to and from him when he was President of the Board of Trustees.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- the VMFA inaugural exhibition, Museum events, finances, Museum Board business and bequests/gifts to the Museum, etc. Dates- 1/36-12/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr. J. Garland Pollard. Subject- Museum operations, investments, finances and gifts to the Museum, etc. Dates- 1/37-5/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as President, Trustee and membership in the Collector's Circle. Biographical data, museum business: operating fund, Artmobile, Newsom Report, 25th Anniversary fund, Melchers Estate transfer, gifts, contributions, Fellowship Fund. Exhibitions: Sport and Horse. Dates- 9/53 - 2/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as a Trustee, VMFA Resident Craftsman Program. Dates- 2/64 - 2/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Design of members Bulletin, records retirement, museum business. Dates- 1949, 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum business, Pratt installation, museum courses and equipment. Dates- 9/54 - 3/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Gift of \"Rotating Sphere\" from Lloyd Noland. Dates- 1976 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- As founder and director of the Barter Theatre, proposed plans for Theatre Virginia and NEA funding. Dates- 4/67 - 5/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr., and Mr. David Payne. Subject- correspondence with Payne about arranging the exhibition \"Portraits by David Payne\", biographical information, letter from Phillip Johnson, etc. Dates- 5/51-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, L. Cheek, Priscilla Crum (Curator, Asst. in Education). Subject- Gallery representing portrait artists, biographical data on various artists and portrait of Senator Byrd. Photographs. Dates- 6/45 - 11/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statewide tribute to John Powell (a native of Virginia) and the presentation of his \"Symphony in A\". Date- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Mrs. J.G. Pollard and L. Cheek. Subject- Correspondence with Pratt as a trustee. Discuss first Easter egg exhibition in 1949 and Hammer visit. Letter from Schaffer (A La Vieille Russie) in 1949 about lending some pieces for an exhibition. Includes a few letters from Mrs. Pratt before she died, about a Faberge table donation in 1942 and donating \"Twice Seven\" to the Library. Establishment of the Fellowship fund, including letter from Twombly as early recipient. Pratt Collection: insurance estimates and installation. Gift of funds to purchase the first Artmobile from Pratt and Miller and Rhoads. Dates- 7/40 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, Fellowship committee, underwriting of Faberge booklet, terra-cotta statue of \"Diana\" from the Pratt Estate given to VMFA, newspaper clippings. \"A Plan For Fellowships For Virginia Artists\" as suggested by Mr. John Lee Pratt. Minutes from Fellowship Committee meeting, 6/12/42. Dates- 12/49 - 11/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. John Lee Pratt. Subject- Trustee/Museum business, VMFA fellowship updates, etc. Dates- 5/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown. Subject- Biographical data, fellowship recipients: Cynthia Morehead Smith, Paul Steuke, June Chapman, Fred Bonds, Richard Kevorkian and Reginia Perry. Pratt Collection: catalogue, except from forward by L. Cheek, questionnaire regarding Mrs. Pratt's initial contact/purchase sources for Russian Jewels, list of objects bequeathed by Pratt Estate. Dates- 1/57 - 1/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposals and cost estimates for Healy's Sitters exhibition and Pratt collection catalogues. Dates- 4/50-8/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek, Armand Hammer (Hammer Gallery) and Alexander Schaffer (La Vielle Russie Gallery). Subject- Legal claim against the Romanoff Family assets via the Pratt Collection of Russian Jewels. Possible lawsuit by A.G. Sharkey, President and Trustee of Marine Transport Service Corporation in NY who had judgment against Czar Nicholas Romanoff since 1918. Hammer and Schaffer dismissed it. Details of Pratt bequest, provenance of objects, announcement of bequest with sample of text to be used in pamphlet. Excerpt from \"Twice Seven\", by H. C. Bainbridge, E. P. Dutton and Co. Inc., 1934 (reference to Faberge Jewels owned by Armand Hammer). Dates- 8/47 - 10/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. J. G. Pollard. Subject- Installation, list of items on exhibition, security and transportation. List of objects in the collection of Mrs. Joseph E. Davies and pamphlets. Correspondence regarding various showings around the state - Roanoke in 1950 and Norfolk in 1951. Dates- 1/49 - 4/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from C. Humelsine. Subject- General correspondence to the VMFA membership, calendar of events, museum news. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to the media from the Museum. Subject- news releases about Museum events. Dates- 10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News releases about Museum events. Dates- 10/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- positions and duties for volunteers and guards during an undisclosed preview. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Gov. Price. Subject-proposed salary increases, Board meeting announcements, nomination of Colt to select work to go to the Annual Exhibition of American Art 1938. Dates- 1/38-11/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- On the occasion of his being collector of the Year 1964, his cookbook including photographs of VMFA and the menu from the Collectors Gala, newspaper clippings. Gifts: Lachaise drawing. Dates- 6/63 - 4/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, P. Grigaut and P. Near. Subject- A. Priest as Metropolitan Curator of Far Eastern Art, his service as a consultant to VMFA (1963-69) in the formation of the Asian collections. Correspondence on examination and provenance of works in the VMFA. Minutes of Executive Committee, 9/9/63, 12/8/64, minutes of Accessions Committee Meeting, 9/9/63. \"A Buddhist Paradise\", A. Priest, AIV, 1963. Newspaper clippings, postcards, etc. Dates- 1963 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by R.A. Velz (Administrator) and Mrs. J.G. Pollard. Subject- printing schedules for 1956, miscellaneous print job specs, etc. Dates- 11/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- asking local corporations to fund the printing of school guide sheets for the Museum. Dates- 8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence pertaining to bulletin layouts, copies of Members Bulletin Vol.9, No.'s 1and7 and copies of Christmas cards 1948-9, etc.. Dates- 7/44-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum publications: Contemporary Paintings 1946, Program Season of 1947-8, The VMFA Annual Report 1947-8, Virginia Art 1947 and Museum Bulletins: Vol.3 No.'s 1,2,4,6and9,  Vol.4, No.'s 4and5,  Vol.7, No.'s1,2,3,4,5,6,7,8and9,  Vol.1, No.8,  Vol.8, No.'s 2,3,4,5,6,7,8and9,  Vol.9, No.'s 1,4,5,6and8. Dates-9/42-5/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- securing a speaker (Robert T. Paine) for the exhibition \"Prints by Hiroshige\", thank you note to Mr. Paine, etc. Dates- 11/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- proposed programming for the Museum. Dates- 2/49-9/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and lecturers. Subject- proposed program/events and exhibition schedule, biographical information on lecturers, etc. Dates- 10/50-4/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Peter Mooz. Subject- Artmobile schedules, Three-Days-In-March, members travel, grants, pamphlets. \"Proposal For The Development Of American Writers And Resources With Special Emphasis On The Production Of New Forms Of Drama Created Especially For Television\"; The Mark Report\": A survey and evaluation of VMFA statewide programs. Dates- 1974 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safaris, Artist-in-Residence, lectures. Film series: \"The Romantic Rebellion\", exhibitions, COVA events, agendas, Professional Workshop. Dates- 1975 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Nancy Durett. Subject- violin recital 4/47. Dates- 4/46-2/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- memos to determine dates for the Trust Fund Orchestra to perform at the Museum. Dates- 9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison and L. Cheek. Subject- VMFA educational services, VMT and all manner of print and broadcast media promotion. Exhibitions, publicity schedules, press releases and newspaper clippings. Dates- 9/50 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General invitation to groups to participate in VMT. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Prospective givers: foundations and individuals. Date- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newsom Report: \"A Report To The Virginia Museum Of Fine Arts\", 11/19/58, Earl Newsom and Company, a study of VMFA public relations, information and communications responsibilities. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Various outside publications mentioning VMFA, 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Design and production of AIV: promotion, organization, printing schedules, contributors , etc. Catalogue \"Architectural Drawings in Virginia\" and \"\"Confessions of an Ex- Elitist\", M.W. Fishwick, Popular Culture Association, American Studies Institute, Lincoln University. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photo of the Museum and of the \"Brussels Tapestry Exhibition\" 1949, Museum publications: VMFA Catalog of Paintings 1938, The Collection of Catesby T. Jones, 1948, and the following VMFA Members' Bulletins: vol.10, no.'s 1-5, etc. Dates- 1938-1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- copies of the following publications: The VMFA Annual Report 1947-8, The T. Catesby Jones Collection, Contemporary American Paintings 1948, William James Hubbard, Three Virginians Behl, Hunter, Blaine, Portrait Panorama, Program Season of 1947-8 and Member's Bulletins: Vol.1, No.8, Vol.8, No.'s 2,3,4,5,6,7,8and9. Dates- 1947-8. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release, jurors. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the Parsons gift of the Egyptian Gallery and 25th Anniversary Fund Committee. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations to the VMFA's 25th birthday celebration for the affiliates, 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release announcing loan of Chinese wine vessel. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 25th Anniversary projects, press release: message from the President (Robertson). Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Appeal to Trustees for contributions to the Drama Festival.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: 28th Virginia Artists Rotating Exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing a network of local art centers and museums affiliated with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VMFA as regional jury center for the national exhibition \"Designer-Craftsmen-U.S.A.\", news releases, information on obtaining a jury and a speaker, etc. Dates-2/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Va. Architects, Photographers and Designers, seminar for Historical Administrators, VMT and Virginia Composers Concert. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release and photo for first issue of AIV. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release on Arts in Virginia. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains a cover letter for a mailing, no date. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing 25th anniversary events, exhibitions, VMT, etc. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing conclusion of 25th anniversary celebration with the presentation of awards to Colonial Williamsburg, The Old Dominion Foundation, sculptor: Carl Milles, architect: Eero Saarinen, collector\" Robert Lehman and Naval designer: William F. Gibbs for their outstanding contributions to the Arts in Virginia. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and M.B. Christison (Assistant Director for Collections and Education). Subject- obtaining the exhibition \"Built in the U.S.A.\", presenting programs related to the exhibition, biographical information on Phillip Johnson, etc. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- photo of \"Little Triton\" fountain for the Bulletin, copy of Members' Bulletin vol.15, no.1(9/54), etc. Dates- 9/53-7/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Members' Bulletin. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- working papers for Members' Bulletin, calendar of Museum events. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vol. 13 no.'s 1-9, 1952-5/53; vol. 17 no. 8, 2/57; vol. f19 no.'s 7 and 8, 3/59 - 4/59. Biographical data on Iren Marik, pianist, and reviews. Dates-1952 -53, 1957, 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Vol. 20 no.'s 4-6, 12/59-2/60 Dates- 12/59 - 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases: Tours organized through Virginia Federation of Women's Clubs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases: season opening production and call for volunteers. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Extended performances of VMT's \"Carousel\". Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Bus trips to VMT. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- listing of certificate winners and a gallery guide from the \"Virginia Artists\" exhibition 1955. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Portions of VMT concert to be broadcast with commentary and explanations of technique. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Programs and photographs. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Information regarding the Museum's chapters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photographs [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing festival with guest artists: Helen Tamris and Daniel Nagrin. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Critic, Stella Adler, Speaker: Alfred de Liagre. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- TV news film of highlights of the College Drama Festival, script, telegrams and surveys to Virginia TV stations concerning air time and usage. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Announcement of individual participants announcing their attendance in the festival. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- loan of Cone collection from the Baltimore Museum of Art to VMFA for an exhibition, a catalogue of the Cone collection, news release about the  bequest of the collection to the Baltimore Museum of Art, etc. Dates- 10/49-6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Public information schedule for exhibition: \"The Architecture of Skidmore, Owings and Merrill\", \"The Little International\". Artmobile public and information schedule and Bulletin, vol. 19, no.2 10/58. Essay- The Little International Exhibition\", Fred Olsen, 4/57. Dates- 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills, reviews and biographical data.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- list of designers proposed for inclusion in the exhibition \"Design for Theatre\", tentative list, etc. Dates- 8/52-1/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing loan of painting by Winslow Homer. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Evaluation of the Discovery Television Series sponsored by the San Francisco Museum of Art. 1953-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Statewide Press Release announcing fellowships 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press Releases regarding fellowships 1961. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills and posters. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Buckminister Fuller. Subject- Exhibition of the work of 13 leading architects, opening lecture given by Buckminister Fuller, list of catalog content, gallery talk, press release, invitations and biographical data. Photographs. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing formation of a fundraising committee for the 25th anniversary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions: \"Drawings From Five Centuries From The Cooper Union Museum\", \"Hans Moller\", \"Is Photography An Art\", \"Sport and the Horse\", \"25th Anniversary\". Parsons gift of the Egyptian Gallery, Chamber Music Society, Virginia Artists, evening hours, speakers/lecturers, Virginia Art Alliance, state services, Fellowships, Search for a female collector with a collection of Imperial robes. Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases announcing exhibition of contemporary glass. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions: Skidmore, Owings and Merrill (AIA for Reynolds Building), publicity, progress report on exhibition arrangements. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Ivan Dmitri. Subject- Symposium on photography conducted by Dmitri with a panel composed of: A. Hyatt Mayor (MET) and Hilton Kramer (Arts Magazine). List of paintings and photograph comparisons and press releases. Photographs. Dates- 10/59 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Status report of the Broadway production. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about the loan exhibition. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Speaker 1957. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: History of Lynchburg Center published in the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Brief film on masterpieces of American silver, script and outline for the 25th anniversary program. Date- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains press releases.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains layout and planning for the publication. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of the moving of art objects, installations, physical plant and behind-the-scene workshops and people.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity stills.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Editorial Writers, agenda, and guest speakers, exhibitions, events, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Ms. Nemone Balfour. Subject- a ballad concert given by Balfour sponsored by the Museum, new release, printed material, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: R. Neutra lecture in coordinate with his VMFA exhibition. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- invitations to grand opening of the 10/54 VMFA addition. Dates- 9/54-10/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the Norfolk Museum affiliation with VMFA. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Bus tour and photograph. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Photographs of galleries. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing gift of marble statue \"Dawn of Young Womanhood\", Oronzio Maldrelli from Miller and Rhoads Department Store. Press releases from: Mariners Museum, National Gallery, Henry Ford Museum, Walker Art Center and the MOMA. Dates- 1959. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: purchase of Patronship by Richmond businesses for season tickets to VMT.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- radio transcripts and publicity releases. Dates- 1948-9. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 6/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases, publicity schedule 6/26- 7/22. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 5/56-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 4/51-4/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to media from the Museum. Subject- News Releases. Dates- 1952- 5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press releases for various museum events: theatre, exhibitions, films, etc. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Affiliation announcement of the Roanoke Fine Arts Center 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing the loan of \"The Ecstasy of St. Francis\" by Carravaggio. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release announcing the acquisition of a rare funeral monument from 2nd century B.C. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Advertising copy and selection of artist to draw a cartoon. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release for VMT promotion. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release announcing special schedule to accommodate bus trip from out of town. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Publicity schedule and advertising copy. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- scheduling a speaker (Bernard V. Bothmer) to coincide with the exhibition \"Smith's Egypt\", photo and biographical information about Bothmer, etc. Dates- 6/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition and Publication information regarding \"Sport and the Horse.\" [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- News Releases regarding newspaper column 1960. The column was carried in 50 Virginia newspapers as 42 weekly articles by Cheek. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Syndicated column written by Cheek as part of a promotion for the Museum's 25th anniversary. Contains a mailing schedule for the column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Return forms from newspaper publishers regarding column. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Promotional letter for newspaper column. 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast script for performance promotion. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from G. Friddell (Public Information Director). Subject- controversial nature of the \"American Painting 1950\" exhibition, James Johnson Sweeney was the juror for this exhibition, Sweeney biographical information, News Releases, exchange/gift publications of the catalogue to this exhibition, etc. Dates- 1/49-6/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast script promoting 25th anniversary year. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 25th Anniversary, broadcast scripts, VMT and list of Virginia and Washington TV stations. Dates- 1960. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Broadcast promotion script. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- press release with performance information  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release for VMT promotion. Dates- 10/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release concerning a 25th birthday year magazine, the inaugural publication of AIV. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Press release: Tours arranged by Virginia Federation of Women's Club in 6 Virginia towns to see VMT production of \"Carousel\" Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews of show. Dates- 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Introductory speeches. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"The Tempest\", \"The Mad Woman of Challiot\", \"Berkeley Square\", \"I Remember Moma\", \"Noah\", \"Blind Alley\", \"The Devils Disciple\", \"High Tor\", \"Oh Wilderness\", \"Private Lives\", \"The Petrified Forest\" and \"Victoria Regina\". Dates- 1955 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Assigned design projects and newspaper clippings. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- National broadcasts focusing on topics of national interest, VMFA requests for financial assistance to host a \"Meeting\", pamphlets and photograph. Dates- 1953 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: G.E.K. Smith, Aubrey Bodine and Gordon Bunshaft, biographical data, Competition promotion, preliminary text for official entry forms, press release. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- list of pieces included in the \"Virginia Artists 1953\" exhibition, list of purchases made from the exhibition, information on the jury and on purchase prizes, letter from Jacques Lipchitz, etc. Dates- 12/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information about the exhibitions and photographs of the artists and their works. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Jurors: Richard Lippold, Isabel Bishop and Perry Rathbone. Press release announcing event.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Eighteenth annual exhibition held at the Museum and sponsored by the Camera Club of Richmond. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- fountains that flank the Museum's front entrance. Dates- 9/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- photo of conservation lab, gift and exhibition of the Williams collection of art at VMFA, announcements to and articles in major art publications about the gift of the Williams collection. Dates- 3/52-10/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition \"The American Cartoon\", original American cartoons from the collection of Mr. Art Wood, invitations and R.S.V.P.'s to exhibition preview, photos of some of the pieces of cartoon art, etc. Dates- 5/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Wm. Quillan Jr. (President of Randolph Macon Women's College). Subject- Loan of Randolph-Macon's collection of paintings. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Isobel C. Lee (Steuben Glass). Subject- Loan from Queen Elizabeth, installation, lighting and press-release. Dates- 7/10/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile, AAM, Jamestown Foundation, loans, Accession, gifts, biographical data and resumes. Exhibition: Randolph Macon Collection. Letter from Richard Rogers to lecture to VMT, Reston Foundation: Minutes of the Executive Meeting, 9/12/60. Dates- 9/60, 5/62 - 12/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Loans, contributions, acquisitions, exhibitions and Africa Gallery. Dates- 1/68 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to W. C. Cottrell (Elec. Corp.). Subject- Proposal and technical information for Audio-Guide radio-lecture, pamphlets, blueprints/plans of galleries. Dates- 5/72 - 8/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, Priscilla Crum and M. Christison. Subject- Broadcast of Biennial Jury, notes from WMBG broadcast, 12/6/46, \"What Is Your Art Museum\", participants: Priscilla Crum (Curator of Education), Edward Davis III (Curator of Decorative Arts) Mrs. J.G. Pollard and T. Colt. Notes from WLEE broadcast, \"Know Your Museum\": a weekly series with guests from the local arts community and \"For Parents Only\": a children's radio program. Dates- 2/46 - 11/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- radio talk shows and transcripts. Dates- 12/37-9/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mr.and Mrs. Robert C. Randolph. Subject- the loan of a portrait of Wm. Henry Harrison by Rembrandt Peale to the Museum for the inaugural exhibition and an additional later loan. Dates- 9/35-11/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek and Mary F. Williams. Subject- The service of Beatrice Von Keller as VMFA Acting Director during Colt's military duty. Biographical data, Randolph-Macon Collection including the acquisition of the Bliss Collection. Dates- 7/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Hours of operation, policy, menu. Dates- 1964 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and the Frank Rehn Gallery. Subject- loan of paintings to inaugural exhibition of VMFA and later proposed acquisitions from the Frank Rehn Gallery, etc. Dates- 9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Artist from West Virginia: application and recommendation for a Rosenwald Fellowship by T. Colt. Dates- 6/49 - 10/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rennolds' service as a Trustee and entertainment committee. List of objects in the home of her mother, Mrs. John Kerr Branch, that may be of use to the VMFA. Dates- 1/53 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Policy and requests for rental of museum meeting rooms. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for state/federal funding for the creation of the \"Latrobe Theatre\" (never built), a professional theatre organization. The design of the Theatre was based on plans by the 19th century architect Latrobe. \"The Virginia Museum Theatre\", statement of facts in relation to charges appearing in the Richmond Times - Dispatch, 10/13/66. Subject- 8/65 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of requests and general correspondence. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison, Edward Kallop and L. Cheek. Subject- Inquiries concerning specific artists, objects, valuations, conservation/restoration, etc. Dates- 6/56 - 6/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- L. Cheek served on the Board of the Reston Foundation Community Program, includes roster of board members. Dates- 11/10/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to the Executive Director of the Reston Fund. Subject- L. Cheek's membership on the Board, and proposals for development of the Reston Community, low-cost housing, maps, agendas, Reston architects, Minutes of Annual Meeting- Reston Community Foundation,12/15/64, 4/25/65, 11/12/67, 4/8/68. Dates- 6/65 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VMFA membership and letter of condolences to the Reynolds family. Dates-10/70 - 6/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. cheek. Subject- R. J. Reynolds service as Chair of VMFA promotion and development committee. suggested organization agenda for the meeting of the Public Relations Development Committee, to further the advancement of VMFA. Contributions, invitations and photographs. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"R.S. Reynolds Memorial Award\", awarded annually to the architect or group of architects who make the most significant contribution to the use of aluminum, aesthetically or structurally, in the building field. Theodore Rozak chosen to commission the first sculpture. Dates- 5/58 - 11/6 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Miss Katherine Rhoads. Subject- a bequest to the Museum. Dates- 5/35-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from G. Martin (Secretary of VMFA). Subject- Rhoads Medal awarded to persons who have made a notable contribution to Art in Virginia; list of recipient, excerpts from the Minutes of the Executive Board, 5/25/69/. Biographical data on Concetta Scaravaglione, designer of medal. Medal awarded to Walter Spencer Robertson. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence to and from Rhoads as Vice-president Board of Trustees. Dates- 1934-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contributions to a purchase fund in his memory. Dates- 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt, L. Cheek, Mrs. J.G. Pollard and P. Mellon. Subject- Museum business, exhibitions. Pratt Estate, John Barton Payne Endowment, Resolutions in memory of Judge Payne, resignation of Colt, Fellowships. List of employees and job descriptions. List of Benefactors, Patrons and Life members, Board of Trustees, Rockefeller Foundation, segregation, contributions, gifts and accessions, including Mellon. Dates- 11/40 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, W. Robertson, Mrs. J.G. Pollard and W.S. Rhoads. Subject- General letter to membership from the President (W.S. Rhoads), Webster S. Rhoads Medal, Artmobile III and South Wing. Dates- 1951 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General Museum Business, VMT, policy regarding expense accounts and museum entertaining. Dates- 5/57 - 11/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitation list, invoice for cocktail party honoring W.S. Rhoads. Dates- 5/8/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Westwood Winfree (Pres. RAA). Subject- Winfree's participation in the Virginia Rotating Exhibition and other events. Requests for restructuring of jurying procedure. \"Reasons For Suggesting A State-Wide Artists Study Committee To Be Sponsored By The Virginia Museum Of Fine Arts\". Dates- 2/56 - 9/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- Richmond Chamber Music Society programming seasons: 1950-1, 1951-2, 1952-3, 1953-4 and 1954-5, membership rosters 1951-2 and 1954-5, etc. Dates- 10/50-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- proposed policy for relations between VMFA and Richmond Chamber Music Society (conducting events there), listing of Society members, etc. Dates- 1/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- To increase Jaycees interest and support of VMFA. List of member organizations. Certificate to L. Cheek as a member of the \"Civil War Centennial Committee\", Minutes from the \"Society of Architectural Historians,1/30/58. The presentation of the \"Distinguished Service Award\" to L. Cheek. Dates- 11/60 - 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Disturbances in area of Westmoreland Place (Cheek residence), Cheek's Anniversary Party. Presentation of Canal Locks to Mayor M.M. Crowe. Dates- 2/64 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Field trips taken to the museum by schools throughout the state, 1950-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Broadening cultural horizons in Richmond, proposal for Civic Center in downtown Richmond and the necessary steps for improvement of downtown, editorials, newspaper clippings. \"Plight Of Museums Is Very Real\", L.J. Ahlander, 11/25/65, Washington Post, \"Activities Center Study For The City Of Richmond\", Wm. A. Briggs A.I.A. and B.R. Johns A.I.A., Associated Architects, 8/1/64, \"Modern Living\", 11/6/64, Time and \"Are Most cities Too Ugly To Save\", 11/30/64, U.S. News and World Report, Inc. Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains financial statements for the organization. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- proposed relationship of The Richmond Film Society with the Museum (use of Museum facilities), Film Society programs 1951-2, 1952-3, 1953-4, 1954-5 and 1955-6, etc. Dates- 6/50-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of compliment to editors and journalists of Virginia periodicals regarding VMFA. Dates- 7/58 - 19/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Priscilla Crum, T. Colt, L. Cheek and M. Christison, Theresa Pollack, H.H. Hibbs and Mrs. J.G. Pollard. Subject- Exhibitions and musical programs. Dates- 9/45 - 11/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, J. Schaeffer (General Manager, RSL) Subject- Opening performance and concert dates. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Gala opening event of Artmobile. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and L. Willock (Exec, Dir.). Subject- Renewal of Affiliate members. Dates- 1961 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Charter proposal for a Roanoke museum and minutes from the Roanoke Fine Arts Committee. Dates- 12/47 - 9/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Special building committee, draft of letters from Affiliates/Chapters in support of VMFA expansion to be sent to the House Appropriations Committee , members of the Senate and members of the State Finance Committee. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and E. Will (Pres.). Subject- Purchase of \"St. John the Baptist\", Rodin, in memory of W.S. Robertson. Dates-2/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artmobile proposal, museum business, exhibitions: \"George Stevens Makes A Film\". Fellows organizing campaign, selected list of paintings in VMFA permanent collection. Rosters: Members of commission of State Capital and Outlays and Means of Financing; VMFA Executive Officers and committee's. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter from the President to the membership (W. Robertson), grant proposal for North Wing architectural plans.  List of objects needed for VMFA collections.  Rejection of the north facade by the Arts Commission.  Schedule of events, newspaper clippings.  \"Connoisseur's Comments\", guided VMFA tours narrated by world-famed collectors, critics and curators.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- letter of interest in erecting a monument to Bill Robinson. Dates- 12/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Rockefellers' membership in the Fellows and their subsequent donation to aid in the Drama Development program. Dates- 1955 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Charles Fahs (Dir. Rockefeller Foundation), W.S. Rhoads. Subject- Proposal for the formation of VMT with initial funding from the Foundation, \"Charter for the Rockefeller Foundation\": Statement of purpose and methods of operation. Dates- 1/50-12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Roman Bronze Works Inc. Subject- casting busts of Gov. Pollard and Judge Payne and casting other figurative groups. Dates- 9/35-1/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of authentication. Dates- 4/60 - 8/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Addresses made by F.D. Roosevelt upon the opening of the Museum of Modern Art. Dates- 6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Matilda McCord Roper (Mrs. George W. Roper). Subject- donations. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, expansion of VMFA print collection, The Alverthorpe Collection, loans of prints. Dates- 8/65 - 12/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA as recipient of a rose garden by the Garden of the Patriots. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- M. Ross as VMFA advisor, on retainer, for Byzantine and Medieval acquisitions. the Heeramanecks and Hunt Collections. Dates- 9/65 - 1/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data and brief history of Rothschild family. List of paintings in VMFA from Rothschild Collection. Dates- 1963 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Text and pamphlet for the opening of the Melchers Room. Photographs. Dates- 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Edward B. Rowan. Subject- mural competition for post offices in Petersburg, Hopewell and Richmond. Colt acted as chairman for a regional committee to carry out this competition for the Procurement Division, Public Works Branch of the Treasury Department, etc. Dates- 3/30. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- securing a speaker (Mr. Everett Parker Lesley, Jr.), obtaining a transparency from Time magazine of one of the Museum's eggs, etc. Dates- 3/53-8/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- General correspondence to Trustees regarding Museum business and events. Photographs and slides. Date- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- General correspondence regarding loans, acquisitions and invitations. Dates- 1/62 - 11/73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Eero Saarinen. Subject- Aline Saarinen broadcast on the VMT Shakespeare Preview. Drawing. Dates- 1/56 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibition: \"Master Drawings\", with lecture by Paul Sachs. Theft of Degas drawing on loan to VMFA from the Fogg. List of London and Paris art dealers. Dates- 5/51 - 6/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- letters from other U.S. Art Museums about staff salaries and Curator's Report activities from the 1st season 1/16-5/24 1936. Dates- 1936- 7/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for purchase of cases from the Greek Gold exhibition. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Form letters: members, advertisements, donors, other institutions regarding loans, lectures and publication requests, etc. Dates- 1967 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Samuels gift of building for the Front Royal Library. Loan and cleaning of \"View Near Oxford\" by Richard Wilson. Dates- 4/52 - 9/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- 10th Miller and Rhoads Women's Forum; invitation to Philip Johnson to serve as a speaker. Biographical data on James Parton and Max Abromovitz. Dates- 8/51 - 6/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Hans van Weeren-Griek. and Concetta Scaravaglione. Subject- exhibition of her work and insurance of a piece that was damaged. Dates- 9/40-7/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events and mailing schedules. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Events and mailing schedules, Paul Taylor Dance Tour, Safari-Dinner, agendas, etc. Dates- 7/70 - 7/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Appraisal of an agate cup belonging to Mrs. Paul Mellon as a work of art, for the Customs Commissioner. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- war-time high school art exhibition held at Miller and Rhoads department store, list of hostess for this event. Dates- 1943-4. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Invitations and general correspondence regarding the opening's of new art centers/buildings of various institutions, anniversary celebration, National Presentation Broadcast of Artmobile. Dates- 9/60 - 9/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.G. Pollard. Subject- Loan of items in his Collection to VMFA and his service as Vice-President. Exhibitions: American Contemporary Prints and Sport and Horse. Melcher Estate, accessions and acquisitions, list of gifts to VMFA. Dates- 1950 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Scott, Horner and Mason, Inc. Investment Securities in Lynchburg, VA. Subject- possible investments by VMFA, financing the new wing and the possibility of matching a Public Works Administration grant. Dates- 5/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Seay collection of Decorative Objects, list of objects in Seay home. Dates- 1/39 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and letters to and from Leslie Cheek. Dates- 1956.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Service reports on traveling exhibits. Dates- 1948-49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence about slide loans. Dates- 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Museum Services. Correspondence regarding loans 1952. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Houdon statue of Washington on loan to VMFA, insurance valuation. Seymour's lecture on \"Houdon in America\" and panel discussion on contemporary sculpture. Opinions on dating and provenance of VMFA objects. Dates- 5/50 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Shalett's articles on the VMFA for the \"Saturday Evening Post\" and \"The Diplomat\" Dates- 8/56 - 10/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, letters of invitation to VMFA events, College Drama Festival. Melchers Estate: \"The Last Supper\", newspaper clippings and postcards. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Virginia Film Society, Dance Tour, VMT: job descriptions, Table of Organization, staff hours, Theatre Associates and Annual Theatre Train. Date- 4/66 - 8/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Agenda and events for Entertainment Committee, loan of Col. Anderson bequest items. Dates- 1/59 - 5/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and E. Shiflet (Sec. of Education). Subject- budget, museum business, financial profile, role of office of Education and pamphlets. Executive Order #20 and #21: Reassignment of VMFA to the Office of Education. Dates- 8/72 - 12/74 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Dealer in antique English silver and his gift to VMFA of a silver teapot. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT, juror search, biographical data, exhibition catalogues, loans of art work, accessions, gifts and general museum business. Dates- 1956 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- General correspondence, exhibitions, requests for publications, pamphlets, invitations, exhibition catalogues, A.D. and W.C. Williams Trust Fund. Photographs. Dates- 1969 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- paperwork authorizing R.A.Velz and W.J. Rhodes to sign vouchers and checks, list of Virginia Museum Theatre expenditures 1956-7. Dates- 2/56-11/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Blank stationary.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- excerpts from Virginia Architecture exhibition catalogue, miscellaneous correspondence about catalogue,  etc. Dates- 11/58-1/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- compliments on exhibition \"Architecture in Virginia\", thank you notes to the Museum about exchange/gift publications of exhibition catalogue-Architecture in Virginia 1776-1958: The Old Dominion's Twelve Best Buildings, etc. Dates- 9/58-4/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- biographical information on various 20th century architects. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- G. Smith (architect, writer and photographer), biographical data, and his collection of Travel Posters. Newspaper and magazine clippings, invitations. Application for Fulbright grant. Dates- 2/52 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Her membership on Executive Board, donation and contributions. Dates- 5/51 - 4/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. Marrow Stuart Smith, Virginia artist, correspondence with museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of alumnae in Virginia. Dates- 9/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, M. Christison, and Mrs. J.A. Pope (International Traveling Exhibition Service). Subject- Exhibition: \"Swedish Textiles Today\": catalogue, pamphlet. Brussels World's Fair, U.S. Pavilion. Catalogue of Traveling Exhibitions for 1961-62. Dates- 4/53 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- S.A.H Directors meeting in Richmond, formation and organization of a Virginia chapter: agendas, lists of prospective members, directors of S.A.H., minutes from S.A.H. meeting. Dates- 12/52 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Meeting agendas, Architects Virginia Tour, preservation of the National Capitol, Shirley Plantation, landmarks in danger. Proposal to coordinate the activities of the SAH with AIA and the National Trust for Historic Preservation in the field of Historic Buildings Preservation. SAH: Minutes of Executive Board, 10/26/57, 5/17/58, 10/18/58, Treasurers Report, 1/58-4/58, Newsletters. Dates- 1956 - 58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Lists: Fellows, Staff and Board of Trustees. Invoices, receipts and newspaper clippings. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Dinner schedule, agenda and pamphlet. Dates- 5/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Confirmation for Dinner event and agenda. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fall meeting to be held at VMFA, conference agenda, mailing list and pamphlets. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Meeting agendas, events schedules, attendance rosters, officers, newsletters, registration forms. Report of SEMC '72 meeting, \"SEMC Notes\", no. 1, 1974 and no.1, 1975. Dates- 1972 - 77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- printed material for exhibition \"Southern Exposures\", the following essays: \"Coming of Age of Photography\", \"Down the First Century of Photography with George and Heutis Cook\", \"Concerning the Cook Collection and Its Recovery of the Epos of the Attic\", etc.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Williamsburg International Assembly Speakers, biographical data: Edward Downes, Charles Seymor, Harris Prior and Arthur Drexler. Dates- 1951 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Gaines. Subject- Biographical data of speakers: C.V. Donovan and Joseph Curtis Sloane. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- printed material for the opening for prospective members. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safari Theatre Dinners, loan exhibition previews, maintenance. Dates- 1967 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Essay- \"The Art Museum As A Community Center\", by L. Cheek. Pamphlets, newspaper and magazine clippings of other museum programs. Date- 1961 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- early interest and planning of the exhibition \"Sport and the Horse\", etc. Dates- 5/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Frederick Robinson (Dir., SMFA). Subject- SMFA exhibition of Virginia Artists. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibitions, security, general operations and museum business. Employee policy, regulations, salaries, etc. Dates- 1962 - 66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General Museum operation, exhibitions, publicity evaluation, landscaping of Confederate Chapel, loan exhibition previews. Dates- 1963 - 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Employee policy/regulations, programs division, collection divisions, staff information and table of organization for Theatre Arts Committee. Newspaper clippings and salaries. Dates- 1966 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Suggested structure of staff organization and salary scales. Dates- 2/54 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA By-Laws 1958 and 1959, income sources, proposed improved operations plan. Salary information from the Smithsonian Institution. Job description for Assistant Administrator. Date 1959 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Head of Collections Division and Education Supervisor, Program Division. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Business meeting and reception regarding architectural improvements, gifts and loans to the State Department reception rooms. Dates- 4/66 - 6/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- reception for General Assembly Wives. Dates- 2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Service reports for loans of exhibits, films and slides. Dates- 1951-1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for information regarding circulating visual materials 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member requests for exhibitions 1952-53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member requests for exhibitions 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Non-member Requests for gallery visits and lectures 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Out of state inquiries about Museum services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Out of state inquiries about Museum services 1950. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of prospective organizations for using extension services 1948-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Requests for circulating visual materials and exhibitions 1949-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General Correspondence Traveling Exhibitions 1949. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains information on the artmobile. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains statement for addenda to the Governor's report concerning the VMFA.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between L. Cheek, Jr. and Mr. Saul Steinberg. Subject- exhibition of Steinberg's work and lecture by Steinberg, etc. Dates- 8/53-1/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening of new auditorium, purchase of pianos and price lists. Program for the Chamber Music Society, newsletters from Steinway and Co. , 4/55-6/55. Dates- 4/55 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Philip N. Stern, Chairman of the Art Commission, Commonwealth of Virginia. Subject- Art Commission meetings, funds for museum equipment, funding from the Public Works Administration, architectural exhibition, etc. Dates- 7/35-10/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Steuben correspondence with the VMFA, 1938-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Ten Talents In the American Theatre\", Ed. David Stevens; \"Theatre For Art's Sake\" by L. Cheek. Proposal to the Rockefeller Foundation for financial support of VMT. Dates- 12/49 - 5/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Near. Subject- Her gift of \"La Signora in Biege\", Lazzaro Donati. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, preliminary design program for South Wing Addition, letters to other museums regarding design, security and general building functions. Dates- 1948-49, 1962-63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Jas. N. Trevillian (Secretary). Subject- Conductor of the New York Philharmonic Orchestra, concert at the VMFA and program. Dates- 1947 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between VMFA and Gordon E. Strause, 1935-40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Strause and various Museum staff. Subject- exhibition of his collection at the Museum, written complaints by Mr. Strause, Strause is named 1st honorary benefactor of the Museum by the Board of Trustees. Dates- 3/36-5/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J. G. Pollard, T. Colt and L. Cheek. Subject- Lewis S. Strauss, founder of the Albert Einstein Award (for achievement in Natural Sciences). Chairman of the Atomic Energy Commission, his service on the VMFA Finance and Membership committees. Letter of Henry Anderson regarding discussion with Paul Mellon and VMFA expansion potential. Newspaper and magazines clippings, Artmobile, gifts and contributions. Dates- 1945 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Fellows: theatre Orientation, general meetings, prospective Fellows, report of the Fellows 5/3/67. Date- 1965-71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- As a Trustee and member of the development committee. Contributions. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard, L. Cheek, Jr. and Mr. William A. Stuart. Subject- Trustee/Museum business, etc. Dates- 7/51-8/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Julia Sully to the Museum. Subject- Virginia Art Index. Dates- 1935-48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and J. McGee (Sunrise, Pres.). Subject- \"Sunrise\", Charleston Cultural complex, budget analysis, roster of Executive Board, Annual Report, 1971, pamphlets. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt and L. Cheek. Subject- Early correspondence concerning museum services, statement of purpose, Pratt Bequest, exhibitions and requests for publications. Dates- 7/45 - 12/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General correspondence, request for publications, employment, Fellows, Russian Loan Bill, gifts, contributions, biographical data. Dates- 6/56 - 5/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Museum business, loans of art works, list of objects for long term loan, zoning ordinance. Paul Tishman Collection, Troubs Collection of Russian miniatures. Provenance of St. John the Baptist, Rodin. Pamphlets, brochures and press releases. Dates- 2/70 - 10/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. J.G. Pollard, M. Christison, John Canaday and Maurice Bonds. Subject- Informal discussion series on art, artists and technique. Topics: Lithography, sculpture, restoration, art history etc. Includes biographical data on lecturers and exhibitions. Excerpt from \"American Silversmiths and Their Marks II\", by Stephen G.C. Ensko. Dates- 9/48 - 3/49 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding Mrs. A.I. duPont's gift of tapestries to the VMFA and a subsequent exhibition, 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding taxes on honorariums, admissions and rental space, 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA series of weekly TV programs, list of suggested topics, program guests, resource information from other Institutions, film rentals, television presentation of the 25th Anniversary and minutes of the Mayor's Committee on Educational Television, 11/11/53. Dates- 3/54 - 1/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from M. Christison. Subject- The development of a public television station to be shared by educational institutions. TV question and answer scripts and newspaper clippings. Dates- 1/49 - 7/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings. Dates- 1961-62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Salary scales, job openings at VMT, applicants, referrals, biographical data, financial statements, staff tors and guest speakers. Dates- 3/58 4/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Thalhimer. Subject- Biographical data, production, general theatre administration and Ford Foundation Fellowship Grant. Dates- 5/58 - 7/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Basil Langton. Subject- Langton's service as VMT guest director of \"The Tempest\", in celebration of the Jamestown Festival; program and procurement of professional actors. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Wm. Thalhimer Jr. Subject- Exhibit: \"Habiliments for Heroines\" underwritten by Thalhimers, VMT: \"Lady in the Dark\", Lorren Aldrich Collection. Catalogue: \"The Helena Rubenstein, Princess Gourelli Collection\", Deluca, Editore Roma, June 1953. Dates- 11/51 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His service as a Trustee and Chair of the Theatre Arts Committee on theatre and Television, museum business, salary scales, general operation of VMT, budget, income, newspaper clippings. Contributions and gifts. Dates- 6/52 - 3/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Underwriting of Mediterranean court, plants and flowers. Gift of Sandwich glass. Dates- 5/55 - 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Thayer's service as special assistant to the Secretary of State for Cultural Affairs. Biographical data, UNESCO, ICOM, International traveling Exhibitions, placement of American works of art in United States Embassies. Dates- 5/59 - 12/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committee Minutes 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Committee minutes, agendas and programs, box office grosses etc. Letter from Paul Mellon. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Establishment of a theatre Collection by Louise Branch of drawings, scenery and costumes. Dates- 2/59 - 3/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Thalhimer. Subject- Proposal for costume ball. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Morale and general organization of the VMT Associates, proposed speakers, newsletter and roster of VMT Associates. Dates- 4/57 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and William Morrison. Subject- taped readings by Henry Fonda, Lee Remick and Olivia deHavilland on the anniversary celebration. Reviews and letters to other film stars. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Safari-Dinner agenda and setup. Dates- 10/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reviews, gift of Dan River Mills fabrics for costumes. Programs: \"Streetcar Named Desire\", \"School For Wives\", \"Camelot\" and \"The Odd Couple\". Dates- 1967 - 68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- reviews, letters of compliment. Program: \"the Royal Hunt of the Sun\" Dates- 1968 -69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and staff hours. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Report of Acoustical Analysis for Auditorium of Virginia Museum Theatre\" Dates- 9/1950 and 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Review, performance production. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Theatre-designer: salary and letters of recommendation. Dates- 1955 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMT, Dance, Film and Chamber Music Societies: financial statements, salaries, budgets, production costs, income records, purchase of stage equipment and suggested future of organization. Dates- 2/54 - 12/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- bus tours from Virginia towns for Theatre evenings, sponsors by Virginia Federation of Women's Clubs, newspaper clippings. \"The Virginia Club Woman\", vol. XXXII no. I 8/55. Dates- 1/59 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Chairman of Yale Drama Dept., his service as consultant to VMT, budget suggestions for proposed VMT, various drama activities, playbill, budgets from other University Drama departments. Dates- 1/56 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program, letters of disagreement between directors and actors. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The first annual event, critic and counselors: Virginia Freeman, Meriam Rosen, Dan Wagoner, Patricia Wityle. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Valerie Gettis as guest speaker/artist. Dates- 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Invitations to college Presidents. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Alan Schnieder, Speaker: Jo Mielziner. The 1st College Drama Festival, guest lists and exhibition of Jo Mielziner's theatre designs. Newsletter. Dates- 8/56 - 4/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Harold Clurman, Speaker: Norris Houghton. Events schedule and program. Dates- 4/57 - 2/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Norris Houghton, Speaker: John Gassner. Event agenda/program, brochures. Dates- 4/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Henry Hewes, Speaker: Marc Connelly, reception, production procedure, etc. Newsletter 2/60 Dates- 10/59 - 2/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Stella Adler and Speaker: Alfred de Ligre, Jr. Event schedule, festival speaker, program, biographical data, reviews. Dates- 11/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Event agenda, scheduling, program and newspaper clippings. Dates- 2/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Critic: Robert Lewis, Speaker: Edward Albee. Event agenda/program, brochure, pamphlet, etc. Dates- 10/56 - 4/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Original drama by John C. Collison, VMT Premiere. \"New Play in Virginia\", Wm. Morrison, Encore vol.6 ,no.5 Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and L. Cheek. Subject- Reorganization of Museum Theatre 1972-73, budget and summary of proposals. Additions to VMFA statutes and By-Laws. Theatre Committee annual Report 6/30/67. Dates- 5/67 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Contributions, minutes of Theatre Patron Campaign Committee. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- theatre Arts Committee Executive Meeting minutes 6/30/70 and 7/6/70, Rosters for various Executive committee's of VMFA. Reviews and pamphlets. Dates- 9/69 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- HEW grant to produce and circulate throughout Virginia a play during 67-68 season, suggested dramas. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions: \"Gibson Collection of Contemporary Italian Art\", \"Contemporary Japanese Art\", \"Ten Reynolds Sculptures\". Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, A.H. Ballet and Robert Telford. Subject- General VMT business, schedule of events, scenic design, reviews, performance, staff policy/procedure, ticket prices, season subscriptions, etc. Dates- 1955 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- College Drama Festival, Dance Society and Chamber Music Society. Performance programs, events schedules, guest director contract, pamphlets and contributions. Dates- 1959 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- General Theatre Business, contractual agreements, events schedules, Richmond Film Society, College Drama Festival, financial statements, theatre reviews and job applicants. Dates- 5/61 - 9/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- theatre openings, job descriptions, applicants, hours. Dates- 12/62 - 3/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT, Vignettes tour, general estimate of costs, Drama, Dance and Music programs.  \"Virginia Report For State Arts Agency Individual Projects July 1, 1966- June 30,1967\" and \"Performing Arts in Virginia Education\" an introductory survey. Dates- 1966 -68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Budgets, financial summary, events schedules, newsletters, etc. Dates- 1969 - 70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Season events, programming, budget and revenue, newsletters, list of season subscribers and press kit for the Mummers Theatre, Oklahoma City, Oklahoma. \"Constitution of the Virginia Museum Theatre Associates\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Theatre business, budgets, salaries, production schedules, invitations, program design, contracts, etc. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Letters to and from VMT subscribers, program for \"Purlie\". Proposals for summer season productions, opening night telegrams. Dates- 1974 - 75 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Operating expense appropriation, \"VMT Sound System Report\", and synopsis of No Title play of the life of Lord Byron by Romulus Linney (later titled \"Childe Byron\"). Dates- 1975 - 76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Reviews. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Keith Fowler. Subject- Reviews, production calendar and letters of compliments. Dates- 1970 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Event underwritten by the Weeden Foundation. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letter of invitation, remarks after preview. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Programs. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Payment for use of two geese. Program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Financial report and program. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Program, reviews, letters of complaint from theatre patrons regarding play content. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program, search for guest director. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Review, program and editorials. Dates- 1969 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Letters of complaint and approval from theatre patrons. Dates- 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List of series underwriters, proposal for music lecture series conducted by Dr. John White. Dates- 10/58 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Patron financial support and proposal for a Sunday lecture series: \" The Eager Listener\". Dates- 9/59 - 9/61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Harpist: Nicanor Zableta, brochures of concert series sponsored by other museums and galleries. Dates- 1/50 - 1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Program Dates- 6/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Morton Thalhimer. Subject- General letters to theatre subscribers, brief outline of the five scheduled plays and descriptions of the major characters. Dates- 1957 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Playbills, magazine and newspaper clippings of performances in theatres other than VMT. Dates- 12/54 - 11/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews and programs for \"Separate Tables\", \"The Skin Of Your Teeth\", \"Ondine\", \"Kiss Me Kate\" and \"The Kids\". Dates- 1959 - 60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Robert Telford. Subject- Rehearsal schedules, invitations, programs: \"Life With Mother\", \"The Limbo Kid\", \"Pygmalian\" and \"The Brothers Karamazov\". Dates- 1961 - 62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews, letter/telegrams of compliment. Programs: \"Teahouse of the August Moon\", \"The Woman from Colchis\", \"Hall of Mirrors\", \"Caesar and Cleopatra\" and \"The Most Happy Fella\". Dates- 1962 - 63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reviews, letters and telegrams of compliment. Program: \"A Thousand Clowns\". Dates- 1963 - 64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Robert Telford. Subject- Reviews, letters/telegrams of compliment. Programs: \"The Admiral Crichton\", \"Hedda Gabler\". \"Tartuffe\" and \"No Time For Sergeants\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Reviews, letters/telegrams of compliment. Programs: \"The Comedy of Errors\", \"The Visit\" and \"Fanny\". Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters/telegrams of compliment. Programs: \"Androcles and The Lion\", \"The Miracle Worker\". Contributions from Dan River Mills. Photographs. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Reviews, letters/telegrams of compliment, opening night gala, Safari Theatre/Dinners. Programs: \"The Glass Menagerie\", \"Once In A Lifetime\", \"Julius Caesar\", \"Blithe Spirit\" and \"Three Penny Opera\". Dates- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown, Keith Fowler and Ken Letner. Subject- Reviews and Letters/telegrams of compliment. Programs: \"Charley's Aunt\", \"The Sorrows of Frederick The Great\", \"Uncle Vanya\", \"Twelfth Night, On What You Will\" and \"the Man Who Lost the River\". Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- Timetable, production schedules, Safari theatre Dinners, programs and reviews. Dates- 1972 - 73 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters to former subscribers seeking financial assistance for the upcoming season. Photographs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letter/telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and Keith Fowler. Subject- VMFA By- Laws 1972, Minutes of Theatre Arts Committee 10/21/71, agendas, budget and cost estimates. Dates- 1955 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Programming, policy for relations to the VMFA, contractual agreements, events schedules, promotion plans and financial statements, programs and brochures. Executive board meetings: 7/57, 11/57, 2/58, 4/58, 5/58. Dates- 4/56 - 9/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters and contributions from Chamber Music Society Patrons. Dates- 1956 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Proposal for the formation of the Dance Society, guest list, officers, policy regarding the Dance Society's relationship to the VMFA. Minutes of Executive Board, 5/11/56, 6/12/57, 7/57, 12/57. Receipt and attendance records, contributions, programs, pamphlets and guest performers. Dates- 5/56 - 5/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letters and contributions from patrons of Dance Society. Dates- 1956 - 57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Rockefeller grant to the museum to develop theatre and a program in drama, 1955. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Kay Rockefeller. Subject- Traveling exhibition troupe for children's theatre: financial statement and invitations. Dates- 9/57 - 3/58 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program for \"Rossum's Universal Robots\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT designated seating area according to race, and letters of protest in support of Dr. Mary Elizabeth Johnson. Dates- 1/56 - 5/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letters/telegrams of compliment. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Robert Telford and Morton Thalhimer. Subject- Attendance records, publicity program and biographical data. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters and telegrams of compliment. Dates- 1960 - 61 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cost estimate, theatre needs and improvements. Date- 12/56 - 7/57 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sample survey, list of Chapter/Affiliate communities. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Morton Thalhimer and Robert Telford. Subject- Theatre Arts Committee agenda, VMT proposals for: director, administrator, production and apprentices. Date- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"The Gallows Man\", limited performance schedule, invitations. Dates- 1958 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Events program, list of composers represented. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cancelled, considered distasteful for VMT audience. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Program and letters, telegrams of compliment. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- floor plans. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- AAMD conference, theft of Roualt drawing from Toronto Gallery, requests for publications. Dates- 5/50 - 1/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains reports concerning slide sets and film strips distributed throughout the state. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Fashion designer to lecture on fashion from 1752 to 1952 for the exhibition: \"Habiliments for Heroines\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- New York World's Fair, newspaper and magazine clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- His election to VMFA Board, museum business. Dates- 5/51 - 2/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings of Governor Tuck. Dates- 12/49 - 1/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Biographical data, Tunnard's expertise on city planning. Virginia Town Case Study Group: \"Problems of Planning in the Small Southern Town\". Dates- 1952 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Severance of affiliation to the VMFA. Dates- 2/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Artist for VMFA Christmas card. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from F. Brandt and Wm. Gaines. Subject- Seminar to expose students and teachers to the function and operation of VMFA, agenda, program procedure, etc. Dates- 11/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Questionnaire from UCLA Graduate School of Management and the College of Fine Arts on the priorities related to the Arts, pamphlets. \"U.S. Information Agency-Its Task in World Affairs\". Date- 4/51 - 7/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and L. Cheek. Subject- Annual Meeting Minutes, travel authorization, organization news, pamphlets, general UNESCO business. Dates- 10/46 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Conference topic: Aid to South American Museums, project development, UNESCO Annual Report, Report of Program Committee. The Voice of America, Forum Lectures with transcript of by L. Cheek of \"The Art Museum As A Community Center\". Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Requests for loans of slides from South American Museums for L. Cheek's presentation to Denver conference, list of South American Museums. Dates- 1959 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Opening of UDC new building. Resolution concerning accessibility to members of UDC, invitations. Dates- 6/57 - 12/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence, reports, minutes. Expansion of local service. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Charitable organizations that have received UGF monies and fund raising campaign. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- The Air Force Memorial Center: statement of purpose, design, personnel requirements, building program, Minutes of U.S. Air Force Fine Art Committee 6/58 and 12/60, \"Proposal For The USAF Memorial Education Center\", travel vouchers and floor plan for the Academy Museum (Planetarium). Slides. Dates- 2/57-4/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Edward R. Murrow as Director, merging of the People-to People Program (organization of museum professional) with the USIA. Newspaper clippings. Dates- 1961 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Forum Series\": International Broadcast, lecture series. Essay- \"the Art Museum As A Community Center\" by L. Cheek. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- UNESCO Action to safeguard Nubian monuments due to the construction of the Aswan Dam. Roster of Honorary Committee, International Action Committee, United Arab Committee, Executive Board Minutes. Dates- 4/60 - 11/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Virginia State Employees U.S. Savings Bond campaign, handbook for canvassers, meeting agendas and progress reports. Dates- 1973 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Col. H.W. Fitzroy. Subject- Coordinating agency between institutions and other cultural, educational and scientific agencies in Virginia through a lecture series of visiting scholars. Dates- 9/54 - 8/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Bayly Art Museum and the McIntire School of Fine Arts at the University of Virginia. Dates- 1935-43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Lecturers and AIV contributors, loans of objects, fellowships. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and T. Colt. Subject- UVA Museum loan of objects and lecture tours, fellowships. List of prints on loan to VMFA from Catesby estate and list of Lurcat Tapestries. Dates- 8/47 - 12/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Museum business, Artmobile, VMT, requests for loans, contributions and gifts. Reference to photos of ancient Greek sculpture, architecture and landscape views, invitations, pamphlets and postcards. Dates- 10/58 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains the schedules for staff vacations. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence of Hans van Weeren-Griek, curator of Education at the VMFA. Dates- 1940-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Report regarding vandalism and misconduct: soaping of the fountains and damage to shrubs. Dates- 11/58 - 3/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Velz' service as VMFA Head of promotion, civilian and military experience record, newspaper clippings and Melchers Estate. Dates- 1949 - 55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains general correspondence of Velz, Associate Director of VMFA 1958. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Status of tax deduction, recommendations for event, invitations and dance card. Dates- 1964 - 65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 9the Annual Viennese Ball sponsored by the Council: Ball Committee, agenda, decoration, invitations, etc. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- Virginia Art Alliance By-Laws, program and minutes of VAA meeting 1945, Report of the Trustees of Richmond Academy of Arts 1933, correspondence with other members of VAA, etc. Dates- 1933-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- program for annual meeting 1941, blank ballots labeled \"Board of Trustees Ballots\", statement of need for a state Supervisor of Fine Arts Education. Dates- 4/40-2/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- reports of activities of organization members 1942-3, correspondence with organization members-no annual meeting held this year due to World War II, etc. Dates- 3/43-5/43. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcement, agenda and program for annual meeting 1944, correspondence with organization members, election of officers/trustees, etc. Dates- 3/44-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting minutes ('49), listing and certification of delegates to VAA annual convention ('49), listing of the VAA Board of Trustees ('49), etc. Dates- 1948-49.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes from meetings and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence to Miss Helen C. Rose (Virginia Art Alliance President). Subject- correspondence with member organizations, etc. Dates- 3/58-8/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- minutes of Trustees meeting and annual meeting 1959, roster of officers and Trustees, program for annual meeting 1960, etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of Va. Art Alliance). Subject- announcement, replies agenda and program for annual meeting of (1936) the VAA Trustees, listing of organizational members to VAA, certification forms for delegates to the VAA annual convention (1936), etc. Dates- 5/35-5/36. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension VMFA, Secretary of VA. Art Alliance). Subject- announcements, program and report for VAA annual meeting 1937, resolution changing the organization of the VAA (consolidating its function with that of the VMFA), certification of delegates to VAA annual meeting 1937, etc. Dates- 4/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept., Secretary of VA, Art Alliance). Subject- VAA annual meeting announcement and program (1938), certification for delegates to VAA annual convention 1938, correspondence with member organizations about the reorganization of the VAA (consolidating its function with that of the VMFA), etc. Dates- 2/38-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance). Subject- announcements and program for VAA annual meeting 1939, certification of delegates to the VAA annual convention 1939, letter from Gayle to the State Board of Education supporting the appointment of a state supervisor of art, etc. Dates- 3/39-6/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1940, correspondence with member organizations, nomination of trustees, certification of delegates to annual convention 1940, etc. Dates- 3/39-5/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- announcement and program for annual meeting 1941, report of the VAA 1940-1, listing of organization members, By-Laws of VAA 1934, correspondence with trustees, etc. Dates- 3/41-4/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- program for annual meeting 1942, roster of member organizations, reports from member organizations, Annual Report of the VAA 1941-2, listing of VAA lectures in 1941, Museum Bulletin (VMFA) vol.2, no.6, 1942etc. Dates- 3/42-4/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA. Art Alliance). Subject- announcements, program and minutes for annual meeting 1944, reports of member organizations 1944, certification of delegates to annual convention 1944, listing of Board resolutions during war time, roster of member organizations, etc. Dates- 4/44-5/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. T.C. Colt (Secretary of VA Art Alliance). Subject- announcements, program and minutes for annual meeting 1945, roster of trustees and nominating committee, reports of member organizations, certification of delegates to annual convention 1945, etc. Dates- 3/45-2/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945, announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance) Subject- minutes of annual meeting 1945,announcements, program and minutes for annual meeting 1946, correspondence with member organizations, reports of member organizations, certification of delegates to annual convention 1946, Secretary's report to VAA 1946, rosters of member organizations and trustees 1946, final copy of Facilities for Organization Members Comprising the Virginia Art Alliance booklet, correspondence with George Rickey about a panel discussion, etc. Dates- 2/46-7/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- Virginia Art Alliance meeting program ('46 and'47) and minutes ('46), list of members ('47), certification of delegates to annual VAA convention ('47), Reports of art activities around the state, etc. Dates- 1946-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VA. Art Alliance)and M.B. Christison (Curator of Education). Subject- copies of 1947 resolution about art display areas in public buildings, minutes of annual meeting 1947, announcements and program for annual meeting 1948, roster of member organizations 1948, correspondence about securing guest speakers for VAA annual convention 1948, certification of delegates to annual convention 1949, etc. Dates- 7/45-11/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- membership roster ('48), list of trustees ('48), announcement, minutes and attendance to annual meeting ('48), summary of panel discussion about art education in Va. schools, statement of VAA purposes and objectives, etc. Dates- 1948. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- minutes of the Virginia Art Alliance meeting ('47 and'48), Board meeting announcement and attendance, program of annual meeting ('48), list of suggested nominees to the VAA Board ('48), etc. Dates- 1947-8.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard (Secretary of VAA). Subject- annual reports of activities made by VAA members. Dates- 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Annual meeting 1955. Correspondence, resolutions and programs. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence, minutes and agendas. Form letter announcing annual meeting 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Minutes, agenda and correspondence. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcement and minutes of Fall Meeting 1957, correspondence with member organizations, etc. Dates- 11/57-12/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Meeting held at the Museum. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1957, appointments to nominating committee, minutes of the Trustees meeting 1957, roster of organization members, The Annual Review of the Virginia Art Alliance 5/39,etc. Dates- 2/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and tentative reservation list for annual meeting 1958, etc. Dates- 9/58-10/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes for annual meeting 1958, reports of member organizations, Virginia Art Alliance By-Laws, proposed revisions to By-Laws, VAA procedures, appointments to committees and to board, etc. Dates- 1/58-5/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements, program and minutes from annual meeting 1959, member organization reports, roster of VA. Art Alliance officers and trustees, VAA By-Laws, etc. Dates- 5/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison Assistant Director VMFA). Subject- announcement and schedule for annual meeting 1959, blank reservation forms for school artmobile visits, etc. Dates- 10/59. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Assistant Director VMFA). Subject- announcements and program for annual meeting 1960, listing of nominating committee appointments, roster of officers and trustees, listing of delegates to annual meeting, etc. Dates- 3/60-4/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- reports from member organizations, etc. Dates- 1956-7. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- List of organizational members and their attendance, correspondence and form letters. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of trustees and list of members 1951-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of trustees' meeting 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Board of Trustees, 1952-55. Correspondence, minutes. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Trustee correspondence, minutes and members. Dates- 1956. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard Subject- preliminary work for the VAA booklet: \"Facilities for Organization Members Comprising the Virginia Art Alliance\". Dates- 8/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by M.B. Christison (Secretary Virginia Art Alliance). Subject- minutes of Virginia Art Alliance (VAA) annual meeting 1957, proposed revisions to By-Laws, etc. Dates- 8/56-1/60. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- outline of a state art federation, constitutions, by-laws, information on other art federations (i.e.: The American Federation of Art, The Kansas State Federation of Art, The Indiana Federation of Art Clubs, etc.), etc. Dates- 1/34. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Va. Art Alliance procedures and a short history, draft of proposed revisions to VAA By-Laws, Annual Review of the Virginia Art Alliance. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA/ Secretary of the VA Art Alliance). Subject- VAA By-Laws 1934, resolution (1936) to consolidate the functions of the VMFA and VAA, information about the development of a new type of VMFA annual membership- the organization membership, etc. Dates- 1934-10/37. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by H.B. Gayle (Director of Extension Dept. VMFA, Secretary of VA Art Alliance). Subject- listing of Trustees 1934- 39, Trustee meeting announcements, letters accepting election to the VAA Board of Trustees, etc. Dates- 11/34-4/38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA representative on the Virginia Art Commission. Dates- 11/55 - 12/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- selecting and securing jurors for the exhibition \"Virginia Artists 1955\", listing of pieces and artist included in the exhibition, printed material for the exhibition, etc. Dates- 12/54-5/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Jurors: Paul Smith, Rose Slivka and Frank Getlein. Salon des Refuse's, biographical data, exhibition catalog. Dates- 6/66 - 6/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Prospective jurors and exhibition announcement. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Jurors: Thomas Hess. Exhibition statement, reception, guest list, members preview, program agenda, discontinuation of salon des refuse's, installation and exhibition catalog. Dates- 1967, 11/70 - 4/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper and magazine clippings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Correspondence regarding auditor's reports. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Audit Reports 1936-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Auditors Survey and Systems study of the VMFA. 1954. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Wm. Morrison. Subject- Filming of \"California Watercolors\" traveling exhibition with footage of Virginia Beach Sidewalk Show included in the 25th anniversary film. Dates- 1960 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Prospectus for the Virginia Center For the Performing Arts. Statement of purpose: Academy-Conservatoire of Dramatic Art with training center and professional theatre. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding objects and paintings in private collections throughout state of Virginia. Correspondence with artists and owners. 1935-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Statement of mission, NEA grants, proposals, awards, potential applicants, recipients. Collectors' Circle: Arts and Humanities Challenge grants for Conservation projects. Degas exhibition. Dates- 2/74 - 6/78 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- VCU and U of R Drama departments. VMFA/VCU Museum Methods Course. Dates- 1971 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Peter Mooz and J.M. Brown. Subject- Current/future cooperation between VCU and VMFA: theatre, Art Historical studies, education, museum training, music dept.'s, VCU Conservation Lab and Anderson Gallery. Dates- 1/73 - 2/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Paul Smith. Reception, guest list, program, agenda and exhibition catalog. Dates- 3/71 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Juror: Henry Wolf. Event program, invitations, guest list, statistics regarding entrants, certificate winners, etc. Exhibition catalogs for \"Virginia Designers\", 1970 and 1971; \"Virginia Photographers\", 1970 Date- 1970 - 71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regarding state budget 1946-52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VEA Centennial Event and retired teachers complex, theatre program and Executive Committee Minutes, 12/61. Dates- 10/63 - 10/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Retired teachers apartment complex proposed for the 2900 block of Grove Ave., later rejected by the City Council, newspaper clippings. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Exhibition: \"American Rooms in Miniature\", sponsored by Va. Federation of Women's Clubs, sponsorship of statewide tour of Artmobile, newspaper clippings and pamphlets, \"Virginia Journal of Education\", 10/63, catalog of \"American Rooms in Miniature\" by Mrs. J.W. Thorne, Art Institute of Chicago, 1941. Dates- 6/53 - 2/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Virginia Federation of Women's Clubs Statewide Arts Festival. Dates- 5/67 - 3/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Thank you notes from newly elected/reelected members of the House of Delegates. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. John. S. Battle. Dates- 1949-54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. Colgate W. Darden. Dates- 1942-45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. George C. Peery. Dates- 1935-38. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Bills vetoed and passed by Gov. Thomas B. Stanley [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Gov. William M. Tuck. Dates-1946-50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Multi-level Arts Festival held annually in Abingdon, Va., loans of art works, consultation on programming and pamphlets. Dates- 11/52 - 10/56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, F. Numan (Wm. and Mary) Subject- Meeting to focus on Architecture and the Humanities. Dates- 11/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Catalog from Franklin Mint series of silver commemorative medals. Norton Simon summary of Annual report, 1970. Dates- 1970 -71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Mrs. J.G. Pollard was chairman of this agency; copies of: Fundamentals of a Growing Recreation Program by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Agendas and minutes of meetings.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Concerns a Governor's commission to study juvenile delinquency and the Virginia Advisory Legislative Council. 1954-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report to the Committee on \"Recreation as a Function of Government in Virginia.\"   [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- copies of the executive order creating the Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- planning a listing of recreation films available through state agencies and 16mm Recreation Films Available in Virginia published by the VA Inter-Agency Committee on Recreation, etc. Dates- 6/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- working papers and final copies of the \"1st Report to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 10/53-1/54; Correspondence Subject- copies of the \"First Report to the Governor by the Inter-Agency Committee on Recreation\". [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Selected legislation on recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- membership rosters for the VA Inter-Agency Committee on Recreation. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- statewide recreation reports listing facilities, budgets, organizations and needs, pamphlets from the National Recreation Association, etc. Dates- 7/53-9/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Sponsored by the National Recreation Association 1955-56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains a listing of personnel and the purpose of the committee.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Newspaper clippings and pamphlets.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Pamphlets, magazine articles etc. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Copies of \"Fundamentals of a Growing Recreation Program\" by James E. Rogers. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- working papers for and final copies of the \"1st and 2nd Reports to the Governor by the Virginia Inter-Agency Committee on Recreation\". Dates- 11/55-1/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Sarah Tomerlin Lee, Biographical data, event program, pamphlets and catalog for exhibition. Dates- 9/70 - 3/71 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Museum events, rosters: Senate, House of Delegates. Letter to members of the general assembly. Essay- \"The Virginia Museum and the Arts in Virginia\". Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Reception for organization composed of Mayors, City Managers and City Officials. Dates- 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Faye Ambrose and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year. Dates- 5/56-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Charles E. Baker and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications and award letters (1950, 1951) for VMFA in-state fellowship, artist progress reports for 2 years, etc. Dates- 5/50-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Regina Bartley and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 4/51-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Wm. Thomas Bland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA fellowship, thank you notes made by Mr. Bland (mixed media including watercolors). Dates- 8/48-2/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Robert Brushwood and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations, award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Kuhn R. Caldwell and Mrs. J.G. Pollard, M.B. Christison (Assistant Director), and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, artist progress reports for 1 year . Dates- 12/55-5/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mary Frances Cheatham and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA junior fellowship, artist progress reports for 1 year. Dates- 1/49-3/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Janet Clausen and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Robert L. Davis and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA in-state fellowship, photos of artist's work, artist progress reports for 1 year, etc. Dates- 4/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Worden Day and Mrs. J.G. Pollard, M.B. Christison and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA fellowship, etc. Dates-4/49-8/50. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. T.V. Downing, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 10/49-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Charles Flynn, Jr. and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year. Dates- 4/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 2/54-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Jenny-Lynn Franklin and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- award letter for VMFA in-state fellowship, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Barbara Harding and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications ('53 and '54), recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/53-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Catherine M. Hipp and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Jem W. Hom and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for a VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 4/56-7/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between W.B. Houghland and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Caroline C. Huff and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-6/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. William W. Jackson and Mrs. J.G. Pollard and L. Cheek Jr. Subject- applications (1948,1949), recommendations and award letter for VMFA fellowship, etc. Dates- 5/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Knapp and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/53-8/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. James Leedy and Mrs. J.G. Pollard and M.B. Christison (Assistant Director). Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1 year, etc. Dates- 5/57-6/58. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Brenda R. MacBaisey and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year (includes lithography proofs), etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. James P. Moyers and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Joe Ravenscroft and Mrs. J.G. Pollard. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress reports for 1 year, etc. Dates- 5/52-5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, application and recommendations for VMFA fellowship, etc. Dates- 8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Marnye Reinhart and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- biographical information, recommendations for VMFA fellowship, etc. Dates-8/48-10/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between M.F. Russell and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for out-of-state fellowship, artist progress report for 1 year, etc. Dates- 4/55-7/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between R.E. Spain and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, artist progress reports for 1 year, etc. Dates- 5/55-6/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Ms. Mary R. Tatum and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress reports for 1year, etc. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Primm Turner and Mrs. J.G. Pollard, M.B. Christison (Assistant Director) and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA out-of-state fellowship, artist progress report for 1 year, application for Catherwood Foundation fellowship, etc. Dates- 3/56-9/57. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. E. Parker Twombly and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA out-of-state fellowship, recommendation letters written by: Ben Shahn and Robert Motherwell, artist progress report for 1 year, etc. Dates- 5/53. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application and recommendations for VMFA student fellowship, artist progress reports for 1 year. Dates- 5/51-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Benjamin Wigfall and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA student fellowship, artist progress report for 1 year, etc. Dates- 6/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Howard Woody and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for student fellowship, etc. Dates- 4/54-6/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mr. Peter Wreden and Mrs. J.G. Pollard and L. Cheek, Jr. Subject- application, recommendations and award letter for VMFA in-state fellowship, etc. Dates- 4/53-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- listing of fellowship applicants, requests for applications, rejection letters, etc. Dates- 3/49-6/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject- applications, recommendations and rejection letters for those applicants not chosen to receive fellowships. Dates- 3/52-5/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., L. Cheek, Jr. and Mrs. J.G. Pollard. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship, fellowship announcement, minutes of the fellowship committee meeting (1954), etc. Dates- 12/40-5/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard. Subject- listing of applicants 1942-44, listing of types of fellowships offered by the Museum, etc. Dates- 1942-11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- various applications, recommendations, rejection letters, etc. Dates- 5/46-6/46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- announcements of fellowships, blank fellowship applications, requests for applications, various completed applications, award and rejection letters for fellowships, artist reply letters, etc. Dates-4/46-12/47. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. and Mrs. J.G. Pollard. Subject- various applications, recommendations, fellowship recipient progress reports, award and rejection letters, correspondence with Fellowship committee, etc. Dates- 4/47-9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by Mrs. J.G. Pollard and L. Cheek, Jr. Subject-the organization of the Fellowship committee, requests for fellowship applications, etc. Dates- 9/48. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. John L. Pratt. Subject- gift of GM stock, the proceeds to be used for the proposed VMFA fellowship program, minutes of: annual board meeting (1941), executive committee meeting (1940), VA artists fellowship committee meeting (1940), announcement/application for VMFA fellowship, etc. Dates- 6/40-4/56. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- General correspondence about the Museum. Dates- 1939-46. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Exhibition- \"The Virginia Museum of Fine Arts in Roanoke\", 1948.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Essays by Director Thomas Colt on the Principles and Work of the Virginia Museum of Fine arts and its history.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Timetable, agenda, invitation, guest list. Dates- 1972 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and F. Brandt. Subject- Juror: Henry Callahan, biographical data, entry form, letters to selected applicants, statistics: entrants vs. applicants etc., and jury procedure. Dates- 4/71-2/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Fellowships, VPI Traveling Theatre. Letter to Josef Albers with biographical data, invitations and exhibitions. Dates- 3/59 - 10/69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Contains pamphlets and correspondence between this association and Mrs. Pollard's Inter-agency committee on recreation 1949-54; Reports and Inventories of recreational activities of state agencies. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- VMFA budget, state issue vehicles, Artmobile, salaries, Robinson House, etc. Dates- 1960 - 69 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown. Subject- Complimentary memberships to members of the house of delegates, travel regulations, United Givers Fund campaign, management studies. Dates- 1970 - 72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VSAA membership rosters, membership of confidential secretaries to directors of state agencies. Dates- 9/63 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- Memos to heads of state agencies regarding all manner of state operations, capital outlays. Annual Report of \"Virginia Department of Vocational Rehabilitation\", 1976. Dates- 1/73 - 10/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- Affirmative Action and Freedom of Information Act requests. \"Virginia Local and Regional Planning 1974\"; \"Virginia Commission Visually Handicapped Annual Report\", 1973-74; \"Virginia Highway Commission Annual Report\", 1973-74. Dates- 11/74 - 12/76 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from the Office of the Governor. Subject- State governmental management, budget appropriation requests, Virginia calendar of events, newsletters, museum salaries and the Virginia Privacy Act of 1976. Dates- 4/75 - 4/77 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Regards donating old exhibition materials 1950-51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt. Subject- Roster of VMFA Trustees, resume of progress in the Fine Arts of Virginia. Dates- 1946 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and E.M. Kates (VSIF). Subject- Planting of flower beds and maintenance of interior foliage, Elizabeth Kates Foundation. Dates- 8/56 - 4/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Cleaning and treatment reports of portraits owned by the Virginia State Library and Archives. Also correspondence regarding the wartime protection of Virginia's cultural materials, 1935-42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- outline of annual meeting. Dates- 11/49. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- \"Planning Your Town\" traveling exhibition, photos and description of exhibition installation, copy of an essay written by Cheek for Art Digest (4/52) Dates- 2/52-10/56.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by L. Cheek, Jr. Subject- VA Union choir singing at the Museum during the Christmas season, pamphlets about Museum sponsored activities during the holidays, etc. Dates- 9/55. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Statewide competition for the design of Memorial and jury selection. L. Cheek's service as advisor to the Memorial Commission. T.J. Collins and Son as winners of competition. \"Program Of Competition For The Virginia World War II Memorial\". Dates- 12/50 - 3/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Program Of Competition For The Virginia World War II Memorial\", firms invited to compete in the final selection, expenses incurred and resumes of applicants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, John J. Wicker Jr. (Chairman). Subject- Competition program, VWW II Memorial Commission meeting minutes, \"Preamble\", for the creation of the memorial, \"Architectural Competitions\", AIA Document no.213. Drawings/plans and photographs for site development. Dates- 5/50 - 12/51 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- 1953 Official Report of the Virginia World War II Memorial Commission. Dates- 1953. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Competition program and closing proceedings. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Applications from selected entrants, official report of the jury in their selection of J.T. Collins and Son, (A.I.A.). Dates- 3/51 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Report of the Jury concerning the winning design. Jury members: Waldon Franklin, George Howe, Frederick C. Disque, Edward D. Stone, W. S. Robertson, biographical data included and list of competition entrants. Dates- 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Guest lecturers, membership. Dates- 12/63 - 8/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and Mrs. von Keller. Subject- appointment of von Keller as Acting Director of VMFA in absence of Colt, biographical information, etc. Dates- 4/35-6/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. von Keller (Art Director, Randolph-Macon Woman's College). Subject- personal, Museum events, etc. Dates- 8/42-3/51. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Morton Vose. Subject- Acquisitions and provenance of objects. Dates- 7/56 - 2/65 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Mrs. J.G. Pollard, T. Colt. Priscilla Crum and L. Cheek. Subject- Segregation in children's art classes, Study of early 19th century architect and builder John Jordan. WRVA Radio weekly series of VMFA activities, Salon des Refuses' for artists eliminated from the Virginia Artists juried exhibition. World War II Memorial design competition, Artmobile, newspaper clippings, paintings from the Williams Collection and the Helena Woolworth McCann Collection of Export Collection. Exhibition catalog: \"Eugene Wiesz\". Photographs. Dates- 9/45 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and M. Christison. Subject- Artmobile, AIV, sit-see chairs, collectors circle, Fellows, Wise Pre-Columbian Collection, requests for employment. Woodrow Wilson Birthplace Foundation: Annual Report 10/64. Gifts, loans, contributions and acquisitions. Dates- 3/60 -11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from J.M. Brown and P. Near. Subject- Exhibition announcements, invitations, newsletters, biographical data, requests for employment. Purchases, gifts and acquisitions. Damage report of art works. \"Profile\", re: Tishman Collection of African Objects. \"Hermes Wingraf Quarterly Catalog\", Summer 1971, re: 17th century Dutch still-lifes. Dates- 2/70 - 3/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Waddy bequest for fountain construction. Costs of construction and maintenance of fountains: National Gallery, Frick Collection and Isabella Stewart Gardner Museum, includes photographs. Blueprints/plans: VMFA Site Development, East Elevations. Excerpt from the will of Woodson P. Waddy. Dates- 1947, 1951 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Bronze Waddy Memorial Fountains, architects: Eggers and Higgins, Sculptor: Ralph Menconi. Contractual agreement with architects, Blueprints/ plans, detail drawings for : Waddy Memorial Fountain, Triton Fountain, East elevation and site development plans. Dates- 8/53 - 11/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt and Mr. Clifford L. Walker. Subject- inscribed plates for paintings in Museum collection, bronze busts and tablets for founders. Dates- 11/35-8/41. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Walpole Society Dinner, membership roster and newspaper clippings. Dates- 1966 - 67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- VMFA staff orders for conduct of Museum during an emergency, pamphlets from the U.S. Government, Association of Art Museum Directors and American and British museums about art preservation in case of a wartime emergency. Dates- 1/42. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Warburg Collection on loan to VMFA and his address to collector's circle. Bulletin vol.18 no.9 5/58 Dates- 5/57 - 10/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT scenery design. Dates- 1968 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- pamphlets from the U.S. Government, Association of Art Directors and American and British museums about art preservation in case of a wartime emergency. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- prospective sale of George Washington portrait by Peale to the state of Virginia, history of the painting, may have been commissioned by the state in 1784 for use by Houdin (the sculptor of the George Washington statue in the capital). Dates- 10/37-6/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Marion Junkin. Subject- Metropolitan Collection on permanent loan to W\u0026L, letter from M. Junkin espousing the talents/commitments of the young artist Cy Twombly. Hans Gasman as restorer for VMFA lists of objects and exhibitions. Dates- 11/49 - 12/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., Mrs. J.G. Pollard and Mr. Alexander W. Weddell. Subject- Weddell's presidency of the VMFA Board of Trustees, Museum events and daily operations, Museum investments and gifts to the Museum, gifts from Weddell, listing of Trustees 1942, listing of Trustees committee assignments 1945. Dates- 9/35-6/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from T. Colt and Mrs. J.G. Pollard. Subject- Founding member of VMFA, resolution from Executive Board in memoriam of Alexander Wilbourne and Virginia Chase Weddell. Award of the Webster S. Rhoads Medal for distinguished service. Minutes of Annual Meeting, descent and authenticity of a pair of copies of portraits of George Mason and his wife. Dates- 7/45 - 1/48 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and J.M. Brown. Subject- Foundation financial support: VMT, library, contributions to Fellows fund, book purchases, VMFA services catalog. Dates- 7/66 - 12/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Director of Gallery of Modern Art, NYC, and his service as a juror. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- \"Time\" article on George Catlin, artist of the American West. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and P. Mellon. Subject- Ultimate destination of Mellon English Collection. Dates- 1966 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Tour request. Dates- 9/70 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek to Mrs. J. H. Parsons. Subject- Wheelchairs adapted for sit-see chairs and underwritten by Mrs. Parsons. Dates- 10/65 - 3/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Lecture/recital to VMFA council and Fellows. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Invitation to L. Cheek by President Johnson to attend luncheon for President-elect Barrentos of Bolivia. Dates- 7/20/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Objects on loan to White House. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Theo B. White. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Diorama's made by Whitelaw in the collection of the L.A. County Museum and George Washington Masonic National Memorial Association. Photographs Dates- 7/62 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- general correspondence with a Trustee on Museum programs and operating activities (esp. Accessions Committee). Dates- 6/35-3/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from Beatrice von Keller, T. Colt and L. Cheek. Subject- Organization of an exhibition of pre-Columbian sculpture, Catesby-Jones collection, Whitman Collection of Mayan Sculpture, Chrysler Collection accessions and exhibitions. Date- 8/45 - 5/53 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mrs. Thelma Cudlipp Whitman. Subject- Trustee/Museum business, etc. Dates- 5/51-2/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Ambassador to Great Britain, invitation to become Collector-of-the- Year. Dates- 5/61 - 7/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr. and various Whitney Museum staff. Subject- loans to the Museum for the inaugural exhibition, loan to the Whitney from VMFA, museum practices, etc. Dates- 5/35-4/44. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Summer state service projects, VMFA projects list. Dates- 7/55 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Playwright, invitation to address VMT, Time Cover 11/12/53. Dates- 1/53 - 3/62 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA appointment to Board of Trustees, service as President and on the Entertainment Committee. Museum business, South Wing, Fellows, NEFTA. Gift of Mellon French painting collection, gifts, contributions. Dates- 6/65 - 10/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Exhibitions: \"Jean Outland Chrysler Collection\" and \"30 Years of Virginia Art\". List of objects, Charter Day ceremonies: invitation list and dedication of the new Fine Arts building. Essays- \"Thomas Jefferson and the Fine Arts\" and \"The Arts in Virginia\", by L. Cheek 2/67. Dates- 1967 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMT and loans of objects to VMFA. Dates- 1/50 - 12/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek and Mrs. J.G. Pollard. Subject- Williams Collection inventory, Williams purchase fund, statement concerning the informal agreement between L. Cheek and Mrs. A. D. Williams concerning installation of collection in the new wing. Selected inventory of furnishings in the Williams home. A.D. Williams as recipient of the Rhoads Medal, financial contributions, gifts and loans. Dates- 6/48 - 2/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence with Berkley Williams Jr., Virginia artist. Dates- 1936-44.  [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between T.C. Colt, Jr., and Mr. E. Rand Williams. Subject- Trustee/Museum business, Rand served as Buildings and Grounds Committee Chairman 1937-8 and as first Vice-President in 1941, etc. Dates- 6/35-6/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence between Mrs. J.G. Pollard and Mr. E. Randolph Williams. Subject- Trustee/ Museum business, etc. Dates- 5/51-4/52. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Glasglow bequest, Melchers Estate, Pratt Jewels, Portrait of \"James Patton Preston\", Gilbert Stuart, general legal questions. Dates- 10/58 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Election to board of Trustees; Dance Society. Dates- 6/54 - 5/64 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Advisory committee on the new Reception Center, L. Cheek as a member and a map with the proposed location. \"Summary of Reception Center Objectives and Experience\". Dates- 11/53-1/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- List of objects accepted as loans and pending gift status. Dates- 10/49 - 3/50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Preliminary plans for a foundation to house objects related to W. Wilson's life. Portrait exhibition of the 8 Virginia born Presidents, portrait of Mrs. Wilson, artist unknown. \"Woodrow Wilson's Heritage of Faith\", Frank Bell Lewis, Woodrow Wilson Birthplace Foundation, 1956. Dates- 9/55 - 6/59 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Letters of request and approval for event, agendas and timetable. Dates- 1965 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Letter of confirmation. Dates- 7/11 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Subject- Woodlawn Plantation event, guest list and map. Dates- 1971 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. to Worcester Art Museum staff. Subject- loans for VMFA inaugural exhibition, loan to Worcester Art Museum, etc. Dates-8/35-7/40. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- exhibition held at the Museum \"Southern States Preview\" a regional exhibition connected to the World's Fair. Dates-10/38-12/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by applicants to exhibition. Subject- listings of artists accepted to the show (listed state by state). Dates- 12/38-1/39. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Arthur Drexler (MOMA) to lecture on Wright exhibition, reception, guest list. Dates- 1962 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Transcript of radio broadcast 2/26/54, exhibition: \"American Painting\", Artmobile and magazine excerpt. Dates- 1954 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Betsy Wyeth and Harry Brooks (Knoedlers). Subject- \"Country\": Working drawings, Artmobile layout and tour and reviews. Dates- 2/67 - 11/68 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, J.M. Brown and P. Near. Subject- Exhibitions, loans, acquisitions, AIV, gifts, contributions. Correspondence with William Zorach, sculptor. Dates- 9/49 - 9/72 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence by T.C. Colt, Jr. Subject- museum practices, loans for the VMFA inaugural exhibition, etc. Dates-9/35-3/45. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- General correspondence from Alumni, possible lecturers, newspaper clippings. Correspondence between Cheek and Alfred Stiegletz. Minutes of Alumni and Friends of the School of Art and Architecture, 5/58, pamphlets. Dates- 6/58 - 4/66 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Third Report Of The Committee On Architecture, Painting and Sculpture\", 4/50. Committee membership roster, issues facing various Yale departments. \"Bulletin Of Yale University\", series 44, 4/48 #5 and \"Official Register Of Harvard University\", vol. XLV, no.15 7/15/48. Dates- 1949 - 50 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek, Mrs. Pollard and M. Christison. Subject- Yale school of the arts general operation, appointment of Joseph Albers, list of University Council Committees. Dates- 9/48 - 9/54 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Draft of the committee report and responses from other Yale committee members regarding departmental personnel, curriculum, problems and resolutions. \"Report Of The Committee Of The Division Of The Arts (Architecture and Planning And Design)\",prepared by L. Cheek, 4/54. [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- \"Report Of The Chairman Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 4/48, prepared by L. Cheek. Issues concerning Yale departments of the arts. Minutes of Yale Executive Committee Meetings, various reports on Yale departments. Dates- 1949 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Cheek draft of, \"Report Of The Committee On The Division Of The Arts (Architecture, Sculpture and Painting)\", 1952. Yale policy review, new appointments, letters to other committee members, roster of membership. Dates- 5/51 - 4/52 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- Evolving challenges of the various Yale departments. \"Report Of The Committee On The Division Of The Arts (Architecture, Planning and Design)\", 4/53. Dates- 1953 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","Correspondence from L. Cheek. Subject- VMFA performance of Yale Glee Club, agenda, program, roster, etc. Dates- 10/60 - 1/60 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]","R. Peter Mooz was Director of the museum from 1976-1981.","Charles L. Reed was Interim Director of the museum from 1981-1984.","Paul N. Perrot was Director of the museum from 1984-1991.","Katherine R. Lee was Director of the museum from 1991-2000.","Richard B. Woodward was Interim Director of the museum in 2000.","Michael Brand was Director of the museum from 2000-2005.","Thomas N. Allen was Interim Director of the museum in 2006.","This series contains correspondence and subject files from staff members in the Director's Office.","Carolyn Weekley was the Assistant to the Director from 1978-1979. She later became Curator of Decorative Arts, so there is some overlap in the files with her curatorial work.","Margaret (Peggy) Burke was Assistant to the Director from 1980-1981, then Deputy Director in 1982, Deputy Director. She originally served as Assistant Director for Collections and Interpretation, so there is some overlap in the files with her other work.","Lulan Yu was Assistant to the Director from 2002-2007. Her files are mostly related to the North Wing expansion and the museum identity project.","Lee Anne Hurt Chesterfield was Assistant to the Director from 2004-2009, then became Director of Board Relations and Museum Planning. Her files are mostly related to special projects, exhibitions, and AAM reaccreditation.","This series consists of building files that were maintained separately in the Director's Office. There are often additional building files found in each Director's Correspondence files.","The West Wing was completed in 1985.","The North Wing expansion was completed in 2010.","This series consists of corespondence with internal and external groups, the affiliations or creations of which often often overlap different Directors.","This series consists of minutes and planning documents for meetings convened by the Director.","This series consists of program files that were maintained separately in the Director's Office. 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